WEBVTT 1 00:00:08.039 --> 00:00:12.599 They didn't even have time to take a shower. It's good. 2 00:00:12.599 --> 00:00:17.600 There's no smell in the in the camera, the smell vision. Smell, 3 00:00:17.679 --> 00:00:29.719 no smell vision this time. Okay, so thanks Jay for 4 00:00:30.120 --> 00:00:33.719 joining us here. You know, in our house where we 5 00:00:33.840 --> 00:00:38.079 moved four years ago. We were in Mississippi, coming from 6 00:00:38.359 --> 00:00:44.280 Los Angeles. We put this festival together, all films against 7 00:00:44.280 --> 00:00:48.200 the Machines. We just finished it last night and thought 8 00:00:48.240 --> 00:00:50.840 it was great. And then we you know, we had 9 00:00:50.880 --> 00:00:52.960 you and that brought a lot of people, which was 10 00:00:53.000 --> 00:00:55.439 really really cool. And I was so pleased yesterday to 11 00:00:55.439 --> 00:00:58.880 see all these young guys coming and they were like really, 12 00:00:58.920 --> 00:01:01.159 I mean they drove from far to come and see you, 13 00:01:01.200 --> 00:01:02.840 and that was like very. 14 00:01:04.159 --> 00:01:04.760 That was great. 15 00:01:04.840 --> 00:01:07.680 We haven't forgot how to tap into the young ladies yet, 16 00:01:07.719 --> 00:01:09.560 like we're trying to get that with Jamie, but like, yeah, 17 00:01:09.599 --> 00:01:11.359 I always have like a bunch of dues this show, 18 00:01:11.400 --> 00:01:12.239 which is which is cool. 19 00:01:12.280 --> 00:01:13.000 I appreciate that. 20 00:01:13.079 --> 00:01:15.319 But it was a lot of fun. In fact, we've 21 00:01:15.359 --> 00:01:19.319 done a few film festivals. This was the most fun. 22 00:01:19.319 --> 00:01:22.480 I was telling Jamie because the other ones, they're a 23 00:01:22.519 --> 00:01:24.920 little more corny, they're a little more tongue in cheek, 24 00:01:25.519 --> 00:01:28.120 I enjoyed that this had, you know, some serious films, 25 00:01:28.120 --> 00:01:32.799 some serious ideas, and as your wife was saying, this 26 00:01:32.879 --> 00:01:36.400 is art. It's not just comedy, it's not just satire. 27 00:01:39.280 --> 00:01:41.439 I mean originally, so we showed this movie The Vampire 28 00:01:41.519 --> 00:01:44.599 Project here a few years ago, and then that was 29 00:01:44.680 --> 00:01:50.599 finally the premiere. We thought we could do just the premiere. Oh, 30 00:01:50.680 --> 00:01:54.959 we can try to make it bigger and instead of 31 00:01:55.040 --> 00:02:02.840 just advertising one movie, let's advertise a way of making movies. 32 00:02:03.359 --> 00:02:06.079 And the general or goal of the festival was to 33 00:02:06.120 --> 00:02:10.439 have films with meanings. And what's important is that the 34 00:02:10.599 --> 00:02:12.000 actors have something to say. 35 00:02:12.120 --> 00:02:15.319 Little by little, the couple starts getting suspicious that he's 36 00:02:15.520 --> 00:02:18.000 actually murdering people in the camper. 37 00:02:18.360 --> 00:02:22.639 Oh okay, but what's the angle? What's the angle? 38 00:02:23.319 --> 00:02:25.719 What do you mean? What's the angle? It sounds like 39 00:02:25.919 --> 00:02:27.759 a big dated. 40 00:02:28.560 --> 00:02:32.159 It needs to be more inclusive. 41 00:02:32.520 --> 00:02:35.080 You know, there are a lot of convicts who are 42 00:02:35.120 --> 00:02:38.599 transitioning into women while they're in prison. 43 00:02:38.759 --> 00:02:41.520 Right, what does that have to do with my story. 44 00:02:41.840 --> 00:02:45.240 I'm just saying that transgenders are very trendy right now. 45 00:02:46.840 --> 00:02:48.000 It would really help with the. 46 00:02:47.960 --> 00:02:51.039 Festivals because nowadays, when you see all these movies you 47 00:02:51.080 --> 00:02:53.439 can nearly see that they have absolutely nothing to say 48 00:02:53.560 --> 00:02:55.240 besides I want more money. 49 00:02:55.560 --> 00:02:57.960 What if the couple is a gay couple who moved 50 00:02:58.000 --> 00:02:59.800 to the countryside, That could work. 51 00:03:00.080 --> 00:03:06.360 This is a horror movie, not a Hallmark rom com. 52 00:03:06.400 --> 00:03:09.719 We also had Mike Smith who made that documentary Out 53 00:03:09.759 --> 00:03:12.319 of Shadows and I'm sure you've seen Out of Shadows, 54 00:03:12.680 --> 00:03:13.560 but not the new one. 55 00:03:13.960 --> 00:03:14.520 Into the Right. 56 00:03:14.680 --> 00:03:16.639 It's a very important movie, and then we played it 57 00:03:16.639 --> 00:03:18.879 to open the festival because it was kind of covering 58 00:03:18.919 --> 00:03:21.439 all bases of everything we wanted to talk about. 59 00:03:21.680 --> 00:03:26.919 Doing the festival. 60 00:03:30.680 --> 00:03:33.400 We touched on psychological operations and Out of Shadows, but 61 00:03:33.400 --> 00:03:37.840 we've gone deeper. These types of operations didn't just go away. 62 00:03:38.280 --> 00:03:41.319 They continue to evolve in step with technology. 63 00:03:42.080 --> 00:03:46.000 It's the most insidious type of warfare because it's designed 64 00:03:46.080 --> 00:03:51.520 to change a person's entire perspective, short term or long term. 65 00:03:51.560 --> 00:03:52.879 That's not to be reversed. 66 00:03:54.199 --> 00:03:56.560 Cruising sho. 67 00:03:58.360 --> 00:04:02.159 Most people like all care about what's fifty feet from 68 00:04:02.199 --> 00:04:02.719 their door. 69 00:04:03.000 --> 00:04:06.479 His festival was important to us is to bring people together, 70 00:04:06.680 --> 00:04:09.759 and what was fascinating is that we had people actually 71 00:04:09.759 --> 00:04:12.520 coming from all sides because we had a good selection 72 00:04:12.759 --> 00:04:16.720 of short films as well, and there were some interesting movies, 73 00:04:16.759 --> 00:04:19.720 but you could feel like the writers or directors were 74 00:04:19.800 --> 00:04:26.160 more like from the the liberal side. And we were 75 00:04:26.199 --> 00:04:31.120 able to have actually conversations with Mike Smith, who's, you know, 76 00:04:31.439 --> 00:04:34.480 hardcore Christian conservative, and I know I shouldn't say that 77 00:04:34.519 --> 00:04:37.120 actually because it's not is way more open minded that 78 00:04:37.720 --> 00:04:40.240 He is an amazing guy, so I don't want people 79 00:04:40.279 --> 00:04:44.199 to pigeon hole him in that. But you talk a 80 00:04:44.199 --> 00:04:46.240 lot about the same stuff, So I hope maybe maybe 81 00:04:46.240 --> 00:04:51.000 we can organize like a lot of talk the first 82 00:04:51.000 --> 00:04:53.399 time we do a podcast. As I was telling you earlier, 83 00:04:53.439 --> 00:04:55.680 I'm not a guy who's usually in front of the camera. 84 00:04:56.600 --> 00:04:58.879 I don't necessarily enjoy it, but I love to talk. 85 00:04:59.160 --> 00:05:01.240 I love to talk about movies, and I love to 86 00:05:01.279 --> 00:05:05.360 talk how important they are in the cultural aspect of things, 87 00:05:05.480 --> 00:05:08.959 especially in America. And I feel saddened by the fact 88 00:05:09.040 --> 00:05:13.560 that it feels like the younger audience are like not 89 00:05:13.759 --> 00:05:16.800 that much interested in movies anymore. They are more like 90 00:05:16.839 --> 00:05:19.959 in too short form and stuff that's like two three 91 00:05:20.040 --> 00:05:23.199 minutes and they can watch like little videos for hours. 92 00:05:23.600 --> 00:05:25.720 I'd love to hear you take on that, and what 93 00:05:25.920 --> 00:05:29.360 could be a way to bring back this younger audience 94 00:05:29.399 --> 00:05:32.360 to the to the not only to watch movies, but 95 00:05:32.399 --> 00:05:33.839 to come see them in movie theater. 96 00:05:33.959 --> 00:05:34.079 Right. 97 00:05:34.120 --> 00:05:36.000 It reminds me of the story where David Lanche always 98 00:05:36.040 --> 00:05:38.079 tells it when he was on an airplane and he 99 00:05:38.120 --> 00:05:41.680 saw somebody watching his movie on a phone, and he said, 100 00:05:41.720 --> 00:05:45.319 why the hell are you watching my movie on a phone? 101 00:05:46.680 --> 00:05:49.279 Yeah, it's like, it's not made for that. It doesn't 102 00:05:49.279 --> 00:05:51.480 make any sense. Right. It would be like, I don't know, 103 00:05:51.879 --> 00:05:52.160 you know. 104 00:05:52.759 --> 00:05:55.160 I went to the louver, but I watched it on YouTube, 105 00:05:55.199 --> 00:05:56.920 so I've been It doesn't make any sense. You didn't 106 00:05:56.920 --> 00:05:59.120 actually go there, you didn't actually do it. So one 107 00:05:59.120 --> 00:06:02.279 problem is that the Internet is creating this idea of abstraction, 108 00:06:02.519 --> 00:06:06.920 that everything is and can be done not in person 109 00:06:07.040 --> 00:06:10.720 or not in reality, but through the screen. And even 110 00:06:10.720 --> 00:06:13.360 though movies are a screen, it's still meant to be 111 00:06:13.439 --> 00:06:15.959 done in an audience in a theatrical setting. That's the 112 00:06:15.959 --> 00:06:18.399 whole purpose I think of film. It needs to be 113 00:06:18.480 --> 00:06:21.120 long form. It's always been long form for the most part, 114 00:06:21.160 --> 00:06:23.560 except for like the earliest films, but that was just 115 00:06:23.639 --> 00:06:27.720 due to limitations of the technology. But even some of 116 00:06:27.720 --> 00:06:31.160 the earliest like long form projects. You know, we're very popular, 117 00:06:32.040 --> 00:06:32.720 but I think. 118 00:06:32.560 --> 00:06:35.240 That the reason for this is that people have had 119 00:06:35.279 --> 00:06:37.759 their attention spans intentionally destroyed. 120 00:06:38.600 --> 00:06:40.959 My wife did a podcast on one of the top 121 00:06:41.000 --> 00:06:46.040 Silicon Valley programmer guys, Jaron Lanier, the dude with the dreads. 122 00:06:46.079 --> 00:06:47.879 He doesn't look like a Silicon Valley guy, but he 123 00:06:47.920 --> 00:06:50.240 wrote a book and ten years ago talking about how 124 00:06:50.399 --> 00:06:54.040 the purpose of the infinite scroll is to just addict you, 125 00:06:54.240 --> 00:06:58.199 and it's an a dopamine like trap. But they found 126 00:06:58.279 --> 00:07:01.879 that the shorter form content was the means to do that, 127 00:07:02.040 --> 00:07:04.839 and so when TikTok and things like the reels came out. 128 00:07:04.759 --> 00:07:06.480 That's intentionally there to addict you. 129 00:07:07.360 --> 00:07:09.240 But I think they also knew that it would have 130 00:07:09.279 --> 00:07:12.079 the effect of destroying the attention span, so that people 131 00:07:12.120 --> 00:07:15.399 couldn't even read a book, much less set through a 132 00:07:15.439 --> 00:07:18.160 two hour film. And now we're at the point where 133 00:07:18.199 --> 00:07:20.480 people have to have the constant simulation. And it's exactly 134 00:07:20.560 --> 00:07:23.920 what Orwell said, where you destroy the language, you destroy 135 00:07:23.959 --> 00:07:26.759 the attention span. Bert and Russell, many of these other 136 00:07:26.800 --> 00:07:29.160 sort of technocratic minded people said the exact same thing. 137 00:07:29.240 --> 00:07:30.759 So it's absolutely by design. 138 00:07:33.720 --> 00:07:37.959 Yes, And also, like we are talking about that yesterday, 139 00:07:38.319 --> 00:07:42.800 like the fact that we went from a widescreen format 140 00:07:42.839 --> 00:07:47.800 aspect ratio where it broadens your views of things, and 141 00:07:47.920 --> 00:07:52.720 now everything is becoming to the point where people are 142 00:07:52.759 --> 00:07:58.040 watching on tyle movies vertical movies to me, and it's 143 00:07:58.040 --> 00:08:02.759 so symbolic the fact that now things look so so 144 00:08:02.920 --> 00:08:05.160 narrow and then everything is said there, you know, like 145 00:08:05.240 --> 00:08:09.160 what can you you You don't see beyond everything because 146 00:08:09.160 --> 00:08:12.639 now you have the main guy or girl or else. 147 00:08:13.480 --> 00:08:15.800 The guy, the girl in the third possession. 148 00:08:16.800 --> 00:08:19.600 And all the others and in the center, and then 149 00:08:20.000 --> 00:08:22.240 you don't have room for anything else to see what's 150 00:08:22.279 --> 00:08:24.920 beyond that, what's behind and and and. 151 00:08:24.839 --> 00:08:27.079 All the layers are gone. You have that thing and 152 00:08:27.120 --> 00:08:27.439 that's it. 153 00:08:27.800 --> 00:08:31.879 I think it's extremely sad to see that they're really 154 00:08:31.920 --> 00:08:35.639 pushing for people to get addicted to that format with 155 00:08:35.960 --> 00:08:39.000 the new the new micro dramas they call them. And 156 00:08:39.039 --> 00:08:41.480 when I heard about that that it's becoming a gigantic 157 00:08:41.559 --> 00:08:45.879 market in China right now, you're talking about billions of dollars. 158 00:08:45.919 --> 00:08:50.320 It's it's extremely depressing and everything that can be done 159 00:08:50.399 --> 00:08:53.720 to to I mean, I wouldn't say reverse that because 160 00:08:53.919 --> 00:08:57.720 it's but to to try to to move away from 161 00:08:57.759 --> 00:08:58.200 that trend. 162 00:08:58.279 --> 00:09:00.960 I think it's really only like the art hew the 163 00:09:00.960 --> 00:09:02.679 theater is like we have one in Nationale called the 164 00:09:02.720 --> 00:09:06.200 Bellcourt and they will often play thirty five millimeter and 165 00:09:06.320 --> 00:09:10.559 sort of the longer frame, wider frame films in the 166 00:09:10.639 --> 00:09:12.919 old real style, the way. 167 00:09:12.799 --> 00:09:13.799 That they're supposed to be played. 168 00:09:13.919 --> 00:09:16.480 I saw if they live there in that format, and 169 00:09:16.480 --> 00:09:17.120 it was really cool. 170 00:09:17.440 --> 00:09:17.960 It was great. 171 00:09:18.440 --> 00:09:23.279 But that's being lost with this almost omnipresent takeer this 172 00:09:23.399 --> 00:09:24.720 of this ridiculous smartphone. 173 00:09:24.759 --> 00:09:26.120 I absolutely hate the smartphone. 174 00:09:26.639 --> 00:09:28.159 I don't know what we can do to stop it, 175 00:09:28.240 --> 00:09:32.679 but if you destroy the attention spans, then they're not 176 00:09:32.720 --> 00:09:34.360 going to be able to do it. It's actually I 177 00:09:34.399 --> 00:09:37.320 think psychologically it's like brain damage to because you can't 178 00:09:37.440 --> 00:09:41.000 focus even on I think I read something like attention 179 00:09:41.080 --> 00:09:45.000 spans are down to like eight seconds in the younger people. Yeah, 180 00:09:45.159 --> 00:09:49.639 so I mean that's it's dystopian. I mean it's Orwellian explicitly. 181 00:09:49.879 --> 00:09:51.600 So I don't know what the healing of it is 182 00:09:51.639 --> 00:09:57.720 other than too. I always tell people like basic principles. 183 00:09:57.759 --> 00:09:59.000 I mean, you have the right idea. I think you 184 00:09:59.039 --> 00:10:01.080 guys left the big city. You know, you came out 185 00:10:01.080 --> 00:10:03.159 to the country. That's a good thing to do. Home 186 00:10:03.200 --> 00:10:05.000 setting is what a lot of people are doing. This 187 00:10:05.080 --> 00:10:08.039 is that's great, this is what you're doing. I recommend 188 00:10:08.039 --> 00:10:11.440 people look into bitcoin, look into gold, alternative ways to 189 00:10:11.679 --> 00:10:12.039 you know. 190 00:10:11.960 --> 00:10:12.720 Store value. 191 00:10:14.159 --> 00:10:16.639 I keep trying to tell young guys, because we have 192 00:10:16.639 --> 00:10:18.480 a lot of young guys in our audience, to like 193 00:10:19.080 --> 00:10:26.879 start to draw down your Internet time, get off of TikTok, 194 00:10:26.960 --> 00:10:29.639 especially in those kinds of things, and cut your Internet 195 00:10:29.679 --> 00:10:32.200 time down to maybe maximum an hour hour or two 196 00:10:32.200 --> 00:10:33.919 hours a day. If you're going to use the internet, 197 00:10:33.960 --> 00:10:36.320 only do it for productive purposes. Only try to do 198 00:10:36.480 --> 00:10:39.360 like audio. So like when we do podcasts, because we're 199 00:10:39.480 --> 00:10:41.600 when we listen to podcasts on the road, it's almost 200 00:10:41.600 --> 00:10:46.000 always just audio format, and we try to avoid we 201 00:10:46.039 --> 00:10:48.519 don't watch stuff on our phone like movies or anything 202 00:10:48.559 --> 00:10:51.600 like that. So I would try to encourage people to 203 00:10:51.600 --> 00:10:53.879 continue to do that because everyone else is just sort 204 00:10:53.879 --> 00:10:55.120 of stepping into the matrix. 205 00:10:55.840 --> 00:10:56.200 Yeah. 206 00:10:56.360 --> 00:11:00.559 In fact, all the Silicon Valley people themselves don't let 207 00:11:00.600 --> 00:11:03.480 their kids live on the internet, have iPads, They fast 208 00:11:03.840 --> 00:11:07.480 from the Internet for like extended periods of time. Also, 209 00:11:07.679 --> 00:11:10.080 I would say, you know, like you said, get into 210 00:11:10.120 --> 00:11:13.919 alternative information. Don't listen to mainstream media. It's a largely 211 00:11:14.279 --> 00:11:18.879 psychological operations propaganda anyway. Yeah, and you know, I believe 212 00:11:18.879 --> 00:11:22.159 in finding a good church, or Orthodox church in my case, 213 00:11:22.519 --> 00:11:25.279 so finding some good spiritual balance in your life as well. 214 00:11:25.840 --> 00:11:29.000 All of those things can contribute, I think to healing. 215 00:11:29.399 --> 00:11:30.639 As we go into a really. 216 00:11:30.519 --> 00:11:35.000 Dark time, people only, I think, start to react once 217 00:11:35.039 --> 00:11:38.240 they already feel the pain. And that's also one of 218 00:11:38.279 --> 00:11:42.879 the the purpose of these phones is to ease the pain. 219 00:11:43.240 --> 00:11:45.840 So people are don't really feel the pain as long 220 00:11:45.879 --> 00:11:48.159 as they have the iPhones and they have the undepamine 221 00:11:48.200 --> 00:11:50.039 and stuff, so that then they don't find a good 222 00:11:50.080 --> 00:11:52.879 reason to change really anything. 223 00:11:55.480 --> 00:11:58.320 I recommend people get back to reading books. Read the 224 00:11:58.360 --> 00:12:01.840 classics of Western civilization and read philosophy. Read these kinds 225 00:12:01.840 --> 00:12:05.240 of texts, get into good literature. Literature is something that 226 00:12:05.519 --> 00:12:09.480 people think is like, oh, that's what chicks read or whatever. No, no, no, 227 00:12:09.519 --> 00:12:12.159 like Oprah's book list is not literature, right. You need 228 00:12:12.200 --> 00:12:14.200 to read the classics. You need to be familiar with Shakespeare, 229 00:12:14.200 --> 00:12:17.360 you need to be familiar with Homer, with Dante. You know, 230 00:12:17.399 --> 00:12:21.159 all these things should be part of a well rounded 231 00:12:21.200 --> 00:12:24.840 man's education and all that's been lost so by design. 232 00:12:24.879 --> 00:12:26.559 By the way, Berts and Russell said that we'll have 233 00:12:26.600 --> 00:12:29.639 to get rid of reading the classics because the classics 234 00:12:29.720 --> 00:12:33.159 might inspire you to be adventurous, and he says, you 235 00:12:33.159 --> 00:12:35.519 can't be adventurous in the dystopia and the technocracy. 236 00:12:35.600 --> 00:12:36.919 So books. 237 00:12:36.919 --> 00:12:39.679 That's why we want to also create this publishing company 238 00:12:40.159 --> 00:12:44.360 to publish, like you know, public domain, very very important 239 00:12:44.879 --> 00:12:47.080 books like I don't know, top of my head, like 240 00:12:47.120 --> 00:12:51.240 even read the car March, because you know the notion 241 00:12:51.320 --> 00:12:55.279 of communism. It's interesting that you know, everybody you know 242 00:12:55.279 --> 00:12:58.879 in America communist is the enemy, but most. 243 00:12:58.679 --> 00:13:00.000 People they don't even know what it means. 244 00:13:00.679 --> 00:13:04.000 You talk about communism in France means something completely different, 245 00:13:04.039 --> 00:13:06.240 and of course you go to Russia it means something 246 00:13:06.279 --> 00:13:09.279 completely different, and in China it means something completely different. 247 00:13:09.879 --> 00:13:12.039 And the only way to understand the soblety is which 248 00:13:12.320 --> 00:13:15.679 not even subleties at this point, because some people see 249 00:13:15.720 --> 00:13:18.519 something completely different in their mind because they don't know. 250 00:13:18.919 --> 00:13:21.559 It's important that people start reading to go to the 251 00:13:21.639 --> 00:13:25.320 root of things and try to understand. But the problem 252 00:13:25.360 --> 00:13:27.720 that does so much, you know, so where to start. 253 00:13:28.120 --> 00:13:30.399 So that's why I think I really like this French 254 00:13:30.440 --> 00:13:33.600 thinker and Soil because he's doing a lot of the 255 00:13:33.960 --> 00:13:38.080 educational thing with his publishing company. But in France, the 256 00:13:38.639 --> 00:13:42.320 thing is that people read more. In general, I think 257 00:13:42.360 --> 00:13:44.919 on culture. Like I was telling my wife the other day, 258 00:13:44.960 --> 00:13:47.440 like culture is part of the culture in France. 259 00:13:48.240 --> 00:13:49.559 Here. 260 00:13:49.639 --> 00:13:53.000 I mean, we discover in the festival that it wasn't 261 00:13:53.039 --> 00:13:59.799 really that. When I see a movie. Now I don't 262 00:13:59.799 --> 00:14:03.279 see the movie anymore. I see why the movie was made, 263 00:14:03.320 --> 00:14:05.240 you know, That's what I was saying earlier, like that 264 00:14:05.840 --> 00:14:09.480 film is just the reflection of its financing. And we 265 00:14:09.559 --> 00:14:12.600 were playing a very interesting movie about art that was 266 00:14:12.679 --> 00:14:16.559 made by a friend, and then it's about an artist, 267 00:14:16.639 --> 00:14:19.000 and what the movie says is that the piece of 268 00:14:19.200 --> 00:14:23.480 art is the reflection of who the author is. And 269 00:14:23.519 --> 00:14:26.240 now for movies, it's not really true anymore because it's 270 00:14:26.240 --> 00:14:33.080 the reflection of who financed the movie. Talking about Zionism, 271 00:14:33.200 --> 00:14:37.600 for example, when I saw recently Rebel Moon. 272 00:14:37.799 --> 00:14:39.840 You've seen that it's a film. 273 00:14:39.600 --> 00:14:44.840 About Hollywood Jewish power controlling the narrative. 274 00:14:45.240 --> 00:14:48.480 It's a movie. Watch it because it's a case study. Almost. 275 00:14:48.559 --> 00:14:51.799 It's so blatant in your face that that you know 276 00:14:51.840 --> 00:14:53.840 you have the bad dad is the white people, and 277 00:14:53.879 --> 00:14:57.440 then the the diversity to push. All the good people 278 00:14:57.879 --> 00:15:00.919 are all the colors of Bennetta and and. 279 00:15:02.759 --> 00:15:05.039 They are the good guys, the rainbow coalition as who 280 00:15:05.039 --> 00:15:07.840 overthrows And then you can see all this agenda and 281 00:15:07.879 --> 00:15:12.120 then you know it's made by entirely that that power. 282 00:15:12.360 --> 00:15:16.519 That was like fascinating, And then very few people actually 283 00:15:17.279 --> 00:15:21.000 see that narrative. When they watch the movie, they see 284 00:15:21.600 --> 00:15:24.039 they see the work aspect of it, but they don't 285 00:15:24.279 --> 00:15:25.320 go beyond beyond. 286 00:15:25.440 --> 00:15:26.720 They say it's walk. 287 00:15:27.360 --> 00:15:29.720 But the way it works, in my opinion, is that 288 00:15:29.799 --> 00:15:32.080 the work aspect is everywhere, so people don't even pay 289 00:15:32.080 --> 00:15:35.639 attention to it anymore. I think the time factor. People 290 00:15:35.679 --> 00:15:38.679 don't usually take it into consideration, and everything takes a 291 00:15:38.679 --> 00:15:41.559 lot of time to get to where it's going. 292 00:15:44.879 --> 00:15:47.440 Yeah, I wrote and as Ali with three, which is 293 00:15:47.480 --> 00:15:49.519 about to come out a rot a whole section kind 294 00:15:49.519 --> 00:15:53.720 of analyzing Black Mirror in depth, because Black Mirror moved 295 00:15:53.759 --> 00:15:58.399 from being a very potent critique of technocracy in the 296 00:15:58.399 --> 00:16:01.639 first couple of seasons to becoming more and more woke, 297 00:16:01.720 --> 00:16:04.919 and then it turned into basically almost like a racial 298 00:16:05.080 --> 00:16:12.080 resentmt revenge narrative where black people oppressed people could then 299 00:16:12.200 --> 00:16:16.639 sort of enact their fantasies upon their oppressors, especially in 300 00:16:16.639 --> 00:16:19.399 one of the later episodes, which is just totally like 301 00:16:19.440 --> 00:16:23.120 deviated away from you know, the original sort of what 302 00:16:23.200 --> 00:16:26.120 was his name, Charlie Brooker's critiques of like Tony Blair 303 00:16:26.240 --> 00:16:31.240 and uh David Cameron government that then turned into everything 304 00:16:31.240 --> 00:16:34.840 being totally woke. So now the idea, I think is that, 305 00:16:35.080 --> 00:16:38.679 you know, Schpengler talked about if you open the borders 306 00:16:38.759 --> 00:16:41.840 and you let everyone come in, what happens is eventually 307 00:16:42.519 --> 00:16:45.559 the people that come in take over, and that can 308 00:16:45.600 --> 00:16:46.720 be by design. 309 00:16:48.799 --> 00:16:51.360 So it can be it is right. 310 00:16:51.679 --> 00:16:53.360 Well, I think when he was writing he was kind 311 00:16:53.360 --> 00:16:57.080 of like, I don't think he knew necessarily how bad 312 00:16:57.120 --> 00:16:59.240 it could get, I think, but I mean his prediction 313 00:16:59.279 --> 00:17:01.960 about the Client the West was pretty accurate in terms 314 00:17:01.960 --> 00:17:04.960 of how it would happen. And what's funny is that 315 00:17:04.960 --> 00:17:07.680 that text, which is a kind of a formative historical 316 00:17:07.680 --> 00:17:10.920 geopolitical text, people like Kissinger wrote dissertations on that book 317 00:17:12.720 --> 00:17:15.160 that kind of became a game plan because early on 318 00:17:15.200 --> 00:17:19.000 at Tavistok they studied decline of the West as a 319 00:17:19.039 --> 00:17:20.319 way to actually. 320 00:17:20.359 --> 00:17:21.240 Decline the West. 321 00:17:21.599 --> 00:17:24.799 It wasn't written as a manual, but then they figured 322 00:17:24.799 --> 00:17:26.960 out actually what he's talking about could be a means, 323 00:17:27.319 --> 00:17:30.559 and then you get people like Kundenhof Kolergi. In his 324 00:17:30.559 --> 00:17:34.000 book Practical Idealism, he says basically the same pattern of 325 00:17:34.039 --> 00:17:39.039 how massive open borders could could totally change the entire 326 00:17:39.119 --> 00:17:42.559 demographic of all of the West. So that's a big 327 00:17:42.599 --> 00:17:44.880 part of it, and the films have to promote that. 328 00:17:45.000 --> 00:17:47.680 For example, in America, we've had so many films promoting 329 00:17:47.680 --> 00:17:53.119 the idea that all of the immigrants are sort of heroic, 330 00:17:53.920 --> 00:17:55.640 noble savior people. 331 00:17:56.119 --> 00:17:57.480 And then everybody who. 332 00:17:57.279 --> 00:17:58.920 Wants to have like a wall or a border or 333 00:17:58.960 --> 00:18:02.519 anything like that the oppress of Nazi, fascist, et cetera, 334 00:18:03.240 --> 00:18:05.319 which is just crazy because I mean, China has a 335 00:18:05.319 --> 00:18:08.720 giant wall around it, like they built a wall. Does 336 00:18:08.720 --> 00:18:10.480 that make them fascist? I mean, it's just it doesn't 337 00:18:10.519 --> 00:18:13.680 make any sense. Everything's divorced from its actual historical. 338 00:18:13.279 --> 00:18:15.920 Context and meaning. But that's postmodern, right. 339 00:18:15.960 --> 00:18:18.319 I Mean, I was having a conversation the other day 340 00:18:18.359 --> 00:18:21.480 with some people about symbols and memes, and they were 341 00:18:21.720 --> 00:18:26.519 pointing out that the meme magic is actually in the 342 00:18:26.559 --> 00:18:30.599 same applies to cinema as iconography, like you can now 343 00:18:30.640 --> 00:18:34.960 through the postmodern deconstructionist attitude, like you can give it 344 00:18:34.960 --> 00:18:37.920 its own meaning. Meaning isn't something that you're studying and getting. 345 00:18:37.960 --> 00:18:41.039 You're just importing your own meaning into it. And that 346 00:18:41.119 --> 00:18:45.079 means that they can retool the archetypes to socially engineer. 347 00:18:45.160 --> 00:18:46.960 I'm reading Changing Image as a Man right now, and 348 00:18:46.960 --> 00:18:51.880 there's a whole chapter on retooling archetypes for the culture. 349 00:18:52.279 --> 00:18:57.119 So it's like cultural Marxist studies in retooling the culture 350 00:18:57.240 --> 00:19:02.680 to make everybody complacent, masculated, you know, all the stuff 351 00:19:02.720 --> 00:19:06.720 that the left wants is actually a social engineering weapon. 352 00:19:07.200 --> 00:19:08.079 Yeah, as you know. 353 00:19:08.160 --> 00:19:10.039 But I mean it's just like it's crazy to see 354 00:19:10.079 --> 00:19:11.359 textbooks actually kind of. 355 00:19:11.279 --> 00:19:12.359 Describe the process. 356 00:19:12.599 --> 00:19:15.680 Yes, so it's not just us theorizing about it, Like, no, 357 00:19:15.759 --> 00:19:18.039 there's an actual textbook that tells. 358 00:19:20.160 --> 00:19:21.200 To go back to the movies. 359 00:19:21.559 --> 00:19:24.599 I remember that year when they gave the Oscar for 360 00:19:24.720 --> 00:19:28.559 Best Picture to Parasite, and it's like it shows the 361 00:19:28.640 --> 00:19:32.119 total nonsense of Hollywood because it's a Korean movie that 362 00:19:32.160 --> 00:19:34.960 has absolutely nothing to do as the best picture in 363 00:19:35.039 --> 00:19:36.720 an American competition. 364 00:19:37.039 --> 00:19:37.880 My theory on. 365 00:19:37.839 --> 00:19:40.599 That is that I believe that there are most likely 366 00:19:42.519 --> 00:19:45.480 deals and the oscars and affection there are deals from 367 00:19:45.519 --> 00:19:47.319 countries to countries like Korea. 368 00:19:47.400 --> 00:19:48.640 Maybe has helped America. 369 00:19:49.200 --> 00:19:52.880 America says okay, we're gonna yeah, let's give an oscar. 370 00:19:53.039 --> 00:19:54.640 It becomes propaganda for preser. 371 00:19:54.720 --> 00:19:55.440 Yeah exactly. 372 00:19:55.480 --> 00:19:58.640 And it helps, you know, because at this point and 373 00:19:58.680 --> 00:20:01.559 we're very close to all the film markets. They had 374 00:20:01.599 --> 00:20:05.200 to understand because it's also part of why film films 375 00:20:05.240 --> 00:20:09.000 get made or not. And it's interesting to see like 376 00:20:09.079 --> 00:20:11.960 it gave a huge boost to Korean movies because of that, 377 00:20:12.559 --> 00:20:15.880 and so that was great for the whole Korean industry. Interesting, 378 00:20:16.039 --> 00:20:20.480 and people don't understand that the Oscars, they are not 379 00:20:20.920 --> 00:20:24.960 giving the oscar to the best act it's for the 380 00:20:24.960 --> 00:20:29.519 They're awarding people who are the best soldiers for the 381 00:20:29.640 --> 00:20:33.200 established system. The systems right, They're there to promote this 382 00:20:33.359 --> 00:20:36.759 and that, and actors, some of them they really believed 383 00:20:36.759 --> 00:20:38.119 that they were the best actors. 384 00:20:38.799 --> 00:20:42.519 And that's always what was it last year? 385 00:20:43.839 --> 00:20:46.559 I mean, I don't really care for musicals, but I 386 00:20:46.559 --> 00:20:50.279 mean I could recognize that the trans musical was was 387 00:20:50.359 --> 00:20:51.480 I mean, I heard some of the singing. 388 00:20:51.599 --> 00:20:52.960 It was preposterous. 389 00:20:53.440 --> 00:20:56.839 But they gave the word to that over Wizard of Oz, 390 00:20:56.880 --> 00:20:59.519 which had you know, like actual singers, and which is 391 00:20:59.680 --> 00:21:03.759 again it's only done right for like the oppression Olympics 392 00:21:03.839 --> 00:21:05.759 to give awards, right, who's the most oppressed. 393 00:21:06.279 --> 00:21:09.799 So yeah, that's all by design. 394 00:21:09.920 --> 00:21:11.799 I mean all of these awards, all of these things, 395 00:21:11.799 --> 00:21:14.200 including Nobel, I mean all that stuff is really given 396 00:21:14.240 --> 00:21:17.799 to Remember they gave the Nobel to Obama and what 397 00:21:18.039 --> 00:21:19.799 he was like he was doing like drone attacks, and 398 00:21:19.799 --> 00:21:20.599 they're giving. 399 00:21:20.319 --> 00:21:21.039 The Peace Prize. 400 00:21:21.680 --> 00:21:25.680 So yeah, it's all that's all propaganda. But I didn't 401 00:21:25.680 --> 00:21:29.640