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<v Speaker 1>Unsolved Mysteries.

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<v Speaker 2>Tonight's unsolved mystery is made in that land of many mysteries, India,

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<v Speaker 2>where squalorant wealth side by side all the head and

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<v Speaker 2>bends the neat oft strange gods. India, where every bazaar,

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<v Speaker 2>every temple, every compound has its fakir or holy man,

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<v Speaker 2>a sort of privileged beggar whom white men and black

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<v Speaker 2>alike fear more.

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<v Speaker 1>Than they admit.

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<v Speaker 3>Some students at sixteen.

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<v Speaker 2>The scene is the United Services Club in Simla. Officers

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<v Speaker 2>in their stiffly started tropical mess dress sit around the veranda,

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<v Speaker 2>cooling off under a waving punker, while barefooted native servants

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<v Speaker 2>carry trays of glasses which resound to the musical and

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<v Speaker 2>appetizing tinkle of tubes of ice.

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<v Speaker 1>To Colonel, I'll say this for India, you certainly know

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<v Speaker 1>how to make yourself comfortable. We have to, Bucklin. If

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<v Speaker 1>we didn't, we wouldn't be able to stick it out

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<v Speaker 1>in the heart Sedn'. But tell me, Bucklay, what exactly

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<v Speaker 1>did you mean when you said I'll say this or

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<v Speaker 1>indoe nothing in particular, Colonel. Of course, you fellows don't

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<v Speaker 1>realize it, so you're always prefacing a remark or following

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<v Speaker 1>it with but this is India. Well, well, I mean

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<v Speaker 1>it's all right, the stuff folks back home with all

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<v Speaker 1>the time it wrought about India's low, in India's mystery,

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<v Speaker 1>and it couldn't happen any place else for India, but

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<v Speaker 1>alf for all you know, and they just hear just

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<v Speaker 1>ordinary human beings, no different from any place else. Listen, Bucklyn,

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<v Speaker 1>you'll be out here exact four months now. You will

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<v Speaker 1>at otherwise, never cercinated, never laugh at his fears, never

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<v Speaker 1>ridicule his ideas, and above all, don't try to show

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<v Speaker 1>your superiority by trying to expose one of their Sakias.

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<v Speaker 1>You actually mean, colonel, that you believe in their superstitious

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<v Speaker 1>bunk Lesson, Buckling, I like you pull your chair over

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<v Speaker 1>this way a little and I'll tell you something. A

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<v Speaker 1>good number of years ago I was promoted to captain.

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<v Speaker 1>I had three months three even England. I was young,

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<v Speaker 1>very proud of my captain's trips. I fell in love

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<v Speaker 1>with every pretty girl I saw back home. Well, I

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<v Speaker 1>fell hard for a school day sweetheart. We were married,

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<v Speaker 1>and doroth and Is sale on the piano had a

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<v Speaker 1>marvelous trip, landed a Bombay, and I found orders waiting

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<v Speaker 1>for me to proceed on duty of Bangalore. I war

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<v Speaker 1>lau sing my bear and told him to get everything ready,

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<v Speaker 1>caught the train and just at dust we pulled up

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<v Speaker 1>at my quarters. Rejingish Captain chaid cheerio lelsing low sing.

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<v Speaker 1>Here's the new men's side. The heavent is holed, and this,

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<v Speaker 1>darling is what we call the living room. And in

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<v Speaker 1>there behind the bead captain in the combination's smoking room,

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<v Speaker 1>then library, card room and general for to get together

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<v Speaker 1>place books, books and more books.

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<v Speaker 4>I'm going to spend hours in there when you're own music. Oh,

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<v Speaker 4>in the complete stead of kipling is.

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<v Speaker 1>And anything you want it isn't there? Why just ask

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<v Speaker 1>for why, Dorothy? What's wrong?

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<v Speaker 4>But Georgia, I'm straight sending came over me what I

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<v Speaker 4>don't know? It seems as if someone you're trying to

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<v Speaker 4>compel me to do something, I'd go cold all over afraid.

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<v Speaker 1>Look, George, is that out there.

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<v Speaker 4>On the counpound in front of that clump of camerist.

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<v Speaker 1>Well, oh oh the old fact. Yeah, he hangs around

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<v Speaker 1>here quite a bit.

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<v Speaker 4>Calm send him away. She's doing this to me, I know,

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<v Speaker 4>he is.

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<v Speaker 1>Oh, my dear, your time.

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<v Speaker 4>Please George, send him away. I can't spend him, you

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<v Speaker 4>can't see him.

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<v Speaker 1>But Dorothy, I can't do that. I can't send him

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<v Speaker 1>a wall.

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<v Speaker 4>Why can't you? Why can't you tell someone to get

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<v Speaker 4>off your own ground?

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<v Speaker 1>Well, it's a little bit hard to understand, Dorothy a

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<v Speaker 1>stranger here, but one doesn't order facias to do anything.

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<v Speaker 1>It's well, the natives will be afraid that it might concurse.

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<v Speaker 1>I'm the natives dislife. You can offer that and my

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<v Speaker 1>fear of him, My dear, listen to reasons. Weare in

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<v Speaker 1>India now. I'm not jolly old England, you know, but

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<v Speaker 1>we must do things that acording to the.

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<v Speaker 4>Country and telling it dirty, smelly nakey to get off

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<v Speaker 4>your own properties against the custom of the country.

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<v Speaker 1>Is it by job? Yes? You know it really isn't done,

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<v Speaker 1>don't you see? Yes, sir? Oh, yes, sir? Oh too bad? Oh, yes,

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<v Speaker 1>of course. As soon as I can slip into service

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<v Speaker 1>dogs bye, yes, so right, Oh, I won't bother to change.

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<v Speaker 1>Oh tub it down with a touch of fever. I'd

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<v Speaker 1>have to say, guard dude it tonight, sing yes short

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<v Speaker 1>and service cap.

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<v Speaker 4>Oh George, I don't want to be left alone.

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<v Speaker 1>Oh no, my dearest low sing and I met in

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<v Speaker 1>the compound, and the best in the water carry a

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<v Speaker 1>sleeps all night on the rain. Oh she didn't have

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<v Speaker 1>to go. It's got to help out when the chap

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<v Speaker 1>goes down with severa don't you know? Fie in my

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<v Speaker 1>turn someday? Oh jo, goodbye, let me see.

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<v Speaker 4>Oh here's kiplings at the end of the passage.

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<v Speaker 1>That ought to be a good test for nerves.

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<v Speaker 4>Time, yes, lessin. Oh you is that here?

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<v Speaker 1>What do you want out? You know?

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<v Speaker 4>I come into this room.

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<v Speaker 1>The membership does not like Wilder Sam.

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<v Speaker 4>No, no, no, I don't I don't want you nares

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<v Speaker 4>now go, I'll call using.

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<v Speaker 1>Seeing a simple child. He would not dare enter the

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<v Speaker 1>room while I sa beg is busy. Will you please go?

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<v Speaker 1>And the memsibe is given to be the thing which

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<v Speaker 1>I desire.

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<v Speaker 4>What do you want? I'll give you anything to get

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<v Speaker 4>you out of here.

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<v Speaker 1>Some beg one solidly. One stand of the memside hair, No.

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<v Speaker 4>More one stands my hair.

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<v Speaker 1>Who as for the members, I would not understand. It

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<v Speaker 1>is for a charm, a charm for my nephew who

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<v Speaker 1>is in the ill country and very sick.

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<v Speaker 4>All right, I'll give you a stand my hair.

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<v Speaker 2>God brand the memsibe is very kind older I tam

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<v Speaker 2>will not forget.

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<v Speaker 4>I wait on the I'm not being kind. I'm doing

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<v Speaker 4>it to get rid of your spicuous idea. Stand my hair.

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<v Speaker 4>I'd like to make a fool of him and his charms.

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<v Speaker 4>And I can't do Chinese rug. It's made of hairs

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<v Speaker 4>almost the identical color of mine. I get a stand. Yes,

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<v Speaker 4>here's your standing here all.

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<v Speaker 1>The sun, Thank you the men, time, and now for

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<v Speaker 1>the present. Goodbye, Thank goodness.

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<v Speaker 4>He's gone. I wonder where Nelson can be. I didn't

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<v Speaker 4>if you just tuck here out of the bungalow nel.

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<v Speaker 1>Sing no answer?

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<v Speaker 4>What can have happened?

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<v Speaker 2>Well?

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<v Speaker 1>Sing now, sing where are you? Something's wrong? I know

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<v Speaker 1>it is? Well?

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<v Speaker 4>Sing what you're going around?

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<v Speaker 1>Turning black?

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<v Speaker 4>The clock is biling happy then spinning so fast makes

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<v Speaker 4>me dizzy?

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<v Speaker 1>Disney mm hmm, how about thing? Not it? Dothy? Where

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<v Speaker 1>are you?

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<v Speaker 5>Oh?

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<v Speaker 1>Good God? She's say you're allow thing helping and lift

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<v Speaker 1>her onto widow coach side that easy way.

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<v Speaker 4>What happens?

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<v Speaker 1>Oh George, tell me if you can, what happened?

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<v Speaker 3>Why did you come back?

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<v Speaker 1>That thing ran down to the backs for me when

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<v Speaker 1>he saw the facia come out of the randa.

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<v Speaker 4>Why didn't this change of me?

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<v Speaker 1>He couldn't raise his handycakes of fact here, my dear,

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<v Speaker 1>but never mind. Tell me what happened, Teck, you came

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<v Speaker 1>in here.

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<v Speaker 4>They wouldn't leave till I gave him his chand in

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<v Speaker 4>my hair.

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<v Speaker 1>You gave him one.

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<v Speaker 4>No, I didn't have food him. I gave him as

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<v Speaker 4>trent And that Chinese rug in the other room.

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<v Speaker 1>Oh that's a cop, darling, that's sticking on your feet.

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<v Speaker 4>What could he want with this tand in my hair?

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<v Speaker 1>I don't know, but this I do know. When I

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<v Speaker 1>lay hand on.

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<v Speaker 4>Hand about the natives idea, you can't even touch a sacre,

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<v Speaker 4>you know, can't I?

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<v Speaker 1>Who? Just wait and see what I can. That's it's

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<v Speaker 1>all right, my dear. Something in the back group held down.

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<v Speaker 3>But I know it isn't a life.

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<v Speaker 4>I've got that horrible feeling again. Look at a passage,

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<v Speaker 4>something moving rising, two things.

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<v Speaker 1>I got my gun out. Don't paint when I saw

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<v Speaker 1>Tell me you didn't touch it, but I know I

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<v Speaker 1>hit it. Good.

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<v Speaker 5>Joy is starting out on the veranda it's a Chinese

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<v Speaker 5>run right to the misquito curtain that cast it by

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<v Speaker 5>me nothing, I'm funny jelly. That isn't Okay's is on

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<v Speaker 5>the ground, just in front of a timbers rising on

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<v Speaker 5>the ground.

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<v Speaker 1>Chose the love.

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<v Speaker 4>I can't believe it.

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<v Speaker 1>It's impossible, No, my dear, not impossible, not impossible. It

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<v Speaker 1>is a Chinese rug shibe two bullet holes in it.

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<v Speaker 1>He shaved him Sive's life. Yes, love the Chinese rug,

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<v Speaker 1>and it saved more than a memsived life. Well, that

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<v Speaker 1>is an amazing Sorry that major happened to Dorothy and me.

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<v Speaker 1>We never talk of it, but you see, old Jep

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<v Speaker 1>I never sneered it native beliefs. But Colonel, you didn't

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<v Speaker 1>finish our story. What do you mean? What about the

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<v Speaker 1>part here? Did you horse hi him? I didn't have to.

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<v Speaker 2>No.

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<v Speaker 1>No, next morning lau Thing came and got me. We

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<v Speaker 1>went out into compound and they're right in front of

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<v Speaker 1>that camp of camerisk wrapped in the tangling phold of

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<v Speaker 1>the Chinese rug. Bad the old Sakir dead.

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<v Speaker 2>Out of deference to people who are still alive, character

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<v Speaker 2>names in these unsolved mysteries have been changed inasmuch as

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<v Speaker 2>any solution must of necessity be supposition. Liberties of time, place,

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<v Speaker 2>and character exist in the solution that will be presented

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<v Speaker 2>after you've heard from your a sponsors, ladies and gentlemen,

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<v Speaker 2>the solution for what you have been waiting.

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<v Speaker 1>But tell me, colonel, didn't you ever try to find

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<v Speaker 1>out how such a thing could be possible? You understand,

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<v Speaker 1>of course that workers in black magic, whether they be

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<v Speaker 1>in Hiti Ethic or a India, believe it's something personal.

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<v Speaker 1>The strand of hair, fingernail clipping, and such light are

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<v Speaker 1>an essentially breed into the formula. They're black art and

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<v Speaker 1>your wife Dorothy, and taking the strand of hair from

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<v Speaker 1>the Chinese rug and giving that to the park here,

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<v Speaker 1>but then his powers from controlling her exactly, all the concentration,

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<v Speaker 1>all the pent up sority, the hatred and diabolical cunning,

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<v Speaker 1>at the factia what leveled at the object most totally

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<v Speaker 1>connected with that strand of hair. I can understand that,

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<v Speaker 1>and I can understand, since you say it so, that

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<v Speaker 1>Sapaskia might have unharmed Dorothy, who is a living being.

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<v Speaker 1>But that such power could really affect a thing like

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<v Speaker 1>a rug is something else again, scientists are divided in

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<v Speaker 1>their opinion as to how such things are possible. But

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<v Speaker 1>here let me show you a brief quotation from the

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<v Speaker 1>Encyclopedia Britannica. Physical phenomena can be grouped under two main

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<v Speaker 1>hits telican nieces or the movement of objects at a

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<v Speaker 1>distance other than by ordinary physical means and tell it

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<v Speaker 1>pleas me or the extrusion from the body of the

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<v Speaker 1>medium of a substance, sometimes amorphous, sometimes resembling portions of

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<v Speaker 1>the human body, or even complete figures. Phenomena of both

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<v Speaker 1>these kinds have long been familiar, and end the quotation,

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<v Speaker 1>then telicnesis the movement of an object is recognized by

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<v Speaker 1>scientists as being possible, decidedly so. And I can assure

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<v Speaker 1>you that if you'll live in India long enough, you

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<v Speaker 1>will see more than one demonstration of the power of

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<v Speaker 1>concentrated mind over purely inanimate matter. Thank you, colonel but

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<v Speaker 1>Rat for hearing your story. I really don't believe that

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<v Speaker 1>I want to