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Speaker 1: School, a pat and sunrise these some games.

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Speaker 2: See he's off and a cigarette closer. Yes, all I'm

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moving and a way I can't tame.

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Speaker 3: I don't know how you do.

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Speaker 4: It, but tally I've not to say I'm burning.

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Speaker 5: See the obvious in the sunrise?

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Speaker 3: How many things that days to the say away? He says, yes,

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we won't win. Got the bits to the world. Holdy

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los see looking.

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Speaker 5: Not thy is that's nine That was all.

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Speaker 6: He ever feels different now and the lasting may.

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Speaker 5: Not that p whole.

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Speaker 6: I'm see the opating sunlight, any things that there is

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the same, Away said, if you.

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Speaker 7: Got let's stick fwen on some don't then on my mother.

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Speaker 4: I don't when all.

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Speaker 5: You got some fun in is FI with fir lame spies?

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Do they know I'm nosing? Looking lady.

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Speaker 4: Not plead to say a pie?

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Speaker 6: Bame sarrog is in sunway finnything, Ada, the boy said to.

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Speaker 8: Plead, say a fire going down?

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Speaker 3: See the rubies in some way finnything? Okay, say away,

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he said to you, Yes.

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Speaker 9: That is orchids in the sunrise. The band they are

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here with us in studio under the horizon. We've got

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all three members here. Welcome everybody. We're gonna talk with them.

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We're gonna get caught up really looking forward to this.

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This is Matt Connorton Unleashed and of course we are

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live from the studios of wm NH ninety five point

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three FM and Glorious Manchester, New Hampshire. And of course

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you can stream the show. Go to Matt connorton dot com,

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slash live. We're all your live streaming options, social media links,

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contact infosho, archives, et cetera, et cetera. Just don't bother

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with the Facebook link because Facebook has restricted me from

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streaming live until December. I have no idea why, because

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they don't tell you when they do this soup. But

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you can stream it on YouTube and of course it

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is a radio show, so if you're in the Manchester

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area you can just stream it or actually just listen

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to it, I should say, at ninety five point three

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FM on your FM dial. Jenny is here of course

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at the news table, and let me get those mics

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up because joining us in studio we have and let

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me get that camera on them too. For those of

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you watching the video feed, So there's Matt Palmer, Jordan

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Sweet and is he McIntyre all here with us live

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in studio. Good morning, good morning morning. Yes, yes, so

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under the horizon. Great to uh, great to have here.

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The last time Jenny and I saw you, of course,

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was at Bad Burger's, right, and uh, yeah, you've come

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a long way. You're a lot heavier than it used

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to be, which is really nice.

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Speaker 7: I like it.

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Speaker 9: Yeah, sounding amazing. So we're gonna get caught up. We're

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gonna get it in everything. But we should uh and Jordan,

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this is more you and I talking about this, I suppose,

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but we should. Let's get the sad part out of

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the way and we won't spend a lot of time

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on it. But of course, uh, we both We lost

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a hero of ours. Ace Frayley, big, big influence on me.

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Definitely the main reason why I play guitar. And yeah,

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you know, like obviously there's other influences that I have,

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like you know, Van Halen, Dimebag, but I think Ace

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was definitely my biggest reason to be playing guitar. I mean, yeah,

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you know, I know if it was his sound, the look,

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the you know, whole band itself, kiss or his solo acts,

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but the guy just had some something for me and

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I was just like wow, yeah, like this is where

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it's at, Like, yeah, yeah, do you have a favorite

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Ace Fraely solo?

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Speaker 10: Honestly the solo from was it Love Them and Leave Him?

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I think is that?

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Speaker 9: Oh yeah, I like that.

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Speaker 11: Why, that's a pretty good solo rock and roll over.

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I feel like a lot of people don't really listen

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to that album that much, and you know, don't really

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listen to the solos on there, but that's got some

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good guitar work on there, honestly.

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Speaker 10: Yeah, So that's definitely one of my favorite ones.

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Speaker 9: My personal favorite has always been Strange Ways Right.

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Speaker 10: Yeah, that's another good one.

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Speaker 9: I love that solo. And now, did you guys play

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with Ace? Did you do a show with Ace? Or

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did you know? But you you went right?

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Speaker 10: We went saw him, we met him. That was a

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cool time.

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Speaker 9: Yeah.

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Speaker 11: I think we had tried at some point, just didn't

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really fall through. Yeah, I mean stuff like that happens

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all the time. You try to playing gig, doesn't fall through.

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Speaker 12: It is what it is, you know.

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Speaker 11: But we did get to meet the guy. Yeah, definitely

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a pretty cool time. He did put on a pretty

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good show that night too, which you know, there's a

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good time to see you know.

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Speaker 10: Yeah, everybody seem to have a good time there too.

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Speaker 9: So yeah, yeah, no, it's uh yeah, it's and that's

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one of the things that you know that Mike knows us.

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I'm sure as it thought about this. You know, as

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you get older, your heroes they start to die off, right, yeah,

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and you know, and you're experiencing a hero dying. You know,

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you're you're young, and you know your heroes are already

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diying off.

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Speaker 10: Yeah yeah right, I mean, dude, like within this year,

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I mean, how many.

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Speaker 12: People have we lost?

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Speaker 11: Yeah, we lost Auzzie, we lost Ace, we lost was

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it Brian Wilson from Beach Boy lost him? We lost Dangelo? Right, yeah,

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it's just everybody's just rolling.

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Speaker 10: I'm like, dude, what happened?

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Speaker 3: Yeah?

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Speaker 10: Another five years and you I thought these people were immortally.

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Speaker 9: Right, Yeah, I know, I know. Yeah, no, it's it's

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it's hard. But but that's cool though that you know,

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he was such an inspiration to you, and uh and

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and why I picked up the guitar. That's that's great.

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Speaker 10: Yeah, I'm glad that I got to experience him.

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Speaker 9: It's wonderful that you got to meet him. Yeah, yeah, absolutely,

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absolutely good memories. Yes, yes, well, so we'll talk about

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what's been going on with the band. Dying to hear

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from all three of you on this and uh, you know,

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it looks like you're doing a lot of good stuff,

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making a lot of progress, playing a lot of shows.

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You got a busy, busy schedule. Did you play last

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night somewhere? We did?

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Speaker 13: Uh, We played a Halloween show. It was a creep

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fest okay in Cranston, Rhode Island at pub On Park.

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It was a great show, yeah, hosted by Ramboutacon and

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Voltage Entertainment. And we got to play with obviously our

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extended family and Scarecrow Hill.

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Speaker 9: Yeah I love them.

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Speaker 12: No, yeah, we've heard great friends with them.

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Speaker 13: But we also got to meet a lot of new

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friends there among Ghosts, Forever's, Fallen Grace, Providence, all great guys,

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all great bands. It was an amazing, amazing night, amazing show.

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Speaker 9: Yeah.

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Speaker 12: Yeah, and it was fun.

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Speaker 13: It was fun to actually do something on Halloween night

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rather than just like sit at home watch you know,

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the Evil Dead for the ninetieth time in the row

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or whatever. Right, right, But yeah, we've been we've been busy.

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We've been you know, working on the upcoming album. A

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lot of that's in editing and mixing right now. So

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we're looking music videos. Yeah, yeah, music. We've been doing

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music videos for the second album, and you know, just

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keep working.

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Speaker 9: MH. I'm really curious to know about the evolution of

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the sound because you're I mean, you know, the song

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for people hearing you for the first time, of course,

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the song we displayed, you know, it's dark and heavy

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and whatnot. But seeing you live because Jenny and I

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the first time we saw it was when you were

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opening for a Great White right, you.

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Speaker 10: Know, and away in the earlier stage.

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Speaker 5: Yeah.

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Speaker 1: Yeah.

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Speaker 9: And then when we saw you at Bad Burger, you know,

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it was it was louder, it was heavier. Oh and

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before that too, well, when we saw you at Jewel

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Oh yeah, yeah, because because I remember that night saying,

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I was like, wow, they've they've definitely gotten heavier.

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Speaker 12: Things have changed.

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Speaker 9: Yeah.

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Speaker 14: Yeah, I think with like all the shows that we've

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been playing and also a lot of the new bands

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that we meet, like, it's definitely influenced our perspective and

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our performance. And I'd also say, for at least for me,

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like a big change in a monumental like I guess

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point in my career was Milwaukee Metal Fest. Like seeing

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all the bands there, it definitely changed something in me,

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and I don't think it's been the same since.

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Speaker 13: Yeah, seeing the energy that those bands brought, you know,

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like whether it was you know, like the big bands

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like you know, Gua and Arch Enemy, you know, or

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Down or Chimera obviously, but you know, even some of

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the smaller bands that we checked out. Like I remember

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there was one band in particular that we checked on

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the second stage, a Fugitive. Yeah, there were this thrash

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band that like we didn't know anything about, but we

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went in there and like next thing, you know, we

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look around and we see like bodies flying all over

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the place and we're like, all right, yeah, this is

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you know, this is a little more like what we're

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into here. And it was just like that whole experience.

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You know, not only was it great and was it

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great to you know, have the opportunity and to play in,

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you know, an event like that, but you know, to

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look around and see all these bands and grab little

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bits of you know, influence from everyone. I'd say that overall,

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that's really what we do. You know, we try to

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pick up influences of things, you know, because we as

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much as we're in our you know, in our own

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band to wear our own you know, style or whatever,

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we are still fans and when we go to shows,

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you know, it's like we're going to see our favorite

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bands and all that. So we uh, you know, take

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little bits and pieces and we're like all right, like,

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you know, that's cool. What if we try to take

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it and twist it in our own way? And I

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think with the whole you know, getting heavier thing, I

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think we all kind of liked when we did stuff

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there was a little more heavy and it was a

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little more outside of our comfort zone. Yeah, coming out

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of the first album. Yeah, and we just fell in

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love with it. Yeah, like this is this is where

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we're heaving.

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Speaker 14: Well, I also think it's just us getting more comfortable

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on stage, Like we're more comfortable and performing and just

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I guess being different in front of other people.

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Speaker 11: Yeah, being more true to ourselves, right or stage show

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definitely evolved a lot more after you know, we got heavier.

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I mean, d like as much as I remember the

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the you know, original days and you know, the first

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couple of months of us being a band, and I

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enjoy looking back, I so much more appreciate and take

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pride in the stage show that we've developed now because

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of our heavier sound. Yeah, all of our you know,

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more mature evolutions that we've done with the music and

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you know, the bands that we've met. I mean, you know,

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a lot of our stage show in a sense has

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taken part from other bands, and we'd taken you know,

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influences from other bands.

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Speaker 10: But at the end of the day, I really feel

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like our evolution.

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Speaker 11: Has just been from us just being heavier, you know,

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like you can't exactly be you know, jumping around and

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whipping your hair around when you're playing some like softer rock. Right,

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it's not as good as the time. I mean, it's

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still a good time, but it doesn't hit us harde

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you know.

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Speaker 9: Of course, of course, if you are just showing us

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we've got all three members of Under the Horizon or

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here with us in studio.

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Speaker 10: It sounds like.

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Speaker 9: Like did you ever have a conversation about sounding heavi

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because it sounds like it just sort of happened organically,

237
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like you never really that's my impression.

238
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Speaker 14: I would say it just happened, Yeah, just it just happened.

239
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Speaker 11: I think it really was just like every couple of practices,

240
00:14:19,759 --> 00:14:22,639
somebody would do something like, you know, Maddie would throwing

241
00:14:22,840 --> 00:14:25,879
like a little scream or is he would you know,

242
00:14:26,080 --> 00:14:29,240
throwing a scream or throw in a pinch harmonic or whatever,

243
00:14:29,360 --> 00:14:32,120
and we were just like, oh, we can do this,

244
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Like we don't have to play like kiss like we

245
00:14:35,600 --> 00:14:39,279
can we can be Pantera. And I think that's kind

246
00:14:39,279 --> 00:14:41,120
of where it all evolved. And we were like, oh,

247
00:14:41,320 --> 00:14:44,519
so we can do this, so why don't we try

248
00:14:44,600 --> 00:14:44,960
to do it?

249
00:14:45,080 --> 00:14:45,240
Speaker 7: You know?

250
00:14:45,600 --> 00:14:45,759
Speaker 14: Right?

251
00:14:45,960 --> 00:14:46,200
Speaker 12: Yeah?

252
00:14:46,440 --> 00:14:52,080
Speaker 9: Yeah, exactly, yeah, exactly the songs that that are going

253
00:14:52,120 --> 00:14:54,159
to be on the new isn't Is it gonna be

254
00:14:54,200 --> 00:14:55,639
in another Epeter is gonna be an album?

255
00:14:55,759 --> 00:14:56,840
Speaker 12: Or what album?

256
00:14:56,960 --> 00:14:58,120
Speaker 9: Album? This time?

257
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Speaker 13: We with the first the first release, it was kind

258
00:15:03,000 --> 00:15:06,320
of I like to say it was an unintentional EP.

259
00:15:06,720 --> 00:15:09,200
Speaker 12: Yeah, we didn't. We honestly all.

260
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Speaker 13: I think we're very surprised when we like edited it

261
00:15:12,759 --> 00:15:14,960
down and we were like, oh my god, it's only

262
00:15:15,120 --> 00:15:19,679
thirty minutes. Yeah, we were like, oh no, but you know,

263
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even though obviously we still love it, but yeah, this

264
00:15:22,720 --> 00:15:27,159
one is a full full fledged album. Okay, I think

265
00:15:27,240 --> 00:15:32,919
around like ten twelve tracks, anything like that okay, thirteen tracks.

266
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Speaker 9: Thirteen yeah, excellent, excellent. Now the in terms of how

267
00:15:37,360 --> 00:15:39,639
you approach recording, has that changed at all with the

268
00:15:40,159 --> 00:15:43,279
heavier sounder? Is it kind of the same? Eerth about the.

269
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Speaker 14: Same, But I think we put in a lot more

270
00:15:45,799 --> 00:15:49,840
time and also added a lot like extra tracks.

271
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Speaker 9: I'd say, really, yeah, yeah.

272
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Speaker 5: A lot.

273
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Speaker 9: Yeah.

274
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Speaker 13: I think the approach and like how we executed the

275
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recording is very much like still kind of the same.

276
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We you know, this time we sat down and were like,

277
00:16:05,200 --> 00:16:08,600
all right, like we want you know, this is going

278
00:16:08,679 --> 00:16:12,080
to be like a statement We wanted it to be, uh,

279
00:16:12,399 --> 00:16:13,679
you know, statement of this.

280
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Speaker 12: Is us, this is who we are.

281
00:16:16,120 --> 00:16:18,720
Speaker 13: And you know, like as he said, try and stuff,

282
00:16:18,879 --> 00:16:20,960
you know, more stuff in the studio now that we're

283
00:16:21,600 --> 00:16:24,759
more comfortable and we're you know, hearing different sounds, Like

284
00:16:24,840 --> 00:16:27,080
there was so many times where we would just be

285
00:16:27,240 --> 00:16:30,600
doing like someone would play something completely random, like Jordan

286
00:16:30,679 --> 00:16:33,759
would just do something that was like it did it

287
00:16:33,879 --> 00:16:36,159
wasn't even meant for this song or whatever, and he

288
00:16:36,279 --> 00:16:37,960
was just like practicing and I'm like, wait, wait, wait,

289
00:16:38,240 --> 00:16:39,000
what are you doing there?

290
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Speaker 5: Record?

291
00:16:40,360 --> 00:16:40,559
Speaker 8: You know?

292
00:16:41,080 --> 00:16:45,440
Speaker 11: Yeah, I think I mean, I think the second album

293
00:16:45,600 --> 00:16:48,320
is definitely a lot more mature, and it has all

294
00:16:48,360 --> 00:16:51,320
the same you know, recording styles, and obviously there's a

295
00:16:51,320 --> 00:16:53,320
couple of tonal changes in there. But I think it

296
00:16:53,440 --> 00:16:55,799
really differs from the first album because I mean the

297
00:16:55,840 --> 00:16:59,200
first album was like an experiment. We were just like, well,

298
00:16:59,279 --> 00:17:01,960
we have a rich songs than we could make an

299
00:17:02,360 --> 00:17:05,920
album or EP, I guess, and we were just like, well,

300
00:17:06,039 --> 00:17:07,839
let's send it and see what we can do. But

301
00:17:08,000 --> 00:17:10,039
now we're like, we're going to make this like a

302
00:17:10,119 --> 00:17:12,799
platinum sounding record and people are going to listen to it.

303
00:17:12,920 --> 00:17:15,039
Speaker 10: You know, Yeah, we're going to get it done.

304
00:17:15,200 --> 00:17:21,200
Speaker 9: Yeah, exactly exactly. Do you as as you're recording this,

305
00:17:21,319 --> 00:17:24,119
do you ever think about, well, let me put it

306
00:17:24,119 --> 00:17:26,000
this way, is it ever? Are you ever concerned with

307
00:17:26,200 --> 00:17:29,079
can we replicate this live? Like if we're if we

308
00:17:29,200 --> 00:17:31,039
record it this way, what we're going for?

309
00:17:31,359 --> 00:17:31,599
Speaker 12: Yeah?

310
00:17:31,799 --> 00:17:31,960
Speaker 9: Can?

311
00:17:32,039 --> 00:17:34,559
Speaker 14: I would say that, like we already play a lot

312
00:17:34,640 --> 00:17:36,319
of this stuff live, Like I feel like the live

313
00:17:36,359 --> 00:17:38,119
stuff came before how we were going to play it

314
00:17:38,240 --> 00:17:38,759
on the record.

315
00:17:39,160 --> 00:17:41,039
Speaker 9: That's good, Yeah, yeah, that makes it easier.

316
00:17:41,119 --> 00:17:43,599
Speaker 14: Yeah, especially at least for me vocally, Like I've changed

317
00:17:43,640 --> 00:17:45,559
a lot in the last couple of months, and so

318
00:17:45,680 --> 00:17:47,680
some of the stuff that I've actually had to even

319
00:17:47,720 --> 00:17:50,079
go back to re record vocals because I'm like, that's

320
00:17:50,160 --> 00:17:53,839
not heavy enough, like it's not there. So yeah, i'd

321
00:17:53,880 --> 00:17:56,839
say the live performance, like how we perform it there

322
00:17:56,960 --> 00:17:59,759
is definitely come before the actual recording style.

323
00:18:00,079 --> 00:18:02,839
Speaker 9: Yeah, yeah, because whereas this only three of you, by

324
00:18:02,839 --> 00:18:05,319
the way, So I mean, I assume the long term

325
00:18:05,400 --> 00:18:07,960
plan is to keep it the three of you. If

326
00:18:08,000 --> 00:18:10,839
you you've never discussed, like, adding a fourth member not

327
00:18:13,680 --> 00:18:15,400
something I think we.

328
00:18:15,920 --> 00:18:18,599
Speaker 11: We thought about adding a fourth member before we even

329
00:18:18,759 --> 00:18:21,960
had original music. Really, I think that was the first

330
00:18:22,079 --> 00:18:25,279
and last time we ever considered it, because it's just like,

331
00:18:25,960 --> 00:18:28,880
you know, it's it's just the dynamics, you know.

332
00:18:28,920 --> 00:18:30,480
Speaker 9: It's so good the way it is.

333
00:18:30,759 --> 00:18:34,599
Speaker 11: Yeah, it's it's hard to not only is it hard

334
00:18:34,680 --> 00:18:37,599
to adapt to having a fourth member, because now you're like, okay,

335
00:18:37,759 --> 00:18:39,200
we got to figure out you know.

336
00:18:39,480 --> 00:18:41,920
Speaker 10: It's can they play on time?

337
00:18:42,079 --> 00:18:45,319
Speaker 11: Can they adapt to our style that we have in

338
00:18:45,440 --> 00:18:49,200
our sound, But you're also risking the dynamics of the

339
00:18:49,319 --> 00:18:52,440
band falling apart. Now now it's well, we're not a

340
00:18:52,519 --> 00:18:56,200
three person boat. Now we have four people, and we

341
00:18:56,400 --> 00:19:00,359
now risk having two camps. If somebody disagrees, and now

342
00:19:00,400 --> 00:19:02,400
it's a two on two or it's a three on one,

343
00:19:02,480 --> 00:19:06,400
and it's like there's just too many, too many potential.

344
00:19:06,039 --> 00:19:07,720
Speaker 10: Problems for storry about you.

345
00:19:08,559 --> 00:19:10,799
Speaker 13: And I think you know we're all you know, as

346
00:19:10,839 --> 00:19:14,119
I'm sure that you know any other musician who's listening

347
00:19:14,200 --> 00:19:16,799
to this, or you know, even the other musicians in this.

348
00:19:16,920 --> 00:19:19,079
Speaker 12: Room here, can you know relate that.

349
00:19:19,759 --> 00:19:22,759
Speaker 13: You know, we've all been in bands that it's like

350
00:19:23,880 --> 00:19:27,559
you have like the ideal amount of people, you know

351
00:19:27,640 --> 00:19:29,960
what I mean, Like, oh, well great, we have you know,

352
00:19:30,440 --> 00:19:34,640
two guitar players and you know, dedicated lead singer who

353
00:19:34,880 --> 00:19:37,880
you know, and a dedicated bass player and whatever. But

354
00:19:39,039 --> 00:19:41,440
in all of those bands were like there's way too

355
00:19:41,480 --> 00:19:46,039
many cooks in this kitchen. And this band was really

356
00:19:46,240 --> 00:19:49,079
about the three of us, you know, coming from our

357
00:19:49,240 --> 00:19:53,359
separate projects and being like, hey, we work really well together,

358
00:19:53,480 --> 00:19:58,000
and we're really tight, and were we really understand our language,

359
00:19:58,079 --> 00:20:01,279
like we're writing stuff, have the time, you know, we

360
00:20:01,359 --> 00:20:04,680
won't even have to like talk about much of like okay,

361
00:20:04,720 --> 00:20:06,480
well what do we do next for this next section?

362
00:20:06,559 --> 00:20:08,839
It's just organic. We all are just kind of like

363
00:20:09,400 --> 00:20:12,759
interlinked with each other. Yeah, And I think it, you know,

364
00:20:12,920 --> 00:20:15,680
really works out. We just haven't wanted to, you know,

365
00:20:16,839 --> 00:20:18,119
mess that up in any way.

366
00:20:19,720 --> 00:20:23,160
Speaker 9: I think that's smart. Yeah, And and the three of

367
00:20:23,240 --> 00:20:27,160
you are able to get such a big sound with

368
00:20:27,319 --> 00:20:29,839
only three of you, so you don't need a fourth

369
00:20:29,920 --> 00:20:30,599
person anyway.

370
00:20:31,039 --> 00:20:31,720
Speaker 12: It's it's.

371
00:20:33,720 --> 00:20:33,880
Speaker 9: Right.

372
00:20:34,039 --> 00:20:39,359
Speaker 11: Yeah, it's interesting because I mean we I've heard that

373
00:20:39,599 --> 00:20:42,759
where people are like, oh, you guys are very full

374
00:20:42,880 --> 00:20:46,319
for a three piece, which I mean is partially why.

375
00:20:46,400 --> 00:20:48,599
I mean, there's always the stereotype you need a lead

376
00:20:48,640 --> 00:20:50,920
and a rhythm guitar player, you need all the people

377
00:20:51,079 --> 00:20:53,079
to make the big sound. But I think it really

378
00:20:53,400 --> 00:20:55,519
just depends on how you play your instrument, you know,

379
00:20:55,759 --> 00:20:58,799
like like you know, I can have a full sound

380
00:20:58,960 --> 00:21:01,359
in a solo by just throwing octaves in there is

381
00:21:01,400 --> 00:21:03,400
he can have a full sound by just growling and

382
00:21:03,559 --> 00:21:05,839
you know, layering tracks in the studio or even just

383
00:21:05,920 --> 00:21:09,640
doing it live. Maddie bangs his drums like an ape,

384
00:21:10,039 --> 00:21:13,519
so like you know, you know, it's like it really

385
00:21:13,680 --> 00:21:15,839
just goes to show like if you can play your

386
00:21:15,920 --> 00:21:17,920
instrument in a certain way, you can make a full

387
00:21:18,039 --> 00:21:19,880
sound out of minimal amount of people.

388
00:21:20,039 --> 00:21:22,440
Speaker 9: That's a good way of putting it. Yeah, yeah, exactly,

389
00:21:23,000 --> 00:21:25,559
and you can hear like you can clearly hear everything,

390
00:21:25,720 --> 00:21:27,920
like if you because if you're playing a solo and

391
00:21:27,960 --> 00:21:30,960
you don't have an extra guitarist playing rhythm, you can

392
00:21:31,359 --> 00:21:32,880
you can hear what is he's doing on bass. You

393
00:21:32,920 --> 00:21:34,799
can hear all the drums right, all the you know,

394
00:21:34,880 --> 00:21:37,279
the double kick and everything. You can clearly hear it, right,

395
00:21:37,440 --> 00:21:39,359
you know what Matt's playing. So I think, no, I

396
00:21:39,400 --> 00:21:43,599
think that's smart. That makes a lot of sense. Yeah,

397
00:21:43,680 --> 00:21:45,440
do you get that a lot? Like are people surprised?

398
00:21:45,759 --> 00:21:46,400
Do they tell you that?

399
00:21:47,279 --> 00:21:50,400
Speaker 14: It almost I think everything. Yeah, Like there's always somebody

400
00:21:50,440 --> 00:21:52,319
who's like, yeah, you guys sound like huge.

401
00:21:52,599 --> 00:21:54,160
Speaker 9: Yeah, yeah, yeah, that's great.

402
00:21:54,240 --> 00:21:56,680
Speaker 11: We get a lot of surprise because I mean we're

403
00:21:56,680 --> 00:21:59,359
all young and we're playing and lately we've been playing

404
00:21:59,440 --> 00:22:03,680
with people people who are you know, honestly veterans in

405
00:22:03,799 --> 00:22:06,599
the in the music industry and like they've been here

406
00:22:06,680 --> 00:22:11,119
for decades years, you know, like and people are like, oh,

407
00:22:11,759 --> 00:22:15,559
young individuals with a room full of forty year olds,

408
00:22:16,559 --> 00:22:19,200
how is this gonna go? And when we go on stage,

409
00:22:19,400 --> 00:22:21,400
just you know, we blow them away, and you know,

410
00:22:21,920 --> 00:22:24,119
they they honestly, they come up to us and they're like,

411
00:22:24,359 --> 00:22:26,759
I wasn't expecting that, but I'm glad that I was here.

412
00:22:27,079 --> 00:22:29,759
Speaker 10: Yeah, yeah, it's definitely.

413
00:22:30,000 --> 00:22:33,119
Speaker 11: I'm grateful that we can actually put that out and

414
00:22:33,400 --> 00:22:36,000
you know, we put on a good show and people

415
00:22:36,079 --> 00:22:38,960
are excited to see us, and people are even getting

416
00:22:38,960 --> 00:22:41,440
any surprise because I mean, they can see us.

417
00:22:41,680 --> 00:22:44,359
Speaker 10: But if they're not surprised by us, are we really

418
00:22:44,440 --> 00:22:45,480
doing our job right?

419
00:22:45,559 --> 00:22:50,039
Speaker 9: All right? Yeah? I won't say who it is on

420
00:22:50,160 --> 00:22:52,119
the air, but Jenny and I had had a conversation

421
00:22:52,200 --> 00:22:53,599
actually was after you were on the show, the first

422
00:22:53,640 --> 00:22:56,359
time we had a conversation with somebody who we wanted

423
00:22:56,440 --> 00:23:00,519
to to connect you with. Who react acted? Do you

424
00:23:00,559 --> 00:23:02,160
do you remember this? Jenny? I won't say what it is,

425
00:23:02,240 --> 00:23:05,440
but who reacted like they're kids, I don't know, you

426
00:23:05,519 --> 00:23:08,000
know who I'm talking about, and funny enough, so you

427
00:23:08,079 --> 00:23:10,480
did end up working with them. And again I won't

428
00:23:10,519 --> 00:23:12,000
say on the air who it was, but you know,

429
00:23:12,279 --> 00:23:14,119
but I don't know if they would even mind, but

430
00:23:14,160 --> 00:23:16,000
it's somebody you did end up working with, so it

431
00:23:16,079 --> 00:23:18,599
all worked out and I think they were very happy

432
00:23:18,680 --> 00:23:21,160
that they they worked with you on a show. I'll

433
00:23:21,200 --> 00:23:23,799
tell you off air afterward who it was? But but

434
00:23:24,000 --> 00:23:27,519
but yeah, but now are you all like, like, are

435
00:23:27,559 --> 00:23:29,000
any of you still in school at this point? What

436
00:23:29,359 --> 00:23:30,519
is a you're in college now? Right?

437
00:23:30,640 --> 00:23:30,799
Speaker 2: Yeah?

438
00:23:30,920 --> 00:23:33,400
Speaker 9: Yeah yeah? And then what about you guys you're both

439
00:23:33,400 --> 00:23:34,359
out of high school now right?

440
00:23:34,480 --> 00:23:36,200
Speaker 12: Yeah? We both were both graduated.

441
00:23:36,240 --> 00:23:38,720
Speaker 9: That's what I thought. Yeah, yeah, yeah, so you're not

442
00:23:38,880 --> 00:23:41,039
you know, it's not like your kids anymore, right, I mean.

443
00:23:43,079 --> 00:23:43,839
Speaker 10: As much as we can.

444
00:23:43,960 --> 00:23:47,799
Speaker 9: There you go, there you go, there you go. Now,

445
00:23:47,839 --> 00:23:49,480
how now what's the show schedule been?

446
00:23:49,519 --> 00:23:49,559
Speaker 11: Like?

447
00:23:49,599 --> 00:23:51,079
Speaker 9: It looks like you've been really busy, Like are you

448
00:23:51,160 --> 00:23:52,319
playing every weekend?

449
00:23:52,480 --> 00:23:55,599
Speaker 14: Or I mean, if we're not not doing a show,

450
00:23:55,640 --> 00:23:59,720
we're definitely doing like music videos or yeah, editing or something.

451
00:23:59,799 --> 00:24:01,240
There's no there's no break here.

452
00:24:01,359 --> 00:24:04,000
Speaker 9: Yeah. Oh you're working hard. You're working hard? Is that

453
00:24:04,119 --> 00:24:05,160
hard with going to school?

454
00:24:05,359 --> 00:24:05,519
Speaker 7: Is that?

455
00:24:05,960 --> 00:24:06,119
Speaker 15: Oh?

456
00:24:06,559 --> 00:24:09,359
Speaker 14: Only it can be a handful because uh I also

457
00:24:09,480 --> 00:24:10,440
work on top of it all.

458
00:24:10,720 --> 00:24:10,920
Speaker 13: Yeah.

459
00:24:11,119 --> 00:24:11,319
Speaker 9: Yeah.

460
00:24:11,519 --> 00:24:13,799
Speaker 14: Basically it's like a six am to ten thirty at

461
00:24:13,920 --> 00:24:16,839
night thing, and then the weekends are my I guess

462
00:24:16,960 --> 00:24:17,599
show times.

463
00:24:17,839 --> 00:24:20,640
Speaker 9: Yeah yeah, no, it's a lot. It's a lot to handle.

464
00:24:21,119 --> 00:24:24,599
But and are all of you you're all only in

465
00:24:24,680 --> 00:24:26,400
this band, right, are any of you doing.

466
00:24:26,640 --> 00:24:28,519
Speaker 12: No, No, Yeah, this band.

467
00:24:28,640 --> 00:24:32,279
Speaker 13: Yeah, we're all in this band, and all our creative

468
00:24:32,440 --> 00:24:33,920
energy goes toward.

469
00:24:33,880 --> 00:24:36,799
Speaker 9: That's great, this band. That's great. Yeah, especially for you

470
00:24:36,880 --> 00:24:38,799
because every other drummer I know is in ten different

471
00:24:38,839 --> 00:24:40,359
bands because nobody can find a drummer.

472
00:24:40,640 --> 00:24:44,880
Speaker 13: Yeah, yeah, it is a I feel like that is

473
00:24:44,920 --> 00:24:46,680
the thing with us, is that we all kind of

474
00:24:47,400 --> 00:24:52,440
end up becoming like, you know, musical swingers in a way.

475
00:24:52,519 --> 00:24:55,519
We we're all just kind of all over the place.

476
00:24:55,640 --> 00:24:59,240
But I mean I think that you know, now, you know,

477
00:24:59,359 --> 00:25:02,839
after I spent you know, years moving around with different

478
00:25:02,920 --> 00:25:06,240
projects and all that, Like, I couldn't be happier, you

479
00:25:06,319 --> 00:25:09,799
know than to be with where we are now. You know,

480
00:25:09,920 --> 00:25:14,319
I think that this is the band that I always

481
00:25:14,599 --> 00:25:16,880
you know, wanted to do and be in.

482
00:25:17,240 --> 00:25:21,240
Speaker 9: Yeah. Yeah, that's outstanding if you're just joining us. Under

483
00:25:21,279 --> 00:25:24,880
the horizon is here with us in studio. And now

484
00:25:25,119 --> 00:25:26,640
who are some of the who are some of the

485
00:25:26,720 --> 00:25:28,960
acts that you've that you've played with, because you you've

486
00:25:28,960 --> 00:25:32,200
played with some national acts, right, Yeah, so.

487
00:25:32,319 --> 00:25:36,640
Speaker 13: We we played with Great White and Queens Reich last year.

488
00:25:36,880 --> 00:25:39,240
Oh yeah, and then we met up and then we

489
00:25:39,759 --> 00:25:42,359
opened up again for Great White at the two Polow

490
00:25:42,519 --> 00:25:46,359
not too long ago, about a month ago. But other

491
00:25:46,440 --> 00:25:48,559
than that, we've been you know, playing with a lot

492
00:25:48,640 --> 00:25:53,440
of of the you know, higher up local acts obviously

493
00:25:53,960 --> 00:25:56,279
as we have already mentioned a couple of times, and

494
00:25:56,359 --> 00:25:58,920
the whole things Scarecrow Hill, You've done a lot of

495
00:25:58,960 --> 00:26:02,599
shows with them. We've done some shows with Sepsis. We

496
00:26:02,720 --> 00:26:08,319
have some more upcoming shows with Sepsis. Actually, yea be

497
00:26:08,359 --> 00:26:10,359
there down the road coming right out.

498
00:26:10,839 --> 00:26:12,720
Speaker 9: Yeah, that's true. It's already November, so it's only a

499
00:26:12,720 --> 00:26:15,599
couple of weeks away. Oh my god.

500
00:26:15,759 --> 00:26:19,440
Speaker 10: Yeah, it's coming around the corner. Yeah, really look out.

501
00:26:21,599 --> 00:26:24,640
Speaker 13: But yeah, a bunch of bands, a bunch of you know,

502
00:26:24,680 --> 00:26:29,519
a bunch of people, dead Man's Trigger, Silent Season, oh yeah, yeah,

503
00:26:30,119 --> 00:26:36,680
the Great Curtain, yeah, Saving Vice, right, Yeah, yeah, a

504
00:26:36,720 --> 00:26:38,440
lot of a lot of bands, and we you know

505
00:26:38,519 --> 00:26:42,279
that we've you know, really been trying to reach out

506
00:26:42,319 --> 00:26:47,160
to every band we can, because we want to be

507
00:26:47,400 --> 00:26:51,160
in in the scene with these people, so meeting them,

508
00:26:51,359 --> 00:26:57,799
talking to them and you know, sharing you know, musical conversations, notes, experiences,

509
00:26:57,880 --> 00:27:00,240
whatever you want to say. I think has you know,

510
00:27:00,920 --> 00:27:04,400
catapulted us not only as a band, but as people,

511
00:27:04,599 --> 00:27:07,680
you know, I'd say we have a lot more confidence

512
00:27:07,799 --> 00:27:11,079
now walking into a venue you know where it's like, oh,

513
00:27:11,160 --> 00:27:12,839
we know all the bands on this bill.

514
00:27:13,000 --> 00:27:15,279
Speaker 10: Yeah, and we're you know, there were friends with them

515
00:27:15,359 --> 00:27:16,519
and yeah that always helps.

516
00:27:16,759 --> 00:27:17,559
Speaker 12: Yeah, it's great.

517
00:27:17,759 --> 00:27:21,240
Speaker 9: Yeah, it helps a lot. Yeah, absolutely, Why don't we

518
00:27:21,279 --> 00:27:25,640
play another another track? But what should you know? I'll

519
00:27:25,720 --> 00:27:27,640
let you pick. This is you know, of course from

520
00:27:27,680 --> 00:27:30,519
the original EP, and I can't wait to hear the

521
00:27:30,559 --> 00:27:35,000
new stuff. But what should we play from? I got

522
00:27:35,079 --> 00:27:35,400
it open?

523
00:27:35,480 --> 00:27:37,119
Speaker 10: So that's a great question.

524
00:27:38,960 --> 00:27:40,359
Speaker 13: Why don't we do it? Why don't we do a

525
00:27:40,400 --> 00:27:41,759
little bit off? I don't want to be you. Let's

526
00:27:41,759 --> 00:27:43,200
wake these people up this morning.

527
00:27:43,359 --> 00:27:46,680
Speaker 9: I don't want to be Yeah, and tell us about

528
00:27:46,720 --> 00:27:48,119
this song before we play it.

529
00:27:49,240 --> 00:27:53,200
Speaker 13: This song it's about when I was in fifth grade,

530
00:27:54,279 --> 00:27:56,359
they had this class or whatever where you would go

531
00:27:56,480 --> 00:27:58,880
in and you would talk to a guidance counselor about

532
00:27:58,920 --> 00:28:02,200
what you wanted to be, and she would go onto

533
00:28:02,279 --> 00:28:05,480
this government website and type in and they would give

534
00:28:05,519 --> 00:28:11,400
you like some hourly like estimated hourly wage or saluri.

535
00:28:11,240 --> 00:28:11,680
Speaker 12: You would get.

536
00:28:12,119 --> 00:28:13,839
Speaker 13: So I was like, I want to be a musician,

537
00:28:14,279 --> 00:28:17,359
and she's like, well, it doesn't really pay that well

538
00:28:17,440 --> 00:28:19,720
and blah blah blah, you should be a marine biologist

539
00:28:19,839 --> 00:28:22,440
or whatever instead, and I'm like, no, thanks. Yeah, So

540
00:28:23,000 --> 00:28:24,720
this song is about you know, she told me that

541
00:28:24,759 --> 00:28:26,319
I was never going to make it when it came

542
00:28:26,359 --> 00:28:29,200
to music, and you know, I think she even said

543
00:28:29,240 --> 00:28:31,559
that I would end up being homeless and collecting oh

544
00:28:31,640 --> 00:28:34,440
my god, no tips from bars that I would play at.

545
00:28:34,559 --> 00:28:39,119
And I'm like, lady, you're a school teacher. Like, I

546
00:28:39,200 --> 00:28:41,640
don't really know what the comparison is here. So anyways,

547
00:28:41,720 --> 00:28:44,039
this song is about my aggravation towards her.

548
00:28:44,400 --> 00:28:48,039
Speaker 9: Did the website listen hourly wage for being a musician.

549
00:28:49,279 --> 00:28:52,000
Speaker 13: It was like, you know, you can make anywhere from

550
00:28:52,119 --> 00:28:55,720
like five bucks an hour to like twenty bucks an hour.

551
00:28:55,759 --> 00:28:57,880
And I literally said, I'm like, but we don't make

552
00:28:58,039 --> 00:29:02,359
hourly wages right half the time, we don't even get paid,

553
00:29:02,880 --> 00:29:05,319
so how can you even make that equation? Right?

554
00:29:05,519 --> 00:29:05,680
Speaker 11: Right?

555
00:29:06,240 --> 00:29:08,720
Speaker 9: Oh that's funny, that's funny. All right, very good. This

556
00:29:08,839 --> 00:29:10,240
is a great track. This is I Don't want to

557
00:29:10,240 --> 00:29:13,559
be you. This is under the horizon wa do what

558
00:29:14,119 --> 00:29:14,680
that bot?

559
00:29:33,480 --> 00:29:36,839
Speaker 16: It's not just not a do stand as read the

560
00:29:36,960 --> 00:29:40,960
Misery of Bear you don't care about my dreams nother

561
00:29:41,039 --> 00:29:42,480
let's say time dreams.

562
00:29:43,039 --> 00:29:47,039
Speaker 3: You may not understand, which I can understand.

563
00:29:47,799 --> 00:29:49,440
Speaker 5: I rather live my life.

564
00:29:50,039 --> 00:29:51,680
Speaker 3: I don't want to be on acapone.

565
00:29:53,359 --> 00:29:54,200
Speaker 5: I don't want to pay.

566
00:29:58,000 --> 00:29:59,000
Speaker 3: I don't want to be here.

567
00:30:03,880 --> 00:30:06,680
Speaker 16: Don't take the don's that I don't need, don't want

568
00:30:06,720 --> 00:30:10,039
to live like I don't repeat. I'm as well spinning

569
00:30:10,079 --> 00:30:14,160
my eye and you watch my dreams. You may not

570
00:30:14,480 --> 00:30:17,440
understand which JOHN understand.

571
00:30:18,079 --> 00:30:19,880
Speaker 12: And I'd rather in my life?

572
00:30:20,519 --> 00:30:21,720
Speaker 5: Then what don't have you?

573
00:30:23,720 --> 00:30:24,480
Speaker 9: I don't wanna be.

574
00:30:28,440 --> 00:30:29,400
Speaker 3: I don't want to be you.

575
00:30:35,599 --> 00:30:38,319
Speaker 13: If you want to be in a fand just grow

576
00:30:38,440 --> 00:30:41,200
up and face it, you'll never count asking your life.

577
00:30:41,480 --> 00:30:42,160
Speaker 12: You're a show.

578
00:30:42,480 --> 00:30:43,400
Speaker 11: I don't want to be you.

579
00:30:47,160 --> 00:30:48,119
Speaker 15: I don't want to be you.

580
00:30:51,839 --> 00:30:52,799
Speaker 5: I don't wanna be you.

581
00:30:56,839 --> 00:30:57,480
Speaker 3: Wanna be you?

582
00:31:00,119 --> 00:31:07,920
Speaker 8: Oh, you may not understand. We got understand I'm rather

583
00:31:08,240 --> 00:31:08,960
in my eye?

584
00:31:09,759 --> 00:31:13,720
Speaker 9: And what don't you may not understand?

585
00:31:14,720 --> 00:31:18,319
Speaker 4: Doctors understand I'm bad under my eye?

586
00:31:19,039 --> 00:31:20,720
Speaker 8: And why God down your back?

587
00:31:22,359 --> 00:31:27,599
Speaker 5: I don't want to pay you. I don't want to

588
00:31:27,640 --> 00:31:30,799
pay you. Don't, don't don't.

589
00:31:31,680 --> 00:31:35,519
Speaker 7: I don't want to pay, don't, don't, don't.

590
00:31:36,359 --> 00:31:37,279
Speaker 3: I don't want to be you.

591
00:31:38,720 --> 00:31:39,359
Speaker 17: Don't know.

592
00:31:44,759 --> 00:31:47,200
Speaker 9: That that ought to get the blood pumping. I don't

593
00:31:47,200 --> 00:31:49,720
want to be you by Under the Horizon. Love that track.

594
00:31:49,839 --> 00:31:51,680
That is so catchy and I love the I love

595
00:31:51,759 --> 00:31:53,400
the backstory there, Matt, that's really good.

596
00:31:53,720 --> 00:31:54,640
Speaker 12: Thank you, thank you.

597
00:31:55,119 --> 00:31:56,880
Speaker 9: If you are just joining us, Under the Horizon is

598
00:31:56,880 --> 00:31:59,960
here with us in studio. We have Matt Palmer, Jordan Sweet,

599
00:32:00,119 --> 00:32:03,880
and Izzie McIntyre here with us on this uh Saturday

600
00:32:04,000 --> 00:32:06,839
and uh sounding sounding great. Can't wait to hear the

601
00:32:06,880 --> 00:32:09,160
new stuff, and we might we might even hear something

602
00:32:09,240 --> 00:32:11,920
from the won't won't say anything official, but we might

603
00:32:11,960 --> 00:32:14,799
hear something on the show right in the coming weeks.

604
00:32:14,960 --> 00:32:17,319
Speaker 10: Sneak peak to the album, A little sneak peak.

605
00:32:17,119 --> 00:32:19,759
Speaker 9: To the album. Yeah, So if you are, if you

606
00:32:19,839 --> 00:32:21,599
are a regular listener of the show, you want to

607
00:32:21,599 --> 00:32:24,359
make sure you tune in every week because you might

608
00:32:24,440 --> 00:32:28,599
hear something new very soon from from Under the Horizon. Well,

609
00:32:28,720 --> 00:32:31,240
which does raise a question, do you have kind of

610
00:32:31,319 --> 00:32:32,599
a long term do you have any kind of an

611
00:32:32,599 --> 00:32:35,599
eta on when? Uh when, when the new when the

612
00:32:35,640 --> 00:32:36,640
new one might be coming outer.

613
00:32:37,000 --> 00:32:42,000
Speaker 13: We're looking about four months out, okay, so early early

614
00:32:42,119 --> 00:32:46,359
twenty twenty six. Okay, we're gonna you know, we're thinking

615
00:32:46,599 --> 00:32:49,880
probably around like springtime or so, so ideally you know,

616
00:32:50,079 --> 00:32:53,920
before you know, the big show season, so then we

617
00:32:54,079 --> 00:32:57,559
can you know, release the album and then you know,

618
00:32:57,759 --> 00:33:01,599
we'll have a whole schedule of shows for you know,

619
00:33:02,279 --> 00:33:06,799
people to you know, come out check it out. And yeah, yeah,

620
00:33:06,960 --> 00:33:11,839
so about four months, so sooner. It's it's sooner than

621
00:33:12,119 --> 00:33:15,759
you think, you know. Okay, we've been we've been saying

622
00:33:15,839 --> 00:33:19,119
that because this has this album has taken a long time,

623
00:33:19,240 --> 00:33:23,279
but we're making it through soon. We're looking at about

624
00:33:23,319 --> 00:33:23,920
four months and.

625
00:33:24,000 --> 00:33:29,160
Speaker 9: So okay, okay, excellent. Do you have other elements like

626
00:33:29,359 --> 00:33:31,920
like artwork and stuff. Have you decided on that yet

627
00:33:31,960 --> 00:33:36,119
or you're waiting until the album's done or we we've I.

628
00:33:36,200 --> 00:33:40,359
Speaker 13: Can't say that we've officially decided on anything, but it

629
00:33:40,559 --> 00:33:43,240
has all been in conversation.

630
00:33:44,359 --> 00:33:44,519
Speaker 7: You know.

631
00:33:44,680 --> 00:33:47,960
Speaker 13: Obviously that's all stuff we got to coordinate. But i'd

632
00:33:48,000 --> 00:33:51,640
say that, you know, we've had conversations on all of that,

633
00:33:51,799 --> 00:33:54,039
and I think we all basically have the same vision

634
00:33:54,119 --> 00:33:57,119
of what we want. It's just you know, get you know,

635
00:33:57,440 --> 00:34:00,079
having the time, you know, once we're done doing and

636
00:34:00,119 --> 00:34:02,240
all the other stuff to be like okay, this is

637
00:34:02,279 --> 00:34:04,680
what we're gonna do. Go, let's send it, you know,

638
00:34:04,880 --> 00:34:06,480
send it to all the companies and all that.

639
00:34:06,880 --> 00:34:10,000
Speaker 9: Yeah, yeah, it's a yeah, there's a lot of a

640
00:34:10,039 --> 00:34:12,559
lot of work that goes into it, for sure. I'm

641
00:34:12,599 --> 00:34:16,480
curious too about what what goes into the decision to, like,

642
00:34:16,599 --> 00:34:19,000
because you're doing a full album, because there's so many

643
00:34:19,000 --> 00:34:22,000
different ways to release music now, and you know, you

644
00:34:22,079 --> 00:34:23,440
could do you can you can do an album, you

645
00:34:23,480 --> 00:34:25,480
can do an EP, obviously, you can do you know,

646
00:34:25,599 --> 00:34:27,559
a lot of artists now just do a series of singles.

647
00:34:28,000 --> 00:34:30,000
You know, they kind of do the inverse where and

648
00:34:30,239 --> 00:34:33,800
maybe those singles coalesce into an album eventually, which is

649
00:34:33,920 --> 00:34:35,519
completely different than the way I was like when I

650
00:34:35,599 --> 00:34:37,760
was growing up. You know, it was you know, first

651
00:34:37,760 --> 00:34:40,039
single goes to radio six eight weeks before the album.

652
00:34:40,159 --> 00:34:42,320
Then the album comes out. Then if everything goes well,

653
00:34:42,519 --> 00:34:44,400
you get a second single, maybe a third single. But

654
00:34:44,880 --> 00:34:46,800
now it's like there's so many different ways to do

655
00:34:46,920 --> 00:34:47,159
it now.

656
00:34:47,360 --> 00:34:49,639
Speaker 14: It's kind of I think the plan with this album

657
00:34:49,760 --> 00:34:52,440
we've we've I guess heard from a lot of other

658
00:34:52,519 --> 00:34:55,800
bands that leasing like song at a time usually works

659
00:34:55,880 --> 00:34:59,239
better because unfortunately, in this day and age, people's like

660
00:34:59,280 --> 00:35:01,039
attention span are a lot lower.

661
00:35:01,239 --> 00:35:02,599
Speaker 10: So to keep people's like.

662
00:35:03,079 --> 00:35:05,960
Speaker 14: I guess attention you know, Yeah, sometimes it's easier to

663
00:35:05,960 --> 00:35:07,559
you know, give them something to chew on and then

664
00:35:07,719 --> 00:35:10,039
come back a week or two later and something else.

665
00:35:10,360 --> 00:35:13,599
Speaker 9: Yeah. Yeah, So when you do, is it important to

666
00:35:13,639 --> 00:35:16,920
you as a band to have like uh yeah, I

667
00:35:16,960 --> 00:35:18,760
don't know, like is there any kind of a theme

668
00:35:19,000 --> 00:35:21,960
to these or something that kind of binds the songs

669
00:35:21,960 --> 00:35:23,760
together that are going to be on the new album

670
00:35:23,880 --> 00:35:24,840
or absolutely.

671
00:35:24,960 --> 00:35:26,199
Speaker 12: I mean i'd say that.

672
00:35:27,880 --> 00:35:31,119
Speaker 13: When we when we went into writing this record, we

673
00:35:31,320 --> 00:35:34,400
had kind of a vision where like, Okay, we want

674
00:35:34,440 --> 00:35:38,320
to you know, still be ourselves obviously, but we want

675
00:35:38,400 --> 00:35:42,159
to be heavier. We want to be darker, more gothic,

676
00:35:42,800 --> 00:35:47,599
and we wanted to you know, implement more elements of

677
00:35:48,000 --> 00:35:49,760
you know, some of the other stuff that we'd been

678
00:35:49,880 --> 00:35:54,480
listening to, you know, like is he has put some

679
00:35:54,599 --> 00:35:59,840
of our classical influences in on this album and gothic influences,

680
00:36:00,079 --> 00:36:03,159
and I know from me and Jordan, there's some you know,

681
00:36:03,440 --> 00:36:09,760
influences from bands like Tool and you know heavier bands Pantera, Yeah,

682
00:36:10,039 --> 00:36:12,639
stuff like that, and even you know, some new metal

683
00:36:12,719 --> 00:36:17,159
stuff like you know, slip nod and you know lamp

684
00:36:17,239 --> 00:36:19,599
and just whatever you know tickles our brain.

685
00:36:19,880 --> 00:36:20,079
Speaker 9: Yeah.

686
00:36:20,079 --> 00:36:23,039
Speaker 13: And then but I'd say overall, where like we want

687
00:36:23,079 --> 00:36:27,320
it to be heavier, more encompassing, darker.

688
00:36:27,800 --> 00:36:30,800
Speaker 9: Yeah. Yeah, And how is the live show, because you

689
00:36:30,920 --> 00:36:33,719
touched on it earlier, the live show, how is that?

690
00:36:34,280 --> 00:36:36,280
How has that changed? You mentioned that's also kind of

691
00:36:36,360 --> 00:36:39,400
changed as the music has has gotten heavier, Like are

692
00:36:39,440 --> 00:36:41,440
there are there specific elements that have changed or is

693
00:36:41,480 --> 00:36:44,599
it just how you all kind of perform individually on stage.

694
00:36:44,400 --> 00:36:47,360
Speaker 14: Or I think our energies really have changed. I think

695
00:36:47,400 --> 00:36:50,159
there's put a lot more energy into our performance. And

696
00:36:50,800 --> 00:36:53,599
I mean there's some added I guess stage gimmicks as well,

697
00:36:53,920 --> 00:36:55,239
And I would.

698
00:36:55,079 --> 00:36:55,599
Speaker 9: Just say more.

699
00:36:55,760 --> 00:36:58,840
Speaker 14: I guess maybe for Jordan, like the movement that he

700
00:36:58,960 --> 00:37:02,360
moves a lot more, I feel a lot more exaggerated.

701
00:37:04,199 --> 00:37:07,239
We get off stage two for anyone who hasn't seen us,

702
00:37:07,280 --> 00:37:10,000
and we try to interact the crowd. But I say,

703
00:37:10,079 --> 00:37:12,440
just overall, our energy is a lot higher than I

704
00:37:12,480 --> 00:37:13,360
think it used to be.

705
00:37:13,760 --> 00:37:17,239
Speaker 11: Yeah, Because I mean I remember watching like the Great

706
00:37:17,280 --> 00:37:19,840
White Video, you know, when we first played the.

707
00:37:19,800 --> 00:37:22,960
Speaker 10: Show that you guys get to and like it's just

708
00:37:23,480 --> 00:37:28,159
drag drag drag. I'm just watching. I'm barely moving.

709
00:37:28,639 --> 00:37:32,119
Speaker 11: We're all like we're young, so I mean, dude, like,

710
00:37:32,840 --> 00:37:35,199
you know, obviously got to cut a little slack as

711
00:37:35,199 --> 00:37:35,639
we were young.

712
00:37:35,760 --> 00:37:35,960
Speaker 10: Yeah.

713
00:37:36,079 --> 00:37:39,079
Speaker 11: First, you know, first a little bit in the music industry,

714
00:37:39,199 --> 00:37:43,159
but like now it's just like we actually function like

715
00:37:43,280 --> 00:37:48,440
a real theatrical I guess band. How things are. The

716
00:37:48,599 --> 00:37:53,280
music's good, theatrics are good, and we've all just grown

717
00:37:53,400 --> 00:37:56,639
to have our own like you know, building the band,

718
00:37:56,719 --> 00:38:00,559
but also us individually all have our little gimmick and

719
00:38:01,000 --> 00:38:04,920
you know, our personalization to ourselves that way, it's not

720
00:38:05,199 --> 00:38:06,880
just like you're a group of kids.

721
00:38:07,280 --> 00:38:09,559
Speaker 12: It's just you all are three.

722
00:38:09,760 --> 00:38:13,840
Speaker 11: Musicians with three separate talents, and you make one big unit,

723
00:38:14,039 --> 00:38:17,119
right right, So it's definitely cool to see that, you know,

724
00:38:17,280 --> 00:38:18,320
turn out in the live.

725
00:38:18,320 --> 00:38:20,960
Speaker 9: Oh yeah, I just realized as you were talking about

726
00:38:20,960 --> 00:38:22,840
that too. That was a great white show. That was

727
00:38:23,360 --> 00:38:24,599
was that? That wasn't your first show?

728
00:38:24,719 --> 00:38:25,280
Speaker 15: Was it? Or was it.

729
00:38:26,760 --> 00:38:27,800
Speaker 10: Second?

730
00:38:27,840 --> 00:38:28,639
Speaker 9: What was the first one?

731
00:38:29,559 --> 00:38:34,360
Speaker 12: It was Rochester Arts Center? Okay, probably it.

732
00:38:34,440 --> 00:38:37,599
Speaker 14: Was mostly just honestly for like friends and family.

733
00:38:37,920 --> 00:38:42,639
Speaker 11: Yeah, yeah, it was very interesting going from like fifteen

734
00:38:42,800 --> 00:38:44,960
people on our first gig and then it was like

735
00:38:45,239 --> 00:38:48,239
five hundred the next day and you're like, oh, well,

736
00:38:48,519 --> 00:38:49,639
this is where we're at.

737
00:38:49,599 --> 00:38:51,880
Speaker 9: Now, Like yeah, see, that didn't even occur to me

738
00:38:51,960 --> 00:38:53,599
until now. That must have been wild too.

739
00:38:53,760 --> 00:38:56,639
Speaker 12: It was I remember having insane.

740
00:38:56,840 --> 00:39:00,599
Speaker 11: There were a lot of nerves backstage right before on stage,

741
00:39:00,639 --> 00:39:03,440
and I can imagine yeah, yeah, and Mike had to

742
00:39:03,599 --> 00:39:06,119
give us the little coaches speech and be like, this

743
00:39:06,280 --> 00:39:08,280
could be your life for the rest of your lives,

744
00:39:08,360 --> 00:39:09,920
and this could be the breaking point.

745
00:39:09,960 --> 00:39:13,360
Speaker 10: You guys gotta lock in, and I'm like, okay, let's

746
00:39:13,440 --> 00:39:13,800
lock in.

747
00:39:14,199 --> 00:39:17,400
Speaker 9: Yeah, no, I need. It was great. It was excellent,

748
00:39:19,000 --> 00:39:22,079
you know. It's and also too, you know, so to

749
00:39:22,159 --> 00:39:24,079
be in front of a crowd that size so quickly,

750
00:39:24,360 --> 00:39:26,960
and also I mean, you guys don't sound like great White,

751
00:39:27,039 --> 00:39:28,960
so there's always right. I mean, I don't know if

752
00:39:29,000 --> 00:39:31,239
you were nervous about that at all, but I mean

753
00:39:31,760 --> 00:39:34,239
I think I think broadly speaking, people who are fans

754
00:39:34,280 --> 00:39:36,199
of rock music are fans of rock music and like

755
00:39:36,239 --> 00:39:39,920
a lot of different sub genres and so, but so

756
00:39:40,199 --> 00:39:42,400
it's easy to overthink it. But still it must have

757
00:39:42,480 --> 00:39:43,840
been I mean, it had to be in the back

758
00:39:43,880 --> 00:39:46,679
of your minds. Like, this is this crowd gonna like us?

759
00:39:46,719 --> 00:39:47,000
Speaker 2: It was?

760
00:39:47,320 --> 00:39:49,440
Speaker 14: It definitely is almost I think with any show that

761
00:39:49,519 --> 00:39:53,079
we play, regardless of where it is, we always think, like, one,

762
00:39:53,159 --> 00:39:55,960
do we really work well genre wise with other bands

763
00:39:56,000 --> 00:39:58,159
and people gonna like it? Because you know, when you

764
00:39:58,440 --> 00:40:00,760
go from like lighter rock to the metal, it's kind

765
00:40:00,760 --> 00:40:01,719
of like jarring.

766
00:40:02,039 --> 00:40:02,280
Speaker 9: Yeah.

767
00:40:02,559 --> 00:40:07,679
Speaker 11: Yeah, And you know, we've we've had bands that, unfortunately,

768
00:40:07,880 --> 00:40:10,360
we just find it hard to you know, really do

769
00:40:10,440 --> 00:40:12,599
gigs with them because it's like, not only do we

770
00:40:12,760 --> 00:40:15,280
have to pertain to the crowd, but the bands also

771
00:40:15,360 --> 00:40:17,239
have to pertain to us, and we also have to

772
00:40:17,320 --> 00:40:21,599
have compatibility with those bands musically. Yeah, And that evolution

773
00:40:21,880 --> 00:40:24,239
has kind of put a little bit of a stick

774
00:40:24,280 --> 00:40:27,239
in the road where it's like, how many gigs can

775
00:40:27,360 --> 00:40:31,440
we really do for the more older hard rock you

776
00:40:31,519 --> 00:40:35,159
know listening people, Yeah, and you know, but all in

777
00:40:35,239 --> 00:40:37,840
the same time, can we really do that many metal shows?

778
00:40:37,880 --> 00:40:41,199
Because we're not like metalcore or like a thing you know,

779
00:40:41,519 --> 00:40:45,400
very crazy crazy like that. So we kind of fall

780
00:40:45,480 --> 00:40:48,719
into this again, like we had this before, this little

781
00:40:48,880 --> 00:40:51,480
middle ground where we're not exactly metal, but we're not

782
00:40:51,559 --> 00:40:53,920
exactly hard rocks. So now we're trying to even it

783
00:40:54,039 --> 00:40:56,639
out a little bit. But yeah, we make it work.

784
00:40:56,800 --> 00:40:59,559
Speaker 9: Yeah, you know what we do absolutely.

785
00:40:59,719 --> 00:41:02,960
Speaker 13: I mean i'd say that, you know, I think, you know,

786
00:41:03,079 --> 00:41:06,559
we we say, you know, we think about that, but

787
00:41:06,639 --> 00:41:09,159
i'd say that overall, I think we always end up

788
00:41:09,199 --> 00:41:12,360
coming to the same conclusion of we got to be ourselves,

789
00:41:12,519 --> 00:41:14,840
and we always go out there and we you know,

790
00:41:15,079 --> 00:41:19,719
show fully ourselves one hundred and ten percent, and we figure,

791
00:41:20,280 --> 00:41:23,119
you know, if the people like it, they like it,

792
00:41:23,239 --> 00:41:25,119
and if they don't, whatever, they can walk out and

793
00:41:25,199 --> 00:41:27,039
go smoke a tube out in the parking lot or

794
00:41:27,079 --> 00:41:30,920
something like that. But I mean, we've never really had

795
00:41:31,039 --> 00:41:33,599
much of an issue with that. We've played in front

796
00:41:33,639 --> 00:41:35,719
of a bunch of different crowds, you know, whether it

797
00:41:35,800 --> 00:41:40,159
be Great White or Juggalos at the Lethal weekend there,

798
00:41:41,840 --> 00:41:43,920
and it always it always ends up great, and we

799
00:41:44,039 --> 00:41:47,360
always end up you know, meeting new fans, meeting new friends,

800
00:41:47,519 --> 00:41:54,320
and you know, having you know, honestly meeting fans that

801
00:41:54,440 --> 00:41:57,159
we might not have met if we were to you know,

802
00:41:57,559 --> 00:42:00,800
exclusively do shows with like a band that we were

803
00:42:00,920 --> 00:42:04,719
exactly like right, you know, so that we really love doing,

804
00:42:05,079 --> 00:42:06,960
you know as much as you know, sure we might

805
00:42:07,039 --> 00:42:08,760
in the moment be like, oh my god, are they

806
00:42:08,840 --> 00:42:11,039
gonna you know, like this, Are they going to like that?

807
00:42:11,199 --> 00:42:14,599
At the end of the day, we like being ourselves

808
00:42:14,760 --> 00:42:18,920
to show people to you know, hopefully widen the you know,

809
00:42:19,039 --> 00:42:22,440
bring more people in. Music is about you know, speaking

810
00:42:22,480 --> 00:42:25,760
where words can't and including everyone and you know, all

811
00:42:26,519 --> 00:42:30,280
working together to bring some wonderful art out into the world.

812
00:42:30,440 --> 00:42:32,599
So we love, we love doing stuff like that.

813
00:42:33,039 --> 00:42:36,800
Speaker 9: Yeah, yeah, well said, Well, the time goes quickly. So

814
00:42:36,960 --> 00:42:38,800
thank you all three of you for joining us today.

815
00:42:39,119 --> 00:42:43,000
Thank you always wonderful to have you on. I do

816
00:42:43,159 --> 00:42:45,960
want to close out the show with one more song

817
00:42:46,079 --> 00:42:48,000
of yours. I'm going to give you a minute. You

818
00:42:48,039 --> 00:42:49,639
can take a minute to think about it though, because

819
00:42:49,679 --> 00:42:53,280
while you're thinking about that, Jenny, for listeners who don't know,

820
00:42:53,719 --> 00:42:58,599
you showed nothing. You showed up in John Oliver's show

821
00:42:59,360 --> 00:43:00,960
last week to night last weekend.

822
00:43:01,079 --> 00:43:03,320
Speaker 17: So I did with some other people that I have

823
00:43:03,559 --> 00:43:07,519
had the honor and privilege of fighting alongside of for

824
00:43:07,599 --> 00:43:10,079
the last number of years. Yeah, yeah, it was really

825
00:43:10,119 --> 00:43:12,000
exciting to be on John Oliver's show. If you haven't

826
00:43:12,000 --> 00:43:14,960
seen it, it's streaming on YouTube and you can also

827
00:43:15,079 --> 00:43:18,159
find it on Gencoffee dot com. Yes, E N N

828
00:43:18,320 --> 00:43:20,840
C O F f UI dot com. Keep up with

829
00:43:20,920 --> 00:43:22,320
all the good trouble I'm getting into.

830
00:43:22,519 --> 00:43:26,519
Speaker 9: Yeah, so congratulations on that. Thank you, absolutely absolutely, and

831
00:43:26,559 --> 00:43:28,159
I do want to thank everyone who joined us today.

832
00:43:28,159 --> 00:43:30,400
Of course Eric Pilcher and Charles Richardson who were with

833
00:43:30,519 --> 00:43:34,320
us in the second hour, and in the first hour

834
00:43:34,320 --> 00:43:37,239
of course we had Eleanor and Andre. Don't forget tonight

835
00:43:37,440 --> 00:43:43,840
at Terminus Underground. They've got vicesz inc, grim the acronym

836
00:43:44,119 --> 00:43:46,840
and Island of Alaska. That's going to be a great show.

837
00:43:47,280 --> 00:43:48,800
And Jenny, you and I are going to be there

838
00:43:49,119 --> 00:43:51,599
next Saturday on the eighth, on November eighth, We're going

839
00:43:51,679 --> 00:43:53,559
to be a Terminus Underground that night for that show.

840
00:43:53,840 --> 00:43:56,679
But we'll talk about that next week. We will, we will. Yeah,

841
00:43:56,760 --> 00:43:58,440
So lots lots of good stuff going on.

842
00:43:59,639 --> 00:44:01,360
Speaker 10: Thank you for remembering that I'm here.

843
00:44:01,440 --> 00:44:07,880
Speaker 9: Yes, of course, yes, I know. Where's the best place

844
00:44:07,880 --> 00:44:09,480
to go online for people to keep up with everything

845
00:44:09,559 --> 00:44:12,599
under the horizon is doing anywhere dot.

846
00:44:12,639 --> 00:44:17,880
Speaker 11: Org, Facebook, Instagram, literally any social media if you if

847
00:44:17,920 --> 00:44:20,599
you exist on the platform, we exist.

848
00:44:20,400 --> 00:44:22,159
Speaker 12: On your for you page outstands.

849
00:44:23,800 --> 00:44:27,159
Speaker 11: Yeah, you basically just load up any social media if

850
00:44:27,199 --> 00:44:28,960
you use websites.

851
00:44:28,440 --> 00:44:32,199
Speaker 10: Under the horizon dot org. We got all our gigs merch.

852
00:44:32,639 --> 00:44:34,960
Speaker 11: You know, our first album is on there for free

853
00:44:35,079 --> 00:44:37,400
listen and you can go on the Spotify from there

854
00:44:37,880 --> 00:44:38,320
listen to it.

855
00:44:38,400 --> 00:44:41,760
Speaker 10: From there. We got a little news part, you know,

856
00:44:41,960 --> 00:44:42,760
keep us updated.

857
00:44:44,079 --> 00:44:44,280
Speaker 9: Well.

858
00:44:45,079 --> 00:44:46,960
Speaker 10: We have a couple of live shows coming up.

859
00:44:47,079 --> 00:44:49,559
Speaker 9: We do when's the next show? Or mentioned the next

860
00:44:49,599 --> 00:44:50,400
couple if you want.

861
00:44:50,280 --> 00:44:52,960
Speaker 12: To, so the we only got a couple. We got

862
00:44:53,000 --> 00:44:54,760
a couple of shows left for the year. Here.

863
00:44:55,239 --> 00:44:58,159
Speaker 13: The next show we got is next Friday. We're going

864
00:44:58,239 --> 00:45:00,760
to be up at Rumors and Bitterford, Maine, which is

865
00:45:00,800 --> 00:45:03,480
a new venue that we've never played at. Cool, but

866
00:45:04,639 --> 00:45:08,800
we're doing that with our friends Scarecrow Hill Defined Perspective

867
00:45:09,079 --> 00:45:13,920
and Paradise is canceled. The next Friday, on the fourteenth,

868
00:45:14,000 --> 00:45:16,519
we're going to be at the Cannery in Southbridge, Mass

869
00:45:16,639 --> 00:45:21,079
with three Degrees. They're an amazing Maynor James keenan tribute band.

870
00:45:21,159 --> 00:45:23,800
Oh cool, so they do you know tool perfect Circle

871
00:45:23,880 --> 00:45:24,519
plus a furth.

872
00:45:24,599 --> 00:45:25,079
Speaker 12: They're great.

873
00:45:26,880 --> 00:45:29,239
Speaker 13: As we said, the fifteenth, we're going to be right

874
00:45:29,320 --> 00:45:34,000
here in Manchester City at the Jewel Nightclub. Yes, that's

875
00:45:34,039 --> 00:45:38,199
going to be an amazing show there and then sixteenth,

876
00:45:38,360 --> 00:45:40,440
it's not really a show, but we're going to be

877
00:45:40,519 --> 00:45:43,920
going to New England Music Awards because we got nominated

878
00:45:44,000 --> 00:45:45,199
for Metal Act Year.

879
00:45:45,320 --> 00:45:48,159
Speaker 9: Congratulations, excellent, excellent.

880
00:45:48,599 --> 00:45:51,760
Speaker 12: And then for the last show of the year.

881
00:45:51,800 --> 00:45:54,719
Speaker 13: If anyone who's listening is looking for a concert that's

882
00:45:54,760 --> 00:45:57,440
maybe a little bit different than the normal experience, uh,

883
00:45:57,920 --> 00:46:01,840
you can come see us December thirteenth and uh fall River.

884
00:46:02,239 --> 00:46:05,119
We're going to be doing a show with midget wrestling.

885
00:46:07,480 --> 00:46:09,079
Speaker 9: Is this is this with Loud entertainment?

886
00:46:09,159 --> 00:46:14,079
Speaker 13: This is loud, said loud and loud I attain. Yeah,

887
00:46:14,159 --> 00:46:17,639
so we do songs you see midget wrestling, metal and

888
00:46:17,719 --> 00:46:18,400
midget wrestling.

889
00:46:18,480 --> 00:46:19,679
Speaker 12: It's a great night. It's great.

890
00:46:19,840 --> 00:46:23,280
Speaker 13: It's so much fun, so much fun. So check out

891
00:46:23,320 --> 00:46:25,800
those who come see us live. We can't wait to

892
00:46:25,880 --> 00:46:29,960
see you guys in the pit. Outstanding, outstanding. And what

893
00:46:30,039 --> 00:46:31,280
are we going to play to end the show?

894
00:46:31,519 --> 00:46:32,199
Speaker 9: What do you want to go with?

895
00:46:32,480 --> 00:46:33,320
Speaker 14: Under the Horizon?

896
00:46:33,679 --> 00:46:37,960
Speaker 9: Under the Horizon? Very good, very good. We get that

897
00:46:38,199 --> 00:46:41,000
ready and uh yeah, thank you all, Thank you all

898
00:46:41,039 --> 00:46:43,880
again so much, thank you for having us here. Just

899
00:46:43,960 --> 00:46:46,280
waiting for the track to load up. I'm trying downloading

900
00:46:46,320 --> 00:46:50,239
it from uh Google Drive, and it's running a little slow,

901
00:46:50,760 --> 00:46:54,880
which is not because of any particular reason other than

902
00:46:54,920 --> 00:46:56,719
it does that once in a while. But here it

903
00:46:56,800 --> 00:46:59,760
comes okay. There it is under the horizon, under the horizon,

904
00:46:59,760 --> 00:47:02,559
b Hi, under the horizon. To close out this week's

905
00:47:02,559 --> 00:47:04,760
Matt Connor to Unleashed, Thanks everybody.

906
00:47:26,039 --> 00:47:28,039
Speaker 5: Son cost.

907
00:47:30,800 --> 00:47:40,880
Speaker 3: As, I think, what did you decide to go? Who

908
00:47:41,039 --> 00:47:42,360
even know about?

909
00:47:42,559 --> 00:47:49,079
Speaker 4: Does us loment.

910
00:47:50,960 --> 00:47:58,639
Speaker 5: The mind with the dust.

911
00:48:00,800 --> 00:48:03,079
Speaker 4: Its sting, not come.

912
00:48:06,480 --> 00:48:07,920
Speaker 15: Not I.

913
00:48:11,599 --> 00:48:36,920
Speaker 8: Just love and not very start. Yes the.

914
00:48:39,599 --> 00:48:52,679
Speaker 15: User consent you nothing, This just thesa. There's no no

915
00:48:53,119 --> 00:49:03,519
underworld in the area thing and that did hisschool.

916
00:49:03,119 --> 00:49:04,119
Speaker 8: Up the hall.

917
00:49:10,239 --> 00:49:12,920
Speaker 5: Man, it's no you still.

918
00:49:22,000 --> 00:49:24,400
Speaker 8: You have one? You want all?

919
00:49:26,519 --> 00:49:27,760
Speaker 4: I am long ago.

920
00:49:32,000 --> 00:49:35,639
Speaker 8: It's my hot an a.

921
00:50:17,880 --> 00:50:25,039
Speaker 4: First shop. You see anything?

922
00:50:27,639 --> 00:50:30,239
Speaker 5: What do you do the same with.

923
00:50:32,920 --> 00:50:44,280
Speaker 4: Those tap people? It is lieses.

924
00:50:42,800 --> 00:50:50,960
Speaker 8: You long you know to Holles you get the lie

925
00:50:52,800 --> 00:50:57,559
Speaker 4: Did hates