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<v Speaker 5>You are now listening to True Murder, The most shocking

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<v Speaker 5>killers in true crime History and the authors that have

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<v Speaker 5>written about him. Gasey Bundy, Dahmer, The Nightstalker VTK Every

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<v Speaker 5>week another fascinating author talking about the most shocking and

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<v Speaker 5>infamous killers in true crime history. True Murder with your

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<v Speaker 5>host journalist and author Dan Zupanski, Good.

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<v Speaker 1>Evening from his cell on Death Row in Florida. Confess

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<v Speaker 1>serial killer Danny Rowling started writing and illustrating this novel

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<v Speaker 1>about the daggerman Secarius in nineteen ninety nine, seven years

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<v Speaker 1>before his two thousand and six execution for the five

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<v Speaker 1>murders he committed. In nineteen ninety drawing on years of research,

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<v Speaker 1>Rolling follows zoologist Sir Windsor Ashmole to the African island

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<v Speaker 1>of Moritus to assist doctor Borgum Konoff in saving endangered species,

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<v Speaker 1>but the doctor's dabbling in sinister forces, torturing the island's

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<v Speaker 1>girls in a mad quest for immortality as an alien relic,

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<v Speaker 1>gives him the superhuman powers of a cecarius. Caught in

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<v Speaker 1>the act, Konoff escapes to Boston, where he goes on

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<v Speaker 1>a murder rampage. Ashmole helps police track him, but the

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<v Speaker 1>power of the Relic is still protecting the elusive Secarius.

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<v Speaker 1>As the powers that be close in on the crazed killer,

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<v Speaker 1>a deal with the forces of darkness is broker by

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<v Speaker 1>a witch whose name is cath a nod to the

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<v Speaker 1>woman who served as Rollings muse in real life at

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<v Speaker 1>the time he dreamed up the tale. The novel was

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<v Speaker 1>published in two thousand and two by Plot Digger Publications,

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<v Speaker 1>a corporation owned by Canadian film maker Ryan Nicholson, who

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<v Speaker 1>died in twenty nineteen without renewing the copyright, so the

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<v Speaker 1>book was orphaned until twenty twenty two when Sondra London

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<v Speaker 1>gave new life to this tale that Rowling had originally

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<v Speaker 1>asked her to publish. The book that were featured in

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<v Speaker 1>this sevening is Sicarius. Sondra London presents Death Row Fiction

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<v Speaker 1>by a Serial Killer, with my special guest, journalist and

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<v Speaker 1>author and true crime author Sondra London. Welcome to the program,

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<v Speaker 1>and thank you so much for this interview. Sondra London.

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<v Speaker 4>Oh, thank you, Dan, You're my favorite podcaster.

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<v Speaker 1>Thank you so much, Sondra London, and congratulations on this

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<v Speaker 1>very very interesting book. Let's talk about right from the

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<v Speaker 1>very beginning, you in the introduction call this warnings about

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<v Speaker 1>free speech and the new normal, calls for warnings on

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<v Speaker 1>anything that might offend anyone. You write about Securius was

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<v Speaker 1>written by a serial killer on death row tell us

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<v Speaker 1>why free speech is so important as actually in regards

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<v Speaker 1>to this book.

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<v Speaker 4>Okay, well, I'm a free speech radical. I don't believe

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<v Speaker 4>in any form of compelled speech or limited speech at all.

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<v Speaker 4>So that's my personal bias. I've been punished in court,

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<v Speaker 4>had my life ruined over this issue. So I'm entitled

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<v Speaker 4>to speak, and I speak about this book and introductory

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<v Speaker 4>terms specifically because the world has changed so much since

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<v Speaker 4>Danny Rowling wrote it, and there are forces at work

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<v Speaker 4>in our culture that are demanding compelled speech and demanding

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<v Speaker 4>that things not be said, the words not be used,

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<v Speaker 4>and I'm not going to honor any of that. I've

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<v Speaker 4>published this myself because anytime a establishment publisher gets a

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<v Speaker 4>hold of materials such as I've produced over the years,

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<v Speaker 4>they want to they really want to censor it, let's

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<v Speaker 4>put it that way, and it's not helpful. I think

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<v Speaker 4>that censoring the thoughts and expressions specifically involving violence. I

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<v Speaker 4>don't think that it accomplishes what they imagine it should,

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<v Speaker 4>it doesn't stop violence. Instead, it drives the violent impulse

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<v Speaker 4>deeper into the darkness, and in the dark side of

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<v Speaker 4>the personality is where all the powerful drives are that

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<v Speaker 4>we lose control off. So the more that we are

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<v Speaker 4>able to deal with things consciously and openly, at least

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<v Speaker 4>we won't have these shadow impulses coming along from we

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<v Speaker 4>don't even know where and causing so much trouble. So

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<v Speaker 4>I think the impulse to censor all expression until it

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<v Speaker 4>is inoffensive is very wrong. And I think it's very

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<v Speaker 4>very wrong when it comes to violence because at this point,

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<v Speaker 4>violence is easy to commit at a distance and without

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<v Speaker 4>any visceral involvement. And I believe that there's a lot

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<v Speaker 4>of people who are seduced into committing violence because they

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<v Speaker 4>don't realize what it means and what it does and

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<v Speaker 4>what it does to themselves. And so I think if

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<v Speaker 4>we really listen to people like Nanny Rowling who've been

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<v Speaker 4>there and done that, there are things that they have

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<v Speaker 4>learned that we need to learn. We can't learn them.

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<v Speaker 4>And we're not going to cross that fatal line and

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<v Speaker 4>we're not going to break the law and become killers.

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<v Speaker 4>But we would like to know what they learned from

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<v Speaker 4>the other side, and the way you do that is

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<v Speaker 4>by communication.

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<v Speaker 1>You write about transgressive writing that criminal behavior is transgressive

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<v Speaker 1>for involves violating the boundaries of the social contract. Tell

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<v Speaker 1>us about transgressive fiction.

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<v Speaker 4>Well, I'm just giving an official notice. That is very

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<v Speaker 4>nature of this document. We are dealing with the behavior

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<v Speaker 4>that crosses boundaries, and so please do not bring in

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<v Speaker 4>an inappropriate censorship mindset to this book. If you don't

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<v Speaker 4>like that, then just close that book sooner the better.

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<v Speaker 1>Tell us about your first book, death Row fiction.

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<v Speaker 4>My first book was Knocking on Joe Voices from Death Row,

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<v Speaker 4>and I had set out in this Zene revolution. Remember

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<v Speaker 4>in the eighties, I coached venes which were like a

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<v Speaker 4>self published small magazines that you could order directly from

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<v Speaker 4>the publisher. That was viens right, And so I was

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<v Speaker 4>doing that and I had imprint called Media Queen. And

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<v Speaker 4>so this is gentleman. Paul Woods from UK writes to

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<v Speaker 4>me and says, I want to become a publisher and

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<v Speaker 4>I want to publish your stuff you published on your

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<v Speaker 4>Media Queen, and I want to call it Knocking on

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<v Speaker 4>Joe Voices from Death row because there's a Nick Cave

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<v Speaker 4>song about it, and I'm like whatever. So that was

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<v Speaker 4>the book. That was how it got published. Got published

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<v Speaker 4>in England to very small circulation, but it made a

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<v Speaker 4>big impact because in England no one's allowed to talk

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<v Speaker 4>to prisoners. Interesting, this book was full of all this

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<v Speaker 4>inside baseball, you know, inside American prisons. So in England

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<v Speaker 4>it was quite impactful.

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<v Speaker 1>You read about your next book, killer fiction with the

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<v Speaker 1>serial killer's actual fantasies and false confessions. Tell us about that.

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<v Speaker 4>Gerard John Schaefer is where I started because I knew

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<v Speaker 4>him when I was a teenager and he was a

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<v Speaker 4>nice boy. I dated for a year, and it was

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<v Speaker 4>nine years later that he hit the headlines as a

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<v Speaker 4>serial killer. It was a roague cop of practice, seeing

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<v Speaker 4>his homicidal line passes behind the badge, and we see

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<v Speaker 4>in nineteen seventy three that he went to prison for life.

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<v Speaker 4>And then the only thing that happened of interest to

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<v Speaker 4>our story here is that we came up to nineteen

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<v Speaker 4>eighty eight. We'll just have to skip a lot, folks,

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<v Speaker 4>because we only have a little time. So up in

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<v Speaker 4>eighty eight, I was making a good living as a

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<v Speaker 4>technical writer, consultant, but the economy was bad. So I

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<v Speaker 4>was looking around and they executed Bundy, and all the

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<v Speaker 4>news was about serial killers, and so I said, I

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<v Speaker 4>knew a serial killer better than Anne Rule did, so

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<v Speaker 4>let me just see if I can write a book

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<v Speaker 4>about that. I thought it would just be, you know,

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<v Speaker 4>a project, one of many projects, and I would go

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<v Speaker 4>on other things. But it was not to be. I

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<v Speaker 4>started out with Schaeffer, and it's just that one thing

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<v Speaker 4>led to another.

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<v Speaker 1>Tell us about the beginnings of the five years you

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<v Speaker 1>spent with Danny Rowling. Tell us about the origins of

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<v Speaker 1>your correspondence.

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<v Speaker 4>Listen, yea, how quick I can make this transition. So

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<v Speaker 4>I'm working with Shaeffer. Along comes Bobby Lewis, who says

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<v Speaker 4>I have better stories than Shaeffer. Published my stories, and

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<v Speaker 4>he said, I escaped from death row and when they

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<v Speaker 4>brought me back, they put me alone on death row

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<v Speaker 4>with Ted Bundy. So I have these stories. So I'm like, oh, okay.

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<v Speaker 4>And so I worked on stories of Bobby's for about

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<v Speaker 4>a year or so, and then when they brought Danny

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<v Speaker 4>Rolling in after he'd been charged with five murders that

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<v Speaker 4>he had committed nineteen ninety they put him with Bobby Lewis,

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<v Speaker 4>and Bobby Lewis showed Danny Rowling the screenplay I had

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<v Speaker 4>written about Bobby Lewis's escape from Depth row It was

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<v Speaker 4>called Redbone, and it's a great story, but I don't

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<v Speaker 4>say so myself. But Danny Rowling saw that script, Redbone,

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<v Speaker 4>and he said, whoever wrote this, I want them to

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<v Speaker 4>help me write my story. And he wrote to me

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<v Speaker 4>and asked me to help him work on his story

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<v Speaker 4>with him.

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<v Speaker 1>Now, ideally you would have wanted to visit with him personally.

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<v Speaker 1>That didn't happen. Tell us why and how was this

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<v Speaker 1>book written and how did you collaborate between you?

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<v Speaker 4>Naturally, everyone knew that we wanted this pation. So therefore

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<v Speaker 4>that was used to manipulate Danny Rowling, the fact that

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<v Speaker 4>that's what he wanted. And so it's a long story,

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<v Speaker 4>quite a long story, and really beyond the scope of

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<v Speaker 4>a few minutes together here. But the desire to visit

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<v Speaker 4>was manipulated by the State's Attorney's Office Number one, number two.

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<v Speaker 4>Danny Rowling had death wish and you want he was

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<v Speaker 4>guilty and he wanted to be executed and to pay

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<v Speaker 4>for his crimes and Danny Rowling insisted that I cooperate

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<v Speaker 4>with him and the State's Attorney's office to ensure that

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<v Speaker 4>he'd be executed. Now this is the story you will

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<v Speaker 4>hear about my role with Danny Rowling. You won't hear

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<v Speaker 4>it because of certain reasons that were timely at the time.

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<v Speaker 4>But now I can talk a little bit more about

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<v Speaker 4>really happened there. Our desire to visit was used to

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<v Speaker 4>coerce a confession from Danny Rowling that led to his execution.

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<v Speaker 4>Both Danny and I were very frustrated and found it

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<v Speaker 4>very difficult to work together. But look unintended consequences, y'all.

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<v Speaker 4>That's what made the story I have so rock solid,

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<v Speaker 4>because every single thing isn't writing and it's in his words.

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<v Speaker 4>You don't have to rely on me going into a visit,

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<v Speaker 4>not allowed a pencil, not allowed of paper, much less

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<v Speaker 4>a tape recorder, talk to him for eight hours, and

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<v Speaker 4>come out and try to write about it. Okay, you

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<v Speaker 4>don't have that with this case. Absolutely you have is

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<v Speaker 4>it had to be in his own words, and that

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<v Speaker 4>makes it all the more authentic. The forces that were

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<v Speaker 4>posing Danny Rowling and myself didn't want any good at

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<v Speaker 4>all to come out of our interaction, but their very

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<v Speaker 4>efforts to stop it made it better.

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<v Speaker 1>Now, tell us about your writing coach, you as a

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<v Speaker 1>writing coach, and how you introduced him to the world

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<v Speaker 1>of self expression. He had told you about his songs.

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<v Speaker 1>He was very proud of the songs he had written.

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<v Speaker 1>Tell us about this introduction into the world of self expression.

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<v Speaker 1>Why did you do this, what did you believe you

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<v Speaker 1>might gain from this? Tell us about this project?

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<v Speaker 4>Okay, I had come off or let's said, started with

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<v Speaker 4>John Shafer. John Jafer had a degree in creative writing

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<v Speaker 4>along with criminal justice. He wasn't as smart as me,

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<v Speaker 4>but compared to your average prisoner, he was the regular Einstein,

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<v Speaker 4>and he was very creative and prolific in expressing himself

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<v Speaker 4>in writing. Then you're Bobby Lewis, a high school drop

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<v Speaker 4>out but mister personality and had a winning way with words,

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<v Speaker 4>very fluent and easy. And then your autist Toole, who

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<v Speaker 4>was illiterate and required a whole different approach. And so

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<v Speaker 4>then came Danny Rowling. And Danny Rowling's problem was that

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<v Speaker 4>he was psychologically in very poor condition. And he says himself,

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<v Speaker 4>he's had dozens of shrinks plowing through his mind, and

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<v Speaker 4>they all come to different conclusions. But you can just

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<v Speaker 4>say that he was very mentally ill, and he was

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<v Speaker 4>a trauma veteran. He had been abused since before he

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<v Speaker 4>was born. It's on the record witnessed and sworn that

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<v Speaker 4>his father kicked that pregnant abdomen, that his father strangled

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<v Speaker 4>that pregnant woman and threw her downstairs. So the abuse

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<v Speaker 4>on Danny started before he was even a real baby.

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<v Speaker 4>So he had in some no self esteem and he

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<v Speaker 4>didn't have enough self esteem to express himself. And his

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<v Speaker 4>very first record though, he was so excited about a

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<v Speaker 4>tape he had made with songs on it that that

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<v Speaker 4>was in his very first introductory letter to me. I

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<v Speaker 4>have this tape. I can't wait for you to hear it.

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<v Speaker 4>And so that was a that went on and on

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<v Speaker 4>and on, but just to say that's how important it

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<v Speaker 4>was to Danny Okay, that he had reached out in

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<v Speaker 4>this way to the world to express himself and that

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<v Speaker 4>he wanted to share that with me immediately. So as

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<v Speaker 4>we went along, we started working and asking him prompts

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<v Speaker 4>and working back and forth and showing him better ways

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<v Speaker 4>to get across the things that he was trying to

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<v Speaker 4>do interactively. And there was a little sentence that I

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<v Speaker 4>thought was kind of cute that I've put excerpted for

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<v Speaker 4>the Making of a Serial Killer, Reese, and look where

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<v Speaker 4>it comes to writing, and you're like a Ferrari and

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<v Speaker 4>I'm more like a go cart that you know, it

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<v Speaker 4>was funny, but that was true. But he handled it

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<v Speaker 4>in the best way possible, and you know, to laugh

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<v Speaker 4>at himself and to continue to improve it was It's

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<v Speaker 4>like bringing water for the first time to a plant

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<v Speaker 4>that had been wrongfully thrown into the desert. And the

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<v Speaker 4>way that he grew with his skills was just it

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<v Speaker 4>was gratifying to me, okay, working with him, but it

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<v Speaker 4>was also quite astonishing. I mean, you just really wouldn't

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<v Speaker 4>believe the human creature would be capable. When I first

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<v Speaker 4>started with him, he could barely write a letter, and

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<v Speaker 4>by the time we got to the point four, about

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<v Speaker 4>four and a half years later, he wrote his confessions,

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<v Speaker 4>The Murder Confessions. He wrote twenty twenty three page documents

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<v Speaker 4>that didn't require a single change in a coma of

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<v Speaker 4>phrase nothing. They were published exactly as he was able

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<v Speaker 4>to come to terms with being able to do it

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<v Speaker 4>now with his art work again. It was heartbreaking to

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<v Speaker 4>see how all this talent was married. And he'd be

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<v Speaker 4>writing a letter along and then he would burst into

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<v Speaker 4>pictures like you know on a play where they burst

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<v Speaker 4>into song, right, would burst into graphics. And to start,

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<v Speaker 4>you know, he's writing words and then he's it's a

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<v Speaker 4>picture and everything, and I'm like, and then he draws

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<v Speaker 4>really good ones, and then I'm like, Danny, you're an artist.

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<v Speaker 4>Now what I want you to do? And you want

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<v Speaker 4>to draw a picture, Take a page all by itself,

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<v Speaker 4>draw the picture, sign it and date it, okay, And

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<v Speaker 4>like a dream student, he'd just suck that right up,

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<v Speaker 4>and anyone who asks anything from Danny Rowling knows that

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<v Speaker 4>it's dated and signed. He'd put his initials on the

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<v Speaker 4>bottom of every one of the five thousand pages of

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<v Speaker 4>letters that he sent me once I gave him that instruction,

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<v Speaker 4>and then he began because he could see himself reflect

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<v Speaker 4>fit in my eyes, and he could see the value there,

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<v Speaker 4>and that gave him the confidence to go ahead and

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<v Speaker 4>try things. And that he wouldn't dare. He wouldn't dare

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<v Speaker 4>do anything. He was like a huddled up, little dry

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<v Speaker 4>shell of a person. It's a drawing he did of

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<v Speaker 4>a tree. Half of it is dead, the other half

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<v Speaker 4>is haunted, and the only animation is a tiny, little,

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<v Speaker 4>tiny little face about as big as a baseball at

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<v Speaker 4>the heart of the tree. And that's how his true

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<v Speaker 4>spirit had to hide from the constant trauma that had

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<v Speaker 4>been visited upon him. So that was a condition he

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<v Speaker 4>was in, and so the work that we did was

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00:19:43.480 --> 00:19:47.880
<v Speaker 4>able to just rehabilitate his condition. In general, and of course,

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<v Speaker 4>being incarcerated I think is healthy because you have a

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<v Speaker 4>regular schedule, you have regular food, you have a place

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<v Speaker 4>to sleep, and everything is predictable, well everything, of course,

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<v Speaker 4>but you know what I mean. And so a person

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<v Speaker 4>doesn't have to make a lot of decisions and maybe

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<v Speaker 4>foolish decisions. And so I think I've seen a number

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<v Speaker 4>of cases whereas after the person is taken into custody,

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00:20:12.799 --> 00:20:16.279
<v Speaker 4>after about sixty days there they are stable enoughter where

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<v Speaker 4>they can a real personality. He's able to be exhibited.

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<v Speaker 1>Right, tell us what the secarious title, where it comes from,

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<v Speaker 1>Where it's derived from, Where likely Danny Rowling had read

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<v Speaker 1>about it or heard about it.

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<v Speaker 4>Okay, we're talking about the Middle East there, and that

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00:20:32.279 --> 00:20:36.279
<v Speaker 4>area would cover many countries at this point, but broadly

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<v Speaker 4>in the Middle East. There was a word sicca as

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00:20:39.920 --> 00:20:44.000
<v Speaker 4>i CII would spell it in English, but it crossed

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<v Speaker 4>both your Hebrew and your sandsprit and various language Rootstika

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00:20:50.599 --> 00:20:54.200
<v Speaker 4>means a knife, okay, means something you stick with, hold

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<v Speaker 4>it in your hand and stick somebody with it time

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<v Speaker 4>and time again. That was called a cicca. So were

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<v Speaker 4>you to go on Google and search the word sicca,

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00:21:03.160 --> 00:21:06.279
<v Speaker 4>the pictures that would come up would look different. That

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<v Speaker 4>merely speaks to how broad this phenomenon was. That you

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<v Speaker 4>looked different in different times in places, but they are sicca.

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<v Speaker 4>So here's how this came down. This was when the

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<v Speaker 4>Romans conquered the Jews and they occupied Jerusalem. Okay, many

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<v Speaker 4>of the Jews fought this occupation, and they were called Vella.

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<v Speaker 4>They were very vellous about fighting to keep Jerusalem Jewish.

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<v Speaker 4>The sekari I were the first to cloak and dagger assassins.

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<v Speaker 4>They wore a cloak and they carried asika, and they

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<v Speaker 4>a sicarius would go into the marketplace, a crowded venue,

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<v Speaker 4>maybe in the temple, where there are many people bustling

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<v Speaker 4>up against one another and pull dagger out and stab

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<v Speaker 4>the victim, and then further ends to pretend to be

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<v Speaker 4>scared and run away. Everybody runs away and it's all

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00:22:10.000 --> 00:22:13.079
<v Speaker 4>confusing and they never get caught. The thing that made

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<v Speaker 4>them different from Zella's was the Sekarii. There at Masada,

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<v Speaker 4>we're killing collaborators. Okay, they were killing the Jews who

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<v Speaker 4>were going along with the occupation. So that's what differentiated

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<v Speaker 4>them from the Zoahs. Today we hear the word sicario

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<v Speaker 4>used in pop culture because it's used in Latin America

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<v Speaker 4>and it means the same thing, an assassin stabber. Now,

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<v Speaker 4>where did Danny Rowling get the idea of secari eye

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<v Speaker 4>in the first place, kind of an exotic word. Well,

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<v Speaker 4>we will point out that Paul the Apostle mention the

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<v Speaker 4>Secarii and the Book of Acts, so it's quite possible

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<v Speaker 4>that that's where he first heard the word.

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<v Speaker 1>Now you talk about Secarius when you were his writing

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<v Speaker 1>coach and his editor and encouraging his artwork and the

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<v Speaker 1>inclusion of that in this story. Did he tell you

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<v Speaker 1>why he chose the title Secarius?

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<v Speaker 4>No, he never did. He just wrote it to me.

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<v Speaker 4>This is something starting to write now called Secarius, and

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<v Speaker 4>I didn't know what it meant. I had to look

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<v Speaker 4>it up.

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<v Speaker 1>So tell us more about this process of encouragement and

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<v Speaker 1>this writing coach and the development of this story.

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<v Speaker 4>Okay, so you remember we were working together, collaborating by

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<v Speaker 4>correspondence in order to do this book. I was sued

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00:23:53.160 --> 00:23:56.680
<v Speaker 4>before the book was written, so that mistake could threaten

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<v Speaker 4>me to stop, stop, don't do this. And as I

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<v Speaker 4>pointed out to them, I'm not doing this for the money.

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<v Speaker 4>I'm doing this because you're telling me not to and

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<v Speaker 4>I'm not going to allow you to do that. That

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<v Speaker 4>this is my project. And they said that they were

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<v Speaker 4>going to seize my profits before it was even written,

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<v Speaker 4>and that's you know, that's not lawful. You might be

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<v Speaker 4>aware of that, but that was what was done. So

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<v Speaker 4>we proceed working in that manner, disregarding all the difficulties

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<v Speaker 4>that were being put upon us in that way. Meanwhile,

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<v Speaker 4>be any World and continued to petition for visitation, and

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<v Speaker 4>we continued to go through an elaborate rigmarole every time,

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<v Speaker 4>with new made up rules and new made up reasons

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<v Speaker 4>and all that. At one point they said that okay,

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<v Speaker 4>we were friends, but our friendship was not leading to marriage.

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<v Speaker 4>So that's why they would refuse us visitation. So we

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<v Speaker 4>consulted among ourselves and said, okay, it needs to make marriage,

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<v Speaker 4>and then they had another new rule, right, so it

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<v Speaker 4>never ended. During the time I was working with him,

381
00:25:08.319 --> 00:25:12.240
<v Speaker 4>he became very wise about what I meant about an

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00:25:12.279 --> 00:25:16.359
<v Speaker 4>exclusive story. He saw all the suffering I was going

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<v Speaker 4>through because I was working with him, and he became

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<v Speaker 4>more and more compassionate of my position and very very

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<v Speaker 4>protective of his own story in order to keep our

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<v Speaker 4>project going, and because it had to be exclusive, and

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00:25:31.440 --> 00:25:34.559
<v Speaker 4>that put him in another kind of isolation because he

388
00:25:34.720 --> 00:25:38.799
<v Speaker 4>was by me, he was correspond with anyone. And once

389
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<v Speaker 4>we got the confessions written, once we got Making a

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<v Speaker 4>Serial Killer published, then there came a day where the

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<v Speaker 4>warden came to Danny Rowling's cell, which is very very rare,

392
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<v Speaker 4>but he did and told him he might as well

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<v Speaker 4>give it up because he was never going to see me.

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<v Speaker 4>And at that point Danny Rowling conceded the battle and

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<v Speaker 4>said he was going to have to just give this up,

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00:26:07.880 --> 00:26:12.640
<v Speaker 4>this exclusive arrangement. So at that point we both said, okay,

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00:26:13.119 --> 00:26:15.559
<v Speaker 4>you can write anyone, you can do anything you want.

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<v Speaker 4>You're free no obligation to me. He still had an

399
00:26:18.799 --> 00:26:23.000
<v Speaker 4>obligation to me regarding the murder confessions up in Louisiana,

400
00:26:23.160 --> 00:26:27.000
<v Speaker 4>which he respected until the moment of his execution. He

401
00:26:27.119 --> 00:26:29.759
<v Speaker 4>gave me those confessions and he would not give them

402
00:26:29.799 --> 00:26:32.480
<v Speaker 4>to anyone else, although he did, for the record admit

403
00:26:32.559 --> 00:26:35.480
<v Speaker 4>his guilt, but he did not give the full twenty

404
00:26:35.519 --> 00:26:39.240
<v Speaker 4>three page account of what happened there and went on

405
00:26:39.279 --> 00:26:42.400
<v Speaker 4>in his mind. I still have that he gave it

406
00:26:42.440 --> 00:26:46.440
<v Speaker 4>to me, okay, So he had a complete respect for

407
00:26:46.519 --> 00:26:51.559
<v Speaker 4>our relationship, but he was corresponding with other people. So

408
00:26:51.680 --> 00:26:54.839
<v Speaker 4>then during that period was when he wrote to me

409
00:26:55.079 --> 00:26:59.920
<v Speaker 4>about Secarious. It said in his letter, when I get done,

410
00:27:00.400 --> 00:27:04.559
<v Speaker 4>i'll send it to you. But because of the pressures

411
00:27:04.680 --> 00:27:08.319
<v Speaker 4>going on behind bars, and we have no idea what

412
00:27:08.440 --> 00:27:12.319
<v Speaker 4>that's like, you know, living at the pleasure of status,

413
00:27:12.599 --> 00:27:15.599
<v Speaker 4>in power and things you can't say, there are things

414
00:27:15.640 --> 00:27:19.079
<v Speaker 4>you can't say. So one thing and another happened, and

415
00:27:19.319 --> 00:27:23.759
<v Speaker 4>the manuscript wound up in the hands of an individual

416
00:27:24.079 --> 00:27:28.079
<v Speaker 4>who's well known to be of low character. His same

417
00:27:28.079 --> 00:27:32.720
<v Speaker 4>as Tim Carning And I'm not going to say anything libelous.

418
00:27:32.720 --> 00:27:38.480
<v Speaker 4>It's all through story. He had that manuscript to Secarius

419
00:27:38.559 --> 00:27:43.039
<v Speaker 4>on his website for sale for five thousand dollars or years.

420
00:27:43.480 --> 00:27:47.079
<v Speaker 4>And I don't know what happened to that manuscript. And

421
00:27:47.359 --> 00:27:51.279
<v Speaker 4>Ben Carnig is the same individual who put out a

422
00:27:51.400 --> 00:27:55.079
<v Speaker 4>story that Danny Rowling was gay and that he had

423
00:27:55.799 --> 00:27:59.920
<v Speaker 4>love letters from Danny Rowling to these others inmate was

424
00:28:00.000 --> 00:28:03.640
<v Speaker 4>it's not true. And I had the classification officer in

425
00:28:03.759 --> 00:28:07.160
<v Speaker 4>charge of the whole fair confirmed to me that this

426
00:28:07.519 --> 00:28:10.960
<v Speaker 4>alleged gay lover of his had never even been on

427
00:28:11.000 --> 00:28:15.720
<v Speaker 4>the same wing as Danny Rowling. But Ken Carnig was

428
00:28:15.880 --> 00:28:19.680
<v Speaker 4>running up and down the world telling everyone Danny Rowling

429
00:28:19.799 --> 00:28:23.759
<v Speaker 4>was gay. And so at that time when that was

430
00:28:24.480 --> 00:28:27.759
<v Speaker 4>going on, I'm going to read you what Danny Rowling

431
00:28:27.839 --> 00:28:32.400
<v Speaker 4>had to say about King Carnig. King Carnig said, Danny

432
00:28:32.599 --> 00:28:36.319
<v Speaker 4>on right the day for Christmas in nineteen ninety six,

433
00:28:36.640 --> 00:28:39.960
<v Speaker 4>and give himself a hydrochloric acid in amu. For all

434
00:28:40.000 --> 00:28:43.359
<v Speaker 4>I care that lion piece of gutter slime. I wouldn't

435
00:28:43.400 --> 00:28:46.359
<v Speaker 4>dirty a blade on him. The only reason that Punk

436
00:28:46.480 --> 00:28:49.480
<v Speaker 4>runs his mouth is because he can feel secure that

437
00:28:49.599 --> 00:28:53.839
<v Speaker 4>I'm paged on Florida's death row How would low life

438
00:28:53.920 --> 00:28:56.519
<v Speaker 4>if I could get my hands on him, I'd beat

439
00:28:56.640 --> 00:29:01.160
<v Speaker 4>him to death. Okay, So that's how Danny Rolling felt

440
00:29:01.240 --> 00:29:05.920
<v Speaker 4>about the person who held this book prevented it from

441
00:29:05.960 --> 00:29:09.759
<v Speaker 4>reaching our listeners and our readers. That was Ken Coronick.

442
00:29:10.119 --> 00:29:13.799
<v Speaker 4>So somehow or another, the book, the book's contents, wound

443
00:29:13.920 --> 00:29:17.359
<v Speaker 4>up with a man who did special effects makeup out

444
00:29:17.359 --> 00:29:21.359
<v Speaker 4>of Canada. He published it and then very very very

445
00:29:21.400 --> 00:29:25.279
<v Speaker 4>small circulation and then died. And then so as I

446
00:29:25.440 --> 00:29:29.640
<v Speaker 4>was moving around the world, I kept asking these collectors

447
00:29:29.720 --> 00:29:34.279
<v Speaker 4>and fans, anyone know whatever happened to that book Secarious,

448
00:29:34.559 --> 00:29:37.279
<v Speaker 4>And all through the years everyone said they didn't know,

449
00:29:37.359 --> 00:29:40.400
<v Speaker 4>but they were looking for it too. So it just

450
00:29:40.480 --> 00:29:44.240
<v Speaker 4>became up to a gentleman by the name Wade Gardner

451
00:29:44.559 --> 00:29:48.319
<v Speaker 4>who was kind enough to send me his very very

452
00:29:48.480 --> 00:29:52.039
<v Speaker 4>very rare book. So that enabled me to bring this

453
00:29:52.119 --> 00:29:53.720
<v Speaker 4>to print at last.

454
00:29:54.160 --> 00:29:56.400
<v Speaker 1>You say there was considerable work that you had to do,

455
00:29:56.440 --> 00:30:00.200
<v Speaker 1>and you talk about that incredible work and using software

456
00:30:00.279 --> 00:30:03.480
<v Speaker 1>and restoring the art and the original text and daunting,

457
00:30:03.759 --> 00:30:05.519
<v Speaker 1>daunting project that you had.

458
00:30:05.720 --> 00:30:10.559
<v Speaker 4>It was this book crudely printed on paper that had yellowed,

459
00:30:10.799 --> 00:30:15.720
<v Speaker 4>and the print had you know, faded to gray, so

460
00:30:15.839 --> 00:30:18.359
<v Speaker 4>it was sort of between the orange page and the

461
00:30:18.400 --> 00:30:23.319
<v Speaker 4>gray print and the art org was degraded. But fortunately

462
00:30:23.480 --> 00:30:28.039
<v Speaker 4>Wade had his hands on the original artwork and he

463
00:30:28.279 --> 00:30:31.640
<v Speaker 4>provided me with high resolution scans to use for the book.

464
00:30:31.680 --> 00:30:35.519
<v Speaker 4>Instead of scanning the way it was printed in that tiny,

465
00:30:35.640 --> 00:30:41.400
<v Speaker 4>little paperback book, I was able to get good, strong images.

466
00:30:41.720 --> 00:30:44.640
<v Speaker 4>And then I also included in this book that I

467
00:30:44.720 --> 00:30:49.920
<v Speaker 4>put out fifty or more other images from my collection

468
00:30:50.079 --> 00:30:54.359
<v Speaker 4>of Danny Rowling's art org. They were not in the original.

469
00:30:54.039 --> 00:30:57.680
<v Speaker 1>You right that this is offered. This book is offered

470
00:30:57.920 --> 00:31:01.920
<v Speaker 1>for you to use as as you have, for others

471
00:31:01.920 --> 00:31:04.519
<v Speaker 1>to use as you have, as a glass to peer

472
00:31:04.880 --> 00:31:08.799
<v Speaker 1>into the mind of the homicidal maniac. Brought it forth

473
00:31:08.960 --> 00:31:12.559
<v Speaker 1>by hand, word from word from a dungeon at the

474
00:31:12.640 --> 00:31:15.400
<v Speaker 1>dead end of murder Road. And you say, although the

475
00:31:15.519 --> 00:31:19.839
<v Speaker 1>genre is fiction, it's provenance is all too real.

476
00:31:20.319 --> 00:31:26.720
<v Speaker 4>Yes, well, I'd like to analyze that, basing my analysis

477
00:31:26.920 --> 00:31:33.960
<v Speaker 4>on a commonplace observation by Sigmund Freud he relied on

478
00:31:34.039 --> 00:31:39.640
<v Speaker 4>when he did his psychoanalysis of dreams. According to Freud,

479
00:31:39.680 --> 00:31:42.799
<v Speaker 4>it was productive for him and his patients to go

480
00:31:42.880 --> 00:31:47.079
<v Speaker 4>over their dreams and think about every person that was

481
00:31:47.119 --> 00:31:50.799
<v Speaker 4>in the dreams some part of their own self. So

482
00:31:50.920 --> 00:31:53.599
<v Speaker 4>I wanted to take that approach when looking at the

483
00:31:53.759 --> 00:31:58.920
<v Speaker 4>characters that were brought work in this fiction by Danny Rowling,

484
00:31:59.480 --> 00:32:05.559
<v Speaker 4>and also look at even current day psychological practice treating

485
00:32:05.759 --> 00:32:11.079
<v Speaker 4>children with a sandbox therapy where you put the child

486
00:32:11.319 --> 00:32:15.119
<v Speaker 4>at a sandbox with an infinite array of little figures

487
00:32:15.160 --> 00:32:19.279
<v Speaker 4>and toys, and the therapist just kind of watches as

488
00:32:19.440 --> 00:32:24.319
<v Speaker 4>the child makes up dramas with the figures and acts

489
00:32:24.359 --> 00:32:29.799
<v Speaker 4>them out. Because there's more to telling the truth than

490
00:32:29.960 --> 00:32:33.200
<v Speaker 4>just words. And I don't believe that you can do

491
00:32:33.279 --> 00:32:38.599
<v Speaker 4>anything without revealing who you are every gesture. That's why

492
00:32:38.720 --> 00:32:42.960
<v Speaker 4>we have grapho analysis to look at your handwriting and

493
00:32:43.519 --> 00:32:45.920
<v Speaker 4>go from that to who you are. And you know

494
00:32:46.599 --> 00:32:49.359
<v Speaker 4>it can be a nonsense, but you know there are

495
00:32:49.400 --> 00:32:55.359
<v Speaker 4>also corporations to employ graphal analysis for applicants, so it's

496
00:32:55.480 --> 00:33:00.720
<v Speaker 4>not at all invalid to take this approach. Literature, we

497
00:33:00.799 --> 00:33:04.119
<v Speaker 4>have a thing called a fallacy, which means it's like

498
00:33:04.160 --> 00:33:09.519
<v Speaker 4>a pitfall you could fall into, called the intentional fallacy,

499
00:33:10.079 --> 00:33:13.400
<v Speaker 4>where the earnest to a student of literature is not

500
00:33:14.200 --> 00:33:19.359
<v Speaker 4>to try to plumb the intentions of the author, but

501
00:33:19.599 --> 00:33:22.799
<v Speaker 4>to allow the work to stand on its own two

502
00:33:22.920 --> 00:33:26.880
<v Speaker 4>legs and leave the author out of it, because I

503
00:33:26.920 --> 00:33:30.400
<v Speaker 4>think they come up with that fallacy because I think

504
00:33:30.440 --> 00:33:33.839
<v Speaker 4>it's only natural to look at a work of art

505
00:33:34.400 --> 00:33:38.240
<v Speaker 4>and to wonder what in the world was the artist

506
00:33:38.319 --> 00:33:42.200
<v Speaker 4>thinking when they did that. But where caution is students

507
00:33:42.240 --> 00:33:45.559
<v Speaker 4>of literature not to practice that, because it's a fallacy.

508
00:33:46.559 --> 00:33:49.400
<v Speaker 4>So let me explain to your audience. And I'm aware

509
00:33:49.480 --> 00:33:52.599
<v Speaker 4>of that, and now we're going to do it anyway

510
00:33:53.039 --> 00:33:57.319
<v Speaker 4>if you don't mind. Absolutely, I think it's useful, and

511
00:33:57.359 --> 00:34:00.240
<v Speaker 4>the other reasons is very useful. It is because they

512
00:34:00.319 --> 00:34:05.519
<v Speaker 4>Rowling literally had multiple personalities, and you can quibble over

513
00:34:05.559 --> 00:34:09.360
<v Speaker 4>that on your own time. You didn't have to deal

514
00:34:09.440 --> 00:34:12.960
<v Speaker 4>with him day after day, year after year. And a

515
00:34:13.039 --> 00:34:17.639
<v Speaker 4>person who really has multiple personalities, it's just a part

516
00:34:17.679 --> 00:34:21.880
<v Speaker 4>of them, and Danny Rowling did so there. So when

517
00:34:21.920 --> 00:34:24.920
<v Speaker 4>we come to the characters that he lays out here,

518
00:34:25.239 --> 00:34:29.559
<v Speaker 4>I can explain to you how each character would exemplify

519
00:34:30.079 --> 00:34:35.000
<v Speaker 4>an aspect of Danny Rowling in a way that helps

520
00:34:35.079 --> 00:34:40.239
<v Speaker 4>us understand him and the terrible loss of control that

521
00:34:41.400 --> 00:34:45.639
<v Speaker 4>ruins so many lives that he experienced. Just to start

522
00:34:46.679 --> 00:34:50.599
<v Speaker 4>with this analysis, I want to go into the very

523
00:34:50.679 --> 00:34:56.079
<v Speaker 4>idea of knife crime. The dagger man, why did he

524
00:34:56.360 --> 00:35:00.400
<v Speaker 4>choose to title it and to focus it on the

525
00:35:00.519 --> 00:35:04.679
<v Speaker 4>use of that particular weapon, the knife. Okay, so if

526
00:35:04.679 --> 00:35:07.599
<v Speaker 4>it was just about murder, just about anything would do,

527
00:35:07.840 --> 00:35:12.119
<v Speaker 4>so long as the target was rendered dead, right, But no,

528
00:35:12.559 --> 00:35:16.639
<v Speaker 4>there's something about a knife for Danny Rowling. And I

529
00:35:16.840 --> 00:35:21.400
<v Speaker 4>find myself once again quoting from what he wrote for

530
00:35:21.519 --> 00:35:25.679
<v Speaker 4>me in the Making of a Serial Killer, and so pointing,

531
00:35:25.760 --> 00:35:27.880
<v Speaker 4>and I just really want to share it with you,

532
00:35:28.199 --> 00:35:32.079
<v Speaker 4>Danny says. I'll say this much. Once a knife's blade

533
00:35:32.400 --> 00:35:38.400
<v Speaker 4>has tasted human flesh, it becomes transformed from mere metal

534
00:35:38.480 --> 00:35:43.159
<v Speaker 4>and leather to an entity which thirsts for more and

535
00:35:43.320 --> 00:35:49.119
<v Speaker 4>more blood. In fact, it even smells different, sweeter, the

536
00:35:49.280 --> 00:35:53.719
<v Speaker 4>sickening sweet smell of power to take life word out

537
00:35:54.159 --> 00:35:56.199
<v Speaker 4>on its tempered edge.

538
00:35:56.559 --> 00:35:58.800
<v Speaker 1>Let's use this as an opportunity to stop to hear

539
00:35:58.840 --> 00:36:02.679
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540
00:36:02.960 --> 00:36:06.480
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541
00:36:06.519 --> 00:36:09.599
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542
00:36:09.960 --> 00:36:16.239
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543
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544
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545
00:36:23.960 --> 00:36:27.639
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546
00:36:27.719 --> 00:36:31.360
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547
00:36:31.519 --> 00:36:35.679
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548
00:36:35.719 --> 00:36:40.199
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549
00:36:40.199 --> 00:36:43.639
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550
00:36:43.840 --> 00:36:47.719
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551
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552
00:36:52.800 --> 00:36:59.679
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553
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<v Speaker 1>Talkspace is affordable and in network with most major insurers.

554
00:37:05.880 --> 00:37:08.920
<v Speaker 1>As a listener of this podcast, you'll get one hundred

555
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556
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557
00:37:15.719 --> 00:37:19.840
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558
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<v Speaker 1>true murder to get one hundred dollars off your first

559
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560
00:37:27.840 --> 00:37:33.159
<v Speaker 1>dot com slash true murder. You just quoted from Danny

561
00:37:33.280 --> 00:37:37.280
<v Speaker 1>Rowling and the power and the importance of the knife

562
00:37:37.800 --> 00:37:42.000
<v Speaker 1>in this secarious story and in his crimes, and we

563
00:37:42.000 --> 00:37:48.199
<v Speaker 1>were talking about his disassociative identity personality disorder, and these

564
00:37:48.440 --> 00:37:52.239
<v Speaker 1>fragmented character of Danny Rowling at the time that you

565
00:37:52.400 --> 00:37:55.000
<v Speaker 1>had met him, and all of the characters that you

566
00:37:55.159 --> 00:37:59.239
<v Speaker 1>said you experienced in this five years of collaboration with

567
00:37:59.320 --> 00:38:03.519
<v Speaker 1>Danny Rolling, tell us about the basic premise of this

568
00:38:03.679 --> 00:38:06.920
<v Speaker 1>plot and some of the characters that he introduces.

569
00:38:07.400 --> 00:38:10.119
<v Speaker 4>Okay, well, the camera if you will, and the first

570
00:38:10.199 --> 00:38:15.440
<v Speaker 4>person speaking is a character that he calls Sir Windsor

571
00:38:16.079 --> 00:38:20.280
<v Speaker 4>Ashmole the third and you know, he is a little

572
00:38:20.320 --> 00:38:25.719
<v Speaker 4>bit like Dickens in that the names he chooses allude

573
00:38:26.280 --> 00:38:31.679
<v Speaker 4>to certain qualities. This one alludes to a higher class.

574
00:38:31.960 --> 00:38:34.960
<v Speaker 4>First all, he's a thirst so that's something. But Windsor

575
00:38:35.000 --> 00:38:38.559
<v Speaker 4>he supposed a w I in se er, I know

576
00:38:38.800 --> 00:38:42.559
<v Speaker 4>that he knows it's Windsors. The Royal Windsors is wy

577
00:38:42.719 --> 00:38:45.920
<v Speaker 4>and d. But he's supposed at Windsor, so that brings

578
00:38:45.960 --> 00:38:50.760
<v Speaker 4>it in the association to Winsing Mincing. Okay. So he

579
00:38:50.880 --> 00:38:54.719
<v Speaker 4>is a proper, a proper person with a secure position,

580
00:38:54.840 --> 00:39:00.679
<v Speaker 4>a good education, Okay, very privileged, but essentially he's moral

581
00:39:00.880 --> 00:39:03.800
<v Speaker 4>person who's trying to do the right thing. Now, if

582
00:39:03.840 --> 00:39:07.039
<v Speaker 4>we compare that to Danny Rowling. Of course he's not privileged,

583
00:39:07.360 --> 00:39:11.199
<v Speaker 4>but he was capable of the kind of scholarly introspection

584
00:39:11.360 --> 00:39:14.639
<v Speaker 4>that is required to write a book, because after all,

585
00:39:14.719 --> 00:39:18.719
<v Speaker 4>he did. And so in that sense he even become

586
00:39:18.800 --> 00:39:23.559
<v Speaker 4>stable enough within himself that he could be familiar with

587
00:39:23.599 --> 00:39:27.760
<v Speaker 4>that kind of personality within himself, someone who could be

588
00:39:27.800 --> 00:39:32.159
<v Speaker 4>a reliable narrator and carry the plot forward. Okay, so

589
00:39:32.280 --> 00:39:35.400
<v Speaker 4>that's I'm not saying that's the Danny Rowling who cut

590
00:39:35.440 --> 00:39:38.880
<v Speaker 4>of girls had off. Do you understand right, Okay, that

591
00:39:39.559 --> 00:39:44.559
<v Speaker 4>in this disorder, those different personalities do not blend, do

592
00:39:44.719 --> 00:39:49.519
<v Speaker 4>not mix, do not know each other, and frankly don't

593
00:39:49.840 --> 00:39:54.599
<v Speaker 4>like each other. So try to remember that so that

594
00:39:54.679 --> 00:39:57.719
<v Speaker 4>this character is are really our men carry is the

595
00:39:57.719 --> 00:40:00.719
<v Speaker 4>pivotal point telling the story. But it's a good thing

596
00:40:00.760 --> 00:40:04.039
<v Speaker 4>he's a little dull because that puts more contrast on

597
00:40:04.400 --> 00:40:08.480
<v Speaker 4>the main character, the real interest. And he starts out

598
00:40:08.599 --> 00:40:13.400
<v Speaker 4>as introduced as a doctor borgum Kana kind of name

599
00:40:13.480 --> 00:40:17.000
<v Speaker 4>is that no one's ever been named that? I what

600
00:40:17.039 --> 00:40:21.679
<v Speaker 4>does that remind me of? Boris Carlos? Yes, absolutely, And

601
00:40:21.880 --> 00:40:26.079
<v Speaker 4>so I'm thinking Danny's reaching around for a sound that's

602
00:40:26.159 --> 00:40:31.599
<v Speaker 4>gonna sound connor like a big most guy. Uh and

603
00:40:31.679 --> 00:40:36.559
<v Speaker 4>he comes up with this doctor borgam Kanna. Okay, so

604
00:40:36.719 --> 00:40:40.000
<v Speaker 4>this is a really the criminal side of Danny rolling.

605
00:40:40.039 --> 00:40:43.800
<v Speaker 4>I don't mean the murderer, but the robber will gun swinger,

606
00:40:44.000 --> 00:40:47.960
<v Speaker 4>running around taking all kinds of crazy risks and on

607
00:40:48.000 --> 00:40:51.480
<v Speaker 4>his motorcycle and all that kind of stuff. And that

608
00:40:51.519 --> 00:40:55.400
<v Speaker 4>would be the other side of Danny's personality, that would

609
00:40:55.400 --> 00:41:00.559
<v Speaker 4>be borgham Kana. But there's more to boredom Kanna because

610
00:41:00.599 --> 00:41:05.280
<v Speaker 4>he is a multiple personalities scene. And then in the

611
00:41:05.320 --> 00:41:09.719
<v Speaker 4>book he is going mad. When we start the book,

612
00:41:09.760 --> 00:41:12.760
<v Speaker 4>he's right on the edge of losing it. Okay, He's

613
00:41:12.800 --> 00:41:17.440
<v Speaker 4>been torturing girls and he's getting caught and he isn't

614
00:41:17.440 --> 00:41:22.400
<v Speaker 4>handling it well and he's misbehaving. And then he jumps

615
00:41:22.400 --> 00:41:27.320
<v Speaker 4>on a plane and escapes from Mauritius, the island Kingdom,

616
00:41:27.719 --> 00:41:31.199
<v Speaker 4>and goes to America. By the time he gets to America,

617
00:41:31.400 --> 00:41:36.559
<v Speaker 4>he's no longer bored fun Off. He's doctor Victor Grigory,

618
00:41:36.960 --> 00:41:42.400
<v Speaker 4>and he also is a phony and he pretends to

619
00:41:42.440 --> 00:41:49.360
<v Speaker 4>be respectable, a veterinarian. Okay, he uses that social credit

620
00:41:49.880 --> 00:41:53.880
<v Speaker 4>to get by he come to America. Now, compare that

621
00:41:54.039 --> 00:41:58.840
<v Speaker 4>to what Nanny Rowling did by robbing grocery stores and banks,

622
00:41:58.920 --> 00:42:03.599
<v Speaker 4>filling Hiss with a lot of cash. He was playing

623
00:42:03.679 --> 00:42:08.800
<v Speaker 4>the free wheeling tourist in Sarasota, Florida with a new

624
00:42:09.400 --> 00:42:16.000
<v Speaker 4>identity and passing himself off as a respectable person. So

625
00:42:16.199 --> 00:42:19.639
<v Speaker 4>that is really what this Grigory is. Still the same guy.

626
00:42:19.719 --> 00:42:23.360
<v Speaker 4>I remember, right, he's known as Gregory, doctor Gregory. That's

627
00:42:23.400 --> 00:42:27.159
<v Speaker 4>what he was doing in America. He's passing himself off.

628
00:42:27.519 --> 00:42:33.719
<v Speaker 4>Now you look at the all right, he the mythological, fantastical,

629
00:42:34.360 --> 00:42:43.840
<v Speaker 4>science fiction level supernatural abilities that emerge from him is Secarious. Okay.

630
00:42:43.960 --> 00:42:49.280
<v Speaker 4>So Secarious is like a spirit that comes out of

631
00:42:49.960 --> 00:42:54.440
<v Speaker 4>doctor Knoff of Grigory, that character, all right, And in

632
00:42:54.639 --> 00:42:59.599
<v Speaker 4>so doing, you compare that to Danny Rowling housing a

633
00:42:59.760 --> 00:43:03.880
<v Speaker 4>murder demon that he called Gemini. Yes, now, in the

634
00:43:03.920 --> 00:43:10.960
<v Speaker 4>book Secarious, the supernatural spirit has some very flashy powers

635
00:43:11.280 --> 00:43:16.719
<v Speaker 4>that he uses. In the true story of Danny rolling Jimi,

636
00:43:17.159 --> 00:43:21.960
<v Speaker 4>he attributed the powers to Gemini that were very trivial.

637
00:43:22.519 --> 00:43:26.159
<v Speaker 4>And the example is when he went to the first

638
00:43:26.760 --> 00:43:31.800
<v Speaker 4>door in Gainesville and tried to open it. It didn't open,

639
00:43:32.400 --> 00:43:36.480
<v Speaker 4>and so he prayed the Gemini and said, okay, Jemini,

640
00:43:36.679 --> 00:43:40.480
<v Speaker 4>you really want me to do this, then open this door.

641
00:43:41.000 --> 00:43:43.800
<v Speaker 4>So then when he tried it again, it came right open.

642
00:43:44.079 --> 00:43:47.320
<v Speaker 4>So he said, well that proves it. Say that's the

643
00:43:47.360 --> 00:43:50.440
<v Speaker 4>way the psychotic mind will work. But at any rate,

644
00:43:50.639 --> 00:43:54.280
<v Speaker 4>that was how Danny thought of Gemini, and he felt

645
00:43:54.320 --> 00:43:59.079
<v Speaker 4>that Gemini was some alien spirit that took advantage of

646
00:43:59.239 --> 00:44:03.199
<v Speaker 4>his broken hand mind to invade and to will his

647
00:44:03.480 --> 00:44:08.039
<v Speaker 4>puppet flesh to do evil things. Okay, so it's out

648
00:44:08.079 --> 00:44:12.960
<v Speaker 4>of his control. Now. I mentioned earlier that flashy aspect,

649
00:44:13.599 --> 00:44:18.320
<v Speaker 4>high risk aspect that was he called Enad. Inad is

650
00:44:18.360 --> 00:44:23.960
<v Speaker 4>the word Danny backwards, kay, But he distinguishes Ad that

651
00:44:24.159 --> 00:44:26.440
<v Speaker 4>is a pretty rough guy. Inad is the guy who

652
00:44:26.519 --> 00:44:31.920
<v Speaker 4>knew how to do time. Quite frankly, he little Danny

653
00:44:32.320 --> 00:44:35.239
<v Speaker 4>was not the kind of person who could handle being

654
00:44:35.280 --> 00:44:41.960
<v Speaker 4>in jail. Little Danny is curled up somewhere, completely silent inside,

655
00:44:42.360 --> 00:44:46.679
<v Speaker 4>and Inad walks the yard like a man. Okay, So

656
00:44:46.800 --> 00:44:53.079
<v Speaker 4>that's Inad. But Gemini he has uneasy relationship with. So

657
00:44:53.920 --> 00:44:59.119
<v Speaker 4>that's the comparison I make to the character that from

658
00:44:59.199 --> 00:45:04.239
<v Speaker 4>which the murdered demons Curious emerges in a similar way.

659
00:45:04.639 --> 00:45:10.039
<v Speaker 1>Okay, insecarious there are elements of Frankenstein, it seems. With

660
00:45:10.159 --> 00:45:14.840
<v Speaker 1>the electrodes attached to the women's temples, Yeah, you create

661
00:45:14.960 --> 00:45:19.840
<v Speaker 1>this different character. Yeah, But throughout this entire story he

662
00:45:20.159 --> 00:45:22.920
<v Speaker 1>seems like a decent writer, a very good writer. But

663
00:45:23.280 --> 00:45:29.000
<v Speaker 1>the immaturity of the sexual relations in the book is noticeable. Yes,

664
00:45:29.039 --> 00:45:34.800
<v Speaker 1>and it does demonstrate something about Danny Rowling and how

665
00:45:34.880 --> 00:45:37.639
<v Speaker 1>he views women, especially because he has all the freedom

666
00:45:37.679 --> 00:45:39.920
<v Speaker 1>in the world to write about them anyway he wants.

667
00:45:40.079 --> 00:45:44.119
<v Speaker 4>Yeah, because because I gave him that freedom, and so

668
00:45:44.480 --> 00:45:47.840
<v Speaker 4>that's why. And so that's the only way you're going

669
00:45:47.920 --> 00:45:50.800
<v Speaker 4>to find out what's in there. You can't be standing

670
00:45:50.880 --> 00:45:53.960
<v Speaker 4>their wagon your finger. Oh no, No, that's naughty. You

671
00:45:54.119 --> 00:45:56.840
<v Speaker 4>can't say that. You know, you have to say I

672
00:45:57.000 --> 00:46:03.039
<v Speaker 4>respect your standing as someone who's committed heinous, horrible crimes

673
00:46:03.119 --> 00:46:06.719
<v Speaker 4>people can't even imagine. And you are sitting there facing

674
00:46:07.280 --> 00:46:10.559
<v Speaker 4>your execution for this. You were sitting on death row

675
00:46:10.599 --> 00:46:13.440
<v Speaker 4>in the worst neighborhood in the world. Everybody around you

676
00:46:13.599 --> 00:46:18.039
<v Speaker 4>is crazy and homicidal, and there you are. I respect

677
00:46:18.119 --> 00:46:18.800
<v Speaker 4>that you.

678
00:46:19.599 --> 00:46:22.880
<v Speaker 1>But what I'm saying is that it's very interesting that

679
00:46:23.159 --> 00:46:27.679
<v Speaker 1>how his attitudes towards women. Ultimately, this murderer of women,

680
00:46:28.360 --> 00:46:33.079
<v Speaker 1>revealing his attitudes in this book and the absolute immaturity

681
00:46:33.239 --> 00:46:37.199
<v Speaker 1>that he has about sexual relations itself. He's talking like

682
00:46:37.320 --> 00:46:40.480
<v Speaker 1>he read he had only read Penthouse Forum back in

683
00:46:40.559 --> 00:46:43.920
<v Speaker 1>the day, and that's how he understands the relationship with

684
00:46:44.079 --> 00:46:44.400
<v Speaker 1>a woman.

685
00:46:44.679 --> 00:46:48.480
<v Speaker 4>Yes, it wasn't just women. Going back to making a

686
00:46:48.599 --> 00:46:52.440
<v Speaker 4>serial killer, he relays out he thought maybe joining organized

687
00:46:52.480 --> 00:46:55.480
<v Speaker 4>crime would be a good idea at one point, and

688
00:46:55.679 --> 00:46:59.000
<v Speaker 4>that was just the carnival. It's just the clown show

689
00:47:00.440 --> 00:47:03.039
<v Speaker 4>where he tried to get in with the mafia and

690
00:47:03.440 --> 00:47:07.000
<v Speaker 4>really fell on his butt like a bozo, and he

691
00:47:07.199 --> 00:47:09.880
<v Speaker 4>reveals that he just didn't know how to act.

692
00:47:10.599 --> 00:47:13.719
<v Speaker 1>You write about some of the things that he had

693
00:47:13.840 --> 00:47:17.880
<v Speaker 1>said later Danny Rowling had said about his experience as

694
00:47:17.960 --> 00:47:22.440
<v Speaker 1>a killer. There was some controversy and about whether he

695
00:47:22.519 --> 00:47:27.159
<v Speaker 1>had accidentally killed Krista Hoyt or that it was a

696
00:47:27.320 --> 00:47:31.000
<v Speaker 1>lucky cut, but he explains exactly what that was about.

697
00:47:31.320 --> 00:47:36.519
<v Speaker 4>Oh, those experts really were in a tizzy over this case,

698
00:47:36.639 --> 00:47:39.280
<v Speaker 4>and there were a lot of careers that were ruined

699
00:47:39.639 --> 00:47:44.400
<v Speaker 4>because it was Keystone Cops. From the very beginning, Danny

700
00:47:44.519 --> 00:47:47.800
<v Speaker 4>Rowling and stood up in the middle a broad daylight

701
00:47:47.920 --> 00:47:52.440
<v Speaker 4>Stritcher's shirt off, took a big honking pistol and ran

702
00:47:52.639 --> 00:47:58.599
<v Speaker 4>to a bank, screaming everybody did, vaulting over the counter,

703
00:47:59.079 --> 00:48:02.599
<v Speaker 4>smashing the camera with his gun, give me all your money.

704
00:48:02.760 --> 00:48:07.000
<v Speaker 4>He goes okay, making a huge spectacle of himself as

705
00:48:07.079 --> 00:48:11.559
<v Speaker 4>a gunman robbing a bank, and in that very same night,

706
00:48:12.119 --> 00:48:16.760
<v Speaker 4>the very same guy is creeping around in the dark

707
00:48:17.119 --> 00:48:23.400
<v Speaker 4>with a knife committing sex crimes against females who are

708
00:48:23.639 --> 00:48:28.119
<v Speaker 4>at home in bed. Now, the science of profiling might

709
00:48:28.159 --> 00:48:32.280
<v Speaker 4>as well just go home and take a nap, because

710
00:48:32.599 --> 00:48:35.599
<v Speaker 4>they cannot make head nor tails out of that, you see.

711
00:48:36.199 --> 00:48:40.920
<v Speaker 4>And the reason is because he's multiple personality. That was

712
00:48:41.039 --> 00:48:46.719
<v Speaker 4>a different personality who committed those two very very different

713
00:48:46.840 --> 00:48:48.000
<v Speaker 4>types of crimes.

714
00:48:48.519 --> 00:48:51.199
<v Speaker 1>You're writ in this book that he was raised with

715
00:48:51.440 --> 00:48:54.400
<v Speaker 1>some type of religious background, but sense of that, and

716
00:48:55.360 --> 00:48:58.639
<v Speaker 1>he was religious at for a time anyway, And throughout

717
00:48:58.679 --> 00:49:01.960
<v Speaker 1>the story there is this again struggle between good and evil.

718
00:49:02.039 --> 00:49:06.599
<v Speaker 1>He still has that within his mindset, doesn't he He was.

719
00:49:07.039 --> 00:49:10.679
<v Speaker 4>Very religious and up until his death, when he died,

720
00:49:10.960 --> 00:49:14.480
<v Speaker 4>he was singing a song of thanks and praise none

721
00:49:14.639 --> 00:49:20.400
<v Speaker 4>greater than the Oh Lord. Okay, he never his religion

722
00:49:20.559 --> 00:49:25.000
<v Speaker 4>was never far from his very very deep commitment. And

723
00:49:25.400 --> 00:49:28.880
<v Speaker 4>I think going to his analysis of the figures in

724
00:49:28.960 --> 00:49:32.280
<v Speaker 4>the book when I talk about the law enforcement figures,

725
00:49:33.119 --> 00:49:37.840
<v Speaker 4>because it's we find out that he Danny roll In.

726
00:49:38.199 --> 00:49:41.159
<v Speaker 4>In the center of Danny Rowling, he has a respect

727
00:49:41.280 --> 00:49:44.599
<v Speaker 4>for the law and a respect for the proper behavior

728
00:49:44.760 --> 00:49:51.280
<v Speaker 4>and for honorable behavior. So he has created a character

729
00:49:51.559 --> 00:49:55.599
<v Speaker 4>the FBI special agent that he is the ultimate good

730
00:49:55.639 --> 00:49:58.280
<v Speaker 4>guy caught. And then you have a couple of other

731
00:49:58.400 --> 00:50:02.960
<v Speaker 4>policemen in there that are for comic relief, they're idiots' rules.

732
00:50:03.079 --> 00:50:08.159
<v Speaker 4>And then you have a bureaucrat cop that sits on

733
00:50:08.280 --> 00:50:11.239
<v Speaker 4>the top and doesn't do anything. But in all those

734
00:50:11.360 --> 00:50:15.360
<v Speaker 4>police you never have a James Harrold Rowling, the giant

735
00:50:15.480 --> 00:50:19.119
<v Speaker 4>with the big stick, the making of the serial killer.

736
00:50:19.199 --> 00:50:24.519
<v Speaker 4>There is no character like that among the law enforcement officers, okay,

737
00:50:25.199 --> 00:50:28.880
<v Speaker 4>which is really noticeable with the dogs that didn't bark.

738
00:50:29.320 --> 00:50:32.559
<v Speaker 4>And if you pick those in the conglomerate of all

739
00:50:32.960 --> 00:50:37.400
<v Speaker 4>of his characterizations of those in law enforcement, you would

740
00:50:37.519 --> 00:50:41.760
<v Speaker 4>find that part of Danny, who would have been just

741
00:50:41.960 --> 00:50:45.800
<v Speaker 4>delighted to have been a cop, to enforce the law,

742
00:50:46.360 --> 00:50:52.599
<v Speaker 4>to be responsible for correcting people when they committed these crimes. Remember,

743
00:50:52.960 --> 00:50:56.320
<v Speaker 4>he came to me wanting to be killed for what

744
00:50:56.519 --> 00:50:59.880
<v Speaker 4>he'd done. He did not come to me proud of

745
00:51:00.079 --> 00:51:05.840
<v Speaker 4>it or happy about the situation. He was very, very religious,

746
00:51:05.880 --> 00:51:09.840
<v Speaker 4>and it was not a posed. It was the central

747
00:51:10.000 --> 00:51:13.800
<v Speaker 4>fact of his life. But if there is a if

748
00:51:13.920 --> 00:51:19.000
<v Speaker 4>this troubles the listener to try to wrap their mind

749
00:51:19.159 --> 00:51:25.519
<v Speaker 4>around the evil behavior along with the worship of godly qualities,

750
00:51:26.079 --> 00:51:30.880
<v Speaker 4>I would have to direct them to Romans seven. And

751
00:51:31.000 --> 00:51:34.000
<v Speaker 4>I'm not going to sit here in a quote scripture,

752
00:51:34.360 --> 00:51:37.440
<v Speaker 4>but in Roman seven, which is something Danny Rowland grew

753
00:51:37.599 --> 00:51:42.280
<v Speaker 4>my attention to the sinner, the bad guy bemoans the

754
00:51:42.400 --> 00:51:46.960
<v Speaker 4>fact that he loves the law, he loves God, and

755
00:51:47.719 --> 00:51:52.239
<v Speaker 4>that's what he wants to do, and yet his behavior

756
00:51:52.519 --> 00:51:56.280
<v Speaker 4>is bad. And that is the peculiar situation of the

757
00:51:56.840 --> 00:52:03.079
<v Speaker 4>sinner that believes in right righteousness but finds himself the

758
00:52:03.199 --> 00:52:11.239
<v Speaker 4>one doing unrighteousness. Okay, that is Danny's rollings existential pernundrum.

759
00:52:11.000 --> 00:52:13.159
<v Speaker 1>That justus has an opportunity to stuff for a second

760
00:52:13.199 --> 00:52:14.039
<v Speaker 1>for these messages.

761
00:52:14.320 --> 00:52:16.679
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762
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763
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764
00:52:22.039 --> 00:52:24.599
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765
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766
00:52:27.280 --> 00:52:30.599
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767
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768
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769
00:52:37.360 --> 00:52:40.719
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770
00:52:40.760 --> 00:52:43.599
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771
00:52:43.599 --> 00:52:44.639
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772
00:52:45.679 --> 00:52:49.079
<v Speaker 1>You talked about this respect that throughout this story, it

773
00:52:49.199 --> 00:52:53.039
<v Speaker 1>seems for law enforcement, but also that we didn't mention

774
00:52:53.199 --> 00:52:57.039
<v Speaker 1>that his father was a police officer and he was

775
00:52:57.159 --> 00:52:59.960
<v Speaker 1>traumatized by an event that even though he was attacked

776
00:53:00.079 --> 00:53:03.599
<v Speaker 1>then as a child, later as an adult, he cites

777
00:53:03.679 --> 00:53:08.320
<v Speaker 1>a particularly traumatic event where his father in the squad

778
00:53:08.440 --> 00:53:11.639
<v Speaker 1>car in uniform. He was sleeping and he came into

779
00:53:11.719 --> 00:53:14.119
<v Speaker 1>his house and gave him a savage beating which he.

780
00:53:14.800 --> 00:53:17.440
<v Speaker 4>Jumped on him. Dan he was sound asleep in bed

781
00:53:17.960 --> 00:53:19.960
<v Speaker 4>with a knife, jumped on him, put a knife to

782
00:53:20.039 --> 00:53:20.719
<v Speaker 4>his third.

783
00:53:21.199 --> 00:53:24.079
<v Speaker 1>But despite all of this, he still said that he

784
00:53:24.840 --> 00:53:28.519
<v Speaker 1>loved his father, that there still was that despite this trauma,

785
00:53:28.679 --> 00:53:33.559
<v Speaker 1>despite nothing but horrible childhood memories. He still loved his father,

786
00:53:33.719 --> 00:53:36.719
<v Speaker 1>so this respect for law enforcement seems to be theming

787
00:53:36.920 --> 00:53:37.239
<v Speaker 1>from that.

788
00:53:37.840 --> 00:53:40.559
<v Speaker 4>That's why he was a divided person. That's why it

789
00:53:40.679 --> 00:53:44.920
<v Speaker 4>was not well mentally. Okay, the people that you meet,

790
00:53:45.440 --> 00:53:49.559
<v Speaker 4>and most of you will never meet anyone whose personality

791
00:53:49.679 --> 00:53:53.679
<v Speaker 4>is completely divided. Most of you will never meet anyone.

792
00:53:53.800 --> 00:53:55.960
<v Speaker 4>But if you do, you only meet one part of

793
00:53:56.039 --> 00:53:59.039
<v Speaker 4>them anyway till you go your way, and you'll never

794
00:53:59.159 --> 00:54:02.960
<v Speaker 4>know the difference. It takes prolonged exposure to a person

795
00:54:03.039 --> 00:54:07.800
<v Speaker 4>to really realize how profound this condition is. And fortunately

796
00:54:07.920 --> 00:54:11.280
<v Speaker 4>it's very rare that you jumped to the part where

797
00:54:11.400 --> 00:54:15.360
<v Speaker 4>James Harold attacked him with a knife. But if you

798
00:54:15.400 --> 00:54:19.360
<v Speaker 4>don't mind going to the precursor to that, yes, because

799
00:54:19.559 --> 00:54:23.639
<v Speaker 4>there is a concept that everyone should study up on

800
00:54:23.880 --> 00:54:31.119
<v Speaker 4>called epigenetics. Epigenetics we know how our DNA carries traits

801
00:54:31.239 --> 00:54:36.159
<v Speaker 4>from one generation to another. Epigenetics is the new twist

802
00:54:36.320 --> 00:54:39.360
<v Speaker 4>on that where we're learning how the events of our

803
00:54:39.480 --> 00:54:45.599
<v Speaker 4>lives change the messaging that's carried by that DNA, and

804
00:54:45.920 --> 00:54:50.400
<v Speaker 4>when the child inherits that DNA, they're inheriting messages that

805
00:54:50.719 --> 00:54:54.719
<v Speaker 4>it came through the life experience of their sire. Okay,

806
00:54:55.119 --> 00:54:58.480
<v Speaker 4>so we have to go back to Danny Rowling's sire.

807
00:54:58.880 --> 00:55:03.360
<v Speaker 4>His name was James Harold. Okay, James Harold Rolling. When

808
00:55:03.480 --> 00:55:07.800
<v Speaker 4>he was a little boy, sitting at the dinner table

809
00:55:08.039 --> 00:55:13.440
<v Speaker 4>with his family, his grandfather got up and hut his

810
00:55:13.760 --> 00:55:18.840
<v Speaker 4>grandmother's throat right there at the table, yes, and filled

811
00:55:18.960 --> 00:55:23.199
<v Speaker 4>her right in front of the family. Now, listen, when

812
00:55:23.280 --> 00:55:27.079
<v Speaker 4>someone does something like that, they are not just committing murder.

813
00:55:27.840 --> 00:55:31.039
<v Speaker 4>They're not just ending the life of the victim. They

814
00:55:31.079 --> 00:55:36.440
<v Speaker 4>are transmitting a message. Okay. They are using that knife

815
00:55:36.880 --> 00:55:41.639
<v Speaker 4>to cause fear. Okay, that is terror rison, that's what

816
00:55:41.800 --> 00:55:46.559
<v Speaker 4>we call terror vison calling it causing fear. So this

817
00:55:46.760 --> 00:55:52.000
<v Speaker 4>is how the knife is used and Danny's DNA messaging. Okay.

818
00:55:52.480 --> 00:55:58.239
<v Speaker 4>Because James Harold never let the family forget it. James

819
00:55:58.360 --> 00:56:02.079
<v Speaker 4>Harold would take out his gun and waited and say

820
00:56:02.119 --> 00:56:05.039
<v Speaker 4>I'm gonna get you. Or he'd take that knife and

821
00:56:05.119 --> 00:56:08.960
<v Speaker 4>he'd flip the blade out and needs slide down and

822
00:56:09.079 --> 00:56:13.039
<v Speaker 4>he'd said, somebody open, just like that. This is the

823
00:56:13.199 --> 00:56:17.360
<v Speaker 4>way he talked to his family. He used the knife

824
00:56:17.639 --> 00:56:21.760
<v Speaker 4>and would constantly remind him about how his grandfather cut

825
00:56:21.840 --> 00:56:24.800
<v Speaker 4>his grandmother's throat and went to prison for the rest

826
00:56:24.880 --> 00:56:28.960
<v Speaker 4>of his life. Okay, so those are as deep, as

827
00:56:29.159 --> 00:56:33.760
<v Speaker 4>traumatic and as significant as they can be when it

828
00:56:33.880 --> 00:56:39.039
<v Speaker 4>comes to a knife man, the secarious after all his

829
00:56:39.239 --> 00:56:42.400
<v Speaker 4>life of crime and all the things he did, the

830
00:56:42.639 --> 00:56:45.760
<v Speaker 4>term is secarious. It's about the knife.

831
00:56:46.199 --> 00:56:51.079
<v Speaker 1>Yes, it's interesting. The character the servant girl and this

832
00:56:51.559 --> 00:56:57.360
<v Speaker 1>flat theme about pituitary gland seems smacks of bathory and

833
00:56:57.960 --> 00:57:02.480
<v Speaker 1>supposed motive that again she is killing young servant girls

834
00:57:02.599 --> 00:57:04.760
<v Speaker 1>to gain immortality.

835
00:57:04.920 --> 00:57:09.039
<v Speaker 4>To recapture the youth she saw she saw slipping away.

836
00:57:09.480 --> 00:57:11.920
<v Speaker 1>But also the name of that one woman, that servant

837
00:57:12.000 --> 00:57:15.639
<v Speaker 1>girl was Seka, which has a reference to Secarius and

838
00:57:15.800 --> 00:57:16.559
<v Speaker 1>the knife as well.

839
00:57:16.840 --> 00:57:19.880
<v Speaker 4>Yeah, it's full of little Easter eggs like that. But

840
00:57:20.800 --> 00:57:24.320
<v Speaker 4>if you don't mind, deliver a little bit of a spoiler,

841
00:57:24.400 --> 00:57:27.039
<v Speaker 4>because it's interesting and people may not want to read

842
00:57:27.079 --> 00:57:28.920
<v Speaker 4>the book, but they may want to think about this.

843
00:57:29.440 --> 00:57:33.239
<v Speaker 4>Absolutely at the end, at the very end of the book,

844
00:57:34.119 --> 00:57:37.440
<v Speaker 4>I talk about the characters, as I mentioned that they're

845
00:57:37.480 --> 00:57:41.239
<v Speaker 4>all fictional. Okay. The only character and here is real,

846
00:57:41.639 --> 00:57:45.079
<v Speaker 4>was a woman named Kap and Kath really was Danny

847
00:57:45.199 --> 00:57:49.599
<v Speaker 4>Rowling's girlfriend, and she really was a Saicanic witch, and

848
00:57:49.880 --> 00:57:52.679
<v Speaker 4>that was what she called herself, and that is how

849
00:57:52.880 --> 00:57:56.760
<v Speaker 4>she presented herself, and that is how Danny Rowling saw

850
00:57:56.920 --> 00:58:03.000
<v Speaker 4>her as a Satanic witch. Okay, So I know that

851
00:58:03.199 --> 00:58:06.440
<v Speaker 4>one of the most profound parts of Danny was his

852
00:58:06.599 --> 00:58:10.920
<v Speaker 4>spiritual commitment to his Lord and Savior, and that he

853
00:58:11.079 --> 00:58:14.320
<v Speaker 4>knew he was facing the end of his natural life,

854
00:58:14.719 --> 00:58:19.079
<v Speaker 4>and that he told me many times that he wanted

855
00:58:19.159 --> 00:58:21.960
<v Speaker 4>to clear the slate. He didn't want to go to

856
00:58:22.119 --> 00:58:27.280
<v Speaker 4>his maker without confessing to everything he had done. Now,

857
00:58:27.360 --> 00:58:29.920
<v Speaker 4>when I read this book and I see what this

858
00:58:30.280 --> 00:58:35.199
<v Speaker 4>character that is one of his surguts, has done in

859
00:58:35.320 --> 00:58:40.159
<v Speaker 4>the pages of this fictional scenario he contrived, it makes

860
00:58:40.280 --> 00:58:44.639
<v Speaker 4>me wonder if Danny Rowling has found a way to

861
00:58:44.800 --> 00:58:48.440
<v Speaker 4>put that confession on the record in the way that

862
00:58:48.679 --> 00:58:53.639
<v Speaker 4>it is encrypted as fiction. I knew the young lady

863
00:58:54.320 --> 00:58:58.639
<v Speaker 4>cath and we talked on the phone and we corresponded.

864
00:58:58.760 --> 00:59:01.440
<v Speaker 4>I never met her in person, but there was one

865
00:59:01.519 --> 00:59:06.000
<v Speaker 4>occasion where Cap told me that Danny Rowling had not

866
00:59:06.280 --> 00:59:10.519
<v Speaker 4>told me everything that happened at the Christa Hoyt murder scene,

867
00:59:11.000 --> 00:59:13.639
<v Speaker 4>and that it was much worse. She said, it went

868
00:59:13.840 --> 00:59:18.119
<v Speaker 4>much further, and I just took her comment. I did

869
00:59:18.199 --> 00:59:22.280
<v Speaker 4>not probe, and she never said another thing. Missus Cath

870
00:59:23.119 --> 00:59:27.880
<v Speaker 4>disappeared off of the Internet after her work was done,

871
00:59:28.400 --> 00:59:31.239
<v Speaker 4>and I had not heard from her since then, and

872
00:59:31.400 --> 00:59:35.119
<v Speaker 4>I wish that she would contact me and see if

873
00:59:35.199 --> 00:59:37.960
<v Speaker 4>she would share with me what Danny told her. But

874
00:59:38.360 --> 00:59:41.599
<v Speaker 4>here's the suspicion I put in the pages of this

875
00:59:41.800 --> 00:59:46.800
<v Speaker 4>book in my reflections. But Danny Rowling was afraid to

876
00:59:46.960 --> 00:59:51.320
<v Speaker 4>tell me that he had eaten human flesh because he

877
00:59:51.760 --> 00:59:55.559
<v Speaker 4>was afraid that I could not tolerate it and would

878
00:59:55.719 --> 01:00:00.519
<v Speaker 4>abandon him. And my company was the give that I

879
01:00:00.679 --> 01:00:03.719
<v Speaker 4>brought him right. So now I wonder that when he

880
01:00:04.000 --> 01:00:10.239
<v Speaker 4>had a companion who was admittedly a Satanic witch who

881
01:00:11.480 --> 01:00:15.960
<v Speaker 4>held rituals invoking the presence of Lucifer, that maybe that

882
01:00:16.320 --> 01:00:21.320
<v Speaker 4>made him believe that she would still accept him if

883
01:00:21.719 --> 01:00:26.199
<v Speaker 4>she knew he had eaten human flesh. So I opened

884
01:00:26.239 --> 01:00:29.559
<v Speaker 4>the door on the very last page to wondering what

885
01:00:29.840 --> 01:00:33.920
<v Speaker 4>really happened to the pituitary gland of Krystal Hoyd. And

886
01:00:34.079 --> 01:00:37.239
<v Speaker 4>guess what It's going to be an unsolved mystery because

887
01:00:37.360 --> 01:00:39.400
<v Speaker 4>that topsy is sealed.

888
01:00:39.519 --> 01:00:39.719
<v Speaker 2>Wow.

889
01:00:39.920 --> 01:00:43.239
<v Speaker 4>I called his lawyer and told her I just really

890
01:00:43.320 --> 01:00:45.639
<v Speaker 4>wanted to know if I could find out if her

891
01:00:45.719 --> 01:00:49.599
<v Speaker 4>pituitary was intact, and she said it could not be done,

892
01:00:49.679 --> 01:00:51.199
<v Speaker 4>that the autopsy was sealed.

893
01:00:51.360 --> 01:00:54.320
<v Speaker 1>Fascinating. I want to thank you Sondra London for coming

894
01:00:54.400 --> 01:00:58.559
<v Speaker 1>on and talking about Secarius. Sondra London presents Death Row

895
01:00:58.639 --> 01:01:02.119
<v Speaker 1>Fiction by a Serial Killer. Tell us about any social

896
01:01:02.199 --> 01:01:04.400
<v Speaker 1>media you do, and if you have a website, tell

897
01:01:04.440 --> 01:01:06.360
<v Speaker 1>us how people might find out more about books that

898
01:01:06.400 --> 01:01:08.559
<v Speaker 1>you have written, and this book in particular.

899
01:01:08.840 --> 01:01:11.639
<v Speaker 4>I wish everybody we'd go to my website, and that

900
01:01:12.000 --> 01:01:16.280
<v Speaker 4>is Sondra London dot com s O n d R

901
01:01:16.800 --> 01:01:20.480
<v Speaker 4>l O n d O in Sondra London dot com.

902
01:01:20.840 --> 01:01:24.280
<v Speaker 4>I have so much content on there that you can read,

903
01:01:24.599 --> 01:01:27.760
<v Speaker 4>and on each one of those items that concern us

904
01:01:27.800 --> 01:01:30.480
<v Speaker 4>one of my books, you will find a link that

905
01:01:30.639 --> 01:01:35.039
<v Speaker 4>says buy this book and that will take you to Amazon.

906
01:01:35.360 --> 01:01:40.639
<v Speaker 1>Absolutely. Thank you so much, Sondra London. Secarius. Sondra London

907
01:01:40.760 --> 01:01:43.679
<v Speaker 1>presents Death Row Fiction by a Serial Killer. Thank you

908
01:01:43.800 --> 01:01:47.480
<v Speaker 1>so much for this interview. It's been a fascinating time

909
01:01:47.599 --> 01:01:50.000
<v Speaker 1>speaking with you. Thank you so much for this interview,

910
01:01:50.159 --> 01:01:50.679
<v Speaker 1>and good night
