1 00:00:00,760 --> 00:00:06,160 Speaker 1: W m n h rips the novels. We're back from 2 00:00:06,160 --> 00:00:08,880 the brand conson. 3 00:00:34,600 --> 00:00:41,399 Speaker 2: My friend the cls years o. She's tall, smiles so 4 00:00:41,799 --> 00:00:47,600 she today when you love it time and it show 5 00:00:48,119 --> 00:00:52,880 the boys on No, they just one side of you day. 6 00:00:53,840 --> 00:00:57,119 Speaker 3: It's standing with you man and is dropping. 7 00:00:58,399 --> 00:01:03,039 Speaker 4: Myself body now the glass, this thing is the finch. 8 00:01:03,159 --> 00:01:09,079 Speaker 1: That's just myself pushing it down. She's second class. 9 00:01:09,159 --> 00:01:26,319 Speaker 4: A fan Nicle so a friend Nicle w W it 10 00:01:26,480 --> 00:01:27,799 was six peas. 11 00:01:32,200 --> 00:01:34,359 Speaker 3: My friend Nicholae. 12 00:01:39,879 --> 00:01:44,640 Speaker 2: A first three and no she's bad. She's on a 13 00:01:44,920 --> 00:01:53,640 crowd of form butts of people. Hello there jar going 14 00:01:53,760 --> 00:01:58,480 to the bows, patience thills, paper. 15 00:01:59,480 --> 00:01:59,879 Speaker 1: Steady. 16 00:02:00,159 --> 00:02:06,640 Speaker 3: The cattle man is dropping in by sound by hello, glass. 17 00:02:07,159 --> 00:02:12,159 Speaker 4: Sting as a bench's just not stamping in, pushing the down. 18 00:02:12,639 --> 00:02:17,879 Speaker 1: Second class a friend ThEC hol s. 19 00:02:22,159 --> 00:02:23,919 Speaker 3: A friend macro. 20 00:02:29,800 --> 00:03:25,000 Speaker 4: Fine exept you six space She's killed every time. 21 00:03:29,639 --> 00:03:31,280 Speaker 5: I love it. That is such a great track. That 22 00:03:31,439 --> 00:03:31,960 is Nicole. 23 00:03:32,319 --> 00:03:35,520 Speaker 6: The band is Loud George. I'll tell you that sounds 24 00:03:35,520 --> 00:03:37,360 like it's right out of Seattle, but it's not. They 25 00:03:37,360 --> 00:03:39,120 are from the UK. And let's see who we have 26 00:03:39,840 --> 00:03:46,639 via Microsoft teams Loud George or members of Hey. 27 00:03:45,439 --> 00:03:49,479 Speaker 5: What's up, guys, Welcome to the show. Tell me who 28 00:03:49,719 --> 00:03:51,719 each of you are and what you do in the band. Please. 29 00:03:53,159 --> 00:03:56,360 Speaker 7: So I'm Eric, I'm the singer and the guitar player. 30 00:03:57,319 --> 00:04:00,800 Speaker 8: I'm Saw I play bass on Shout in the Round. 31 00:04:01,400 --> 00:04:04,840 Speaker 7: Okay, I'm a Nick play drums. So I am actually 32 00:04:04,879 --> 00:04:05,759 the loudest George. 33 00:04:05,759 --> 00:04:09,560 Speaker 5: I think you'll find gotcha? Gotcha? Well, welcome guys. So 34 00:04:09,639 --> 00:04:11,280 it's just the three of you. Are you a three piece? 35 00:04:12,319 --> 00:04:12,520 Speaker 7: Yeah? 36 00:04:12,639 --> 00:04:14,759 Speaker 5: Yeah, yeah, you guys make a lot of noise for 37 00:04:15,120 --> 00:04:15,599 three guys. 38 00:04:15,680 --> 00:04:18,199 Speaker 6: That's amazing. So no, I'm really excited to talk to you. 39 00:04:18,279 --> 00:04:20,639 Welcome to the show. I do love that song, Nicole. 40 00:04:21,000 --> 00:04:22,680 We also have Monolith, which we're gonna play at the 41 00:04:22,720 --> 00:04:25,560 end of our segment. Another great track. But where are 42 00:04:25,560 --> 00:04:26,680 you guys from exactly? 43 00:04:28,120 --> 00:04:28,600 Speaker 7: We're from? 44 00:04:28,879 --> 00:04:32,639 Speaker 9: Well, we're not from Manchester, New Hampshire. We're from Manchester, England. Yes, 45 00:04:33,439 --> 00:04:35,360 I don't know which come first. We can we can 46 00:04:35,480 --> 00:04:36,439 debate about that. 47 00:04:36,759 --> 00:04:38,920 Speaker 6: Well, no, I think we know which gamp We are 48 00:04:39,000 --> 00:04:43,199 not the original Manchester clearly, but uh, part of why 49 00:04:43,240 --> 00:04:45,199 it's so interesting to me is so obviously you know 50 00:04:45,279 --> 00:04:47,959 I made this the Seattle reference. Of course, Seattle, Washington 51 00:04:48,040 --> 00:04:52,240 here in the United States. You guys a very heavy 52 00:04:52,360 --> 00:04:57,240 grunge sound. I would assume that when that song was 53 00:04:57,319 --> 00:04:59,959 plain that our listeners had no idea that you guys 54 00:05:00,120 --> 00:05:02,879 were from the from Manchester, UK as they're hearing that song. 55 00:05:03,199 --> 00:05:07,319 So it's very I'm really curious about that, the the 56 00:05:07,439 --> 00:05:10,639 grunge influence. It sounds like, like I said, it sounds 57 00:05:10,680 --> 00:05:15,560 like nineties Seattle. Tell us about that and is that 58 00:05:15,720 --> 00:05:18,519 kind of I did listen to you know, your other 59 00:05:18,600 --> 00:05:22,000 songs as well online. Yeah, some great, some great stuff 60 00:05:22,040 --> 00:05:24,000 on band camp, and it seems like that's really the 61 00:05:24,160 --> 00:05:26,480 vibe with this project. Loud George. 62 00:05:27,720 --> 00:05:28,439 Speaker 7: Yeah, I think. 63 00:05:28,519 --> 00:05:31,240 Speaker 9: Originally so when we got together whilst we were in 64 00:05:31,399 --> 00:05:36,000 UNI and the general consensus was that we'd make a 65 00:05:36,079 --> 00:05:39,199 band that was like Nirvana without the Nirvana. 66 00:05:39,480 --> 00:05:41,560 Speaker 10: Yeah, it was kind of The energy level was definitely 67 00:05:41,680 --> 00:05:43,759 so like all the guitars were turned up to eleven 68 00:05:43,839 --> 00:05:46,399 and there was a lot more screaming back then. Yeah, 69 00:05:46,680 --> 00:05:50,199 But we came back and met up after Uni and stuff, 70 00:05:50,240 --> 00:05:52,879 and then none of us had ever played in a 71 00:05:52,959 --> 00:05:54,839 band that was as good as what we were doing 72 00:05:54,920 --> 00:05:57,160 back then, so we sort of retoured all the old 73 00:05:57,279 --> 00:05:57,839 songs and you. 74 00:05:57,879 --> 00:05:59,079 Speaker 7: Can really hear it all there. 75 00:05:59,199 --> 00:06:01,519 Speaker 10: But on this new album that's coming, I think the 76 00:06:01,560 --> 00:06:05,680 whole album drops on the thirteenth okay, and thirteen tracks 77 00:06:05,720 --> 00:06:08,519 of it, and we've still got a bit a bit 78 00:06:08,639 --> 00:06:12,160 more progue with, Like there's tricks, some weird time signatures 79 00:06:12,160 --> 00:06:14,879 and stuff going on, some mad stuff that Eric's doing 80 00:06:14,920 --> 00:06:15,480 on the guitar. 81 00:06:16,480 --> 00:06:24,839 Speaker 8: We're trying to make it as inaccessible to thee. 82 00:06:24,120 --> 00:06:25,319 Speaker 7: At an old age we've got. 83 00:06:25,560 --> 00:06:28,279 Speaker 9: Yeah, as Nick was saying, I think originally we came 84 00:06:28,319 --> 00:06:30,639 from like that Nirvana bent and I think that was 85 00:06:31,240 --> 00:06:32,600 when we were young and care free. 86 00:06:32,879 --> 00:06:37,399 Speaker 7: That was what we wanted. But yeah, it's definitely less apathetic. 87 00:06:37,439 --> 00:06:40,319 Speaker 9: I think when you think about grunge, it's very apathetic 88 00:06:41,000 --> 00:06:45,879 and very very young and spirited to a kind of 89 00:06:45,959 --> 00:06:47,959 like nihilism. And I don't think we're there anymore. I 90 00:06:48,000 --> 00:06:53,439 think we're a bit older. Yeah, kids, now, everything is fine. 91 00:06:54,439 --> 00:06:55,360 Speaker 5: Everything all as well. 92 00:06:55,759 --> 00:06:57,720 Speaker 6: You guys have been around for a while, right, was 93 00:06:57,800 --> 00:07:01,079 it twenty ten when when you started original this project. 94 00:07:01,160 --> 00:07:04,240 Speaker 9: Yeah, twenty ten was when we met up at UNI, okay, 95 00:07:04,560 --> 00:07:07,480 and then we had a few years and then we 96 00:07:07,600 --> 00:07:10,759 broke up just after UNI finished and I had to 97 00:07:10,800 --> 00:07:11,920 work on mac Donald's and. 98 00:07:14,879 --> 00:07:20,199 Speaker 7: For a bit us about the Ferris Wheel. Sam. 99 00:07:20,360 --> 00:07:22,600 Speaker 8: Oh, it was lovely. He just looked force people to 100 00:07:22,680 --> 00:07:24,800 take their picture and then take money out of their pockets. 101 00:07:31,360 --> 00:07:33,480 Speaker 5: So how long was the break for you guys? How 102 00:07:33,519 --> 00:07:34,920 long were you not together? 103 00:07:36,199 --> 00:07:39,639 Speaker 7: Ten years? It basically coincided with COVID. 104 00:07:40,879 --> 00:07:45,160 Speaker 9: Yeah, COVID happened and we I sent a message from 105 00:07:45,160 --> 00:07:47,680 both just saying do you want to redo that? We 106 00:07:48,040 --> 00:07:52,199 basically recorded the album originally ten years ago in Uni. 107 00:07:52,800 --> 00:07:56,720 Obviously taking it wasn't the greatest recorded thing in the world. 108 00:07:57,480 --> 00:07:59,360 It was done in like a week age. 109 00:07:59,480 --> 00:08:03,439 Speaker 7: You could hear it alcoholic. Oh yeah, So we just 110 00:08:03,680 --> 00:08:06,279 saw the CORVID. I basically I was bored and I said, 111 00:08:06,279 --> 00:08:08,839 do you guys want to do it again? And we'll 112 00:08:09,279 --> 00:08:12,240 john and get together and have a goal. And I said, no, 113 00:08:12,800 --> 00:08:15,079 I don't like you. This is why I've been avoiding you. 114 00:08:16,800 --> 00:08:18,800 Speaker 5: So you basically re recorded the album at that. 115 00:08:18,879 --> 00:08:21,399 Speaker 7: Point, Yeah, the whole worst album. 116 00:08:21,519 --> 00:08:24,399 Speaker 8: Yeah. Well we all had home studios by that point, 117 00:08:24,560 --> 00:08:28,560 so yeah, kind of remotely, Yeah, redid the bits and 118 00:08:28,680 --> 00:08:32,240 then started messing around with a rewriting a few little parts, 119 00:08:32,279 --> 00:08:34,720 I mean, the lyrics from ten years ago when we 120 00:08:34,799 --> 00:08:39,840 were all twenty are all very much just I'm so sad. 121 00:08:41,399 --> 00:08:44,320 Speaker 7: For me and this rhymes with me right, Yeah, But 122 00:08:44,480 --> 00:08:46,440 it's like being able to do it remotely. 123 00:08:46,480 --> 00:08:48,639 Speaker 10: I mean it speaks like we didn't actually meet up 124 00:08:48,679 --> 00:08:51,000 until we were doing a music video, a music video 125 00:08:51,039 --> 00:08:54,559 that we never actually used for the first one that 126 00:08:54,639 --> 00:08:57,440 was off the first album. We ended up doing a 127 00:08:57,559 --> 00:09:00,600 couple of videos for that. But on this that's coming 128 00:09:00,639 --> 00:09:03,960 out now, we've done three or four and it's all 129 00:09:04,039 --> 00:09:05,720 been again. It's di y recording. 130 00:09:05,960 --> 00:09:06,159 Speaker 5: Yeah. 131 00:09:06,240 --> 00:09:08,279 Speaker 10: I just think it speaks out that, like we were 132 00:09:08,320 --> 00:09:11,480 able to do that first album. We rewrote the lyrics 133 00:09:11,960 --> 00:09:15,720 over on like meetings with each other. We rewrote everything 134 00:09:15,840 --> 00:09:18,159 like in band lab and stuff a couple of times, 135 00:09:18,320 --> 00:09:21,320 used some Midia examples, and then recorded everything ourselves and 136 00:09:21,399 --> 00:09:22,360 the album was done. 137 00:09:23,919 --> 00:09:26,320 Speaker 9: That first album took us ages because we're doing it 138 00:09:26,440 --> 00:09:29,360 song by song by song, and what's funny is you 139 00:09:29,399 --> 00:09:31,919 can the equipment got better. So when we started out, 140 00:09:32,519 --> 00:09:35,240 Nick was recording on bin leads, so thin jelly Bean 141 00:09:35,320 --> 00:09:38,000 from the first album was recorded on like instead. The 142 00:09:38,080 --> 00:09:42,639 symbols were awful, they were actual dustin leads. Would you 143 00:09:42,720 --> 00:09:48,000 call them garbage candleads, garbage candleads. So yeah, they were 144 00:09:48,000 --> 00:09:49,960 pretty awful. And as it went along we got better 145 00:09:50,000 --> 00:09:52,679 equipment and then we did this album. 146 00:09:52,759 --> 00:09:55,120 Speaker 7: Yeah, you can hear it get better as as it 147 00:09:55,200 --> 00:09:57,440 comes out. But I think with this new one, like 148 00:09:57,519 --> 00:09:59,440 we're all tooled up with the stuff that we needed. 149 00:09:59,440 --> 00:10:01,000 We're actually in person. 150 00:10:01,399 --> 00:10:04,399 Speaker 10: I mean, we've been recording loads since then, and some 151 00:10:04,519 --> 00:10:06,720 stuff hasn't hasn't made it on the album, but we've 152 00:10:06,759 --> 00:10:09,000 had some really good experiences, like just going over to 153 00:10:09,080 --> 00:10:12,039 Wales and we've got such a nice countryside out here. Yeah, 154 00:10:13,200 --> 00:10:15,679 just going in a cottage, no soundproofing or anything, just 155 00:10:15,799 --> 00:10:17,039 blasting a load of music out. 156 00:10:17,399 --> 00:10:22,799 Speaker 6: Yeah, the original recordings, I assume the original album that 157 00:10:22,799 --> 00:10:25,080 you recorded. Is that available anywhere online or have you 158 00:10:25,200 --> 00:10:26,720 kind of hidden that from from the world. 159 00:10:27,679 --> 00:10:28,519 Speaker 7: You can find that on. 160 00:10:28,879 --> 00:10:35,399 Speaker 8: Spotify before the original Yeah, there sound class. 161 00:10:37,000 --> 00:10:39,039 Speaker 7: We can't log in. We would hide it. 162 00:10:40,799 --> 00:10:41,159 Speaker 5: For real. 163 00:10:43,440 --> 00:10:46,039 Speaker 9: They all have different names back then, and I think, like, 164 00:10:46,519 --> 00:10:49,559 so we really like Lightning now, but like Lightning back 165 00:10:49,600 --> 00:10:51,480 then was called like some I think there's something about 166 00:10:51,480 --> 00:10:52,639 four D TV or something. 167 00:10:52,639 --> 00:10:53,639 Speaker 7: I can't remember it was about. 168 00:10:54,879 --> 00:10:57,480 Speaker 6: Yeah, I'm curious because you know, like I said, I 169 00:10:57,559 --> 00:10:59,840 listened everything that you have on band camping, but it 170 00:11:00,039 --> 00:11:03,000 it would be interesting I think just to go back, 171 00:11:03,080 --> 00:11:05,000 I might, I might check out your SoundCloud and just 172 00:11:05,080 --> 00:11:07,000 see it. Would it would be interesting to hear the 173 00:11:07,080 --> 00:11:09,679 original material, you know, the way it was originally done, 174 00:11:10,000 --> 00:11:10,919 just out of curiosity. 175 00:11:11,639 --> 00:11:12,480 Speaker 7: That makes you happy. 176 00:11:14,679 --> 00:11:16,279 Speaker 6: I'm kind of a nerd for that kind of thing. Plus, 177 00:11:16,519 --> 00:11:18,159 you know, it almost sounds like the original might be 178 00:11:18,279 --> 00:11:20,919 more considered more of a demo recording, and I love 179 00:11:21,039 --> 00:11:23,480 listening to that kind of stuff. I think it's really interesting. 180 00:11:24,080 --> 00:11:26,360 Speaker 8: There's a really, there's one good one on there, which 181 00:11:26,440 --> 00:11:30,639 is a cover of sale. These boots are made for walking. 182 00:11:30,799 --> 00:11:34,519 Oh really a demo quality cover of lot which is 183 00:11:34,639 --> 00:11:37,200 quite That was all recorded live, wasn't it. 184 00:11:37,320 --> 00:11:40,879 Speaker 7: Yeah? Yeah that was good. Oh wow, yeah, quite a 185 00:11:40,919 --> 00:11:42,639 lot of stuff. Back then. We used to get about 186 00:11:42,840 --> 00:11:44,600 just in like a tiny, little one lead car. 187 00:11:44,639 --> 00:11:46,159 Speaker 10: I don't know how we fit everything and all the 188 00:11:46,240 --> 00:11:48,240 people in there, because we had like people that were 189 00:11:48,279 --> 00:11:50,120 coming to the gigs in the car with us as well. 190 00:11:50,200 --> 00:11:54,159 Oh really going from Manchester's crew like down South and stuff, 191 00:11:54,240 --> 00:11:55,960 but doing it all in one car. 192 00:11:56,039 --> 00:11:59,200 Speaker 7: Do you remember we played with that Harry Styles Yeah. 193 00:11:59,279 --> 00:11:59,799 Speaker 8: Do you know how. 194 00:12:01,320 --> 00:12:04,960 Speaker 7: We played with Harry Styles's original band before we got. 195 00:12:05,480 --> 00:12:06,720 Speaker 5: Really Oh that's cool. 196 00:12:07,519 --> 00:12:08,919 Speaker 7: We realized still the night. 197 00:12:10,200 --> 00:12:10,840 Speaker 5: Oh that's wild. 198 00:12:11,879 --> 00:12:14,039 Speaker 7: But I think we we definitely cover all ground now 199 00:12:14,120 --> 00:12:16,840 that like we're all driving and yeah. 200 00:12:16,960 --> 00:12:18,919 Speaker 10: Yeah, the stuff that we've got on the road with us, 201 00:12:19,120 --> 00:12:21,919 that's that's also growing as well as the studios. 202 00:12:21,960 --> 00:12:22,480 Speaker 7: So that's good. 203 00:12:22,720 --> 00:12:25,519 Speaker 5: Yeah. Yeah, I'm curious too. 204 00:12:25,879 --> 00:12:29,399 Speaker 6: Uh you know, in terms of that classic grunge sound 205 00:12:29,440 --> 00:12:32,480 that you guys have, does does that help you stand 206 00:12:32,519 --> 00:12:34,559 out in the scene? Obviously there's a lot of bands 207 00:12:34,600 --> 00:12:37,759 there in the area that you're in, but I assume 208 00:12:38,000 --> 00:12:40,039 tell me if I'm wrong, I assume there's nobody else 209 00:12:40,080 --> 00:12:41,600 there doing exactly what you're doing. 210 00:12:42,519 --> 00:12:44,240 Speaker 7: A huge grunge scene in the UK. 211 00:12:45,879 --> 00:12:48,279 Speaker 5: Yeah, that's interesting. 212 00:12:49,039 --> 00:12:52,440 Speaker 10: When we went down to Camden last that, like in 213 00:12:52,559 --> 00:12:56,320 London there there's like there's a band there called Avoid, 214 00:12:56,919 --> 00:12:58,240 there's a couple of other bands, like. 215 00:12:58,320 --> 00:12:59,799 Speaker 7: Especially when we go down south, isn't it. 216 00:13:00,799 --> 00:13:01,000 Speaker 1: Yeah? 217 00:13:01,360 --> 00:13:04,679 Speaker 7: Yeah, like like especially like girl rock grunge bands, like 218 00:13:04,799 --> 00:13:05,720 they sound great. 219 00:13:06,039 --> 00:13:06,240 Speaker 5: Yeah. 220 00:13:06,519 --> 00:13:09,559 Speaker 7: The only thing that as a part is that we're old. Yeah, 221 00:13:10,720 --> 00:13:14,039 we're entering in the middle age now Old Loud George. 222 00:13:16,399 --> 00:13:16,600 Speaker 5: That's it. 223 00:13:16,679 --> 00:13:18,399 Speaker 6: See, I wouldn't have expected that that there was such 224 00:13:18,440 --> 00:13:21,840 a grunge scene there. Has that always been the case 225 00:13:22,080 --> 00:13:24,320 or has that kind of ebbed and flowed over the years, 226 00:13:24,360 --> 00:13:26,759 because right here, like in the United States, there really 227 00:13:26,840 --> 00:13:28,759 is no I mean, there are bands, you know, there 228 00:13:28,799 --> 00:13:31,039 are indie bands that have that sound, but as far 229 00:13:31,200 --> 00:13:33,519 as I can't honestly tell you that there are a 230 00:13:33,600 --> 00:13:36,879 lot of grunge bands around currently in the US, and 231 00:13:36,919 --> 00:13:38,360 there haven't been for a long time. 232 00:13:38,440 --> 00:13:40,639 Speaker 5: But has that always been the case where you guys are. 233 00:13:41,200 --> 00:13:47,039 Speaker 8: Well, we're very sad and apathetic as a country. Really 234 00:13:47,200 --> 00:13:50,039 it leans into it. I don't know, it's kind of 235 00:13:50,159 --> 00:13:52,840 come full circle, and I feel like I've seen it 236 00:13:52,919 --> 00:13:58,279 on the local scene over the last five or six years. Yeah, more, 237 00:13:58,559 --> 00:14:00,960 more and more bunds are moving away from a kind 238 00:14:01,000 --> 00:14:04,440 of just like general oat rock and metal, and a 239 00:14:04,519 --> 00:14:06,759 lot of the a lot of the younger up and 240 00:14:06,799 --> 00:14:10,440 Cummings are doing grungey sounding and stuff. Now I'm wearing 241 00:14:10,519 --> 00:14:12,679 the clothes as well. I'm looking at the thinking I 242 00:14:12,919 --> 00:14:14,279 was wearing that when I was ten. 243 00:14:15,200 --> 00:14:17,679 Speaker 10: It's hard to say, like when, like, because none of 244 00:14:17,759 --> 00:14:19,720 us are promoters, we don't put our own shows on 245 00:14:19,840 --> 00:14:22,399 and see a lot like so we stay pretty much 246 00:14:22,440 --> 00:14:25,120 in our niche. So we don't get me wrong, we 247 00:14:25,200 --> 00:14:27,399 go to a lot of gigs and stuff, but when 248 00:14:27,440 --> 00:14:29,080 you're that close to the niche, it's kind of hard 249 00:14:29,120 --> 00:14:31,240 to see for looking like I've always gone to grune 250 00:14:31,279 --> 00:14:33,919 gigs here if I feel like it's something you've always 251 00:14:33,919 --> 00:14:35,519 been able to go and watch in the UK. 252 00:14:35,519 --> 00:14:36,519 Speaker 7: Like we love that over here. 253 00:14:36,759 --> 00:14:40,000 Speaker 10: Yeah, but with bands like Wet Leg and things like that, 254 00:14:40,159 --> 00:14:44,519 they're they might not necessarily be like a four cord 255 00:14:45,159 --> 00:14:47,840 power cord thing, gotcha. 256 00:14:48,159 --> 00:14:49,960 Speaker 7: But it's definitely got like a grunge thing. 257 00:14:50,159 --> 00:14:53,320 Speaker 10: And I remember when people were going doing nuts about 258 00:14:53,320 --> 00:14:57,879 going to see what's that Australian band is The Chats. Yeah, yeah, 259 00:14:57,960 --> 00:14:59,440 people went nuts to go and see them. 260 00:14:59,440 --> 00:15:02,480 Speaker 9: They're very I do think there's a lot of punky 261 00:15:02,559 --> 00:15:04,840 sort of stuff coming out of Australia at the moment. 262 00:15:04,679 --> 00:15:09,840 Speaker 7: Like a museum that comes out of Australia is just incredible. Yeah, 263 00:15:10,080 --> 00:15:11,919 big and scary and poisonous music. 264 00:15:12,320 --> 00:15:16,000 Speaker 6: Interesting. Interesting, And so tell me about that song Nicole. 265 00:15:16,120 --> 00:15:18,279 I really love that song. Who is Nicole? 266 00:15:20,960 --> 00:15:24,840 Speaker 10: Nicole is sort of a fictitious, but it's basically all 267 00:15:24,919 --> 00:15:27,720 of us had had friends that said. 268 00:15:29,320 --> 00:15:32,399 Speaker 7: That a man had told them to smile from a 269 00:15:32,559 --> 00:15:34,799 very young age. Like I remember talking to my friend 270 00:15:34,879 --> 00:15:39,360 Kate about this. I was like, what about fifteen years old? 271 00:15:39,360 --> 00:15:42,159 Do you think like there's a bit of patriarchy force 272 00:15:42,279 --> 00:15:44,960 force than some girls? And she says, no, way younger, 273 00:15:45,360 --> 00:15:47,480 way younger than that. And then we got talking about it. 274 00:15:47,639 --> 00:15:51,480 We had this mean riff, so we just decided to 275 00:15:52,600 --> 00:15:54,720 throw that in on the lyrics. So it was a good, 276 00:15:54,799 --> 00:15:56,039 good lyrical content for us. 277 00:15:56,879 --> 00:15:58,279 Speaker 5: Yeah, yeah, interesting. 278 00:15:58,440 --> 00:16:04,480 Speaker 6: Yeah, And then I assume that, well, is that kind 279 00:16:04,480 --> 00:16:06,759 of a theme because it sounds like you're going for 280 00:16:06,919 --> 00:16:09,960 something like you're not just you know, you're not just 281 00:16:10,000 --> 00:16:13,120 singing about being sad and whatnot, Like there's some real 282 00:16:14,840 --> 00:16:17,879 uh content there in terms of those lyrics. I mean, 283 00:16:18,000 --> 00:16:19,679 you know, you're you're talking about something. It sounds like, 284 00:16:19,759 --> 00:16:22,480 you know, the patriarchy, repression and things like that. Is 285 00:16:22,799 --> 00:16:25,759 that a consistent theme in your lyrics because uh, you know, 286 00:16:25,840 --> 00:16:27,559 like I said, I listened to the other songs and 287 00:16:27,639 --> 00:16:31,200 they all sound like, you know, there's there's some genuine 288 00:16:31,240 --> 00:16:33,039 substance is the word I think I was looking for 289 00:16:33,519 --> 00:16:35,519 in terms of your lyrics. It's not just you know, 290 00:16:35,679 --> 00:16:38,799 we're grunge, we're sad whatever. It seems like you're really 291 00:16:38,840 --> 00:16:39,799 going for something there. 292 00:16:40,879 --> 00:16:43,919 Speaker 8: I would say it's not uh, not really a theme 293 00:16:43,960 --> 00:16:46,480 that we've hit on that, but we've definitely you're right 294 00:16:46,559 --> 00:16:49,720 in saying that we've tried to get more substance into 295 00:16:50,200 --> 00:16:51,360 this round of songs. 296 00:16:51,639 --> 00:16:51,840 Speaker 5: Yeah. 297 00:16:52,879 --> 00:16:53,840 Speaker 7: Well yeah, I. 298 00:16:53,919 --> 00:16:56,639 Speaker 8: Think we've ready tried to create or start with a 299 00:16:56,720 --> 00:17:01,360 story or a strong concept. So there's a song, the 300 00:17:01,440 --> 00:17:04,759 title track sextieth, which is the one that's coming out 301 00:17:04,799 --> 00:17:09,000 with the album, that's about a man being buried alive 302 00:17:09,200 --> 00:17:12,759 underground willingly so that he can enjoy the sensation of 303 00:17:12,880 --> 00:17:17,279 being eating alive by insects because that is his fetish. 304 00:17:18,680 --> 00:17:26,039 Oh my, yeah, yeah, it's it's nice and happy this one. Yeah, animals, 305 00:17:26,240 --> 00:17:29,440 there's a song about a butterfly eating. 306 00:17:29,319 --> 00:17:32,279 Speaker 10: Some There's a lot of nature, a lot of death. 307 00:17:32,759 --> 00:17:36,319 The whole album revolves around that, that sort of rotting. 308 00:17:36,920 --> 00:17:39,960 Speaker 8: Grotesque kind of it would be the theme of the 309 00:17:40,039 --> 00:17:41,640 album is grotesque imagery. 310 00:17:43,519 --> 00:17:47,920 Speaker 7: Yeah, we're trying to be gross. We're being profound all 311 00:17:47,960 --> 00:17:48,240 the time. 312 00:17:48,319 --> 00:17:51,799 Speaker 10: Signatures were gross, so yeah, why not make everything else minging. 313 00:17:51,880 --> 00:17:54,319 There was a four minute track of just audio of 314 00:17:54,480 --> 00:18:00,960 Eric throwing up the song that was originally seven minutes long. 315 00:18:04,000 --> 00:18:06,319 We played it live once, the full seven minutes. 316 00:18:07,359 --> 00:18:11,319 Speaker 7: I said, so we don't have more time. No one 317 00:18:11,440 --> 00:18:16,440 enjoyed that we did. It was like the job Spinal Tap, 318 00:18:16,480 --> 00:18:18,319 the Jazz Odyssey. We made the Jazz Obo. 319 00:18:21,680 --> 00:18:23,640 Speaker 5: I was I was thinking about Spinal Tap when you know, 320 00:18:23,680 --> 00:18:26,119 when you were saying, you know the songs about you know, death, 321 00:18:26,200 --> 00:18:28,599 I was thinking about Sir Denis eaton Hog when he says, 322 00:18:28,640 --> 00:18:31,400 you know, every every film and every cinema is about death, 323 00:18:31,519 --> 00:18:32,200 death cells. 324 00:18:33,319 --> 00:18:34,319 Speaker 7: Yeah, he does. 325 00:18:34,440 --> 00:18:37,880 Speaker 9: Well, that's why today we were discussing right in a 326 00:18:37,960 --> 00:18:40,519 new album, but we're all all going to be on bass, 327 00:18:40,720 --> 00:18:42,559 and then we're discussing the Spinal Tap. 328 00:18:46,400 --> 00:18:49,200 Speaker 5: This is Spinal Tap is my favorite movie of all time, 329 00:18:49,279 --> 00:18:49,480 by the. 330 00:18:49,480 --> 00:18:52,559 Speaker 7: Way, So there's another one that's just come out, you know. 331 00:18:53,000 --> 00:18:56,279 Speaker 5: Yeah, Jenny, Jenny and I did watch the sequel. It's 332 00:18:56,279 --> 00:18:56,599 all right. 333 00:18:56,920 --> 00:18:58,640 Speaker 6: I mean, it doesn't have the magic of the original, 334 00:18:58,680 --> 00:19:01,079 but it's okay. But I've seen original a thousand times. 335 00:19:01,079 --> 00:19:05,480 I don't think we're gonna watch the sequel again. But okay, 336 00:19:05,920 --> 00:19:08,119 here's the obvious question, where does the name loud George 337 00:19:08,160 --> 00:19:08,680 come from. 338 00:19:10,039 --> 00:19:13,400 Speaker 8: Oh my uh so my girlfriend at the time ex 339 00:19:13,519 --> 00:19:17,680 girlfriend now said it in her sleep at two o'clock 340 00:19:17,720 --> 00:19:20,440 in the morning. Just woke up and said, oh, George, 341 00:19:20,599 --> 00:19:22,759 I thought, really, that's quite good. 342 00:19:24,720 --> 00:19:27,599 Speaker 10: It's healthy that that was your thought. It wasn't like it, George, 343 00:19:27,599 --> 00:19:32,240 that was my second right, right. No one called George, 344 00:19:32,240 --> 00:19:34,400 apart from whoever she was seeing. 345 00:19:35,799 --> 00:19:40,720 Speaker 6: My goodness, Well, whoever whoever George is, I hope he 346 00:19:40,799 --> 00:19:42,519 knows that there's a band named after him. 347 00:19:43,720 --> 00:19:46,880 Speaker 7: Did we find another, like a company called loud George? 348 00:19:47,640 --> 00:19:51,279 Well that was you when you when we designed the logo, Nick, 349 00:19:51,839 --> 00:19:53,720 you know the l G logo? Do you remember that? 350 00:19:53,759 --> 00:19:56,240 It was like the inside the G. I don't think 351 00:19:56,240 --> 00:19:59,799 do you have LERG over there? Life's good the tech brand, isn't. 352 00:19:59,640 --> 00:20:01,599 Speaker 5: It like, oh LG we have LG. 353 00:20:01,799 --> 00:20:02,440 Speaker 7: Yeah? 354 00:20:02,480 --> 00:20:05,000 Speaker 9: Yeah, So when we were making the logo for it, 355 00:20:05,359 --> 00:20:12,759 Nick described the LG logo. Yeah, it looks like we 356 00:20:12,799 --> 00:20:14,279 should have the L inside. 357 00:20:17,319 --> 00:20:18,559 Speaker 7: My brain was suped then. 358 00:20:20,400 --> 00:20:26,039 Speaker 5: So so is that like, have you used that actual logo? No, okay, 359 00:20:27,200 --> 00:20:27,759 there have been a. 360 00:20:27,839 --> 00:20:30,920 Speaker 8: Few logos over the years, but no, we didn't just. 361 00:20:31,000 --> 00:20:31,960 Speaker 1: Completely rip off. 362 00:20:32,960 --> 00:20:34,680 Speaker 5: I was gonna say there might be a season Assist 363 00:20:34,799 --> 00:20:35,960 letter in your future if you did. 364 00:20:36,079 --> 00:20:38,960 Speaker 7: But yeah, they should down straight away. Those two they 365 00:20:38,960 --> 00:20:39,799 didn't like my logo. 366 00:20:40,160 --> 00:20:44,079 Speaker 6: Yeah, yeah, well that's all right. Well it's a cool name. 367 00:20:44,359 --> 00:20:48,000 So so what's so refresh our Memories again? So the 368 00:20:49,200 --> 00:20:51,079 it's not in a full album, right, it's an EP 369 00:20:51,319 --> 00:20:53,000 Sex Teeth, No. 370 00:20:53,240 --> 00:20:56,319 Speaker 7: It's it's a thirteen tracker year it is. 371 00:20:57,240 --> 00:20:59,279 Speaker 10: Yeah, I think about seven of them have come out, 372 00:20:59,400 --> 00:21:05,160 and the latest to being Nicole and Monolith. Okay, and 373 00:21:05,240 --> 00:21:09,640 then on the thirteenth of March, we've got a thirteen 374 00:21:09,680 --> 00:21:12,759 track album coming out, so there'll be what like four 375 00:21:12,839 --> 00:21:14,440 or five songs that people haven't heard. 376 00:21:14,640 --> 00:21:15,559 Speaker 5: Oh, fantastic. 377 00:21:16,240 --> 00:21:19,079 Speaker 10: Yeah, it was a blast to record it, honestly excellent, 378 00:21:19,119 --> 00:21:21,400 very weird, weird time signature is very fun. 379 00:21:21,519 --> 00:21:21,759 Speaker 7: Listen. 380 00:21:22,200 --> 00:21:26,279 Speaker 6: Yeah, oh that's fantastic. Okay, So that's coming out March thirteenth. Excellent, excellent. 381 00:21:26,799 --> 00:21:29,799 I can't wait to hear that. So, guys, where's the 382 00:21:29,880 --> 00:21:31,839 best place to go online for people to keep up 383 00:21:31,880 --> 00:21:33,680 with everything that you're doing? Where should they go to 384 00:21:33,759 --> 00:21:36,599 keep up with loud George in Instagram? 385 00:21:36,759 --> 00:21:39,160 Speaker 9: We're very active on Instagram. We do want to promote 386 00:21:39,200 --> 00:21:41,960 the band camp. Everyone get on the bank. Yes, we 387 00:21:42,079 --> 00:21:42,920 love the bank camp. 388 00:21:43,400 --> 00:21:45,079 Speaker 7: Go to the bank, can buy a T shirt on 389 00:21:45,160 --> 00:21:48,799 the bank. Don't order a medium. 390 00:21:49,119 --> 00:21:56,279 Speaker 6: Now, Okay, I'm a big I'm a big proponent of 391 00:21:56,359 --> 00:21:58,960 band camp because the thing that people might not realize 392 00:21:58,960 --> 00:22:00,599 about band camp too is it you get a very 393 00:22:00,680 --> 00:22:04,599 high quality file. You know, it's it's much better to 394 00:22:04,640 --> 00:22:06,559 get your music from band camp than to say, you know, 395 00:22:06,599 --> 00:22:08,599 if you're streaming it on YouTube, which a lot of 396 00:22:08,599 --> 00:22:11,559 people do, you know, because it's so easy, or even Spotify. 397 00:22:11,720 --> 00:22:13,359 If you get it from band camp, you're getting the 398 00:22:13,440 --> 00:22:17,440 highest quality file that is available typically. And so I'm 399 00:22:17,480 --> 00:22:18,880 a big proponent of band camp. 400 00:22:19,400 --> 00:22:21,680 Speaker 10: Yeah, everything that we've got up on there is like 401 00:22:21,799 --> 00:22:24,240 it's all wabs, Like it's the highest we could bound 402 00:22:24,240 --> 00:22:27,480 to ours and we do all ourselves as well. So 403 00:22:27,559 --> 00:22:30,000 that's that's the great thing. Like when Eric's finished master 404 00:22:30,119 --> 00:22:32,599 and everything, and we just make sure that we've got 405 00:22:32,599 --> 00:22:35,720 all the tags done, but like the whole first CD, 406 00:22:35,880 --> 00:22:39,440 the things that we sell our gigs, and they're all wabs. 407 00:22:40,000 --> 00:22:41,400 It's as much as we can get. 408 00:22:41,839 --> 00:22:46,039 Speaker 6: Yeah, yeah, no, that's excellent, excellent. Well, guys, thank you 409 00:22:46,160 --> 00:22:47,839 so much for joining us in a moment, we're going 410 00:22:47,880 --> 00:22:50,119 to hit this track Monolith. What should we know about 411 00:22:50,160 --> 00:22:53,000 this is there? You know we talked about Nicole. Is 412 00:22:53,000 --> 00:22:55,119 there a story with Monolith or what? What should our 413 00:22:55,160 --> 00:22:56,759 listeners know about this before they hear it? 414 00:22:57,759 --> 00:23:00,160 Speaker 7: Well, this is so, this is Eric Agad. So what 415 00:23:00,240 --> 00:23:02,559 happened was his nick had rot four thousand songs and 416 00:23:02,599 --> 00:23:04,599 we're trying to contribute from songs to it. 417 00:23:05,200 --> 00:23:07,400 Speaker 9: I bashed it out in my garage in like a 418 00:23:07,480 --> 00:23:09,279 few hours and then sent it and was like, is 419 00:23:09,319 --> 00:23:10,480 this is this weird enough? 420 00:23:11,480 --> 00:23:11,680 Speaker 1: Yeah? 421 00:23:12,240 --> 00:23:15,599 Speaker 8: So yeah, I mean we then workshopped it for like, yeah, 422 00:23:16,920 --> 00:23:19,599 but yeah, this is this. This song is like basically 423 00:23:19,799 --> 00:23:22,640 Eric having a panic a panic, and I. 424 00:23:22,720 --> 00:23:25,519 Speaker 7: Really love it. It's it's great, it's weird, it's Monoloth 425 00:23:25,640 --> 00:23:29,720 is one of my favorites people, it was. It very 426 00:23:29,799 --> 00:23:31,039 nearly ended up on the fridge. 427 00:23:32,880 --> 00:23:35,200 Speaker 10: It was a well known Eric is a great no 428 00:23:35,440 --> 00:23:39,759 great song though it's it's and again weird time signatures, 429 00:23:39,839 --> 00:23:41,559 but like I feel like what me and Sam are 430 00:23:41,599 --> 00:23:44,839 bouncing around with you can you can still like move 431 00:23:44,920 --> 00:23:46,960 to it even though it's in an odd number. 432 00:23:47,279 --> 00:23:50,839 Speaker 7: Yeah, yeah, really really. 433 00:23:50,759 --> 00:23:55,680 Speaker 10: Weird vocals though from from from our eric. In terms 434 00:23:55,720 --> 00:23:57,799 of what the actual lyrical content is, I think it's 435 00:23:58,000 --> 00:24:03,039 just just a synopsis of what the whole album is about. Again, 436 00:24:03,400 --> 00:24:07,559 just the whole death and weird things that we wanted 437 00:24:07,599 --> 00:24:08,480 to write about. 438 00:24:08,640 --> 00:24:11,440 Speaker 6: Right right, very good, very good. So we're gonna play this, 439 00:24:12,079 --> 00:24:14,160 but we'll let you guys go in the meantime. But 440 00:24:14,480 --> 00:24:15,839 I really want to thank you all three of you 441 00:24:15,920 --> 00:24:17,319 for being with us today. This has been a lot 442 00:24:17,359 --> 00:24:19,720 of fun. Like I said, I listened everything that you 443 00:24:19,839 --> 00:24:21,880 have available on band camp and I really like it. 444 00:24:22,000 --> 00:24:24,519 Can't wait to hear the full album and we will 445 00:24:24,599 --> 00:24:27,079 definitely do this again as you guys are releasing new music. 446 00:24:27,119 --> 00:24:28,480 We'd love to have you back in the future. 447 00:24:29,200 --> 00:24:29,720 Speaker 7: Oh brilliant. 448 00:24:31,119 --> 00:24:34,519 Speaker 6: Absolutely all right, we're gonna play this track, so we'll 449 00:24:34,599 --> 00:24:38,160 let you guys go. But again, guys, loud George, thank 450 00:24:38,200 --> 00:24:39,839 you so much for joining us today and we'll talk 451 00:24:39,839 --> 00:24:40,279 to you soon. 452 00:24:42,759 --> 00:24:45,039 Speaker 5: All right, guys, take care. All right. 453 00:24:45,160 --> 00:24:48,279 Speaker 6: That is all three members of loud George and check 454 00:24:48,359 --> 00:24:51,640 this out. This is called Monolith and I really like 455 00:24:51,759 --> 00:24:54,039 this a lot. And remember sex Teeth coming out on 456 00:24:55,799 --> 00:24:59,960 thinking about what the song's about coming out on March thirteen, 457 00:25:00,279 --> 00:25:03,160 So very very soon next week. But here it is 458 00:25:03,279 --> 00:25:05,319 loud George. This is called monolith. 459 00:25:26,599 --> 00:25:26,640 Speaker 11: S. 460 00:25:35,119 --> 00:25:38,640 Speaker 1: F Sup. 461 00:25:40,839 --> 00:26:21,799 Speaker 3: Song of me, stop string countries by s doesn' spring. 462 00:26:23,279 --> 00:26:41,720 Speaker 12: Guns, polo, shoe girls, stoves three. 463 00:26:43,000 --> 00:26:50,000 Speaker 13: Two three of boll the lines, cold sloo. 464 00:26:52,279 --> 00:27:16,079 Speaker 2: Tree close, slow, jump stops up. That's my. 465 00:27:18,039 --> 00:27:30,960 Speaker 1: Jem Raison shop stop. 466 00:27:34,079 --> 00:28:32,480 Speaker 14: Jumps jump. 467 00:28:39,319 --> 00:28:40,440 Speaker 1: Ju Brason. 468 00:28:51,559 --> 00:28:55,920 Speaker 3: Stops get bras. 469 00:29:17,079 --> 00:29:19,799 Speaker 15: Oh not there, jeez, what's wait? 470 00:29:20,559 --> 00:29:20,759 Speaker 3: Oh? 471 00:29:20,920 --> 00:29:23,720 Speaker 1: I hate her so much, I'm not doing this today. 472 00:29:24,400 --> 00:29:26,920 Let's go the long way quick, Let's go. 473 00:29:28,079 --> 00:29:32,480 Speaker 16: Whenever you show up, you always. 474 00:29:32,240 --> 00:29:36,160 Speaker 11: Have they are your things. 475 00:29:36,240 --> 00:29:38,319 Speaker 17: Bows and lead to night. 476 00:29:41,319 --> 00:29:44,799 Speaker 1: No why no where yo haye? 477 00:29:45,160 --> 00:29:50,480 Speaker 2: Come? But I fee you around? 478 00:29:53,440 --> 00:29:55,079 Speaker 1: Why I so? 479 00:29:56,720 --> 00:29:59,000 Speaker 13: Why so away? 480 00:30:02,599 --> 00:30:03,039 Speaker 1: Mary? 481 00:30:04,720 --> 00:30:14,599 Speaker 14: You'll say Friday by j by way by. 482 00:30:19,759 --> 00:30:33,240 Speaker 1: You ye you praise for. 483 00:30:34,960 --> 00:30:36,200 Speaker 14: To say bo. 484 00:30:46,200 --> 00:30:52,440 Speaker 3: You played the game, but now you're just play for 485 00:30:52,680 --> 00:30:53,920 all the herd, for. 486 00:30:54,200 --> 00:30:55,440 Speaker 15: All the shame. 487 00:30:58,319 --> 00:31:08,400 Speaker 2: Why eyes Dad by eyes away yet marry. 488 00:31:09,640 --> 00:31:16,880 Speaker 14: No stay are day? So Dad bye so away? 489 00:31:17,759 --> 00:31:26,000 Speaker 2: Why and why dad. 490 00:31:28,680 --> 00:31:28,960 Speaker 14: Bye? 491 00:31:33,119 --> 00:31:33,440 Speaker 3: For the. 492 00:31:40,240 --> 00:31:42,680 Speaker 13: I can try to find you all because you know. 493 00:31:42,799 --> 00:31:48,559 Speaker 15: What happened to her? What yes and from everything She's 494 00:31:48,640 --> 00:31:49,720 totally deserves it. 495 00:31:51,039 --> 00:31:52,920 Speaker 3: You are you one. 496 00:31:54,279 --> 00:31:56,200 Speaker 15: Now You're the one. 497 00:31:57,559 --> 00:31:59,240 Speaker 17: Left the face the ball. 498 00:32:00,079 --> 00:32:01,240 Speaker 8: Oh loud. 499 00:32:03,200 --> 00:32:07,200 Speaker 1: Why I so, just why I. 500 00:32:12,359 --> 00:32:25,359 Speaker 14: Marry, don't say by day? Why You're so? By hate. 501 00:32:28,319 --> 00:32:28,680 Speaker 1: And what. 502 00:32:33,640 --> 00:32:35,640 Speaker 3: I hate idio. 503 00:32:38,960 --> 00:32:39,440 Speaker 2: I did. 504 00:33:06,319 --> 00:33:09,440 Speaker 6: That is my favorite awaiting Abigail song that is called 505 00:33:09,480 --> 00:33:13,119 I Hate You. And this is Matt Connorton Unleashed and 506 00:33:13,720 --> 00:33:17,039 we are We've entered into our final, our final stretch 507 00:33:17,079 --> 00:33:19,960 here on the show this week. If you are listening 508 00:33:20,079 --> 00:33:23,640 live of course, today is a Saturday, March seven, twenty 509 00:33:23,799 --> 00:33:26,039 twenty six, and we are live from the studios of 510 00:33:26,200 --> 00:33:30,119 wm NH ninety five point three FM and Glorious Manchester, 511 00:33:30,319 --> 00:33:32,359 New Hampshire, and you can stream the show from anywhere. 512 00:33:32,440 --> 00:33:35,960 Go to Matt connorton dot com, slash live for all 513 00:33:36,400 --> 00:33:38,920 of your live streaming options, social media links, contact and 514 00:33:38,960 --> 00:33:41,480 foshoe archives, et cetera, et cetera. Jenny is here of 515 00:33:41,480 --> 00:33:45,039 course at the news table. And a few minutes ago 516 00:33:45,119 --> 00:33:48,279 we talked to the guys from loud George, great band 517 00:33:48,359 --> 00:33:51,759 from Manchester, UK, and I really really like them a lot. 518 00:33:51,880 --> 00:33:54,079 They're fun to talk to but also a big fan 519 00:33:54,160 --> 00:33:58,279 of their music. So uh, their new album I was Wrong. 520 00:33:58,359 --> 00:33:59,920 It is not an EP. It is a full album 521 00:34:00,160 --> 00:34:03,200 coming out next week on the thirteenth. That is called 522 00:34:03,279 --> 00:34:05,000 Sex Teeth. You can check that out. 523 00:34:05,440 --> 00:34:05,559 Speaker 5: Uh. 524 00:34:05,599 --> 00:34:08,280 Speaker 6: The reason we've been playing some awaiting Abigail to during 525 00:34:08,320 --> 00:34:10,119 the show today is a great band from Texas. They've 526 00:34:10,119 --> 00:34:11,360 been on the show with us, I think a couple 527 00:34:11,440 --> 00:34:14,599 of times now and gonna be seeing them tonight. They 528 00:34:14,599 --> 00:34:18,000 are going to be at the Magic Room in Norwood, 529 00:34:18,280 --> 00:34:22,559 Massachusetts for the Rocking Women of Metal. They're gonna be 530 00:34:22,559 --> 00:34:26,679 there along with Under the Horizon, Sex Coffee and Sepsis 531 00:34:26,800 --> 00:34:29,840 is headlining. Of course under the Horizon they've been on 532 00:34:29,880 --> 00:34:31,880 the show a bunch as well as Sepsis has been 533 00:34:31,960 --> 00:34:34,719 on the show many times over the years. So really 534 00:34:34,800 --> 00:34:36,880 looking forward to seeing them tonight. The only band I'm 535 00:34:36,880 --> 00:34:39,519 not familiar with is Sex Coffee, but we'll see them 536 00:34:39,559 --> 00:34:40,840 tonight too, or I will see them. 537 00:34:41,000 --> 00:34:46,440 Speaker 5: Jenny, of course, is unable to attend. Unable to attend 538 00:34:46,519 --> 00:34:50,679 because of your ear. Yes, for people who don't know. 539 00:34:50,840 --> 00:34:53,679 Speaker 18: I got an ear infection after getting an upper respiratory 540 00:34:53,760 --> 00:34:57,280 thing yep. And this was three weeks ago about and 541 00:34:57,400 --> 00:34:59,280 it's been three weeks since I could hear out of 542 00:34:59,320 --> 00:35:01,719 my right ear. Yeah, I still can't hear out of 543 00:35:01,800 --> 00:35:03,960 it except for a very high pitched Tonight is is 544 00:35:04,039 --> 00:35:08,039 that's yeah, nauseating to say the least. Yes, yes, oh yeah, 545 00:35:08,239 --> 00:35:10,519 I don't get to listen to loud music tonight. 546 00:35:10,719 --> 00:35:12,559 Speaker 5: No, that would be very dangerous for you. 547 00:35:12,599 --> 00:35:14,639 Speaker 15: That would not be very fun and I'd probably end 548 00:35:14,719 --> 00:35:15,079 up hurting. 549 00:35:15,320 --> 00:35:17,239 Speaker 6: I'll have to remember too, to grab some earplugs out 550 00:35:17,239 --> 00:35:19,360 of your bag of ear plugs. Yes, before I go, 551 00:35:19,480 --> 00:35:22,679 because I also have tonight s of course. Fortunately mine 552 00:35:22,760 --> 00:35:26,159 is mild. The only time I really consistently noticed mine 553 00:35:26,239 --> 00:35:28,800 is when I first wake up in the morning. That's 554 00:35:28,840 --> 00:35:30,800 when I notice it. Other than that, like once I'm 555 00:35:30,880 --> 00:35:32,800 up and moving around, I don't notice it anymore. 556 00:35:33,079 --> 00:35:34,840 Speaker 18: My loudest is at night, when it's time to go 557 00:35:34,920 --> 00:35:36,880 to bed. Yeah, take me hearing aids out. But I 558 00:35:37,000 --> 00:35:40,000 always have tonight this, But it's not usually this very 559 00:35:40,079 --> 00:35:42,639 high pitched squeal that I've got going on right now. 560 00:35:42,760 --> 00:35:45,920 Speaker 6: Yeah, that happens to me too. Only once in a 561 00:35:46,000 --> 00:35:48,880 great while something will set it off. I don't know why, 562 00:35:49,000 --> 00:35:51,679 but all of a sudden I'll hear that, but it 563 00:35:51,760 --> 00:35:52,400 doesn't last. 564 00:35:52,559 --> 00:35:55,079 Speaker 18: So so I this has been horrible. It's so walked off. 565 00:35:55,119 --> 00:35:57,119 All I can hear is the son of my own voice. Yeah, 566 00:35:57,480 --> 00:35:59,239 I can't hear anybody on the if they're on my 567 00:35:59,360 --> 00:36:01,400 right side, even my hearing is I just can't hear them. 568 00:36:01,480 --> 00:36:04,079 Speaker 6: Oh yeah, yeah, So I do wear aar plugs that shows, 569 00:36:04,239 --> 00:36:06,360 just to try to make sure that mine doesn't get 570 00:36:06,400 --> 00:36:07,800 any worse than it already is. 571 00:36:08,280 --> 00:36:09,480 Speaker 5: And so far, so good. 572 00:36:10,519 --> 00:36:10,800 Speaker 15: Lucky. 573 00:36:11,519 --> 00:36:14,079 Speaker 5: I am lucky wear air plugs. 574 00:36:14,559 --> 00:36:15,119 Speaker 15: It's worth it. 575 00:36:15,679 --> 00:36:18,400 Speaker 6: The the I'm always whenever I think about this, I 576 00:36:18,679 --> 00:36:23,039 remember years ago. This was at least twenty years ago, 577 00:36:23,880 --> 00:36:28,760 maybe longer. Entertainment Tonight, Remember Entertainment Tonight. I think it's 578 00:36:28,760 --> 00:36:31,159 still They did a story about William Shatner how he 579 00:36:31,320 --> 00:36:33,639 had to he had to have there's some sort of 580 00:36:33,719 --> 00:36:37,480 surgery they can do apparently, or maybe they implant something. Uh, 581 00:36:37,719 --> 00:36:40,119 his tonight is got so bad. He had severe tonight 582 00:36:40,159 --> 00:36:43,159 as and he's convinced it's from when they were doing 583 00:36:43,239 --> 00:36:47,159 the original Star Trek series. Something happened on set that 584 00:36:47,239 --> 00:36:49,679 created a very loud bang right in his ear. And 585 00:36:50,000 --> 00:36:52,119 but this has always haunted me. He said, his tonight 586 00:36:52,199 --> 00:36:55,039 is got so bad that he was actually considering suicide 587 00:36:55,039 --> 00:36:55,559 at one point. 588 00:36:55,679 --> 00:36:55,920 Speaker 5: Wow. 589 00:36:56,760 --> 00:36:59,760 Speaker 6: He said that in that interview on Entertainment Tonight about 590 00:36:59,840 --> 00:37:01,960 the the surgery that he had that that fixed it 591 00:37:02,079 --> 00:37:03,320 or at least made it manageable. 592 00:37:03,480 --> 00:37:05,400 Speaker 15: Surgery. It must be something only rich people can. 593 00:37:05,360 --> 00:37:07,960 Speaker 6: Act, probably, I mean, obviously Shatner's got plenty of money. 594 00:37:08,159 --> 00:37:10,320 But yeah, he said, he said it got that bad, 595 00:37:10,519 --> 00:37:12,440 the constant ring, and it was that bad. It was 596 00:37:12,639 --> 00:37:16,519 it was unlivable. And then me and then somebody put 597 00:37:16,599 --> 00:37:19,360 him in touch with a doctor who had a surgery. 598 00:37:19,760 --> 00:37:22,079 Is that he could do that that actually fixed it 599 00:37:22,199 --> 00:37:26,000 so that it was at least livable, you know, But 600 00:37:26,159 --> 00:37:28,679 that's that's always kind of haunted me, just him saying that. 601 00:37:28,760 --> 00:37:30,159 So that's why I'm very protective. 602 00:37:30,400 --> 00:37:30,559 Speaker 7: You know. 603 00:37:30,719 --> 00:37:32,639 Speaker 6: If anyone wants to make judgments or make fun of me, 604 00:37:32,679 --> 00:37:35,360 go ahead. I don't care. I'm putting in earplugs. I 605 00:37:35,719 --> 00:37:37,679 don't want mind getting any worse in it already is, 606 00:37:37,880 --> 00:37:41,000 and as far as I can tell, of course, I mean, 607 00:37:41,039 --> 00:37:43,119 obviously if it does get worse, it's incremental. But as 608 00:37:43,159 --> 00:37:45,519 far as I can tell, I've done pretty well with it. 609 00:37:45,679 --> 00:37:48,920 Because I've had tonightis for that I've been able to 610 00:37:49,079 --> 00:37:53,880 notice for at least at least fifteen, maybe twenty years. 611 00:37:54,840 --> 00:37:57,559 And I also know that I've definitely got more damage 612 00:37:57,599 --> 00:38:00,239 on one side than the other because a long time ago, 613 00:38:00,239 --> 00:38:02,800 I was talking on the phone and I went to 614 00:38:02,880 --> 00:38:06,039 switch ears. I went to switch from my left ear 615 00:38:06,079 --> 00:38:08,119 to my right ear, and I noticed in my right 616 00:38:08,199 --> 00:38:11,840 ear that everything sounded a little different and was not 617 00:38:11,960 --> 00:38:14,000 as It's not like it was at a different volume. 618 00:38:14,000 --> 00:38:16,000 It was more like it just wasn't as clear. And 619 00:38:16,079 --> 00:38:17,800 I remember I'm sitting there on the phone, like switching 620 00:38:17,880 --> 00:38:19,880 back and forth between my ears while the other person 621 00:38:19,960 --> 00:38:22,079 is talking, trying to figure out why it sounds different. 622 00:38:22,159 --> 00:38:24,039 I realized, I mean, you know, it was obvious. I 623 00:38:24,199 --> 00:38:26,480 just I had more damage on one side than the 624 00:38:26,559 --> 00:38:29,960 other and it actually affected how I was hearing things. 625 00:38:31,280 --> 00:38:32,039 Speaker 5: In my right ear. 626 00:38:32,239 --> 00:38:34,639 Speaker 15: So, yeah, I've had hearing aids for a long time now. 627 00:38:34,920 --> 00:38:35,119 Speaker 5: Yeah. 628 00:38:35,840 --> 00:38:38,599 Speaker 15: They said that mine was a combination of well. 629 00:38:38,440 --> 00:38:40,079 Speaker 5: You used to drive an ambulance, Well yeah. 630 00:38:41,360 --> 00:38:44,760 Speaker 18: An exacerbation of the sirens, hearing loss from the sirens, 631 00:38:45,400 --> 00:38:51,599 exacerbated by timoxafin toxicity. Yeah, so crazy, crazy a medication 632 00:38:51,960 --> 00:38:55,559 actually got me into hearing aids, probably a lot faster 633 00:38:55,679 --> 00:38:58,599 than I would have ended up with them. Rights is constant, 634 00:38:58,760 --> 00:39:01,239 I always have it. You almost have to cut to 635 00:39:01,360 --> 00:39:04,400 a point where it's like you your brain accepts that 636 00:39:04,559 --> 00:39:08,039 that is normal for the world for you. Yeah, but 637 00:39:08,119 --> 00:39:09,719 the world always has that sound. 638 00:39:10,159 --> 00:39:10,360 Speaker 5: Yeah. 639 00:39:10,440 --> 00:39:13,800 Speaker 15: Otherwise yeah, it'll mentally just insane. 640 00:39:13,880 --> 00:39:16,920 Speaker 5: Oh yeah, yeah absolutely so. 641 00:39:17,320 --> 00:39:20,280 Speaker 6: Uh anyway, so big show tonight, uh and of course 642 00:39:20,320 --> 00:39:23,199 it is Women's History Month, so very appropriate. But rock 643 00:39:23,239 --> 00:39:25,679 and Women of Metal under the Rise and waiting abbiail 644 00:39:25,719 --> 00:39:30,280 Sex Coffee opening for sepsis uh so goes according to 645 00:39:30,320 --> 00:39:33,599 this from seven to eleven pm, doors at six and 646 00:39:33,719 --> 00:39:36,519 that is at the Magic Room, a venue that I've 647 00:39:36,559 --> 00:39:42,280 never been and that is that is a Norwood mass Oh. 648 00:39:42,280 --> 00:39:45,360 And it's being put on by Loud Entertainment. So we've 649 00:39:45,400 --> 00:39:48,039 had those guys on the show. Yep, we know them, 650 00:39:48,079 --> 00:39:51,400 Loud Entertainment and Speed Demon Promotions, which is which is 651 00:39:51,519 --> 00:39:53,960 Josh who keeps canceling on us. But someday we'll have 652 00:39:54,079 --> 00:39:54,679 him on the show. 653 00:39:54,960 --> 00:39:57,599 Speaker 15: Yeah, moday. 654 00:39:57,880 --> 00:40:00,599 Speaker 6: So so that is all very exciting. And of course, 655 00:40:00,840 --> 00:40:04,239 speaking of Women's History Month, we've got your art will 656 00:40:04,280 --> 00:40:07,199 be in the next Mosaic Art Collective event. 657 00:40:07,559 --> 00:40:12,519 Speaker 18: Yes, and the exhibit called women Wise is open on 658 00:40:12,880 --> 00:40:16,960 March fourteenth, that's next Saturday. From five pm to seven 659 00:40:17,039 --> 00:40:20,239 pm is the opening. Please come and check it out. 660 00:40:20,559 --> 00:40:23,800 Matt and I will be there. The Women Wise Show 661 00:40:24,679 --> 00:40:29,440 is actually about equality then and equality now, a legacy 662 00:40:29,519 --> 00:40:33,239 of solidarity, self dominance, and the ongoing fight for justice. 663 00:40:33,719 --> 00:40:37,599 The name of it, woman Wise, was actually taken from 664 00:40:37,760 --> 00:40:41,559 a pioneering health based newspaper that was published from nineteen 665 00:40:41,639 --> 00:40:45,519 seventy four to nineteen ninety four by Equality Health Center, 666 00:40:46,039 --> 00:40:50,000 then known as the Conquered Feminist Health Center. The community 667 00:40:50,159 --> 00:40:54,280 this publication cultivated serves as a powerful reminder of the 668 00:40:54,360 --> 00:40:59,000 importance of collective learning, multi mutual support, and shared power. 669 00:40:59,480 --> 00:41:04,800 With this exhibition, I can speak. With this exhibition, we 670 00:41:05,039 --> 00:41:09,320 seek to honor that legacy, reviving the rich history of 671 00:41:09,400 --> 00:41:12,480 the women's movement and inviting you to illuminate a woman 672 00:41:12,760 --> 00:41:17,639 who has influenced your life for your arts. This exhibit 673 00:41:17,840 --> 00:41:20,559 is a partnership between the Mosaic Are Collective and the 674 00:41:20,679 --> 00:41:25,199 Equality Health Center, bringing together art, history and community to 675 00:41:25,320 --> 00:41:29,000 highlight the stories and strengths of women across generations. In 676 00:41:29,119 --> 00:41:32,639 celebration of Women's History Month. Both Mosaic and the Equity 677 00:41:32,679 --> 00:41:35,360 Health Center invite local artists to submit. 678 00:41:35,159 --> 00:41:36,280 Speaker 15: Their work, which we all did. 679 00:41:36,440 --> 00:41:38,480 Speaker 18: This is a juried show, so you will see the 680 00:41:38,599 --> 00:41:41,679 results of that on the walls of the Mosaic Are 681 00:41:41,760 --> 00:41:45,599 Collective next Saturday, and it will remain open through the 682 00:41:45,679 --> 00:41:46,599 following through a. 683 00:41:46,599 --> 00:41:47,440 Speaker 15: Few weeks after that. 684 00:41:48,159 --> 00:41:51,960 Speaker 18: The open call of a welcomed original pieces of work 685 00:41:52,440 --> 00:41:56,079 in any media that honored the strength, resilience and beauty 686 00:41:56,199 --> 00:42:00,719 of all women, Cys, Square, Trands and beyond us the stories, 687 00:42:00,800 --> 00:42:05,800 connections and inspirations that shaped your view of womanhood, empowerment 688 00:42:05,960 --> 00:42:10,159 and community. So quite the powerful exhibit. I hope you 689 00:42:10,239 --> 00:42:13,559 will come to the Mosaic Art Collective, which is located 690 00:42:13,679 --> 00:42:17,039 at sixty six Hanover Street sweep to one here in 691 00:42:17,079 --> 00:42:19,679 the Queen City of Manchester. You can check them out 692 00:42:19,719 --> 00:42:23,039 online at the Mosaic Artcollective dot com. And I do 693 00:42:23,199 --> 00:42:25,599 hope to see you next Saturday at the opening. Matt 694 00:42:25,719 --> 00:42:28,039 and I will be there and look forward to seeing 695 00:42:28,079 --> 00:42:28,760 you in person. 696 00:42:29,519 --> 00:42:31,880 Speaker 5: Absolutely all right, well, very very good. 697 00:42:32,119 --> 00:42:33,800 Speaker 6: So I think what we're going to do is we 698 00:42:34,159 --> 00:42:35,639 just have a little bit of time left in today's 699 00:42:35,639 --> 00:42:37,559 so I want to get some more music in from 700 00:42:37,599 --> 00:42:39,320 some of the great bands that are going to be 701 00:42:39,360 --> 00:42:41,599 playing tonight in Norwood. 702 00:42:41,159 --> 00:42:42,079 Speaker 5: At the Magic Room. 703 00:42:42,079 --> 00:42:42,639 Speaker 15: Here's some of it. 704 00:42:42,880 --> 00:42:44,960 Speaker 5: What's that I get to get to hear some of 705 00:42:45,039 --> 00:42:46,079 it this way, yes, some of. 706 00:42:46,119 --> 00:42:48,800 Speaker 18: It together, as I would have really gotten to see 707 00:42:48,840 --> 00:42:51,360 that together. That's a lot of really great bands and 708 00:42:51,440 --> 00:42:54,480 good people and a lot fun people on stage too, 709 00:42:55,079 --> 00:42:57,159 like these we've seen these, These are some of our 710 00:42:57,199 --> 00:43:00,800 favorite bands. So it's definitely a so worth going if 711 00:43:00,840 --> 00:43:02,239 you're available this evening. 712 00:43:02,519 --> 00:43:04,639 Speaker 15: I highly recommend going. And I hear the weather's gonna 713 00:43:04,639 --> 00:43:05,559 be on our side. 714 00:43:05,719 --> 00:43:08,599 Speaker 5: Yes, yes, uh need the mild weather, that's for sure. 715 00:43:08,639 --> 00:43:10,280 Speaker 15: Oh I'm ready for warm. I'm really wedding. 716 00:43:10,320 --> 00:43:12,719 Speaker 18: It's supposed to get like the sixties over the next 717 00:43:12,760 --> 00:43:14,840 couple of days, and yeah, maybe it'll be nice enough 718 00:43:14,880 --> 00:43:16,639 to be able to open up the windows and invite 719 00:43:16,679 --> 00:43:17,639 some fresh air in. 720 00:43:18,239 --> 00:43:21,039 Speaker 6: Absolutely, so I'm gonna play I'm gonna play one more 721 00:43:21,400 --> 00:43:24,119 awaiting Abigail single called left Out. I really like this 722 00:43:24,280 --> 00:43:27,480 track a lot. I'm also gonna play Orchids in the 723 00:43:27,519 --> 00:43:30,480 Sunrise by our friends under the Horizon love thee that song, 724 00:43:30,639 --> 00:43:32,679 and then I think we'll and then we'll close out 725 00:43:32,719 --> 00:43:35,320 the show, probably with one more Sepsis track as well. 726 00:43:35,480 --> 00:43:38,960 So come come see me. Jenny can't make it, but 727 00:43:39,039 --> 00:43:41,760 I will be there at the Magic Room tonight in Norwood, 728 00:43:41,800 --> 00:43:44,559 mass and really looking forward to that. If you miss 729 00:43:44,599 --> 00:43:46,039 any part of today's show, it will be up in 730 00:43:46,119 --> 00:43:48,679 just a little bit at Wmnhradio dot org and of 731 00:43:48,719 --> 00:43:51,360 course at my website Matt Connorton dot com. If you'd 732 00:43:51,360 --> 00:43:54,039 like to book a hypnotherapy session, you can go to 733 00:43:54,119 --> 00:43:57,000 Matt Connorton dot com as well see how I can 734 00:43:57,079 --> 00:43:59,239 help you. And Jenny, where can people follow you? 735 00:43:59,639 --> 00:43:59,760 Speaker 1: Hi? 736 00:44:00,039 --> 00:44:01,400 Speaker 18: You want to see what kind of good trouble I've 737 00:44:01,400 --> 00:44:04,199 been getting into? Go to Jencoffee dot com, j E 738 00:44:04,400 --> 00:44:06,559 N N C O F F eu I dot com 739 00:44:07,280 --> 00:44:09,760 and feel free to contact me if you need me. Hey, 740 00:44:09,800 --> 00:44:11,320 which STEP's of song are you gonna play? 741 00:44:11,519 --> 00:44:12,280 Speaker 5: I haven't decided. 742 00:44:12,400 --> 00:44:13,960 Speaker 15: Oh I think you should play my favorite? 743 00:44:14,000 --> 00:44:14,559 Speaker 5: Which one is that? 744 00:44:14,840 --> 00:44:15,400 Speaker 15: Lay you Down? 745 00:44:16,440 --> 00:44:17,400 Speaker 5: Oh? Force you to lay down? 746 00:44:17,800 --> 00:44:18,159 Speaker 15: To lay down? 747 00:44:18,239 --> 00:44:18,880 Speaker 5: Yeah? I can play that. 748 00:44:18,880 --> 00:44:20,400 Speaker 15: We'll ever say it the right way. But I love 749 00:44:20,440 --> 00:44:20,800 that song. 750 00:44:20,880 --> 00:44:23,000 Speaker 5: I do too, I do too, all right? Yeah, I win? 751 00:44:23,199 --> 00:44:24,519 All right, you do? All right? 752 00:44:24,639 --> 00:44:26,440 Speaker 6: Very good, very good. So we're gonna play a few 753 00:44:26,480 --> 00:44:28,639 more songs to wrap up the show. But that's the 754 00:44:28,760 --> 00:44:31,079 end of the talking for today. So thanks everybody. 755 00:44:31,119 --> 00:44:33,440 Speaker 5: And here it is. This is left out, This is awaiting. 756 00:44:33,559 --> 00:45:07,880 Abigail the s s. 757 00:45:12,519 --> 00:45:14,480 Speaker 15: So smart. 758 00:45:16,119 --> 00:45:18,920 Speaker 16: Because of left Shepherd, have long. 759 00:45:20,480 --> 00:45:22,880 Speaker 2: Not do fine. 760 00:45:25,159 --> 00:45:27,760 Speaker 3: Sweet and. 761 00:45:29,679 --> 00:45:35,400 Speaker 16: Seeing me left done in the shadows where the flight 762 00:45:35,760 --> 00:45:37,480 will find. 763 00:45:37,360 --> 00:45:40,840 Speaker 19: Me chasing whispers of fom. 764 00:45:42,159 --> 00:45:43,440 Speaker 14: Do by. 765 00:45:45,079 --> 00:45:47,199 Speaker 3: I go way the falking. 766 00:45:50,840 --> 00:45:57,159 Speaker 16: You don't understand how it feels being done the shadow, 767 00:46:01,840 --> 00:46:02,639 the tire. 768 00:46:02,639 --> 00:46:16,360 Speaker 17: Shot to trump, the storm, the heart. 769 00:46:16,239 --> 00:46:22,239 Speaker 16: Its warning, crumbling foundations, friendship, tilting line. 770 00:46:23,599 --> 00:46:23,679 Speaker 7: F. 771 00:46:25,519 --> 00:46:29,239 Speaker 2: Shine boy is shine. 772 00:46:30,679 --> 00:46:40,239 Speaker 16: Sy theft done in the shadows where the c fine 773 00:46:40,559 --> 00:46:44,039 me chasing a whispers and from. 774 00:46:43,920 --> 00:46:46,880 Speaker 2: Then t find me. 775 00:46:48,639 --> 00:46:57,440 Speaker 14: Go wait the smoke. You don't understand how it feels 776 00:46:58,679 --> 00:47:00,159 there shot it. 777 00:47:30,320 --> 00:47:32,480 Speaker 15: Let all his shaw. 778 00:47:36,599 --> 00:47:44,719 Speaker 1: Left all your show, let's all his show. 779 00:47:49,159 --> 00:47:57,039 Speaker 3: We've got a shower, let go shine. 780 00:48:00,079 --> 00:48:49,000 Speaker 19: Okay and sunrise thes on game Gee he's off the y. 781 00:48:49,880 --> 00:48:51,960 Speaker 1: And a cigarette program. 782 00:48:53,519 --> 00:48:55,039 Speaker 19: Yes all I'm. 783 00:48:54,920 --> 00:48:57,199 Speaker 15: Moving and a way. 784 00:48:57,280 --> 00:48:58,639 Speaker 5: I can't say. 785 00:49:00,079 --> 00:49:01,800 Speaker 15: You know how you do it? 786 00:49:02,519 --> 00:49:05,079 Speaker 1: But to do and say. 787 00:49:06,320 --> 00:49:10,360 Speaker 5: Not farm burn see. 788 00:49:10,159 --> 00:49:14,760 Speaker 19: The peas in same how anything that day took the 789 00:49:14,880 --> 00:49:16,760 same away said to. 790 00:49:21,880 --> 00:49:33,519 Speaker 2: Yes, we won't w. 791 00:49:35,360 --> 00:49:36,440 Speaker 1: Got the goal to the. 792 00:49:38,320 --> 00:49:46,360 Speaker 19: Honey has written it see with not thing, Yes, pasmight 793 00:49:46,559 --> 00:49:56,159 re stars all he feels different now and the least may. 794 00:49:57,440 --> 00:50:03,039 Speaker 5: Not let the hall b single listing sun. 795 00:50:03,000 --> 00:50:07,920 Speaker 19: Right, spidy Thady's to stay away, said. 796 00:50:13,000 --> 00:50:54,719 Speaker 13: Yeah, mistic bent. 797 00:50:54,599 --> 00:51:05,880 Speaker 19: On something may come on the mono. 798 00:51:02,519 --> 00:51:08,719 Speaker 1: You got something burn is by whisper. 799 00:51:09,880 --> 00:51:17,000 Speaker 19: Yise Do they know I'm not say looking at. 800 00:51:16,960 --> 00:51:17,800 Speaker 4: Me out. 801 00:51:19,519 --> 00:51:21,039 Speaker 13: Let's present a pie. 802 00:51:21,320 --> 00:51:26,639 Speaker 19: Burning spy is in sunway spiny. 803 00:51:26,199 --> 00:51:26,960 Speaker 17: Thing a face. 804 00:51:27,719 --> 00:51:29,719 Speaker 19: Anoy said to him. 805 00:51:32,239 --> 00:51:34,760 Speaker 3: That consentifi going. 806 00:51:34,599 --> 00:51:41,039 Speaker 19: In sdropis him sunway spiny things a day say any, 807 00:51:41,679 --> 00:51:42,440 He said. 808 00:51:42,280 --> 00:52:42,639 Speaker 14: To look, Yeah, you want your cars the same. It's 809 00:52:42,840 --> 00:52:53,599 like this, yes, study, thank you, I want your. 810 00:52:53,719 --> 00:53:01,039 Speaker 3: Girl, I want you cry let you want throw real high. 811 00:53:03,239 --> 00:53:04,239 I can't explain. 812 00:53:04,599 --> 00:53:05,199 Speaker 14: I can't he. 813 00:53:08,639 --> 00:53:10,400 Speaker 3: Isn't hurt to see. 814 00:53:11,719 --> 00:53:11,840 Speaker 12: Hi. 815 00:53:13,519 --> 00:53:13,920 Speaker 1: This is. 816 00:53:16,920 --> 00:53:27,079 Speaker 14: Read tell you come here and oh okay you just tell. 817 00:53:27,079 --> 00:53:30,360 Speaker 3: You time thak me feel like. 818 00:53:37,599 --> 00:53:42,400 Speaker 5: Stop imp. 819 00:53:52,159 --> 00:54:06,679 Speaker 14: Imposed turning. No, I can't. 820 00:54:09,679 --> 00:54:11,679 Speaker 3: Because I'm unnatural artist. 821 00:54:15,400 --> 00:54:17,280 Speaker 2: I want she's got you. 822 00:54:25,840 --> 00:54:26,800 Speaker 14: I can't play. 823 00:54:27,199 --> 00:54:27,679 Speaker 2: I can't. 824 00:54:31,199 --> 00:54:32,760 Speaker 14: Doesn't have to say. 825 00:54:36,079 --> 00:54:36,519 Speaker 1: This is. 826 00:54:38,360 --> 00:54:40,000 Speaker 5: Just like read. 827 00:54:41,639 --> 00:54:45,719 Speaker 14: Tell you so mad Anya. 828 00:54:48,000 --> 00:54:53,760 Speaker 4: Yeah, you just don't know's like you like you're getting. 829 00:55:00,159 --> 00:55:05,840 Speaker 14: So scassas. 830 00:55:10,480 --> 00:55:15,400 Speaker 2: Suassas it. 831 00:56:26,960 --> 00:56:30,079 Speaker 11: Misto just such entangled. 832 00:56:29,639 --> 00:56:38,440 Speaker 14: In mind, give me right number, hide, I see. 833 00:56:38,239 --> 00:56:42,079 Speaker 16: You stow your footstot your lies and run fast. 834 00:56:43,559 --> 00:56:44,960 Speaker 3: And it's happen. 835 00:56:49,239 --> 00:56:50,960 Speaker 16: Holding nun bias drink. 836 00:56:52,039 --> 00:56:52,760 Speaker 1: You're a massive. 837 00:56:52,840 --> 00:56:58,639 Speaker 11: I'm trying to bay tying, doing shop how fine backing 838 00:56:58,760 --> 00:57:04,400 You'll just may be tim. 839 00:57:06,039 --> 00:57:07,719 Speaker 2: Falling none their fall. 840 00:57:07,760 --> 00:57:09,760 Speaker 1: And that's stipulated. 841 00:57:10,400 --> 00:57:14,639 Speaker 3: The best fun the cycle of Dida in the. 842 00:57:17,199 --> 00:57:20,880 Speaker 16: Falling, under fall and fast stipulated. 843 00:57:21,280 --> 00:57:24,599 Speaker 1: I feel that now, see. 844 00:57:24,880 --> 00:57:28,039 Speaker 16: Falling unders. 845 00:57:31,840 --> 00:57:32,880 Speaker 2: Falling none no. 846 00:57:37,440 --> 00:57:43,400 Speaker 1: Falling non noose but falling. 847 00:57:43,559 --> 00:57:53,400 Speaker 16: London tells me, don't you worry, You'll be happy. 848 00:57:53,480 --> 00:57:59,719 Speaker 3: You'll be fine. Organ car. 849 00:58:01,800 --> 00:58:05,480 Speaker 16: See three off sil eyes and rubble fast. 850 00:58:07,280 --> 00:58:10,480 Speaker 1: I can have been doing the pack corner. 851 00:58:12,760 --> 00:58:14,639 Speaker 3: You hold an UnBias straight. 852 00:58:15,760 --> 00:58:16,440 Speaker 15: You' a messer. 853 00:58:16,559 --> 00:58:21,519 Speaker 11: I'm trying to break ring, trying to control how my 854 00:58:22,039 --> 00:58:23,039 recking moll was