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<v Speaker 1>Now one of your putty. I got a stream going

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<v Speaker 1>on here, something just cause my dog. Something killed your dog?

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<v Speaker 1>My dog. We're flying through the or over the tree.

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<v Speaker 1>I don't know how it did it, Okay, Damn, I'm

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<v Speaker 1>really confused. All I saw was my dog coming over

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<v Speaker 1>the fence and he was dead. And once you hit

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<v Speaker 1>the ground like, I didn't see any cars. All I

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<v Speaker 1>saw was my dog coming over the fence. Sat what

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<v Speaker 1>are you putting? We got some wonder or something crawling

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<v Speaker 1>around out here? Did you see what it was?

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<v Speaker 2>Or was it was?

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<v Speaker 1>Standing enough? I'm out here looking through the window now

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<v Speaker 1>and I don't see anything. I don't want to go outside. Jesus, Quice,

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<v Speaker 1>you better hello, get the buddy out here. What quin,

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<v Speaker 1>I'm out there. I thought of a bitch about taking

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<v Speaker 1>fort nine. I don't know. Easy an out there? Yeah,

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<v Speaker 1>I'm walking right.

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<v Speaker 3>Hey, folks on, welcome my guest to the show. It

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<v Speaker 3>is Eric Palasio's from the Hairy Man Road YouTube channel.

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<v Speaker 3>Welcome back to the show man.

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<v Speaker 4>Hey, Brian, I appreciate you having man. Good to be here.

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<v Speaker 3>I have been looking forward to this conversation. I have

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<v Speaker 3>to be honest, probably more than most I have these

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<v Speaker 3>days because of all the craziness that's going on in

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<v Speaker 3>the Bigfoot world. If you're anywhere near Bigfoot, unless you're

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<v Speaker 3>living with your head under a rock or stuck in

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<v Speaker 3>the sand, you know that there's some big controversy brewing

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<v Speaker 3>around the Patterson Gimlin film. We're going to get into

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<v Speaker 3>that tonight because you're the only person I know personally

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<v Speaker 3>who's actually seen this documentary capturing Bigfoot that we're.

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<v Speaker 5>Going to talk about a little bit later.

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<v Speaker 3>But for those that might have missed your first appearance

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<v Speaker 3>on the show, they may not know who you are,

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<v Speaker 3>what you're doing in the Bigfoot wark.

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<v Speaker 5>Let's start there. Let's give everybody a little bit of

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<v Speaker 5>a base for you.

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<v Speaker 3>Who is Eric, what got you interested in this subject,

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<v Speaker 3>and what's been going on in the Bigfoot world for

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<v Speaker 3>you over the last couple of years.

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<v Speaker 4>I'm from North Austin, Texas, born and raised, been here

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<v Speaker 4>pretty much my entire life as far as the Bigfoot

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<v Speaker 4>subject goes. The town I grew up in, Round Rock, Texas.

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<v Speaker 4>There was always this legend of the hairy Man Road

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<v Speaker 4>where it adopted that name from. It's a legend that

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<v Speaker 4>goes back all the way to the eighteen, hundreds of

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<v Speaker 4>settlers traveling through the area and they were allegedly chased

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<v Speaker 4>out by a wild hairyman. We heard this story growing

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<v Speaker 4>up as kids, but I didn't really much stalk into

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<v Speaker 4>it until I got older and I started hearing other stories,

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<v Speaker 4>and I even had an experience myself that kind of

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<v Speaker 4>laid the groundwork for me to produce my own documentary.

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<v Speaker 4>It was called The Beast of Brushy Creek, and that

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<v Speaker 4>was about two years in the making where I just

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<v Speaker 4>dove in headfirst into the local lore, into the people,

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<v Speaker 4>what people were saying in the area, and I was

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<v Speaker 4>actually able to find the real reason that road was

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<v Speaker 4>called harry Man Road. For my research, I found a

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<v Speaker 4>book from the local postmaster who worked in the area,

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<v Speaker 4>and he basically tells the story in his memoir about

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<v Speaker 4>a group of kids in nineteen sixty six. Believe it

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<v Speaker 4>or not, we're hanging out in this area known as

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<v Speaker 4>harry Man Road. It wasn't harry Man Rode at the time.

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<v Speaker 4>A group of them hanging out. One of these kids

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<v Speaker 4>get stranded and then next day he shows up to

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<v Speaker 4>school saying he got chased out of the area by

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<v Speaker 4>a wild hairy man. Ever, since then, it was like

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<v Speaker 4>going around school caught fire. Shortly after that, the road

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<v Speaker 4>was officially named Harryman Road, and ever since then, I mean,

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<v Speaker 4>there's been a long standing of people having sightings, weird encounters,

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<v Speaker 4>all types of if you want to say, quote unquote

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<v Speaker 4>paranormal stuff happening out there. So I did a lot

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<v Speaker 4>of research and that's where my documentary ended up coming out.

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<v Speaker 4>And I also did a follow up mainly more focused

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<v Speaker 4>on the harry Man Road itself was a legend of

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<v Speaker 4>Harryman Road. After I finished doing the documentaries and stuff,

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<v Speaker 4>I wanted to branch out use my background. I have

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<v Speaker 4>a background in journalism. I'd heard a lot of stories

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<v Speaker 4>people grow up with the lore of Bigfoot, and I

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<v Speaker 4>want to know if there was anything more that people

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<v Speaker 4>hadn't discovered or weren't talking about. So I used my background.

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<v Speaker 4>I started doing Freedom of Information Act requests for your request.

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<v Speaker 4>In that pursuit, I actually got some really incredible stuff.

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<v Speaker 4>I've got nine to one one phone calls of people

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<v Speaker 4>calling the sheriff's officers saying, hey, I got Bigfoot on

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<v Speaker 4>my game camera. I've even got photographs of what people

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<v Speaker 4>are claiming to be Bigfoot recently, I actually got the

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<v Speaker 4>entire information the cryptid database of the Louisiana Wildlife and Fisheries,

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<v Speaker 4>and it has every cryptid piece of information they have

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<v Speaker 4>in there. There's a couple that are really interesting. One

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<v Speaker 4>of the ones that kind of stood out to me

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<v Speaker 4>was that this Louisiana officer was polling all his rangers saying, hey,

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<v Speaker 4>I need to know if you guys have seen any cryptids,

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<v Speaker 4>anything weird. He says, bigfoot, choop ofcabra. I think even

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<v Speaker 4>says the rugaru in there is it's Louisiana. A lot

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<v Speaker 4>of them. I think the majority just said I haven't

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<v Speaker 4>seen anything. I have the email chains there, I haven't

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<v Speaker 4>seen it. Nothing. And then two guys have two separate

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<v Speaker 4>encounters with people that called them personally saying hey, I

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<v Speaker 4>have stuff going on my property. Another guy said, hey,

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<v Speaker 4>I got this thing crossing the road. I wouldn't assist

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<v Speaker 4>in crossing the road or whatever. These are stories that

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<v Speaker 4>you're not going to see on a forum or a

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<v Speaker 4>Facebook group anything like that. These are from law enforcements

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<v Speaker 4>that they were never expecting this stuff to come out,

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<v Speaker 4>so they're speaking freely, and it's interesting when you see

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<v Speaker 4>that and most recently, I did the same thing for

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<v Speaker 4>the Arizona game, and Fish and I have every piece

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<v Speaker 4>of cryptid information they've ever produced. There's a really interesting

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<v Speaker 4>encounter where a couple encounter something with glowing red eyes.

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<v Speaker 4>They call the police, and at the end of the call,

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<v Speaker 4>the dispatcher says it must be bigfoot. Whether or not

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<v Speaker 4>he's serious, it's interesting. They were hysterical apparently, and I'm

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<v Speaker 4>trying to get that phone call. Unfortunately, I'm learning as

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<v Speaker 4>we go along that a lot of these law enforcement

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<v Speaker 4>agencies they only hold the phone calls for they have

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<v Speaker 4>different standards, but a lot of just sixty days to

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<v Speaker 4>ninety days, and then they just completely delete it, which

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<v Speaker 4>is It's sad because you think about all the opportunities

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<v Speaker 4>that have been missed. A lot of times there is

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<v Speaker 4>radio transmissions typed up or whatever. Same thing with the calls,

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<v Speaker 4>you actually get the transcripts, so little by little, I'm

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<v Speaker 4>working to patch together this chain of law enforcement and

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<v Speaker 4>bigfoot evidence.

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<v Speaker 3>If you will, absolutely love it, man, very few people

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<v Speaker 3>dive into the for your request, because you can certainly

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<v Speaker 3>testify to it's not an easy process for most people

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<v Speaker 3>to figure out. It's a lot of hoops to jump

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<v Speaker 3>through a lot of cases. It's very expensive these jurisdictions.

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<v Speaker 3>I know you've run into that. I think we talked

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<v Speaker 3>about that the first time you were on the show.

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<v Speaker 3>They're charging in some cases tens of thousands of dollars

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<v Speaker 3>to get this information. It's a huge roadblock for people

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<v Speaker 3>that are trying to get that. So I am so

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<v Speaker 3>glad that you're out there fighting the good fight and

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<v Speaker 3>doing that. But that's not what we're here for, folks.

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<v Speaker 3>We are here to talk about the Sacred Cow, the

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<v Speaker 3>Patterson Gimlin film, this new documentary capturing Bigfoot that has

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<v Speaker 3>literally captured everybody in the Bigfoot community's attention over these

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<v Speaker 3>last couple of weeks. It started swirling around the drain

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<v Speaker 3>for me probably two and a half weeks or so.

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<v Speaker 3>I started seeing some rumblings online. Let me ask you this, Eric,

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<v Speaker 3>when did it first become something that was on your radar?

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<v Speaker 3>How did you find out about the documentary and how

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<v Speaker 3>did you ultimately end up at this screening that you went.

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<v Speaker 5>To in Austin to see this film.

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<v Speaker 4>It was a spur of the moment type of thing.

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<v Speaker 4>I'm a bigfoot researcher, investigator. If you will. It popped

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<v Speaker 4>up on my radar. It'd seen an article basically saying

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<v Speaker 4>that this new documentary was premiering it south By Southwest.

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<v Speaker 4>It supposedly has this new footage and I was like, wow,

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<v Speaker 4>that's really interesting and didn't get a lot of buzz.

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<v Speaker 4>I think there was only one article I could find

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<v Speaker 4>about that. So I'd actually heard about that maybe five

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<v Speaker 4>or six days before the actual screening was to take place,

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<v Speaker 4>and I was like, man, I got to be there.

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<v Speaker 4>I got to be there. Unfortunately, south By Southwest is

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<v Speaker 4>crazy expensive, and you're talking about platinum badges going for

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<v Speaker 4>three thousand dollars. A film and TV badge is going

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<v Speaker 4>for fifteen hundred dollars, and so I wasn't about to

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<v Speaker 4>pay that much. But luckily worked in public broadcasting for

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<v Speaker 4>ten plus years. We've got a little group within our

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<v Speaker 4>own collective that we're able to message each other and

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<v Speaker 4>stuff like that, and luckily I was able to find

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<v Speaker 4>someone that wasn't going to be able to use their badge,

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<v Speaker 4>so offered them some money for it. Got the badge.

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<v Speaker 4>I was ready. I was set. But just getting the badge,

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<v Speaker 4>that doesn't mean you're going to get into the screening

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<v Speaker 4>because it's a limited screening, especially where they had the

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<v Speaker 4>screening at. It was the Alamo Draft House in Austin,

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<v Speaker 4>South Lamore. That's a really tiny venue. You're talking about

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<v Speaker 4>maybe thirty seats in there. It's a really small venue.

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<v Speaker 4>I got the platinum badge and I was like, hey,

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<v Speaker 4>I got to get there early. I waited in line

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<v Speaker 4>for six and a half hours to make sure I

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<v Speaker 4>got a seat there. People are passing me by, Hey,

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<v Speaker 4>what are you here to see capturing Bigfoot? What are

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<v Speaker 4>you here to see? They'd named the movie. A lot

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<v Speaker 4>of people even hats out, but I didn't even realize

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<v Speaker 4>that this was a thing. The Bigfoot movie was a thing.

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<v Speaker 4>I think once the screening time started rolling around at nine,

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<v Speaker 4>I was like nine to fifteen or whatever, people started

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<v Speaker 4>showing up and then there was even like a Bigfoot

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<v Speaker 4>guy in a costume walking around, so people were like,

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<v Speaker 4>what's up with the big Foot stuff? A lot of

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<v Speaker 4>people coming up to me and asking me what's going on.

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<v Speaker 4>And I actually did a live stream with Sasquatch Secrets

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<v Speaker 4>on Nicky's channel, which is pretty cool. I was waiting

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<v Speaker 4>in line while that whole thing's going on, just to

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<v Speaker 4>prove I was there, guys, I was there. I had

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<v Speaker 4>the ticket and everything. That was really cool, and sure

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<v Speaker 4>enough I see Clint Patterson walking up. I recognized him

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<v Speaker 4>right away, cowboy hat suit, and I walked right up

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<v Speaker 4>to him and started asking him questions and stuff like that.

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<v Speaker 4>He was really nice and polite. Shortly after that, the

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<v Speaker 4>director Mark Evans was there with his producer. They saw

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<v Speaker 4>what I was doing. They were interested, came up to

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<v Speaker 4>talk to me a little bit. We had a little conversation,

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<v Speaker 4>and it was getting ready to head into the theater.

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<v Speaker 4>They wanted to make sure I had a seat because

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<v Speaker 4>they know I had been there for six hours and

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<v Speaker 4>a lot of times. It was south by Southwest, you'll get

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<v Speaker 4>some of these, I guess, celebrities, Like everybody was saying

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<v Speaker 4>John Stamos was there. I didn't see him, but everybody's oh, Josh,

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<v Speaker 4>stay most there, so it could have filled up, but

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<v Speaker 4>he actually came and pulled me into the theater. They

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<v Speaker 4>had two screens that were showing the film. On the

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<v Speaker 4>first theater I had filled up, so I was like,

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<v Speaker 4>oh crap, that's not good. Luckily, there were like four

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<v Speaker 4>seats left in the other theater, so he made sure

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<v Speaker 4>I got a seat. He says, okay, cool, he says,

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<v Speaker 4>you want to attend the Q and A. I was like, hell, yeah,

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<v Speaker 4>I want to attend the Q and A. He's okay, cool,

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<v Speaker 4>I'll come back and get you. So watched the film.

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<v Speaker 4>It was incredible, and they came back and brought me

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<v Speaker 4>for the Q and A. That's basically the story of

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<v Speaker 4>how I got there. It was really lucky. I was

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<v Speaker 4>just a matter of chance, but I tried it. I

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<v Speaker 4>had to be there. I had to be there if

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<v Speaker 4>it was happening in my hometown, I wasn't going to

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<v Speaker 4>let it slide. So that's made it happen luckily.

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<v Speaker 1>Yeah.

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<v Speaker 3>I am so glad you did, because when this started

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<v Speaker 3>Circle in the Drain, people were immediately firing off things

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<v Speaker 3>on social media Instagram, TikTok x. I was getting voicemails,

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<v Speaker 3>I was getting text messages, emails.

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<v Speaker 5>What do you think about this?

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<v Speaker 3>What do you think about that They're supposed to be

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<v Speaker 3>this new clip in this film that may or may

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<v Speaker 3>not prove that the Patterson Gimlin film as a hoax?

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<v Speaker 3>And I'm like, guys, I have zero information here. I'm

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<v Speaker 3>just finding this stuff out in real time. I don't

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<v Speaker 3>know anybody who's seen it. I've certainly not seen the

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<v Speaker 3>documentary itself.

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<v Speaker 5>So I waited.

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<v Speaker 3>I sat back and I just watched what was unfolding,

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<v Speaker 3>and I was watching people, frankly, make a fool of themselves.

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<v Speaker 3>I'm not gonna really call anybody out here, but there's

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<v Speaker 3>plenty of bigfooters that are very well known that are

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<v Speaker 3>out there painting themselves into a corner, in my opinion,

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<v Speaker 3>and there may be some steaming hot crow or even

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<v Speaker 3>some cold crow that's got to be eaten at some

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<v Speaker 3>point in time on.

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<v Speaker 5>Both sides of the aisle here.

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<v Speaker 3>But I was just gonna stay quiet because I had

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<v Speaker 3>nothing to say. Who wants my opinion anyway, So I

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<v Speaker 3>sat back and waited, and I was so glad to

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<v Speaker 3>see that you took the time to do a reaction video,

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<v Speaker 3>And as soon as that popped up on my YouTube feed,

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<v Speaker 3>I was like, I've got to watch what Eric's got

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<v Speaker 3>to say, because he was there. It's about thirty three

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<v Speaker 3>minutes or so, and I was blown away. First and foremost,

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<v Speaker 3>I have to say just the emotion that I felt

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<v Speaker 3>from you, because you're clearly someone who has a vested

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<v Speaker 3>interest in some ways. In this subject, you are an investigator.

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<v Speaker 3>You are a researcher who cares about the subject, just

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<v Speaker 3>like the rest of us, who I think are in

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<v Speaker 3>this for the right reasons. So the Patterson Gimlin film

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<v Speaker 3>is a touchy subject for a lot of people. I

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<v Speaker 3>think it has become over the years, the sacred cow,

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<v Speaker 3>if you will.

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<v Speaker 5>In the Church of Bigfoot.

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<v Speaker 3>There are people that defend it wholeheartedly, and that's what's

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<v Speaker 3>happening right now.

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<v Speaker 5>And it's one of those things. Oh it's I always

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<v Speaker 5>knew it was a hoax. That just proves it.

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<v Speaker 3>And then on the other side of the aisle you

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<v Speaker 3>have these people screaming that I stand with Bob, Patty's

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<v Speaker 3>real the whole nine yards. And frankly, nobody who's talking

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<v Speaker 3>about it other than you that I know, has actually

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<v Speaker 3>seen the documentary. I was so glad to see that

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<v Speaker 3>you did that video because it gave.

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<v Speaker 5>Me something to go on.

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<v Speaker 3>Because we're not best friends, we don't hang out, but

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<v Speaker 3>I know you. You've been on the show. I followed

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<v Speaker 3>what you do and I respect what you do in

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<v Speaker 3>this community. So when someone that I see as an

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<v Speaker 3>honest person who doesn't have a dog in this proverbial fight,

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<v Speaker 3>who's just simply reacting to what they saw evidence that

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<v Speaker 3>has been presented to them. That was powerful enough for

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<v Speaker 3>me to go on and do a live on my

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<v Speaker 3>social media and talk a little bit about, Hey, this

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<v Speaker 3>is what's going on, this is what Eric has said

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<v Speaker 3>he saw, and this is somebody that I trust. I

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<v Speaker 3>trust your opinion in the community enough to say, if

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<v Speaker 3>Eric is saying that he saw this, I think there may.

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<v Speaker 5>Be a there there.

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<v Speaker 3>So, of course, when I did that, it was not

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<v Speaker 3>ten minutes later my phone was ringing and it was

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<v Speaker 3>Doug Hicheck. Doug high Chick called me and he said, hey,

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<v Speaker 3>I saw your live. Let me give you some information

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<v Speaker 3>about what I know. So Doug and I had about

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<v Speaker 3>a thirty minute conversation and then the phone rang and

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<v Speaker 3>it was somebody else. It was Steve Calls. It was

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<v Speaker 3>this person, it was that person. I've told everybody the

295
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<v Speaker 3>same thing ever since I watched your reaction video and

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<v Speaker 3>ever since I did the first live, is if what

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<v Speaker 3>you've described seeing in this documentary is accurate, and I

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<v Speaker 3>do believe that it is, it is very troublesome at

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<v Speaker 3>the very least for the authenticity of the Patterson gimun film.

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<v Speaker 3>Because this film has stood for like fifty seven years

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<v Speaker 3>in and it's been studied, it's been torn apart, it's

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<v Speaker 3>been put back together, and so many people have come

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<v Speaker 3>down on so many sides. But by and large, I

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00:14:29.879 --> 00:14:32.639
<v Speaker 3>think the majority of the Bigfoot community, and I'm using

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00:14:32.720 --> 00:14:33.679
<v Speaker 3>my proverbial air.

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<v Speaker 5>Quotes here, believe that it's real.

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<v Speaker 3>I've always had a problem with the authenticity of the film.

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<v Speaker 3>I've been on the record about that for years, just

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<v Speaker 3>until the last year and a half. Two years, I

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00:14:46.840 --> 00:14:51.200
<v Speaker 3>actually did a show where I compared some earlier interviews

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<v Speaker 3>with Bob an interview with I and Rogers six days

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<v Speaker 3>after they allegedly filmed Patty over on the Sasquatch Archives

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<v Speaker 3>with Todd Prescott. I reached out to Todd. He allowed

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<v Speaker 3>me to use that for the show.

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<v Speaker 1>Then.

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<v Speaker 3>I think that last interview with Bob was about twenty

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<v Speaker 3>nineteen ish.

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<v Speaker 5>Stay tuned for more Sasquatch out to see. We'll be

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<v Speaker 5>right back. After these messages, I put my cop brain on. Look.

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<v Speaker 3>I'm not a film expert. I can't break down Patty's walk.

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<v Speaker 3>I can't talk about what's in the film, But what

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<v Speaker 3>I can talk about is what Bob has said for

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<v Speaker 3>the last five plus decades. I can look at that

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<v Speaker 3>and how that's changed or if it's changed over the years.

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<v Speaker 3>And there were certainly some inconsistencies there that most people,

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<v Speaker 3>including myself, ultimately chalked up to, Hey, this guy's in

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<v Speaker 3>his late eighties, he's now in his early nineties. Do

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<v Speaker 3>I remember what I had for breakfast this morning? I don't,

329
00:15:47.960 --> 00:15:50.320
<v Speaker 3>so is it possible? Did he gets some things wrong

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<v Speaker 3>over the course of fifty plus years. I gave the

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<v Speaker 3>man some grace, and I finally, just about a year

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<v Speaker 3>and a half ago, said, you know what I have

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<v Speaker 3>to say, having looked at the totality of this circumstances,

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00:16:00.840 --> 00:16:03.840
<v Speaker 3>I feel like Bob's probably telling the truth. So there

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00:16:03.919 --> 00:16:08.039
<v Speaker 3>you go into story until something else comes along that

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00:16:09.240 --> 00:16:12.440
<v Speaker 3>may prove otherwise. And I think that's part of the

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00:16:12.519 --> 00:16:14.639
<v Speaker 3>issue that we're having in this Bigfoot community and just

338
00:16:14.720 --> 00:16:18.360
<v Speaker 3>frankly at large, but specific to the Bigfoot community, is

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00:16:18.399 --> 00:16:22.759
<v Speaker 3>people seem to get into these groups, these camps, and

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<v Speaker 3>nothing can sway them. If they've made up their mind,

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<v Speaker 3>they don't want any more evidence. And that's one of

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<v Speaker 3>the sad things that I've seen people that I've talked

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<v Speaker 3>to and become friends with in the Bigfoot community that

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<v Speaker 3>are out there screaming to the rafters. They're attacking you,

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00:16:37.919 --> 00:16:43.039
<v Speaker 3>They're attacking Mark Evans, they're attacking anybody who's even remotely

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<v Speaker 3>in the orbit of this film, just because it's challenging

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00:16:47.720 --> 00:16:51.679
<v Speaker 3>what they've convinced themselves to be real without looking at

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00:16:51.720 --> 00:16:52.200
<v Speaker 3>the evidence.

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<v Speaker 5>And that is a problem for me. That's a huge

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<v Speaker 5>red flag.

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<v Speaker 3>There's people out there calling for boycotts of the documentary.

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<v Speaker 3>It's a whole They've made this up. Clint Patterson's just

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<v Speaker 3>looking for a payday, and that is really sad to

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00:17:06.000 --> 00:17:09.200
<v Speaker 3>me because it just says to me that you're not

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00:17:09.480 --> 00:17:12.880
<v Speaker 3>really seeking the truth, You're only seeking confirmation of what

356
00:17:13.000 --> 00:17:17.000
<v Speaker 3>you already believe. And to me, that's problematic because I

357
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<v Speaker 3>don't care if Patty's real or not. I know the

358
00:17:19.480 --> 00:17:22.680
<v Speaker 3>experiences I've had. I know the experiences thousands of people

359
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<v Speaker 3>now at this point that I've interviewed have shared with me.

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<v Speaker 3>I know those to be true. I've stood ten feet

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<v Speaker 3>away from one of these creatures.

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<v Speaker 5>I know they're real.

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<v Speaker 3>And I've said that since day one. Patty can be

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<v Speaker 3>fake and Bigfoot can still be real those two things

365
00:17:38.000 --> 00:17:41.839
<v Speaker 3>can exist at the same time, they can be mutually exclusive.

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<v Speaker 3>I said all that to say, you get into the documentary,

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<v Speaker 3>you're watching it. Obviously, you can see the players. You

368
00:17:50.079 --> 00:17:52.039
<v Speaker 3>can pull it up on IMDb right now. You can

369
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<v Speaker 3>see the names that are in this documentary. You've got

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<v Speaker 3>the late doctor Jeff Meldrum, Bob Eronymous, Bill Lunn, Greg Long, Patterson,

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<v Speaker 3>Clint Patterson, You've got all the players in this story.

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<v Speaker 3>To me, it's about the totality of the circumstances. I

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<v Speaker 3>guess a good place to start would be, let's talk

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<v Speaker 3>about the role that Clint Patterson and Patricia Patterson play

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<v Speaker 3>in this documentary, because I think that's very powerful to me.

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<v Speaker 5>When you have.

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<v Speaker 3>Someone that close to someone who then comes out and says, hey,

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<v Speaker 3>that's not entirely accurate, or that's not true, or this

379
00:18:29.559 --> 00:18:32.200
<v Speaker 3>is a hoax, I think you should perk up and listen.

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<v Speaker 3>So can you kind of walk us through what you

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<v Speaker 3>see their role in the documentary, and then certainly we'll

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<v Speaker 3>get into obviously the forty second clip that comes a

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<v Speaker 3>little bit later.

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<v Speaker 4>The documentary, first of all, is just super emotionally charged.

385
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<v Speaker 4>You're hearing stories about Clint him and his siblings being

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<v Speaker 4>brought up to the living room and his grandmother pretty

387
00:18:51.759 --> 00:18:54.799
<v Speaker 4>much breaking the news, Hey, your father died last night.

388
00:18:55.359 --> 00:18:57.880
<v Speaker 4>That was just a gut punch to him. Glovey and

389
00:18:57.960 --> 00:19:01.039
<v Speaker 4>admiration he had for his dad was just second to none,

390
00:19:01.119 --> 00:19:03.160
<v Speaker 4>and he talks about it in the documentary. I could

391
00:19:03.200 --> 00:19:05.359
<v Speaker 4>care less about bigfoot. I just wanted to be out

392
00:19:05.359 --> 00:19:07.279
<v Speaker 4>there with my dad. He goes, and if he's bigfoot hunting,

393
00:19:07.319 --> 00:19:10.160
<v Speaker 4>then we're bigfoot hunting. And that was really interesting and

394
00:19:10.240 --> 00:19:12.079
<v Speaker 4>hard to see the way he was getting choked up

395
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<v Speaker 4>every time he talked about his dad. He could tell

396
00:19:13.599 --> 00:19:16.880
<v Speaker 4>he really loved his dad. And shortly after his father

397
00:19:16.960 --> 00:19:19.960
<v Speaker 4>had passed away, he talks about going into the living

398
00:19:20.039 --> 00:19:22.319
<v Speaker 4>room one day and his mother is there smoking cigarettes.

399
00:19:22.680 --> 00:19:25.440
<v Speaker 4>They're talking and she basically confesses that Bob Eronomus was

400
00:19:25.480 --> 00:19:27.519
<v Speaker 4>in the bigfoot suit to him when he was a

401
00:19:27.720 --> 00:19:30.680
<v Speaker 4>younger child. He said that always stuck with him and

402
00:19:31.200 --> 00:19:34.359
<v Speaker 4>he wanted to relay that to everybody. Years after, the

403
00:19:34.400 --> 00:19:36.960
<v Speaker 4>footage made its rounds and it became viral and how

404
00:19:37.039 --> 00:19:40.920
<v Speaker 4>big it was. But his mother was honestly making so

405
00:19:41.079 --> 00:19:44.720
<v Speaker 4>much money from the royalties of the Patterson film. She

406
00:19:44.799 --> 00:19:47.359
<v Speaker 4>couldn't let that go, and they talk about that was

407
00:19:47.440 --> 00:19:50.119
<v Speaker 4>her nest egg in the documentaries, that's what they referred

408
00:19:50.119 --> 00:19:54.000
<v Speaker 4>to it as, and that caused a huge drift between

409
00:19:54.599 --> 00:19:57.079
<v Speaker 4>Clint and his mother. It was really bad. She was

410
00:19:57.119 --> 00:20:00.279
<v Speaker 4>sending him letters basically saying I disown you, wish you

411
00:20:00.319 --> 00:20:02.960
<v Speaker 4>were never born, and those letters are shown in the documentary.

412
00:20:03.640 --> 00:20:06.279
<v Speaker 4>So much hard evidence is shown in the documentary. It's

413
00:20:06.319 --> 00:20:09.839
<v Speaker 4>really incredible. There is a scene where he's trying to

414
00:20:10.359 --> 00:20:14.200
<v Speaker 4>reconcile with his mother, and I believe it's Roger Patterson's

415
00:20:14.240 --> 00:20:17.119
<v Speaker 4>sister actually acts as the go between trying to get

416
00:20:17.200 --> 00:20:19.519
<v Speaker 4>them to speak again. There's a scene I believe he's

417
00:20:19.519 --> 00:20:21.720
<v Speaker 4>in a van and he gets a phone call. It's

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00:20:21.960 --> 00:20:25.240
<v Speaker 4>his aunt, Roger Patterson's sister, and she's saying, Hey, your

419
00:20:25.279 --> 00:20:26.640
<v Speaker 4>mom wants to see you. And he's like, are you

420
00:20:26.759 --> 00:20:29.559
<v Speaker 4>kidding me? Great, let's do it. She basically says, don't

421
00:20:29.599 --> 00:20:31.640
<v Speaker 4>even call, just drive right over. She wants to see

422
00:20:31.680 --> 00:20:34.400
<v Speaker 4>you right now. So they drive right over. They see

423
00:20:34.400 --> 00:20:36.079
<v Speaker 4>each other through the screen door, they open it and

424
00:20:36.119 --> 00:20:38.880
<v Speaker 4>they just embrace and it's just waterfalls. It's actually a

425
00:20:38.920 --> 00:20:42.759
<v Speaker 4>really beautiful moment. They talk about the past and hash

426
00:20:42.799 --> 00:20:45.680
<v Speaker 4>everything out. She's basically saying, I want to come clean.

427
00:20:45.880 --> 00:20:48.759
<v Speaker 4>I have a couple of good years left. People need

428
00:20:48.799 --> 00:20:51.960
<v Speaker 4>to know about this. It's pretty wild. They show her

429
00:20:52.079 --> 00:20:56.079
<v Speaker 4>the new footage and it's pretty spectacular. But Clint, I

430
00:20:56.200 --> 00:20:59.039
<v Speaker 4>think he really wanted to do the right thing. And

431
00:20:59.200 --> 00:21:02.519
<v Speaker 4>at first this weird part of the documentary where he's

432
00:21:02.720 --> 00:21:04.720
<v Speaker 4>sad of talking about his dad and everything, but it

433
00:21:04.799 --> 00:21:07.640
<v Speaker 4>gets towards the middle of the documentary and he's basically saying,

434
00:21:07.680 --> 00:21:10.640
<v Speaker 4>my dad fooled him, just a regular cowboy, he fooled him.

435
00:21:10.680 --> 00:21:13.359
<v Speaker 4>He's saying, he went viral before viral was a thing,

436
00:21:13.400 --> 00:21:15.440
<v Speaker 4>and he pulled off the greatest hoax. And he's just

437
00:21:15.519 --> 00:21:18.160
<v Speaker 4>a small old cowboy. And so he was actually really

438
00:21:18.240 --> 00:21:20.720
<v Speaker 4>proud of his dad for being able to pull off

439
00:21:20.839 --> 00:21:24.480
<v Speaker 4>this hoax. For so long, he was mentioning it'd fooled scientists,

440
00:21:24.559 --> 00:21:26.839
<v Speaker 4>did fooled FX people, and he was right about that.

441
00:21:26.960 --> 00:21:29.200
<v Speaker 4>He's absolutely right about that. He might hate the guy,

442
00:21:29.279 --> 00:21:32.519
<v Speaker 4>but it's pretty impressive what these guys were able to do.

443
00:21:32.799 --> 00:21:34.440
<v Speaker 4>Just a couple of cowboys out there.

444
00:21:34.720 --> 00:21:39.079
<v Speaker 3>Yeah, that has been the narrative since this film was filmed,

445
00:21:39.240 --> 00:21:42.079
<v Speaker 3>at least on the side of its authenticity, as people

446
00:21:42.119 --> 00:21:45.920
<v Speaker 3>would say, these were just two cowboys. There's no way

447
00:21:46.119 --> 00:21:48.279
<v Speaker 3>they could have pulled off the hoax of the century.

448
00:21:48.680 --> 00:21:50.759
<v Speaker 3>They couldn't have made a suit like this, They couldn't

449
00:21:50.799 --> 00:21:53.319
<v Speaker 3>have done this, that or the other. So it's interesting

450
00:21:53.519 --> 00:21:55.920
<v Speaker 3>it seems like somewhat of a focal point of the

451
00:21:56.000 --> 00:21:58.440
<v Speaker 3>documentary to say, yeah, actually they did.

452
00:21:58.480 --> 00:21:59.079
<v Speaker 5>Pull it off.

453
00:21:59.640 --> 00:22:02.799
<v Speaker 3>Just too cowboys out there in the woods pulled off,

454
00:22:02.960 --> 00:22:05.160
<v Speaker 3>in my opinion, if this is what it turns out

455
00:22:05.200 --> 00:22:08.079
<v Speaker 3>to be, the hoax of the century. I was racking

456
00:22:08.160 --> 00:22:10.559
<v Speaker 3>my brain after this all came out, and I was

457
00:22:10.599 --> 00:22:14.799
<v Speaker 3>thinking to myself, what hoax can we point to. I'm

458
00:22:14.799 --> 00:22:18.039
<v Speaker 3>sure there's another one out there that's similar in certain ways,

459
00:22:18.160 --> 00:22:20.799
<v Speaker 3>but what else can you point to in the last

460
00:22:21.200 --> 00:22:24.160
<v Speaker 3>fifty plus years that someone has been able to.

461
00:22:24.279 --> 00:22:27.319
<v Speaker 5>Hoax and get away with for this long.

462
00:22:28.200 --> 00:22:31.640
<v Speaker 3>Nothing really comes to mind, outside of potentially now the

463
00:22:32.400 --> 00:22:36.000
<v Speaker 3>Patterson Gimlin film. So let's get to the meat and potatoes,

464
00:22:36.079 --> 00:22:39.279
<v Speaker 3>because that was one part of the story. Obviously, if

465
00:22:39.319 --> 00:22:42.480
<v Speaker 3>you have potentially some sort of a rift in the

466
00:22:42.559 --> 00:22:45.480
<v Speaker 3>family and you have the quote unquote black sheep on

467
00:22:45.559 --> 00:22:49.279
<v Speaker 3>the outside saying, yeah, it's as fake. It's always been

468
00:22:49.359 --> 00:22:52.200
<v Speaker 3>fake that kind of thing. That's one thing you say, yeah, okay,

469
00:22:52.279 --> 00:22:55.359
<v Speaker 3>maybe not. But then you've got Patricia on board as well.

470
00:22:55.480 --> 00:22:58.839
<v Speaker 3>So now you've got the two closest people in theory

471
00:22:58.920 --> 00:23:04.240
<v Speaker 3>to Roger Patterson saying, yes, it's a hoax. That really

472
00:23:04.440 --> 00:23:07.200
<v Speaker 3>makes my ears stand up and I really pay attention.

473
00:23:07.960 --> 00:23:12.440
<v Speaker 3>But then ultimately, you have this other film that you

474
00:23:12.559 --> 00:23:15.640
<v Speaker 3>talked about, this clip, this forty some ied second clip.

475
00:23:16.079 --> 00:23:18.200
<v Speaker 3>I've talked about this on other shows, I've shared it

476
00:23:18.279 --> 00:23:20.279
<v Speaker 3>on my show. But for the audience listening now, can

477
00:23:20.359 --> 00:23:22.279
<v Speaker 3>you talk a little bit about how they talk about

478
00:23:22.319 --> 00:23:25.799
<v Speaker 3>the provenance of this in the documentary, how Mark Evans

479
00:23:25.920 --> 00:23:28.319
<v Speaker 3>eventually got this. Can you talk a little bit about

480
00:23:28.440 --> 00:23:31.799
<v Speaker 3>how this was discovered and how the filmmakers ultimately got that.

481
00:23:32.480 --> 00:23:35.799
<v Speaker 4>Yeah, so it was basically a daughter of I guess,

482
00:23:35.839 --> 00:23:40.039
<v Speaker 4>an engineer or film developer that worked for Boeing. I

483
00:23:40.160 --> 00:23:43.200
<v Speaker 4>believe the man passed away in the twenty twenties, maybe

484
00:23:43.200 --> 00:23:46.000
<v Speaker 4>twenty twenty four. I'm not exactly sure he had passed away.

485
00:23:46.440 --> 00:23:49.799
<v Speaker 4>She knew about this film that had been stored away

486
00:23:49.920 --> 00:23:52.759
<v Speaker 4>in this safe and she basically says in the documentary

487
00:23:52.799 --> 00:23:55.720
<v Speaker 4>that there was so much turmoil going on around Bigfoot

488
00:23:55.720 --> 00:23:58.599
<v Speaker 4>at that time that the wife of the person that

489
00:23:58.720 --> 00:24:01.079
<v Speaker 4>I mentioned she based. He says, I don't want anything

490
00:24:01.119 --> 00:24:03.119
<v Speaker 4>to do with it. Bigfoot is not allowed to be

491
00:24:03.160 --> 00:24:04.920
<v Speaker 4>talked about in this house, and the dad ends up

492
00:24:05.160 --> 00:24:07.559
<v Speaker 4>locking it in a safe. Years later, the daughter is

493
00:24:07.559 --> 00:24:10.079
<v Speaker 4>saying how she's scared to walk to school or whatever

494
00:24:10.279 --> 00:24:12.880
<v Speaker 4>walking home because Bigfoot might come out and grab her,

495
00:24:13.279 --> 00:24:15.279
<v Speaker 4>and the dad jokingly says, Oh, you don't have to

496
00:24:15.319 --> 00:24:17.359
<v Speaker 4>worry about that. I know it's this and that it's

497
00:24:17.400 --> 00:24:19.720
<v Speaker 4>not real and I got something or whatever. So she

498
00:24:19.839 --> 00:24:22.599
<v Speaker 4>had always known about this family legend or whatever. So

499
00:24:23.079 --> 00:24:26.400
<v Speaker 4>he ends up passing away. They find the footage, they

500
00:24:26.519 --> 00:24:29.519
<v Speaker 4>don't know what's on it, so that's where she goes

501
00:24:29.559 --> 00:24:33.279
<v Speaker 4>to the university where Mark actually teaches a documentary course there.

502
00:24:33.799 --> 00:24:36.799
<v Speaker 4>I guess to have it digitized, and so they take

503
00:24:36.880 --> 00:24:39.119
<v Speaker 4>it and they realize what's on the film and they're like, wow,

504
00:24:39.200 --> 00:24:42.839
<v Speaker 4>this is pretty amazing, and they basically build the documentary

505
00:24:42.960 --> 00:24:46.400
<v Speaker 4>around this piece of footage. I know Clint had been

506
00:24:46.480 --> 00:24:49.200
<v Speaker 4>wanting to come public even before that footage was out.

507
00:24:49.200 --> 00:24:51.480
<v Speaker 4>He wanted to make statements and stuff like that. That's

508
00:24:51.519 --> 00:24:53.960
<v Speaker 4>really where the rift with him and his mom started,

509
00:24:54.400 --> 00:24:56.960
<v Speaker 4>but it's one hundred percent confirmed. There's a guy with

510
00:24:57.079 --> 00:25:00.599
<v Speaker 4>a loop doing a film analysis in the documentary. I

511
00:25:00.680 --> 00:25:02.440
<v Speaker 4>know there's a lot of people saying it's AI and

512
00:25:02.480 --> 00:25:05.319
<v Speaker 4>stuff like that. It's absolutely not AI. They have it

513
00:25:05.359 --> 00:25:07.480
<v Speaker 4>and he's looking through the loop and he's basically saying, Yep,

514
00:25:07.559 --> 00:25:10.160
<v Speaker 4>everything looks good. It's got the markings on there. People

515
00:25:10.240 --> 00:25:12.960
<v Speaker 4>have been arguing in all over these forums and stuff

516
00:25:12.960 --> 00:25:16.240
<v Speaker 4>about these markings, and I've heard all types of crazy stuff,

517
00:25:16.279 --> 00:25:18.680
<v Speaker 4>but they absolutely, one hundred percent say this film is

518
00:25:18.720 --> 00:25:21.759
<v Speaker 4>from nineteen sixty six, without a doubt. Yeah. The documentary

519
00:25:22.079 --> 00:25:25.599
<v Speaker 4>basically begins with the daughter of this bowling engineer coming

520
00:25:25.680 --> 00:25:28.119
<v Speaker 4>to Mark Evans asking for help to digitize this and

521
00:25:28.799 --> 00:25:31.240
<v Speaker 4>they see it and they're pretty much shocked. Mark is

522
00:25:31.279 --> 00:25:35.200
<v Speaker 4>actually from that area of the Pacific Northwest, so he's

523
00:25:35.359 --> 00:25:37.279
<v Speaker 4>maybe not as deep as we are into the subject,

524
00:25:37.319 --> 00:25:39.839
<v Speaker 4>but he's definitely a fan and he's known about the

525
00:25:39.920 --> 00:25:42.200
<v Speaker 4>Patterson stuff for a long time. I think he might

526
00:25:42.279 --> 00:25:44.640
<v Speaker 4>have had some connection with al Dalli or his family

527
00:25:44.720 --> 00:25:47.279
<v Speaker 4>did at one point. It's all really interesting and it's

528
00:25:47.359 --> 00:25:50.680
<v Speaker 4>cool because it's not some outsider. It's a guy who

529
00:25:50.960 --> 00:25:53.640
<v Speaker 4>was around there, knows all the stuff, and it's cool

530
00:25:53.680 --> 00:25:56.079
<v Speaker 4>that he was actually lucky enough to get this. It's

531
00:25:56.319 --> 00:25:58.440
<v Speaker 4>pretty amazing what's on the footage. I'll just say that

532
00:25:58.599 --> 00:25:58.960
<v Speaker 4>for sure.

533
00:26:00.000 --> 00:26:02.000
<v Speaker 3>I definitely want to get into that because when I

534
00:26:02.079 --> 00:26:04.519
<v Speaker 3>saw your reaction video, I started reaching out to people,

535
00:26:04.599 --> 00:26:07.839
<v Speaker 3>calling people. The first person I reached out to to

536
00:26:07.960 --> 00:26:10.279
<v Speaker 3>get on the show to talk about it was Bill Munns.

537
00:26:10.359 --> 00:26:14.319
<v Speaker 3>Because Bill has done the most work that I'm aware

538
00:26:14.359 --> 00:26:17.880
<v Speaker 3>of on the Patterson Gimlin film, maybe outside of MK Davis.

539
00:26:18.759 --> 00:26:21.680
<v Speaker 3>He's very familiar with this. He knows it inside and out.

540
00:26:21.799 --> 00:26:25.119
<v Speaker 3>He's considered an expert on the Patterson Gimlin film. So

541
00:26:25.200 --> 00:26:27.759
<v Speaker 3>I reached out to Bill, and Bill is actually in

542
00:26:27.920 --> 00:26:30.880
<v Speaker 3>the documentary. So I got him on the show and

543
00:26:31.039 --> 00:26:33.519
<v Speaker 3>we had I thought it was a great conversation. I

544
00:26:33.680 --> 00:26:37.880
<v Speaker 3>asked some pretty hard questions. I think some pretty tough questions,

545
00:26:38.599 --> 00:26:41.039
<v Speaker 3>because let's be honest, Bill does have a dog in

546
00:26:41.119 --> 00:26:44.319
<v Speaker 3>this proverbial fight. He's written a book already about the

547
00:26:44.359 --> 00:26:47.920
<v Speaker 3>Patterson Gimlin film. He's clearly on record one hundred percent

548
00:26:48.039 --> 00:26:51.160
<v Speaker 3>that it's real. He's actually in the process of writing

549
00:26:51.200 --> 00:26:53.519
<v Speaker 3>a second book on the Patterson Gimlin film that will

550
00:26:53.599 --> 00:26:56.839
<v Speaker 3>now I'm sure have a few chapters included about this

551
00:26:57.279 --> 00:26:59.920
<v Speaker 3>capturing Bigfoot in this new footage and the whole nine yards.

552
00:27:00.839 --> 00:27:03.960
<v Speaker 3>But during that conversation with Bill, he saw the forty

553
00:27:04.000 --> 00:27:04.799
<v Speaker 3>second or so clip.

554
00:27:05.440 --> 00:27:05.759
<v Speaker 5>He said.

555
00:27:05.799 --> 00:27:08.079
<v Speaker 3>They brought him in and interviewed him for a little

556
00:27:08.079 --> 00:27:12.079
<v Speaker 3>over four hours for this doc basically get him on record,

557
00:27:12.200 --> 00:27:13.920
<v Speaker 3>let him say all the things he wants to say

558
00:27:13.920 --> 00:27:16.680
<v Speaker 3>about the Patterson film, and then they're like, oh wait,

559
00:27:16.839 --> 00:27:19.720
<v Speaker 3>there's more. Now, we want to show you this clip.

560
00:27:20.119 --> 00:27:23.319
<v Speaker 3>Classic television. It's the way to get the reaction. It's

561
00:27:23.359 --> 00:27:26.359
<v Speaker 3>the money shot, right You withhold the information you know

562
00:27:26.440 --> 00:27:28.319
<v Speaker 3>you're going to spring on people at the last minute.

563
00:27:28.400 --> 00:27:30.640
<v Speaker 3>So Bill was a little taken aback when they said

564
00:27:30.680 --> 00:27:33.400
<v Speaker 3>that they had this film that nobody had ever seen before.

565
00:27:34.559 --> 00:27:36.319
<v Speaker 3>He already had some things in his mind. He told

566
00:27:36.359 --> 00:27:37.960
<v Speaker 3>me a couple of things he thought it could be

567
00:27:38.440 --> 00:27:41.319
<v Speaker 3>because he knows there's other film that used to exist.

568
00:27:41.400 --> 00:27:43.240
<v Speaker 3>I don't know if it's still out there now. He

569
00:27:43.359 --> 00:27:47.079
<v Speaker 3>seems to think that it's out there somewhere that Roger

570
00:27:47.240 --> 00:27:51.359
<v Speaker 3>and Bob and even Bob Eronymus was involved in filming

571
00:27:51.440 --> 00:27:53.079
<v Speaker 3>at one point in time or another when they were

572
00:27:53.160 --> 00:27:56.720
<v Speaker 3>doing this docudrama that they were filming when they actually

573
00:27:56.839 --> 00:28:01.480
<v Speaker 3>allegedly filmed Patty. So Bill actually started, he was naming

574
00:28:01.559 --> 00:28:03.440
<v Speaker 3>some things off. He said, oh is it this, or

575
00:28:03.480 --> 00:28:05.720
<v Speaker 3>oh is it this? Or is it this piece of footage?

576
00:28:05.839 --> 00:28:07.480
<v Speaker 3>Or is it this footage? And they were like, no,

577
00:28:08.039 --> 00:28:10.599
<v Speaker 3>I don't think you've seen this before. And they show

578
00:28:10.680 --> 00:28:13.440
<v Speaker 3>it to him, and the first thing that he says

579
00:28:13.559 --> 00:28:16.720
<v Speaker 3>to me is when they started the clip, it opens

580
00:28:16.839 --> 00:28:19.839
<v Speaker 3>up with someone pretending to be Bob Gimlin.

581
00:28:20.359 --> 00:28:21.279
<v Speaker 5>I just left it at that.

582
00:28:22.039 --> 00:28:25.519
<v Speaker 3>He says, it looks like someone in a suit. I

583
00:28:25.599 --> 00:28:28.640
<v Speaker 3>think he described it as a medium grade suit. He

584
00:28:28.680 --> 00:28:31.960
<v Speaker 3>said it looked like it was created specifically.

585
00:28:31.440 --> 00:28:32.240
<v Speaker 5>For this filming.

586
00:28:33.160 --> 00:28:34.960
<v Speaker 3>He even went so far as to say it wasn't

587
00:28:35.000 --> 00:28:38.240
<v Speaker 3>some off the rack guerrilla suit like Philip Morris. He

588
00:28:38.279 --> 00:28:41.480
<v Speaker 3>took a little backhanded squat at Philip Morris would make

589
00:28:41.720 --> 00:28:45.000
<v Speaker 3>for something like this. So he did say that although

590
00:28:45.079 --> 00:28:50.119
<v Speaker 3>he wasn't impressed with this particular suit, it wasn't just

591
00:28:50.200 --> 00:28:52.039
<v Speaker 3>some off the rack thing. It looked like it had

592
00:28:52.119 --> 00:28:55.880
<v Speaker 3>been made for this particular purpose. And I asked him specifically,

593
00:28:56.960 --> 00:28:59.680
<v Speaker 3>number one, what drew him to believe Patty was real

594
00:29:00.160 --> 00:29:02.240
<v Speaker 3>in the first place. And not a suit, and he

595
00:29:02.359 --> 00:29:05.319
<v Speaker 3>said it was the head. He focused in on the

596
00:29:05.400 --> 00:29:09.000
<v Speaker 3>head in the shoulders because his background is special effects.

597
00:29:09.440 --> 00:29:13.240
<v Speaker 3>He has made similar costumes for movie projects and television

598
00:29:13.279 --> 00:29:15.640
<v Speaker 3>projects in the past. And he said, that is the

599
00:29:15.799 --> 00:29:19.400
<v Speaker 3>toughest thing, or at least was the toughest thing back then,

600
00:29:20.079 --> 00:29:22.839
<v Speaker 3>to get that, because you didn't have the correct materials

601
00:29:23.359 --> 00:29:25.720
<v Speaker 3>for all that to lay flat with a person, a

602
00:29:25.839 --> 00:29:28.799
<v Speaker 3>man or a woman in a suit. So he focused

603
00:29:28.799 --> 00:29:30.640
<v Speaker 3>in on that and he didn't see any of the

604
00:29:30.720 --> 00:29:34.839
<v Speaker 3>telltale signs or issues as you would say with Patty,

605
00:29:34.960 --> 00:29:37.519
<v Speaker 3>and that really made him want to hone in and

606
00:29:38.039 --> 00:29:40.839
<v Speaker 3>dive deeper into it. And the deeper he got, he

607
00:29:41.000 --> 00:29:44.319
<v Speaker 3>believes that it's a real film. So I said, what

608
00:29:44.480 --> 00:29:46.519
<v Speaker 3>about what you saw on this forty second clip, and

609
00:29:46.599 --> 00:29:48.839
<v Speaker 3>he said, the head wasn't right for me, the body

610
00:29:49.000 --> 00:29:50.920
<v Speaker 3>wasn't right for me. He did go on to say

611
00:29:51.039 --> 00:29:54.359
<v Speaker 3>that he was very impressed by the walk. It was

612
00:29:54.559 --> 00:29:58.839
<v Speaker 3>almost identical. I'm clearly paraphrasing here, so it's not a

613
00:29:58.920 --> 00:29:59.559
<v Speaker 3>direct quote.

614
00:30:01.119 --> 00:30:03.240
<v Speaker 5>Stay tuned for more sasquatch out to see. We'll be

615
00:30:03.400 --> 00:30:05.079
<v Speaker 5>right back after these messages.

616
00:30:09.079 --> 00:30:11.200
<v Speaker 3>He said something along the lines of he was very

617
00:30:11.240 --> 00:30:13.720
<v Speaker 3>impressed with the walk the gate in the film. It

618
00:30:13.920 --> 00:30:16.440
<v Speaker 3>was very much like what we see in the Patterson

619
00:30:16.440 --> 00:30:20.480
<v Speaker 3>Gimlin film. So he was impressed with that, but overall

620
00:30:21.079 --> 00:30:23.480
<v Speaker 3>he didn't think it was Patty or the suit that

621
00:30:23.599 --> 00:30:24.640
<v Speaker 3>would have been Patty.

622
00:30:25.119 --> 00:30:26.359
<v Speaker 5>Let's talk about what you saw.

623
00:30:26.759 --> 00:30:29.640
<v Speaker 3>You talked about it in your reaction video that you

624
00:30:29.720 --> 00:30:32.559
<v Speaker 3>posted over on Harryman Road YouTube channel, and I'll certainly

625
00:30:32.640 --> 00:30:34.119
<v Speaker 3>link to that in the show notes, so you guys

626
00:30:34.160 --> 00:30:35.759
<v Speaker 3>can go over and watch that and show Eric some

627
00:30:35.880 --> 00:30:36.599
<v Speaker 3>love on YouTube.

628
00:30:37.319 --> 00:30:39.519
<v Speaker 5>Let's talk specifically about what you saw.

629
00:30:39.680 --> 00:30:42.839
<v Speaker 3>Let's focus in on that forty plus second film clip

630
00:30:42.960 --> 00:30:45.000
<v Speaker 3>that you saw and be as detailed.

631
00:30:44.640 --> 00:30:46.519
<v Speaker 5>As you can. What did you see and what did

632
00:30:46.599 --> 00:30:49.200
<v Speaker 5>you walk away feeling after you watch that part of

633
00:30:49.279 --> 00:30:49.559
<v Speaker 5>the dock.

634
00:30:50.359 --> 00:30:53.559
<v Speaker 4>Yeah, so I was laser focused because I knew that

635
00:30:53.680 --> 00:30:56.400
<v Speaker 4>part was coming up, and so I literally stood up

636
00:30:56.400 --> 00:30:58.000
<v Speaker 4>in my chair and I'm looking at it, just making

637
00:30:58.079 --> 00:30:59.880
<v Speaker 4>sure I was going to remember everything that I saw.

638
00:31:00.559 --> 00:31:02.599
<v Speaker 4>And I did see your podcast with Bill Munz, and

639
00:31:02.799 --> 00:31:04.799
<v Speaker 4>I don't want to take anything away from Bill. He's

640
00:31:04.839 --> 00:31:07.359
<v Speaker 4>an expert in the VFX and he's got a long

641
00:31:07.480 --> 00:31:09.480
<v Speaker 4>history of that, and that's more props to him for that,

642
00:31:09.640 --> 00:31:13.160
<v Speaker 4>but he saw the footage several months ago. I saw

643
00:31:13.240 --> 00:31:16.160
<v Speaker 4>it about eleven days ago, so his memory might not

644
00:31:16.400 --> 00:31:18.680
<v Speaker 4>be as clear as his mind seeing it so recently.

645
00:31:19.279 --> 00:31:22.519
<v Speaker 4>But yeah, it starts off with a familiar face, I

646
00:31:22.519 --> 00:31:25.000
<v Speaker 4>should say. Basically, you see his man on a pony.

647
00:31:25.359 --> 00:31:27.559
<v Speaker 4>I don't know how you pretend to be somebody, but

648
00:31:27.680 --> 00:31:30.440
<v Speaker 4>it's clearly to me it looks like it's Bob Gimlin.

649
00:31:30.480 --> 00:31:32.799
<v Speaker 4>It's absolutely Bob Gimlin. He's looking right at the camera.

650
00:31:33.599 --> 00:31:36.400
<v Speaker 4>I think Bill might be misremembering saying that he's holding

651
00:31:36.559 --> 00:31:39.200
<v Speaker 4>a shotgun or a rifle, because when I look at it,

652
00:31:39.279 --> 00:31:41.400
<v Speaker 4>he's holding a pistol. It's like a six shooter pistol.

653
00:31:42.000 --> 00:31:44.400
<v Speaker 4>He's in a rain slicker, it looks like it might

654
00:31:44.480 --> 00:31:47.759
<v Speaker 4>be drizzling, and he's looking dead straight at the camera.

655
00:31:47.839 --> 00:31:51.079
<v Speaker 4>And it's Bob Gimlin. And Patricia Patterson even says that's

656
00:31:51.119 --> 00:31:55.480
<v Speaker 4>Bob Gimblin. It cuts to or moves over to Patty

657
00:31:55.599 --> 00:31:58.039
<v Speaker 4>and it's the same suit. It's one hundred percent the

658
00:31:58.079 --> 00:32:01.559
<v Speaker 4>same suit, without a doubt. Doesn't take a visual effects

659
00:32:01.640 --> 00:32:05.200
<v Speaker 4>expert to see that that's the same suit. Unfortunately, Patty's

660
00:32:05.240 --> 00:32:08.000
<v Speaker 4>kind of obscured by the trees and everything like that.

661
00:32:08.680 --> 00:32:12.839
<v Speaker 4>What I remember is how vivid. It looked really clean

662
00:32:12.880 --> 00:32:16.519
<v Speaker 4>and looked really crisp. There's actually a lot of green foliage.

663
00:32:16.559 --> 00:32:20.039
<v Speaker 4>So maybe it's shot in the spring, maybe April or

664
00:32:20.079 --> 00:32:22.319
<v Speaker 4>something like that, but it definitely looks like a lot

665
00:32:22.400 --> 00:32:25.319
<v Speaker 4>of green around, not autumn or fall when they're supposedly

666
00:32:25.400 --> 00:32:27.839
<v Speaker 4>the sixty seven footage took place a lot more green.

667
00:32:28.400 --> 00:32:30.839
<v Speaker 4>So we see Patty walking behind these trees that are

668
00:32:30.880 --> 00:32:33.559
<v Speaker 4>pretty full trees. When I'm thinking, when I see that

669
00:32:33.640 --> 00:32:35.039
<v Speaker 4>as all, I'm like, oh God, I'm only going to

670
00:32:35.039 --> 00:32:36.960
<v Speaker 4>see it behind trees. It's gonna suck. We're not gonna

671
00:32:36.960 --> 00:32:39.240
<v Speaker 4>get a clear shot. But no, boom, it cuts to

672
00:32:39.920 --> 00:32:42.400
<v Speaker 4>a shot of Patty right there front and center, and

673
00:32:42.559 --> 00:32:45.440
<v Speaker 4>you can see everything, and it's way closer than the

674
00:32:45.480 --> 00:32:48.359
<v Speaker 4>sixty seven footage. You get a really good shot. There

675
00:32:48.480 --> 00:32:50.720
<v Speaker 4>is some movement the walk. I don't think it walks

676
00:32:50.759 --> 00:32:53.880
<v Speaker 4>as much as Bill mentioned, but it does do a walk,

677
00:32:54.279 --> 00:32:56.559
<v Speaker 4>and then it looks back at the camera and it's

678
00:32:56.680 --> 00:32:59.240
<v Speaker 4>almost looking like it's waiting for instructions on what to do.

679
00:33:00.039 --> 00:33:02.799
<v Speaker 4>And you can see it it's clearly the same suit.

680
00:33:02.960 --> 00:33:05.839
<v Speaker 4>It has breasts the head looks the same. It's the

681
00:33:05.880 --> 00:33:09.160
<v Speaker 4>same conical style. The color is spot on. I think

682
00:33:09.160 --> 00:33:10.960
<v Speaker 4>you said that it might be a little gray or something.

683
00:33:11.000 --> 00:33:14.000
<v Speaker 4>To me, it looks exactly, almost a charcoal black color.

684
00:33:14.680 --> 00:33:17.039
<v Speaker 4>It's Patty and all her glory. And one thing that

685
00:33:17.119 --> 00:33:20.079
<v Speaker 4>I haven't said is that behind Patty, this is the

686
00:33:20.119 --> 00:33:22.880
<v Speaker 4>first time I've said this, there's a dirt mound. You

687
00:33:22.960 --> 00:33:27.039
<v Speaker 4>can see this dirt mound that might have given away,

688
00:33:27.440 --> 00:33:29.720
<v Speaker 4>or maybe people will be able to analyze the size

689
00:33:29.839 --> 00:33:32.279
<v Speaker 4>once the footage comes out, you might be able to

690
00:33:32.279 --> 00:33:34.519
<v Speaker 4>analyze the size of that because there's some type of

691
00:33:34.640 --> 00:33:37.640
<v Speaker 4>dirt structure that's behind Patty. They do raise the foot

692
00:33:38.400 --> 00:33:40.799
<v Speaker 4>like the sixty seven footage, and when I see the foot,

693
00:33:40.920 --> 00:33:43.480
<v Speaker 4>it's the exact same foot we're seeing in the original

694
00:33:43.519 --> 00:33:46.920
<v Speaker 4>Patterson footage. It's just a dead giveaway. As soon as

695
00:33:47.000 --> 00:33:49.319
<v Speaker 4>I saw it, maybe a second into seeing and I

696
00:33:49.440 --> 00:33:52.799
<v Speaker 4>was like, Wow, that's Patty. And it's shocking because after

697
00:33:52.920 --> 00:33:56.240
<v Speaker 4>seeing the video so many times, you're seeing the same

698
00:33:56.359 --> 00:34:00.359
<v Speaker 4>subject but in a different video and a different glowation,

699
00:34:00.920 --> 00:34:03.480
<v Speaker 4>and so your brain just in that teases itself a

700
00:34:03.480 --> 00:34:05.559
<v Speaker 4>little bit. It felt really weird, like all the time

701
00:34:05.559 --> 00:34:08.280
<v Speaker 4>I'm watching with my mouth open. I'm just studying this thing.

702
00:34:08.800 --> 00:34:11.280
<v Speaker 4>I mean, it's one hundred percent Patty. It's clear, it's

703
00:34:11.320 --> 00:34:14.159
<v Speaker 4>evident that it's Patty. I've heard some people online say

704
00:34:14.199 --> 00:34:17.079
<v Speaker 4>it's a skinny air, it's not as bulky. It looks

705
00:34:17.159 --> 00:34:20.159
<v Speaker 4>exactly the same to me. And the rumor is that

706
00:34:20.480 --> 00:34:23.000
<v Speaker 4>it's al d Atlee in the suit this time, it's

707
00:34:23.079 --> 00:34:26.400
<v Speaker 4>not Bob Oronomous. They actually show Bob Eronymous the footage

708
00:34:26.400 --> 00:34:28.280
<v Speaker 4>and he's yep, that's the same suit, but that's not

709
00:34:28.440 --> 00:34:30.320
<v Speaker 4>me in the suit that time, So I thought that

710
00:34:30.480 --> 00:34:35.079
<v Speaker 4>was interesting too. But the footage is really crisp and clear.

711
00:34:35.199 --> 00:34:38.519
<v Speaker 4>There's less shaking. There's actually a lot less shaking, so

712
00:34:38.679 --> 00:34:41.239
<v Speaker 4>you get a good view of Patty. Like I said,

713
00:34:41.280 --> 00:34:43.719
<v Speaker 4>it's a lot closer. You're able to see the face

714
00:34:43.840 --> 00:34:47.639
<v Speaker 4>a lot better than the sixty seven footage. It's one

715
00:34:47.760 --> 00:34:51.079
<v Speaker 4>hundred percent Patty. And I think Lund was actually watching

716
00:34:51.119 --> 00:34:54.280
<v Speaker 4>the documentary and they do a side by side layout

717
00:34:54.400 --> 00:34:56.880
<v Speaker 4>like the backs both of them, and you can actually

718
00:34:56.960 --> 00:35:00.280
<v Speaker 4>see the lines and the dimples on both suits. They

719
00:35:00.400 --> 00:35:02.400
<v Speaker 4>show the foot but up in the air, and it's

720
00:35:02.480 --> 00:35:06.239
<v Speaker 4>the same foot, identical foot. It's unfortunate that Bill hasn't

721
00:35:06.239 --> 00:35:08.880
<v Speaker 4>seen the documentary because he didn't get to see the

722
00:35:08.920 --> 00:35:11.239
<v Speaker 4>comparison of both. And I know he said he wanted

723
00:35:11.280 --> 00:35:13.400
<v Speaker 4>to see clips. He wanted to be able to use

724
00:35:13.440 --> 00:35:15.599
<v Speaker 4>some of the stuff in this new forty second clip,

725
00:35:15.679 --> 00:35:18.679
<v Speaker 4>but unfortunately that didn't happen. And to me, that was

726
00:35:18.719 --> 00:35:21.199
<v Speaker 4>just a dead giveaway. When they're showing them side by side,

727
00:35:21.239 --> 00:35:24.079
<v Speaker 4>you're just like, Wow, that's the same suit. I haven't

728
00:35:24.159 --> 00:35:26.519
<v Speaker 4>talked to too many people who have seen the footage,

729
00:35:27.000 --> 00:35:29.000
<v Speaker 4>but the people I have talked to that have seen

730
00:35:29.000 --> 00:35:31.320
<v Speaker 4>the footage are not bigfoot people at all, and they're

731
00:35:31.360 --> 00:35:33.199
<v Speaker 4>basically like, yeah, of course, of the same suit, Like

732
00:35:33.280 --> 00:35:35.800
<v Speaker 4>you can tell right away, like it's obvious. I know

733
00:35:35.960 --> 00:35:39.519
<v Speaker 4>there's a lot of speculation about the way they walk

734
00:35:39.639 --> 00:35:41.960
<v Speaker 4>and the muscles popping out of the suit and stuff

735
00:35:42.039 --> 00:35:44.519
<v Speaker 4>like that, but to me, all that stuff is Nolan

736
00:35:44.599 --> 00:35:47.719
<v Speaker 4>void when you see the actual suit. You can argue

737
00:35:47.840 --> 00:35:52.679
<v Speaker 4>about when this was shot, recreation or whatever, but it's

738
00:35:52.719 --> 00:35:56.440
<v Speaker 4>the same suit. Unless Roger Patterson asked a real bigfoot

739
00:35:56.519 --> 00:35:59.280
<v Speaker 4>for a second take, it's the same suit. I'm sorry.

740
00:35:59.400 --> 00:36:01.199
<v Speaker 4>I hate to be the pair of bad news, but

741
00:36:01.400 --> 00:36:03.920
<v Speaker 4>it is what it is, and I think a lot

742
00:36:04.000 --> 00:36:06.840
<v Speaker 4>of people are going to be shocked when they see it.

743
00:36:06.920 --> 00:36:08.639
<v Speaker 4>I was just in shock and Ryan, and I hope

744
00:36:08.679 --> 00:36:10.840
<v Speaker 4>you film your reaction when you see this. I want

745
00:36:10.880 --> 00:36:12.440
<v Speaker 4>to see your reaction and see what you think.

746
00:36:13.119 --> 00:36:15.880
<v Speaker 3>I definitely can't wait to see it myself. I guess

747
00:36:15.920 --> 00:36:19.480
<v Speaker 3>the thing for me is I'm glad you broke that

748
00:36:19.639 --> 00:36:22.639
<v Speaker 3>down because I got the feeling that Bill he was

749
00:36:22.760 --> 00:36:25.039
<v Speaker 3>very honest. He said he saw this probably back in

750
00:36:25.119 --> 00:36:27.639
<v Speaker 3>twenty twenty four when they were filming, so it's been

751
00:36:27.840 --> 00:36:30.119
<v Speaker 3>a while since he's seen this footage. And that was

752
00:36:30.119 --> 00:36:33.119
<v Speaker 3>a very good point that you made. But he immediately

753
00:36:33.239 --> 00:36:36.119
<v Speaker 3>went to there's one of two things happening here. Either

754
00:36:36.239 --> 00:36:39.960
<v Speaker 3>what we're watching this forty second clip is a dry

755
00:36:40.119 --> 00:36:42.960
<v Speaker 3>run dress rehearsal for the PG film, or it is

756
00:36:43.039 --> 00:36:47.199
<v Speaker 3>a replica where they're trying to replicate what was filmed

757
00:36:47.320 --> 00:36:50.599
<v Speaker 3>in nineteen sixty seven. What we know is the Patterson

758
00:36:50.599 --> 00:36:53.159
<v Speaker 3>Gimlin film. And I didn't really press him on it.

759
00:36:53.239 --> 00:36:55.119
<v Speaker 3>I didn't push him on it, maybe as much as

760
00:36:55.159 --> 00:36:57.559
<v Speaker 3>I should have in the interview, but after the interview

761
00:36:57.599 --> 00:36:59.400
<v Speaker 3>and I've had time to let that settle, and I've

762
00:36:59.440 --> 00:37:02.119
<v Speaker 3>been a guest on couple of podcasts talking about this.

763
00:37:03.480 --> 00:37:05.840
<v Speaker 3>It makes no sense to me. And let me ask you.

764
00:37:06.159 --> 00:37:10.360
<v Speaker 3>You're a documentary filmmaker, You've produced your own documentary as

765
00:37:10.400 --> 00:37:13.159
<v Speaker 3>a layman who doesn't have a dog in any fight

766
00:37:13.280 --> 00:37:16.880
<v Speaker 3>when it comes to anything film related, it does not

767
00:37:17.079 --> 00:37:20.199
<v Speaker 3>make sense to me that you go out and film

768
00:37:20.440 --> 00:37:23.280
<v Speaker 3>the real thing. Why would you go back a year,

769
00:37:23.639 --> 00:37:28.039
<v Speaker 3>two years, a month, a week, ten years later and

770
00:37:28.199 --> 00:37:29.199
<v Speaker 3>try to replicate it.

771
00:37:30.079 --> 00:37:31.400
<v Speaker 5>It makes no sense to me.

772
00:37:32.239 --> 00:37:35.639
<v Speaker 3>Bill's thing was, I think, al Diatlee, they're going on

773
00:37:35.760 --> 00:37:38.039
<v Speaker 3>the road with this, they're charging people money to see

774
00:37:38.079 --> 00:37:40.599
<v Speaker 3>this film. He wanted to make sure that he wasn't

775
00:37:40.679 --> 00:37:43.400
<v Speaker 3>having his leg pulled, that Roger and Bob were pulling

776
00:37:43.440 --> 00:37:44.679
<v Speaker 3>a fast one on him, and.

777
00:37:44.760 --> 00:37:47.000
<v Speaker 5>That basically hoax this whole thing.

778
00:37:47.719 --> 00:37:50.599
<v Speaker 3>It makes no sense, al Datlee, from what I've even

779
00:37:50.679 --> 00:37:52.920
<v Speaker 3>heard you say, and I've heard other people say, he

780
00:37:53.079 --> 00:37:55.760
<v Speaker 3>was a shrewd businessman, not a very nice person.

781
00:37:55.840 --> 00:37:56.400
<v Speaker 5>I don't think.

782
00:37:56.440 --> 00:37:57.920
<v Speaker 3>I don't like to talk ill of the dead, but

783
00:37:58.199 --> 00:38:00.440
<v Speaker 3>he doesn't appear to be a very nice person. And

784
00:38:00.519 --> 00:38:03.360
<v Speaker 3>he doesn't strike me as the type that would just

785
00:38:03.440 --> 00:38:07.079
<v Speaker 3>go out and waste time, energy, effort, and money to

786
00:38:07.239 --> 00:38:11.480
<v Speaker 3>replicate something that everybody's already accepted as real. I think

787
00:38:11.519 --> 00:38:13.320
<v Speaker 3>I compared it on the show earlier when I was

788
00:38:13.360 --> 00:38:16.000
<v Speaker 3>talking about this. I've written five books.

789
00:38:16.840 --> 00:38:17.639
<v Speaker 5>I like the books.

790
00:38:17.719 --> 00:38:19.960
<v Speaker 3>People think they're great. I don't rewrite the books to

791
00:38:20.000 --> 00:38:21.079
<v Speaker 3>see if I can do it better.

792
00:38:21.639 --> 00:38:23.519
<v Speaker 5>You just do it and it is what it is.

793
00:38:23.599 --> 00:38:26.159
<v Speaker 5>So I'll stop talking and ask you a question.

794
00:38:26.760 --> 00:38:30.320
<v Speaker 3>As a filmmaker who produced your own documentary, does it

795
00:38:30.400 --> 00:38:32.440
<v Speaker 3>make sense to you that you got it right the

796
00:38:32.519 --> 00:38:34.079
<v Speaker 3>first time and then you go back and try to

797
00:38:34.159 --> 00:38:36.599
<v Speaker 3>replicate it afterwards, or does it make sense that you

798
00:38:36.679 --> 00:38:38.800
<v Speaker 3>want to get it right the first time, so you

799
00:38:38.920 --> 00:38:40.800
<v Speaker 3>practice until you get it that way and you get

800
00:38:40.840 --> 00:38:42.519
<v Speaker 3>the money shot the first time around.

801
00:38:43.519 --> 00:38:45.559
<v Speaker 4>Yeah, that's what I think. And you got to remember

802
00:38:45.639 --> 00:38:47.920
<v Speaker 4>back in the day, they didn't have viewfinders. They weren't

803
00:38:47.920 --> 00:38:49.800
<v Speaker 4>able to rewind the tape and play it right away.

804
00:38:50.639 --> 00:38:53.239
<v Speaker 4>They would have had to have some type of dry

805
00:38:53.400 --> 00:38:56.639
<v Speaker 4>run rehearsals to get it right. Because you're not on

806
00:38:56.800 --> 00:38:59.760
<v Speaker 4>Adobe editing stuff. You can't just go back and look

807
00:38:59.800 --> 00:39:01.840
<v Speaker 4>at it. You have to have that developed. You got

808
00:39:01.960 --> 00:39:03.960
<v Speaker 4>to go back and it's a painstaking thing to do.

809
00:39:04.159 --> 00:39:07.000
<v Speaker 4>So I think they needed to try it a couple

810
00:39:07.039 --> 00:39:09.320
<v Speaker 4>of times before they actually figured out the formula they

811
00:39:09.360 --> 00:39:11.880
<v Speaker 4>wanted to use, and I did hear Bill basically say

812
00:39:11.960 --> 00:39:15.599
<v Speaker 4>that you can't use the new footage to prove the

813
00:39:15.719 --> 00:39:18.800
<v Speaker 4>sixty seven footage is a hoax, because no one has

814
00:39:18.880 --> 00:39:22.199
<v Speaker 4>proved the sixty seven footage is a hoax before. So

815
00:39:22.519 --> 00:39:25.519
<v Speaker 4>I really couldn't understand the logic there. I don't know

816
00:39:25.559 --> 00:39:28.320
<v Speaker 4>there was rules to debunking the Bigfoot stuff or whatever,

817
00:39:28.480 --> 00:39:31.119
<v Speaker 4>but yeah, to me, it just makes no sense. And

818
00:39:31.159 --> 00:39:33.639
<v Speaker 4>if they did it afterwards, imagine they were busy with

819
00:39:33.719 --> 00:39:36.639
<v Speaker 4>their traveling making money, so why would you stop all

820
00:39:36.719 --> 00:39:39.159
<v Speaker 4>that to go back and film something else. To me,

821
00:39:39.239 --> 00:39:41.360
<v Speaker 4>it doesn't really make a whole lot of sense. And

822
00:39:42.280 --> 00:39:44.960
<v Speaker 4>I really can't understand that. And even some people were

823
00:39:45.000 --> 00:39:48.400
<v Speaker 4>saying this was part of the documentary or the film

824
00:39:48.480 --> 00:39:51.199
<v Speaker 4>that Roger was making. And people have said that Bob

825
00:39:51.239 --> 00:39:53.760
<v Speaker 4>Gimlin is dressed up in Native American gear and this

826
00:39:53.920 --> 00:39:56.199
<v Speaker 4>new stuff, and that's not the case at all. So

827
00:39:56.880 --> 00:40:00.199
<v Speaker 4>this is absolutely new footage. It's a dry run, it's

828
00:40:00.199 --> 00:40:03.840
<v Speaker 4>a rehearsal. And Jeff Meldrum basically said the same thing,

829
00:40:03.920 --> 00:40:06.719
<v Speaker 4>And I'm glad someone would send someone who is in

830
00:40:06.800 --> 00:40:09.800
<v Speaker 4>the community at the time, had the gumption to say, yeah,

831
00:40:09.880 --> 00:40:11.559
<v Speaker 4>this is a dry run. It looks like a drive run.

832
00:40:11.639 --> 00:40:15.440
<v Speaker 4>What else would it be. I just can't imagine them

833
00:40:15.519 --> 00:40:19.039
<v Speaker 4>trying to recreate something after To me, it doesn't hold water.

834
00:40:19.199 --> 00:40:20.679
<v Speaker 4>I can't sign any logic in that.

835
00:40:20.760 --> 00:40:23.199
<v Speaker 3>To be honest with you, Yeah, I'm the same way.

836
00:40:23.280 --> 00:40:26.239
<v Speaker 3>It just doesn't make any sense to me whatsoever. You

837
00:40:26.320 --> 00:40:27.840
<v Speaker 3>and I talked a little bit about this before we

838
00:40:27.920 --> 00:40:29.800
<v Speaker 3>hit the record button. But I've put this out there

839
00:40:29.880 --> 00:40:34.000
<v Speaker 3>as much as I can online on the show. I

840
00:40:34.119 --> 00:40:38.239
<v Speaker 3>did an entire newsletter about it. I've narrated the newsletter

841
00:40:38.280 --> 00:40:39.880
<v Speaker 3>and put it out there because I want people to

842
00:40:39.960 --> 00:40:41.960
<v Speaker 3>have as much information as I have, which is not

843
00:40:42.119 --> 00:40:44.840
<v Speaker 3>a ton. But here's the thing that I think is

844
00:40:44.960 --> 00:40:47.719
<v Speaker 3>the huge red herring that's been thrown out there since

845
00:40:47.800 --> 00:40:50.480
<v Speaker 3>this has come out. You basically broke the story in

846
00:40:50.519 --> 00:40:53.880
<v Speaker 3>the Bigfoot community about what you saw. Is that it

847
00:40:54.000 --> 00:40:56.679
<v Speaker 3>all comes down to I watched a video today the

848
00:40:56.760 --> 00:41:02.079
<v Speaker 3>Cabin in the Woods channel on YouTube arguing that nothing

849
00:41:02.239 --> 00:41:06.079
<v Speaker 3>really matters because the people who produce this film can't

850
00:41:07.159 --> 00:41:11.199
<v Speaker 3>show proof, whether it's receipts, where the film was developed

851
00:41:11.280 --> 00:41:15.960
<v Speaker 3>or whatever, as to when this was shot. Bill Munz said,

852
00:41:16.000 --> 00:41:18.000
<v Speaker 3>it to me on the show. It's right there for

853
00:41:18.039 --> 00:41:21.599
<v Speaker 3>everybody to listen to. He said, he held the film

854
00:41:21.719 --> 00:41:24.159
<v Speaker 3>that gave him the film, He looked at it with

855
00:41:24.280 --> 00:41:28.719
<v Speaker 3>a loop. He said, it is absolutely codochrome film, and

856
00:41:28.840 --> 00:41:32.880
<v Speaker 3>it was absolutely manufactured in nineteen sixty six. Of course,

857
00:41:32.920 --> 00:41:37.320
<v Speaker 3>he argues, there's no way to prove, because it was

858
00:41:37.760 --> 00:41:40.400
<v Speaker 3>made in nineteen sixty six that anything was filmed on it.

859
00:41:41.000 --> 00:41:43.920
<v Speaker 3>You can't prove when it was filmed, and that has

860
00:41:44.039 --> 00:41:47.480
<v Speaker 3>been the narrative. Unfortunately, maybe it was even because of

861
00:41:47.559 --> 00:41:49.639
<v Speaker 3>that interview that I did with him that I've even

862
00:41:49.719 --> 00:41:53.119
<v Speaker 3>further that narrative in the community. But I'm here to

863
00:41:53.159 --> 00:41:56.920
<v Speaker 3>say right now, if you stop and think critically, it

864
00:41:57.239 --> 00:42:02.599
<v Speaker 3>does not matter when that was filmed. It makes no

865
00:42:02.880 --> 00:42:07.280
<v Speaker 3>difference whatsoever. The only thing that matters is what's on

866
00:42:07.559 --> 00:42:12.840
<v Speaker 3>the film. And you just described in great detail what

867
00:42:13.039 --> 00:42:15.960
<v Speaker 3>you saw is what we know to be Patty in

868
00:42:16.239 --> 00:42:20.800
<v Speaker 3>the nineteen sixty seven Patterson Gimlin film. She's only supposed

869
00:42:20.840 --> 00:42:24.039
<v Speaker 3>to exist on one piece of film that was filmed

870
00:42:24.079 --> 00:42:27.880
<v Speaker 3>on October twentieth, nineteen sixty seven, by Roger Patterson with

871
00:42:27.960 --> 00:42:31.320
<v Speaker 3>his K one hundred camera on that sandbar in Bluff

872
00:42:31.400 --> 00:42:34.760
<v Speaker 3>Creek with Bob Gimlin at his side, point blank, period,

873
00:42:35.079 --> 00:42:38.800
<v Speaker 3>full stop. If what you say is true, and I

874
00:42:38.920 --> 00:42:42.480
<v Speaker 3>believe it to be Patty at a different time, whether

875
00:42:42.599 --> 00:42:46.400
<v Speaker 3>it was a day before, four days after, two years after,

876
00:42:46.800 --> 00:42:50.480
<v Speaker 3>matters not. If you saw Patty as we know her

877
00:42:50.880 --> 00:42:54.159
<v Speaker 3>in another piece of film on coda chrome film, no

878
00:42:54.280 --> 00:42:59.639
<v Speaker 3>matter when it was shot, that is one hundred percent case, closed,

879
00:43:00.760 --> 00:43:04.280
<v Speaker 3>done deal hoax in my opinion, do you agree with

880
00:43:04.360 --> 00:43:06.119
<v Speaker 3>that one hundred percent?

881
00:43:06.280 --> 00:43:08.239
<v Speaker 4>There is no way you're gonna be able to get

882
00:43:08.280 --> 00:43:10.639
<v Speaker 4>a bigfoot again on camera as clear as they did

883
00:43:10.679 --> 00:43:12.719
<v Speaker 4>the first time. Like I said, unless they ask for

884
00:43:12.840 --> 00:43:16.119
<v Speaker 4>another take, everything is nullified. Once you see that suit.

885
00:43:16.239 --> 00:43:19.280
<v Speaker 4>You can argue about when the film was shot, you

886
00:43:19.360 --> 00:43:23.119
<v Speaker 4>can argue about leg movement, you can argue about pretty

887
00:43:23.199 --> 00:43:27.719
<v Speaker 4>much anything. But once you see the suit, it's game over.

888
00:43:27.880 --> 00:43:30.320
<v Speaker 4>There's no going around it. And it is the same suit.

889
00:43:32.440 --> 00:43:34.440
<v Speaker 4>I can't wait for people to see this because I

890
00:43:34.480 --> 00:43:36.679
<v Speaker 4>feel like I'm a crazy person. No one else has

891
00:43:36.719 --> 00:43:38.320
<v Speaker 4>seen it, and I just keep saying the same thing,

892
00:43:38.440 --> 00:43:41.360
<v Speaker 4>but it's the same suit. I can't wait. The people

893
00:43:41.480 --> 00:43:43.880
<v Speaker 4>that have analyzed the PG film as much as they have,

894
00:43:44.400 --> 00:43:46.079
<v Speaker 4>I'd like to see what they're going to say about

895
00:43:46.119 --> 00:43:48.519
<v Speaker 4>this because it's going to do the same analyzation or whatever.

896
00:43:48.599 --> 00:43:50.000
<v Speaker 4>Because it's the same suit.

897
00:43:50.079 --> 00:43:50.280
<v Speaker 1>Guys.

898
00:43:50.440 --> 00:43:53.719
<v Speaker 4>Even doctor Meldrum jumps up from his chair. Those are breasts.

899
00:43:53.840 --> 00:43:58.000
<v Speaker 4>He's amazed that this same costume has breasts. He sees it.

900
00:43:58.119 --> 00:44:02.039
<v Speaker 4>He's a little teary eyed. He's realized what he's focused

901
00:44:02.039 --> 00:44:03.880
<v Speaker 4>a lot of his time with is a hoax. But

902
00:44:04.079 --> 00:44:06.760
<v Speaker 4>he's man enough to admit it. Basically says it's a

903
00:44:06.840 --> 00:44:09.239
<v Speaker 4>dry run. That's about it. And it's shocking to see

904
00:44:09.320 --> 00:44:11.639
<v Speaker 4>him say that. They show the footage to Bob Gimblin

905
00:44:11.719 --> 00:44:14.199
<v Speaker 4>also they ask him, Hey, Bob, who's on that horse?

906
00:44:14.239 --> 00:44:16.320
<v Speaker 4>And he just kind of looks up and gives a

907
00:44:16.360 --> 00:44:20.079
<v Speaker 4>little smile. And the interviews got short. It's sad, and

908
00:44:20.159 --> 00:44:22.760
<v Speaker 4>they tried asking him again at the conference there and

909
00:44:22.880 --> 00:44:24.800
<v Speaker 4>he looked like he was ready to come clean. He

910
00:44:24.920 --> 00:44:26.960
<v Speaker 4>was basically saying, yeah, I want to tell the truth.

911
00:44:27.000 --> 00:44:30.280
<v Speaker 4>I'm ready to tell the truth, and unfortunately his wife

912
00:44:30.360 --> 00:44:33.079
<v Speaker 4>got up and blocked the shot, canceled their interview that

913
00:44:33.159 --> 00:44:36.719
<v Speaker 4>they had scheduled. So it's really unfortunate. But it's the

914
00:44:36.800 --> 00:44:39.760
<v Speaker 4>same suit, guys, and fortunately it's the same suit, and

915
00:44:40.199 --> 00:44:42.440
<v Speaker 4>that's all I can really say until everybody sees it.

916
00:44:43.159 --> 00:44:46.119
<v Speaker 3>I've definitely reached out to several people that are close

917
00:44:46.159 --> 00:44:47.960
<v Speaker 3>to Bob. I've been trying to get something out of

918
00:44:48.039 --> 00:44:50.239
<v Speaker 3>him on the show, some sort of a statement. I

919
00:44:50.320 --> 00:44:53.079
<v Speaker 3>know he's not doing tons of interviews. He's in his

920
00:44:53.159 --> 00:44:56.519
<v Speaker 3>early nineties, but I do think the community wants to

921
00:44:56.599 --> 00:44:58.920
<v Speaker 3>hear what he has to say about this, so hopefully

922
00:44:59.000 --> 00:44:59.599
<v Speaker 3>that'll happen.

923
00:45:01.360 --> 00:45:03.480
<v Speaker 5>Stay tuned for more sasquatch Ott to see. We'll be

924
00:45:03.679 --> 00:45:05.320
<v Speaker 5>right back after these messages.

925
00:45:09.400 --> 00:45:11.280
<v Speaker 3>I want to be respectful your time. But one last

926
00:45:11.360 --> 00:45:13.239
<v Speaker 3>question that I asked Bill that he couldn't answer for

927
00:45:13.360 --> 00:45:15.880
<v Speaker 3>me that you certainly can. This is something that's come

928
00:45:16.000 --> 00:45:18.599
<v Speaker 3>up about the secondary evidence. I'll call it in this

929
00:45:18.800 --> 00:45:22.679
<v Speaker 3>whole thing. You mentioned the late doctor Jeff Meldrum. The

930
00:45:22.760 --> 00:45:24.440
<v Speaker 3>first time I ever had Jeff on the show, he

931
00:45:24.599 --> 00:45:28.320
<v Speaker 3>said to me, I remember it as clear as day, Brian,

932
00:45:28.559 --> 00:45:31.559
<v Speaker 3>I am as certain as I could possibly be, other

933
00:45:31.639 --> 00:45:34.599
<v Speaker 3>than standing on that sandbar right next to them, that's

934
00:45:34.639 --> 00:45:39.360
<v Speaker 3>a real creature based on the trackway and the tracks alone.

935
00:45:40.199 --> 00:45:42.760
<v Speaker 3>That was a question I asked Bill Muns because that

936
00:45:42.960 --> 00:45:45.239
<v Speaker 3>has been such a huge part of this it's not

937
00:45:45.559 --> 00:45:46.119
<v Speaker 3>just the film.

938
00:45:46.159 --> 00:45:46.400
<v Speaker 5>Again.

939
00:45:46.480 --> 00:45:48.960
<v Speaker 3>I'll go back to the it goes both ways, folks,

940
00:45:49.000 --> 00:45:52.159
<v Speaker 3>the totality of the circumstances if you have multiple pieces

941
00:45:52.199 --> 00:45:54.440
<v Speaker 3>of evidence that you can put together. And I think

942
00:45:54.519 --> 00:45:56.960
<v Speaker 3>that's what the big deal was for Jeff was the

943
00:45:57.079 --> 00:45:59.519
<v Speaker 3>trackway that he felt like was real.

944
00:46:00.320 --> 00:46:01.039
<v Speaker 5>But here's the thing.

945
00:46:02.159 --> 00:46:05.239
<v Speaker 3>If the film is a hoax, then all the secondary

946
00:46:05.320 --> 00:46:08.480
<v Speaker 3>evidence that comes after that, like you said, the bulge

947
00:46:08.519 --> 00:46:10.920
<v Speaker 3>that looks like a muscle on the leg, I don't

948
00:46:10.920 --> 00:46:13.079
<v Speaker 3>give a shit at this point because it's a guy

949
00:46:13.159 --> 00:46:16.079
<v Speaker 3>in a suit. So if it's a guy in a suit,

950
00:46:16.199 --> 00:46:19.000
<v Speaker 3>then those tracks are now null and void. They're not

951
00:46:19.119 --> 00:46:22.599
<v Speaker 3>even evidence at all. Do they address that at all

952
00:46:22.800 --> 00:46:25.320
<v Speaker 3>that you recall in the documentary? Do they talk about

953
00:46:25.360 --> 00:46:27.920
<v Speaker 3>the trackway and how that was made? Because Bill said

954
00:46:28.039 --> 00:46:30.480
<v Speaker 3>it was a four hour interview almost two years ago,

955
00:46:30.599 --> 00:46:33.480
<v Speaker 3>he couldn't recall specifically if they talked about that, and

956
00:46:33.559 --> 00:46:36.400
<v Speaker 3>he hasn't seen the documentary, But I was curious if

957
00:46:36.480 --> 00:46:38.599
<v Speaker 3>it was something that they even addressed, or if it

958
00:46:38.679 --> 00:46:41.239
<v Speaker 3>just didn't fit the narrative and it just wasn't there.

959
00:46:41.320 --> 00:46:43.360
<v Speaker 5>Do you recall if they talked about the trackway at all?

960
00:46:44.159 --> 00:46:46.239
<v Speaker 4>Yeah, So, When we got pulled into the Q and

961
00:46:46.320 --> 00:46:48.679
<v Speaker 4>A for the documentary, there were a couple of people

962
00:46:48.719 --> 00:46:50.719
<v Speaker 4>asking questions, and that was one of the questions that

963
00:46:50.800 --> 00:46:54.039
<v Speaker 4>popped up. What about the trackway the footprints? I believe

964
00:46:54.199 --> 00:46:56.440
<v Speaker 4>Mark said that they had filmed some stuff about that,

965
00:46:56.599 --> 00:46:59.280
<v Speaker 4>but it just didn't make it into the documentary. He

966
00:46:59.400 --> 00:47:01.280
<v Speaker 4>was saying during that part, there was a lot of

967
00:47:01.320 --> 00:47:03.480
<v Speaker 4>stuff that didn't make it into the documentary. I think

968
00:47:03.519 --> 00:47:06.039
<v Speaker 4>there's also a part where Clint mentions about the suit

969
00:47:06.159 --> 00:47:08.880
<v Speaker 4>being burned and a burn barrel. I asked him about that,

970
00:47:09.000 --> 00:47:10.679
<v Speaker 4>and he said they shot that, but it didn't make

971
00:47:10.679 --> 00:47:13.360
<v Speaker 4>it into the documentary. So he said that they might

972
00:47:13.440 --> 00:47:15.960
<v Speaker 4>be doing an extended version to have all of this

973
00:47:16.119 --> 00:47:18.199
<v Speaker 4>extra stuff in there. That would be really cool if

974
00:47:18.239 --> 00:47:21.360
<v Speaker 4>that ends up happening. Because there were some interesting questions

975
00:47:21.599 --> 00:47:24.559
<v Speaker 4>thrown at Clint and the producer and the director, they

976
00:47:24.639 --> 00:47:27.320
<v Speaker 4>answered pretty much everything, saying, we filmed a lot of stuff.

977
00:47:27.719 --> 00:47:30.400
<v Speaker 4>Unfortunately we had to condense this into an hour and

978
00:47:30.519 --> 00:47:33.320
<v Speaker 4>forty minutes. I'm sure they have enough stuff to make

979
00:47:33.400 --> 00:47:36.480
<v Speaker 4>like a three hour documentary or like even a mini series.

980
00:47:36.480 --> 00:47:38.639
<v Speaker 4>I'm sure that they've got so much foot as you're saying,

981
00:47:38.639 --> 00:47:42.159
<v Speaker 4>They interviewed Bill for four hours, and he's featured in

982
00:47:42.239 --> 00:47:44.559
<v Speaker 4>the documentary, but I don't think he's in there as

983
00:47:44.679 --> 00:47:48.760
<v Speaker 4>much as some of the other people like Meldrome, Clint Patterson, obviously,

984
00:47:48.880 --> 00:47:51.239
<v Speaker 4>Larry Lund and those folks. They bring him in towards

985
00:47:51.320 --> 00:47:53.400
<v Speaker 4>the end of the documentary to look at the footage

986
00:47:53.400 --> 00:47:56.320
<v Speaker 4>because he is a film expert in that aspect. That's

987
00:47:56.440 --> 00:47:59.000
<v Speaker 4>really the bulk of his information that he gives there.

988
00:47:59.039 --> 00:48:00.960
<v Speaker 4>He does talk a little bit about his history and

989
00:48:01.000 --> 00:48:04.400
<v Speaker 4>his involvement, but it's mainly towards the end of the documentary.

990
00:48:04.519 --> 00:48:07.239
<v Speaker 4>And it's interesting that they got four hours of footage

991
00:48:07.280 --> 00:48:09.920
<v Speaker 4>out of them because I could definitely see an extended

992
00:48:10.000 --> 00:48:12.599
<v Speaker 4>cut of this hitting the streaming platforms, which would be

993
00:48:12.639 --> 00:48:13.920
<v Speaker 4>amazing if that happens.

994
00:48:14.000 --> 00:48:16.280
<v Speaker 3>Yeah, like I said, I want to be respectful your time,

995
00:48:16.320 --> 00:48:18.440
<v Speaker 3>so I guess i'll give you the last word here.

996
00:48:19.000 --> 00:48:20.280
<v Speaker 3>I don't know if you want to talk about it

997
00:48:20.360 --> 00:48:22.480
<v Speaker 3>at all, but I know you've gotten some grief. I

998
00:48:22.599 --> 00:48:24.920
<v Speaker 3>know people have attacked you personally. I know it's been

999
00:48:25.039 --> 00:48:27.719
<v Speaker 3>a tough time. Honestly, I don't know if you want

1000
00:48:27.719 --> 00:48:29.960
<v Speaker 3>to speak to that. I think, to me, it's important

1001
00:48:30.039 --> 00:48:33.239
<v Speaker 3>that people hear that because you're just a dude going

1002
00:48:33.320 --> 00:48:36.679
<v Speaker 3>about life who went to see a documentary and you

1003
00:48:36.800 --> 00:48:38.960
<v Speaker 3>talked about what you saw, and people are coming out

1004
00:48:39.000 --> 00:48:42.519
<v Speaker 3>of the woodwork attacking you. I've gotten just a tiny

1005
00:48:42.599 --> 00:48:44.599
<v Speaker 3>bit of that from certain people in the community because

1006
00:48:44.639 --> 00:48:46.480
<v Speaker 3>I've just stood up and said, look, I just want

1007
00:48:46.519 --> 00:48:46.960
<v Speaker 3>the truth.

1008
00:48:47.199 --> 00:48:48.079
<v Speaker 5>Oh, you're a trader.

1009
00:48:48.199 --> 00:48:51.119
<v Speaker 3>You're not standing with Bob, you're against him. No, I'm

1010
00:48:51.159 --> 00:48:53.960
<v Speaker 3>not against anybody. I'm just for the truth. So how

1011
00:48:54.000 --> 00:48:55.920
<v Speaker 3>has that affected you. What's it been like just these

1012
00:48:56.000 --> 00:48:56.840
<v Speaker 3>last couple of weeks.

1013
00:48:57.400 --> 00:48:59.880
<v Speaker 4>It's been pretty wild. I'm not gonna lie. I've had

1014
00:48:59.920 --> 00:49:03.000
<v Speaker 4>a lot of threats and allegations thrown my way, people

1015
00:49:03.119 --> 00:49:06.480
<v Speaker 4>saying I was paid to be there. I actually paid

1016
00:49:06.559 --> 00:49:08.480
<v Speaker 4>to be there. I cost money out of my pocket

1017
00:49:08.519 --> 00:49:11.119
<v Speaker 4>to be there. Wasn't cheap, So throw that out of

1018
00:49:11.199 --> 00:49:13.360
<v Speaker 4>the window. People are even now The newest thing is

1019
00:49:13.480 --> 00:49:17.199
<v Speaker 4>they're actually dosing my place of work, which is pretty crappy.

1020
00:49:17.679 --> 00:49:20.880
<v Speaker 4>Luckily in my career, my boss is super cool, knows

1021
00:49:20.960 --> 00:49:23.440
<v Speaker 4>what I do as a hobby. I have a real

1022
00:49:23.519 --> 00:49:26.039
<v Speaker 4>job and stuff like that. They're really cool about it,

1023
00:49:26.119 --> 00:49:29.280
<v Speaker 4>and it's unfortunate that it's getting to that they're making

1024
00:49:29.400 --> 00:49:31.599
<v Speaker 4>memes of me and stuff like that, and a lot

1025
00:49:31.639 --> 00:49:35.679
<v Speaker 4>of it is coming from these legacy Bigfoot personalities that

1026
00:49:35.760 --> 00:49:38.960
<v Speaker 4>are pumping this out, not verbally but saying, check this

1027
00:49:39.079 --> 00:49:41.920
<v Speaker 4>guy out, something spishy about his story. We need to

1028
00:49:42.000 --> 00:49:45.320
<v Speaker 4>know pretty much everything about him. And so it's been interesting.

1029
00:49:45.440 --> 00:49:47.480
<v Speaker 4>But on the other side, I've had a lot of support.

1030
00:49:47.559 --> 00:49:49.320
<v Speaker 4>A lot of people have come forward to support me,

1031
00:49:49.480 --> 00:49:52.719
<v Speaker 4>like yourself and other people, and I'm really grateful for that.

1032
00:49:53.280 --> 00:49:57.199
<v Speaker 4>I had been emailing with someone from a entertainment magazine

1033
00:49:57.320 --> 00:50:00.800
<v Speaker 4>and they popped into the Their actually part of some

1034
00:50:00.960 --> 00:50:03.719
<v Speaker 4>groups in the Facebook and Reddit and stuff like that,

1035
00:50:04.159 --> 00:50:06.679
<v Speaker 4>and they're basically checking up on me, saying, hey, are

1036
00:50:06.719 --> 00:50:09.159
<v Speaker 4>you okay. We're seeing all this stuff going on. We

1037
00:50:09.239 --> 00:50:11.679
<v Speaker 4>wanted to ask you some questions and stuff, but we

1038
00:50:11.760 --> 00:50:14.639
<v Speaker 4>see you're getting abuse, so we might hold off on

1039
00:50:14.800 --> 00:50:16.719
<v Speaker 4>doing this if you're cool with that. I'm like, yeah,

1040
00:50:16.760 --> 00:50:20.440
<v Speaker 4>that's fine. Hopefully this all blows over once the documentary

1041
00:50:20.480 --> 00:50:23.400
<v Speaker 4>comes out, but we'll just have to wait and see again.

1042
00:50:23.599 --> 00:50:25.960
<v Speaker 4>It's shocking, but it's not unexpected. I'll say that.

1043
00:50:26.880 --> 00:50:28.480
<v Speaker 5>Yeah, that's the unfortunate part. Man.

1044
00:50:28.599 --> 00:50:31.559
<v Speaker 3>I truly appreciate what you've done, what you've put out there,

1045
00:50:31.719 --> 00:50:35.000
<v Speaker 3>you've put the video out initially, you've done follow up videos.

1046
00:50:35.039 --> 00:50:36.800
<v Speaker 5>You're coming on here, you're talking to me about it,

1047
00:50:36.920 --> 00:50:38.360
<v Speaker 5>So I appreciate it very much.

1048
00:50:38.440 --> 00:50:38.599
<v Speaker 2>Man.

1049
00:50:38.719 --> 00:50:41.960
<v Speaker 3>Everybody go over to Harry man Road YouTube channel. I

1050
00:50:42.039 --> 00:50:43.639
<v Speaker 3>have it linked right here in the show notes. You guys,

1051
00:50:43.679 --> 00:50:46.360
<v Speaker 3>show Eric some love, go watch some videos, subscribe to

1052
00:50:46.440 --> 00:50:48.760
<v Speaker 3>his channel, put it out there, let your friends know

1053
00:50:48.840 --> 00:50:49.119
<v Speaker 3>about it.

1054
00:50:49.280 --> 00:50:49.440
<v Speaker 1>Eric.

1055
00:50:49.519 --> 00:50:50.960
<v Speaker 3>Thank you so much for coming on, man. I've had

1056
00:50:51.000 --> 00:50:51.880
<v Speaker 3>a blast talking to you.

1057
00:50:52.840 --> 00:50:55.920
<v Speaker 4>Hey Man, thank you and anytime. I'm grateful for the

1058
00:50:56.000 --> 00:50:58.360
<v Speaker 4>opportunity to come on and just talk about what I've seen.

1059
00:51:00.159 --> 00:51:01.880
<v Speaker 5>Say you don't gotta.

1060
00:51:01.719 --> 00:51:10.199
<v Speaker 1>Go home, but you can't stay, and I don't want

1061
00:51:10.239 --> 00:51:10.840
<v Speaker 1>to be a.

1062
00:51:12.599 --> 00:51:14.039
<v Speaker 4>World open.

1063
00:51:36.159 --> 00:51:41.239
<v Speaker 2>Trying this chart, that chart everything, call me ride back,

1064
00:51:41.639 --> 00:51:46.599
<v Speaker 2>Ride back the joy for me Joy stay right there,

1065
00:51:48.639 --> 00:52:26.599
<v Speaker 2>coming right away. Sissie Still Stars Stands, Sissie Stay Still Still,

1066
00:52:26.880 --> 00:53:02.320
<v Speaker 2>Sass Games and Stass Studs, Thames Steadings, James
