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Speaker 1: Poets say love is gonna save us. Most of the time,

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I don't feel like.

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Speaker 2: I'm worth saved and just a dum screwed up kid.

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Speaker 3: You gave me hope.

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Speaker 4: You spoken to my darkness, and you showed me the light.

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In your glow, I'm seeing for the first time.

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Speaker 3: There's still food on the fire. There's a fire burning in.

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Speaker 2: Mych helping me to see the truth.

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Speaker 5: In spite of all my anxious feeds.

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Speaker 2: This love has made me rist.

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Speaker 6: Keep it burning, war to keep it burning.

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Speaker 2: I am alive and nothing's gonna change that.

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Speaker 7: A living fear of showing who I really am and

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fall in apart.

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Speaker 3: Like a spy. You slip past my defense is.

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Speaker 2: And you found me out.

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Speaker 3: Piece by piece. You're taking off this army. I don't

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need it now.

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Speaker 2: There's a fire burning the matches, and.

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Speaker 3: You're the one that put it there.

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Speaker 2: It wasn't lit by anyone, because.

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Speaker 8: No one has loved me with that.

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Speaker 6: But Kate, you keeping burning, w.

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Speaker 8: You keep it burning.

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Speaker 3: More.

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Speaker 2: There's a fire burning in my chest, helping me to

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see the truth in spite of all my anxious fees.

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Just love has made be rezled.

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Speaker 3: Keeping burning.

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Speaker 6: Oh you keeping burning?

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Speaker 9: What a great way to open up this week's Matt

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Connorton Unleashed. That is Keep It Burning Matt Litzinger, who

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is here with us in studio and we are going

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to be introducing him in just a couple of moments.

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He brought his guitar. He's gonna play live. Can't wait,

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but yeah, what a great track. Keep It Burning by

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Matt Litzinger. Welcome. It is Matt Connorton Unleashed. Today is Saturday,

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November twenty third, twenty twenty four. We are live from

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the studios of wm NH ninety five point three FM

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and Glorious Manchester, New Hampshire. And I am not alone.

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J Kenny is here at the news tableted for Yes, Yes,

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welcome and uh. We have a few events to mention

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before we really get rolling, and I think we should

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probably do these chronologically because there's a lot going on.

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But tomorrow, so this is it. This is the big

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weekend tomorrow we have Tomorrow we have Spelthy Fests live

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at Jewel which is right across the street actually from

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where we are, not from where we not from where

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we live, but from where we are literally right now.

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You're in w M and H it's it's yes, we can, yes,

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but yeah, so that will be uh doors open at

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one and then it's all day. Tons of great bands

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are going to be there. You are opening right with

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your your giving a talk.

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Speaker 10: I'm giving a quick talk about our st s A

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Reflex Sympathetic distric Association, which is the national organization here

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in the United States that helps support, educate, and advocate

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for CRPS patients Complex regional pain syndrome. Yes, so Spelthy

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Fest is actually giving proceeds to r s CSA. So

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I really do hope that you come down. But we're

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celebrating Spelthy's birthday. That's the second anniversary of our fortyeth

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third birthday.

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Speaker 9: Hence the hence the Spelthy Fest.

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Speaker 10: Yes, yes, yes, yes, And there's gonna be an a

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crazy amount of musicians. It's twenty different acts going on.

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There's a visual artist going on, There's going to be

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stuff that you can buy, lots of wares and things

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being sold there. It's gonna be insanely cool. And you

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are doing a hypnosis presentation.

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Speaker 9: Yes i am, and hopefully Spelthy will let me hypnotizer

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in front of everyone. And and I'm also going to

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MC some of the part of the event. I'll be

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introducing some of the bands as.

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Speaker 10: Well, Solutely and Spelfy Fest is sp E l FI

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e F E s T. And if you can't find that,

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just contact matter I or take a look at matt

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Connatona Leached on Facebook and you'll find more information there.

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Speaker 9: And you can get tickets and see the full band listing.

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There's too many to mension. It's a full day of music.

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It's going to be amazing. But Midnight Creatives Collective dot

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com is the website. You can get your tickets there

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and see the full full itinerary. So that's one thing

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we've got coming up. And then let's see November thirtieth.

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Our amazing sponsors, the Sister Which Company of their next event,

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the Magical Market Small Business Psychic Fair. Come join us

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on Small Business Saturday from eleven thirty am to six

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pm where you will find some of the most amazing

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vendors and they're handsome items and art. This will be

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packed full, one floor only event with a separate room

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dedicated to our readers and healers. This is the time

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of year where small businesses need you more than any

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big box store, as I always like to remind people

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Walmart doesn't need your money, so support your small businesses.

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Come out, meet us and watch us light up when

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we make a sale. This is being held at the

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Manchester Masonic Temple at fifteen to oh five Elm Street,

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so that is November thirtieth yees. And then one other

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big event. We could talk about events for the whole show.

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There's so much going on, but very important of course,

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as happens every year every year the Miracle on Elm

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Street year five, yes, Yes, Miracle on Elm Street twenty

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twenty four Toy Drive to benefit Manchester's kids through the

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Manchester Housing and Redevelopment Authority. And of course you are

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donating an item. I'm going to donate something as well, but.

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Speaker 10: I'm donating one of my Macromay art pieces. It's actually

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a tree, pretty cool, lots of color. Because there's going

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to be a grand event, a live telethon at the

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Bonfire Yeah on December fifth.

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Speaker 9: Yeah fourth, December fourth, yep, yept of teleth on December fourth.

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Speaker 10: So there's going to be a raffle there and that's

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where the tree is going to be, along with lots

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of other great prizes so you can come support that raffle, hangout,

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meet people. Peter's going to be there, see the whole

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Morning crew. Maddie will be there.

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Speaker 9: Yep. Absolutely, And for more information on that, you can

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contact Matt Kushane and his email is Matt at Hope

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NDH dot org. So I'm sure it'll be another successful

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year for that. So, so a lot's going on, and

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I'm gonna go ahead and bring his MIC's up here

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because we have Matt Litzinger here with us live in studio. Oh, actually,

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let me make sure this one is up here. We go. Hey, Matt,

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how you doing.

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Speaker 11: Hello, I'm great.

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Speaker 9: Let me bring you up a little more here. I'm

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having trouble here and you know, we just got to

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boost you a little more. There we go. I think

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we got you.

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Speaker 11: Ye, good morning, good morning here.

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Speaker 9: Yeah, yeah, so I love by the way, thank you

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for bringing us, and I'm gonna for people watching online.

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I'm gonna hold up the CD. There we go, this

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CD you brought us, Keep it Burning. And that was

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the title track, of course, that we opened the show with.

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Where did you record this?

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Speaker 11: So yeah, one of the cool things about this project.

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I recorded it at my home studio. I really enjoy

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the process of, like watching the songs evolve. Yeah, sometimes

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studio time doesn't really like work well with that because

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you're kind of locked in. You know, you've got these

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hours of these days, right, and so these songs have

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kind of evolved over the past six nine months as

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I've worked on different demos for them leading up to it,

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and working at home just helps to make that a

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little easier.

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Speaker 9: Yeah, it's cool to have that freedom and flexibility to

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do it that way. Have you always recorded that way

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or have you ever have?

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Speaker 2: Yeah?

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Speaker 11: Most of you just said a necessity with this project.

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I did raise money on Kickstarter to help fund it. Yeah,

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and so I thought about, like do I want to

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get studio time involved with that? And I really like

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the process of, you know, wearing the different hats all

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the way down the process. So yeah, writing the songs,

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engineering it, mixing it all the way through.

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Speaker 9: So that's an advantage too, that you enjoy doing all

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that part, because a lot of musicians don't like doing

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that part, right.

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Speaker 2: Yeah.

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Speaker 11: Yeah, my brain like, I like, you have to kind

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of turn off the right side left side thing, but

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I like to eventually turn that off and move into

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more of the engineering, you know, make it sound good

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side of things.

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Speaker 9: Yeah, yeah, absolutely. Is this the first full length album

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that you've released is.

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Speaker 11: Yeah, so that's that's a big one for me. It's

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been like EPs and singles up until this point.

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Speaker 9: What made you decide to do a full length? Did

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it just seem like time.

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Speaker 11: Or yeah, time would be the easiest way to say it.

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So I had I'd had two kids over the past

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like six eight years, and so it's been just bandwidth

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has been Okay, we can do a single, we can

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do a little project here or there. But some of

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those songs have stacked up and I'm happy with a

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lot of those. So I sat down in February wrote

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a couple more songs that I was happy with, and

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then I had a collection of them and I was like,

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it just makes sense. Sure I can carve out time

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this year to work on a whole project.

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Speaker 9: And who else is on the album with you? Or

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is it all you?

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Speaker 11: So this is all me except for on Gather Me Up.

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My wife plays violin. Oh a big thing because she's

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really great violinist but hardly played so it takes a

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lot of convincing. So it's great to get her on

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that track.

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Speaker 9: Yeah, yeah, excellent. Do you play out a lot?

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Speaker 11: Do you do a lot off too, Yeah yeah, so

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not anything like ticketed, but I play bars and stuff

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around town quite a bit.

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Speaker 9: Yeah. Yeah. The great thing about you know, what you do,

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you know, just you and a guitar, is obviously that

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opens up a lot of opportunity for where you can play.

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And so yeah, you know, so someone in your position,

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you've always got options as far as venues and so forth,

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whereas you know, like in the third hour today we

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have vigil coming in. I don't know if you know them,

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but they're loud and they're heavy, and you know, so

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of course for for someone in their position, you know,

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they've only got so many options as far as venues.

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But you can probably play anywhere. And I bet you've

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played some interesting place so for sure.

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Speaker 11: Yeah, yeah, I mean in town, Like I'm thinking small

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rooms where it's just like you know, you're kind of

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in a corner or a bigger venues. But yeah, I

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played everything from like kind of college level arena areas

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now all the way down to like small bar gigs.

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Speaker 9: Yeah. Yeah. If you do, you stick to New England

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or have you gotten out of Yeah, and.

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Speaker 11: Just mostly southern New Hampshire right now. So originally from Pennsylvania,

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went to school in Indiana and then have lived here

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for the past like ten years. Oh okay, and so yeah,

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southern New Hampshire, mostly Manchester. I play them out towards

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the Sea coast a little bit like when Sawbelly was

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out there. I'd go out and play out that way.

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Speaker 9: So yeah, yeah, yeah, what brought you to New Hampshire?

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Speaker 11: My wife, Yeah, so she's from Chester. We met in

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uh in.

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Speaker 9: School, oh, in Indiana, came back here here. Oh cool, cool, excellent, excellent.

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Well I'm dining here. You play live? You want to

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play something.

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Speaker 11: For yeah, yeah, so I'll start out. This first song

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is called Restless Wings. There's a song about I tend

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to be kind of a homebody, and so this song

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is about watching somebody who you love need to go

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off and like travel a world. You know, some people

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really enjoy that, and trying to come to grips with

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the fact that like they still love you when they're

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out there, even though like you don't hear from them

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as often. And so this song just kind of reflects

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some of those ideas.

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Speaker 9: All right, very good. Matt Litzinger live in studio with us.

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Speaker 2: We are again saying ah goodbyes, and then and now

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you will be far above the clouds. I've been looking

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at the stars the night, wondering how.

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Speaker 8: Long till you come back around.

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Speaker 2: It's a mystery to a man like me, how you

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set your sights on distant shores.

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Speaker 8: Each time you return.

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Speaker 2: I see your fires burned, and it's not long before

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you're calling.

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Speaker 8: Out for more.

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Speaker 2: Your restless weeks get lighter.

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Speaker 8: Look in that the sky. It's when you roll home.

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Speaker 2: That's when you're most alive, My grounded hard it wishes

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you could stay. I wondered, dude, you miss me when

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you fly way, And as I wait for you to

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return to me, I wonder if you feel pull of.

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Speaker 8: My heart on yours.

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Speaker 2: As a lion bed, thoughts are a mess entering you

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walking back.

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Speaker 3: Through my door.

255
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Speaker 2: My bristless ways get lighter.

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Speaker 8: Look in that the sky.

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Speaker 2: It's when you obness, when you're most.

258
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Speaker 8: Allahah, my grounded hard.

259
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Speaker 2: It wishes you could stay. I wondered, dude, you miss me.

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Speaker 8: When you fly.

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Speaker 7: Away.

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Speaker 2: I'm not asking you to stay with me here.

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Speaker 8: I just want to know this love story. When you're

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out there.

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Speaker 2: Your restless weeks get lighter. Look in that the sky

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because when you roll mess when you're most alive, grounded, hardy,

267
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wish miss you, chuld stay, I wander due you miss

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me when you fly away?

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Speaker 9: Beautiful. That was gorgeous.

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Speaker 11: Oh, thanks so much.

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Speaker 10: Oh that was gorgeous. If you are, you're getting love

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in the chat room already loving this song. Can't wait

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to hear more.

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Speaker 9: Says Jay. Excellent, excellent. Yes, if you are just joining us,

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we have a Matt Litzinger with us alive in studio

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this morning. Oh yeah, Jay Bellow of course from the

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band Chasing the Devil and uh but they're doing some

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big things, so very very proud of them. We've played

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a bunch of their music on the show, absolutely and

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Jay has always been very supportive of the show too,

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so we appreciate that. But yes, Matt Litzinger is here

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with us in studio. And is that I assume that

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song is on the album round there, Yeah it is? Yeah, excellent, excellent.

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Do you play when you play out? Do you do

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long shows? You probably know a lot of songs. I

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assume you can do like three hour shows.

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Speaker 11: Yeah, three hours is kind of my well four hours

288
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is now my max, but three Yeah, I played a

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couple of Farmers Market gigs that were four hours. Yeah,

290
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it's kind of like like, so I run too, and

291
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so it's kind of like that where you start out

292
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and you're like, I don't know if I could ever

293
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do three miles, and like you do that and you're like,

294
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I don't know if I could ever do six That

295
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sounds crazy. And I feel like playing gigs is kind

296
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of the same. You're like, the first three hour gigs sucks,

297
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and then like you play a bunch more and you're like,

298
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this is this is doable, and then you play a

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four hour on You're like, that's not that much different

300
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than three interesting.

301
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Speaker 9: Yeah, do you find that running helps you with your

302
00:18:27,079 --> 00:18:29,440
singing in terms of your breath and.

303
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Speaker 11: Yeah, I've never really actually thought about that part of it,

304
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but I'm sure it does. Like just like that, the

305
00:18:35,319 --> 00:18:38,839
fitness element of it helps too, and like some level

306
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of physical fitness. I broke a rib a long time ago.

307
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Oh no, fung capacity isn't what it used to be. Really,

308
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hopefully that helps keep that up a little bit.

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Speaker 8: Yeah.

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Speaker 11: The big thing with running is like it's just an

311
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idea generator because like similar to being in the shower,

312
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Like a lot of my ideas hit me on a

313
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run for a song or for like a part that

314
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I'm just stuck on.

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Speaker 9: Yeah yeah, yeah, you know you get the blood pumping

316
00:18:58,079 --> 00:19:00,000
and you know, the ghost to your brain. Oh yeah,

317
00:19:00,440 --> 00:19:05,039
get those neurons fire and yeah, absolutely absolutely do you play.

318
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You must play some covers too, I would imagine, because

319
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you don't have enough music to fill.

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Speaker 11: Yeah, to find a balance. Yeah, yeah, it's like, you know,

321
00:19:11,799 --> 00:19:14,079
there's you gotta figure out what hat you're wearing. So like,

322
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if you're in a listening room, you want to play

323
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a lot of your stuff. People are there to sit

324
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and listen to you, right if you're in a bar

325
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a restaurant, like, people want to be entertained, and so

326
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some of the time that's just like, oh, I want

327
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to hear a song that they're like, oh, that's a cool,

328
00:19:23,880 --> 00:19:25,680
interesting version of that song. I know, Like I know

329
00:19:25,720 --> 00:19:27,319
this one, so yeah, try to mix it up.

330
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Speaker 9: You've got a great voice, are you? Are you? Did

331
00:19:30,880 --> 00:19:32,880
you take any kind of lessons? Are you? Self taught?

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Speaker 11: Mostly self taught. I took some voice lessons from this

333
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Ukrainian guy when I was in high school for about

334
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probably like six months or so.

335
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Speaker 9: Oh no kidding, Yeah, yeah, so very formal.

336
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Speaker 11: I'm not even sure if I consciously do anything that

337
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I was trained to do.

338
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Speaker 9: But right, right, well, but I'm sure subconsciously, yeah, yeah, absolutely.

339
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And what about guitar.

340
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Speaker 11: Guitar is all self taught. Okay, So my kind of

341
00:19:56,640 --> 00:19:59,599
music journey with instrumentation is I started playing piano for

342
00:20:00,119 --> 00:20:02,880
nine years. Yeah, hated it, but like my parents made

343
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me stick with it.

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Speaker 9: Yeah.

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Speaker 11: I picked up drums on my own, loved playing drums,

346
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started to learn to play by music, and then picked

347
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up guitar and bass on my own after that. Yeah, yeah,

348
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And somehow in that transition from piano to drums, I

349
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just took it and made it my own. And I

350
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was just like I love this, like I loved playing,

351
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so I like, I want to figure how to play

352
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more stuff.

353
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Speaker 9: Do you think learning the piano helped you to learn

354
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other instruments more quickly? Because something I hear a lot

355
00:20:27,680 --> 00:20:29,720
of people say, so, I'm a musician myself. I'm a

356
00:20:29,720 --> 00:20:33,279
bass player, but I never learned you know, I would, well,

357
00:20:33,359 --> 00:20:35,039
I would kind of noodle around a little bit on

358
00:20:35,079 --> 00:20:36,559
the keyboard when I was a kid, but I never

359
00:20:36,599 --> 00:20:38,359
really learned to play. But I've heard a lot of

360
00:20:38,440 --> 00:20:44,839
music instructors say that everybody should, no matter what instrument

361
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they play, everybody should start out on the keyboard some

362
00:20:48,319 --> 00:20:51,079
sort of keyboard, because that's such a great way to

363
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kind of, you know, kind of build your well a

364
00:20:55,720 --> 00:20:58,000
lot of things in terms of, you know, making sure

365
00:20:58,039 --> 00:21:00,279
you have a good ear and also just know it's

366
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a good building block for whatever instrument you're going to play.

367
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So I'm curious in your case, because you know, they

368
00:21:05,920 --> 00:21:08,240
made you didn't like it the piano, but you did

369
00:21:08,240 --> 00:21:11,079
it for nine years, so I assume I assume having

370
00:21:11,160 --> 00:21:14,200
done that, learning other instruments probably came pretty quickly to you.

371
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Speaker 2: Yeah.

372
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Speaker 11: Yeah, And I think there's a couple of things wrapped

373
00:21:16,640 --> 00:21:19,079
up in that. For me, it's like the piano has

374
00:21:19,119 --> 00:21:21,359
a higher learning curve than some instruments. Like you can

375
00:21:21,400 --> 00:21:24,119
sit and figure out a chord shape on a guitar souer, right,

376
00:21:24,440 --> 00:21:26,680
But sometimes at the piano, if you want something more

377
00:21:26,720 --> 00:21:29,920
than just one note melodies, right, learning from some you know, book,

378
00:21:30,559 --> 00:21:32,279
it can it can be difficult to feel like you're

379
00:21:32,279 --> 00:21:35,960
making momentum with that. Yeah, But things like chord structure

380
00:21:36,279 --> 00:21:39,680
and even just visualizing the way the notes work on keyboards,

381
00:21:39,720 --> 00:21:43,119
like the best way to conceptualize that. Yeah, so I

382
00:21:43,160 --> 00:21:45,279
think a lot of things that I now lean on

383
00:21:45,319 --> 00:21:48,119
with chord structure I learned from piano and now transferred

384
00:21:48,119 --> 00:21:48,960
to different instruments.

385
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Speaker 9: That makes sense, Yeah, I wish that I had done that.

386
00:21:51,279 --> 00:21:53,160
You know, I always had a keyboard too, I just

387
00:21:53,279 --> 00:21:56,319
never Yeah, I just I don't know. I guest I

388
00:21:56,400 --> 00:21:58,160
was kind of a lazy kid though too. I was

389
00:21:58,160 --> 00:22:00,440
one of those kids there if I was good at

390
00:22:00,440 --> 00:22:05,119
something right away, I would just kind of that.

391
00:22:03,920 --> 00:22:06,119
Speaker 10: You sink I wanted to learn how to play piano

392
00:22:06,240 --> 00:22:09,559
so bad. Yeah, I put my kid in it and

393
00:22:09,759 --> 00:22:13,119
he hated it, and I, not being your parents.

394
00:22:12,799 --> 00:22:14,160
Speaker 9: Went Yeah.

395
00:22:14,279 --> 00:22:16,079
Speaker 10: I always said I wasn't going to force him because

396
00:22:16,079 --> 00:22:17,839
I wanted him to do music because he wanted to

397
00:22:18,200 --> 00:22:21,559
and he's a self taught guitar. But I kind of

398
00:22:21,559 --> 00:22:22,960
wish I had made him do it because I know

399
00:22:23,000 --> 00:22:24,759
that he would have been able to read music and

400
00:22:24,759 --> 00:22:27,559
stuff I had made him. So I don't know, kind

401
00:22:27,599 --> 00:22:28,599
of on the fence on that one.

402
00:22:28,680 --> 00:22:30,359
Speaker 11: And I wish there was a better way to, like

403
00:22:30,759 --> 00:22:33,440
tell kids you don't have to stick with piano, like

404
00:22:33,519 --> 00:22:35,920
just stick with this for now, right, because they look

405
00:22:35,920 --> 00:22:38,599
at you know, people shredding on guitar, like killing the

406
00:22:38,680 --> 00:22:41,319
drums exactly, and I want to do that. Yeah you

407
00:22:41,359 --> 00:22:43,480
can do that, but start here because like you'll be

408
00:22:43,519 --> 00:22:45,160
so much better at that thing when you get there.

409
00:22:45,279 --> 00:22:49,359
Speaker 9: Yeah right, yeah, yeah, but I know what you mean too,

410
00:22:49,440 --> 00:22:51,680
Like it's like if you pick up a guitar and

411
00:22:51,720 --> 00:22:53,720
you just you know, if you learn power chords, you

412
00:22:53,759 --> 00:22:56,000
can go join a punk band or pretty quickly.

413
00:22:56,160 --> 00:22:58,519
Speaker 11: So yeah, it doesn't take much.

414
00:22:58,640 --> 00:23:01,279
Speaker 9: In my case, the reason ided up playing bass was

415
00:23:01,480 --> 00:23:04,079
so I started on guitar and I took guitar lessons

416
00:23:04,079 --> 00:23:07,240
for a couple of years, but I wasn't but again,

417
00:23:07,319 --> 00:23:09,200
I you know, I would get frustrated. I would get

418
00:23:09,200 --> 00:23:12,119
impatient with myself. And then in high school I picked

419
00:23:12,160 --> 00:23:14,960
up a bass. And I know other bass players hate

420
00:23:15,000 --> 00:23:18,440
when I say this, but it's just the truth. I

421
00:23:18,440 --> 00:23:20,119
picked up a bass and I was like, oh, two

422
00:23:20,200 --> 00:23:23,039
fewer strings and I don't have to know any chords. Yeah,

423
00:23:23,079 --> 00:23:25,359
I think I can do this. And then I ended up.

424
00:23:25,400 --> 00:23:26,599
You know, I went on to play in a bunch

425
00:23:26,599 --> 00:23:29,720
of bands playing bass because but but I do think

426
00:23:29,720 --> 00:23:33,039
in my case, though, learning some things on guitar to

427
00:23:33,079 --> 00:23:35,519
the limited extent that I did, helped make me a

428
00:23:35,519 --> 00:23:38,799
better bass player, even though the way that I got

429
00:23:38,799 --> 00:23:41,880
to playing bass was again my my own laziness kind

430
00:23:41,880 --> 00:23:42,640
of came into play.

431
00:23:43,160 --> 00:23:43,359
Speaker 6: Yeah.

432
00:23:43,799 --> 00:23:46,880
Speaker 11: And although like, yeah, I think people like to crap

433
00:23:47,000 --> 00:23:49,599
on bass players a lot, but in my experience, the

434
00:23:49,599 --> 00:23:52,839
bass players I've played with sometimes their musical knowledge like

435
00:23:52,880 --> 00:23:55,839
blows me away. Oh yeah, for being a simple instrument

436
00:23:55,880 --> 00:23:57,720
so to speak, with only having four strings, Like yeah,

437
00:23:57,759 --> 00:24:00,599
their conceptualization of chords and like what changes and like

438
00:24:00,640 --> 00:24:02,599
what note they're playing in the root and stuff. I'm

439
00:24:02,599 --> 00:24:04,240
just like, dang, like they know more than I do

440
00:24:04,480 --> 00:24:05,480
about this stuff. For sure.

441
00:24:05,599 --> 00:24:07,599
Speaker 9: We have Aaron Billido coming in second hour. I don't

442
00:24:07,599 --> 00:24:09,440
know if you know Aaron, but he's a bass player

443
00:24:09,440 --> 00:24:12,480
and he's amazing. Like I watch his fingers and it's like,

444
00:24:12,599 --> 00:24:14,640
oh my god, what he can do at that bass.

445
00:24:14,680 --> 00:24:18,079
You know, But yeah, I never got that far with it.

446
00:24:18,119 --> 00:24:21,839
But so so on your so like you said so

447
00:24:21,920 --> 00:24:24,519
on your album, so you play everything except you mentioned

448
00:24:24,519 --> 00:24:26,680
your wife plays violin, but you do everything else.

449
00:24:26,960 --> 00:24:29,480
Speaker 11: Yeah, yeah, And I kept it pretty simple, like I

450
00:24:29,519 --> 00:24:31,200
wanted to go for kind of an old country kind

451
00:24:31,200 --> 00:24:33,680
of like Zach Bryany kind of sounds. Yeah, and so

452
00:24:34,039 --> 00:24:37,240
it's guitar, bass, drums, a little bit of mandolin on

453
00:24:37,279 --> 00:24:37,960
a couple of songs.

454
00:24:38,039 --> 00:24:38,319
Speaker 9: Okay.

455
00:24:38,359 --> 00:24:40,359
Speaker 11: Outside of that, that's that's really it for instrumentation.

456
00:24:40,720 --> 00:24:43,640
Speaker 9: Is the mandolin? Did you find that difficult to learn or.

457
00:24:44,599 --> 00:24:47,599
Speaker 11: So I don't play it super well? Yeah? I play

458
00:24:47,640 --> 00:24:49,839
like just chords on it, so it's easy to figure out, like, Okay,

459
00:24:49,880 --> 00:24:52,920
what's the chord shape for this chord and then kind

460
00:24:52,920 --> 00:24:55,240
of do little chunking us on it. I don't do

461
00:24:55,240 --> 00:24:56,440
a whole lot of melody work on.

462
00:24:56,359 --> 00:24:58,799
Speaker 9: The on the mandolin, okay, okay.

463
00:24:58,559 --> 00:25:00,559
Speaker 11: Yeah, it is hard with big fingers, which is funny

464
00:25:00,599 --> 00:25:02,839
because you look at the best mandolin players, like these

465
00:25:02,839 --> 00:25:05,720
guys have giant, you know, fingers, and how do they

466
00:25:05,759 --> 00:25:06,359
play this thing?

467
00:25:06,720 --> 00:25:08,119
Speaker 9: That's well, that's the thing that's That's one of the

468
00:25:08,160 --> 00:25:09,839
things that makes me so curious about it because some

469
00:25:09,839 --> 00:25:13,839
of these instruments, like the mandolin, I just I've always

470
00:25:13,839 --> 00:25:16,160
wondered about that. It looks like it's difficult to you know,

471
00:25:16,200 --> 00:25:18,799
it's hard enough when you're learning to play guitar, you know,

472
00:25:18,880 --> 00:25:20,319
to make sure that your fingers are going in the

473
00:25:20,400 --> 00:25:22,559
right places and then on something like the mandolin, Yeah,

474
00:25:22,559 --> 00:25:24,440
you're right, like like if you have big fingers, you know,

475
00:25:24,480 --> 00:25:26,480
how do you do that and be able to really

476
00:25:27,279 --> 00:25:31,599
really uh you know, not be not be sloppy with it.

477
00:25:31,880 --> 00:25:35,400
So it's very It's very impressive to me. Do you

478
00:25:35,400 --> 00:25:37,279
want to you want to play another live one for us?

479
00:25:37,319 --> 00:25:37,599
Speaker 2: Sure?

480
00:25:38,119 --> 00:25:38,880
Speaker 9: Dying to hear more?

481
00:25:39,039 --> 00:25:39,319
Speaker 2: Sure?

482
00:25:39,640 --> 00:25:39,839
Speaker 9: Yeah.

483
00:25:39,880 --> 00:25:43,039
Speaker 11: So the next one I have is so it is

484
00:25:43,079 --> 00:25:44,680
one of the songs I mentioned. I wrote some songs

485
00:25:44,720 --> 00:25:47,519
in February. There's this thing called FOM, which is February

486
00:25:47,519 --> 00:25:49,119
Album Writing Month. It's like a challenge, you try to

487
00:25:49,119 --> 00:25:50,839
write fourteen songs oh the February.

488
00:25:51,240 --> 00:25:53,039
Speaker 9: It sounds like kind of like the RPM challenge.

489
00:25:53,200 --> 00:25:55,079
Speaker 11: Very much like that. Okay, yeah, except I think the

490
00:25:55,440 --> 00:25:57,640
end goal is not to have like a produced thing

491
00:25:57,680 --> 00:25:58,640
at the end of it. It's just like you have

492
00:25:58,640 --> 00:26:00,599
a collection of songs and you can do whatever with them.

493
00:26:00,680 --> 00:26:01,920
Is cohesive album?

494
00:26:02,039 --> 00:26:02,880
Speaker 9: Oh cool? But okay.

495
00:26:03,359 --> 00:26:04,680
Speaker 11: One of the songs that came out of that. There

496
00:26:04,720 --> 00:26:07,359
was a news story right around that time, I think

497
00:26:07,400 --> 00:26:10,079
from the Washington Post about scientists ad measure that the

498
00:26:10,079 --> 00:26:12,799
moon is starting to shrink, and so I was like, man,

499
00:26:12,839 --> 00:26:15,000
this is like the perfect jumping off point for a song.

500
00:26:15,119 --> 00:26:15,720
Speaker 9: Yeah, so I.

501
00:26:16,200 --> 00:26:18,400
Speaker 11: Tried to dream up this world of like, Okay, if

502
00:26:18,440 --> 00:26:21,079
the moon's shrinking, what's that mean for like our tide

503
00:26:21,079 --> 00:26:23,119
patterns on the earth, Like, what's that look like if

504
00:26:23,160 --> 00:26:26,359
I draw that out to this post apocalyptic picture. Then

505
00:26:26,359 --> 00:26:27,880
I tried to turn that into a love song of

506
00:26:27,920 --> 00:26:30,200
like what's it look like for love to sustain something

507
00:26:30,240 --> 00:26:32,480
as tragic and difficult as like the world coming to

508
00:26:32,519 --> 00:26:35,400
an end? So there's a song called Moonquakes that's about

509
00:26:36,440 --> 00:26:38,079
that just stemmed from that story.

510
00:26:38,200 --> 00:26:41,480
Speaker 9: Interesting, all right, totally fictitious. Matt Litzinger live in studio

511
00:26:41,559 --> 00:26:44,440
with us. I'm looking forward to this one. This one

512
00:26:44,480 --> 00:26:48,200
sounds pretty interesting. Although worry someone wants so we have

513
00:26:48,240 --> 00:26:50,160
climate change story about now we got to worry about

514
00:26:50,160 --> 00:26:51,039
the moon shrinking too.

515
00:26:51,200 --> 00:26:53,480
Speaker 11: Yeah, hopefully it's a it's a very slow process.

516
00:26:54,839 --> 00:26:57,200
Speaker 9: I would assume, Matt Litzinger, Live in studio.

517
00:27:08,599 --> 00:27:14,279
Speaker 8: The moon is shrinking. That's what the experts says.

518
00:27:20,960 --> 00:27:26,839
Speaker 2: It's getting smaller everything gold Day.

519
00:27:33,440 --> 00:27:34,920
Speaker 8: Don't be alarmed.

520
00:27:36,440 --> 00:27:41,440
Speaker 12: That's what the man on TV says.

521
00:27:45,839 --> 00:27:51,720
Speaker 2: It feels like everything is hanging by threads.

522
00:28:04,599 --> 00:28:17,400
Speaker 13: Last night, I was for above the ground, and I

523
00:28:17,440 --> 00:28:19,839
could see four.

524
00:28:19,440 --> 00:28:32,599
Speaker 12: Miles and miles of round. When the lights went out, I.

525
00:28:32,759 --> 00:28:35,559
Speaker 6: Felt the darkness around.

526
00:28:41,640 --> 00:28:46,640
Speaker 2: This might be the end. But I'm finding hope.

527
00:28:46,319 --> 00:28:48,799
Speaker 8: In your green nights.

528
00:28:54,000 --> 00:29:01,799
Speaker 2: And if the ground beneath our feet ray won't lead

529
00:29:01,960 --> 00:29:11,960
you astray, and if the sea should over bond their bound,

530
00:29:13,440 --> 00:29:15,000
I'll hold back the way.

531
00:29:17,359 --> 00:29:26,160
Speaker 8: There's the way of this lug. It's bare. This world

532
00:29:26,440 --> 00:29:37,400
could bad. Wave of this slug. It's more than this

533
00:29:37,720 --> 00:29:39,759
world could bad.

534
00:30:02,559 --> 00:30:02,759
Speaker 2: Mmm.

535
00:30:03,359 --> 00:30:06,720
Speaker 9: Wow, let me get that Mike on Jenny, Sorry, do

536
00:30:06,759 --> 00:30:10,279
that to meet every Saturday. He does. He turns me down.

537
00:30:10,599 --> 00:30:15,000
I do, I do? Uh No, that is great, that

538
00:30:15,160 --> 00:30:17,680
is great. Matt listener here with us live in studio.

539
00:30:18,240 --> 00:30:20,039
H Ryan LeMay is in the I see in the

540
00:30:20,119 --> 00:30:22,480
chat room, says, well done. Ryan is a very obviously

541
00:30:22,480 --> 00:30:25,319
I'm sure you know Ryan. He's a very very talented musician. I.

542
00:30:26,160 --> 00:30:27,160
Speaker 11: Oh, you don't know Ryan.

543
00:30:27,240 --> 00:30:30,200
Speaker 9: Okay, you'll probably uh, you'll probably meet at some point. Also,

544
00:30:30,599 --> 00:30:33,279
Eric manroon if I'm saying that correctly, says I all,

545
00:30:33,599 --> 00:30:36,279
bellow Eric in the chat room, if you are just

546
00:30:36,359 --> 00:30:38,359
joining us, we do have Matt Litzinger with us live

547
00:30:38,400 --> 00:30:41,759
in studio. Uh, he's got this great album, keep it Burning,

548
00:30:41,960 --> 00:30:46,359
really really good? Do you are you already working on

549
00:30:46,400 --> 00:30:49,119
the next one? So you know where's you record at home,

550
00:30:49,160 --> 00:30:50,599
and you know you can kind of take your time

551
00:30:50,640 --> 00:30:52,599
with it. I would imagine you're already working on new stuff.

552
00:30:52,759 --> 00:30:54,440
Speaker 11: Yeah, So it's kind of funny. I'm actually taking a

553
00:30:54,480 --> 00:30:56,279
little bit of a well not a break, but just

554
00:30:56,279 --> 00:30:57,599
scaling things back a little bit.

555
00:30:57,759 --> 00:30:58,240
Speaker 9: Yeah.

556
00:30:58,319 --> 00:31:00,559
Speaker 11: I had a lot of songs written for this project,

557
00:31:00,680 --> 00:31:03,480
and so I had the benefit of being able to

558
00:31:03,680 --> 00:31:05,400
pick just the ones I liked the best or that

559
00:31:05,440 --> 00:31:08,720
worked most cohesively for this theme. And so I had

560
00:31:08,759 --> 00:31:10,920
some extra songs that I didn't do anything with yet,

561
00:31:10,960 --> 00:31:12,519
so those are kind of in the hopper. I played

562
00:31:12,519 --> 00:31:14,759
those live out just trying to like get feelers for

563
00:31:15,000 --> 00:31:17,240
how to fine tune them. I had to tendency the

564
00:31:17,319 --> 00:31:19,640
right really long songs, so I'm always on the mission

565
00:31:19,640 --> 00:31:22,200
of figure out how do I tighten this stuff up. Yeah,

566
00:31:22,240 --> 00:31:24,759
So like one of those songs is like seven minutes long,

567
00:31:24,799 --> 00:31:27,240
and so it's like, okay, that's too long even for

568
00:31:27,240 --> 00:31:29,640
a singer songwriter. Ballad trying to figure ou how to

569
00:31:29,640 --> 00:31:31,160
tighten it up. But yeah, right now, it's just kind

570
00:31:31,160 --> 00:31:33,480
of scaling back a little bit. Like I said, I

571
00:31:33,480 --> 00:31:35,480
have a young family, so and this isn't my full

572
00:31:35,519 --> 00:31:37,079
time gig too, so just trying to figure out how

573
00:31:37,119 --> 00:31:39,759
do I keep this in his right place right right?

574
00:31:39,839 --> 00:31:41,839
Speaker 9: Yeah, there's a lot of time management skills that can

575
00:31:41,880 --> 00:31:45,480
go into that. Do you remember the first song you

576
00:31:45,480 --> 00:31:46,079
ever wrote?

577
00:31:46,359 --> 00:31:50,400
Speaker 11: I do, yeah, yeah, So I started writing songs in

578
00:31:50,480 --> 00:31:52,839
high school just as kind of a cathartic thing, and

579
00:31:52,880 --> 00:31:56,880
it was a just really bubblegum poppy love song like

580
00:31:56,920 --> 00:31:57,319
you and Me.

581
00:31:57,599 --> 00:31:59,799
Speaker 9: Yeah? Yeah, did it survive?

582
00:31:59,839 --> 00:32:01,920
Speaker 11: Do not survive? I don't know that I could even

583
00:32:01,960 --> 00:32:03,200
play it if I had to, really.

584
00:32:03,240 --> 00:32:03,519
Speaker 2: Yeah.

585
00:32:03,559 --> 00:32:05,079
Speaker 11: I don't even think it got recorded. I think it

586
00:32:05,160 --> 00:32:07,160
just got played to the girlfriend at the time.

587
00:32:07,319 --> 00:32:10,000
Speaker 9: Oh okay, I don't remember who it was, but we

588
00:32:10,039 --> 00:32:12,039
had a guest on who really surprised me there. They

589
00:32:12,039 --> 00:32:14,400
could remember like the first song they wrote when they

590
00:32:14,400 --> 00:32:16,400
were like ten years old and they still play it.

591
00:32:16,400 --> 00:32:19,480
It might it might have been Kenny Troon and Kenny

592
00:32:19,519 --> 00:32:21,640
if you're listening and I'm wrong, I apologize, but I

593
00:32:21,960 --> 00:32:24,079
feel like it was Kenny Truon. He said, yeah, I

594
00:32:24,079 --> 00:32:24,599
still play it.

595
00:32:24,759 --> 00:32:27,640
Speaker 11: My first song is like wow, man. Yeah, always jealous

596
00:32:27,680 --> 00:32:28,200
of those guys.

597
00:32:28,279 --> 00:32:28,480
Speaker 2: Yeah.

598
00:32:28,519 --> 00:32:30,759
Speaker 11: Yeah, yeah, you can go back to your back cattle

599
00:32:30,759 --> 00:32:32,640
I and still have just the muscle memory to pull

600
00:32:32,720 --> 00:32:33,920
back out right right.

601
00:32:34,640 --> 00:32:38,119
Speaker 9: Who can you tell me about influences? Like in terms

602
00:32:38,119 --> 00:32:41,480
of songwriting, who who influences you?

603
00:32:42,160 --> 00:32:45,240
Speaker 11: Yeah? So I like a lot of singer songwriter stuff.

604
00:32:45,240 --> 00:32:47,720
It has more of a Maricana kind of rock uh

605
00:32:48,920 --> 00:32:51,720
background to it. Yeah, Like modern influences will probably be

606
00:32:51,759 --> 00:32:53,279
like Jason Isbel's a big one.

607
00:32:54,880 --> 00:32:55,799
Speaker 1: Uh uh.

608
00:32:56,000 --> 00:32:58,839
Speaker 11: Storgel Simpson is probably a big one. Going back further,

609
00:32:58,960 --> 00:33:01,319
I love John Denver like I just keep coming back.

610
00:33:01,480 --> 00:33:04,960
He's just such a great songwriter. Yeah. My grandparents, my

611
00:33:05,039 --> 00:33:07,240
grandma in particularly on my mom's side, really loved him,

612
00:33:07,279 --> 00:33:10,279
and so like playing country roads is always a big

613
00:33:10,319 --> 00:33:13,839
favorite for me, or like leaving on a jet plane. Yeah, yeah,

614
00:33:13,920 --> 00:33:16,799
his stuff's great. I love coming back to his music.

615
00:33:17,000 --> 00:33:20,039
Speaker 9: Yeah. Well, what about in terms of your approach vocally?

616
00:33:20,279 --> 00:33:22,799
Is there anyone you Is there anyone you've ever really

617
00:33:23,519 --> 00:33:26,359
you have a unique voice. I can't think of anyone

618
00:33:26,400 --> 00:33:28,279
off the top of my head who I feel like

619
00:33:28,359 --> 00:33:31,400
you sound like? Yeah exactly, but I don't know, I mean,

620
00:33:31,440 --> 00:33:33,759
is there anyone who's influenced you as far as your vocals.

621
00:33:35,559 --> 00:33:37,240
Speaker 11: I mean, I think a lot of people over time,

622
00:33:37,799 --> 00:33:40,359
and I get compared to some people, so like Evan

623
00:33:40,400 --> 00:33:44,440
Stevens Hall from Pine Grove, they're like an indie rock band.

624
00:33:47,359 --> 00:33:49,599
The guy from the Decembris, who I'm blanking on his

625
00:33:49,720 --> 00:33:50,480
name right now.

626
00:33:50,559 --> 00:33:53,759
Speaker 9: Yeah, I can't remember either, but I know, I mean, yeah, yeah.

627
00:33:53,440 --> 00:33:56,640
Speaker 11: Yeah, but yeah, I think I pull from different things.

628
00:33:56,680 --> 00:33:59,400
I hear in vocal performances and I'm like.

629
00:33:59,359 --> 00:33:59,680
Speaker 14: I like that.

630
00:33:59,839 --> 00:34:01,519
Speaker 11: Yeah, I try to emulate that a little bit. And

631
00:34:01,480 --> 00:34:02,920
then it's just still trying to figure out, like how

632
00:34:02,920 --> 00:34:04,240
do I do that and not make it sound like

633
00:34:04,279 --> 00:34:06,720
I'm trying to sound like like you know, I have

634
00:34:06,799 --> 00:34:08,400
a certain signature to my voice and I want to

635
00:34:08,440 --> 00:34:11,679
keep that right. But it is interesting, like listening back

636
00:34:11,719 --> 00:34:14,039
to material from like ten years ago to now, it's

637
00:34:14,039 --> 00:34:17,159
crazy how your voice changes over time. And I even

638
00:34:17,159 --> 00:34:19,199
listen to other artists like that happens so much too,

639
00:34:19,400 --> 00:34:22,400
mm hmm. But it's it's really interesting to see, and

640
00:34:22,440 --> 00:34:24,840
it's very much a subconscious thing because yeah, I didn't

641
00:34:24,880 --> 00:34:26,599
decide I'm gonna sit down and record this song so

642
00:34:26,599 --> 00:34:27,519
that it sounds.

643
00:34:27,239 --> 00:34:30,199
Speaker 9: Like this Yeah, I've always been kind of fascinated by

644
00:34:30,199 --> 00:34:34,960
that with vocalists. How some some people's voices do change

645
00:34:34,960 --> 00:34:37,159
over time as they get older, their voice gets deeper.

646
00:34:37,360 --> 00:34:39,440
But some people it seems like it you know, you

647
00:34:39,480 --> 00:34:44,239
hear something they record very you know, like they might

648
00:34:44,280 --> 00:34:47,480
be a sixty year old guy who sounds just like

649
00:34:47,519 --> 00:34:49,039
he did when he was twenty, and it's like or

650
00:34:49,039 --> 00:34:51,840
at least at least in the studio. Yeah, maybe maybe

651
00:34:51,880 --> 00:34:54,480
not live. But you know, it's interesting how how some

652
00:34:54,559 --> 00:34:58,159
people their voice really changes and some doesn't. I imagine too.

653
00:34:58,199 --> 00:35:01,280
Part of that comes from a lot of musicians. You know,

654
00:35:01,639 --> 00:35:03,719
drink and smoke and that, you know, that'll change your

655
00:35:03,760 --> 00:35:05,840
voice certainly. But but I think for a lot of

656
00:35:05,880 --> 00:35:07,960
people too, you know, their voices just kind of get

657
00:35:08,000 --> 00:35:10,760
deeper naturally as they get older. But yeah, some people

658
00:35:10,880 --> 00:35:15,440
just sound sound the same. It's it's weird. I think.

659
00:35:15,519 --> 00:35:17,559
I think Billy Joel is an example of that.

660
00:35:17,800 --> 00:35:18,360
Speaker 11: It's true.

661
00:35:18,480 --> 00:35:20,280
Speaker 9: Like if you if you go on YouTube and you

662
00:35:20,320 --> 00:35:22,760
pull up a Billy Joel video of him performing live

663
00:35:22,800 --> 00:35:26,760
in recent years, he kind of sounds the same as

664
00:35:26,800 --> 00:35:29,199
he did when you know, when that first album came out.

665
00:35:29,239 --> 00:35:33,000
It's it's it's weird. But do you want to? Uh,

666
00:35:33,639 --> 00:35:35,159
the time goes so fast you want to play another

667
00:35:35,199 --> 00:35:35,559
one for us?

668
00:35:35,719 --> 00:35:35,960
Speaker 2: Sure?

669
00:35:36,159 --> 00:35:37,280
Speaker 9: I want to. I want to get at least one

670
00:35:37,280 --> 00:35:38,840
more live one in before we run out of time.

671
00:35:39,159 --> 00:35:41,000
If you are just joining us. Matt Litzinger is here

672
00:35:41,039 --> 00:35:44,119
with us, alive in studio, and I did confirm with him.

673
00:35:44,159 --> 00:35:45,840
I am saying his name right because I wasn't sure

674
00:35:45,840 --> 00:35:50,719
if it was everybody. Yeah, anybody ever get it wrong

675
00:35:50,760 --> 00:35:52,280
like on a poster or something.

676
00:35:52,199 --> 00:35:55,079
Speaker 11: Not in a poster, but yeah, quite a bit.

677
00:35:55,199 --> 00:35:59,159
Speaker 9: Yeah, yeah, Matt Litzinger is here with us in studio.

678
00:35:59,199 --> 00:36:00,800
What do you what are you going to play for us? Yes?

679
00:36:00,800 --> 00:36:02,119
Speaker 11: So this next one is called I Don't Know much.

680
00:36:02,119 --> 00:36:05,239
It's on the record as well. It's a song. I

681
00:36:05,280 --> 00:36:08,199
have two young kids and they ask a ton of questions. Yeah,

682
00:36:08,239 --> 00:36:10,599
And I've gone through this phase of like in my twenties,

683
00:36:10,639 --> 00:36:12,119
I felt like I had to have the answered everything

684
00:36:12,199 --> 00:36:15,239
all the time, And in my thirties, I'm really kind

685
00:36:15,239 --> 00:36:16,880
of okay with it. It's okay to just say I.

686
00:36:16,840 --> 00:36:17,559
Speaker 9: Don't know, right.

687
00:36:18,480 --> 00:36:20,800
Speaker 11: I'm more and more aware of the sense like when

688
00:36:20,800 --> 00:36:22,440
people try to tell you they do have all the

689
00:36:22,440 --> 00:36:25,360
answers everything to be highly skeptical of that. Yes, and

690
00:36:25,400 --> 00:36:27,760
so this song is about just being able to go

691
00:36:27,800 --> 00:36:29,800
through life and being okay with not having answered everything.

692
00:36:29,840 --> 00:36:31,000
Speaker 9: Oh, I like it all right.

693
00:36:41,039 --> 00:36:43,840
Speaker 8: It seems like this life is.

694
00:36:45,280 --> 00:36:52,480
Speaker 2: Getting hard about the day, people trying to figure out how.

695
00:36:53,880 --> 00:36:54,559
Speaker 8: It got to.

696
00:36:54,559 --> 00:37:01,360
Speaker 2: Be this way, because in the Sage of Amation the

697
00:37:01,639 --> 00:37:08,719
facts seems so pass. I'm standing with my mouth a

698
00:37:09,079 --> 00:37:16,000
gape can find those words to say. So I don't

699
00:37:16,039 --> 00:37:21,000
know much and that's okay. I'm just hoping it's.

700
00:37:20,760 --> 00:37:23,159
Speaker 8: Enough to give me through the day.

701
00:37:23,519 --> 00:37:29,880
Speaker 2: Some pass lead back where they begin, go in circles.

702
00:37:29,960 --> 00:37:34,360
It can drive you mad. There's a few things I

703
00:37:34,719 --> 00:37:41,320
know for sure. The rest I'm still searching for the sun.

704
00:37:41,920 --> 00:37:45,119
It's gonna rise each day.

705
00:37:45,880 --> 00:37:54,960
Speaker 8: And your love for me will never face. You love

706
00:37:55,119 --> 00:38:07,280
for me will never face. And I've got a few

707
00:38:07,440 --> 00:38:08,840
friends who.

708
00:38:10,199 --> 00:38:15,360
Speaker 2: Have carried me on this road and they couldn't give

709
00:38:15,519 --> 00:38:22,440
a rip about the stuff I think I know because

710
00:38:22,480 --> 00:38:27,360
we're all just grown up kids trying to figure this

711
00:38:27,800 --> 00:38:35,079
life out and being honest about the madness of Clara

712
00:38:35,559 --> 00:38:43,079
Fire our downs. I don't know much and that's okay.

713
00:38:43,440 --> 00:38:45,280
Speaker 8: I'm just hoping it's enough.

714
00:38:45,320 --> 00:38:49,599
Speaker 2: To give me through the day. Some pass league back

715
00:38:49,840 --> 00:38:56,000
where they begin, When circles, it can drive you mad.

716
00:38:56,280 --> 00:39:01,880
There's a few things I know for s or the

717
00:39:02,000 --> 00:39:07,760
rest I'm still searching for. The sun is gonna rise

718
00:39:07,880 --> 00:39:12,719
each day, and you love for me will never face.

719
00:39:18,519 --> 00:39:30,639
You laugh for me will never face. I don't know,

720
00:39:31,039 --> 00:39:33,480
but sham, that's okay.

721
00:39:33,639 --> 00:39:37,519
Speaker 8: I'm just hoping it enough to give it through the day.

722
00:39:37,840 --> 00:39:44,159
Speaker 2: Some pass lead back where they begin, go in circles.

723
00:39:44,239 --> 00:39:45,679
Speaker 8: It can drive you mad.

724
00:39:46,360 --> 00:39:48,639
Speaker 3: There's a few things I.

725
00:39:48,880 --> 00:39:50,159
Speaker 8: Know for sure.

726
00:39:51,519 --> 00:39:55,840
Speaker 2: And the rest I'm still searching for. The sun is

727
00:39:56,159 --> 00:40:01,320
gonna rise each day, and your love for me will

728
00:40:01,400 --> 00:40:10,760
never fit. You love for me will never fade.

729
00:40:12,199 --> 00:40:14,480
Speaker 9: Oh, I love that. I love that. What a great song.

730
00:40:14,559 --> 00:40:16,719
If you're just joining us, Matt Litzinger is here with

731
00:40:16,800 --> 00:40:18,800
us live and studio. What's that one called again?

732
00:40:19,159 --> 00:40:19,840
Speaker 11: I don't know much.

733
00:40:19,920 --> 00:40:22,519
Speaker 9: I don't know much. Great great song, great song. You're

734
00:40:22,519 --> 00:40:24,920
getting some love in the chat room. To Tom Russo,

735
00:40:24,960 --> 00:40:27,239
who's been on the show a few times, very very

736
00:40:27,239 --> 00:40:31,719
talented musician, says sounds great, nice lyrics, great voice and song.

737
00:40:31,960 --> 00:40:34,199
Thanks absolutely, And by the way, Tom, I owe you

738
00:40:34,199 --> 00:40:35,840
an email and I will get back to you, I promise.

739
00:40:36,440 --> 00:40:38,639
DJ Steve, also in the chat room, says, good morning

740
00:40:38,719 --> 00:40:41,400
Matt and Jenny. I am really enjoying this. Thank you sir,

741
00:40:41,679 --> 00:40:44,519
thank you Dj Steve. Uh. Let's see. Yes, we do

742
00:40:44,559 --> 00:40:46,400
have Matt Litzinger live in studio with us, and we've

743
00:40:46,440 --> 00:40:48,880
been he's been playing some songs from that one's on

744
00:40:48,920 --> 00:40:51,599
the album too, I assume, right. Let me for those

745
00:40:51,880 --> 00:40:55,639
watching online the video component of the show, let me

746
00:40:55,639 --> 00:40:58,320
hold this up again for everybody. This is the album

747
00:40:58,400 --> 00:41:02,079
Keep It Burning, full length album from Matt Litzinger. This

748
00:41:02,159 --> 00:41:04,760
is all This is all online too, right. People can

749
00:41:04,800 --> 00:41:05,119
get this.

750
00:41:05,079 --> 00:41:06,880
Speaker 11: One all the streaming services.

751
00:41:06,920 --> 00:41:10,639
Speaker 9: Excellent, excellent. And what went into the decision to make

752
00:41:10,679 --> 00:41:13,440
physical copies too? Because not everyone does. Although it seems

753
00:41:13,519 --> 00:41:16,559
like lately most of the guests that we have are

754
00:41:16,920 --> 00:41:20,039
are doing CDs, there was a period of time where

755
00:41:20,079 --> 00:41:22,679
it seemed like no one was doing CDs and then

756
00:41:23,320 --> 00:41:25,800
now everyone is, which is great, great to see if

757
00:41:25,880 --> 00:41:28,400
some people are even releasing vinyl. But what went into

758
00:41:28,440 --> 00:41:30,480
the decision to release a physical copy?

759
00:41:30,599 --> 00:41:32,440
Speaker 11: Yeah, so part of it was that I did a

760
00:41:32,480 --> 00:41:34,920
Kickstarter campaign and so just having some type of physical

761
00:41:34,920 --> 00:41:38,199
reward for it felt important. Yeah, and people took me

762
00:41:38,239 --> 00:41:39,639
up on that quite a bit too. Just kind of

763
00:41:39,679 --> 00:41:41,840
have like as signed, even if it's just memorabilia, and

764
00:41:41,840 --> 00:41:44,239
you never like open the cellophane to it, right, just

765
00:41:44,320 --> 00:41:47,119
having that people really like that. And at live shows too,

766
00:41:47,239 --> 00:41:48,800
like being able to go away, like I like this

767
00:41:48,880 --> 00:41:50,639
experience and I want to take something home with me

768
00:41:50,719 --> 00:41:51,000
from it.

769
00:41:51,239 --> 00:41:51,480
Speaker 9: Right.

770
00:41:51,719 --> 00:41:53,639
Speaker 11: I don't even know how many people really have CD players,

771
00:41:53,760 --> 00:41:56,599
Like my vehicle doesn't have a CD player in it, Yeah,

772
00:41:56,679 --> 00:41:58,880
truck does. My old it's like a two thousand and six,

773
00:41:58,920 --> 00:42:01,280
but like my newer card and have a CD player right.

774
00:42:01,440 --> 00:42:06,159
Speaker 9: Right, way back when people were predicting the total death

775
00:42:06,159 --> 00:42:09,159
of CDs, I think what kind of kept CDs going

776
00:42:09,400 --> 00:42:11,920
was to a large degree, just you know, people still

777
00:42:11,920 --> 00:42:14,280
having CD players in their cars, and of course new

778
00:42:14,320 --> 00:42:16,519
cars now don't have them. But I think you're right too.

779
00:42:16,840 --> 00:42:20,760
People like having a physical copy, you know, especially if

780
00:42:20,760 --> 00:42:22,920
you're a big fan of somebody, and yeah, most of

781
00:42:22,960 --> 00:42:25,119
them probably you know, they may not ever open it.

782
00:42:25,119 --> 00:42:26,599
They just want to have it to support you and

783
00:42:26,639 --> 00:42:29,599
to support your work. And that's my theory with Vinyl too,

784
00:42:29,639 --> 00:42:32,440
because I think even fewer people have record players, but

785
00:42:32,719 --> 00:42:36,079
Vinyl is still I think I think twenty twenty, it

786
00:42:36,119 --> 00:42:38,000
was either twenty two or twenty three, was the first

787
00:42:38,079 --> 00:42:44,039
year that vinyl it actually outsold CDs that Yeah. Yeah,

788
00:42:44,239 --> 00:42:47,280
And I'm convinced that most people who purchase vinyl never

789
00:42:47,360 --> 00:42:49,480
open it, you know, they just if you're really a

790
00:42:49,480 --> 00:42:52,000
fan of an artist, you know, because you know who

791
00:42:52,000 --> 00:42:54,320
has a I mean, some people have record players obviously,

792
00:42:54,360 --> 00:42:56,239
but I think most people, yeah, they purchase it and

793
00:42:56,239 --> 00:42:57,679
they don't open it. They just want to have it.

794
00:42:57,880 --> 00:42:59,559
And if you're really a big fan of somebody, it

795
00:42:59,599 --> 00:43:00,400
makes sense to do that.

796
00:43:00,480 --> 00:43:03,000
Speaker 11: Certainly for a part of it might be self serving too,

797
00:43:03,039 --> 00:43:05,920
because like I've always liked listening to full records. Yeah,

798
00:43:05,960 --> 00:43:08,119
and like I think that just goes back to like

799
00:43:08,880 --> 00:43:10,760
was your only way to listen to things before before

800
00:43:10,880 --> 00:43:13,159
Spotify would recommend things after you listen to a track,

801
00:43:13,400 --> 00:43:16,920
So I like sitting especially from a songwriter perspective, how'd

802
00:43:16,920 --> 00:43:19,039
you sequence this? Like how do these songs tell a

803
00:43:19,039 --> 00:43:21,119
story together? I love that, And then being able to

804
00:43:21,159 --> 00:43:23,400
like look at the liner notes, especially yes, like we

805
00:43:23,480 --> 00:43:24,400
all miss out on that.

806
00:43:24,320 --> 00:43:26,719
Speaker 9: Now oh yeah, yeah, especially when Yeah, when I was

807
00:43:26,719 --> 00:43:28,480
a kid, I used to love listening to I mean

808
00:43:28,519 --> 00:43:30,920
looking at liner notes when I'd get a new CD. Yeah,

809
00:43:31,159 --> 00:43:34,639
just you know, seeing what information, you know, pre internet,

810
00:43:34,719 --> 00:43:37,639
just seeing what what information I could glean from just

811
00:43:37,679 --> 00:43:40,559
from the liner notes, you know, which usually wasn't much.

812
00:43:40,599 --> 00:43:42,199
But if I was a really big fan of somebody,

813
00:43:42,280 --> 00:43:44,320
just anybody, I could you know, oh who was the

814
00:43:44,480 --> 00:43:47,880
uh engineer on on this? You know, you know, just

815
00:43:47,960 --> 00:43:49,840
any little bit of information, you know. But I'm a

816
00:43:49,920 --> 00:43:52,079
very curious person anyway, so anything I could learn from

817
00:43:52,119 --> 00:43:56,039
liner notes was great. But uh, yeah, so that's excellent.

818
00:43:56,119 --> 00:43:58,599
Is this your first? Is this your first physical release?

819
00:43:59,320 --> 00:43:59,400
Speaker 6: This?

820
00:43:59,639 --> 00:43:59,760
Speaker 2: Uh?

821
00:44:00,880 --> 00:44:03,320
Speaker 11: Yes, okay, yeah, yeah, so this would be the first.

822
00:44:03,880 --> 00:44:06,360
I made some like, you know, very homemade copies of

823
00:44:06,400 --> 00:44:08,920
early stuff, but this would be the first like professional release.

824
00:44:09,079 --> 00:44:12,920
Speaker 9: Yeah, yeah, no, that's excellent. You know. It's funny back

825
00:44:12,960 --> 00:44:14,800
when I first so there was a span of time

826
00:44:14,800 --> 00:44:21,199
when I first started interviewing musicians on radio shows and podcasts.

827
00:44:21,960 --> 00:44:23,800
There was a span of time where, like I said,

828
00:44:23,800 --> 00:44:28,639
nobody was really releasing CDs, and but people would still

829
00:44:28,639 --> 00:44:30,679
give me. People would actually give me music on their

830
00:44:30,679 --> 00:44:32,599
CD instead of doing it like now where you just

831
00:44:32,639 --> 00:44:35,119
email your music to somebody. People would actually give me

832
00:44:35,199 --> 00:44:37,599
music for the show on a CD that wouldn't be

833
00:44:37,719 --> 00:44:39,880
that would not be professionally produced, and it would. I

834
00:44:40,199 --> 00:44:42,360
couldn't even count the number of times someone would hand

835
00:44:42,360 --> 00:44:44,800
me a CD on their finger, you know what I mean,

836
00:44:45,159 --> 00:44:49,199
like like no case, no case. That would happen a lot,

837
00:44:49,280 --> 00:44:53,599
and it was always like, really, this is how you're

838
00:44:53,599 --> 00:44:55,199
giving this to me? You know. They'd write on it

839
00:44:55,199 --> 00:44:57,119
with the sharpie what it was, and then hand you know,

840
00:44:57,159 --> 00:44:59,360
here's a CD for the you know you need this

841
00:44:59,400 --> 00:45:03,199
for the show, right, It's like, yeah, thanks, We actually

842
00:45:03,280 --> 00:45:06,119
have a CD player here. I think Rob is uh yeah,

843
00:45:06,199 --> 00:45:07,760
Rob has a veto from grandited state of mind. I

844
00:45:07,760 --> 00:45:09,480
think he's the only one who actually uses it. I've

845
00:45:09,519 --> 00:45:12,000
never used it, but we do have a functioning CD

846
00:45:12,119 --> 00:45:15,039
player here. But no, it's I think it's cool that

847
00:45:15,079 --> 00:45:16,840
you're doing that, and I like, now you mentioned too,

848
00:45:16,880 --> 00:45:18,519
I think this was off air you mentioned this. Your

849
00:45:18,559 --> 00:45:21,000
wife is a graphic artist. She is, yeah, so does

850
00:45:21,039 --> 00:45:21,920
she do all the artwork?

851
00:45:22,039 --> 00:45:22,119
Speaker 6: So?

852
00:45:22,199 --> 00:45:22,400
Speaker 13: Yeah?

853
00:45:22,400 --> 00:45:24,920
Speaker 11: I had a my friend who's a photographer, Rebecca Scatting,

854
00:45:25,000 --> 00:45:27,159
did all the photography inside and out, and then my

855
00:45:27,239 --> 00:45:29,400
wife did the layout and all the design work.

856
00:45:29,559 --> 00:45:32,920
Speaker 9: Okay, excellent, Yeah, yeah, No, that's great. That's great. And

857
00:45:32,960 --> 00:45:34,679
you brought us a couple of stickers too, which is good.

858
00:45:34,679 --> 00:45:38,400
Oh yeah, you mentioned your wife made those. Jenny loves stickers,

859
00:45:38,400 --> 00:45:40,480
as you can see from the back of her computer.

860
00:45:41,199 --> 00:45:45,000
That's right, that's right. We have time. You want to

861
00:45:45,000 --> 00:45:45,599
play one more?

862
00:45:45,639 --> 00:45:46,119
Speaker 11: I'd love to.

863
00:45:46,280 --> 00:45:48,239
Speaker 9: Okay, awesome if you're just joining us. We have Matt

864
00:45:48,239 --> 00:45:51,840
Litzing or here with us, live in studio and really

865
00:45:51,920 --> 00:45:54,519
enjoying this. Coming up second hour we have Aaron Billodoh

866
00:45:54,679 --> 00:45:57,519
and friends, and then third hour of the band Vigil.

867
00:45:57,840 --> 00:46:00,639
We'll be here with us. But Matt Litzing was gonna

868
00:46:00,760 --> 00:46:02,719
play one more for us. What are you gonna play? Yeah?

869
00:46:02,760 --> 00:46:04,480
Speaker 11: So this is an older one. It's not on the album.

870
00:46:04,599 --> 00:46:07,559
It's called time Turner. So there's an old family story

871
00:46:08,039 --> 00:46:10,840
of playing board games and somebody asking someone to turn

872
00:46:10,920 --> 00:46:14,280
that little sand timer. It started this song idea in

873
00:46:14,280 --> 00:46:16,119
my head of like man, time slips away, and we've

874
00:46:16,159 --> 00:46:17,320
got a lot of songs about that, but how do

875
00:46:17,360 --> 00:46:19,280
I write it from this like appealing to a higher

876
00:46:19,280 --> 00:46:20,840
power to say, like, hey, can I just get a

877
00:46:20,880 --> 00:46:22,360
little bit more time? Can you slow this down a

878
00:46:22,400 --> 00:46:24,440
little bit? So it's a song about that all right.

879
00:46:41,840 --> 00:46:46,280
Speaker 2: Time turn along. She turned the time a little more slowly.

880
00:46:46,880 --> 00:46:51,719
I've been wasting all my time today. Oh please, won't

881
00:46:51,800 --> 00:46:55,960
she have just a little pity because I could?

882
00:46:56,360 --> 00:47:08,039
Speaker 8: It was a little time my way and time turner.

883
00:47:08,159 --> 00:47:11,400
Won't you lend me your ear for a moment.

884
00:47:11,519 --> 00:47:16,039
Speaker 2: That's why I can plead my case to you. Seems

885
00:47:16,320 --> 00:47:21,920
like I'm always running in circles a burden. It's heavy

886
00:47:22,039 --> 00:47:23,719
in my moments a fume.

887
00:47:40,440 --> 00:47:42,880
Speaker 8: Time Turner one, you tell me when.

888
00:47:42,719 --> 00:47:48,480
Speaker 2: My time is over, maybe I can still leave my mark.

889
00:47:48,880 --> 00:47:55,079
Greatest fear is wasting all my time before my life

890
00:47:55,320 --> 00:48:24,519
fades into dark in time Turnoon't you turn the time

891
00:48:24,719 --> 00:48:33,400
a little most slowly? I've been wasting on my time today.

892
00:48:36,840 --> 00:48:38,119
Speaker 9: I think that one's my favorite.

893
00:48:38,280 --> 00:48:38,960
Speaker 11: Oh thank you.

894
00:48:39,840 --> 00:48:42,599
Speaker 9: Very relatable, too, very relatable. I love it. I love it.

895
00:48:42,880 --> 00:48:46,159
Matt Listener here with us alive in studio. That's uh,

896
00:48:46,159 --> 00:48:48,000
when when did you write that that? You said that

897
00:48:48,039 --> 00:48:49,079
one an early one?

898
00:48:49,159 --> 00:48:51,599
Speaker 11: Yeah, that one's been probably back in twenty twelve.

899
00:48:51,760 --> 00:48:55,360
Speaker 9: Okay, oh wow, wow, yeah, very good, very good. Have

900
00:48:55,440 --> 00:48:56,519
you ever recorded that one?

901
00:48:56,599 --> 00:48:58,800
Speaker 11: Yeah, it's on an EP called Up in the Woods EP.

902
00:48:58,960 --> 00:49:02,679
Speaker 9: Okay, okay, outstanding. What do you have this weekend. Do

903
00:49:02,679 --> 00:49:03,800
you have any shows this weekend?

904
00:49:03,920 --> 00:49:06,800
Speaker 11: Nope? Next one I have is in December and Planet

905
00:49:06,880 --> 00:49:08,639
two share, Oh very good. At end of the month.

906
00:49:08,639 --> 00:49:11,440
I think it's a twenty seventh Okay, yeah, it's I'm taking.

907
00:49:11,320 --> 00:49:14,039
Speaker 9: A little break. Yeah, yeah, yeah. Why not do you

908
00:49:15,719 --> 00:49:18,079
during the winter, do you kind of hibernate a little

909
00:49:18,119 --> 00:49:20,280
bit too and focus on writing and recording or do

910
00:49:20,320 --> 00:49:20,760
you still.

911
00:49:20,559 --> 00:49:22,920
Speaker 11: Play especially I try to do that February project where

912
00:49:22,920 --> 00:49:25,079
I do a songwriting project. Oh yeah, February because it's

913
00:49:25,079 --> 00:49:27,239
just the darkest, like depressing part of the year's I

914
00:49:27,320 --> 00:49:28,360
might as well produce.

915
00:49:28,079 --> 00:49:31,159
Speaker 9: Something out of it, you know, yeah, exactly, exactly. Yeah,

916
00:49:31,159 --> 00:49:33,880
I notice a lot of people kind of plus, you know,

917
00:49:34,360 --> 00:49:37,039
going and playing shows in the winter is hard because

918
00:49:37,119 --> 00:49:39,039
you never know what the weather's going to do, and

919
00:49:39,079 --> 00:49:42,360
a lot of things experience here. It's cold and flu season,

920
00:49:44,239 --> 00:49:46,519
all of it, all of it. Yeah, it's summer kind

921
00:49:46,559 --> 00:49:47,920
of your busiest time as far as playing.

922
00:49:48,000 --> 00:49:48,199
Speaker 6: Yeah.

923
00:49:48,280 --> 00:49:48,480
Speaker 9: Yeah.

924
00:49:48,480 --> 00:49:50,360
Speaker 11: And it's just seeing people seem to have fun this

925
00:49:50,400 --> 00:49:52,840
summer too, you know, they enjoy live music more. Yeah,

926
00:49:52,880 --> 00:49:53,760
like it seems like it.

927
00:49:53,800 --> 00:49:58,559
Speaker 9: So yeah, absolutely absolutely so we while speaking the time,

928
00:49:58,639 --> 00:50:02,679
I'm thinking about closing segment with this year another one

929
00:50:02,719 --> 00:50:04,360
of your great studio tracks that you sent us. So

930
00:50:04,440 --> 00:50:08,320
it seems appropriate since you just seems like it might

931
00:50:08,360 --> 00:50:10,280
relate in some way to the song you just played. So,

932
00:50:11,599 --> 00:50:14,239
but what should people know about? Where to find you online,

933
00:50:14,280 --> 00:50:15,840
how to keep up with everything that you're doing?

934
00:50:16,159 --> 00:50:19,039
Speaker 11: Yeah? Sure, so I get a profile on Spotify, just

935
00:50:19,079 --> 00:50:23,039
mattlet Singer, and then my website matletsinger music dot com

936
00:50:23,159 --> 00:50:25,760
is where I usually try to put everything. Yeah, redesigning it.

937
00:50:25,760 --> 00:50:27,679
So it should be redesigned in the next week or so.

938
00:50:27,719 --> 00:50:29,119
It's very very close to being done.

939
00:50:29,119 --> 00:50:29,480
Speaker 8: Oh cool.

940
00:50:29,519 --> 00:50:31,480
Speaker 11: I think the last time it was redone was twenty ten.

941
00:50:31,679 --> 00:50:33,920
Speaker 9: Oh really yeah? Oh wow? Do you do the all

942
00:50:33,960 --> 00:50:34,440
at yourself?

943
00:50:34,480 --> 00:50:36,840
Speaker 11: I do yes as my day job. I'm a web developer.

944
00:50:36,880 --> 00:50:37,519
Speaker 9: Oh no kidding?

945
00:50:37,559 --> 00:50:37,760
Speaker 2: Yeah?

946
00:50:37,800 --> 00:50:41,599
Speaker 9: Oh very good, Yeah, excellent, excellent. So we will uh,

947
00:50:41,679 --> 00:50:44,119
we'll close out. Oh you should spell your last name too, sure?

948
00:50:44,199 --> 00:50:47,119
Speaker 11: Yeah, So last name l t z I n G

949
00:50:47,280 --> 00:50:47,559
e er.

950
00:50:48,159 --> 00:50:51,079
Speaker 9: That's actually well, you know, it's funny. It's it's obviously

951
00:50:51,079 --> 00:50:54,119
not a common last name, but it is spelled pretty

952
00:50:54,199 --> 00:50:55,440
much the way you would expect it.

953
00:50:55,360 --> 00:50:58,440
Speaker 11: To day, which is I think so people struggle.

954
00:50:58,000 --> 00:51:00,000
Speaker 9: With my last name all the time. Connorton is very

955
00:51:00,079 --> 00:51:02,599
unusual and uh people people misspell it.

956
00:51:02,639 --> 00:51:04,920
Speaker 11: But a lot of mats though, a lot of mats.

957
00:51:05,760 --> 00:51:07,679
Never a minister in area where there's not another match?

958
00:51:07,679 --> 00:51:09,239
Speaker 9: Are there a lot of litz singers?

959
00:51:09,760 --> 00:51:11,880
Speaker 11: You know, I've met hardly any? Yeah, which is funny

960
00:51:11,880 --> 00:51:14,440
because online I compete with two other mattless singers. One's

961
00:51:14,480 --> 00:51:17,400
a real litter and one's in like creative ad buying.

962
00:51:17,679 --> 00:51:19,039
Speaker 9: Oh no kidding, yeah, so like it.

963
00:51:19,079 --> 00:51:20,800
Speaker 11: Tries to se o value. There's some out there, but

964
00:51:20,840 --> 00:51:22,159
I've never met a lot in real life.

965
00:51:22,280 --> 00:51:25,880
Speaker 9: Yeah, yeah, definitely, Uh, definitely a rare name, but that's good.

966
00:51:26,760 --> 00:51:29,039
A rare name, you have less chance of somebody popping

967
00:51:29,119 --> 00:51:31,000
up and saying, hey, I'm also a musician with this

968
00:51:31,159 --> 00:51:32,960
name and I was doing it before you and you

969
00:51:32,960 --> 00:51:35,159
know and everything that goes with that. So so that's

970
00:51:35,360 --> 00:51:38,039
that's definitely an advantage. So we will we'll close out

971
00:51:38,199 --> 00:51:41,199
uh with this track this year. If you're listening live,

972
00:51:41,440 --> 00:51:43,199
coming up second hour, we have Aaron Bildeo here and

973
00:51:43,239 --> 00:51:45,159
I assume hue the Gecko is with him as.

974
00:51:45,039 --> 00:51:46,440
Speaker 8: Well, negative ghost writer.

975
00:51:46,679 --> 00:51:48,960
Speaker 9: We have other friends. Oh no, Huey the Gecko though

976
00:51:49,000 --> 00:51:53,559
that's no, okay, all right, uh, that's okay next time,

977
00:51:53,800 --> 00:51:56,239
but no, but Aaron is amazing, so really looking forward

978
00:51:56,239 --> 00:51:57,920
to this. And we're gonna play some of his studio

979
00:51:57,960 --> 00:51:59,679
tracks and he's going to perform live for us too.

980
00:51:59,760 --> 00:52:03,159
So we have an action packed Saturday morning, but we

981
00:52:03,199 --> 00:52:05,360
will close out with this great track. This is called

982
00:52:05,400 --> 00:52:08,840
This Year from Matt Litzinger and Matt thank you again.

983
00:52:09,039 --> 00:52:10,079
Speaker 11: Yeah, thanks so much for having me.

984
00:52:10,159 --> 00:52:10,719
Speaker 9: You got it.

985
00:52:19,400 --> 00:52:20,480
Speaker 3: I'm looking up.

986
00:52:20,840 --> 00:52:25,840
Speaker 2: I'm looking up head, swip the mosses out from under

987
00:52:26,000 --> 00:52:26,719
my bed.

988
00:52:27,760 --> 00:52:31,079
Speaker 3: I'm moving on from it might have been.

989
00:52:31,920 --> 00:52:35,039
Speaker 5: I'm getting ready to shift this skin.

990
00:52:36,360 --> 00:52:39,440
Speaker 3: All this time that I've wasted.

991
00:52:40,239 --> 00:52:45,239
Speaker 5: It's given me a reason to say this.

992
00:52:45,280 --> 00:52:48,000
Speaker 2: Year, I'm gonna do things different.

993
00:52:48,639 --> 00:52:51,679
Speaker 5: I'm gonna see the hard things too.

994
00:52:52,800 --> 00:52:56,320
Speaker 2: My gaze has said, and I'm not gonnaway.

995
00:52:57,199 --> 00:52:58,519
Speaker 3: I'll be standing here.

996
00:52:58,679 --> 00:52:59,360
Speaker 8: It's true.

997
00:53:01,119 --> 00:53:13,800
Speaker 3: I'm gonna try to do it better this year. Just

998
00:53:13,920 --> 00:53:18,559
wait and see. I'll take you by surprise. This new

999
00:53:18,639 --> 00:53:20,719
me is more than just THEO.

1000
00:53:20,960 --> 00:53:26,400
Speaker 2: Guys you told me once, give yourself some graties, if

1001
00:53:26,480 --> 00:53:29,719
not for some of your mistakes.

1002
00:53:30,679 --> 00:53:36,039
Speaker 5: Each year's a brand news story. It's given me a

1003
00:53:36,360 --> 00:53:38,199
reason to say.

1004
00:53:39,039 --> 00:53:44,039
Speaker 2: This year, I'm gonna do things different, gonna see the

1005
00:53:44,199 --> 00:53:49,719
hard things go, my Jesus said, and I'm not gonna

1006
00:53:49,920 --> 00:53:56,480
waver I'll be stand and hear it's true. This year,

1007
00:53:56,800 --> 00:54:00,920
I'm done with the excuses, but let me shackle for

1008
00:54:01,199 --> 00:54:02,079
too long.

1009
00:54:03,760 --> 00:54:05,320
Speaker 8: I'll reached a point where I.

1010
00:54:05,440 --> 00:54:08,920
Speaker 2: Was down for the count, but I'll live to see

1011
00:54:08,920 --> 00:54:10,320
a new day, Dawn.

1012
00:54:12,119 --> 00:54:16,519
Speaker 7: I'm gonna try to do it better this year.

1013
00:54:25,159 --> 00:54:34,000
Speaker 14: This cold weather in store for the Northeast, i might

1014
00:54:34,119 --> 00:54:35,800
not see the sun.

1015
00:54:37,639 --> 00:54:44,920
Speaker 3: For a couple of weeks. Maybe I won't do all

1016
00:54:45,039 --> 00:54:46,480
the things.

1017
00:54:46,159 --> 00:54:50,639
Speaker 2: I set out to do, but I'll.

1018
00:54:50,480 --> 00:54:56,119
Speaker 3: Take a few steps and I'll go a little too,

1019
00:55:00,079 --> 00:55:04,880
Because this year I'm gonna do things different. I'm gonna

1020
00:55:04,920 --> 00:55:10,280
see the hard things through. My Cazeus said, and I'm

1021
00:55:10,360 --> 00:55:14,159
not gonna wait. I'll be standing here.

1022
00:55:14,320 --> 00:55:15,039
Speaker 8: It's true.

1023
00:55:17,119 --> 00:55:21,599
Speaker 3: This year, I'm done with the excuses. They kept me

1024
00:55:21,719 --> 00:55:26,719
shackle for too long. I reached a point where I.

1025
00:55:26,840 --> 00:55:30,280
Speaker 2: Was down for the count, but I lived to see

1026
00:55:30,320 --> 00:55:31,800
a new day, Dawn.

1027
00:55:33,480 --> 00:55:38,920
Speaker 7: I'm gonna try to do it better. Lord, I hope

1028
00:55:38,960 --> 00:55:42,079
I do better this year.

1029
00:55:45,320 --> 00:56:23,159
Speaker 15: This year, You're a hurricane, wild and free, like a

1030
00:56:23,360 --> 00:56:27,880
force of nature on a rage and see.

1031
00:56:31,320 --> 00:56:37,079
Speaker 3: I'm a freight train running strong on a long way track.

1032
00:56:37,519 --> 00:56:56,239
You can't steer me rhall. Some people say this landing sorrow.

1033
00:56:56,800 --> 00:57:05,239
I'd rather say we tried than just head go. Because

1034
00:57:05,239 --> 00:57:07,039
we'rement for each other.

1035
00:57:07,440 --> 00:57:11,920
Speaker 2: I know it's true to forces this strong people.

1036
00:57:12,000 --> 00:57:13,519
Speaker 3: We could do.

1037
00:57:17,840 --> 00:57:24,119
Speaker 2: Because we could defy the cynics, we could take on

1038
00:57:24,440 --> 00:57:32,440
impossible things. We'd be so much stronger than we ever

1039
00:57:33,119 --> 00:57:33,920
could have been.

1040
00:57:34,000 --> 00:57:34,519
Speaker 8: Apart.

1041
00:57:35,239 --> 00:57:42,079
Speaker 2: Pulling in the same direction, Pulling in the same direction,

1042
00:57:51,840 --> 00:57:57,119
You and I could never tagged along, been going our

1043
00:57:57,119 --> 00:58:00,639
own way, befar to a whole.

1044
00:58:04,519 --> 00:58:09,360
Speaker 3: Well, love his patient, and love is kind. Let's fight

1045
00:58:09,519 --> 00:58:11,639
for a love that's more.

1046
00:58:17,119 --> 00:58:23,440
Speaker 2: Because we could defy the synics, we could take on

1047
00:58:23,679 --> 00:58:25,519
impossible things.

1048
00:58:26,039 --> 00:58:33,159
Speaker 8: We'd be so much stronger than we ever could have been.

1049
00:58:33,239 --> 00:58:39,559
Speaker 2: A part, one in the same direction, one in the

1050
00:58:39,800 --> 00:59:05,000
same direction. Because we could defy the cynics, we could

1051
00:59:05,239 --> 00:59:07,960
take on impossible things.

1052
00:59:08,440 --> 00:59:10,679
Speaker 8: We'd be so much.

1053
00:59:10,519 --> 00:59:16,519
Speaker 6: Stronger than we ever could have been apart.

1054
00:59:16,920 --> 00:59:23,800
Speaker 2: Pull in the same direction, pull in the same direction,