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<v Speaker 1>Welcome to teen Girl Talk.

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<v Speaker 2>Teen Girl Talk.

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<v Speaker 1>I'm Susie Cota, I'm Frankingcota, and this week we are talking.

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<v Speaker 2>About Well l Well, a remake of a French film,

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<v Speaker 2>but this one's starring Mally Sarrus and hang on, Suzzy,

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<v Speaker 2>I have to I'm getting a lot of text messages

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<v Speaker 2>that just say hug with like a thousand parentheses around it.

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<v Speaker 1>Frank, I'm not sure why you chose to do this

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<v Speaker 1>to me. I want to take this moment to really

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<v Speaker 1>repent for all my sins, because I must have done

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<v Speaker 1>something really terrible. I was one of the many things

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<v Speaker 1>I bring up all the time, like that time I

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<v Speaker 1>eat your sandwich twenty years ago, yes, or the.

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<v Speaker 2>Time you dumped sod on me when I started a half.

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<v Speaker 1>Hour twenty five years ago.

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<v Speaker 2>Yeah, it's really funny in retrospect. So I just wanted

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<v Speaker 2>to do Molly Sawyer's Month. It was it was between

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<v Speaker 2>this so Undercover We're going in next week or the

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<v Speaker 2>Hannah Montana movie. I didn't have the lore for Hannah Montana,

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<v Speaker 2>so I went with this.

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<v Speaker 1>What about the one where her dad's Greg Kinnear and

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<v Speaker 1>they she's like obsessed with saving sea turtles.

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<v Speaker 2>I don't know that one, but I kind of want

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<v Speaker 2>to do that instead of so un to cover Morley Cyrus.

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<v Speaker 1>It's she's in it with Liam Hemsworth. I think they

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<v Speaker 1>ended up getting together after that movie.

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<v Speaker 2>I'll look into this. I'm just gonna look at Molly

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<v Speaker 2>Sawyer's Turtle movie.

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<v Speaker 1>Well it's more like.

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<v Speaker 2>The last song.

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<v Speaker 1>Yeah, oh for sure, for sure.

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<v Speaker 2>Okay, we're doing that. Well do we want to do this?

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<v Speaker 2>Because the scenes is slocky asn't the thing we did today?

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<v Speaker 3>I do want to do it just because, Uh, one

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<v Speaker 3>of my favorite FuG the fromage from Go FuG Yourself,

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<v Speaker 3>a website.

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<v Speaker 1>That I was really into like fifteen years ago. Watch that,

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<v Speaker 1>and uh, I've always been interested to watch the actual

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<v Speaker 1>movie because they consistently comment on how badly Miley's hair

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<v Speaker 1>was styled. It is styled, very greasy looking throughout the

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<v Speaker 1>whole film. I thought her hair looked great in Little

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<v Speaker 1>Demi Moore looks amazing. There are so many stars in

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<v Speaker 1>this movie, and the movie does not feel like a movie.

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<v Speaker 1>It feels like a bunch of scenes.

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<v Speaker 2>Okay, so this movie for me felt like it should

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<v Speaker 2>be three hours long because like, you keep getting scenes

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<v Speaker 2>that come in and you're just like, wait, what did

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<v Speaker 2>I miss something like, because like you'll see characters in

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<v Speaker 2>one scene be like never talk to me again. The

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<v Speaker 2>next scene like he's grossly kissing her shoulder and you're like, wait,

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<v Speaker 2>what happened? Like what's going on? Is that Jerry or Kyle?

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<v Speaker 2>So no, not Chad because he's not being horrendously misogynistic.

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<v Speaker 1>This this movie feels like the movie has a short memory. Yeah,

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<v Speaker 1>So the movie opens bizarrely. Everything just imagine everything I'm saying,

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<v Speaker 1>but all of the lines are delivered in the least

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<v Speaker 1>intuitive way possible. So the movie really crutches on voiceover

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<v Speaker 1>and they have Miley Cyrus say I just want to

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<v Speaker 1>have a perfect year. Here are me and my girls,

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<v Speaker 1>and it's like sort of the click rundown we're used to,

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<v Speaker 1>but there aren't any clicks. We're just talking about individuals.

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<v Speaker 1>And Ashley Green Alice from Twilight Looks Amazing, has the

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<v Speaker 1>most seen hair you could ever imagine in the early

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<v Speaker 1>two thousands, is called post it because she sticks to

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<v Speaker 1>every guy and acts like she loves them, which is

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<v Speaker 1>like not a thing, that's not a stereotype. It's so like,

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<v Speaker 1>this is the opening scene, and I found it confusing.

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<v Speaker 1>So we get to know her friend group. Everyone is

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<v Speaker 1>sort of spitting liners at.

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<v Speaker 2>Each other, and they're all really not funny.

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<v Speaker 1>They're so the cadence is bizarre. It's really lacking humor.

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<v Speaker 1>There's like no sort of like warmth you would expect

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<v Speaker 1>between a friend group that is supposed to be so

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<v Speaker 1>closely tied as this one. So then and so there's

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<v Speaker 1>blonde friend who's obsessed with sleeping with one of the teachers,

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<v Speaker 1>which was like such a major ick factor. And then

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<v Speaker 1>there's brunette friend who just has a mom that sort

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<v Speaker 1>of minimizes her to be her looks. Yeah, I don't

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<v Speaker 1>know anybody's name. If you're not a celebrity i've seen before,

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<v Speaker 1>I don't know your name in this movie. And the

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<v Speaker 1>only reason I know Miley Cyrus's character's name and Chad's

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<v Speaker 1>is because she says both of those names constantly. She's like,

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<v Speaker 1>my name is Lola, and people call me lol.

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<v Speaker 2>Okay, sorry, I need to that. You're doing a great

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<v Speaker 2>job so far, A says it, but.

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<v Speaker 1>I'm struggling, so I'm about to slip under.

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<v Speaker 2>I just wanted to say before I uh, the note

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<v Speaker 2>that just says, I'm in hell. I wrote down this

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<v Speaker 2>line dialog Forbatim. We're all just trying to live, love

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<v Speaker 2>and laugh out loud. Everyone calls me lull because my

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<v Speaker 2>name is Lola.

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<v Speaker 1>Like, imagine you're speaking to someone and they said that

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<v Speaker 1>you would immediately be concerned. You could be like, are

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<v Speaker 1>you okay? Are you experiencing a form of psychosis? Like what,

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<v Speaker 1>I'm not trying to be funny, Like, these are not

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<v Speaker 1>sentences a human says. Like Frank texted me while he

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<v Speaker 1>was watching the film and said, this movie feels like

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<v Speaker 1>it was made by AI, but this was years decades

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<v Speaker 1>before AI.

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<v Speaker 2>Yeah, well it's maybe twenty twelve where I think we

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<v Speaker 2>had like the bare bones AI like where it wasn't.

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<v Speaker 1>This way it was like sims level AI.

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<v Speaker 2>Yeah, like like okay, I made it about watch a

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<v Speaker 2>thousand hours of Hallmark Christmas movies and this is the

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<v Speaker 2>like script that came up with. We see a single

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<v Speaker 2>mother refilling snow gloves of Christmas juice. She is widow,

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<v Speaker 2>her husband died in every war.

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<v Speaker 1>Right, these are not really made by AI. These are

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<v Speaker 1>written by people.

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<v Speaker 2>Oh well that was the whole joke.

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<v Speaker 1>They're still very funny, Yes, that's why they're funny because

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<v Speaker 1>they were written by human beings.

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<v Speaker 2>Well, and it's also much better than anything written.

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<v Speaker 1>In this movie, also written by human beings. Confusingly enough,

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<v Speaker 1>Hernandos Okay says he was in suicide Squad. Suicide Squad.

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<v Speaker 2>God, I cannot I forgot how bad his character was

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<v Speaker 2>suicide Squad. So anyway, like we start, it's the beginning

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<v Speaker 2>of the school. Oh so when I mentioned the text

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<v Speaker 2>mess about hugs, that's the text message Molly Cyrus sends

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<v Speaker 2>to her mom, to me more and to me more.

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<v Speaker 2>Has a job.

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<v Speaker 1>Okay, this is Demi Moore has a job with clients undefined,

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<v Speaker 1>but is always home.

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<v Speaker 2>Like when we first see her, she's looking at a

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<v Speaker 2>blueprint kind of like software, like she's an interior designer.

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<v Speaker 2>And I'm just so confounded by this.

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<v Speaker 1>Just Thomas Jane is her ex husband and Miley Cyrus's

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<v Speaker 1>and younger daughter undefined and brother.

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<v Speaker 2>There's a brother and sister okay, which when the brother

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<v Speaker 2>came out, I'm like, where did this kid come from?

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<v Speaker 2>And do they have any meaningful lines? Are they funny?

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<v Speaker 2>Are they useful to the plot? No?

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<v Speaker 1>So what's This movie was adapted from the French film,

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<v Speaker 1>and you can tell because the way the type of

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<v Speaker 1>filmmaking is very European, where the scenes just sort of

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<v Speaker 1>moved from one another. But this film has the glossiness

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<v Speaker 1>of Hollywood, so it like doesn't work. Like I felt

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<v Speaker 1>like my brain was pushing back on it constantly, because

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<v Speaker 1>there are both. This movie is obsessed with sex in

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<v Speaker 1>a very French and American way and also obsessed with

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<v Speaker 1>like sort of sexual permissiveness but shame at the same time.

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<v Speaker 1>And I think that's why it feels so uncomfortable because

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<v Speaker 1>one of the first scenes where we see Miley and

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<v Speaker 1>Demi Moore interact, Tom Moore is in the bath with

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<v Speaker 1>her younger daughter and they're like playing around fine. Miley

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<v Speaker 1>strips off all her clothes, walks across the bathroom to

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<v Speaker 1>the shower. They're in this level of a rich house,

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<v Speaker 1>and her mom says, is that a Brazilian referring to her,

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<v Speaker 1>and Miley says, mom, like, don't look, or like, why

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<v Speaker 1>are you criticize this? Wouldn't I don't think this would happen.

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<v Speaker 1>I think in the majority of homes this would be

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<v Speaker 1>like verboden in America because sex is such a taboo here.

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<v Speaker 4>And like, so then to have this conversation, and the

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<v Speaker 4>conversation and like Miley says something like I just wanted

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<v Speaker 4>to have a shower with my family, which is insane.

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<v Speaker 1>It's an insane thing to say.

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<v Speaker 2>So when you but like it gives this false idea

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<v Speaker 2>that when you first watched this film that like this,

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<v Speaker 2>this family is probably a bit more you know, liberal

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<v Speaker 2>and like open minded than another like other families might be.

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<v Speaker 2>And then like towards the end of the movie and

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<v Speaker 2>throughout we get this like sexual conservatism, where like Demi

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<v Speaker 2>Moore is obsessed with like, okay, spoiler there. For the

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<v Speaker 2>end of the movie, Demi Moore reads all of Mami

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<v Speaker 2>Cyrus's Terrible Diary, which has a condom wrapper in it

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<v Speaker 2>as well as a Tutsi pop up roll wrapper in it,

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<v Speaker 2>and she's writing writing in it constantly in like the

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<v Speaker 2>most unrealistic way of writing I've ever seen, where like

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<v Speaker 2>literally like the pen cannot move that fast if it's

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<v Speaker 2>creating the friction to create to write. So she reads

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<v Speaker 2>the whole thing and then it's just shocked that her

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<v Speaker 2>daughter has like had sex, and I'm like, I thought you,

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<v Speaker 2>like I thought you'd be cooler than this. Okay, And

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<v Speaker 2>here's the thing. No, we've been doing this for a while.

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<v Speaker 2>This is the first movie to just make me feel

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<v Speaker 2>old because I constantly had had to stop myself. Like

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<v Speaker 2>during the aforementioned shower scene, Miley Cyrus has an arguing

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<v Speaker 2>with her mom then walks out, leaving her clothing behind

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<v Speaker 2>like she didn't like leaves like she leaves her clothing behind,

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<v Speaker 2>walks up at least the shower running. I'm like, you're

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<v Speaker 2>wasting water.

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<v Speaker 1>Well, like, none of it makes any sense. What was

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<v Speaker 1>that scene for? What? It wasn't funny, It didn't serve

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<v Speaker 1>the plot. What was that scene for except to be

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<v Speaker 1>like kind of provocative in that it didn't make any sense,

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<v Speaker 1>Like I don't even mean provocative in the fact that

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<v Speaker 1>there was implied nudity. I mean provocative in the fact that,

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<v Speaker 1>like I was like, well, all of that was weird.

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<v Speaker 1>The exchange of words was weird, the setting was strange,

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<v Speaker 1>and so then I already felt like I was sort

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<v Speaker 1>of like caught off foot, like okay, like what is it?

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<v Speaker 1>So like the problem with this movie is I think

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<v Speaker 1>it is existing in a really bizarre space where you're like, Okay,

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<v Speaker 1>this movie is gonna shock me, like something is gonna happen.

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<v Speaker 1>It's going to be like it's when you turn out

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<v Speaker 1>that Demi Moore is a murderer, or like that Miley

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<v Speaker 1>Cyrus's character is like embroiled in citywide corruption, Like something

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<v Speaker 1>is gonna happen. To make the bizarre catence of this

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<v Speaker 1>movie makes sense where I'm like, oh, okay, it's just

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<v Speaker 1>like dyl and I saw Bogonia last week and the

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<v Speaker 1>whole time I was like, what is gonna have it?

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<v Speaker 1>Which I think is the mark of a really good

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<v Speaker 1>movie or a really bad movie, where you're like, I

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<v Speaker 1>have no idea, what's gonna happen next this movie nothing

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<v Speaker 1>happens and I listener. I will be honest with you,

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<v Speaker 1>this movie was ninety minutes, and usually this is Frank

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<v Speaker 1>nam me. That doesn't finish. I mean, Frank, that's not

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<v Speaker 1>a knock on you. It's like a lot of the

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<v Speaker 1>stuff we watch is pretty terrible. But I say that

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<v Speaker 1>to say I could not get myself to finish this.

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<v Speaker 1>I had so many opportunities to watch the last twenty

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<v Speaker 1>minutes and I couldn't do it. Frank powered through, and

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<v Speaker 1>I think we'll have a little class for him because

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<v Speaker 1>the whole time I was like, I'm uncomfortable. This is boring.

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<v Speaker 1>It's that that is the criminal. The criminal crime by

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<v Speaker 1>this movie is that it's offensive and strange and boring.

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<v Speaker 2>Yeah, you can be one of.

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<v Speaker 1>Those things, you can't be all three of those things.

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<v Speaker 1>Like the room like which I would say is like

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<v Speaker 1>the bar for like super bad movies, is strange and

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<v Speaker 1>boring at parts, but it's like the whole time you're

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<v Speaker 1>sort of like I'm seeing inside the mind of a madman.

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<v Speaker 1>With loll I was just like, this feels craven. This

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<v Speaker 1>feels like a movie where someone is writing for the

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<v Speaker 1>teenage experience who one does not remember what it's like

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<v Speaker 1>to be a teenage Yeah, and there's like a fetishistic

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<v Speaker 1>aspect of it.

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<v Speaker 2>Yeah, like all of the teens.

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<v Speaker 1>Are cynical and shitty and only think of things in

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<v Speaker 1>the terms of sex, like who are you having sex with?

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<v Speaker 2>How?

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<v Speaker 1>Like it feels empty. It's like a vessel that's just empty.

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<v Speaker 2>Yeah, you know what.

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<v Speaker 1>Like, and there's a lot of talk about love no

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<v Speaker 1>evidence of it.

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<v Speaker 2>Yeah, there's a loveless movie, but it's not a lollless movie.

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<v Speaker 2>Oh I did not laugh about loud ones.

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<v Speaker 1>Yeah, but there's someone literally named the hole in it.

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<v Speaker 1>Come on, come on.

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<v Speaker 2>But there should have been a scene where towards like

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<v Speaker 2>like their first day of school, She's like, I gotta

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<v Speaker 2>tell Kyle how I feel if I just oh.

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<v Speaker 1>My god, I forgot about the best friend thing. How

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<v Speaker 1>did I forget the whole plot? Because like there is

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<v Speaker 1>no chemistry, just like no chemistry.

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<v Speaker 2>Well, okay, the joke I was about to finish was

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<v Speaker 2>like Lil's like, this me my best year ever. And

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<v Speaker 2>then like here comes Hillary Duff like and she's like, Hi,

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<v Speaker 2>my name's Ruffel.

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<v Speaker 1>I'm gonna watch that movie.

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<v Speaker 2>Actually no, like this movie couldn't get Hillary Duff. So

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<v Speaker 2>they just have a like a stand in like a

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<v Speaker 2>cardboards hilly hilly, like a cardboard cutout.

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<v Speaker 1>That I'm saying, they get Hailey Duff.

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<v Speaker 2>Who's holding a cardboard cutout of just wearing a cardboard

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<v Speaker 2>mask of her sister. Yeah. Okay, so, oh my god,

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<v Speaker 2>So we get back from to school.

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<v Speaker 1>I need you to describe the best friend relationship.

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<v Speaker 2>With Kyle. Yes, okay, So they've been friends since kindergarten.

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<v Speaker 2>They like to wave at each other from across subway

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<v Speaker 2>platforms for like pals long that.

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<v Speaker 1>I think that montage was what did be in because

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<v Speaker 1>I was like, what's happening?

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<v Speaker 2>Nothing is happening? Is it? That's something else I want

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<v Speaker 2>to bring up on this episode. I don't know what

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<v Speaker 2>the sentral conflict of this movie is. Like in the Lighthouse,

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<v Speaker 2>it's like man's desperate battle against loneliness and like isolation

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<v Speaker 2>and like the ways you stay sane in that kind

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<v Speaker 2>of situation.

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<v Speaker 1>I mean, I felt like that's what was happening to

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<v Speaker 1>me while watching this film. I was the only one

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<v Speaker 1>in the room.

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<v Speaker 2>What is the central conflict of Pregonia's.

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<v Speaker 1>Is he whether Emma Stone is an alien or not?

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<v Speaker 1>And the morality of kidnapping?

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<v Speaker 2>Like nothing happens like that? I kept thinking about that

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<v Speaker 2>scene in Adaptation where like, uh, what adaptation Adaptation where

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<v Speaker 2>you know, Nicholas Cage's character gets yelled at by that

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<v Speaker 2>guy who's just like if you can't find drama in life,

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<v Speaker 2>then why are you wasting my two precious hours or

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<v Speaker 2>your dumb ass movie? Yeah, Like because this this is

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<v Speaker 2>that movie Nicholas Cage is describing. Nothing happens. Okay, So yeah,

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<v Speaker 2>so Kyle, Kyle and loll are in.

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<v Speaker 1>Stop It just call her Miley Cyrus.

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<v Speaker 2>Kyle and Molly Cyrus are in our best friends. They've

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<v Speaker 2>been best friends since kindergarten.

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<v Speaker 1>What do they have in common?

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<v Speaker 2>They've been best friends since they were in kindergarten.

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<v Speaker 1>I'm gonna fa.

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<v Speaker 2>That's all I can tell.

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<v Speaker 1>There is this like fixation on indie music, and I

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<v Speaker 1>will say Kyle's band sings a pretty good song.

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<v Speaker 2>You didn't hear all ass song. The last song is

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<v Speaker 2>pure Radio Disney. Oh my god, so it sucks so bad.

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<v Speaker 2>And there's a lot to pull up the line because

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<v Speaker 2>I pulled that one. Oh he's writing a love song

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<v Speaker 2>where he says we used to be like brother and sister.

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<v Speaker 2>Fuck I hate that and then I broke the promise.

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<v Speaker 1>What yeah, Because that's the other part. There's like a

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<v Speaker 1>lot of drama. But the only person who's like truly

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<v Speaker 1>a bad person is Chad, and Chad has almost no

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<v Speaker 1>impact on the plot. Chad is like this name that

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<v Speaker 1>is invoked when they need Miley to storm out of

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<v Speaker 1>a room. But Chad actually, like is a completely inconsequential person.

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<v Speaker 2>Chad is a roaming rumba of misogyny. He just walks

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<v Speaker 2>up to will women calls them hoes. Like, okay, so

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<v Speaker 2>there's I guess supposed to be their central hangout spot

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<v Speaker 2>is against this gray wall. And like Chad and Kyle

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<v Speaker 2>and are a band together, and like there's.

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<v Speaker 1>What do Chad and Kyle have in common?

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<v Speaker 2>They're in a band together.

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<v Speaker 1>We never see anyone like this movie. I don't even

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<v Speaker 1>want to say that it doesn't pass the Bechtel test

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<v Speaker 1>because nobody talks about anything, so like it's not even

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<v Speaker 1>like do the women talk.

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<v Speaker 2>About anything besides men, not that I can tell.

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<v Speaker 1>I guess the women only talk about men, and the

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<v Speaker 1>men only talk about this band in Battle of the

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<v Speaker 1>Bands and dads. So not even the men pass the

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<v Speaker 1>Bechdel test because they're just talking about dads.

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<v Speaker 2>So okay, So Chad, Chad and Malisarius write a heart

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<v Speaker 2>that says Chad and Lowell.

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<v Speaker 1>For oh my god, this is amazing. This happens like

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<v Speaker 1>in the first ninety seconds of the movie. And almost

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<v Speaker 1>immediately after this, what is Chad saying?

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<v Speaker 2>Chad says, Hey, what I was doing? I'm a counselor

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<v Speaker 2>at the.

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<v Speaker 1>At first she's like, hey, I called and texted you

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<v Speaker 1>and you didn't reply, And he's like reception, I couldn't

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<v Speaker 1>and she's like okay, and.

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<v Speaker 2>Then he's just like, hey, I hooked up with this

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<v Speaker 2>girl only a one time thing. And then she lies

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<v Speaker 2>and says she hooked up with somebody, but then it.

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<v Speaker 1>Is clearly angry.

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<v Speaker 2>And then she also goes and like crosses out the chad.

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<v Speaker 2>This is like, this is just the graffiti bathroom. There

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<v Speaker 2>doesn't seem to be anybody.

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<v Speaker 1>At what seems to be a high end private school. Yeah,

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<v Speaker 1>so at no point during this summer did the school thing, hey,

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<v Speaker 1>this bathroom looks worse than pensation. We should probably take

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<v Speaker 1>care of it. And like with students like my right,

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<v Speaker 1>I'm like, yeah, I probably wouldn't fix it up either.

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<v Speaker 1>I'd feel like these kids are the worst. They're so

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<v Speaker 1>wishy washing, they draw hard that they cross it up

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<v Speaker 1>thirty seconds later.

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<v Speaker 2>They hate their French teacher. They're all miserable assholes. The

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<v Speaker 2>only person who gets any respect and like people listen

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<v Speaker 2>to is the hot trigonometer teacher, which you know, good

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<v Speaker 2>like I don't approve of student teacher relationships, but like

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<v Speaker 2>I'll give creed. So those girls were sitting through treg

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<v Speaker 2>just to stare at this dude, like good.

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<v Speaker 1>On you well, only blonde girl did that.

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<v Speaker 2>Now there's some others, like there's a mother to watching.

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<v Speaker 2>Oh also like so they so Chad and her breakup,

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<v Speaker 2>there's another guy named Jeremy Frank.

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<v Speaker 1>I had no idea what I was supposed to feel

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<v Speaker 1>about their breakup because she didn't react to like the cheating.

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<v Speaker 2>It's so utterly flaccid.

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<v Speaker 1>I think for some reason, Chad believes her that she

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<v Speaker 1>hooked up with someone else, and then he's mad, which

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<v Speaker 1>makes no sense because he cheated.

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<v Speaker 2>Well okay, I mean I can understand that, like from

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<v Speaker 2>a misogynous, asshole kind of, you know, perspective.

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<v Speaker 1>But that's the way I wanted to be, Like movie,

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<v Speaker 1>tell me what to feel, I'll feel it. I'm very impressionable.

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<v Speaker 2>But the thing is also like, it doesn't make sense

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<v Speaker 2>to lie about like unless you're like trying to do

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<v Speaker 2>like a one upmanship kind of thing, like you know,

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<v Speaker 2>especially high school, you want to be like not you

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<v Speaker 2>you know, I don't know. It doesn't matter.

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<v Speaker 1>It doesn't make any sense because I don't think that's

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<v Speaker 1>how most humans would react, like maybe after the initial shock,

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<v Speaker 1>but presumably she would be shocked, right. She thinks they're

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<v Speaker 1>still together. They drew the heart. They had the conversation

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<v Speaker 1>about the cell phone reception. So the way she reacts

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<v Speaker 1>is the way that you would presume someone would react

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<v Speaker 1>after they had time to process, like oh, well, fuck you. You

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<v Speaker 1>know you hurt me and guess what I cheated on YouTube?

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<v Speaker 1>Not immediate, not oh my god, you cheated on me. Well,

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<v Speaker 1>I cheated on you too. Also you're horrible and we're

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<v Speaker 1>broken up. It doesn't make in the same way that

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<v Speaker 1>we are not informed at all about Demi Moore and

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<v Speaker 1>Thomas James failed marriage and now sneaking around. So they're

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<v Speaker 1>sleeping together, but then Thomas Jane is seen out with someone,

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<v Speaker 1>so then dem Mour confronts him because Fisher Stevens and

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<v Speaker 1>Gina gershan are a couple friends too. To me, Moore

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<v Speaker 1>and Gina Gershaan's like, oh my god, so's Thomas Jane

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<v Speaker 1>out with a real bimbo And Demi Moore's like and

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<v Speaker 1>Fisher Stevens is like, yo, don't tell her. And so

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<v Speaker 1>when dem Moour later confronts Thomas Jane, she's like, are

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<v Speaker 1>you seeing other people? And he's like, no, we're back together,

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<v Speaker 1>and she's like, oh are we end? I've seen what

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<v Speaker 1>am I supposed to feel? And then later it turns

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<v Speaker 1>out he is sleeping with other people. Why dude, I care?

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<v Speaker 2>Yeah, she didn't think they were back together, or did she?

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<v Speaker 1>I don't know what to feel. This movie is having

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<v Speaker 1>the opposite problem of how I usually feel about movies,

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<v Speaker 1>where I'm like, you don't need to spoon feed me,

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<v Speaker 1>not an idiot, And I'm like, no movie, really, write

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<v Speaker 1>write it on the graffiti bathroom wall. For me, you

400
00:25:06.079 --> 00:25:09.480
<v Speaker 1>were supposed to be upset then Miley lost the worst

401
00:25:09.480 --> 00:25:12.599
<v Speaker 1>boyfriend ever, Chad. You were supposed to be upset. That

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<v Speaker 1>to me, Moore lost a man. She's already divorced.

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<v Speaker 2>Okay, so I'm gonna just say this about Chad, like,

404
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<v Speaker 2>oh my god, are you in love with him?

405
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<v Speaker 1>No, he's gonna break your heart.

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<v Speaker 2>I normally don't call people.

407
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<v Speaker 1>Also, his hair is styled strangely.

408
00:25:26.799 --> 00:25:29.720
<v Speaker 2>He has like the looks of like a silly and Murphy,

409
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<v Speaker 2>but like his hair makes him look so douche like.

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<v Speaker 2>It's just like the worst.

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<v Speaker 1>Scene where he had gone a little more psychotic with him. Okay,

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<v Speaker 1>hear me out, hear me out.

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<v Speaker 2>A listener, I just listeners.

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<v Speaker 1>I just gave look, I'm sure they understood that from

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<v Speaker 1>my response where I'm like, okay.

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<v Speaker 2>But what if.

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<v Speaker 1>Here's the thing. Chad is boring. Chat is personality lists.

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<v Speaker 2>He's a personality a lot of other male podcasts has

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<v Speaker 2>gone far out of it.

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<v Speaker 1>Yes, but why is Miley attracted to him? We get

421
00:26:08.279 --> 00:26:12.920
<v Speaker 1>why she's attracted to Kyle right, familiarity. He's a handsome guy,

422
00:26:13.920 --> 00:26:18.960
<v Speaker 1>he's familiar and he seems to like her, and I

423
00:26:19.000 --> 00:26:21.079
<v Speaker 1>guess they were working on a will they won't they? Thing?

424
00:26:22.079 --> 00:26:26.680
<v Speaker 1>But I need Chad to be like repellent so that

425
00:26:27.160 --> 00:26:30.359
<v Speaker 1>when she breaks up with him, but like charming. The

426
00:26:30.440 --> 00:26:34.200
<v Speaker 1>thing is Chad is just kind of nothing. So when

427
00:26:34.480 --> 00:26:37.319
<v Speaker 1>she's saying I love Chad, We're gonna be together forever,

428
00:26:37.519 --> 00:26:41.920
<v Speaker 1>and then that's not true. I don't feel anything because

429
00:26:43.480 --> 00:26:45.680
<v Speaker 1>there's nothing for me to like kind of stick my

430
00:26:46.079 --> 00:26:48.839
<v Speaker 1>hooks into, Like what, why are you going to be

431
00:26:48.920 --> 00:26:52.720
<v Speaker 1>together forever? What is like the will they won't they

432
00:26:52.720 --> 00:26:55.440
<v Speaker 1>of Chad? And then so by the time she gets

433
00:26:55.480 --> 00:27:01.000
<v Speaker 1>together with Kyle, and then she thinks that this shares

434
00:27:01.039 --> 00:27:05.799
<v Speaker 1>a lot in common with the Entourage movie. All of

435
00:27:05.880 --> 00:27:10.680
<v Speaker 1>the pranks are like pranks or upset or conflict you're

436
00:27:10.680 --> 00:27:14.400
<v Speaker 1>based around usually with that person, Well, what if I did,

437
00:27:14.920 --> 00:27:19.559
<v Speaker 1>but actually I didn't. Oh well I behage poorly because

438
00:27:19.599 --> 00:27:24.960
<v Speaker 1>I thought you did well I didn't. Well, okay, this

439
00:27:25.039 --> 00:27:25.359
<v Speaker 1>is not.

440
00:27:26.039 --> 00:27:31.279
<v Speaker 2>Like come on, so like, I also just want to

441
00:27:31.279 --> 00:27:32.279
<v Speaker 2>point out a scene.

442
00:27:32.559 --> 00:27:38.519
<v Speaker 1>Give me a supernatural monster, make Chad a potential serial killer, make.

443
00:27:38.440 --> 00:27:41.799
<v Speaker 2>Him aware of So I want to just talk about

444
00:27:41.799 --> 00:27:46.000
<v Speaker 2>this utterly bizarre scene where she goes to the gray wall,

445
00:27:46.359 --> 00:27:48.599
<v Speaker 2>which is a metaphor foris entire movie. It's just a

446
00:27:48.640 --> 00:27:51.039
<v Speaker 2>gray wall that they are all lights.

447
00:27:51.240 --> 00:27:53.839
<v Speaker 1>That you, the viewer, are supposed to project upon.

448
00:27:54.160 --> 00:27:56.960
<v Speaker 2>Yeah, so he goes he goes to the gray wall

449
00:27:57.400 --> 00:28:01.640
<v Speaker 2>because he Chad does. Yeah, okay, and he's just like, hey,

450
00:28:01.640 --> 00:28:04.519
<v Speaker 2>can I talk to you real quick? And he propositioned

451
00:28:04.519 --> 00:28:07.160
<v Speaker 2>to her like ten feet away from everyone.

452
00:28:07.920 --> 00:28:10.640
<v Speaker 1>It is insane, and I think if they had leaned

453
00:28:10.680 --> 00:28:14.880
<v Speaker 1>into this level of psychopathy, we'd have something LEAs continue.

454
00:28:14.960 --> 00:28:18.440
<v Speaker 2>What do you do you remember was that movie with

455
00:28:19.359 --> 00:28:21.559
<v Speaker 2>Maya Hawk and Kamela Mendez.

456
00:28:23.480 --> 00:28:27.640
<v Speaker 1>Oh, the one where she says, this is shocking news,

457
00:28:28.079 --> 00:28:29.519
<v Speaker 1>I'm shocked. Oh my god.

458
00:28:29.559 --> 00:28:30.319
<v Speaker 2>I love that line.

459
00:28:30.599 --> 00:28:32.559
<v Speaker 1>I still have that clip on my phone and sometimes

460
00:28:32.599 --> 00:28:35.039
<v Speaker 1>I just fly it. This is shocking.

461
00:28:36.160 --> 00:28:39.480
<v Speaker 2>But like that guy was psychotic, and like when you

462
00:28:39.559 --> 00:28:41.359
<v Speaker 2>found out towards the end of the movie that he

463
00:28:41.559 --> 00:28:44.559
<v Speaker 2>was knowingly psychotic and not just like a hymnbo I

464
00:28:44.599 --> 00:28:48.599
<v Speaker 2>was like, that's great, it's really good. This instead was

465
00:28:48.720 --> 00:28:52.160
<v Speaker 2>just like Doe Revenge. That was it. Yeah, listener, don't

466
00:28:52.160 --> 00:28:57.640
<v Speaker 2>watch this movie. Watch Due Revenge again. But like he's

467
00:28:57.720 --> 00:29:00.519
<v Speaker 2>just kind of like you would expect him to be,

468
00:29:00.759 --> 00:29:02.640
<v Speaker 2>like because like you know, that was we're still kind

469
00:29:02.680 --> 00:29:05.000
<v Speaker 2>of in the indie rock phase that he'd be like

470
00:29:05.119 --> 00:29:07.480
<v Speaker 2>using that to get girls and whatnot and all these things.

471
00:29:07.680 --> 00:29:10.119
<v Speaker 1>That's the thing I feel like this movie does not

472
00:29:10.519 --> 00:29:14.000
<v Speaker 1>commit to the bit on anything. Right, Like halfway through

473
00:29:14.000 --> 00:29:18.079
<v Speaker 1>the movie, we find out that Anthony Michael Hall is

474
00:29:18.119 --> 00:29:25.319
<v Speaker 1>a bad, horrible dad and he is Kyle's dad. Report

475
00:29:25.359 --> 00:29:28.960
<v Speaker 1>cards come up at some point and it's like there's

476
00:29:29.000 --> 00:29:32.200
<v Speaker 1>a lot of discussion about grades, but like not to

477
00:29:32.319 --> 00:29:33.559
<v Speaker 1>any ends.

478
00:29:33.680 --> 00:29:36.839
<v Speaker 2>We get a montage of people getting their report cards

479
00:29:37.240 --> 00:29:41.880
<v Speaker 2>and Emily, the blonde friend who uh is in love

480
00:29:41.920 --> 00:29:44.200
<v Speaker 2>with our teacher says.

481
00:29:45.160 --> 00:29:48.039
<v Speaker 1>And her mom is in a whole bunch of stuff.

482
00:29:48.119 --> 00:29:49.640
<v Speaker 1>She's a character actor.

483
00:29:50.119 --> 00:29:53.759
<v Speaker 2>Yeah, and she's like, like, you didn't make honor roll. Oh,

484
00:29:53.839 --> 00:29:55.839
<v Speaker 2>She's like, I got one b I'm like, yeah, that's

485
00:29:55.880 --> 00:29:59.960
<v Speaker 2>honor roll, like you know, Maya Cyrus is.

486
00:30:00.039 --> 00:30:04.279
<v Speaker 1>Oh my god, when so this is Miley Cyrus. This

487
00:30:04.480 --> 00:30:07.279
<v Speaker 1>is now that I know that Demi Moore gets upset

488
00:30:07.559 --> 00:30:15.440
<v Speaker 1>about Miley Cyrus having sex. When Miley Cyrus says to

489
00:30:15.559 --> 00:30:19.359
<v Speaker 1>blonde friend, Hey, my mom just bought us like a

490
00:30:19.400 --> 00:30:22.000
<v Speaker 1>haul at Victoria's Secret and not all of it fits me.

491
00:30:22.079 --> 00:30:25.000
<v Speaker 1>Do you want some blonde friends? Like yes, And so

492
00:30:25.160 --> 00:30:27.640
<v Speaker 1>then she has it in her purse to go to

493
00:30:28.000 --> 00:30:30.440
<v Speaker 1>not her purse, it's not all in her person, it's

494
00:30:30.480 --> 00:30:35.400
<v Speaker 1>in her luggage to go to Paris underwear. So then

495
00:30:35.480 --> 00:30:38.799
<v Speaker 1>her mom walks in and starts pulling the under around.

496
00:30:38.880 --> 00:30:41.039
<v Speaker 1>I think this is supposed to be funny, but it's

497
00:30:41.119 --> 00:30:45.640
<v Speaker 1>actually harrowing because her mom says, what is this an eyepatch?

498
00:30:45.759 --> 00:30:49.680
<v Speaker 1>Good line because it's g strings And she says this

499
00:30:49.880 --> 00:30:53.960
<v Speaker 1>is for bad girls who get bad grades and like

500
00:30:53.960 --> 00:30:56.440
<v Speaker 1>don't go to college or something, which on the face

501
00:30:56.440 --> 00:30:58.240
<v Speaker 1>of it, is like a funny thing to say. It's

502
00:30:58.279 --> 00:31:01.279
<v Speaker 1>like that line in one out All after another where

503
00:31:01.279 --> 00:31:08.400
<v Speaker 1>it's like we're against psychos and fascists and haters or something,

504
00:31:08.519 --> 00:31:12.559
<v Speaker 1>punks and haters where it's like a stupid thing to say,

505
00:31:12.599 --> 00:31:15.240
<v Speaker 1>but a very funny line. But then when you realize

506
00:31:15.240 --> 00:31:18.799
<v Speaker 1>that this mother has been like really grinding her daughter

507
00:31:18.880 --> 00:31:22.559
<v Speaker 1>down about grades and being anti sex and all that,

508
00:31:22.640 --> 00:31:25.160
<v Speaker 1>it's like, oh, well this is actually just depressing.

509
00:31:25.519 --> 00:31:31.559
<v Speaker 2>Yeah. So also, but speaking of the mom, like, okay, yeah, no,

510
00:31:31.559 --> 00:31:34.599
<v Speaker 2>I agree with like if you go wider with it

511
00:31:34.680 --> 00:31:35.759
<v Speaker 2>then it would be funny.

512
00:31:36.319 --> 00:31:39.839
<v Speaker 1>Yes, Like no one is allowed to be big in

513
00:31:39.920 --> 00:31:43.640
<v Speaker 1>this film, and I think that's the thing that they need,

514
00:31:43.880 --> 00:31:47.000
<v Speaker 1>is like for people to be taking big swings.

515
00:31:47.359 --> 00:31:51.720
<v Speaker 2>Yeah, so this movie. But speaking of Emily's mom, let's

516
00:31:51.720 --> 00:31:52.839
<v Speaker 2>talk about how this.

517
00:31:52.799 --> 00:31:55.880
<v Speaker 1>Movie is Ora Dunn, that's Emily's mom, blonde friend.

518
00:31:56.000 --> 00:32:02.519
<v Speaker 2>Yeah, let's talk about how this movie spends about teens ostensively,

519
00:32:03.240 --> 00:32:06.720
<v Speaker 2>has so much adult conversations and not talking.

520
00:32:06.799 --> 00:32:09.240
<v Speaker 1>Every time they cut to the parents, I was like,

521
00:32:09.440 --> 00:32:11.200
<v Speaker 1>why are we here again?

522
00:32:12.160 --> 00:32:16.240
<v Speaker 2>We cut randomly to a demean More therapy session when

523
00:32:16.279 --> 00:32:17.039
<v Speaker 2>she's talking to her.

524
00:32:16.960 --> 00:32:22.640
<v Speaker 1>Therapist Frank, I miss that altogether. It happens more than

525
00:32:22.680 --> 00:32:26.519
<v Speaker 1>once shut up what weg like?

526
00:32:26.720 --> 00:32:31.599
<v Speaker 2>Who? The first scene is her mom is demean More

527
00:32:31.680 --> 00:32:35.880
<v Speaker 2>being like could you say something other? And she goes,

528
00:32:36.880 --> 00:32:37.440
<v Speaker 2>I must have.

529
00:32:37.440 --> 00:32:39.119
<v Speaker 1>Wandered out of the room to get coffee. I have

530
00:32:39.279 --> 00:32:40.400
<v Speaker 1>no recollection of this.

531
00:32:40.519 --> 00:32:42.680
<v Speaker 2>Maybe your brain went to a few states to protect itself.

532
00:32:42.759 --> 00:32:44.799
<v Speaker 1>I think it did. I think my body was like

533
00:32:44.920 --> 00:32:46.400
<v Speaker 1>and now we dissociate.

534
00:32:45.960 --> 00:32:50.359
<v Speaker 2>And I was like, or oscars, just like mother, I'm

535
00:32:50.359 --> 00:32:52.000
<v Speaker 2>here and just started like dancing.

536
00:32:53.440 --> 00:32:55.240
<v Speaker 1>Still came into the room at one point and I

537
00:32:55.279 --> 00:32:57.640
<v Speaker 1>was like, this movie is so hard. He goes is

538
00:32:57.680 --> 00:33:02.680
<v Speaker 1>it long? And I was like, no, there's like literally

539
00:33:02.720 --> 00:33:04.759
<v Speaker 1>no reason for this to be as hard for me

540
00:33:04.839 --> 00:33:05.559
<v Speaker 1>as it is.

541
00:33:05.640 --> 00:33:10.759
<v Speaker 2>So like like we Also, when I say adult conversations,

542
00:33:10.960 --> 00:33:14.200
<v Speaker 2>these adults are fully talking about their sex lives, and

543
00:33:14.519 --> 00:33:15.960
<v Speaker 2>it's so weird.

544
00:33:16.599 --> 00:33:19.400
<v Speaker 1>The adults talk more like teens than the teens do.

545
00:33:19.799 --> 00:33:23.000
<v Speaker 2>So all of a sudden, at a certain point, Miley

546
00:33:23.039 --> 00:33:27.119
<v Speaker 2>Cyrus comes. So this adult conversation goes on for like

547
00:33:27.559 --> 00:33:29.839
<v Speaker 2>five or six minutes, and are.

548
00:33:29.720 --> 00:33:31.440
<v Speaker 1>You talking about the therapy one or a different one?

549
00:33:31.480 --> 00:33:33.359
<v Speaker 2>Different one? The therapy session is only there for like

550
00:33:33.440 --> 00:33:35.480
<v Speaker 2>twenty seconds, so we can then make it a joke

551
00:33:35.559 --> 00:33:40.160
<v Speaker 2>later when she's talking to Tomas Jane. So the adults

552
00:33:40.160 --> 00:33:42.480
<v Speaker 2>are having conversations with this. I think Miley Cyrus comes

553
00:33:42.559 --> 00:33:44.519
<v Speaker 2>in with Jeremy.

554
00:33:45.119 --> 00:33:49.359
<v Speaker 1>Okay, that whole thing was bizarre. The friend, the other friend, the.

555
00:33:49.480 --> 00:33:51.359
<v Speaker 2>Not the not Kyle friend.

556
00:33:52.039 --> 00:33:55.000
<v Speaker 1>What was his whole deal? And he did not look

557
00:33:55.039 --> 00:33:57.839
<v Speaker 1>dissimilar enough from Kyle that I did not confuse that.

558
00:33:58.319 --> 00:34:00.839
<v Speaker 2>Like I was like, okay, I know.

559
00:34:00.880 --> 00:34:04.200
<v Speaker 1>They needed him to make Kyle jealous. But he comes

560
00:34:04.200 --> 00:34:06.640
<v Speaker 1>out of nowhere and she's like, hey, let's do it.

561
00:34:06.799 --> 00:34:09.079
<v Speaker 1>Jery's like what, No, I don't want to do that,

562
00:34:09.960 --> 00:34:12.480
<v Speaker 1>and I was like, oh my god, finally a sane

563
00:34:12.519 --> 00:34:15.519
<v Speaker 1>person who talks like a regular person. Because like the

564
00:34:15.559 --> 00:34:18.519
<v Speaker 1>way this movie's written again so cynically, I expected to

565
00:34:18.559 --> 00:34:20.960
<v Speaker 1>be like, you of course will want to do it.

566
00:34:21.280 --> 00:34:26.679
<v Speaker 1>But Jeremy's like, stop being fucking weird, like we're getting hot,

567
00:34:26.880 --> 00:34:27.480
<v Speaker 1>shut up.

568
00:34:28.000 --> 00:34:31.199
<v Speaker 2>You know what honestly reminds me of DeBie from Never

569
00:34:31.199 --> 00:34:33.880
<v Speaker 2>Have I Ever when she's trying to who's the hot

570
00:34:33.920 --> 00:34:37.760
<v Speaker 2>guy she's trying to sleep with Paxon past it and

571
00:34:37.800 --> 00:34:39.679
<v Speaker 2>he's just like, you know, you're too weird to have

572
00:34:39.719 --> 00:34:44.239
<v Speaker 2>sex with yes, so like and like, they have a

573
00:34:44.239 --> 00:34:47.199
<v Speaker 2>conversation about her getting a vestment, which, honestly, as I was,

574
00:34:47.199 --> 00:34:49.119
<v Speaker 2>getting vestment would have improved this movie.

575
00:34:49.239 --> 00:34:51.280
<v Speaker 1>It would have been so much more interesting.

576
00:34:51.119 --> 00:34:57.119
<v Speaker 2>Like and then we also get a scene where the

577
00:34:57.199 --> 00:35:01.760
<v Speaker 2>mom is like, oh, coming out of a courtroom, her

578
00:35:01.840 --> 00:35:02.559
<v Speaker 2>heel breaks.

579
00:35:04.440 --> 00:35:08.480
<v Speaker 1>I was like, Okay, where is this going? Because and

580
00:35:08.599 --> 00:35:11.400
<v Speaker 1>this is I think really a testament to what a

581
00:35:11.440 --> 00:35:15.159
<v Speaker 1>good actor to me more is because imagine being given

582
00:35:15.239 --> 00:35:18.639
<v Speaker 1>such a clunky line of exposition where you're like, I

583
00:35:18.679 --> 00:35:21.000
<v Speaker 1>got a ticket and these asshole cops and da da,

584
00:35:21.639 --> 00:35:23.239
<v Speaker 1>we have no lead up to this.

585
00:35:24.119 --> 00:35:26.840
<v Speaker 2>Yeah, Like and they are rich.

586
00:35:26.719 --> 00:35:28.800
<v Speaker 1>Rich because I don't know if they're in Chicago or

587
00:35:29.079 --> 00:35:29.800
<v Speaker 1>they're in Chicago.

588
00:35:29.920 --> 00:35:33.119
<v Speaker 2>They have a car, yeah, and like they have like

589
00:35:33.480 --> 00:35:35.280
<v Speaker 2>they have like a what do you call that a

590
00:35:35.400 --> 00:35:39.320
<v Speaker 2>moon shaped driveway? Okay, yeah, the half circle that you

591
00:35:39.320 --> 00:35:41.599
<v Speaker 2>can like you don't have to like reverse out of,

592
00:35:42.360 --> 00:35:45.360
<v Speaker 2>like and they just leave their car there, like is

593
00:35:45.360 --> 00:35:50.480
<v Speaker 2>there a valet? What is happening? Like? So like he's

594
00:35:50.559 --> 00:35:54.159
<v Speaker 2>just like, hey, hey girl, what's up? Like you know,

595
00:35:54.920 --> 00:35:58.039
<v Speaker 2>I'm Jay Hernandez, I'm really hot. I'm also a cop.

596
00:35:58.559 --> 00:35:59.679
<v Speaker 2>Do you want to get in the back of my

597
00:35:59.760 --> 00:36:01.360
<v Speaker 2>dude Ducati bike.

598
00:36:04.400 --> 00:36:07.360
<v Speaker 1>She's like, cops are such assholes and they give you

599
00:36:07.440 --> 00:36:09.320
<v Speaker 1>tickets and they're just trying to make my life where

600
00:36:09.320 --> 00:36:14.800
<v Speaker 1>it's like really sovereign citizen level complaining about this thing.

601
00:36:15.239 --> 00:36:18.840
<v Speaker 1>And then he's She's like, what about your helmet? You

602
00:36:18.920 --> 00:36:21.920
<v Speaker 1>know how they are? And then a coup pulls up

603
00:36:21.960 --> 00:36:26.159
<v Speaker 1>and goes, oh, good afternoon, detective, and she's like, oh, no,

604
00:36:26.639 --> 00:36:30.800
<v Speaker 1>you're a coup. And then did you notice the way

605
00:36:30.840 --> 00:36:33.760
<v Speaker 1>she was riding on this vestiva. She is in heels,

606
00:36:34.119 --> 00:36:37.639
<v Speaker 1>she's in a trench coat, and I'm trying. I stood

607
00:36:37.679 --> 00:36:39.880
<v Speaker 1>up so I could show Frank her legs are crossed.

608
00:36:39.920 --> 00:36:43.920
<v Speaker 1>I can't even do this by the coffee table to Yes,

609
00:36:44.360 --> 00:36:46.800
<v Speaker 1>she's sitting with her legs crossed on this like this,

610
00:36:47.360 --> 00:36:50.320
<v Speaker 1>holding out to him. I was like, that stunt person

611
00:36:50.480 --> 00:36:52.400
<v Speaker 1>is holding on for their life.

612
00:36:53.079 --> 00:36:57.559
<v Speaker 2>Yeah. So also like I forgot about.

613
00:36:57.320 --> 00:36:59.360
<v Speaker 1>The least intuitive way to ride a motorcycle ever.

614
00:36:59.480 --> 00:37:02.639
<v Speaker 2>The scene before this is like we're shown that Kyle

615
00:37:02.679 --> 00:37:05.360
<v Speaker 2>has a shitty dad who only cares about his grades.

616
00:37:05.440 --> 00:37:11.280
<v Speaker 1>Yeah, Anthony Michael Hall, well, like he's just not I'm

617
00:37:11.280 --> 00:37:15.000
<v Speaker 1>sorry I didn't bring up I said that like you're retreating.

618
00:37:15.039 --> 00:37:17.960
<v Speaker 1>I never went anywhere with it because it doesn't go anywhere.

619
00:37:18.360 --> 00:37:21.039
<v Speaker 1>Do they play out in the end of the film, Yeah,

620
00:37:22.079 --> 00:37:22.440
<v Speaker 1>oh my.

621
00:37:22.400 --> 00:37:25.599
<v Speaker 2>God, is he a no his dad when he wins

622
00:37:25.760 --> 00:37:28.639
<v Speaker 2>an I mean, when he wins the Battle of the

623
00:37:28.639 --> 00:37:31.280
<v Speaker 2>band's unless a record deal, his dad falling, except that

624
00:37:31.320 --> 00:37:32.079
<v Speaker 2>he wants to do music.

625
00:37:32.119 --> 00:37:33.400
<v Speaker 1>Oh my god, I thought you were going to say

626
00:37:33.440 --> 00:37:35.039
<v Speaker 1>his dad like burns the place down.

627
00:37:35.199 --> 00:37:37.800
<v Speaker 2>No, that'll makes it way more interesting because that's.

628
00:37:37.679 --> 00:37:39.440
<v Speaker 1>What we've been led to believe he would do.

629
00:37:40.320 --> 00:37:43.960
<v Speaker 2>Yeah. Well, I mean, Kyle's like, Kyle's like, hey, dad,

630
00:37:44.119 --> 00:37:45.599
<v Speaker 2>you know I got into Battle of the Bands. You're

631
00:37:45.599 --> 00:37:48.679
<v Speaker 2>like pass the salt, and Kyle like slides the salt

632
00:37:48.719 --> 00:37:52.199
<v Speaker 2>across the thing. And I'm I don't want to say,

633
00:37:52.400 --> 00:37:56.199
<v Speaker 2>like rich people don't have problems, but it's like it's.

634
00:37:56.199 --> 00:37:59.480
<v Speaker 1>Hard to like nobody in this movie has real problems.

635
00:37:59.559 --> 00:38:04.800
<v Speaker 2>Yeah, yeah, okay, because like we're they're in front of

636
00:38:05.159 --> 00:38:10.320
<v Speaker 2>a gorgeous penthouse window at sunset, and I'm just like,

637
00:38:11.239 --> 00:38:14.719
<v Speaker 2>I'm sorry, Kyle, but your dad saying I want you

638
00:38:14.800 --> 00:38:18.840
<v Speaker 2>to pay attention to your grades over a band that's

639
00:38:18.960 --> 00:38:21.880
<v Speaker 2>essentially a pipe dream because you're not very talented. Kyle.

640
00:38:21.960 --> 00:38:22.719
<v Speaker 2>I'm sorry.

641
00:38:23.320 --> 00:38:25.400
<v Speaker 1>Like I said, that song was very catchy, I'm gonna

642
00:38:25.400 --> 00:38:26.159
<v Speaker 1>disagree with you.

643
00:38:26.280 --> 00:38:28.559
<v Speaker 2>The last song was not like they are one hit

644
00:38:28.599 --> 00:38:29.280
<v Speaker 2>wonder at best.

645
00:38:30.679 --> 00:38:33.360
<v Speaker 1>I would say I don't support you being in a

646
00:38:33.440 --> 00:38:36.400
<v Speaker 1>band with Chad, who's like.

647
00:38:37.880 --> 00:38:41.159
<v Speaker 2>A soul suck Chad. Chad is gonna like Chad is

648
00:38:41.840 --> 00:38:44.559
<v Speaker 2>reminds me of who is that that then guy from

649
00:38:44.599 --> 00:38:47.800
<v Speaker 2>the nineteen seventy five that dated and Taylor's oh yeah,

650
00:38:48.079 --> 00:38:51.599
<v Speaker 2>where like he just started he started like is.

651
00:38:51.559 --> 00:38:54.519
<v Speaker 1>He dating like Charlie XCX now who knows?

652
00:38:55.760 --> 00:38:58.159
<v Speaker 2>I just remember there's a point where at a concert

653
00:38:58.760 --> 00:39:02.400
<v Speaker 2>he started saying like not a racist, but oh god,

654
00:39:03.159 --> 00:39:07.480
<v Speaker 2>and then sensing danger, the band started playing as loudly

655
00:39:07.519 --> 00:39:09.159
<v Speaker 2>as they could and drown him out.

656
00:39:09.599 --> 00:39:12.760
<v Speaker 1>They're like, bruh, this is our meal ticket and you

657
00:39:12.800 --> 00:39:14.280
<v Speaker 1>are really trying to undo that.

658
00:39:14.840 --> 00:39:21.159
<v Speaker 2>Yeah. So, like Chad is definitely going to say something

659
00:39:21.400 --> 00:39:23.719
<v Speaker 2>when the Me Too movement comes out and it's gonna

660
00:39:23.760 --> 00:39:25.400
<v Speaker 2>open up a whole deck of college.

661
00:39:25.440 --> 00:39:29.159
<v Speaker 1>He's already saying all this terrible stuff about women.

662
00:39:30.119 --> 00:39:34.280
<v Speaker 2>Okay, so we're gonna get into the back half of

663
00:39:34.320 --> 00:39:37.400
<v Speaker 2>this movie. Oh and I'm gonna talk about when right

664
00:39:37.519 --> 00:39:40.800
<v Speaker 2>take a quick trick to the bake sale. Okay, So

665
00:39:40.840 --> 00:39:44.599
<v Speaker 2>it's another character named when. When is kind of like

666
00:39:44.800 --> 00:39:51.840
<v Speaker 2>a very pro like Okay, do you remember remember this character? Yeah,

667
00:39:51.880 --> 00:39:54.760
<v Speaker 2>because he's wait, wait, he's the dark haired kid.

668
00:39:55.159 --> 00:39:57.400
<v Speaker 1>Yo, he's from the Step Up movies. They have him

669
00:39:57.480 --> 00:40:00.280
<v Speaker 1>doing a little dance of this. He does it on

670
00:40:00.320 --> 00:40:01.920
<v Speaker 1>the bathroom floor. It's gross.

671
00:40:02.039 --> 00:40:05.440
<v Speaker 2>Yeah, he's a sex pest.

672
00:40:05.920 --> 00:40:08.360
<v Speaker 1>He's literally a sex pest in this movie.

673
00:40:08.679 --> 00:40:09.719
<v Speaker 2>Yeah, he's the worst.

674
00:40:09.760 --> 00:40:11.599
<v Speaker 1>And Frank was about to say he's super cool.

675
00:40:11.960 --> 00:40:15.639
<v Speaker 2>No, like he's so confounding. Like, I guess he's supposed

676
00:40:15.679 --> 00:40:18.480
<v Speaker 2>to be the comedy relief because in French class he's like,

677
00:40:18.559 --> 00:40:20.760
<v Speaker 2>I have a whole sub, I'm gonna eat a sub

678
00:40:20.800 --> 00:40:22.599
<v Speaker 2>and the French you just like I swear to Christ

679
00:40:22.800 --> 00:40:25.000
<v Speaker 2>I'm gonna burn this place down and then cancel the

680
00:40:25.039 --> 00:40:28.280
<v Speaker 2>French trip of the Parish trip. There's a Paris trip

681
00:40:28.320 --> 00:40:30.880
<v Speaker 2>in this We even mentioned it before, Like, oh, the.

682
00:40:30.840 --> 00:40:32.599
<v Speaker 1>Parish trip is so problematic.

683
00:40:32.760 --> 00:40:36.840
<v Speaker 2>The parastrip is a problematic and boring. Somehow how do

684
00:40:36.880 --> 00:40:41.079
<v Speaker 2>you how do you do both of this thing? I'm

685
00:40:41.079 --> 00:40:44.000
<v Speaker 2>selling the weeds the Parst trip the movie.

686
00:40:44.280 --> 00:40:47.559
<v Speaker 1>Like if you think that what we're talking about is

687
00:40:47.599 --> 00:40:52.440
<v Speaker 1>boring and inconsequential, you're right. And then this movie really

688
00:40:52.760 --> 00:40:58.480
<v Speaker 1>bogs down once they go to Paris. So it's this

689
00:40:58.559 --> 00:41:01.199
<v Speaker 1>is what is so confusing about this. We have forgotten

690
00:41:01.400 --> 00:41:04.079
<v Speaker 1>nothing happens in this movie, but we've forgotten to mention

691
00:41:04.880 --> 00:41:08.760
<v Speaker 1>things that have happened. So like there is a party, and.

692
00:41:09.079 --> 00:41:11.239
<v Speaker 2>Sorry, before we talk about that, I also need to

693
00:41:11.280 --> 00:41:14.119
<v Speaker 2>talk about this confounding scene that makes no goddamn sense.

694
00:41:14.360 --> 00:41:16.440
<v Speaker 1>So wait, we're not in Paris yet, right, No, we're

695
00:41:16.480 --> 00:41:18.440
<v Speaker 1>not in Paris yet, okay, because we need to mention

696
00:41:18.760 --> 00:41:21.719
<v Speaker 1>why the Parish trip is in peril. Yeah, or like

697
00:41:21.840 --> 00:41:23.400
<v Speaker 1>thirty seconds.

698
00:41:22.960 --> 00:41:27.119
<v Speaker 2>Okay, before that, Emily has this confounding scene.

699
00:41:27.920 --> 00:41:29.000
<v Speaker 1>Is this in the supermarket?

700
00:41:29.239 --> 00:41:34.920
<v Speaker 2>No, it's even worse than that. Okay, Like Emily is

701
00:41:35.079 --> 00:41:37.519
<v Speaker 2>chatting with a dude on a I guess it's like

702
00:41:37.679 --> 00:41:40.360
<v Speaker 2>their version of o'negal, where you see the person and

703
00:41:40.440 --> 00:41:43.119
<v Speaker 2>you can chat with them, and like she's clearly talking

704
00:41:43.159 --> 00:41:45.760
<v Speaker 2>to an older guy and he's like, oh wow, you're

705
00:41:45.840 --> 00:41:49.400
<v Speaker 2>so bad, and she's like takes her little camera up

706
00:41:49.440 --> 00:41:53.119
<v Speaker 2>to her lips and then down and then into a

707
00:41:53.320 --> 00:41:54.239
<v Speaker 2>raw chicken.

708
00:41:55.400 --> 00:41:57.360
<v Speaker 1>My god, I definitely was out of the room for

709
00:41:57.400 --> 00:42:00.519
<v Speaker 1>this because then I walked back and please the room

710
00:42:01.079 --> 00:42:05.239
<v Speaker 1>this raw chicken just with her bare hands, and like

711
00:42:05.599 --> 00:42:09.679
<v Speaker 1>her mom again, Nora, what's her name is? Like, where's

712
00:42:09.719 --> 00:42:12.920
<v Speaker 1>my chicken? Where's my chicken? She takes this chicken and

713
00:42:12.960 --> 00:42:15.480
<v Speaker 1>puts it in her little brother's room. Her mom comes

714
00:42:15.519 --> 00:42:17.440
<v Speaker 1>in with a towel because she has the good sense

715
00:42:17.440 --> 00:42:21.239
<v Speaker 1>to not just be handling this chicken, and says to

716
00:42:21.320 --> 00:42:25.159
<v Speaker 1>her brother, the brother I knew you had, and he's like,

717
00:42:25.280 --> 00:42:28.639
<v Speaker 1>I hate it here, and I was like, I'm not

718
00:42:28.639 --> 00:42:32.280
<v Speaker 1>even gonna rewind. I don't even care why this habits.

719
00:42:32.400 --> 00:42:35.800
<v Speaker 2>If you if like, if you like slowed down that

720
00:42:35.920 --> 00:42:39.199
<v Speaker 2>dialogue and isolated it and all these incidents, like you

721
00:42:39.199 --> 00:42:42.159
<v Speaker 2>could put this on a true Cry podcast for real.

722
00:42:42.599 --> 00:42:46.719
<v Speaker 2>So because she inserts our camera into the chicken like

723
00:42:46.800 --> 00:42:49.599
<v Speaker 2>it's a like a sex thing and it's just in

724
00:42:49.639 --> 00:42:50.559
<v Speaker 2>her bed.

725
00:42:50.800 --> 00:42:57.360
<v Speaker 1>It's in her bed. That woman has salmonilla. Ron friend

726
00:42:57.480 --> 00:43:01.599
<v Speaker 1>is rife with salmonilla, and trigonometry teacher is so right

727
00:43:01.760 --> 00:43:03.880
<v Speaker 1>besides the fact that it's illegal, it's a moral and

728
00:43:03.920 --> 00:43:07.320
<v Speaker 1>it's wrong. He should not get Samonella from her.

729
00:43:08.880 --> 00:43:11.840
<v Speaker 2>So I just want we get a montage at a

730
00:43:11.840 --> 00:43:16.760
<v Speaker 2>certain point, we get a montage of Kyle and Milesys's friendship.

731
00:43:17.400 --> 00:43:22.840
<v Speaker 2>These are okay, which these are my notes on it. Wait,

732
00:43:22.920 --> 00:43:25.199
<v Speaker 2>she sent a smile and now they're dating. I don't know,

733
00:43:25.280 --> 00:43:26.679
<v Speaker 2>nobody ever says they're dating.

734
00:43:27.400 --> 00:43:33.679
<v Speaker 1>Okay, yeah, so we see an aim conversation that is nothing.

735
00:43:34.199 --> 00:43:39.159
<v Speaker 1>It's like, hey, hey, what's up with you? Nothing? Hey Kyle, Yeah,

736
00:43:39.360 --> 00:43:45.920
<v Speaker 1>smiley face close his computer, satisfied. So I am dying

737
00:43:46.000 --> 00:43:49.639
<v Speaker 1>to know what the two of them were told was

738
00:43:49.679 --> 00:43:51.599
<v Speaker 1>going to be on the screen when they were filming this,

739
00:43:52.280 --> 00:43:57.079
<v Speaker 1>because I almost guarantee it's not what's actually put in

740
00:43:57.079 --> 00:43:57.679
<v Speaker 1>in post.

741
00:43:58.000 --> 00:43:59.840
<v Speaker 2>So these are the notes I have on this montage.

742
00:44:00.039 --> 00:44:02.280
<v Speaker 2>Montage is annoying. Just coming around to the platform. Call

743
00:44:02.400 --> 00:44:04.679
<v Speaker 2>your air guitar sucks, No one, You're gonna lose the

744
00:44:04.679 --> 00:44:05.519
<v Speaker 2>Battle of the bands.

745
00:44:05.840 --> 00:44:08.559
<v Speaker 1>They were totally like go and Vamp and we're gonna

746
00:44:08.599 --> 00:44:12.079
<v Speaker 1>do a bunch of b roll for the montage about

747
00:44:12.079 --> 00:44:14.840
<v Speaker 1>how you guys are together. How much can you do

748
00:44:15.159 --> 00:44:19.639
<v Speaker 1>that will look cool or interesting on the subway platform

749
00:44:20.239 --> 00:44:20.599
<v Speaker 1>at a.

750
00:44:20.480 --> 00:44:24.800
<v Speaker 2>Certain point to be cut to an ad that because

751
00:44:24.880 --> 00:44:29.800
<v Speaker 2>this movie was so like insane, I thought it was

752
00:44:29.960 --> 00:44:32.239
<v Speaker 2>just like a part of the movie, but it was

753
00:44:32.320 --> 00:44:35.280
<v Speaker 2>like a movie. There is an ad where there was

754
00:44:35.400 --> 00:44:38.360
<v Speaker 2>several people of color at a funeral, and that's how

755
00:44:38.400 --> 00:44:39.840
<v Speaker 2>I knew it wasn't part of the movie.

756
00:44:40.280 --> 00:44:44.880
<v Speaker 1>Oh yeah, this movie is so whitewashed, like insanely whitewashed.

757
00:44:45.039 --> 00:44:51.880
<v Speaker 2>Yeah. So okay, So after the bizarre Oh my stars

758
00:44:51.960 --> 00:44:55.599
<v Speaker 2>hates post it, they constantly are just shit talking her.

759
00:44:55.960 --> 00:44:58.599
<v Speaker 2>I'm just like she just like she just wants to

760
00:44:58.679 --> 00:45:01.360
<v Speaker 2>hang out with dudes. It's fun. Who cares.

761
00:45:01.960 --> 00:45:04.880
<v Speaker 1>She doesn't do anything. I mean, she's not written with

762
00:45:04.920 --> 00:45:08.280
<v Speaker 1>a personality, but she also doesn't do anything that we see.

763
00:45:08.360 --> 00:45:11.159
<v Speaker 2>I think she like kind of throws some trash back

764
00:45:11.199 --> 00:45:13.880
<v Speaker 2>at Moley, not like literally throwst trash, but like, you know,

765
00:45:14.280 --> 00:45:16.679
<v Speaker 2>at a certain point, also, Chad and I am.

766
00:45:16.840 --> 00:45:19.960
<v Speaker 1>Shocked this movie does not have a food fight. Was

767
00:45:19.960 --> 00:45:21.679
<v Speaker 1>there a food fight in the last twenty minutes?

768
00:45:21.800 --> 00:45:25.880
<v Speaker 2>No, Chad and Miley get into a fistfight at certain point.

769
00:45:26.639 --> 00:45:29.760
<v Speaker 1>Oh yeah, she like attacks him because he's like, so

770
00:45:29.880 --> 00:45:33.360
<v Speaker 1>are we gonna do it? And she's like no, yeah no,

771
00:45:33.440 --> 00:45:36.880
<v Speaker 1>and he's like, but you've already done it again, like

772
00:45:37.760 --> 00:45:39.679
<v Speaker 1>why did you believe?

773
00:45:41.719 --> 00:45:44.599
<v Speaker 2>And then like she refuses to like she refuses to

774
00:45:44.639 --> 00:45:50.719
<v Speaker 2>tell her mom that's why she got. That's why she got,

775
00:45:50.760 --> 00:45:55.280
<v Speaker 2>like you know, in the fight with Chaz because he

776
00:45:55.400 --> 00:46:01.920
<v Speaker 2>called her a hoe. Yeah, so okay, like it just

777
00:46:02.039 --> 00:46:05.679
<v Speaker 2>and then like Demi, he's like your Chad. He said

778
00:46:05.719 --> 00:46:09.079
<v Speaker 2>that she's not my Chad anymore. I'm like, of course

779
00:46:09.079 --> 00:46:11.920
<v Speaker 2>this guy's the name is Chad, all right, So now

780
00:46:11.960 --> 00:46:15.480
<v Speaker 2>we have a party. Yes, Demi Moore is going on

781
00:46:15.519 --> 00:46:18.800
<v Speaker 2>a trip with her ex husband, but they're supposed to

782
00:46:18.840 --> 00:46:22.840
<v Speaker 2>be sneaking around. He's sissy when you're sneaking around. Yeah,

783
00:46:22.880 --> 00:46:26.280
<v Speaker 2>like with you know in this hype of thing ex

784
00:46:26.320 --> 00:46:30.800
<v Speaker 2>husband Thomas Shee Yes. Okay, how would you avoid your

785
00:46:30.840 --> 00:46:33.199
<v Speaker 2>children knowing you're going on a trivia your ex husband?

786
00:46:33.320 --> 00:46:36.440
<v Speaker 2>Would you a take a taxi to like a few

787
00:46:36.440 --> 00:46:40.239
<v Speaker 2>blocks away and meet him there? B not have him

788
00:46:40.239 --> 00:46:41.880
<v Speaker 2>get out of the car and help you hit your

789
00:46:41.960 --> 00:46:45.239
<v Speaker 2>luggage in front of your children? Or see would you

790
00:46:45.280 --> 00:46:46.559
<v Speaker 2>have him get out of the car in front of

791
00:46:46.559 --> 00:46:48.159
<v Speaker 2>your children and then help you with your luggage.

792
00:46:48.159 --> 00:46:51.559
<v Speaker 1>I'd obviously have him parachute into the house and then

793
00:46:51.599 --> 00:46:53.159
<v Speaker 1>kool aid man through the roof.

794
00:46:53.320 --> 00:46:55.519
<v Speaker 2>He's like, you remember when I was punisher that one time?

795
00:46:56.639 --> 00:47:01.119
<v Speaker 1>Yes, and then I'd be like, oh, you actually mean

796
00:47:01.719 --> 00:47:06.239
<v Speaker 1>that guy John Barenthal. So no, who was actually not

797
00:47:06.320 --> 00:47:09.079
<v Speaker 1>the punisher that I thought should be the front Frank Grillo.

798
00:47:09.320 --> 00:47:18.480
<v Speaker 2>Yeah, so Miley's being left of her grandma, Uh yeah,

799
00:47:18.559 --> 00:47:22.719
<v Speaker 2>and like you know, they were like, oh, trying to

800
00:47:22.719 --> 00:47:24.199
<v Speaker 2>get her out the door and all these things. I

801
00:47:24.199 --> 00:47:26.599
<v Speaker 2>don't know where the other two children are. I just

802
00:47:26.639 --> 00:47:30.800
<v Speaker 2>I don't know where the other two children are. Not Yeah,

803
00:47:31.199 --> 00:47:32.880
<v Speaker 2>And She's like, are you trying to get rid of me?

804
00:47:33.119 --> 00:47:35.800
<v Speaker 2>I'm just like you're going on a trip. Like they're

805
00:47:35.840 --> 00:47:38.480
<v Speaker 2>just trying to get you out the door. And Miley's like,

806
00:47:38.480 --> 00:47:44.320
<v Speaker 2>I want to have thirty friends over she throws a party. Yeah,

807
00:47:44.360 --> 00:47:47.920
<v Speaker 2>And like there's a weird scene where they're getting the

808
00:47:48.000 --> 00:47:51.840
<v Speaker 2>grandma drunk on like Mitchella beer. But like, do you.

809
00:47:51.800 --> 00:47:58.320
<v Speaker 1>Mean michelo michell? Do you have that with quinch?

810
00:47:58.880 --> 00:48:03.239
<v Speaker 2>Okay? Quinch is a far more confusing way for me

811
00:48:03.280 --> 00:48:06.360
<v Speaker 2>to pronounced that word. There's no n in kiche. There's

812
00:48:06.400 --> 00:48:12.039
<v Speaker 2>no n in keich, right, Okay. So it is still

813
00:48:12.599 --> 00:48:16.719
<v Speaker 2>still not my most embarrassing misconception about alcohol. When I

814
00:48:16.800 --> 00:48:18.760
<v Speaker 2>used to say, give me a rum and scotch, what

815
00:48:18.880 --> 00:48:23.159
<v Speaker 2>would be disgusting? And also when I read about champagne

816
00:48:23.199 --> 00:48:26.599
<v Speaker 2>flutes in the book called Mountain at this fancy party,

817
00:48:27.199 --> 00:48:29.519
<v Speaker 2>I didn't think, oh, that's just what you call the

818
00:48:29.599 --> 00:48:31.320
<v Speaker 2>long stemmed glasses.

819
00:48:31.519 --> 00:48:32.480
<v Speaker 1>Stop that you thought they were.

820
00:48:33.920 --> 00:48:37.880
<v Speaker 2>I thought all their fingers working over.

821
00:48:40.360 --> 00:48:41.400
<v Speaker 1>That is amazing.

822
00:48:43.519 --> 00:48:47.679
<v Speaker 2>Why did they do that? It's a different time. I'm

823
00:48:47.679 --> 00:48:48.199
<v Speaker 2>an idiot.

824
00:48:49.639 --> 00:48:53.159
<v Speaker 1>So when you imagine how full of spit.

825
00:48:54.880 --> 00:49:00.000
<v Speaker 2>Is. Okay, so this party is not even that. Okay,

826
00:49:00.599 --> 00:49:03.159
<v Speaker 2>gives this movie credit. This is a realistic party. It

827
00:49:03.199 --> 00:49:04.440
<v Speaker 2>looks like it kind of sucks.

828
00:49:04.840 --> 00:49:05.800
<v Speaker 1>They're not raucous.

829
00:49:06.039 --> 00:49:09.800
<v Speaker 2>There's two dudes sitting on the couch like they're trying

830
00:49:09.800 --> 00:49:12.760
<v Speaker 2>to hook up with the grandma. Like who doesn't look

831
00:49:12.840 --> 00:49:19.039
<v Speaker 2>old enough to like be to me Moore's mom, But

832
00:49:19.360 --> 00:49:22.639
<v Speaker 2>so like they get her drunk and then like the

833
00:49:22.719 --> 00:49:27.000
<v Speaker 2>party goes on. Kyle and may Cyrus don't have sex,

834
00:49:27.039 --> 00:49:29.159
<v Speaker 2>but they go make out with her shirt off and

835
00:49:29.239 --> 00:49:33.519
<v Speaker 2>his shirt off. There's like a lot of giggling, which, okay,

836
00:49:33.599 --> 00:49:35.360
<v Speaker 2>you know what, that would be cute if it was

837
00:49:35.400 --> 00:49:37.920
<v Speaker 2>anybody else. Yeah, like in any other.

838
00:49:37.760 --> 00:49:42.440
<v Speaker 1>Movie, if this movie hadn't already spent all of the goodwill,

839
00:49:42.639 --> 00:49:44.280
<v Speaker 1>the very little good will it had.

840
00:49:44.599 --> 00:49:47.199
<v Speaker 2>So Thomas Jane and Demi Moore were going on some

841
00:49:47.320 --> 00:49:50.440
<v Speaker 2>kind of trip. But I guess at like midnight, dem

842
00:49:50.599 --> 00:49:52.239
<v Speaker 2>Moore is like, you know what, I'm gonna go home.

843
00:49:52.519 --> 00:49:54.840
<v Speaker 1>She figured out he was sleeping with other people.

844
00:49:55.119 --> 00:49:58.960
<v Speaker 2>Yeah, and like she arrives home, the house is a mess.

845
00:49:59.039 --> 00:50:02.719
<v Speaker 2>Man Cyrus still finds a way to like like do

846
00:50:02.840 --> 00:50:07.559
<v Speaker 2>a Judo reverse flip and like storm into her bedroom.

847
00:50:08.239 --> 00:50:11.159
<v Speaker 2>And also Mansarus is cleaning up like all.

848
00:50:11.039 --> 00:50:14.400
<v Speaker 1>These she's the debris from the party.

849
00:50:14.440 --> 00:50:16.719
<v Speaker 2>Yeah, but not like a garbage bag, which I'm sure

850
00:50:16.760 --> 00:50:19.800
<v Speaker 2>they have, and just like a Chinese food bag. And

851
00:50:19.840 --> 00:50:25.639
<v Speaker 2>also somebody was putting out there like cigarettes in the pizza,

852
00:50:25.880 --> 00:50:27.039
<v Speaker 2>which is disgusting.

853
00:50:28.159 --> 00:50:31.599
<v Speaker 1>And then her sister's like, mom, why is Miley cleaning?

854
00:50:31.719 --> 00:50:34.719
<v Speaker 1>And this is like some real rich person problems where

855
00:50:34.760 --> 00:50:37.719
<v Speaker 1>it's like I've never seen anyone in the house clean.

856
00:50:39.679 --> 00:50:42.719
<v Speaker 2>Also, Deman Moore finds a roach and I'm just kind

857
00:50:42.719 --> 00:50:44.400
<v Speaker 2>of like, oh, yeah, we used to care about weed,

858
00:50:44.719 --> 00:50:47.880
<v Speaker 2>like it used to be a problem. She's like, your

859
00:50:47.960 --> 00:50:55.000
<v Speaker 2>daughter's on drugs. Let's say. When when and Emily have

860
00:50:55.159 --> 00:50:59.320
<v Speaker 2>this confounding conversation about his T shirt, She's just like

861
00:51:00.159 --> 00:51:03.599
<v Speaker 2>it is advantageous, Like I don't know, do I have

862
00:51:03.719 --> 00:51:07.360
<v Speaker 2>this shirt. I'm just like it seems like a waste

863
00:51:07.400 --> 00:51:09.039
<v Speaker 2>of time. Then it turns out they're hooking up in

864
00:51:09.079 --> 00:51:13.079
<v Speaker 2>the school's bathroom and disgusting. Oh, and so the parish

865
00:51:13.079 --> 00:51:19.360
<v Speaker 2>trip has been horrendously like like mally sars or do

866
00:51:19.480 --> 00:51:21.800
<v Speaker 2>me more? Is like you can't go on the parish trip? Yeah,

867
00:51:21.800 --> 00:51:23.960
<v Speaker 2>and also I'm taking your laptop and phone. You're grounded

868
00:51:24.000 --> 00:51:28.920
<v Speaker 2>for a month time for a confounding and terrible drug

869
00:51:29.199 --> 00:51:34.840
<v Speaker 2>assembly where Detective Jay Hernandez is gonna come in and

870
00:51:35.000 --> 00:51:38.719
<v Speaker 2>insult the principle to her student, Bibi, do you know.

871
00:51:38.599 --> 00:51:42.599
<v Speaker 1>What prolonged drug use does? Picture of the principle? The

872
00:51:42.639 --> 00:51:47.400
<v Speaker 1>Principal's like such rhyme all jokes, how I would be like,

873
00:51:47.840 --> 00:51:48.840
<v Speaker 1>get out?

874
00:51:49.400 --> 00:51:50.199
<v Speaker 2>How did you feel?

875
00:51:50.239 --> 00:51:52.320
<v Speaker 1>Like just because it's true doesn't mean it's not mean.

876
00:51:54.719 --> 00:51:56.599
<v Speaker 2>She's like, do you know what I have I have

877
00:51:56.679 --> 00:51:59.360
<v Speaker 2>to do with these idiots? Yeah? I have when eating

878
00:51:59.400 --> 00:52:03.239
<v Speaker 2>sandwiches class like oh well, here's where people are with

879
00:52:03.440 --> 00:52:06.320
<v Speaker 2>listening to the teacher. And also it's mid days as

880
00:52:06.360 --> 00:52:10.320
<v Speaker 2>a mid day assembly and there's so many parents in attendance.

881
00:52:10.360 --> 00:52:11.360
<v Speaker 1>To me more is there?

882
00:52:11.679 --> 00:52:13.159
<v Speaker 2>And like other parents are there?

883
00:52:13.239 --> 00:52:15.800
<v Speaker 1>Can you imagine her taking off time from her high

884
00:52:15.840 --> 00:52:17.480
<v Speaker 1>powered job to be like I need to go to

885
00:52:17.519 --> 00:52:18.639
<v Speaker 1>a DARE assembly.

886
00:52:18.840 --> 00:52:22.239
<v Speaker 2>I have fourteen like pato days a year. I'm gonna

887
00:52:22.320 --> 00:52:25.480
<v Speaker 2>use one to go to one DARE assembly. Yes, McGruff

888
00:52:25.599 --> 00:52:26.360
<v Speaker 2>isn't even there.

889
00:52:26.800 --> 00:52:30.159
<v Speaker 1>It turns out that DARE was almost like a pyramid

890
00:52:30.199 --> 00:52:36.000
<v Speaker 1>scheme for the cops, and that you like, cops got

891
00:52:36.519 --> 00:52:41.440
<v Speaker 1>paid time to go be Dare ambassadors or whatever, and

892
00:52:41.480 --> 00:52:48.119
<v Speaker 1>the more cops you recruited, you got bonuses. So it

893
00:52:48.239 --> 00:52:51.320
<v Speaker 1>was like they got to do like work in the

894
00:52:51.360 --> 00:52:55.400
<v Speaker 1>community quote unquote and got paid the rate they would

895
00:52:55.599 --> 00:52:59.880
<v Speaker 1>you know. So I was like, oh, well that makes sense.

896
00:53:00.320 --> 00:53:05.559
<v Speaker 2>Yeah. At a certain point, somebody writes, I missed you too,

897
00:53:05.719 --> 00:53:08.119
<v Speaker 2>but kepital U two, and I was like, I want

898
00:53:08.159 --> 00:53:09.039
<v Speaker 2>to what Bombo's up to.

899
00:53:11.239 --> 00:53:13.159
<v Speaker 1>Wouldn't it be amazing if he was watching the movie

900
00:53:13.199 --> 00:53:15.119
<v Speaker 1>at the same time and it's like, your soul's touched.

901
00:53:15.760 --> 00:53:21.800
<v Speaker 2>So okay, we get a we get the jay Hernanda

902
00:53:21.920 --> 00:53:25.280
<v Speaker 2>says to mean more, you know what I'm calling him.

903
00:53:26.440 --> 00:53:29.119
<v Speaker 1>It's really ironic that after the DARE assembly he's like,

904
00:53:29.199 --> 00:53:30.920
<v Speaker 1>let's go get a glass of wine. And he's like,

905
00:53:30.960 --> 00:53:32.920
<v Speaker 1>I didn't ask we're getting a glass of wine.

906
00:53:33.000 --> 00:53:35.000
<v Speaker 2>It's like, it's chilling, sir.

907
00:53:35.280 --> 00:53:36.800
<v Speaker 1>You are the DARE ambassador.

908
00:53:37.000 --> 00:53:39.559
<v Speaker 2>It wasn't a question. I'm telling you, I'm buying a

909
00:53:39.679 --> 00:53:42.119
<v Speaker 2>drink I'm buying you a drink like.

910
00:53:43.760 --> 00:53:48.400
<v Speaker 1>Run I'd feel like, sir, my ex husband is the

911
00:53:48.440 --> 00:53:52.840
<v Speaker 1>punisher and he's like, well, I'm oh gosh, what was

912
00:53:52.840 --> 00:53:59.960
<v Speaker 1>his name in Suicide Squad? Explicivo no l Diablo? Yeah,

913
00:54:00.199 --> 00:54:00.840
<v Speaker 1>I was close.

914
00:54:02.519 --> 00:54:04.239
<v Speaker 2>You just weren't racist enough.

915
00:54:04.960 --> 00:54:09.199
<v Speaker 1>I was thinking of that Tenacious D song explosemo.

916
00:54:09.760 --> 00:54:14.039
<v Speaker 2>Okay, So now Emily's gonna be the worst friend so.

917
00:54:16.199 --> 00:54:19.199
<v Speaker 1>And like kind of hateful to the person that she's

918
00:54:19.280 --> 00:54:19.840
<v Speaker 1>involved with.

919
00:54:20.320 --> 00:54:24.519
<v Speaker 2>Yeah. So when and Emily are hooking up in the bathroom,

920
00:54:24.760 --> 00:54:27.559
<v Speaker 2>and the way the suck on the door, I guess

921
00:54:28.599 --> 00:54:34.519
<v Speaker 2>is that Emily's probably very expensive bag is sitting on

922
00:54:34.559 --> 00:54:39.800
<v Speaker 2>the floor of the bathroom of the men's room. Even worse,

923
00:54:40.519 --> 00:54:42.840
<v Speaker 2>what like they finished hooking up and she's like, you

924
00:54:42.880 --> 00:54:44.519
<v Speaker 2>can't tell anyone, and Wends is like, all right, cool,

925
00:54:44.519 --> 00:54:46.920
<v Speaker 2>I'm gonna do the splits on the men's.

926
00:54:46.760 --> 00:54:50.480
<v Speaker 1>Room floor because he was in Step up too, Step

927
00:54:50.559 --> 00:54:52.400
<v Speaker 1>up to the streets and step up.

928
00:54:52.400 --> 00:54:56.039
<v Speaker 2>Three day, Miley Cyrus, I guess sees post It and

929
00:54:56.159 --> 00:54:57.800
<v Speaker 2>Kyle leave a bathroom.

930
00:54:58.119 --> 00:55:01.840
<v Speaker 1>No, she sees posted walking down the hall, and because

931
00:55:01.840 --> 00:55:04.280
<v Speaker 1>she saw the purse, she assumes it her. What is

932
00:55:04.280 --> 00:55:06.199
<v Speaker 1>that character's name. I don't want to call her post it.

933
00:55:06.679 --> 00:55:07.199
<v Speaker 2>I'm sorry.

934
00:55:07.239 --> 00:55:11.960
<v Speaker 1>Ashley Green Alice from Twilight, and so.

935
00:55:11.599 --> 00:55:15.000
<v Speaker 2>Her name is Ashley. Oh right, Ashley playing Ashley.

936
00:55:15.280 --> 00:55:20.280
<v Speaker 1>So she Miley Cyrus confronts Ashley, and Ashley's like, I

937
00:55:20.280 --> 00:55:23.719
<v Speaker 1>don't know, you know, sometimes you just feel like doing

938
00:55:26.079 --> 00:55:30.719
<v Speaker 1>very loud, doing whatever. So Miley Cyrus is like, right.

939
00:55:31.280 --> 00:55:35.000
<v Speaker 2>How dare you be open with your sexuality and then comfortable.

940
00:55:35.480 --> 00:55:37.679
<v Speaker 1>Ask Kyle any follow up questions?

941
00:55:37.719 --> 00:55:42.920
<v Speaker 2>It just as like you talk, Yeah, it makes no sense,

942
00:55:43.480 --> 00:55:46.039
<v Speaker 2>Like it's just the most confounding thing.

943
00:55:46.480 --> 00:55:49.119
<v Speaker 1>Frank Is said, confounding no less than two dozen times.

944
00:55:52.000 --> 00:56:02.519
<v Speaker 2>Okay, So then uh like okay, So then like Marie's

945
00:56:02.559 --> 00:56:06.119
<v Speaker 2>at home crying still. I was like, were they ever

946
00:56:06.519 --> 00:56:11.079
<v Speaker 2>like together, she says, making assumptions. Kyle's like, I'm gonna

947
00:56:11.119 --> 00:56:13.239
<v Speaker 2>walk side by side with Chad down the hall and

948
00:56:13.320 --> 00:56:15.199
<v Speaker 2>purposely ignore Mave Cyrus.

949
00:56:15.280 --> 00:56:18.519
<v Speaker 1>Well, Miley also tells blonde friend that they're going to

950
00:56:18.559 --> 00:56:20.880
<v Speaker 1>ignore them. Brunette friend nowhere in the patients.

951
00:56:20.920 --> 00:56:25.880
<v Speaker 2>Oh yeah, so like here's where Emily is a garbage friend?

952
00:56:26.079 --> 00:56:28.280
<v Speaker 2>Where because like Marie's just like, I'm not talking to

953
00:56:28.320 --> 00:56:31.039
<v Speaker 2>Kyle anymore. He's the worst I hate him. I saw

954
00:56:31.199 --> 00:56:34.360
<v Speaker 2>like the she explains all the other purse, Emily doesn't

955
00:56:34.400 --> 00:56:36.800
<v Speaker 2>come clean. I'm like, Emily, you don't even have to

956
00:56:36.840 --> 00:56:39.039
<v Speaker 2>say it's when you can just say you were hooking

957
00:56:39.159 --> 00:56:41.280
<v Speaker 2>with somebody in the band's room. It's fine.

958
00:56:42.719 --> 00:56:47.880
<v Speaker 1>So, because this movie is slutshamy and weird, she cannot

959
00:56:47.960 --> 00:56:48.519
<v Speaker 1>and does not.

960
00:56:48.559 --> 00:56:51.679
<v Speaker 2>Say that they use the like, am I allowed to say? Yes?

961
00:56:52.079 --> 00:56:56.079
<v Speaker 2>Now I'm gonna say, like they call women the esler

962
00:56:56.280 --> 00:57:03.280
<v Speaker 2>all the time. Yeah, like they use it liberally. So

963
00:57:06.079 --> 00:57:09.360
<v Speaker 2>because she's sad, okay, you know, I will get like

964
00:57:09.480 --> 00:57:11.360
<v Speaker 2>I guess kind of, I'll give Jay hear Nanza's his

965
00:57:11.440 --> 00:57:18.800
<v Speaker 2>character some credit where he he says to Tom Moore

966
00:57:18.800 --> 00:57:21.559
<v Speaker 2>where he's like, like, I've seen a lot of bad kids.

967
00:57:21.880 --> 00:57:25.519
<v Speaker 2>She sounds pretty normal. She's just like, you know, testing

968
00:57:25.519 --> 00:57:28.239
<v Speaker 2>her boundaries. I'm like, you know what, that's somewhat reasonable.

969
00:57:30.199 --> 00:57:31.519
<v Speaker 1>But this make a difference.

970
00:57:31.639 --> 00:57:35.119
<v Speaker 2>Now it's this weird floating timeline where I'm like, is

971
00:57:35.159 --> 00:57:39.920
<v Speaker 2>this still the drug Assembly? I'm unsure how much time

972
00:57:39.960 --> 00:57:40.480
<v Speaker 2>has passed.

973
00:57:40.599 --> 00:57:44.400
<v Speaker 1>Jay Hernandez is just a hinting about her daughter at

974
00:57:44.519 --> 00:57:48.079
<v Speaker 1>the Drug Assembly. He's like, hey, everyone, take a knee.

975
00:57:48.360 --> 00:57:49.639
<v Speaker 1>I want to talk to you about.

976
00:57:49.440 --> 00:57:53.920
<v Speaker 2>Your daughter, where he keeps getting up for every word

977
00:57:54.159 --> 00:57:56.360
<v Speaker 2>he says. During that sentence to me More, he gets

978
00:57:56.440 --> 00:57:59.800
<v Speaker 2>up and turns a chair backwards and in front it backwards.

979
00:58:00.079 --> 00:58:01.760
<v Speaker 2>It's like, well, the thing is screwed.

980
00:58:05.360 --> 00:58:08.119
<v Speaker 1>She ended up marrying j her NaN's character Susy.

981
00:58:08.280 --> 00:58:11.360
<v Speaker 2>There's the movie begins as it ends with them them

982
00:58:11.440 --> 00:58:15.880
<v Speaker 2>hugging together in a bed. And here's the thing. If, like,

983
00:58:16.079 --> 00:58:18.000
<v Speaker 2>if you have a relationship with your parent as a

984
00:58:18.039 --> 00:58:20.719
<v Speaker 2>teen where sometimes you just want to feel the comfortable

985
00:58:20.719 --> 00:58:23.920
<v Speaker 2>another person near you, that's perfectly fine. What made it

986
00:58:23.960 --> 00:58:27.199
<v Speaker 2>weird for me was the fact that she like texted

987
00:58:27.199 --> 00:58:31.960
<v Speaker 2>her mom just like hug Oh my god. Right.

988
00:58:32.199 --> 00:58:35.000
<v Speaker 1>I didn't understand why that happened. I was just like,

989
00:58:35.079 --> 00:58:37.440
<v Speaker 1>why is she texting her mom to come into her bed?

990
00:58:38.199 --> 00:58:40.920
<v Speaker 2>Like also, I can't.

991
00:58:40.360 --> 00:58:42.519
<v Speaker 1>Like they had just gotten into a fight.

992
00:58:43.679 --> 00:58:47.000
<v Speaker 2>I can like tell this movie is written by a

993
00:58:47.000 --> 00:58:50.480
<v Speaker 2>man because it's like nine pm and me More is

994
00:58:50.519 --> 00:58:52.880
<v Speaker 2>like doing work in bed and like she you know,

995
00:58:52.920 --> 00:58:55.039
<v Speaker 2>takes a bra off, taking her shirt off, like this

996
00:58:55.119 --> 00:58:57.679
<v Speaker 2>is written by you know, a woman, but probably come

997
00:58:57.679 --> 00:58:58.920
<v Speaker 2>off the minute she got home.

998
00:59:00.039 --> 00:59:03.719
<v Speaker 1>And I guess so I'm not gonna like nitpick the

999
00:59:03.760 --> 00:59:06.159
<v Speaker 1>movie to that degree.

1000
00:59:06.400 --> 00:59:10.320
<v Speaker 2>So she gets to she gets gets to go to Paris.

1001
00:59:11.760 --> 00:59:14.679
<v Speaker 2>Everything should be fine. Her mom gives her a Pandora ring.

1002
00:59:14.840 --> 00:59:17.400
<v Speaker 2>I'm not super sure about, Juliet. Is Pandora like an

1003
00:59:17.480 --> 00:59:21.239
<v Speaker 2>expensive brand? Okay, it's tacky, all right, So that's.

1004
00:59:21.119 --> 00:59:24.199
<v Speaker 1>Why it was like so product placement and the whole

1005
00:59:24.199 --> 00:59:27.239
<v Speaker 1>thing comes out of nowhere where she's like, oh my god,

1006
00:59:27.320 --> 00:59:28.000
<v Speaker 1>thank you so much.

1007
00:59:28.039 --> 00:59:31.480
<v Speaker 2>I love it. Miley Cyrus. I've seen her and other stuff.

1008
00:59:31.480 --> 00:59:34.320
<v Speaker 2>She's a pretty good actress, Like she just did pan

1009
00:59:34.440 --> 00:59:36.119
<v Speaker 2>that line, because.

1010
00:59:35.920 --> 00:59:39.519
<v Speaker 1>Like the other thing is, people in their tax bracket

1011
00:59:39.599 --> 00:59:41.440
<v Speaker 1>would not be buying Pandora jewelry.

1012
00:59:41.679 --> 00:59:49.239
<v Speaker 2>Yeah. So we get the plane ride over. Emily is

1013
00:59:49.320 --> 00:59:54.039
<v Speaker 2>hanging out with Mallory Miley. She goes up to get

1014
00:59:54.039 --> 00:59:56.599
<v Speaker 2>them much drink, which I'm like, I don't well.

1015
00:59:56.639 --> 00:59:58.239
<v Speaker 1>She turns to Miley and she says, why are you

1016
00:59:58.239 --> 01:00:01.199
<v Speaker 1>so mad at me? And Miley It says, and this

1017
01:00:01.280 --> 01:00:03.440
<v Speaker 1>is one of the few scenes that makes sense. I

1018
01:00:03.480 --> 01:00:06.639
<v Speaker 1>would never do what you did to me, and you

1019
01:00:06.679 --> 01:00:08.400
<v Speaker 1>could have just told me, but you chose not to

1020
01:00:08.440 --> 01:00:08.760
<v Speaker 1>do that.

1021
01:00:10.119 --> 01:00:13.360
<v Speaker 2>Yeah. So I'm just like, when did we have the

1022
01:00:13.400 --> 01:00:17.360
<v Speaker 2>discussion about what happened. Oh we didn't.

1023
01:00:17.360 --> 01:00:20.719
<v Speaker 1>No, she did tell her. Oh, like, after everything falls

1024
01:00:20.760 --> 01:00:24.440
<v Speaker 1>apart with Kyle and then Miley is doing the weird

1025
01:00:24.440 --> 01:00:27.639
<v Speaker 1>thing where she's trying to meet Kyle jealous with Jeremy,

1026
01:00:28.000 --> 01:00:33.639
<v Speaker 1>and then blonde friend is like, oh, actually that wasn't Kyle,

1027
01:00:33.719 --> 01:00:35.480
<v Speaker 1>it was me, and I couldn't tell you because it

1028
01:00:35.519 --> 01:00:35.880
<v Speaker 1>was RN.

1029
01:00:37.000 --> 01:00:41.800
<v Speaker 2>Yeah, but that happens after. That happens after Kyle and

1030
01:00:41.840 --> 01:00:45.280
<v Speaker 2>her get back together, because Kyle comes over and starts

1031
01:00:45.320 --> 01:00:48.440
<v Speaker 2>kissing Molly's shoulder and Emily just kind of smiles.

1032
01:00:49.039 --> 01:00:53.639
<v Speaker 1>Yeah, but that the repair happens with them before they

1033
01:00:53.639 --> 01:00:54.719
<v Speaker 1>go to Paris.

1034
01:00:55.079 --> 01:01:00.599
<v Speaker 2>When they're in bed together. Because no, because I remember

1035
01:01:00.599 --> 01:01:03.960
<v Speaker 2>them commenting on the deer head when they're in bed together,

1036
01:01:04.679 --> 01:01:11.800
<v Speaker 2>and that's in Paris, and they're also complaining about the temperature.

1037
01:01:11.840 --> 01:01:15.480
<v Speaker 2>I'm like, girls, you're from Chicago, you know what cold is.

1038
01:01:15.960 --> 01:01:18.159
<v Speaker 1>No, I was talking about between her and Kyle.

1039
01:01:19.880 --> 01:01:23.760
<v Speaker 2>Yeah, I don't remember. I don't remember them ever having conversation.

1040
01:01:24.119 --> 01:01:27.920
<v Speaker 2>The nearest I can tell is they were she near.

1041
01:01:28.039 --> 01:01:30.039
<v Speaker 2>They can tell. He's like, I'm gonna come over. Can

1042
01:01:30.079 --> 01:01:32.639
<v Speaker 2>I come over and talk to you? And she's like sure,

1043
01:01:33.400 --> 01:01:36.559
<v Speaker 2>and his dad comes in holding two baggies, one of

1044
01:01:36.559 --> 01:01:39.360
<v Speaker 2>weed and one of cocaine. And he's just like, who

1045
01:01:39.400 --> 01:01:42.239
<v Speaker 2>brought this into my house? And he's like like, you

1046
01:01:42.280 --> 01:01:44.840
<v Speaker 2>don't get that. You don't get this. You don't get

1047
01:01:44.840 --> 01:01:47.960
<v Speaker 2>this computer or this phone. No more guitar. He smashes

1048
01:01:47.960 --> 01:01:52.159
<v Speaker 2>the guitar. Well this weed and cocaine ever come up again? No?

1049
01:01:53.440 --> 01:01:55.519
<v Speaker 2>And like, and Molly starts is like, I've waited for

1050
01:01:55.559 --> 01:01:57.880
<v Speaker 2>you for an hour. She's still in the exact same spot,

1051
01:01:57.920 --> 01:02:02.400
<v Speaker 2>so I'm assuming she's just laid there like thrown like

1052
01:02:02.519 --> 01:02:06.599
<v Speaker 2>Juliette waiting for her Romeo. She's like, I've never talked

1053
01:02:06.599 --> 01:02:07.199
<v Speaker 2>to you again.

1054
01:02:07.519 --> 01:02:11.599
<v Speaker 1>I feel like this movie fried Marraine because I could

1055
01:02:11.679 --> 01:02:15.639
<v Speaker 1>have sworn. But you're right, there's no formal makeup.

1056
01:02:15.840 --> 01:02:18.280
<v Speaker 2>He just comes over and she's wearing a tank top

1057
01:02:18.320 --> 01:02:21.960
<v Speaker 2>on the plane, and he just starts lightly kissing her shoulder, which,

1058
01:02:22.239 --> 01:02:24.880
<v Speaker 2>once again, probably if I actually gave a shit about

1059
01:02:24.880 --> 01:02:27.159
<v Speaker 2>these characters, could have been sweet. I just thought it

1060
01:02:27.199 --> 01:02:30.039
<v Speaker 2>was gross and tacky. Yeah, so they get they get

1061
01:02:30.079 --> 01:02:34.280
<v Speaker 2>to apparently an outlying village of Paris. Everybody's like, I

1062
01:02:34.320 --> 01:02:36.280
<v Speaker 2>want to go home, Like, why are we in a

1063
01:02:36.320 --> 01:02:40.039
<v Speaker 2>tiny village? Yeah, let's go to a bunch of like

1064
01:02:40.440 --> 01:02:45.360
<v Speaker 2>French stereotypes. Emily and brunette girl who I don't think

1065
01:02:45.400 --> 01:02:49.440
<v Speaker 2>anything happens with are forced to eat s cargo, but

1066
01:02:49.440 --> 01:02:52.639
<v Speaker 2>they're give it. Like there's a French man dual wielding wines.

1067
01:02:52.760 --> 01:02:58.400
<v Speaker 2>Is like one white, one red. Yeah. Like, there's a

1068
01:02:58.519 --> 01:03:02.159
<v Speaker 2>bunch of ablest stuff with Kyle and his friend at

1069
01:03:02.159 --> 01:03:04.119
<v Speaker 2>the house. They're saying, I don't really want to talk

1070
01:03:04.119 --> 01:03:04.599
<v Speaker 2>about that.

1071
01:03:05.039 --> 01:03:05.719
<v Speaker 1>It was horrible.

1072
01:03:05.880 --> 01:03:08.480
<v Speaker 2>Yeah, it's just a bunch of like jokes expect from

1073
01:03:08.519 --> 01:03:13.000
<v Speaker 2>an early Auts movie. Yeah, and then we get a

1074
01:03:13.239 --> 01:03:17.119
<v Speaker 2>Paris montage.

1075
01:03:15.760 --> 01:03:20.639
<v Speaker 1>Where okay, this is about the time. I wait, have

1076
01:03:20.800 --> 01:03:22.360
<v Speaker 1>they all slept together yet?

1077
01:03:22.840 --> 01:03:25.960
<v Speaker 2>No, that that's coming up after the montage. Okay, so

1078
01:03:26.159 --> 01:03:28.840
<v Speaker 2>we get a montage the girls are trying on clothes.

1079
01:03:28.920 --> 01:03:32.360
<v Speaker 2>They're going to expensive boutiques. An older man is smiling

1080
01:03:32.360 --> 01:03:32.840
<v Speaker 2>at Emily.

1081
01:03:34.079 --> 01:03:35.119
<v Speaker 1>What is her deal?

1082
01:03:37.719 --> 01:03:40.960
<v Speaker 2>Her deal is? Like I think the guy who wrote

1083
01:03:41.000 --> 01:03:47.079
<v Speaker 2>this also wrote the original where like, you know, like

1084
01:03:47.320 --> 01:03:50.599
<v Speaker 2>European movies are like this beautiful woman definitely wants to

1085
01:03:50.679 --> 01:03:53.079
<v Speaker 2>kind of sit with this doe older man who has

1086
01:03:53.280 --> 01:03:57.639
<v Speaker 2>no personality and is very much an asshole, Like, you know,

1087
01:03:58.039 --> 01:04:03.280
<v Speaker 2>I wait, this is written and direcverybody Lisa Azuela's that

1088
01:04:03.320 --> 01:04:07.639
<v Speaker 2>doesn't make sense, Like there's part of me that wants

1089
01:04:07.679 --> 01:04:11.679
<v Speaker 2>to watch the original one, like just to see if

1090
01:04:11.679 --> 01:04:14.079
<v Speaker 2>it's any better, because it has to beg I mean,

1091
01:04:14.119 --> 01:04:17.719
<v Speaker 2>I'll do that as an extra crup So. So yeah,

1092
01:04:17.840 --> 01:04:24.239
<v Speaker 2>so we get the we get the montage. Now everybody's

1093
01:04:24.239 --> 01:04:27.920
<v Speaker 2>at now he's at their houses. No, okay, So this

1094
01:04:28.000 --> 01:04:30.199
<v Speaker 2>is where we have the conversation with Emily and Mari

1095
01:04:30.559 --> 01:04:35.079
<v Speaker 2>about rehn o when and it's just like, oh, yeah,

1096
01:04:35.119 --> 01:04:37.039
<v Speaker 2>I can't stay mad you but ell gross when.

1097
01:04:37.679 --> 01:04:38.599
<v Speaker 1>Yeah.

1098
01:04:38.679 --> 01:04:41.840
<v Speaker 2>So now now it's just like everybody's like hopping beds

1099
01:04:41.880 --> 01:04:46.159
<v Speaker 2>and whatnot. Kyle invites Mally over to the house he's

1100
01:04:46.199 --> 01:04:50.400
<v Speaker 2>staying at, like, you know, they pretend Molly Size is

1101
01:04:50.440 --> 01:04:52.239
<v Speaker 2>death mute for some reason.

1102
01:04:52.199 --> 01:04:55.679
<v Speaker 1>Even though she is responding to the entire conversation.

1103
01:04:56.079 --> 01:04:59.360
<v Speaker 2>Yeah, it's just a garbage show. And this is another

1104
01:04:59.480 --> 01:05:05.519
<v Speaker 2>confounding part where Emily like Emily, the couple at Emily

1105
01:05:05.599 --> 01:05:08.039
<v Speaker 2>stay with them. The woman goes to check on Molly

1106
01:05:08.079 --> 01:05:13.679
<v Speaker 2>Cyrus and when Emily is just like, there's somebody's snoring

1107
01:05:13.719 --> 01:05:16.559
<v Speaker 2>in the bed, and Emily's, oh, there's Molly Cyrus and

1108
01:05:16.559 --> 01:05:20.599
<v Speaker 2>she gets in the bed and when is there? How

1109
01:05:20.599 --> 01:05:24.199
<v Speaker 2>did he get in this house? And he's wearing a

1110
01:05:24.239 --> 01:05:29.000
<v Speaker 2>shirt with fake muscles like audience, if you've ever seen

1111
01:05:29.039 --> 01:05:31.480
<v Speaker 2>the rest of development where George Michael is wearing the

1112
01:05:31.840 --> 01:05:34.239
<v Speaker 2>muscle suit to pretend to be like some kind of

1113
01:05:34.320 --> 01:05:36.559
<v Speaker 2>like major scene or something, it's.

1114
01:05:36.599 --> 01:05:42.000
<v Speaker 1>No, it's from the Sistine Chapel painting of God.

1115
01:05:42.440 --> 01:05:47.480
<v Speaker 2>And yeah, and he's pretending it's his muscles, that's what

1116
01:05:47.639 --> 01:05:51.159
<v Speaker 2>when is wearing. This is not explained at all. This

1117
01:05:51.199 --> 01:05:52.400
<v Speaker 2>does not make any sense.

1118
01:05:52.559 --> 01:05:55.480
<v Speaker 1>She says, nice muscles and hops into bed with him.

1119
01:05:55.719 --> 01:06:00.880
<v Speaker 2>Yeah. So then Paris is just over. We're done with Paris.

1120
01:06:00.960 --> 01:06:04.199
<v Speaker 1>Oh okay, So I saw all of Paris except that

1121
01:06:04.280 --> 01:06:11.760
<v Speaker 1>Miley and Kyle sleep together and.

1122
01:06:11.760 --> 01:06:13.880
<v Speaker 2>This where's Jeremy who can say?

1123
01:06:14.159 --> 01:06:17.320
<v Speaker 5>And this is just to posed against me Moore and

1124
01:06:17.400 --> 01:06:21.960
<v Speaker 5>Jay Hernandez sleeping together, and it is so awful because

1125
01:06:22.559 --> 01:06:25.559
<v Speaker 5>Miley says, it's my first time to Kyle.

1126
01:06:25.360 --> 01:06:29.440
<v Speaker 1>And this has played like this so romantic, and then

1127
01:06:29.480 --> 01:06:34.280
<v Speaker 1>to me Moore says to Jay Hernandez, it's my first

1128
01:06:34.280 --> 01:06:38.320
<v Speaker 1>time since the divorce. These scenes are juxtaposed against each

1129
01:06:38.360 --> 01:06:42.320
<v Speaker 1>other cut cut. It reminded me so much of the

1130
01:06:42.360 --> 01:06:47.960
<v Speaker 1>scene in Jennifer's Body where Amanda Siphery's character is sleeping

1131
01:06:48.000 --> 01:06:52.679
<v Speaker 1>with her boyfriendship and at the same time having flashes

1132
01:06:52.960 --> 01:06:57.639
<v Speaker 1>of Megan Fox's character Jennifer devouring a man, because I

1133
01:06:57.800 --> 01:07:01.320
<v Speaker 1>was like, I had the same sort of level of

1134
01:07:01.360 --> 01:07:03.760
<v Speaker 1>like bodily horror watching it.

1135
01:07:04.679 --> 01:07:09.280
<v Speaker 2>So okay, Sizzy, this movie is about to just go nuts.

1136
01:07:10.159 --> 01:07:12.920
<v Speaker 1>And Frank's gonna have to take over from here because.

1137
01:07:12.760 --> 01:07:17.480
<v Speaker 2>I gave up. So Miley gets back from Paris and

1138
01:07:17.719 --> 01:07:22.639
<v Speaker 2>like it says to it says like Demean Moore is like, ohaspurs,

1139
01:07:22.639 --> 01:07:25.480
<v Speaker 2>that was good. Yeah, how is your how's your take?

1140
01:07:25.559 --> 01:07:28.880
<v Speaker 2>It was good. They don't say anything. There's barely anything

1141
01:07:28.920 --> 01:07:33.400
<v Speaker 2>that happens. Scene done. Oh and like okay, sorry before

1142
01:07:33.440 --> 01:07:37.280
<v Speaker 2>this because it's important to the plot. Moley borrowed a

1143
01:07:37.360 --> 01:07:40.239
<v Speaker 2>sweater from Demeanmoor or stole a sweater from.

1144
01:07:40.079 --> 01:07:43.320
<v Speaker 1>De Memoir, a Cashmere sweater again rich person.

1145
01:07:43.119 --> 01:07:48.000
<v Speaker 2>Problems, and Molly on the way back is thinking, now

1146
01:07:48.039 --> 01:07:50.440
<v Speaker 2>I know it's like to love someone so much it hurts.

1147
01:07:51.199 --> 01:07:51.400
<v Speaker 1>What.

1148
01:07:53.360 --> 01:07:57.119
<v Speaker 2>So they get back, Demean Moore is looking for her

1149
01:07:57.159 --> 01:08:01.800
<v Speaker 2>sweater and she looks into the bed and finds Miley

1150
01:08:01.880 --> 01:08:05.840
<v Speaker 2>Cyrus's diary. She then proceeds to read the entire diary

1151
01:08:05.840 --> 01:08:09.280
<v Speaker 2>because of course it falls open right to the page

1152
01:08:09.639 --> 01:08:15.519
<v Speaker 2>with the taped in condom wrapper bookmark. Gross, and there's

1153
01:08:15.519 --> 01:08:19.399
<v Speaker 2>also a titsy World bookmark like two world wrapper bookmark.

1154
01:08:19.880 --> 01:08:23.600
<v Speaker 2>This also, I was like, looking through the diary, there's

1155
01:08:23.760 --> 01:08:27.159
<v Speaker 2>very little prose written in it, despite how often we

1156
01:08:27.199 --> 01:08:29.359
<v Speaker 2>cut to her writing in it and narrating what's going

1157
01:08:29.399 --> 01:08:33.720
<v Speaker 2>on in the movie, which should have been used to

1158
01:08:33.840 --> 01:08:35.760
<v Speaker 2>tell us what's happening in the movie.

1159
01:08:35.880 --> 01:08:39.359
<v Speaker 1>It does not for motivations or how anyone's feeling.

1160
01:08:42.000 --> 01:08:44.600
<v Speaker 2>Kyle's dad is like, I'm sending you to military school,

1161
01:08:44.640 --> 01:08:47.520
<v Speaker 2>so he's say goodbye to this. And once again, it's

1162
01:08:47.640 --> 01:08:52.680
<v Speaker 2>really hard to like sympathize with these people when they're

1163
01:08:52.680 --> 01:08:57.119
<v Speaker 2>sending these giant rooms, like like you know, because he's

1164
01:08:57.159 --> 01:09:02.640
<v Speaker 2>sitting in this beautiful room and all these things, and

1165
01:09:02.680 --> 01:09:07.640
<v Speaker 2>then there's a whole thing. Then there is a scene

1166
01:09:07.760 --> 01:09:14.239
<v Speaker 2>where they're dissecting pigs and while this movie never end,

1167
01:09:16.079 --> 01:09:20.079
<v Speaker 2>Chad is on his like you know, misogynistic bowl crap,

1168
01:09:22.239 --> 01:09:29.399
<v Speaker 2>and like Miley comes to Ashley's defense, and I guess

1169
01:09:29.399 --> 01:09:33.279
<v Speaker 2>they're friends now, doesn't because then they're they're passing out

1170
01:09:33.319 --> 01:09:37.640
<v Speaker 2>flights of the Battle of the Bands, and it's just like,

1171
01:09:37.840 --> 01:09:39.239
<v Speaker 2>who could care? Yeah?

1172
01:09:40.880 --> 01:09:43.119
<v Speaker 1>I mean, is it played like a triumphant moment?

1173
01:09:43.359 --> 01:09:50.279
<v Speaker 2>I don't think so. Okay uh oh. And while while

1174
01:09:50.279 --> 01:09:56.479
<v Speaker 2>they're while they're dissecting the pigs, Kyless like have a

1175
01:09:56.479 --> 01:09:59.199
<v Speaker 2>little heart and holds up a pig's hard. It's horrific.

1176
01:10:00.079 --> 01:10:03.199
<v Speaker 2>Then there's a whole thing about they want to bring

1177
01:10:03.640 --> 01:10:07.800
<v Speaker 2>Kyle's band over to practice. It takes like two or

1178
01:10:07.840 --> 01:10:10.199
<v Speaker 2>three minutes, and just like, how are we gonna end

1179
01:10:10.199 --> 01:10:12.359
<v Speaker 2>this movie? We're gonna end this movie the Battle of

1180
01:10:12.359 --> 01:10:15.960
<v Speaker 2>the Bands because we've been talking nonsul about it doesn't matter.

1181
01:10:16.079 --> 01:10:21.800
<v Speaker 2>It doesn't it doesn't matter at all. And eventually, like

1182
01:10:23.399 --> 01:10:25.800
<v Speaker 2>we see the forms of the Battle of the Bands,

1183
01:10:25.840 --> 01:10:30.720
<v Speaker 2>they sing two songs They're not good. May just ends

1184
01:10:30.760 --> 01:10:33.920
<v Speaker 2>up back in bed with me more. They like hug

1185
01:10:33.960 --> 01:10:36.319
<v Speaker 2>it out credits.

1186
01:10:35.880 --> 01:10:39.520
<v Speaker 1>Frank, how much movie do you think? This movie made? Like?

1187
01:10:39.680 --> 01:10:40.680
<v Speaker 2>Ten million dollars?

1188
01:10:41.039 --> 01:10:43.880
<v Speaker 1>Have you looked it up? No, you are totally right,

1189
01:10:44.039 --> 01:10:47.399
<v Speaker 1>ten point four million dollars on an eleven million dollar budget.

1190
01:10:47.520 --> 01:10:49.720
<v Speaker 2>I'm so glad it didn't make his money back. It

1191
01:10:49.760 --> 01:10:50.680
<v Speaker 2>didn't deserve it.

1192
01:10:50.800 --> 01:10:52.560
<v Speaker 1>And here's the thing. I don't know if it was

1193
01:10:52.680 --> 01:10:55.800
<v Speaker 1>as true at the time, but usually movies spend about

1194
01:10:55.840 --> 01:11:04.119
<v Speaker 1>as much on advertised as they do on the actual budget,

1195
01:11:04.359 --> 01:11:08.760
<v Speaker 1>or at least half as much. So yeah, this movie

1196
01:11:09.479 --> 01:11:11.840
<v Speaker 1>lost money.

1197
01:11:12.479 --> 01:11:13.800
<v Speaker 2>So next week we're gonna.

1198
01:11:13.560 --> 01:11:19.479
<v Speaker 1>Do domestic box office forty six thousand dollars. That is,

1199
01:11:19.880 --> 01:11:22.279
<v Speaker 1>it made most of its money overseas.

1200
01:11:22.680 --> 01:11:25.960
<v Speaker 2>Wow. I mean, well, the thing is, like, I think

1201
01:11:26.600 --> 01:11:28.319
<v Speaker 2>I think the main problem. Okay, so here's how I

1202
01:11:28.359 --> 01:11:30.159
<v Speaker 2>knew about this movie, and I think this is what

1203
01:11:30.399 --> 01:11:34.079
<v Speaker 2>is the main problem with this movie is I remember

1204
01:11:34.600 --> 01:11:38.279
<v Speaker 2>the trailer for this movie being my size texting on

1205
01:11:38.319 --> 01:11:42.199
<v Speaker 2>her bed and she says, my name is Lola, but

1206
01:11:42.239 --> 01:11:45.600
<v Speaker 2>everybody calls me lull. And I think the problem with

1207
01:11:45.680 --> 01:11:48.600
<v Speaker 2>that is that everyone heard that heard it for the

1208
01:11:48.720 --> 01:11:52.560
<v Speaker 2>cynical bullshit it was, and we're like, I'm not gonna

1209
01:11:52.560 --> 01:11:53.359
<v Speaker 2>go watch this movie.

1210
01:11:53.439 --> 01:12:00.359
<v Speaker 1>Coverage one week run per theater, so and it was

1211
01:12:00.359 --> 01:12:01.880
<v Speaker 1>only in one hundred theaters.

1212
01:12:02.039 --> 01:12:05.199
<v Speaker 2>I can only imagine in each of those theaters there's

1213
01:12:05.279 --> 01:12:10.399
<v Speaker 2>like two or three people. Like movie prices were like

1214
01:12:10.520 --> 01:12:14.720
<v Speaker 2>still like ten dollars. So let's say seven days, one

1215
01:12:14.800 --> 01:12:20.359
<v Speaker 2>hundred theaters, seven hundred movie theaters or yeah, yeah, like

1216
01:12:20.399 --> 01:12:21.640
<v Speaker 2>seven hundred what.

1217
01:12:21.600 --> 01:12:24.279
<v Speaker 1>Do you mean one hundred theaters it's one per screen.

1218
01:12:24.640 --> 01:12:30.840
<v Speaker 2>Yeah, no, like I'm trying seven hundred, seven hundred movie theaters.

1219
01:12:30.960 --> 01:12:33.560
<v Speaker 2>Assume me three hundred screens in total over seven days.

1220
01:12:34.960 --> 01:12:37.840
<v Speaker 1>Let's say it played three times a day in one

1221
01:12:37.880 --> 01:12:43.199
<v Speaker 1>hundred theaters times a week. That's twenty two hundred screenings.

1222
01:12:44.600 --> 01:12:49.920
<v Speaker 1>And so then if we divide that into forty six thousand,

1223
01:12:52.159 --> 01:12:59.399
<v Speaker 1>so about twenty people or no, twenty dollars, so about

1224
01:12:59.439 --> 01:13:01.199
<v Speaker 1>two people screening went to see it.

1225
01:13:01.720 --> 01:13:06.199
<v Speaker 2>Yeah that makes sense. So yeah, next week I'm gonna

1226
01:13:06.199 --> 01:13:10.039
<v Speaker 2>do the last song. Yeah, it's a Nicolas Sparks movie.

1227
01:13:10.039 --> 01:13:11.520
<v Speaker 2>He's kind of somehow like.

1228
01:13:11.920 --> 01:13:14.159
<v Speaker 1>And I promised to finish it because I bailed on

1229
01:13:14.199 --> 01:13:14.600
<v Speaker 1>this one.

1230
01:13:14.760 --> 01:13:18.079
<v Speaker 2>He's gonna somehow talk about how like it's related to

1231
01:13:18.119 --> 01:13:20.159
<v Speaker 2>World War two, because that's what he doesn't every one

1232
01:13:20.199 --> 01:13:23.159
<v Speaker 2>of his goddamn books. It's like, I can't stop bull

1233
01:13:23.239 --> 01:13:26.920
<v Speaker 2>riding this horrific practice, and it's somehow related to World

1234
01:13:26.920 --> 01:13:30.800
<v Speaker 2>War two when we were fighting the greatest threat to democracy.

1235
01:13:31.560 --> 01:13:34.239
<v Speaker 1>I mean, makes sense when you really think about it,

1236
01:13:34.239 --> 01:13:37.680
<v Speaker 1>it doesn't. So if you'd like to write.

1237
01:13:37.399 --> 01:13:41.079
<v Speaker 2>It, it's just I want to I do love love

1238
01:13:41.560 --> 01:13:45.560
<v Speaker 2>like I love, I love, I love a good like

1239
01:13:46.319 --> 01:13:48.680
<v Speaker 2>romantic movie or song. I'm just gonna throw this out

1240
01:13:48.720 --> 01:13:50.800
<v Speaker 2>there because I've really enjoyed it. I need something positive

1241
01:13:50.800 --> 01:13:55.319
<v Speaker 2>to come out of this movie. Langhorn Slim has just

1242
01:13:55.319 --> 01:13:58.600
<v Speaker 2>come out of a new EP. It's called on Fire,

1243
01:13:58.720 --> 01:14:02.079
<v Speaker 2>and the title track from it is really good. So

1244
01:14:02.439 --> 01:14:04.720
<v Speaker 2>check him out on Spotify get his number rose up.

1245
01:14:04.800 --> 01:14:08.079
<v Speaker 2>Language Slim is excellent as new ep is excellent. I'm

1246
01:14:08.079 --> 01:14:09.920
<v Speaker 2>sorry for droppings. Please continue.

1247
01:14:10.119 --> 01:14:15.600
<v Speaker 1>No, that's fine. If you want to write us and

1248
01:14:15.720 --> 01:14:18.199
<v Speaker 1>tell us we're wrong about Loll, tell us all the

1249
01:14:18.239 --> 01:14:20.399
<v Speaker 1>reasons that you loved it, you can write us at

1250
01:14:20.399 --> 01:14:23.159
<v Speaker 1>real Teengirl talk at gmail dot com. We have an

1251
01:14:23.159 --> 01:14:24.840
<v Speaker 1>instagram that Frank moderates.

1252
01:14:25.199 --> 01:14:26.800
<v Speaker 2>If you can make it through and tell how we're

1253
01:14:26.800 --> 01:14:28.520
<v Speaker 2>all about LOLL. I don't think you can.

1254
01:14:29.079 --> 01:14:29.359
<v Speaker 1>I could.

1255
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<v Speaker 2>I challenge you. I challenge you by our listeners. I

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<v Speaker 2>have another podcast I do my buddy Donne called I

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<v Speaker 2>hope I can make it through. I have a pod.

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<v Speaker 2>I have a pod. I have a pod of I

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<v Speaker 2>have a p pod.

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<v Speaker 1>Dolphins Uh.

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<v Speaker 2>I have a website friendcode dot com where I post

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<v Speaker 2>my writings. I have a book for sale, A Harpy

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<v Speaker 2>in the Darkness. It's a collection of horror stories. The

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<v Speaker 2>link for the link for all three of those are

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<v Speaker 2>in the description.

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<v Speaker 1>And it's until next week. I'm ce Ze Coota my

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<v Speaker 1>friend Coodaza
