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Speaker 1: I'm gonna shix.

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Speaker 2: My boy said nothing, now let's go.

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Speaker 3: It was a long walk week, but said abound love

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and all.

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Speaker 2: We're going to hit six on three. Not a cool

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hand in beach. Let's ride to the sand.

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Speaker 3: Bring them all out of the me.

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Speaker 2: So come on, we're we're done. Stop the fine air.

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Speaker 3: He hus hair six on three. There wasn't not a

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trip back like.

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Speaker 2: That at times before a Super Bowl run.

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Speaker 3: For all the roget for hole see story hit another three.

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He's another shot for.

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Speaker 1: You were fee.

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Speaker 3: Let's raise another banner for the fours. Indeed stops so

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come with cos where don't stop.

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Speaker 1: The mot.

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Speaker 2: Had his head with the six or three.

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Speaker 3: It was an all time bash to say a farm

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let's go hold ladies looking fine as hell at him

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up in the room.

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Speaker 2: We're going to hit the six old three. Casino ham defiet.

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Speaker 3: Outside at thirty speech with centropeed.

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Speaker 1: So come on, father, we're going stop the father.

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Speaker 2: He hide as hell and the six O three.

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Speaker 4: I love it. That is partying the six soho three.

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The band is hush money, and we've got the guys

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with us in studio. We're gonna be talking with them

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in just a moment. Welcome everybody. Here we go Matt

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Connorton Unleashed and we are live from the studios of

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WMNH ninety five point three FM and Glorious but Snowy Manchester,

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New Hampshire because we needed more snow. But here we are.

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If you are listening live today is a Saturday, February seven,

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two thousand twenty six, and welcome. If you're listening on

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ninety five point three FM, or if you're streaming the show,

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you can stream it anywhere and go to Matt connorton

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dot com slash live for all of your live streaming options,

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social media links, contact and fosho archives, et cetera, et cetera.

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And of course I'm not alone, Jenny.

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Speaker 5: Good morning Sunshins.

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Speaker 4: Actually, actually I shouldn't have said I'm not alone. Of

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course because you haven't been here in like three weeks.

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Is just something different with my song?

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Speaker 3: It sounded funky.

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Speaker 4: No, you just haven't heard it in a while because

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you haven't been here in three weeks. All, yeah, I know, Yeah, No,

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it's the same. It's the same version. It's the same version,

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So welcome back.

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Speaker 5: I was making good trouble.

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Speaker 4: Yes you were, Yes, you were absolutely oh, you wanted

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to mention two g girls in the chapter. So the

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girls just check out her podcast.

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Speaker 6: I recently guessed on it.

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Speaker 4: She's going to be on the sh yeah, and she

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saw her return. She's going to be on with us

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very soon because I had technical absolutely, So we've got

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a great show for you today. But let's go ahead

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and get these guys in. I want to bring these

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these MIC's up. And interestingly, one of the members of

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Hush Money, we found out as we were talking off air,

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I have interviewed before. So what we'll do is we're

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gonna go around the room as we like to do,

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and have everyone introduce themselves, tell us who they are

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what they do in the band. But I think we

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should start with the gentleman who I have interviewed before

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on a different show in a different venue. Go ahead, Hello, Hello,

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all right, who are you and what do you do

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in the band? Paul Bergoing, I played drums, all right, Paul,

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Welcome and you sir.

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Speaker 5: I am Christopher Romano and I play guitar in the band.

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Speaker 4: All right, Chris welcome and you.

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Speaker 7: Gary Mulkegan, I'm the lead singer hush Money.

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Speaker 4: Yes, yes, oh, and the bass player, and let me

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get that you're on a different board here. Let me

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make sure we can hear you. We gotta treat the

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bass player right because I'm a bass player. So bass

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players unite. Let's make sure I got that mic up

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nice and loud for you. Okay, go ahead, Yeah, Hey,

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I'm Brian Stafford, not play bass. I'm failing with the

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microphone here. Say something. Oh oh, there we go. Okay, cool,

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a little trouble get you next there. Okay, there we go. Yeah,

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you're you're on a separate board here, and sometimes it

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doesn't always go as smoothly as we want. So welcome everybody.

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Uh So, I love the uh I love that track

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party in the six o three. You guys got a

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lot going on. The vocals there remind me a little

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bit of uh, David Lee Roth. I don't know, I

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don't know.

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Speaker 7: We've heard that a few times. Yeah, yeah, it's interesting.

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Speaker 4: Yeah, you do remind me like like, if you listen carefully,

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obviously you know your voice is a little a little

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raspier than his, but but something in the delivery, at

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least on that song, it does remind me of d

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L R.

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Speaker 7: Yeah. No, and we do. And when we play our

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cover shows.

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Speaker 8: We you know, we do a couple of Van Halen songs,

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so oh you do yeah, yeah, yeah, we we play

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uh in talking about love and uh.

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Speaker 7: Yeah, you know what's the other one said? You really

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got it? He really got me? Thank you.

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Speaker 4: Yeah. So the obvious question, we'll get this out of

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the way. Where does the name come from? Hush money?

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Speaker 5: What does it?

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Speaker 4: What does it mean?

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Speaker 3: You know?

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Speaker 8: We uh we when when we pulled it together, it

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was a couple of years ago, and uh, there's you know,

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it's it's hard to get a band name together, and

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we you know, there was there was a lot of

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hush money in the news at that time, and so

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we wanted to kind of play fun at it and

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just have uh, you know, have a good time with

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with that. When people come see our shows, they're you know,

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they're contributing to the to the hush money fun.

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Speaker 7: So that's kind of how it started.

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Speaker 6: I like that.

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Speaker 4: I like that, how long have you guys been together?

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How long has this band existed?

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Speaker 8: So Chris and I were started it and it was

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interesting because I had answered an ad in Craigslist three

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years ago and uh and and the basis at the

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time we it was named Carl, Carl Brooks, and he

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had actually started it and he he uh, he had

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he had cancer and he passed away that year. And

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so at that time Chris and I had to decide

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whether we wanted to fold or where we wanted to

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keep doing what we were doing. Yeah, and that's when

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we brought in Paul and then and then Brian who

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came from California and UH and joined the band. He

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moved out here and I said to him today, I said,

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you don't have a lot of people that moved from

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California to New Hampshire. So so we we pulled Brian

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in and uh, the last what fifteen months we've been together,

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the four of us and UH and pulling. We've been

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doing a lot over the last fifteen months.

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Speaker 4: That's fantastic. Yeah, Brian, did you did you move out

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here specifically for hush money?

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Speaker 7: Yeah?

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Speaker 5: It's crazy.

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Speaker 4: Wow, that would be a great story. Yeah, you're allowed.

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You're allowed to make things up on the show. I

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don't care. I'm a I'm a marketing guy. I'm fine

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with that. Whatever you want to whatever you want to talk.

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Speaker 9: It was a national ad and I went, man, that

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sounds like a great opportunity really had out there.

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Speaker 4: Yeah no, I moved out for work.

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Speaker 9: Okay, love the area and yeah, all right, don't regret

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the second of coming out here.

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Speaker 5: It's beautiful et here.

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Speaker 4: Even on a daylight today where we actually on a

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day to day. You like the snow, love the snow?

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Speaker 5: Yeah?

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Speaker 4: Yeah, okay, all right, See I'm the I'm the opposite.

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I grew up here and I hate the snow.

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Speaker 9: I hope I don't ever get to that point. But

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so far, so like the novelty of it's still super appealings.

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Speaker 4: No, that's good. So you've only been how long have

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you been here?

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Speaker 9: We moved out in August of twenty twenty three?

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Speaker 4: Oh okay, okay, so not not too long, yeah, little

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under three years.

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Speaker 9: Set, it's like two and a half years.

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Speaker 4: I guess now you guys have all I'm sure you've

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all been in other bands, right, Like Paul you were

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in When I interviewed you before, it was on a

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different show. You were in a band called Sons of Auto. Yes,

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and Chris you would you? Oh, you mentioned off air

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you had played in a band with Larry from Down Boys.

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Because for people watching the video feed, I'm wearing my

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down Boys shirt. So you had played with Larry and

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you probably played in sm other bands.

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Speaker 5: Tend Oh you were in two time. I played the

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top of them when it was almost three years ago.

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Speaker 4: I'll be damned okay yeah, yeah, yeah, yeah, okay, okay.

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Speaker 5: Yeah a little bit.

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Speaker 4: Yeah, nice folks, Yeah, oh absolutely no, I love them.

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And then uh so, what about you, Gary, So.

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Speaker 7: My stare is actually a little different than these guys.

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Speaker 8: So back in uh in, in high school and college,

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I actually was a rapper, no kidding, Yeah, And I

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had a song that was the single that was pushed

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out called step into the Future that I got to

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open up for Rundy Him, Season Salt and Peppa and

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Robin s who had that song show Me Love. That's

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still yeah, you still hear it every I heard it

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at the market basket the other day.

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Speaker 4: Oh yeah, that was a huge hit.

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Speaker 7: Yeah, so there are so so I still uh so.

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Speaker 8: I did that, and then I left the music industry

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when I got married and I went in the corporate world.

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And thirty years later, I said, I really always wanted

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to be the lead singer for a rock band, and

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I wanted to see if I could do it. That's

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when I answered that ad. Yeah, that's when I hooked

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up with this guy. Yeah, and the rest has been

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kind of history between all of us.

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Speaker 4: So I'll be damn yeah. So yeah, because well it's

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not entirely surprising though, because in the in your songs,

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you know, there was an element of that of where

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you're kind of like more more singing than rap, I mean,

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more rapping than singing.

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Speaker 5: Yeah, yeah, yeah, yeah.

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Speaker 4: Oh that's cool. That's cool, wild, that's wild.

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Speaker 7: Yeah. It brings a different element to it, yeah, it does.

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Speaker 4: Yeah.

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Speaker 7: Yeah.

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Speaker 4: And what about you, Brian, I mean, I assume back

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in California you were playing in bass players are always

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highly sought after, so I assume you had.

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Speaker 9: I'd love to claim that I was doing it forever,

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but really I probably the most recent in terms of

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everybody here in terms of the history you're playing in bands.

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Speaker 8: I had.

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Speaker 9: I was in two bands over in California, but really

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that started like in twenty nineteen, so it's only been

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like six years I've been playing in bands. Really Yeah,

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oh no kidding, but yeah, two great bands. Played with

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friends there and then moved out here and then kind

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of took a year to settle in to delay the

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land and learn how to live out here, like how

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do how do you shovel snow?

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Speaker 4: Right?

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Speaker 7: Doing that?

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Speaker 9: Timely with the weather today. But yeah, after about a year,

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that's when I finally was like, yep, I should start

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looking for a band playing and yeah, that's how I

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got connected with Chris on yeahne.

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Speaker 4: Yeah, excellent, excellent. Now how many how many songs have

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you guys recorded so far?

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Speaker 8: So we have the the EP has six songs on it, okay,

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and but we've we've got another four songs that we've

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already written, and we've been playing and practicing so when

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we what we've had to do is to get shows

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around here. We've created two mystiques of the band. One

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is a cover band where we when we play like

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we're playing Revo Casino on in Dover on February twenty first,

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we're gonna do ninety eight percent covers that night. But

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then we have a show on May twenty third at

240
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TAFAA in Lowell. Yeah, and we're gonna be doing a

241
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show with One Time Mountain, who's they've got an album

242
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coming out, so we're gonna be opening up for them,

243
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and that's gonna be all originals show. So we have

244
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ten originals right now that that we can go out

245
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there and fill an hour set for you know, for

246
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for bands and yeah and uh and then we have

247
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like four hours, five hours worth of covers that we have.

248
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Speaker 7: Oh wow, okay, yeah, when we do shows, it's either

249
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three or four hours.

250
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Speaker 4: Yeah, so damn Yeah, Taffa is a great room. Uh,

251
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although when I hear the name, it always makes me

252
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chuckle because uh h, William from Sepsis when they've been

253
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on the show, he always refers to it Asta.

254
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Speaker 8: I say it all the time and everybody corrects me.

255
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So I'm glad I got it right the first time.

256
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Speaker 4: I say yeah, because because whenever I hear it, you know,

257
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I started craving a Greek salad or something, you know.

258
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But yeah, but no, Taffa isn't really that's a cool

259
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that's a cool place. And then so we should talk

260
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about and we're gonna play because he said, you send

261
00:13:49,240 --> 00:13:51,000
me a bunch of music and it's all really good,

262
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but I do want to make sure we play a

263
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badass don't break because this song, uh, this is significant

264
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for you guys. This is going to be in a movie.

265
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Speaker 8: Correct, Yeah, Alton wa movies. It's coming out with with

266
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the horror film this October called The House.

267
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Speaker 4: And Chris was telling me about this off air earlier.

268
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This is fascinating.

269
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Speaker 8: But yeah, yeah, So the it's a it's it's based

270
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on a story about and if you remember in the eighties,

271
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there was this kid that was like living in the

272
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walls of this home, like he was going in and

273
00:14:24,000 --> 00:14:26,320
I don't know, but living, but like he was torturing

274
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this family in Massachusetts, and then he eventually killed the

275
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daughter and the mother and now he's still in jail

276
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to this day, you know. And uh, and the movie

277
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is kind of based on that story.

278
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Speaker 7: And and so it's it's.

279
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Speaker 3: Uh.

280
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Speaker 8: The the song Badass Don't Break talks about the girl

281
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in this movie who's fighting against this you know, this

282
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this alleged this person that's that's that's a haunting her

283
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and her family.

284
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Speaker 4: Okay, okay, what's the movie called to you?

285
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Speaker 7: The House?

286
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Speaker 5: The House?

287
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Speaker 4: Yeah, okay. And then this is, uh, do you know

288
00:15:06,440 --> 00:15:09,200
when this is coming out October of this year? October? Okay,

289
00:15:09,279 --> 00:15:12,200
so not too far. And then so and the song

290
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is actually in the film.

291
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Speaker 7: Yeah, yeah, and excellent, And we're going to be doing

292
00:15:15,399 --> 00:15:16,840
the rap party for them in July.

293
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Speaker 4: Oh, very cool.

294
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Speaker 7: We'll be performing follow all the actors in the movie.

295
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Speaker 4: Oh that's amazing. How did the family, How did this

296
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opportunity come about? Because that's huge.

297
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Speaker 7: So Mark Alton Wig, I've actually known him for a

298
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long time and uh, and so.

299
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Speaker 8: He was actually part of the rap scene back in

300
00:15:33,840 --> 00:15:36,519
the house, but I was doing it and we were

301
00:15:36,679 --> 00:15:39,360
we played basketball together in high school as well, and

302
00:15:39,519 --> 00:15:42,639
so we go way back. And uh, he's always, uh,

303
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you know, been involved in movies and he uh, he

304
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had another movie that he had done a few years

305
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back as well.

306
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Speaker 7: So this is the follow up to that.

307
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Speaker 4: So, oh, very cool. That's awesome. Happy for you guys.

308
00:15:53,759 --> 00:15:56,000
This is great. So let's give this a spin. If

309
00:15:56,039 --> 00:15:58,600
you are just joining us, hush money is here and

310
00:15:59,159 --> 00:16:02,360
this is called this is called Badass.

311
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Speaker 5: Don't break.

312
00:16:14,399 --> 00:16:17,960
Speaker 2: I know she's giving us something.

313
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Speaker 3: I know it's tearing her down, she cried, But love

314
00:16:26,879 --> 00:16:27,799
never surrender.

315
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Speaker 2: Living in are still a time. I know she's giving

316
00:16:48,000 --> 00:16:49,120
him loving.

317
00:16:50,279 --> 00:16:57,600
Speaker 3: I know he's dragging her down, she cried, the love

318
00:16:57,919 --> 00:17:02,919
never surrender, living life one day a time for a

319
00:17:03,080 --> 00:17:04,079
piece of mind.

320
00:17:08,960 --> 00:17:16,240
Speaker 2: She wants Stunnaystunday. She wants run head head.

321
00:17:19,240 --> 00:17:26,519
Speaker 3: She kept punching punch in, fighting for her light life,

322
00:17:36,240 --> 00:17:37,359
her mother's taste.

323
00:17:37,440 --> 00:17:38,519
Speaker 10: She can't a raise.

324
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Speaker 3: She keeps poorsht no hazard taste. She trying to breaks

325
00:17:43,720 --> 00:17:48,039
and keeps living there from what I don't looked at her,

326
00:17:48,160 --> 00:17:51,799
so of course on start the ball, her will to

327
00:17:51,920 --> 00:18:08,880
lift and ask. Nothing's imposketball. I'm known she's giving him

328
00:18:09,079 --> 00:18:17,079
love it. I know he's bringing her down, she cried,

329
00:18:17,799 --> 00:18:23,440
but love never surrender her. Living on more time for

330
00:18:23,599 --> 00:18:31,720
a piece of mind. She is running head for head.

331
00:18:34,759 --> 00:18:40,960
She is stunned head donned head. She chipped on chair

332
00:18:41,359 --> 00:18:57,000
on it her second chance on like light like. She's

333
00:18:57,079 --> 00:19:00,720
looking at moss being out the flood and kept gon'where

334
00:19:01,759 --> 00:19:05,400
fadays don't preak they trust God and keep live.

335
00:19:05,599 --> 00:19:10,000
Speaker 2: Man, it's time to talk, it's time to leave. Don't

336
00:19:10,319 --> 00:19:13,680
cof with me. Bad I don't break down. I just

337
00:19:13,759 --> 00:19:15,960
don't break down. I don't pray.

338
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Speaker 3: Fats, don't pray fatass, don't pray fatass. Don't pray.

339
00:19:36,519 --> 00:19:42,880
Speaker 1: Fats. Don't pray fat ass, don't pray batas, don't pray.

340
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Speaker 4: There it is badass, don't break. The band is hush

341
00:20:48,160 --> 00:20:51,200
money and uh I love that and that's gonna be

342
00:20:51,240 --> 00:20:53,200
on the House. That's the name of the film.

343
00:20:53,359 --> 00:20:54,279
Speaker 7: Yeah, the house.

344
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Speaker 8: And uh, the kid that we were talking about that

345
00:20:57,759 --> 00:21:00,720
that was torturing that family, Daniel La play okay and

346
00:21:00,839 --> 00:21:03,200
he's like I said, he's still in jails, thank goodness.

347
00:21:03,400 --> 00:21:07,480
Speaker 4: Yeah, okay kid. I love the solo on that. Chris,

348
00:21:07,599 --> 00:21:12,880
that's so so good, so good. And yeah, so hush

349
00:21:12,920 --> 00:21:15,000
Money is with us in studio, and we were talking

350
00:21:15,039 --> 00:21:17,000
to a little bit off air about uh the you

351
00:21:17,079 --> 00:21:20,000
know where where you guys record the process and everything,

352
00:21:20,000 --> 00:21:22,480
because everything sounds really good, so we should definitely give

353
00:21:22,559 --> 00:21:23,519
some some props.

354
00:21:24,039 --> 00:21:28,960
Speaker 7: Yeah, Walker Studios in uh in Chelmsford, Massachusetts. Bob Nash

355
00:21:29,519 --> 00:21:29,960
is the guy.

356
00:21:30,119 --> 00:21:33,039
Speaker 4: He's I think that name has come up on the

357
00:21:33,039 --> 00:21:36,079
show before. Yeah, how did you come to work with him?

358
00:21:37,000 --> 00:21:40,119
Speaker 7: So I'm really good friends with the Evolutionists.

359
00:21:40,759 --> 00:21:42,680
Speaker 8: He's a he's a he's a hip hop artist in

360
00:21:43,160 --> 00:21:47,759
out of NASHAUA and and he he had recorded a

361
00:21:47,799 --> 00:21:50,200
bunch of music there and said you want to you

362
00:21:50,319 --> 00:21:52,799
definitely want to work with with Bob and and we

363
00:21:52,960 --> 00:21:56,119
went down and Bob meshed with us, like right away,

364
00:21:56,599 --> 00:21:59,359
yeah he got us and uh, and you could see

365
00:21:59,400 --> 00:22:04,279
the way he mixed. He really did a fantastic job.

366
00:22:04,359 --> 00:22:06,759
And we're going to go back and record then, you know,

367
00:22:07,000 --> 00:22:10,200
the other songs that we've already got going and go

368
00:22:10,319 --> 00:22:13,079
back there this year and have him do it again.

369
00:22:13,240 --> 00:22:15,599
Speaker 4: Oh very good. Yeah, it's nice when it just seems

370
00:22:15,640 --> 00:22:18,160
to be so organic and you know, then you know

371
00:22:18,240 --> 00:22:20,000
you've really got something and you know you found someone

372
00:22:20,039 --> 00:22:21,359
you can you can I mean, does he kind of

373
00:22:21,400 --> 00:22:23,720
become like a like a fifth member of the band

374
00:22:23,759 --> 00:22:24,319
in that sense?

375
00:22:24,559 --> 00:22:27,400
Speaker 7: Yeah, I think it does. He does. Yeah, he does

376
00:22:27,440 --> 00:22:27,920
a great job.

377
00:22:28,000 --> 00:22:30,759
Speaker 8: And Chris, when you were so you can talk about

378
00:22:30,920 --> 00:22:34,720
how he mixed your guitars and in that song especially,

379
00:22:34,960 --> 00:22:35,599
Oh yeah.

380
00:22:36,319 --> 00:22:38,640
Speaker 5: Yeah, it's it's like it's like everything is a process

381
00:22:38,759 --> 00:22:40,240
and there's a lot of moving parts, you know.

382
00:22:40,519 --> 00:22:40,720
Speaker 4: Yeah.

383
00:22:42,279 --> 00:22:44,640
Speaker 11: So he's been doing it for a while and he

384
00:22:44,759 --> 00:22:49,279
has a passion for what he does, and he came

385
00:22:49,400 --> 00:22:53,920
together and looking forward to doing some more good stuff

386
00:22:53,920 --> 00:22:54,200
with him.

387
00:22:54,400 --> 00:22:59,400
Speaker 4: Yeah, absolutely, no doubt, no doubt. And then so when

388
00:22:59,440 --> 00:23:00,559
do you when do you I had to go back

389
00:23:00,599 --> 00:23:03,240
in with him, is that going to be the end

390
00:23:03,279 --> 00:23:06,480
of the summer, end of the summer, yeah, begin and fall? Yeah, yeah,

391
00:23:06,680 --> 00:23:08,359
because you guys are pretty busy, right, You're playing a

392
00:23:08,359 --> 00:23:10,480
lot of shows, as you mentioned earlier, and yeah.

393
00:23:10,400 --> 00:23:13,119
Speaker 8: Yeah, we already have thirteen shows booked for this year.

394
00:23:13,240 --> 00:23:15,400
We got another one that a couple more. Actually we're

395
00:23:15,440 --> 00:23:18,559
waiting to hear back from Wow good folks, and yeah,

396
00:23:18,599 --> 00:23:20,839
it's we're actually starting to book for twenty twenty seven.

397
00:23:21,319 --> 00:23:23,559
Speaker 4: Oh that's fantastic. Yeah, that's fantastic.

398
00:23:23,640 --> 00:23:24,000
Speaker 6: Good for you.

399
00:23:24,920 --> 00:23:27,079
Speaker 4: I do want to play there's another track that we

400
00:23:27,200 --> 00:23:32,079
should uh play because tell us about this song Our Love.

401
00:23:32,200 --> 00:23:35,440
You've had some uh scored some wins with this one already.

402
00:23:36,079 --> 00:23:38,559
Speaker 7: Yeah, it's so so our Love is.

403
00:23:38,880 --> 00:23:41,759
Speaker 8: It's actually interesting because it, like the lyrics are actually

404
00:23:41,799 --> 00:23:44,839
about a guy meeting a girl when they're young and

405
00:23:45,119 --> 00:23:49,960
she eventually comes just becomes, uh, she becomes his wife.

406
00:23:50,559 --> 00:23:53,720
Speaker 7: And it's actually about me meeting my wife.

407
00:23:53,640 --> 00:23:55,720
Speaker 8: Oh okay thirty five years ago, because I act like

408
00:23:55,759 --> 00:23:57,240
an idiot when I first met her.

409
00:23:57,319 --> 00:24:00,519
Speaker 7: Of course I was nineteen years old at the time.

410
00:24:00,599 --> 00:24:01,759
Speaker 4: And then uh, and then.

411
00:24:03,279 --> 00:24:07,319
Speaker 8: You know, you know, and then I avctually charmeder enough

412
00:24:07,400 --> 00:24:09,960
to uh to have her become my wife the years later,

413
00:24:10,039 --> 00:24:13,359
and and the rest is history. But the the song

414
00:24:13,480 --> 00:24:16,640
itself right now is streaming everywhere. It just was released

415
00:24:16,640 --> 00:24:17,319
a couple of weeks ago.

416
00:24:17,839 --> 00:24:20,799
Speaker 7: Ninety two point five competitor but the River.

417
00:24:22,880 --> 00:24:25,759
Speaker 8: The River chose it as a showcase for their local,

418
00:24:26,000 --> 00:24:28,440
uh local showcase, and they played it a couple of

419
00:24:28,480 --> 00:24:32,559
weeks ago. Very and also Wave Radio has also played

420
00:24:32,599 --> 00:24:35,039
it Wave Wave Wave Radio Boston.

421
00:24:35,119 --> 00:24:37,400
Speaker 7: So we've been yeah, quite a few places.

422
00:24:37,480 --> 00:24:39,960
Speaker 4: Now. Oh that's outstanding, very good, very good. Well let's

423
00:24:40,000 --> 00:24:42,680
give this a spind Uh. This is called Our Love

424
00:24:43,200 --> 00:24:44,720
and again the band is Hush Money.

425
00:25:01,000 --> 00:25:05,160
Speaker 3: Well. I was sliding over then on Toobo, making her mind.

426
00:25:05,480 --> 00:25:07,920
She was hot bread in Lake's do a bit in

427
00:25:08,000 --> 00:25:12,640
the drinking her wine hottover. Thought it was sober, smooth

428
00:25:12,680 --> 00:25:15,720
as very white. She was laughing at the thought. It

429
00:25:15,880 --> 00:25:22,480
was stilling the and her smile. And we were buck kids,

430
00:25:22,519 --> 00:25:26,279
stop loving you, treating you, hunting on and on and

431
00:25:26,440 --> 00:25:33,119
we were fun just like baby, look, jommy, look put

432
00:25:33,240 --> 00:25:44,079
it nothing else about me. Hello Now we were funning

433
00:25:44,240 --> 00:25:46,960
ways to get away. It was our time.

434
00:25:47,400 --> 00:25:48,440
Speaker 1: We were young, in our.

435
00:25:48,400 --> 00:25:51,079
Speaker 3: Twenties, living good and playing in bigure in our lives.

436
00:25:51,519 --> 00:25:55,200
She was keeping up, keeping up with him night after night.

437
00:25:55,680 --> 00:25:58,039
We weren't living our life. But I'm thinking my wife

438
00:25:58,240 --> 00:26:04,480
rest was outside and we were by l can't stop

439
00:26:04,559 --> 00:26:07,519
going to your breathing you on it on and all

440
00:26:07,799 --> 00:26:14,079
that being with b l just like babies dog is

441
00:26:14,119 --> 00:26:42,200
lo pull the north against the boat. I son't pull

442
00:26:42,319 --> 00:26:46,359
that baby baby. It's time to go to town. Hold

443
00:26:46,440 --> 00:26:47,680
the baby, baby.

444
00:26:47,440 --> 00:26:52,559
Speaker 2: Bag, get me on down. And we were by lady

445
00:26:54,000 --> 00:26:56,400
can't stop loving you, breathing.

446
00:26:56,079 --> 00:27:02,359
Speaker 3: You on and on and all and me with B's

447
00:27:02,480 --> 00:27:05,599
just like baby love, young love, put nothing.

448
00:27:05,359 --> 00:27:14,480
Speaker 1: Else and.

449
00:27:22,599 --> 00:27:23,519
Speaker 3: Man were.

450
00:27:46,160 --> 00:27:50,119
Speaker 4: The track is called our Love. Oh wow, that was

451
00:27:51,279 --> 00:27:53,359
That was a big no no for a radio guy.

452
00:27:53,440 --> 00:27:55,039
I apologize.

453
00:27:55,839 --> 00:27:57,920
Speaker 7: Sneaks in there. That was a big no no.

454
00:27:58,799 --> 00:28:01,839
Speaker 4: But the song is all our love. The band is

455
00:28:02,039 --> 00:28:04,720
hush Money, and we have hush Money with us in

456
00:28:04,960 --> 00:28:07,000
studio and very very happy about it.

457
00:28:07,160 --> 00:28:07,279
Speaker 6: Uh.

458
00:28:07,640 --> 00:28:09,799
Speaker 4: You guys, uh, you got a lot of great tunes here.

459
00:28:09,880 --> 00:28:12,799
This is a this is really good. We were talking

460
00:28:12,880 --> 00:28:15,680
off air too, Uh. Paul was talking about how you

461
00:28:15,759 --> 00:28:17,839
know the process, how when you guys went into the studio,

462
00:28:18,240 --> 00:28:20,640
you didn't necessarily have all these songs together and some

463
00:28:20,759 --> 00:28:23,400
of this kind of the magic sort of happened there, right.

464
00:28:23,599 --> 00:28:25,720
Speaker 12: Yeah, from what you were saying, Yeah, our Love was

465
00:28:25,839 --> 00:28:29,039
pretty much done, and six oh three we had done

466
00:28:29,920 --> 00:28:33,359
and it was basically go in and get those and

467
00:28:33,440 --> 00:28:36,440
then we had extra time, so why don't we just

468
00:28:36,559 --> 00:28:37,599
demo the rest of them?

469
00:28:37,880 --> 00:28:38,000
Speaker 8: Right?

470
00:28:38,079 --> 00:28:40,480
Speaker 6: And then it kind of rattled them off and it

471
00:28:40,599 --> 00:28:41,640
kind of it worked.

472
00:28:41,880 --> 00:28:44,920
Speaker 4: Yeah, yeah, now that's really that's really good. That's really

473
00:28:44,960 --> 00:28:49,039
good when that happens. And then so with the shows,

474
00:28:49,200 --> 00:28:51,359
with the shows that you guys are doing, because Gary,

475
00:28:51,400 --> 00:28:53,240
you were talking earlier about how you know you kind

476
00:28:53,240 --> 00:28:55,599
of like some of the shows are cover shows, some

477
00:28:55,720 --> 00:28:57,799
of the more original bass Like, what's what's sort of

478
00:28:57,839 --> 00:29:00,720
the ratio there in terms of like how many shows

479
00:29:00,920 --> 00:29:02,799
do you guys do that are more more covers?

480
00:29:03,440 --> 00:29:05,319
Speaker 8: I think it would probably be like seventy five percent

481
00:29:05,839 --> 00:29:07,759
for the stuff we'll be doing. But I think it's

482
00:29:07,759 --> 00:29:12,079
gonna flip at some point. I'm I mean, I'm very

483
00:29:12,240 --> 00:29:15,119
confident in what we're creating and the songs that we

484
00:29:15,240 --> 00:29:17,279
even don't even have on the on the CD right

485
00:29:17,319 --> 00:29:20,400
now and on the on on the on the EP is.

486
00:29:22,359 --> 00:29:24,839
Speaker 7: Really strong. They're very strong. So I think they're gonna

487
00:29:24,839 --> 00:29:27,720
compliment the ones that we have now really well.

488
00:29:28,240 --> 00:29:32,759
Speaker 8: And and I think that that once people starts hearing

489
00:29:32,839 --> 00:29:35,119
our originals more and more and more, they're going to

490
00:29:35,160 --> 00:29:38,039
be asking for us to do that more. Yeah, and uh,

491
00:29:38,720 --> 00:29:41,319
it's to get shows. You gotta we gotta do what

492
00:29:41,400 --> 00:29:43,799
we have to do, right Yeah. Yeah, So, but I

493
00:29:43,839 --> 00:29:45,400
think at some point it's gonna flip.

494
00:29:45,480 --> 00:29:47,640
Speaker 4: Yep, yep. Do you guys do any covers that are

495
00:29:47,720 --> 00:29:50,480
kind of obscure? I've I've been in in bands where

496
00:29:50,680 --> 00:29:53,440
we did, like we would do covers, but they but

497
00:29:53,599 --> 00:29:55,759
there might be something in there that nobody.

498
00:29:55,680 --> 00:29:59,319
Speaker 7: Chris, yea, Chris, that is half of the stuff we do.

499
00:29:59,720 --> 00:30:02,279
Speaker 4: Would B sides really really?

500
00:30:02,319 --> 00:30:04,799
Speaker 5: Yeah, there's so much great music out there, you know.

501
00:30:04,920 --> 00:30:08,039
Speaker 11: Oh yeah, I think I think I've approached it in

502
00:30:08,119 --> 00:30:11,000
a way where, you know, I want to make people

503
00:30:11,119 --> 00:30:12,880
happy when we play a coup of songs.

504
00:30:13,119 --> 00:30:13,359
Speaker 6: Yeah.

505
00:30:13,640 --> 00:30:15,880
Speaker 11: At the same time, you have an identity where you like,

506
00:30:16,119 --> 00:30:20,279
you have a few you have some ideas about what

507
00:30:20,440 --> 00:30:23,400
you want to hear too, is you know people can

508
00:30:23,519 --> 00:30:27,880
identify with that, so yeah, you know, and and definitely

509
00:30:27,960 --> 00:30:28,880
like B side stuff.

510
00:30:29,039 --> 00:30:35,119
Speaker 8: Yeah, the Jackal song just because I'm Drunk, that's one

511
00:30:35,200 --> 00:30:36,759
that you'll hear it at the Coach Money.

512
00:30:36,559 --> 00:30:37,400
Speaker 4: Show, okidding.

513
00:30:37,519 --> 00:30:38,880
Speaker 7: Yeah, Yeah, it's pretty good.

514
00:30:39,119 --> 00:30:41,200
Speaker 4: So when you do something like that that maybe not

515
00:30:41,319 --> 00:30:43,799
everyone knows, do you like, do you ever have someone

516
00:30:44,119 --> 00:30:45,359
like come up to you and say, hey, I really

517
00:30:45,480 --> 00:30:47,599
like they just assume that it's an original and they

518
00:30:47,640 --> 00:30:48,880
come up to you and they go, I really like

519
00:30:49,000 --> 00:30:49,400
that song.

520
00:30:50,680 --> 00:30:53,160
Speaker 8: We I think the way we introduce it is it's

521
00:30:53,279 --> 00:30:56,039
more of you know, this is for all you party

522
00:30:56,079 --> 00:30:58,519
here is late night ers. Yeah and uh and and

523
00:30:59,079 --> 00:31:02,000
it's been very well received yeah the songs, yeah, yeah,

524
00:31:02,200 --> 00:31:05,039
and so so that's definitely one that that we throw

525
00:31:05,119 --> 00:31:07,160
in there when when there's a lot of people just

526
00:31:07,680 --> 00:31:08,640
you know, partying it away.

527
00:31:08,759 --> 00:31:12,160
Speaker 4: So yeah, I part of why I was curious is

528
00:31:12,240 --> 00:31:13,880
so I used to play a band called My Life

529
00:31:13,920 --> 00:31:16,319
Crisis a long time ago, and we, you know, we

530
00:31:16,519 --> 00:31:18,400
did a couple of covers and one of the songs

531
00:31:18,440 --> 00:31:21,200
we covered was hate by Kiss. But the thing is,

532
00:31:21,359 --> 00:31:23,880
unless you were, you know, a really die hard Kiss fan,

533
00:31:23,960 --> 00:31:26,720
you had no idea that that And we didn't say

534
00:31:26,720 --> 00:31:28,400
anything when we introduced it. We would just play it,

535
00:31:28,480 --> 00:31:30,160
and sometimes people would come up to us and I

536
00:31:30,240 --> 00:31:32,920
really like that, what's that one song you did? And uh,

537
00:31:33,559 --> 00:31:35,079
you know, and they would assume you know, and then

538
00:31:35,079 --> 00:31:36,680
of course we would tell them, well, no, it's not ours,

539
00:31:36,759 --> 00:31:39,240
that's a Kiss cover. But it was like like from

540
00:31:39,599 --> 00:31:42,200
Carnival of Souls, which unless you're a die hard Kiss

541
00:31:42,240 --> 00:31:45,799
fan you have no clue. But uh, but yeah, I was.

542
00:31:45,839 --> 00:31:47,559
I always thought that was that was kind of fun

543
00:31:48,559 --> 00:31:50,640
when when you guys the covers that you do, do

544
00:31:50,720 --> 00:31:53,480
you try to stay as faithful to the original as possible.

545
00:31:53,519 --> 00:31:56,440
Because the other interesting thing I've noticed is that you

546
00:31:56,519 --> 00:32:01,200
know different people and probably most people want to hear

547
00:32:02,079 --> 00:32:05,160
want to hear covers that sound really close to the original.

548
00:32:05,279 --> 00:32:07,799
But then but then there are people like me who

549
00:32:07,880 --> 00:32:10,480
are like if I'm hearing an artist to a cover

550
00:32:10,640 --> 00:32:12,119
song and they kind of put their own spin out it,

551
00:32:12,240 --> 00:32:14,480
I like that. It's like, I know how the original goes.

552
00:32:14,599 --> 00:32:16,559
I want to hear your interpretation of it, you know

553
00:32:16,559 --> 00:32:18,480
what I mean, Like, like, how do you guys approach that.

554
00:32:18,599 --> 00:32:20,440
Do you try to keep it, you try to play

555
00:32:20,480 --> 00:32:23,240
it straight, or do you ever kind of, you know,

556
00:32:23,359 --> 00:32:25,279
put at a little hush money spin on it.

557
00:32:25,920 --> 00:32:27,799
Speaker 9: I would say for the most part, we try to

558
00:32:27,880 --> 00:32:30,000
keep it to the original. One of the reasons is

559
00:32:30,119 --> 00:32:32,440
because it just makes it easier to have more of

560
00:32:32,440 --> 00:32:34,880
a repertoire. Like when that's true, because you know, there's

561
00:32:34,920 --> 00:32:37,200
so many songs you're trying to have in your your

562
00:32:37,240 --> 00:32:40,240
whole catalog. Makes it easier to practice independently when it's

563
00:32:40,240 --> 00:32:41,720
closer to what like, you know, you can listen to

564
00:32:41,759 --> 00:32:43,119
it real quick and just play along with that because

565
00:32:43,119 --> 00:32:44,960
you don't have as much time when you're all together

566
00:32:45,039 --> 00:32:47,440
rehearsing to run through all like, hey, we want to

567
00:32:47,519 --> 00:32:49,319
change this up a little bit, so like let's practice

568
00:32:49,319 --> 00:32:51,440
it this way. Just makes it a little more economical

569
00:32:51,480 --> 00:32:51,920
with their time.

570
00:32:52,079 --> 00:32:54,599
Speaker 4: Yeah, that's true, that makes sense. That makes sense. Yeah,

571
00:32:55,400 --> 00:32:57,559
Now are any of you guys and other bands currently

572
00:32:57,720 --> 00:33:00,240
or are you all just committed to hush Money? Because

573
00:33:00,240 --> 00:33:02,720
I know, like Paul, I know what every drummer I

574
00:33:02,759 --> 00:33:05,960
know is in ten different bandsau, Yeah, I still play

575
00:33:06,000 --> 00:33:08,160
with sons of you do sons of Auto, so going,

576
00:33:08,200 --> 00:33:09,039
oh that's fantastic.

577
00:33:10,440 --> 00:33:13,359
Speaker 6: It's yeah, just on the side kind of thing.

578
00:33:13,519 --> 00:33:15,000
Speaker 4: Yeah, yeah, oh that's cool.

579
00:33:15,079 --> 00:33:17,759
Speaker 6: This is the main thing. But yeah, yeah I still

580
00:33:17,839 --> 00:33:18,759
gam with all those guys.

581
00:33:18,920 --> 00:33:20,920
Speaker 4: Oh, very cool, Very cool, Because I have a theory

582
00:33:20,960 --> 00:33:23,200
about that. When when you're growing up and you first

583
00:33:23,240 --> 00:33:25,039
get interested in playing a musical instrument, if you go

584
00:33:25,079 --> 00:33:26,599
to your parents and you say, hey, I want to

585
00:33:26,640 --> 00:33:30,039
play drums, that's like that and maybe the tuba or

586
00:33:30,119 --> 00:33:31,960
the two that they're going to try to actively talk

587
00:33:32,039 --> 00:33:33,920
you out of. And and and I think that what

588
00:33:34,119 --> 00:33:36,400
that has created is we're now in a we now

589
00:33:36,440 --> 00:33:39,160
exist in a time where there's not enough drummers.

590
00:33:41,519 --> 00:33:41,720
Speaker 5: Yeah.

591
00:33:41,799 --> 00:33:44,880
Speaker 4: Probably, yeah, because literally, like I'm like, I'm not kidding,

592
00:33:44,960 --> 00:33:47,160
Like every every drummer I know is in is in

593
00:33:47,359 --> 00:33:50,960
multiple multiple bands. And bass players are in high demand too.

594
00:33:51,559 --> 00:33:51,720
Speaker 7: Yeah.

595
00:33:52,000 --> 00:33:53,440
Speaker 9: Well they're in the background a lot, right, so they

596
00:33:53,480 --> 00:33:55,440
can just slide in and out of bands.

597
00:33:55,279 --> 00:33:56,480
Speaker 4: And yeah, what do you need me to do?

598
00:33:56,559 --> 00:33:57,119
Speaker 5: Okay, I can do that.

599
00:33:57,319 --> 00:34:00,920
Speaker 4: Yeah, yeah, it makes it easier. Yeah, absolutely absolutely. We

600
00:34:00,920 --> 00:34:02,799
should play another track, let's see, because we do have

601
00:34:02,880 --> 00:34:04,920
a we do it. Yeah, we haven't played everything yet.

602
00:34:05,359 --> 00:34:07,319
What do you guys, I'll let you guys pick uh.

603
00:34:08,280 --> 00:34:09,360
Speaker 7: Oh see electric shock?

604
00:34:09,760 --> 00:34:11,800
Speaker 4: You want to play electric shock? Sure, that's a good one.

605
00:34:11,840 --> 00:34:13,679
That's a good one if you're just joining us. We've

606
00:34:13,679 --> 00:34:15,760
got hush money here with us in the studio, and

607
00:34:16,079 --> 00:34:18,199
uh yeah, let's give this a spin. This is called

608
00:34:18,320 --> 00:34:19,039
electric Shock.

609
00:34:35,119 --> 00:34:38,000
Speaker 3: Let's not waste time. Shake your hips and lamps with

610
00:34:38,320 --> 00:34:41,119
just a tip. Time to legsha tip, just slip into

611
00:34:41,239 --> 00:34:41,880
my realm of.

612
00:34:42,000 --> 00:34:44,000
Speaker 2: Sex and blist. Let's just spend up.

613
00:34:43,960 --> 00:34:47,480
Speaker 3: Bend and send shock inside my head. When you shake

614
00:34:47,599 --> 00:34:50,239
your head instead, we'll make a low back bamp a

615
00:34:51,559 --> 00:34:59,559
this get going now alone makill bob leab this get

616
00:34:59,639 --> 00:35:04,039
going and now my love dodge above it.

617
00:35:05,320 --> 00:35:13,880
Speaker 2: She gives me love, She gets you love.

618
00:35:20,000 --> 00:35:24,800
Speaker 3: The leg it shot inside my head wing shake go

619
00:35:24,920 --> 00:35:27,760
ahead instead, gonna make the love that never end. Said,

620
00:35:27,800 --> 00:35:31,679
let's go shoot me yeah, brock it up. It's some

621
00:35:31,840 --> 00:35:35,480
of my favorite places. Basis racing side that pushing into

622
00:35:35,800 --> 00:35:41,360
blades and go it up. It's you insane. Hap me

623
00:35:41,760 --> 00:35:46,360
more until the ras. Let's get going now, my love

624
00:35:46,719 --> 00:35:49,079
and give both lea me bill.

625
00:35:51,360 --> 00:35:53,800
Speaker 2: Let's get going now, my love.

626
00:35:54,440 --> 00:36:05,760
Speaker 10: Dodget or bout b She listened love, She kisses her.

627
00:36:27,400 --> 00:36:29,800
Speaker 2: Let's go again. It's snody.

628
00:36:29,920 --> 00:36:33,320
Speaker 3: Hey, you can't protecting my thoughts, I said, are you

629
00:36:33,440 --> 00:36:33,880
ready to.

630
00:36:34,039 --> 00:36:35,679
Speaker 2: Get to better electric shock?

631
00:36:36,599 --> 00:36:40,239
Speaker 3: It's shut by head, wait and shake your head instead,

632
00:36:40,320 --> 00:36:40,920
Gonna make.

633
00:36:40,840 --> 00:36:42,320
Speaker 1: A love that never as.

634
00:36:43,320 --> 00:36:49,679
Speaker 3: Let's get going now, my lord and give bothlymly.

635
00:36:50,719 --> 00:36:52,159
Speaker 2: Let's get going now.

636
00:36:52,599 --> 00:36:57,719
Speaker 10: Helvendg me She kiss.

637
00:37:11,559 --> 00:37:16,760
Speaker 3: Elected shot its side by head. When you shake your head,

638
00:37:16,800 --> 00:37:19,280
it's that you make along that nevil air.

639
00:37:34,639 --> 00:38:05,800
Speaker 1: Sh She listened, She kiss you, She is?

640
00:38:06,920 --> 00:38:13,599
Speaker 3: She is who.

641
00:38:37,440 --> 00:38:40,519
Speaker 4: Electric Shock. The band is hush Money, and we've got

642
00:38:40,559 --> 00:38:42,719
the guys from hush Money here with us in studio.

643
00:38:42,960 --> 00:38:44,760
When I hear that song, the word that comes to

644
00:38:44,840 --> 00:38:48,719
mind is urgency. Really like there's and I like it.

645
00:38:48,760 --> 00:38:50,519
There's an urgency to it, you know what I mean?

646
00:38:50,599 --> 00:38:56,239
It does? Yeah? Yeah, no, very very cool. What's like,

647
00:38:56,360 --> 00:38:58,519
what's kind of is there is there a crowd favorite

648
00:38:58,519 --> 00:39:00,199
among these? Is there a song that you guys have

649
00:39:00,480 --> 00:39:05,400
that that really you just notice the crowd reacts to

650
00:39:05,599 --> 00:39:08,360
when you play it? Especially well, I think Our Love

651
00:39:08,519 --> 00:39:09,920
is the main one.

652
00:39:10,559 --> 00:39:14,519
Speaker 9: Yeah, yeah, okay, yeah, I agree, But I've also, like

653
00:39:14,639 --> 00:39:16,199
some I think I've noticed more of a reaction to

654
00:39:16,360 --> 00:39:17,880
the party in six o three, like when we've been

655
00:39:17,960 --> 00:39:19,280
up on stage playing in Yeah.

656
00:39:19,280 --> 00:39:22,440
Speaker 8: Yeah, a lot of people because you know, we actually

657
00:39:22,639 --> 00:39:24,639
were we had it set where we would play it

658
00:39:24,719 --> 00:39:27,719
after Sweet Home Alabama. Oh really and uh and just

659
00:39:27,880 --> 00:39:30,920
kind of like say, look, New Hampshire doesn't have a

660
00:39:31,039 --> 00:39:31,719
theme song.

661
00:39:31,840 --> 00:39:34,840
Speaker 7: Oh why don't we? You know why? Under this song

662
00:39:34,920 --> 00:39:36,719
be the theme song for New Hampshire, right.

663
00:39:36,800 --> 00:39:40,039
Speaker 8: Right party in the sixth oh three. Everybody, everybody you

664
00:39:40,119 --> 00:39:41,719
know kinda we'll understand that.

665
00:39:42,039 --> 00:39:44,360
Speaker 4: Yeah, that makes a lot of sense. That makes a

666
00:39:44,360 --> 00:39:46,440
lot of sense. Now, are you guys playing anywhere this weekend?

667
00:39:46,960 --> 00:39:47,000
Speaker 1: No?

668
00:39:47,320 --> 00:39:49,880
Speaker 8: No, next show is going to be February twenty first

669
00:39:49,960 --> 00:39:52,719
at Revo okay, because you know in in Dover.

670
00:39:53,079 --> 00:39:55,159
Speaker 4: What's what's the most interesting place you guys have played?

671
00:39:55,280 --> 00:39:56,840
Is there is there a particular venue you've done that,

672
00:39:58,239 --> 00:40:00,320
because obviously you're playing a lot. Is is there a

673
00:40:00,360 --> 00:40:01,920
play or do you have like a favorite venue?

674
00:40:02,800 --> 00:40:03,480
Speaker 5: What do you guys think?

675
00:40:03,559 --> 00:40:07,199
Speaker 9: I mean, my favorite so far was in Kingsboro at

676
00:40:07,280 --> 00:40:08,559
the was a block party.

677
00:40:08,400 --> 00:40:10,280
Speaker 7: Block party, Yeah, block party by the bridge.

678
00:40:10,880 --> 00:40:14,880
Speaker 8: We played their fair and their stage was what like

679
00:40:15,480 --> 00:40:18,199
the stage was was was a big concert stage.

680
00:40:18,559 --> 00:40:21,039
Speaker 7: Yeah, and thousands of people at the event.

681
00:40:21,480 --> 00:40:24,679
Speaker 9: And uh, beautiful day, beautiful maryor mack River. I think

682
00:40:24,679 --> 00:40:26,320
that's Mary mack River still learning.

683
00:40:26,199 --> 00:40:26,920
Speaker 4: The local geography.

684
00:40:28,239 --> 00:40:30,159
Speaker 7: That was pretty cool. I like that. I like that show.

685
00:40:30,320 --> 00:40:30,559
Speaker 6: Yeah.

686
00:40:31,400 --> 00:40:34,679
Speaker 12: And then the the casinos are are different than the

687
00:40:34,719 --> 00:40:38,639
casinos because you know, everyone's gambling, right, so there's nobody

688
00:40:38,840 --> 00:40:41,920
really right in front of you. Yeah, and so you're

689
00:40:42,519 --> 00:40:47,880
sort of playing for like a like a movie audience

690
00:40:48,000 --> 00:40:49,320
or they're doing other things.

691
00:40:49,480 --> 00:40:52,119
Speaker 4: That's interesting. Yeah, but uh yeah.

692
00:40:52,239 --> 00:40:54,000
Speaker 9: Like one of the casinos in particular at least stood

693
00:40:54,000 --> 00:40:55,440
out to me. It was an interesting setup. It was

694
00:40:55,519 --> 00:40:59,360
like it was the one in Lebanon, and it was

695
00:41:00,079 --> 00:41:02,280
like directly behind the bar, so you're like elevated behind

696
00:41:02,320 --> 00:41:02,559
the bar.

697
00:41:03,000 --> 00:41:06,960
Speaker 4: Interesting picture frame the crowd was a picture frame above

698
00:41:07,039 --> 00:41:13,320
the bar. Really yeah, wow, that's also oh yeah, oh yeah,

699
00:41:13,320 --> 00:41:14,800
it's must have a lot of pictures. That sounds like

700
00:41:14,840 --> 00:41:16,599
such an interesting segment. I hope you got pictures of

701
00:41:16,679 --> 00:41:17,159
it and video.

702
00:41:17,920 --> 00:41:20,159
Speaker 9: Yeah we do, Yeah, we get we get shows out.

703
00:41:20,239 --> 00:41:20,440
Speaker 5: Yeah.

704
00:41:20,559 --> 00:41:21,480
Speaker 4: Oh that's very cool.

705
00:41:21,639 --> 00:41:22,199
Speaker 5: That's very cool.

706
00:41:22,199 --> 00:41:23,199
Speaker 7: We'll play there in Halloween.

707
00:41:23,760 --> 00:41:28,000
Speaker 4: Oh really yeah, yeah, we got time. Let's get uh,

708
00:41:28,280 --> 00:41:30,079
I want to get one more in and then we'll

709
00:41:30,119 --> 00:41:32,360
come back and we'll kind of wrap up and then

710
00:41:32,400 --> 00:41:33,880
we'll play one more at the end of the segment,

711
00:41:33,960 --> 00:41:35,519
right because I think I'm bad at math.

712
00:41:35,679 --> 00:41:38,760
Speaker 7: But we get back to Loven and come on Baby?

713
00:41:39,119 --> 00:41:40,840
Speaker 4: Okay, good, which one do you want to play? Now?

714
00:41:40,880 --> 00:41:42,320
We can do back to Lovin or come on Baby,

715
00:41:42,320 --> 00:41:43,559
and then we'll play the other one at the end

716
00:41:45,440 --> 00:41:47,800
to love back to love It. Yeah, all right, what

717
00:41:47,880 --> 00:41:49,280
should we know about this before we play it?

718
00:41:49,360 --> 00:41:49,719
Speaker 5: Anything?

719
00:41:49,920 --> 00:41:54,079
Speaker 12: Uh? This was this one was pretty much done too. Okay,

720
00:41:54,119 --> 00:41:57,760
so this one was like a solid yeah when when

721
00:41:57,800 --> 00:42:00,519
you went into the studio. Yeah, okay, okay, all.

722
00:42:00,480 --> 00:42:02,400
Speaker 7: Right, cool it's another pool dancing song.

723
00:42:02,679 --> 00:42:06,400
Speaker 4: Oh you never have too many of those, so we hear.

724
00:42:07,000 --> 00:42:08,280
Speaker 9: So we wouldn't know first hand.

725
00:42:08,320 --> 00:42:10,400
Speaker 4: But no, no, it's a theory.

726
00:42:11,159 --> 00:42:11,880
Speaker 6: All right, here we go.

727
00:42:12,000 --> 00:42:14,199
Speaker 4: This is back to Lovin. The band is hush money.

728
00:42:28,840 --> 00:42:30,119
Speaker 2: Well, I was fine and.

729
00:42:30,320 --> 00:42:34,639
Speaker 1: Time and she was looking fine.

730
00:42:35,960 --> 00:42:40,400
Speaker 3: Under all the stars and sky, and we were taking

731
00:42:40,480 --> 00:42:41,079
a time.

732
00:42:43,000 --> 00:42:47,440
Speaker 2: We were keeping it call to another level, staying to

733
00:42:47,639 --> 00:42:48,159
those times.

734
00:42:48,159 --> 00:42:51,599
Speaker 3: You can see the damn she was tagging a crank

735
00:42:51,719 --> 00:42:57,320
a heavy man. How the drawing of the level track

736
00:42:57,920 --> 00:43:01,719
tracks and looking cracks and looking backs, a little cracks,

737
00:43:01,760 --> 00:43:04,119
a love cracks a love again.

738
00:43:04,159 --> 00:43:06,960
Speaker 2: That's a little here, passing over here.

739
00:43:10,840 --> 00:43:15,719
Speaker 13: Well like skating in the ways, need a skate or

740
00:43:15,920 --> 00:43:21,800
no the day like a launch in the stage. I

741
00:43:21,920 --> 00:43:25,079
said walk your heart away and.

742
00:43:25,280 --> 00:43:29,639
Speaker 2: We were raking out he too, another levelow cat. She

743
00:43:29,760 --> 00:43:31,599
ain't seen the sun of the ball.

744
00:43:32,480 --> 00:43:33,960
Speaker 1: She was packing us crazy.

745
00:43:34,039 --> 00:43:36,559
Speaker 2: The happy man, a.

746
00:43:36,800 --> 00:43:40,360
Speaker 3: Man drawn to another let bow pats him, move and

747
00:43:40,480 --> 00:43:42,079
cracks a love and packs a love.

748
00:43:42,159 --> 00:43:45,239
Speaker 2: Hegu backs a little open, backs and love and packs

749
00:43:45,280 --> 00:43:49,639
a love. And you prats a little man patsing over here.

750
00:44:07,840 --> 00:44:12,239
Speaker 3: We were keeping a call to another eleven, steering to

751
00:44:12,400 --> 00:44:15,719
those sides. You can see the damn she was tagging

752
00:44:15,840 --> 00:44:19,960
a crank, a heavy man of low man. Drop to

753
00:44:20,039 --> 00:44:24,679
another eleven, back and back and loading. Captain, love you,

754
00:44:25,280 --> 00:44:27,400
back to loading, back to loading, back.

755
00:44:27,320 --> 00:44:28,239
Speaker 1: To love you.

756
00:44:28,920 --> 00:44:36,320
Speaker 2: That's a little, that's a little, back.

757
00:44:36,159 --> 00:44:54,119
Speaker 4: To little, got to over, back to over, back to love.

758
00:44:54,199 --> 00:44:56,639
And the band is hush Money, and we've got the

759
00:44:56,679 --> 00:45:00,440
guys from hush Money here with us in studio, and uh, guys,

760
00:45:00,519 --> 00:45:03,280
this has been wonderful. Before we run out of time,

761
00:45:03,320 --> 00:45:05,599
I want to make absolutely sure everybody knows where to

762
00:45:05,719 --> 00:45:09,480
keep up with everything you guys are doing. Hush Money.

763
00:45:09,559 --> 00:45:11,840
The name it's not you know, money spelled out, So

764
00:45:11,880 --> 00:45:13,119
we want to make sure people know that for when

765
00:45:13,119 --> 00:45:15,599
they're looking for you online. And but where should people

766
00:45:15,599 --> 00:45:17,199
go online to keep up with everything that hush Hush

767
00:45:17,280 --> 00:45:17,800
Money is up to?

768
00:45:18,480 --> 00:45:19,519
Speaker 7: Our website has.

769
00:45:19,880 --> 00:45:22,079
Speaker 8: Everything, has got the links to the Facebook page, got

770
00:45:22,079 --> 00:45:23,039
the links to Instagram.

771
00:45:23,519 --> 00:45:26,800
Speaker 7: So the website is hush money and.

772
00:45:27,119 --> 00:45:28,079
Speaker 4: H O dot com.

773
00:45:28,400 --> 00:45:31,079
Speaker 8: Okay, so with all the you can't use the actual

774
00:45:31,159 --> 00:45:34,320
dollar signs in a URL, so we had we had

775
00:45:34,360 --> 00:45:37,800
to spell it out. So yeah, so hush moneyanh dot com.

776
00:45:38,000 --> 00:45:40,840
Speaker 4: Okay, okay, very good, very good. And then what's the

777
00:45:40,920 --> 00:45:43,280
next show you guys have coming? Is that the show

778
00:45:43,320 --> 00:45:44,199
at Reva.

779
00:45:44,079 --> 00:45:47,599
Speaker 7: Revo and Dover Revo Casino and Dover February twenty first.

780
00:45:47,559 --> 00:45:51,320
Speaker 4: Okay, okay, fantastic. Well guys again, thank you all four

781
00:45:51,360 --> 00:45:53,440
of you for coming in. This has been absolutely wonderful.

782
00:45:53,679 --> 00:45:56,480
We do have one more song to play to wrap

783
00:45:56,639 --> 00:45:58,599
up the segment, and I guess that would be come

784
00:45:58,639 --> 00:45:59,119
on baby.

785
00:45:59,280 --> 00:45:59,480
Speaker 5: Yeah.

786
00:45:59,599 --> 00:46:02,880
Speaker 4: Anything we should know about this one? Is it another

787
00:46:02,880 --> 00:46:03,639
poll dancing.

788
00:46:05,159 --> 00:46:05,480
Speaker 6: Henvy?

789
00:46:06,519 --> 00:46:06,880
Speaker 1: This one?

790
00:46:07,079 --> 00:46:08,280
Speaker 2: It's interesting because.

791
00:46:08,079 --> 00:46:11,960
Speaker 8: This one we we actually we we we actually use

792
00:46:12,119 --> 00:46:15,840
rap uh like you know, a rap flow into the song. Yeah,

793
00:46:16,000 --> 00:46:18,400
so we took that uh and built it in. But

794
00:46:18,480 --> 00:46:22,239
it's a country kind of rock country rock like sound

795
00:46:22,320 --> 00:46:24,000
to it. But then we throw the rap in there,

796
00:46:24,039 --> 00:46:26,119
so it gives it a little twist to it, and

797
00:46:26,199 --> 00:46:28,960
I think it makes it a neat combination. And then

798
00:46:29,360 --> 00:46:30,760
one of the new songs that we're going to be

799
00:46:30,920 --> 00:46:33,039
doing is actually going to be an offshoot of that

800
00:46:33,159 --> 00:46:35,440
where we're gonna call it baby come on Okay, and

801
00:46:35,480 --> 00:46:38,239
it's kind of like a backwards version of the song okay,

802
00:46:38,320 --> 00:46:39,079
which is kind of cool.

803
00:46:39,159 --> 00:46:41,480
Speaker 7: So when we know we have that recorded, well, we'll

804
00:46:41,519 --> 00:46:42,000
come back and.

805
00:46:42,119 --> 00:46:42,599
Speaker 5: Pay for you.

806
00:46:42,719 --> 00:46:50,880
Speaker 4: But please yeah, absolutely, absolutely nice nice, all right, So Gary, Paul, Chris,

807
00:46:50,960 --> 00:46:53,679
and Brian, thank you all so much money. Thank you

808
00:46:53,719 --> 00:46:55,719
about absolutely you got it. We will do it again

809
00:46:55,760 --> 00:46:57,800
in the future and we will end this segment with this.

810
00:46:58,039 --> 00:47:00,079
This is called come On Baby, and the band is

811
00:47:00,239 --> 00:47:00,719
Hush Money.

812
00:47:21,639 --> 00:47:27,000
Speaker 2: Come on, baby girl, give me a love, Give me

813
00:47:27,239 --> 00:47:29,280
love like I've never seen.

814
00:47:31,440 --> 00:47:32,760
Speaker 1: Come on, baby.

815
00:47:32,559 --> 00:47:38,159
Speaker 2: Girl, get that love it, take my hand, take a

816
00:47:38,320 --> 00:47:38,880
chance for me.

817
00:47:39,760 --> 00:47:42,800
Speaker 3: They were taking our time, loving in the wild, living

818
00:47:42,880 --> 00:47:45,679
in the moment, taking online, taking that.

819
00:47:46,159 --> 00:47:49,840
Speaker 1: So round every time we lord guys.

820
00:47:49,880 --> 00:47:52,639
Speaker 3: Come on baby, don't let's take it offline, look at

821
00:47:52,679 --> 00:47:55,320
more moment, bringing us a life, make.

822
00:47:55,480 --> 00:47:59,119
Speaker 2: My fantasy come true, whatever little think you do.

823
00:48:00,840 --> 00:48:04,559
Speaker 1: Come on, come home the baby baby.

824
00:48:05,840 --> 00:48:08,360
Speaker 2: Cow on lets you down.

825
00:48:10,639 --> 00:48:17,559
Speaker 14: Come on, come home the baby, baby, don't let me down.

826
00:48:19,119 --> 00:48:21,039
Speaker 3: Walking down the street, playing a night with my right

827
00:48:21,119 --> 00:48:23,199
poets were posting, playing on so we can knock them

828
00:48:23,239 --> 00:48:25,199
on down low when he walk up, pony the whole

829
00:48:25,239 --> 00:48:27,800
good playing not it season other boys like I said,

830
00:48:27,800 --> 00:48:30,000
I know you want to be team said please heat

831
00:48:30,079 --> 00:48:32,519
give another be said to have us come back before

832
00:48:32,639 --> 00:48:33,440
another season.

833
00:48:33,519 --> 00:48:36,599
Speaker 2: We're crushing. We're rushing, crushing, We're brushing. Come on, maybe

834
00:48:36,639 --> 00:48:40,480
good with the money. We're just rushing. Let's take that ride.

835
00:48:42,039 --> 00:48:50,119
Speaker 15: Come on, baby, make a love bit. Come on, baby girl,

836
00:48:51,159 --> 00:48:55,320
make a love it him. Turn the champans highs.

837
00:48:55,440 --> 00:48:56,400
Speaker 2: We can breathe.

838
00:48:58,239 --> 00:49:03,960
Speaker 14: Come on, baby girl, get that little baby, take my hand,

839
00:49:04,239 --> 00:49:10,719
take a chance with me. Come on, come on, baby baby,

840
00:49:12,199 --> 00:49:19,920
I will let you down. Come on, come on, baby baby,

841
00:49:21,159 --> 00:49:23,199
don't let me down.

842
00:49:43,440 --> 00:49:49,000
Speaker 2: Come on baby cause, get that little bed, take my hand,

843
00:49:49,280 --> 00:49:50,400
take a chance with me.

844
00:49:52,440 --> 00:49:56,000
Speaker 3: I'll just watch you out. Bring us to my knees.

845
00:49:56,840 --> 00:50:01,039
Attack like an a bud. Say he we're looking for home,

846
00:50:01,119 --> 00:50:03,679
but bringing up side. It's not enough true side to

847
00:50:03,679 --> 00:50:07,519
eat another size. Make it up for lost time and

848
00:50:07,679 --> 00:50:11,079
every time lock eyes come maybe time. Let's take our time,

849
00:50:11,400 --> 00:50:14,119
living in the moment, taking on my make.

850
00:50:14,280 --> 00:50:17,599
Speaker 2: My fantasy and come true whatever little thing you do.

851
00:50:19,000 --> 00:50:25,880
Speaker 14: Come on, come home, baby, baby, I will let you down.

852
00:50:28,000 --> 00:50:33,400
Come on, come home baby, baby, don't let me.

853
00:50:34,079 --> 00:50:38,760
Speaker 2: Y baby, exciding to me. We're gonna take another level,

854
00:50:38,760 --> 00:50:40,760
another level sea living.

855
00:50:40,519 --> 00:50:41,000
Speaker 10: In the moment.

856
00:50:41,079 --> 00:50:43,800
Speaker 2: Let's take that ride. Come back to me. I'll take

857
00:50:43,880 --> 00:50:47,719
my time, make my fantasy coach. Shoot, what done a

858
00:50:47,760 --> 00:50:48,159
little thing?

859
00:50:48,239 --> 00:50:48,519
Speaker 9: You do?

860
00:50:48,840 --> 00:50:53,480
Speaker 2: But come on, baby, make good love bad.

861
00:50:56,719 --> 00:50:56,960
Speaker 1: Come on,