WEBVTT

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<v Speaker 1>Missus Orson Wells, speaking from London. Here in the Grimstone

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<v Speaker 1>structure on the Thames, which houses Scotland Yard, is a

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<v Speaker 1>warehouse of homicide for everyday objects. A woman's purse, a

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<v Speaker 1>man's glove, a child's shoe, all are touched by murder.

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<v Speaker 2>That is silent. He made to fit an army rifle,

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<v Speaker 2>made for a killer, for striking, unseen and unheard in

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<v Speaker 2>the dark.

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<v Speaker 1>Perhaps interesting little instruments of scientific gadget to absorb sound.

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<v Speaker 1>A change's sharp cracking report into a muffled gasp.

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<v Speaker 3>I suppose I am being rather subjective about this, Sergeant,

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<v Speaker 3>but I find myself hating that's silence on here. I

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<v Speaker 3>understand how you feel, inspector a science here, Well, it's

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<v Speaker 3>it's filth, he says me. It's something like a rattles snake. No, Sergeant,

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<v Speaker 3>you're similarly is wrong. The rattlesnake gives warning before he strikes.

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<v Speaker 3>He plays fair.

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<v Speaker 1>Today That silencer can be seen here in the Black Museum.

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<v Speaker 4>From the annals of the Criminal Investigation Department of the

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<v Speaker 4>London Police, we bring you the dramatic stories of the

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<v Speaker 4>crimes recorded by the objects in Scotland Yards. Gallery of

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<v Speaker 4>Death the Black Museum.

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<v Speaker 2>From you.

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<v Speaker 1>We are in the Black Museum, Scotland Yards, Museum of Murder,

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<v Speaker 1>ellis death, violent death and many guises, the long history

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<v Speaker 1>of a great number of very murderous deeds on the shelves,

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<v Speaker 1>on the tables.

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<v Speaker 2>In the very air itself. This elephant come here.

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<v Speaker 1>This was once used for hunting by a sportsman bread

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<v Speaker 1>in the very best tradition, later used to shoot a

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<v Speaker 1>friend in the back.

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<v Speaker 5>Uh.

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<v Speaker 2>Here we are a.

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<v Speaker 1>Silencer, metal tubes within tubes, small and stubby, designed to

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<v Speaker 1>swallow sound. There was a weapon too, of course, but

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<v Speaker 1>no unthought of a weapon or of a silencer. The

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<v Speaker 1>Knight Herbert and Josie Martin, who turned from a party

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<v Speaker 1>to their new home in the equally new residential development

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<v Speaker 1>in the suburbs of London.

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<v Speaker 3>Oh it was a fine party, Joseph. But I don't

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<v Speaker 3>mind telling you. I'm gad for sleeping.

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<v Speaker 5>Oh. I like the new neighbors.

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<v Speaker 6>But business, there's no time perhause warmings.

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<v Speaker 3>The great these new houses are renting, will be going

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<v Speaker 3>to house parties for weeks on end. Might as well

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<v Speaker 3>make up our minds to it.

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<v Speaker 1>A man and his wife tired in a pleasant sort

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<v Speaker 1>of way pleased a meeting their new neighbors and preparing

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<v Speaker 1>for sleep. Normal, quiet, nice people in a new hole.

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<v Speaker 1>Nothing spectacular, no hint of headlines, no thought of death.

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<v Speaker 5>Show the doors are locked herbit.

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<v Speaker 6>Yes, oh dear, please pull down the blind because if

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<v Speaker 6>he blows up during the night, didn't flap out the

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<v Speaker 6>window A wakeners like last night?

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<v Speaker 2>All right?

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<v Speaker 3>If you didn't insist on opening the window some the top, Josh,

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<v Speaker 3>the blinds wouldn't blow. What is it?

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<v Speaker 5>What is it? What's taking you?

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<v Speaker 3>Oh?

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<v Speaker 1>A man reaches up to pull down a window blind.

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<v Speaker 1>The lighted lamp is behind him. A bullet stars the

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<v Speaker 1>window pane.

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<v Speaker 2>The man is dead.

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<v Speaker 1>A short while later, a telephone rings in an office

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<v Speaker 1>in Scotland.

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<v Speaker 2>Yard Inspector Foster.

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<v Speaker 3>Here Sonty william speaking, Sir, does a call come through

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<v Speaker 3>from himpstad Oble Herbert Martin short as he was pulling

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<v Speaker 3>down the blind in his bedroom.

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<v Speaker 2>Anyone with him? Why?

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<v Speaker 5>Said any other witnesses up at the moment? Oh, well, Williams,

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<v Speaker 5>bring a car, run and we'll have a look at

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<v Speaker 5>the situation.

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<v Speaker 3>I realized this has been a terrible shock, missus Martin,

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<v Speaker 3>but we need your help.

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<v Speaker 5>At once anything insteact, anything at all. Did your husband

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<v Speaker 5>have any enemies that you love?

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<v Speaker 7>Oh no, no one, no one.

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<v Speaker 5>Any trouble in his business, no nothing, No what was

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<v Speaker 5>his business?

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<v Speaker 7>Insurance accident?

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<v Speaker 6>Mostly he was going on so well, that's how we

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<v Speaker 6>could have thought to move out here.

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<v Speaker 5>Then you've only come here recently, few months ago. We

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<v Speaker 5>were one of the first tenants.

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<v Speaker 6>It seemed such a nice place.

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<v Speaker 1>Everything so new questions and more questions. There was obviously

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<v Speaker 1>nothing missus Martin could tell the inspector. All she knew

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<v Speaker 1>was what she'd seen one point. Puzzlive. The inspector came

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<v Speaker 1>back to it several times. And you're certain, Missus Martin,

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<v Speaker 1>that you heard no shot.

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<v Speaker 6>Nothing, just the sort of noise of the glass.

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<v Speaker 3>Well, it's possible, certain extreme range, the sound of a

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<v Speaker 3>shot might have followed the arrival of the bullet. Missus Martin.

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<v Speaker 6>Now I'm sure i'd have noticed, as only seemed so strange.

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<v Speaker 6>There wasn't any sound, just the hole in the window

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<v Speaker 6>and my husband's sort of crumpling up and falling.

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<v Speaker 3>Well, that's not much to go on. Perhaps the bullet

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<v Speaker 3>will tell us something. Meanwhile, we'll do our bet. Misters Martin,

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<v Speaker 3>we'll try to do our bet. There was very little

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<v Speaker 3>for the police to start on. The close scrutiny of

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<v Speaker 3>Herbert Martin's life brought nothing to light. Martin's manner of living,

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<v Speaker 3>the conduct of his business were exemplary. His friends, his

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<v Speaker 3>business associates, his new neighbors all had nothing but praise

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<v Speaker 3>for Herbert Martin.

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<v Speaker 2>Death had come out of the dark.

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<v Speaker 1>This alone was ground for speculation, particularly among the neighbors.

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<v Speaker 1>Sydney and Elizabeth. Davis brother and sister were no exceptions.

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<v Speaker 6>I can't help, thinks Sydney. It's so peaceful here that

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<v Speaker 6>poor man.

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<v Speaker 5>Barely in his grave real it is present.

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<v Speaker 7>It would be a fit.

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<v Speaker 6>Only Do you suppose his poor wife will keep the

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<v Speaker 6>house now?

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<v Speaker 5>I doubt it, but perhaps if you offered to help

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<v Speaker 5>Elizabeth I.

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<v Speaker 6>Have it'll take her quite a while to make up

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<v Speaker 6>in mind, since she's all alone.

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<v Speaker 2>For Sir.

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<v Speaker 8>Sydney, I can't help Randa, and I can't what oh

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<v Speaker 8>I had the strangest strangers, what it shoped, Sydney.

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<v Speaker 1>Death had come to Hamstead Over once again?

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<v Speaker 3>And you're absolutely sure you had no shot, mister Davis, absolutely, inspector.

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<v Speaker 7>My moment, my sister was speaking to me about missus Martin.

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<v Speaker 7>The next moment she was dying in my arms. There's

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<v Speaker 7>no sound, only the blood I see. Mister Davis.

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<v Speaker 5>Do you know the people who live in this development?

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<v Speaker 7>Nearly all of them. We well, we felt rather like pioneers.

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<v Speaker 7>I suppose we've been developing. Being so new, we all

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<v Speaker 7>became friendly.

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<v Speaker 3>And perhaps you can tell me. Are there any ex

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<v Speaker 3>servicemen living here?

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<v Speaker 2>Yes?

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<v Speaker 7>There are two nice chaps, wives and children, you know.

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<v Speaker 7>And I asked why you inquire.

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<v Speaker 3>Because the bullet which killed mister Martin came from an

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<v Speaker 3>early issue rifle, and I suspect the same thing will

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<v Speaker 3>be found true in your sister's case.

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<v Speaker 5>If it is true, we'll love that much at least

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<v Speaker 5>to go more.

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<v Speaker 1>The markings on both bullets were identical. The same weapon

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<v Speaker 1>had been used. Inspector Foster sent Detective Sergeant William's visiting.

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<v Speaker 2>Yes, and are you Thomas?

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<v Speaker 3>I am excuse me saying I'm a detective of Sergeant Williams.

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<v Speaker 2>The idea HAIRMC credentials.

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<v Speaker 3>Oh coming, will you coming to the living room? I

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<v Speaker 3>don't keep your moments, Larkin. I want to speak about

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<v Speaker 3>the Martin and Davis murders. Yes, yes, of course. Do

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<v Speaker 3>you happen to have a rifle in.

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<v Speaker 5>Your possession, sir? No, I gave all that would. I

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<v Speaker 5>was discharged. If I never see a weapon again, it

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<v Speaker 5>will be too soon.

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<v Speaker 3>I believe your husband is an ex serviceman, missus Goodson.

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<v Speaker 5>Yes, he is five years of service Eighth Army and

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<v Speaker 5>the General Montgomery I see, and tell me.

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<v Speaker 3>Did he buy any chance to retain any weapon when

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<v Speaker 3>he left the service?

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<v Speaker 2>No? Is there any weapon in your house that you

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<v Speaker 2>know of?

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<v Speaker 5>Yeah?

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<v Speaker 9>Probably, Well, Frankie, my husband insists we keep it.

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<v Speaker 5>He's got a license for it.

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<v Speaker 7>It frightens me after death just to have it in

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<v Speaker 7>the house, work with.

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<v Speaker 5>The children around in all. Oh, sergeant, are all of

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<v Speaker 5>us in danger here?

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<v Speaker 2>I needn't worry.

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<v Speaker 9>Don't you have any idea who or what may be

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<v Speaker 9>behind these dreadful shootings?

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<v Speaker 2>Nothing except I drew a complete blank.

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<v Speaker 5>I rather thought you would.

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<v Speaker 3>Incidentally, a pathology found the Davis bullet and ballistic reports

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<v Speaker 3>it's identical with the one that recovered from Martin's body.

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<v Speaker 2>Well where he is.

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<v Speaker 3>He's a fabulous shot, sir, and he uses a silence up.

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<v Speaker 3>That's the only explanation I have for the absence of sound.

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<v Speaker 2>It's not very much to go on, Inspector Foster, help.

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<v Speaker 9>This is missus Thomas Larkin, Inspector. My husband and I

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<v Speaker 9>live on Hempstead Over.

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<v Speaker 5>Yes, Missus Larkin, I know what can I do for you?

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<v Speaker 9>Well, mister Larkin and I have a meeting at our

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<v Speaker 9>house for this evening. We hoped you and Sergeant Williams

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<v Speaker 9>could be with us.

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<v Speaker 5>What's the purpose of your meeting, ma'am?

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<v Speaker 3>Oh?

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<v Speaker 9>The entire development is living in fear, Inspector. We want

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<v Speaker 9>to try to find some way to protect ourselves. We

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<v Speaker 9>thought you might have some advice to offer.

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<v Speaker 3>I'm somewhat doubtful about the advice, Missus Larkin, but Sergeant

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<v Speaker 3>Williams and I will be at your meeting.

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<v Speaker 5>Have you set a time for it?

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<v Speaker 2>As yet?

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<v Speaker 1>They came that evening to the Lark in the living room.

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<v Speaker 1>Inspector Foster waited in the hallway with the larkins Is

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<v Speaker 1>everyone here, mister Larkin?

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<v Speaker 5>I think so, sir. Mister Maundy said he'd be over.

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<v Speaker 6>His wife wanted to stay with her little boy.

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<v Speaker 5>Well he's the only one missing then, Yes, that's right.

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<v Speaker 5>How did you reach these people by telephone? It's not

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<v Speaker 5>much trouble to do that. We're all on party lines.

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<v Speaker 2>I see.

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<v Speaker 5>Someone's at the back door. Tom must be Monday, and

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<v Speaker 5>I'll get it if you excuse me, Missus Larkin, Yes,

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<v Speaker 5>of course, go ahead, Inspector funny.

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<v Speaker 3>Coming to the back door. I told his wife, particularly

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<v Speaker 3>about the front door precaution. No matter at least, I

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<v Speaker 3>don't believe it will matter here we are hell on, Mandy, Yeah,

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<v Speaker 3>you can make it.

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<v Speaker 5>Sorry, I'm late, Larkin.

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<v Speaker 7>I rather thought the back way would present less opportunity

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<v Speaker 7>for this unknown marksman to it.

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<v Speaker 2>Mandon.

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<v Speaker 5>Good grief.

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<v Speaker 3>Up that door, Larkin, you're a perfect target yourself standing up.

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<v Speaker 2>Today.

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<v Speaker 1>That silencer can be seen here in the Black Museum.

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<v Speaker 1>Neighbor London was dead, the rifle bullet neatly placed in

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<v Speaker 1>the back of his head. The silent marksman was another

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<v Speaker 1>story entirely. Who he was, where he was, why he

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<v Speaker 1>struck With the unanswered questions which Inspector Foster had to

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<v Speaker 1>face as he stood before the terror stricken residence of

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<v Speaker 1>Hempstead Ov.

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<v Speaker 3>All I can say is the police are doing anything

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<v Speaker 3>and everything.

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<v Speaker 5>They'll find this killer. In the meantime, Inspector.

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<v Speaker 7>I'll answer that in the meantime, it can all get

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<v Speaker 7>picked up as my sister was, or Martin or Monday.

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<v Speaker 3>He's write, Inspector, I for one won't leave my children

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00:13:17.080 --> 00:13:19.120
<v Speaker 3>open at the risk of being orphaned or worse. No,

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<v Speaker 3>moving away, giving up your homes won't find a murderer.

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00:13:24.080 --> 00:13:26.600
<v Speaker 3>I'm asking you, all of you, to do something quite

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<v Speaker 3>difficult under present circumstances.

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<v Speaker 5>I want you to stay here for another few days.

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<v Speaker 3>He fashions, remain indoors at night, stay away from doors

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<v Speaker 3>and windows.

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00:13:36.559 --> 00:13:37.440
<v Speaker 2>If it's possible to.

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<v Speaker 5>Find him, then that is always possible.

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<v Speaker 2>We'll do it.

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<v Speaker 5>I promise you that the entire machinery of the London.

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<v Speaker 1>They watched him, the good neighbors who henced it over

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<v Speaker 1>with doubt and fear in their eyes.

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<v Speaker 2>What they did is Inspector Foster ask.

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00:13:53.320 --> 00:13:57.200
<v Speaker 1>They stayed in their homes and waited the welcome light

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00:13:57.279 --> 00:13:59.879
<v Speaker 1>of morning found the Inspector and his sergeant with tom

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<v Speaker 1>Arkin in the kitchen of his home.

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<v Speaker 3>You're about the same height as Mandon, aren't.

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<v Speaker 5>You, Larkin?

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<v Speaker 2>Just about? Good?

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00:14:08.039 --> 00:14:11.200
<v Speaker 3>Targeant set up the transit here where Mandon was standing

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00:14:11.320 --> 00:14:14.840
<v Speaker 3>when he was hit, and adjusted height to mister Larkins.

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<v Speaker 5>Some byers changed it in my kitchen. I don't understand

250
00:14:18.200 --> 00:14:21.519
<v Speaker 5>and stick that you will shortly almost ready as harden ef.

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00:14:21.600 --> 00:14:23.120
<v Speaker 2>The men work quickly methodically.

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00:14:23.200 --> 00:14:25.320
<v Speaker 1>The transit was set up the lens of its telescope,

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00:14:25.360 --> 00:14:29.159
<v Speaker 1>placing the open backyorder. Inspector Forster adjusted the eyepiece and

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00:14:29.200 --> 00:14:33.279
<v Speaker 1>then slowly scan from Lindall to Lindell through the open

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00:14:33.360 --> 00:14:37.200
<v Speaker 1>doorway back. He moved the instant, adjusting it vertically as

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00:14:37.200 --> 00:14:43.200
<v Speaker 1>well as horizont returning the brass thumbscrewed carefully precisely stepped

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<v Speaker 1>away from the transit.

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<v Speaker 3>That seemed to be the best possibilities, Ardant, pleavor yourself.

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00:14:50.200 --> 00:14:52.480
<v Speaker 2>Yes, it lines up well.

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00:14:53.159 --> 00:14:55.279
<v Speaker 5>The angle seemed to be right, so we have.

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00:14:55.279 --> 00:14:58.360
<v Speaker 2>A look at it. Yes, yes, care to come with us?

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<v Speaker 3>Ka, Yes, I was a three with a clear line

263
00:15:00.919 --> 00:15:03.639
<v Speaker 3>of fire right through your back door. The distance seems

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00:15:03.679 --> 00:15:05.279
<v Speaker 3>to be about five hundred yards.

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00:15:05.399 --> 00:15:07.039
<v Speaker 2>So that's what the transit was for.

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<v Speaker 5>Exactly.

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00:15:08.240 --> 00:15:16.840
<v Speaker 2>Let's go, shall we? Two?

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00:15:16.960 --> 00:15:18.759
<v Speaker 3>Bad as beings of dryer light Later there might have

269
00:15:18.799 --> 00:15:22.799
<v Speaker 3>been footprints marks on the tree trunk, sir. Well here

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00:15:23.080 --> 00:15:27.000
<v Speaker 3>here notices are straight in on this box, sir, as

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00:15:27.039 --> 00:15:29.759
<v Speaker 3>if someone in heavy brute had climbed the tree.

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00:15:29.919 --> 00:15:31.759
<v Speaker 5>That's wheat and too, you know for a boost up

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00:15:31.879 --> 00:15:38.159
<v Speaker 5>charging here? Said, there are marks up here?

274
00:15:38.200 --> 00:15:40.039
<v Speaker 2>Is there quite a comfortable perch?

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00:15:40.759 --> 00:15:40.799
<v Speaker 7>He?

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00:15:41.519 --> 00:15:47.639
<v Speaker 3>Hello? The lim faults here, scratches on the bark could

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00:15:47.679 --> 00:15:49.000
<v Speaker 3>have been a rifle rested here.

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00:15:49.320 --> 00:15:51.519
<v Speaker 5>Very good, Come on down, sargant, All.

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00:15:51.519 --> 00:15:56.600
<v Speaker 2>Right, instead done. I may have found something over here.

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00:15:56.879 --> 00:15:58.759
<v Speaker 5>Under this branch. Don't touch anything.

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00:15:58.840 --> 00:16:01.679
<v Speaker 2>Markin right, Yeah, in the weeds.

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00:16:02.279 --> 00:16:05.559
<v Speaker 5>Looks like a rifle corpage to me. Brass. The sun

283
00:16:05.679 --> 00:16:09.919
<v Speaker 5>caught it, good man, good eyesight. Take care of that, sergeant.

284
00:16:10.480 --> 00:16:12.639
<v Speaker 3>Once we find the rifle and the owner that bit

285
00:16:12.720 --> 00:16:15.480
<v Speaker 3>of brass, may well send him up thirteen steps early

286
00:16:15.600 --> 00:16:22.279
<v Speaker 3>one morning, starting from nothing.

287
00:16:22.600 --> 00:16:26.279
<v Speaker 1>The facts were coming together one by one in the

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00:16:26.360 --> 00:16:27.879
<v Speaker 1>quiet office of the yard.

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00:16:28.679 --> 00:16:31.360
<v Speaker 3>The bootmarks and the tree trunk. Sergeants that were rather

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00:16:31.440 --> 00:16:33.759
<v Speaker 3>close to the ground. I noticed your first jump was

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00:16:33.799 --> 00:16:37.720
<v Speaker 3>at least two feet higher. Yes, I wasn't caring a rifle, sir, No,

292
00:16:38.080 --> 00:16:40.559
<v Speaker 3>but a man of average weight in good condition would

293
00:16:40.559 --> 00:16:43.919
<v Speaker 3>have made markings closer to yours. I'd say this fellow

294
00:16:44.000 --> 00:16:47.840
<v Speaker 3>was either very heavy or not exactly young past middle age, at.

295
00:16:47.840 --> 00:16:50.639
<v Speaker 2>Least the beginnings of a description.

296
00:16:51.480 --> 00:16:54.279
<v Speaker 5>Either military or hunting experience. To be able to shoot

297
00:16:54.399 --> 00:16:55.440
<v Speaker 5>like that at night.

298
00:16:56.519 --> 00:16:58.399
<v Speaker 2>The beginnings of the background.

299
00:17:00.000 --> 00:17:02.159
<v Speaker 3>Whoever it was, must have lived in that area for

300
00:17:02.279 --> 00:17:04.440
<v Speaker 3>some time to know the position of that tree relation

301
00:17:04.559 --> 00:17:08.160
<v Speaker 3>to Larkin's back door. Start a quiet house to house

302
00:17:08.240 --> 00:17:10.839
<v Speaker 3>check Williams. Have the men watch for anyone who fits

303
00:17:10.920 --> 00:17:14.240
<v Speaker 3>these points. Yes, then find me a detailed ordnance map

304
00:17:14.319 --> 00:17:17.039
<v Speaker 3>of Hempstead Oval. The builder of the renting agent will

305
00:17:17.039 --> 00:17:21.279
<v Speaker 3>have one. We find one sniper's touch. I'm curious about

306
00:17:21.319 --> 00:17:35.759
<v Speaker 3>the other interesting layout Architecturally, according to the contour of

307
00:17:35.799 --> 00:17:38.279
<v Speaker 3>the land, the main line of the houses seemed to

308
00:17:38.400 --> 00:17:41.480
<v Speaker 3>curve around this rise just off center. It must have

309
00:17:41.519 --> 00:17:44.880
<v Speaker 3>been quite a place in the old age in the

310
00:17:44.960 --> 00:17:49.559
<v Speaker 3>building tell me and estates so for Texas family named

311
00:17:50.559 --> 00:17:54.640
<v Speaker 3>was the Wardman old line. The grant went back nearer

312
00:17:54.720 --> 00:17:55.240
<v Speaker 3>to the first.

313
00:17:55.160 --> 00:17:56.480
<v Speaker 2>Queen Elizabeths history.

314
00:17:56.920 --> 00:17:59.519
<v Speaker 5>Fascinating anymore, here's.

315
00:17:59.240 --> 00:18:04.119
<v Speaker 3>Quite atyp seems the land was soul on condition that

316
00:18:04.319 --> 00:18:07.519
<v Speaker 3>the soul survivor of the family be given a house

317
00:18:07.720 --> 00:18:09.400
<v Speaker 3>rent free for the rest of his life.

318
00:18:09.519 --> 00:18:11.519
<v Speaker 5>And this person is still there.

319
00:18:11.880 --> 00:18:15.079
<v Speaker 3>It seems to be he's an elderly gentlemen, keeps very

320
00:18:15.160 --> 00:18:18.720
<v Speaker 3>much to himself. This is Hou's here on the end

321
00:18:18.720 --> 00:18:22.319
<v Speaker 3>of the main line. I see now, then this would

322
00:18:22.359 --> 00:18:25.400
<v Speaker 3>be the Martin place and this is the David Yeah,

323
00:18:25.519 --> 00:18:28.640
<v Speaker 3>that's right there. The Martin bedroom and the Davis porch

324
00:18:28.759 --> 00:18:30.519
<v Speaker 3>faced the same way along.

325
00:18:30.319 --> 00:18:32.480
<v Speaker 2>That curve of the hill. Yes, that's it.

326
00:18:33.200 --> 00:18:36.480
<v Speaker 3>It seems they didn't originally intend to build on the hill,

327
00:18:36.559 --> 00:18:39.680
<v Speaker 3>but they they've started a new house right here. They

328
00:18:39.759 --> 00:18:42.839
<v Speaker 3>fella stitched in for me. The demands being very high.

329
00:18:43.119 --> 00:18:46.599
<v Speaker 3>They wouldn't mind them with them after we get this killer.

330
00:18:47.279 --> 00:18:49.400
<v Speaker 3>Oh yes, I have to ask me that ruler will

331
00:18:49.480 --> 00:18:50.200
<v Speaker 3>in all right?

332
00:18:50.440 --> 00:18:50.759
<v Speaker 2>Thank you.

333
00:18:52.599 --> 00:18:55.960
<v Speaker 3>Here, Williams, the Martin window and the Davis porch are

334
00:18:56.000 --> 00:18:57.160
<v Speaker 3>in direct clear.

335
00:18:57.079 --> 00:18:58.319
<v Speaker 5>Line with the new building.

336
00:19:00.240 --> 00:19:03.559
<v Speaker 3>I wonder now, I assume the contractor isn't working his

337
00:19:03.680 --> 00:19:04.240
<v Speaker 3>men at night.

338
00:19:06.119 --> 00:19:06.960
<v Speaker 5>I wonder now.

339
00:19:14.759 --> 00:19:18.119
<v Speaker 3>This is the top floor, inspective. Hard wood isn't in here,

340
00:19:18.160 --> 00:19:21.319
<v Speaker 3>but that floor will take your weight. That's the dorm

341
00:19:21.359 --> 00:19:25.920
<v Speaker 3>the window you asked about. Look around, Willis Addams. It's

342
00:19:25.920 --> 00:19:29.359
<v Speaker 3>about the progress of this building. Here said how long

343
00:19:29.400 --> 00:19:30.720
<v Speaker 3>has this top floor been.

344
00:19:30.680 --> 00:19:31.799
<v Speaker 2>In this half finished?

345
00:19:31.839 --> 00:19:35.599
<v Speaker 3>Their a fortnight, sir, crazy is a due end of

346
00:19:35.680 --> 00:19:36.119
<v Speaker 3>this week.

347
00:19:36.759 --> 00:19:39.000
<v Speaker 5>Carpenters will get the flooring right after that.

348
00:19:39.480 --> 00:19:40.559
<v Speaker 2>Anyone here at night.

349
00:19:41.039 --> 00:19:44.119
<v Speaker 3>She's a watchman for the old development. One of these

350
00:19:44.240 --> 00:19:47.160
<v Speaker 3>stations is just across the road. You can see it

351
00:19:47.279 --> 00:19:51.839
<v Speaker 3>through the window. There, I see I have them saying here.

352
00:19:52.599 --> 00:19:56.119
<v Speaker 3>They were lying along the wall under the window. Now,

353
00:19:56.200 --> 00:20:00.640
<v Speaker 3>oh go this tenpany nails in the window sill. Someone

354
00:20:00.720 --> 00:20:01.759
<v Speaker 3>will catch it for this.

355
00:20:02.359 --> 00:20:03.720
<v Speaker 5>No doubt someone will.

356
00:20:04.319 --> 00:20:06.880
<v Speaker 3>Someone put those nails in to help steady a rifle,

357
00:20:07.319 --> 00:20:10.279
<v Speaker 3>the same someone who left those two brass cottage cases

358
00:20:10.359 --> 00:20:10.839
<v Speaker 3>behind him.

359
00:20:18.559 --> 00:20:21.839
<v Speaker 1>How do you catch a killer who strikes silently in

360
00:20:21.960 --> 00:20:22.559
<v Speaker 1>the darkness.

361
00:20:24.039 --> 00:20:28.079
<v Speaker 2>How do you match his craftiness? Perhaps you say to

362
00:20:28.200 --> 00:20:32.400
<v Speaker 2>Tom Larkin that may be dangerous. Larkin, will you cooperate?

363
00:20:32.480 --> 00:20:35.079
<v Speaker 5>We'll have you under five before now, inspector very well.

364
00:20:35.799 --> 00:20:39.240
<v Speaker 3>No, then, I believe someone told me the telephones hereabouts

365
00:20:39.279 --> 00:20:40.359
<v Speaker 3>are on party lines.

366
00:20:41.039 --> 00:20:43.440
<v Speaker 2>A telephone call is made on the party lines.

367
00:20:43.839 --> 00:20:46.359
<v Speaker 5>I want to talk to you, goodson about this killer.

368
00:20:46.720 --> 00:20:47.799
<v Speaker 5>I think I know who it is.

369
00:20:48.400 --> 00:20:50.519
<v Speaker 3>I'll walk over in half hour with a friend of

370
00:20:50.599 --> 00:20:52.960
<v Speaker 3>mine and I'm picking up Sit Davis on the way.

371
00:20:53.480 --> 00:20:55.519
<v Speaker 1>No mention, of course, that the friend is search at

372
00:20:55.559 --> 00:20:59.480
<v Speaker 1>Williams c ID. Will walk alongside Tom Larkin, staying between

373
00:20:59.599 --> 00:21:01.000
<v Speaker 1>him and the files on the hill.

374
00:21:01.680 --> 00:21:02.400
<v Speaker 2>No mention of the.

375
00:21:02.440 --> 00:21:05.559
<v Speaker 1>Inspector, crouched on the hillside in the dark shadow of

376
00:21:05.640 --> 00:21:06.599
<v Speaker 1>the half built house.

377
00:21:15.640 --> 00:21:18.039
<v Speaker 3>Sorry, you are certain the men are the orders mission?

378
00:21:18.359 --> 00:21:21.119
<v Speaker 3>Yesip paid anyone into the cordon, but no one gets out.

379
00:21:21.279 --> 00:21:23.920
<v Speaker 3>He kept the watch the god. Now let's see.

380
00:21:24.440 --> 00:21:27.480
<v Speaker 10>Yes, time, Williams and Larkin were starting on the wall.

381
00:21:27.559 --> 00:21:30.279
<v Speaker 10>Let me have the glassy massion through the night glasses.

382
00:21:30.400 --> 00:21:35.160
<v Speaker 10>The inspector watch almost tif a mile away. Two men

383
00:21:35.319 --> 00:21:39.559
<v Speaker 10>left the Larkin house started slowly along the road.

384
00:21:42.680 --> 00:21:46.680
<v Speaker 1>On the hillside. The shadow slipped quietly toward the half

385
00:21:46.759 --> 00:21:47.400
<v Speaker 1>finished house.

386
00:21:48.680 --> 00:21:52.279
<v Speaker 5>The inspector whispered, yeah, that not a sound.

387
00:21:52.400 --> 00:21:58.079
<v Speaker 1>Now, unsuspecting, a shadow moved through the line of police,

388
00:21:59.000 --> 00:22:02.039
<v Speaker 1>past the hidden and space into the building.

389
00:22:05.920 --> 00:22:07.720
<v Speaker 2>Come along, Mason, He's gone into the.

390
00:22:07.759 --> 00:22:12.359
<v Speaker 1>House, into the empty building, empty except for a killer

391
00:22:13.839 --> 00:22:19.160
<v Speaker 1>climbing steadily, no lights, only the vague outline of the

392
00:22:19.319 --> 00:22:24.200
<v Speaker 1>unpainted banister and the clean smell of new wood. Suddenly,

393
00:22:24.240 --> 00:22:29.039
<v Speaker 1>the footsteps ahead stop. The inspector and his companion pause.

394
00:22:29.119 --> 00:22:33.960
<v Speaker 1>At the head of the stairway, the glassless window shows

395
00:22:34.000 --> 00:22:38.880
<v Speaker 1>the night sky right with stars. Her black shadow kneels

396
00:22:38.920 --> 00:22:42.559
<v Speaker 1>at the sill, places a long, heavy object between the

397
00:22:42.640 --> 00:22:43.920
<v Speaker 1>two tendeny nails.

398
00:22:44.960 --> 00:22:51.119
<v Speaker 5>Alright, Mason take him, ok, No, you shall take me.

399
00:22:51.599 --> 00:22:51.640
<v Speaker 7>No.

400
00:22:52.000 --> 00:22:54.039
<v Speaker 5>I have a right here than anyone.

401
00:22:55.319 --> 00:22:56.200
<v Speaker 2>I have a right.

402
00:22:58.720 --> 00:23:00.200
<v Speaker 5>In charge, but not much.

403
00:23:00.279 --> 00:23:02.240
<v Speaker 2>Warn you, but anything you say may be taken down

404
00:23:02.279 --> 00:23:04.960
<v Speaker 2>in writing on my mind. Mession. He doesn't understand.

405
00:23:05.240 --> 00:23:07.599
<v Speaker 5>Yes, sir, you're a Philip Wardman, aren't you.

406
00:23:09.240 --> 00:23:09.519
<v Speaker 1>Who are you?

407
00:23:10.680 --> 00:23:12.039
<v Speaker 2>He seemed to be a gentleman.

408
00:23:12.319 --> 00:23:15.720
<v Speaker 3>My name's Foster. Why are you here in this empty building,

409
00:23:15.799 --> 00:23:16.440
<v Speaker 3>mister Wardman.

410
00:23:16.519 --> 00:23:17.119
<v Speaker 5>I'm the rights.

411
00:23:19.119 --> 00:23:19.839
<v Speaker 2>Was in my land.

412
00:23:21.079 --> 00:23:24.839
<v Speaker 11>Family's lad and told me when I sold it for

413
00:23:25.000 --> 00:23:28.400
<v Speaker 11>the money, I could go on living here. The houses

414
00:23:28.559 --> 00:23:32.799
<v Speaker 11>brought strangers and driving them out and hunting them out

415
00:23:33.279 --> 00:23:38.559
<v Speaker 11>as in Africa. And you were a boy, had my right.

416
00:23:39.480 --> 00:23:40.920
<v Speaker 11>I came to live on my land.

417
00:23:41.720 --> 00:23:42.920
<v Speaker 5>Christmas is a law.

418
00:23:43.119 --> 00:23:46.000
<v Speaker 3>There's a law to mister Warmer about rifles.

419
00:23:45.720 --> 00:23:47.839
<v Speaker 2>Like this and silencers.

420
00:23:48.920 --> 00:23:52.920
<v Speaker 11>Silences have a good shot, pick them up like crail

421
00:23:53.599 --> 00:23:56.720
<v Speaker 11>hand me the silencer supposed to spoil the accuracy of

422
00:23:56.759 --> 00:24:01.640
<v Speaker 11>a rifle, and not mine. I'm good and trophies when

423
00:24:01.680 --> 00:24:04.000
<v Speaker 11>I'm younger, I never knew.

424
00:24:05.400 --> 00:24:06.319
<v Speaker 2>I never knew.

425
00:24:09.240 --> 00:24:12.599
<v Speaker 3>You were an excellent short mister Wardman, even with a silenter.

426
00:24:16.799 --> 00:24:21.200
<v Speaker 1>And today that silencer can be seen in its place

427
00:24:22.400 --> 00:24:25.119
<v Speaker 1>here in the Black Museum. It's true, of course, that

428
00:24:25.240 --> 00:24:28.440
<v Speaker 1>in many countries men have loved their land to the

429
00:24:28.519 --> 00:24:34.039
<v Speaker 1>point of desperation. Philip Wardman loved his to the point

430
00:24:34.079 --> 00:24:39.680
<v Speaker 1>of madness and murdered the rifle belonged to his grandson,

431
00:24:40.200 --> 00:24:43.160
<v Speaker 1>a veteran living far away in Canada. Where the old

432
00:24:43.240 --> 00:24:48.559
<v Speaker 1>man bought the silencer was never learned. The secret of

433
00:24:48.640 --> 00:24:51.519
<v Speaker 1>that went with Philip Wardman to the place where his bitter,

434
00:24:51.640 --> 00:24:57.200
<v Speaker 1>lonely life drew to its close. The silencer itself remains

435
00:24:57.279 --> 00:25:01.720
<v Speaker 1>in its usual place in the Black Museum.

436
00:25:03.119 --> 00:25:03.559
<v Speaker 2>Now to me.

437
00:25:03.839 --> 00:25:07.119
<v Speaker 1>Next time, I'll tell you another story about the Black Museum.

438
00:25:07.720 --> 00:25:10.400
<v Speaker 1>I remain as all as obedient, free us
