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<v Speaker 1>Come in, Ah, there you are, mister Bartel.

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<v Speaker 2>Doctor.

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<v Speaker 3>Are you already with the night's new Sherlock M's Adventure?

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<v Speaker 1>I am ready?

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<v Speaker 4>If you are the boy, how would you like to

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<v Speaker 4>hear a story that took place in Italy?

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<v Speaker 5>In Italy?

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<v Speaker 1>Say you?

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<v Speaker 3>And the Great Cherlot Colm certainly did get around?

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<v Speaker 5>What took you there? Doctor?

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<v Speaker 4>We've gone to Rome to investigate the sudden death of

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<v Speaker 4>Cardinal Tosca, an inquiry which I may tell you, mister

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<v Speaker 4>Bartell was carried out by Holmes at the express desire

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<v Speaker 4>of his Holiness.

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<v Speaker 3>The Pope, Say doctor, that sounds like.

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<v Speaker 4>A well known o mister Bartell. That's a story that

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<v Speaker 4>I'm afraid I can never tell you. However, Tonight's adventure

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<v Speaker 4>took place a few days after Holmes had brought his

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<v Speaker 4>case to a satisfactory, though somewhat terrifying conclusion.

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<v Speaker 1>I suggested to the Great Man that a short.

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<v Speaker 4>Holiday would be good for us before returning to England,

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<v Speaker 4>and so we spent some happy days browsing among the

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<v Speaker 4>architectural treasures of old Rome, the Colosseum, the baths of Caracalla,

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<v Speaker 4>the Forum, the wonderful ruins on the Palatine Hill, I

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<v Speaker 4>couldn't drag homes away from mister Bartel, and at nighttime

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<v Speaker 4>he was able to indulce to his heart's content, his

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<v Speaker 4>great love of music. Finally, it was two nights before

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<v Speaker 4>we were to sail for England. I remember we went

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<v Speaker 4>to the opera house to hear the famous Italian soprano

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<v Speaker 4>Gina Valcazy singing bird his immortal lot traviata. I can

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<v Speaker 4>hear that exquisite voice now, mister Bartel, As Holmes and

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<v Speaker 4>I seated in a box, listened spelled down to the

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<v Speaker 4>great Valcazy singing her last. What a voice, Watson, what

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<v Speaker 4>a magnificent boy, Yes it is, Holmes. A pity though,

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<v Speaker 4>that most opera stars who were singing at Nightingale seemed

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<v Speaker 4>to have the figures of.

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<v Speaker 1>Unusually well fed powder pigeons. Poor woman, she must weigh

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<v Speaker 1>at least twenty stone.

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<v Speaker 6>Nevertheless, you mustn't refer to her as poor, my dear chap.

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<v Speaker 6>Despite her somewhat unfortunate proportions, Signora Gildavalkse remains one of

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<v Speaker 6>the greatest and wealthiest of contemporous spanos.

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<v Speaker 1>Listened to real clause sheial.

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<v Speaker 6>Singing uncore, We might as well go back to addressing room.

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<v Speaker 6>Now the opera's almost over.

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<v Speaker 1>Why are we going back to her dressing?

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<v Speaker 6>Because during the last tervision I received a note from

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<v Speaker 6>her requesting my attendance.

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<v Speaker 1>Oh what did the notes say?

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<v Speaker 5>Well, it seems that the.

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<v Speaker 6>Lady is not too popular with certain numbers of the

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<v Speaker 6>opera company. Well, I've no wish to become entangled in

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<v Speaker 6>any opera clashed temperaments, I confess I find myself not

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<v Speaker 6>a little interested in meeting the lady.

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<v Speaker 5>She's Interestinger Blancore.

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<v Speaker 1>Are you really going back to her dressing?

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<v Speaker 6>Certainly, my dear fellow, I've summons from GeNose is no

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<v Speaker 6>more to be disobeyed than our royal command.

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<v Speaker 7>I must ask you, gentlemen, not to stand us at

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<v Speaker 7>lava cases dressing room. We permit on our strangers, particularly foreigners.

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<v Speaker 6>The senora has requested our presents. May I ask who

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<v Speaker 6>you are permitting me to introduce myself.

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<v Speaker 7>Gentlemen, I am Armando Bellini, Inspector of Police.

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<v Speaker 6>My name is Homes. Sheila comes and this is my friend,

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<v Speaker 6>doctor Watson.

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<v Speaker 7>Sure lack of Homes, but this is a great honor.

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<v Speaker 7>Allow me to apologize. Here in the opera house we

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<v Speaker 7>have to be so careful. You understand that of intrigues

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<v Speaker 7>there are so many. But send your homes and his friend.

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<v Speaker 7>I am so happy to meet you both at headquarters.

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<v Speaker 7>I hear wonderful reports of your work in the gardenal toscaf.

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<v Speaker 6>I prefer not to mention that, unfortunately, Inspector, except on

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<v Speaker 6>the conditions of extreme privacy.

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<v Speaker 7>Are quite so, and behind the scenes of the opera

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<v Speaker 7>is not the most secluded place. Please to forgive me.

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<v Speaker 7>You are waiting to see Lavalces. Yes, she is still

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<v Speaker 7>on the stage.

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<v Speaker 1>She has requested your presence, you say in your home.

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<v Speaker 6>Yes, I trust the meeting is to be a social

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<v Speaker 6>and not a professional one. Where sailing for England in

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<v Speaker 6>a couple of days.

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<v Speaker 1>And you come to hear the great Arcs singer before

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<v Speaker 1>you left.

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<v Speaker 7>Most understand a magnificent voice, Inspector, yes, a doctor and

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<v Speaker 7>still well, I am a devote opera over myself. Yet

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<v Speaker 7>I cannot help but feel it's a futuralizer with those

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<v Speaker 7>who can add a youth and bety into a great voice.

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<v Speaker 5>That's true truth in your But where can you find

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<v Speaker 5>such a combination?

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<v Speaker 1>I have a found it here in the opera.

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<v Speaker 7>There is a girl. She is my protegee. Someday I

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<v Speaker 7>hope she will be my wife. At the moment, she

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<v Speaker 7>is only understudying Lavalcesi. If she should ever get to

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<v Speaker 7>the app fraternity of singing her her place, then a

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<v Speaker 7>new star will be born.

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<v Speaker 1>Really, what's her name?

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<v Speaker 5>Lisa Bordoni.

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<v Speaker 7>She has but recently come to Rome from Milano, where

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<v Speaker 7>she was studied with the great Alphaerra. Confidentially, I think

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<v Speaker 7>that Labor Casey is so jealous of all that.

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<v Speaker 1>Here is Lisa now, and that is her brother with her.

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<v Speaker 7>Lisa Karma, pleaser to join us, by George, what a

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<v Speaker 7>beautiful girl?

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<v Speaker 1>What is it? Amando?

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<v Speaker 7>Permit me to present the famous English detective Senor shel

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<v Speaker 7>Ackholmes and his friend doctor Watts.

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<v Speaker 1>How do you do, young lady, glad to meet you both.

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<v Speaker 1>This is my brother Walley. I do.

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<v Speaker 8>I certainly feel that I know a lot about you

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<v Speaker 8>two gentlemen. No, I can't tell you how many times

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<v Speaker 8>I've read your stories, Doctor Watson.

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<v Speaker 7>In Liza, I'm very flattered, Lisa Karma, we were just

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<v Speaker 7>the saying that an youth and a beauty combine with

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<v Speaker 7>the voice Liza our future hope in the opera. Your

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<v Speaker 7>day will come, Lisa, Mia your they will come soon.

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<v Speaker 9>I hope you're right, Armando, But as long as I

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<v Speaker 9>understudy Gina Valcazy, I don't see when I'll get my chance.

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<v Speaker 1>And she's disgustingly healthy.

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<v Speaker 6>If you're about my saying so, young lady, your name

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<v Speaker 6>is BORDONI you and your brother don't sound in the

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<v Speaker 6>least Italian.

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<v Speaker 8>Well we're not, mister Holmes, We're American. But to succeed

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<v Speaker 8>in Italian opera, my sister has found that an Italian

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<v Speaker 8>name is essential, so the Bordon family became the Bordonis.

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<v Speaker 9>In any case, my real name is Lizzie Borden. I'm

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<v Speaker 9>sure you, mister Holmes, is a famous detective.

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<v Speaker 1>We'll see that I had to change my name.

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<v Speaker 6>I can well understand who was Lizzie boy Well, my

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<v Speaker 6>never are one of the greatest and most successful of murderesses,

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<v Speaker 6>who will enacts with incredible dexterity. I've often regretted that

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<v Speaker 6>I was in Tibet instead of America at the time

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<v Speaker 6>of that particular case in your.

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<v Speaker 7>Arms, I do not understand you Anglo Saxons to me,

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<v Speaker 7>and murderous is a murderous Now when you speak of

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<v Speaker 7>a greatness in women.

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<v Speaker 1>I feel Oh, but here comes Gina Valcacia.

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<v Speaker 5>Now I will introduce you so.

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<v Speaker 9>Many times because I tell you will not know said

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<v Speaker 9>us side by dressing room, Send them away, letter Kasey

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<v Speaker 9>is a tie.

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<v Speaker 7>But do you wish to see senior shell Uck home,

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<v Speaker 7>said the famous detective. Here's a calm here in answer

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<v Speaker 7>to your request, please uponmit me to present him.

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<v Speaker 1>And also is a friend doctor Watts. How are you doing.

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<v Speaker 5>Imtia to meet you, senor da Case?

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<v Speaker 6>And now perhaps if we may come into your dressing

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<v Speaker 6>room and confer privately?

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<v Speaker 1>What would love and please?

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<v Speaker 9>You have to say to a detective it means not

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<v Speaker 9>the police a go away hold of you.

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<v Speaker 6>You she slammed the door in my face. Water waiter, sus,

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<v Speaker 6>and you bring me a small coffee? Please you very

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<v Speaker 6>pleasant dining here on the hotel Terrys, and as confess.

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<v Speaker 1>Very amazingly warm considering yesterday's snow.

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<v Speaker 6>Yes theirs later and I just repay another visit to

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<v Speaker 6>the opera. And here about cases, saying Gildan Rigoletto on.

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<v Speaker 1>My soul homes.

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<v Speaker 4>It seems to me that you're astonishing the caresual after

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<v Speaker 4>the way that woman insulted you last night.

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<v Speaker 1>Scamming the door in your faces.

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<v Speaker 6>If you were a tradesman, shocking, What would you have

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<v Speaker 6>me do, my dear chap, force my way into a

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<v Speaker 6>into a room, demand an apology, or have my friend

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<v Speaker 6>challenge her to a duel in order to avenge my honor.

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<v Speaker 5>Oh, don't try to be funny.

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<v Speaker 1>Home, You know perfectly well what I mean.

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<v Speaker 4>The lady asks you to come and see her, and

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<v Speaker 4>when you do, she pretends she's never heard of you.

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<v Speaker 4>And here it is nearly twenty four hours later, and

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<v Speaker 4>you've done absolutely nothing about it.

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<v Speaker 6>Dear old Watson, nearly quite upset over the affair, aren't

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<v Speaker 6>you well? If it will make you any happier, let

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<v Speaker 6>me tell you what I have done something about it.

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<v Speaker 1>I'm delighted to hear it.

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<v Speaker 6>What This morning I was able to obtain a specimen

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<v Speaker 6>about our cases handwriting from an autographed picture in the

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<v Speaker 6>possession of Inspector Biline. I compared the writing with that

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<v Speaker 6>on the note and I that I received from the

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<v Speaker 6>box last night. It was that it was the same,

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<v Speaker 6>proving that the message IRIS see it was authentical in

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<v Speaker 6>that case, Why did she snub you like that? Well,

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<v Speaker 6>something was to fight her. I suppose something or someone

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<v Speaker 6>who was standing at the dressing room door with us.

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<v Speaker 4>Well, who was the Inspecta Bellini, Lisa Bordoni and her brother.

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<v Speaker 6>Therefore, we may assume that lave Alcaze had no wish

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<v Speaker 6>to recognize.

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<v Speaker 5>Me and their presence.

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<v Speaker 1>But if you think that old, why haven't you been

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<v Speaker 1>in touch with her today? She may be in some

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<v Speaker 1>dreadful day.

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<v Speaker 6>If she is, she can find me easily enough. I meanwhile,

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<v Speaker 6>I'm perfectly happy to pet alone. The last few weeks

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<v Speaker 6>have been sufficiently strenuous without becoming involved in some fresh case.

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<v Speaker 4>My so home, you must be tired. I've never known

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<v Speaker 4>you to be so indifferent to a case, Great Scott,

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<v Speaker 4>what it is?

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<v Speaker 5>Watson?

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<v Speaker 1>Look walking to watch Signora vel Caze herself and.

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<v Speaker 6>Judging from the latest expression, she seems to be in

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<v Speaker 6>some distress. Could you mean, Senela?

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<v Speaker 1>I must speak my jo.

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<v Speaker 5>This is my colleague, doctor Watson. How do you do? First?

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<v Speaker 9>I must apologize for my bievre last night. It would

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<v Speaker 9>have been dangerous if that Belkaty had acknowledged that she

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<v Speaker 9>had to communicate with you.

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<v Speaker 1>That's just what my friend assume happened.

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<v Speaker 5>Speak quite fully, Nasenia. No one can overhear us.

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<v Speaker 1>See your rooms. I am being persecuted.

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<v Speaker 9>My life is in a danger.

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<v Speaker 1>You want to save me, see season.

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<v Speaker 9>You and now today tragedy as a struck my sister,

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<v Speaker 9>my beloved Bella lies on your death from a murderous attack,

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<v Speaker 9>an attack that was immense.

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<v Speaker 1>Free good lord, what happened, madam? If you will please

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<v Speaker 1>to keep it.

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<v Speaker 9>Quiet a little lot, my clesy speak, will I learn

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<v Speaker 9>what happened?

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<v Speaker 1>Sorry, madam?

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<v Speaker 9>The morning, this is the morning you always myself take

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<v Speaker 9>my dog for a walk. But this is the morning

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<v Speaker 9>I feel the trace of a cold. I asked my

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<v Speaker 9>sister to take the dog for a walk. Please do

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<v Speaker 9>understand that my sater is very much like me in

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<v Speaker 9>the pianos.

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<v Speaker 5>I understand, Senora, Please continue.

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<v Speaker 9>She walk alone in the park from nowhere her husband came,

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<v Speaker 9>gallop and the ride or though these how much I

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<v Speaker 9>learned from the traces in the snow. When I worry

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<v Speaker 9>and go.

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<v Speaker 6>To find her, was she able to tell you who

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<v Speaker 6>the horseman was?

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<v Speaker 1>No, she cannot speak seen you.

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<v Speaker 9>They say at the hospital that her skull is a fractured,

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<v Speaker 9>that she may not leave in your arms.

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<v Speaker 6>That attack.

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<v Speaker 9>It was immense for me. You must have protected me.

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<v Speaker 5>I shall do everything in.

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<v Speaker 9>My No, what wrong, madam?

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<v Speaker 1>Somewhere that a cat?

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<v Speaker 5>I know it's me.

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<v Speaker 10>I cannot tends rightly.

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<v Speaker 9>I'll make it go away, please, I gotta say someone,

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<v Speaker 9>don't even the thing now.

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<v Speaker 5>It must be your imagination.

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<v Speaker 1>I am sorry to make such a scene, but I

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<v Speaker 1>cannot appear to be near a cat. I cannot tell

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<v Speaker 1>you what it DoD to me.

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<v Speaker 6>He may sound no, no, not at all, Senora. Such

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<v Speaker 6>a condition is quite common. In fact, I believe medical

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<v Speaker 6>science has given it a name. It's known as Laura pol.

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<v Speaker 1>Whatever it is it called.

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<v Speaker 5>It make me ill. I must go to my room.

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<v Speaker 9>I cannot stand much more.

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<v Speaker 6>My poor I imagine your sister death dogs in your life.

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<v Speaker 6>You will not sing tonight, sing your arms.

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<v Speaker 9>I love her very much, but even as sister is only.

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<v Speaker 1>A sister, my art is my life.

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<v Speaker 9>In an hour, singer, I sing Hilda in a rigoletto.

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<v Speaker 9>You will attend the performance, and afterwards you will tell

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<v Speaker 9>a love Casey how she may trap this devil who

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<v Speaker 9>sit to destroyer.

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<v Speaker 1>Holmes. It's after nineteen thirty. We've missed quite a lot

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<v Speaker 1>of the opera.

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<v Speaker 6>How they was going to above now just been time

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<v Speaker 6>to hear at our case he sing the incomparable caronomy.

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<v Speaker 5>Let's slip in as quietly as we can.

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<v Speaker 4>Seems to me we should have been in a box

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<v Speaker 4>from the beginning of the performance. She asked you to

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<v Speaker 4>keep an eye on it.

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<v Speaker 5>That's old Champ.

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<v Speaker 6>But it occurred to me that an attack on her

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<v Speaker 6>during the performance was unlikely, and that our time might

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<v Speaker 6>be more profitably spent thinking inquiries of the writing academy.

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<v Speaker 5>She drew a blank.

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<v Speaker 1>We'll no trace of that mysterious writer.

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<v Speaker 5>No, but at least we tried. Here we are, let's

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<v Speaker 5>stand at the back of the theater for a few minutes.

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<v Speaker 11>Great Scott, that isn't our cases singing, it's the understudy.

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<v Speaker 6>But these protoghe the American girls. What a beautiful life one,

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00:13:35.320 --> 00:13:38.840
<v Speaker 6>but with a beautiful, wonderful range. But yeah, we have

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<v Speaker 6>no time to listen to her. Now we must go

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<v Speaker 6>to the dark cases dressing.

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<v Speaker 5>Them at once. We know she left the theater to

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<v Speaker 5>night with the intention of singing.

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<v Speaker 6>I'm very much afraid there's the devil's work of what Watson?

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<v Speaker 1>Why on earth doesn't she answer?

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00:14:08.000 --> 00:14:11.519
<v Speaker 6>Listen the cats inside her dressing room. Come on, Watson,

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00:14:12.240 --> 00:14:14.679
<v Speaker 6>lot with your shoulder to it. Come on, help me,

288
00:14:14.799 --> 00:14:17.879
<v Speaker 6>Come on, that's more. Come on now, what's there?

289
00:14:20.440 --> 00:14:20.840
<v Speaker 5>Fats cut?

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00:14:20.919 --> 00:14:23.159
<v Speaker 6>She's unconscious, Watson, see what you can do for her.

291
00:14:23.559 --> 00:14:25.720
<v Speaker 6>She must have tinked of the fight. Yes, some fiend

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00:14:25.879 --> 00:14:27.879
<v Speaker 6>knowing her deadly fear of cats as lucks her in

293
00:14:27.919 --> 00:14:29.120
<v Speaker 6>here with half a dozen nothing.

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<v Speaker 5>Shore, Shore on me Shore.

295
00:14:33.879 --> 00:14:37.919
<v Speaker 1>Her eyes are opening, Hose, she's coming to see ner Varkese.

296
00:14:38.240 --> 00:14:40.759
<v Speaker 1>Her lips are moving. She's trying to speak.

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<v Speaker 6>Sor tell me who did this to you? Hu, greats, heavens.

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<v Speaker 6>Her voice is gone. I've done many vicious crimes in

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<v Speaker 6>my lifetime, Watson, but to murder a voice, a voice

300
00:14:54.960 --> 00:14:57.200
<v Speaker 6>that was one of the treasures of the world, is

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00:14:57.240 --> 00:14:59.399
<v Speaker 6>as viol like killing as I've ever encountered.

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00:15:07.919 --> 00:15:09.960
<v Speaker 12>Doctor Watson will tell you the rest of his story

303
00:15:09.960 --> 00:15:12.639
<v Speaker 12>in just a few seconds. And right now would be

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00:15:12.639 --> 00:15:15.639
<v Speaker 12>a wonderful time to try a glass of Petrie California

305
00:15:15.720 --> 00:15:20.039
<v Speaker 12>Port in the evening after dinner. Well, anytime you're taking

306
00:15:20.080 --> 00:15:23.960
<v Speaker 12>things easy is the perfect time for petre Port. Petre

307
00:15:24.120 --> 00:15:27.120
<v Speaker 12>Port is a rich red wine, the kind of wine

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00:15:27.120 --> 00:15:29.679
<v Speaker 12>you like to sip slowly so you won't miss a

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00:15:29.759 --> 00:15:33.159
<v Speaker 12>drop of its truly fine flavor. I'm not kidding when

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<v Speaker 12>I say you owe it to yourself and your family

311
00:15:36.000 --> 00:15:39.080
<v Speaker 12>to try Petri Port. In fact, you should try pet

312
00:15:39.080 --> 00:15:40.759
<v Speaker 12>Report and Petrie Muscatel.

313
00:15:41.480 --> 00:15:43.360
<v Speaker 3>So don't buy one, buy.

314
00:15:43.240 --> 00:15:46.080
<v Speaker 12>Two, buy both Port and Muscatel.

315
00:15:46.759 --> 00:15:49.960
<v Speaker 3>Just be sure you get Petrie, because Petree wine is

316
00:15:50.159 --> 00:15:51.440
<v Speaker 3>always good wine.

317
00:15:53.320 --> 00:15:55.840
<v Speaker 12>Dr Watson saw the great opera singer lost her voice

318
00:15:55.879 --> 00:15:57.519
<v Speaker 12>when someone locked in a room full of cats.

319
00:15:57.600 --> 00:15:59.919
<v Speaker 1>Huh, what did you and Sherlock Holmes do?

320
00:16:00.279 --> 00:16:02.720
<v Speaker 4>We took senior Valcazy back to her hotel at once

321
00:16:02.799 --> 00:16:04.559
<v Speaker 4>and saw that she was properly taken care of.

322
00:16:04.720 --> 00:16:07.159
<v Speaker 3>How did the understudy, Lisa Bordoni make out?

323
00:16:07.159 --> 00:16:09.879
<v Speaker 4>Doctor, But tragedy that over took Clark Valcazy gave her

324
00:16:09.960 --> 00:16:13.039
<v Speaker 4>her great chance. She received a tremendous ovation of the

325
00:16:13.039 --> 00:16:15.440
<v Speaker 4>close of the performance, and it seemed certain that another

326
00:16:15.519 --> 00:16:18.039
<v Speaker 4>star had been born. But let me tell you the

327
00:16:18.080 --> 00:16:21.120
<v Speaker 4>story just as it happened, mister Bartel. A little later

328
00:16:21.159 --> 00:16:23.279
<v Speaker 4>that night, Holmes and I were once again standing on

329
00:16:23.320 --> 00:16:24.960
<v Speaker 4>the balcony of our hotel.

330
00:16:24.919 --> 00:16:27.399
<v Speaker 1>Watching a crowd of people that had assembled in the culture.

331
00:16:29.879 --> 00:16:32.120
<v Speaker 4>You see that crowd, Watson yes, I suppose they've come

332
00:16:32.120 --> 00:16:33.559
<v Speaker 4>here to proclaim the news starf.

333
00:16:33.519 --> 00:16:36.279
<v Speaker 6>Oh no, my dear fellow, that crowd isn't planning a celebration.

334
00:16:36.320 --> 00:16:39.120
<v Speaker 5>Look at them and listen to their angry murmuring her faith.

335
00:16:39.159 --> 00:16:40.679
<v Speaker 5>There's going to be trouble. I don't like to look

336
00:16:40.720 --> 00:16:40.840
<v Speaker 5>at it.

337
00:16:41.000 --> 00:16:44.000
<v Speaker 1>Hello, here comes Lisa Border and his brother Wally. What trump, sir,

338
00:16:44.399 --> 00:16:46.639
<v Speaker 1>mister Holmes, mister Holtes, You've got to do something.

339
00:16:46.679 --> 00:16:47.159
<v Speaker 5>What's happened?

340
00:16:47.240 --> 00:16:49.399
<v Speaker 8>Well, somehow the story about the cats and law Valcasey's

341
00:16:49.480 --> 00:16:51.759
<v Speaker 8>dressing room is spread. The crowd outside are saying that

342
00:16:51.840 --> 00:16:54.320
<v Speaker 8>my sister Lisa planned the whole thing so that she

343
00:16:54.360 --> 00:16:55.639
<v Speaker 8>could sing Valcazy's part in.

344
00:16:55.639 --> 00:16:57.559
<v Speaker 5>The opportunity with her sister now in a room at

345
00:16:57.600 --> 00:16:58.000
<v Speaker 5>the hotel.

346
00:16:58.039 --> 00:16:59.799
<v Speaker 8>Here, I managed to get her away from the crowd

347
00:16:59.840 --> 00:17:02.440
<v Speaker 8>and I locked her in. But then mob, I'm frightened.

348
00:17:02.559 --> 00:17:02.799
<v Speaker 5>Ah.

349
00:17:02.879 --> 00:17:05.720
<v Speaker 6>Here comes the official representative of blond daughter and inspected

350
00:17:05.759 --> 00:17:07.240
<v Speaker 6>Bilin Waale.

351
00:17:07.400 --> 00:17:08.079
<v Speaker 5>Where is Lisa?

352
00:17:08.119 --> 00:17:09.880
<v Speaker 1>I was just telling mister Holmes that I'd locked her.

353
00:17:09.759 --> 00:17:12.839
<v Speaker 6>In a room and that crowd's in a dangerous mood. Beline,

354
00:17:12.880 --> 00:17:13.960
<v Speaker 6>what precautions you're taking?

355
00:17:14.039 --> 00:17:16.279
<v Speaker 7>I ever thrown a card down of police around the hotel.

356
00:17:16.759 --> 00:17:19.119
<v Speaker 7>The mob is getting out of her hand and Lisa

357
00:17:19.200 --> 00:17:22.240
<v Speaker 7>must be protected. As a matter of fact, the situation

358
00:17:22.400 --> 00:17:24.920
<v Speaker 7>is even worse than the crowd knows. I have just

359
00:17:25.119 --> 00:17:28.119
<v Speaker 7>been thought that Lava Case's twin sister, Bella died in the.

360
00:17:28.079 --> 00:17:31.160
<v Speaker 1>Hospital tonight, that I had some murder charge.

361
00:17:31.599 --> 00:17:34.039
<v Speaker 7>If the crowd knew about that, I tremble to think

362
00:17:34.079 --> 00:17:34.759
<v Speaker 7>what might happen?

363
00:17:34.799 --> 00:17:38.599
<v Speaker 5>Did you see that lab Casey's sister.

364
00:17:38.599 --> 00:17:41.960
<v Speaker 7>Was a twin, Inspector sees in your homes? She was

365
00:17:42.000 --> 00:17:44.880
<v Speaker 7>a horror exact double in everything but voice.

366
00:17:44.920 --> 00:17:47.920
<v Speaker 6>Indeed, how very illuminating. If you don't mind, I strik

367
00:17:48.000 --> 00:17:49.720
<v Speaker 6>have a few words in private with my friend doctor

368
00:17:49.720 --> 00:17:50.880
<v Speaker 6>Watson excuses for.

369
00:17:50.799 --> 00:17:54.240
<v Speaker 5>A momentes, what do you make of at homes? Why

370
00:17:54.240 --> 00:17:55.279
<v Speaker 5>are you old? Chap Well?

371
00:17:55.319 --> 00:17:57.640
<v Speaker 4>The American girl seemed really charming and all that, But

372
00:17:57.720 --> 00:18:00.160
<v Speaker 4>she might have done it. It had to be either her,

373
00:18:00.240 --> 00:18:03.079
<v Speaker 4>her brother or the inspector himself. They all had a

374
00:18:03.119 --> 00:18:05.440
<v Speaker 4>motive for wanting lave bel CAZy to lose her voice.

375
00:18:05.880 --> 00:18:08.640
<v Speaker 4>But I must say I can't understand the motive behind

376
00:18:08.640 --> 00:18:09.319
<v Speaker 4>the murder of her.

377
00:18:09.359 --> 00:18:11.160
<v Speaker 6>To insist, I think I can give you the answer

378
00:18:11.160 --> 00:18:13.599
<v Speaker 6>to that question. In a very few minutes. But meanwhile

379
00:18:13.640 --> 00:18:17.079
<v Speaker 6>the mob gets uglier and ugliar. The only way to

380
00:18:17.119 --> 00:18:19.480
<v Speaker 6>avert violence, Watson, is to give them quick proof and

381
00:18:19.559 --> 00:18:21.720
<v Speaker 6>a certainty of conviction and just go back to BERLINI

382
00:18:21.720 --> 00:18:22.960
<v Speaker 6>and the young American, and I want to keep an

383
00:18:22.960 --> 00:18:25.200
<v Speaker 6>eye on them. Meanwhile, I want you to slip out

384
00:18:25.200 --> 00:18:26.839
<v Speaker 6>and get me a cat.

385
00:18:27.000 --> 00:18:27.279
<v Speaker 5>Cat.

386
00:18:27.720 --> 00:18:29.559
<v Speaker 6>What a fool you will find out soon enough.

387
00:18:30.079 --> 00:18:30.839
<v Speaker 1>What kind of a cat?

388
00:18:30.880 --> 00:18:31.000
<v Speaker 5>Oh?

389
00:18:31.000 --> 00:18:31.480
<v Speaker 6>Any kind?

390
00:18:31.480 --> 00:18:47.359
<v Speaker 10>But hurry, come on, ki kitty, Come on.

391
00:18:47.400 --> 00:18:49.279
<v Speaker 1>Kid, there's a good kitty.

392
00:18:49.720 --> 00:18:53.200
<v Speaker 2>Yeah, yeah, here, what you're doing a hotel gas?

393
00:18:53.440 --> 00:18:53.759
<v Speaker 5>Senor?

394
00:18:54.680 --> 00:18:54.839
<v Speaker 1>Oh?

395
00:18:55.039 --> 00:18:56.680
<v Speaker 4>You want to play with my cat? Or is he

396
00:18:56.759 --> 00:19:00.119
<v Speaker 4>your cat? Charley Middleville? I'd like to borrow him for

397
00:19:00.119 --> 00:19:00.720
<v Speaker 4>a little while.

398
00:19:01.119 --> 00:19:02.559
<v Speaker 2>Why you want to bottle my cat?

399
00:19:02.680 --> 00:19:02.839
<v Speaker 1>Oh?

400
00:19:02.920 --> 00:19:04.759
<v Speaker 4>I thought I'd take him up to my hotel room

401
00:19:04.799 --> 00:19:07.119
<v Speaker 4>and have a little game with him. I've got some

402
00:19:07.200 --> 00:19:08.400
<v Speaker 4>old socks he can play with.

403
00:19:08.839 --> 00:19:13.119
<v Speaker 2>Deal the English had a crazy race. My cat does

404
00:19:13.240 --> 00:19:15.000
<v Speaker 2>not like to play with the old socks.

405
00:19:15.079 --> 00:19:16.599
<v Speaker 1>Look here, he has fifty.

406
00:19:16.359 --> 00:19:17.480
<v Speaker 5>Lira for you.

407
00:19:17.480 --> 00:19:19.000
<v Speaker 1>Oh no, no, no.

408
00:19:19.119 --> 00:19:21.440
<v Speaker 2>I tell you my cat does not like to play

409
00:19:21.480 --> 00:19:24.039
<v Speaker 2>with the old socks. My cat would stay here and

410
00:19:24.119 --> 00:19:25.400
<v Speaker 2>you can keep it your money. I'll give you a

411
00:19:25.440 --> 00:19:29.279
<v Speaker 2>halfred lira, so that you may stuff my cat full

412
00:19:29.319 --> 00:19:29.960
<v Speaker 2>of old socks.

413
00:19:30.519 --> 00:19:33.240
<v Speaker 1>No, no, give me back my cat. Oh that's Amazy

414
00:19:33.279 --> 00:19:34.680
<v Speaker 1>is with you. You're headed back there.

415
00:19:34.720 --> 00:19:38.559
<v Speaker 5>Stub him, stuff him, the crazy englishman. He's stealing my cat.

416
00:19:52.119 --> 00:19:54.240
<v Speaker 1>Well, I've got a cat for your homes.

417
00:19:54.559 --> 00:19:56.720
<v Speaker 4>But I wish you'd tell me what we're doing outside

418
00:19:56.799 --> 00:19:58.039
<v Speaker 4>val CAS's door with it.

419
00:19:58.480 --> 00:20:01.880
<v Speaker 6>I'm going to try an experiment. You open her bedroom

420
00:20:01.920 --> 00:20:10.680
<v Speaker 6>door softly, so slip the cat in so and close

421
00:20:10.799 --> 00:20:11.279
<v Speaker 6>the door.

422
00:20:13.640 --> 00:20:17.119
<v Speaker 1>Hold man, what the places you think you're doing? You'll

423
00:20:17.160 --> 00:20:17.519
<v Speaker 1>drive her?

424
00:20:17.599 --> 00:20:20.720
<v Speaker 5>Man, I think not. Listen and watch through the keyhole

425
00:20:20.720 --> 00:20:21.720
<v Speaker 5>if you can.

426
00:20:26.920 --> 00:20:28.759
<v Speaker 1>Homes it's come back.

427
00:20:28.880 --> 00:20:29.640
<v Speaker 5>Yes, I thought it might.

428
00:20:30.039 --> 00:20:32.839
<v Speaker 1>I can see her through the keyhole. She's picking the

429
00:20:32.880 --> 00:20:34.559
<v Speaker 1>cat up by the scruff of its neck.

430
00:20:35.519 --> 00:20:38.359
<v Speaker 6>She's walking toward the balconyes, and towards the crowds down below.

431
00:20:38.400 --> 00:20:40.279
<v Speaker 6>An excellent opportunity for a public confession.

432
00:20:40.279 --> 00:20:42.960
<v Speaker 1>Come on, come up, what do you want?

433
00:20:43.279 --> 00:20:45.240
<v Speaker 6>I charge you with the murder of your sister, the

434
00:20:45.279 --> 00:21:05.519
<v Speaker 6>great singer about Kissy. If there was a magnificence inior homes,

435
00:21:05.519 --> 00:21:08.920
<v Speaker 6>a magniferson, the way you forced her to confess on

436
00:21:08.960 --> 00:21:10.839
<v Speaker 6>the balcony and a full side of the mark.

437
00:21:11.039 --> 00:21:14.599
<v Speaker 3>And so you saved Lisa. I can't thank you enough, mister.

438
00:21:14.400 --> 00:21:17.680
<v Speaker 9>Holmes, No can I, though I still don't see how

439
00:21:17.720 --> 00:21:18.319
<v Speaker 9>you guessed.

440
00:21:18.680 --> 00:21:20.759
<v Speaker 1>She looked so much like a sister that she fool

441
00:21:20.799 --> 00:21:22.559
<v Speaker 1>even me her understand.

442
00:21:22.160 --> 00:21:25.279
<v Speaker 6>Yes, it was an extremely cunning plot. Bespname the real

443
00:21:25.359 --> 00:21:27.880
<v Speaker 6>Valcasein sent me that note last night. When I met

444
00:21:27.880 --> 00:21:30.400
<v Speaker 6>her at the dressing room door, she denied having sent

445
00:21:30.440 --> 00:21:32.319
<v Speaker 6>for me because the three of you were there.

446
00:21:32.599 --> 00:21:34.519
<v Speaker 1>I suppose that she suspected one of us.

447
00:21:34.519 --> 00:21:37.000
<v Speaker 6>Oh, yes, obviously, and Lida no doubt. She told her

448
00:21:37.039 --> 00:21:39.240
<v Speaker 6>twin sister, Bella, about having sent me the message, and

449
00:21:39.279 --> 00:21:42.079
<v Speaker 6>also announced her intention of coming to see me. Bella

450
00:21:42.160 --> 00:21:46.680
<v Speaker 6>saw her opportunity murdered Lavalcase, assumed her identity, and to

451
00:21:46.680 --> 00:21:49.559
<v Speaker 6>give added realism to her role, followed through with her

452
00:21:49.599 --> 00:21:51.680
<v Speaker 6>sister's plans by coming to see me today.

453
00:21:51.920 --> 00:21:55.079
<v Speaker 8>But I still don't understand this business, mister Holmes. Why

454
00:21:55.119 --> 00:21:57.160
<v Speaker 8>did the twin sister lock herself in her dressing room

455
00:21:57.200 --> 00:21:58.240
<v Speaker 8>and fill it with cats?

456
00:21:58.640 --> 00:22:01.319
<v Speaker 1>What did it accomplish? Need a chance to see?

457
00:22:01.640 --> 00:22:05.200
<v Speaker 6>That's true, which is why Watson felt certain the criminal

458
00:22:05.400 --> 00:22:09.400
<v Speaker 6>must be you, your brother or Senor Belline. But you see,

459
00:22:09.440 --> 00:22:12.039
<v Speaker 6>the episode of the cats accomplished one other thing. It

460
00:22:12.119 --> 00:22:15.839
<v Speaker 6>made it plausible that the Great Falkase should never sing again.

461
00:22:16.400 --> 00:22:19.920
<v Speaker 6>To whose advantage would that be an imposter across.

462
00:22:19.599 --> 00:22:21.799
<v Speaker 1>A person or a twin sister who could not sing,

463
00:22:21.880 --> 00:22:24.000
<v Speaker 1>and who must surely end her sister's great thing.

464
00:22:24.039 --> 00:22:25.200
<v Speaker 5>Exactly, my dear fellow.

465
00:22:25.319 --> 00:22:27.400
<v Speaker 6>As soon as I knew they were twin sisters and everything,

466
00:22:27.400 --> 00:22:32.359
<v Speaker 6>but voyce it became more than a possibility. It became probability.

467
00:22:32.480 --> 00:22:34.400
<v Speaker 6>But it had to be tested. That's why I sent

468
00:22:34.480 --> 00:22:37.599
<v Speaker 6>for the cat, Watson. When the sister, thinking herself unobserved,

469
00:22:37.759 --> 00:22:40.920
<v Speaker 6>exhibited no terror for cats, well, it became a certain.

470
00:22:40.680 --> 00:22:42.039
<v Speaker 5>Day on my soul home.

471
00:22:42.119 --> 00:22:44.240
<v Speaker 1>This is as fantastic a plot as ever.

472
00:22:44.319 --> 00:22:47.440
<v Speaker 6>We've met a diabolical plan, Watson, and I'm only thankful,

473
00:22:47.480 --> 00:22:49.880
<v Speaker 6>Miss Boudonney that we were able to expose it before

474
00:22:49.920 --> 00:22:51.039
<v Speaker 6>the crowd reached you tonight.

475
00:22:51.160 --> 00:22:53.000
<v Speaker 9>I don't know what I can ever do to repay you,

476
00:22:53.079 --> 00:22:53.680
<v Speaker 9>mister Holmes.

477
00:22:53.720 --> 00:22:54.799
<v Speaker 5>Oh that would be hard, my dear.

478
00:22:54.839 --> 00:22:57.039
<v Speaker 6>A box of cuff and garden for your London debut

479
00:22:57.079 --> 00:22:59.759
<v Speaker 6>would be well an ample repayment. And from what I

480
00:22:59.799 --> 00:23:02.720
<v Speaker 6>hear your reception in Brigoletto tonight. I shan't have to

481
00:23:02.759 --> 00:23:04.240
<v Speaker 6>wait very long for that reward, eh.

482
00:23:04.359 --> 00:23:05.240
<v Speaker 1>It's a promise me.

483
00:23:07.720 --> 00:23:10.960
<v Speaker 4>Excusedly pleased, all over the hotel, I look up for

484
00:23:11.079 --> 00:23:11.480
<v Speaker 4>my cat.

485
00:23:11.720 --> 00:23:16.799
<v Speaker 2>I say to myself, pease, he's stealing my cat.

486
00:23:17.200 --> 00:23:18.160
<v Speaker 5>He's picked up Alina.

487
00:23:18.400 --> 00:23:19.279
<v Speaker 1>You arrassed him.

488
00:23:19.319 --> 00:23:21.079
<v Speaker 2>He tried to bribe him, and he ran.

489
00:23:20.960 --> 00:23:21.759
<v Speaker 1>Away with my cat.

490
00:23:22.039 --> 00:23:25.039
<v Speaker 2>And fill them full of old English SARTs, oh the

491
00:23:25.240 --> 00:23:28.319
<v Speaker 2>shi
