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<v Speaker 5>Webster loop.

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<v Speaker 3>You are now listening to True Murder, the most shocking

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<v Speaker 3>killers in true crime history and the authors that have

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<v Speaker 3>written about them. Gasey Bundy Dahmer, The Nightstalker BTK. Every week,

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<v Speaker 3>another fascinating author talking about the most shocking and infamous

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<v Speaker 3>killers in true crime history, True Murder with your host,

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<v Speaker 3>journalist and author Dan Zupansky.

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<v Speaker 4>Good evening, This is your host Dan Zupanski for the

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<v Speaker 4>program True Murder, the most shocking killers in true crime

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<v Speaker 4>history and the authors that have written about them. When

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<v Speaker 4>filming his TV series Race Relations On, Saffran spent an

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<v Speaker 4>uneasy couple of days with one of Mississippi's most notorious

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<v Speaker 4>white supremacists. A year later, he heard that the man

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<v Speaker 4>had been murdered, and what was more, the killer was black.

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<v Speaker 4>At first, the murder seemed to twist on the old

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<v Speaker 4>deep self race crimes, but then more news rolled in.

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<v Speaker 4>Maybe it was a dispute over money or, most intriguingly,

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<v Speaker 4>over sex. Could the infamous racist actually have been secretly

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<v Speaker 4>pardon me? At first, the murder seemed to twist on

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<v Speaker 4>the old deep self race crimes, but then more news

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<v Speaker 4>rolled in. Maybe it was a dispute over money, or,

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<v Speaker 4>most intriguingly, over sex. Could the infamous racist actually have

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<v Speaker 4>been secretly gay with a thing for black men? Did

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<v Speaker 4>Saffran have the last footage of him alive. Could this

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<v Speaker 4>be the story of a life time? Seizing his Truman

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<v Speaker 4>Capote moment, he jumped on a plane to cover the trial.

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<v Speaker 4>Over six months, Saffran got deeper and deeper into the South,

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<v Speaker 4>becoming entwined in the lives of those connected with the murder,

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<v Speaker 4>white separatists, black campaigners, lawyers, investigators, neighbors, even the killer himself.

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<v Speaker 4>And the more he talked with them, the less simple

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<v Speaker 4>the crime and the world seemed. The book is Murder

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<v Speaker 4>in Mississippi And with my special guest, John, author and

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<v Speaker 4>documentary filmmaker John Saffran. Welcome to the program, and thank

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<v Speaker 4>you for agreeing to this interview. John Saffran, thank you

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<v Speaker 4>very much. Leave me John fine, Thank you fine, thank you,

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<v Speaker 4>thank you very much for this interview.

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<v Speaker 2>I think we're a bit out of sync, but we'll

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<v Speaker 2>be able to figure that out. I guess we'll just

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<v Speaker 2>leave death after our sentences or something. But I'm very

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<v Speaker 2>on your show. I listened to your show a loss,

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<v Speaker 2>and your show directed me to all the true crime

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<v Speaker 2>writers that helped me a loss with writing my true

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<v Speaker 2>crime books. So I really appreciate it.

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<v Speaker 4>Well, thank you very much, and it was an honor

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<v Speaker 4>to be on your program and the special sixth part

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<v Speaker 4>six author sixth part true crime series that aired on

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<v Speaker 4>the ABC this summer. Was fantastic to be on that

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<v Speaker 4>program with you. So that was a great honor. Exert

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<v Speaker 4>He's got some children running around, don't you.

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<v Speaker 2>Yeah, I'm trying to get into a quiet place. But

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<v Speaker 2>you know, maybe this is good atmosphere. You know how

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<v Speaker 2>I say, like sometime's right, the ice sounds good when

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<v Speaker 2>you know there's a bit of noise in the background,

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<v Speaker 2>like the same alive or something. Sure.

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<v Speaker 4>Congratulations on the book, by the way, this is a

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<v Speaker 4>one wild tale. Maybe you can tell our audience to

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<v Speaker 4>give up like you very much do in the book.

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<v Speaker 4>And I think it's very important, obviously, because you are

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<v Speaker 4>integral part of this story and you've put yourself inside

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<v Speaker 4>this story and rightfully self. Tell us about your background

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<v Speaker 4>and so we can understand how you came to this

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<v Speaker 4>story in particular. But tell us about your background in

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<v Speaker 4>Australia and on Australia and the kinds of documentaries, the

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<v Speaker 4>kind of filmmaker that you are, the kind of journalism

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<v Speaker 4>that you have done. Tell us about your background, John.

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<v Speaker 2>You know, I do documentaries that have a bit of

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<v Speaker 2>a twist. So I guess for international audiences something a

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<v Speaker 2>bit like Michael Moore or even sometimes a bit like

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<v Speaker 2>Sasha Baron Cohen Borat, where you go out to tell

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<v Speaker 2>a story and it is documentary, but you've got you've

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<v Speaker 2>got twists in them, and you try to make them

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<v Speaker 2>amusing too. And so I went off of filming a

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<v Speaker 2>TV show and I I went to Mississippi and I

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<v Speaker 2>filmed this white supremacist called Richard Barrett, and I played

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<v Speaker 2>a little trick on him that I in the book,

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<v Speaker 2>where I procure a saliva sample of him and then

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<v Speaker 2>take it to be the DNA tested. And then I

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<v Speaker 2>returned to one of his white supremacist meetings and you know,

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<v Speaker 2>in front of the room, you know, announced that you know,

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<v Speaker 2>he's got a bit of African DNA. And anyway, obviously

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<v Speaker 2>Richard Barrett, he wasn't happy with this, and he started

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<v Speaker 2>legal action and that had and he was a lawyer

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<v Speaker 2>as well as a white supremacist, and it was a

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<v Speaker 2>very clever lawyer, and he just managed to threaten my

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<v Speaker 2>TV station in a way that we just felt, well,

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<v Speaker 2>they felt compelled to not air the story. So I

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<v Speaker 2>just ended up on the cutting room floor. I spent

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<v Speaker 2>two days with this guy, Richard Barrett, and got to

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<v Speaker 2>see inside his weird secret world, but we weren't able

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<v Speaker 2>to use any of the footage. And that was that.

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<v Speaker 2>And then eleven months late, I'm just schooling around the

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<v Speaker 2>internet and Richard Barrett. I find out he's just been

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<v Speaker 2>killed in his house. And you know, the house and

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<v Speaker 2>both him were the killer tried to light them on fire.

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<v Speaker 2>And then the killer, a man, a young black man

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<v Speaker 2>named Vincent McGee, was caught and you know, one of

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<v Speaker 2>his first stories is, hey, it was self defense because

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<v Speaker 2>Richard Barrett, the white supremacist, tried to make sexual advances

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<v Speaker 2>on me. And you know, so that's been pretty wild.

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<v Speaker 2>And you know, the trial was scheduled to start soon,

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<v Speaker 2>so I just had to either jump on a plane

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<v Speaker 2>and cover it or not. And you know, there wasn't

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<v Speaker 2>really enough time to think or do anything, or try

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<v Speaker 2>to get together a TV production or anything. So just

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<v Speaker 2>ye had jumped on a plane with my dictaphone and

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<v Speaker 2>my notepad and then ended up spending six months in

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<v Speaker 2>Mississippi following the case.

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<v Speaker 4>Now, was your original intention just in realizing that when

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<v Speaker 4>you were searching the internet that because you do have

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<v Speaker 4>a conversation with the guys that you were involved with

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<v Speaker 4>that had been involved with the filming of Richard Barrett

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<v Speaker 4>and when he was murdered, you guys had a conversation like, well,

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<v Speaker 4>now we can use this footage, can't we? And so

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<v Speaker 4>did you jump on that plane with the plan to

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<v Speaker 4>write a book or did you jump on the plane

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<v Speaker 4>just to follow up that story.

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<v Speaker 2>No, definitely to write a book, because yeah, as I said,

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<v Speaker 2>it's quite exhausting getting a production up, like a film

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<v Speaker 2>or a television production up. I mean, unless you're just

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<v Speaker 2>going to run off and shoot it yourself. So I

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<v Speaker 2>didn't kind of want to do that. And I also

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<v Speaker 2>just felt this great freedom in kind of just being

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<v Speaker 2>able to go on my own. And when you're filming,

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<v Speaker 2>you have to like hustle a lot. You have to

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<v Speaker 2>like talk people into appearing on camera. And so someone

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<v Speaker 2>can have an incredible someone can have an incredible story

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<v Speaker 2>to tell, but as soon as you press record, suddenly

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<v Speaker 2>they don't want to say everything like they would, you know,

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<v Speaker 2>if they weren't being filmed. And then people can you know,

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<v Speaker 2>not be really good talent for TV. For instance, they

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<v Speaker 2>can be rambling too much, your lack energy or something.

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<v Speaker 2>And whilst if you interview people and put them in

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<v Speaker 2>a book, suddenly, as long as their story is really good,

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<v Speaker 2>you can kind of dodge around those other things and

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<v Speaker 2>sort of just not mentioned oh, by the way, this

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<v Speaker 2>guy told me this story in an excruciating, long winded

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<v Speaker 2>way that lacked energy, so like you just don't you

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<v Speaker 2>just don't mention that bit and you've got like a nice,

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<v Speaker 2>tight little story and so and yeah, there was a

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<v Speaker 2>lot of freedom and it was really refreshing, and you

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<v Speaker 2>also you could just spend more time. Like when I'm filming,

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<v Speaker 2>usually we land in a place like when we did

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<v Speaker 2>the Richard Barrett thing, the original prank, Like we just

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<v Speaker 2>landed there for like a day basically, and then everything

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<v Speaker 2>else is travel and you just have to capture everything quickly,

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<v Speaker 2>and you know, you can't always get to the essence

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<v Speaker 2>of something, and whilst with a book I could, so yeah,

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<v Speaker 2>I really liked it. I also like the parameters of

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<v Speaker 2>writing a book because often it's good to have parameters

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<v Speaker 2>because it just kind of sets down something that you

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<v Speaker 2>can work at. So for instance, if a TV station says, oh,

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<v Speaker 2>you have to deliver a half hour show. It's not like,

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<v Speaker 2>oh damn, I wish I could do forty minutes. It's

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<v Speaker 2>like I wish I could do twenty minutes. It's like, okay, fine,

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<v Speaker 2>there's one thing set in place that I can work towards.

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<v Speaker 2>And sometimes, I know this sounds of extrange, because everyone

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<v Speaker 2>likes to creative freedom, but sometimes having parameters just you

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<v Speaker 2>just get on with things and you move on with them.

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<v Speaker 2>So I started reading lots of true crime books which

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<v Speaker 2>I haven't read before, and I started trying to understand

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<v Speaker 2>the architecture of them and how they work. And so

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<v Speaker 2>when I went over there, I sort of had that

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<v Speaker 2>in my head. I had these I saw what all

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<v Speaker 2>these other true crime writers did, and I tried to

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<v Speaker 2>follow their directions of how they found out things. And

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<v Speaker 2>it didn't always work, and that was that, And sometimes

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<v Speaker 2>it sort of did the opposite of work. It didn't

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<v Speaker 2>work at all. Like, for instance, I noticed a lot

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<v Speaker 2>of true crime books start up where they just explain

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<v Speaker 2>really simply the crime and then the rest of the

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<v Speaker 2>book is, you know, the why or how did it

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<v Speaker 2>end up there. But when I went over there, the

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<v Speaker 2>more I spoke to people, the more I started getting

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<v Speaker 2>slightly different versions of everything, and I found it really annoying, Like,

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<v Speaker 2>for instance, the mother of the killers, then Richard Barrett

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<v Speaker 2>pulled up on the day of the killing. He pulled

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<v Speaker 2>up in a black suv. And then you know, another

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<v Speaker 2>person close to the case said, oh, on the day

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<v Speaker 2>of the killing, Richard Barrett, he pulled up, but he

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<v Speaker 2>was riding a bicycle. And then I'm like, well, what

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<v Speaker 2>do I write in that chapter in the book where

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<v Speaker 2>I do I say he pulled up in a bicycle

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<v Speaker 2>or do I say pulled up in an suv? And

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<v Speaker 2>so yeah, things like that drove me crazy. But then

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<v Speaker 2>once I up back with all the all the material

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<v Speaker 2>and I typed a lot of things, lots of interviews

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<v Speaker 2>and written lots of nights, I realized, like, all that confusion, like,

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<v Speaker 2>that's the book, and I might as well, yeah, not five,

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<v Speaker 2>It might as well just write the book about how

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<v Speaker 2>the further I got into the story, the foggy things

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<v Speaker 2>got right.

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<v Speaker 4>Yeah, for various reasons, but certainly that's what you found.

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<v Speaker 4>The more you talk to people, there more questions rather

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<v Speaker 4>than answers. Yes, so let's get back to let's get

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<v Speaker 4>to for our audience, that doesn't know too much about this.

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<v Speaker 4>You've talked about Richard Barrett. Was there in your two

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<v Speaker 4>days with Richard Barrett? Was there anything extraordinary about Richard Barrett?

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<v Speaker 4>Because I think it's you haven't really explained exactly why

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<v Speaker 4>you thought you had this real story, this story that

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<v Speaker 4>you could instinctively as a documentary filmmaker, you knew that

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<v Speaker 4>there was when you do have a story that's extraordinary,

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<v Speaker 4>when there's something else to be learned from this, And

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<v Speaker 4>what did you think and what did you believe you

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<v Speaker 4>might learn from this or what you might see or

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<v Speaker 4>what it might be an example of, and hence you

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<v Speaker 4>were interested in writing this book.

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<v Speaker 2>Well, we kind of thought we were. We thought me

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<v Speaker 2>and the crew when we were over there, and we

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<v Speaker 2>weren't particularly trying to trip him up on anything like

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<v Speaker 2>this or whatever, but we we thought he was a

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<v Speaker 2>big camp and we thought, oh, it's weird. He sort

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<v Speaker 2>of you know, if I had to make a guess

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<v Speaker 2>after spending two days with him, I'd be going, Oh,

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<v Speaker 2>he's probably gay, you know, and which is kind of weird.

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<v Speaker 2>If the guys are leading white supremacist then you know

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<v Speaker 2>that had nothing to do with what we were filming

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<v Speaker 2>or whatever. So we didn't really like think about it

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<v Speaker 2>that much, but that was that. And then so then

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<v Speaker 2>when we found out he'd been killed and one of

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<v Speaker 2>the versions of events was he may have made a

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<v Speaker 2>sexual advance on the black guy, I was like, Oh,

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<v Speaker 2>that kind of matches up with that. So I guess

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<v Speaker 2>that became an interesting part of the story for me,

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<v Speaker 2>like can you be a leading white supremacist who's like

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<v Speaker 2>hiding such a deep secret? And the more and the

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<v Speaker 2>more the more I got into the book, the more

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<v Speaker 2>I found out that one way into the book it

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<v Speaker 2>is all about secrets and how you know it's impossible

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<v Speaker 2>to get to them sometimes and Mississippi, Yeah, it's definitely.

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<v Speaker 2>It's definitely a place of secrets where people and I

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<v Speaker 2>guess that it's kind of like the opposite of a

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<v Speaker 2>lot of the modern world where everyone's just trying to

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<v Speaker 2>take a hundred photos of themselves and put them up

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<v Speaker 2>on Facebook every hour, and that's the way the world

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<v Speaker 2>is going in one way, but in another way, there's

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<v Speaker 2>still you know, lots of secrets and lots of people

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<v Speaker 2>trying to hide things.

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<v Speaker 4>Now, you know, I found interesting too, and it was

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<v Speaker 4>we have this in common is that our stories made

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<v Speaker 4>Stormfront and this tell us of what Stormfront is and

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<v Speaker 4>what sort of the what you've found out yourself looking online,

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<v Speaker 4>what Stormfront have to say about you and this story.

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<v Speaker 2>Yeah, the Stormfront is a white nationalist website, like an

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<v Speaker 2>international one, but people from all over the world, people

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<v Speaker 2>from all over the world, you know, post on it.

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<v Speaker 2>And I was a person of interest to them because

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<v Speaker 2>I pranked in the past, in a totally separate case,

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<v Speaker 2>I'd pranked this ku Klux Klansman where I tried. I

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<v Speaker 2>tried to join the ku Klux Klan even though I'm

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<v Speaker 2>even though I'm Jewish, and I thought, so I kind

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<v Speaker 2>of go in there and I kind of act all naive,

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<v Speaker 2>like I'm like, listen, why can't I join? I don't

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<v Speaker 2>do anything Jewish anymore, you know, I don't. I don't

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<v Speaker 2>eat kosher. I haven't been into a synagogue since my

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<v Speaker 2>bar mitzvah let me join. And yeah, and so anyway,

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<v Speaker 2>so once that was aired, then the people from Stormfront

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<v Speaker 2>were onto me. So were they were warning everyone, listen,

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<v Speaker 2>if you hear Saffran's filming another show, just watch out.

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<v Speaker 2>So yeah, they're definitely onto me. Interesting and also they

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<v Speaker 2>also the thing with Richard Barrett once I start once

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<v Speaker 2>he was killed and I started looking into it, just

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<v Speaker 2>all over message boards or white supremacist message boards, are

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<v Speaker 2>people all suspect with that he was, Yeah, he was

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<v Speaker 2>secretly gay. So it wasn't like I was the only

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<v Speaker 2>one who had that impression. But then one of the

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<v Speaker 2>sort of weird twists in the book is like it's

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<v Speaker 2>like the opposite of what you'd expect. It's like, at

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<v Speaker 2>a certain point in my researching, when I'm over there,

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<v Speaker 2>it might be the big reveal or I was thinking

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<v Speaker 2>in my head, I was like, my god, it might

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<v Speaker 2>be that he's not gay, like because you just instinctively think, oh,

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<v Speaker 2>the way a book should be is there's this white

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<v Speaker 2>supremacist and I don't know what's going on, and then daddah,

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<v Speaker 2>I find this secret ever that he's gay. But it

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<v Speaker 2>was more like everyone spoke about how he was probably gay.

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<v Speaker 2>But then I'd sort of like I met up with

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<v Speaker 2>so many people who actually knew him, not knew him

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<v Speaker 2>from one degree of separation, but like knew him and

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00:17:13.799 --> 00:17:16.720
<v Speaker 2>knew him when they were young boys, and Richard was

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<v Speaker 2>a bit older and they didn't think he was it

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00:17:20.400 --> 00:17:23.000
<v Speaker 2>was like, anyway, so many people who had like direct

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00:17:23.079 --> 00:17:28.279
<v Speaker 2>contact with him and you know, really didn't have an

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<v Speaker 2>agenda to stand up for him, would say, I listen,

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00:17:30.480 --> 00:17:32.079
<v Speaker 2>he was a jerk. I hated him. He was a creep.

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<v Speaker 2>But I've got to tell you, you know, I was

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<v Speaker 2>fourteen at the time he was twenty, and you know,

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<v Speaker 2>I can't remember him being a predator. And so it

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00:17:41.519 --> 00:17:45.279
<v Speaker 2>was like that became an interesting part of the journey,

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<v Speaker 2>was maybe people just make up rooms and stories in

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<v Speaker 2>their heads and then they just become the truth in

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00:17:52.119 --> 00:17:56.119
<v Speaker 2>inverted commas. But then you know it's not the truth.

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<v Speaker 4>Yeah. Now you have been to the US before, Like

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<v Speaker 4>you said, you're in Orange County with the KKK. Now

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<v Speaker 4>you're back in Mississippi again, and this is the state

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<v Speaker 4>capital's Jackson, Mississippi. Tell us describe the people and the

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<v Speaker 4>atmosphere of the geography. Tell us a little bit about Jackson, Mississippi.

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<v Speaker 4>A little bit of a culture shock, I would imagine.

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<v Speaker 2>Oh yeah, definitely, there's been a lot of self segregation

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<v Speaker 2>over the last ten years. So you have the Jackson

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<v Speaker 2>which is in Hinz County and Jackson's like vast majority black.

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<v Speaker 2>And then right next to it. You've got rankin county

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<v Speaker 2>where all the white people have gone, and you know

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<v Speaker 2>that's majority white. And because of the way people have

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<v Speaker 2>voted in in America, in the little community, as soon

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<v Speaker 2>as the demographic shifts in the community, you start voting

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<v Speaker 2>for people of your own race or ethnicity. So you know,

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<v Speaker 2>the people in power in Jackson over the last ten

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<v Speaker 2>years have you know, the sheriffs and the heads of

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<v Speaker 2>police and the judges and everyone else that gets voted in.

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<v Speaker 2>You know, more black people have becoming in charge. But

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<v Speaker 2>the one difference I really noted compared to Melbourne where

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<v Speaker 2>I live, is there there was generally only black people

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<v Speaker 2>or white people, whilst in I don't know what's going

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<v Speaker 2>down in different places in Canada, but you know, in Melbourne,

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<v Speaker 2>you know we'll have Arabs, or will have Greek people

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00:19:30.519 --> 00:19:34.640
<v Speaker 2>and Maltese people and Chinese people and Indian people and

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<v Speaker 2>you know, few Aboriginal people. But whilst yeah, in Mississippi,

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<v Speaker 2>it seems like you're either black or you're white, and

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00:19:42.519 --> 00:19:44.279
<v Speaker 2>there were nothing none of these sort of like in

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<v Speaker 2>between people that you have in multicultural places. So that

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00:19:50.519 --> 00:19:53.119
<v Speaker 2>was like really start, like, I don't think there's even

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<v Speaker 2>many like Latino Latin American people there. So yeah, that

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00:19:59.079 --> 00:20:01.519
<v Speaker 2>was that was that was really stark and I really

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00:20:01.599 --> 00:20:04.640
<v Speaker 2>noticed that. And also you turn up to some place

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<v Speaker 2>and pretty much everyone's black, you know, like in a

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00:20:08.279 --> 00:20:11.400
<v Speaker 2>or pretty much everyone's white, like yeah, and that's that's

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00:20:11.480 --> 00:20:14.079
<v Speaker 2>really notable. And I know I'm not going mad by

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<v Speaker 2>noticing that because I found this promotion I think in

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<v Speaker 2>some Jackson local newspaper where they're trying to encourage black

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<v Speaker 2>and white people that like eat together at the local

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<v Speaker 2>eateries and there were like twenty percent off if you

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<v Speaker 2>dine with someone of the other Rakish and this was

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<v Speaker 2>like two ten or something that that little promotion was.

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<v Speaker 4>Yeah, that's amazing. Yeah, so that's that's a culture shock.

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<v Speaker 4>I would be for me too. That's exactly the situation here.

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<v Speaker 4>It's multicultural. You see every reason ethnicity everywhere, and so

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<v Speaker 4>it's very diverse in all the community.

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<v Speaker 2>So yeah, now you said, the other thing I noticed

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<v Speaker 2>about Mississippi was very parochial, where like other parts have

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<v Speaker 2>been in America. Like you say, you're from Australia and

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<v Speaker 2>everyone kind of wants to ask you questions about it

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<v Speaker 2>and what's it like, and everyone's really enthusiastic about finding

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<v Speaker 2>out about some other place in the world. But in

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00:21:20.759 --> 00:21:24.640
<v Speaker 2>Mississippi it was very parochial. They didn't really think of

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<v Speaker 2>the rest of America except in really negative ways, like

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<v Speaker 2>as if everyone in New York their only purpose of

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<v Speaker 2>existence is to try to somehow keep Mississippian down, like

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<v Speaker 2>the real bitter, paranoid view of the rest of America.

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<v Speaker 2>And then and yeah, not the rest of the world

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<v Speaker 2>that doesn't even enter there generally, you know, generalizing, but

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<v Speaker 2>compared to other places I've gone, Yeah, it's very parochial,

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<v Speaker 2>not a very cosmopolitan outlook, and parochial almost to the

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<v Speaker 2>extent of like the county in Mississippi you're in, so

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<v Speaker 2>not even like the whole of Mississippi. It's like you're

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<v Speaker 2>in your little county and you're really inward looking to

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00:22:03.200 --> 00:22:06.400
<v Speaker 2>that county and you're just not really that interested in

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<v Speaker 2>what's going on outside.

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<v Speaker 4>Now, in your journey in Mississippi, you go to this

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<v Speaker 4>trial and it's about a month before the trail occurs,

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<v Speaker 4>So you're in Mississippi for a month, am I correct?

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<v Speaker 2>Yeah?

383
00:22:20.519 --> 00:22:22.039
<v Speaker 4>Yeah, for previous to the trail.

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00:22:23.240 --> 00:22:25.480
<v Speaker 2>Yeah, yeah, that's right. I kind of base that on

385
00:22:26.200 --> 00:22:27.519
<v Speaker 2>when I was just trying to guess at what I

386
00:22:27.599 --> 00:22:30.119
<v Speaker 2>meant to be doing. I just decided I'll go a

387
00:22:30.240 --> 00:22:33.039
<v Speaker 2>month early because in Midnight in the Garden of Good

388
00:22:33.079 --> 00:22:36.039
<v Speaker 2>and Evil, that true crime book, you know, he's in

389
00:22:36.440 --> 00:22:40.759
<v Speaker 2>the small town, the author John Barrant, way before the trial,

390
00:22:41.079 --> 00:22:44.079
<v Speaker 2>and that really helps you, you know, get to know

391
00:22:44.200 --> 00:22:47.839
<v Speaker 2>the locals and suddenly you're not just this kind of

392
00:22:47.960 --> 00:22:52.000
<v Speaker 2>strange journalist is just rocked up, and you know, you

393
00:22:52.720 --> 00:22:54.279
<v Speaker 2>get a bit of time to sort of build up

394
00:22:54.319 --> 00:22:57.480
<v Speaker 2>trust and sniff around. So yeah, I was there for

395
00:22:57.559 --> 00:23:01.480
<v Speaker 2>a month, and you know, I met lots of interesting

396
00:23:01.519 --> 00:23:04.160
<v Speaker 2>people that ended up in the book. And it's always

397
00:23:04.160 --> 00:23:07.920
<v Speaker 2>like I couldn't have asked to bump into more interesting

398
00:23:08.039 --> 00:23:10.759
<v Speaker 2>people that who were exactly what I was looking for

399
00:23:11.200 --> 00:23:14.160
<v Speaker 2>for the sake of my book. So but then then

400
00:23:14.240 --> 00:23:18.720
<v Speaker 2>the trial was delayed, and that's when I decided, well,

401
00:23:18.759 --> 00:23:20.759
<v Speaker 2>I had other work to do, so I just went

402
00:23:21.119 --> 00:23:26.119
<v Speaker 2>back left Mississippi, and then I came back months later.

403
00:23:26.279 --> 00:23:28.720
<v Speaker 2>I'm already confused about exactly how long it was, because

404
00:23:28.759 --> 00:23:32.119
<v Speaker 2>then the trial was scheduled to happen again. You know,

405
00:23:32.160 --> 00:23:35.359
<v Speaker 2>it happened again. So I returned again about a month

406
00:23:35.400 --> 00:23:39.519
<v Speaker 2>earlier and then you started on my way again.

407
00:23:42.000 --> 00:23:46.880
<v Speaker 4>Now before this trial, before you see really what happens

408
00:23:47.039 --> 00:23:50.920
<v Speaker 4>in terms of legally to Vincent, Who do you interview?

409
00:23:51.160 --> 00:23:54.000
<v Speaker 4>What important characters do you interview? I mean, they're all

410
00:23:54.319 --> 00:23:57.759
<v Speaker 4>fascinating characters, that's for sure, But tell us some of

411
00:23:57.799 --> 00:24:00.960
<v Speaker 4>the important characters that you spoke to previous to the trail.

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00:24:02.640 --> 00:24:06.759
<v Speaker 2>Well, I guess Jim Giles is. I call him a

413
00:24:07.039 --> 00:24:10.440
<v Speaker 2>white nationalist frenemy of Richard Barrett's because even though they

414
00:24:10.480 --> 00:24:14.240
<v Speaker 2>were both white nationalists, they you know, they didn't like

415
00:24:14.319 --> 00:24:17.640
<v Speaker 2>each other. He was a local. He lived in a

416
00:24:17.799 --> 00:24:21.000
<v Speaker 2>trailer on his mother's farm and would broadcast a white

417
00:24:21.039 --> 00:24:25.599
<v Speaker 2>nationalist radio show every morning, and he'd sometimes talk about

418
00:24:25.640 --> 00:24:28.839
<v Speaker 2>Richard because they've lived in the same county, and he

419
00:24:29.039 --> 00:24:33.000
<v Speaker 2>was suspicious. He thought Richard might have been an agent

420
00:24:33.079 --> 00:24:36.599
<v Speaker 2>for the FBI, or a police informer, a secret Jew,

421
00:24:36.839 --> 00:24:39.680
<v Speaker 2>and all these other things. On top of all the

422
00:24:39.720 --> 00:24:42.640
<v Speaker 2>negative things that other people have to say about Richard,

423
00:24:42.880 --> 00:24:45.480
<v Speaker 2>that they were his suspicions. And he's the one who

424
00:24:46.160 --> 00:24:50.279
<v Speaker 2>applied for Richard's FBI file to be opened, and it

425
00:24:50.480 --> 00:24:53.519
<v Speaker 2>was opened, and so that's that's how I got my

426
00:24:53.599 --> 00:24:57.640
<v Speaker 2>hands on Richard's FBI file and I just turned up

427
00:24:57.680 --> 00:25:00.960
<v Speaker 2>on his doorstep, really, but he wasn't there, and I

428
00:25:01.000 --> 00:25:03.599
<v Speaker 2>don't know, left messages and then finally he agreed to

429
00:25:03.680 --> 00:25:06.440
<v Speaker 2>meet me, and so he was quite nice in person,

430
00:25:06.559 --> 00:25:10.400
<v Speaker 2>but as soon as I left, he's like, you know,

431
00:25:10.519 --> 00:25:14.079
<v Speaker 2>a big talker and a bit sort of obviously he's

432
00:25:14.119 --> 00:25:17.319
<v Speaker 2>not that happy that I'm a jew for Antiant. So

433
00:25:19.160 --> 00:25:21.839
<v Speaker 2>he's actually just very recently read the book or I

434
00:25:21.960 --> 00:25:24.680
<v Speaker 2>sent it. I sent the book to most of the

435
00:25:24.720 --> 00:25:28.200
<v Speaker 2>people mentioned in the book, and they're starting to receive

436
00:25:28.240 --> 00:25:31.880
<v Speaker 2>their copy Cippy, and he's, yeah, he's already sort of

437
00:25:32.440 --> 00:25:35.720
<v Speaker 2>going through my book with a fine tooth comb, sort

438
00:25:35.720 --> 00:25:39.599
<v Speaker 2>of picking up any minor thing that he disagrees with,

439
00:25:40.160 --> 00:25:43.759
<v Speaker 2>like that, just the most ridiculous, pedant things like oh well,

440
00:25:44.720 --> 00:25:48.920
<v Speaker 2>John says that when I took the DVD that I

441
00:25:49.039 --> 00:25:51.160
<v Speaker 2>walked back to my trailer, But that's not true. John

442
00:25:51.200 --> 00:25:54.160
<v Speaker 2>walked back to his car and sort of plating all

443
00:25:54.200 --> 00:25:57.359
<v Speaker 2>these books, these little things that sort of don't make

444
00:25:57.359 --> 00:26:01.559
<v Speaker 2>any difference, as you know, errors that sort of somehow reflect,

445
00:26:02.279 --> 00:26:05.480
<v Speaker 2>you know, on me, and he thinks I'm also well,

446
00:26:05.519 --> 00:26:07.720
<v Speaker 2>he thought I was an FBI informer too, so as

447
00:26:07.759 --> 00:26:10.759
<v Speaker 2>well as Richard. He thought he was very suspicious about

448
00:26:10.799 --> 00:26:14.000
<v Speaker 2>why this strange guy had just turned up in and

449
00:26:15.039 --> 00:26:17.200
<v Speaker 2>you know, that's part of him was quite exhausting. But

450
00:26:17.400 --> 00:26:22.119
<v Speaker 2>again he was very energetic and an interesting guy. And

451
00:26:23.599 --> 00:26:25.359
<v Speaker 2>also when I was face to face with him, I

452
00:26:25.440 --> 00:26:27.799
<v Speaker 2>hung out with him a couple of times, like he

453
00:26:28.799 --> 00:26:30.799
<v Speaker 2>I mean, it's I guess, it's just really interesting that

454
00:26:30.880 --> 00:26:33.960
<v Speaker 2>someone who invests so much time in being a white

455
00:26:34.039 --> 00:26:37.799
<v Speaker 2>nationalist and having all these views against Jews and blacks,

456
00:26:37.880 --> 00:26:40.480
<v Speaker 2>like when push comes to shove and I just turn

457
00:26:40.599 --> 00:26:43.000
<v Speaker 2>up there, Like it's not like he bashed me or anything.

458
00:26:43.119 --> 00:26:48.799
<v Speaker 2>He was like accommodating and humorous and yeah, So the

459
00:26:48.880 --> 00:26:52.240
<v Speaker 2>world's a confusing place, which I guess is another thing

460
00:26:52.319 --> 00:26:54.079
<v Speaker 2>that kind of comes out from my book because I

461
00:26:54.319 --> 00:26:56.079
<v Speaker 2>do meet these people that are on the one hand,

462
00:26:57.480 --> 00:27:00.279
<v Speaker 2>you might think they're like carting characters of evil. Then

463
00:27:01.160 --> 00:27:05.440
<v Speaker 2>they've got their you know, everyone's a person and sure

464
00:27:06.000 --> 00:27:11.160
<v Speaker 2>people woman, Yeah, people are confusing and like Jim Jars

465
00:27:12.000 --> 00:27:16.640
<v Speaker 2>and yeah, so he was one of the people I met.

466
00:27:16.680 --> 00:27:25.279
<v Speaker 2>I also I met the son of this famous white

467
00:27:25.319 --> 00:27:30.480
<v Speaker 2>supremacist who assassinated a black guy called Medga Evers in

468
00:27:30.599 --> 00:27:35.440
<v Speaker 2>the nineteen sixties and the mega evers, like the airport's

469
00:27:35.519 --> 00:27:39.319
<v Speaker 2>named after him. And anyway, I met up with I

470
00:27:39.440 --> 00:27:42.680
<v Speaker 2>met up with his son, who is now an old

471
00:27:42.759 --> 00:27:46.480
<v Speaker 2>man himself, and he also had all his suspicions about Richard,

472
00:27:46.559 --> 00:27:51.880
<v Speaker 2>and yeah, he was trying to kick me up into

473
00:27:52.039 --> 00:27:56.640
<v Speaker 2>like paying him thousands of dollars so you know, to

474
00:27:56.759 --> 00:27:58.839
<v Speaker 2>be to be in my book and stuff like that.

475
00:27:58.920 --> 00:28:01.559
<v Speaker 2>He was trying to deal with me, and I just said, oh, listen,

476
00:28:01.680 --> 00:28:07.599
<v Speaker 2>you know, I can't really do that. And yeah, he

477
00:28:07.799 --> 00:28:11.400
<v Speaker 2>was pretty mad, and my name started getting around town.

478
00:28:12.599 --> 00:28:17.400
<v Speaker 2>Like weeks later, I'd chased down some other white nationalists

479
00:28:17.400 --> 00:28:21.559
<v Speaker 2>and they'd heard through you know, the grapevine that I

480
00:28:21.680 --> 00:28:24.400
<v Speaker 2>was in town and to watch out to me. But

481
00:28:24.920 --> 00:28:29.599
<v Speaker 2>I don't know, I just it seems it sounds really scary,

482
00:28:29.680 --> 00:28:31.720
<v Speaker 2>but you just sort of go, well, you know, chances

483
00:28:31.759 --> 00:28:35.559
<v Speaker 2>are I'll be okay, so just keep on turning up.

484
00:28:35.759 --> 00:28:38.119
<v Speaker 2>And I just had a rule for this because of

485
00:28:38.200 --> 00:28:41.079
<v Speaker 2>my TV show that so fulls of like pranks and

486
00:28:42.079 --> 00:28:45.000
<v Speaker 2>manipulation and trick in saying one thing to people but

487
00:28:45.119 --> 00:28:47.799
<v Speaker 2>meaning in other because you're trying to do some comedy,

488
00:28:48.160 --> 00:28:49.799
<v Speaker 2>I just thought I'm just going to be truthful for

489
00:28:49.839 --> 00:28:52.599
<v Speaker 2>this whole thing, and truthful to the point that if I,

490
00:28:52.839 --> 00:28:55.359
<v Speaker 2>like I met a white supremacist and they bothered to

491
00:28:55.400 --> 00:28:58.359
<v Speaker 2>ask me whether I was Jewish, unless I really I

492
00:28:58.519 --> 00:29:01.160
<v Speaker 2>just told them, I thought himself, maybe if I feel really,

493
00:29:01.279 --> 00:29:05.440
<v Speaker 2>really really threatened, maybe I'll lie. But otherwise no, So

494
00:29:06.039 --> 00:29:08.720
<v Speaker 2>I'd be sitting, you know, I'd be turning up to

495
00:29:08.880 --> 00:29:13.200
<v Speaker 2>some white supremacists little bungalow in the forest, and I'd

496
00:29:13.240 --> 00:29:14.839
<v Speaker 2>be there on my own with him at night, and

497
00:29:15.839 --> 00:29:18.319
<v Speaker 2>for some reason they get suspicious that I was Jewish

498
00:29:18.359 --> 00:29:20.519
<v Speaker 2>and they asked me, and I just said, you know,

499
00:29:20.680 --> 00:29:24.680
<v Speaker 2>I am, and then yeah, it seems it seems to

500
00:29:24.720 --> 00:29:26.400
<v Speaker 2>take a lot of heat out of things anyway. It

501
00:29:26.440 --> 00:29:28.720
<v Speaker 2>seems like when a lot of these people, when push

502
00:29:28.799 --> 00:29:32.039
<v Speaker 2>comes to shoves, they're big talkers. Thank God, they're big talkers,

503
00:29:32.079 --> 00:29:36.279
<v Speaker 2>are not not, you know, actually violent.

504
00:29:38.279 --> 00:29:40.119
<v Speaker 4>Well, it was interesting in your book too, is that

505
00:29:40.240 --> 00:29:44.359
<v Speaker 4>you ask because you really again, maybe I'll ask this question.

506
00:29:44.440 --> 00:29:48.440
<v Speaker 4>And you can also talk about the idea that blacks

507
00:29:48.519 --> 00:29:51.000
<v Speaker 4>were on lower on the wrong than gaze and you're

508
00:29:51.240 --> 00:29:54.759
<v Speaker 4>maybe kind of surprised on their their sentiment about that.

509
00:29:55.240 --> 00:30:00.279
<v Speaker 4>But did Jim Giles, did he believed that that Chard

510
00:30:00.359 --> 00:30:03.279
<v Speaker 4>was gay, and hey, yeah, yeah, he.

511
00:30:03.559 --> 00:30:07.400
<v Speaker 2>Was absolutely certain, you know, he was this. And he

512
00:30:07.519 --> 00:30:11.839
<v Speaker 2>said that he was certain because when he first met

513
00:30:11.920 --> 00:30:13.559
<v Speaker 2>up with Richard, because they were both in the scene,

514
00:30:14.119 --> 00:30:16.720
<v Speaker 2>he just started noticing Richard kept on ringing him again

515
00:30:16.759 --> 00:30:20.519
<v Speaker 2>and again, and he just got this weird energy from him.

516
00:30:20.519 --> 00:30:22.279
<v Speaker 2>It's like, why does this guy keep on ringing me?

517
00:30:22.839 --> 00:30:25.000
<v Speaker 2>And then he thought, oh my god, this guy's trying to,

518
00:30:26.160 --> 00:30:27.839
<v Speaker 2>you know, hook up with me or whatever. And he

519
00:30:27.960 --> 00:30:30.599
<v Speaker 2>basically got the same vibe that you know I got

520
00:30:30.680 --> 00:30:33.599
<v Speaker 2>when I was filming my documentary show. It was the

521
00:30:33.680 --> 00:30:36.519
<v Speaker 2>same thing. It's kind of everyone got that vibe from

522
00:30:36.640 --> 00:30:40.160
<v Speaker 2>Richard Barrett. But yeah, as you said, I said, one

523
00:30:40.160 --> 00:30:43.480
<v Speaker 2>of the interesting things was, I guess in twenty thirteen,

524
00:30:43.559 --> 00:30:47.039
<v Speaker 2>we assume, oh, hang on, you know, back in the

525
00:30:47.119 --> 00:30:50.880
<v Speaker 2>old days, you know, all those all the white people

526
00:30:50.920 --> 00:30:53.480
<v Speaker 2>in Mississippi, they would have hated blacks and they would

527
00:30:53.519 --> 00:30:57.519
<v Speaker 2>have hated Gaze. But there was I did a bit

528
00:30:57.599 --> 00:31:02.000
<v Speaker 2>of research into that, and like gay people who were

529
00:31:02.200 --> 00:31:07.279
<v Speaker 2>around in the sixties, and the kind of thought was

530
00:31:07.640 --> 00:31:10.079
<v Speaker 2>you were allowed to be gay as long as he

531
00:31:10.119 --> 00:31:15.160
<v Speaker 2>didn't quite say it. So, for instance, there were openly

532
00:31:15.319 --> 00:31:18.559
<v Speaker 2>gay bars like everyone knew they were gay bars in

533
00:31:18.599 --> 00:31:21.119
<v Speaker 2>the nineteen sixties and these when all this crazy stuff

534
00:31:21.200 --> 00:31:24.519
<v Speaker 2>is going on with lynchings and everything of black people,

535
00:31:24.680 --> 00:31:28.480
<v Speaker 2>and everyone knows they're gay bars, and you kind of

536
00:31:28.599 --> 00:31:30.759
<v Speaker 2>you were allowed to go to them, but you just

537
00:31:30.839 --> 00:31:33.559
<v Speaker 2>couldn't quite say it. You couldn't like seal the deal

538
00:31:33.720 --> 00:31:38.160
<v Speaker 2>and tell people you were gay. But everyone was allowed

539
00:31:38.160 --> 00:31:41.839
<v Speaker 2>to know you were gay, and you weren't necessarily in

540
00:31:42.160 --> 00:31:46.200
<v Speaker 2>a threatening situation like you were if you were black.

541
00:31:47.039 --> 00:31:49.960
<v Speaker 2>So and I actually read this book by this guy

542
00:31:50.079 --> 00:31:55.079
<v Speaker 2>called John Howard who had grown up in Mississippi and

543
00:31:55.599 --> 00:31:59.400
<v Speaker 2>he was gay, and from think of the expression he used,

544
00:31:59.480 --> 00:32:03.160
<v Speaker 2>but it was like quiet acceptance. So what was they

545
00:32:03.200 --> 00:32:05.759
<v Speaker 2>mean acceptance? So it was more like looking the other wife.

546
00:32:06.000 --> 00:32:08.039
<v Speaker 1>It is Ryan here, and I have a question for you.

547
00:32:08.480 --> 00:32:10.359
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548
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549
00:32:14.000 --> 00:32:15.839
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550
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551
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556
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557
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558
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559
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560
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561
00:32:44.079 --> 00:32:45.960
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562
00:32:46.039 --> 00:32:49.319
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563
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564
00:32:52.000 --> 00:32:53.960
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565
00:32:54.279 --> 00:32:55.079
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566
00:32:56.000 --> 00:32:58.720
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567
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569
00:33:07.319 --> 00:33:10.880
<v Speaker 2>All these or all the Mississippians would like look the

570
00:33:10.960 --> 00:33:14.839
<v Speaker 2>other way, and you know, provided you didn't quite say it,

571
00:33:14.880 --> 00:33:17.319
<v Speaker 2>they'd let you get away with it, even in the

572
00:33:17.839 --> 00:33:18.640
<v Speaker 2>bad old days.

573
00:33:20.240 --> 00:33:22.960
<v Speaker 4>Well, it seems pretty tolerant for the time in a

574
00:33:23.079 --> 00:33:27.160
<v Speaker 4>pretty and a very intolerant place. That's that's the surprise

575
00:33:27.240 --> 00:33:28.920
<v Speaker 4>out of the deal. Certainly.

576
00:33:29.440 --> 00:33:31.720
<v Speaker 2>Yeah, I think I think a little bit of it

577
00:33:31.880 --> 00:33:36.400
<v Speaker 2>is that in the South, they're really they were really

578
00:33:36.440 --> 00:33:41.440
<v Speaker 2>angry about being like a radical, like a political radical.

579
00:33:41.519 --> 00:33:43.960
<v Speaker 2>So well, I didn't like black people at all. But

580
00:33:44.559 --> 00:33:47.640
<v Speaker 2>then around the nineteen sixties, all the you know, like

581
00:33:47.720 --> 00:33:50.839
<v Speaker 2>when New Yorkers came down and people were like left

582
00:33:50.960 --> 00:33:54.240
<v Speaker 2>wing and they were radical, and they were hippies. That's who.

583
00:33:55.200 --> 00:33:59.119
<v Speaker 2>That's who the white people there really didn't like. And

584
00:33:59.599 --> 00:34:02.319
<v Speaker 2>so four the nineteen sixties, it's not like gay people

585
00:34:02.400 --> 00:34:06.880
<v Speaker 2>were perceived as politically radical. It was just almost like,

586
00:34:06.960 --> 00:34:09.440
<v Speaker 2>it's this thing they do and it's a bit of

587
00:34:09.480 --> 00:34:11.719
<v Speaker 2>a it was seen as a bit of a vice,

588
00:34:11.800 --> 00:34:14.039
<v Speaker 2>a bit like, oh, I say, the town drunk or

589
00:34:14.079 --> 00:34:16.559
<v Speaker 2>there's someone wasn't something like that. It's like, you know,

590
00:34:16.679 --> 00:34:18.679
<v Speaker 2>it's best, it'd be best if they weren't a drunk,

591
00:34:19.199 --> 00:34:21.519
<v Speaker 2>but they're a drunk, and let's just be polite about it.

592
00:34:21.760 --> 00:34:23.920
<v Speaker 2>And it's kind of a Homosexuality was seen like that.

593
00:34:24.119 --> 00:34:29.280
<v Speaker 2>And it wasn't until the nineteen sixties that suddenly homosexually

594
00:34:29.559 --> 00:34:33.800
<v Speaker 2>homosexuality got kind of an attached to being like left

595
00:34:33.800 --> 00:34:37.880
<v Speaker 2>wing radical, and that's when that's when people in the South,

596
00:34:38.320 --> 00:34:40.440
<v Speaker 2>or at least lots of them, like started being really

597
00:34:40.519 --> 00:34:44.199
<v Speaker 2>negative about homosexuality because it was seen as this sort

598
00:34:44.199 --> 00:34:45.159
<v Speaker 2>of radical thing.

599
00:34:47.400 --> 00:34:53.119
<v Speaker 4>Right, socialist or something. Yeah, socialist. Yes, Now you spoke

600
00:34:53.199 --> 00:34:57.679
<v Speaker 4>to Vincent McGee's mother, Tina, When did you speak so

601
00:34:57.800 --> 00:35:00.599
<v Speaker 4>before the trail? Now, what did you you see in

602
00:35:00.719 --> 00:35:04.280
<v Speaker 4>terms of the motive, Well, she was.

603
00:35:04.320 --> 00:35:07.440
<v Speaker 2>The one who spilt the beans on Vincent. For a

604
00:35:07.519 --> 00:35:11.199
<v Speaker 2>while was deny like when it was first arrested that

605
00:35:11.320 --> 00:35:14.039
<v Speaker 2>he went through the motions of denying. He knew anything

606
00:35:14.119 --> 00:35:17.159
<v Speaker 2>about it about Richard Barrett being killed. Rich about sixty

607
00:35:17.199 --> 00:35:19.559
<v Speaker 2>five years old by the way, at the time of

608
00:35:19.719 --> 00:35:25.239
<v Speaker 2>when he was killed. And then he kind of weazled

609
00:35:25.280 --> 00:35:28.719
<v Speaker 2>around and said, well, yeah, I saw him that night

610
00:35:28.800 --> 00:35:32.159
<v Speaker 2>that I left and he was fine. But then his

611
00:35:32.400 --> 00:35:36.320
<v Speaker 2>mother who was also pulled in to rather the time

612
00:35:36.400 --> 00:35:38.280
<v Speaker 2>Richard was murdered and they realized Vincent had done it

613
00:35:38.320 --> 00:35:41.000
<v Speaker 2>and they caught Vincent. She just spilt the beans and

614
00:35:41.079 --> 00:35:45.159
<v Speaker 2>she said Vincent had come home and he had blood

615
00:35:45.199 --> 00:35:49.000
<v Speaker 2>all over him and he said that, you know, Richard

616
00:35:49.079 --> 00:35:50.679
<v Speaker 2>tried to rape him and that's why he had to

617
00:35:50.960 --> 00:35:56.840
<v Speaker 2>fight back. And then it said there's only like two

618
00:35:56.920 --> 00:36:02.400
<v Speaker 2>properties in between the mcgeese and Richard Barrett. That's an

619
00:36:02.559 --> 00:36:04.719
<v Speaker 2>other kind of strange thing. People found it strange that

620
00:36:05.320 --> 00:36:07.760
<v Speaker 2>Richard Barrett, a white nationalist, was in this little pocket,

621
00:36:09.320 --> 00:36:11.880
<v Speaker 2>this little community where a lot of people were black,

622
00:36:12.159 --> 00:36:16.199
<v Speaker 2>and yeah, he lived pretty much next door to the

623
00:36:16.480 --> 00:36:21.159
<v Speaker 2>to the mcgeese. And so then when Vincent found out

624
00:36:21.199 --> 00:36:25.679
<v Speaker 2>his mother had fessed up something, then he sort of

625
00:36:25.760 --> 00:36:28.960
<v Speaker 2>had to negotiate how he was going to come up

626
00:36:29.039 --> 00:36:34.719
<v Speaker 2>with some sort of confession that sort of ticked all

627
00:36:34.760 --> 00:36:38.639
<v Speaker 2>these boxes. But it became, you know, it became increasingly impossible,

628
00:36:38.840 --> 00:36:40.760
<v Speaker 2>like he was trying to reconcile. Well, yeah, my mum's

629
00:36:40.840 --> 00:36:44.159
<v Speaker 2>kind of telling the truth, but she's not. And Richard

630
00:36:44.199 --> 00:36:50.320
<v Speaker 2>attacked me, but it wasn't sexual. And yeah, I saw

631
00:36:50.400 --> 00:36:54.239
<v Speaker 2>the interrogation room footage quite late on in My journey,

632
00:36:54.280 --> 00:36:57.000
<v Speaker 2>and you just see everything picking her away in his

633
00:36:57.159 --> 00:37:01.599
<v Speaker 2>brain as he's as he's sitting there in the interrogation booth,

634
00:37:02.400 --> 00:37:05.239
<v Speaker 2>and he doesn't know what other people know, he doesn't

635
00:37:05.280 --> 00:37:07.920
<v Speaker 2>know what the investigators know, what his mother's said, and

636
00:37:08.039 --> 00:37:09.880
<v Speaker 2>he's just trying to work out how is he going

637
00:37:09.960 --> 00:37:13.719
<v Speaker 2>to weave his way out of this situation, which was

638
00:37:14.679 --> 00:37:16.480
<v Speaker 2>really you couldn't really weave your way out of it.

639
00:37:17.599 --> 00:37:22.280
<v Speaker 2>And then Vincent started claiming that his mother had said

640
00:37:22.320 --> 00:37:27.679
<v Speaker 2>that because the investigators had threatened her and saying because

641
00:37:27.719 --> 00:37:31.159
<v Speaker 2>she was dragged in before Vincent was arrested. So he

642
00:37:31.440 --> 00:37:37.079
<v Speaker 2>says that she says that the investigator says, listen, we're

643
00:37:37.159 --> 00:37:40.400
<v Speaker 2>hunting for Vincent and unless you tell us what's happened,

644
00:37:40.480 --> 00:37:42.559
<v Speaker 2>you know, we're going to kill him. And so she

645
00:37:42.760 --> 00:37:46.039
<v Speaker 2>was so scared that Vincent was going to get killed

646
00:37:46.159 --> 00:37:49.000
<v Speaker 2>that she just that's why she came up with this

647
00:37:49.119 --> 00:37:51.760
<v Speaker 2>storky and she came up with the story about the

648
00:37:51.800 --> 00:37:55.880
<v Speaker 2>sexual assault because it was a credible story. I mean,

649
00:37:56.119 --> 00:37:59.800
<v Speaker 2>this is another confusing thing. I totally appreciate the listeners.

650
00:37:59.840 --> 00:38:05.519
<v Speaker 2>Now we will be getting very confused. But Vincent, after

651
00:38:05.639 --> 00:38:09.000
<v Speaker 2>saying that Richard had made a sexual attack on him,

652
00:38:09.400 --> 00:38:11.679
<v Speaker 2>he kind of walked back from that. He said, oh, no,

653
00:38:11.800 --> 00:38:14.639
<v Speaker 2>it wasn't that. It wasn't that. He just attacked me

654
00:38:15.320 --> 00:38:17.480
<v Speaker 2>and for these really weird reasons. I ah, we had

655
00:38:17.519 --> 00:38:19.599
<v Speaker 2>a fight over faithbook. He wanted me to get off

656
00:38:19.639 --> 00:38:22.760
<v Speaker 2>the computer. I've done his house on Richard's computer, and

657
00:38:22.880 --> 00:38:25.800
<v Speaker 2>he wanted to get off the computer, and one thing

658
00:38:25.920 --> 00:38:29.159
<v Speaker 2>led to the other, and then you know, we I

659
00:38:29.320 --> 00:38:32.000
<v Speaker 2>killed him. And Angeloa was like, what that doesn't even

660
00:38:32.039 --> 00:38:35.159
<v Speaker 2>make any sense because Vincent. The other thing I realized

661
00:38:35.199 --> 00:38:37.639
<v Speaker 2>that I should say is Vincent had done yard work

662
00:38:37.760 --> 00:38:39.920
<v Speaker 2>for Richard Barrett, so it was kind of you know,

663
00:38:40.719 --> 00:38:44.000
<v Speaker 2>several several times, and so that that was their connection

664
00:38:44.360 --> 00:38:48.639
<v Speaker 2>where where on one level, it makes sense that Vincent

665
00:38:48.719 --> 00:38:52.320
<v Speaker 2>McGee was in the house of this white supremacist Richard Barrett.

666
00:38:53.920 --> 00:38:56.480
<v Speaker 2>And then the confusing thing about him stepping back from

667
00:38:57.079 --> 00:38:59.000
<v Speaker 2>the sexual assault claim is that would have been his

668
00:38:59.119 --> 00:39:04.280
<v Speaker 2>best defense, like both on paper and in the real world,

669
00:39:04.320 --> 00:39:07.559
<v Speaker 2>because on paper, it's like, well, that's self defense. And

670
00:39:07.679 --> 00:39:10.440
<v Speaker 2>then in the real world because in that part of

671
00:39:10.440 --> 00:39:14.000
<v Speaker 2>Mississippi it was a conservative county and they possibly would

672
00:39:14.000 --> 00:39:18.079
<v Speaker 2>have been sympathetic to a man saying this and I

673
00:39:18.519 --> 00:39:20.360
<v Speaker 2>had to fight off another man because he was trying

674
00:39:20.400 --> 00:39:25.039
<v Speaker 2>to sexually assault me. And so why did he Why

675
00:39:25.079 --> 00:39:27.639
<v Speaker 2>did he step back from that story if that was

676
00:39:27.679 --> 00:39:31.920
<v Speaker 2>his best defense, and I yeah, it's very confusing. And

677
00:39:32.039 --> 00:39:35.159
<v Speaker 2>then one version of events is he stepped back from

678
00:39:35.199 --> 00:39:40.639
<v Speaker 2>it because him and Richard were actually in a consenting

679
00:39:40.719 --> 00:39:45.960
<v Speaker 2>relationship where Richard would pay him for sex and Vincent

680
00:39:46.280 --> 00:39:50.239
<v Speaker 2>was so determined that he did not want this sort

681
00:39:50.280 --> 00:39:55.199
<v Speaker 2>of like coming out in court or whatever. That's why

682
00:39:55.239 --> 00:39:57.000
<v Speaker 2>he kind of stepped away from it because it just

683
00:39:57.840 --> 00:40:02.360
<v Speaker 2>it would have been like the ultimate taboo, right.

684
00:40:03.599 --> 00:40:07.039
<v Speaker 4>But what was his defense to police finally after you know,

685
00:40:07.119 --> 00:40:10.119
<v Speaker 4>after they got through that his mother had had already

686
00:40:10.440 --> 00:40:12.960
<v Speaker 4>spelt the beans, like you said, what in the end

687
00:40:13.199 --> 00:40:16.360
<v Speaker 4>with the police, what was his was it self defense

688
00:40:16.480 --> 00:40:18.440
<v Speaker 4>that Richard had pulled a knife on him and he

689
00:40:18.599 --> 00:40:20.960
<v Speaker 4>in return had had a knaighthe is that the.

690
00:40:21.000 --> 00:40:28.039
<v Speaker 2>Deal, Well, the the kind of exacerbating, exhausting thing is

691
00:40:29.480 --> 00:40:33.280
<v Speaker 2>which is just so confusing. It's so confusing for people

692
00:40:33.320 --> 00:40:35.480
<v Speaker 2>who kind of want a neat thing or for things

693
00:40:35.519 --> 00:40:38.960
<v Speaker 2>to make sense, is that rather than go to trial,

694
00:40:39.079 --> 00:40:43.039
<v Speaker 2>he decided to plead guilty. And at this point there

695
00:40:43.119 --> 00:40:45.639
<v Speaker 2>was like the death penalty wasn't on the table anymore,

696
00:40:46.159 --> 00:40:49.400
<v Speaker 2>like had been long taken off the table, and because

697
00:40:49.400 --> 00:40:53.280
<v Speaker 2>there was original around the table, so he played, he

698
00:40:53.400 --> 00:40:55.920
<v Speaker 2>played guilty. And usually when you play guilty, you get

699
00:40:55.960 --> 00:40:59.519
<v Speaker 2>like a pretty good deal because you're saving the court

700
00:40:59.599 --> 00:41:02.119
<v Speaker 2>all this time and you're giving me the investigators what

701
00:41:02.199 --> 00:41:04.960
<v Speaker 2>you want. But they gave him sixty five years. So

702
00:41:05.039 --> 00:41:08.599
<v Speaker 2>he accepted a plea bargain where he got sixty five

703
00:41:08.679 --> 00:41:11.320
<v Speaker 2>years jail, and he's like twenty two or whatever, so

704
00:41:11.360 --> 00:41:13.119
<v Speaker 2>he's not going to get out till he's nearly ninety.

705
00:41:14.039 --> 00:41:18.280
<v Speaker 2>And so then the question became, why would you what

706
00:41:18.360 --> 00:41:20.440
<v Speaker 2>would you plead guilty if the best I was going

707
00:41:20.480 --> 00:41:22.119
<v Speaker 2>to give you is sixty five years? Like why not

708
00:41:22.360 --> 00:41:25.000
<v Speaker 2>just roll the dice and have a court case, because

709
00:41:25.079 --> 00:41:28.159
<v Speaker 2>you know, anything can happen, and then if the worst happens,

710
00:41:28.480 --> 00:41:30.119
<v Speaker 2>it's not like you're going to get anything much worse

711
00:41:30.159 --> 00:41:36.119
<v Speaker 2>than sixty five years jail. So anyway, but his actual

712
00:41:36.800 --> 00:41:39.920
<v Speaker 2>and his plea bargain it said, it was it was

713
00:41:39.960 --> 00:41:44.599
<v Speaker 2>this really Weasley language where it was we accept sort

714
00:41:44.639 --> 00:41:49.840
<v Speaker 2>of that there was an element of manslaughter as opposed

715
00:41:49.880 --> 00:41:55.119
<v Speaker 2>to murder to this, but having said that, Vincent didn't

716
00:41:55.199 --> 00:41:58.760
<v Speaker 2>have to kill Richard Barrett. So it was like the

717
00:41:58.880 --> 00:42:04.320
<v Speaker 2>most real Weasley thing where where because obviously, if it

718
00:42:04.440 --> 00:42:07.400
<v Speaker 2>was actually man's laws, why would why would they have

719
00:42:07.400 --> 00:42:09.199
<v Speaker 2>given him sixty five years or why would he have

720
00:42:09.320 --> 00:42:14.039
<v Speaker 2>accepted it? And it was a very it was a

721
00:42:14.159 --> 00:42:19.039
<v Speaker 2>very complicated thing where where the most the easiest explanation

722
00:42:19.199 --> 00:42:23.199
<v Speaker 2>is Vincent just wanted at any point just to not

723
00:42:23.360 --> 00:42:25.239
<v Speaker 2>have to appear in court where it would have come out.

724
00:42:25.280 --> 00:42:28.079
<v Speaker 2>But he had a relationship with which Richard Barrett.

725
00:42:29.760 --> 00:42:31.519
<v Speaker 4>Didn't he say to you that he wanted to move

726
00:42:31.599 --> 00:42:35.599
<v Speaker 4>from one prison to get out of a particularly bad prison. Again,

727
00:42:35.800 --> 00:42:37.119
<v Speaker 4>he doesn't make a sense.

728
00:42:38.440 --> 00:42:41.679
<v Speaker 2>Yeah, no, no, that is true. There's so many layers

729
00:42:41.719 --> 00:42:45.679
<v Speaker 2>about like why would he have accepted this, But that's

730
00:42:45.760 --> 00:42:48.079
<v Speaker 2>very true. What you're saying is that he and this

731
00:42:48.239 --> 00:42:51.079
<v Speaker 2>was quite credible. He was saying that the just in

732
00:42:51.159 --> 00:42:56.159
<v Speaker 2>the small county jail, he was a victim of attacks

733
00:42:56.239 --> 00:42:59.800
<v Speaker 2>and violence and racism from the White guards, and he

734
00:43:00.159 --> 00:43:04.000
<v Speaker 2>felt so threatened there that he thought if he pleads guilt,

735
00:43:04.000 --> 00:43:06.039
<v Speaker 2>he will get moved out of there into the bigger

736
00:43:07.360 --> 00:43:10.000
<v Speaker 2>Mississippi in prison and he'll be safer there. So, yeah,

737
00:43:10.039 --> 00:43:12.960
<v Speaker 2>that's actually very true that that could have been another

738
00:43:13.039 --> 00:43:22.719
<v Speaker 2>reason why he decided to take this incredibly bad plea bargain.

739
00:43:23.000 --> 00:43:25.840
<v Speaker 2>And it was kind of like the sentence was like

740
00:43:25.960 --> 00:43:31.639
<v Speaker 2>perfect for the district attorney and for the because it's

741
00:43:31.679 --> 00:43:35.039
<v Speaker 2>so expensive the prosecutor death penalty case. And at the

742
00:43:35.159 --> 00:43:38.519
<v Speaker 2>very start they did keep that on the table because

743
00:43:39.199 --> 00:43:41.719
<v Speaker 2>and this was when it looked like it was going

744
00:43:41.800 --> 00:43:45.440
<v Speaker 2>to be this big theatrical trial and all the media

745
00:43:45.599 --> 00:43:47.079
<v Speaker 2>was going to be there, and but then it kind

746
00:43:47.119 --> 00:43:52.679
<v Speaker 2>of died down, and so suddenly the district attorney he

747
00:43:53.639 --> 00:43:56.440
<v Speaker 2>kind of didn't want to prosecute a death penalty case

748
00:43:56.480 --> 00:44:00.719
<v Speaker 2>anymore because they're so difficult, you know, they go on

749
00:44:00.840 --> 00:44:03.559
<v Speaker 2>for years forever, and they cost a fortune, and so

750
00:44:03.920 --> 00:44:06.119
<v Speaker 2>you know, but he couldn't look like he couldn't look

751
00:44:06.199 --> 00:44:08.760
<v Speaker 2>like he was backing down and letting this guy off

752
00:44:08.840 --> 00:44:13.239
<v Speaker 2>the hook. And so yeah, he got he got the

753
00:44:13.280 --> 00:44:14.599
<v Speaker 2>perfect thing, that distric attorney.

754
00:44:14.599 --> 00:44:14.920
<v Speaker 7>He got this.

755
00:44:15.679 --> 00:44:20.480
<v Speaker 2>He got this sentence where unless someone was really altered,

756
00:44:20.559 --> 00:44:24.079
<v Speaker 2>really pro descinalty, like she hard to complain about the sentence,

757
00:44:24.119 --> 00:44:25.880
<v Speaker 2>like Vincent's not going to get out till he's ninety

758
00:44:25.960 --> 00:44:26.320
<v Speaker 2>years old.

759
00:44:26.960 --> 00:44:32.360
<v Speaker 4>So yes, well he believes he might be Elton thirty.

760
00:44:32.639 --> 00:44:34.800
<v Speaker 4>He does have the possibility to get out in thirty.

761
00:44:34.920 --> 00:44:38.519
<v Speaker 4>So yeah, I mean that was his great spot to you.

762
00:44:38.639 --> 00:44:40.239
<v Speaker 4>He said, why, well, well we'll be in here for

763
00:44:40.400 --> 00:44:43.119
<v Speaker 4>sixty five only, here for thirty only.

764
00:44:43.400 --> 00:44:45.920
<v Speaker 2>Yeah, I mean there was another layer to it. I mean,

765
00:44:46.719 --> 00:44:49.719
<v Speaker 2>as you can see, there's just so many insane layers

766
00:44:49.760 --> 00:44:51.639
<v Speaker 2>to it. I guess this even ties in with secret.

767
00:44:51.719 --> 00:44:53.519
<v Speaker 2>So one of the other interesting things I found out

768
00:44:53.559 --> 00:44:57.719
<v Speaker 2>about the little counties there in Mississippi is that they

769
00:44:57.840 --> 00:45:00.519
<v Speaker 2>kind of the way they get voted in is by

770
00:45:00.719 --> 00:45:05.079
<v Speaker 2>being really tough on crime, But being really tough on

771
00:45:05.199 --> 00:45:12.719
<v Speaker 2>crime is expensive, and also people don't want taxes raised,

772
00:45:12.760 --> 00:45:14.960
<v Speaker 2>So it's this impossible thing where if people want people

773
00:45:15.039 --> 00:45:18.239
<v Speaker 2>locked up forever, plus they don't want to pay any

774
00:45:18.320 --> 00:45:22.679
<v Speaker 2>extra taxes, and something has to give. So I started

775
00:45:22.719 --> 00:45:25.760
<v Speaker 2>finding out that in these small counties, at least in Mississippi,

776
00:45:26.599 --> 00:45:29.599
<v Speaker 2>you'd have the district attorney making this big theatrical show

777
00:45:29.679 --> 00:45:31.719
<v Speaker 2>of this person's going to be in jail until there

778
00:45:31.719 --> 00:45:33.960
<v Speaker 2>are one hundred here's the sheet of paper showing it.

779
00:45:34.639 --> 00:45:37.360
<v Speaker 2>And then when everything dies down in ten or twenty

780
00:45:37.480 --> 00:45:41.760
<v Speaker 2>years and you know, everyone's forgotten about that and there's

781
00:45:41.800 --> 00:45:43.119
<v Speaker 2>not going to be too much trouble, but you know,

782
00:45:43.199 --> 00:45:46.559
<v Speaker 2>they sort of like softly kind of release them. And

783
00:45:48.079 --> 00:45:51.920
<v Speaker 2>so there's a difference between the theater that they make

784
00:45:51.960 --> 00:45:53.599
<v Speaker 2>about how tough on crime they're going to be and

785
00:45:53.679 --> 00:45:57.239
<v Speaker 2>how long they're going to imprison people and how long

786
00:45:57.280 --> 00:46:00.079
<v Speaker 2>they actually they actually do that. And in fact, the

787
00:46:00.119 --> 00:46:02.800
<v Speaker 2>reason Vincent McGee was able to kill Richard Barrett in

788
00:46:02.840 --> 00:46:05.480
<v Speaker 2>the first place is Vincent had been in jail before,

789
00:46:05.639 --> 00:46:07.000
<v Speaker 2>and he was meant to be in there for this

790
00:46:07.199 --> 00:46:10.599
<v Speaker 2>really long time, and they just released him early. Like

791
00:46:11.119 --> 00:46:14.440
<v Speaker 2>everyone was quite when Richard was killed. Some people were shocked.

792
00:46:14.440 --> 00:46:16.880
<v Speaker 2>They're going, hell, and isn't it there that guy who

793
00:46:17.079 --> 00:46:20.079
<v Speaker 2>should still be in jail? And it was, Yes, it

794
00:46:20.199 --> 00:46:21.840
<v Speaker 2>was that guy who should still be in jail, but

795
00:46:21.920 --> 00:46:27.639
<v Speaker 2>they released him because of budgetary pressures. Where you relieve

796
00:46:27.639 --> 00:46:29.719
<v Speaker 2>a bit of those budget pressures if you let out

797
00:46:29.840 --> 00:46:30.480
<v Speaker 2>prisoners early.

798
00:46:32.280 --> 00:46:36.679
<v Speaker 4>You found out through this entire ardyssey, here, this journey,

799
00:46:38.559 --> 00:46:42.880
<v Speaker 4>whether you felt that there was some element of self defense.

800
00:46:43.679 --> 00:46:47.320
<v Speaker 4>And again it's hard to tell exactly the real turn

801
00:46:47.360 --> 00:46:51.960
<v Speaker 4>of events, but you did find out his real registered

802
00:46:52.079 --> 00:46:54.599
<v Speaker 4>or at least a verifiable violent pass.

803
00:46:54.679 --> 00:46:59.559
<v Speaker 2>Tell us about that, Yeah, he had a very unattractive

804
00:47:00.159 --> 00:47:03.840
<v Speaker 2>violent past. Where again, did I stay there so long?

805
00:47:03.880 --> 00:47:05.519
<v Speaker 2>I got to meet the people, so, for instance, I

806
00:47:05.599 --> 00:47:08.920
<v Speaker 2>got to meet his ex girlfriend and ex girlfriend's mother.

807
00:47:09.719 --> 00:47:14.039
<v Speaker 2>And suddenly, when you start hearing the small stories, even

808
00:47:14.079 --> 00:47:18.079
<v Speaker 2>if they're not as dramatic as a murder, they're just like,

809
00:47:18.760 --> 00:47:23.920
<v Speaker 2>they're awful stories. They're awful stories about him threatening his girlfriends,

810
00:47:23.920 --> 00:47:28.519
<v Speaker 2>want to have power over her, and you know, him

811
00:47:28.559 --> 00:47:33.639
<v Speaker 2>striking her, and yeah, so suddenly because I went I

812
00:47:33.679 --> 00:47:36.119
<v Speaker 2>went in there, and I guess in one way, I

813
00:47:36.199 --> 00:47:38.480
<v Speaker 2>wanted the story to be simple. I wanted to be about,

814
00:47:39.079 --> 00:47:41.360
<v Speaker 2>you know, this young black guy and he's been unfairly

815
00:47:43.440 --> 00:47:47.320
<v Speaker 2>you know, prosecuted in the Deep South, and you know,

816
00:47:47.519 --> 00:47:50.719
<v Speaker 2>and they're picking on him because he's black and because

817
00:47:50.920 --> 00:47:53.960
<v Speaker 2>you know they're they're all in cahoots with Richard Barrett,

818
00:47:54.039 --> 00:47:57.000
<v Speaker 2>the white supremacist. But then when you start hearing about

819
00:47:57.000 --> 00:48:00.480
<v Speaker 2>the little stories about his past, you realize the pretty

820
00:48:00.840 --> 00:48:04.880
<v Speaker 2>unattractive character himself. Vincent McGee, he was in his own

821
00:48:04.920 --> 00:48:09.239
<v Speaker 2>way as unattractive as Richard Barrett because he was like

822
00:48:09.320 --> 00:48:13.719
<v Speaker 2>a bully, and he was also he was very intelligent

823
00:48:13.960 --> 00:48:20.320
<v Speaker 2>and very charming and very funny except and very very handsome.

824
00:48:20.840 --> 00:48:25.599
<v Speaker 2>But he only he'd only like show that side of

825
00:48:25.719 --> 00:48:27.239
<v Speaker 2>him when there was something in it for him. So

826
00:48:27.360 --> 00:48:30.159
<v Speaker 2>with men, it was like, well, can I get money

827
00:48:30.239 --> 00:48:32.719
<v Speaker 2>off this person? And if it was women might have

828
00:48:32.760 --> 00:48:35.360
<v Speaker 2>been you know, can I get sex off this girl?

829
00:48:35.519 --> 00:48:38.559
<v Speaker 2>So he would be definitely he was able to turn

830
00:48:38.639 --> 00:48:41.400
<v Speaker 2>on the charm and intelligence when he wanted, but then

831
00:48:42.079 --> 00:48:45.440
<v Speaker 2>as soon as he didn't need, you know, like as

832
00:48:45.480 --> 00:48:49.360
<v Speaker 2>soon as he was bored with people, then he'd instantly

833
00:48:49.440 --> 00:48:52.559
<v Speaker 2>turn that off and he would be happy to be violent.

834
00:48:53.480 --> 00:48:55.400
<v Speaker 2>And it was hard to know what to make of

835
00:48:55.480 --> 00:48:57.760
<v Speaker 2>it all in so much as he'd had such an

836
00:48:57.760 --> 00:49:04.199
<v Speaker 2>awful past, totally absent father pretty much, and his mother

837
00:49:04.719 --> 00:49:10.599
<v Speaker 2>arguably wasn't she was also absent in her own way.

838
00:49:10.679 --> 00:49:13.519
<v Speaker 2>And so there is an element where I look at

839
00:49:13.559 --> 00:49:16.320
<v Speaker 2>it and see like my childhood and look at his

840
00:49:16.480 --> 00:49:19.480
<v Speaker 2>childhood and go, well, how can I, you know, how

841
00:49:19.519 --> 00:49:21.320
<v Speaker 2>can I judge this guy? But having said that, he

842
00:49:21.440 --> 00:49:23.760
<v Speaker 2>had a brother, Vincent McGee, he grew up in the

843
00:49:23.800 --> 00:49:27.440
<v Speaker 2>same circumstances and he didn't end up, you know, murdering

844
00:49:27.519 --> 00:49:32.639
<v Speaker 2>people and beating women, and you know, so, yeah, I

845
00:49:33.079 --> 00:49:36.519
<v Speaker 2>guess like the world's just a mess, really, and people's

846
00:49:36.559 --> 00:49:39.599
<v Speaker 2>lives are mess and situations are messes. And because I

847
00:49:39.679 --> 00:49:42.480
<v Speaker 2>stayed there for so long, I got to see the

848
00:49:42.559 --> 00:49:45.920
<v Speaker 2>mess and all the complications and all the way everything's

849
00:49:45.960 --> 00:49:48.400
<v Speaker 2>just tangled up. Like if I was there for a

850
00:49:48.480 --> 00:49:50.079
<v Speaker 2>short time, if I was there for a couple of

851
00:49:50.159 --> 00:49:52.360
<v Speaker 2>weeks or maybe a month, I might have been able

852
00:49:52.400 --> 00:49:55.840
<v Speaker 2>to write a book where it is all about Vincent McGee,

853
00:49:56.840 --> 00:49:59.559
<v Speaker 2>the guy who should not have been put in jail

854
00:49:59.639 --> 00:50:03.320
<v Speaker 2>because you know, he was attacked by a white supremacist

855
00:50:03.440 --> 00:50:06.800
<v Speaker 2>and and they're picking on him because he's black. And

856
00:50:07.599 --> 00:50:10.519
<v Speaker 2>but you know, like, yes, as I said, the more

857
00:50:10.679 --> 00:50:12.440
<v Speaker 2>the more I spoke, the more the deeper I got

858
00:50:12.480 --> 00:50:15.719
<v Speaker 2>into things, and the more you started to see the

859
00:50:15.840 --> 00:50:18.800
<v Speaker 2>ugly violent side of Vincent. He even threatened me. So

860
00:50:19.039 --> 00:50:24.239
<v Speaker 2>there's almost no better example of it's not when it

861
00:50:24.320 --> 00:50:28.039
<v Speaker 2>comes to Vincent's violent nature, it's not even hearsay. It's like,

862
00:50:28.159 --> 00:50:29.480
<v Speaker 2>you know, I was there on the phone to him,

863
00:50:29.519 --> 00:50:31.920
<v Speaker 2>and then as soon as he couldn't get what he wanted,

864
00:50:32.000 --> 00:50:37.280
<v Speaker 2>he'd make these pretty horrific threats against me, which he

865
00:50:37.400 --> 00:50:39.880
<v Speaker 2>talked about how he could he had people on the

866
00:50:39.920 --> 00:50:42.840
<v Speaker 2>outside even though he's in prison, and he has people

867
00:50:42.920 --> 00:50:45.679
<v Speaker 2>who can like come to my little place in Mississippi

868
00:50:45.719 --> 00:50:47.920
<v Speaker 2>that night and can kill me if I don't give

869
00:50:48.000 --> 00:50:51.000
<v Speaker 2>him money. And you know, so when I when I

870
00:50:51.679 --> 00:50:55.280
<v Speaker 2>And that was kind of interesting because one of the

871
00:50:55.360 --> 00:50:59.639
<v Speaker 2>stories about why Vincent cracked and killed Richard Barrett is

872
00:50:59.760 --> 00:51:02.519
<v Speaker 2>that Schard owed him money for doing from yard work

873
00:51:03.039 --> 00:51:05.440
<v Speaker 2>and Richard tried to rip him off and not and

874
00:51:05.519 --> 00:51:10.159
<v Speaker 2>then he just went crazy. It's his money was denied him,

875
00:51:10.199 --> 00:51:14.719
<v Speaker 2>and that seems a parallel exactly what was happening with me,

876
00:51:15.079 --> 00:51:18.199
<v Speaker 2>where Vincent was demanding money off me and I didn't

877
00:51:18.239 --> 00:51:19.519
<v Speaker 2>want to give it to him, and then he just

878
00:51:19.719 --> 00:51:22.800
<v Speaker 2>instantly snapped and started threading, threatening me with death.

879
00:51:25.199 --> 00:51:28.440
<v Speaker 4>Now is this guy was he trying to come across?

880
00:51:29.920 --> 00:51:31.800
<v Speaker 4>Do you believe like sort of a gangster guy. He's

881
00:51:31.840 --> 00:51:34.199
<v Speaker 4>got a bunch of tattoos, a tear drop tattoo, he

882
00:51:34.280 --> 00:51:37.119
<v Speaker 4>wears the dow rags. You have a story in there

883
00:51:37.159 --> 00:51:39.239
<v Speaker 4>where he says, I took this do rag off a

884
00:51:39.320 --> 00:51:42.599
<v Speaker 4>guy in prison. He came back into my cell and

885
00:51:42.760 --> 00:51:46.800
<v Speaker 4>so then I shoved the bottle up his ass. So, yeah,

886
00:51:47.320 --> 00:51:49.440
<v Speaker 4>tell us, is this guy a gangster guy? He talks

887
00:51:49.440 --> 00:51:52.639
<v Speaker 4>about pimping women. He's a violent guy, taking a woman's

888
00:51:52.719 --> 00:51:55.000
<v Speaker 4>car and then smacking it up and saying, oh, well,

889
00:51:56.159 --> 00:51:57.960
<v Speaker 4>is that what he's trying to portray himself as.

890
00:51:58.840 --> 00:52:02.039
<v Speaker 2>But I think he was a gangster without a gang though,

891
00:52:02.239 --> 00:52:05.280
<v Speaker 2>like so many people in the book, they were lonely

892
00:52:05.440 --> 00:52:08.679
<v Speaker 2>men who like Richard Barrett and Jim Giles I spoke

893
00:52:08.719 --> 00:52:12.719
<v Speaker 2>about before, and so many people were off on their

894
00:52:12.760 --> 00:52:14.840
<v Speaker 2>own and almost like making up a fantasy world in

895
00:52:14.880 --> 00:52:18.039
<v Speaker 2>their heads in some ways about their position in the world.

896
00:52:18.760 --> 00:52:21.880
<v Speaker 2>And he was he was a violent gangster, and I'm

897
00:52:21.920 --> 00:52:24.559
<v Speaker 2>sure he did all that stuff, like in a very

898
00:52:24.679 --> 00:52:30.079
<v Speaker 2>micro way. I do believe that he picked out this

899
00:52:30.239 --> 00:52:34.480
<v Speaker 2>girlfriend of his, and I do believe he Yeah, he

900
00:52:34.599 --> 00:52:39.280
<v Speaker 2>did violent things and stole things and everything, but I

901
00:52:39.320 --> 00:52:42.360
<v Speaker 2>don't think he had a posse, and in fact that

902
00:52:42.559 --> 00:52:44.960
<v Speaker 2>that was where he was similar to Richard Barrett. Richard

903
00:52:44.960 --> 00:52:48.119
<v Speaker 2>Barrett tried to pitch himself to the world as he's

904
00:52:48.199 --> 00:52:52.239
<v Speaker 2>this white supremacist leader with all these followers, and he

905
00:52:52.320 --> 00:52:55.559
<v Speaker 2>scratched the surface and he sits alone in his little

906
00:52:55.599 --> 00:53:00.239
<v Speaker 2>house every night. And I think Vincent's mayor had that

907
00:53:00.360 --> 00:53:04.000
<v Speaker 2>abyss in that he you know, he had these tatoo

908
00:53:04.119 --> 00:53:06.719
<v Speaker 2>marks that suggested he was I think from the Vice

909
00:53:06.800 --> 00:53:10.440
<v Speaker 2>Lord's gang. But yeah, I didn't really believe it. Like

910
00:53:10.679 --> 00:53:13.519
<v Speaker 2>when he threatened me and said he's got these gang

911
00:53:13.599 --> 00:53:16.159
<v Speaker 2>members who can like come over and get me, I

912
00:53:16.280 --> 00:53:19.079
<v Speaker 2>just didn't believe it. But at that point I was like, no, no,

913
00:53:20.840 --> 00:53:22.639
<v Speaker 2>you've got a fantasy world in your head.

914
00:53:25.599 --> 00:53:28.559
<v Speaker 4>Of the self importance. And Jim Giles too, on his

915
00:53:28.639 --> 00:53:31.199
<v Speaker 4>mum's property in the middle of nowhere podcasting.

916
00:53:31.599 --> 00:53:37.960
<v Speaker 2>Yeah, yeah, yeah, what he was, Yes, and it was interesting.

917
00:53:38.440 --> 00:53:40.239
<v Speaker 2>I didn't really think about this until after the book

918
00:53:40.360 --> 00:53:42.599
<v Speaker 2>was printed. But like so much of the book is

919
00:53:42.639 --> 00:53:46.559
<v Speaker 2>about like lonely people who just are out on their own.

920
00:53:46.719 --> 00:53:48.960
<v Speaker 2>Like there's not really big themes in the book where

921
00:53:49.280 --> 00:53:51.559
<v Speaker 2>I hang out with the district attorney and his family

922
00:53:51.679 --> 00:53:55.199
<v Speaker 2>or anything. It's all about Jim Giles alone in his caravan,

923
00:53:55.360 --> 00:54:00.360
<v Speaker 2>or Ernest McBride, the black journalist alone or day and

924
00:54:00.679 --> 00:54:04.159
<v Speaker 2>if everyone's just on their own. So yeah, that's a

925
00:54:04.199 --> 00:54:05.320
<v Speaker 2>bit melancholy, I guess.

926
00:54:07.239 --> 00:54:09.880
<v Speaker 4>And you did have a fair amount of cooperation, even

927
00:54:09.920 --> 00:54:12.920
<v Speaker 4>though not everyone cooperated. You've had an incredible amount of

928
00:54:12.960 --> 00:54:17.480
<v Speaker 4>cooperation from local people that must have thought, you know again,

929
00:54:17.559 --> 00:54:20.039
<v Speaker 4>not even used to outsiders, and let alone someone from

930
00:54:20.079 --> 00:54:25.559
<v Speaker 4>Australia that's uh, you know so, and and also cooperation

931
00:54:25.719 --> 00:54:27.719
<v Speaker 4>with prosecutors. And a lot of people spoke to you

932
00:54:27.800 --> 00:54:31.039
<v Speaker 4>and gave you a lot of information. So you've got

933
00:54:31.079 --> 00:54:33.280
<v Speaker 4>a lot more questions and answers. But a lot of

934
00:54:33.320 --> 00:54:35.960
<v Speaker 4>these people you spoke to a heck of a lot

935
00:54:36.000 --> 00:54:36.800
<v Speaker 4>of people doing this.

936
00:54:38.360 --> 00:54:41.800
<v Speaker 2>Yeah, for sure, And I think I reckon I could

937
00:54:41.800 --> 00:54:44.119
<v Speaker 2>have got payoffs if I would have written the book

938
00:54:44.159 --> 00:54:49.559
<v Speaker 2>slightly differently if I could just settle on believing these people,

939
00:54:50.079 --> 00:54:52.360
<v Speaker 2>like the investigators, for instance, they gave a version of

940
00:54:52.440 --> 00:54:59.840
<v Speaker 2>events which is so dramatic and colorful because basically what

941
00:55:00.079 --> 00:55:02.800
<v Speaker 2>and as soon as Vincent pled guilty and so that

942
00:55:03.119 --> 00:55:06.079
<v Speaker 2>there wasn't a trial, what I did was I went

943
00:55:06.199 --> 00:55:10.599
<v Speaker 2>and witnesses that are already been subpoenaed in the anticipation

944
00:55:10.719 --> 00:55:13.519
<v Speaker 2>of a trial. So I got those subpoenas and I

945
00:55:13.639 --> 00:55:15.400
<v Speaker 2>just went around to all the people who would have

946
00:55:15.440 --> 00:55:18.000
<v Speaker 2>been witnesses at the trial, and you know, lots of

947
00:55:18.199 --> 00:55:21.119
<v Speaker 2>swake to me, like the investigators, and the investigators did

948
00:55:21.239 --> 00:55:26.480
<v Speaker 2>give like this incredible theatrical story of what happened on

949
00:55:26.599 --> 00:55:33.280
<v Speaker 2>the night and Vincent's real relationship to Richard. And I

950
00:55:33.360 --> 00:55:35.480
<v Speaker 2>guess if I was a different sort of writer, I

951
00:55:35.519 --> 00:55:37.480
<v Speaker 2>would have gone, Okay, I'll make that the end of

952
00:55:37.519 --> 00:55:40.679
<v Speaker 2>the book. I'll make that that's what's happened, because there's

953
00:55:40.679 --> 00:55:44.920
<v Speaker 2>definitely enough action in there, and there's definitely enough closure

954
00:55:44.960 --> 00:55:47.320
<v Speaker 2>in there. And probably if I would have got got

955
00:55:47.400 --> 00:55:49.239
<v Speaker 2>on a plane and left back to Australia after I

956
00:55:49.360 --> 00:55:53.280
<v Speaker 2>met the investigators, maybe I should have because that could

957
00:55:53.280 --> 00:55:54.400
<v Speaker 2>have been the end of the book, and I would

958
00:55:54.400 --> 00:55:57.079
<v Speaker 2>have had a more maybe a more kind of conventional,

959
00:55:57.199 --> 00:56:02.039
<v Speaker 2>satisfying ending. But I made either the mistake or not

960
00:56:02.159 --> 00:56:06.159
<v Speaker 2>the mistake of just sticking around. And then people started

961
00:56:06.280 --> 00:56:09.079
<v Speaker 2>questioning the investigators, and I just I could never bring

962
00:56:09.199 --> 00:56:14.079
<v Speaker 2>myself to sort of finding that what a person said

963
00:56:14.320 --> 00:56:16.000
<v Speaker 2>was the whole truth about what happened.

964
00:56:17.639 --> 00:56:20.760
<v Speaker 4>Yeah, you can't come to that because you're not. I guess,

965
00:56:21.039 --> 00:56:23.679
<v Speaker 4>I guess what it is. Possibly is there a documentary

966
00:56:23.920 --> 00:56:27.320
<v Speaker 4>sort of have a forced angle that you're looking at something,

967
00:56:27.400 --> 00:56:30.199
<v Speaker 4>But with a book it's yeah, you can't, you can't,

968
00:56:30.320 --> 00:56:32.679
<v Speaker 4>and so you don't. And then at the end you've

969
00:56:32.760 --> 00:56:35.239
<v Speaker 4>got everything there and all you can do is present it.

970
00:56:35.400 --> 00:56:40.679
<v Speaker 4>So you spoke to which was very interesting conversation. Is

971
00:56:40.719 --> 00:56:44.599
<v Speaker 4>you finally track down You'd heard that Richard Barrett had

972
00:56:44.639 --> 00:56:46.960
<v Speaker 4>a sister, so you spoke to her. What did she

973
00:56:47.119 --> 00:56:48.320
<v Speaker 4>have to say about her brother?

974
00:56:49.920 --> 00:56:53.320
<v Speaker 2>Well, she started off by sort of trying to defend

975
00:56:53.400 --> 00:56:56.119
<v Speaker 2>him as much as she could, like she didn't she

976
00:56:56.159 --> 00:57:00.719
<v Speaker 2>didn't like agree with him politically at all, and she

977
00:57:01.039 --> 00:57:04.000
<v Speaker 2>lived in Miami. But she was just being the dignified

978
00:57:04.760 --> 00:57:09.159
<v Speaker 2>relative who was trying to present good sides of Richard.

979
00:57:09.719 --> 00:57:13.440
<v Speaker 2>But then ultimately she sort of cracked in her own way,

980
00:57:13.519 --> 00:57:17.760
<v Speaker 2>and she had so much personal anger about little things

981
00:57:18.199 --> 00:57:22.400
<v Speaker 2>like the way that Richard Barrett had hurt other people

982
00:57:22.440 --> 00:57:26.599
<v Speaker 2>in other ways. Because the interesting thing about Richard Barrett

983
00:57:26.760 --> 00:57:29.199
<v Speaker 2>was he was a very unattractive character, but almost like,

984
00:57:29.360 --> 00:57:33.320
<v Speaker 2>I mean, obviously being racist wasn't good, but that kind

985
00:57:33.360 --> 00:57:36.599
<v Speaker 2>of like wasn't the worst of him. Heels like he

986
00:57:36.679 --> 00:57:39.920
<v Speaker 2>would have been a weasily awful person even if he

987
00:57:40.039 --> 00:57:43.719
<v Speaker 2>wasn't a racist, and he'd do things like he'd rip

988
00:57:43.840 --> 00:57:48.920
<v Speaker 2>people off, and he'd misrepresent other people in the worst way, like,

989
00:57:49.239 --> 00:57:53.519
<v Speaker 2>for instance, he'd misrepresent white Mississippis. He'd tricked them into

990
00:57:53.559 --> 00:57:56.440
<v Speaker 2>coming to his events under the guys as they're just

991
00:57:57.039 --> 00:57:59.519
<v Speaker 2>it's a patriotic American thing. So all these white people

992
00:57:59.559 --> 00:58:05.039
<v Speaker 2>are coming thinking, oh, we're celebrating America, and then you know,

993
00:58:05.840 --> 00:58:08.719
<v Speaker 2>takes photos. Yeah, Richard takes photos of it all and

994
00:58:08.760 --> 00:58:11.440
<v Speaker 2>puts it up on his website, and suddenly this crowd

995
00:58:11.480 --> 00:58:14.000
<v Speaker 2>of white people are presented as they've turned up to

996
00:58:14.119 --> 00:58:19.000
<v Speaker 2>his white supremacist rally. So he was just like, he

997
00:58:19.199 --> 00:58:22.440
<v Speaker 2>was such an awful person. And so then his sister

998
00:58:22.599 --> 00:58:26.119
<v Speaker 2>in her own way had all these like micro awful

999
00:58:26.159 --> 00:58:30.280
<v Speaker 2>stories that really reflected that. I like when she actually

1000
00:58:30.400 --> 00:58:33.440
<v Speaker 2>cracked a bit, like stopped defending him, was when, out

1001
00:58:33.480 --> 00:58:36.519
<v Speaker 2>of all things, I started talking to her about chess,

1002
00:58:36.519 --> 00:58:39.239
<v Speaker 2>because apparently Richard was very good at chess, and then

1003
00:58:39.280 --> 00:58:43.000
<v Speaker 2>she goes, oh, yeah, Heed to always beat me at chess.

1004
00:58:43.119 --> 00:58:46.239
<v Speaker 2>And then she says, but you know what, I think

1005
00:58:46.280 --> 00:58:51.039
<v Speaker 2>he cheated, and then she was like angry. Started I

1006
00:58:51.079 --> 00:58:53.400
<v Speaker 2>could see the anger in her face at her brother

1007
00:58:54.199 --> 00:58:56.079
<v Speaker 2>cheating at chess with her when they were both young.

1008
00:58:56.199 --> 00:58:59.480
<v Speaker 2>And then she just told incredible stories such as how

1009
00:58:59.599 --> 00:59:02.039
<v Speaker 2>when the fly used to go out for a meal

1010
00:59:02.920 --> 00:59:05.960
<v Speaker 2>and then the father would leave a tip on the table,

1011
00:59:06.239 --> 00:59:08.320
<v Speaker 2>and then they'd all leave, and Richard would sneak back

1012
00:59:08.360 --> 00:59:12.159
<v Speaker 2>and steal the tip from the way through, and then

1013
00:59:12.239 --> 00:59:15.199
<v Speaker 2>the father would like shame, the ashamed father would have

1014
00:59:15.320 --> 00:59:19.039
<v Speaker 2>to walk back into the restaurant and and give a

1015
00:59:19.119 --> 00:59:23.840
<v Speaker 2>second tip. And just all these little mic and stories,

1016
00:59:23.880 --> 00:59:30.400
<v Speaker 2>and so she definitely validated other people's impression of Richard Barrett.

1017
00:59:31.920 --> 00:59:34.159
<v Speaker 4>Yeah, and she she was hurt too by him being

1018
00:59:34.159 --> 00:59:37.079
<v Speaker 4>a cheap skate and being an insensitive guy. Even though

1019
00:59:37.239 --> 00:59:39.199
<v Speaker 4>you could see that she did have a respect for

1020
00:59:39.320 --> 00:59:41.599
<v Speaker 4>him because not not too many people speak highly of

1021
00:59:41.679 --> 00:59:44.880
<v Speaker 4>them whatsoever. Well, yeah, it was interesting the more you

1022
00:59:44.960 --> 00:59:48.039
<v Speaker 4>speak to people, how that truth just seems to come

1023
00:59:48.119 --> 00:59:50.840
<v Speaker 4>out and she's trying to be nice, but then she

1024
00:59:51.039 --> 00:59:53.039
<v Speaker 4>has to tell you the truth and she's co operating.

1025
00:59:53.199 --> 00:59:54.760
<v Speaker 4>So amazing.

1026
00:59:55.079 --> 00:59:55.679
<v Speaker 2>Yeah, definitely.

1027
00:59:57.880 --> 01:00:00.159
<v Speaker 4>Now, John, we're almost at a time, and I know

1028
01:00:00.280 --> 01:00:02.280
<v Speaker 4>that you have to go because you have a program

1029
01:00:02.400 --> 01:00:06.119
<v Speaker 4>on Australian radio yourself, and maybe you can tell us

1030
01:00:06.400 --> 01:00:10.360
<v Speaker 4>a little bit about that, and also how they might

1031
01:00:10.480 --> 01:00:13.400
<v Speaker 4>have people that would like to contact you, might be

1032
01:00:13.440 --> 01:00:16.320
<v Speaker 4>able to contact you, and of course we know just

1033
01:00:16.400 --> 01:00:20.079
<v Speaker 4>tell us where John, this book can be available Murder

1034
01:00:20.119 --> 01:00:22.440
<v Speaker 4>in Mississippi, The True story of how I met a

1035
01:00:22.480 --> 01:00:25.119
<v Speaker 4>white supremacist be friend of this black killer and wrote

1036
01:00:25.119 --> 01:00:25.559
<v Speaker 4>this book.

1037
01:00:27.079 --> 01:00:31.639
<v Speaker 2>The well, my website's just John Saffran dot com and

1038
01:00:31.719 --> 01:00:34.360
<v Speaker 2>that's got links to like my Twitter and my Facebook

1039
01:00:34.400 --> 01:00:36.320
<v Speaker 2>and my emails. Anyone can get to me that way

1040
01:00:36.960 --> 01:00:39.079
<v Speaker 2>and with the book. The sort of good news bad

1041
01:00:39.159 --> 01:00:44.199
<v Speaker 2>news is for Americans is anyone can order the hard

1042
01:00:44.320 --> 01:00:47.519
<v Speaker 2>copy book from Australia. But you know it's slightly complicated

1043
01:00:47.599 --> 01:00:49.159
<v Speaker 2>and you have to pay post gig, you know, like

1044
01:00:49.239 --> 01:00:52.360
<v Speaker 2>you just find them online thing. But it's not out

1045
01:00:52.400 --> 01:00:55.559
<v Speaker 2>in America yet as such, it's only out like you

1046
01:00:55.599 --> 01:00:59.920
<v Speaker 2>can get it posted from Australia to America or we're

1047
01:01:00.039 --> 01:01:04.519
<v Speaker 2>wherever else. But we have got an American publisher now

1048
01:01:04.679 --> 01:01:07.719
<v Speaker 2>who's going to release the book. They're going to release

1049
01:01:07.760 --> 01:01:11.880
<v Speaker 2>the book in America. Fall. We don't have Fall in Australia,

1050
01:01:11.920 --> 01:01:15.039
<v Speaker 2>but I looked it up on Google. That's awesome, so

1051
01:01:15.480 --> 01:01:19.039
<v Speaker 2>we went to yes. So it's going to be released

1052
01:01:19.920 --> 01:01:26.360
<v Speaker 2>like around in twenty fourteen September in America. And you know,

1053
01:01:27.000 --> 01:01:32.239
<v Speaker 2>true True Murder Exclusive. They're changing the titles, but we haven't.

1054
01:01:32.320 --> 01:01:35.000
<v Speaker 2>They haven't. They haven't decided what. They haven't decided what

1055
01:01:35.000 --> 01:01:38.920
<v Speaker 2>they're going to change the title to. So yeah, they'll

1056
01:01:38.960 --> 01:01:41.960
<v Speaker 2>be exciting because I get to, you know, any remorse

1057
01:01:42.039 --> 01:01:44.800
<v Speaker 2>I have about which I changed this or that, and

1058
01:01:44.960 --> 01:01:48.119
<v Speaker 2>ah that's always been bugging me. I get a second

1059
01:01:48.159 --> 01:01:55.519
<v Speaker 2>shot of it in this American version. But I think yeah,

1060
01:01:55.719 --> 01:01:58.639
<v Speaker 2>And so it's kind of annoying unless you're in Australia

1061
01:01:58.760 --> 01:02:02.679
<v Speaker 2>or New Zealand getting the e book. It's like geo blocked,

1062
01:02:02.840 --> 01:02:05.400
<v Speaker 2>so you can't get it. So but yeah, as I said,

1063
01:02:05.400 --> 01:02:08.079
<v Speaker 2>it will be if someone really wanted that, they can

1064
01:02:08.360 --> 01:02:12.199
<v Speaker 2>order the hard copy from just any any online bookshop

1065
01:02:12.280 --> 01:02:17.360
<v Speaker 2>that's in Australia that posts internationally. Or yes, Americans can

1066
01:02:17.480 --> 01:02:22.000
<v Speaker 2>wait until the fall too, hear the to get the

1067
01:02:22.079 --> 01:02:24.800
<v Speaker 2>American one, which will have a different title. But I'll

1068
01:02:24.840 --> 01:02:29.559
<v Speaker 2>no doubt the I'll make that known on all my

1069
01:02:29.679 --> 01:02:30.800
<v Speaker 2>social media and stuff.

1070
01:02:31.719 --> 01:02:33.400
<v Speaker 4>Well, we'll have to have you back on too to

1071
01:02:34.440 --> 01:02:40.440
<v Speaker 4>tack about it again and just introduce people the American

1072
01:02:40.519 --> 01:02:43.920
<v Speaker 4>public to the book once it's available again. So we

1073
01:02:44.000 --> 01:02:45.239
<v Speaker 4>can obviously do that.

1074
01:02:47.159 --> 01:02:50.840
<v Speaker 2>People who get people who like your show, will your

1075
01:02:50.880 --> 01:02:53.519
<v Speaker 2>podcast True Murder they'd like because I did a sixth

1076
01:02:53.599 --> 01:02:58.039
<v Speaker 2>part show called John Safran's True Crime, which is just

1077
01:02:58.119 --> 01:03:02.000
<v Speaker 2>downloadable anywhere in the world as a podcast, and it's

1078
01:03:02.079 --> 01:03:07.360
<v Speaker 2>me interviewing true crime writers, including Dan Sepanski, and the

1079
01:03:07.440 --> 01:03:09.440
<v Speaker 2>s ot of the idea behind it is I've just

1080
01:03:09.559 --> 01:03:13.000
<v Speaker 2>come back from Mississippi and had this crazy adventure trying

1081
01:03:13.000 --> 01:03:14.679
<v Speaker 2>to write a true crime book. And I talked to

1082
01:03:14.719 --> 01:03:17.559
<v Speaker 2>all these other true crime writers who had their own

1083
01:03:17.679 --> 01:03:20.920
<v Speaker 2>version of that, and we kind of compare war stories.

1084
01:03:20.960 --> 01:03:24.559
<v Speaker 2>So I got to speak to like John Barren, the

1085
01:03:24.599 --> 01:03:26.440
<v Speaker 2>author of Midnight in the Garden of good and evil

1086
01:03:26.519 --> 01:03:29.800
<v Speaker 2>and rule, a stranger beside me and just yes. So

1087
01:03:30.360 --> 01:03:33.239
<v Speaker 2>it was fun and insane. Yeah.

1088
01:03:33.320 --> 01:03:37.159
<v Speaker 4>You you were able to able to secure interviews with

1089
01:03:37.239 --> 01:03:40.079
<v Speaker 4>some of the biggest people and some fascinating interviews. And

1090
01:03:40.159 --> 01:03:42.920
<v Speaker 4>I saw, well it did on iTunes charts as well.

1091
01:03:43.000 --> 01:03:46.280
<v Speaker 4>People really enjoyed it and so and I did immensely.

1092
01:03:46.440 --> 01:03:49.440
<v Speaker 4>So it was it was great. I want to thank

1093
01:03:49.480 --> 01:03:53.039
<v Speaker 4>you John for coming on and talking about murder in Mississippi.

1094
01:03:53.559 --> 01:03:57.480
<v Speaker 4>A fantastic story here and an incredible journey into America

1095
01:03:57.599 --> 01:04:01.000
<v Speaker 4>from us from Melbourne to Mississippi. Thank you very much

1096
01:04:01.000 --> 01:04:03.360
<v Speaker 4>for coming on and sharing this story with us this evening.

1097
01:04:04.519 --> 01:04:09.559
<v Speaker 2>Thank you very much. Okay, bye bye, good night, good nuye,

1098
01:04:09.880 --> 01:04:10.239
<v Speaker 2>good nye.
