1
00:00:00,080 --> 00:00:40,119
Speaker 1: H M is a time. Where's the way enough to say?

2
00:00:40,240 --> 00:00:49,920
Speaker 2: So you'll fight by your rights. You'll fight to the bow.

3
00:00:53,039 --> 00:01:00,320
You'll tell tell us whoa were mother that's.

4
00:01:00,119 --> 00:01:00,920
Speaker 3: Up your south.

5
00:01:03,840 --> 00:01:06,079
Speaker 1: Yoo yoos wom?

6
00:01:09,079 --> 00:01:11,319
Speaker 2: Where the mothering that shuck yourself?

7
00:01:14,239 --> 00:01:15,920
Speaker 1: Wat you want and how you don't want it?

8
00:01:18,799 --> 00:01:24,079
Speaker 4: Sounds like w do it? B be yourself?

9
00:01:24,280 --> 00:01:25,400
Speaker 5: People are press.

10
00:01:27,920 --> 00:01:29,760
Speaker 1: Where all the town you let ris.

11
00:01:32,959 --> 00:01:33,599
Speaker 6: Your time?

12
00:01:33,920 --> 00:01:40,599
Speaker 1: Show us whoa with mother that suck yourself?

13
00:01:43,680 --> 00:01:44,239
Speaker 7: Your lady?

14
00:01:44,920 --> 00:01:45,519
Speaker 1: That's wow?

15
00:01:48,799 --> 00:01:50,920
Speaker 7: Where the mother that sucked yourself?

16
00:02:52,919 --> 00:02:55,120
Speaker 8: In times of crisis, you need a law firm that

17
00:02:55,199 --> 00:02:58,280
stands by your side. With over forty years of experience,

18
00:02:58,400 --> 00:03:01,520
Craig and Gitsulus is dead to fighting for your rights.

19
00:03:01,919 --> 00:03:04,919
As former state prosecutors, our attorneys have the knowledge and

20
00:03:05,000 --> 00:03:08,680
trial experience to provide an aggressive defense against any charge,

21
00:03:09,080 --> 00:03:13,319
from duys to homicides. If you've been injured, our compassionate

22
00:03:13,400 --> 00:03:15,960
team will assess your case and fight for the compensation

23
00:03:16,120 --> 00:03:19,560
you deserve. Serving all of New Hampshire. Craigan Getzulis is

24
00:03:19,599 --> 00:03:22,639
here when you need us most. Visit craigatzulis dot com

25
00:03:22,840 --> 00:03:26,879
for a free consultation. Craigan getzulus your advocates your.

26
00:03:26,840 --> 00:03:31,919
Speaker 6: Allies bring your kitchen to life with Queen Citycabinetry, located

27
00:03:32,039 --> 00:03:35,479
at eighty seven Elm Street in the historic Sunbeam Law

28
00:03:35,639 --> 00:03:39,360
in Manchester. Open Monday through Friday nine am to five

29
00:03:39,520 --> 00:03:43,719
thirty pm, in Saturdays ten am to two pm. They

30
00:03:43,800 --> 00:03:46,960
can be reached at six h three two two two

31
00:03:47,360 --> 00:03:50,560
to zero zero seven. We're on the web at Queen

32
00:03:50,680 --> 00:03:57,080
citycabinatry NH dot com. Come see the possibilities Queen Citycabinetry.

33
00:03:57,319 --> 00:03:59,120
Another crowd sponsor.

34
00:03:58,840 --> 00:04:02,520
Speaker 9: Of wmna H, Disney's Cafe is the place to put

35
00:04:02,560 --> 00:04:04,960
a smile on your face. Judy and the crew will

36
00:04:05,039 --> 00:04:07,800
take care out of you, bring your appetite and treat

37
00:04:07,840 --> 00:04:12,599
your taste buds right. Business cafe is always a winning choice. Breakfast,

38
00:04:12,840 --> 00:04:17,199
lunch or supper Dizze's Cafe at eight sixty Elm Street

39
00:04:17,279 --> 00:04:20,519
in downtown Manchester. Dine in, take out or make a

40
00:04:20,600 --> 00:04:24,519
reservation call six oh three six oh six two five

41
00:04:24,959 --> 00:04:29,199
three two each, drink and be happy Dizzne's Cafe.

42
00:04:29,519 --> 00:04:32,240
Speaker 10: When it comes to keeping WMNH on the air and

43
00:04:32,360 --> 00:04:36,120
your own personal or business computer needs, trust Growland Computers

44
00:04:36,360 --> 00:04:40,120
located on Elm Street in Manchester. Groland handles computer repair,

45
00:04:40,360 --> 00:04:43,240
virus removal and custom built systems. Are you looking for

46
00:04:43,360 --> 00:04:46,639
budget friendly options, check out our selection of fully inspected

47
00:04:46,759 --> 00:04:50,839
used computers. We offer tailored on site solutions no unnecessary

48
00:04:50,920 --> 00:04:54,519
expenses here. Visit Groland dot com or call Grolling Computers

49
00:04:54,639 --> 00:04:58,240
at six zero three six four five zero one zero one.

50
00:04:58,439 --> 00:05:01,600
Your Tech, Your way, Trust scroll in Computers.

51
00:05:08,120 --> 00:05:12,480
Speaker 11: Midnight Seven times out of ten we listened to our

52
00:05:12,639 --> 00:05:19,160
music at night. That's one titled Businesses program Late.

53
00:05:19,120 --> 00:05:22,160
Speaker 6: Night to Light with DJ Midas right here on WMNH,

54
00:05:22,399 --> 00:05:23,240
Manchester if.

55
00:05:23,120 --> 00:05:24,639
Speaker 12: You want to because.

56
00:05:26,360 --> 00:05:28,720
Speaker 5: Saturdays and Sunday nights midnight to four am.

57
00:05:30,079 --> 00:05:35,519
Speaker 13: This hour on WMNH is sponsored by CGI Business Solutions,

58
00:05:35,879 --> 00:05:39,879
located at five Dartmouth Drive in Auburn. They serve all

59
00:05:40,000 --> 00:05:44,439
your business needs including employee benefits, planning, corporate design and

60
00:05:44,560 --> 00:05:50,519
business administration, investments and wealth management and customized business insurance solutions.

61
00:05:50,839 --> 00:05:53,399
Their phone number is eight sixty six eighty four to

62
00:05:53,480 --> 00:05:57,240
one forty six hundred, or on the web at CGI

63
00:05:57,480 --> 00:05:59,279
business Solutions dot com.

64
00:06:02,319 --> 00:06:05,839
Speaker 14: Behold the harmony of airwaves as you immerse yourself in

65
00:06:05,879 --> 00:06:10,279
the captivating frequencies of w MNHLP the sonic heart beats

66
00:06:10,360 --> 00:06:13,879
of Manchester transcending through the ether at ninety five point

67
00:06:13,920 --> 00:06:17,720
three megahertz frequency modulation or transmissions emanate from the zeed

68
00:06:17,800 --> 00:06:20,560
at the one thousand Elm Streets, insure into the hearts

69
00:06:20,600 --> 00:06:23,639
of our creative realm at one nineteen Canal Street, where

70
00:06:23,720 --> 00:06:27,879
innovation and sound collage. They're the improm mod of Manchester

71
00:06:28,000 --> 00:06:32,120
Public Television Service in the venerable city of Manchester, New Hampshire, USA.

72
00:06:32,560 --> 00:06:34,279
Speaker 5: Enrich your auditory journey with.

73
00:06:34,360 --> 00:06:37,600
Speaker 14: The depth of our license to WESSPT your missives to

74
00:06:37,839 --> 00:06:41,279
w MNH ninety five three at gmail dot com or

75
00:06:41,399 --> 00:06:45,759
traverse the virtual corridors of wmnhradio dot org. Engage with

76
00:06:45,879 --> 00:06:48,639
our sonic vibrations by communing with us through the digital

77
00:06:48,720 --> 00:06:52,279
channels or radio beckons, eager to enthrall you with its

78
00:06:52,399 --> 00:06:56,360
mesmerizing cadence and develop you with a symphony of foundless auditories.

79
00:06:56,399 --> 00:07:31,920
Speaker 1: One dude, w m n H rips the normals sit

80
00:07:32,160 --> 00:07:33,519
in her hair.

81
00:07:35,000 --> 00:07:46,120
Speaker 15: In this chair thing again, Wanda wear hair.

82
00:07:47,680 --> 00:07:49,439
Speaker 12: This world go.

83
00:07:57,279 --> 00:08:12,480
Speaker 16: Socks of a horror all low round. Watch these build das.

84
00:08:13,279 --> 00:08:17,040
Speaker 11: Grumbo to don't graha.

85
00:08:22,839 --> 00:08:23,839
Speaker 7: Sippy bo.

86
00:08:24,519 --> 00:08:25,839
Speaker 1: These change.

87
00:08:28,800 --> 00:08:31,360
Speaker 3: I told them, it's not them.

88
00:08:35,360 --> 00:08:46,360
Speaker 1: She has change. Witty en way way why.

89
00:08:46,200 --> 00:09:01,600
Speaker 4: We see this he.

90
00:09:03,759 --> 00:09:15,879
Speaker 16: Spreading through the crowd, affording boots.

91
00:09:16,759 --> 00:09:18,600
Speaker 15: Are a long boo.

92
00:09:25,799 --> 00:09:28,039
Speaker 4: Two parties say at.

93
00:09:29,200 --> 00:09:54,559
Speaker 17: Designed to devine friends and family for she on shiy change.

94
00:10:04,080 --> 00:10:04,919
Speaker 3: We held.

95
00:10:06,240 --> 00:10:07,600
Speaker 4: The change.

96
00:10:09,679 --> 00:10:13,200
Speaker 15: When Whenny, when.

97
00:10:14,879 --> 00:10:42,120
Speaker 1: We got.

98
00:10:45,679 --> 00:10:46,440
Speaker 15: The thing.

99
00:11:06,399 --> 00:11:12,480
Speaker 16: Ballati sunts pulling all those strings.

100
00:11:19,159 --> 00:11:25,200
Speaker 15: We'll just bob bit in this bullet and go rain.

101
00:11:31,480 --> 00:11:37,960
Speaker 16: Lead with your hall heart loves well it all big games.

102
00:11:44,200 --> 00:11:46,360
Speaker 4: Let's stand to gather.

103
00:11:47,480 --> 00:11:49,000
Speaker 7: And learn to love.

104
00:11:49,559 --> 00:11:49,879
Speaker 16: Fuck.

105
00:11:56,279 --> 00:11:59,480
Speaker 5: That is a very very cool song. Everybody's changing, and

106
00:11:59,799 --> 00:12:01,639
let's let me get that mic up and I'm going

107
00:12:01,759 --> 00:12:05,720
to ask I'm gonna ask him to so I don't

108
00:12:05,799 --> 00:12:09,480
screw up his last name. Welcome, how do you? Okay,

109
00:12:09,519 --> 00:12:11,840
go ahead and introduce yourself, Sarah, let me get these

110
00:12:12,679 --> 00:12:15,159
make sure this mic is working here, Go ahead and

111
00:12:15,159 --> 00:12:15,879
introduce yourself.

112
00:12:16,320 --> 00:12:20,120
Speaker 7: My name is Stephen de Keir. Stephen de Keure, local

113
00:12:20,240 --> 00:12:24,399
musician from Nashvilla, New Hampshire. I played full time all

114
00:12:24,440 --> 00:12:28,879
around New Hampshire in the Massachusetts area. Tonight I'll be

115
00:12:29,000 --> 00:12:32,799
in York, Maine, York Beach playing from seven to ten pm.

116
00:12:33,080 --> 00:12:37,000
Speaker 5: Okay to the show. Very cool, very cool. Yeah, So

117
00:12:37,120 --> 00:12:39,919
Stephen de Kure, Yes, that's what I said, okay, very good,

118
00:12:40,000 --> 00:12:42,200
very good, because you're I'm curious if your name ever

119
00:12:42,279 --> 00:12:43,200
gets messed up on.

120
00:12:43,279 --> 00:12:48,039
Speaker 7: A poster, gets messed up all the time, all the time. Yes,

121
00:12:49,399 --> 00:12:49,639
got that.

122
00:12:49,919 --> 00:12:52,039
Speaker 5: I'm gonna get this camera on you here so people

123
00:12:52,080 --> 00:12:54,279
can see who are watching online if you are just

124
00:12:54,399 --> 00:12:57,519
joining us. Matt Connorton Unleashed. We have entered our number

125
00:12:57,519 --> 00:13:00,840
two New Marrow dose here on this Saturday morning, and

126
00:13:01,000 --> 00:13:03,799
Steven Dick here is with us, and he brought his guitar.

127
00:13:03,879 --> 00:13:06,000
He's gonna play. He's gonna play for us in just

128
00:13:06,039 --> 00:13:08,679
a moment. But I love that song. So where was

129
00:13:08,759 --> 00:13:10,120
that recorded? Where did you do that?

130
00:13:10,240 --> 00:13:10,279
Speaker 16: So?

131
00:13:10,440 --> 00:13:14,320
Speaker 7: I've been recording with Charlie Brusso over at Woodshot Productions

132
00:13:14,519 --> 00:13:18,440
in Atkinson, New Hampshire. Okay, he's worked with like God,

133
00:13:18,519 --> 00:13:23,080
Smack and run DMC over the years, some pretty prominent names. Yeah,

134
00:13:24,159 --> 00:13:26,519
he's good friends of mine, a few of my other friends.

135
00:13:27,200 --> 00:13:29,600
So I've been working with him and I've been working

136
00:13:29,679 --> 00:13:32,519
on this EP coming out now on almost two years now.

137
00:13:32,519 --> 00:13:33,360
I've been working on it.

138
00:13:33,600 --> 00:13:35,480
Speaker 5: Oh wow, yeah, Now how did you how did you

139
00:13:35,519 --> 00:13:37,200
come to work with him? Because obviously you know he's

140
00:13:37,200 --> 00:13:38,679
worked with some heavy hitters. I mean, how did that

141
00:13:38,720 --> 00:13:39,200
come about?

142
00:13:39,360 --> 00:13:39,399
Speaker 10: So?

143
00:13:39,720 --> 00:13:44,200
Speaker 7: Just mutual friends of my mom and dads and friend

144
00:13:44,399 --> 00:13:47,639
music friends of ours that I've known throughout the years, uh,

145
00:13:47,919 --> 00:13:50,519
you know, put me in touch with him, and I've

146
00:13:50,559 --> 00:13:52,039
been working with him ever since.

147
00:13:53,720 --> 00:13:56,639
Speaker 5: How many are you putting out an EP or how many?

148
00:13:56,799 --> 00:13:59,120
Speaker 7: Just an EP? It's my very first EP, so it'll

149
00:13:59,159 --> 00:14:01,320
be six songs. Oh wow, song EP.

150
00:14:01,679 --> 00:14:05,759
Speaker 5: Very cool, congratulations on that. Who else is on? Who

151
00:14:05,840 --> 00:14:06,440
else is working?

152
00:14:06,600 --> 00:14:06,639
Speaker 14: Like?

153
00:14:06,759 --> 00:14:07,519
Speaker 5: Is it all just you?

154
00:14:08,840 --> 00:14:11,960
Speaker 7: It's mostly just me. I have obviously Charlie producing it.

155
00:14:12,360 --> 00:14:14,639
He's putting most of it together for me. But I

156
00:14:14,799 --> 00:14:18,720
also have Jeff McGinnis. He's one of my lead guitarists

157
00:14:18,759 --> 00:14:20,639
on the on the track on the album as well.

158
00:14:20,679 --> 00:14:23,759
He was guitarists on Everybody's Changing as well. Oh okay,

159
00:14:24,360 --> 00:14:29,200
and he's super super talented, super super talented guy, really nice.

160
00:14:29,679 --> 00:14:31,919
He actually owns the Mojo's music.

161
00:14:32,360 --> 00:14:33,919
Speaker 5: Oh yeah, ye oh very cool.

162
00:14:34,000 --> 00:14:36,279
Speaker 7: Yeah, So that's what I'm working with on on that,

163
00:14:36,559 --> 00:14:39,759
and getting some other people in for bass and things

164
00:14:39,840 --> 00:14:41,840
like that, and usually I just do it myself though.

165
00:14:41,879 --> 00:14:44,360
Speaker 5: Yeah, well do you want to play something for us?

166
00:14:44,399 --> 00:14:46,960
You got your guitar, let me turn that turn that

167
00:14:47,000 --> 00:14:51,080
guitar Apierroy've got the right. Oh that sounds nice. That

168
00:14:51,200 --> 00:14:52,279
sounds nice on the headphones.

169
00:14:52,360 --> 00:14:55,840
Speaker 7: Yeah, all right. This one's called quiet moments. This is

170
00:14:55,879 --> 00:15:20,679
an original. All right, quiet.

171
00:15:20,519 --> 00:15:25,080
Speaker 15: Moments all the long.

172
00:15:30,799 --> 00:15:34,519
Speaker 18: Hours Friday, my beIN.

173
00:15:35,679 --> 00:15:44,120
Speaker 4: So fill these patures.

174
00:15:45,399 --> 00:15:58,320
Speaker 7: In the stories, arrange them your homeway, sing them for me,

175
00:16:03,360 --> 00:16:09,799
looking at my window as the sun creets the day, birds.

176
00:16:09,440 --> 00:16:12,279
Speaker 4: Of singing, clean tree zoo.

177
00:16:12,320 --> 00:16:39,000
Speaker 7: Tree writing songs come suweesally surrounded by me ches beudy play.

178
00:16:39,159 --> 00:16:51,039
The skits are day and tun high, create the fire high.

179
00:16:52,720 --> 00:16:54,679
Speaker 3: I know you like.

180
00:17:00,440 --> 00:17:02,559
Speaker 18: Fill these pages.

181
00:17:03,960 --> 00:17:15,799
Speaker 7: Charble store horries, arrange them your home way, sing them

182
00:17:16,160 --> 00:17:16,839
for me.

183
00:17:21,799 --> 00:17:25,559
Speaker 4: Looking down my window is the clouds over the day

184
00:17:27,480 --> 00:17:31,039
window is blooring meaning song its way.

185
00:17:32,799 --> 00:18:19,960
Speaker 7: Writing songs come surreeasonly, surrounded by knee chous beauty, quiet moments.

186
00:18:21,960 --> 00:18:23,880
Speaker 1: All along.

187
00:18:29,240 --> 00:18:42,240
Speaker 18: House is empty. No once, Fill these pages.

188
00:18:43,519 --> 00:18:56,319
Speaker 7: Lonely stor homies, range them your hollway. Sing for me.

189
00:19:32,039 --> 00:19:34,079
Quite a moment's a little rough, but you know a

190
00:19:34,200 --> 00:19:36,200
little rough, dude, that was beautiful.

191
00:19:36,920 --> 00:19:40,680
Speaker 5: That was beautiful. Welcome everybody, if you are just joining us.

192
00:19:40,720 --> 00:19:43,319
We have Steven Dekire here with us. Alive in studio

193
00:19:44,000 --> 00:19:46,079
and that's that sounded fantastic.

194
00:19:46,359 --> 00:19:46,599
Speaker 7: Thank you.

195
00:19:46,720 --> 00:19:48,279
Speaker 5: How long have you been? How long have you been

196
00:19:48,319 --> 00:19:48,559
doing that?

197
00:19:48,680 --> 00:19:50,640
Speaker 7: So have you been? No, I have been playing.

198
00:19:50,880 --> 00:19:51,000
Speaker 8: Uh.

199
00:19:51,160 --> 00:19:53,720
Speaker 7: So I started playing guitar when I was seven years old.

200
00:19:53,960 --> 00:19:54,279
Speaker 5: Okay.

201
00:19:54,640 --> 00:19:58,039
Speaker 7: My uncle got me an electric electric guitar. So I

202
00:19:58,160 --> 00:20:02,200
was playing you know Metallica, Iron ma it In, you

203
00:20:02,279 --> 00:20:05,440
know all the Mega Death, you know, Green Day. And

204
00:20:05,640 --> 00:20:08,839
then when I was freshman in high school, I had

205
00:20:08,880 --> 00:20:10,839
to do a guitar class, so I had to get

206
00:20:10,839 --> 00:20:13,119
an acoustic guitar because I didn't have enough for all

207
00:20:13,119 --> 00:20:14,839
the kids. So sure I had to go buy one,

208
00:20:15,000 --> 00:20:18,519
got one, never looked back. So I've been playing since

209
00:20:18,519 --> 00:20:21,519
I was like seven, and I've been doing like full

210
00:20:21,559 --> 00:20:24,400
time gigging for about a little over ten years.

211
00:20:24,559 --> 00:20:25,680
Speaker 5: Oh, excellent, excellent.

212
00:20:25,680 --> 00:20:25,880
Speaker 7: Wow.

213
00:20:25,920 --> 00:20:26,519
Speaker 5: Where are you from?

214
00:20:27,319 --> 00:20:29,799
Speaker 7: So? I was born in Lawrence, Massachusetts. Okay, moved to

215
00:20:29,880 --> 00:20:32,759
Nashville when I was about six years old. So I've

216
00:20:32,759 --> 00:20:35,000
been in Nasha since about two thousand and two thousand

217
00:20:35,000 --> 00:20:35,319
and one.

218
00:20:35,480 --> 00:20:40,519
Speaker 5: Okay, Okay, Now how did you how did you when

219
00:20:40,799 --> 00:20:43,440
you were starting out? I mean, did you always do

220
00:20:43,559 --> 00:20:45,599
a solo acoustic thing or did you play a band?

221
00:20:45,920 --> 00:20:49,960
Speaker 7: I've always done solo acoustic over the years. Now that

222
00:20:50,079 --> 00:20:51,640
i've you know, I've been doing it for a while,

223
00:20:51,640 --> 00:20:53,559
I've been trying to work more with like, you know,

224
00:20:53,720 --> 00:20:55,680
bands and like get up on stage with bands and

225
00:20:56,000 --> 00:20:58,519
as far as that goes. But I usually just do

226
00:20:58,640 --> 00:20:59,039
it solo.

227
00:21:00,240 --> 00:21:02,039
Speaker 5: It's easier, right, I mean it's you know, you know,

228
00:21:02,519 --> 00:21:07,000
depend on anybody else for yeah, their availability and in

229
00:21:07,119 --> 00:21:09,079
terms of rehearsing and playing shows and all.

230
00:21:08,960 --> 00:21:12,279
Speaker 7: That, exactly exactly. It's it's a it's a little bit

231
00:21:12,359 --> 00:21:15,680
it's a little bit easier to go about a business wise.

232
00:21:15,839 --> 00:21:18,799
Speaker 5: Yeah, yeah, no doubt. Do you do covers as well?

233
00:21:18,960 --> 00:21:20,079
Speaker 7: Or do do covers as well?

234
00:21:20,200 --> 00:21:20,400
Speaker 5: Yeah?

235
00:21:20,519 --> 00:21:20,720
Speaker 3: I do.

236
00:21:20,920 --> 00:21:23,640
Speaker 7: I do mostly covers even at all my shows. Yeah,

237
00:21:23,920 --> 00:21:25,559
Like I said, this is the first EP I have

238
00:21:25,680 --> 00:21:28,160
coming out, So these are my first original songs that

239
00:21:28,240 --> 00:21:31,880
I have. Yeah, and so I mostly do covers and

240
00:21:32,079 --> 00:21:32,559
things like that.

241
00:21:32,920 --> 00:21:33,119
Speaker 17: Yeah.

242
00:21:33,920 --> 00:21:35,599
Speaker 5: How many originals do you have at this point? Would

243
00:21:35,599 --> 00:21:36,880
you say? I mean, can you even put a number

244
00:21:36,920 --> 00:21:37,799
on how many songs you have?

245
00:21:37,960 --> 00:21:41,799
Speaker 7: I have about like six or seven, okay, Okay, I said,

246
00:21:41,839 --> 00:21:44,759
I rarely just started writing about maybe a year or

247
00:21:44,799 --> 00:21:48,440
two ago, okay, and moved back into you know, my

248
00:21:48,599 --> 00:21:51,240
parents and stuff, and yeah, my dad's been helping me

249
00:21:51,279 --> 00:21:54,079
a lot with you know, the writing and oh good,

250
00:21:54,200 --> 00:21:56,240
help me put together the music and things like that.

251
00:21:56,680 --> 00:21:59,000
Speaker 5: What is it that motivated you to want to start writing?

252
00:21:59,680 --> 00:22:01,640
Speaker 7: I've really just want to get my own music out there.

253
00:22:01,759 --> 00:22:04,799
I mean, I play, I do all the covers, I

254
00:22:04,920 --> 00:22:08,359
play live full time, and you know the next step

255
00:22:08,519 --> 00:22:11,279
is to get onto my own stage hopefully, you know

256
00:22:11,319 --> 00:22:15,000
what I mean, and have people come and see my music. Yeah, yeah, exactly,

257
00:22:15,119 --> 00:22:16,720
you know, put music out there that you know can

258
00:22:16,799 --> 00:22:19,400
help people along the way. And yeah, the ways that

259
00:22:19,519 --> 00:22:20,680
music's held me along the way.

260
00:22:21,200 --> 00:22:24,039
Speaker 5: You know, you want to play another one? Yeah, of course, yeah, yeah,

261
00:22:24,240 --> 00:22:27,240
if you're just joining us, Stephen the Cure saying it right?

262
00:22:27,519 --> 00:22:27,720
Speaker 7: Yep?

263
00:22:27,920 --> 00:22:30,680
Speaker 5: Is he is here with us in in studio. Sounded amazing.

264
00:22:30,799 --> 00:22:31,759
Speaker 7: Yeah, that's correct.

265
00:22:32,000 --> 00:22:33,839
Speaker 5: And hear another one? Does that?

266
00:22:33,920 --> 00:22:34,039
Speaker 11: Ever?

267
00:22:34,319 --> 00:22:34,480
Speaker 3: Does?

268
00:22:34,599 --> 00:22:34,680
Speaker 15: Uh?

269
00:22:35,960 --> 00:22:38,640
Speaker 5: I I assume, like, what what's the I'm just curious

270
00:22:38,880 --> 00:22:42,599
what what's the most unusual, shall we say, pronunciation? You've

271
00:22:42,599 --> 00:22:43,200
heard of your name?

272
00:22:45,480 --> 00:22:47,720
Speaker 7: I mean I've had I've had, I've had the queer,

273
00:22:47,920 --> 00:22:51,079
I've had the choir, I've had, I felt a lot. Yeah,

274
00:22:52,519 --> 00:22:54,720
declare declare mind better.

275
00:22:55,640 --> 00:22:57,519
Speaker 5: How did you say it? I don't remember. He is

276
00:22:58,680 --> 00:23:01,359
for my blue Oh yeah, there you go.

277
00:23:02,440 --> 00:23:04,400
Speaker 7: That sounds I've had people put a queue in front

278
00:23:04,440 --> 00:23:04,599
of it.

279
00:23:05,000 --> 00:23:09,519
Speaker 5: Oh really yeah, yeah yeah, I can imagine, scarious. What

280
00:23:09,640 --> 00:23:10,680
are you gonna play for us next?

281
00:23:10,720 --> 00:23:12,359
Speaker 7: I'm gonna do so, I'm actually gonna do a cover

282
00:23:12,480 --> 00:23:15,160
for you. This is a rail of Montane's empty.

283
00:23:15,160 --> 00:23:16,240
Speaker 5: Nice nice.

284
00:23:26,880 --> 00:23:51,640
Speaker 7: M gless screwed up to your knees, walks through the

285
00:23:51,720 --> 00:23:59,960
garden rooms with the bedfielder, never learned to come back.

286
00:24:00,240 --> 00:24:03,519
This seems choosing stair too dwel in.

287
00:24:03,720 --> 00:24:07,279
Speaker 19: My sirsters.

288
00:24:09,680 --> 00:24:13,400
Speaker 7: Walk on down the hill through the grass g joll

289
00:24:13,559 --> 00:24:15,759
and brown. Still it starts.

290
00:24:15,480 --> 00:24:18,279
Speaker 19: Amount to that go of life, babe.

291
00:24:19,960 --> 00:24:25,279
Speaker 7: I'm best Busty back there holding Rusty gotta like that

292
00:24:25,559 --> 00:24:29,000
sinks into this field collecting ray.

293
00:24:30,480 --> 00:24:47,519
Speaker 20: Willow ways feel this way. So see so wes strange.

294
00:24:56,839 --> 00:25:02,279
Speaker 7: Enoughty's got the busted sunsets. He's called the damn baden mornings.

295
00:25:02,440 --> 00:25:04,720
Speaker 4: I use can field.

296
00:25:07,640 --> 00:25:11,440
Speaker 7: Through market and Dusty. I'm still leaves and spoke. These

297
00:25:11,559 --> 00:25:12,720
words are alloud.

298
00:25:13,079 --> 00:25:14,839
Speaker 4: No one hear me.

299
00:25:18,759 --> 00:25:23,400
Speaker 7: L flowers across the chair, bid four flowers from your

300
00:25:23,559 --> 00:25:29,920
hair and gets me with a country mouth, sore playntside

301
00:25:30,000 --> 00:25:33,200
the rain and stamping on the leaves. To me, it

302
00:25:33,440 --> 00:25:37,960
sounds like they're up blooding us quite love with me.

303
00:25:39,839 --> 00:25:56,319
Speaker 20: Willow ways feel this way? Soe so wess Strange.

304
00:26:06,119 --> 00:26:09,880
Speaker 7: Well love looks my team means in the slip in

305
00:26:10,079 --> 00:26:17,039
my chest said to your best to destroy me. You see,

306
00:26:17,240 --> 00:26:20,440
I've been in the hell lay back so many times.

307
00:26:20,839 --> 00:26:28,480
My stadn't really kind of poor me. There's a lot

308
00:26:28,559 --> 00:26:31,119
of things I can give the man. There's a lot

309
00:26:31,160 --> 00:26:35,000
of ways to die. Yes, since I am ready there

310
00:26:35,480 --> 00:26:39,839
to walk side me, And there's a whole lot of things.

311
00:26:39,920 --> 00:26:42,960
Speaker 4: I don't understand why so many people lie.

312
00:26:43,720 --> 00:26:52,039
Speaker 7: Let's not hurt you, ounfuse the fir inside me will always.

313
00:26:52,519 --> 00:27:05,960
Speaker 20: Feel this way. So so wiss strange.

314
00:27:22,720 --> 00:27:27,000
Speaker 5: Steven Deckurrer here with us live in studio. That was amazing.

315
00:27:27,920 --> 00:27:32,960
That was a Ray Lemming I can't say his name either. Song.

316
00:27:34,200 --> 00:27:34,960
Speaker 4: That was gorgeous.

317
00:27:35,279 --> 00:27:37,720
Speaker 5: Yeah, that was really a beautiful light. That was really good.

318
00:27:37,799 --> 00:27:38,359
That was really good.

319
00:27:38,400 --> 00:27:38,799
Speaker 7: So much.

320
00:27:39,880 --> 00:27:41,559
Speaker 5: Is Is there anyone that you covered that you found

321
00:27:41,680 --> 00:27:44,200
challenging to do, like vocally.

322
00:27:44,039 --> 00:27:50,240
Speaker 7: Or Steely Dan Amy Winehouse really Yeah, Yeah, vocally they're

323
00:27:50,319 --> 00:27:53,559
pretty challenging. I mean some of the new Benson Boone

324
00:27:53,640 --> 00:27:56,200
songs that I've been working on challenging as well.

325
00:27:56,519 --> 00:27:58,720
Speaker 5: Now, what is it about so somebody like I'm curious

326
00:27:58,720 --> 00:28:00,960
that somebody like Seely Dan for example. Yeah, what is

327
00:28:01,000 --> 00:28:02,359
it that's that's challenging about that?

328
00:28:03,000 --> 00:28:05,680
Speaker 7: Oh my god. They are such nerds when it comes

329
00:28:05,759 --> 00:28:10,240
to the musicality of it. Yeah, pronunciation of when when

330
00:28:10,359 --> 00:28:14,079
you know you're singing. And I mean Michael McDonald did

331
00:28:14,119 --> 00:28:16,599
an interview about how when he was recording PEG with

332
00:28:16,680 --> 00:28:21,599
Donald Fagan, Yeah, and how he was very that's the

333
00:28:21,640 --> 00:28:25,839
word I'm looking for. He wanted it perfectly. He wanted

334
00:28:25,839 --> 00:28:29,119
it perfectly every single time. So this pronunciation with his words,

335
00:28:29,160 --> 00:28:31,599
how he was pronunciating it, I was singing it everything.

336
00:28:31,680 --> 00:28:34,039
It took him like seventeen to eighteen takes no can

337
00:28:34,200 --> 00:28:36,200
do the harmonies on PEG or whatever he goes. It

338
00:28:36,279 --> 00:28:37,720
was one of the hardest things I've ever read to do.

339
00:28:37,920 --> 00:28:38,880
Speaker 5: Oh wow wow.

340
00:28:39,160 --> 00:28:39,359
Speaker 3: Yeah.

341
00:28:39,880 --> 00:28:42,039
Speaker 5: Is it important to you when when you do these covers,

342
00:28:42,200 --> 00:28:44,279
is it important to you to sing them as closely

343
00:28:44,319 --> 00:28:45,519
as possible to the original.

344
00:28:45,640 --> 00:28:47,279
Speaker 7: I like to bring a justice but also make it

345
00:28:47,359 --> 00:28:49,680
my own. Yeah, give it my own twist on it

346
00:28:49,799 --> 00:28:52,640
in a way, so it's not, oh hey, he's just

347
00:28:52,839 --> 00:28:55,279
you know, like the other everybody else the run of

348
00:28:55,319 --> 00:28:57,720
the mill, right right, Yeah, stand out a little bit.

349
00:28:57,799 --> 00:29:01,079
Speaker 5: So yeah, no doubt, no doubt. What are do you

350
00:29:01,160 --> 00:29:02,640
have a favorite? Like, do you have a favorite cover

351
00:29:02,759 --> 00:29:05,240
that you do? Is there one that really kind of

352
00:29:05,400 --> 00:29:07,359
stands out of something to every show?

353
00:29:07,559 --> 00:29:10,119
Speaker 7: I just I went over this. I get this question,

354
00:29:10,240 --> 00:29:13,759
actually asked a lot. Yeah, it's hard to say. I

355
00:29:13,839 --> 00:29:16,000
have like almost two hundred songs that I play off

356
00:29:16,000 --> 00:29:18,000
to my head, so yeah, it's hard to like pick

357
00:29:18,039 --> 00:29:20,680
and choose. It's usually ones that like I'm like just

358
00:29:20,839 --> 00:29:22,839
learning or you know what i mean, just getting out

359
00:29:22,839 --> 00:29:25,759
there to play. Yeah, as of lately it's been NOA

360
00:29:25,839 --> 00:29:30,119
Kn's Dial Drunk. I really enjoying playing that one out lately.

361
00:29:30,440 --> 00:29:30,680
Speaker 5: Yeah.

362
00:29:31,240 --> 00:29:32,960
Speaker 7: Yeah, it kind of always fluctuates for me.

363
00:29:33,160 --> 00:29:33,359
Speaker 10: Yeah.

364
00:29:33,640 --> 00:29:36,039
Speaker 5: Yeah, what's the longest show you've done?

365
00:29:36,799 --> 00:29:36,920
Speaker 21: Oh?

366
00:29:37,039 --> 00:29:38,799
Speaker 7: Man, the longest show I've done, I think was like

367
00:29:38,960 --> 00:29:39,960
seven and a half hours.

368
00:29:39,960 --> 00:29:42,880
Speaker 5: Oh my god, Okay, tell me about it. Way seven

369
00:29:42,920 --> 00:29:43,759
and a half hours.

370
00:29:43,880 --> 00:29:45,559
Speaker 7: Yeah, it was a private pool party.

371
00:29:45,559 --> 00:29:48,160
Speaker 5: Because usually when I ask people this question, I'll get like, oh,

372
00:29:48,240 --> 00:29:50,000
you know, we did a five hours like seven and

373
00:29:50,039 --> 00:29:51,519
a half. Yeah, yeah, yeah.

374
00:29:51,720 --> 00:29:53,279
Speaker 7: So like I did like a lot of like the

375
00:29:53,319 --> 00:29:57,680
shows like l Street Tavern last year, and yeah, there

376
00:29:57,759 --> 00:29:59,680
was a couple of times like that. I had to

377
00:29:59,799 --> 00:30:02,000
do both of the shows because you know, one of

378
00:30:02,039 --> 00:30:04,359
the guys canceled. Yeah, so I had to go in

379
00:30:04,440 --> 00:30:06,680
there early, play from like three to three thirty to

380
00:30:06,759 --> 00:30:09,960
seven thirty, then play seven thirty to midnight or wow.

381
00:30:10,359 --> 00:30:12,680
Yeah it's rough. It's rough.

382
00:30:12,799 --> 00:30:14,400
Speaker 5: Yeah yeah, but why we do it?

383
00:30:14,440 --> 00:30:14,960
Speaker 7: You know what I mean?

384
00:30:15,559 --> 00:30:17,160
Speaker 5: When you do something like that? Do you do anything

385
00:30:17,200 --> 00:30:18,440
special for your voice too?

386
00:30:18,799 --> 00:30:21,599
Speaker 7: I really just drink tea and lemons. Oh that's really

387
00:30:21,640 --> 00:30:23,759
all I do. Especially, I didn't drink any today. I

388
00:30:23,920 --> 00:30:25,039
was running late this time.

389
00:30:25,079 --> 00:30:29,039
Speaker 5: Oh you sound great, now you sound great? And yeah,

390
00:30:29,200 --> 00:30:31,519
but pretty unusual to sing this early, probably right.

391
00:30:31,440 --> 00:30:32,920
Speaker 16: It is for me.

392
00:30:33,119 --> 00:30:36,559
Speaker 7: Usually usually I'm waking up at like three really yeah, yeah,

393
00:30:36,720 --> 00:30:38,160
getting ready to go to work at six.

394
00:30:38,359 --> 00:30:42,559
Speaker 5: Yeah, there you go, there you go, yep. So And

395
00:30:42,759 --> 00:30:45,200
as far as playing, I mean, obviously, with what you do,

396
00:30:46,079 --> 00:30:47,880
you're able to play. You know, you can play just

397
00:30:47,960 --> 00:30:50,960
about anywhere, but just about like do you get out

398
00:30:50,960 --> 00:30:52,119
of do you get out of New England?

399
00:30:52,240 --> 00:30:52,359
Speaker 14: Much?

400
00:30:52,440 --> 00:30:53,279
Speaker 5: Or do you kind of stick to.

401
00:30:53,799 --> 00:30:58,000
Speaker 7: I Actually I haven't played. I play in Massachusetts a lot, Yeah,

402
00:30:58,160 --> 00:31:05,519
do like Brownies Pub. I usually do Muddy Waters where's

403
00:31:05,519 --> 00:31:08,680
that that's in Methune as well. Oh okay, yeah, and

404
00:31:08,799 --> 00:31:12,079
then a few other places that I've played, But other

405
00:31:12,119 --> 00:31:14,119
than that, I usually stay in New Hampshire, no kidding.

406
00:31:14,240 --> 00:31:16,920
Speaker 5: Yeah, yeah, well yeah, I mean it's remarkable with you

407
00:31:17,000 --> 00:31:18,640
do a lot of breweries. I assume I do a

408
00:31:18,680 --> 00:31:19,400
lot of breweries.

409
00:31:19,519 --> 00:31:21,839
Speaker 7: I do, so I work with not so costly productions.

410
00:31:21,920 --> 00:31:24,519
Oh excellent, Dmitri, no wonder you're so busy.

411
00:31:24,680 --> 00:31:27,119
Speaker 5: Yeah, yeah, yeah, they do a great job.

412
00:31:27,240 --> 00:31:29,319
Speaker 7: Yeah, so I work with them. I've been working with

413
00:31:29,359 --> 00:31:34,559
Paul Costley and Dmitry for over god, probably about eight

414
00:31:34,640 --> 00:31:35,119
years now.

415
00:31:35,079 --> 00:31:35,559
Speaker 5: No kidding.

416
00:31:35,640 --> 00:31:37,039
Speaker 7: Yeah, I'm working with them for a long time.

417
00:31:37,200 --> 00:31:37,839
Speaker 5: Outstanding.

418
00:31:37,920 --> 00:31:40,000
Speaker 7: Yeah, They've been nothing but good to me. And they

419
00:31:40,079 --> 00:31:42,480
helped me out with shows and you know, and and

420
00:31:42,559 --> 00:31:45,240
I booked myself as well, and some other people or

421
00:31:45,319 --> 00:31:47,039
whatever that I know through the industry.

422
00:31:47,240 --> 00:31:47,440
Speaker 11: Yeah.

423
00:31:47,680 --> 00:31:49,000
Speaker 7: Yeah, it keeps me busy.

424
00:31:49,119 --> 00:31:50,200
Speaker 5: Yeah, no, that's fantastic.

425
00:31:50,279 --> 00:31:52,519
Speaker 7: Out of Trouble, Yeah yeah, yeah.

426
00:31:53,200 --> 00:31:55,000
Speaker 5: Do you want to play another one for us? Yeah,

427
00:31:55,119 --> 00:31:57,720
of course, trying to hear you play another one selfishly

428
00:31:58,240 --> 00:31:59,880
if you're just joining as we have Steven de Cure

429
00:31:59,880 --> 00:32:05,559
here and he sounds it sounds amazing. Yeah, level up

430
00:32:05,599 --> 00:32:06,240
on that guitar.

431
00:32:07,880 --> 00:32:10,319
Speaker 7: What would you like to hear another cover original?

432
00:32:10,400 --> 00:32:12,759
Speaker 5: I'm gonna leave that up to you. Okay, I'll leave

433
00:32:12,799 --> 00:32:13,559
that totally up to you.

434
00:32:14,680 --> 00:32:15,799
Speaker 7: Let's do another original?

435
00:32:15,920 --> 00:32:16,279
Speaker 5: All right?

436
00:32:18,440 --> 00:32:20,640
Speaker 7: So this uh, this is the first single that I

437
00:32:20,839 --> 00:32:23,880
released off the EP, and I got it released on

438
00:32:24,000 --> 00:32:25,680
ninety two point five The River in Boston.

439
00:32:25,799 --> 00:32:27,319
Speaker 5: Oh congratulations, Yeah to me.

440
00:32:27,359 --> 00:32:29,599
Speaker 7: I was very excited about that. And it's called Towards

441
00:32:29,640 --> 00:32:56,759
the Sun goes like this all right, it's so well.

442
00:33:02,160 --> 00:33:15,039
We talked for hours seeing nothing else. Indor do stocks sweet.

443
00:33:15,720 --> 00:33:27,920
Speaker 21: Yzaging bound, do things sweets.

444
00:33:32,599 --> 00:33:36,400
Speaker 4: Sit in non nacking sheep.

445
00:33:42,640 --> 00:33:54,160
Speaker 7: Shipping stand from a cool blass shop, Zaga. When I

446
00:33:54,519 --> 00:34:07,359
opens the sound sack down, wanna open bottom.

447
00:34:07,119 --> 00:34:39,800
Speaker 4: Ferns and dave free time that we fall now will shoe?

448
00:34:40,360 --> 00:34:49,639
I had new car. You took those.

449
00:34:49,599 --> 00:35:01,440
Speaker 7: Slave street two mouth face not out, No another slap

450
00:35:01,800 --> 00:35:03,039
in the fees.

451
00:35:08,360 --> 00:35:19,039
Speaker 4: And now we it's stand believe in your please, I said,

452
00:35:19,320 --> 00:35:22,840
he a long write his song in pain?

453
00:35:28,719 --> 00:35:40,199
Speaker 7: Canzack own wanna open sorts of Sun czack gown, wanna

454
00:35:40,639 --> 00:35:52,920
open bottom fun cauza own, wanna old bye sorts of

455
00:35:53,119 --> 00:36:29,679
Sun gazack gown, wanna old bun sords A son zack

456
00:36:29,840 --> 00:36:40,719
o wanna old bun sords A son zack O wanna

457
00:36:41,119 --> 00:36:53,440
old bun botsome fun zack O wanna old bye order

458
00:36:53,679 --> 00:37:01,280
sign Zach down out o.

459
00:37:03,239 --> 00:37:04,320
Speaker 18: Sorts of Sun.

460
00:37:09,039 --> 00:37:14,519
Speaker 5: Towards the Sun by Stephen Dick Heure Live in Studio, Fantastic, fantastic.

461
00:37:15,400 --> 00:37:15,679
Speaker 11: What do you?

462
00:37:16,280 --> 00:37:19,440
Speaker 5: I feel like I feel like your songs are pretty upbeat? Like,

463
00:37:19,519 --> 00:37:21,280
what do you What do you like to write about?

464
00:37:21,840 --> 00:37:21,960
Speaker 1: Uh?

465
00:37:22,280 --> 00:37:24,400
Speaker 7: You know, I really like to write about, you know,

466
00:37:24,719 --> 00:37:27,400
things that people can relate to. Yeah, and they can

467
00:37:27,599 --> 00:37:29,920
you know, take from their own lives and you know,

468
00:37:30,880 --> 00:37:33,119
either use it to help them with whatever they have

469
00:37:33,199 --> 00:37:37,400
going on. I mean Towards the Sun for instances essentially

470
00:37:37,480 --> 00:37:39,119
about you know, no matter where you are in your

471
00:37:39,159 --> 00:37:43,199
life that you're happy, down, sad, you know, depressed, whatever

472
00:37:43,280 --> 00:37:45,599
it is, there's always you know, look one eye towards

473
00:37:45,639 --> 00:37:47,800
the Son. There's always something better. No matter where you are,

474
00:37:47,880 --> 00:37:49,679
if you're in a good spot, you can always be

475
00:37:49,800 --> 00:37:52,159
doing better. Yeah, you know what I mean, just try

476
00:37:52,159 --> 00:37:54,880
and stay positive. Yeah, yeah, you know, yeah, very good,

477
00:37:55,000 --> 00:37:56,320
try and send other positive vibe.

478
00:37:56,480 --> 00:37:58,400
Speaker 5: I just noticed your shirt too. I didn't notice it

479
00:37:58,559 --> 00:38:02,360
for a honey DiFranco. Yeah, I met her probably she

480
00:38:02,639 --> 00:38:04,360
Oh my god, it's more than twenty years ago now.

481
00:38:04,440 --> 00:38:06,639
She was playing at a show in Providence, Okay. And

482
00:38:07,079 --> 00:38:09,159
at the time, I was working for a promoter, Joe Fletcher,

483
00:38:09,199 --> 00:38:11,280
who's he's not here. He's on the West Coast now,

484
00:38:11,679 --> 00:38:13,239
but he used to. He used to have big world

485
00:38:13,320 --> 00:38:16,440
productions here in New Hampshire, and so he was he

486
00:38:16,719 --> 00:38:18,920
was putting on shows around New England and he did

487
00:38:18,960 --> 00:38:20,840
a bunch of shows with her. But yeah, that's that's

488
00:38:20,880 --> 00:38:23,679
how I met her. And yeah, she was fantastic.

489
00:38:23,960 --> 00:38:26,559
Speaker 7: She's absolutely incredible. So I just went and saw her,

490
00:38:27,679 --> 00:38:29,360
first time I've ever seen her. I used to watch

491
00:38:29,360 --> 00:38:31,480
her show videos all the time. My mom got me

492
00:38:31,519 --> 00:38:34,639
into her. Yeah, I had front row seats with her

493
00:38:35,320 --> 00:38:39,000
and I called out. I yelled at shame play shameless

494
00:38:39,039 --> 00:38:41,519
her never And it happened to be the last song

495
00:38:41,599 --> 00:38:42,920
that she was going to play that now. Oh wow,

496
00:38:43,039 --> 00:38:45,119
she goes, Oh, you got lucky. I have a video

497
00:38:45,159 --> 00:38:47,079
of it. She handed me the set list. Oh no, Okaddy,

498
00:38:47,159 --> 00:38:49,519
Yeah it was really cool. Oh, very nice, definitely awesome.

499
00:38:49,559 --> 00:38:50,320
She's incredible.

500
00:38:50,440 --> 00:38:53,079
Speaker 5: Yeah, my favorites, yeah absolutely, Yeah.

501
00:38:53,360 --> 00:38:55,519
Speaker 7: Was that recent or very recent? It was at the

502
00:38:56,559 --> 00:39:00,199
oh She's it was? It was in April nineteenth, Yeah,

503
00:39:00,239 --> 00:39:01,599
April nineteenth, I believe it was.

504
00:39:01,760 --> 00:39:02,840
Speaker 5: Okay, where did you hear her.

505
00:39:04,440 --> 00:39:07,079
Speaker 7: In Somerville Summerville is Aville Theater?

506
00:39:07,280 --> 00:39:10,199
Speaker 5: Yeah, yeah, I haven't. I haven't kept up with her unfortunately, so,

507
00:39:10,280 --> 00:39:12,639
but I assume she's still putting out. Uh does she

508
00:39:12,679 --> 00:39:14,400
still have her label? Do you know Righteous Babe?

509
00:39:14,480 --> 00:39:16,519
Speaker 7: Is that still yeah? Righteous Spabe Records?

510
00:39:16,559 --> 00:39:18,960
Speaker 5: Okay, yeah, yeah, yeah. That's one of the cool things

511
00:39:18,960 --> 00:39:21,679
about her too, is you know, not only uh did

512
00:39:21,719 --> 00:39:25,320
I always love her music? But I shouldn't say past

513
00:39:25,360 --> 00:39:28,920
tense because she's obviously still active, but but I always

514
00:39:28,920 --> 00:39:31,440
thought it was cool that, you know, she she started

515
00:39:31,519 --> 00:39:33,800
her own label. She started that indie label at a

516
00:39:33,920 --> 00:39:37,000
time where like, like today, it's not even a big deal,

517
00:39:37,119 --> 00:39:39,880
right because of the Internet, anybody can can start a

518
00:39:39,920 --> 00:39:43,199
lay you know, quote unquote right, but she but she

519
00:39:43,360 --> 00:39:46,480
did it at a time when it was unusual, and

520
00:39:47,239 --> 00:39:49,760
you know, I I know she's talked in interviews about

521
00:39:49,800 --> 00:39:51,880
how you know, she faced a lot of headwinds doing that.

522
00:39:52,239 --> 00:39:54,920
People didn't necessarily believe in her, give her a chance.

523
00:39:55,039 --> 00:39:57,079
Speaker 7: They were like, I think, uh, she's done a lot

524
00:39:57,119 --> 00:40:00,239
for the women of the you know, yeah community.

525
00:40:00,000 --> 00:40:02,960
Speaker 5: Oh totally absolutely, Yeah, yeah, because I remember one interview

526
00:40:03,000 --> 00:40:04,239
I read with her, she was saying, like, you know,

527
00:40:04,360 --> 00:40:06,719
people just looked at her like, who is this chick

528
00:40:07,440 --> 00:40:08,480
who thinks she can do this?

529
00:40:08,719 --> 00:40:08,880
Speaker 22: You know?

530
00:40:09,000 --> 00:40:10,760
Speaker 5: But but she was determined to do it, and she

531
00:40:10,880 --> 00:40:11,079
did it.

532
00:40:11,199 --> 00:40:13,360
Speaker 7: Give somebody an opportunity. If they have the drive and

533
00:40:13,360 --> 00:40:14,840
the hunger, they'll they'll make it happen.

534
00:40:15,000 --> 00:40:19,960
Speaker 5: Yeah, yeah, one who So obviously she's a big inspiration

535
00:40:20,079 --> 00:40:20,199
to you.

536
00:40:20,480 --> 00:40:21,719
Speaker 7: Yeah, very big inspiration.

537
00:40:22,440 --> 00:40:23,599
Speaker 5: Like who else? Who else?

538
00:40:23,960 --> 00:40:26,960
Speaker 7: You gotta throw the Beatles in there? Yeah, the Beatles

539
00:40:27,000 --> 00:40:28,039
are number one for me.

540
00:40:28,519 --> 00:40:28,719
Speaker 5: Yeah.

541
00:40:28,880 --> 00:40:30,239
Speaker 7: Huge Jim Crochey fan, are you?

542
00:40:30,360 --> 00:40:30,519
Speaker 5: Yeah?

543
00:40:30,639 --> 00:40:33,280
Speaker 7: Huge Jim Croach fan. I just saw his son play

544
00:40:33,719 --> 00:40:35,039
Croachy plays Croachy.

545
00:40:35,000 --> 00:40:36,639
Speaker 5: Oh no, kidd see, I didn't even know that was

546
00:40:36,679 --> 00:40:36,920
the thing.

547
00:40:37,079 --> 00:40:38,800
Speaker 7: Yeah, yeah, he does it at two plow.

548
00:40:38,880 --> 00:40:39,719
Speaker 5: What's the son's name?

549
00:40:41,679 --> 00:40:44,760
Speaker 7: Oh interesting, it looks just like it said. Oh yeah, yeah,

550
00:40:44,880 --> 00:40:47,360
so I saw him My front Road tickets to that

551
00:40:47,440 --> 00:40:50,360
one too. My friend Liz also Scott does for me.

552
00:40:50,519 --> 00:40:53,280
Oh excellent, very nice to her, very nice her. Yeah,

553
00:40:53,440 --> 00:40:56,000
And so I met him after the show. Okay, talk

554
00:40:56,039 --> 00:40:57,920
to him. I always open up every show I usually

555
00:40:57,960 --> 00:40:59,480
do with uh, don't mess around with Jim.

556
00:40:59,559 --> 00:40:59,920
Speaker 5: Oh really.

557
00:41:00,440 --> 00:41:02,199
Speaker 7: My dad always laughs at me for it. He's like,

558
00:41:02,239 --> 00:41:05,119
you gonna open up until mets around with you. So

559
00:41:05,199 --> 00:41:07,559
I met him and talked to him for a few minutes,

560
00:41:08,119 --> 00:41:10,599
showed him my tattoo. Yeah as much as dad, you know.

561
00:41:10,679 --> 00:41:12,960
It was a big inspiration to me. And I'm glad

562
00:41:12,960 --> 00:41:14,280
that he's carrying on his legacy.

563
00:41:14,360 --> 00:41:17,599
Speaker 5: Oh yeah, no, that's extremely cool. That's extremely cool.

564
00:41:17,800 --> 00:41:21,920
Speaker 7: Yeah. So you know the Croaches, Steely, Dan Simon and Garfunkle. Yep,

565
00:41:22,599 --> 00:41:25,119
I'm an old soul. I really like the old school,

566
00:41:25,679 --> 00:41:28,119
the classics. Yeah, the music that lives on you know.

567
00:41:28,239 --> 00:41:30,039
Sure that's meaning you know what I mean? Yeah, I

568
00:41:30,079 --> 00:41:31,360
can still relate to it nowadays.

569
00:41:31,639 --> 00:41:35,880
Speaker 5: Yeah, yeah, absolutely absolutely. Do you want to play? Do

570
00:41:35,880 --> 00:41:37,480
you want to play one more? We have time? We

571
00:41:37,480 --> 00:41:39,360
will play one more live one you if you're just

572
00:41:39,440 --> 00:41:41,719
joining us. Stephen da Ciros here with us live in

573
00:41:41,840 --> 00:41:45,719
studio on this Saturday morning, singing much earlier in the

574
00:41:45,840 --> 00:41:47,920
day that he's used to. But he sounds he sounds great.

575
00:41:49,639 --> 00:41:50,559
Speaker 7: We'll try this one out.

576
00:41:50,599 --> 00:41:58,239
Speaker 5: This is a cover, right, something's uh that's doing that

577
00:42:01,679 --> 00:42:04,599
cord might have been loose. Yeah, try that again. It's

578
00:42:04,679 --> 00:42:07,679
it's almost like I wonder if your arm was hitting

579
00:42:07,719 --> 00:42:10,760
the cord going into the guitar, it might have been

580
00:42:10,800 --> 00:42:14,039
what it was I was hearing. Yeah, I was hearing

581
00:42:14,159 --> 00:42:21,039
something like uh, percuss. Yeah, that's much better.

582
00:42:21,159 --> 00:42:21,360
Speaker 23: Yeah.

583
00:42:22,360 --> 00:42:22,599
Speaker 14: Cool.

584
00:42:24,079 --> 00:42:30,800
Speaker 7: So it goes like this from the stupaka, you know,

585
00:42:32,360 --> 00:42:39,320
but it's raining from corn and drawn from mid surrounding

586
00:42:39,480 --> 00:42:44,440
your perspective of sween zeging before.

587
00:42:45,760 --> 00:42:50,079
Speaker 4: My oudience still my happy man. I used to be

588
00:42:51,679 --> 00:42:59,000
a dowbting forget about it whatever, And it's all the

589
00:42:59,199 --> 00:43:06,719
same many ways. And now you back forth to bunch

590
00:43:06,920 --> 00:43:12,639
that throne in the name of someone long and all

591
00:43:14,239 --> 00:43:16,400
fort she will be young.

592
00:43:16,320 --> 00:43:23,760
Speaker 7: Junkin lorn drap advancing his shins, being a radio. And

593
00:43:23,920 --> 00:43:26,239
now I don't knock you in they do me in

594
00:43:26,440 --> 00:43:32,519
the corn. Heck, even name is my emergency phone call, honey,

595
00:43:33,480 --> 00:43:39,679
ringing ring, even the COPSATCHI rover raining and now telling

596
00:43:39,880 --> 00:43:48,159
chunk countside chunk outside you monteto and from bots.

597
00:43:47,880 --> 00:43:52,800
Speaker 4: To me and recognize from charming too alarming.

598
00:43:52,880 --> 00:43:59,199
Speaker 7: In seconds, I'll be betrid and now let the pain matastasize.

599
00:44:00,400 --> 00:44:06,079
Speaker 4: But next morning I'll forget it. In the time, it all.

600
00:44:07,960 --> 00:44:08,480
Speaker 3: Is all.

601
00:44:13,480 --> 00:44:15,119
Speaker 1: And now you bad all.

602
00:44:15,119 --> 00:44:20,039
Speaker 7: To punch yourself a throne, win the name of someone

603
00:44:20,239 --> 00:44:21,440
now a long and a.

604
00:44:23,239 --> 00:44:26,360
Speaker 4: Ford sheam of being young, junkin.

605
00:44:25,960 --> 00:44:30,880
Speaker 7: Alone, traffic lancing is transmining radio.

606
00:44:32,800 --> 00:44:35,079
Speaker 4: And now I don't knock you in they do me

607
00:44:35,239 --> 00:44:36,079
in the corner.

608
00:44:37,440 --> 00:44:38,480
Speaker 15: I gave your name.

609
00:44:38,760 --> 00:44:44,039
Speaker 7: Is my emergency phone call, honey, ringing ring, even the

610
00:44:44,159 --> 00:44:46,280
cops that you rover.

611
00:44:46,079 --> 00:44:51,199
Speaker 4: Raindow and that time Chunk got time, Chunk got time

612
00:44:51,559 --> 00:44:56,679
for you, and no time for you.

613
00:45:00,760 --> 00:45:03,599
Speaker 7: And I beg you surger stayed my car, took give

614
00:45:03,840 --> 00:45:08,199
you my blood alcohol. I'll ride on with the pronouncing seal,

615
00:45:09,639 --> 00:45:11,119
and I'll change my faith out.

616
00:45:11,159 --> 00:45:12,559
Speaker 4: Pray it's a flag. It's sweet.

617
00:45:12,679 --> 00:45:16,079
Speaker 7: I sass your call me back, some of you danger

618
00:45:16,280 --> 00:45:19,559
to yourself, help me.

619
00:45:19,679 --> 00:45:22,159
Speaker 4: Surch to stay in my car to give you my

620
00:45:22,320 --> 00:45:23,400
blood out call.

621
00:45:23,639 --> 00:45:28,960
Speaker 7: I'll ride on with the pronouncing seal, and I've changed

622
00:45:29,000 --> 00:45:29,760
my faith out.

623
00:45:29,840 --> 00:45:31,199
Speaker 4: Kiss the bads. It's sweet.

624
00:45:31,320 --> 00:45:34,519
Speaker 7: I swiss you call me back. Somebody do you do

625
00:45:34,880 --> 00:45:36,280
this to yourself?

626
00:45:37,280 --> 00:45:41,000
Speaker 4: And I said, and now you proud all two punches

627
00:45:41,079 --> 00:45:45,800
down the throne, win the name of someone now no

628
00:45:46,039 --> 00:45:50,559
longer nor for the shame of being young.

629
00:45:50,519 --> 00:45:55,440
Speaker 7: Junk in alone, drift the lights in the strings in

630
00:45:55,599 --> 00:45:56,079
the radio.

631
00:45:58,000 --> 00:46:00,119
Speaker 4: And now I don't like you an need to you

632
00:46:00,320 --> 00:46:01,280
mean the call.

633
00:46:02,639 --> 00:46:06,840
Speaker 7: I gave your name is my emergency phone call, honey

634
00:46:07,000 --> 00:46:10,840
and ring and ring eving the cops. Thatt you for

635
00:46:11,119 --> 00:46:16,280
ring you know not time chunk countdown, chunk countwn for you.

636
00:46:19,400 --> 00:46:27,840
Speaker 5: Mm hmm. Gorgeous, gorgeous, just gorgeous than you. Absolutely very nice,

637
00:46:28,000 --> 00:46:31,800
very nice. Stephen Deakira here with us live in the studio,

638
00:46:32,400 --> 00:46:36,840
sounding amazing. We should remind people. So so the do

639
00:46:36,920 --> 00:46:38,360
you know when the EP is going to be out?

640
00:46:38,440 --> 00:46:40,559
Speaker 7: So I'm hoping the EP is going to be this July.

641
00:46:40,880 --> 00:46:43,000
That's what I'm hoping for. I go back into the

642
00:46:43,079 --> 00:46:46,920
studio on Father's Day, finish up the last song on there,

643
00:46:48,039 --> 00:46:50,119
and then I just want to add some finishing touches

644
00:46:50,199 --> 00:46:52,559
and mix some master it and get it out to

645
00:46:52,599 --> 00:46:55,239
the people. Man, it'll be a nice big weight off

646
00:46:55,320 --> 00:46:55,840
my shoulders.

647
00:46:56,000 --> 00:46:57,559
Speaker 5: Yeah, no doubt, no doubt about that.

648
00:46:57,719 --> 00:46:57,920
Speaker 3: Huh.

649
00:46:58,559 --> 00:47:00,920
Speaker 5: Very cool. And then where are you playing this weekend?

650
00:47:00,920 --> 00:47:02,239
Do you have anything to plug this weekend?

651
00:47:02,280 --> 00:47:06,400
Speaker 7: So tonight I'll be York Beach, York, Maine end the

652
00:47:06,480 --> 00:47:08,719
York Beach in and then I'll be doing that from

653
00:47:08,800 --> 00:47:09,639
seven to ten pm.

654
00:47:09,840 --> 00:47:10,119
Speaker 5: Okay.

655
00:47:10,119 --> 00:47:12,840
Speaker 7: And then tomorrow afternoon I will be at the Portsmouth

656
00:47:12,840 --> 00:47:14,840
Gaslight Deck two to five pm.

657
00:47:15,039 --> 00:47:16,000
Speaker 5: Okay, very good.

658
00:47:16,360 --> 00:47:17,960
Speaker 7: Yeah, and then I have like a couple of days

659
00:47:18,000 --> 00:47:20,000
off and then back at it again.

660
00:47:20,159 --> 00:47:20,360
Speaker 3: Yeah.

661
00:47:21,480 --> 00:47:21,800
Speaker 5: Sweet?

662
00:47:22,159 --> 00:47:22,280
Speaker 3: Uh?

663
00:47:22,400 --> 00:47:24,440
Speaker 5: And where is the best place to go online for

664
00:47:24,480 --> 00:47:25,519
people like keep this book?

665
00:47:25,599 --> 00:47:27,400
Speaker 7: Is the best place to go online? And check me out?

666
00:47:27,800 --> 00:47:31,079
Stephen d Kere. You can add my main profile page.

667
00:47:31,119 --> 00:47:32,840
You can add my music page of just Stephen ded

668
00:47:32,920 --> 00:47:33,480
Cure music.

669
00:47:34,559 --> 00:47:36,480
Speaker 5: We should probably tell people how to spell your name too.

670
00:47:36,559 --> 00:47:41,599
Speaker 7: Yes, it's s t E p h e N. My

671
00:47:41,719 --> 00:47:45,960
last name is d E c U I r e yes. Yes,

672
00:47:46,079 --> 00:47:48,400
and you pronounce it d q d cur yes.

673
00:47:48,760 --> 00:47:52,639
Speaker 5: Excellent, outstanding, outstanding, I think. Uh So. Another studio track

674
00:47:52,679 --> 00:47:55,559
that you sent us is this Quiet Moments. Yes, you

675
00:47:55,639 --> 00:47:56,480
didn't play this one right?

676
00:47:56,559 --> 00:47:57,960
Speaker 7: I played that? That was the first one I played.

677
00:47:57,960 --> 00:47:59,760
Speaker 5: Oh, that was the first one you played. Maybe we

678
00:47:59,760 --> 00:48:02,840
shoul should maybe we should replay the one we opened with.

679
00:48:02,960 --> 00:48:07,159
Then yeah, well that's okay. Actually, now we'll let people

680
00:48:07,159 --> 00:48:09,960
hear the studio version of Quiet Moments. Yeah yeah, yeah,

681
00:48:10,800 --> 00:48:12,679
Maybe I'll play the other one again afterward, though, because

682
00:48:12,719 --> 00:48:14,880
I really like that Everybody's changing. I really I really

683
00:48:15,000 --> 00:48:18,320
like that one a lot. Thank you. That's excellent, outstanding, outstanding.

684
00:48:18,679 --> 00:48:20,440
Uh So, if you are listening live, by the way,

685
00:48:20,519 --> 00:48:23,000
is Katie here? She is in the billion Katie Dobbins

686
00:48:23,119 --> 00:48:24,400
is coming up in the third hour, so it'll be

687
00:48:24,480 --> 00:48:26,679
nice to see her and I get to hear her.

688
00:48:26,920 --> 00:48:33,039
And did she bring her guitar? Good? Okay, And we

689
00:48:33,159 --> 00:48:35,400
will close out this segment with this. This is called

690
00:48:35,639 --> 00:48:38,679
Quiet Moments. Stephen de Cure again, thank you so much.

691
00:48:38,840 --> 00:48:39,559
Speaker 7: Thank you so much.

692
00:49:03,360 --> 00:49:05,599
Speaker 3: Quiet Moments.

693
00:49:07,000 --> 00:49:08,880
Speaker 15: All the long.

694
00:49:14,760 --> 00:49:28,239
Speaker 22: Ice ride day, my pan and Sloan. Fill these pages.

695
00:49:29,159 --> 00:49:32,000
Speaker 3: With the starries.

696
00:49:37,199 --> 00:49:38,280
Speaker 15: Arrange on your.

697
00:49:38,159 --> 00:49:43,000
Speaker 19: Way, sing for me.

698
00:49:48,159 --> 00:49:52,159
Speaker 7: Looking out my window as the sun reads the day,

699
00:49:54,239 --> 00:49:58,280
birds of singing, laying tree to tree.

700
00:49:59,800 --> 00:50:06,280
Speaker 12: Right, adding songs come Soweely, surrounded by me.

701
00:50:06,639 --> 00:50:26,880
Speaker 3: Just beuy, play the kids.

702
00:50:28,840 --> 00:50:38,199
Speaker 4: Day and to night, create that bar hide.

703
00:50:39,760 --> 00:50:41,800
Speaker 12: I know you lie.

704
00:50:47,800 --> 00:50:50,159
Speaker 4: Fill these pages.

705
00:50:51,039 --> 00:51:02,880
Speaker 19: With Joe boot Store Harris. Arrange on your away, sing

706
00:51:04,119 --> 00:51:04,880
for me.

707
00:51:10,039 --> 00:51:11,599
Speaker 15: Looking out my window.

708
00:51:11,960 --> 00:51:14,000
Speaker 11: Is the cloudscoover of the day.

709
00:51:15,920 --> 00:51:20,039
Speaker 4: The wind is going ringing song dance way.

710
00:51:21,719 --> 00:51:29,320
Speaker 12: Writing, songs come sweets, so writing by magues.

711
00:51:28,840 --> 00:52:22,880
Speaker 23: Beardy, quiet moments, a long houses sempty.

712
00:52:24,599 --> 00:52:26,119
Speaker 15: Nor once on.

713
00:52:32,280 --> 00:52:34,559
Speaker 4: Fill these pages.

714
00:52:35,480 --> 00:52:48,679
Speaker 11: With long star hurries, range of your own way, seem for.

715
00:52:49,320 --> 00:53:36,079
Speaker 24: Me bally living thing.

716
00:53:42,960 --> 00:53:56,400
Speaker 3: Dier sit in here.

717
00:53:58,519 --> 00:54:11,280
Speaker 15: In the chairs things again, wand then wear hair. This

718
00:54:12,039 --> 00:54:13,639
world's school.

719
00:54:20,840 --> 00:54:35,559
Speaker 16: Socks of wool, horror, all low round, watch these buildings,

720
00:54:36,840 --> 00:54:40,679
grumble to them, Graham.

721
00:54:47,239 --> 00:54:49,880
Speaker 1: Bo these change.

722
00:54:52,719 --> 00:54:55,880
Speaker 7: Children, mountains, not the s.

723
00:55:01,119 --> 00:55:02,440
Speaker 24: It's change.

724
00:55:04,519 --> 00:55:10,639
Speaker 25: Waiting, waiting, waiting when.

725
00:55:09,719 --> 00:55:25,559
Speaker 15: We see this hay.

726
00:55:27,320 --> 00:55:30,199
Speaker 20: Spreading through the crowd.

727
00:55:36,679 --> 00:55:42,400
Speaker 15: Affoording boots are a long boy.

728
00:55:42,760 --> 00:55:56,800
Speaker 16: No two parties, says Star, designed to divine.

729
00:56:02,480 --> 00:56:03,960
Speaker 15: Friends and family.

730
00:56:05,800 --> 00:56:30,679
Speaker 25: But she on shibody, change joins the change.

731
00:56:33,239 --> 00:56:38,440
Speaker 15: Wheny waiting wait wait.

732
00:57:29,960 --> 00:57:43,800
Speaker 16: Balla chest shunts holding all those strings. We're just ball

733
00:57:44,079 --> 00:57:56,519
bits in this bullet go rain, lead with your hall

734
00:57:56,800 --> 00:58:01,400
hoar loves wear it all bigs.

735
00:58:07,760 --> 00:58:09,880
Speaker 4: Let's stand to gather.

736
00:58:11,000 --> 00:58:13,920
Speaker 15: And learn to love fucka.

737
00:58:19,519 --> 00:58:21,719
Speaker 8: In times of crisis, you need a law firm that

738
00:58:21,840 --> 00:58:24,880
stands by your side. With over forty years of experience,

739
00:58:25,000 --> 00:58:28,679
Craigan Getsulus is dedicated to fighting for your rights. As

740
00:58:28,760 --> 00:58:31,880
former state prosecutors, our attorneys have the knowledge and trial

741
00:58:32,000 --> 00:58:35,880
experience to provide an aggressive defense against any charge, from

742
00:58:35,960 --> 00:58:40,239
DUIs to homicides. If you've been injured, our compassionate team

743
00:58:40,280 --> 00:58:43,199
will assess your case and fight for the compensation you deserve.

744
00:58:43,679 --> 00:58:46,559
Serving all of New Hampshire, Craigan Getzulis is here when

745
00:58:46,599 --> 00:58:49,599
you need us most. Visit craigatzulis dot com for a

746
00:58:49,679 --> 00:58:53,559
free consultation. Craigan getsulus, your advocates, your.

747
00:58:53,440 --> 00:58:57,599
Speaker 6: Allies, bring your kitchen to life with Queen City Cabinetry,

748
00:58:58,039 --> 00:59:02,079
located at eighty seven Elmstreet in the historic Sunbeam Mall

749
00:59:02,280 --> 00:59:06,000
in Manchester, open Monday through Friday nine am to five

750
00:59:06,119 --> 00:59:10,320
thirty pm, in Saturdays ten am to two pm. They

751
00:59:10,400 --> 00:59:13,599
can be reached at six oh three two two two

752
00:59:13,960 --> 00:59:17,199
to zero zero seven or on the web at Queen

753
00:59:17,280 --> 00:59:20,280
CITYCABINATRYNH dot com.

754
00:59:20,679 --> 00:59:22,119
Speaker 5: Come see the possibilities.

755
00:59:22,320 --> 00:59:26,719
Speaker 6: Queen Citycabinetry another proud sponsor of w MNH