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Speaker 1: Today is a Saturday, January ten, twenty twenty six, and

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I am not alone.

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Speaker 2: That was this where we say something here.

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Speaker 1: Not quite.

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Speaker 3: Morning.

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Speaker 1: That's funny. That's never happened before.

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Speaker 3: That's never happened.

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Speaker 1: Oh I like that though. That was cool. Jenny is here,

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of course at the news table. Yes, present, accounted for

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or as I heard Polly c refer to it on

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Retrospectrum Radio last night, the news tray, the news, the

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news track. I see that I was not. I was

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not here last night for Paul's show. I was not

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feeling well, so I took the night off. But feeling better.

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So here we are and joining us right now live

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in studio. We've got the guys from Sick Dude.

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Speaker 2: Hell yeah, is this where we say.

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Speaker 1: This is where you are free, You are free to.

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Speaker 2: Thank you so much for having us back. This is awesome.

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Speaker 1: Absolutely absolutely yep. Let's see. So we've got Dirty d

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and Somebody's crackers your real names of course, Dylan and

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and Nate Nate. Thank you. Yes, But uh, I think

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we had a I was saying to Dylan earlier off here.

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I think we had an extended conversation last time about

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somebody's crackers the origin of that name, But I don't

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remember sort of.

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Speaker 2: I don't know if we talked about the origin that

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was just.

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Speaker 1: I'm pretty sure I had to have asked you. As

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a journalist, I must have asked you where, what is?

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Where does an in come from?

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Speaker 2: I think you were you were you were more concerned

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about what to call me in the moment that time,

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and I had never really thought about that part before,

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and so it made me do a little creative reflecting.

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But now it's still somebody's crackers. That's that's because a

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long time ago, I was when I was a teenager

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and I was living in my first like big boy

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apartment with roommates. I was like starving, you know, needed

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to eat some kind of food and reached into the

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pantry and I found these like expired crackers and I

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ate them and they were really bad, and I think

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they made me really sick. I got this, like I

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got this like bacterial disease in my stomach called campellow backter.

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I had to like take me out of work for

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like a very long time, and oh my god, like

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they had to like check, like the Department of Health

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had to check all the places i'd like eaten lately

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and stuff like that. And so anyway, I'm leaving the

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hospital and I just muttered to myself, I guess that's

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what I get for eating somebody's crackers. And I just

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really liked the way somebody's crackers sounded. Yeah, sort of

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stuck with it.

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Speaker 1: Yeah, well, so I'm glad that came up again because

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we never heard that whole the whole story about what

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happened to you before. We didn't hear that part of it.

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Speaker 2: No, and it won't happen again. Oh my god, my

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own crackers now, wow. Yeah, I can afford them.

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Speaker 1: Oh wow, that's crazy. Wow. What was what was that called? Again?

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The illness of.

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Speaker 2: Campellow bacteriosis and tritiska, which is this like corkscrew shaped

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bacteria that likes to live in your intestines and I

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guess like one in every thousand cases can develop into

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like a brain disease. Oh wow, So we'll see how

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that works out, you know, the Jerry's out.

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Speaker 1: But yeah, how long ago was this? This was?

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Speaker 2: Oh goodness, twenty thirteen maybe.

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Speaker 1: Okay, yeah, okay, good so you're probably fine, yeah yeah, yeah, wow, La,

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you're okay. Oh my God. Yeah, so you didn't tell

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us about that part last time. That's amazing.

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Speaker 2: That's a little person.

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Speaker 1: Now the world knows, well, not the world, but how

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many people listen to New Vampshire. A lot of people.

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A lot of people don't it. So you guys got

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it's great to have you back. You've got this new

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EP homo Erectus.

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Speaker 2: Yeah, very excited to share it with the world. We

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worked very hard on it, and we were really excited

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to name something homo erected.

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Speaker 1: Absolutely.

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Speaker 2: It's been in the it's been in the like prospective

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names mill since we put out our first EP it

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and then I think that like we both just kind

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of realized at the same time. It's like, yeah, we've

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really grown a lot since that first EP in such

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a short time, and so I think homo erectus is appropriate. Okay,

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it's the caveman, yeah, growing into his next form of existence.

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Speaker 1: Yeah, yeah, no, I like it. It makes sense.

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Speaker 4: I think the funniest part of it is, uh, you know,

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I didn't realize how many people didn't know what homo

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erectus meant, right, you know, right, yeah, yeah, it scares

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away some of the conservatives, So we enjoy that.

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Speaker 1: That's a plus. Well, let's uh, let's play a track

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from it, because Dylan we had talked off air about

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what we were going to play a new Spoul's tite. We'll

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play that one first. Yeah, all right, this is Newspol's Tite.

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It's from the band well the band do you call

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yourselves a band? You call a d call yourselves you're

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a band? Okay?

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Speaker 5: Uh.

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Speaker 1: It is from the band Sick Dude. Hell yeah, and

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the new ep homo Erectus. It's fun to say. Uh,

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this is called Newspol's type.

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Speaker 6: Goost post tice, sack ek sown Sax Sikes, brain is

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broten soll it's good.

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Speaker 1: Fight.

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Speaker 3: Jot got bi down.

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Speaker 6: Pleas back at big my world comes crashing sound.

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Speaker 2: I can't seem so bake.

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Speaker 1: A boom.

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Speaker 7: Or reft bake a sound, dudside.

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Speaker 3: Sad. I got signed a bank about why I called

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my dough about tack bang down.

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Speaker 1: But it's spin, it's too my eyes hold back and through.

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Speaker 8: By a head quite sense of self.

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Speaker 1: It's all a bread quite sense of self.

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Speaker 2: It's song like twad.

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Speaker 3: Bad bad bad, I got time the bank above a

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way back b my dove bom b back no.

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Speaker 6: I love it.

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Speaker 1: That is newsporpts tight. The band is sick dude. Hell yeah.

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That is from their new EP, homo Erectus. He by

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the way, I was looking at at this on your

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band CAMPAIGNE. It says homo Erectus is dedicated in solidarity

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with our lgbt Q I A plus comrades and oppressed

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people's globally, and that caught my eye. I like that.

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I like that a lot.

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Speaker 2: Yeah, man, you know, it's it's kind of a play

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on words, you know, like like homo erectus like the

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standing human, and we're you know, we're standing up with

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our with our with our gay, lesbian, bisexual, transgendered, questioning, intersex,

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a sexual and otherwise comrades in the world worldwide. You're

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safe with us.

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Speaker 1: Yeah, really awesome. Yeah, that is no, that's very cool.

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Speaker 2: That's what lgbt Q I A plus stands for. Right,

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I've always just assumed.

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Speaker 1: So I see, I stop at the I just do

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LGBTQ plus. I don't do the I A. It's it's

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too too many letters to remember.

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Speaker 9: Me.

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Speaker 2: I'm always trying to sound smart, and then when people

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call me on it, I'm like, you know, that's a

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good question.

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Speaker 1: In theory, the plus gets you out of all of

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it exactly.

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Speaker 2: I know what you literally pro L plus L.

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Speaker 1: Plus It would be a good name for a band, actually,

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L plus Yeah. No, but I think that's really cool.

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Is that has that kind of been part of the

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idea of sick dude? Hell yeah from the beginning or.

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Speaker 4: Oh, I mean I V I think we've both always

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just had a firm belief that, you know, everybody should

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have the freedom to be themselves, right, I know who

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they truly are, because that's where your happiness is going

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to stem from. Yes, seeing comfortable with yourself and your

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own skin. And you know, I strongly disagree with anybody

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trying to take that away from somebody. That's a that's

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a human right that everybody should have.

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Speaker 1: Yep, yep. Everyone should be able to be their authentic selves.

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Speaker 2: And yeah, unfortunately, being comfortable in your skin is like

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a privilege that is not afforded to quite frankly too

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many people, right, And uh, yeah, I think that it

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just in this day and age, it's worth it to you.

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You can't, like, you can't let anybody assume that you're

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just like a safe person because of how you don't

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behave and so right, statements like that, like even if

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they are just statements like are important in this day

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and age, and then like acting on those statements is

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doubly important.

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Speaker 4: But yeah, yeah, actions speak louder than words.

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Speaker 1: Yeah, one hundred percent. Does that show up in the

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lyrics at all? I mean what or I mean what

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are what are you? Well, we should talk about that

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some of the lyrical themes. And I'm curious too if

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any of that's changed from from the previous release.

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Speaker 4: Yeah, so a lot of the lyrical themes. So I

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got sober two weeks after we started stick dude, hell

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yeah kidding, Yeah, And so a lot of all these

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songs just kind of started pouring out of me as

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I was going through learning how to live life sober.

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Speaker 1: Yeah, And.

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Speaker 4: A lot of it just has to do with purging

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all the bull crap, you know, and all of it

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kind of came out fast and then in spurts. So

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a lot of lyrical content, you know, stems from you know,

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mental illness, self doubt, you know. And then there's the

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slight political stuff thrown in there too, with like corporate

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enterprise you know, and uh, you know, I mean a

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lot of it's Debbie Downer, but I think I'm working

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my way out of that, which is good.

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Speaker 1: Yeah, absolutely absolutely. When you guys play live, is it

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always just the two of you?

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Speaker 2: Yeah, it's just the two of us. We've discussed with

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a friend of ours having him be an honorary third

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member who plays a stringless bass on stage. Yeah, Dean,

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if you're listening, you're still welcome to do that. Yeah,

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we need you maze listening. But yeah, it's just us too.

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And whatever sound system is made available to us. If

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we have to bring our own sound system, it's not

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gonna sound great. But usually, like if a venue has

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a half decent sound system, we can, uh, we can

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push it to the limit. We just played that Hennecker

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Brewing Company place and uh sounded awesome. Their stage is awesome.

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If you want to play music, ask Hennecker Brewing Company

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if you can do it. Yeah, there's quite the little

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scene brewing in that in that neck of the woods

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right now.

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Speaker 4: I think Backwoods Booking does generally most of booking for it. Okay,

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And and and if you can't find them, hit up

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Hubble Wizard. Yeah they they shut out both of them. Yeah, Okay, great, dudes,

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great dude super active in the scene. They'll they'll set

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you up if you're looking to play.

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Speaker 1: Yeah, so when you guys, when you guys play out, like,

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what's kind of the I'm sure we talked about this

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last time, but I'm such a nerd for this because

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I'm amazed. I'm always fascinated by when you've got a

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situation where you know it's it sounds like a full band.

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I assume you kind of replicate that live right in

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terms of how loud it is and the fullness of

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it so to speak. I mean, I mean, what's what's

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the situation like as far as how you're set up?

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Speaker 4: So so are set up live? It's not super fancy.

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I just I have a two twelve for guitar cabinet

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and I'm lacking a little in the base department. I

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got a fifteen and it's just a fifty wat Okay.

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But usually we'll show up to a show and I'll

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see how many people are cool with Daisy chaining all

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of our amps together and try to set it all together,

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because that's always fun to just like have a wall

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of noise, oh yeah, punishing the crowd. Yeah, But I

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think we still. I mean, despite the lack of the

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size of our amps, we play, we played in the

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room and I think I think our volume is usually

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always a lot. I don't enough, even if it's just

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my amps I'm stuck with.

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Speaker 2: Yeah, it's it's tougher in like a warehouse setting. We've

237
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we've played a good couple of shows at Red Alert

238
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Skate Park in Rochester, which a great spot, very supportive

239
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atmosphere and just like all around cool dudes that like

240
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to put on events like that. The one thing that

241
00:14:21,320 --> 00:14:24,919
we're missing over there is pa like, yeah, we brought

242
00:14:24,960 --> 00:14:28,240
our last Yeah, we bring our own setup and you

243
00:14:28,320 --> 00:14:30,600
can hear us over in the corner of the skate

244
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park that we've taken over, but it kind of just

245
00:14:32,720 --> 00:14:38,120
sounds like noise from everywhere else. But yeah, it's fun though.

246
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Speaker 1: Yeah. Yeah, are you guys playing out a lot? You've

247
00:14:40,480 --> 00:14:41,639
been doing a lot of shows.

248
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Speaker 2: Not as much as we'd like to.

249
00:14:44,480 --> 00:14:44,720
Speaker 1: Yeah.

250
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Speaker 4: I think we're starting to gain some traction here, Okay,

251
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I mean we're I don't want to jinx it, yeah,

252
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but we've been asked for two shows now if we

253
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want to play, So we're starting to get asked more,

254
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which is great. And you know, we we just keep pushing,

255
00:15:03,159 --> 00:15:05,399
you know, and go with it. And you know, if

256
00:15:05,440 --> 00:15:07,720
we can find a place to play, that's great. If

257
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we have to set up something, and you know, get

258
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some of our other buddies who are having a hard

259
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time finding places to play, give them an opportunity to

260
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play with us too. And I found it's it's really

261
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just I mean, if we can't, if we can't book it,

262
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we'll make it happen. We'll find a place to do it.

263
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And that's that's fun too, you know. And I think

264
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the issue is, you know, I we both work nine

265
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to fives full time, and it's tough to to just

266
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get out and just go to a show to see

267
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a show better than play a show. And I think

268
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that might be like our biggest, biggest hindering right now.

269
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I think I need to just like suck it up

270
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and get myself out there and just go watch some

271
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bands play, support some people and meet some people.

272
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Speaker 2: Easier said than them. But you're absolutely right, you know,

273
00:15:56,440 --> 00:16:00,840
like that's what it's all about. And it's like, unfortunately

274
00:16:00,919 --> 00:16:04,399
too many shows is just four bands excuse to go

275
00:16:04,720 --> 00:16:06,559
see three bands play?

276
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Speaker 3: You know?

277
00:16:10,639 --> 00:16:13,639
Speaker 1: Oh yeah, yeah, But there's value in that too.

278
00:16:13,879 --> 00:16:16,320
Speaker 2: Oh most certainly, some of the best shows are the

279
00:16:16,360 --> 00:16:17,679
ones for the other bands.

280
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Speaker 1: Yeah, yeah, yeah, yeah.

281
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Speaker 2: I've played shows where the headliner didn't even arrive yet.

282
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I took a picture from behind a drum set of

283
00:16:24,360 --> 00:16:27,080
an empty crowd that wasn't with this band that was

284
00:16:27,159 --> 00:16:29,360
with That was a long time ago. But uh, those

285
00:16:29,399 --> 00:16:32,720
are the best shows. Yeah, it's dress rehearsal, you know. Yeah,

286
00:16:34,639 --> 00:16:36,279
I don't know about the best shows, but those are

287
00:16:36,480 --> 00:16:39,480
those are shows with merit and are not to be disparaged.

288
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Speaker 1: Right right there you go. Well, we should play another

289
00:16:42,480 --> 00:16:43,799
track from the EP. What do you guys want to

290
00:16:43,799 --> 00:16:44,240
play next?

291
00:16:44,679 --> 00:16:45,679
Speaker 4: I don't know what do you think, Nate?

292
00:16:46,000 --> 00:16:49,120
Speaker 2: I guess Corporate Enterprise because we talked about it. Yeah, yeah,

293
00:16:49,240 --> 00:16:50,600
this is the political one.

294
00:16:50,919 --> 00:16:53,840
Speaker 1: This is This is probably my favorite, I actually, of

295
00:16:53,919 --> 00:16:54,879
the four, probably because it.

296
00:16:55,039 --> 00:16:57,399
Speaker 2: Appears to be the fan favorite too. It's got it's

297
00:16:57,399 --> 00:16:59,840
got the most plays on all of our like metal

298
00:17:00,039 --> 00:17:00,600
and stuff like that.

299
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Speaker 3: Yeah.

300
00:17:01,120 --> 00:17:03,120
Speaker 1: Nice, nice, All right, let's give this a spin. If

301
00:17:03,120 --> 00:17:05,079
you're just joining us. We got the guys from Sick Dude.

302
00:17:05,119 --> 00:17:08,079
Hell yeah, And this is from the new EP, Homo Erectus.

303
00:17:08,279 --> 00:17:10,000
This is called Corporate enterprise.

304
00:18:02,680 --> 00:18:07,519
Speaker 8: My name now pretty thing? Who filled mine?

305
00:18:08,599 --> 00:18:08,960
Speaker 3: Got go?

306
00:18:09,200 --> 00:18:10,240
Speaker 10: Boys like the boys?

307
00:18:10,880 --> 00:18:20,440
Speaker 3: I wanna ni kill my pet?

308
00:18:20,519 --> 00:18:29,240
Speaker 8: Bog that ye fen my vomit my wait cut brother

309
00:18:29,400 --> 00:18:31,039
like not die?

310
00:18:33,039 --> 00:18:36,279
Speaker 10: What do good? God?

311
00:18:36,400 --> 00:18:39,680
Speaker 3: Your name my pet?

312
00:18:39,799 --> 00:18:40,960
Speaker 8: Bock tout bright.

313
00:18:45,559 --> 00:18:53,599
Speaker 9: As may prophet call you a lot one die find

314
00:18:53,720 --> 00:19:01,880
my pocket? Well, I mean you like well, I not

315
00:19:02,319 --> 00:19:05,079
like kind way clay a time.

316
00:19:08,960 --> 00:19:35,720
Speaker 8: Fly by target corn by talk by, I think every day.

317
00:19:37,079 --> 00:19:45,319
Speaker 3: Go by. I t F b bunch, I wa ni jack.

318
00:19:47,319 --> 00:19:56,880
Speaker 10: Nike killed about that target right right? B bo bike.

319
00:19:58,200 --> 00:20:04,319
Speaker 3: Might go stud out of line. I'm what dum bad?

320
00:20:06,359 --> 00:20:07,359
Speaker 10: How do I nay?

321
00:20:09,440 --> 00:20:11,359
Speaker 8: While playing port bred pe.

322
00:20:15,880 --> 00:20:17,079
Speaker 3: While we round bad?

323
00:20:17,880 --> 00:20:18,079
Speaker 6: Oh?

324
00:20:18,200 --> 00:20:24,839
Speaker 3: Yeah a bogle? Guys, why my pocket?

325
00:20:25,599 --> 00:20:27,400
Speaker 1: Will I make a lie?

326
00:20:31,440 --> 00:20:31,720
Speaker 3: Well?

327
00:20:31,880 --> 00:20:40,559
Speaker 8: If all lies, I'd like clag a sie? Why my rocket?

328
00:20:41,359 --> 00:20:43,480
Speaker 5: Pork predd and I duck cries.

329
00:21:17,960 --> 00:21:21,119
Speaker 1: Corporate enterprise by sick dude. Hell yeah, from the new

330
00:21:21,200 --> 00:21:24,960
EP Homo Erectus. Oh I forgot there was laughing at

331
00:21:24,960 --> 00:21:26,799
the end. That's all right.

332
00:21:26,839 --> 00:21:28,799
Speaker 2: There's also swearing at the end, so I think we

333
00:21:28,880 --> 00:21:30,200
were kind of trying to talk it over.

334
00:21:32,319 --> 00:21:36,200
Speaker 1: Gotcha, gotcha? Well, yeah, that's a that's a great track.

335
00:21:36,319 --> 00:21:38,039
Like I said, that's probably my favorite from the EP.

336
00:21:39,160 --> 00:21:42,279
How much? How much is uh like the what's the

337
00:21:42,319 --> 00:21:45,599
approach been in terms of because we did play when

338
00:21:45,599 --> 00:21:47,480
you were on the show before some tracks from your

339
00:21:47,519 --> 00:21:51,920
previous release, which is just called EP. But has the

340
00:21:52,000 --> 00:21:56,359
approach changed at all as the the way you guys

341
00:21:57,119 --> 00:21:59,039
do this, the way you write, the way you record,

342
00:21:59,119 --> 00:22:01,599
has anything changed as you've kind of evolved over the

343
00:22:01,680 --> 00:22:02,759
course of these releases.

344
00:22:05,160 --> 00:22:08,599
Speaker 4: No, not really, not really, I just kind of I

345
00:22:08,680 --> 00:22:11,839
come up with rifts at home. I scribble some ideas out,

346
00:22:12,359 --> 00:22:14,960
and then I bring them to practice, yeah, and then

347
00:22:15,000 --> 00:22:19,160
me and Nate work them together. We often will rework things, yeah,

348
00:22:19,200 --> 00:22:23,920
and yeah, try to work in fancy timing signatures if

349
00:22:23,960 --> 00:22:28,440
we can, right, right, I mean, I am working on

350
00:22:28,880 --> 00:22:31,240
the few that I'm working on now. I've been holding

351
00:22:31,319 --> 00:22:35,119
off on a little bit longer just in case I'm

352
00:22:35,200 --> 00:22:37,359
like sitting down with a cup of coffee and I

353
00:22:37,480 --> 00:22:39,720
come up with like another cool riff that I think

354
00:22:39,759 --> 00:22:41,880
I can work into it. Yeah, you know, I've been

355
00:22:41,920 --> 00:22:45,240
trying to take a little bit more time on writing

356
00:22:45,319 --> 00:22:48,839
things instead of just kind of like regurgitating everything down

357
00:22:48,920 --> 00:22:50,960
and then putting it together.

358
00:22:51,440 --> 00:22:53,920
Speaker 1: Right, didn't pick up, Nope.

359
00:22:56,920 --> 00:23:00,720
Speaker 2: I'll have to try harder next time. Yeah, uh yeah,

360
00:23:00,720 --> 00:23:07,359
I agree. The I think that, having been involved creatively

361
00:23:07,440 --> 00:23:11,880
in a couple of projects, I think that our kind

362
00:23:11,920 --> 00:23:16,559
of our machine is pretty uh well oiled compared to

363
00:23:16,720 --> 00:23:20,160
some like it's It's been pretty seamless since that first

364
00:23:20,359 --> 00:23:23,599
like breakaway practice that we did where we came up

365
00:23:23,640 --> 00:23:26,960
with those two songs, and it's really just Dylan is

366
00:23:27,319 --> 00:23:30,039
such a riff lord. He'll just be like, yeah, I

367
00:23:30,119 --> 00:23:33,720
got this riff. It sounds like this, and then I'll

368
00:23:33,839 --> 00:23:36,640
just he'll send me like, you know, not even plugged in,

369
00:23:36,839 --> 00:23:42,079
just like unplugged bass kind of on the phone, and

370
00:23:42,160 --> 00:23:45,680
then I'll just internalize that until our next practice, just

371
00:23:45,759 --> 00:23:47,680
trying to come up with some kind of groove for it,

372
00:23:48,480 --> 00:23:51,039
and then it's like, hey, did you like how that sounded?

373
00:23:51,480 --> 00:23:53,920
And if he did, we keep going until I don't

374
00:23:54,000 --> 00:23:55,960
like how it sounds anymore, and then I start playing

375
00:23:56,000 --> 00:23:58,000
a different groove and then I'm like, no, I really

376
00:23:58,200 --> 00:24:02,720
like that one and stuff like that. Yeah, so and yeah,

377
00:24:02,759 --> 00:24:06,640
I'm such a sucker for weird time signature kind of stuff.

378
00:24:07,400 --> 00:24:12,079
And you know, I'm not like a classically trained drummer

379
00:24:12,160 --> 00:24:14,200
or anything like that. So I'm kind of just learning

380
00:24:14,240 --> 00:24:17,039
all this by feel. But I really like how those

381
00:24:17,119 --> 00:24:20,920
like odd time things, especially like things that sound odd

382
00:24:21,000 --> 00:24:23,559
but line up to sixteen. We love that kind of stuff,

383
00:24:23,680 --> 00:24:26,680
like yeah, the like four threes and a four kind

384
00:24:26,759 --> 00:24:27,039
of thing.

385
00:24:27,680 --> 00:24:27,839
Speaker 1: Yea.

386
00:24:27,960 --> 00:24:32,640
Speaker 2: But but yeah, it's been it's been pretty interesting. I'd

387
00:24:32,680 --> 00:24:36,000
be I'd be interested to see what our process would

388
00:24:36,160 --> 00:24:38,400
change into, because it really just kind of it's so

389
00:24:38,640 --> 00:24:42,599
fluid right now and welcome that I'd be scared for

390
00:24:42,720 --> 00:24:44,279
it to change anyhow.

391
00:24:44,599 --> 00:24:48,880
Speaker 4: Right, so far, it's been pretty effortless. Yeah, it's nice.

392
00:24:49,279 --> 00:24:51,319
Speaker 1: Well, how you know you've really got something too? You

393
00:24:51,400 --> 00:24:53,599
know when it's when it's easy. I mean not that

394
00:24:53,680 --> 00:24:56,200
there's anything wrong with working hard at what you're trying

395
00:24:56,240 --> 00:24:58,519
to get for a sound, but when it's when it's

396
00:24:58,599 --> 00:25:00,559
easy and organic, you know, that's when you know it

397
00:25:00,759 --> 00:25:01,400
really got something.

398
00:25:01,480 --> 00:25:03,839
Speaker 2: You can put the hard work in where it's more

399
00:25:03,880 --> 00:25:07,519
important than the get go of how do we write

400
00:25:07,599 --> 00:25:12,759
these songs? Like yeah, yeah, if you're exerting all that

401
00:25:12,960 --> 00:25:18,519
energy writing the songs, it's like, brother, man, what now

402
00:25:21,480 --> 00:25:28,119
I think we know a couple of people like that, So.

403
00:25:28,240 --> 00:25:30,920
Speaker 1: Then what are you guys? Always because it sounds like

404
00:25:30,960 --> 00:25:32,519
you've got a lot of ideas like do you have

405
00:25:32,640 --> 00:25:34,319
more material that you haven't recorded yet?

406
00:25:34,759 --> 00:25:37,400
Speaker 2: Probably do, right, Yeah, there was supposed to be, well,

407
00:25:37,519 --> 00:25:38,839
not supposed to be, but there could have been a

408
00:25:38,920 --> 00:25:40,920
fifth song on this thing, but we decided it wasn't

409
00:25:41,000 --> 00:25:43,200
quite ready yet. Oh okay, yeah, okay, we didn't want

410
00:25:43,200 --> 00:25:43,559
to push it.

411
00:25:44,039 --> 00:25:45,559
Speaker 1: Is that why you decided to limit it to four?

412
00:25:45,599 --> 00:25:47,319
Because I think the last one I had want six.

413
00:25:47,559 --> 00:25:49,519
Speaker 2: Last one had five. We wanted this one to have

414
00:25:49,640 --> 00:25:52,759
five too, But it's just like we we couldn't quite

415
00:25:52,759 --> 00:25:54,920
figure out how we wanted to end this new one

416
00:25:55,000 --> 00:25:57,519
that we have, and yeah, might have better luck just

417
00:25:57,599 --> 00:25:59,880
releasing it as like a standalone single at some point.

418
00:26:00,079 --> 00:26:03,599
Oh okay, but yeah, but yeah, I thought four was

419
00:26:03,720 --> 00:26:07,319
enough and we we really wanted to just get these

420
00:26:07,680 --> 00:26:10,480
songs out, like we we are very proud of these

421
00:26:10,519 --> 00:26:12,880
ones already, and figured, rather than wait to finish this

422
00:26:13,000 --> 00:26:15,480
fifth one, let's just get these four out and get

423
00:26:15,519 --> 00:26:18,920
people talking about them, get some buzz, you know, yeah, absolutely,

424
00:26:19,039 --> 00:26:20,160
get Matt Connerton.

425
00:26:22,960 --> 00:26:24,960
Speaker 1: So we talked about it last time, but for for

426
00:26:25,079 --> 00:26:27,279
newer listeners who uh who don't know where does the

427
00:26:27,359 --> 00:26:28,960
name sick dude? Hell yeah, come from.

428
00:26:31,319 --> 00:26:32,519
Speaker 4: Our first jam session.

429
00:26:32,799 --> 00:26:37,079
Speaker 2: Yeah, it's just uh the riff one of the riffs

430
00:26:37,160 --> 00:26:42,839
that you wrote was the like brown here that like

431
00:26:42,960 --> 00:26:46,119
became the song sick Dude hell yeah. And it literally

432
00:26:46,359 --> 00:26:49,799
was just we jammed on that riff a couple of

433
00:26:49,880 --> 00:26:53,720
times and then between ourselves were like, sick dude, hell yeah,

434
00:26:53,880 --> 00:26:55,839
like a whole bunch of times, and then I said

435
00:26:56,559 --> 00:26:59,400
that song should just be called sick Dude. Hell yeah.

436
00:27:00,039 --> 00:27:02,559
I stepped it up again and was like, this band

437
00:27:02,680 --> 00:27:07,720
should just because and there we went.

438
00:27:08,599 --> 00:27:11,720
Speaker 4: Because it's really thro like Beavis and butt Head moments.

439
00:27:11,880 --> 00:27:16,160
Speaker 2: Yeah, it was beautiful, and it's just kind of it's it.

440
00:27:17,680 --> 00:27:20,279
It's proven to be such a good gimmick show up

441
00:27:20,319 --> 00:27:24,200
at any show and it's just sick Dude becomes.

442
00:27:24,000 --> 00:27:25,279
Speaker 8: Sick Dude hell yeah.

443
00:27:25,480 --> 00:27:28,799
Speaker 2: Like you just you just hear people yelling it, and

444
00:27:29,039 --> 00:27:32,799
like I think that it just really it puts a

445
00:27:32,880 --> 00:27:37,000
good like what what do you call it? Like, it's

446
00:27:37,799 --> 00:27:41,079
it's the it's the ambience of what where what we've

447
00:27:41,119 --> 00:27:44,319
set out to make is just like you know, raw

448
00:27:44,920 --> 00:27:51,480
testosterone fueled yeah right now.

449
00:27:52,359 --> 00:27:56,000
Speaker 4: Yeah, yeah, and it keeps it on the lighthearted side

450
00:27:56,000 --> 00:27:57,839
of things too, you know, just we don't want to

451
00:27:57,880 --> 00:28:00,680
come off super serious because right.

452
00:28:00,680 --> 00:28:03,359
Speaker 2: Right yeah, I like the the the kind of like

453
00:28:03,599 --> 00:28:06,200
meta irony that it gets couched in where it's like

454
00:28:06,519 --> 00:28:09,039
if you take yourself one hundred percent seriously while calling

455
00:28:09,079 --> 00:28:10,279
your band sick dude.

456
00:28:10,359 --> 00:28:16,759
Speaker 1: Hell yeah, right right, Well, we should play another track

457
00:28:16,799 --> 00:28:19,039
from the new EP, homo Erectus. What do you guys

458
00:28:19,039 --> 00:28:19,680
want to play next?

459
00:28:19,880 --> 00:28:21,000
Speaker 2: About P word horse?

460
00:28:21,119 --> 00:28:24,680
Speaker 1: The P word horse? Yeah yeah, so, uh for listeners,

461
00:28:24,759 --> 00:28:28,279
just to clarify, so we're calling it, uh, it's a

462
00:28:28,440 --> 00:28:30,359
there's a word in this title that we really can't

463
00:28:30,359 --> 00:28:32,319
say on a Saturday morning on w m n H.

464
00:28:32,480 --> 00:28:34,440
Speaker 2: Yeah, it's the George Carland P word. It's not the

465
00:28:34,480 --> 00:28:35,920
Ben Shapiro P word, right.

466
00:28:37,759 --> 00:28:42,640
Speaker 1: Right right. But this is another great track from the

467
00:28:42,680 --> 00:28:45,920
new EP, homo Erectus. The band is sick dude, hell yeah,

468
00:28:46,400 --> 00:28:48,599
and we're just gonna call this pea horse. Check it out.

469
00:29:16,559 --> 00:29:23,519
Speaker 8: I hain't co pay a right back there, adopt etain nothing?

470
00:29:27,799 --> 00:29:33,359
Speaker 3: Why do you live in my dad there?

471
00:29:33,400 --> 00:30:03,400
Speaker 8: Adopting saint nothing? But they co pain. I would say,

472
00:30:07,359 --> 00:30:08,720
there are nothing, say nothing.

473
00:30:12,920 --> 00:30:14,599
Speaker 3: Why are you laving my name?

474
00:30:18,519 --> 00:30:19,160
Speaker 8: There are nothing?

475
00:30:19,279 --> 00:30:20,240
Speaker 10: Say nothing.

476
00:31:21,319 --> 00:31:23,000
Speaker 1: That doesn't make a move. Check your pulse you might

477
00:31:23,039 --> 00:31:25,240
be dead. That one must be fun to play live.

478
00:31:25,559 --> 00:31:28,680
Speaker 4: Oh yeah, and actually it's probably turned into one of

479
00:31:28,720 --> 00:31:29,440
my favorite songs.

480
00:31:30,200 --> 00:31:33,559
Speaker 1: Yeah, yeah, yeah, that is, of course a pea Horse,

481
00:31:33,759 --> 00:31:36,079
we'll call it for our purposes here from the new

482
00:31:36,160 --> 00:31:39,559
EP Homer or Erectus from the band Sick Dude. Hell yeah,

483
00:31:39,920 --> 00:31:42,079
and we've got the guys here in the studio with us,

484
00:31:42,119 --> 00:31:45,319
and uh yeah, yeah, no, that's that's really good. Do

485
00:31:45,799 --> 00:31:48,440
I assume you play, like when you guys play out?

486
00:31:48,480 --> 00:31:51,960
Do you play everything that's on both of these because

487
00:31:51,960 --> 00:31:54,640
it's only I'm not gonna math nine songs are Yeah,

488
00:31:54,920 --> 00:31:57,160
do you play all these plus all the the ones

489
00:31:57,200 --> 00:31:57,920
from the first EP?

490
00:31:58,119 --> 00:32:00,400
Speaker 2: Yeah, we tried to. There's sometimes we'll be press for

491
00:32:00,480 --> 00:32:03,640
time and we'll cut out, usually one of the songs

492
00:32:03,680 --> 00:32:06,079
from the first EP, just like because we're sick of

493
00:32:06,119 --> 00:32:06,480
playing it.

494
00:32:06,559 --> 00:32:09,240
Speaker 4: But yeah, yeah, you know, we cut out our self

495
00:32:09,319 --> 00:32:12,519
titled song quite a bit actually, oh okay, yeah yeah,

496
00:32:12,839 --> 00:32:15,000
and it's only because I don't practice it enough.

497
00:32:15,440 --> 00:32:19,559
Speaker 2: Yeah, just a little bit challenging because you have to

498
00:32:19,720 --> 00:32:22,440
like wrap while playing bass at the same time, which

499
00:32:22,519 --> 00:32:26,799
is like, yeah, oh, I don't even I don't even remember.

500
00:32:27,720 --> 00:32:28,480
Speaker 1: It's like, uh.

501
00:32:29,880 --> 00:32:32,759
Speaker 4: No, just the words don't match up with like the

502
00:32:32,880 --> 00:32:36,680
bass riff. Oh so it's like weird. But I just

503
00:32:36,759 --> 00:32:41,400
need to pull up my you know, buckle down and it.

504
00:32:41,559 --> 00:32:43,319
You know, if I practice it like once a week,

505
00:32:43,359 --> 00:32:44,920
i'd be all right, right right.

506
00:32:47,359 --> 00:32:49,880
Speaker 1: No, that makes sense. That makes sense. Now are you

507
00:32:49,960 --> 00:32:52,119
guys when is your next show? Are you guys playing

508
00:32:52,119 --> 00:32:54,160
anywhere this weekend or so?

509
00:32:54,480 --> 00:32:57,519
Speaker 4: Our next show coming up is actually February seventh, okay

510
00:32:57,519 --> 00:33:01,640
at a Red Alert skatepark. Okay, there doing corner Store

511
00:33:02,039 --> 00:33:05,400
Skate Shop is doing a skateboard event there from like

512
00:33:05,480 --> 00:33:08,319
two to five. I think it's a trick jam and

513
00:33:08,680 --> 00:33:10,480
they got some other bands. I don't have the full

514
00:33:10,599 --> 00:33:13,119
details yet, but I know we'll be there. They'll be

515
00:33:13,200 --> 00:33:16,839
there and uh, I feel like skating and music. Come

516
00:33:16,920 --> 00:33:17,359
check it out.

517
00:33:17,480 --> 00:33:17,680
Speaker 1: Yep.

518
00:33:17,799 --> 00:33:20,200
Speaker 4: Yeah, that's now Rochester, New Hampshire, and.

519
00:33:20,200 --> 00:33:23,200
Speaker 2: We're we're actively in the process of looking for some

520
00:33:23,359 --> 00:33:26,079
more shows. We've got some like things lined up for March.

521
00:33:26,240 --> 00:33:28,519
I feel like we had something lined up for January.

522
00:33:28,960 --> 00:33:30,599
We had something lined up a couple of days ago,

523
00:33:30,680 --> 00:33:35,039
but it's sort of sort of fell apart. But the uh,

524
00:33:37,680 --> 00:33:40,000
just be on the lookout. You can find you know,

525
00:33:40,079 --> 00:33:42,440
Sick Dude, hell yeah on Instagram six D hell you

526
00:33:42,519 --> 00:33:47,000
at band camp dot com. Somebody's crackers on Facebook and Instagram.

527
00:33:47,599 --> 00:33:49,519
You'll always be able to find details about how to

528
00:33:49,559 --> 00:33:53,119
get to our show. Yeah yeah, we're constantly looking for

529
00:33:53,720 --> 00:33:57,160
more stuff. Please just send us DMS, book us, find

530
00:33:57,240 --> 00:33:59,839
us on the street, kidnap us, take us to your base,

531
00:34:01,319 --> 00:34:03,440
make us play your basement for our freedom.

532
00:34:05,720 --> 00:34:09,400
Speaker 1: Please. But yeah, let's let's play. So we haven't played

533
00:34:09,440 --> 00:34:10,840
I Feel Nothing. That's the only one from the new

534
00:34:10,880 --> 00:34:13,320
EPE we haven't played, right, Yeah, yeah, let's give this

535
00:34:13,400 --> 00:34:15,000
one a spend anything we should know about this one

536
00:34:15,039 --> 00:34:15,639
before we hear it.

537
00:34:17,360 --> 00:34:18,360
Speaker 2: We were just kidding.

538
00:34:18,920 --> 00:34:21,440
Speaker 1: Yeah, you do feel something?

539
00:34:21,920 --> 00:34:23,320
Speaker 4: Yeah yeah, I feel something?

540
00:34:26,760 --> 00:34:30,119
Speaker 1: All right, all right. This is from the new EP

541
00:34:30,280 --> 00:34:33,039
Homo Erectus. The band is Sick Dude, hell yeah. Check

542
00:34:33,079 --> 00:34:34,920
this out. This is called I Feel Nothing.

543
00:35:21,800 --> 00:35:40,280
Speaker 3: English English s s s.

544
00:36:11,119 --> 00:36:13,199
Speaker 8: Everyree time.

545
00:36:15,320 --> 00:36:18,440
Speaker 10: My trial sides by.

546
00:36:21,719 --> 00:36:26,719
Speaker 8: Love te It's stake, try.

547
00:36:32,519 --> 00:36:38,400
Speaker 5: I for te petrol my so say not take it

548
00:36:38,719 --> 00:36:44,440
bye bye, I'm no.

549
00:36:46,480 --> 00:36:47,400
Speaker 8: I know that.

550
00:36:53,079 --> 00:36:59,800
Speaker 10: I trip like that.

551
00:37:00,079 --> 00:37:11,840
Speaker 9: Oh from the bay, look at from the gid.

552
00:37:10,480 --> 00:37:40,599
Speaker 8: Ho from the bray. My course is protty.

553
00:37:42,360 --> 00:37:45,199
Speaker 5: Dances with to day.

554
00:37:48,480 --> 00:37:59,280
Speaker 10: I'll by but that the lie to get my wise dot,

555
00:38:00,719 --> 00:38:01,880
the bagging.

556
00:38:09,719 --> 00:38:25,760
Speaker 3: And scare away the snag I not I dressed.

557
00:38:26,039 --> 00:38:33,559
Speaker 8: My doll of a bag could die from the bell.

558
00:38:33,679 --> 00:38:34,639
Speaker 6: To tide.

559
00:38:36,000 --> 00:38:39,119
Speaker 10: Right old for a brain.

560
00:39:11,599 --> 00:39:14,079
Speaker 1: That is so good. That is sick, dude. Hell yeah, hey,

561
00:39:14,159 --> 00:39:16,599
thanks man. Absolutely, I love it the track as I

562
00:39:16,679 --> 00:39:19,719
Feel Nothing. It's from the new EP Homo Erectus, And

563
00:39:20,039 --> 00:39:21,880
it's been great talking with you guys this morning.

564
00:39:22,039 --> 00:39:24,559
Speaker 2: Yeah, we always have such a fun time on here always.

565
00:39:24,760 --> 00:39:26,320
We had a fun time last time, and I'm having

566
00:39:26,360 --> 00:39:28,840
a fun time this time. I hope to come back again.

567
00:39:28,960 --> 00:39:31,159
Speaker 1: Absolutely, we will definitely do it again in the future.

568
00:39:31,719 --> 00:39:33,880
You mentioned off air two about you wanted to give

569
00:39:33,880 --> 00:39:34,679
a shout out to your dad.

570
00:39:34,760 --> 00:39:38,519
Speaker 2: Oh yeah, so my dad Chuck Nemitz, huge shouts out

571
00:39:39,320 --> 00:39:44,159
Candle Light Productions. He's produced music, you know, in some

572
00:39:44,360 --> 00:39:46,639
capacity for like as long as I have been alive

573
00:39:46,760 --> 00:39:51,599
under the Moniker Candlelight Productions. And he he he engineered

574
00:39:51,719 --> 00:39:54,119
the recording sessions and did all the like production and

575
00:39:54,159 --> 00:39:56,719
stuff for us. Oh wow, Yeah, we had a different

576
00:39:56,719 --> 00:39:59,679
buddy of ours master at our buddy Nick Yeah Nick,

577
00:39:59,760 --> 00:40:02,599
but but yeah, big shouts out to my dad and

578
00:40:02,719 --> 00:40:05,679
two Candlelight Productions. If you're looking for like good rates

579
00:40:05,719 --> 00:40:09,360
on hourly recording with like a very knowledgeable and easy

580
00:40:09,440 --> 00:40:12,800
to work with guy, get at him or I guess, like,

581
00:40:12,960 --> 00:40:15,719
get at me. Somebody's crackers on Instagram and I'll get

582
00:40:15,760 --> 00:40:17,679
you guys in touch. I don't want to blow up

583
00:40:17,719 --> 00:40:21,559
his spot just yet, Like maybe he'll like frantically call

584
00:40:21,639 --> 00:40:23,920
in and be like, no, no, my email addresses. No,

585
00:40:23,960 --> 00:40:24,800
I'm just kidding.

586
00:40:27,079 --> 00:40:28,199
Speaker 4: At Yahoo.

587
00:40:29,920 --> 00:40:34,840
Speaker 1: I remember. Yeah, wow, no, very cool, very cool. That's cool.

588
00:40:35,480 --> 00:40:37,960
Speaker 2: Yeah all right, but anyways, Yeah, thank you very much, Dad,

589
00:40:38,039 --> 00:40:38,719
love you very much.

590
00:40:39,559 --> 00:40:41,639
Speaker 4: Thank you, Chuck. I really appreciate it. It's really nice

591
00:40:41,679 --> 00:40:44,239
to meet you and looking forward to the next time

592
00:40:44,280 --> 00:40:44,599
I see it.

593
00:40:44,920 --> 00:40:49,360
Speaker 1: Excellent, excellent, awesome. So, uh, before we we're gonna play

594
00:40:49,360 --> 00:40:52,920
out another track in a moment, but before we do that,

595
00:40:53,280 --> 00:40:55,079
so remind us again, where's the best place to go

596
00:40:55,119 --> 00:40:56,519
online for keep up with everything?

597
00:40:56,719 --> 00:41:00,320
Speaker 2: Sick dude? Hell yeah, I was doing Instagram? Instagram dude,

598
00:41:00,360 --> 00:41:03,599
hell yeah. Okay, all right, and then and then I'm

599
00:41:03,840 --> 00:41:07,039
pretty active on Facebook. At least for now, I'm kind

600
00:41:07,079 --> 00:41:08,719
of trying to put it on the back burner because

601
00:41:08,719 --> 00:41:13,000
it's giving me brain disease. I know, somebody's crackers. On Facebook,

602
00:41:13,079 --> 00:41:15,159
I post funny stuff and then whenever stick dude, hell

603
00:41:15,239 --> 00:41:17,719
yeah has a show coming up, I usually you know,

604
00:41:17,920 --> 00:41:21,519
live stream it or post the details that kind of

605
00:41:21,559 --> 00:41:22,079
fun stuff.

606
00:41:22,159 --> 00:41:25,519
Speaker 1: So yeah, outstanding, outstanding. Well, we appreciate you guys coming in.

607
00:41:25,639 --> 00:41:28,320
This has been amazing, and we're gonna close out the

608
00:41:28,400 --> 00:41:31,119
segment I think with uh, We're gonna play a track

609
00:41:31,280 --> 00:41:34,880
from a previous the previous EP, which is called EP

610
00:41:35,920 --> 00:41:38,079
Nail in the Coffin. Why'd you guys choose this one

611
00:41:38,840 --> 00:41:41,840
any any special reason or just is just one of

612
00:41:41,880 --> 00:41:42,440
your favorites.

613
00:41:43,039 --> 00:41:46,599
Speaker 2: It's one of my favorite. It goes hard. Yeah, we

614
00:41:46,719 --> 00:41:48,719
put it out on a but before we put the

615
00:41:48,800 --> 00:41:51,719
EP out, we released this as a single on a

616
00:41:52,480 --> 00:41:55,840
not like as a standalone, but as a contribution to

617
00:41:56,000 --> 00:42:00,599
this compilation album called We Just Want to Live. You

618
00:42:00,639 --> 00:42:03,480
can check it out on band camp, suld. You should

619
00:42:03,480 --> 00:42:05,000
just be able to find We Just Want to Live.

620
00:42:05,119 --> 00:42:07,960
It's a it's a compilation that all the proceeds are

621
00:42:08,039 --> 00:42:12,639
being donated to various organizations for you know, trans survival,

622
00:42:12,760 --> 00:42:15,679
trans youth and stuff like that. So it's a cool

623
00:42:15,719 --> 00:42:17,760
cause worth checking out with a lot of really cool

624
00:42:17,800 --> 00:42:19,440
and really eclectic music on there.

625
00:42:19,599 --> 00:42:22,800
Speaker 1: Okay, okay, excellent, So we'll close out the segment with that.

626
00:42:23,320 --> 00:42:26,480
If you are listening live on Saturday. Coming up in

627
00:42:26,519 --> 00:42:28,840
the second hour, we have Paul Nizzol, he will be

628
00:42:28,920 --> 00:42:30,960
joining us via WhatsApp from the UK. And then in

629
00:42:31,039 --> 00:42:33,960
the third hour we have jen X who is in

630
00:42:34,000 --> 00:42:36,920
the chat room by the way, hello uh from the

631
00:42:36,960 --> 00:42:40,639
band Generations and she's gonna be joining us via Microsoft

632
00:42:40,719 --> 00:42:43,840
Teams from there in Springfield, Missouri, I believe so. So

633
00:42:43,920 --> 00:42:45,920
we're traveling around a bit today, but we will close

634
00:42:45,960 --> 00:42:48,320
out the segment with this. Again, guys, thank you so much,

635
00:42:48,639 --> 00:42:51,519
thanks so much for having us. Thank you absolutely keep

636
00:42:51,599 --> 00:42:54,599
doing radio radio is very important. I agree, thank you,

637
00:42:54,760 --> 00:42:56,760
thank you so much. And here it is. This is

638
00:42:56,840 --> 00:42:59,760
nailing the coffin the radio edit of course from the

639
00:42:59,800 --> 00:43:10,079
bay and sick dude, Hell yeah, don't believe in myself.

640
00:43:09,679 --> 00:43:15,480
Speaker 7: Fum us before another tail and donkey bob another closic

641
00:43:15,639 --> 00:43:20,800
corn porn CrOx bike cores baking right, I don't sam a.

642
00:43:20,880 --> 00:43:22,840
Speaker 8: Buzz baked right.

643
00:43:28,719 --> 00:43:31,960
Speaker 7: Here we call we cast black up shooing sword stream

644
00:43:32,239 --> 00:43:35,599
is all waste priming, don't waste it on.

645
00:43:35,760 --> 00:43:38,639
Speaker 5: I'm petty Spoor or cross Fike.

646
00:43:38,960 --> 00:43:42,199
Speaker 8: Don't this bag right? I don't give a pub bit

647
00:43:42,320 --> 00:43:43,000
bag right.

648
00:43:58,559 --> 00:44:06,079
Speaker 7: Oh the people speaking there a miss speaking in my pockets.

649
00:44:05,679 --> 00:44:09,840
Speaker 8: But all I never stand or crock by coming backing right.

650
00:44:10,320 --> 00:44:12,760
I don't give a fuck when you're been baked by