Speaker 1: Today is a Saturday, January ten, twenty twenty six, and
I am not alone.
Speaker 2: That was this where we say something here.
Speaker 1: Not quite.
Speaker 3: Morning.
Speaker 1: That's funny. That's never happened before.
Speaker 3: That's never happened.
Speaker 1: Oh I like that though. That was cool. Jenny is here,
of course at the news table. Yes, present, accounted for
or as I heard Polly c refer to it on
Retrospectrum Radio last night, the news tray, the news, the
news track. I see that I was not. I was
not here last night for Paul's show. I was not
feeling well, so I took the night off. But feeling better.
So here we are and joining us right now live
in studio. We've got the guys from Sick Dude.
Speaker 2: Hell yeah, is this where we say.
Speaker 1: This is where you are free, You are free to.
Speaker 2: Thank you so much for having us back. This is awesome.
Speaker 1: Absolutely absolutely yep. Let's see. So we've got Dirty d
and Somebody's crackers your real names of course, Dylan and
and Nate Nate. Thank you. Yes, But uh, I think
we had a I was saying to Dylan earlier off here.
I think we had an extended conversation last time about
somebody's crackers the origin of that name, But I don't
remember sort of.
Speaker 2: I don't know if we talked about the origin that
was just.
Speaker 1: I'm pretty sure I had to have asked you. As
a journalist, I must have asked you where, what is?
Where does an in come from?
Speaker 2: I think you were you were you were more concerned
about what to call me in the moment that time,
and I had never really thought about that part before,
and so it made me do a little creative reflecting.
But now it's still somebody's crackers. That's that's because a
long time ago, I was when I was a teenager
and I was living in my first like big boy
apartment with roommates. I was like starving, you know, needed
to eat some kind of food and reached into the
pantry and I found these like expired crackers and I
ate them and they were really bad, and I think
they made me really sick. I got this, like I
got this like bacterial disease in my stomach called campellow backter.
I had to like take me out of work for
like a very long time, and oh my god, like
they had to like check, like the Department of Health
had to check all the places i'd like eaten lately
and stuff like that. And so anyway, I'm leaving the
hospital and I just muttered to myself, I guess that's
what I get for eating somebody's crackers. And I just
really liked the way somebody's crackers sounded. Yeah, sort of
stuck with it.
Speaker 1: Yeah, well, so I'm glad that came up again because
we never heard that whole the whole story about what
happened to you before. We didn't hear that part of it.
Speaker 2: No, and it won't happen again. Oh my god, my
own crackers now, wow. Yeah, I can afford them.
Speaker 1: Oh wow, that's crazy. Wow. What was what was that called? Again?
The illness of.
Speaker 2: Campellow bacteriosis and tritiska, which is this like corkscrew shaped
bacteria that likes to live in your intestines and I
guess like one in every thousand cases can develop into
like a brain disease. Oh wow, So we'll see how
that works out, you know, the Jerry's out.
Speaker 1: But yeah, how long ago was this? This was?
Speaker 2: Oh goodness, twenty thirteen maybe.
Speaker 1: Okay, yeah, okay, good so you're probably fine, yeah yeah, yeah, wow, La,
you're okay. Oh my God. Yeah, so you didn't tell
us about that part last time. That's amazing.
Speaker 2: That's a little person.
Speaker 1: Now the world knows, well, not the world, but how
many people listen to New Vampshire. A lot of people.
A lot of people don't it. So you guys got
it's great to have you back. You've got this new
EP homo Erectus.
Speaker 2: Yeah, very excited to share it with the world. We
worked very hard on it, and we were really excited
to name something homo erected.
Speaker 1: Absolutely.
Speaker 2: It's been in the it's been in the like prospective
names mill since we put out our first EP it
and then I think that like we both just kind
of realized at the same time. It's like, yeah, we've
really grown a lot since that first EP in such
a short time, and so I think homo erectus is appropriate. Okay,
it's the caveman, yeah, growing into his next form of existence.
Speaker 1: Yeah, yeah, no, I like it. It makes sense.
Speaker 4: I think the funniest part of it is, uh, you know,
I didn't realize how many people didn't know what homo
erectus meant, right, you know, right, yeah, yeah, it scares
away some of the conservatives, So we enjoy that.
Speaker 1: That's a plus. Well, let's uh, let's play a track
from it, because Dylan we had talked off air about
what we were going to play a new Spoul's tite. We'll
play that one first. Yeah, all right, this is Newspol's Tite.
It's from the band well the band do you call
yourselves a band? You call a d call yourselves you're
a band? Okay?
Speaker 5: Uh.
Speaker 1: It is from the band Sick Dude. Hell yeah, and
the new ep homo Erectus. It's fun to say. Uh,
this is called Newspol's type.
Speaker 6: Goost post tice, sack ek sown Sax Sikes, brain is
broten soll it's good.
Speaker 1: Fight.
Speaker 3: Jot got bi down.
Speaker 6: Pleas back at big my world comes crashing sound.
Speaker 2: I can't seem so bake.
Speaker 1: A boom.
Speaker 7: Or reft bake a sound, dudside.
Speaker 3: Sad. I got signed a bank about why I called
my dough about tack bang down.
Speaker 1: But it's spin, it's too my eyes hold back and through.
Speaker 8: By a head quite sense of self.
Speaker 1: It's all a bread quite sense of self.
Speaker 2: It's song like twad.
Speaker 3: Bad bad bad, I got time the bank above a
way back b my dove bom b back no.
Speaker 6: I love it.
Speaker 1: That is newsporpts tight. The band is sick dude. Hell yeah.
That is from their new EP, homo Erectus. He by
the way, I was looking at at this on your
band CAMPAIGNE. It says homo Erectus is dedicated in solidarity
with our lgbt Q I A plus comrades and oppressed
people's globally, and that caught my eye. I like that.
I like that a lot.
Speaker 2: Yeah, man, you know, it's it's kind of a play
on words, you know, like like homo erectus like the
standing human, and we're you know, we're standing up with
our with our with our gay, lesbian, bisexual, transgendered, questioning, intersex,
a sexual and otherwise comrades in the world worldwide. You're
safe with us.
Speaker 1: Yeah, really awesome. Yeah, that is no, that's very cool.
Speaker 2: That's what lgbt Q I A plus stands for. Right,
I've always just assumed.
Speaker 1: So I see, I stop at the I just do
LGBTQ plus. I don't do the I A. It's it's
too too many letters to remember.
Speaker 9: Me.
Speaker 2: I'm always trying to sound smart, and then when people
call me on it, I'm like, you know, that's a
good question.
Speaker 1: In theory, the plus gets you out of all of
it exactly.
Speaker 2: I know what you literally pro L plus L.
Speaker 1: Plus It would be a good name for a band, actually,
L plus Yeah. No, but I think that's really cool.
Is that has that kind of been part of the
idea of sick dude? Hell yeah from the beginning or.
Speaker 4: Oh, I mean I V I think we've both always
just had a firm belief that, you know, everybody should
have the freedom to be themselves, right, I know who
they truly are, because that's where your happiness is going
to stem from. Yes, seeing comfortable with yourself and your
own skin. And you know, I strongly disagree with anybody
trying to take that away from somebody. That's a that's
a human right that everybody should have.
Speaker 1: Yep, yep. Everyone should be able to be their authentic selves.
Speaker 2: And yeah, unfortunately, being comfortable in your skin is like
a privilege that is not afforded to quite frankly too
many people, right, And uh, yeah, I think that it
just in this day and age, it's worth it to you.
You can't, like, you can't let anybody assume that you're
just like a safe person because of how you don't
behave and so right, statements like that, like even if
they are just statements like are important in this day
and age, and then like acting on those statements is
doubly important.
Speaker 4: But yeah, yeah, actions speak louder than words.
Speaker 1: Yeah, one hundred percent. Does that show up in the
lyrics at all? I mean what or I mean what
are what are you? Well, we should talk about that
some of the lyrical themes. And I'm curious too if
any of that's changed from from the previous release.
Speaker 4: Yeah, so a lot of the lyrical themes. So I
got sober two weeks after we started stick dude, hell
yeah kidding, Yeah, And so a lot of all these
songs just kind of started pouring out of me as
I was going through learning how to live life sober.
Speaker 1: Yeah, And.
Speaker 4: A lot of it just has to do with purging
all the bull crap, you know, and all of it
kind of came out fast and then in spurts. So
a lot of lyrical content, you know, stems from you know,
mental illness, self doubt, you know. And then there's the
slight political stuff thrown in there too, with like corporate
enterprise you know, and uh, you know, I mean a
lot of it's Debbie Downer, but I think I'm working
my way out of that, which is good.
Speaker 1: Yeah, absolutely absolutely. When you guys play live, is it
always just the two of you?
Speaker 2: Yeah, it's just the two of us. We've discussed with
a friend of ours having him be an honorary third
member who plays a stringless bass on stage. Yeah, Dean,
if you're listening, you're still welcome to do that. Yeah,
we need you maze listening. But yeah, it's just us too.
And whatever sound system is made available to us. If
we have to bring our own sound system, it's not
gonna sound great. But usually, like if a venue has
a half decent sound system, we can, uh, we can
push it to the limit. We just played that Hennecker
Brewing Company place and uh sounded awesome. Their stage is awesome.
If you want to play music, ask Hennecker Brewing Company
if you can do it. Yeah, there's quite the little
scene brewing in that in that neck of the woods
right now.
Speaker 4: I think Backwoods Booking does generally most of booking for it. Okay,
And and and if you can't find them, hit up
Hubble Wizard. Yeah they they shut out both of them. Yeah, Okay, great, dudes,
great dude super active in the scene. They'll they'll set
you up if you're looking to play.
Speaker 1: Yeah, so when you guys, when you guys play out, like,
what's kind of the I'm sure we talked about this
last time, but I'm such a nerd for this because
I'm amazed. I'm always fascinated by when you've got a
situation where you know it's it sounds like a full band.
I assume you kind of replicate that live right in
terms of how loud it is and the fullness of
it so to speak. I mean, I mean, what's what's
the situation like as far as how you're set up?
Speaker 4: So so are set up live? It's not super fancy.
I just I have a two twelve for guitar cabinet
and I'm lacking a little in the base department. I
got a fifteen and it's just a fifty wat Okay.
But usually we'll show up to a show and I'll
see how many people are cool with Daisy chaining all
of our amps together and try to set it all together,
because that's always fun to just like have a wall
of noise, oh yeah, punishing the crowd. Yeah, But I
think we still. I mean, despite the lack of the
size of our amps, we play, we played in the
room and I think I think our volume is usually
always a lot. I don't enough, even if it's just
my amps I'm stuck with.
Speaker 2: Yeah, it's it's tougher in like a warehouse setting. We've
we've played a good couple of shows at Red Alert
Skate Park in Rochester, which a great spot, very supportive
atmosphere and just like all around cool dudes that like
to put on events like that. The one thing that
we're missing over there is pa like, yeah, we brought
our last Yeah, we bring our own setup and you
can hear us over in the corner of the skate
park that we've taken over, but it kind of just
sounds like noise from everywhere else. But yeah, it's fun though.
Speaker 1: Yeah. Yeah, are you guys playing out a lot? You've
been doing a lot of shows.
Speaker 2: Not as much as we'd like to.
Speaker 1: Yeah.
Speaker 4: I think we're starting to gain some traction here, Okay,
I mean we're I don't want to jinx it, yeah,
but we've been asked for two shows now if we
want to play, So we're starting to get asked more,
which is great. And you know, we we just keep pushing,
you know, and go with it. And you know, if
we can find a place to play, that's great. If
we have to set up something, and you know, get
some of our other buddies who are having a hard
time finding places to play, give them an opportunity to
play with us too. And I found it's it's really
just I mean, if we can't, if we can't book it,
we'll make it happen. We'll find a place to do it.
And that's that's fun too, you know. And I think
the issue is, you know, I we both work nine
to fives full time, and it's tough to to just
get out and just go to a show to see
a show better than play a show. And I think
that might be like our biggest, biggest hindering right now.
I think I need to just like suck it up
and get myself out there and just go watch some
bands play, support some people and meet some people.
Speaker 2: Easier said than them. But you're absolutely right, you know,
like that's what it's all about. And it's like, unfortunately
too many shows is just four bands excuse to go
see three bands play?
Speaker 3: You know?
Speaker 1: Oh yeah, yeah, But there's value in that too.
Speaker 2: Oh most certainly, some of the best shows are the
ones for the other bands.
Speaker 1: Yeah, yeah, yeah, yeah.
Speaker 2: I've played shows where the headliner didn't even arrive yet.
I took a picture from behind a drum set of
an empty crowd that wasn't with this band that was
with That was a long time ago. But uh, those
are the best shows. Yeah, it's dress rehearsal, you know. Yeah,
I don't know about the best shows, but those are
those are shows with merit and are not to be disparaged.
Speaker 1: Right right there you go. Well, we should play another
track from the EP. What do you guys want to
play next?
Speaker 4: I don't know what do you think, Nate?
Speaker 2: I guess Corporate Enterprise because we talked about it. Yeah, yeah,
this is the political one.
Speaker 1: This is This is probably my favorite, I actually, of
the four, probably because it.
Speaker 2: Appears to be the fan favorite too. It's got it's
got the most plays on all of our like metal
and stuff like that.
Speaker 3: Yeah.
Speaker 1: Nice, nice, All right, let's give this a spin. If
you're just joining us. We got the guys from Sick Dude.
Hell yeah, And this is from the new EP, Homo Erectus.
This is called Corporate enterprise.
Speaker 8: My name now pretty thing? Who filled mine?
Speaker 3: Got go?
Speaker 10: Boys like the boys?
Speaker 3: I wanna ni kill my pet?
Speaker 8: Bog that ye fen my vomit my wait cut brother
like not die?
Speaker 10: What do good? God?
Speaker 3: Your name my pet?
Speaker 8: Bock tout bright.
Speaker 9: As may prophet call you a lot one die find
my pocket? Well, I mean you like well, I not
like kind way clay a time.
Speaker 8: Fly by target corn by talk by, I think every day.
Speaker 3: Go by. I t F b bunch, I wa ni jack.
Speaker 10: Nike killed about that target right right? B bo bike.
Speaker 3: Might go stud out of line. I'm what dum bad?
Speaker 10: How do I nay?
Speaker 8: While playing port bred pe.
Speaker 3: While we round bad?
Speaker 6: Oh?
Speaker 3: Yeah a bogle? Guys, why my pocket?
Speaker 1: Will I make a lie?
Speaker 3: Well?
Speaker 8: If all lies, I'd like clag a sie? Why my rocket?
Speaker 5: Pork predd and I duck cries.
Speaker 1: Corporate enterprise by sick dude. Hell yeah, from the new
EP Homo Erectus. Oh I forgot there was laughing at
the end. That's all right.
Speaker 2: There's also swearing at the end, so I think we
were kind of trying to talk it over.
Speaker 1: Gotcha, gotcha? Well, yeah, that's a that's a great track.
Like I said, that's probably my favorite from the EP.
How much? How much is uh like the what's the
approach been in terms of because we did play when
you were on the show before some tracks from your
previous release, which is just called EP. But has the
approach changed at all as the the way you guys
do this, the way you write, the way you record,
has anything changed as you've kind of evolved over the
course of these releases.
Speaker 4: No, not really, not really, I just kind of I
come up with rifts at home. I scribble some ideas out,
and then I bring them to practice, yeah, and then
me and Nate work them together. We often will rework things, yeah,
and yeah, try to work in fancy timing signatures if
we can, right, right, I mean, I am working on
the few that I'm working on now. I've been holding
off on a little bit longer just in case I'm
like sitting down with a cup of coffee and I
come up with like another cool riff that I think
I can work into it. Yeah, you know, I've been
trying to take a little bit more time on writing
things instead of just kind of like regurgitating everything down
and then putting it together.
Speaker 1: Right, didn't pick up, Nope.
Speaker 2: I'll have to try harder next time. Yeah, uh yeah,
I agree. The I think that, having been involved creatively
in a couple of projects, I think that our kind
of our machine is pretty uh well oiled compared to
some like it's It's been pretty seamless since that first
like breakaway practice that we did where we came up
with those two songs, and it's really just Dylan is
such a riff lord. He'll just be like, yeah, I
got this riff. It sounds like this, and then I'll
just he'll send me like, you know, not even plugged in,
just like unplugged bass kind of on the phone, and
then I'll just internalize that until our next practice, just
trying to come up with some kind of groove for it,
and then it's like, hey, did you like how that sounded?
And if he did, we keep going until I don't
like how it sounds anymore, and then I start playing
a different groove and then I'm like, no, I really
like that one and stuff like that. Yeah, so and yeah,
I'm such a sucker for weird time signature kind of stuff.
And you know, I'm not like a classically trained drummer
or anything like that. So I'm kind of just learning
all this by feel. But I really like how those
like odd time things, especially like things that sound odd
but line up to sixteen. We love that kind of stuff,
like yeah, the like four threes and a four kind
of thing.
Speaker 1: Yea.
Speaker 2: But but yeah, it's been it's been pretty interesting. I'd
be I'd be interested to see what our process would
change into, because it really just kind of it's so
fluid right now and welcome that I'd be scared for
it to change anyhow.
Speaker 4: Right, so far, it's been pretty effortless. Yeah, it's nice.
Speaker 1: Well, how you know you've really got something too? You
know when it's when it's easy. I mean not that
there's anything wrong with working hard at what you're trying
to get for a sound, but when it's when it's
easy and organic, you know, that's when you know it
really got something.
Speaker 2: You can put the hard work in where it's more
important than the get go of how do we write
these songs? Like yeah, yeah, if you're exerting all that
energy writing the songs, it's like, brother, man, what now
I think we know a couple of people like that, So.
Speaker 1: Then what are you guys? Always because it sounds like
you've got a lot of ideas like do you have
more material that you haven't recorded yet?
Speaker 2: Probably do, right, Yeah, there was supposed to be, well,
not supposed to be, but there could have been a
fifth song on this thing, but we decided it wasn't
quite ready yet. Oh okay, yeah, okay, we didn't want
to push it.
Speaker 1: Is that why you decided to limit it to four?
Because I think the last one I had want six.
Speaker 2: Last one had five. We wanted this one to have
five too, But it's just like we we couldn't quite
figure out how we wanted to end this new one
that we have, and yeah, might have better luck just
releasing it as like a standalone single at some point.
Oh okay, but yeah, but yeah, I thought four was
enough and we we really wanted to just get these
songs out, like we we are very proud of these
ones already, and figured, rather than wait to finish this
fifth one, let's just get these four out and get
people talking about them, get some buzz, you know, yeah, absolutely,
get Matt Connerton.
Speaker 1: So we talked about it last time, but for for
newer listeners who uh who don't know where does the
name sick dude? Hell yeah, come from.
Speaker 4: Our first jam session.
Speaker 2: Yeah, it's just uh the riff one of the riffs
that you wrote was the like brown here that like
became the song sick Dude hell yeah. And it literally
was just we jammed on that riff a couple of
times and then between ourselves were like, sick dude, hell yeah,
like a whole bunch of times, and then I said
that song should just be called sick Dude. Hell yeah.
I stepped it up again and was like, this band
should just because and there we went.
Speaker 4: Because it's really thro like Beavis and butt Head moments.
Speaker 2: Yeah, it was beautiful, and it's just kind of it's it.
It's proven to be such a good gimmick show up
at any show and it's just sick Dude becomes.
Speaker 8: Sick Dude hell yeah.
Speaker 2: Like you just you just hear people yelling it, and
like I think that it just really it puts a
good like what what do you call it? Like, it's
it's the it's the ambience of what where what we've
set out to make is just like you know, raw
testosterone fueled yeah right now.
Speaker 4: Yeah, yeah, and it keeps it on the lighthearted side
of things too, you know, just we don't want to
come off super serious because right.
Speaker 2: Right yeah, I like the the the kind of like
meta irony that it gets couched in where it's like
if you take yourself one hundred percent seriously while calling
your band sick dude.
Speaker 1: Hell yeah, right right, Well, we should play another track
from the new EP, homo Erectus. What do you guys
want to play next?
Speaker 2: About P word horse?
Speaker 1: The P word horse? Yeah yeah, so, uh for listeners,
just to clarify, so we're calling it, uh, it's a
there's a word in this title that we really can't
say on a Saturday morning on w m n H.
Speaker 2: Yeah, it's the George Carland P word. It's not the
Ben Shapiro P word, right.
Speaker 1: Right right. But this is another great track from the
new EP, homo Erectus. The band is sick dude, hell yeah,
and we're just gonna call this pea horse. Check it out.
Speaker 8: I hain't co pay a right back there, adopt etain nothing?
Speaker 3: Why do you live in my dad there?
Speaker 8: Adopting saint nothing? But they co pain. I would say,
there are nothing, say nothing.
Speaker 3: Why are you laving my name?
Speaker 8: There are nothing?
Speaker 10: Say nothing.
Speaker 1: That doesn't make a move. Check your pulse you might
be dead. That one must be fun to play live.
Speaker 4: Oh yeah, and actually it's probably turned into one of
my favorite songs.
Speaker 1: Yeah, yeah, yeah, that is, of course a pea Horse,
we'll call it for our purposes here from the new
EP Homer or Erectus from the band Sick Dude. Hell yeah,
and we've got the guys here in the studio with us,
and uh yeah, yeah, no, that's that's really good. Do
I assume you play, like when you guys play out?
Do you play everything that's on both of these because
it's only I'm not gonna math nine songs are Yeah,
do you play all these plus all the the ones
from the first EP?
Speaker 2: Yeah, we tried to. There's sometimes we'll be press for
time and we'll cut out, usually one of the songs
from the first EP, just like because we're sick of
playing it.
Speaker 4: But yeah, yeah, you know, we cut out our self
titled song quite a bit actually, oh okay, yeah yeah,
and it's only because I don't practice it enough.
Speaker 2: Yeah, just a little bit challenging because you have to
like wrap while playing bass at the same time, which
is like, yeah, oh, I don't even I don't even remember.
Speaker 1: It's like, uh.
Speaker 4: No, just the words don't match up with like the
bass riff. Oh so it's like weird. But I just
need to pull up my you know, buckle down and it.
You know, if I practice it like once a week,
i'd be all right, right right.
Speaker 1: No, that makes sense. That makes sense. Now are you
guys when is your next show? Are you guys playing
anywhere this weekend or so?
Speaker 4: Our next show coming up is actually February seventh, okay
at a Red Alert skatepark. Okay, there doing corner Store
Skate Shop is doing a skateboard event there from like
two to five. I think it's a trick jam and
they got some other bands. I don't have the full
details yet, but I know we'll be there. They'll be
there and uh, I feel like skating and music. Come
check it out.
Speaker 1: Yep.
Speaker 4: Yeah, that's now Rochester, New Hampshire, and.
Speaker 2: We're we're actively in the process of looking for some
more shows. We've got some like things lined up for March.
I feel like we had something lined up for January.
We had something lined up a couple of days ago,
but it's sort of sort of fell apart. But the uh,
just be on the lookout. You can find you know,
Sick Dude, hell yeah on Instagram six D hell you
at band camp dot com. Somebody's crackers on Facebook and Instagram.
You'll always be able to find details about how to
get to our show. Yeah yeah, we're constantly looking for
more stuff. Please just send us DMS, book us, find
us on the street, kidnap us, take us to your base,
make us play your basement for our freedom.
Speaker 1: Please. But yeah, let's let's play. So we haven't played
I Feel Nothing. That's the only one from the new
EPE we haven't played, right, Yeah, yeah, let's give this
one a spend anything we should know about this one
before we hear it.
Speaker 2: We were just kidding.
Speaker 1: Yeah, you do feel something?
Speaker 4: Yeah yeah, I feel something?
Speaker 1: All right, all right. This is from the new EP
Homo Erectus. The band is Sick Dude, hell yeah. Check
this out. This is called I Feel Nothing.
Speaker 3: English English s s s.
Speaker 8: Everyree time.
Speaker 10: My trial sides by.
Speaker 8: Love te It's stake, try.
Speaker 5: I for te petrol my so say not take it
bye bye, I'm no.
Speaker 8: I know that.
Speaker 10: I trip like that.
Speaker 9: Oh from the bay, look at from the gid.
Speaker 8: Ho from the bray. My course is protty.
Speaker 5: Dances with to day.
Speaker 10: I'll by but that the lie to get my wise dot,
the bagging.
Speaker 3: And scare away the snag I not I dressed.
Speaker 8: My doll of a bag could die from the bell.
Speaker 6: To tide.
Speaker 10: Right old for a brain.
Speaker 1: That is so good. That is sick, dude. Hell yeah, hey,
thanks man. Absolutely, I love it the track as I
Feel Nothing. It's from the new EP Homo Erectus, And
it's been great talking with you guys this morning.
Speaker 2: Yeah, we always have such a fun time on here always.
We had a fun time last time, and I'm having
a fun time this time. I hope to come back again.
Speaker 1: Absolutely, we will definitely do it again in the future.
You mentioned off air two about you wanted to give
a shout out to your dad.
Speaker 2: Oh yeah, so my dad Chuck Nemitz, huge shouts out
Candle Light Productions. He's produced music, you know, in some
capacity for like as long as I have been alive
under the Moniker Candlelight Productions. And he he he engineered
the recording sessions and did all the like production and
stuff for us. Oh wow, Yeah, we had a different
buddy of ours master at our buddy Nick Yeah Nick,
but but yeah, big shouts out to my dad and
two Candlelight Productions. If you're looking for like good rates
on hourly recording with like a very knowledgeable and easy
to work with guy, get at him or I guess, like,
get at me. Somebody's crackers on Instagram and I'll get
you guys in touch. I don't want to blow up
his spot just yet, Like maybe he'll like frantically call
in and be like, no, no, my email addresses. No,
I'm just kidding.
Speaker 4: At Yahoo.
Speaker 1: I remember. Yeah, wow, no, very cool, very cool. That's cool.
Speaker 2: Yeah all right, but anyways, Yeah, thank you very much, Dad,
love you very much.
Speaker 4: Thank you, Chuck. I really appreciate it. It's really nice
to meet you and looking forward to the next time
I see it.
Speaker 1: Excellent, excellent, awesome. So, uh, before we we're gonna play
out another track in a moment, but before we do that,
so remind us again, where's the best place to go
online for keep up with everything?
Speaker 2: Sick dude? Hell yeah, I was doing Instagram? Instagram dude,
hell yeah. Okay, all right, and then and then I'm
pretty active on Facebook. At least for now, I'm kind
of trying to put it on the back burner because
it's giving me brain disease. I know, somebody's crackers. On Facebook,
I post funny stuff and then whenever stick dude, hell
yeah has a show coming up, I usually you know,
live stream it or post the details that kind of
fun stuff.
Speaker 1: So yeah, outstanding, outstanding. Well, we appreciate you guys coming in.
This has been amazing, and we're gonna close out the
segment I think with uh, We're gonna play a track
from a previous the previous EP, which is called EP
Nail in the Coffin. Why'd you guys choose this one
any any special reason or just is just one of
your favorites.
Speaker 2: It's one of my favorite. It goes hard. Yeah, we
put it out on a but before we put the
EP out, we released this as a single on a
not like as a standalone, but as a contribution to
this compilation album called We Just Want to Live. You
can check it out on band camp, suld. You should
just be able to find We Just Want to Live.
It's a it's a compilation that all the proceeds are
being donated to various organizations for you know, trans survival,
trans youth and stuff like that. So it's a cool
cause worth checking out with a lot of really cool
and really eclectic music on there.
Speaker 1: Okay, okay, excellent, So we'll close out the segment with that.
If you are listening live on Saturday. Coming up in
the second hour, we have Paul Nizzol, he will be
joining us via WhatsApp from the UK. And then in
the third hour we have jen X who is in
the chat room by the way, hello uh from the
band Generations and she's gonna be joining us via Microsoft
Teams from there in Springfield, Missouri, I believe so. So
we're traveling around a bit today, but we will close
out the segment with this. Again, guys, thank you so much,
thanks so much for having us. Thank you absolutely keep
doing radio radio is very important. I agree, thank you,
thank you so much. And here it is. This is
nailing the coffin the radio edit of course from the
bay and sick dude, Hell yeah, don't believe in myself.
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