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<v Speaker 1>Go yes, mac boy, oh boy, oh boy, oh boy. Uh.

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<v Speaker 1>We wait a long time for this one, and I

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<v Speaker 1>asked you, goo, was the wait for your back to

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<v Speaker 1>back most anticipated movie of the year? Was it worth it?

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<v Speaker 2>What are expectations?

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<v Speaker 1>The great question? They either ruin everything or make things

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<v Speaker 1>way better. That's that's really what we're dealing with here,

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<v Speaker 1>That's really I mean, I know people, this is a

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<v Speaker 1>big thing, right We talk about movies and television and

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<v Speaker 1>everyone's always like, remove your expectations, move your expectations. Sorry.

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<v Speaker 1>When you watch sixty movies a year, when you watch

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<v Speaker 1>twenty television shows a year, you have certain expectations based

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<v Speaker 1>off certain genres, certain actors, certain directors, certain writers. This one,

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<v Speaker 1>directed by Bong Juno and starring Robert Pattinson, was pretty anticipated.

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<v Speaker 2>By the way, say the name of the movie.

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<v Speaker 1>Yeah, well it's in the title of the episode, so

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<v Speaker 1>I'm sure they'll figure that part out. This has been

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<v Speaker 1>a long time coming because Bong Juno was the director

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<v Speaker 1>of twenty nineteen's Best Picture of Parasite, and that really

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<v Speaker 1>put him on the map for a lot of people.

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<v Speaker 1>He's directed other things in the past, and more recently,

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<v Speaker 1>Robert Pattinson has become a pretty he was super successful

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<v Speaker 1>obviously because of Twilight, but a more legitimate actor the Batman.

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<v Speaker 1>Good time, good number of amazings.

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<v Speaker 2>Yeah.

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<v Speaker 1>So these two combining forces were like, Hey, this could

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<v Speaker 1>be fantastic and gu I ask you, y was it?

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<v Speaker 2>I think this has come out on the perfect week.

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<v Speaker 2>We have this and we have Daredevil reborn or born

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<v Speaker 2>again in the same week where you have these expectations,

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<v Speaker 2>these building promises that you have built in your mind

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<v Speaker 2>over years and years, and Mac going into both of them,

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<v Speaker 2>I said, I'm not gonna expect too much and I

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<v Speaker 2>am satisfied.

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<v Speaker 1>All right. The short answer for me would be no, one,

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<v Speaker 1>go three.

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<v Speaker 2>Yeah, just three. King of Queen Marl Street Entertainment.

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<v Speaker 1>I'm Goo and I'm Mac.

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<v Speaker 2>And we bring you friendship twice, the fun twice, the French.

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<v Speaker 1>Yeah yeah, we bring you friendship in the teens eighteen times.

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<v Speaker 2>Because usually we have the same opinion. So it's like

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<v Speaker 2>someone cloned the same white guy.

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<v Speaker 1>Who here's a question for you, Uh, what number Goo

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<v Speaker 1>are we on at this point in life?

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<v Speaker 2>I'd say six or seven?

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<v Speaker 1>Right, Okay, I would say I'm on two, three, four,

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<v Speaker 1>I'm on six or seven of Mac as well.

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<v Speaker 2>Yeah, I would say that I've definitely I've evolved over time.

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<v Speaker 2>I've had my difference stages of life. I'm probably on

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<v Speaker 2>like my seventh stage.

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<v Speaker 1>Yeah, I agree. So we still if you're talking nine lives,

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<v Speaker 1>like a cat still got a couple left. If you're

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<v Speaker 1>talking Mickey seventeen, we have in fish left.

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<v Speaker 2>I didn't even think of how many lives I might have.

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<v Speaker 1>Yeah, well that's that's possibility.

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<v Speaker 2>And you know, also good that I'm still here after

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<v Speaker 2>you know, go six or seven or go five.

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<v Speaker 1>Credit to us that we're still getting reprinted.

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<v Speaker 2>Credit to us that we're still alive.

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<v Speaker 1>We've done we haven't done something so bad that they've

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<v Speaker 1>they've ended us.

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<v Speaker 2>So I don't know.

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<v Speaker 1>Yeah, today we are talking about Mickey seventeen. And to

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<v Speaker 1>pick up what I asked you at the top, I

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<v Speaker 1>would say goo that this movie was, uh, fell short

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<v Speaker 1>of my expectations. It did not it warranted the expectations

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<v Speaker 1>and the hype, and it did not achieve that level

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<v Speaker 1>that I was hoping for. And I don't dislike this movie,

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<v Speaker 1>don't get me wrong. It just really fell short of

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<v Speaker 1>what it maybe should have been. I couldn't tell you

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<v Speaker 1>how to improve this movie. I just would tell you

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<v Speaker 1>that I was expecting a little more.

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<v Speaker 2>Does it fall short of an Academy Award winning director

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<v Speaker 2>who has given us maybe one of the best movies

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<v Speaker 2>of the past decade, of one of our favorite actors,

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<v Speaker 2>of a two year build up? Maybe? But I think

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<v Speaker 2>the results, while not necessarily the most memorable movie, was

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<v Speaker 2>a pretty fun time for the two hours and fifteen minutes.

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<v Speaker 1>Yeah, that's a fair assessment of what it is. I'm

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<v Speaker 1>sort of feeling like if this was the movie that

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<v Speaker 1>came out right before Parasite, we would like this movie

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<v Speaker 1>a lot more and we'd be like, Oh, his next

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<v Speaker 1>one's gonna be really good, because he's getting there.

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<v Speaker 2>He's almost I don't know about that, whereas.

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<v Speaker 1>Parasite is near perfection. But also we are dealing with

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<v Speaker 1>a director and a writer here where English is his

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<v Speaker 1>second language, and this is the first script he's written

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<v Speaker 1>in English with no help, so that might play a

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<v Speaker 1>factor as well. And again, Parasite was in Korean, his

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<v Speaker 1>native language, so it's probably a little bit easier to

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<v Speaker 1>convey the themes he wants via conversation, and I don't

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<v Speaker 1>necessarily think that's an issue in this movie. But it

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<v Speaker 1>definitely it's a little uneven, and I wonder if that's why.

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<v Speaker 2>I think we should have looked more like less at Parasite,

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<v Speaker 2>because obviously these both have social commentary that's way more,

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<v Speaker 2>but this is way This is a sci fi movie,

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<v Speaker 2>so we should be looking at his other sci fi movies,

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<v Speaker 2>his other adaptations of sci fi books.

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<v Speaker 1>I'll actually push back against that. I think the prevailing

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<v Speaker 1>theme in all of his works have been this sort

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<v Speaker 1>of satire in social commentary, even going back to.

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<v Speaker 2>Uh, snow Piercer.

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<v Speaker 1>Snow Piercer massive on the satire and social commentary and

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<v Speaker 1>also sci fi. It's just he really likes doing this stuff,

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<v Speaker 1>and it's sort of to what degree does it land?

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<v Speaker 1>I would say this is better than snow Piercer, but

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<v Speaker 1>not much like this is more in snow Piercer world

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<v Speaker 1>than it is in Parasites world. And I guess I

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<v Speaker 1>also should say that I shouldn't expect someone to make

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<v Speaker 1>a top fifty movie of all time every time they

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<v Speaker 1>make a movie, which Parasite is.

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<v Speaker 2>I don't every time, and I'm not even the biggest

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<v Speaker 2>fan of Parasite. I really liked it. I don't love

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<v Speaker 2>the hard left turn that they took in the third act,

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<v Speaker 2>but I'll acknowledge it's an amazing movie.

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<v Speaker 1>Good Did you know that you can go left on

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<v Speaker 1>red if you're going from one one way to another one.

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<v Speaker 2>I've noticed more and more around that we live in

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<v Speaker 2>the state of tax achoose its that sure, there's a

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<v Speaker 2>lot less.

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<v Speaker 1>Not to get polycharged here, not to.

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<v Speaker 2>Get poly charged here, but a lot less right turns

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<v Speaker 2>on red, which is very annoying. I should be allowed

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<v Speaker 2>to turn on every red.

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<v Speaker 1>The issue is now they're sticking bike lanes everywhere, and

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<v Speaker 1>so it's an added thing. So if they take away

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<v Speaker 1>the red on red, you don't have to worry about

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<v Speaker 1>smushing a bicyclist. So that's that's frustrating.

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<v Speaker 2>I will say this, though, is that I have found

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<v Speaker 2>myself hating bicyclists less as we've gotten more of the

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<v Speaker 2>little motor scooters that weave in and out of traffic

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<v Speaker 2>and also cut off the bicyclists like we have a

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<v Speaker 2>common enemy.

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<v Speaker 1>Now no pro motor scooter, but pro motorized things anti cyclic.

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<v Speaker 2>I guess the question is how much do you drive

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<v Speaker 2>in Boston? Not much these okay, so good does and

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<v Speaker 2>those little motherfuckers. They'll cut you off every which way.

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<v Speaker 1>I just want everyone to obey the rules of the road,

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<v Speaker 1>and none of them do. So they're sort of all

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<v Speaker 1>the same way. But at least the motorized people, I

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<v Speaker 1>feel like they're obeying the law more than the cyclist.

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<v Speaker 1>But whatever, that's it.

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<v Speaker 2>They're not.

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<v Speaker 1>That's a different pat they're not.

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<v Speaker 2>Actually they're doing it way less.

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<v Speaker 1>All right, fair enough? Uh? Kude. Mickey seventeen is a

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<v Speaker 1>rated R adventure comedy, fantasy, and sci fi. Some sub

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<v Speaker 1>genres here alien invasion, which I suppose kind of works. Yeah,

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<v Speaker 1>if you look at yourself as the alien. I do

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<v Speaker 1>want dot comedy, which which it is space sci fi,

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<v Speaker 1>which I feel like that almost is implied when you

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<v Speaker 1>sci fi. But more importantly, this is a satire and

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<v Speaker 1>social commentary capitalism in the corporate world, which once again

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<v Speaker 1>I think is becoming Bong June's favorite thing to do. Gude.

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<v Speaker 1>This has a run time of one hundred and thirty

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<v Speaker 1>seven minutes two hours and seventeen minutes. I started to

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<v Speaker 1>feel it amidst the third act, like right at the

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<v Speaker 1>beginning of the third act, I started feeling the length

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<v Speaker 1>of this movie. And this is your classic. I felt

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<v Speaker 1>like we didn't get enough of a certain thing, and

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<v Speaker 1>so I would have been okay if it was a

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<v Speaker 1>little bit longer in that respect, but also because some

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<v Speaker 1>stuff in the third act lasted too long, this movie

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<v Speaker 1>also feels a little too well.

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<v Speaker 2>Lasted too long. And then I also felt was kind

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<v Speaker 2>of predictable, like it wasn't surprising and you were hoping,

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<v Speaker 2>And I know, I just said that I didn't love

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<v Speaker 2>the hard left turn of Parasite, but I was waiting

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<v Speaker 2>for something crazy to happen at the end, and something

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<v Speaker 2>that would surprise us, and it didn't.

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<v Speaker 1>We were waiting for like a pants tent moment, honestly,

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<v Speaker 1>and in this movie sort of lacks that. Is as

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<v Speaker 1>much fun as it is throughout. This movie has one

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<v Speaker 1>hundred and eighteen million dollar budget, which is pretty huge,

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<v Speaker 1>and it's only targeting and opening of eighteen to twenty

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<v Speaker 1>million domestically another twenty to twenty five internationally. It's gonna

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<v Speaker 1>have to make what two hundred and fifty three hundred

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<v Speaker 1>million to make its money back, and I don't think

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<v Speaker 1>it's well.

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<v Speaker 2>I think that is a lot to do with the

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<v Speaker 2>release date being pushed off so many times, possibly reshoots

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<v Speaker 2>that they had to do here, and maybe this was

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<v Speaker 2>originally supposed to be more of a summer release, more

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<v Speaker 2>of a box office time. I don't think it's gonna

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<v Speaker 2>hit I think it might eventually get around one hundred

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<v Speaker 2>million domestic. I don't know what it's gonna do worldwide,

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<v Speaker 2>but I'm not sure how much of this. I'm not

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<v Speaker 2>gonna say bombing at the box office. I think breaking

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<v Speaker 2>even at the box office is really gonna hurt them.

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<v Speaker 1>I think they go into this thinking they're capturing two

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<v Speaker 1>rising stars, right, Bong Juneo and Pattinson. They're like, we'll

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<v Speaker 1>put that together, that'll be massive people space. Yeah, this

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<v Speaker 1>will make five hundred million easy, And I don't think

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<v Speaker 1>it's gonna make half that overall, and that that ends

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<v Speaker 1>up being a bummer because this movie, this movie is

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<v Speaker 1>as good or better than a lot of movies that

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<v Speaker 1>get to that point, but because of the extenuating circumstances,

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<v Speaker 1>it being pushed off a year and whatnot.

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<v Speaker 2>You're right, this is they're also dealing with, and you know,

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<v Speaker 2>this shouldn't affect movies as much as it does. But

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<v Speaker 2>it's not a known ip, so you don't have that

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<v Speaker 2>built an audience.

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<v Speaker 1>Yea, even though they've been teasing it for a year now.

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<v Speaker 1>But you're right, you're right.

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<v Speaker 2>Also, like, you know, we know who Boon June is,

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<v Speaker 2>and you know a bunch of people do. But it's

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<v Speaker 2>not like a well known Martin Scorsese, Steven Spielberg. He

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<v Speaker 2>might be on his way to it, but an American

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<v Speaker 2>audience might not necessarily be looking at it being like, Oh,

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<v Speaker 2>I need to go see this movie from this director.

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<v Speaker 1>Yeah, that's true. And to that point, I'm not sure

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<v Speaker 1>Pattinson has.

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<v Speaker 2>Read this movie star either.

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<v Speaker 1>Yeah, yeah, he's born. He is for us, obviously the

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<v Speaker 1>Batman put him there, but I think in some respects

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<v Speaker 1>he's not there. Dude. This has eighty eight percent on

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<v Speaker 1>Rotten Tomatoes from the critics from seventy two reviews of

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<v Speaker 1>seventy five on Metacritic from twenty eight reviews. No audience

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<v Speaker 1>score yet, but doing pretty well with the critics.

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<v Speaker 2>Looking at this movie, I think it's a very competent movie.

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<v Speaker 2>I think it has its ebbs and flows of maybe

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<v Speaker 2>being overly silly at points, maybe dragging things out a

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<v Speaker 2>little bit at other points, but on the whole, it's

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<v Speaker 2>a very good looking movie. And I think what helps

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<v Speaker 2>it out is there's really only two or three settings

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<v Speaker 2>that they had to focus on. They didn't have to

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<v Speaker 2>really world build, you know, several planets like in Star

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<v Speaker 2>Wars or spend a ton of time in space. You're

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<v Speaker 2>on a ship and you're on an ice planet. And

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<v Speaker 2>ice planets, while we've seen them, they always look good.

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<v Speaker 2>What's the Star Wars movie that you hate? The Last Jedi, Well,

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<v Speaker 2>we can agree it's not the best Star Wars movie.

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<v Speaker 2>The scene on that salt planet, correct, that's what it

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<v Speaker 2>was with salt that still looks really, really good.

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<v Speaker 1>I'll give you that. But I'm gonna docua point from

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<v Speaker 1>just working Ryan Johnson into this conversation. Uh go, this

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<v Speaker 1>movie does look good, I'll give you that. I don't know,

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<v Speaker 1>like when you take a step back, though, and you're

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<v Speaker 1>thinking about this movie in a couple of days.

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<v Speaker 2>I refuse to I only stepped forward.

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<v Speaker 1>I don't know if I love that this is really

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<v Speaker 1>a two location movie with this big, grandiose sci fi thing. Right,

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<v Speaker 1>you just had Nippleheim, the snow planet or the ice planet,

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<v Speaker 1>and you just really had the ship and nothing else.

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<v Speaker 1>It's a little weird thing.

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<v Speaker 2>When you first heard them say that, did you think

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<v Speaker 2>it was Nippleheim? No, I heard the I thought it

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<v Speaker 2>was Nippleheim. For half the movie, I thought it was funny.

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<v Speaker 1>This movie is written and directed, of course, once again

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<v Speaker 1>by Bong June Hoe, who you would know from snow

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<v Speaker 1>Piercer in Parasite, maybe from Okja, which is a little

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<v Speaker 1>underrated one that came out. I think it's seventeen. This

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<v Speaker 1>is based on a book Goo called Mickey seven by

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<v Speaker 1>Edward Ashton, so obviously a little bit of a change

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<v Speaker 1>up there. Obviously, you and I have not read the book.

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<v Speaker 1>We never anytime there's a book before movie, we've never

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<v Speaker 1>read it. Just take that.

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<v Speaker 2>I don't want to know what happened in the book.

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<v Speaker 2>But I did look at the book and saw that

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<v Speaker 2>it was Mickey seven. First off, Mickey Mantle number seven.

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<v Speaker 2>Keep that in mind. That has nothing to do with

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<v Speaker 2>the movie. But when I saw that this was Mickey seventeen,

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<v Speaker 2>I said, are they gonna have more fun with the

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<v Speaker 2>duplicates and have more of them around? Because it's ten

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<v Speaker 2>more than seven seventeen ten more than seven.

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<v Speaker 1>That's good math math my head, yeah, math and goo.

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<v Speaker 2>Should I have not thought that?

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<v Speaker 1>Well? No, like if you read a twenty second synopsis

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<v Speaker 1>of what this story is, you would realize there was

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<v Speaker 1>that was never really a possibility. However, that said, that

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<v Speaker 1>change from seven to seventeen I do think helped the

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<v Speaker 1>early part of this movie and sort of explaining the

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<v Speaker 1>journey as how we get to our character, because if

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<v Speaker 1>we just had six versions of Mickey up until where

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<v Speaker 1>we got I would have been like, I don't know

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<v Speaker 1>about that. I feel like this should have been more.

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<v Speaker 2>But I'm also saying like there's a point in this

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<v Speaker 2>movie where like, I guess that's kind of spoilery, but

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<v Speaker 2>you could have used more Mickeys.

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<v Speaker 1>I agree, But the whole that goes against everything.

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<v Speaker 2>Who's keeping tabs of who's a hypocritin who's not?

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<v Speaker 1>They get a whiteboard. They got one guy doing a whiteboard.

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<v Speaker 2>Yeah, but you have one ultimate person that's in charge

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<v Speaker 2>of everything. That's a loose cannon. He could say, you

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<v Speaker 2>know what, give me a bunch of these idiots.

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<v Speaker 1>But on a spaceship with the same people for four

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<v Speaker 1>and a half years, it'd be really easy to hide

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<v Speaker 1>a multiple fear, or really hard to hide a multiple

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<v Speaker 1>of yourself.

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<v Speaker 2>I should say not enough. One's always in the bedroom.

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<v Speaker 2>If one's always in the bedroom, you're fine. You hide

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<v Speaker 2>every other day.

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<v Speaker 1>Synopsis of Mickey seventeen. Mickey seventeen, known as an expendable,

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<v Speaker 1>goes on a dangerous journey to colonize an ice planet.

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<v Speaker 1>He is selected for dangerous tasks because he's He can

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<v Speaker 1>be renewed if his body dies, with his memories largely intact.

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<v Speaker 1>With one regeneration. Though things go very wrong, I would

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<v Speaker 1>subm in the word awry.

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<v Speaker 2>There also who looks at a planet covered in ice

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<v Speaker 2>and says, this is my paradise, this is where I

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<v Speaker 2>want to live.

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<v Speaker 1>I had some questions about that, but I think it

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<v Speaker 1>just speaks to all the dummies buying in. You know,

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<v Speaker 1>it speaks more to the people than it does the planet.

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<v Speaker 1>And so I think that that's fine.

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<v Speaker 2>You know, as we live here in in TAXI choose

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<v Speaker 2>it's mac. Yeah, not to get Polly charged with that one.

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<v Speaker 2>But winter cold, bad bad, hate it?

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<v Speaker 1>Yeah, you don't. I don't mind the cold. I hate

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<v Speaker 1>the snow of the ice.

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<v Speaker 2>I hate paying my energy bills. Not to get Polly

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<v Speaker 2>charged there, but my energy bills. I live on one

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<v Speaker 2>floor of a house and it is out the second.

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<v Speaker 1>Floor so the second I both should be spending a

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<v Speaker 1>littlesks the heat's rise.

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<v Speaker 2>I should be able to be pretty much cut a

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<v Speaker 2>hole in the floor of my house and just suck

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<v Speaker 2>up the heat from the first floor and live off

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<v Speaker 2>of that.

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<v Speaker 1>I can't totally cree, dude. This stars Robert Pattinson as

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<v Speaker 1>Mickey Barnes, Naomi Aki as Nasha. I've never seen her before,

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<v Speaker 1>at least I've never registered her before. She's pretty good.

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<v Speaker 1>Stephen Yun as Timo, Mark Ruffalo's Kenneth Marshall, Tony Kollett

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<v Speaker 1>as Alpha Ilfa, Anna Maria Varto of Oartole May is

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<v Speaker 1>Kai katz Aka just a young Monica Balucci, camer Britton

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<v Speaker 1>as Arcadie. He was like the head scientist guy on

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<v Speaker 1>the ship, and then Patsy Fair and his Dorothy. She

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<v Speaker 1>was like the empathetic scientist won And that's all you'd

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<v Speaker 1>really need to know from this from this cast.

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<v Speaker 2>Yeah, so it also keeps the cast pretty small. There is, uh,

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<v Speaker 2>there's a bunch of scientists that do add levity to

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<v Speaker 2>the movie though.

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<v Speaker 1>The group o scientists and then like a group of

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<v Speaker 1>cops and security guards as well, but not a ton

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<v Speaker 1>of them have speaking lines to set the scene for

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<v Speaker 1>some listeners who are maybe borderline on this, and based

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<v Speaker 1>on the eighteen to twenty million opening domestic that it's

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<v Speaker 1>shooting for, probably not a ton of people that are

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<v Speaker 1>going to see.

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<v Speaker 2>And also how we just started the this podcast twenty

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<v Speaker 2>minutes in of saying well, we're disappointed, but we liked it.

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<v Speaker 1>We did like it, but we were also expecting potentially

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<v Speaker 1>forty dogs out of this. So that's a you and

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<v Speaker 1>I think, yeah.

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<v Speaker 2>So if you're a regular person that has not been

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<v Speaker 2>following this dumb movie for two years, I think you'll

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<v Speaker 2>have fun. There you go, go and see it. End

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<v Speaker 2>of the episode. Uh.

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<v Speaker 1>This story is set in a dystopian near future Earth

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<v Speaker 1>where the planet is like kind of crumbling. The world's

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<v Speaker 1>economy is tanking. So there's a group of people being

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<v Speaker 1>led by a demented politician who will give you there's

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<v Speaker 1>some imagery there that pulls upon some real life stuff,

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<v Speaker 1>and he's looking to establish a new society or colony

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<v Speaker 1>on another planet. That planet is a four and a

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<v Speaker 1>half year journey away, and it's called Nifflheim. It's a

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<v Speaker 1>nice planet who's only inhabitants appear to be these armadillo

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<v Speaker 1>worm like things.

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<v Speaker 2>Which once again I would have give me some more creatures.

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<v Speaker 1>Agreed, Agreed. But also there's like they're only living living

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<v Speaker 1>under the surface too, so maybe life didn't really develop

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<v Speaker 1>too much, so this is the only thing that can

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<v Speaker 1>live there. I don't know.

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<v Speaker 2>How do you look at it once again and say,

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<v Speaker 2>this is where I want to live, Like the only

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<v Speaker 2>thing that lives here are these cockroaches under the earth.

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<v Speaker 1>Yeah, but you don't know, like what the scout mission

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<v Speaker 1>was like, you know, maybe they just got a report

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<v Speaker 1>back that it habitable and that was good enough. I

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<v Speaker 1>don't know. And then we learn it's really not habitable

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<v Speaker 1>because it takes a few Mickeys to figure out how

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<v Speaker 1>to breathe the atmosphere on this planet. In order to

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<v Speaker 1>go on the journey and in part to avoid some

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<v Speaker 1>consequences back on Earth, Robert Pattinson's character Mickey, signs up

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<v Speaker 1>to become an expendable for this cru slash journey and

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<v Speaker 1>doesn't read any of the fine print, in fact, reads

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<v Speaker 1>none of the print. And what this job of an

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<v Speaker 1>expendable is is basically, they make a copy of his

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<v Speaker 1>brain and his mind and they have this technology in

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<v Speaker 1>this sci fi future world where they can reprint bodies,

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<v Speaker 1>So they send Mickey on all these dangerous, harmful missions

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<v Speaker 1>and tests to basically learn stuff or get jobs done

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<v Speaker 1>that would otherwise kill people. And ultimately, when he does die,

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<v Speaker 1>they possess that technology to just reprint his body and

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<v Speaker 1>imprint his mind back on the new body. And so

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<v Speaker 1>that's really like the whole premise of this story and

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<v Speaker 1>what this really becomes. And very shortly into the journey

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<v Speaker 1>in space, he meets his love interest not and also

389
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<v Speaker 1>the other little wrinkle is his former partner in crime

390
00:19:04.400 --> 00:19:07.960
<v Speaker 1>on Earth, Timo has sort of latched onto this mission too,

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<v Speaker 1>like as a fake bullshit pilot, like kind of bullshited

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<v Speaker 1>his way as he did on Earth. So that really

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<v Speaker 1>sets the scene for the movie and the high jinks,

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<v Speaker 1>And I thought they did a pretty good job really

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<v Speaker 1>like setting the scene and like getting us into the story,

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<v Speaker 1>because it does like a little bit of a deadpool thing, right.

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<v Speaker 1>It opens in the middle of a scene, in the

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<v Speaker 1>middle of a story.

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<v Speaker 2>You're probably wondering how I got here, which is you know,

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<v Speaker 2>it's a bit of a bit of a trope.

401
00:19:32.039 --> 00:19:33.759
<v Speaker 1>Yeah, it's a it's a but it is a good

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00:19:33.759 --> 00:19:35.519
<v Speaker 1>way to get the viewers interest.

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<v Speaker 2>They also do something with Nasha third act that I

404
00:19:39.319 --> 00:19:41.920
<v Speaker 2>was like, you know what, that's really fucking sweet. I

405
00:19:41.960 --> 00:19:45.319
<v Speaker 2>really really like that. And it does show you the

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<v Speaker 2>connection between the two.

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<v Speaker 1>It does. That's that's for sure.

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<v Speaker 2>Mac. Before we get into the gauntlet, I have a

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<v Speaker 2>question for you, a very important question for you, not

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<v Speaker 2>only you, but the people at home. I want everyone

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<v Speaker 2>to answer if they're were multiples of Mac. If there

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<v Speaker 2>were two Macs, would you have a three way with yourself?

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<v Speaker 1>Wrapper reaction is no, I'm a jealous lover. Couldn't do it.

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<v Speaker 1>I don't think I could ever sustain a threesome, whether

415
00:20:11.160 --> 00:20:13.599
<v Speaker 1>it be with two women or anyone. I don't think

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00:20:13.599 --> 00:20:16.559
<v Speaker 1>I could do it. Second secondary, when i'm thinking about it,

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00:20:16.559 --> 00:20:19.519
<v Speaker 1>a little bit more depends which Mac. If if I'm

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<v Speaker 1>Mac seven or Mac eight, Mac five, a young, spry,

419
00:20:22.759 --> 00:20:25.799
<v Speaker 1>like twenty one year old Mac. That guy's fucking better

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00:20:25.839 --> 00:20:27.279
<v Speaker 1>than me. I don't think I want to I want

421
00:20:27.319 --> 00:20:29.960
<v Speaker 1>to go up against him, So no, No, I think

422
00:20:29.960 --> 00:20:30.519
<v Speaker 1>the answer is no.

423
00:20:30.680 --> 00:20:32.839
<v Speaker 2>I'm gonna say also, you're a very spiteful person, so

424
00:20:32.880 --> 00:20:33.920
<v Speaker 2>you'd probably.

425
00:20:34.079 --> 00:20:36.920
<v Speaker 1>I'd kill myself. I would you would kill myself. I

426
00:20:36.920 --> 00:20:37.440
<v Speaker 1>would kill you.

427
00:20:38.279 --> 00:20:40.119
<v Speaker 2>You cannot say that on YouTube.

428
00:20:40.640 --> 00:20:44.079
<v Speaker 1>I would stab Mac five, easily kill that motherfucker. No

429
00:20:44.240 --> 00:20:50.240
<v Speaker 1>questions asked and asked meg go, Yeah, would you have

430
00:20:50.279 --> 00:20:51.960
<v Speaker 1>a three way with yourself?

431
00:20:52.160 --> 00:20:52.359
<v Speaker 2>Yeah?

432
00:20:52.359 --> 00:20:53.319
<v Speaker 1>And some other.

433
00:20:53.200 --> 00:20:54.880
<v Speaker 2>Significent I'm sorry, yes, the answer is yes.

434
00:20:55.599 --> 00:20:58.720
<v Speaker 1>Okay, pick flip christ Air off of that.

435
00:20:58.839 --> 00:20:59.039
<v Speaker 2>Yeah?

436
00:20:59.079 --> 00:21:01.160
<v Speaker 1>Would you murder another version of yourself?

437
00:21:01.319 --> 00:21:01.400
<v Speaker 2>No?

438
00:21:02.039 --> 00:21:03.799
<v Speaker 1>So you want multiple us around?

439
00:21:04.079 --> 00:21:05.880
<v Speaker 2>Yeah, we could do. We could tag each other in.

440
00:21:05.960 --> 00:21:09.119
<v Speaker 1>There's too much deviance in my brain. I would end

441
00:21:09.200 --> 00:21:11.039
<v Speaker 1>up with a Mickey eighteen that might be a real

442
00:21:11.119 --> 00:21:13.160
<v Speaker 1>son of a bitch and get myself in trouble.

443
00:21:13.200 --> 00:21:16.720
<v Speaker 2>We could handle the chores. We could uh you know

444
00:21:17.359 --> 00:21:18.240
<v Speaker 2>better ququarantine.

445
00:21:18.279 --> 00:21:21.599
<v Speaker 1>I'll get your wife. Would she want multiple versions of.

446
00:21:21.720 --> 00:21:23.799
<v Speaker 2>I brought this up to her the other day and

447
00:21:23.880 --> 00:21:25.799
<v Speaker 2>at first she was like, oh no, And I'm like,

448
00:21:25.920 --> 00:21:28.960
<v Speaker 2>but imagine what I would do. Imagine what I could do.

449
00:21:29.559 --> 00:21:33.359
<v Speaker 2>Think about this. I could last twice as long and

450
00:21:34.680 --> 00:21:38.440
<v Speaker 2>twice as hard. I suppose that's just we can have

451
00:21:38.519 --> 00:21:39.279
<v Speaker 2>more sex, babe.

452
00:21:39.319 --> 00:21:40.160
<v Speaker 1>What do you think about that?

453
00:21:41.079 --> 00:21:44.559
<v Speaker 2>You know how annoying I am? Now imagine that doubled.

454
00:21:46.720 --> 00:21:49.920
<v Speaker 1>I'm just picturing Goo one or Goo whatever number you

455
00:21:49.920 --> 00:21:52.799
<v Speaker 1>are six or seven off the side, chairing on Go eight.

456
00:21:53.480 --> 00:21:56.400
<v Speaker 2>I could check Twitter while the other guy's doing it.

457
00:21:57.400 --> 00:21:59.079
<v Speaker 2>You can flip him the phone and hop in.

458
00:21:59.359 --> 00:22:01.519
<v Speaker 1>Your tweets would be so much better if there were two.

459
00:22:01.519 --> 00:22:04.240
<v Speaker 2>Versions of you. Yeah, you get to see yourself in action.

460
00:22:04.680 --> 00:22:07.319
<v Speaker 2>It's not bad, right right? Yeah? No, fuck a mirror,

461
00:22:08.039 --> 00:22:13.039
<v Speaker 2>which so you can see yourself in double action. What

462
00:22:13.680 --> 00:22:14.400
<v Speaker 2>do you want to do here?

463
00:22:15.000 --> 00:22:16.200
<v Speaker 1>Yeah, let's get to the gauntlet.

464
00:22:16.279 --> 00:22:19.359
<v Speaker 2>All right, let's start off with the fun factor. Mac.

465
00:22:19.920 --> 00:22:23.640
<v Speaker 2>I think I had enough fun. I know that you

466
00:22:23.720 --> 00:22:27.480
<v Speaker 2>have here that you had a great time with Pattinson, Ruffalo, Collette.

467
00:22:28.079 --> 00:22:31.799
<v Speaker 2>I did not enjoy as much as I thought I

468
00:22:31.960 --> 00:22:35.960
<v Speaker 2>would mark Ruffalo in this movie. I thought he wasn't

469
00:22:36.000 --> 00:22:39.000
<v Speaker 2>as good of a bad guy as I would have enjoyed.

470
00:22:39.039 --> 00:22:43.240
<v Speaker 2>And I actually thought that they wasted the amazing talents

471
00:22:43.279 --> 00:22:44.279
<v Speaker 2>of Tony Collette.

472
00:22:44.599 --> 00:22:46.640
<v Speaker 1>So first of all, I don't put words in my mouth, motherfucker.

473
00:22:46.720 --> 00:22:47.759
<v Speaker 2>I'm reading your doc.

474
00:22:48.079 --> 00:22:51.839
<v Speaker 1>You didn't know you just read. You didn't finish the sentence. Pattinson, Ruffalo,

475
00:22:51.880 --> 00:22:54.839
<v Speaker 1>and Klett are clearly having a blast, and most of

476
00:22:54.880 --> 00:22:58.519
<v Speaker 1>that translates to the viewer. I agree Ruffalo could have

477
00:22:58.559 --> 00:23:01.880
<v Speaker 1>been maybe be a more menacing villain, but he's also

478
00:23:01.880 --> 00:23:04.160
<v Speaker 1>supposed to be a dope, like that's what his character

479
00:23:04.240 --> 00:23:07.079
<v Speaker 1>is supposed to be. And it's almost like Tony Kollette

480
00:23:07.160 --> 00:23:09.559
<v Speaker 1>is the bigger villain by the end, like she's really

481
00:23:09.559 --> 00:23:11.880
<v Speaker 1>the puppet pulling the or the person pulling the.

482
00:23:11.880 --> 00:23:14.119
<v Speaker 2>Store, and then push that more then they well.

483
00:23:14.240 --> 00:23:15.680
<v Speaker 1>So that's one of the issues I had with the

484
00:23:15.720 --> 00:23:18.480
<v Speaker 1>movie is I feel like she's ultimately the better villain.

485
00:23:18.799 --> 00:23:21.960
<v Speaker 1>They don't spend enough time on her towards the end.

486
00:23:22.160 --> 00:23:24.759
<v Speaker 1>And I also feel like the whole multiplicity thing and

487
00:23:24.799 --> 00:23:27.240
<v Speaker 1>the multiple Mickeys, they don't spend enough time.

488
00:23:27.359 --> 00:23:30.000
<v Speaker 2>You could have had more fun with the hijinks of

489
00:23:30.039 --> 00:23:31.039
<v Speaker 2>the multiple Those.

490
00:23:30.920 --> 00:23:33.880
<v Speaker 1>Are my two major issues with the script here.

491
00:23:33.920 --> 00:23:35.960
<v Speaker 2>I also think you could have spread the fun out

492
00:23:36.000 --> 00:23:38.079
<v Speaker 2>a little bit more because I feel like the fun

493
00:23:38.359 --> 00:23:40.119
<v Speaker 2>is like it's a half an hour chunk of the

494
00:23:40.160 --> 00:23:41.920
<v Speaker 2>movie where most of the fun is.

495
00:23:42.039 --> 00:23:46.200
<v Speaker 1>Well and also the fun is only had by Mickey

496
00:23:46.240 --> 00:23:49.519
<v Speaker 1>eighteen and Ruffalo in Collette. You know, there's not a

497
00:23:49.519 --> 00:23:51.880
<v Speaker 1>lot of fun being had by anyone else. But I

498
00:23:51.920 --> 00:23:53.480
<v Speaker 1>suppose if you're on a four and a half year

499
00:23:53.799 --> 00:23:56.079
<v Speaker 1>spaceship journey, maybe there's not a lot of fun to be.

500
00:23:56.079 --> 00:23:59.000
<v Speaker 2>Had, satisfactor. It could have been more satisfying, But I'm

501
00:23:59.000 --> 00:24:00.480
<v Speaker 2>not disappointed picking.

502
00:24:00.319 --> 00:24:02.319
<v Speaker 1>Up what I was just putting it down there. I

503
00:24:02.319 --> 00:24:04.880
<v Speaker 1>feel like we kind of got the short ends of

504
00:24:05.039 --> 00:24:08.400
<v Speaker 1>things when it comes to the multiple hijinks, like there

505
00:24:08.440 --> 00:24:10.519
<v Speaker 1>could have been a lot more going on there, some

506
00:24:10.519 --> 00:24:14.440
<v Speaker 1>more possibilities. That wasn't very satisfying, And I agree because

507
00:24:15.039 --> 00:24:20.119
<v Speaker 1>they don't really flesh out either villain possibility. The conclusion

508
00:24:20.160 --> 00:24:22.200
<v Speaker 1>of this movie is also not very satisfying.

509
00:24:22.279 --> 00:24:26.839
<v Speaker 2>No, it is wildly predictable. Yeah, Mac Borometer, I think

510
00:24:26.880 --> 00:24:28.559
<v Speaker 2>the pacing could have been different.

511
00:24:28.880 --> 00:24:31.440
<v Speaker 1>The final act falls a bit flat for me, gets

512
00:24:31.480 --> 00:24:34.400
<v Speaker 1>a bit stale, and it leads up to the very

513
00:24:34.440 --> 00:24:37.920
<v Speaker 1>predictable ending. And on top of that, because you're seeing

514
00:24:37.960 --> 00:24:40.799
<v Speaker 1>what's coming, it starts to weigh on you a little

515
00:24:40.799 --> 00:24:42.720
<v Speaker 1>bit and you feel the length and you're not having

516
00:24:42.759 --> 00:24:44.079
<v Speaker 1>as much fun as you did in the first.

517
00:24:44.039 --> 00:24:49.920
<v Speaker 2>That's what she said, Azah, Halloween. Will this movie wane

518
00:24:50.079 --> 00:24:52.920
<v Speaker 2>over time? I don't think this will have a long

519
00:24:53.000 --> 00:24:53.839
<v Speaker 2>lasting effect.

520
00:24:54.119 --> 00:24:57.319
<v Speaker 1>Yeah, it's just it is funny. It's a funny movie. There.

521
00:24:57.359 --> 00:24:59.279
<v Speaker 1>I left out loud a couple of times, but it's

522
00:24:59.319 --> 00:25:03.559
<v Speaker 1>not hysteric, and even though visually it's look it looks good,

523
00:25:04.000 --> 00:25:07.720
<v Speaker 1>there's not enough like really fun shots to come back to,

524
00:25:07.920 --> 00:25:10.720
<v Speaker 1>and plot wise, it doesn't make it very rewatchable. So

525
00:25:10.720 --> 00:25:13.160
<v Speaker 1>it's just a fall short of being like a really

526
00:25:13.200 --> 00:25:14.119
<v Speaker 1>rewatchable movie.

527
00:25:14.160 --> 00:25:17.480
<v Speaker 2>Oh shout out Robert Pattinson for the physical comedy in

528
00:25:17.519 --> 00:25:18.039
<v Speaker 2>this movie.

529
00:25:18.279 --> 00:25:21.599
<v Speaker 1>He's pretty good. I've never seen Pattinson in this type

530
00:25:21.599 --> 00:25:24.160
<v Speaker 1>of role, playing this type of character, multiple characters. He

531
00:25:24.200 --> 00:25:24.880
<v Speaker 1>does a great job.

532
00:25:25.119 --> 00:25:27.519
<v Speaker 2>Quater World. Is this movie better or worse in the

533
00:25:27.559 --> 00:25:30.920
<v Speaker 2>nineteen ninety five classic water World? I'll say better it is.

534
00:25:31.079 --> 00:25:33.400
<v Speaker 2>It is definitive, but there is something about it that

535
00:25:33.519 --> 00:25:36.039
<v Speaker 2>I will compare to water World in a second.

536
00:25:36.400 --> 00:25:37.720
<v Speaker 1>Ooh, looking forward to that.

537
00:25:37.920 --> 00:25:41.039
<v Speaker 2>When life gives you plemens, you make Plemonade and Mac

538
00:25:41.599 --> 00:25:44.200
<v Speaker 2>in this movie. Who do you think, with their short

539
00:25:44.240 --> 00:25:47.160
<v Speaker 2>amount of time stole the show? I believe, And you

540
00:25:47.200 --> 00:25:49.960
<v Speaker 2>can put them all in a bag. The scientists, they

541
00:25:49.960 --> 00:25:53.240
<v Speaker 2>were all having fun. They're all pretty scientist good. Nah,

542
00:25:53.279 --> 00:25:55.319
<v Speaker 2>you know, like they weren't paying attention to when he's

543
00:25:55.359 --> 00:25:57.400
<v Speaker 2>being printed out. They're doing other stuff.

544
00:25:57.599 --> 00:26:00.000
<v Speaker 1>Yeah, No, that's good. That's a good Those were good.

545
00:26:00.079 --> 00:26:03.799
<v Speaker 1>Lemonade makers. I think Tony Kollette just chewing up the

546
00:26:03.839 --> 00:26:06.640
<v Speaker 1>scenery every time she was on the screen. It was fun.

547
00:26:06.720 --> 00:26:10.000
<v Speaker 1>Her making her sauces was fun, Like she's clearly having

548
00:26:10.319 --> 00:26:13.000
<v Speaker 1>a fun time, and she's a little She's not as

549
00:26:13.519 --> 00:26:15.400
<v Speaker 1>overbearing as Ruffalo's care.

550
00:26:15.319 --> 00:26:17.960
<v Speaker 2>What a weird character trait? Like, Oh, what do I

551
00:26:18.039 --> 00:26:20.559
<v Speaker 2>do in this movie? You make sauce? That's your thing.

552
00:26:20.759 --> 00:26:21.880
<v Speaker 1>Listen, I love sauces.

553
00:26:21.960 --> 00:26:25.000
<v Speaker 2>Anything else, No, I get it.

554
00:26:25.200 --> 00:26:26.960
<v Speaker 1>You're trying to spice up the same shit you've been

555
00:26:26.960 --> 00:26:27.920
<v Speaker 1>eating for four and a half years.

556
00:26:27.960 --> 00:26:29.799
<v Speaker 2>You know, I thought would have been perfect in that role.

557
00:26:30.559 --> 00:26:31.400
<v Speaker 2>Catherine O'Hara.

558
00:26:31.960 --> 00:26:35.039
<v Speaker 1>Yeah, it's a I could see it. I could see it.

559
00:26:35.240 --> 00:26:38.319
<v Speaker 2>Yeah, all right, this is all up to you, Max

560
00:26:38.359 --> 00:26:40.079
<v Speaker 2>Credit Union. Who are you giving credit to?

561
00:26:40.480 --> 00:26:44.319
<v Speaker 1>It's clearly Robert Pattinson crushing these dual roles. Like this

562
00:26:44.400 --> 00:26:48.079
<v Speaker 1>movie doesn't fail to meet my expectations because of Pattinson.

563
00:26:48.119 --> 00:26:50.799
<v Speaker 1>He's doing everything he can to prop this movie up.

564
00:26:50.799 --> 00:26:54.599
<v Speaker 1>He does a great job. It's two distinct different characters

565
00:26:54.599 --> 00:26:56.160
<v Speaker 1>he's playing. Although I have a little bit of an

566
00:26:56.160 --> 00:26:59.000
<v Speaker 1>issue with that writing wise, not the way Pattinson does it,

567
00:26:59.200 --> 00:27:00.400
<v Speaker 1>but I think he's in.

568
00:27:00.440 --> 00:27:02.279
<v Speaker 2>This movie also I think he does a great job,

569
00:27:02.319 --> 00:27:05.359
<v Speaker 2>and maybe some people might disagree with me, but I

570
00:27:05.440 --> 00:27:08.519
<v Speaker 2>didn't find like he changes up his voice. He's he's

571
00:27:08.559 --> 00:27:11.400
<v Speaker 2>a little uh, he's a little manic, he's a little cartoonish.

572
00:27:11.880 --> 00:27:14.839
<v Speaker 2>But I did not find it annoying. I think some

573
00:27:14.880 --> 00:27:18.519
<v Speaker 2>people might find it a little much, but I enjoyed it.

574
00:27:18.680 --> 00:27:20.960
<v Speaker 1>Yeah, I just have an issue with why seventeen and

575
00:27:21.000 --> 00:27:23.960
<v Speaker 1>eighteen had such different voices that, like, I know, for

576
00:27:24.000 --> 00:27:26.160
<v Speaker 1>the viewers easy to distinguish him, but it doesn't really

577
00:27:26.200 --> 00:27:26.640
<v Speaker 1>make sense.

578
00:27:26.799 --> 00:27:30.359
<v Speaker 2>Imagine you got Go seven over here with my beautiful,

579
00:27:30.480 --> 00:27:34.400
<v Speaker 2>deep broadcasting voice, and then Goo eight is over here talking.

580
00:27:34.200 --> 00:27:37.200
<v Speaker 1>Like this do you everythink you got?

581
00:27:43.119 --> 00:27:47.079
<v Speaker 2>And Stan City excite bike Mania? What in this movie

582
00:27:47.119 --> 00:27:49.559
<v Speaker 2>got you going? There are a couple laugh out loud

583
00:27:49.599 --> 00:27:54.119
<v Speaker 2>scenes that did I like, I really enjoyed. Uh. There

584
00:27:54.200 --> 00:27:56.640
<v Speaker 2>was a dinner scene in this movie that I thought

585
00:27:56.759 --> 00:28:00.880
<v Speaker 2>was really it was almost suspenseful, but it was funny

586
00:28:00.920 --> 00:28:04.359
<v Speaker 2>the physical stuff and it was really good. Pattinson eating

587
00:28:04.400 --> 00:28:07.359
<v Speaker 2>like a maniac was really funny. I thought that might

588
00:28:07.359 --> 00:28:10.799
<v Speaker 2>have been the closest thing to enjoyment wise, like what

589
00:28:10.839 --> 00:28:12.519
<v Speaker 2>I was expecting out of this whole movie.

590
00:28:12.759 --> 00:28:16.319
<v Speaker 1>Yeah, to your point I think with this movie really

591
00:28:16.400 --> 00:28:20.160
<v Speaker 1>needed to take it up on another level with some

592
00:28:20.240 --> 00:28:24.079
<v Speaker 1>more suspense, some more thrilling stuff in the movie that

593
00:28:24.119 --> 00:28:27.079
<v Speaker 1>they did a little bit when eighteen first arrives on scene.

594
00:28:27.119 --> 00:28:28.920
<v Speaker 1>They just didn't do enough of a little bit of

595
00:28:29.599 --> 00:28:32.160
<v Speaker 1>I'm not really sure what's gonna happen over the next

596
00:28:32.160 --> 00:28:35.440
<v Speaker 1>ten minutes. It just didn't have enough of that. And

597
00:28:35.839 --> 00:28:39.960
<v Speaker 1>because of that, there's like no real standout scene for me,

598
00:28:40.079 --> 00:28:43.519
<v Speaker 1>no real pants tent moment. I think what eighteen does

599
00:28:43.759 --> 00:28:46.079
<v Speaker 1>towards the end of this movie is supposed to qualify

600
00:28:46.519 --> 00:28:48.079
<v Speaker 1>for this. It just doesn't hit.

601
00:28:48.240 --> 00:28:50.920
<v Speaker 2>They also they also start a sex scene and don't

602
00:28:50.920 --> 00:28:54.720
<v Speaker 2>finish it. So come on, guys, good callback.

603
00:28:54.720 --> 00:28:55.880
<v Speaker 1>I guess to the sex position.

604
00:28:55.960 --> 00:28:57.519
<v Speaker 2>So I don't know a right we don't do that.

605
00:28:58.039 --> 00:29:00.559
<v Speaker 2>If you start it, you gotta stop it. St up.

606
00:29:01.319 --> 00:29:03.039
<v Speaker 2>What's the next part of the song?

607
00:29:03.599 --> 00:29:04.400
<v Speaker 1>Start me, yup?

608
00:29:05.200 --> 00:29:09.880
<v Speaker 2>Start? I never saw Maybe.

609
00:29:09.519 --> 00:29:10.359
<v Speaker 1>It's like springles.

610
00:29:10.359 --> 00:29:12.839
<v Speaker 2>Once you pop, that's it. Once you pop, the fun

611
00:29:12.920 --> 00:29:17.119
<v Speaker 2>don't stop. That's how I view yes live.

612
00:29:19.480 --> 00:29:21.279
<v Speaker 1>What if? In fact, it is the option for me?

613
00:29:21.440 --> 00:29:23.599
<v Speaker 1>Once I pop, the funds immediately over.

614
00:29:24.079 --> 00:29:26.720
<v Speaker 2>What's I pop? The depression kicks right back in.

615
00:29:27.559 --> 00:29:30.319
<v Speaker 1>Yeah, that clarity, the post of that clarity.

616
00:29:30.400 --> 00:29:37.200
<v Speaker 2>Oh boy, all right, for those of you tarreety to

617
00:29:37.240 --> 00:29:39.680
<v Speaker 2>the Mac and Goo party, Mac, how many hot dogs

618
00:29:40.079 --> 00:29:43.119
<v Speaker 2>hot at forty would you give this movie you?

619
00:29:43.599 --> 00:29:47.559
<v Speaker 1>This movie is enjoyable. It made me laugh aloud multiple times.

620
00:29:47.680 --> 00:29:51.640
<v Speaker 1>Pattinson's great, The secondary characters are pretty funny. Bong June

621
00:29:51.680 --> 00:29:56.079
<v Speaker 1>Hoe is clearly intentionally hitting us with certain themes. I

622
00:29:56.119 --> 00:29:58.839
<v Speaker 1>do think that's gonna bother some based on the landscape

623
00:29:58.880 --> 00:30:01.400
<v Speaker 1>these days, but but it's a constant presence in his work.

624
00:30:01.400 --> 00:30:04.160
<v Speaker 1>It just is what he does. With that said, I

625
00:30:04.200 --> 00:30:06.759
<v Speaker 1>think the premise and all the possibilities that were built

626
00:30:06.759 --> 00:30:09.839
<v Speaker 1>in to the technology and the sci fi and the

627
00:30:09.880 --> 00:30:13.920
<v Speaker 1>galactic adventure in this it just didn't quite meet my expectations.

628
00:30:13.920 --> 00:30:17.319
<v Speaker 1>It didn't satisfy that. It does possess some sharp, like

629
00:30:17.400 --> 00:30:19.920
<v Speaker 1>satirical things in here that are like kind of witty

630
00:30:20.039 --> 00:30:22.680
<v Speaker 1>and I don't know, it's just like like we've been

631
00:30:22.720 --> 00:30:24.839
<v Speaker 1>harping on a little bit. It just didn't quite possess

632
00:30:24.960 --> 00:30:28.519
<v Speaker 1>that left turn, that pants tent, that thrilling or suspenseful

633
00:30:28.640 --> 00:30:31.519
<v Speaker 1>moment that really would make this movie stick with you.

634
00:30:31.920 --> 00:30:34.359
<v Speaker 1>So if you're coming into this expecting something on the

635
00:30:34.440 --> 00:30:38.279
<v Speaker 1>level of say Parasite, you're gonna be I think disappointed.

636
00:30:38.519 --> 00:30:41.839
<v Speaker 1>If you come in fresh just expecting a decent little

637
00:30:41.839 --> 00:30:44.359
<v Speaker 1>like sci fi comedy, I think you're gonna be pretty satisfied.

638
00:30:44.400 --> 00:30:47.960
<v Speaker 1>I think it does enough to get that qualification. So

639
00:30:48.039 --> 00:30:50.440
<v Speaker 1>I have this at like thirty two maybe thirty three

640
00:30:50.480 --> 00:30:52.720
<v Speaker 1>hot Dogs and is my number one movie of twenty

641
00:30:52.759 --> 00:30:55.839
<v Speaker 1>twenty five so far, one out of two. If I'm

642
00:30:55.839 --> 00:30:58.039
<v Speaker 1>comparing some this to some movies from last year, I

643
00:30:58.039 --> 00:31:00.319
<v Speaker 1>think it would have slotted into like that third seen

644
00:31:00.359 --> 00:31:04.400
<v Speaker 1>of fifteen range, with movies like Beetlejuice, Beetlejuice, Kingdom of

645
00:31:04.400 --> 00:31:07.279
<v Speaker 1>the Player of the Apes and Furiosa. Furiosa is I'm

646
00:31:07.279 --> 00:31:09.119
<v Speaker 1>feeling a little bit like that, where there's like a

647
00:31:09.160 --> 00:31:12.119
<v Speaker 1>stand up performance, there's some fun. It's probably better than

648
00:31:12.119 --> 00:31:13.680
<v Speaker 1>people are giving a credit for it, but it's not

649
00:31:13.680 --> 00:31:14.559
<v Speaker 1>gonna make a ton of money.

650
00:31:14.640 --> 00:31:16.920
<v Speaker 2>I go Furiosa though, just because you have that, you

651
00:31:16.920 --> 00:31:20.000
<v Speaker 2>have that villain, you have pants ten scenes in Furiosa.

652
00:31:20.079 --> 00:31:22.240
<v Speaker 1>Yeah, Furiosa might be better than this, but it's it's

653
00:31:22.400 --> 00:31:23.599
<v Speaker 1>I think it's in that same range.

654
00:31:23.720 --> 00:31:27.480
<v Speaker 2>Okay, well, mac I had fun. I thought that a

655
00:31:27.519 --> 00:31:30.519
<v Speaker 2>good portion of This was actually really funny. I laughed

656
00:31:30.519 --> 00:31:32.519
<v Speaker 2>out loud at several scenes. I already brought up that

657
00:31:32.559 --> 00:31:35.400
<v Speaker 2>dinner scene that I loved Pattinson rules. I thought that

658
00:31:35.519 --> 00:31:37.960
<v Speaker 2>his physical comedy in this is something that we haven't

659
00:31:38.000 --> 00:31:42.440
<v Speaker 2>seen before. I mean, good times. It wasn't necessarily physical comedy,

660
00:31:42.599 --> 00:31:45.640
<v Speaker 2>but physically how he played that role in that movie

661
00:31:45.720 --> 00:31:50.160
<v Speaker 2>is different too. I really loved there was a sweet

662
00:31:50.640 --> 00:31:54.880
<v Speaker 2>third act scene that showed the love that Nasha truly

663
00:31:54.960 --> 00:31:58.000
<v Speaker 2>had for Mickey, and I thought it. I thought it

664
00:31:58.119 --> 00:32:01.200
<v Speaker 2>rounded her. It also rounded out his life as well.

665
00:32:01.799 --> 00:32:03.279
<v Speaker 2>The four and a half years on the ship kind

666
00:32:03.279 --> 00:32:06.759
<v Speaker 2>of sucks, but you do truly have each other. And

667
00:32:06.799 --> 00:32:08.440
<v Speaker 2>I really really liked.

668
00:32:08.319 --> 00:32:11.319
<v Speaker 1>That twenty thirty minutes kind of made her look like

669
00:32:11.359 --> 00:32:14.200
<v Speaker 1>a gigantic piece of shit. So it was a good like, oh,

670
00:32:14.240 --> 00:32:16.400
<v Speaker 1>we're starting to not like her, yeah, and they show that, like,

671
00:32:16.480 --> 00:32:17.359
<v Speaker 1>actually we love her.

672
00:32:17.400 --> 00:32:20.359
<v Speaker 2>Where it showed that he wasn't alone, He was never

673
00:32:20.480 --> 00:32:22.960
<v Speaker 2>alone on this shit. Nice, really nice scene it was.

674
00:32:23.240 --> 00:32:26.240
<v Speaker 2>I thought that it was a pretty good sci fi

675
00:32:26.759 --> 00:32:30.559
<v Speaker 2>one to two locations. It didn't get too creative with

676
00:32:30.599 --> 00:32:34.200
<v Speaker 2>its worlds or with its creatures. You can take that,

677
00:32:34.279 --> 00:32:36.400
<v Speaker 2>you can you can love it or hate that, but

678
00:32:36.480 --> 00:32:39.799
<v Speaker 2>I thought that they didn't. I guess, like creatively, you'd

679
00:32:39.799 --> 00:32:43.079
<v Speaker 2>really want more. But I didn't mind them. I didn't

680
00:32:43.079 --> 00:32:45.319
<v Speaker 2>mind them doing that because I think ice planets always

681
00:32:45.319 --> 00:32:47.759
<v Speaker 2>look nice. I just questioned why you want to go there.

682
00:32:47.680 --> 00:32:50.079
<v Speaker 1>Or like a little more time on the planet than

683
00:32:50.119 --> 00:32:50.640
<v Speaker 1>what we got.

684
00:32:50.680 --> 00:32:54.000
<v Speaker 2>I was looking for more in that sex scene. The conclusion,

685
00:32:54.279 --> 00:32:57.119
<v Speaker 2>it's okay. I thought it was too obvious and it

686
00:32:57.200 --> 00:33:00.319
<v Speaker 2>did go on a bit too long. But the way

687
00:33:00.319 --> 00:33:01.960
<v Speaker 2>that I looked at I said this to you after

688
00:33:02.000 --> 00:33:06.160
<v Speaker 2>the movie is this was almost like this feels like

689
00:33:06.200 --> 00:33:12.480
<v Speaker 2>a perfect Saturday afternoon, Sunday afternoon. You're flipping through and

690
00:33:12.599 --> 00:33:16.160
<v Speaker 2>this movie's on TNT, this movie's on TBS, and you say,

691
00:33:16.200 --> 00:33:18.920
<v Speaker 2>you know what, I'll watch this. It's a It's a

692
00:33:18.960 --> 00:33:23.119
<v Speaker 2>perfect cable movie that you aren't spending too much, you

693
00:33:23.160 --> 00:33:26.319
<v Speaker 2>aren't investing you know, money into your fine watching it

694
00:33:26.319 --> 00:33:29.000
<v Speaker 2>with commercials. You're here to kill time with it. And

695
00:33:29.200 --> 00:33:31.160
<v Speaker 2>I thought it did a good job at that, and

696
00:33:31.359 --> 00:33:35.240
<v Speaker 2>not enough movies are like that anymore. It doesn't really

697
00:33:35.240 --> 00:33:37.759
<v Speaker 2>have anything to do with too many ips. It's based

698
00:33:37.759 --> 00:33:40.440
<v Speaker 2>off a book. I don't know if there's multiple books

699
00:33:40.440 --> 00:33:42.680
<v Speaker 2>that go with this, but I had fun thirty three

700
00:33:42.720 --> 00:33:43.279
<v Speaker 2>hot Dogs.

701
00:33:43.640 --> 00:33:46.720
<v Speaker 1>I don't really think you did say that instaly, and

702
00:33:46.799 --> 00:33:49.279
<v Speaker 1>I was thinking about it, and I don't really feel

703
00:33:49.319 --> 00:33:51.480
<v Speaker 1>the same way you do about that. And maybe it's

704
00:33:51.519 --> 00:33:53.920
<v Speaker 1>just the way we view cable movies, because I think

705
00:33:53.920 --> 00:33:56.400
<v Speaker 1>this is like a better quality than a cable movie.

706
00:33:56.480 --> 00:33:58.519
<v Speaker 1>It's more of a thinker than a cable movie. And

707
00:33:58.559 --> 00:34:01.079
<v Speaker 1>it's also like less rewatch that you want it would

708
00:34:01.359 --> 00:34:03.079
<v Speaker 1>want it to be for a cable movie, So I

709
00:34:03.119 --> 00:34:05.359
<v Speaker 1>don't it doesn't really qualify for me as like a

710
00:34:05.680 --> 00:34:07.880
<v Speaker 1>so here's the whole thing Saturday movies.

711
00:34:07.640 --> 00:34:11.079
<v Speaker 2>And we're gonna do this in mac sack. But cable

712
00:34:11.159 --> 00:34:14.519
<v Speaker 2>movies really range in how good they are.

713
00:34:14.599 --> 00:34:16.400
<v Speaker 1>Mac Yeah, but you want them to be like myn

714
00:34:16.519 --> 00:34:18.840
<v Speaker 1>numbing and this isn't mind numbing. This actually has some

715
00:34:18.920 --> 00:34:22.239
<v Speaker 1>like witty satirical things and some social commentary to it.

716
00:34:22.239 --> 00:34:23.559
<v Speaker 1>It's like it's it's just.

717
00:34:24.960 --> 00:34:27.719
<v Speaker 2>I would argue that the best cable movie of all

718
00:34:27.800 --> 00:34:30.400
<v Speaker 2>time is a forty hot dog like well thought out,

719
00:34:30.440 --> 00:34:34.199
<v Speaker 2>well written, should have won an oscar movie. Shooter, yees, shooter,

720
00:34:34.960 --> 00:34:37.000
<v Speaker 2>I hope you added shooter. I didn't put shooter on there.

721
00:34:37.000 --> 00:34:43.599
<v Speaker 2>Shooters great Shooters is great. Damon and Elias Ktais love shoots.

722
00:34:45.719 --> 00:34:46.519
<v Speaker 1>Mark k Wohlberg.

723
00:34:46.639 --> 00:34:49.199
<v Speaker 2>Oh, I was thinking of what's the one with Matt Damon?

724
00:34:51.840 --> 00:34:52.519
<v Speaker 2>What's the matter?

725
00:34:52.679 --> 00:34:54.079
<v Speaker 1>You're thinking of a Born movie?

726
00:34:54.440 --> 00:34:56.239
<v Speaker 2>You you jump into sports.

727
00:34:56.199 --> 00:34:59.119
<v Speaker 1>The hat movie with the guy from uh that show

728
00:34:59.159 --> 00:34:59.719
<v Speaker 1>that I don't like.

729
00:35:00.119 --> 00:35:03.920
<v Speaker 2>It's not a hat movie with shooter movie? What am

730
00:35:03.920 --> 00:35:04.519
<v Speaker 2>I thinking of?

731
00:35:06.079 --> 00:35:09.000
<v Speaker 1>Spoilers sparker spoiler spoilers.

732
00:35:09.119 --> 00:35:12.239
<v Speaker 2>Okay, look it is Wallberg, but Elias Kataus is in

733
00:35:12.280 --> 00:35:14.400
<v Speaker 2>the movie. So I was just picturing. They're all a

734
00:35:14.400 --> 00:35:16.119
<v Speaker 2>bunch of Boston boys. They all look the same.

735
00:35:16.280 --> 00:35:19.280
<v Speaker 1>Oh, Katay is one of the bad guys. Yeah, yeah, yeah,

736
00:35:19.320 --> 00:35:21.440
<v Speaker 1>come on, and you got what's his name? The guy

737
00:35:21.440 --> 00:35:22.719
<v Speaker 1>that gives the recaps an ant.

738
00:35:22.599 --> 00:35:25.400
<v Speaker 2>Man, Michael Pena, Michael Panny Glover.

739
00:35:26.239 --> 00:35:28.800
<v Speaker 1>You know, it's a great Michael Penham movie and better

740
00:35:28.840 --> 00:35:30.840
<v Speaker 1>than a cable movie is end of Watch with him

741
00:35:30.840 --> 00:35:31.599
<v Speaker 1>and Jake Joenhall.

742
00:35:32.239 --> 00:35:34.480
<v Speaker 2>You know it's a bad one, Chips.

743
00:35:35.440 --> 00:35:37.280
<v Speaker 1>Deel, I'll never watch it. I'll just believe you.

744
00:35:37.360 --> 00:35:39.400
<v Speaker 2>That's a big Dax Shepherd movie though.

745
00:35:39.599 --> 00:35:42.440
<v Speaker 1>Yeah, big Dax Shepherd vehicle. We're we're all clamoring for

746
00:35:42.480 --> 00:35:46.159
<v Speaker 1>those uh spoilers for Mickey seventeen. At the end of

747
00:35:46.159 --> 00:35:49.400
<v Speaker 1>this movie or at the zenith of this movie, Mickey

748
00:35:49.440 --> 00:35:53.039
<v Speaker 1>eighteen sacrifices himself in order to kill Kenneth Marshall played

749
00:35:53.079 --> 00:35:56.920
<v Speaker 1>by Ruffalo, and save Mickey seventeen, Nasha and their potential

750
00:35:56.960 --> 00:35:59.960
<v Speaker 1>colony on Nifflheim. This is what you and I are

751
00:36:00.039 --> 00:36:03.360
<v Speaker 1>talking about as the really telegraphed obvious conclusion to the movie.

752
00:36:03.480 --> 00:36:05.760
<v Speaker 1>You knew it was coming from a million miles away.

753
00:36:06.400 --> 00:36:08.920
<v Speaker 1>I was fine with it. It makes sense lotistically. I

754
00:36:09.000 --> 00:36:12.400
<v Speaker 1>just didn't love it, dude. My biggest thing here is

755
00:36:13.119 --> 00:36:17.440
<v Speaker 1>Mickey seventeen and eighteen are so drastically different and like

756
00:36:17.559 --> 00:36:19.960
<v Speaker 1>in theory than the same person with same experiences. So

757
00:36:19.960 --> 00:36:22.880
<v Speaker 1>I didn't really love how different they were. I get

758
00:36:22.960 --> 00:36:25.239
<v Speaker 1>you would have certain versions of yourself that'd be a

759
00:36:25.239 --> 00:36:28.239
<v Speaker 1>little more confident or a little more assholary than you

760
00:36:28.360 --> 00:36:29.119
<v Speaker 1>normally are.

761
00:36:29.320 --> 00:36:31.360
<v Speaker 2>But this was almost too much of a too much

762
00:36:31.480 --> 00:36:32.039
<v Speaker 2>nice to day.

763
00:36:33.119 --> 00:36:37.039
<v Speaker 1>Yeah, I didn't love that. Honestly. Maybe that's because we

764
00:36:37.079 --> 00:36:39.639
<v Speaker 1>also didn't get more Mickeys like you were referring to.

765
00:36:39.760 --> 00:36:41.800
<v Speaker 1>They all felt like seventeen.

766
00:36:41.960 --> 00:36:44.199
<v Speaker 2>That's a good point. So leading up to seventeen, they

767
00:36:44.239 --> 00:36:47.280
<v Speaker 2>all felt like the same person, and then eighteen was different.

768
00:36:47.559 --> 00:36:49.320
<v Speaker 2>Maybe if they he didn't say.

769
00:36:49.119 --> 00:36:52.039
<v Speaker 1>He did say, like five was this and seven was this,

770
00:36:52.079 --> 00:36:54.440
<v Speaker 1>we just didn't see it, so it doesn't hit as

771
00:36:54.519 --> 00:36:55.239
<v Speaker 1>much for the viewer.

772
00:36:55.280 --> 00:36:57.840
<v Speaker 2>That's a good point. The scene that I was talking about, well,

773
00:36:57.920 --> 00:37:01.159
<v Speaker 2>we'll talk about two scenes. But Mickey, his big thing

774
00:37:01.159 --> 00:37:03.880
<v Speaker 2>in the movie is that he hates being asked what

775
00:37:03.920 --> 00:37:07.159
<v Speaker 2>it's like to die, and you pretty much up to

776
00:37:07.239 --> 00:37:09.480
<v Speaker 2>a certain point in the movie, just always assume that

777
00:37:09.519 --> 00:37:11.880
<v Speaker 2>he's by himself and he needs to deal with death

778
00:37:11.920 --> 00:37:14.639
<v Speaker 2>by himself. And there's a scene at the end and

779
00:37:14.719 --> 00:37:16.320
<v Speaker 2>it kind of flips it on its head because they

780
00:37:16.360 --> 00:37:19.039
<v Speaker 2>showed at the beginning the same thing, but then they

781
00:37:19.079 --> 00:37:21.960
<v Speaker 2>showed the conclusion of it at the end where Nasha

782
00:37:22.079 --> 00:37:24.760
<v Speaker 2>she does put the suit on, but she gets into

783
00:37:24.840 --> 00:37:28.320
<v Speaker 2>a tank where Mickey is dying, and it does seem

784
00:37:28.440 --> 00:37:31.079
<v Speaker 2>like whenever she had the possibility, she would always be

785
00:37:31.199 --> 00:37:32.559
<v Speaker 2>there for him in death.

786
00:37:32.719 --> 00:37:35.960
<v Speaker 1>Yeah, And that's really like a little bit what I'm

787
00:37:36.000 --> 00:37:38.079
<v Speaker 1>referring to here with this movie is like a level

788
00:37:38.119 --> 00:37:41.960
<v Speaker 1>above a cable TV movie, because that is incredibly traumatic

789
00:37:42.079 --> 00:37:44.719
<v Speaker 1>for someone to watch a loved one die and.

790
00:37:44.719 --> 00:37:46.760
<v Speaker 2>She has to go through this over and over again.

791
00:37:47.239 --> 00:37:49.559
<v Speaker 2>You can never really think about in this movie how she's

792
00:37:49.639 --> 00:37:50.480
<v Speaker 2>dealing with it.

793
00:37:50.400 --> 00:37:52.519
<v Speaker 1>One hundred percent, And they almost don't spend enough time

794
00:37:52.599 --> 00:37:55.480
<v Speaker 1>on that because once you start to think about you're like, oh, fuck,

795
00:37:55.559 --> 00:37:58.239
<v Speaker 1>that is fucked up. And it does like it does

796
00:37:58.320 --> 00:37:59.760
<v Speaker 1>speak to something else that the rest of the movie

797
00:37:59.760 --> 00:38:01.599
<v Speaker 1>doesn't really talk about, and it does show how much

798
00:38:01.679 --> 00:38:06.000
<v Speaker 1>Nasa really does love him. Also an aside to that

799
00:38:06.360 --> 00:38:09.559
<v Speaker 1>is there's a moment in this movie where the woman Kai,

800
00:38:09.920 --> 00:38:12.960
<v Speaker 1>who looks like Monica Blucci, her like friend dies but

801
00:38:13.000 --> 00:38:15.840
<v Speaker 1>it's more of a love interest dies when they're out

802
00:38:15.840 --> 00:38:19.079
<v Speaker 1>on a mission on Niffelheim, and so she's dealing with

803
00:38:19.119 --> 00:38:21.239
<v Speaker 1>this and there's a nice moment where she asks him

804
00:38:21.559 --> 00:38:23.679
<v Speaker 1>what it's like to die because she looked in her

805
00:38:23.719 --> 00:38:27.400
<v Speaker 1>loved one's eyes right beforehand, and it it I question.

806
00:38:27.880 --> 00:38:30.199
<v Speaker 1>I was really intrigued as to where this was gonna

807
00:38:30.239 --> 00:38:32.400
<v Speaker 1>go with that character and the multiple of mickeys, and

808
00:38:32.440 --> 00:38:33.960
<v Speaker 1>we get no conclusion to that.

809
00:38:34.079 --> 00:38:35.320
<v Speaker 2>He also just disappears.

810
00:38:35.679 --> 00:38:38.519
<v Speaker 1>Yeah, it's weird. It's like it's like they had more

811
00:38:38.559 --> 00:38:41.280
<v Speaker 1>planned for her, but they cut out, like her extra

812
00:38:41.320 --> 00:38:43.239
<v Speaker 1>ten minutes that was maybe gonna be in the third act.

813
00:38:43.239 --> 00:38:44.880
<v Speaker 1>I don't know, it's it was bizarre.

814
00:38:45.000 --> 00:38:48.480
<v Speaker 2>And also, look at Nasha, how so she's dealt with

815
00:38:48.559 --> 00:38:51.599
<v Speaker 2>all of these mickeys. She's dealt with seventeen mickeys, so

816
00:38:52.239 --> 00:38:54.719
<v Speaker 2>when one dies, she needs to then sit back and go, Okay,

817
00:38:54.760 --> 00:38:57.880
<v Speaker 2>what's this mickey personality going to be right? Right?

818
00:38:58.199 --> 00:39:01.440
<v Speaker 1>And it's it's honestly a lot like we didn't get

819
00:39:01.599 --> 00:39:03.840
<v Speaker 1>enough from Nash's point of view, and I get that's

820
00:39:03.960 --> 00:39:06.559
<v Speaker 1>not necessarily the point of the movie, but it is

821
00:39:06.639 --> 00:39:10.360
<v Speaker 1>the prevailing like emotional stuff you're left with from the movie.

822
00:39:10.400 --> 00:39:13.079
<v Speaker 1>You're like, oh shit, Nasha's been through a lot. They

823
00:39:13.119 --> 00:39:14.719
<v Speaker 1>don't spend a lot of time on it, and it

824
00:39:15.159 --> 00:39:17.400
<v Speaker 1>does show through when she saves him and sticks up

825
00:39:17.400 --> 00:39:20.800
<v Speaker 1>for him in these final moments. But we just needed

826
00:39:20.840 --> 00:39:22.119
<v Speaker 1>a little bit more of that as well.

827
00:39:22.199 --> 00:39:24.599
<v Speaker 2>Yeah, So the dinner scene that I was talking about earlier,

828
00:39:24.679 --> 00:39:28.599
<v Speaker 2>I loved it. He is first off's his rations have

829
00:39:28.639 --> 00:39:31.400
<v Speaker 2>been cut in half. He's barely eating. He was just

830
00:39:31.440 --> 00:39:34.639
<v Speaker 2>on an ice planet for days. Possibly he gets back

831
00:39:34.639 --> 00:39:36.400
<v Speaker 2>and he gets to have the steak dinner. The steak

832
00:39:36.440 --> 00:39:40.800
<v Speaker 2>looks disgusting, but so bad. He is just going to

833
00:39:40.800 --> 00:39:43.559
<v Speaker 2>town on it. He is eating so so much of it.

834
00:39:44.000 --> 00:39:48.199
<v Speaker 2>He gets sick from it. The physical work that Pattinson

835
00:39:48.280 --> 00:39:50.599
<v Speaker 2>is doing. In this scene where he's just throwing himself around,

836
00:39:50.679 --> 00:39:53.400
<v Speaker 2>he's throwing up, he gets a shot in the neck.

837
00:39:53.599 --> 00:39:56.840
<v Speaker 2>They're like, all right, put him of his misery. No,

838
00:39:57.039 --> 00:39:57.719
<v Speaker 2>Like he's.

839
00:39:57.880 --> 00:40:00.239
<v Speaker 1>So good in this seed then like the sign just

840
00:40:00.280 --> 00:40:03.679
<v Speaker 1>come in and so like totally. Stuff isn't always like

841
00:40:03.719 --> 00:40:05.440
<v Speaker 1>maybe what it should be. It's a little off because

842
00:40:05.440 --> 00:40:07.920
<v Speaker 1>he's trying to match these two things together and it

843
00:40:08.000 --> 00:40:10.159
<v Speaker 1>works great in some scenes. Other scenes it doesn't work.

844
00:40:10.159 --> 00:40:10.599
<v Speaker 2>I agree.

845
00:40:10.760 --> 00:40:14.920
<v Speaker 1>I like it just felt like I'm not disappointed because

846
00:40:14.920 --> 00:40:17.719
<v Speaker 1>it's a good movie. I'm just left thinking about that,

847
00:40:17.800 --> 00:40:20.639
<v Speaker 1>like his best work is gonna be much better than this,

848
00:40:20.800 --> 00:40:24.239
<v Speaker 1>Like I am. I am, like I have a desire

849
00:40:24.320 --> 00:40:26.679
<v Speaker 1>a want for something better than this, not that this

850
00:40:26.719 --> 00:40:27.159
<v Speaker 1>isn't good.

851
00:40:27.199 --> 00:40:29.280
<v Speaker 2>All right, So I'll say thirty three hot dogs. I'm

852
00:40:29.320 --> 00:40:32.199
<v Speaker 2>not sure if you have to see it in theaters,

853
00:40:32.400 --> 00:40:34.559
<v Speaker 2>but I do recommend eventually seeing it.

854
00:40:34.760 --> 00:40:37.480
<v Speaker 1>Yeah, I think I always recommend something to this level

855
00:40:37.559 --> 00:40:40.199
<v Speaker 1>of like CGI and sci fi. It's probably good to

856
00:40:40.280 --> 00:40:43.119
<v Speaker 1>see in theaters on a bigger screen with bigger sound.

857
00:40:43.119 --> 00:40:45.440
<v Speaker 2>That's because you're Sean Baker, and you're saying we need

858
00:40:45.480 --> 00:40:47.079
<v Speaker 2>to support people, we need to get in there.

859
00:40:47.119 --> 00:40:49.199
<v Speaker 1>I don't think you're gonna miss much though, if you

860
00:40:49.239 --> 00:40:50.440
<v Speaker 1>don't see this on the big screen.

861
00:40:50.440 --> 00:40:52.199
<v Speaker 2>Plus, there's no popcorn bucket for it.

862
00:40:52.679 --> 00:40:54.400
<v Speaker 1>True, you did got popcorn this time.

863
00:40:54.440 --> 00:40:56.679
<v Speaker 2>Oh, I got popcorn. I went to town on that popcorn.

864
00:40:56.880 --> 00:40:58.760
<v Speaker 1>By the way, those seats next to me were wide

865
00:40:58.760 --> 00:40:59.480
<v Speaker 1>open the whole.

866
00:40:59.320 --> 00:41:01.639
<v Speaker 2>Movie, I know, but they didn't say press. So I

867
00:41:01.639 --> 00:41:02.800
<v Speaker 2>didn't want to break the rules.

868
00:41:03.199 --> 00:41:04.360
<v Speaker 1>It was a weird experience.

869
00:41:04.440 --> 00:41:07.440
<v Speaker 2>Much like everyone on that ship. I follow the rules.

870
00:41:13.000 --> 00:41:18.079
<v Speaker 2>Let's get into Mac sach all right, So Mac, back

871
00:41:18.119 --> 00:41:21.320
<v Speaker 2>to your sac And I compared this to a movie

872
00:41:21.320 --> 00:41:23.599
<v Speaker 2>that you might just fall into on a Saturday. And

873
00:41:23.840 --> 00:41:25.960
<v Speaker 2>I am going to ask you, Mac, I have a

874
00:41:26.000 --> 00:41:29.400
<v Speaker 2>list here of movies that are well known for playing

875
00:41:29.440 --> 00:41:33.400
<v Speaker 2>on say TNT, TBS, VH one E, you know, all

876
00:41:33.440 --> 00:41:36.880
<v Speaker 2>of the big channels, Comedy Central. I'm going to ask

877
00:41:36.960 --> 00:41:39.440
<v Speaker 2>you to pull some of these out here and give

878
00:41:39.440 --> 00:41:43.159
<v Speaker 2>me either a mount Rushmore or a six pack of

879
00:41:43.199 --> 00:41:49.000
<v Speaker 2>the best cable movie television movies. I said that wrong,

880
00:41:49.800 --> 00:41:53.239
<v Speaker 2>either way, Shall I get started? So once again, not

881
00:41:53.320 --> 00:41:56.159
<v Speaker 2>the best movies, but the best four when they are

882
00:41:56.159 --> 00:41:58.719
<v Speaker 2>on cable shosh Ank Redemption.

883
00:41:59.039 --> 00:42:01.440
<v Speaker 1>Obviously you get shosh by it every time, but it

884
00:42:01.519 --> 00:42:04.599
<v Speaker 1>removes a couple of the most emotional scenes and it's

885
00:42:04.679 --> 00:42:06.960
<v Speaker 1>just too good to be a cable TV movie anything.

886
00:42:07.079 --> 00:42:08.440
<v Speaker 2>Nicholas Cage, I.

887
00:42:08.719 --> 00:42:11.199
<v Speaker 1>Would say The Rock for me. Some people might say

888
00:42:11.239 --> 00:42:14.119
<v Speaker 1>Face Off or con Air. I would go The Rock

889
00:42:14.360 --> 00:42:17.880
<v Speaker 1>is definitely on my Mount Rushmore of cable television movies.

890
00:42:18.000 --> 00:42:20.599
<v Speaker 1>Point Break, that's a good one. That's a good one. Yeah,

891
00:42:20.719 --> 00:42:23.920
<v Speaker 1>it's not on my Mount Rushmore, but it's a good one. Roadhouse, Yeah,

892
00:42:24.440 --> 00:42:26.199
<v Speaker 1>I'd say this is kind of this is kind of

893
00:42:26.239 --> 00:42:27.079
<v Speaker 1>what we're talking about here.

894
00:42:27.159 --> 00:42:29.440
<v Speaker 2>Yeah, Independence Day, that's a good one.

895
00:42:30.840 --> 00:42:33.840
<v Speaker 1>It almost seems too significant to be a cable TV movie,

896
00:42:33.880 --> 00:42:35.199
<v Speaker 1>but it feels like a good one.

897
00:42:35.280 --> 00:42:40.320
<v Speaker 2>Yeah. Miscongeniality, Yeah, okay, like a PG PG thirteen comedy

898
00:42:40.360 --> 00:42:41.599
<v Speaker 2>with a little bit of highjinks.

899
00:42:42.119 --> 00:42:43.920
<v Speaker 1>That's not necessarily what I would think of what a

900
00:42:43.920 --> 00:42:46.119
<v Speaker 1>cable TV movie, but it might qualify.

901
00:42:45.760 --> 00:42:48.239
<v Speaker 2>Because it's also a comedy that you're not gonna find, say,

902
00:42:48.239 --> 00:42:50.639
<v Speaker 2>on Comedy Central, this is one that you would find

903
00:42:50.679 --> 00:42:51.679
<v Speaker 2>on TBS or.

904
00:42:51.679 --> 00:42:55.280
<v Speaker 1>Teams A good point, strong point, Grease Come on good.

905
00:42:55.320 --> 00:42:57.159
<v Speaker 1>It's one of the greatest musicals of all time, maybe

906
00:42:57.199 --> 00:42:57.639
<v Speaker 1>the greatest.

907
00:42:57.840 --> 00:42:59.760
<v Speaker 2>It's not as good as Grease too, any of the

908
00:42:59.760 --> 00:43:05.039
<v Speaker 2>Miss Impossibles. The first three really do feel like cable movies,

909
00:43:05.119 --> 00:43:06.679
<v Speaker 2>right yeah.

910
00:43:06.320 --> 00:43:08.920
<v Speaker 1>Yeah, that's a good point, But I don't love the

911
00:43:08.960 --> 00:43:11.360
<v Speaker 1>third one is where it kicks up with Phil Seemour Hoffman.

912
00:43:11.599 --> 00:43:13.559
<v Speaker 1>That's where it maybe kicks up. Maybe you throw that

913
00:43:13.599 --> 00:43:16.360
<v Speaker 1>one in here, but the yeah, okay, yeah, I'd be

914
00:43:16.400 --> 00:43:16.719
<v Speaker 1>okay with.

915
00:43:16.760 --> 00:43:18.800
<v Speaker 2>Picking one of those, the Ocean's trilogy.

916
00:43:19.079 --> 00:43:24.239
<v Speaker 1>I would just say a Sodaberg like movie, a movie

917
00:43:24.440 --> 00:43:28.800
<v Speaker 1>like The Ocean's movies might qualify. Let's say Ocean's Oceans twelve.

918
00:43:28.880 --> 00:43:31.000
<v Speaker 1>How about the sequel? So I got the Rock and

919
00:43:31.119 --> 00:43:31.920
<v Speaker 1>Ocean's twelve.

920
00:43:32.039 --> 00:43:34.079
<v Speaker 2>Okay, so you do have two on your mountain Rushmore.

921
00:43:34.280 --> 00:43:36.440
<v Speaker 2>The next one I almost don't even want to count.

922
00:43:36.840 --> 00:43:40.239
<v Speaker 2>Indiana Jones feels the most out of the franchise. Is

923
00:43:40.360 --> 00:43:42.960
<v Speaker 2>like it's one of those cable movies, but you have

924
00:43:43.000 --> 00:43:47.039
<v Speaker 2>Star Wars that are constantly running in their marathons, Harry Potter,

925
00:43:47.239 --> 00:43:51.519
<v Speaker 2>Marvel movies where you know, we love Marvel, but they've

926
00:43:51.639 --> 00:43:55.239
<v Speaker 2>kind of killed the cable movie, right, Yeah.

927
00:43:55.039 --> 00:43:58.239
<v Speaker 1>This is tough because they are constantly on cable television.

928
00:43:58.760 --> 00:44:02.440
<v Speaker 1>But it's it's it's just it's not at all what

929
00:44:02.519 --> 00:44:03.280
<v Speaker 1>I'm considering.

930
00:44:03.400 --> 00:44:06.519
<v Speaker 2>No, but also because they're constantly playing these movies, they

931
00:44:06.519 --> 00:44:09.480
<v Speaker 2>aren't playing say like Blackhawk Down anymore.

932
00:44:09.480 --> 00:44:16.000
<v Speaker 1>Right right, Speed Speed's a good one. Speeds are I

933
00:44:16.039 --> 00:44:18.599
<v Speaker 1>feel like that. I feel like the range maybe because

934
00:44:18.639 --> 00:44:21.920
<v Speaker 1>of us, but also because of cable TV is late

935
00:44:22.000 --> 00:44:26.639
<v Speaker 1>eighties to early two thousands, like solid action movies. Maybe

936
00:44:26.679 --> 00:44:28.679
<v Speaker 1>your miscongenialities with some comedy too.

937
00:44:28.920 --> 00:44:29.599
<v Speaker 2>Caddy Shack.

938
00:44:30.079 --> 00:44:31.280
<v Speaker 1>I just don't like caddies.

939
00:44:31.360 --> 00:44:33.480
<v Speaker 2>You're stupid, You're dumb. You just don't get the humor.

940
00:44:33.519 --> 00:44:34.679
<v Speaker 2>It's over your head.

941
00:44:35.599 --> 00:44:39.280
<v Speaker 1>Forrest Gump, now this is a good one because it's

942
00:44:39.320 --> 00:44:42.960
<v Speaker 1>not nearly as good as Shas Shank, but it's also

943
00:44:43.159 --> 00:44:48.199
<v Speaker 1>like maybe it's I mean, is it better than cable

944
00:44:48.239 --> 00:44:48.800
<v Speaker 1>TV quality?

945
00:44:48.800 --> 00:44:50.719
<v Speaker 2>I don't know. No, So first off, these are all

946
00:44:50.760 --> 00:44:54.239
<v Speaker 2>better than cable TV quality. It's just a movie that

947
00:44:54.320 --> 00:44:58.199
<v Speaker 2>you always find on cable TV. Is a good one

948
00:44:58.239 --> 00:45:00.880
<v Speaker 2>because Forrest Gump is also one that, like when it's on,

949
00:45:00.920 --> 00:45:03.760
<v Speaker 2>you'll just pick up at different like random points and like,

950
00:45:03.800 --> 00:45:05.679
<v Speaker 2>all right, fucking I'll just watch Forrest Gump.

951
00:45:05.480 --> 00:45:07.960
<v Speaker 1>Fororst Gump might be on there, yeah, because it's also

952
00:45:08.119 --> 00:45:10.639
<v Speaker 1>like it has so many detractors too, that it's kind

953
00:45:10.639 --> 00:45:13.840
<v Speaker 1>of it gets knocked down a couple couple runs. So maybe, yeah, maybe.

954
00:45:13.639 --> 00:45:15.280
<v Speaker 2>Forrest Gump House Party that was.

955
00:45:15.360 --> 00:45:19.199
<v Speaker 1>Party's a good one. Okay, maybe maybe more like Friday

956
00:45:19.320 --> 00:45:21.199
<v Speaker 1>kind of, but then you're getting into like they cut

957
00:45:21.199 --> 00:45:23.159
<v Speaker 1>out some of the best scenes of the movie. Friday's

958
00:45:23.159 --> 00:45:27.239
<v Speaker 1>another good one. Joe Dirt, Ah, Joe Dirt's just almost

959
00:45:27.320 --> 00:45:29.639
<v Speaker 1>not good enough. It used to be on Comedy Central

960
00:45:29.920 --> 00:45:32.440
<v Speaker 1>so much. I love Joe Dirt. Do I have Joe

961
00:45:32.480 --> 00:45:33.199
<v Speaker 1>Dirt behind me?

962
00:45:33.239 --> 00:45:33.639
<v Speaker 2>I might?

963
00:45:33.800 --> 00:45:36.119
<v Speaker 1>Actually, Joe Dirt would not be up there for me.

964
00:45:36.400 --> 00:45:39.199
<v Speaker 1>Off of Space, Off Space is a good one. That's

965
00:45:39.239 --> 00:45:41.400
<v Speaker 1>a good one. And that's sort of that late nineties

966
00:45:41.400 --> 00:45:44.199
<v Speaker 1>early two thousands comedy that didn't quite do well at

967
00:45:44.199 --> 00:45:46.079
<v Speaker 1>all in the theater too, So that's a pretty good one.

968
00:45:46.159 --> 00:45:48.239
<v Speaker 2>The next one you better have on there, and that

969
00:45:48.440 --> 00:45:49.679
<v Speaker 2>is The Rush Hours.

970
00:45:50.039 --> 00:45:52.920
<v Speaker 1>I feel like those are almost two good but you're

971
00:45:53.000 --> 00:45:55.519
<v Speaker 1>right they are. They played on cable constantly when we

972
00:45:55.519 --> 00:45:56.000
<v Speaker 1>were grown up.

973
00:45:56.039 --> 00:45:59.239
<v Speaker 2>They like wouldn't only play on like the action networks.

974
00:45:59.239 --> 00:46:01.920
<v Speaker 2>They wouldn't just play on Spike TV. They would also

975
00:46:01.960 --> 00:46:03.119
<v Speaker 2>be on Comedy Central.

976
00:46:03.360 --> 00:46:04.280
<v Speaker 1>Yeah, crossover.

977
00:46:04.559 --> 00:46:08.599
<v Speaker 2>The crossover appeal is through the roof. Like earlier, when

978
00:46:08.639 --> 00:46:10.480
<v Speaker 2>I was when I was doing my research for this,

979
00:46:10.639 --> 00:46:14.559
<v Speaker 2>I saw that I saw that drum line played in

980
00:46:14.639 --> 00:46:19.199
<v Speaker 2>the year twenty twenty twenty eight times on VH one,

981
00:46:20.000 --> 00:46:20.760
<v Speaker 2>just VH one.

982
00:46:21.039 --> 00:46:23.079
<v Speaker 1>That's all like once every other week.

983
00:46:23.239 --> 00:46:26.760
<v Speaker 2>That's a lot. If you think about it, your you aren't.

984
00:46:26.960 --> 00:46:28.639
<v Speaker 2>You're playing drum line a lot.

985
00:46:29.000 --> 00:46:31.320
<v Speaker 1>Give me drumline on Tuesdays and Thursdays.

986
00:46:31.960 --> 00:46:34.119
<v Speaker 2>Coyote Ugly, that's a solid one.

987
00:46:34.159 --> 00:46:35.679
<v Speaker 1>That movie just kind of sucks.

988
00:46:35.400 --> 00:46:38.679
<v Speaker 2>Though, speaking of being disappointed by a movie when you're

989
00:46:38.719 --> 00:46:41.280
<v Speaker 2>telling eleven twelve years old and you see the commercials

990
00:46:41.280 --> 00:46:43.119
<v Speaker 2>for Coyote Ugly and you say, I am going to

991
00:46:43.159 --> 00:46:45.000
<v Speaker 2>have myself at time with Coyote.

992
00:46:44.639 --> 00:46:48.360
<v Speaker 1>J Iira Banks, these other people, A few good Men.

993
00:46:49.039 --> 00:46:49.960
<v Speaker 1>That's way too good.

994
00:46:50.599 --> 00:46:54.719
<v Speaker 2>That was always on though it was it was always on.

995
00:46:54.920 --> 00:46:56.519
<v Speaker 2>Same thing with Saving Private Ryan.

996
00:46:56.880 --> 00:46:58.159
<v Speaker 1>Yeah, also way too good.

997
00:46:58.400 --> 00:47:04.199
<v Speaker 2>Jumanji Original one nineteen ninety five. Obviously Jamuji and Jamiji

998
00:47:04.239 --> 00:47:07.960
<v Speaker 2>is a good one. Terminator one two three eventually got

999
00:47:07.960 --> 00:47:08.400
<v Speaker 2>on there.

1000
00:47:08.519 --> 00:47:10.760
<v Speaker 1>Yeah, those were constantly playing as well. But I feel like,

1001
00:47:10.960 --> 00:47:13.280
<v Speaker 1>that's too good. I'm thinking about it. So if I

1002
00:47:13.280 --> 00:47:14.920
<v Speaker 1>had to make a Mount Rushmore.

1003
00:47:14.599 --> 00:47:17.119
<v Speaker 2>Oh, by the way, you can add Shooter and water

1004
00:47:17.159 --> 00:47:17.920
<v Speaker 2>World if you want.

1005
00:47:18.039 --> 00:47:20.840
<v Speaker 1>Yeah, give me the good point, give me the Rock,

1006
00:47:21.199 --> 00:47:26.119
<v Speaker 1>give me Shooter, give me water World, and give me miscongeniality.

1007
00:47:26.400 --> 00:47:28.679
<v Speaker 1>I may go Gump, but give me one. Give me

1008
00:47:28.719 --> 00:47:31.639
<v Speaker 1>something from the Ocean's Trilogy for okay. So that is

1009
00:47:31.679 --> 00:47:34.360
<v Speaker 1>your Mount Rushmore. Of when you're going through the cable

1010
00:47:34.440 --> 00:47:36.639
<v Speaker 1>channels the movie is on. You know that some of

1011
00:47:36.639 --> 00:47:38.639
<v Speaker 1>the stuff is cut out. You know that there's commercials,

1012
00:47:38.639 --> 00:47:42.199
<v Speaker 1>and you're gonna stop and watch. Yeah, and look about you.

1013
00:47:42.599 --> 00:47:45.960
<v Speaker 2>I'll go, uh, a Nicholas Cage movie. I will say,

1014
00:47:46.960 --> 00:47:49.480
<v Speaker 2>can now face off? I want face off? I will

1015
00:47:49.480 --> 00:47:52.199
<v Speaker 2>say misking geniality. It was always on and I would

1016
00:47:52.199 --> 00:47:56.599
<v Speaker 2>always stop and watch it. I will say Joe Dirt,

1017
00:47:56.800 --> 00:48:00.199
<v Speaker 2>I love Joe Dirt, all right, A stab you the

1018
00:48:00.239 --> 00:48:03.440
<v Speaker 2>neck with a soder and iron. You forget the Christopher

1019
00:48:03.480 --> 00:48:06.559
<v Speaker 2>Walkins in that movie. I love Brittany Daniel, Brittany Daniel

1020
00:48:06.599 --> 00:48:12.239
<v Speaker 2>and Jamie Presley. Yeah, and then uh, what was always

1021
00:48:12.320 --> 00:48:13.920
<v Speaker 2>on that I would always watch?

1022
00:48:14.199 --> 00:48:17.320
<v Speaker 1>I'm I just put office space. Can I take an

1023
00:48:17.320 --> 00:48:19.159
<v Speaker 1>ocean out and put an office space for my form.

1024
00:48:19.239 --> 00:48:20.760
<v Speaker 2>You can put in office space that way, you have

1025
00:48:20.800 --> 00:48:24.480
<v Speaker 2>a comedy. Shit, what else would I put in there?

1026
00:48:25.079 --> 00:48:29.199
<v Speaker 2>M it's Pat. It's Pat. Was never on a Night

1027
00:48:29.239 --> 00:48:31.440
<v Speaker 2>at the Roxbury. A Night at the Roxbury. I just

1028
00:48:31.480 --> 00:48:34.079
<v Speaker 2>caught on the National Lampoon channel. And I do want

1029
00:48:34.079 --> 00:48:36.800
<v Speaker 2>to give you credit. You said that Molly Shannon in

1030
00:48:36.840 --> 00:48:39.079
<v Speaker 2>the late nineties was a nice looking lady. And you

1031
00:48:39.119 --> 00:48:41.280
<v Speaker 2>know what that movie she looks great. She does look

1032
00:48:41.360 --> 00:48:45.400
<v Speaker 2>very good. I also I forgot it's not a good movie.

1033
00:48:45.920 --> 00:48:48.960
<v Speaker 2>It's funny, though it is funny. You know who's very

1034
00:48:48.960 --> 00:48:52.400
<v Speaker 2>good in it? Uh? Dan Isaiah. He plays the father

1035
00:48:52.480 --> 00:48:53.280
<v Speaker 2>of the Bhutabs.

1036
00:48:53.719 --> 00:48:55.840
<v Speaker 1>When's the last time you watched Corky Romana.

1037
00:48:56.000 --> 00:48:57.960
<v Speaker 2>I haven't seen it in quite some time. But you

1038
00:48:58.159 --> 00:49:03.159
<v Speaker 2>guys want some cookies East that's very good. But there's

1039
00:49:03.199 --> 00:49:05.400
<v Speaker 2>a part in a Night at the Roxbury which I

1040
00:49:05.400 --> 00:49:09.079
<v Speaker 2>guess I'll just put on here. Who cares? But where

1041
00:49:09.880 --> 00:49:13.480
<v Speaker 2>Dan Isaiah is asking Will Ferrell how he's feeling on

1042
00:49:13.559 --> 00:49:16.519
<v Speaker 2>the day before his wedding, and he's like, you ever

1043
00:49:16.599 --> 00:49:19.519
<v Speaker 2>just feel like when she's sleeping you want to smother

1044
00:49:19.559 --> 00:49:22.079
<v Speaker 2>her with the pillow and just wait until the last

1045
00:49:22.199 --> 00:49:25.679
<v Speaker 2>dying breath is just leaving her body. And Dan Isaiah

1046
00:49:25.719 --> 00:49:30.159
<v Speaker 2>is like, that's perfectly normal. Maybe I didn't deliver it

1047
00:49:30.159 --> 00:49:32.480
<v Speaker 2>as well as he did, but I like it because

1048
00:49:32.519 --> 00:49:35.000
<v Speaker 2>he's a very concerned look on his face the entire time.

1049
00:49:35.000 --> 00:49:38.039
<v Speaker 2>Will Ferrell is talking to him.

1050
00:49:38.159 --> 00:49:40.639
<v Speaker 1>What's the divorce rate like in the world these days?

1051
00:49:40.679 --> 00:49:43.440
<v Speaker 1>That's I feel like that's a that was a sentiment

1052
00:49:43.639 --> 00:49:45.519
<v Speaker 1>by a lot of people over the last twenty years.

1053
00:49:45.559 --> 00:49:48.400
<v Speaker 1>So they'd like to smother their significant other just until

1054
00:49:48.719 --> 00:49:51.000
<v Speaker 1>the break of death, the point of death, and they'll

1055
00:49:51.039 --> 00:49:51.400
<v Speaker 1>let it go.

1056
00:49:51.639 --> 00:49:55.000
<v Speaker 2>Dan Hudeia, it's Dan Hudaya, not Haseia, by the way, Okay,

1057
00:49:55.599 --> 00:49:58.280
<v Speaker 2>he is one of those unsung heroes of the nineties.

1058
00:49:58.679 --> 00:50:00.840
<v Speaker 2>They pop of it everyone once in a while, and

1059
00:50:00.880 --> 00:50:03.119
<v Speaker 2>he would he would just play his role. He'd just

1060
00:50:03.159 --> 00:50:07.880
<v Speaker 2>do his look at him and now clueless, who shares dad, Dan.

1061
00:50:07.760 --> 00:50:09.880
<v Speaker 1>Hud Hey, that's a good one for.

1062
00:50:11.440 --> 00:50:14.280
<v Speaker 2>Wasn't really that wasn't really a cable like I'll run.

1063
00:50:14.239 --> 00:50:17.599
<v Speaker 1>Paul Rudd, Alicia Silverstone, Murphy.

1064
00:50:17.639 --> 00:50:19.599
<v Speaker 2>Can I count Blast from the Past or was that

1065
00:50:19.679 --> 00:50:20.679
<v Speaker 2>not on cable enough?

1066
00:50:21.039 --> 00:50:23.599
<v Speaker 1>Is that? Brendan Fraser Frasier Crazier.

1067
00:50:23.679 --> 00:50:25.159
<v Speaker 2>Sorry, Alicia Silverstone?

1068
00:50:25.800 --> 00:50:26.599
<v Speaker 1>Could I count?

1069
00:50:27.440 --> 00:50:30.599
<v Speaker 2>We just start going back and forth our dumb favorite

1070
00:50:30.599 --> 00:50:31.519
<v Speaker 2>movies from that time.

1071
00:50:32.199 --> 00:50:35.000
<v Speaker 1>Could I count the music video by Oxmith? I don't

1072
00:50:35.000 --> 00:50:37.360
<v Speaker 1>want to miss a thing with Alicia Silverstone and Live Tyler?

1073
00:50:37.599 --> 00:50:38.239
<v Speaker 1>Does that count?

1074
00:50:38.320 --> 00:50:41.679
<v Speaker 2>Can I count the the TLC video Red Light Special?

1075
00:50:45.119 --> 00:50:48.119
<v Speaker 2>What else we got? Monkey Bone? Want to count? Monkey Bone?

1076
00:50:48.360 --> 00:50:48.760
<v Speaker 1>Okay?

1077
00:50:48.800 --> 00:50:51.880
<v Speaker 2>All right, okay? Podcast? Once you mentioned monkey Bone, the

1078
00:50:51.920 --> 00:50:54.360
<v Speaker 2>podcast is done. That's a rule he reached.

1079
00:50:54.599 --> 00:50:59.079
<v Speaker 1>That's it. You can find us on Twitter and Instagram,

1080
00:50:59.119 --> 00:51:04.880
<v Speaker 1>at mcgoof, at macagoo podcast, every other platform. That's a

1081
00:51:04.880 --> 00:51:06.519
<v Speaker 1>good one. The mummies got a good one, right there.

1082
00:51:06.519 --> 00:51:07.239
<v Speaker 2>Go ahead, keep on.

1083
00:51:07.519 --> 00:51:11.039
<v Speaker 1>Very good Maxtra seven Goo That includes Facebook, s, Ditch Tuning, Cashbucks, Breaker,

1084
00:51:11.119 --> 00:51:15.360
<v Speaker 1>Google Play, iHeartRadio. We're on Spotify. More importantly, we're on

1085
00:51:15.400 --> 00:51:17.559
<v Speaker 1>Apple Podcast. Get on there, rate review, subscribe five stars.

1086
00:51:17.559 --> 00:51:18.719
<v Speaker 1>If we do that, we'll get your free mac and

1087
00:51:18.719 --> 00:51:21.119
<v Speaker 1>Gooo T shirt from the folks over at watertown Sportswear

1088
00:51:21.119 --> 00:51:23.840
<v Speaker 1>Wattertown Sportswear on thirty four mon OUVM Street in Watertown.

1089
00:51:24.039 --> 00:51:27.960
<v Speaker 1>Watertown Sportswear dot com experts screenprinting and embroidery.

1090
00:51:27.639 --> 00:51:29.679
<v Speaker 2>I think we covered all of the movies that are

1091
00:51:29.679 --> 00:51:32.039
<v Speaker 2>behind the Mummy was a good late edition. The Mummy is.

1092
00:51:32.559 --> 00:51:36.559
<v Speaker 2>I have such fond memories of driving to Canada in

1093
00:51:36.639 --> 00:51:39.280
<v Speaker 2>a giant bus with our with our hockey team and

1094
00:51:39.320 --> 00:51:42.639
<v Speaker 2>watching the Money. Yeah, because that was a movie for

1095
00:51:42.719 --> 00:51:43.519
<v Speaker 2>the whole family.

1096
00:51:43.760 --> 00:51:46.079
<v Speaker 1>It also gave us Rachel Weiss in like a corsette,

1097
00:51:46.239 --> 00:51:46.639
<v Speaker 1>you know.

1098
00:51:46.840 --> 00:51:48.480
<v Speaker 2>And bugs that would crawl into your skin.

1099
00:51:48.880 --> 00:51:50.400
<v Speaker 1>Yeah, into our sarcopha guy.

1100
00:51:50.559 --> 00:51:58.199
<v Speaker 2>Yeah. Tepublic dot com merch check us out on Monday

1101
00:51:58.440 --> 00:52:02.599
<v Speaker 2>Wheel or Goosday. Sorry we don't those aren't days. Goos Day.

1102
00:52:02.679 --> 00:52:05.159
<v Speaker 2>We'll be doing a news dump on that day, and

1103
00:52:05.239 --> 00:52:09.079
<v Speaker 2>I think that we might have a March macnus ready

1104
00:52:09.480 --> 00:52:13.079
<v Speaker 2>for next week. Tuesdays are Goos Days. I abuse Kangaroos,

1105
00:52:13.360 --> 00:52:23.599
<v Speaker 2>Tim Burton, Bye. Please flip the cassette over to side

1106
00:52:23.599 --> 00:52:26.079
<v Speaker 2>B to continue the adventure. Now it's signed for girls

1107
00:52:26.159 --> 00:52:27.400
<v Speaker 2>jumping on trampolines.