WEBVTT

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<v Speaker 1>And now let's visit our old friend and host, doctor

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<v Speaker 1>wattson good evening. Get anything, doctor, settle yourself down and

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<v Speaker 1>get your pipe going. Thanks doctor. Last week you told

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<v Speaker 1>us at tonight's story took place in the caspar at Algiers.

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<v Speaker 2>Yes, the Caresbar.

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<v Speaker 3>I remember it as the place of countess streets, winding

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<v Speaker 3>up and down past colorful cafes, where a hundred tongues

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<v Speaker 3>were spoken, and often the street would end in shadowy

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<v Speaker 3>darkness which a man would be foolhardy to enter alone. Yes,

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<v Speaker 3>mister Bartell, that was the casper that Sherlock Holmes and

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<v Speaker 3>I knew in that winter of ninety nine.

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<v Speaker 2>How did you happen to be out there?

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<v Speaker 1>Doctor?

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<v Speaker 2>Where'd you mind?

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<v Speaker 3>If I tell you the story from the start, mister Buttle,

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<v Speaker 3>if you'd have begun on a winter night in Baker Street.

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<v Speaker 3>It's a conclusion of a strange murder in Montrevor Castle.

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<v Speaker 3>A charming young girl sat on the sofa of our

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<v Speaker 3>lodgings in Baker Street, and.

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<v Speaker 4>You can't feel have nothing more to do with another field.

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<v Speaker 1>I found the true murderer. The other data counties committed suicide.

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<v Speaker 1>Surely the cases ended.

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<v Speaker 2>Yes, mister whoms.

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<v Speaker 4>You found the real murderer, But now I want you

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<v Speaker 4>to find the unfortunate young man who fleding them five

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<v Speaker 4>years ago when he was suspected of a crime.

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<v Speaker 2>He was a new development with Sterettfield. Please tell us

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<v Speaker 2>about it.

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<v Speaker 4>It's Douglas Milton that I'm talking about.

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<v Speaker 1>Oh, yes, yes, he was the heir of the title,

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<v Speaker 1>wasn't he, Yes, mister Holmes.

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<v Speaker 4>He was a sensitive artistic boy, and when he knew

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<v Speaker 4>that he was under suspicion, he ran away. Of course,

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<v Speaker 4>everyone regarded his flight as an admission of guilt, that

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<v Speaker 4>is until you found real culprit, mister Helms.

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<v Speaker 3>I imagine, mis Steretfield, that your interest in the missing

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<v Speaker 3>boy is not entirely shall we say, altruistic.

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<v Speaker 4>I'm in love with him, doctor Watson. We were engaged

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<v Speaker 4>to be married when he ran away. Mister Huns, You've

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<v Speaker 4>got to find him. He must know that his name

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<v Speaker 4>has been cleared him, that he's inherited the.

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<v Speaker 1>Title the Strettfield. Have you any direct news, any letter

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<v Speaker 1>from your fiance since he left five years ago? None

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<v Speaker 1>any plud his hiding place. Only this.

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<v Speaker 4>It's a painting I received anonymously a year after he

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<v Speaker 4>had left. It was sent from a forwarding address in London.

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<v Speaker 4>Why it is, mister Holmes, thank.

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<v Speaker 2>You small oil painting, very good one too, sh.

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<v Speaker 1>Yes, the spented sense of composition and his use of

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<v Speaker 1>color is unusually brilliant. You recognize this painting is the

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<v Speaker 1>work of your fiance, Miss Stretfield, I'm certain of it. Yes,

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<v Speaker 1>wonderful color. Serve the delicate shadings of that sunset, the

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<v Speaker 1>brilliant green of the oasis. The scene is extraordinarily reminiscent

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<v Speaker 1>the desert in North Africa.

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<v Speaker 4>Yes, yes, that's what made me say.

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<v Speaker 3>I was certainly he'd gone abroad, mister Holmes, Why should

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<v Speaker 3>he go to North Africa?

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<v Speaker 2>A good place?

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<v Speaker 1>Watson turn English, who imagines himself to be escaping justice?

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<v Speaker 1>Remember the Foreign Legion as stationed there.

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<v Speaker 4>You think he might have joined the legion, mister Holmes, would.

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<v Speaker 1>Seemed logical, no questions to ask to those who join it,

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<v Speaker 1>and its colorful obscurity might easily appeal to a young

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<v Speaker 1>fellow in trouble.

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<v Speaker 2>Hello, what is it home?

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<v Speaker 1>Quite a few grains of sand between the canvas and

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<v Speaker 1>the frame Here to Stretfield, you might if I fried

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<v Speaker 1>the canvas loose.

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<v Speaker 4>Do anything you like, mister Holmes. If it gives you

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<v Speaker 4>any clue that Douglas is where about, give me a

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<v Speaker 4>penknife if he wasn't.

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<v Speaker 1>Thanks, O chap u h here we are.

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<v Speaker 2>Can you see anything?

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<v Speaker 5>Ah?

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<v Speaker 1>Look the words and elaft Pune a stamped here Sheriff

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<v Speaker 1>is probably the famous name. And a Latun is the

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<v Speaker 1>town some fifty miles from Alieu that settles it. The Stratfielder.

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<v Speaker 1>Accept your case, Watson, and I will go to Africa

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<v Speaker 1>and try to find your fiance Douglas Milton, missus Sheila

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<v Speaker 1>call send doctor Wattson. I have heard of you so often,

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<v Speaker 1>but I never thought I should see you here at

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<v Speaker 1>the headquarters something foreign legion. What can I do for you, gentlemen? Well,

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<v Speaker 1>conone le Prisson. I'm trying to trace an Englishman who

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<v Speaker 1>has been missing during the past four years. I have

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<v Speaker 1>reason to believe that he might have joined the legion. Eh.

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<v Speaker 1>I should look in my records. Let me see four

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<v Speaker 1>years ago with the eighteen ninety five. If Sheela cons

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<v Speaker 1>is tracking him, then I suppose he was in trouble

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<v Speaker 1>in his own country. He was in trouble, he might

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<v Speaker 1>easily have come to us. We ask no questions ninety

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<v Speaker 1>seven minutes ninety five. In that year, three young Englishmen

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<v Speaker 1>joined us. One of them died of dissenter two years ago.

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<v Speaker 1>And see the Raji. One of them deserted eighty months ago,

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<v Speaker 1>and we have been unable to praise him. He turned

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<v Speaker 1>his magian who brought you into my officers now? And

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<v Speaker 1>he is I would say, about three inches shorter than

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<v Speaker 1>Douglas Wilson. And men do not shrink the part legilay, Colonel,

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<v Speaker 1>they do not miss yourms.

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<v Speaker 2>And the fellow who deserted must be our.

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<v Speaker 1>Man, unless it's the one who died of dissenterin Colonel

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<v Speaker 1>to Briston, how would you advise us to set about

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<v Speaker 1>trying to find a deserter? Miss Holmes? There's only one

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<v Speaker 1>place in Algeria where a man can hide from the

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<v Speaker 1>foreign legion and remaining. What's that place? The Caspi in Algiers,

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<v Speaker 1>and that's our destination. Watsn't be very careful, please, gentlemen.

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<v Speaker 1>The Casba is a place where the law is exiled.

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<v Speaker 1>The police have no jurisdiction there. Only rule is that

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<v Speaker 1>of strength violence, and Frank, we're very cautious. I'll show

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<v Speaker 1>you good by Count le Brisson, and thank you for

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<v Speaker 1>your help.

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<v Speaker 3>I must say that I think Colonel the Bristol rad

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<v Speaker 3>have exaggerated.

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<v Speaker 2>The dangers of the caspar.

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<v Speaker 3>I suppose you're going to tell me this cafe is

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<v Speaker 3>the headquarters.

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<v Speaker 2>For the dope smuggling ring, or like slaving or something.

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<v Speaker 1>It's ramifications even more extensive than those you've mentioned. You're

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<v Speaker 1>joking home, I assure you I'm not old fellow. My

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<v Speaker 1>old friend Juemmel is cheap of police sojers. When I

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<v Speaker 1>told him, I missioning advised me to come here a

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<v Speaker 1>five hundred franc note, and the proprietor can obtain any

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<v Speaker 1>and all information regarding the underworld, but as little as

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<v Speaker 1>two hundred francs in original murder. So that keeps you

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<v Speaker 1>an idea of the relative values the kastar.

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<v Speaker 2>Good lord, then you've already spoken to the propeller.

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<v Speaker 1>Yes, we has a charming scound the fellow of the

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<v Speaker 1>name of Ruffi. I gave him five hundred francs and

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<v Speaker 1>asked him to set his underworld grape fine in motion

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<v Speaker 1>to see whether an Englishman living and hiding here in

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<v Speaker 1>the kasbar could be found. And I thought we'd come

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<v Speaker 1>over fat meal I'm rappy. Now if he has numerous,

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<v Speaker 1>they are rappy. Come to damn Joe.

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<v Speaker 2>Raffy works fast?

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<v Speaker 1>Does he enough? Mister Holmes, your friend, my friend knows

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<v Speaker 1>that you're working with me.

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<v Speaker 6>Will be drink first? The tongue of Raffie is part.

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<v Speaker 6>Would you have me die of thirst before I give

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<v Speaker 6>you my news?

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<v Speaker 2>Verymure cassis, You.

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<v Speaker 1>Have news for me? Then?

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<v Speaker 2>But yes?

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<v Speaker 1>Good? What is it?

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<v Speaker 2>First? You will pay me more money?

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<v Speaker 6>No?

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<v Speaker 1>No, but I gave you five hundred francs. You said

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<v Speaker 1>that you do the job for that.

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<v Speaker 7>Can I help it?

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<v Speaker 2>If some tongues are more costly to make wag than others.

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<v Speaker 6>It took the five hundred to get the wag. Am

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<v Speaker 6>I to have nothing for my own trouble?

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<v Speaker 2>Ruppy?

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<v Speaker 6>Good?

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<v Speaker 1>Good?

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<v Speaker 2>The gentleman will payer you are missy. I will drink

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<v Speaker 2>to your health.

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<v Speaker 6>Gentlemen, both of you.

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<v Speaker 2>You will pay me more money? No, my friend's already

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<v Speaker 2>given you five hundred. You should stick to your bar

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<v Speaker 2>in my good fellow.

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<v Speaker 6>My information is a bargain at seven hundred and fifty francs.

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<v Speaker 6>It would be a bar at one thousand. But Raffie

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<v Speaker 6>will let you have it for seven hundred and fifty.

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<v Speaker 6>Because he likes you, you will give it to me. No,

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<v Speaker 6>then you get no information, And perhaps I spread news

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<v Speaker 6>in the Cosba that makes it uncomfortable for you gentlemen

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<v Speaker 6>to be there.

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<v Speaker 2>Scott, this is blackmail. I get the money.

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<v Speaker 1>No, you're a scandal ruppy. Of course, I'm as card information.

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<v Speaker 1>There isn't an Englishman hiding here in the Kasba. I

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<v Speaker 1>do not know his name, but he's dull.

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<v Speaker 2>And fair haired. I cannot tell you where he lives.

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<v Speaker 6>But if you go to the cafe of one thousand size,

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<v Speaker 6>you will find a girl who sings.

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<v Speaker 2>There, a girl who sings like a nightingale.

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<v Speaker 1>Her name is Ayisha, and she can lead you to

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<v Speaker 1>your Englishman girl named Aisha the cafe of a thousand size.

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<v Speaker 2>That is right.

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<v Speaker 6>I would suggest that you go there in disguise. Two

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<v Speaker 6>well dressed englishmen might find themselves in trouble. For a

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<v Speaker 6>small fee, say two hundred francs, I will escort your eyes.

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<v Speaker 1>Say thank you, yes, I think we can manage ourselves

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<v Speaker 1>with it.

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<v Speaker 6>Oh well, if your business is concluded quickly and time

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<v Speaker 6>weighs heavy on your hands, RAPHI can take you to

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<v Speaker 6>some places of ver interest dancing girls that wither one's

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<v Speaker 6>eyeballs with her beauty for five hundred francs.

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<v Speaker 1>Gentlemen, thank you, thank you. I have a feeling that

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<v Speaker 1>I will not way heavily on our hands. Good night.

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<v Speaker 6>You work too hard, gentlemen, usual little how to play

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<v Speaker 6>good night on my soul.

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<v Speaker 2>I think that follows the biggest plagard I have met.

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<v Speaker 1>I quite agree Old Japan he is amusing by the

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<v Speaker 1>way homes it.

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<v Speaker 3>Don't you think that when this case has finished we

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<v Speaker 3>might have a time on our hand.

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<v Speaker 1>Oh Watson, you're incorrigible, but I think what's what is it?

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<v Speaker 1>The man sitting over in the corner by himself, h Joe, Yes, his.

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<v Speaker 2>Face seems familiar. You've seen him before somewhere, of.

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<v Speaker 1>Course we have. His name is Oliver Leming. We met

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<v Speaker 1>him at the inquest on him in trailer case, so

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<v Speaker 1>we did.

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<v Speaker 2>I want knows you suppose he's doing here in the Castler.

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<v Speaker 1>Not on a holiday. I'm sure it's to Oliver Leaming,

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<v Speaker 1>if you recall it, a cousin that Douglas Milton's a

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<v Speaker 1>man man we are searching for. If Milton were ever

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<v Speaker 1>declared legally dead, mister leaving over there would inherit.

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<v Speaker 3>The title looks to muse if we're not the only

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<v Speaker 3>people the casper searching for the missing air.

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<v Speaker 1>That's true, fellow, come on, let's go and talk to

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<v Speaker 1>the gentleman.

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<v Speaker 2>Start of a leaving.

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<v Speaker 1>I'm ready out to.

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<v Speaker 2>Meet you here? Well, will shall our combs and doctor Watson?

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<v Speaker 2>Won't you sit down? Thank you?

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<v Speaker 1>Well?

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<v Speaker 7>The small place, isn't it?

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<v Speaker 1>Or has somebody said that before?

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<v Speaker 5>I wanted it?

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<v Speaker 1>Would spot me over here? Color?

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<v Speaker 2>Oh, of course you.

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<v Speaker 1>Seem to be in such deep conversational that's kandal, Ralphie.

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<v Speaker 1>I didn't like to disturb you, and I considered of you.

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<v Speaker 1>I'm sure, why are you here a swimming ball? I'm

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<v Speaker 1>making a business trip. This is my day, or as

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<v Speaker 1>I recall it, you're in the publishing business.

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<v Speaker 2>Correct?

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<v Speaker 1>What a memory you would here? It seems peculiar that

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<v Speaker 1>you should have been on a business trip here. Are

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<v Speaker 1>you planning on opening a publishing house and now jairs?

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<v Speaker 1>Or are you searching for kasmap and new authors? Why not?

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<v Speaker 1>I'm a great believer in encouraging new talent. That's the leming.

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<v Speaker 1>Why don't you admit that you're here for the express

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<v Speaker 1>purpose of trying to find your cousin, Douglas Milton. Still, Holmes,

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<v Speaker 1>you've discovered my secret. The great Sherlock holes in his

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<v Speaker 1>watchdog have their eight eyes on me. They know that

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<v Speaker 1>I succeed to the title if Douglas Milton died. Yes,

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<v Speaker 1>mister leaving me know that fact. And you were fathomed

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<v Speaker 1>by plan to find Douglas before me and kill him

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<v Speaker 1>so that I may inherit the title. How lucky I

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<v Speaker 1>am to meet you in or Kasbar. Well you cannot

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<v Speaker 1>arrest me. Well sis against time, gentlemen, but I have

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<v Speaker 1>a head start, as you will soon find out.

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<v Speaker 2>Goodbye, I'm the best of luck to you. I've strawn

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<v Speaker 2>the follow He's joking, of course.

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<v Speaker 1>I believe not Watson. I think he labors under the

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<v Speaker 1>physical belief that the best method of discounting the truth

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<v Speaker 1>is to stated is boldly, so that they will not

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<v Speaker 1>be believed.

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<v Speaker 2>Great Captain, we must work fast, yes.

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<v Speaker 1>O jep we must. I'm sure that we're entrants in

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<v Speaker 1>a race against death. We must get back to the

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<v Speaker 1>hotel Lintba disguises as quickly as possible Afterbeth, which will

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<v Speaker 1>visit a young lady named Daisha and the Cafe of

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<v Speaker 1>a thousand size, and I'm certain Watson that it will

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<v Speaker 1>be the first time two men have ever entered the

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<v Speaker 1>kasbar for the extra press purpose are preventing a murder.

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<v Speaker 1>We'll hear the rest of doctor Watson's story in just

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<v Speaker 1>about a second, which gives me time to remind you

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<v Speaker 1>that if you like the flavor a big, plump, juicy

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<v Speaker 1>muscat grapes, you'll love the flavor of Petrie California muscatel.

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<v Speaker 1>What a wine. Petrie muscatel is the perfect after dinner wine.

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<v Speaker 1>It looks good, smells better than it looks when it

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00:12:32.000 --> 00:12:34.759
<v Speaker 1>comes to the taste department. Will you never tasted anything

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<v Speaker 1>like it? For a really good wine? Remember first Petree,

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00:12:39.600 --> 00:12:45.320
<v Speaker 1>then Muscatel, Petree Muscatel. Well, Doctor, I can hardly wait

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<v Speaker 1>to hear what happened next. You and Sherlock Holmes went

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<v Speaker 1>back to the hotel.

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<v Speaker 3>I suppose yes, t tell Holmes quickly adopted the disguise

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<v Speaker 3>of an Arab guide.

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<v Speaker 2>Well, I assume the role of a tourist, and we started.

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<v Speaker 3>Off on our search outside the Cafe of one thousands guys.

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<v Speaker 2>We met from the road shop. Good lord, it's the

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<v Speaker 2>follow We met in the cafe for.

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<v Speaker 1>The knife between his shoulders.

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<v Speaker 2>He's dead. Home. Didn't we get attached to the police.

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<v Speaker 1>What can they do? Remember there is no law on

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<v Speaker 1>the kasbar. In any case, this man is beyond our help.

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<v Speaker 1>Our job is to protect the living. Come on, old fellow,

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<v Speaker 1>let's go to the cafe of a thousand size and

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<v Speaker 1>find this girl. The girl, Rafi says, sings like a night.

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<v Speaker 1>Ay almost.

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<v Speaker 8>He shan't jette men kills you never to him for.

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<v Speaker 2>You setting occasion. So let's the girl Asha, She's very beautiful.

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<v Speaker 1>You have to get our roll of tourist and guide.

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<v Speaker 1>O chev masta what if you meet this?

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<v Speaker 7>Aysha?

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00:14:14.720 --> 00:14:15.080
<v Speaker 2>Very much.

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<v Speaker 1>Indeed, I will see if it can be arranged. Master,

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00:14:18.240 --> 00:14:19.840
<v Speaker 1>beat careful, me wors and see what I can do.

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<v Speaker 2>Right writ you're home.

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<v Speaker 7>To be careful now, mamoiselle Aisha, what you want?

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<v Speaker 1>Crasy one? There is an englishman at the table over

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<v Speaker 1>there you wish you to talk to? Aha?

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<v Speaker 2>Which one is he?

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<v Speaker 1>The man who sits at the table in the corner.

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<v Speaker 1>You're very rich, Isha, and get mars.

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<v Speaker 2>You're a great deal.

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<v Speaker 1>He told me to give you this five hundred grant notes,

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<v Speaker 1>so very well.

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00:14:53.279 --> 00:14:55.799
<v Speaker 2>You may bring into my rooms. This door is at

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00:14:55.840 --> 00:14:57.480
<v Speaker 2>top of stairway to the right.

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00:14:57.679 --> 00:15:12.240
<v Speaker 5>Good aha, I fetch you should be waiting. I shall

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00:15:12.360 --> 00:15:13.559
<v Speaker 5>see your master following it.

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<v Speaker 2>Please very well. I hope you know if you're going

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00:15:15.840 --> 00:15:16.480
<v Speaker 2>to handle.

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00:15:16.240 --> 00:15:19.159
<v Speaker 1>This cone, don't worry about them in this case. I

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00:15:19.159 --> 00:15:20.559
<v Speaker 1>think honesty will be the best policy.

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00:15:21.559 --> 00:15:23.919
<v Speaker 2>And I'm not too sure. His place is a thieves kitchen.

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00:15:24.000 --> 00:15:24.759
<v Speaker 7>E ever saw one?

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00:15:25.039 --> 00:15:25.840
<v Speaker 2>You better be careful.

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00:15:26.039 --> 00:15:27.639
<v Speaker 1>That's part of the right at the top of the stairs.

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00:15:27.840 --> 00:15:33.600
<v Speaker 1>This is it? Call me, oh, come and.

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<v Speaker 6>Sit over here in the english land, greasy one, you

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00:15:36.879 --> 00:15:37.399
<v Speaker 6>may leave.

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00:15:37.320 --> 00:15:40.720
<v Speaker 1>Us, mademoiselle, I as well tell you at once that

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00:15:40.759 --> 00:15:42.600
<v Speaker 1>I am not now a guide. My name Michelle Combe.

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00:15:42.960 --> 00:15:43.840
<v Speaker 2>What do you want with me?

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00:15:44.159 --> 00:15:46.480
<v Speaker 1>Why you treat your way in here? Don't fight amodel.

319
00:15:46.559 --> 00:15:48.600
<v Speaker 1>I can explain our mission in a very few words.

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00:15:48.919 --> 00:15:50.240
<v Speaker 1>My friend and I have come in search of an

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00:15:50.240 --> 00:15:53.360
<v Speaker 1>Englishman the name of Douglas Milton. We have good news

322
00:15:53.440 --> 00:15:53.720
<v Speaker 1>for him.

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00:15:54.000 --> 00:15:56.080
<v Speaker 2>What makes you think I might know of him?

324
00:15:56.480 --> 00:15:59.039
<v Speaker 1>Just about the name of RAFFI suggested that you might.

325
00:15:59.639 --> 00:16:02.039
<v Speaker 2>What is your good news for this Englishman?

326
00:16:02.480 --> 00:16:05.120
<v Speaker 1>That he has been cared of suspicion of murder, and

327
00:16:05.240 --> 00:16:07.159
<v Speaker 1>that he is the rightful Earl of Montreda.

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00:16:07.840 --> 00:16:10.200
<v Speaker 4>That means when he knows this, he will leave the

329
00:16:10.279 --> 00:16:11.960
<v Speaker 4>cars by and return to his country.

330
00:16:12.200 --> 00:16:16.159
<v Speaker 2>Naturally, Madame, I do not know this man.

331
00:16:16.600 --> 00:16:17.879
<v Speaker 1>I have never heard of him.

332
00:16:18.320 --> 00:16:22.000
<v Speaker 2>Here is your five hundred tranks. Goodbye, not so fast.

333
00:16:22.080 --> 00:16:25.159
<v Speaker 1>The issue of tissue. I've been listening from behind these curtains.

334
00:16:25.960 --> 00:16:28.440
<v Speaker 1>They're not gonna allow me to introduce myself. My name

335
00:16:28.519 --> 00:16:31.080
<v Speaker 1>is Douglas Milton. Douglas Milton, we find you at life

336
00:16:31.600 --> 00:16:34.879
<v Speaker 1>infinite pleasure. You will exceeded in my mission. Now. This

337
00:16:35.039 --> 00:16:38.120
<v Speaker 1>is very exciting. Is that occasion calls for a drinker?

338
00:16:38.320 --> 00:16:39.200
<v Speaker 1>Probably gentlemen?

339
00:16:39.559 --> 00:16:41.279
<v Speaker 2>I think he gossip ported.

340
00:16:42.320 --> 00:16:45.000
<v Speaker 1>Yes, it would be the most appropriated testing the new

341
00:16:45.320 --> 00:16:48.639
<v Speaker 1>Montreda splendid, splendid Aisha. Bring glasses and a bottle of

342
00:16:48.679 --> 00:16:50.279
<v Speaker 1>port and some Kremd Mars for me.

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00:16:50.480 --> 00:16:52.600
<v Speaker 2>You are not going to England. I will never let

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00:16:52.679 --> 00:16:53.200
<v Speaker 2>you leave.

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00:16:53.039 --> 00:16:56.519
<v Speaker 1>Me stopping some melodramatic ayesha. Please bring two bottles and

346
00:16:56.559 --> 00:16:58.080
<v Speaker 1>some glasses. Very well.

347
00:16:58.600 --> 00:17:00.519
<v Speaker 2>I am sorry the homes.

348
00:17:01.159 --> 00:17:03.279
<v Speaker 1>I can't tell you how I appreciate your trouble in

349
00:17:03.360 --> 00:17:05.880
<v Speaker 1>coming all this way to find me, and I must

350
00:17:05.880 --> 00:17:07.960
<v Speaker 1>tell you at once. There's one problem that makes it

351
00:17:08.000 --> 00:17:10.559
<v Speaker 1>difficult for me to do this country. You see, I

352
00:17:11.480 --> 00:17:13.799
<v Speaker 1>deserted from foreign Legionius it says we know that, my boy.

353
00:17:13.880 --> 00:17:16.079
<v Speaker 2>In fact, that's how we first got onto your trail.

354
00:17:16.079 --> 00:17:17.920
<v Speaker 1>I shouldn't let that back, Willy and miss Milton. I'm

355
00:17:17.960 --> 00:17:20.160
<v Speaker 1>certain the British consul and now Jairs can arrange to

356
00:17:20.200 --> 00:17:22.640
<v Speaker 1>have any charges dropped against a piod of the realm

357
00:17:22.920 --> 00:17:24.599
<v Speaker 1>oh I thought of that.

358
00:17:25.079 --> 00:17:26.119
<v Speaker 2>Here are the bottles.

359
00:17:26.839 --> 00:17:29.519
<v Speaker 1>You must excuse the glasses, gentlemen. Tumbler is are hardly coocked.

360
00:17:29.519 --> 00:17:32.839
<v Speaker 1>I suppose that, well, they won't spoil the flavor. I'm

361
00:17:32.920 --> 00:17:39.799
<v Speaker 1>sure two glasses apart and crammed amount for me only

362
00:17:39.839 --> 00:17:41.839
<v Speaker 1>three glasses. Are you sure bring a glass for yourself?

363
00:17:41.920 --> 00:17:44.480
<v Speaker 1>I do not wish to drink, and I insist that

364
00:17:44.559 --> 00:17:47.359
<v Speaker 1>you do bring a glass? Are yousuer? Why should I drink?

365
00:17:47.400 --> 00:17:50.480
<v Speaker 1>If you are leaving to Milton? Do you know all

366
00:17:50.519 --> 00:17:54.759
<v Speaker 1>about leaving? Of course is my cousin, as he came

367
00:17:54.839 --> 00:17:56.319
<v Speaker 1>here half an hour ago and threatened me.

368
00:17:56.440 --> 00:17:58.559
<v Speaker 2>Did you also know that he's lying dead in the

369
00:17:58.599 --> 00:17:59.920
<v Speaker 2>street murdered?

370
00:18:00.720 --> 00:18:04.160
<v Speaker 1>Well, yes, yes I did. If we went in the

371
00:18:04.200 --> 00:18:07.319
<v Speaker 1>cars and I wouldn't tell you this, but Aisha stabbed him.

372
00:18:07.799 --> 00:18:09.839
<v Speaker 1>She followed him when he left here, killed it, and

373
00:18:09.880 --> 00:18:11.960
<v Speaker 1>then slipped back just in time to sing a song

374
00:18:12.000 --> 00:18:15.160
<v Speaker 1>a few moments ago. Oh you needn't look so shocked,

375
00:18:15.200 --> 00:18:18.200
<v Speaker 1>doctor Watson. Life is cheap in the cosper, and Naish's

376
00:18:18.200 --> 00:18:21.799
<v Speaker 1>a girl of violent passions. Come on, let's drink. Atturns

377
00:18:21.880 --> 00:18:26.440
<v Speaker 1>to the new Earl of Montrabacat. Oh they excuse me, sir,

378
00:18:26.519 --> 00:18:29.200
<v Speaker 1>you took the wrong glass. You drinking my foot a

379
00:18:29.799 --> 00:18:32.559
<v Speaker 1>silly mistake. I can't bear pot very English of me,

380
00:18:32.599 --> 00:18:35.119
<v Speaker 1>I'm afraid. But well, after all these years, I don't

381
00:18:35.119 --> 00:18:38.599
<v Speaker 1>feel particularly English. In fact, I'll probably find it very

382
00:18:38.640 --> 00:18:40.400
<v Speaker 1>hard to adjust myself to the old life when I

383
00:18:40.519 --> 00:18:43.519
<v Speaker 1>go back, Or perhaps I should say, if I go

384
00:18:43.640 --> 00:18:46.039
<v Speaker 1>back and to feel that way about it, mister Milton,

385
00:18:46.079 --> 00:18:49.440
<v Speaker 1>why go? You can take the title on the revenues

386
00:18:49.480 --> 00:18:52.119
<v Speaker 1>of the estate without leaving Algeria would stay here and

387
00:18:52.160 --> 00:18:55.079
<v Speaker 1>live on the income. I didn't realize that would be possible.

388
00:18:55.599 --> 00:18:57.160
<v Speaker 1>You sure I could do that? Oh yes, I'm quite

389
00:18:57.200 --> 00:18:59.119
<v Speaker 1>certain of it. But if you doubt my word, I

390
00:18:59.200 --> 00:19:01.880
<v Speaker 1>suggest be all a journed to the British Consulate, and now, jeers,

391
00:19:02.640 --> 00:19:04.799
<v Speaker 1>they can put you straight on another that's a good idea.

392
00:19:04.880 --> 00:19:05.759
<v Speaker 1>Let's go over there at once.

393
00:19:06.079 --> 00:19:08.519
<v Speaker 2>No, I've been listening to you, my friend. You are

394
00:19:08.640 --> 00:19:09.480
<v Speaker 2>planning to leave me.

395
00:19:09.839 --> 00:19:11.440
<v Speaker 1>Once you go from the cause by I shall never

396
00:19:11.519 --> 00:19:13.599
<v Speaker 1>see you again. Put down that knife, by issue, I.

397
00:19:13.720 --> 00:19:14.599
<v Speaker 8>Will not let you go.

398
00:19:15.160 --> 00:19:16.119
<v Speaker 6>You will belong to me.

399
00:19:16.599 --> 00:19:18.720
<v Speaker 2>If you try to leave me now, I will kill you.

400
00:19:18.960 --> 00:19:20.720
<v Speaker 1>Down that knife, by issue. You've done enough damage for

401
00:19:20.759 --> 00:19:29.680
<v Speaker 1>one night. By down, she twisted the knife on herself

402
00:19:29.680 --> 00:19:30.119
<v Speaker 1>as she fell.

403
00:19:30.279 --> 00:19:34.839
<v Speaker 2>Holmes up and tell her over she's dead. Mister Milton,

404
00:19:35.440 --> 00:19:36.160
<v Speaker 2>poor are issue.

405
00:19:37.119 --> 00:19:39.599
<v Speaker 1>It's the bloody path that leads to the mont Trevor title. Sir,

406
00:19:40.759 --> 00:19:42.759
<v Speaker 1>I suggest to see that the poor girl's buddy is

407
00:19:42.799 --> 00:19:45.440
<v Speaker 1>taken care of, and then go to the British Consulate

408
00:19:45.480 --> 00:19:46.480
<v Speaker 1>without any further delay.

409
00:19:49.759 --> 00:20:01.079
<v Speaker 9>Now that we are at the consulates, Milton, I suggest

410
00:20:01.119 --> 00:20:02.559
<v Speaker 9>that you swear on oath that you are.

411
00:20:02.440 --> 00:20:06.440
<v Speaker 1>Douglas Milton, heir to the Montrevorer's state. This gentleman is

412
00:20:06.480 --> 00:20:08.599
<v Speaker 1>a commissioner of oaths. Then we can go in and

413
00:20:08.680 --> 00:20:11.519
<v Speaker 1>see the console very well. Now rise the right hand

414
00:20:11.559 --> 00:20:15.119
<v Speaker 1>piece and repeat after me. I here I solemnly swear

415
00:20:15.240 --> 00:20:17.880
<v Speaker 1>that I am Douglas Milton, the missing Here to the

416
00:20:18.000 --> 00:20:21.119
<v Speaker 1>montreevoy state. I hear, I swear that I am Douglas Milton,

417
00:20:21.200 --> 00:20:23.880
<v Speaker 1>missing heir to the Montrevoral State. Thank you, sir, And

418
00:20:24.039 --> 00:20:26.680
<v Speaker 1>now if you'll sign the statement here these gentlemen can

419
00:20:26.839 --> 00:20:30.400
<v Speaker 1>witnesses there you are.

420
00:20:30.839 --> 00:20:31.400
<v Speaker 2>Thank you, sir.

421
00:20:31.680 --> 00:20:39.839
<v Speaker 1>And now if you gentlemen will sign a certain Thank you, gentlemen,

422
00:20:40.559 --> 00:20:44.440
<v Speaker 1>the document is now legal splendid. Let's go over and

423
00:20:44.480 --> 00:20:49.000
<v Speaker 1>see the console. Not yet, my friend Watson, this man

424
00:20:49.160 --> 00:20:51.759
<v Speaker 1>is not Douglas Milton. What the devil are you talking about?

425
00:20:51.960 --> 00:20:53.960
<v Speaker 1>There is no law on the CASBA, sir, so you

426
00:20:54.160 --> 00:20:56.160
<v Speaker 1>cannot be punished with the two murders you committed there.

427
00:20:56.680 --> 00:20:59.839
<v Speaker 1>But now that your avarice has tempted you here to Algiers,

428
00:21:00.359 --> 00:21:02.440
<v Speaker 1>where you've been foolish enough to sign a false statement,

429
00:21:02.480 --> 00:21:04.440
<v Speaker 1>I think we can at least settle you very nicely

430
00:21:04.599 --> 00:21:09.240
<v Speaker 1>for desertion, false impersonation, forchery and perjury home. What do

431
00:21:09.319 --> 00:21:11.559
<v Speaker 1>you mean the story should be our bus book, fellow

432
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<v Speaker 1>Alpha Leming did track down the deserter. Recognition was uncertain

433
00:21:16.640 --> 00:21:18.559
<v Speaker 1>after so many years, but at least it gave this

434
00:21:18.640 --> 00:21:21.920
<v Speaker 1>gentleman the idea of impersonating the real Douglas Milton, a

435
00:21:22.039 --> 00:21:24.480
<v Speaker 1>friend of his and you have a lively imaginations to homes.

436
00:21:24.559 --> 00:21:28.200
<v Speaker 1>Real Douglas Milton, I'd have dysentery two years ago. In

437
00:21:28.279 --> 00:21:32.599
<v Speaker 1>ceed their life was the idea of impersonating Milton was born,

438
00:21:32.880 --> 00:21:35.720
<v Speaker 1>Leaming had to die. Your theories are very interesting, but

439
00:21:35.799 --> 00:21:37.359
<v Speaker 1>you haven't a shred a proof. I say that I

440
00:21:37.400 --> 00:21:39.200
<v Speaker 1>am Douglas Milton. How are you going to providtherwise? That

441
00:21:39.279 --> 00:21:41.200
<v Speaker 1>is simply my dear sir, Douglas Miulton was a painter,

442
00:21:42.079 --> 00:21:45.920
<v Speaker 1>a painter who excelled in the use of vivid colors. You, sir,

443
00:21:46.039 --> 00:21:49.160
<v Speaker 1>suffered on the quite common malady of a red green

444
00:21:49.240 --> 00:21:51.480
<v Speaker 1>color blindness. Less than an hour ago. You mistook a

445
00:21:51.519 --> 00:21:54.279
<v Speaker 1>glass of port, which is red, but a glass of

446
00:21:54.400 --> 00:21:57.519
<v Speaker 1>crime DeMont, which is green. I knew at once that

447
00:21:57.559 --> 00:21:59.680
<v Speaker 1>you were an impostor, your clarer than I thought you were.

448
00:21:59.720 --> 00:22:03.440
<v Speaker 1>Homes goodbye, here come back. No, no, Watson, don't go

449
00:22:03.519 --> 00:22:04.960
<v Speaker 1>after him, but we can't let him escape.

450
00:22:05.000 --> 00:22:05.200
<v Speaker 6>Homes.

451
00:22:05.240 --> 00:22:08.279
<v Speaker 1>Don't worry, Old Chap, he won't escape. I sent a

452
00:22:08.319 --> 00:22:11.119
<v Speaker 1>message to Colonel the bron If you go to the window,

453
00:22:11.160 --> 00:22:13.559
<v Speaker 1>I think you will find that the Consulate is being watched.

454
00:22:14.279 --> 00:22:17.960
<v Speaker 1>The Legion has a long memory for desertion. I don't

455
00:22:17.960 --> 00:22:19.000
<v Speaker 1>think he'll get very fast.

456
00:22:22.880 --> 00:22:24.920
<v Speaker 3>They got him home, shot him as he was trying

457
00:22:24.960 --> 00:22:25.440
<v Speaker 3>to run away.

458
00:22:25.640 --> 00:22:27.920
<v Speaker 1>I just death for him. Lived the life of violence

459
00:22:27.960 --> 00:22:30.480
<v Speaker 1>and treachery Watson, it's only fitting that he should die

460
00:22:30.519 --> 00:22:31.200
<v Speaker 1>in the same manner
