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Speaker 1: No man, I'm swallowing leaf just for a chance o

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your breath.

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Speaker 2: And now I'm known you.

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Speaker 3: Long and not knowing know what even walking rocks about it.

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Speaker 4: I'm just one old jan thought.

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Speaker 2: Of my own.

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Speaker 5: Now gone, and I'm love no love Sony Roll, I'll

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german my team more time, Spornly, spot By South Strong, Sound.

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Speaker 3: The Lost Storm, Main Street, cod Godiday, You.

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Speaker 6: Run growing such different ways. I don't know fill let now,

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maybe don't let me.

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Speaker 7: Ead offend the ground Noveles, Whiskey.

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Speaker 2: Wa Girl mt Arized or.

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Speaker 6: Sound Stop pas Son, chip my tea Hard.

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Speaker 2: Times or we.

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Speaker 4: You got bout so.

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Speaker 8: Strong Love God may get be.

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Speaker 2: Walking in on seven.

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Speaker 9: Stew got Shall, chip my Tea mort Times, Snook got

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about so stout.

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Speaker 1: Seven times out of ten.

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Speaker 10: We listened to our music at night.

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Speaker 13: That's gon titled business program.

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Speaker 11: Late Night to Light with DJ Midas right here on

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WMNH Manchester.

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Speaker 4: You want to know why because Saturdays and Sunday nights

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midnight to four am.

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Speaker 14: This hour on wm NH is sponsored by CGI Business Solutions,

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Speaker 15: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP the sonic heart

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feats of Manchester. The transcending through the ether at ninety

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five point three megahertz frequency modulation or transmissions emanate from

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the zenith of one thousand Elm Streets, insur into the

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hearts of our creative realm at one nineteen Canal Street,

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where innovation and sound coluge. They're the impro moder of

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Manchester Public Television Service in the venerable city of Manchester,

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New Hampshire, USA. Enrich your auditory journey with the depth

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of our license to WESIDENSSPT your missives. Do WMNH ninety

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five three at gmail dot com or true for the

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virtual corridors of w m n H Radio dot or

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engage with our sonic vibrations by communing with us through

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the digital channels or radio. Beeconds eager to enthrall you

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with its mesmerizing cadence and envelop you with a symphony

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of boundless on its horns wonder.

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Speaker 16: W m n H rip the nobles, whats the bone?

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Speaker 2: Oh love my evenu.

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Speaker 17: You left.

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Speaker 2: Lists won't say now roding away.

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Speaker 4: He's a braid in the hard so.

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Speaker 2: It's all will be all.

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Speaker 18: I'll just keep rinsing the beef lit, the warm and

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yellow sky's all far.

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Speaker 2: Far about.

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Speaker 9: The star.

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Speaker 4: Jos Rouse out, No.

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Speaker 2: Keep but dragging his dad.

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Speaker 5: Run away some breaking your heart.

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Speaker 3: So it's like, no the letter, he's coming over no more,

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never nor myself peace of sound.

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Speaker 2: The running keeps all breaking. Now he's waking about, so

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he's waking up. So I'm keep morning lit. No rayh.

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Speaker 8: You are listening to w m n H ninety five

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point three.

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Speaker 3: The Command God don't get Supreme Leader Maxwell coming.

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Speaker 8: Welcome everybody.

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Speaker 19: Here we go our number three New Marrow trace of

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Matt Connerton unleashed and we are live from the studios

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of wm NH ninety five point three FM Inglorious, Manchester,

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New Hampshire. Today is a Saturday, December seven, twenty twenty four,

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and I am very excited. I've been really looking forward

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to this. We've got two of the guys from the

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band Regals here in studio and let me bring those

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mics up because these guys are all they're all set up,

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they're going to play live for us. Really looking forward

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to that. So let's see here. Oh, I'm glad you're playing. Yeah,

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I keep playing.

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Speaker 20: What's up y'all?

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Speaker 8: Oooh that sounds good.

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Speaker 20: Doing.

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Speaker 21: How are we doing out there, Manchester, New Hampshire radio listeners.

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Speaker 8: Go ahead and introduce yourself, sir.

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Speaker 20: My name is Ryan. My name is Ryan from the

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band Regals.

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Speaker 19: All right, very good, and then let me get that

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other mic up here and then over here, sir.

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Speaker 2: Hello, Hello, how is everyone out there in radio land?

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Speaker 22: Hello?

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Speaker 4: My name is Lucas and I played the steel for Regals.

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Speaker 19: I think I'm gonna let's see. I think I'm gonna

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pull down that mike and turn up this other mic. Go,

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go and talk a little more, Lucas. Hello, Oh that

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sounds nice. That sounds really nice.

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Speaker 23: I had a surreal moment on my way to the

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studio today as I heard over the airwaves, big shout out.

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Speaker 19: Absolutely, happy to do it, Happy to do it. I

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kind of want to get that other mic closer to you.

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I'm thinking about hang on a second, yeah, keep keep

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keep strumming.

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Speaker 2: I want to get this way.

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Speaker 21: Hey, world, what are we thinking about today?

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Speaker 11: Oh?

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Speaker 8: That sounds really good?

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Speaker 20: Live mixing on the radio.

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Speaker 8: Right, Yeah, I think we're I think we're good.

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Speaker 19: If you guys wanna, if you guys want to play something,

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and then we'll pull ch out for a bit.

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Speaker 8: Yeah yeah, you.

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Speaker 20: Want to do a little town, Let's do little town.

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Speaker 22: H You're hanging around.

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Speaker 4: Jez like that in this little town and everybody.

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Speaker 2: No what's knowing, no one?

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Speaker 24: And now it's going out go And I'm feeling strange, stranger.

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Speaker 4: Than I ever thought I would now much longer down.

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Speaker 2: I'm getting stuck down low and little down yet all.

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Speaker 4: I've been down.

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Speaker 2: So down the yet yet day here, I've been down.

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Speaker 22: I'm bagging around.

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Speaker 4: I guess it happens in our shirt.

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Speaker 25: Be free out going the boon that's gonna go, and

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you'll calling in alone and well, don't fall out of

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trees age.

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Speaker 17: Above, and I'm on the hounds.

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Speaker 4: You make decisions like a fish and water.

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Speaker 5: Drowns a home.

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Speaker 17: Yeah yeah, yeah, yeah, I've been down so down, yeah yeah, yhead, Hell,

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I've been down.

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Speaker 4: In this little town.

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Speaker 3: I know there's not enough love to go over around

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snow and dreamy days.

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Speaker 4: They rest round you like arms over this place and

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you can get it.

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Speaker 3: All back.

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Speaker 22: All that compassion you.

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Speaker 4: Gave away to those who lie?

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Speaker 3: Can we stop it?

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Speaker 22: Grounds?

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Speaker 20: I know we share it bird who knows anymore any how?

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Speaker 23: Yeah?

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Speaker 22: Yeah, yeah, yeah, I've been down.

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Speaker 20: So down.

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Speaker 26: Yeah yeah, I've been down. Yeah yeah, I've been down.

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Speaker 22: So down.

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Speaker 9: Yeah yeah.

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Speaker 22: Here, I've been down.

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Speaker 8: M oh my god. That sounds so good.

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Speaker 20: Thank you very much.

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Speaker 19: Absolutely, if you're just joining us out we have Regals

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here with us alive.

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Speaker 8: In the studio.

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Speaker 20: Thanks for listening out there.

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Speaker 8: Absolutely absolutely. Where does the name come from? Regals?

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Speaker 20: Yeah, interesting question, I guess so like it kind of

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I was like trying to create a character, I guess,

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like a while ago.

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Speaker 8: Yeah, for like this.

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Speaker 21: Project, you know, and it kind of you know, it's

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based off of my name in a way. Like my

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name is Ryan Rocky Egan. My middle name is rock

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By the way, It's not some corny like Instagram handle

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thing or anything.

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Speaker 13: You know.

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Speaker 21: Yeah, I know, it's come It's a family thing. It's

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a great ancestor of ours was a priest and he

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had cancer and had a.

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Speaker 20: Maggot treatment.

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Speaker 21: Uh really yeah, like way way back in the day,

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like and uh bid out the cant they bid out

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the cancer and he lived for a long life after

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that and then considered it a miracle. Wow, and that

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became anamesake for my family. My dad has that middle name,

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and uh my brother also, so yeah, so I'm my

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middle name is rock and Ryan Egan Regal R E

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g A.

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Speaker 20: It's close, but basically.

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Speaker 21: Like you know, like I was like gonna try to

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do like a character named like Rocky Regal, like when

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I grew up. When I was growing up, everyone called

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me Rocky and uh, but then one day I was like,

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I want to be normal.

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Speaker 20: I want to be Ryan.

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Speaker 21: I don't know why I wanted to be normal, because

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I'm not normal person. So yeah, that's basically, and you know,

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and then Regals, it's kind of like an irony thing,

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you know, like we call ourselves regals, but we're you know,

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we're paycheck to paycheck types of guys, class work in warehouses,

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truck drivers.

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Speaker 20: I'm recently trust funded. But you know that's another story.

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Speaker 19: Okay, all right, Lucas, I'm gonna ask you, can you

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pick up that other that other mic there that I

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put on that table. And I'm gonna because I want

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to talk to you guys a little bit, but I

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want to have used that one, because that one's just

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too far away. I can't make it work. But that

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one there we go. Hello, I want to make sure

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00:22:17,640 --> 00:22:19,519
we can hear you. Got your voice is familiar, but

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happy to be here, happy, happy to be here. Yes,

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it's a little inside. But if you know, you know,

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not that I told anybody, not that I told anybody,

243
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but uh no, you guys sound amazing. Lucas, can you

244
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tell us what you're playing for listeners who might be like,

245
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oh what what?

246
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Speaker 23: What is that?

247
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Speaker 8: That doesn't sound like a normal guitar.

248
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Speaker 23: Nope, it's a little bit of a different kind of guitar.

249
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I've got sixty four Fender eight hundred pedal steel guitar.

250
00:22:46,880 --> 00:22:50,920
It's my favorite instrument that I've ever purchased. Yeah, I

251
00:22:51,039 --> 00:22:54,039
bought it about a year ago off a new friend

252
00:22:54,079 --> 00:22:58,599
I made on Craigslist. Okay, our friend Jason actually recorded

253
00:22:58,960 --> 00:23:01,240
all of our tracks that were playing. Most of the

254
00:23:01,359 --> 00:23:05,640
tracks were playing today, most of the songs Project sound

255
00:23:06,640 --> 00:23:11,039
down in Clinton, Mass is my friend that I purchased this. Yeah,

256
00:23:11,400 --> 00:23:19,039
I lose diner out. So it's a ten string, six

257
00:23:19,200 --> 00:23:23,640
pedal guitar. It stands like a table and uh you

258
00:23:23,759 --> 00:23:25,480
play it. Country Western styles.

259
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Speaker 20: Yeah, people call it table guitar.

260
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Speaker 23: Yeah, table top guitar.

261
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Speaker 8: Really, I think, okay, i'll call it.

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Speaker 23: That now we call it that makes But I've played guitar,

263
00:23:36,440 --> 00:23:38,960
normal six string guitar for a long time and tried

264
00:23:39,000 --> 00:23:41,359
to emulate a lot of the country Western stuff that

265
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I like. Yeah, And after simulating it for many, many years,

266
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I finally found a guitar that I could afford. Because

267
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boy are these things expensive and hard to find in

268
00:23:52,599 --> 00:23:55,119
New England. Yeah, they're tough to find in New England.

269
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There's plenty of country music around here, as far as

270
00:23:58,440 --> 00:24:01,559
ones that are ar to me. This is the first

271
00:24:01,640 --> 00:24:04,640
one I found. Yeah, I've got friends down in Virginia

272
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and down in North Carolina, and pedal steels are all

273
00:24:09,240 --> 00:24:10,079
over the place.

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Speaker 8: I can imagine.

275
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Speaker 23: Yeah, but up here they're very expensive. Our friend Trent

276
00:24:13,799 --> 00:24:17,599
from Slim Volume, which is selling one. You missed your chance,

277
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it's already sorry.

278
00:24:19,359 --> 00:24:19,680
Speaker 22: Sorry.

279
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Speaker 8: So what's it like going from playing just a regular

280
00:24:23,160 --> 00:24:24,480
six string guitar to playing that?

281
00:24:24,680 --> 00:24:27,200
Speaker 19: I mean, is it a big It must have been.

282
00:24:27,359 --> 00:24:30,480
Obviously it's an adjustment, it's different. But like, how hard

283
00:24:30,599 --> 00:24:31,640
was it to learn to play that?

284
00:24:32,400 --> 00:24:35,480
Speaker 23: I did tons of research beforehand. Yeah, YouTube is a

285
00:24:35,519 --> 00:24:41,440
good friend. Plenty of research. The Steel players forum dot

286
00:24:41,599 --> 00:24:44,960
com is the place for steel nerds, yeah, to go

287
00:24:45,319 --> 00:24:48,559
to go chat it's it's an old forum site that's

288
00:24:48,599 --> 00:24:52,160
still very much active, and you can go directly to

289
00:24:52,559 --> 00:24:54,920
the manufacturer a lot of the times and they can

290
00:24:54,960 --> 00:24:57,480
answer any sort of technical questions. But as far as

291
00:24:57,559 --> 00:24:59,240
playing it, yeah, it had a little bit of a

292
00:24:59,359 --> 00:25:02,000
learning curve. Like I said, I was trying to emulate

293
00:25:02,079 --> 00:25:05,240
this sort of sound, so I found a guitar that

294
00:25:05,400 --> 00:25:09,119
bends singular string when you play it, an old b

295
00:25:09,319 --> 00:25:14,319
bender telecaster really pull the arm inside guitar, and I

296
00:25:14,440 --> 00:25:18,279
was trying to emulate this sort of style. But getting

297
00:25:18,359 --> 00:25:21,319
on there, sitting in front of it is very different

298
00:25:21,519 --> 00:25:26,839
than just researching. So it's played almost in an open tuning,

299
00:25:27,119 --> 00:25:30,960
kind of like a blues slide guitar. They have ten strings,

300
00:25:31,160 --> 00:25:34,799
so you have intervals between the normal strings, where if

301
00:25:34,839 --> 00:25:38,440
you play it open it just doesn't sound great. So

302
00:25:38,559 --> 00:25:42,799
you have to find different groupings, and there's different strings

303
00:25:43,680 --> 00:25:48,200
that work together, so you do groups of three most

304
00:25:48,240 --> 00:25:51,039
of the time, and then you have your pedals down below,

305
00:25:51,440 --> 00:25:54,839
so a grouping of two, the two different strings are

306
00:25:54,880 --> 00:25:59,160
controlled by two different petals, so each one can raise

307
00:25:59,200 --> 00:26:03,400
it full step or half step.

308
00:26:03,839 --> 00:26:06,240
Speaker 20: There's half step.

309
00:26:06,480 --> 00:26:09,440
Speaker 23: But finding the different groupings and then learning to use

310
00:26:09,519 --> 00:26:11,359
your whole body is very different.

311
00:26:11,559 --> 00:26:12,799
Speaker 8: I was just thinking about that when he said that.

312
00:26:12,839 --> 00:26:14,720
It's almost like playing the drums, where you're using.

313
00:26:15,759 --> 00:26:18,960
Speaker 23: Very similar at the pus style. Yeah, limb, but this

314
00:26:19,160 --> 00:26:22,920
is an old school pedal steel that doesn't have any

315
00:26:23,039 --> 00:26:24,119
knee levers.

316
00:26:24,359 --> 00:26:24,759
Speaker 8: Yeah, I have.

317
00:26:24,960 --> 00:26:29,960
Speaker 23: I have one pedal here that can drop strings, but

318
00:26:30,279 --> 00:26:33,440
on a more contemporary style they have knee levers that

319
00:26:33,559 --> 00:26:37,640
can drop your string. Yeah, this one, I'm still learning.

320
00:26:38,160 --> 00:26:41,759
I've had it about a year and it's really fun. Yeah,

321
00:26:41,839 --> 00:26:44,920
it's really fun. Been very thankful playing shows with Ryan,

322
00:26:45,119 --> 00:26:47,000
some of his solo gigs, I've been able to sit

323
00:26:47,119 --> 00:26:50,640
in with a few other people. Yeah, so playing with

324
00:26:50,799 --> 00:26:54,279
other folks is a whole different experience too. I'm I'm

325
00:26:54,319 --> 00:26:56,559
getting used to playing with Ryan, we've been we've been

326
00:26:56,599 --> 00:26:59,480
buddies a long time. Yeah, but playing this thing with

327
00:26:59,640 --> 00:27:02,839
other pe people, uh, fake it till you make it right. Yeah.

328
00:27:03,440 --> 00:27:04,160
Speaker 8: They sound great.

329
00:27:04,359 --> 00:27:06,160
Speaker 19: Thank you, And like I said, you know, we when

330
00:27:06,240 --> 00:27:07,920
Jenny and I were at the Shaft Scheme that night

331
00:27:08,000 --> 00:27:09,559
to see her son Jesse play.

332
00:27:10,640 --> 00:27:13,759
Speaker 8: Yeah. Yeah, you guys were playing and sounded incredible. I

333
00:27:13,839 --> 00:27:15,279
was like, jeez, we gotta get him on the show.

334
00:27:16,079 --> 00:27:17,839
Speaker 19: You had been played on the show before when we

335
00:27:17,920 --> 00:27:20,319
had Mosaic Art Collective here and you guys had that

336
00:27:20,400 --> 00:27:24,160
show coming up at UH at Mosaic. But but yeah,

337
00:27:24,200 --> 00:27:26,839
it's it's great to have you in. Do you guys

338
00:27:26,839 --> 00:27:29,240
want to play another song? Sure, I'm dying here more

339
00:27:29,720 --> 00:27:32,240
and Lucas yeah you can. You can just put that

340
00:27:32,359 --> 00:27:33,759
on the on the chair if you don't mind.

341
00:27:33,799 --> 00:27:34,359
Speaker 8: Sorry about that.

342
00:27:35,920 --> 00:27:40,039
Speaker 19: We do a lot of improvising here. But no, you

343
00:27:40,079 --> 00:27:42,000
guys sound great in the headphone, so that's for sure.

344
00:27:42,240 --> 00:27:44,720
If you are just joining us uh regals here with

345
00:27:44,839 --> 00:27:50,240
us a live in studio you said you still call

346
00:27:50,279 --> 00:27:52,519
it regals when it's just the two of you or yeah,

347
00:27:52,960 --> 00:27:54,720
okay playing?

348
00:27:55,039 --> 00:27:57,079
Speaker 8: Yeah, yeah, all right as well?

349
00:27:57,279 --> 00:28:03,160
Speaker 20: Yeah, Lucas and Ryan here here you go rocking.

350
00:28:03,319 --> 00:28:24,440
Speaker 24: Luke, you cut me home each and every time. I

351
00:28:24,599 --> 00:28:31,039
guess I won't in too much now catch me drowning

352
00:28:31,640 --> 00:28:40,000
every nine. I thought what we had was good, you

353
00:28:40,359 --> 00:28:45,759
even said it yourself, and we should. But now I'm

354
00:28:46,119 --> 00:28:52,759
past sins or floating locked in bodies from the depths

355
00:28:52,839 --> 00:29:00,359
of this river bed m and now you're gone, and

356
00:29:00,519 --> 00:29:05,839
that's fine. I hope the way you choose away your

357
00:29:06,079 --> 00:29:09,160
time now it's worth it.

358
00:29:12,960 --> 00:29:14,000
Speaker 27: Dead Name.

359
00:29:38,240 --> 00:29:40,599
Speaker 4: All the God love now.

360
00:29:41,000 --> 00:29:42,279
Speaker 22: Is one picture.

361
00:29:43,559 --> 00:29:49,240
Speaker 24: It helps me remember what you look like, because I'm

362
00:29:49,359 --> 00:29:56,240
forgetting most things these days. I'm blacking our crossing down

363
00:29:56,440 --> 00:29:57,720
Inch roadway.

364
00:29:58,839 --> 00:30:02,720
Speaker 4: Yeah, because they have. Derry heard me seeing.

365
00:30:04,160 --> 00:30:11,079
Speaker 24: I swear you fell in love. He said I was

366
00:30:11,279 --> 00:30:16,960
gonna be fami. I said, I don't really care about

367
00:30:17,319 --> 00:30:18,279
that stuff.

368
00:30:21,880 --> 00:30:28,119
Speaker 3: For laeve me when I say, I really hate the

369
00:30:28,359 --> 00:30:30,559
way you're talking about me.

370
00:30:31,839 --> 00:30:43,440
Speaker 2: Why dore you do this? Study? Dead name, dore you

371
00:30:43,720 --> 00:30:44,440
to this.

372
00:30:44,880 --> 00:30:47,920
Speaker 5: Stay the name.

373
00:30:52,799 --> 00:30:55,480
Speaker 4: Dory to these studs.

374
00:30:57,000 --> 00:31:28,319
Speaker 2: Dead name a Dori to this day. Don yah yah

375
00:31:29,599 --> 00:31:43,720
he Dori to this day. Don came. Oh my Dori

376
00:31:44,240 --> 00:31:45,720
to this day.

377
00:31:48,119 --> 00:31:57,319
Speaker 8: H mm hmm. So good.

378
00:31:57,960 --> 00:32:02,559
Speaker 19: Ryan and Lucas are here from read and these guys

379
00:32:02,599 --> 00:32:06,240
sound amazing. If you are just tuning in, what can

380
00:32:06,319 --> 00:32:08,559
you can you tell us more about the new the

381
00:32:08,599 --> 00:32:11,480
new album coming out, Lucas, feel free to to to

382
00:32:11,599 --> 00:32:12,880
grab that mic of course.

383
00:32:13,599 --> 00:32:19,480
Speaker 21: So the new album it's called a Love Sick Purgatory.

384
00:32:19,640 --> 00:32:22,480
It's kind of a just a collection of songs that

385
00:32:22,559 --> 00:32:27,480
are just about mostly heartbreak and.

386
00:32:27,799 --> 00:32:33,079
Speaker 20: Just love and junk like that. I just kind of

387
00:32:33,119 --> 00:32:35,599
find it easier to write songs about stuff like that.

388
00:32:35,839 --> 00:32:39,279
And yeah, you know, there's like a lot heavier things, but.

389
00:32:39,359 --> 00:32:41,559
Speaker 21: Those are you know, way harder to write songs about.

390
00:32:41,599 --> 00:32:44,880
But you know, a love song, it's theme. Yeah, so

391
00:32:45,119 --> 00:32:48,240
you know, yeah, you know, I'm okay, guys, all right,

392
00:32:50,680 --> 00:32:53,240
it's all water under the bridge. But yeah, it's just

393
00:32:53,319 --> 00:32:57,640
a bunch of songs that, you know, definitely for people

394
00:32:57,759 --> 00:33:01,279
that are you know, feel in a certain type of way.

395
00:33:01,440 --> 00:33:05,000
Speaker 8: Sure, sure, but uh, and that's that's coming out soon.

396
00:33:05,319 --> 00:33:08,359
Speaker 20: Yeah, it's gonna be out around February, like late February.

397
00:33:08,559 --> 00:33:09,480
Speaker 8: Excellent, excellent.

398
00:33:10,680 --> 00:33:12,920
Speaker 21: Yeah, we're gonna do a little run of shows at

399
00:33:12,920 --> 00:33:16,519
the end of the month into March and uh, you know,

400
00:33:16,759 --> 00:33:19,880
like we're just kind of finishing up some loose ends

401
00:33:19,960 --> 00:33:21,680
and we'll be announcing.

402
00:33:21,279 --> 00:33:23,319
Speaker 8: The tour very soon and excellent.

403
00:33:24,000 --> 00:33:26,039
Speaker 21: Gonna have a lot of fun and you know, just

404
00:33:26,279 --> 00:33:30,160
play some shows and do the thing, yeah and thing

405
00:33:30,279 --> 00:33:30,799
for a little bit.

406
00:33:30,880 --> 00:33:32,720
Speaker 19: You know, it must be nice for you to have

407
00:33:32,759 --> 00:33:35,079
a configuration where you can you can approach it different,

408
00:33:35,240 --> 00:33:37,480
like if you know, if you're doing something like just

409
00:33:37,559 --> 00:33:39,200
the two of you like this, or like you did

410
00:33:39,240 --> 00:33:41,559
at the Shaft skiing, or if it's the full band

411
00:33:41,680 --> 00:33:43,759
or you know, to have that flexibility like I used

412
00:33:43,759 --> 00:33:45,279
to play in it. I played in a bunch of bands,

413
00:33:45,400 --> 00:33:48,000
but I never played in anything where you know, you're

414
00:33:48,000 --> 00:33:49,799
really well I mean, I guess I did. Technically I

415
00:33:49,880 --> 00:33:51,960
played in a band where we could do an acoustic set,

416
00:33:52,759 --> 00:33:55,759
but nothing nothing like this where you know, you can

417
00:33:55,839 --> 00:33:57,319
sort of mix it up a little bit and it

418
00:33:57,400 --> 00:33:59,720
gives maybe maybe the songs have a different texture to

419
00:33:59,720 --> 00:34:02,200
depends I mean on what configuration of the band is

420
00:34:02,240 --> 00:34:02,759
playing them.

421
00:34:02,839 --> 00:34:04,319
Speaker 8: And that must be kind of fun.

422
00:34:04,799 --> 00:34:07,000
Speaker 21: Yeah, you know, it's it's nice for the people that

423
00:34:07,039 --> 00:34:10,239
I really want to focus on, you know, my voice

424
00:34:10,360 --> 00:34:12,679
and kind of like you know, with the band it

425
00:34:12,760 --> 00:34:15,480
gets a little noisier, but it's you know, I mean,

426
00:34:15,920 --> 00:34:19,400
our rhythm sections real tight. But yeah, you know, we

427
00:34:19,519 --> 00:34:23,400
keep we keep a real tight I feel, but uh

428
00:34:23,519 --> 00:34:25,679
you know, still, you know, it's nice to bring it

429
00:34:25,760 --> 00:34:27,360
down a couple of notches and.

430
00:34:27,559 --> 00:34:30,480
Speaker 20: Just you know, just feel the raw motion of the songs.

431
00:34:30,800 --> 00:34:35,119
Speaker 21: Yeah, you know, sometimes but yeah, you know, I love

432
00:34:35,239 --> 00:34:37,000
just playing with Lucas it's nice and fun.

433
00:34:37,239 --> 00:34:38,360
Speaker 20: Yeah, we have a good time.

434
00:34:38,480 --> 00:34:39,119
Speaker 23: You have a good time.

435
00:34:39,280 --> 00:34:41,559
Speaker 21: Yeah, hit the road, play a couple of shows and

436
00:34:42,360 --> 00:34:45,239
little towns. We just played at Pembroke City Limit Limits.

437
00:34:45,320 --> 00:34:45,679
Speaker 8: Excellent.

438
00:34:48,400 --> 00:34:49,440
Speaker 20: Yeah, cool guy.

439
00:34:49,800 --> 00:34:51,760
Speaker 19: Yeah right, you guys have been on Rob show, right,

440
00:34:51,800 --> 00:34:54,079
Grand State of Minds. Yeah, a little plug for that

441
00:34:54,480 --> 00:34:58,239
Friday nights at six pm here on w m n H. Yeah,

442
00:34:58,280 --> 00:34:59,960
that's great what he's doing at Pembroke City Limits.

443
00:35:00,159 --> 00:35:02,480
Speaker 8: It's such a cool spot, absolutely spot.

444
00:35:02,599 --> 00:35:02,760
Speaker 20: Yeah.

445
00:35:02,880 --> 00:35:05,679
Speaker 8: Absolutely enjoyed a lot of great talent from the area

446
00:35:05,800 --> 00:35:06,599
that plays there.

447
00:35:06,960 --> 00:35:11,119
Speaker 20: And then super attentive crowd. Yeah yeah, which was which

448
00:35:11,199 --> 00:35:11,800
is really nice.

449
00:35:12,000 --> 00:35:12,199
Speaker 8: Yeah.

450
00:35:12,239 --> 00:35:15,599
Speaker 23: When our friend Trent shout outs to Trent again, Trent,

451
00:35:15,880 --> 00:35:19,039
I heard his interview with Rob and he was describing

452
00:35:19,320 --> 00:35:22,039
Pembroke City Limits as a listening room.

453
00:35:22,280 --> 00:35:22,519
Speaker 8: Yeah.

454
00:35:22,679 --> 00:35:24,800
Speaker 23: I thought that was really cool. I thought that was

455
00:35:24,840 --> 00:35:28,920
really neat because it's not exactly a noisy bar, right,

456
00:35:29,159 --> 00:35:32,800
like a dive bar whatever. People are there to appreciate

457
00:35:32,880 --> 00:35:35,360
the music, right, So that was really neat. We went

458
00:35:35,400 --> 00:35:39,000
there without without sewing our drummer, so we had a

459
00:35:39,239 --> 00:35:43,119
very modified set. Yeah, and we missed him big time,

460
00:35:43,239 --> 00:35:44,639
but it sounded really cool.

461
00:35:44,800 --> 00:35:45,519
Speaker 20: Yeah, good spot.

462
00:35:45,760 --> 00:35:48,639
Speaker 19: Yeah, yeah, yeah, it's yeah because a lot of bars,

463
00:35:48,719 --> 00:35:51,079
you know, it's like people are there to drink and

464
00:35:51,119 --> 00:35:54,480
the music becomes sort of secondary. But so, yeah, it

465
00:35:54,559 --> 00:35:56,519
is more of a listening room. You're right, that's that's

466
00:35:56,599 --> 00:35:58,880
really cool. We need more places like that. There aren't

467
00:35:58,920 --> 00:36:03,840
any places like that around. And then when you so

468
00:36:03,960 --> 00:36:05,719
when you go on tour, where do you know yet

469
00:36:05,719 --> 00:36:06,280
where you're going?

470
00:36:06,360 --> 00:36:08,280
Speaker 8: Like, are you going? Are you getting out of New England?

471
00:36:08,360 --> 00:36:11,159
Speaker 21: And we're playing while we're playing some shows in New England,

472
00:36:11,280 --> 00:36:18,920
we're going down Richmond, Ashville, Nashville excellent. Yeah, I'm gonna

473
00:36:18,960 --> 00:36:21,119
meet up with some friends down there and play some

474
00:36:21,239 --> 00:36:25,639
shows as well. And yeah, so I'm real stoked to

475
00:36:25,719 --> 00:36:29,320
kind of see what people think of our sound in

476
00:36:29,480 --> 00:36:31,639
that area because I feel like we're.

477
00:36:32,559 --> 00:36:32,800
Speaker 20: Like a.

478
00:36:34,599 --> 00:36:38,960
Speaker 21: Alt rock country hybrid type of group. So it's uh,

479
00:36:39,639 --> 00:36:42,880
you know, yeah, hopefully people like what we got to offer,

480
00:36:43,079 --> 00:36:43,239
you know.

481
00:36:44,000 --> 00:36:44,199
Speaker 8: Yeah.

482
00:36:44,360 --> 00:36:46,360
Speaker 19: And in terms of radio format too, I feel like

483
00:36:46,400 --> 00:36:49,679
you kind of fit into that Americana genre on radio,

484
00:36:49,880 --> 00:36:50,679
like I could imagine.

485
00:36:50,719 --> 00:36:52,119
Speaker 8: I don't know if you've been played on the River

486
00:36:52,400 --> 00:36:53,280
in Boston at all.

487
00:36:54,519 --> 00:36:55,920
Speaker 20: No, I don't think we've been on the radio.

488
00:36:56,119 --> 00:36:58,679
Speaker 8: But I can imagine you guys would fit into that

489
00:36:58,719 --> 00:36:59,639
playlist really well.

490
00:36:59,719 --> 00:37:00,360
Speaker 20: Yeah we have.

491
00:37:00,679 --> 00:37:03,840
Speaker 23: We have been featured on uh country one oh two

492
00:37:03,920 --> 00:37:04,440
point five.

493
00:37:05,000 --> 00:37:07,239
Speaker 8: Yeah, that's true, excellent every where.

494
00:37:07,400 --> 00:37:12,719
Speaker 21: The local catch coming back in September from Carolyn Cruz.

495
00:37:12,840 --> 00:37:13,440
Speaker 20: That was cool.

496
00:37:13,519 --> 00:37:18,960
Speaker 8: Oh wow, oh that's very cool. Yeah, congratulations. Yeah, well

497
00:37:19,159 --> 00:37:21,119
do you guys, Uh yeah, we gotta tell you.

498
00:37:21,199 --> 00:37:23,960
Speaker 20: That song if you want to do that. Yeah, all right,

499
00:37:24,000 --> 00:37:24,920
you want to do that if.

500
00:37:24,840 --> 00:37:26,840
Speaker 19: You are just joining us regals here live in studio.

501
00:37:26,920 --> 00:37:31,280
We have Ryan and Lucas here sounding amazing and yeah,

502
00:37:31,280 --> 00:37:32,519
they're gonna play another one for us.

503
00:38:03,039 --> 00:38:08,199
Speaker 4: I don't wanna go out tonight. What about the fresh

504
00:38:08,320 --> 00:38:09,840
back my mine?

505
00:38:10,239 --> 00:38:13,360
Speaker 3: Man wanted to enjoy one morning in the life, But

506
00:38:13,559 --> 00:38:17,679
life gets so heavy, and I mean by myself deep

507
00:38:17,800 --> 00:38:21,320
ben Sorrow's flighty, looking for familiar and.

508
00:38:21,400 --> 00:38:27,880
Speaker 2: Pleased and ease my mind is my my hi life.

509
00:38:29,559 --> 00:38:32,679
Speaker 4: Then I always keep the dream the same.

510
00:38:33,280 --> 00:38:36,920
Speaker 2: So if I die, we all know who to blame.

511
00:38:39,639 --> 00:38:41,519
Oh yeah, how too well?

512
00:38:42,280 --> 00:38:48,000
Speaker 3: Lean in business to maintain the healthy life of the living.

513
00:38:48,119 --> 00:38:53,400
Speaker 2: For fear the man rowing and see over.

514
00:38:54,760 --> 00:38:55,760
Speaker 4: And say.

515
00:38:58,119 --> 00:39:02,320
Speaker 3: That I've been lone healthy he it's when my heart

516
00:39:02,559 --> 00:39:07,599
is eating badly. So if you want to drown with me,

517
00:39:08,159 --> 00:39:14,400
all except that off regladly. But James say yes, my friend,

518
00:39:15,039 --> 00:39:17,239
I cannot deny them.

519
00:39:18,000 --> 00:39:21,320
Speaker 2: A couple of beers never love too or ears, but

520
00:39:21,440 --> 00:39:23,239
que are not really there.

521
00:39:23,320 --> 00:39:28,039
Speaker 4: We have I always keep the drink the same, so

522
00:39:28,199 --> 00:39:29,079
we find die.

523
00:39:29,639 --> 00:39:31,639
Speaker 2: We all know who is blame.

524
00:39:34,239 --> 00:39:40,880
Speaker 28: Oh yeah, I'm really in the business to maintain let

525
00:39:40,960 --> 00:39:44,119
el BELI have been living but a fear deep down

526
00:39:44,960 --> 00:39:45,920
growing in.

527
00:39:46,159 --> 00:39:47,920
Speaker 22: Saying Lord.

528
00:39:49,199 --> 00:39:51,119
Speaker 2: In sae heaven.

529
00:39:52,360 --> 00:39:59,760
Speaker 4: And I'm not dream in the name unless somebody.

530
00:39:59,400 --> 00:40:00,679
Speaker 2: Thanks eat too.

531
00:40:02,199 --> 00:40:02,480
Speaker 25: Old.

532
00:40:02,639 --> 00:40:08,239
Speaker 3: Yeah, then if they do, I promise you it'll be

533
00:40:08,920 --> 00:40:11,679
enough to almost kill or bed.

534
00:40:13,280 --> 00:40:14,199
Speaker 4: Oh please do.

535
00:40:16,559 --> 00:40:18,679
Speaker 22: Please do home.

536
00:40:20,119 --> 00:40:20,400
Speaker 3: Home.

537
00:40:32,559 --> 00:40:35,599
Speaker 4: Oh I I don't want to go out tonight.

538
00:40:36,800 --> 00:40:39,719
Speaker 3: Got a bar, a fresh packbout mine?

539
00:40:45,840 --> 00:40:49,920
Speaker 4: Sick to my stomach, sick in my mind all it

540
00:40:50,079 --> 00:40:54,159
needs a fresh pack, Hold me time, hold me time.

541
00:40:55,199 --> 00:41:03,920
Speaker 3: Oh my high, because if I ad about tonight, ohens

542
00:41:04,079 --> 00:41:05,480
make safe my mind.

543
00:41:11,320 --> 00:41:15,400
Speaker 2: Oh I don't want to go out tonight. What a

544
00:41:15,679 --> 00:41:18,519
god a fresh back in my mind?

545
00:41:19,440 --> 00:41:19,639
Speaker 27: Yeah?

546
00:41:19,880 --> 00:41:22,480
Speaker 11: My oh on my heind you.

547
00:41:22,599 --> 00:41:23,239
Speaker 22: Think I will?

548
00:41:34,280 --> 00:41:34,480
Speaker 17: Yeah?

549
00:41:34,679 --> 00:41:37,480
Speaker 20: He my.

550
00:41:59,480 --> 00:42:03,280
Speaker 8: God would have great song. Well well done, guys, I

551
00:42:03,400 --> 00:42:04,320
love that. I love that.

552
00:42:04,440 --> 00:42:07,039
Speaker 19: If you're just joining us Regals is here with us

553
00:42:07,400 --> 00:42:12,559
live in studio. Ryan, I'm curious about vocal influences.

554
00:42:13,559 --> 00:42:14,039
Speaker 20: You've got to.

555
00:42:15,559 --> 00:42:18,920
Speaker 19: You've got such a raw delivery, and I mean but

556
00:42:19,000 --> 00:42:20,639
I mean that in the best possible way, Like it's

557
00:42:20,679 --> 00:42:21,280
just awesome.

558
00:42:21,360 --> 00:42:24,639
Speaker 8: It's you really emote when you sing, Like.

559
00:42:25,239 --> 00:42:27,239
Speaker 19: Is is there anyone who really influenced you when you

560
00:42:27,320 --> 00:42:30,039
were learning to sing as far as as far as

561
00:42:30,119 --> 00:42:30,599
your style?

562
00:42:31,079 --> 00:42:35,159
Speaker 21: Yeah, well, I mean growing up, my parents were really

563
00:42:35,239 --> 00:42:41,239
into Rolling Stones, Fleetwood Mac, like really like emotional animated,

564
00:42:42,719 --> 00:42:46,559
you know, sixties seventies rock and roll. But yeah, you know,

565
00:42:48,159 --> 00:42:51,599
exploring music like early on, like I found some bands

566
00:42:51,800 --> 00:42:57,639
like Lucero and just kind of like you know, mostly

567
00:42:57,800 --> 00:43:01,079
Lucero and Ben Nichols is a huge influence on me. Yeah,

568
00:43:02,119 --> 00:43:04,639
and uh yeah, I just I've been trying to find

569
00:43:04,679 --> 00:43:07,000
that voice for a long time, kind of like I've

570
00:43:07,039 --> 00:43:12,760
always been really into this kind of like alt country

571
00:43:13,199 --> 00:43:19,039
like but kind of like gravelly like nasty, but like

572
00:43:19,280 --> 00:43:21,679
it can still be kind of pretty kind.

573
00:43:21,559 --> 00:43:22,840
Speaker 20: Of sound that.

574
00:43:24,159 --> 00:43:26,480
Speaker 21: Yeah, Now, it took me a while to find this voice.

575
00:43:26,519 --> 00:43:30,920
I've bounced along on different lines of genres. I used

576
00:43:30,920 --> 00:43:36,599
to be in hardcore punk bands, experimental indie like pixies

577
00:43:36,800 --> 00:43:43,199
like rock bands, and yeah, so I mean I got

578
00:43:43,239 --> 00:43:47,840
away from music for a little while, and over COVID,

579
00:43:47,960 --> 00:43:51,840
I really like went back to like what got me

580
00:43:51,920 --> 00:43:54,880
into music, Like Credence is a huge one too, Like

581
00:43:54,960 --> 00:43:59,320
I've always loved John Fogerty's voice, and I just wanted

582
00:43:59,360 --> 00:44:03,039
to find that voice like through my own filter, you know.

583
00:44:03,239 --> 00:44:07,320
And during COVID, I had like time to really like

584
00:44:09,280 --> 00:44:13,360
just sit down, and you know, I played a bunch

585
00:44:13,440 --> 00:44:18,840
of Creeden songs, Kinks, Rolling Stones, Fleetwood.

586
00:44:18,519 --> 00:44:18,960
Speaker 27: Mac and.

587
00:44:21,039 --> 00:44:23,880
Speaker 21: Then from there I just kind of started writing songs again.

588
00:44:24,199 --> 00:44:26,800
Speaker 20: Yeah, and that's kind of how it happened. And then

589
00:44:27,119 --> 00:44:28,679
now we're here, I got Lucas with me.

590
00:44:29,239 --> 00:44:33,760
Speaker 21: I always had Merkle, my counterpart who I've been playing

591
00:44:33,760 --> 00:44:38,719
in bands with since like you know, like late early

592
00:44:39,039 --> 00:44:45,000
twenties or early late teens. Yeah, and yeah, no, it's

593
00:44:45,039 --> 00:44:47,760
been a really fun little ride kind of like getting

594
00:44:47,840 --> 00:44:50,360
back into like feeling what it's like to be in

595
00:44:50,400 --> 00:44:50,960
a band again.

596
00:44:51,239 --> 00:44:54,159
Speaker 8: Yeah. Yeah, so excellent, it's been cool.

597
00:44:54,320 --> 00:44:54,480
Speaker 24: Yeah.

598
00:44:54,519 --> 00:44:57,440
Speaker 19: Yeah, how about you, Lucas In terms of influence, like

599
00:44:57,639 --> 00:45:00,760
like who influence influences you as far as you're playing.

600
00:45:02,239 --> 00:45:07,400
Speaker 23: Well, I've been into country western music. In my late teens,

601
00:45:07,760 --> 00:45:10,760
I got into more folk music.

602
00:45:13,199 --> 00:45:13,760
Speaker 14: And some of the.

603
00:45:15,280 --> 00:45:17,719
Speaker 23: Some of the stuff I was playing it was kind

604
00:45:17,760 --> 00:45:21,679
of folk rock. Been in a few bands around Manchester

605
00:45:21,840 --> 00:45:24,679
and it was a little more folky oriented. I was

606
00:45:24,760 --> 00:45:30,199
playing banjo and accordion along with like a solo acoustic

607
00:45:30,320 --> 00:45:34,480
a little more folk punk sort of stuff, fast and loud,

608
00:45:34,719 --> 00:45:40,960
but acoustic. But I didn't really care for country music. Yeah,

609
00:45:41,400 --> 00:45:45,039
I guess I wasn't very familiar. But I found a

610
00:45:45,159 --> 00:45:49,000
bunch of cassette tapes back in high school and that

611
00:45:49,159 --> 00:45:53,719
was I only had the cassette in the truck, and

612
00:45:53,800 --> 00:45:58,920
that just sort of snowballed. I think once I started

613
00:45:58,920 --> 00:46:02,800
playing with other bands and then really sunk my teeth

614
00:46:02,800 --> 00:46:05,440
into country music is when I started trying to hone

615
00:46:05,480 --> 00:46:08,360
it in. And there's so many steel players and you

616
00:46:08,440 --> 00:46:11,239
can go down a huge list, but Lord helped me.

617
00:46:11,280 --> 00:46:15,119
If I can remember all the names right, but George Jones,

618
00:46:15,480 --> 00:46:21,159
Hank Williams Senior, h everything from Buck Owens. Yeah, I

619
00:46:21,320 --> 00:46:25,079
like a lot of the classics. George and Hank are

620
00:46:25,360 --> 00:46:28,760
up there on top for me. I'm really into bluegrass too,

621
00:46:29,280 --> 00:46:32,800
so it's still playing banjo and things like that. So

622
00:46:33,039 --> 00:46:35,000
we have we have lots of different stuff that I

623
00:46:35,039 --> 00:46:39,559
think regals could explore. Tost in a little bit like that.

624
00:46:39,760 --> 00:46:42,360
But our bass player Mike is pretty good at banjo,

625
00:46:42,559 --> 00:46:47,159
so I think, yeah, surprising trying to Yeah, really good.

626
00:46:47,679 --> 00:46:50,000
He's got the he's got these hands that are just

627
00:46:50,079 --> 00:46:50,679
made for it.

628
00:46:50,880 --> 00:46:51,880
Speaker 8: Yeah, he's really good.

629
00:46:52,079 --> 00:46:53,320
Speaker 20: Really, I didn't know that about him.

630
00:46:53,400 --> 00:46:54,239
Speaker 23: Yeah, he's really good.

631
00:46:55,760 --> 00:46:59,599
Speaker 21: Also a fun fact is that, no shame at all.

632
00:47:00,159 --> 00:47:04,360
Morgan Wallen is both Lucas and I is number one Spotify.

633
00:47:04,920 --> 00:47:07,639
Speaker 23: Real, Yeah, surprised both of us.

634
00:47:08,920 --> 00:47:11,039
Speaker 20: But a lot of passive listening. It's just I mean,

635
00:47:11,079 --> 00:47:11,719
it's a great.

636
00:47:11,960 --> 00:47:12,760
Speaker 4: It surprises me.

637
00:47:12,880 --> 00:47:14,320
Speaker 8: Actually, yeah, it's awesome.

638
00:47:14,920 --> 00:47:15,559
Speaker 20: It's pretty good.

639
00:47:15,639 --> 00:47:20,440
Speaker 23: As far as like contemporary country stuff, like mainstream country guys,

640
00:47:21,000 --> 00:47:21,920
it's awesome.

641
00:47:22,679 --> 00:47:23,320
Speaker 8: I will say this.

642
00:47:23,440 --> 00:47:25,639
Speaker 19: So I'm not a big I'm not a big mainstream

643
00:47:25,719 --> 00:47:28,440
country guy, but I have to say in terms of

644
00:47:28,599 --> 00:47:31,360
audio production, Nashville has it down.

645
00:47:31,480 --> 00:47:34,519
Speaker 8: Oh yeah, you know what I mean, Like, nobody does

646
00:47:34,800 --> 00:47:35,679
drums better.

647
00:47:36,679 --> 00:47:39,000
Speaker 20: Songs into drugs is my opinion.

648
00:47:39,159 --> 00:47:39,679
Speaker 22: Yeah they are.

649
00:47:40,559 --> 00:47:43,000
Speaker 20: Yeah, they have an addictive quality to them.

650
00:47:43,079 --> 00:47:45,679
Speaker 23: No, it's wild, It's really wild, and I love the

651
00:47:45,840 --> 00:47:52,920
history of Nashville. Yeah, and the recent uptick in interest

652
00:47:53,039 --> 00:47:56,480
in country music is really cool. Yeah, but it's some

653
00:47:56,599 --> 00:47:59,559
of it's like stadium rock really big.

654
00:48:00,039 --> 00:48:00,440
Speaker 8: Oh yeah.

655
00:48:00,960 --> 00:48:04,719
Speaker 23: And the Morgan Wallen stuff is like that too, just

656
00:48:04,800 --> 00:48:07,960
sonically it sounds so huge, and that's what really drew

657
00:48:08,039 --> 00:48:11,079
me in, really really drew me in. My my Spotify

658
00:48:11,159 --> 00:48:16,519
wrapped is Morgan Wallin. And then like the All Stars

659
00:48:16,559 --> 00:48:20,480
of Bluegrass, it's like Bill Monroe and Stanley Brothers. Yeah,

660
00:48:20,679 --> 00:48:23,559
pretty much it Yeah, drive By Truckers.

661
00:48:23,239 --> 00:48:24,679
Speaker 20: Was all Yeah, I saw that. Yeah.

662
00:48:24,760 --> 00:48:27,280
Speaker 21: I listened to a lot of this guy, Steven Wilson

663
00:48:27,400 --> 00:48:30,400
Junior this year, who I'm actually seeing tomorrow in Brighton,

664
00:48:30,440 --> 00:48:32,800
mass And he's really I'm not familiar with. And then

665
00:48:32,800 --> 00:48:34,679
I also listening to a lot of Third Eye Blind

666
00:48:34,719 --> 00:48:35,039
this year.

667
00:48:35,840 --> 00:48:36,599
Speaker 20: Yeah that's good.

668
00:48:37,039 --> 00:48:37,280
Speaker 8: Yeah.

669
00:48:37,960 --> 00:48:39,360
Speaker 20: Yeah, they were in the top five.

670
00:48:39,599 --> 00:48:41,760
Speaker 19: Stephen Jenkins, I think is a great songwriter. I think

671
00:48:41,760 --> 00:48:44,920
he's really underrated. I think he's a very very good songwriter.

672
00:48:45,800 --> 00:48:48,199
Speaker 21: And I'm actually seeing them at the end of seven

673
00:48:48,280 --> 00:48:51,960
or two ilind Yeah, I don't know even Foxwoods, Oh o.

674
00:48:51,960 --> 00:48:53,480
Speaker 8: Kid, I didn't know they were touring. Yeah, I thought

675
00:48:53,480 --> 00:48:56,480
they were all done for some reason. Maybe one last

676
00:48:57,519 --> 00:49:00,599
one last yeah, less right.

677
00:49:01,119 --> 00:49:03,679
Speaker 21: Yeah, if any friends are listening, let's go to Third

678
00:49:03,719 --> 00:49:05,559
Eye Blind and have a fun little time.

679
00:49:05,800 --> 00:49:06,320
Speaker 22: Yeah, I think so.

680
00:49:06,559 --> 00:49:08,760
Speaker 19: Oh speaking of friends listening, by the way, I want

681
00:49:08,760 --> 00:49:12,159
to make sure I mentioned Derek Smith. Uh send me

682
00:49:12,199 --> 00:49:16,480
an instant message, Yeah, says hey, homies, I'm tuning in. Well, well,

683
00:49:17,000 --> 00:49:19,360
I think, oh tuning in. I read that as lol.

684
00:49:22,000 --> 00:49:25,039
I'm used to people sending me messages with loll and Yeah.

685
00:49:25,119 --> 00:49:27,280
Speaker 8: Derek Smith. Yeah, Derek and I have known each other

686
00:49:27,360 --> 00:49:28,079
for a very long time.

687
00:49:28,119 --> 00:49:29,519
Speaker 19: We used to do a lot of We still like

688
00:49:29,599 --> 00:49:32,119
promote a lot of concerts together, Like I'm talking like

689
00:49:32,199 --> 00:49:34,800
twenty years ago. And then when I saw him that

690
00:49:34,920 --> 00:49:36,599
night at Mosaic, it was like the first time I'd

691
00:49:36,639 --> 00:49:37,880
see and he looks the same.

692
00:49:37,840 --> 00:49:39,159
Speaker 23: Like he has at Timeless.

693
00:49:39,239 --> 00:49:39,679
Speaker 24: We call it.

694
00:49:39,840 --> 00:49:44,760
Speaker 19: Yeah, dude hasn't changed. So yeah, I want to make

695
00:49:44,760 --> 00:49:47,079
sure our listeners know, especially for people just joining us.

696
00:49:47,440 --> 00:49:49,519
So the new album is February.

697
00:49:49,840 --> 00:49:51,320
Speaker 20: Yeah, it's coming out around February.

698
00:49:51,440 --> 00:49:55,320
Speaker 21: We'll make some more formal announcements online if you want

699
00:49:55,320 --> 00:49:59,679
to follow us at Underscore Regals, on Instagram, Facebook, wherever.

700
00:50:00,320 --> 00:50:02,719
But yeah, the album is called Love Sick Purgatory will

701
00:50:02,760 --> 00:50:06,840
be out late February, and uh we will be racing

702
00:50:07,199 --> 00:50:09,800
releasing a single for that on the summer twenty seventh

703
00:50:09,960 --> 00:50:14,920
called and the Wind. So okay, stay alert, very good attention,

704
00:50:15,039 --> 00:50:16,840
all right, yes, yes, appreciate it.

705
00:50:17,079 --> 00:50:19,559
Speaker 8: And then, uh, and for shows you got, do you

706
00:50:19,599 --> 00:50:20,480
have anything this weekend?

707
00:50:21,199 --> 00:50:26,239
Speaker 20: Not this weekend, this weekend, but working on the next

708
00:50:26,280 --> 00:50:32,599
show next we'll be there and you will too, right.

709
00:50:32,559 --> 00:50:34,480
Speaker 8: M h, well that would just be the two of

710
00:50:34,559 --> 00:50:34,920
you are.

711
00:50:37,320 --> 00:50:38,719
Speaker 20: Playing with a cool.

712
00:50:38,559 --> 00:50:42,719
Speaker 21: Band from the Sea Coast called Coyote Smoke and some

713
00:50:42,920 --> 00:50:47,199
local friends of ours called Dead Time, And yeah, it'll

714
00:50:47,199 --> 00:50:48,679
be a nice eclectic bill with.

715
00:50:50,239 --> 00:50:53,079
Speaker 20: You know, some bluesy country rock, some.

716
00:50:54,039 --> 00:50:59,400
Speaker 21: Experimental psychedelic ish type of rock and roll indie stuff. Yeah,

717
00:50:59,440 --> 00:51:01,800
the Dead Time they just played last night at shaskiing

718
00:51:01,920 --> 00:51:05,159
with Cromax. Actually they Cromas.

719
00:51:05,480 --> 00:51:06,280
Speaker 8: Oh very cool.

720
00:51:06,400 --> 00:51:06,880
Speaker 20: That's cool.

721
00:51:06,960 --> 00:51:09,880
Speaker 21: Yeah, they're cool guys. Yeah, it'll be a nice little time.

722
00:51:10,480 --> 00:51:11,559
Definitely come hang.

723
00:51:11,639 --> 00:51:14,800
Speaker 23: And it's free. Yeah, it's also free all shasking.

724
00:51:15,679 --> 00:51:18,679
Speaker 8: That's always a plus. That's that is that is always

725
00:51:18,719 --> 00:51:22,199
a plus. Do you guys want to We actually do

726
00:51:22,280 --> 00:51:23,199
have time. Do you want to play one?

727
00:51:23,239 --> 00:51:23,360
Speaker 12: More.

728
00:51:23,400 --> 00:51:25,239
Speaker 19: I'd love to play another song, all right, cool? Yeah,

729
00:51:25,280 --> 00:51:28,119
we we do have time. Yeah, that last one was short,

730
00:51:28,199 --> 00:51:29,800
so yeah we can. We can fit one more in

731
00:51:30,400 --> 00:51:32,559
and to take us to the end. But if you

732
00:51:32,639 --> 00:51:35,159
are just joining us, uh, we have Ryan and Lucas

733
00:51:35,280 --> 00:51:37,840
from Regals here with us, live and suit and it's Regals,

734
00:51:37,920 --> 00:51:38,719
not the Regals.

735
00:51:39,920 --> 00:51:41,920
Speaker 4: A lot of people say the gonna say, A lot.

736
00:51:41,840 --> 00:51:42,559
Speaker 8: Of people get it rung.

737
00:51:42,760 --> 00:51:43,480
Speaker 4: Honestly, I'm not.

738
00:51:45,599 --> 00:51:48,320
Speaker 21: But if you do want to be close friends with me,

739
00:51:48,519 --> 00:51:53,960
then you should start saying, yeah, we're not a punk

740
00:51:54,079 --> 00:51:54,760
band from like.

741
00:51:56,440 --> 00:52:01,800
Speaker 23: Yeah or the the vocal group from South Carolina. Oh yeah, okay,

742
00:52:01,800 --> 00:52:02,280
it's different.

743
00:52:02,440 --> 00:52:04,960
Speaker 4: Yeah, there's there are all caps.

744
00:52:06,400 --> 00:52:09,440
Speaker 21: There's also an artist from New York City called Ryan Eagan,

745
00:52:09,679 --> 00:52:12,360
and honestly, I'm cool with him.

746
00:52:12,559 --> 00:52:13,079
Speaker 20: It's fine.

747
00:52:13,360 --> 00:52:15,199
Speaker 23: Yeah that makes one of us.

748
00:52:15,599 --> 00:52:19,960
Speaker 20: I definitely have a better middle name. But anyway, see

749
00:52:20,000 --> 00:52:22,320
this is a little song called exile.

750
00:52:23,840 --> 00:52:24,159
Speaker 25: M h.

751
00:52:25,800 --> 00:52:34,159
Speaker 2: M hmmmm mm hm.

752
00:52:36,039 --> 00:52:36,360
Speaker 22: M hm.

753
00:52:41,800 --> 00:52:48,159
Speaker 24: Well it's five mcg's because I'm tass and rounding me.

754
00:52:49,719 --> 00:52:51,800
Speaker 3: The matter what I do.

755
00:52:52,280 --> 00:52:54,320
Speaker 22: Okay, it's you.

756
00:52:54,719 --> 00:53:00,920
Speaker 24: Are my head any even No, I'm driving and there's

757
00:53:00,960 --> 00:53:03,159
this black spot on my heart.

758
00:53:04,440 --> 00:53:06,719
Speaker 4: I can't tell if that's.

759
00:53:06,559 --> 00:53:09,840
Speaker 22: You or if I had that from the.

760
00:53:10,119 --> 00:53:14,360
Speaker 24: Storm and I mad sord time live.

761
00:53:14,320 --> 00:53:19,559
Speaker 4: A sweet wine on a mile summer and night his

762
00:53:19,800 --> 00:53:23,480
winter's cold, and being a lone good.

763
00:53:23,440 --> 00:53:27,599
Speaker 27: Soul that I said wind sure a bies, So tell

764
00:53:27,800 --> 00:53:31,599
me in one small think, my dear day, you think

765
00:53:31,760 --> 00:53:38,000
God deserved this life. I'm own wind, the product of

766
00:53:38,400 --> 00:53:41,039
what took me on the switching flight.

767
00:53:46,239 --> 00:53:51,199
Speaker 4: It's being bigger and saw the two.

768
00:53:51,400 --> 00:54:00,000
Speaker 29: Tonight, locked up in my room, smoking anything inside until

769
00:54:00,079 --> 00:54:03,880
ill like head, forget the things that are making me

770
00:54:04,119 --> 00:54:10,239
a lie, send me off to someplace else in search

771
00:54:10,400 --> 00:54:12,079
of the joy of the days.

772
00:54:12,760 --> 00:54:13,679
Speaker 4: This time.

773
00:54:26,360 --> 00:54:34,079
Speaker 3: It's big, big grief. It's solitude. Tonight I'm locked up

774
00:54:34,239 --> 00:54:40,559
in a mile from smoking anything to go until like

775
00:54:40,920 --> 00:54:46,079
care forget the things that are making me life and

776
00:54:46,719 --> 00:54:52,400
send me off to someplace elf jimmy beer to life and.

777
00:54:53,440 --> 00:55:00,639
Speaker 2: Hide eigh back, die.

778
00:55:06,280 --> 00:55:07,000
Speaker 5: Get back.

779
00:55:08,039 --> 00:55:11,920
Speaker 2: I could though, to keep you out of my back.

780
00:55:12,880 --> 00:55:13,519
I'm bad.

781
00:55:13,719 --> 00:55:18,320
Speaker 3: I'stide. I'm thinking in these childs on their.

782
00:55:19,960 --> 00:55:23,159
Speaker 5: Show that to a bar or not I can know

783
00:55:23,320 --> 00:55:25,360
the man die.

784
00:55:26,280 --> 00:55:30,079
Speaker 4: Yes see you know the remaind You know it.

785
00:55:30,760 --> 00:55:33,000
Speaker 5: Just don't feel like that.

786
00:55:37,639 --> 00:56:01,280
Speaker 12: To can.

787
00:56:02,679 --> 00:56:04,559
Speaker 22: Things make me.

788
00:56:08,000 --> 00:56:19,559
Speaker 2: Send me off to some please sell send such lines EGGI.

789
00:56:26,519 --> 00:56:30,559
Speaker 19: Another great one, another great one. Regals Ryan and Lucas,

790
00:56:30,639 --> 00:56:32,599
thank you both so much. This has been wonderful to

791
00:56:32,679 --> 00:56:33,079
have you here.

792
00:56:33,880 --> 00:56:37,159
Speaker 23: Thank you, Matt, and shout out to my lovely wife

793
00:56:37,239 --> 00:56:42,719
Adrian and the Troy bullfrogs out there, and uh, we're

794
00:56:42,760 --> 00:56:43,519
happy to be here.

795
00:56:43,960 --> 00:56:48,239
Speaker 8: Thank you, yes, yes, and uh, thank you guys.

796
00:56:48,280 --> 00:56:50,000
Speaker 19: And of course if you missed any part of today's show,

797
00:56:50,039 --> 00:56:51,840
it will be up in just a little bit at

798
00:56:52,000 --> 00:56:54,440
w m n H radio dot org and at my

799
00:56:54,559 --> 00:56:56,280
website Matt Connorton dot com.

800
00:56:56,480 --> 00:56:58,000
Speaker 8: And that's it for us for now. I'll talk to

801
00:56:58,039 --> 00:57:01,039
you a little bit later. Everybody, love you, you got it.

802
00:57:11,639 --> 00:57:15,599
Speaker 18: Sometimes I don't want to be living on the splints

803
00:57:15,800 --> 00:57:18,000
stun even on the second.

804
00:57:17,800 --> 00:57:22,880
Speaker 30: Until wish I could get a lift down of the

805
00:57:23,079 --> 00:57:28,199
lame brain and babies, you can't coming down to the

806
00:57:28,400 --> 00:57:33,199
world is a mess by and in all the kids getting.

807
00:57:33,199 --> 00:57:34,800
Speaker 4: We're siping.

808
00:57:36,280 --> 00:57:39,039
Speaker 18: And I don't want to shving down the chill b

809
00:57:39,519 --> 00:57:42,920
by the kids a doll with the mess.

810
00:57:46,679 --> 00:57:48,880
Speaker 2: Madly and.

811
00:57:51,039 --> 00:58:11,760
Speaker 7: Lly somewhere side love been stuffern as a child.

812
00:58:11,639 --> 00:58:15,480
Speaker 16: Never live stole from my to min.

813
00:58:17,039 --> 00:58:19,519
Speaker 11: And all my problems.

814
00:58:19,039 --> 00:58:23,360
Speaker 7: About to point that's coming back into style.

815
00:58:25,239 --> 00:58:26,960
Speaker 2: That's so wild, that.

816
00:58:27,360 --> 00:58:38,639
Speaker 5: Dress it it's gone such a last got SA.

817
00:58:39,280 --> 00:59:00,199
Speaker 2: SA due to.

818
00:59:02,000 --> 00:59:09,119
Speaker 4: All that's less to give Flo. That's something I can't do,

819
00:59:10,400 --> 00:59:13,360
not when there is knowing.

820
00:59:13,920 --> 00:59:20,880
Speaker 2: And out Ben been and badly at the back. Alley

821
00:59:22,360 --> 00:59:24,599
sonwhay Sthing