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<v Speaker 1>From Workhouse Connect and aj Benza fame. Uh, he'd liked

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<v Speaker 1>to be walked on a leash and play really dirty

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<v Speaker 1>kinky sex games. Is uh the guy put the cock

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<v Speaker 1>in the peacock network. Okay, bitch, Hey, everybody aj Benzi

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<v Speaker 1>here with fame is a bitch. This is your daily

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<v Speaker 1>Unfiltered podcast for July second, twenty twenty five oh seven

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<v Speaker 1>O two two oh two five two is a wild

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<v Speaker 1>can't believe it's July second, orready? I can't believe it

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<v Speaker 1>this weekend we're talking about fourth of July. Like I

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<v Speaker 1>kind of intimated on yesterday's show, it just doesn't feel

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<v Speaker 1>like Fourth of July when I'm out here, you know,

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<v Speaker 1>I just think about the old days on Long Island,

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<v Speaker 1>living in New York, and the fourth of July was

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<v Speaker 1>always a huge holiday for my family. My father's bird

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<v Speaker 1>days July fifth, so naturally the fourth of July that

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<v Speaker 1>weekend was always a big party for him, and we

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<v Speaker 1>had so many parties for him, and oh god, it

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<v Speaker 1>was just a different, different time. Before I continue, let

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<v Speaker 1>me just say listen if you want, if you want

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<v Speaker 1>to know what's going to happen in life in Hollywood,

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<v Speaker 1>just fucking listen to me. Tell your friends to listen

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<v Speaker 1>to me. I need more listeners. This is ridiculous. I

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<v Speaker 1>told you guys months ago that Elon Musk and Donald

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<v Speaker 1>Trump would eventually have a big falling out, and here

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<v Speaker 1>we are. Nobody believed it when he was up there

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<v Speaker 1>with a chainsaw running doge, which I love those moments too,

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<v Speaker 1>but I knew can't have these two men the way

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<v Speaker 1>they are. There's going to be a clash of the titans.

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<v Speaker 1>And I know Trump. He likes the spotlight. He doesn't

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<v Speaker 1>one bringing you into the spotlight, but the minute you

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<v Speaker 1>might get a little more light than he does, it's curtains.

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<v Speaker 1>And Elon Musk was getting too much like did know

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<v Speaker 1>how to play the part of the co pilot, the deputy,

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<v Speaker 1>You know what I mean. Donald Trump is the sheriff.

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<v Speaker 1>Elon Musk was playing the part of the deputy that

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<v Speaker 1>got too close. Maybe he held to Griff's keys too often.

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<v Speaker 1>You can't do that. You always gotta gracially bow away,

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<v Speaker 1>walk away, bow out. He's the man. It's the man.

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<v Speaker 1>You can't act like you're there too. You weren't elected.

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<v Speaker 1>Elon Musk. As much as I admire him and love

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<v Speaker 1>the fact that he bought Twitter and then did what

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<v Speaker 1>he did with Trump and the first one hundred days.

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<v Speaker 1>What have you. No, I have nothing bad to say

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<v Speaker 1>about it, but I knew there was going to be

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<v Speaker 1>a falling out and it's bad right now. I'll get

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<v Speaker 1>into more of that on politics as a bitch this weekend.

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<v Speaker 1>If you didn't hear last Sunday show, you're missing out.

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<v Speaker 1>You just are. You gotta. Like I said, there's more

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<v Speaker 1>crazy things, more dramatic things happening in politics than there

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<v Speaker 1>are in Hollywood. Don't worry. I don't get mired down

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<v Speaker 1>in the little fucking details of politics because I hate

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<v Speaker 1>that shit. I give you an overall view of everything,

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<v Speaker 1>and from a from a from a regular guy's perspective.

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<v Speaker 1>You know, I can't sit there and talk on these

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<v Speaker 1>paddles on Fox or seeing that I could. That's not

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<v Speaker 1>what I like to do. I'd like to give you

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<v Speaker 1>my vantage point, which is regular guys. You'll get it anyhow,

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<v Speaker 1>I was right. Let's continue with this story. Yeah, you know,

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<v Speaker 1>fourth of July weekend to me like Moorial Day, like

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<v Speaker 1>Labor Day. Those are those are such seminal moments in

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<v Speaker 1>my childhood and even my adulthood growing up on Long Island.

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<v Speaker 1>When I was younger, my cousin Anthony CONIGLIONI not really

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<v Speaker 1>a cousin. We lived in the same apartment building in Bensonhurst, Brooklyn.

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<v Speaker 1>My grandmother was the landlord because she owned two brownstone

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<v Speaker 1>in Brooklyn. I don't ask me how a woman comes

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<v Speaker 1>from Italy, speaking very little English and ends up owning

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<v Speaker 1>two beautiful brownstones in Brooklyn, but she did. And before

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<v Speaker 1>she died she stopped doing that. And you know, she

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<v Speaker 1>didn't want to be a landlord anymore. So she turned

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<v Speaker 1>it over, not to her sons, because my uncle Liar

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<v Speaker 1>was too busy becoming a doctor. My uncle Philly was

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<v Speaker 1>too busy. My father was a cop. He had no

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<v Speaker 1>time to be So she appealed to the lawyer down

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<v Speaker 1>the hole, Carline Kniglione, great guy, great family, and he

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<v Speaker 1>took it over. Man, those fucking brownstones would be worth millions. Now.

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<v Speaker 1>God bless grandmothers like that, right, They come over from

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<v Speaker 1>the old country and they just figure shit out. Oh

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<v Speaker 1>my god, just doing menial things like making pasta for

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<v Speaker 1>the mafia, you know, gardening, making rock walls. She was

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<v Speaker 1>a great seamstress, as I've told you, but and then

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<v Speaker 1>to do something so magnificent, owning buildings, owning real estate. Man,

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<v Speaker 1>I wish I had that kind of business sense. I

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<v Speaker 1>just don't. Anyhow, KENNIGLIONI had his son, two sons, Robert

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<v Speaker 1>and Anthony, and his daughter Sally. It great friends of

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<v Speaker 1>ours lived down the hall. Anthony was my age, is

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<v Speaker 1>my age. He went. As he got older, he went

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<v Speaker 1>to work on Wall Street, made a ton of money.

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<v Speaker 1>And after I left college and didn't want to jump

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<v Speaker 1>to some other city to become a journalist in Alabama

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<v Speaker 1>or Jersey or Baltimore. I was looking for money. He

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<v Speaker 1>invited me up to where he worked. I think it

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<v Speaker 1>was Merrill Lynch. I knew nothing about money, and stops.

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<v Speaker 1>I still don't, can't be bothered. He goes, come in.

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<v Speaker 1>You know, maybe I get your job here. So I

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<v Speaker 1>went there to meet them. I put a nice suit on.

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<v Speaker 1>I went to meet the people I'm talking about. It

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<v Speaker 1>might as well have been shiny arithmetic. The shit that

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<v Speaker 1>was going on in that office, the screaming, be yelling

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<v Speaker 1>to ticker tate, the numbers, the stock fry. You might

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<v Speaker 1>as well have put me on Pluto, I said Anthony.

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<v Speaker 1>I can't do this. Meanwhile, he's got one hundred thousand

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<v Speaker 1>dollars bonuses for Christmas. This is thirty years ago. Anyhow,

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<v Speaker 1>Anthony would come over every new every Fourth of July

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<v Speaker 1>holiday with a big box of fireworks from Brooklyn. There's

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<v Speaker 1>always a guy in the neighborhood who walks, who drives around.

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<v Speaker 1>Go hey, yo, how you doing. You want some fireworks

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<v Speaker 1>for the holiday? Come here, come close. I got some

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<v Speaker 1>great stuff for the trunk, you know, and you go

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<v Speaker 1>over and look at it. You want match? I got

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<v Speaker 1>black Jack, I got pirates, I got the silver jets,

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<v Speaker 1>I got the bottle rockets. And Anthony would come over

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<v Speaker 1>with a big box of fireworks and he bring it

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<v Speaker 1>over me him, my cousin, Philly Mittera, my neighbors, Richie Tissula,

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<v Speaker 1>Peter Descoli, Perry Underhill, and we light fireworks all day

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<v Speaker 1>while the grown ups frorem backyard, having food and going

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<v Speaker 1>to the pool. Music was playing and it was just

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<v Speaker 1>a great time. And at night everybody would come outside

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<v Speaker 1>and watch us through the beautiful rockets at night, and

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<v Speaker 1>we looked across from the school, so everything we lit

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<v Speaker 1>would fall into the school yard and we'd go pick

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<v Speaker 1>it up. Our father's insisted, when you're done, you go

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<v Speaker 1>pick it up. If it looks like it didn't explode,

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<v Speaker 1>kick it with your foot, don't. I don't want to

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<v Speaker 1>fucking lose a finger. Don't let you lose a finger.

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<v Speaker 1>I'm not going to the yar tonight, you know. Kick

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<v Speaker 1>it away. Such a great time. Always fights on Fourth

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<v Speaker 1>of July weekend. Always arguments with neighbors. One year, my

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<v Speaker 1>brother in law, Frankie's father, Nick Mattera, was all a

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<v Speaker 1>big white Cadillac, always the Cadillac with the pool queue

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<v Speaker 1>in the back. His son Philly, a year older than me.

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<v Speaker 1>He was a wrestler, high school state champ. Everything, toughest nails,

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<v Speaker 1>Nikki PAULI, just tough brothers. We see this kid crouching

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<v Speaker 1>behind Nick's catalet. Looks like he was letting air out

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<v Speaker 1>of the tire and he was, so we follow him

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<v Speaker 1>down the street. It's this kid called George Schmidt. Looked

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<v Speaker 1>about fifteen houses down on Marinerths Circle. We run back

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<v Speaker 1>in the backyard, tell my father, Philly's father, this father,

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<v Speaker 1>that father, Hey, George Schmidt was letting air out of

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<v Speaker 1>the car at the attire. Yeah, where's he lived? Come?

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<v Speaker 1>In and we take him down the street. George Smith's

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<v Speaker 1>father was six foot five, big coal fireman. I think

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<v Speaker 1>it was a captain even not volunteer New York City

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<v Speaker 1>firem A tough guy. My father and Philly's father. Nick

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<v Speaker 1>goes over there, bang bang bang on the door. Can

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<v Speaker 1>I help you? Yeah, gosh, this is how it bends

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<v Speaker 1>down the street. Yeah, how are you doing now? This

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<v Speaker 1>is my my friend Nick Mttera, our son. Say that

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<v Speaker 1>your son was letting the out of the tires out

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<v Speaker 1>of his cadillact. No, no, my son would never do that. Well,

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<v Speaker 1>you know he did it, George. So maybe we should

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<v Speaker 1>talk to him together and figure out what we're gonna do.

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<v Speaker 1>What do you mean by that? You don't have gonna

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<v Speaker 1>do shit? Oh, forget about it. Nick says to him,

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<v Speaker 1>how tall are you? Cock? Sucker? He says, I'm six

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<v Speaker 1>foot five, you fucking runt. And Nick says, I didn't

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<v Speaker 1>know shit piled that high, opened the door, was gonna

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<v Speaker 1>run in the fucking the hallway this guy's house and

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<v Speaker 1>beat the shit out of him. Of course he put

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<v Speaker 1>his hands. Hey, whoa, whoa, whoa Wait, contact, come and

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<v Speaker 1>get myself, George, George, you commit did you do it? Yeah?

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<v Speaker 1>I did. Guys. I'm sorry. I'm gonna discipline him right now.

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<v Speaker 1>He shuts the door hard. A few years later, my

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<v Speaker 1>father turned fifty years old. Big party in the backyard.

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<v Speaker 1>I tell you the story. A couple of kids, kids,

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<v Speaker 1>twenty one twenty two year old guys are blowing fireworks off.

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<v Speaker 1>My nephew Jackie was a baby sleeping and the fireworks

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<v Speaker 1>were loud, and I uh, as a kid, I said, hey,

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<v Speaker 1>get out, guys. Can you walk down the street and

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<v Speaker 1>do little Maybe do it behind the school. Hey, go inside, kid,

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<v Speaker 1>Just treat me like I was nobody. So I go

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<v Speaker 1>to the back dad. You know, my uncle's my neighbor,

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<v Speaker 1>Bill Rizida. All these tough guys. Listen these guys, they say,

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<v Speaker 1>go fuck yourself. They're gonna blow fog. Oh yeah, really.

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<v Speaker 1>My brother in law, Jack was brushing his teeth. He

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<v Speaker 1>had the toothbrush in his mouth. Frankie was wearing big

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<v Speaker 1>platform heels because that was the style back then. And

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<v Speaker 1>they run out to the front yard. Jack has bare

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<v Speaker 1>feet with a toothbrush in his mouth in his hand.

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<v Speaker 1>Frankie's got the platform shoes. My father's got a sandwich

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<v Speaker 1>in his left hand, and they unload on these two

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<v Speaker 1>guys and they and these guys were not small, ye,

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<v Speaker 1>but they were tough kids. Twenty two, twenty one years old,

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<v Speaker 1>beat the shit out of them. I climbed the tree

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<v Speaker 1>in my house and looked down on it, and I

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<v Speaker 1>was almost crying because it was I couldn't believe what

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<v Speaker 1>I was seeing this the cuffs. Frankie was throwing kung

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<v Speaker 1>fu kiss because he was a black belt. He knocked

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<v Speaker 1>his heel off, his shoe. Jack stepped on a broken bottle,

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<v Speaker 1>ripped his heel up. We beat. They beat these guys

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<v Speaker 1>so bad they left. They came back. The cops came

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<v Speaker 1>toward door. My father let them in. They knew he

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<v Speaker 1>was on the job at one point, so they were

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<v Speaker 1>nice to my father. The kids come in with the

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<v Speaker 1>black eyes, the swollen heads, and knots on their head.

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<v Speaker 1>I mean figure, they looked awful. My family had no

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<v Speaker 1>mocks on their body and uh cops said, okay, you know, listen,

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<v Speaker 1>you did what you have to do. These guys should

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<v Speaker 1>they threw the first punch. That kind of shit. My

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<v Speaker 1>family got away with it. Two years later, that guy

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<v Speaker 1>blows his head off in his house around the corner

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<v Speaker 1>of the shop. Crazy stuff always happened around four pagely

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<v Speaker 1>in my family, this fight crazy stuff. People ask me Aki,

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<v Speaker 1>why it's always talking about violent I don't know. I

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<v Speaker 1>was brought up around it. I was always around it.

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<v Speaker 1>It was almost romantic. I hate to say that. But

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<v Speaker 1>to see your father throw punches, your brothers throw punches

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<v Speaker 1>and kicks, and then celebrate, I don't know, not for nothing,

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<v Speaker 1>but those guys were the sweetest men you could find.

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<v Speaker 1>And they'd rescue puppies. They'd treated my sisters like golden.

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<v Speaker 1>But don't make them med, don't make them mad. It's over.

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<v Speaker 1>You've been warned. Speaking of fistes. I thought I was

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<v Speaker 1>gonna talk about Jane Mansfield today, but I'll save that

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<v Speaker 1>for tomorrow. This ELF is something else I want to

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<v Speaker 1>talk about tomorrow. I'm very, very sad about this. I'll

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<v Speaker 1>get into it tomorrow. But the hotel I used to

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<v Speaker 1>stay at when I was first beginning to see Andrea

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00:12:52.600 --> 00:12:57.039
<v Speaker 1>was on the California Nevada border. There's those three hotels.

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<v Speaker 1>If anybody knows, Whiskey Peats, Buffalo Bills, and prim Valley.

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<v Speaker 1>They were all together. If you're drive them from LA

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<v Speaker 1>to Vegas. You always feel good because you see those casinos.

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<v Speaker 1>You know you're close to the strip, maybe forty minutes away.

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<v Speaker 1>And I would stay there for weeks and weeks and

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<v Speaker 1>weeks at a time. I know all the people, the

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<v Speaker 1>girls behind a desk, the bartenders, the guys who ran

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<v Speaker 1>the crap table, your name, I knew everybody. It was cheap.

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<v Speaker 1>It was like seventy five dollars a night, so it

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<v Speaker 1>was great to stay there. There was a Denny's in there,

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<v Speaker 1>you know. It was like they were shopping at the

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<v Speaker 1>Prim Valley casino. You can go downstairs with a big mall.

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<v Speaker 1>Then it slowly began to get empty. COVID happened, and

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<v Speaker 1>then all of a sudden, Prim Valley shut down. Just

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<v Speaker 1>the mall was open downstairs, but it was like desserted.

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<v Speaker 1>It was scary. It was a bath and body where

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<v Speaker 1>it's I get candles down there. There was nothing else

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<v Speaker 1>going on. Whiskey pets. You see a lot of old

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<v Speaker 1>people gambling their social security. It's kind of sad, you know.

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<v Speaker 1>I stayed there many times too. And there was this

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<v Speaker 1>black girl behind the window. Her name was Vantage, Hey Vantage,

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00:14:08.120 --> 00:14:12.879
<v Speaker 1>big old black girl, maybe twenty five, twenty six very nice.

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<v Speaker 1>I started to be sweet to her, and every time

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00:14:15.679 --> 00:14:19.159
<v Speaker 1>she would check me in, I gave her a twenty

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00:14:19.200 --> 00:14:22.279
<v Speaker 1>dollars because I like to get the good room. I

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00:14:22.320 --> 00:14:24.399
<v Speaker 1>had a dog with me, I had toutsy with me.

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00:14:24.559 --> 00:14:28.240
<v Speaker 1>They technically didn't allow dogs, you know what I mean,

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00:14:28.600 --> 00:14:30.799
<v Speaker 1>only on the first floor. That kind of bullshit. But

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00:14:31.159 --> 00:14:35.039
<v Speaker 1>Fantasia always found me a good room. Up above. There's

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00:14:35.039 --> 00:14:38.720
<v Speaker 1>a big roller coaster there that Andrea would take her

248
00:14:38.759 --> 00:14:43.320
<v Speaker 1>son to many times. It's a roller coaster that goes

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00:14:43.360 --> 00:14:47.039
<v Speaker 1>through the goddamn casino and outside, no, I'm sorry, the

250
00:14:47.120 --> 00:14:49.840
<v Speaker 1>roller coaster goes around casino, but inside there was a

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00:14:49.879 --> 00:14:52.399
<v Speaker 1>log flume ride that went through the casino. It was

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00:14:52.399 --> 00:14:58.840
<v Speaker 1>a big thing. Kids loved it. Shit it's closed that

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<v Speaker 1>they closed with Keep Peach closed in December of last year,

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<v Speaker 1>and yesterday I read that Buffalo Bill's no more. They're

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00:15:06.799 --> 00:15:09.480
<v Speaker 1>gonna keep the casino no more room. She can't stay there.

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<v Speaker 1>July seventh is the last day you could stay there.

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<v Speaker 1>I almost wanted to go just for old time's sake,

258
00:15:15.279 --> 00:15:18.159
<v Speaker 1>you know, I don't think they'd like to have me.

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<v Speaker 1>Last time I was there, I went to the kitchen

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<v Speaker 1>at Danny because they weren't getting my ice cream sandwich

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00:15:22.039 --> 00:15:24.559
<v Speaker 1>ice cream Sunday on time. And I took to see

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<v Speaker 1>in the kitchen and I made my own Sunday. The

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<v Speaker 1>guy goes, what are you doing? I said, I'm not

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<v Speaker 1>waiting twenty five minutes for a fucking vanilla Sunday. I'm

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00:15:33.000 --> 00:15:35.799
<v Speaker 1>making it myself. You can't be and here you gotta go.

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<v Speaker 1>Of course security came. They liked me. Security was agu

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<v Speaker 1>I said, I can't wait a half hour for fucking

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00:15:41.279 --> 00:15:45.559
<v Speaker 1>ice cream Sunday. They were laughing. But I don't. But

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00:15:45.639 --> 00:15:47.080
<v Speaker 1>the don't want to see me no more. But either way,

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00:15:47.080 --> 00:15:50.000
<v Speaker 1>it said. And then I saw a video somebody made.

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<v Speaker 1>I wanted a copy and paste that had put it

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00:15:51.759 --> 00:15:53.360
<v Speaker 1>on the page, but I couldn't do it. It was a

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00:15:55.000 --> 00:15:59.759
<v Speaker 1>video of that log flume that went through the casino.

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<v Speaker 1>There was all these people that like dummies that were

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00:16:03.000 --> 00:16:09.360
<v Speaker 1>set up like with dynamite, and there were bushes. It

276
00:16:09.440 --> 00:16:12.039
<v Speaker 1>was like a like an old gold rush kind of scene,

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00:16:12.080 --> 00:16:14.240
<v Speaker 1>you know what I mean. And all these dummies were

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00:16:14.279 --> 00:16:18.440
<v Speaker 1>around this casino floor where the ride was, and somebody

279
00:16:18.480 --> 00:16:22.039
<v Speaker 1>made a video of all those images and they put

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00:16:22.080 --> 00:16:27.519
<v Speaker 1>the song. All around me are familiar faces one up place,

281
00:16:28.240 --> 00:16:32.240
<v Speaker 1>you know, mad world. It was so sad. Got me

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00:16:32.279 --> 00:16:36.240
<v Speaker 1>in the chess man anyhow. That's that. But let's stick

283
00:16:36.320 --> 00:16:41.200
<v Speaker 1>with fistfights. And who better to talk about? Because I

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00:16:41.240 --> 00:16:45.759
<v Speaker 1>was thinking about Frank Sinatra, And you know Frank was

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00:16:46.039 --> 00:16:48.639
<v Speaker 1>you know, one hundred and thirty five pounds, soaking wet.

286
00:16:48.679 --> 00:16:51.559
<v Speaker 1>He wasn't a big guy. Of course, he got older,

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00:16:52.600 --> 00:16:55.039
<v Speaker 1>he thickened out, but he was always his skinny bones

288
00:16:55.080 --> 00:16:56.919
<v Speaker 1>got out and they called them bones when he first

289
00:16:56.919 --> 00:16:59.960
<v Speaker 1>started singing. And there are people will tell you Frank,

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00:17:00.000 --> 00:17:02.039
<v Speaker 1>it's a tough guy. He was a tough guy because

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00:17:02.080 --> 00:17:04.400
<v Speaker 1>he had goons all around him, but him on his own,

292
00:17:05.160 --> 00:17:08.119
<v Speaker 1>not really. You know, you could throw a few punches.

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00:17:08.160 --> 00:17:11.440
<v Speaker 1>He had some fast hands, but you know, many other

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00:17:11.480 --> 00:17:13.880
<v Speaker 1>people strumming in Frank. The problem was do you want

295
00:17:13.920 --> 00:17:16.480
<v Speaker 1>to hit him? Because he was so powerful that the

296
00:17:16.519 --> 00:17:19.599
<v Speaker 1>next fight wasn't going to be against him. He was

297
00:17:19.640 --> 00:17:22.079
<v Speaker 1>going to be against some goons or worst comes to work,

298
00:17:22.160 --> 00:17:26.240
<v Speaker 1>some mobsters who were behind him. But I remember this

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00:17:26.319 --> 00:17:29.519
<v Speaker 1>story back in like nineteen fifty seven, fifty eight. I

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00:17:29.559 --> 00:17:33.720
<v Speaker 1>want to say, Natalie Wood, who was so beautiful, she

301
00:17:33.839 --> 00:17:40.319
<v Speaker 1>had walked by his table at a place in Beverly

302
00:17:40.400 --> 00:17:43.720
<v Speaker 1>Hills called Romanovs, which was a huge spot for a while,

303
00:17:44.279 --> 00:17:49.119
<v Speaker 1>and Frank apparently made this crude comment about the way

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00:17:49.200 --> 00:17:52.839
<v Speaker 1>she looked, the way she walked, whatever, And without a

305
00:17:52.880 --> 00:17:56.400
<v Speaker 1>moment's hesitation, Natalie Wood turns around, walks straight back to

306
00:17:56.440 --> 00:17:59.799
<v Speaker 1>Frank's table and smacks him across the face. Everybody saw,

307
00:18:00.240 --> 00:18:05.039
<v Speaker 1>and it's a completely a less crowd. You could hear

308
00:18:05.039 --> 00:18:09.880
<v Speaker 1>the sound off her hand across his cheek. It stopped

309
00:18:09.880 --> 00:18:15.000
<v Speaker 1>people from talking. It stopped everybody from talking. And suddenly

310
00:18:15.079 --> 00:18:18.920
<v Speaker 1>Frank wasn't smiling anymore. And Natalie Wood didn't say a word.

311
00:18:19.000 --> 00:18:22.160
<v Speaker 1>She just stared at him, and then she pivoted, turned

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00:18:22.200 --> 00:18:26.039
<v Speaker 1>away and walked like nothing happened. You're not gonna read

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00:18:26.039 --> 00:18:28.799
<v Speaker 1>about that in the newspapers, all right. No one wrote

314
00:18:28.799 --> 00:18:31.000
<v Speaker 1>about it, but it became a big story around Hollywood.

315
00:18:31.000 --> 00:18:34.559
<v Speaker 1>Everybody in Hollywood do because Romanovs was not some little

316
00:18:34.720 --> 00:18:37.279
<v Speaker 1>restaurant that no one knew about. It was a big

317
00:18:37.400 --> 00:18:41.559
<v Speaker 1>playground for very powerful people, actors, producer's studio bosses, you

318
00:18:41.640 --> 00:18:45.119
<v Speaker 1>name it. And at this point fifty eight, Frank was untouchable.

319
00:18:45.920 --> 00:18:48.759
<v Speaker 1>He had a Grammy under his belt. From here to

320
00:18:48.839 --> 00:18:52.880
<v Speaker 1>returnity with the Oscar. Forget about it. He commanded every

321
00:18:52.960 --> 00:18:56.359
<v Speaker 1>room he walked into, as you can imagine, you know,

322
00:18:56.400 --> 00:19:00.720
<v Speaker 1>if he wanted, his word could make or break people careers.

323
00:19:01.920 --> 00:19:05.960
<v Speaker 1>But in one moment, Natalie Wood threw her line in

324
00:19:06.000 --> 00:19:09.960
<v Speaker 1>the sand. Bang and this is a kid who grew

325
00:19:10.039 --> 00:19:12.640
<v Speaker 1>up in the studio system. Don't forget. By the age

326
00:19:12.680 --> 00:19:14.920
<v Speaker 1>of ten years old, she was already working with usin

327
00:19:14.960 --> 00:19:18.440
<v Speaker 1>walls on the movie Miracle on thirty four Streets. She

328
00:19:18.839 --> 00:19:23.599
<v Speaker 1>started that she worked with arsin walls. Before that, Hollywood

329
00:19:23.839 --> 00:19:28.799
<v Speaker 1>treated like this little delicate doll, you know. And by

330
00:19:28.839 --> 00:19:31.359
<v Speaker 1>the time the late fifties came around, she'd been with

331
00:19:31.480 --> 00:19:35.400
<v Speaker 1>James Dean and rebeled out a cause she really was

332
00:19:35.440 --> 00:19:37.599
<v Speaker 1>making her bones. And people knew this is a woman

333
00:19:37.640 --> 00:19:40.720
<v Speaker 1>that's not going to be reckoned, but she's good. And

334
00:19:40.799 --> 00:19:46.200
<v Speaker 1>people around that situation then they noticed a shift, so

335
00:19:46.279 --> 00:19:50.640
<v Speaker 1>to speak. There's certain moments in time, whether it's Hollywood

336
00:19:50.720 --> 00:19:54.359
<v Speaker 1>or what have you, where there's a shift. And when

337
00:19:54.359 --> 00:19:58.759
<v Speaker 1>she smacked Frank in public, that was a noticeable shift.

338
00:20:00.559 --> 00:20:05.160
<v Speaker 1>You know, people saw this and you know it wasn't

339
00:20:05.240 --> 00:20:11.119
<v Speaker 1>just an outburst. It was her expressing herself that as

340
00:20:11.160 --> 00:20:13.960
<v Speaker 1>a woman, I'm not gonna be treated that way, no

341
00:20:14.000 --> 00:20:19.039
<v Speaker 1>matter who you are. And everybody who was friends with

342
00:20:19.160 --> 00:20:22.799
<v Speaker 1>Frank thought there'd be a big backlash, you know, because

343
00:20:22.799 --> 00:20:26.400
<v Speaker 1>Frank was famous for holding grudges and using his power

344
00:20:26.480 --> 00:20:31.119
<v Speaker 1>to shut people down in the industry. Anybody who crossed

345
00:20:31.160 --> 00:20:38.240
<v Speaker 1>him got fucked up. But something really weird happened. Frank

346
00:20:38.359 --> 00:20:42.200
<v Speaker 1>leaned back in his chair after being shocked that she

347
00:20:42.279 --> 00:20:46.720
<v Speaker 1>did what she did, and he said to his friends

348
00:20:46.759 --> 00:20:50.519
<v Speaker 1>around the table, she's got balls. That kid's gonna last.

349
00:20:51.400 --> 00:20:54.960
<v Speaker 1>And he never brought up the incident again, never showed

350
00:20:55.000 --> 00:20:59.440
<v Speaker 1>any public resentment toward her. In fact, people think he

351
00:21:00.119 --> 00:21:04.000
<v Speaker 1>had a very quiet respect for her moving forward. But

352
00:21:04.119 --> 00:21:08.200
<v Speaker 1>within days, you know, that story made its way around town,

353
00:21:08.640 --> 00:21:11.319
<v Speaker 1>as is often the case in Hollywood. I mean shit,

354
00:21:11.359 --> 00:21:13.279
<v Speaker 1>when I got thrown out of a bar and made

355
00:21:13.279 --> 00:21:17.039
<v Speaker 1>the rounds and Hollywood, I got dropped by my agency

356
00:21:17.039 --> 00:21:18.839
<v Speaker 1>because I was having too many fights in bars. It

357
00:21:18.839 --> 00:21:20.839
<v Speaker 1>with a different world back then, you can have these

358
00:21:20.920 --> 00:21:27.640
<v Speaker 1>dust ups and nothing happened. Hollywood got so soft anyhow, whatever,

359
00:21:28.640 --> 00:21:32.039
<v Speaker 1>But makeup artists knew about this. People and the lot,

360
00:21:32.880 --> 00:21:37.279
<v Speaker 1>all the different lots knew about it, and suddenly Natalie

361
00:21:37.279 --> 00:21:40.599
<v Speaker 1>Wood's name had a different kind of weight to it.

362
00:21:41.559 --> 00:21:45.960
<v Speaker 1>She was still a beautiful woman, still a marquee star,

363
00:21:46.920 --> 00:21:49.839
<v Speaker 1>but now people are looking at her as, hey, this

364
00:21:49.880 --> 00:21:53.000
<v Speaker 1>is someone who doesn't give a shit about Hollywood's unsmoking rules.

365
00:21:53.039 --> 00:21:56.920
<v Speaker 1>She'll do what she wants to do. People praised her

366
00:21:57.559 --> 00:22:01.400
<v Speaker 1>because they all many women went through similar situations like

367
00:22:01.440 --> 00:22:03.880
<v Speaker 1>that but didn't have the balls to do what she did.

368
00:22:05.359 --> 00:22:07.880
<v Speaker 1>They dreamed of it, but they couldn't pull the trigger.

369
00:22:08.000 --> 00:22:11.119
<v Speaker 1>Natalie pulled the trigger. That's why I never believed the

370
00:22:11.240 --> 00:22:15.359
<v Speaker 1>story of Kirk Douglas raping her when her mother dropped

371
00:22:15.359 --> 00:22:17.400
<v Speaker 1>her off for an addition or for a meeting with

372
00:22:17.480 --> 00:22:20.039
<v Speaker 1>him at the Chateau Marmond, and her sister was in

373
00:22:20.039 --> 00:22:23.480
<v Speaker 1>the car and tells his fucking story. Every year, on

374
00:22:23.559 --> 00:22:26.680
<v Speaker 1>the anniversary of Natalie's death, her sister tells the story

375
00:22:26.839 --> 00:22:30.400
<v Speaker 1>and expects sympathitions on all the TV shows to get

376
00:22:30.440 --> 00:22:33.960
<v Speaker 1>some money. It didn't happen. Kirk Douglas didn't rape Natalie

377
00:22:33.960 --> 00:22:40.680
<v Speaker 1>would but you know, never spoke about it in a

378
00:22:40.759 --> 00:22:43.680
<v Speaker 1>magazine interview, never spoke about it on a television interview,

379
00:22:44.279 --> 00:22:47.920
<v Speaker 1>just kept it very quiet. That was her style. And

380
00:22:47.960 --> 00:22:52.079
<v Speaker 1>you got Sinatra, who's surrounded by power and fame, and

381
00:22:52.240 --> 00:22:58.400
<v Speaker 1>this is little woman, younger, smaller, and actually lower on

382
00:22:58.440 --> 00:23:02.799
<v Speaker 1>the industry's pecking order because that matters in Hollywood. And

383
00:23:03.119 --> 00:23:07.240
<v Speaker 1>he didn't forget it. He didn't forget it. And you know,

384
00:23:07.880 --> 00:23:10.319
<v Speaker 1>later on in life he told friends that I know

385
00:23:10.440 --> 00:23:13.400
<v Speaker 1>that slap she gave me. He wasn't about revenge. It

386
00:23:13.519 --> 00:23:19.279
<v Speaker 1>was about her trying to reclaim control in this industry

387
00:23:20.640 --> 00:23:26.599
<v Speaker 1>that pretty much always demanded stars to be obedient, especially women.

388
00:23:28.920 --> 00:23:34.480
<v Speaker 1>You know, women had to be perfect. Natalie didn't yell,

389
00:23:34.680 --> 00:23:39.160
<v Speaker 1>she didn't argue, she walked away. Everybody in the room

390
00:23:39.240 --> 00:23:45.960
<v Speaker 1>was watching her. Nobody followed her, and that was more

391
00:23:46.000 --> 00:23:50.400
<v Speaker 1>powerful than any speech she might have given. So I

392
00:23:50.400 --> 00:23:51.880
<v Speaker 1>don't know how many people know about that sort, but

393
00:23:51.920 --> 00:23:57.799
<v Speaker 1>it's a great story because Frank was hit and beat up,

394
00:23:59.119 --> 00:24:01.920
<v Speaker 1>well I beat up, but he was messed with several

395
00:24:01.960 --> 00:24:04.680
<v Speaker 1>times that those stories were kind of hidden, But I

396
00:24:04.799 --> 00:24:06.200
<v Speaker 1>tell you this, there's a few of them. I know.

397
00:24:06.759 --> 00:24:11.319
<v Speaker 1>I know Lee Marvin punched Frank out one night at

398
00:24:11.319 --> 00:24:13.279
<v Speaker 1>a party because Frank was hitting on a woman. Lee

399
00:24:13.319 --> 00:24:15.319
<v Speaker 1>Marvin was with Lee Marlin was on the balcony smuff

400
00:24:15.319 --> 00:24:17.839
<v Speaker 1>and a cigarette comes back and Frank's leaning on his girl,

401
00:24:18.039 --> 00:24:22.680
<v Speaker 1>and Lee s loved him, noted Frank down once. But

402
00:24:22.839 --> 00:24:26.480
<v Speaker 1>there was one big story. Frank was punched in the

403
00:24:26.519 --> 00:24:29.519
<v Speaker 1>face by a guy named Carl Cohen. Carl Cohen was

404
00:24:29.960 --> 00:24:33.359
<v Speaker 1>a vice president at the Sands Hotel. This is in

405
00:24:33.440 --> 00:24:39.039
<v Speaker 1>the mid sixties, late sixties. Sinatra was into gambling, very

406
00:24:39.079 --> 00:24:43.759
<v Speaker 1>much so, and he flipped over a table onto Carl Cohen,

407
00:24:44.799 --> 00:24:48.160
<v Speaker 1>and Cohen punched the shad of him, just knocked him out.

408
00:24:49.759 --> 00:24:52.400
<v Speaker 1>Noted two teeth out of Frank's mount, two caps out

409
00:24:52.400 --> 00:24:56.319
<v Speaker 1>of his mouth on the carpet. Because what happened was,

410
00:24:57.839 --> 00:25:00.880
<v Speaker 1>you know, there was money that Sinatra had earned for,

411
00:25:01.200 --> 00:25:03.599
<v Speaker 1>you know, for all these different casinos in Las Vegas,

412
00:25:03.640 --> 00:25:07.480
<v Speaker 1>and he was always giving preferential treatment as soon as

413
00:25:07.480 --> 00:25:11.400
<v Speaker 1>he showed up right and on top of being given

414
00:25:11.440 --> 00:25:14.880
<v Speaker 1>the best gambling spots in the house, he also you know,

415
00:25:14.960 --> 00:25:20.119
<v Speaker 1>would get free food, free liquor, which is a combustible situation.

416
00:25:21.480 --> 00:25:25.599
<v Speaker 1>But you know, when he shut up, everybody picked their

417
00:25:25.640 --> 00:25:27.799
<v Speaker 1>head up and got ready to Frank's in the house.

418
00:25:29.480 --> 00:25:31.880
<v Speaker 1>And when he came, he'd always show up and throw

419
00:25:31.920 --> 00:25:35.400
<v Speaker 1>thousands of dollars to all these different people casino chips.

420
00:25:35.400 --> 00:25:38.200
<v Speaker 1>He'd pay people just for opening the door fro him,

421
00:25:38.920 --> 00:25:41.680
<v Speaker 1>bringing him an ashtray, whatever it was. You get fifty,

422
00:25:41.680 --> 00:25:43.799
<v Speaker 1>you get one hundred. Matter of fact, it got to

423
00:25:43.799 --> 00:25:45.519
<v Speaker 1>the point where he was so cool that he didn't

424
00:25:45.519 --> 00:25:48.440
<v Speaker 1>even do the tipping. His buddy did it. He would say,

425
00:25:48.519 --> 00:25:53.559
<v Speaker 1>duke him, Jilly, Jilly Rizzo, dukem, Jilly, duke him. And

426
00:25:53.599 --> 00:25:57.079
<v Speaker 1>I gotta be honest, it sounds ridiculous, but when I

427
00:25:57.119 --> 00:26:00.359
<v Speaker 1>got to be not famous, but when I got to

428
00:26:00.359 --> 00:26:02.119
<v Speaker 1>be a little high in the hog in my own life,

429
00:26:03.000 --> 00:26:04.839
<v Speaker 1>I would run around with Chico and I make Chico

430
00:26:04.960 --> 00:26:07.839
<v Speaker 1>to the tipping. I know it's so stupid, but you

431
00:26:07.880 --> 00:26:09.839
<v Speaker 1>get out, you get older, you start thinking about your

432
00:26:09.880 --> 00:26:12.039
<v Speaker 1>idols and you want to do what they did. You know,

433
00:26:12.759 --> 00:26:18.160
<v Speaker 1>Chico duke them, dukem. I know it's stupid, but so

434
00:26:18.279 --> 00:26:21.680
<v Speaker 1>Frank was given like fifty thousand dollars worth of gambling chips,

435
00:26:22.119 --> 00:26:26.319
<v Speaker 1>and they just would hand the money when he shut up,

436
00:26:27.319 --> 00:26:31.240
<v Speaker 1>and he would play with that money. But as the

437
00:26:31.319 --> 00:26:35.400
<v Speaker 1>years rolled on, the people in charge of these casinos

438
00:26:37.400 --> 00:26:41.359
<v Speaker 1>didn't like it, because Frank wasn't as respected as he

439
00:26:41.480 --> 00:26:46.839
<v Speaker 1>used to be. Paul Anka wrote in a book, he

440
00:26:46.880 --> 00:26:49.400
<v Speaker 1>said in the late sixties when the billionaire Howard Used

441
00:26:49.440 --> 00:26:53.279
<v Speaker 1>started buying up all the casinos, this this perk came

442
00:26:53.400 --> 00:26:57.279
<v Speaker 1>to an abrupt halt. Howard Used was jealous of Frank.

443
00:26:58.359 --> 00:27:02.119
<v Speaker 1>They were after the same women, and Frank didn't like that,

444
00:27:02.839 --> 00:27:06.319
<v Speaker 1>and he would complain to the biggest people he could

445
00:27:06.359 --> 00:27:09.519
<v Speaker 1>find at these different casinos, but he was kind of

446
00:27:09.559 --> 00:27:12.960
<v Speaker 1>waved away, so that one night he left the casino

447
00:27:13.279 --> 00:27:16.440
<v Speaker 1>really pissed off about how he was treated. The next though,

448
00:27:16.519 --> 00:27:19.960
<v Speaker 1>he comes back and he's thinking, this shit's not gonna

449
00:27:19.960 --> 00:27:25.799
<v Speaker 1>happen again. Next night, Paul Ankor wrote, Frank is still steaming.

450
00:27:26.519 --> 00:27:28.960
<v Speaker 1>Suddenly he stands at the blackjack table in the middle

451
00:27:29.000 --> 00:27:32.240
<v Speaker 1>of the Sands casino and he screamed at the top

452
00:27:32.359 --> 00:27:36.039
<v Speaker 1>of his lungs to the casino goers, this place was

453
00:27:36.160 --> 00:27:38.960
<v Speaker 1>Sam when they built it, and it'll be Sam when

454
00:27:38.960 --> 00:27:44.640
<v Speaker 1>I'm fucking dumb with it. So the manager comes by

455
00:27:44.759 --> 00:27:49.680
<v Speaker 1>to kind of calm Frank down him, and Frank accused

456
00:27:49.759 --> 00:27:53.599
<v Speaker 1>that guy of beaing a mobster, which is kind of funny. Well,

457
00:27:53.759 --> 00:27:57.880
<v Speaker 1>tempers flare, things got out of hand. It's not just

458
00:27:58.000 --> 00:28:02.640
<v Speaker 1>arts throwing shit around his cards, chips, chairs, you name it.

459
00:28:03.240 --> 00:28:06.160
<v Speaker 1>He was in a full blown tantrum. In fact, he

460
00:28:06.640 --> 00:28:08.759
<v Speaker 1>cracked a security guard over the head of a chair

461
00:28:10.000 --> 00:28:15.240
<v Speaker 1>and he threw hot coffee on Carl Cohen. So Cohen

462
00:28:15.359 --> 00:28:20.079
<v Speaker 1>shook that off, straightened up, and leveled. Frank would have

463
00:28:20.079 --> 00:28:22.279
<v Speaker 1>punched to his mouth, knocked his teeth on the floor,

464
00:28:22.839 --> 00:28:28.880
<v Speaker 1>and the entire town was thrilled that Cohen stepped up

465
00:28:28.920 --> 00:28:31.759
<v Speaker 1>to the bully Sinatra could be when he was drunk,

466
00:28:32.400 --> 00:28:36.119
<v Speaker 1>and which was oftened Frank Fort. I mean, look, there's

467
00:28:36.119 --> 00:28:40.839
<v Speaker 1>a lot of fights. I mean, Frank Fort. There was

468
00:28:40.880 --> 00:28:43.599
<v Speaker 1>a night that was supposed to be a celebration for

469
00:28:43.680 --> 00:28:47.480
<v Speaker 1>Dean Martin's forty ninth birthday, and these yet I mean,

470
00:28:47.559 --> 00:28:50.720
<v Speaker 1>at this point in time, mid sixties, Frank and Dean

471
00:28:50.880 --> 00:28:53.359
<v Speaker 1>or at top of the food chain. They couldn't him

472
00:28:53.359 --> 00:28:56.839
<v Speaker 1>be more popular with the rat pack, very well paid,

473
00:28:58.400 --> 00:29:05.480
<v Speaker 1>and that didn't ment. Curse words has thrown around, Fisticuffs

474
00:29:05.480 --> 00:29:09.119
<v Speaker 1>eventually begin to happen. So Sinatra and Dean Martin some

475
00:29:09.160 --> 00:29:11.160
<v Speaker 1>of their buddies were hanging out the Polo Lounge in

476
00:29:11.200 --> 00:29:14.799
<v Speaker 1>Beverly Hills. There's an art collector there, a former president

477
00:29:14.880 --> 00:29:19.319
<v Speaker 1>of Hunt's Food's, a guy named Frederick rand Weissman. He

478
00:29:19.400 --> 00:29:22.359
<v Speaker 1>was sitting near them, and he didn't like how loud

479
00:29:22.359 --> 00:29:24.000
<v Speaker 1>they would get. And he's getting a little pissed off

480
00:29:24.000 --> 00:29:26.920
<v Speaker 1>about how loud Frank and his friends were being, and

481
00:29:27.000 --> 00:29:29.119
<v Speaker 1>he thoughts yelling at them. They got into a brief

482
00:29:29.160 --> 00:29:35.519
<v Speaker 1>exchange of foul language and a fistfight happens. So, you know,

483
00:29:37.480 --> 00:29:41.640
<v Speaker 1>Dean tried to pull Sinatra away, but no one really

484
00:29:41.680 --> 00:29:46.319
<v Speaker 1>knows who swung first, but it ended up with somebody

485
00:29:46.680 --> 00:29:50.079
<v Speaker 1>Klabern Frederic Weisman over the head with one of those

486
00:29:50.119 --> 00:29:53.680
<v Speaker 1>famous telephones they used to leave at the table, which

487
00:29:53.720 --> 00:29:57.599
<v Speaker 1>I think they still have that, maybe not now, but

488
00:29:58.000 --> 00:30:00.400
<v Speaker 1>maybe fifteen years ago at the Polo Lounge. I remember

489
00:30:00.440 --> 00:30:02.960
<v Speaker 1>there were phones at the table, kind of a cool thing.

490
00:30:03.839 --> 00:30:06.799
<v Speaker 1>There's no need for it nowadays, but they left it

491
00:30:06.839 --> 00:30:09.000
<v Speaker 1>for a while. But yeah, he picked up a phone,

492
00:30:09.599 --> 00:30:14.759
<v Speaker 1>pink phone, smacked Weiseman over the head with it. The

493
00:30:14.799 --> 00:30:19.680
<v Speaker 1>guy's unconscious on the floor. They revived him, but a

494
00:30:19.759 --> 00:30:23.240
<v Speaker 1>day later he was more or less in a coma.

495
00:30:24.319 --> 00:30:28.359
<v Speaker 1>It was in a hospital, underwent surgery, could have been mad,

496
00:30:28.440 --> 00:30:33.519
<v Speaker 1>he could have died. And that's when Franken Dean separately,

497
00:30:34.960 --> 00:30:38.960
<v Speaker 1>you know, waited things out, waited for the police investigation

498
00:30:39.200 --> 00:30:43.079
<v Speaker 1>to be concluded, and a lot of conflicting stories about

499
00:30:43.119 --> 00:30:47.279
<v Speaker 1>what happened, who started, etc. But ultimately Weisman recovered and

500
00:30:48.359 --> 00:30:52.480
<v Speaker 1>really didn't remember what exactly happened that night. I'm not

501
00:30:52.519 --> 00:30:54.759
<v Speaker 1>sure if he was told not to remember or if

502
00:30:54.759 --> 00:30:59.119
<v Speaker 1>he lost his memory, but either way didn't go much further.

503
00:30:59.480 --> 00:31:02.960
<v Speaker 1>But see, you hear those stories, and you go, Sinatra,

504
00:31:03.000 --> 00:31:05.559
<v Speaker 1>what a piece of shit. I'm gonna have Alison Martino on.

505
00:31:05.680 --> 00:31:07.079
<v Speaker 1>I keep saying that, but I'm gonna have her on

506
00:31:07.119 --> 00:31:10.039
<v Speaker 1>the next week or two. Her father, the great singer

507
00:31:10.079 --> 00:31:14.279
<v Speaker 1>Al Martino, came up the ranks when Frank was already

508
00:31:15.119 --> 00:31:19.400
<v Speaker 1>a big shot, and Al Martino could sing the shit

509
00:31:19.480 --> 00:31:23.359
<v Speaker 1>out of a song. Beautiful Go listen to Blue Spanish Eyes,

510
00:31:23.759 --> 00:31:27.359
<v Speaker 1>beautiful song. And there's all these stories that Alison has.

511
00:31:27.359 --> 00:31:29.319
<v Speaker 1>And I sat with al Martino, had dinner with him

512
00:31:29.359 --> 00:31:31.400
<v Speaker 1>a couple of times at his house, and he told

513
00:31:31.440 --> 00:31:35.279
<v Speaker 1>me how Frank Sinatra and his goons tortured him to

514
00:31:35.319 --> 00:31:37.839
<v Speaker 1>the point where he had to leave town, not just

515
00:31:37.920 --> 00:31:43.200
<v Speaker 1>leave California, leave America. And Al Martino would go overseas

516
00:31:43.440 --> 00:31:45.839
<v Speaker 1>and entertain people. But you know, it got to the

517
00:31:45.880 --> 00:31:49.200
<v Speaker 1>point where his car was keyed and scratched every time

518
00:31:49.200 --> 00:31:53.519
<v Speaker 1>he parked it somewhere the records of his songs and

519
00:31:53.680 --> 00:31:57.359
<v Speaker 1>juke boxes around the country in different states were taken

520
00:31:57.400 --> 00:32:01.160
<v Speaker 1>out and smashed. Owners were tall, don't put a fucking

521
00:32:01.240 --> 00:32:04.680
<v Speaker 1>Martina wreckord there because Frank's action school and said, dun't.

522
00:32:05.720 --> 00:32:08.839
<v Speaker 1>It got to the point where one day Frank was

523
00:32:08.880 --> 00:32:12.000
<v Speaker 1>in the studio recording whatever song he was recording. Al

524
00:32:12.079 --> 00:32:16.920
<v Speaker 1>Martinos down the hall in a different room recording a song,

525
00:32:18.319 --> 00:32:21.400
<v Speaker 1>and Frank liked the sound of that song, and he

526
00:32:21.480 --> 00:32:23.640
<v Speaker 1>went to the guy who ran in the studio, who

527
00:32:23.640 --> 00:32:26.640
<v Speaker 1>the fuck is uh? Who's this down? All? Well, that's

528
00:32:26.640 --> 00:32:30.480
<v Speaker 1>al Martino, a young kid, blah blah blah. Yeah. Well,

529
00:32:30.519 --> 00:32:33.000
<v Speaker 1>Frank let out the word that I want that song.

530
00:32:33.240 --> 00:32:36.400
<v Speaker 1>That's my song now, and that song was taken away

531
00:32:36.400 --> 00:32:39.519
<v Speaker 1>from Al Martino and given the Sinatra to perform. That

532
00:32:39.680 --> 00:32:43.400
<v Speaker 1>was Strangers in the Night. That was Al Martino's song first,

533
00:32:43.440 --> 00:32:46.359
<v Speaker 1>but Frank made sure it went to him. And the

534
00:32:46.400 --> 00:32:49.279
<v Speaker 1>last time I saw Frank, well, last time he ever

535
00:32:49.279 --> 00:32:52.319
<v Speaker 1>sang for a crowd on his eightieth birthday, the night

536
00:32:52.519 --> 00:32:54.119
<v Speaker 1>we all went to the shrine of the Tournum and

537
00:32:54.119 --> 00:32:56.920
<v Speaker 1>he performed for about fifteen people at the four Seasons Hotel.

538
00:32:56.960 --> 00:33:01.759
<v Speaker 1>At one o'clock in the morning, he's at the piano

539
00:33:01.839 --> 00:33:04.720
<v Speaker 1>with a drink in his hand, and he starts to

540
00:33:04.759 --> 00:33:09.240
<v Speaker 1>sing for his friends, and somebody said, Frank sing Strangers

541
00:33:09.279 --> 00:33:13.119
<v Speaker 1>of the Night, and he said, I hate that fucking song.

542
00:33:14.160 --> 00:33:16.759
<v Speaker 1>If you sang a million times, you'd hated too. What

543
00:33:16.799 --> 00:33:19.759
<v Speaker 1>else you want? He hated the song, but he had

544
00:33:19.799 --> 00:33:22.240
<v Speaker 1>to take it away from Martinez, So Alison, they'll give

545
00:33:22.279 --> 00:33:25.640
<v Speaker 1>you more stories about that. But also, as bad as

546
00:33:25.680 --> 00:33:28.079
<v Speaker 1>he was, as crazy as he was, as much as

547
00:33:28.160 --> 00:33:31.000
<v Speaker 1>liquor and power and fame made him a bad guy,

548
00:33:31.400 --> 00:33:36.599
<v Speaker 1>there was a wonderful Sarti Santra paying people's bills. You know.

549
00:33:36.599 --> 00:33:39.920
<v Speaker 1>There was a time where the actor Lee J. Cobb,

550
00:33:40.000 --> 00:33:42.599
<v Speaker 1>who wasn't a big name yet, but Frank had seen

551
00:33:42.680 --> 00:33:44.880
<v Speaker 1>him do some films and thought his work was great.

552
00:33:44.960 --> 00:33:47.960
<v Speaker 1>And Lee J. Cobb is lying in the hospital bed

553
00:33:48.000 --> 00:33:52.440
<v Speaker 1>with a heart attack and Lee J. Cobb says to

554
00:33:52.440 --> 00:33:56.759
<v Speaker 1>the ambulance said, well are you taking me? And I

555
00:33:56.839 --> 00:33:59.880
<v Speaker 1>can't afford to go to the hospital. And somebody said

556
00:33:59.920 --> 00:34:01.960
<v Speaker 1>that that's right, don't worry about it's being taken care of.

557
00:34:03.039 --> 00:34:05.599
<v Speaker 1>And Lee J. Cobb, I gotta pay no, no, it's

558
00:34:05.640 --> 00:34:08.679
<v Speaker 1>taking care of They took him out to Palm Springs

559
00:34:08.719 --> 00:34:12.960
<v Speaker 1>and put him at Frank Sinatra's compound, and Frank shut

560
00:34:13.079 --> 00:34:17.159
<v Speaker 1>up and said, listen, don't worry about it. Lee J.

561
00:34:17.280 --> 00:34:19.519
<v Speaker 1>Cars Well, why what do you? What are you? Why

562
00:34:19.519 --> 00:34:21.679
<v Speaker 1>are you doing this? I like the way you act.

563
00:34:24.000 --> 00:34:26.760
<v Speaker 1>He kept them in his compound till he healed, and

564
00:34:26.840 --> 00:34:29.079
<v Speaker 1>Lee J. Cobb went on to make some terrific movies.

565
00:34:29.119 --> 00:34:31.800
<v Speaker 1>Go look at twelve. I re met my crisis. He could.

566
00:34:32.840 --> 00:34:37.199
<v Speaker 1>This happened many times. Sammy Davis Junior couldn't pay his

567
00:34:37.239 --> 00:34:40.360
<v Speaker 1>medical bills after a big car ancerent Frank took care

568
00:34:40.360 --> 00:34:43.960
<v Speaker 1>of it. The famous drummer in Benny Goodman's band, Gene Krooper,

569
00:34:44.199 --> 00:34:47.039
<v Speaker 1>my god. Go look at YouTube. Check out the song

570
00:34:47.360 --> 00:34:50.719
<v Speaker 1>Sing Sing Sing. My father made sure I knew every

571
00:34:50.800 --> 00:34:54.159
<v Speaker 1>musician in that band. I knew every name of them,

572
00:34:54.400 --> 00:34:57.679
<v Speaker 1>who was playing what instrument. He wouldn't let me listen

573
00:34:57.719 --> 00:35:00.320
<v Speaker 1>to the Rolling Stones or anybody until I I knew

574
00:35:00.320 --> 00:35:04.280
<v Speaker 1>everybody in Benny Goodman's band. And Geane Crooper on the drums,

575
00:35:04.960 --> 00:35:09.840
<v Speaker 1>Dizzy Gillespie on trumpet, Benny Goodman clarinet, Harry James on

576
00:35:09.880 --> 00:35:14.519
<v Speaker 1>the trumpet. I knew everybody. I forget it, but man,

577
00:35:14.800 --> 00:35:19.199
<v Speaker 1>go look at sing Sing Sing, and watch Crooper take

578
00:35:19.199 --> 00:35:22.079
<v Speaker 1>a ride on the drums. Frank Pitt all his bills,

579
00:35:23.000 --> 00:35:27.679
<v Speaker 1>even during segregation. Frank pretended to be sick at one

580
00:35:27.719 --> 00:35:36.119
<v Speaker 1>point so somebody could subfer him at the Paramount. You know,

581
00:35:36.239 --> 00:35:38.880
<v Speaker 1>he didn't want There was a black I think it

582
00:35:38.920 --> 00:35:41.159
<v Speaker 1>was Billy. I think it was Bill Eckstein, Billy Eckstein.

583
00:35:41.199 --> 00:35:43.519
<v Speaker 1>It was a great musician. He wasn't allowed to perform

584
00:35:43.559 --> 00:35:46.000
<v Speaker 1>at the Paramount. So Frank, who was performing that made

585
00:35:46.280 --> 00:35:50.000
<v Speaker 1>believe he was sick and suggested they get x Stein

586
00:35:50.079 --> 00:35:53.719
<v Speaker 1>in there. And he did, and people saw what kind

587
00:35:53.719 --> 00:35:56.239
<v Speaker 1>of a great musician he was, and his career flourished.

588
00:35:58.639 --> 00:36:01.880
<v Speaker 1>There were people that will tell you that there was

589
00:36:01.920 --> 00:36:05.000
<v Speaker 1>a Vegas showgirl who broke her back. She fell off

590
00:36:05.039 --> 00:36:08.719
<v Speaker 1>the stage, just like Anne Margaret did. Frank heard about

591
00:36:08.719 --> 00:36:10.599
<v Speaker 1>the girl. She was in the hospital, laid up, her

592
00:36:10.639 --> 00:36:13.719
<v Speaker 1>career was over. He paid her bills until she recovered,

593
00:36:13.800 --> 00:36:17.360
<v Speaker 1>bought her a sports car, and was paying for all

594
00:36:17.400 --> 00:36:22.320
<v Speaker 1>of college expenses. Obviously, we know he had the dark side,

595
00:36:22.480 --> 00:36:24.880
<v Speaker 1>but if you were a friend of his, you basically

596
00:36:24.880 --> 00:36:26.920
<v Speaker 1>had a friend for life. And he could do whatever

597
00:36:26.960 --> 00:36:30.079
<v Speaker 1>he wanted to do to take care of you. Sam

598
00:36:30.159 --> 00:36:31.960
<v Speaker 1>could be said about his ex wives. Even after the

599
00:36:32.000 --> 00:36:35.039
<v Speaker 1>varsit his ex wives, he still maintained a very good

600
00:36:35.079 --> 00:36:39.599
<v Speaker 1>relationship with all them. Barbara, his last wife, hated that

601
00:36:41.280 --> 00:36:43.719
<v Speaker 1>it says a lot when all your ex girlfriends and

602
00:36:43.800 --> 00:36:48.239
<v Speaker 1>ex wives come to your funeral. Right to me, it does.

603
00:36:51.239 --> 00:36:55.199
<v Speaker 1>Perfomer named Frank Fontaine passed away in nineteen seventy eight.

604
00:36:55.320 --> 00:36:58.119
<v Speaker 1>Him and Frank began together in Hollywood back in the forties.

605
00:36:59.360 --> 00:37:03.199
<v Speaker 1>Frank brought others to perform at a concert to help

606
00:37:03.639 --> 00:37:07.639
<v Speaker 1>benefit him, benefit his grandmother who had failing health. I

607
00:37:07.639 --> 00:37:13.719
<v Speaker 1>mean all sorts of things like this over time. You know.

608
00:37:14.119 --> 00:37:18.440
<v Speaker 1>Greg ree Peck knew about all these things about Frank's generosity,

609
00:37:18.440 --> 00:37:20.920
<v Speaker 1>and he always called a mister soft touch because he'd

610
00:37:20.960 --> 00:37:25.719
<v Speaker 1>always secretly help out people. He found that Nack King

611
00:37:25.840 --> 00:37:29.199
<v Speaker 1>Cole was headlining at the Sands, but wasn't allowed to

612
00:37:29.239 --> 00:37:33.480
<v Speaker 1>stay there or even eat in the restaurant. Frank went

613
00:37:33.519 --> 00:37:35.639
<v Speaker 1>to see him and saw he was eating in the

614
00:37:35.719 --> 00:37:39.840
<v Speaker 1>dressing room. He got really pissed off. He goes to

615
00:37:39.920 --> 00:37:44.880
<v Speaker 1>the manager of the owner and said, listen, I'll never

616
00:37:45.000 --> 00:37:48.079
<v Speaker 1>perform here again. Unless Nack King Cole is treated the

617
00:37:48.119 --> 00:37:51.440
<v Speaker 1>same as I'm treated. Then he and Nat had dinner

618
00:37:51.480 --> 00:37:55.159
<v Speaker 1>and dining room, and Natt never had eat in his

619
00:37:55.280 --> 00:38:00.800
<v Speaker 1>dressing room. Again, you talk about respect. I saw Sinatra times.

620
00:38:02.440 --> 00:38:05.360
<v Speaker 1>The second time I was at my first wife at

621
00:38:05.480 --> 00:38:09.840
<v Speaker 1>Radio City Music Hall. The next night I took my girlfriend.

622
00:38:11.559 --> 00:38:14.599
<v Speaker 1>My marriage is kind of over. So I saw him

623
00:38:14.639 --> 00:38:17.840
<v Speaker 1>two nights in a row. The final time, like I said,

624
00:38:17.920 --> 00:38:23.840
<v Speaker 1>eightieth birthday Shrine Auditorium, singing privately the Four Seasons piano bar.

625
00:38:23.840 --> 00:38:26.159
<v Speaker 1>At one o'clock in the morning, Nancy calls me, where

626
00:38:26.199 --> 00:38:29.119
<v Speaker 1>are you. I'm home. God, he's gonna sing, come to

627
00:38:29.199 --> 00:38:32.599
<v Speaker 1>the Four Seasons. It was one of the most tippy

628
00:38:32.679 --> 00:38:36.159
<v Speaker 1>top moments of my May it maybe it's gotta be

629
00:38:36.239 --> 00:38:39.800
<v Speaker 1>top three. It has to be. I grew up with

630
00:38:39.800 --> 00:38:42.960
<v Speaker 1>this guy, his music. I grew up with this picture

631
00:38:43.000 --> 00:38:47.239
<v Speaker 1>above my sink. There were more pictures Sinatra the house

632
00:38:47.280 --> 00:38:51.880
<v Speaker 1>than my father. I still have the picture. I kept it.

633
00:38:51.880 --> 00:38:54.360
<v Speaker 1>It's an old, ugly wooden frame. I can't get rid

634
00:38:54.400 --> 00:38:58.239
<v Speaker 1>of it. His face is this colored because he was

635
00:38:58.280 --> 00:39:00.400
<v Speaker 1>above the sink, and every time my mother made the

636
00:39:00.440 --> 00:39:04.880
<v Speaker 1>steam would rise. All those sundays, a thousand Sundays and

637
00:39:04.920 --> 00:39:07.360
<v Speaker 1>the picture got this colored. I can't get rid of that.

638
00:39:09.000 --> 00:39:11.800
<v Speaker 1>So to end up being friends with his daughter, going

639
00:39:11.840 --> 00:39:15.480
<v Speaker 1>out with Nancy, becoming friends with her, staying at her house,

640
00:39:15.719 --> 00:39:20.119
<v Speaker 1>cooking for me, I mean, meeting her father, It doesn't

641
00:39:20.159 --> 00:39:23.119
<v Speaker 1>It just it's one of those things in my life

642
00:39:23.119 --> 00:39:29.440
<v Speaker 1>that I don't think I love a top but what

643
00:39:29.519 --> 00:39:35.440
<v Speaker 1>I always loved about him one of the things. I

644
00:39:35.559 --> 00:39:37.639
<v Speaker 1>gotta say something, Befre. I go forward. When me and

645
00:39:37.679 --> 00:39:40.800
<v Speaker 1>my first wife were divorcing, I kept the house and

646
00:39:40.840 --> 00:39:44.480
<v Speaker 1>she got an apartment about a mile away, and I'm

647
00:39:44.519 --> 00:39:46.920
<v Speaker 1>saddled with the mortgage and the whole thing, and things

648
00:39:46.920 --> 00:39:49.960
<v Speaker 1>were tough. I had my friend Johnny Diaz move in Chico.

649
00:39:50.079 --> 00:39:53.440
<v Speaker 1>Moved in. Johnny had his son, Mikey. We called them Pops.

650
00:39:53.480 --> 00:39:55.920
<v Speaker 1>He was like four or five years old. So we

651
00:39:55.920 --> 00:39:57.519
<v Speaker 1>were three men in the baby living in my house.

652
00:39:57.639 --> 00:40:03.760
<v Speaker 1>The guys shipped in for rent, you know. And Saturday

653
00:40:03.840 --> 00:40:07.159
<v Speaker 1>nights there was a radio show called Saturday Night with Sinatra,

654
00:40:08.320 --> 00:40:11.039
<v Speaker 1>and the guy who hosted it was named Sid Marks.

655
00:40:12.039 --> 00:40:16.239
<v Speaker 1>And sid Marks had interviewed Frank a multitude of times,

656
00:40:16.239 --> 00:40:20.239
<v Speaker 1>and he would lay those interviews, those those conversations over

657
00:40:20.320 --> 00:40:23.239
<v Speaker 1>some of the songs, and for four hours you heard

658
00:40:23.280 --> 00:40:27.079
<v Speaker 1>nothing but Sinatra. I make a date for gold, but

659
00:40:27.199 --> 00:40:29.320
<v Speaker 1>you could bet your life at rains. I want to

660
00:40:29.320 --> 00:40:33.159
<v Speaker 1>throw a party, but the guy upstairs complaints. I guess

661
00:40:33.159 --> 00:40:36.800
<v Speaker 1>I'll go through life just catching coals and missing trains.

662
00:40:37.239 --> 00:40:40.920
<v Speaker 1>Everything happens to me. I played these songs. I listened

663
00:40:40.920 --> 00:40:43.880
<v Speaker 1>to these songs for hours because my marriage was coming

664
00:40:43.920 --> 00:40:47.000
<v Speaker 1>to an end, and I was so sad, and I

665
00:40:47.079 --> 00:40:51.079
<v Speaker 1>sat there on the floor in a newly carpeted dining

666
00:40:51.159 --> 00:40:56.480
<v Speaker 1>room with a bottle of wine no glass, and just

667
00:40:56.559 --> 00:41:03.559
<v Speaker 1>cried against the wall. But what I also loved about him,

668
00:41:04.079 --> 00:41:06.599
<v Speaker 1>I started keeping me company Like he's done for many

669
00:41:06.639 --> 00:41:12.800
<v Speaker 1>many men. He always gave credit before or after a song.

670
00:41:13.159 --> 00:41:16.920
<v Speaker 1>He always gave credit to the composer, the writer, the arranger.

671
00:41:17.199 --> 00:41:20.360
<v Speaker 1>This next song is from the great Nelson Riddle. Yeah.

672
00:41:20.519 --> 00:41:23.239
<v Speaker 1>Just He always told you who wrote the song, who

673
00:41:23.320 --> 00:41:28.719
<v Speaker 1>composed it, who arranged it. No one does that. And

674
00:41:28.800 --> 00:41:32.039
<v Speaker 1>I loved his asides. His sides were tremendous when you

675
00:41:32.039 --> 00:41:35.920
<v Speaker 1>see him in person. I saw him my mother and

676
00:41:36.000 --> 00:41:40.519
<v Speaker 1>father singing I got you under my skin. My mother

677
00:41:40.599 --> 00:41:43.079
<v Speaker 1>saw him when she was in high school. She would

678
00:41:43.079 --> 00:41:45.840
<v Speaker 1>cut school to see him sing at the Paramount. In

679
00:41:45.880 --> 00:41:48.800
<v Speaker 1>the forties, those girls would called the Bobby sockers. My

680
00:41:48.840 --> 00:41:51.920
<v Speaker 1>mother was a Bobby socker because she would leave school

681
00:41:51.920 --> 00:41:53.639
<v Speaker 1>with the little shoes and the short socks and go

682
00:41:53.719 --> 00:41:57.320
<v Speaker 1>to the Paramount. Costs less than a dollar to go

683
00:41:57.360 --> 00:41:59.840
<v Speaker 1>from Brooklyn to the Paramount. It cost a dollar to

684
00:42:00.119 --> 00:42:03.800
<v Speaker 1>see him sing. Could you imagine a dollar? My mother

685
00:42:03.840 --> 00:42:06.880
<v Speaker 1>would tell me, we take the subway to the city.

686
00:42:08.119 --> 00:42:10.760
<v Speaker 1>We'd have chinks. They didn't say Chinese food. Back there,

687
00:42:10.840 --> 00:42:14.079
<v Speaker 1>we'd have chinks. See Frank sing, come back on the

688
00:42:14.119 --> 00:42:17.599
<v Speaker 1>subway and still have a dime left over. I'm saying, what,

689
00:42:18.119 --> 00:42:21.039
<v Speaker 1>how did you? How can anybody exist on that kind

690
00:42:21.039 --> 00:42:25.320
<v Speaker 1>of little money? But they did well. Aj candies were

691
00:42:25.440 --> 00:42:29.360
<v Speaker 1>twenty for twenty for a penny. What twenty piece of

692
00:42:29.400 --> 00:42:35.239
<v Speaker 1>candy for a penny? Yeah? God, So I saw my parents.

693
00:42:35.440 --> 00:42:37.639
<v Speaker 1>She's sitting in her seat. She can barely stand up

694
00:42:37.679 --> 00:42:43.400
<v Speaker 1>with Frank camap that that that that that she gets hungry.

695
00:42:44.039 --> 00:42:46.599
<v Speaker 1>My mother stood up and then fell down on the

696
00:42:46.679 --> 00:42:52.719
<v Speaker 1>seat for dinner. And they loved the theater. Killed but

697
00:42:52.840 --> 00:42:55.679
<v Speaker 1>he sings, I got you one of my skin, And

698
00:42:55.719 --> 00:42:58.920
<v Speaker 1>there's the ending, just to thought of you. Who makes

699
00:42:58.960 --> 00:43:03.360
<v Speaker 1>me stop before bigod because I've got you on my skin.

700
00:43:03.679 --> 00:43:06.599
<v Speaker 1>But he didn't finish the lyrics. He just said, because

701
00:43:06.679 --> 00:43:09.639
<v Speaker 1>I got you, and he pointed with his thumb and

702
00:43:09.679 --> 00:43:13.119
<v Speaker 1>he shook his wrist to his heart under my skin.

703
00:43:13.239 --> 00:43:16.800
<v Speaker 1>He didn't even say under my skin. The women collapsed.

704
00:43:19.639 --> 00:43:23.000
<v Speaker 1>What a fucking power like Elvis, like you just you can't,

705
00:43:23.199 --> 00:43:30.880
<v Speaker 1>you can't harness that unbelievable. And then in the middle

706
00:43:30.880 --> 00:43:35.079
<v Speaker 1>of that song, there's a bridge, you know, oh gosh,

707
00:43:35.159 --> 00:43:38.199
<v Speaker 1>a warning voice come to the nana. It repeats the

708
00:43:38.320 --> 00:43:41.480
<v Speaker 1>repeats in my air, don't you know you fool? Just

709
00:43:42.039 --> 00:43:45.239
<v Speaker 1>the crowd is going bananas. And at the end of

710
00:43:45.239 --> 00:43:48.519
<v Speaker 1>the song he says, what does it hurts your baby?

711
00:43:48.760 --> 00:43:54.159
<v Speaker 1>I mean, every woman was a puddle. I'm saying this.

712
00:43:54.320 --> 00:43:58.519
<v Speaker 1>There's a lot of critics of Sadatra and you crossed

713
00:43:58.519 --> 00:44:01.880
<v Speaker 1>the met your own peril, but his generosity was legendary.

714
00:44:01.920 --> 00:44:07.199
<v Speaker 1>There was a great television moment back in the eighties

715
00:44:07.320 --> 00:44:12.159
<v Speaker 1>Richard Burton. I forget what it was for what they

716
00:44:12.159 --> 00:44:17.320
<v Speaker 1>were doing. There were Burton steps out legendary drunk with

717
00:44:17.719 --> 00:44:22.079
<v Speaker 1>Sinatra another legendary drunk. But they were both square that

718
00:44:22.239 --> 00:44:27.800
<v Speaker 1>night and Burton delivers this speech, and he said, in

719
00:44:27.840 --> 00:44:33.000
<v Speaker 1>his immaculate Scottish accent, I've never sang a song with

720
00:44:33.039 --> 00:44:37.480
<v Speaker 1>Frank Sinatra, never acted with him, share a stage, nor

721
00:44:37.679 --> 00:44:40.800
<v Speaker 1>been a member of an officetra he performed with, Nor

722
00:44:40.880 --> 00:44:43.159
<v Speaker 1>was I there when he was prevented with his Oscar,

723
00:44:43.800 --> 00:44:47.679
<v Speaker 1>his Emmy, or any of his nine Grammys. We all, however,

724
00:44:47.840 --> 00:44:51.280
<v Speaker 1>old friends of some thirty years, and I've risen to

725
00:44:51.320 --> 00:44:56.199
<v Speaker 1>my feet to applaud his braven artistry and numerous charity performances,

726
00:44:56.280 --> 00:44:59.679
<v Speaker 1>raising millions of dollars for various causes for victims of

727
00:44:59.719 --> 00:45:03.480
<v Speaker 1>the world, all over the world. But I am compelled

728
00:45:03.519 --> 00:45:05.840
<v Speaker 1>to say out loud what a few of us have

729
00:45:05.960 --> 00:45:09.039
<v Speaker 1>known for years, fully aware that this is what he

730
00:45:09.199 --> 00:45:12.320
<v Speaker 1>likes to hear the least. And what he was getting

731
00:45:12.360 --> 00:45:15.400
<v Speaker 1>at was that there was a time when fact Sinatra

732
00:45:15.480 --> 00:45:18.559
<v Speaker 1>couldn't work and had a real rough time of it,

733
00:45:18.599 --> 00:45:24.280
<v Speaker 1>you know. And Richard Burton at this point asked Frank,

734
00:45:24.320 --> 00:45:27.639
<v Speaker 1>can I do something for you? And Frank said, nah,

735
00:45:28.079 --> 00:45:30.039
<v Speaker 1>you know he's taking care of me. Pal He pointed

736
00:45:30.119 --> 00:45:35.039
<v Speaker 1>up with the sky to say God, and Burton continued,

737
00:45:35.559 --> 00:45:37.960
<v Speaker 1>Frank is a giant among the givers of the world.

738
00:45:38.519 --> 00:45:41.320
<v Speaker 1>He stands among the tallest, and he more than paid

739
00:45:41.320 --> 00:45:44.679
<v Speaker 1>rent for the space he occupies on this planet. Forged

740
00:45:44.719 --> 00:45:48.480
<v Speaker 1>as he is from legendary loyalty and compassion, carefully hidden

741
00:45:48.519 --> 00:45:53.159
<v Speaker 1>because he has so ordered it. Other than himself, there

742
00:45:53.199 --> 00:45:56.000
<v Speaker 1>is no one who knows of the magnitude of his generosity.

743
00:45:56.920 --> 00:46:00.159
<v Speaker 1>He has decided to be the sole keeper of that knowledge.

744
00:46:00.840 --> 00:46:05.159
<v Speaker 1>Mis triudonymous, you asked to be so mistridonymous. You shall

745
00:46:05.199 --> 00:46:08.559
<v Speaker 1>be called, at the risk of further offending you, Frank

746
00:46:08.599 --> 00:46:12.159
<v Speaker 1>I appear as the herald of grateful multitudes who have

747
00:46:12.199 --> 00:46:16.199
<v Speaker 1>opened those unexpected envelopes, specially delivered answers to their prayers,

748
00:46:16.960 --> 00:46:20.440
<v Speaker 1>Those awakened by late night phone called by which remedied

749
00:46:20.480 --> 00:46:24.239
<v Speaker 1>their problems only on the condition they shared your coverage

750
00:46:24.239 --> 00:46:28.119
<v Speaker 1>of secrecy. Those who were surprised by signed checks with

751
00:46:28.159 --> 00:46:32.000
<v Speaker 1>the amounts not filled in. Those performers down their luck

752
00:46:32.280 --> 00:46:34.840
<v Speaker 1>who landed on a road they never expected and still

753
00:46:34.920 --> 00:46:39.760
<v Speaker 1>don't know whom to thank, and for ountold other beneficiaries

754
00:46:39.800 --> 00:46:42.480
<v Speaker 1>of the caring and the kindness of the splendid man

755
00:46:43.039 --> 00:46:46.400
<v Speaker 1>who truly is his brother's keeper, And they are legion.

756
00:46:47.039 --> 00:46:49.679
<v Speaker 1>Those whose lives took a turn for the better, because

757
00:46:49.719 --> 00:46:53.920
<v Speaker 1>this man who's fifty years ago tonight was a skinny,

758
00:46:54.039 --> 00:46:59.039
<v Speaker 1>eighteen year old high school dropout, unloading Jersey cargo ships

759
00:46:59.039 --> 00:47:02.599
<v Speaker 1>on the Jersey Water and singing at nights on a

760
00:47:02.599 --> 00:47:06.599
<v Speaker 1>whole broken street corner, a street corner poet burned to

761
00:47:06.639 --> 00:47:09.840
<v Speaker 1>the bone, was the fury of his own ambition, hoping

762
00:47:10.000 --> 00:47:14.320
<v Speaker 1>desperately somebody would notice him. And they did. They did

763
00:47:14.400 --> 00:47:18.440
<v Speaker 1>notice you, Maggio rat Siabane, blue eyes. God bless you,

764
00:47:18.559 --> 00:47:22.679
<v Speaker 1>mister Anonymous. Oh my fucking god. I didn't know where

765
00:47:22.840 --> 00:47:26.079
<v Speaker 1>I was a kid, and I knew I just heard

766
00:47:26.079 --> 00:47:31.800
<v Speaker 1>something that was just phenomenal. Frank was tearing up and

767
00:47:31.880 --> 00:47:34.119
<v Speaker 1>they panted the crowd. They showed these people, you know,

768
00:47:34.639 --> 00:47:39.559
<v Speaker 1>Rowan and Martin, Withdair Shelley for Braymember Her Joanne for Fluge,

769
00:47:41.400 --> 00:47:45.280
<v Speaker 1>all these people that were famous around that time, different

770
00:47:45.320 --> 00:47:50.280
<v Speaker 1>areas of showbiz. But to be around him, to just

771
00:47:52.599 --> 00:47:55.760
<v Speaker 1>spell the same air and be in the same room

772
00:47:55.800 --> 00:48:00.719
<v Speaker 1>where your molecules could move with his, is just something

773
00:48:00.880 --> 00:48:04.840
<v Speaker 1>I'll never get over. And I don't know why I

774
00:48:04.880 --> 00:48:06.559
<v Speaker 1>decided to talk about him today. I don't know why.

775
00:48:06.559 --> 00:48:12.400
<v Speaker 1>I think. I think because I get choked up thinking

776
00:48:12.400 --> 00:48:20.159
<v Speaker 1>about July fourth weekend, and my father and my tough

777
00:48:20.280 --> 00:48:25.880
<v Speaker 1>uncles and friends who had each other's backs, didn't take shit,

778
00:48:27.599 --> 00:48:36.360
<v Speaker 1>tough and tender, all of them. That's it. I'm gonna

779
00:48:36.360 --> 00:48:40.239
<v Speaker 1>fall apart. That's it. Love you guys. That was your

780
00:48:40.360 --> 00:48:44.239
<v Speaker 1>podcast for July second, twenty twenty five. I guess I'm

781
00:48:44.239 --> 00:48:47.360
<v Speaker 1>broken up because Roxy's twenty one too, you know, Christ Almighty,

782
00:48:49.239 --> 00:48:52.119
<v Speaker 1>what does the time go? Can we put in a

783
00:48:52.159 --> 00:48:57.519
<v Speaker 1>box somewhere? No, we Can't's all right, Top Toast tomorrow
