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Speaker 2: So you'll fight by your rights. You'll fight to the bow.
You'll tell tell us whoa were mother that's.
Speaker 3: Up your south.
Speaker 1: Yoo yoos wom?
Speaker 2: Where the mothering that shuck yourself?
Speaker 1: Wat you want and how you don't want it?
Speaker 4: Sounds like w do it? B be yourself?
Speaker 5: People are press.
Speaker 1: Where all the town you let ris.
Speaker 6: Your time?
Speaker 1: Show us whoa with mother that suck yourself?
Speaker 7: Your lady?
Speaker 1: That's wow?
Speaker 7: Where the mother that sucked yourself?
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Speaker 11: Midnight Seven times out of ten we listened to our
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traverse the virtual corridors of wmnhradio dot org. Engage with
our sonic vibrations by communing with us through the digital
channels or radio beckons, eager to enthrall you with its
mesmerizing cadence and develop you with a symphony of foundless auditories.
Speaker 1: One dude, w m n H rips the normals sit
in her hair.
Speaker 15: In this chair thing again, Wanda wear hair.
Speaker 12: This world go.
Speaker 16: Socks of a horror all low round. Watch these build das.
Speaker 11: Grumbo to don't graha.
Speaker 7: Sippy bo.
Speaker 1: These change.
Speaker 3: I told them, it's not them.
Speaker 1: She has change. Witty en way way why.
Speaker 4: We see this he.
Speaker 16: Spreading through the crowd, affording boots.
Speaker 15: Are a long boo.
Speaker 4: Two parties say at.
Speaker 17: Designed to devine friends and family for she on shiy change.
Speaker 3: We held.
Speaker 4: The change.
Speaker 15: When Whenny, when.
Speaker 1: We got.
Speaker 15: The thing.
Speaker 16: Ballati sunts pulling all those strings.
Speaker 15: We'll just bob bit in this bullet and go rain.
Speaker 16: Lead with your hall heart loves well it all big games.
Speaker 4: Let's stand to gather.
Speaker 7: And learn to love.
Speaker 16: Fuck.
Speaker 5: That is a very very cool song. Everybody's changing, and
let's let me get that mic up and I'm going
to ask I'm gonna ask him to so I don't
screw up his last name. Welcome, how do you? Okay,
go ahead and introduce yourself, Sarah, let me get these
make sure this mic is working here, Go ahead and
introduce yourself.
Speaker 7: My name is Stephen de Keir. Stephen de Keure, local
musician from Nashvilla, New Hampshire. I played full time all
around New Hampshire in the Massachusetts area. Tonight I'll be
in York, Maine, York Beach playing from seven to ten pm.
Speaker 5: Okay to the show. Very cool, very cool. Yeah, So
Stephen de Kure, Yes, that's what I said, okay, very good,
very good, because you're I'm curious if your name ever
gets messed up on.
Speaker 7: A poster, gets messed up all the time, all the time. Yes,
got that.
Speaker 5: I'm gonna get this camera on you here so people
can see who are watching online if you are just
joining us. Matt Connorton Unleashed. We have entered our number
two New Marrow dose here on this Saturday morning, and
Steven Dick here is with us, and he brought his guitar.
He's gonna play. He's gonna play for us in just
a moment. But I love that song. So where was
that recorded? Where did you do that?
Speaker 16: So?
Speaker 7: I've been recording with Charlie Brusso over at Woodshot Productions
in Atkinson, New Hampshire. Okay, he's worked with like God,
Smack and run DMC over the years, some pretty prominent names. Yeah,
he's good friends of mine, a few of my other friends.
So I've been working with him and I've been working
on this EP coming out now on almost two years now.
I've been working on it.
Speaker 5: Oh wow, yeah, Now how did you how did you
come to work with him? Because obviously you know he's
worked with some heavy hitters. I mean, how did that
come about?
Speaker 10: So?
Speaker 7: Just mutual friends of my mom and dads and friend
music friends of ours that I've known throughout the years, uh,
you know, put me in touch with him, and I've
been working with him ever since.
Speaker 5: How many are you putting out an EP or how many?
Speaker 7: Just an EP? It's my very first EP, so it'll
be six songs. Oh wow, song EP.
Speaker 5: Very cool, congratulations on that. Who else is on? Who
else is working?
Speaker 14: Like?
Speaker 5: Is it all just you?
Speaker 7: It's mostly just me. I have obviously Charlie producing it.
He's putting most of it together for me. But I
also have Jeff McGinnis. He's one of my lead guitarists
on the on the track on the album as well.
He was guitarists on Everybody's Changing as well. Oh okay,
and he's super super talented, super super talented guy, really nice.
He actually owns the Mojo's music.
Speaker 5: Oh yeah, ye oh very cool.
Speaker 7: Yeah, So that's what I'm working with on on that,
and getting some other people in for bass and things
like that, and usually I just do it myself though.
Speaker 5: Yeah, well do you want to play something for us?
You got your guitar, let me turn that turn that
guitar Apierroy've got the right. Oh that sounds nice. That
sounds nice on the headphones.
Speaker 7: Yeah, all right. This one's called quiet moments. This is
an original. All right, quiet.
Speaker 15: Moments all the long.
Speaker 18: Hours Friday, my beIN.
Speaker 4: So fill these patures.
Speaker 7: In the stories, arrange them your homeway, sing them for me,
looking at my window as the sun creets the day, birds.
Speaker 4: Of singing, clean tree zoo.
Speaker 7: Tree writing songs come suweesally surrounded by me ches beudy play.
The skits are day and tun high, create the fire high.
Speaker 3: I know you like.
Speaker 18: Fill these pages.
Speaker 7: Charble store horries, arrange them your home way, sing them
for me.
Speaker 4: Looking down my window is the clouds over the day
window is blooring meaning song its way.
Speaker 7: Writing songs come surreeasonly, surrounded by knee chous beauty, quiet moments.
Speaker 1: All along.
Speaker 18: House is empty. No once, Fill these pages.
Speaker 7: Lonely stor homies, range them your hollway. Sing for me.
Quite a moment's a little rough, but you know a
little rough, dude, that was beautiful.
Speaker 5: That was beautiful. Welcome everybody, if you are just joining us.
We have Steven Dekire here with us. Alive in studio
and that's that sounded fantastic.
Speaker 7: Thank you.
Speaker 5: How long have you been? How long have you been
doing that?
Speaker 7: So have you been? No, I have been playing.
Speaker 8: Uh.
Speaker 7: So I started playing guitar when I was seven years old.
Speaker 5: Okay.
Speaker 7: My uncle got me an electric electric guitar. So I
was playing you know Metallica, Iron ma it In, you
know all the Mega Death, you know, Green Day. And
then when I was freshman in high school, I had
to do a guitar class, so I had to get
an acoustic guitar because I didn't have enough for all
the kids. So sure I had to go buy one,
got one, never looked back. So I've been playing since
I was like seven, and I've been doing like full
time gigging for about a little over ten years.
Speaker 5: Oh, excellent, excellent.
Speaker 7: Wow.
Speaker 5: Where are you from?
Speaker 7: So? I was born in Lawrence, Massachusetts. Okay, moved to
Nashville when I was about six years old. So I've
been in Nasha since about two thousand and two thousand
and one.
Speaker 5: Okay, Okay, Now how did you how did you when
you were starting out? I mean, did you always do
a solo acoustic thing or did you play a band?
Speaker 7: I've always done solo acoustic over the years. Now that
i've you know, I've been doing it for a while,
I've been trying to work more with like, you know,
bands and like get up on stage with bands and
as far as that goes. But I usually just do
it solo.
Speaker 5: It's easier, right, I mean it's you know, you know,
depend on anybody else for yeah, their availability and in
terms of rehearsing and playing shows and all.
Speaker 7: That, exactly exactly. It's it's a it's a little bit
it's a little bit easier to go about a business wise.
Speaker 5: Yeah, yeah, no doubt. Do you do covers as well?
Speaker 7: Or do do covers as well?
Speaker 5: Yeah?
Speaker 3: I do.
Speaker 7: I do mostly covers even at all my shows. Yeah,
Like I said, this is the first EP I have
coming out, So these are my first original songs that
I have. Yeah, and so I mostly do covers and
things like that.
Speaker 17: Yeah.
Speaker 5: How many originals do you have at this point? Would
you say? I mean, can you even put a number
on how many songs you have?
Speaker 7: I have about like six or seven, okay, Okay, I said,
I rarely just started writing about maybe a year or
two ago, okay, and moved back into you know, my
parents and stuff, and yeah, my dad's been helping me
a lot with you know, the writing and oh good,
help me put together the music and things like that.
Speaker 5: What is it that motivated you to want to start writing?
Speaker 7: I've really just want to get my own music out there.
I mean, I play, I do all the covers, I
play live full time, and you know the next step
is to get onto my own stage hopefully, you know
what I mean, and have people come and see my music. Yeah, yeah, exactly,
you know, put music out there that you know can
help people along the way. And yeah, the ways that
music's held me along the way.
Speaker 5: You know, you want to play another one? Yeah, of course, yeah, yeah,
if you're just joining us, Stephen the Cure saying it right?
Speaker 7: Yep?
Speaker 5: Is he is here with us in in studio. Sounded amazing.
Speaker 7: Yeah, that's correct.
Speaker 5: And hear another one? Does that?
Speaker 11: Ever?
Speaker 3: Does?
Speaker 15: Uh?
Speaker 5: I I assume, like, what what's the I'm just curious
what what's the most unusual, shall we say, pronunciation? You've
heard of your name?
Speaker 7: I mean I've had I've had, I've had the queer,
I've had the choir, I've had, I felt a lot. Yeah,
declare declare mind better.
Speaker 5: How did you say it? I don't remember. He is
for my blue Oh yeah, there you go.
Speaker 7: That sounds I've had people put a queue in front
of it.
Speaker 5: Oh really yeah, yeah yeah, I can imagine, scarious. What
are you gonna play for us next?
Speaker 7: I'm gonna do so, I'm actually gonna do a cover
for you. This is a rail of Montane's empty.
Speaker 5: Nice nice.
Speaker 7: M gless screwed up to your knees, walks through the
garden rooms with the bedfielder, never learned to come back.
This seems choosing stair too dwel in.
Speaker 19: My sirsters.
Speaker 7: Walk on down the hill through the grass g joll
and brown. Still it starts.
Speaker 19: Amount to that go of life, babe.
Speaker 7: I'm best Busty back there holding Rusty gotta like that
sinks into this field collecting ray.
Speaker 20: Willow ways feel this way. So see so wes strange.
Speaker 7: Enoughty's got the busted sunsets. He's called the damn baden mornings.
Speaker 4: I use can field.
Speaker 7: Through market and Dusty. I'm still leaves and spoke. These
words are alloud.
Speaker 4: No one hear me.
Speaker 7: L flowers across the chair, bid four flowers from your
hair and gets me with a country mouth, sore playntside
the rain and stamping on the leaves. To me, it
sounds like they're up blooding us quite love with me.
Speaker 20: Willow ways feel this way? Soe so wess Strange.
Speaker 7: Well love looks my team means in the slip in
my chest said to your best to destroy me. You see,
I've been in the hell lay back so many times.
My stadn't really kind of poor me. There's a lot
of things I can give the man. There's a lot
of ways to die. Yes, since I am ready there
to walk side me, And there's a whole lot of things.
Speaker 4: I don't understand why so many people lie.
Speaker 7: Let's not hurt you, ounfuse the fir inside me will always.
Speaker 20: Feel this way. So so wiss strange.
Speaker 5: Steven Deckurrer here with us live in studio. That was amazing.
That was a Ray Lemming I can't say his name either. Song.
Speaker 4: That was gorgeous.
Speaker 5: Yeah, that was really a beautiful light. That was really good.
That was really good.
Speaker 7: So much.
Speaker 5: Is Is there anyone that you covered that you found
challenging to do, like vocally.
Speaker 7: Or Steely Dan Amy Winehouse really Yeah, Yeah, vocally they're
pretty challenging. I mean some of the new Benson Boone
songs that I've been working on challenging as well.
Speaker 5: Now, what is it about so somebody like I'm curious
that somebody like Seely Dan for example. Yeah, what is
it that's that's challenging about that?
Speaker 7: Oh my god. They are such nerds when it comes
to the musicality of it. Yeah, pronunciation of when when
you know you're singing. And I mean Michael McDonald did
an interview about how when he was recording PEG with
Donald Fagan, Yeah, and how he was very that's the
word I'm looking for. He wanted it perfectly. He wanted
it perfectly every single time. So this pronunciation with his words,
how he was pronunciating it, I was singing it everything.
It took him like seventeen to eighteen takes no can
do the harmonies on PEG or whatever he goes. It
was one of the hardest things I've ever read to do.
Speaker 5: Oh wow wow.
Speaker 3: Yeah.
Speaker 5: Is it important to you when when you do these covers,
is it important to you to sing them as closely
as possible to the original.
Speaker 7: I like to bring a justice but also make it
my own. Yeah, give it my own twist on it
in a way, so it's not, oh hey, he's just
you know, like the other everybody else the run of
the mill, right right, Yeah, stand out a little bit.
Speaker 5: So yeah, no doubt, no doubt. What are do you
have a favorite? Like, do you have a favorite cover
that you do? Is there one that really kind of
stands out of something to every show?
Speaker 7: I just I went over this. I get this question,
actually asked a lot. Yeah, it's hard to say. I
have like almost two hundred songs that I play off
to my head, so yeah, it's hard to like pick
and choose. It's usually ones that like I'm like just
learning or you know what i mean, just getting out
there to play. Yeah, as of lately it's been NOA
Kn's Dial Drunk. I really enjoying playing that one out lately.
Speaker 5: Yeah.
Speaker 7: Yeah, it kind of always fluctuates for me.
Speaker 10: Yeah.
Speaker 5: Yeah, what's the longest show you've done?
Speaker 21: Oh?
Speaker 7: Man, the longest show I've done, I think was like
seven and a half hours.
Speaker 5: Oh my god, Okay, tell me about it. Way seven
and a half hours.
Speaker 7: Yeah, it was a private pool party.
Speaker 5: Because usually when I ask people this question, I'll get like, oh,
you know, we did a five hours like seven and
a half. Yeah, yeah, yeah.
Speaker 7: So like I did like a lot of like the
shows like l Street Tavern last year, and yeah, there
was a couple of times like that. I had to
do both of the shows because you know, one of
the guys canceled. Yeah, so I had to go in
there early, play from like three to three thirty to
seven thirty, then play seven thirty to midnight or wow.
Yeah it's rough. It's rough.
Speaker 5: Yeah yeah, but why we do it?
Speaker 7: You know what I mean?
Speaker 5: When you do something like that? Do you do anything
special for your voice too?
Speaker 7: I really just drink tea and lemons. Oh that's really
all I do. Especially, I didn't drink any today. I
was running late this time.
Speaker 5: Oh you sound great, now you sound great? And yeah,
but pretty unusual to sing this early, probably right.
Speaker 16: It is for me.
Speaker 7: Usually usually I'm waking up at like three really yeah, yeah,
getting ready to go to work at six.
Speaker 5: Yeah, there you go, there you go, yep. So And
as far as playing, I mean, obviously, with what you do,
you're able to play. You know, you can play just
about anywhere, but just about like do you get out
of do you get out of New England?
Speaker 14: Much?
Speaker 5: Or do you kind of stick to.
Speaker 7: I Actually I haven't played. I play in Massachusetts a lot, Yeah,
do like Brownies Pub. I usually do Muddy Waters where's
that that's in Methune as well. Oh okay, yeah, and
then a few other places that I've played, But other
than that, I usually stay in New Hampshire, no kidding.
Speaker 5: Yeah, yeah, well yeah, I mean it's remarkable with you
do a lot of breweries. I assume I do a
lot of breweries.
Speaker 7: I do, so I work with not so costly productions.
Oh excellent, Dmitri, no wonder you're so busy.
Speaker 5: Yeah, yeah, yeah, they do a great job.
Speaker 7: Yeah, so I work with them. I've been working with
Paul Costley and Dmitry for over god, probably about eight
years now.
Speaker 5: No kidding.
Speaker 7: Yeah, I'm working with them for a long time.
Speaker 5: Outstanding.
Speaker 7: Yeah, They've been nothing but good to me. And they
helped me out with shows and you know, and and
I booked myself as well, and some other people or
whatever that I know through the industry.
Speaker 11: Yeah.
Speaker 7: Yeah, it keeps me busy.
Speaker 5: Yeah, no, that's fantastic.
Speaker 7: Out of Trouble, Yeah yeah, yeah.
Speaker 5: Do you want to play another one for us? Yeah,
of course, trying to hear you play another one selfishly
if you're just joining as we have Steven de Cure
here and he sounds it sounds amazing. Yeah, level up
on that guitar.
Speaker 7: What would you like to hear another cover original?
Speaker 5: I'm gonna leave that up to you. Okay, I'll leave
that totally up to you.
Speaker 7: Let's do another original?
Speaker 5: All right?
Speaker 7: So this uh, this is the first single that I
released off the EP, and I got it released on
ninety two point five The River in Boston.
Speaker 5: Oh congratulations, Yeah to me.
Speaker 7: I was very excited about that. And it's called Towards
the Sun goes like this all right, it's so well.
We talked for hours seeing nothing else. Indor do stocks sweet.
Speaker 21: Yzaging bound, do things sweets.
Speaker 4: Sit in non nacking sheep.
Speaker 7: Shipping stand from a cool blass shop, Zaga. When I
opens the sound sack down, wanna open bottom.
Speaker 4: Ferns and dave free time that we fall now will shoe?
I had new car. You took those.
Speaker 7: Slave street two mouth face not out, No another slap
in the fees.
Speaker 4: And now we it's stand believe in your please, I said,
he a long write his song in pain?
Speaker 7: Canzack own wanna open sorts of Sun czack gown, wanna
open bottom fun cauza own, wanna old bye sorts of
Sun gazack gown, wanna old bun sords A son zack
o wanna old bun sords A son zack O wanna
old bun botsome fun zack O wanna old bye order
sign Zach down out o.
Speaker 18: Sorts of Sun.
Speaker 5: Towards the Sun by Stephen Dick Heure Live in Studio, Fantastic, fantastic.
Speaker 11: What do you?
Speaker 5: I feel like I feel like your songs are pretty upbeat? Like,
what do you What do you like to write about?
Speaker 1: Uh?
Speaker 7: You know, I really like to write about, you know,
things that people can relate to. Yeah, and they can
you know, take from their own lives and you know,
either use it to help them with whatever they have
going on. I mean Towards the Sun for instances essentially
about you know, no matter where you are in your
life that you're happy, down, sad, you know, depressed, whatever
it is, there's always you know, look one eye towards
the Son. There's always something better. No matter where you are,
if you're in a good spot, you can always be
doing better. Yeah, you know what I mean, just try
and stay positive. Yeah, yeah, you know, yeah, very good,
try and send other positive vibe.
Speaker 5: I just noticed your shirt too. I didn't notice it
for a honey DiFranco. Yeah, I met her probably she
Oh my god, it's more than twenty years ago now.
She was playing at a show in Providence, Okay. And
at the time, I was working for a promoter, Joe Fletcher,
who's he's not here. He's on the West Coast now,
but he used to. He used to have big world
productions here in New Hampshire, and so he was he
was putting on shows around New England and he did
a bunch of shows with her. But yeah, that's that's
how I met her. And yeah, she was fantastic.
Speaker 7: She's absolutely incredible. So I just went and saw her,
first time I've ever seen her. I used to watch
her show videos all the time. My mom got me
into her. Yeah, I had front row seats with her
and I called out. I yelled at shame play shameless
her never And it happened to be the last song
that she was going to play that now. Oh wow,
she goes, Oh, you got lucky. I have a video
of it. She handed me the set list. Oh no, Okaddy,
Yeah it was really cool. Oh, very nice, definitely awesome.
She's incredible.
Speaker 5: Yeah, my favorites, yeah absolutely, Yeah.
Speaker 7: Was that recent or very recent? It was at the
oh She's it was? It was in April nineteenth, Yeah,
April nineteenth, I believe it was.
Speaker 5: Okay, where did you hear her.
Speaker 7: In Somerville Summerville is Aville Theater?
Speaker 5: Yeah, yeah, I haven't. I haven't kept up with her unfortunately, so,
but I assume she's still putting out. Uh does she
still have her label? Do you know Righteous Babe?
Speaker 7: Is that still yeah? Righteous Spabe Records?
Speaker 5: Okay, yeah, yeah, yeah. That's one of the cool things
about her too, is you know, not only uh did
I always love her music? But I shouldn't say past
tense because she's obviously still active, but but I always
thought it was cool that, you know, she she started
her own label. She started that indie label at a
time where like, like today, it's not even a big deal,
right because of the Internet, anybody can can start a
lay you know, quote unquote right, but she but she
did it at a time when it was unusual, and
you know, I I know she's talked in interviews about
how you know, she faced a lot of headwinds doing that.
People didn't necessarily believe in her, give her a chance.
Speaker 7: They were like, I think, uh, she's done a lot
for the women of the you know, yeah community.
Speaker 5: Oh totally absolutely, Yeah, yeah, because I remember one interview
I read with her, she was saying, like, you know,
people just looked at her like, who is this chick
who thinks she can do this?
Speaker 22: You know?
Speaker 5: But but she was determined to do it, and she
did it.
Speaker 7: Give somebody an opportunity. If they have the drive and
the hunger, they'll they'll make it happen.
Speaker 5: Yeah, yeah, one who So obviously she's a big inspiration
to you.
Speaker 7: Yeah, very big inspiration.
Speaker 5: Like who else? Who else?
Speaker 7: You gotta throw the Beatles in there? Yeah, the Beatles
are number one for me.
Speaker 5: Yeah.
Speaker 7: Huge Jim Crochey fan, are you?
Speaker 5: Yeah?
Speaker 7: Huge Jim Croach fan. I just saw his son play
Croachy plays Croachy.
Speaker 5: Oh no, kidd see, I didn't even know that was
the thing.
Speaker 7: Yeah, yeah, he does it at two plow.
Speaker 5: What's the son's name?
Speaker 7: Oh interesting, it looks just like it said. Oh yeah, yeah,
so I saw him My front Road tickets to that
one too. My friend Liz also Scott does for me.
Oh excellent, very nice to her, very nice her. Yeah,
And so I met him after the show. Okay, talk
to him. I always open up every show I usually
do with uh, don't mess around with Jim.
Speaker 5: Oh really.
Speaker 7: My dad always laughs at me for it. He's like,
you gonna open up until mets around with you. So
I met him and talked to him for a few minutes,
showed him my tattoo. Yeah as much as dad, you know.
It was a big inspiration to me. And I'm glad
that he's carrying on his legacy.
Speaker 5: Oh yeah, no, that's extremely cool. That's extremely cool.
Speaker 7: Yeah. So you know the Croaches, Steely, Dan Simon and Garfunkle. Yep,
I'm an old soul. I really like the old school,
the classics. Yeah, the music that lives on you know.
Sure that's meaning you know what I mean? Yeah, I
can still relate to it nowadays.
Speaker 5: Yeah, yeah, absolutely absolutely. Do you want to play? Do
you want to play one more? We have time? We
will play one more live one you if you're just
joining us. Stephen da Ciros here with us live in
studio on this Saturday morning, singing much earlier in the
day that he's used to. But he sounds he sounds great.
Speaker 7: We'll try this one out.
Speaker 5: This is a cover, right, something's uh that's doing that
cord might have been loose. Yeah, try that again. It's
it's almost like I wonder if your arm was hitting
the cord going into the guitar, it might have been
what it was I was hearing. Yeah, I was hearing
something like uh, percuss. Yeah, that's much better.
Speaker 23: Yeah.
Speaker 14: Cool.
Speaker 7: So it goes like this from the stupaka, you know,
but it's raining from corn and drawn from mid surrounding
your perspective of sween zeging before.
Speaker 4: My oudience still my happy man. I used to be
a dowbting forget about it whatever, And it's all the
same many ways. And now you back forth to bunch
that throne in the name of someone long and all
fort she will be young.
Speaker 7: Junkin lorn drap advancing his shins, being a radio. And
now I don't knock you in they do me in
the corn. Heck, even name is my emergency phone call, honey,
ringing ring, even the COPSATCHI rover raining and now telling
chunk countside chunk outside you monteto and from bots.
Speaker 4: To me and recognize from charming too alarming.
Speaker 7: In seconds, I'll be betrid and now let the pain matastasize.
Speaker 4: But next morning I'll forget it. In the time, it all.
Speaker 3: Is all.
Speaker 1: And now you bad all.
Speaker 7: To punch yourself a throne, win the name of someone
now a long and a.
Speaker 4: Ford sheam of being young, junkin.
Speaker 7: Alone, traffic lancing is transmining radio.
Speaker 4: And now I don't knock you in they do me
in the corner.
Speaker 15: I gave your name.
Speaker 7: Is my emergency phone call, honey, ringing ring, even the
cops that you rover.
Speaker 4: Raindow and that time Chunk got time, Chunk got time
for you, and no time for you.
Speaker 7: And I beg you surger stayed my car, took give
you my blood alcohol. I'll ride on with the pronouncing seal,
and I'll change my faith out.
Speaker 4: Pray it's a flag. It's sweet.
Speaker 7: I sass your call me back, some of you danger
to yourself, help me.
Speaker 4: Surch to stay in my car to give you my
blood out call.
Speaker 7: I'll ride on with the pronouncing seal, and I've changed
my faith out.
Speaker 4: Kiss the bads. It's sweet.
Speaker 7: I swiss you call me back. Somebody do you do
this to yourself?
Speaker 4: And I said, and now you proud all two punches
down the throne, win the name of someone now no
longer nor for the shame of being young.
Speaker 7: Junk in alone, drift the lights in the strings in
the radio.
Speaker 4: And now I don't like you an need to you
mean the call.
Speaker 7: I gave your name is my emergency phone call, honey
and ring and ring eving the cops. Thatt you for
ring you know not time chunk countdown, chunk countwn for you.
Speaker 5: Mm hmm. Gorgeous, gorgeous, just gorgeous than you. Absolutely very nice,
very nice. Stephen Deakira here with us live in the studio,
sounding amazing. We should remind people. So so the do
you know when the EP is going to be out?
Speaker 7: So I'm hoping the EP is going to be this July.
That's what I'm hoping for. I go back into the
studio on Father's Day, finish up the last song on there,
and then I just want to add some finishing touches
and mix some master it and get it out to
the people. Man, it'll be a nice big weight off
my shoulders.
Speaker 5: Yeah, no doubt, no doubt about that.
Speaker 3: Huh.
Speaker 5: Very cool. And then where are you playing this weekend?
Do you have anything to plug this weekend?
Speaker 7: So tonight I'll be York Beach, York, Maine end the
York Beach in and then I'll be doing that from
seven to ten pm.
Speaker 5: Okay.
Speaker 7: And then tomorrow afternoon I will be at the Portsmouth
Gaslight Deck two to five pm.
Speaker 5: Okay, very good.
Speaker 7: Yeah, and then I have like a couple of days
off and then back at it again.
Speaker 3: Yeah.
Speaker 5: Sweet?
Speaker 3: Uh?
Speaker 5: And where is the best place to go online for
people like keep this book?
Speaker 7: Is the best place to go online? And check me out?
Stephen d Kere. You can add my main profile page.
You can add my music page of just Stephen ded
Cure music.
Speaker 5: We should probably tell people how to spell your name too.
Speaker 7: Yes, it's s t E p h e N. My
last name is d E c U I r e yes. Yes,
and you pronounce it d q d cur yes.
Speaker 5: Excellent, outstanding, outstanding, I think. Uh So. Another studio track
that you sent us is this Quiet Moments. Yes, you
didn't play this one right?
Speaker 7: I played that? That was the first one I played.
Speaker 5: Oh, that was the first one you played. Maybe we
shoul should maybe we should replay the one we opened with.
Then yeah, well that's okay. Actually, now we'll let people
hear the studio version of Quiet Moments. Yeah yeah, yeah,
Maybe I'll play the other one again afterward, though, because
I really like that Everybody's changing. I really I really
like that one a lot. Thank you. That's excellent, outstanding, outstanding.
Uh So, if you are listening live, by the way,
is Katie here? She is in the billion Katie Dobbins
is coming up in the third hour, so it'll be
nice to see her and I get to hear her.
And did she bring her guitar? Good? Okay, And we
will close out this segment with this. This is called
Quiet Moments. Stephen de Cure again, thank you so much.
Speaker 7: Thank you so much.
Speaker 3: Quiet Moments.
Speaker 15: All the long.
Speaker 22: Ice ride day, my pan and Sloan. Fill these pages.
Speaker 3: With the starries.
Speaker 15: Arrange on your.
Speaker 19: Way, sing for me.
Speaker 7: Looking out my window as the sun reads the day,
birds of singing, laying tree to tree.
Speaker 12: Right, adding songs come Soweely, surrounded by me.
Speaker 3: Just beuy, play the kids.
Speaker 4: Day and to night, create that bar hide.
Speaker 12: I know you lie.
Speaker 4: Fill these pages.
Speaker 19: With Joe boot Store Harris. Arrange on your away, sing
for me.
Speaker 15: Looking out my window.
Speaker 11: Is the cloudscoover of the day.
Speaker 4: The wind is going ringing song dance way.
Speaker 12: Writing, songs come sweets, so writing by magues.
Speaker 23: Beardy, quiet moments, a long houses sempty.
Speaker 15: Nor once on.
Speaker 4: Fill these pages.
Speaker 11: With long star hurries, range of your own way, seem for.
Speaker 24: Me bally living thing.
Speaker 3: Dier sit in here.
Speaker 15: In the chairs things again, wand then wear hair. This
world's school.
Speaker 16: Socks of wool, horror, all low round, watch these buildings,
grumble to them, Graham.
Speaker 1: Bo these change.
Speaker 7: Children, mountains, not the s.
Speaker 24: It's change.
Speaker 25: Waiting, waiting, waiting when.
Speaker 15: We see this hay.
Speaker 20: Spreading through the crowd.
Speaker 15: Affoording boots are a long boy.
Speaker 16: No two parties, says Star, designed to divine.
Speaker 15: Friends and family.
Speaker 25: But she on shibody, change joins the change.
Speaker 15: Wheny waiting wait wait.
Speaker 16: Balla chest shunts holding all those strings. We're just ball
bits in this bullet go rain, lead with your hall
hoar loves wear it all bigs.
Speaker 4: Let's stand to gather.
Speaker 15: And learn to love fucka.
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