1 00:00:29,559 --> 00:00:31,280 Speaker 1: Stout your gold. 2 00:00:31,760 --> 00:00:35,439 Speaker 2: You me gotta stops her the same what I. 3 00:00:35,240 --> 00:00:41,479 Speaker 3: Said, I don't want it. Don't stop him from your. 4 00:00:43,079 --> 00:00:43,520 Speaker 4: Stove. 5 00:00:45,320 --> 00:00:47,600 Speaker 1: You me to me loved. 6 00:00:48,920 --> 00:00:50,280 Speaker 5: No word. 7 00:00:51,600 --> 00:01:04,239 Speaker 3: Ever say gotta stop stead Moss go with through myself. 8 00:01:04,519 --> 00:01:12,159 No noble wanna to lose the sat to know that's 9 00:01:12,319 --> 00:01:33,200 a source clumps when no, O, don't don't down. Why 10 00:01:33,480 --> 00:01:39,920 you know pay is so good? Why you got pa? 11 00:01:44,439 --> 00:02:26,159 Why go bay Soca? I need ny anything? Saylethy waited, 12 00:02:28,759 --> 00:03:31,319 say meek. 13 00:03:09,199 --> 00:03:12,479 Speaker 1: Writers here today. 14 00:03:12,120 --> 00:03:16,439 Speaker 3: I'm feel like you s way of going A lot 15 00:03:16,560 --> 00:03:21,159 to go back before all the trap. 16 00:03:22,439 --> 00:03:25,080 Speaker 5: The chas is all gone. 17 00:03:24,840 --> 00:03:37,039 Speaker 3: My Ron lot, the rolls so strusive. 18 00:03:43,680 --> 00:03:57,039 Speaker 5: What becould be so cool? Why so little be so. 19 00:04:25,199 --> 00:04:25,240 Speaker 6: No? 20 00:04:26,000 --> 00:05:07,399 Speaker 3: Listen, don't don't you're. 21 00:04:54,079 --> 00:04:56,240 Speaker 7: Listening to w M and H thirty four. 22 00:04:56,399 --> 00:05:03,279 Speaker 8: Please the Commander, don't get Supremela. 23 00:05:04,120 --> 00:05:40,079 Speaker 9: Matt Zell coming, Welcome everybody, Here we go. 24 00:05:40,160 --> 00:05:41,040 Speaker 7: It is that time again. 25 00:05:41,160 --> 00:05:44,759 Speaker 10: Matt Connorton unleashed and we are live from the studios 26 00:05:44,800 --> 00:05:48,839 of wm NH ninety five point three FM and Glorious Manchester, 27 00:05:49,000 --> 00:05:51,959 New Hampshire also streaming. You can stream it from anywhere 28 00:05:51,959 --> 00:05:54,519 in the world. Really, just go to mattconnorton dot com. 29 00:05:54,800 --> 00:05:59,879 Slash Live Today is March twenty nine, twenty to twenty five, 30 00:06:00,160 --> 00:06:14,199 and of course I am not alone. Jenny is here 31 00:06:14,240 --> 00:06:20,839 at the news table. Oh hang on, sorry, I'm I'm 32 00:06:20,879 --> 00:06:23,519 worried about a lot of different microphones this morning. Yes, 33 00:06:23,639 --> 00:06:27,160 trying to make sure I've got everybody ready. Good morning, Yes, 34 00:06:27,279 --> 00:06:30,920 good morning. You you had a uh, you had something 35 00:06:31,040 --> 00:06:32,839 specific you wanted to I let me get the camera 36 00:06:32,879 --> 00:06:35,680 on you. Do you have something specific you wanted to say? 37 00:06:35,879 --> 00:06:39,439 Speaker 11: My friend Cheryl Kraswolski is a sweetheart, and she. 38 00:06:39,560 --> 00:06:43,199 Speaker 7: Spoiled because I nail pull pull out my cup a 39 00:06:43,240 --> 00:06:46,040 little bit my nails with her, Yeah, yes. 40 00:06:47,120 --> 00:06:49,879 Speaker 11: And lots of other things. But she cons a small business, right, 41 00:06:50,040 --> 00:06:52,439 so yeah, supporting small business. So if you want to 42 00:06:52,480 --> 00:06:55,000 support my friend Charles who spoils people, this is one 43 00:06:55,040 --> 00:06:56,680 of my spoiled prizes. 44 00:06:58,399 --> 00:06:59,120 Speaker 7: Oh very nice. 45 00:06:59,800 --> 00:07:02,920 Speaker 11: We came with candies and lots of freebies because he's 46 00:07:02,959 --> 00:07:04,959 really great. Yeah, so you should check out all of 47 00:07:05,000 --> 00:07:07,120 the product they do. Everything they do, some makeup stuff 48 00:07:07,160 --> 00:07:10,879 and everything too. Skin cleansers Cruelty Free doesn't have poisons 49 00:07:10,920 --> 00:07:14,839 in it, so check her out at so Many Choices 50 00:07:14,959 --> 00:07:17,720 dot com and that's many with an I S O 51 00:07:18,040 --> 00:07:22,480 M A and I C H O I C E 52 00:07:22,759 --> 00:07:25,040 S so many any dot com. 53 00:07:25,759 --> 00:07:29,240 Speaker 7: All right, very good, very good. Well our first guest, 54 00:07:29,560 --> 00:07:30,800 our first guest this morning. 55 00:07:30,920 --> 00:07:34,079 Speaker 10: Let me get these uh microphones up here because we 56 00:07:34,199 --> 00:07:36,600 have the band waiting for z here with us. 57 00:07:36,680 --> 00:07:37,279 Speaker 7: Welcome guys. 58 00:07:37,480 --> 00:07:38,199 Speaker 1: Hey, what's going on? 59 00:07:38,720 --> 00:07:40,680 Speaker 7: Well, what's going on? Let me make sure I can 60 00:07:40,759 --> 00:07:44,759 hear everybody? So Xander, let's start with you. 61 00:07:44,800 --> 00:07:46,519 Speaker 10: By the way, Xander and I went to school together 62 00:07:46,720 --> 00:07:49,600 a long time ago, and we even well we even 63 00:07:49,720 --> 00:07:53,040 uh we we played music together, but Xander was always 64 00:07:53,199 --> 00:07:55,920 much more talented than an I or anyone else we 65 00:07:56,000 --> 00:07:56,680 knew really, so. 66 00:07:56,800 --> 00:07:57,720 Speaker 7: We we didn't play. 67 00:07:57,759 --> 00:07:59,800 Speaker 10: We didn't play very much because you, dude, you were 68 00:07:59,839 --> 00:08:01,680 Mine was ahead of the rest of us. But uh 69 00:08:02,079 --> 00:08:04,319 tell us, uh, Xander, let's uh, let's start with you. 70 00:08:04,480 --> 00:08:07,360 Tell us about yourself, About myself? 71 00:08:07,399 --> 00:08:09,639 Speaker 7: Well, yes, his head is. 72 00:08:09,680 --> 00:08:10,560 Speaker 1: So big on the beach. 73 00:08:10,759 --> 00:08:16,800 Speaker 2: No, I've been playing guitar since like eighty five. Big influences, 74 00:08:17,000 --> 00:08:21,079 the Big three, you know, Kiss van Halen and Winger Yep, 75 00:08:21,319 --> 00:08:25,360 Winger everybody yep, along with like Rat Motley Crue doc In. 76 00:08:25,720 --> 00:08:28,439 Speaker 7: Winger was my first concert, so you know, I'm certainly 77 00:08:28,519 --> 00:08:29,360 not going to judge. 78 00:08:29,240 --> 00:08:32,080 Speaker 2: All right there. Yeah, so they were my second concert? 79 00:08:32,159 --> 00:08:34,360 Were they ye over at the Capitol and Conquered. 80 00:08:34,879 --> 00:08:36,960 Speaker 7: I was at that show. I think that was before 81 00:08:37,000 --> 00:08:37,759 you and I knew each other. 82 00:08:37,840 --> 00:08:38,600 Speaker 12: But I was at that show. 83 00:08:38,720 --> 00:08:39,600 Speaker 2: That was in ninth grade. 84 00:08:39,639 --> 00:08:42,039 Speaker 1: So you were like, in, h we don't need to 85 00:08:42,080 --> 00:08:42,440 go out there. 86 00:08:42,519 --> 00:08:45,279 Speaker 2: Yeah, yeah, but I think everybody even Conquered that was 87 00:08:45,519 --> 00:08:47,679 under the age of thirty. 88 00:08:47,559 --> 00:08:49,399 Speaker 7: Was at that show probably. Yeah. Yeah. 89 00:08:50,600 --> 00:08:53,399 Speaker 2: First concert was White Snake down right across the street 90 00:08:53,440 --> 00:08:58,879 there when they had those concerts over there right now, 91 00:08:59,039 --> 00:09:01,559 just working, playing in this band, playing in another band, 92 00:09:01,840 --> 00:09:04,960 yeah yeah, trying to get another band going, and. 93 00:09:05,000 --> 00:09:07,399 Speaker 10: Oh you are yeah yeah, yeah, you don't have enough 94 00:09:07,440 --> 00:09:10,360 to do already, No, you like, I know, you like 95 00:09:10,399 --> 00:09:11,919 to keep it. You've always been like that, right, You've 96 00:09:11,919 --> 00:09:13,480 always got multiple projects going. 97 00:09:13,559 --> 00:09:16,480 Speaker 2: Yeah, yeah, because you know, people have multiple things going 98 00:09:16,519 --> 00:09:18,519 on in their life, and when you can't do a 99 00:09:18,559 --> 00:09:20,320 gig with one band, you all right, well we'll get 100 00:09:20,320 --> 00:09:22,960 the other one in there exactly how to keep you know, 101 00:09:23,480 --> 00:09:25,639 keep busy. Plus if you can make some money, that's 102 00:09:25,679 --> 00:09:26,320 always good. 103 00:09:26,200 --> 00:09:30,759 Speaker 10: Too, absolutely absolutely, And you sir, oh, wait, I got 104 00:09:30,840 --> 00:09:33,399 to make sure you're I can't hear you, so let 105 00:09:33,440 --> 00:09:35,039 me let me figure out why. 106 00:09:36,279 --> 00:09:38,279 Speaker 1: Lucky you we actually set it up that way. 107 00:09:39,879 --> 00:09:45,279 Speaker 7: Uh say something, Hello, No, there we go now Manchester. 108 00:09:45,519 --> 00:09:48,559 Speaker 13: No, I can hear you. Yes, sorry, go ahead. My 109 00:09:48,639 --> 00:09:52,039 name is Scott Draper and I am part of waiting 110 00:09:52,080 --> 00:09:55,159 for z Yes, and I know what else to say, 111 00:09:55,919 --> 00:09:58,960 so I we'll just wait. You ask me questions. 112 00:09:59,039 --> 00:10:00,279 Speaker 7: All right, good? 113 00:10:00,279 --> 00:10:03,039 Speaker 13: And so you play guitar and you sing in roughly, Yeah, yeah, 114 00:10:03,200 --> 00:10:06,559 I do. My first show actually you might like this. 115 00:10:06,720 --> 00:10:09,480 My first show was a concert that I went to 116 00:10:09,639 --> 00:10:11,159 when I was a kid. I was eight and I 117 00:10:11,279 --> 00:10:14,000 saw a kiss during the Dynasty tour in Worcester, matt 118 00:10:14,159 --> 00:10:15,720 Oh no, Springfield, mass Oh. 119 00:10:15,720 --> 00:10:16,039 Speaker 7: Okay. 120 00:10:16,240 --> 00:10:20,000 Speaker 12: So that was a big kicking off point to rock stardom. 121 00:10:20,039 --> 00:10:20,639 As you can see. 122 00:10:20,960 --> 00:10:24,159 Speaker 10: Nice, nice, very good, very good. And uh, all right, 123 00:10:24,240 --> 00:10:26,759 we'll go to the bass player here. By the way, 124 00:10:26,799 --> 00:10:28,039 bass is my instrument as well. 125 00:10:28,120 --> 00:10:30,519 Speaker 1: So yeah, you say, when I get here, make me nervous, 126 00:10:30,519 --> 00:10:31,000 you know what I mean? 127 00:10:31,039 --> 00:10:32,360 Speaker 7: I have some I do have some bias. 128 00:10:32,840 --> 00:10:33,759 Speaker 5: Yeah, what in the world? 129 00:10:33,840 --> 00:10:38,399 Speaker 14: Well, so I don't, right, So my family is extremely musical. 130 00:10:38,440 --> 00:10:40,639 That's how I got into it, so we pretty much 131 00:10:40,639 --> 00:10:45,240 were all classically trained and uh, except for you, yeah exactly. 132 00:10:45,600 --> 00:10:47,559 I dropped out of school on the Dean's list. By 133 00:10:47,559 --> 00:10:49,559 the way, great phone call to make to your parents. Hey, 134 00:10:49,639 --> 00:10:50,759 I crushed in school right now. 135 00:10:50,799 --> 00:10:52,120 Speaker 1: I just hate it, so I'm going to stay home. 136 00:10:53,600 --> 00:10:56,559 Speaker 14: So basically, my mom played piano when saying my dad's 137 00:10:56,559 --> 00:10:58,759 a drummer and sings a little bit. My little brother's 138 00:10:58,759 --> 00:11:01,320 a guitar virtue, well so and say so. They all 139 00:11:01,360 --> 00:11:03,399 wanted to play, and the only instrument left was bass, 140 00:11:04,000 --> 00:11:05,320 and I didn't want to play bass at all, but 141 00:11:05,360 --> 00:11:07,080 they bought me one for Christmas and kind of shoved 142 00:11:07,080 --> 00:11:07,720 it down my throat. 143 00:11:07,840 --> 00:11:10,759 Speaker 1: So here I am. That's kind of how I'm here, 144 00:11:10,799 --> 00:11:10,960 you know. 145 00:11:11,360 --> 00:11:14,320 Speaker 15: Oh, very good, very good, all right, and you sir yo, 146 00:11:14,480 --> 00:11:16,600 good morning on me. Anthony, Laura and I played drums 147 00:11:16,639 --> 00:11:19,960 and waiting for Z today. I brought my vintage nineteen 148 00:11:20,000 --> 00:11:22,919 eighty six leather stool. That's the instrument for the day. 149 00:11:23,000 --> 00:11:25,480 This is seen after this is scene more swamp ass 150 00:11:25,519 --> 00:11:26,519 than every went in this movie. 151 00:11:27,120 --> 00:11:29,559 Speaker 12: There is one very good, very good. 152 00:11:29,759 --> 00:11:32,120 Speaker 7: Now that's fine. Oh that's right, that that word is 153 00:11:32,159 --> 00:11:34,279 fine or that variation of that word anyway, I did. 154 00:11:34,200 --> 00:11:35,320 Speaker 1: Ask you did you did? 155 00:11:35,759 --> 00:11:37,919 Speaker 7: There are certain variations of the word would be a problem, 156 00:11:37,960 --> 00:11:40,600 but that's fine. Yeah, very good. So I'm done here. 157 00:11:40,600 --> 00:11:42,679 You guys play you all want to play something for us, 158 00:11:43,240 --> 00:11:45,240 and then we'll, uh, we can chat a little more. 159 00:11:45,960 --> 00:11:47,320 Speaker 16: All right. 160 00:11:47,399 --> 00:11:49,799 Speaker 2: This is a little song that we wrote way back 161 00:11:50,039 --> 00:11:51,759 in you know, seventy. 162 00:11:51,879 --> 00:11:53,559 Speaker 13: There are no guarantees that it's going to be any 163 00:11:53,600 --> 00:11:55,200 good at nine o'clock in the morning, but we'll give 164 00:11:55,200 --> 00:11:55,559 it a shot. 165 00:11:55,559 --> 00:11:57,159 Speaker 1: All Let's be honest. It just no guarantees it is 166 00:11:57,159 --> 00:11:58,000 gonna good at nine o'clock. 167 00:11:58,000 --> 00:12:01,679 Speaker 12: And that's true. Before two ps up there, I'm not 168 00:12:01,840 --> 00:12:02,200 hearing this. 169 00:12:05,639 --> 00:12:08,679 Speaker 7: Are you ping? You're you're on the board right, might 170 00:12:08,799 --> 00:12:10,679 might need to turn it up on that on that 171 00:12:10,840 --> 00:12:15,559 board there, Scott, No, I'm not hearing him. 172 00:12:17,200 --> 00:12:17,600 Speaker 17: I hear it. 173 00:12:19,080 --> 00:12:20,919 Speaker 10: Yeah, you might have to turn those up on. Uh, 174 00:12:21,320 --> 00:12:25,279 for for those for them, for those listening these guys 175 00:12:25,320 --> 00:12:27,639 have if you're not seeing live on uh, if you're 176 00:12:27,679 --> 00:12:30,600 not watching the video. So these guys did something very smart, 177 00:12:30,639 --> 00:12:33,480 which we're going to encourage future guests to bring to do. Actually, 178 00:12:33,519 --> 00:12:35,919 they brought their own board to plug into our board, 179 00:12:35,960 --> 00:12:38,440 which is really cool, so they can they can kind 180 00:12:38,480 --> 00:12:39,039 of control the. 181 00:12:40,639 --> 00:12:40,759 Speaker 6: Well. 182 00:12:40,799 --> 00:12:43,720 Speaker 13: See, I appreciate the compliment that we did something very smart. 183 00:12:43,919 --> 00:12:47,320 The problem is is we have the least technical doing. 184 00:12:49,759 --> 00:12:54,600 Speaker 7: Oh that's funny. Now that is that is very smart though. 185 00:12:56,960 --> 00:12:58,200 Speaker 2: Because this doesn't have any. 186 00:13:04,600 --> 00:13:05,159 Speaker 7: For you at home. 187 00:13:05,240 --> 00:13:08,639 Speaker 13: This is why we're called waiting for Z. Xander shows 188 00:13:08,720 --> 00:13:11,559 up late and then runs overtime early. 189 00:13:12,120 --> 00:13:12,840 Speaker 7: You're not gonna hear. 190 00:13:13,120 --> 00:13:15,799 Speaker 2: I'm gonna microphone. He's breaking things. 191 00:13:15,840 --> 00:13:18,840 Speaker 7: Oh my goodness, all the mic stand to that come out? Yeah, 192 00:13:18,879 --> 00:13:19,440 that pops out. 193 00:13:19,480 --> 00:13:22,000 Speaker 2: We get it to make Jagger. 194 00:13:25,480 --> 00:13:27,240 Speaker 16: I'm so glad you guys gave me time to to 195 00:13:27,440 --> 00:13:27,960 my Steward. 196 00:13:28,039 --> 00:13:31,200 Speaker 1: That's what we were all right. Here we go, Benny 197 00:13:31,240 --> 00:13:32,559 Fellas waiting for. 198 00:13:32,639 --> 00:13:34,000 Speaker 7: Z live in studio. Here we go. 199 00:13:36,279 --> 00:13:39,399 Speaker 18: Anyway you want it, that's the way you need it. 200 00:13:39,759 --> 00:13:41,200 Anyway you want it. 201 00:13:45,120 --> 00:13:49,600 Speaker 19: She loves a laugh, She loves to sing, she does everything. 202 00:13:52,240 --> 00:13:56,080 Loves the moon, she loves the groove, she loves a. 203 00:13:56,159 --> 00:14:03,639 Speaker 20: Laughing a man, Oh night, oh after. 204 00:14:03,480 --> 00:14:10,320 Speaker 21: Night, all time, old time, then the whole time. 205 00:14:12,440 --> 00:14:16,399 Speaker 18: Anyway you want it, that's the way you needing. Anyway 206 00:14:16,519 --> 00:14:21,000 you want it, she said, anyway you want it, that's 207 00:14:21,159 --> 00:14:23,759 the way you need it, anyway. 208 00:14:23,320 --> 00:14:28,799 Speaker 12: You want it, I want a loon. I never knew 209 00:14:29,600 --> 00:14:30,559 what to look with you. 210 00:14:32,960 --> 00:14:37,519 Speaker 19: They would touch, they would say, I've not the love. 211 00:14:37,480 --> 00:14:47,480 Speaker 22: Thy all night, old night, oh every night, so well time, 212 00:14:48,360 --> 00:14:51,159 old time, then the whole time. 213 00:14:52,519 --> 00:14:55,480 Speaker 18: She said, there, anyway you want it, that's the way 214 00:14:55,559 --> 00:15:00,600 you needing. Anyway you want it, she said, here, anyway 215 00:15:00,679 --> 00:15:04,120 you want it, that's the way you meet. Anyway you 216 00:15:04,320 --> 00:15:04,799 want it. 217 00:15:19,559 --> 00:15:27,399 Speaker 5: She said, oh, oh. 218 00:15:38,879 --> 00:15:39,600 Speaker 7: Did the buffler? 219 00:15:46,279 --> 00:15:47,879 Speaker 1: She said, anyway you. 220 00:15:48,039 --> 00:15:51,240 Speaker 18: Want if that's the way you need it. Anyway you 221 00:15:51,440 --> 00:15:55,840 want it, she said, anyway you won't it. That's the 222 00:15:56,000 --> 00:15:58,639 way you need anyway you won't it. 223 00:16:25,039 --> 00:16:29,480 Speaker 7: Oh my god, you guys sound fantastic. That that was 224 00:16:29,639 --> 00:16:33,000 really good. That was really good. I've always loved that song. 225 00:16:33,279 --> 00:16:39,440 Speaker 10: But an observation, like vocally, the way you guys sound 226 00:16:39,480 --> 00:16:44,080 together is just really really good because you know, I mean, 227 00:16:44,159 --> 00:16:46,080 that's a song. Obviously, you know a lot of bands 228 00:16:46,120 --> 00:16:49,440 cover that song, but but like I just I really 229 00:16:49,559 --> 00:16:51,240 noticed that. You know, you play it very well. You're 230 00:16:51,240 --> 00:16:54,039 all excellent musicians. But when you guys sing together. Have 231 00:16:54,159 --> 00:16:56,200 other people said this to you when you guys are 232 00:16:56,240 --> 00:17:00,639 singing together, like on the choruses or you know, your 233 00:17:00,720 --> 00:17:01,720 voices together are. 234 00:17:01,759 --> 00:17:05,279 Speaker 7: Just really good. Does any does anyone else point that 235 00:17:05,319 --> 00:17:07,000 out or I'm just curious if people notice that. 236 00:17:07,319 --> 00:17:09,039 Speaker 2: Nobody nobody points it out. They hate us. 237 00:17:10,839 --> 00:17:13,519 Speaker 1: When your parents are classically trained musicians. Yeah, they like 238 00:17:13,559 --> 00:17:15,079 to let you know when you're a little flat. 239 00:17:15,319 --> 00:17:15,519 Speaker 2: Yeah. 240 00:17:16,319 --> 00:17:18,880 Speaker 10: I was wondering about that specifically though, because vocally it's like, 241 00:17:18,960 --> 00:17:20,039 you guys are perfect together. 242 00:17:21,000 --> 00:17:21,960 Speaker 16: Just wait until I jump in. 243 00:17:22,640 --> 00:17:25,680 Speaker 1: Yeah, weapon waiting in the wings. 244 00:17:26,880 --> 00:17:28,480 Speaker 2: Usually there's a piece of duct team. 245 00:17:29,960 --> 00:17:31,079 Speaker 16: They just take the mic away. 246 00:17:31,279 --> 00:17:34,240 Speaker 12: Yeah, give them mic. We just don't turn right. 247 00:17:34,720 --> 00:17:36,720 Speaker 2: He's coming through the monitors but not the mains. 248 00:17:37,039 --> 00:17:39,160 Speaker 7: Yeah, yeah, okay, but we appreciate that. 249 00:17:39,279 --> 00:17:39,400 Speaker 21: Man. 250 00:17:39,839 --> 00:17:40,599 Speaker 1: Yeah that's awesome. 251 00:17:40,720 --> 00:17:40,880 Speaker 11: Yeah. 252 00:17:40,960 --> 00:17:44,599 Speaker 13: Yeahcuse, I think the biggest thing we get is just 253 00:17:44,720 --> 00:17:46,319 the banter in between songs. 254 00:17:46,440 --> 00:17:46,640 Speaker 7: Really. 255 00:17:46,720 --> 00:17:48,799 Speaker 13: Yeah, there's a lot of as I said earlier before 256 00:17:49,000 --> 00:17:52,519 the show started, that there's a lot of busting chops 257 00:17:52,559 --> 00:17:55,839 at rehearsals and yeah, and just you know, the group 258 00:17:55,920 --> 00:17:59,400 text messages and stuff like that. So I think we just, 259 00:18:01,079 --> 00:18:03,200 you know, I think we've all have been doing this 260 00:18:03,319 --> 00:18:05,160 long enough that we just have a good time with 261 00:18:05,240 --> 00:18:06,880 each other. Yeah, you know, and as long as we 262 00:18:07,000 --> 00:18:09,960 learn our parts or usually it's I usually learned the 263 00:18:10,039 --> 00:18:12,920 wrong part and then Xander shows me the part. Uh, 264 00:18:13,119 --> 00:18:15,000 and then I have to relearn it. But you know, 265 00:18:15,279 --> 00:18:16,400 it is what it is and it works. 266 00:18:16,519 --> 00:18:18,440 Speaker 14: But you say so before we started the show, right, 267 00:18:18,559 --> 00:18:21,480 this area has a ton of super talented musicians. 268 00:18:21,559 --> 00:18:22,880 Speaker 1: Oh yeah, like super talented. 269 00:18:22,920 --> 00:18:23,400 Speaker 7: Absolutely. 270 00:18:23,440 --> 00:18:25,799 Speaker 14: So you can go to a thousand bars and see 271 00:18:25,880 --> 00:18:28,400 any genre of music you want on any weekend night 272 00:18:28,480 --> 00:18:31,960 and see somebody that's crazy talented, right, true. So when 273 00:18:32,000 --> 00:18:34,160 we get up there, sure we'll play and we'll do 274 00:18:34,200 --> 00:18:35,960 all the songs you want to hear. But what else 275 00:18:36,000 --> 00:18:37,680 can you bring to thee? Like what makes it a show? 276 00:18:37,799 --> 00:18:39,759 What makes people want to show up and have a 277 00:18:39,839 --> 00:18:42,240 good time talk about it the next morning hungover? Right, 278 00:18:42,519 --> 00:18:45,160 So that's kind of what we in our mind when 279 00:18:45,160 --> 00:18:46,839 we go when we get on stage. It's the banter. 280 00:18:47,000 --> 00:18:49,279 It's the between songs stuff, because everybody can do the 281 00:18:49,359 --> 00:18:51,519 song right right, you know. Maybe you know our harmonies 282 00:18:51,519 --> 00:18:52,079 are pretty good. 283 00:18:52,119 --> 00:18:53,200 Speaker 7: I like that, thank very much. 284 00:18:53,400 --> 00:18:56,559 Speaker 14: Yeah, But it's to me, it's what what makes people laugh, 285 00:18:56,720 --> 00:18:58,720 what makes people have a good time between songs, and 286 00:18:58,839 --> 00:18:59,799 that's what brings people back. 287 00:19:00,279 --> 00:19:02,039 Speaker 12: Yeah, to add on to that. 288 00:19:02,240 --> 00:19:03,680 Speaker 13: You know, like I said, we've all been doing this 289 00:19:03,759 --> 00:19:05,640 long enough, and we've all been playing in bands and 290 00:19:05,720 --> 00:19:07,160 this and that, and there's a pigeon on the roof. 291 00:19:08,839 --> 00:19:09,559 Speaker 1: They eat pigeons. 292 00:19:11,279 --> 00:19:13,799 Speaker 12: Get I get distracted easy, sorry, sir. 293 00:19:14,240 --> 00:19:16,759 Speaker 13: So So I mean, for the most part, you know, 294 00:19:17,400 --> 00:19:20,599 most of the bands do fairly similar material, you know, 295 00:19:20,759 --> 00:19:22,759 so as was Dave was saying, what's gonna kind of 296 00:19:22,799 --> 00:19:26,319 set you apart the rest of people? You know, are 297 00:19:26,359 --> 00:19:27,519 you going to stand in and play a look at 298 00:19:27,559 --> 00:19:29,920 your shoes or you're gonna, you know, make fun of 299 00:19:30,240 --> 00:19:32,000 you know, Dave's suspenders or something like that. 300 00:19:32,240 --> 00:19:37,279 Speaker 2: I knew there was something off in the right. I know, 301 00:19:37,359 --> 00:19:39,599 I don't have my suspenders on, and it's and you're 302 00:19:39,640 --> 00:19:40,839 not wearing a white T shirt. 303 00:19:40,960 --> 00:19:43,880 Speaker 12: I know, Yeah, throwing the whole vibe off. 304 00:19:44,160 --> 00:19:46,599 Speaker 14: It's all my fault if we if we stick, it's 305 00:19:46,640 --> 00:19:48,680 my fault, guys. And we can't call you straps today, 306 00:19:48,839 --> 00:19:49,559 I mean you can't. 307 00:19:50,880 --> 00:19:53,720 Speaker 2: Just so, just so everybody knows too. You know, I 308 00:19:53,759 --> 00:19:56,240 don't think we cover this, but we're actually a cover band. 309 00:19:56,359 --> 00:19:58,920 That's true. There's a lot of bands that come in here. 310 00:19:59,000 --> 00:20:02,200 They they're either tribute band, or doing their own thing, 311 00:20:02,319 --> 00:20:05,759 and you know, we've all been involved in writing our 312 00:20:05,799 --> 00:20:07,759 own stuff. I mean I have a couple hundred songs 313 00:20:07,759 --> 00:20:10,240 sitting in my back pocket kind of thing, and you know, 314 00:20:11,640 --> 00:20:13,640 but we're out there playing for the people. 315 00:20:13,839 --> 00:20:16,359 Speaker 10: Yeah, yeah, you know absolutely. How often do you guys play? 316 00:20:16,400 --> 00:20:17,880 Are you out like every weekend or. 317 00:20:17,920 --> 00:20:20,920 Speaker 14: What we're getting there? Yeah, we're working on it, right. 318 00:20:21,000 --> 00:20:22,799 So we've been doing this a little over a year. 319 00:20:22,839 --> 00:20:24,720 We've been Oh so this is a little over. 320 00:20:24,960 --> 00:20:26,039 Speaker 2: We're almost into two years. 321 00:20:26,160 --> 00:20:30,640 Speaker 7: Yeah, just fun, yeah yeah, pretty new though, yeah yeah, yeah. 322 00:20:30,480 --> 00:20:32,880 Speaker 2: Yeah, but again, we've you know, I mean Scott and 323 00:20:32,920 --> 00:20:34,839 I have played in a bunch of bands together. I 324 00:20:34,920 --> 00:20:37,279 mean we did a Kiss tribute. I joined a Kiss 325 00:20:37,319 --> 00:20:40,839 tribute that he was in, and then he played bass 326 00:20:40,920 --> 00:20:45,359 in my Van Haling tribute. I joined a cover band 327 00:20:45,400 --> 00:20:47,640 that he was in, and then you know, we've done others. 328 00:20:47,640 --> 00:20:50,720 We've just been I mean since two thousand and eight 329 00:20:51,079 --> 00:20:53,640 probably we've been in and out of bands together. And 330 00:20:55,240 --> 00:20:57,359 I don't know how long you guys have been playing together. 331 00:20:57,480 --> 00:20:59,839 They go back to when Dave was in Diapers. I think, 332 00:21:00,000 --> 00:21:03,799 oh wow, and that would have been before Juice Box over. 333 00:21:03,839 --> 00:21:08,559 There was even born and you know, I've been in 334 00:21:08,680 --> 00:21:12,039 bands with his stepdad, so like he was always upstairs 335 00:21:12,119 --> 00:21:14,119 listening to us play and always wanting to come down 336 00:21:14,160 --> 00:21:16,599 and jam with that stuff like that. So yeah, you know, 337 00:21:16,720 --> 00:21:19,839 we even though it's we're going on like two years, 338 00:21:20,160 --> 00:21:22,559 it's more like twenty. 339 00:21:22,440 --> 00:21:26,000 Speaker 10: Yeah, yeah, it makes sense and thirty here yeah yeah, no, 340 00:21:26,160 --> 00:21:26,799 that makes sense. 341 00:21:26,880 --> 00:21:29,920 Speaker 2: Yeah, yeah, we're playing covers and that's plus. 342 00:21:29,960 --> 00:21:31,480 Speaker 12: I think one of the benefits of having. 343 00:21:33,039 --> 00:21:37,319 Speaker 13: I guess wide age gap between you know, like Anthony 344 00:21:37,319 --> 00:21:41,160 and David, Me and Xander is is, you know, there's 345 00:21:41,200 --> 00:21:44,240 certain stuff that we like that we would love to play. 346 00:21:45,599 --> 00:21:47,119 But then I'll look at these guys. I'm like, all right, 347 00:21:47,160 --> 00:21:49,000 people your age, are they going to know this right, 348 00:21:49,160 --> 00:21:53,160 you know? And they're like no, you know, so so 349 00:21:53,440 --> 00:21:55,880 it kind of helps us balance out, you know, the 350 00:21:55,960 --> 00:21:58,759 material that we do. If we want to pull out 351 00:21:58,759 --> 00:22:01,119 the you know, the the deep cut thing, will they 352 00:22:01,200 --> 00:22:01,880 know that deep cut? 353 00:22:02,279 --> 00:22:04,119 Speaker 2: And then you have Anthony who's like, I love it, 354 00:22:04,400 --> 00:22:06,400 I love it, let's play it, let's play it. And 355 00:22:06,440 --> 00:22:07,880 then I go, do you think any of your friends 356 00:22:07,880 --> 00:22:10,240 will know it? And he goes, I don't care. Well, 357 00:22:10,319 --> 00:22:11,319 that's don't listen to music. 358 00:22:11,559 --> 00:22:12,000 Speaker 7: That's the thing. 359 00:22:12,319 --> 00:22:14,119 Speaker 16: I've always been told that I've been an old soul. 360 00:22:14,400 --> 00:22:16,279 Speaker 15: I mean, I'm twenty eight and I go back to 361 00:22:16,440 --> 00:22:19,400 like listening to I don't know everything from Led Zeppelin, Elvis, Presley, 362 00:22:19,519 --> 00:22:22,240 Van Halen, Motley Crue, and I remember being in high school. 363 00:22:22,759 --> 00:22:24,839 No one was listening to that stuff except for maybe 364 00:22:24,880 --> 00:22:25,880 a select few of people. 365 00:22:26,079 --> 00:22:26,279 Speaker 5: Yeah. 366 00:22:26,839 --> 00:22:28,960 Speaker 15: And when I was in high school, I always wanted 367 00:22:28,960 --> 00:22:30,279 to be in a band with a bunch of guys 368 00:22:30,319 --> 00:22:33,920 that were musicians, and they just they're like, dude, you're 369 00:22:33,960 --> 00:22:35,359 so old school. We don't want to we don't want 370 00:22:35,359 --> 00:22:36,640 to play any of that stuff. We want to write 371 00:22:36,680 --> 00:22:38,640 like punk or or do with things like that. I 372 00:22:38,759 --> 00:22:40,720 was cool with doing it, but I just I never 373 00:22:40,799 --> 00:22:41,759 made it happen back then. 374 00:22:41,880 --> 00:22:42,039 Speaker 7: Yeah. 375 00:22:42,079 --> 00:22:44,640 Speaker 15: Actually, I actually got kicked out of the out of 376 00:22:44,680 --> 00:22:46,640 the high school band room because I played the drum 377 00:22:46,720 --> 00:22:49,160 kit in front of a bunch of jazz people. My buddy, 378 00:22:49,440 --> 00:22:51,000 My buddy goes out there, He's like, dude, play some 379 00:22:51,119 --> 00:22:52,440 Van Halen. So I went up there and I played 380 00:22:52,440 --> 00:22:55,480 a Van Halen tune and then the director from Pinkard 381 00:22:55,519 --> 00:22:58,279 and Jazz Jazz Band or whatever came out just outed 382 00:22:58,359 --> 00:22:59,480 yelling at me and kicked me out. 383 00:22:59,519 --> 00:22:59,720 Speaker 1: Yeah. 384 00:23:00,359 --> 00:23:03,799 Speaker 13: Yeah, Actually it's funny he mentioned that because we just 385 00:23:03,880 --> 00:23:07,119 had to talk the other day about he's an excellent drummer. 386 00:23:07,359 --> 00:23:09,519 I mean, you know, he's very limited in the stool 387 00:23:09,559 --> 00:23:13,839 today so you really can't quite but he's an excellent drummer. 388 00:23:13,960 --> 00:23:16,599 And uh but he just has that youthful energy and 389 00:23:16,759 --> 00:23:18,920 loud and wants to be you know, we had this 390 00:23:19,039 --> 00:23:22,039 talk actually at rehearsals this week that is there any 391 00:23:22,039 --> 00:23:24,720 way to kind of tone down his kit because because 392 00:23:24,759 --> 00:23:27,920 he's loud, it limits what some of the places that 393 00:23:27,960 --> 00:23:31,440 we can play, okay, you know, because you know from 394 00:23:31,519 --> 00:23:33,920 what we hear from some of the bars is that, 395 00:23:34,359 --> 00:23:37,240 oh yeah, you guys are great or I don't want 396 00:23:37,240 --> 00:23:38,240 to pat myself off the bag, you. 397 00:23:38,240 --> 00:23:39,319 Speaker 12: Guys are good, but. 398 00:23:41,000 --> 00:23:46,960 Speaker 13: But you know, right, but you just just you're just loud. 399 00:23:47,039 --> 00:23:48,599 So you know, we got to try and find a 400 00:23:48,640 --> 00:23:50,359 way to kind of tone it down a little. But 401 00:23:50,680 --> 00:23:52,599 I mean, he's got great enthusiasm. He's great, you know, 402 00:23:52,680 --> 00:23:54,160 and I love it and I don't want to squash 403 00:23:54,240 --> 00:23:55,960 that in him, but we just need to find a 404 00:23:55,960 --> 00:23:57,160 way to drop the volume a little. 405 00:23:57,279 --> 00:24:00,720 Speaker 7: Yeah, all right, Well you want to play another one. 406 00:24:00,720 --> 00:24:01,640 I'm dying for another one. 407 00:24:01,720 --> 00:24:02,519 Speaker 12: Yeah, what do you want to do? 408 00:24:04,680 --> 00:24:07,279 Speaker 10: Cute if you're just joining us, We have a Waiting 409 00:24:07,359 --> 00:24:11,240 for Z live in studio with us on this Saturday morning. 410 00:24:13,039 --> 00:24:14,799 Speaker 13: Really quick if you wanted before we get up Waiting 411 00:24:14,839 --> 00:24:16,759 for Z. Some people think that's kind of a weird name. 412 00:24:17,279 --> 00:24:18,720 Uh that Actually, here we go. 413 00:24:18,880 --> 00:24:22,359 Speaker 12: Well, you knew it had to come to I knew, yeah, 414 00:24:22,480 --> 00:24:25,720 actually me too. So we were we had our first 415 00:24:25,759 --> 00:24:26,359 gig coming up. 416 00:24:26,480 --> 00:24:29,559 Speaker 13: It was like a campground gig, and we had no 417 00:24:29,680 --> 00:24:31,559 idea what we're going to call it, you know, because 418 00:24:31,599 --> 00:24:32,920 of the age difference and stuff like that. 419 00:24:33,000 --> 00:24:35,279 Speaker 12: We all had different ideas what the name should be, 420 00:24:35,359 --> 00:24:39,839 this and that. So we show up. Xander was forty 421 00:24:39,880 --> 00:24:40,599 five minutes. 422 00:24:40,400 --> 00:24:44,319 Speaker 13: Late, and as the three of us were together and waiting, 423 00:24:45,319 --> 00:24:48,119 I think Anthony said something as always waiting for Xander. 424 00:24:48,240 --> 00:24:49,920 Speaker 12: And I was like, Wow, there we go. We'll just 425 00:24:49,960 --> 00:24:52,359 call it waiting for Z waiting for He wasn't thrilled 426 00:24:52,400 --> 00:24:53,480 with it, but we talked him into it. 427 00:24:54,160 --> 00:24:56,680 Speaker 1: But he also wasn't there, so we didn't get a much. 428 00:24:57,720 --> 00:25:00,000 Speaker 2: I see Anthony itching over there, but before he jumps, 429 00:25:00,079 --> 00:25:04,319 and prior to that, we had an Excel spreadsheet of 430 00:25:04,599 --> 00:25:09,240 like eighty band names and then four cells next to it, 431 00:25:09,359 --> 00:25:12,039 and each person went and you know, we we each 432 00:25:12,119 --> 00:25:15,839 added yeah, and so obviously we exed our own what 433 00:25:15,960 --> 00:25:19,920 we liked or tech mark. When I sorted it to 434 00:25:20,079 --> 00:25:23,000 the most votes, there wasn't a single one that had 435 00:25:23,039 --> 00:25:25,519 all four of us, really yeah, and like there was 436 00:25:25,599 --> 00:25:27,559 like maybe two or three that had three, and we 437 00:25:27,720 --> 00:25:32,240 still all were like, eh, I don't know so, but 438 00:25:32,400 --> 00:25:34,680 I'll tell you. I may have been forty five minutes late, 439 00:25:34,720 --> 00:25:37,000 but we didn't start playing the gig. 440 00:25:36,960 --> 00:25:40,000 Speaker 7: Lay Okay, that's important, So it's important. 441 00:25:40,599 --> 00:25:43,200 Speaker 16: But one of the one of the choices was one 442 00:25:43,240 --> 00:25:44,440 of the one of the names we were going to 443 00:25:44,480 --> 00:25:45,799 come up with, was our two dads. 444 00:25:45,880 --> 00:25:47,240 Speaker 1: I still think I had to do it. Yeah, but 445 00:25:47,279 --> 00:25:48,319 that's a whole different story. 446 00:25:48,400 --> 00:25:50,039 Speaker 10: I was going to ask because I love hearing about 447 00:25:50,079 --> 00:25:55,480 rejected band names. Number two that was, That was number two. 448 00:25:55,960 --> 00:25:59,839 Speaker 2: No in their their world, was not in the bands 449 00:26:00,160 --> 00:26:00,440 that was. 450 00:26:01,359 --> 00:26:03,759 Speaker 14: Luckily, we vote on band names fifteen minutes before we 451 00:26:03,839 --> 00:26:04,480 go on stage. 452 00:26:04,559 --> 00:26:06,720 Speaker 7: Yeah, yeah, oh that's funny. That's funny. 453 00:26:07,799 --> 00:26:10,079 Speaker 12: Already all right, Waiting for Z is where us live 454 00:26:10,119 --> 00:26:14,000 in studio. We decided decided to do the song for Xander, 455 00:26:14,119 --> 00:26:16,799 so okay for me, okay, okay. 456 00:26:17,359 --> 00:26:19,039 Speaker 14: It's actually one of our biggest songs. When we play 457 00:26:19,039 --> 00:26:20,680 it right, it usually gets the biggest reaction, which is 458 00:26:20,759 --> 00:26:21,400 kind of something I'm. 459 00:26:21,279 --> 00:26:21,960 Speaker 12: Going to learn the lyrics. 460 00:26:22,000 --> 00:26:45,200 Speaker 1: Yeah, amen, brother, you can dance. 461 00:26:46,119 --> 00:26:50,200 Speaker 5: You can die man the time you. 462 00:26:52,599 --> 00:26:58,440 Speaker 2: See that girl, watch that scene the pants in Queen. 463 00:27:06,480 --> 00:27:12,079 Speaker 12: Night, riding out in the lights low. 464 00:27:14,279 --> 00:27:16,680 Speaker 21: Looking more uh blessed you goold. 465 00:27:18,519 --> 00:27:21,720 Speaker 12: Where to play the right music, get into the swing. 466 00:27:22,240 --> 00:27:29,240 Speaker 21: You come the four ki, everybody gain be that cad, 467 00:27:31,440 --> 00:27:32,880 hide the song and the music. 468 00:27:35,680 --> 00:27:38,920 Speaker 12: We're the bid of right music, getting to use the move. 469 00:27:39,400 --> 00:27:40,839 You come to the four. 470 00:27:40,799 --> 00:27:48,400 Speaker 21: Day and if you get the change, you are the 471 00:27:48,640 --> 00:27:54,640 dancing Queen, young and swing only seventy. 472 00:27:57,400 --> 00:27:58,440 Speaker 1: Dancing Queen. 473 00:27:59,559 --> 00:28:02,240 Speaker 5: Feel the fed off the table. 474 00:28:06,200 --> 00:28:08,440 Speaker 20: You can best you. 475 00:28:09,240 --> 00:28:13,079 Speaker 5: Joy having the time of your life. 476 00:28:14,799 --> 00:28:20,279 Speaker 23: See that girl, watch that scene in the Dancing Queen. 477 00:28:32,160 --> 00:28:34,400 Don't know how you turn them home. 478 00:28:36,400 --> 00:28:42,119 Speaker 12: Even burning, and then you'll go looking out for another. 479 00:28:42,920 --> 00:28:45,880 Speaker 7: Get you through in four. 480 00:28:45,880 --> 00:28:53,400 Speaker 21: Day and if you take the change, you love the 481 00:28:53,680 --> 00:28:59,599 dancing Queen, young and sweet only seventy. 482 00:29:02,400 --> 00:29:03,440 Speaker 5: Dancy queen. 483 00:29:04,519 --> 00:29:07,160 Speaker 20: Feel the fed off the table. 484 00:29:11,079 --> 00:29:11,880 Speaker 21: You can. 485 00:29:13,279 --> 00:29:16,880 Speaker 1: You having Examon. 486 00:29:17,200 --> 00:29:17,680 Speaker 5: You know. 487 00:29:19,640 --> 00:29:32,359 Speaker 23: See that gum watch that scene. Diget dancing, Queen diggin 488 00:29:32,680 --> 00:29:50,759 dancy Queen. Oh, diggin dancing, Queen diggin dancing Queen. 489 00:30:04,599 --> 00:30:06,640 Speaker 1: Tell you that's the only way to end an acoustic song. 490 00:30:06,720 --> 00:30:08,039 Speaker 7: I think that's awesome. 491 00:30:09,440 --> 00:30:11,839 Speaker 1: Those birds are getting bigger. Thank you very much. 492 00:30:12,960 --> 00:30:15,920 Speaker 12: Whoa a family show? 493 00:30:17,440 --> 00:30:21,319 Speaker 14: Well now, so I've always said, one thing you bring 494 00:30:21,400 --> 00:30:24,240 Waiting for Ze to the studio, stuff's gonna happen. 495 00:30:24,279 --> 00:30:27,079 Speaker 7: We make love. So just to explain, so we have 496 00:30:27,720 --> 00:30:29,839 what what what building is that falcon. 497 00:30:29,640 --> 00:30:32,039 Speaker 11: Cam on top of the Brady Sullivan building. 498 00:30:32,200 --> 00:30:35,839 Speaker 10: So the falcon cam you know, so we so we yeah, 499 00:30:35,880 --> 00:30:38,680 so we just saw a mommy and daddy falcon doing 500 00:30:38,759 --> 00:30:39,720 something that uh. 501 00:30:39,799 --> 00:30:42,240 Speaker 14: Talk about the birds and the beat, that's right, Well, 502 00:30:42,440 --> 00:30:45,359 the bird and the bird, Yeah, that was that was interesting. 503 00:30:45,400 --> 00:30:48,440 Speaker 10: We've never seen that before. So those birds are a 504 00:30:48,480 --> 00:30:54,240 bit apparently, yes, those are some those birds like abbot. 505 00:30:54,279 --> 00:30:56,400 Speaker 11: I guess is letting us know that it was the 506 00:30:56,519 --> 00:30:57,480 dad that flew off. 507 00:30:57,720 --> 00:31:02,720 Speaker 13: Okay, excellent, all right, excellent, Well, well we do have 508 00:31:03,359 --> 00:31:05,559 music and nature all in the same show. 509 00:31:05,680 --> 00:31:08,079 Speaker 10: That's that's right. Yes, we have Waiting for Z with 510 00:31:08,200 --> 00:31:10,519 us live in studio. By the way, DJ Steve, who 511 00:31:10,559 --> 00:31:12,039 does a show here at w M and H. He's 512 00:31:12,079 --> 00:31:14,920 in the chat room and on Facebook and says, good morning, 513 00:31:14,960 --> 00:31:19,720 Matt and Jenny. Awesome show already, So right, d J 514 00:31:19,839 --> 00:31:21,200 Steve is digging you guys. 515 00:31:21,599 --> 00:31:23,119 Speaker 12: Hopefully we're included in that, so thank you. 516 00:31:24,279 --> 00:31:24,680 Speaker 7: Let's see. 517 00:31:24,960 --> 00:31:30,480 Speaker 10: Also, this is also in the chat room. Dan, I'm sorry, Don, 518 00:31:30,920 --> 00:31:31,799 I'm not sure how to say this. 519 00:31:31,920 --> 00:31:33,839 Speaker 1: But I guarantee its beau Claire bou Claire. 520 00:31:33,880 --> 00:31:38,079 Speaker 7: It must be. Yeah, Dan says, great song, great job. 521 00:31:38,680 --> 00:31:41,960 Speaker 1: No, it's my dad. Yeah, no, it's cool man. 522 00:31:42,240 --> 00:31:44,079 Speaker 7: Oh okay, my. 523 00:31:44,599 --> 00:31:46,759 Speaker 14: Parents are very supportive, even though I'm thirty eight and 524 00:31:46,880 --> 00:31:48,160 you know, oh yeah. 525 00:31:48,039 --> 00:31:48,960 Speaker 1: Well no, that's good. 526 00:31:49,039 --> 00:31:51,000 Speaker 7: That's good to have. Always good to have supportive parents. 527 00:31:53,240 --> 00:31:55,240 Speaker 1: You're right, by the way, Dad, I'll pay rent next week. 528 00:31:55,720 --> 00:31:58,640 Speaker 7: Problem very nice? Is that why he's in there? 529 00:31:59,400 --> 00:32:02,319 Speaker 1: Really rent money? I'll be yeah, which is weird my 530 00:32:02,400 --> 00:32:03,519 own house for almost a decade. 531 00:32:03,599 --> 00:32:06,039 Speaker 7: But you know, well yeah you might. You might got back. 532 00:32:06,160 --> 00:32:06,559 Speaker 1: I got back. 533 00:32:06,839 --> 00:32:08,720 Speaker 7: I was gonna say, you might sew him some payment. 534 00:32:10,359 --> 00:32:14,319 Generation socially in the in the chat room says you 535 00:32:14,559 --> 00:32:15,079 rock ze. 536 00:32:15,480 --> 00:32:18,720 Speaker 12: We say, yeah, thank you, thank you, appreciate ing unless 537 00:32:18,720 --> 00:32:19,799 they're talking to just Anders. 538 00:32:20,920 --> 00:32:24,880 Speaker 7: Yeah, it could be. Uh, let's see Texas. Mic is 539 00:32:24,920 --> 00:32:26,680 in the chat room and says this is awesome. 540 00:32:26,960 --> 00:32:27,240 Speaker 12: Thank you. 541 00:32:27,440 --> 00:32:30,000 Speaker 10: Yeah, I just want to make sure we don't miss 542 00:32:30,000 --> 00:32:33,559 anybody in here. Oh, Craig Swenson says, heys, Ander, what's up, 543 00:32:33,640 --> 00:32:39,400 Craig y. Cheryl Krakowski uh says correct. Not all can harmonize, 544 00:32:40,119 --> 00:32:45,079 all right? Yeah, I hope she's not that kind of everybody. 545 00:32:46,279 --> 00:32:47,799 Speaker 16: I think it's because I kind of sang a little 546 00:32:47,839 --> 00:32:48,359 bit in that one. 547 00:32:49,400 --> 00:32:51,000 Speaker 7: There you go, he must be. 548 00:32:51,319 --> 00:32:53,279 Speaker 1: Let take the lead, everybody. Body. 549 00:32:55,720 --> 00:32:57,599 Speaker 7: B Pinard says, sounds great. 550 00:32:57,920 --> 00:32:58,119 Speaker 12: Thank you. 551 00:32:58,279 --> 00:33:00,319 Speaker 7: Yep, you're getting a lot of love in there, apps Lily, 552 00:33:00,400 --> 00:33:00,599 Thank you. 553 00:33:00,680 --> 00:33:00,880 Speaker 12: Guys. 554 00:33:00,960 --> 00:33:01,680 Speaker 5: We love the love. 555 00:33:02,440 --> 00:33:03,880 Speaker 1: We do love the love, not as much as those 556 00:33:04,079 --> 00:33:05,319 falcons love the right. 557 00:33:05,400 --> 00:33:07,440 Speaker 12: Right falcons got it going on. 558 00:33:07,640 --> 00:33:09,400 Speaker 1: But Spring is in the air. 559 00:33:09,920 --> 00:33:11,039 Speaker 2: Spring is in the air. 560 00:33:11,680 --> 00:33:13,559 Speaker 10: To make sure I don't miss anybody in your busy, 561 00:33:13,599 --> 00:33:15,920 busy chattering this love which we love to see. 562 00:33:16,000 --> 00:33:18,519 Speaker 7: And if you are just joining us, we have waiting 563 00:33:18,559 --> 00:33:21,400 for ze here with us alive in studio. You guys 564 00:33:21,440 --> 00:33:22,799 want to play another one? He sounds so good. 565 00:33:22,839 --> 00:33:24,680 Speaker 1: I just we can do another one. 566 00:33:24,720 --> 00:33:25,440 Speaker 7: I just want to hear more. 567 00:33:27,000 --> 00:33:29,039 Speaker 1: That doesn't give much the way we're playing everything this morning. 568 00:33:31,400 --> 00:33:36,200 Speaker 13: All right, this one features the outstanding vocals of mister 569 00:33:36,359 --> 00:33:37,079 Xander Carlson. 570 00:33:37,559 --> 00:33:39,640 Speaker 2: At at nine thirty in the morning on a Saturday, 571 00:33:39,880 --> 00:33:41,240 they're getting barely and easily. 572 00:33:42,000 --> 00:33:44,039 Speaker 12: Hey, hey, we started off with journey, all right. 573 00:33:44,640 --> 00:33:47,160 Speaker 2: Switch cloy Why don't we just go to this one? 574 00:33:48,480 --> 00:33:48,799 Speaker 7: All right? 575 00:33:49,000 --> 00:33:49,759 Speaker 5: No, not before. 576 00:33:50,759 --> 00:33:51,839 Speaker 7: The rule is not important. 577 00:33:51,960 --> 00:33:55,039 Speaker 12: Before two. We've tried this. It was ugly. It was ugly. 578 00:33:55,359 --> 00:34:16,719 Speaker 7: Oh that's funny. Okay, okay, yep, the city streets. 579 00:34:18,840 --> 00:34:21,039 Speaker 2: Wait a minute, Wait a minute. I'm sorry, I'm sorry. No, 580 00:34:21,159 --> 00:34:22,239 go ahead, yeah, yeah. 581 00:34:22,639 --> 00:34:26,159 Speaker 12: You know you turned the microphone over to the Yeah. 582 00:34:25,559 --> 00:34:27,280 Speaker 2: I had a at a moment. I'm sorry. 583 00:34:27,320 --> 00:34:29,519 Speaker 10: I'm pulling you up over Yeah, you're you're a little 584 00:34:29,559 --> 00:34:31,199 low in the mix, pulling it up over here. 585 00:34:31,079 --> 00:34:32,480 Speaker 16: All right, Yeah, that's what it was. 586 00:34:33,000 --> 00:34:35,840 Speaker 2: That's what Yeah, definitely, no. 587 00:34:35,880 --> 00:34:36,119 Speaker 3: I could. 588 00:34:36,159 --> 00:34:38,000 Speaker 7: I couldn't. I could. I couldn't hear you about it. 589 00:34:38,280 --> 00:34:38,960 Speaker 1: It could be better. 590 00:34:39,519 --> 00:34:42,480 Speaker 7: There you go go ahead and sing a couple of notes. Andrew, 591 00:34:42,559 --> 00:34:46,199 just hello, there we go. Yeah, here's that g again. 592 00:34:48,239 --> 00:34:48,840 Speaker 5: Should be good. 593 00:34:49,400 --> 00:34:50,559 Speaker 7: Yeah, you're a little low in the mix. 594 00:34:50,599 --> 00:34:52,159 Speaker 1: All right, let's try out to mess this up. Live 595 00:34:52,320 --> 00:35:08,360 Take two, baby, on the. 596 00:35:08,639 --> 00:35:12,559 Speaker 6: City streets, where you and I would be, where we 597 00:35:12,840 --> 00:35:19,639 would be. Everything I see reminds me of just how 598 00:35:20,199 --> 00:35:21,039 he used to be. 599 00:35:21,920 --> 00:35:24,679 Speaker 5: How can I get you? 600 00:35:26,639 --> 00:35:35,199 Speaker 4: There is always something there to remind me, Always something. 601 00:35:34,920 --> 00:35:36,239 Speaker 5: There to remind me. 602 00:36:00,119 --> 00:36:04,559 Speaker 2: Shadows fall up past a small cafe where we were 603 00:36:04,719 --> 00:36:11,119 dance that night. I can't help remembering how you use 604 00:36:11,239 --> 00:36:13,519 the dance and home its side. 605 00:36:14,119 --> 00:36:16,800 Speaker 5: How can I get you? 606 00:36:17,159 --> 00:36:17,440 Speaker 2: Girl? 607 00:36:18,679 --> 00:36:18,920 Speaker 5: There? 608 00:36:19,239 --> 00:36:26,719 Speaker 4: It's always something there to remind me. Yeah, only something 609 00:36:26,880 --> 00:36:33,400 there to remind me. It's born to love. 610 00:36:33,360 --> 00:36:38,760 Speaker 2: You, and I will never be free. You'll always be 611 00:36:38,920 --> 00:36:39,920 a boon of me. 612 00:36:41,280 --> 00:36:42,639 Speaker 5: Oh wha. 613 00:37:05,280 --> 00:37:09,159 Speaker 2: You should find you miss the sweet and tender love 614 00:37:09,440 --> 00:37:14,760 be used to shear? Just go back to your places 615 00:37:14,920 --> 00:37:18,280 where we used to go, Baby, I'll be there. 616 00:37:18,920 --> 00:37:21,559 Speaker 5: How can I get you? 617 00:37:21,960 --> 00:37:22,000 Speaker 11: Go? 618 00:37:23,519 --> 00:37:31,400 Speaker 4: There is always something there to remind me, Always something 619 00:37:31,559 --> 00:37:33,079 there to remind. 620 00:37:32,800 --> 00:37:43,800 Speaker 17: Me, A something there to remind me, away, something there 621 00:37:44,000 --> 00:37:45,599 to remoney. 622 00:38:00,159 --> 00:38:02,960 Speaker 5: Always something there to remind. 623 00:38:02,639 --> 00:38:13,440 Speaker 4: Me, Always something there to remind me, Always something there 624 00:38:13,559 --> 00:38:20,440 to remind me, Always something there to remind me. 625 00:38:47,159 --> 00:38:48,360 Speaker 16: Give it to us, Give it to us, Give it 626 00:38:48,400 --> 00:38:57,000 to us, you know, Dave, your dad would be real 627 00:38:57,079 --> 00:38:57,719 proud of me right now. 628 00:38:57,760 --> 00:38:59,480 Speaker 1: I bet he israel proud of you right now, Bud. 629 00:39:00,000 --> 00:39:01,320 Speaker 16: I'm playing a one piece that. 630 00:39:01,400 --> 00:39:02,880 Speaker 1: Sounded up in the comments if you would. 631 00:39:06,199 --> 00:39:08,199 Speaker 7: Oh, that was so good, Xander. I don't think i've 632 00:39:08,199 --> 00:39:10,000 ever heard you sing a lead vocal ever. That was 633 00:39:10,039 --> 00:39:10,559 really cool. 634 00:39:10,719 --> 00:39:14,239 Speaker 2: Yeah, I wasn't not It wasn't that I wasn't allowed 635 00:39:14,320 --> 00:39:17,559 to sing back then. But you know singers who just sang, 636 00:39:18,320 --> 00:39:20,039 you know, they have a little bit of that. Well, 637 00:39:20,079 --> 00:39:23,960 that's my job, and so you're just the guitarist. So 638 00:39:24,599 --> 00:39:27,559 you know, years and years of singing backups and always 639 00:39:27,599 --> 00:39:29,960 doing the high harmonies got to a point where I'm like, hey, 640 00:39:30,000 --> 00:39:32,519 I want to sing, you know, and I want to sing. 641 00:39:32,760 --> 00:39:34,840 And then he got to a point where he was like, 642 00:39:35,440 --> 00:39:37,840 I don't care. I don't have to sing every song. 643 00:39:38,039 --> 00:39:41,239 So that's one of the things we, you know, we're 644 00:39:41,320 --> 00:39:44,320 trying to do in this band is all take a lead. 645 00:39:44,639 --> 00:39:48,400 We've been you know, pushing juice Box over there to 646 00:39:48,840 --> 00:39:51,079 get on it and pick a song that he wants 647 00:39:51,119 --> 00:39:54,320 to sing. And we've picked a couple of songs and 648 00:39:54,400 --> 00:39:56,639 then you know, we come in anybody work on it. 649 00:39:58,159 --> 00:40:01,320 Speaker 16: And I'm still trying to find my range. 650 00:40:01,400 --> 00:40:01,519 Speaker 5: Man. 651 00:40:01,599 --> 00:40:04,440 Speaker 16: It's just yeah, I'm gonna work with Dave. 652 00:40:04,280 --> 00:40:05,760 Speaker 1: A little bit better. Yeah, we'll get there, buddy, we'll 653 00:40:05,800 --> 00:40:06,159 get Yeah. 654 00:40:06,239 --> 00:40:09,119 Speaker 2: So you know, I mean Scott does most of the leads, 655 00:40:09,159 --> 00:40:12,679 then then then me Dave takes some. And and with Dave, 656 00:40:12,960 --> 00:40:15,519 when he takes a lead, it blows the roof off. 657 00:40:17,639 --> 00:40:20,679 Speaker 1: Everybody calm down, you know, and and it and it 658 00:40:20,920 --> 00:40:21,079 you know. 659 00:40:21,239 --> 00:40:23,840 Speaker 2: So it's it's limit on what he does because he 660 00:40:23,880 --> 00:40:26,519 doesn't want to, you know, kill that perfect voice. 661 00:40:28,639 --> 00:40:31,079 Speaker 1: I got to skid row songs in me a night 662 00:40:31,639 --> 00:40:32,599 and then I'm done. 663 00:40:33,360 --> 00:40:37,480 Speaker 2: And that's done all together like that just his background vocals. 664 00:40:37,840 --> 00:40:40,840 So we need him, you know, for everything. 665 00:40:41,239 --> 00:40:42,000 Speaker 12: When you listen to his. 666 00:40:42,039 --> 00:40:44,039 Speaker 13: Talk, you wouldn't realize, but he's actually has the highest 667 00:40:44,079 --> 00:40:45,559 voice out of all of us, brilliant. 668 00:40:45,599 --> 00:40:48,000 Speaker 1: I'm fighting the flu a little bit, so it helps, 669 00:40:48,239 --> 00:40:49,280 but I can't. Yeah, you don't have it. 670 00:40:49,480 --> 00:40:51,119 Speaker 2: You're not fighting the flu. You had the flu? 671 00:40:51,760 --> 00:40:52,159 Speaker 1: Yeah, whoa. 672 00:40:52,360 --> 00:40:55,119 Speaker 14: Everybody's good. Everybody's good the flu. But I'm still recovering 673 00:40:55,159 --> 00:40:56,039 from like the chest up. 674 00:40:56,239 --> 00:40:59,280 Speaker 10: Yeah yeah, now understandable, understandable. Now you sound great? You 675 00:40:59,280 --> 00:41:01,079 all sound great? Is just like the earliest gig you 676 00:41:01,159 --> 00:41:03,800 guys have ever done, Like I'm sure you've had for sure. 677 00:41:04,639 --> 00:41:06,599 Speaker 2: Yeah, I mean, what did we what did we do? 678 00:41:06,920 --> 00:41:07,719 Uh wait? 679 00:41:08,719 --> 00:41:10,119 Speaker 1: But we did like a one o'clock show. 680 00:41:10,280 --> 00:41:12,880 Speaker 12: Yeah, and that was that was kind of the earliest. Yeah, yeah, 681 00:41:13,880 --> 00:41:14,280 I think so. 682 00:41:14,920 --> 00:41:17,239 Speaker 7: Yeah, you guys ever rehearsed this earlier? 683 00:41:19,320 --> 00:41:24,119 Speaker 14: You're adding too many edhears something. 684 00:41:26,639 --> 00:41:28,119 Speaker 12: I have to say though, and I hope it's okay 685 00:41:28,159 --> 00:41:28,480 to say this. 686 00:41:28,599 --> 00:41:30,400 Speaker 13: Over the year, I was a little nervous coming and 687 00:41:30,480 --> 00:41:32,280 doing this, but then watching her do I don't know 688 00:41:32,320 --> 00:41:34,320 if I wouldn't call it needle point, but whatever you're 689 00:41:34,360 --> 00:41:35,400 doing over there has. 690 00:41:35,320 --> 00:41:36,400 Speaker 12: A very calming presence. 691 00:41:36,480 --> 00:41:36,880 Speaker 1: It really does. 692 00:41:37,000 --> 00:41:39,119 Speaker 12: Yeah, I'm just like hanging out at my house now. 693 00:41:39,639 --> 00:41:44,599 Speaker 1: Yeah, I'm like, you know, out of the over here, 694 00:41:44,679 --> 00:41:49,519 half listening, you know what I mean? We got there. 695 00:41:49,920 --> 00:41:50,880 Speaker 5: I love it. Did. 696 00:41:51,719 --> 00:41:54,119 Speaker 10: Yeah, she's really good at it. I don't always say 697 00:41:54,159 --> 00:41:56,039 I don't understand. I like, I don't understand how she 698 00:41:56,079 --> 00:41:58,199 does it. My brain can't do the math because it's 699 00:41:58,199 --> 00:41:58,920 all geometry. 700 00:41:59,440 --> 00:42:00,960 Speaker 1: I'm out. I'm out. 701 00:42:01,159 --> 00:42:03,239 Speaker 7: Well, I know you don't think you're out. 702 00:42:04,280 --> 00:42:06,599 Speaker 2: You're the mouth guy, though I failed here. 703 00:42:08,320 --> 00:42:08,800 Speaker 1: I'm a nerd. 704 00:42:10,599 --> 00:42:11,920 Speaker 7: What do you guys have coming up? Do you have 705 00:42:12,599 --> 00:42:14,079 you have specific gigs you want to mention. 706 00:42:13,960 --> 00:42:15,400 Speaker 14: That we should have learned, We should have remembered that 707 00:42:15,440 --> 00:42:17,679 before we get Yeah, I believe the next one is 708 00:42:18,079 --> 00:42:21,760 the Nest on the on April eighteenth. Yeah, that's that's 709 00:42:21,800 --> 00:42:22,119 about right. 710 00:42:22,199 --> 00:42:22,360 Speaker 7: Yeah. 711 00:42:22,480 --> 00:42:24,119 Speaker 16: Where is that the Nest that's in Plasta. 712 00:42:25,119 --> 00:42:26,880 Speaker 1: That's a cool room, man, if you listen to show. 713 00:42:26,800 --> 00:42:28,960 Speaker 12: Up, if you're a pool player, they have plenty of 714 00:42:28,960 --> 00:42:29,480 pool tables. 715 00:42:29,519 --> 00:42:29,679 Speaker 7: Yeah. 716 00:42:30,599 --> 00:42:33,039 Speaker 1: That good dance floor. Who drinks, good food, great status. 717 00:42:33,119 --> 00:42:37,360 Speaker 2: Yea April eighteenth, the Nest and Plastyle yep. Confirmed on 718 00:42:37,559 --> 00:42:38,119 on the calendar. 719 00:42:38,440 --> 00:42:40,440 Speaker 1: There we're up at bike Week a couple of shows. 720 00:42:40,679 --> 00:42:44,440 Those are big ones this this summer so far, Lin's. 721 00:42:44,159 --> 00:42:49,079 Speaker 2: And I don't know, Linz and Hudson. On June seventh, 722 00:42:50,199 --> 00:42:54,199 we are at bike Week, you know, the famous Laconia 723 00:42:54,719 --> 00:42:58,280 Bike Week. We are there at the wreck Yard. On 724 00:42:59,360 --> 00:43:01,760 June eighth teenth, which is a Wednesday, we're playing an 725 00:43:01,760 --> 00:43:05,000 early show from four to eight nice, and then we 726 00:43:05,199 --> 00:43:07,639 got a day off and then we're back at the 727 00:43:07,679 --> 00:43:10,719 wreck Yard on Friday, June twentieth, and that one we're 728 00:43:10,719 --> 00:43:14,199 playing from nine to midnight, so we're keeping the you know, 729 00:43:14,320 --> 00:43:15,760 everybody awake at that point. 730 00:43:15,880 --> 00:43:16,079 Speaker 5: Yeah. 731 00:43:18,360 --> 00:43:18,559 Speaker 16: Yeah. 732 00:43:18,840 --> 00:43:21,320 Speaker 2: And then after that we got a private party and uh, 733 00:43:21,639 --> 00:43:23,119 if you you know you want to go to that, 734 00:43:23,239 --> 00:43:25,719 you just got to find us on Facebook and message 735 00:43:25,800 --> 00:43:28,440 us because it's a private party, but it's at a campground, 736 00:43:28,519 --> 00:43:31,760 so people are allowed to come and it ends up 737 00:43:31,760 --> 00:43:33,480 being like, I don't know, they've charged you like five 738 00:43:33,599 --> 00:43:36,159 or ten bucks to get in or whatever, and it's 739 00:43:36,199 --> 00:43:38,000 a it's a good time. Oh yeah, they have this 740 00:43:38,559 --> 00:43:41,159 this snack shock place next to where we play. 741 00:43:43,840 --> 00:43:44,039 Speaker 18: Yeah. 742 00:43:44,079 --> 00:43:46,239 Speaker 2: Yeah, we're definitely no strangers to food. 743 00:43:46,519 --> 00:43:46,719 Speaker 12: Yeah. 744 00:43:47,519 --> 00:43:49,199 Speaker 15: What's fun about that gig is it's it's it's a 745 00:43:49,239 --> 00:43:50,639 potty you know. They had to have a good time 746 00:43:50,679 --> 00:43:52,039 and have fun. It's not like we're just playing to 747 00:43:52,079 --> 00:43:53,800 a venue to try to get people to dance and everything. 748 00:43:53,840 --> 00:43:57,079 It's just it's a relaxed, low key everyone's just chilling 749 00:43:57,159 --> 00:43:57,960 and loving life. 750 00:43:58,360 --> 00:44:01,599 Speaker 2: Launch airs. Yeah, those carts yeah yeah, yeah, yeah, yeah, 751 00:44:01,599 --> 00:44:03,159 the photo tractor carts. 752 00:44:02,960 --> 00:44:05,280 Speaker 14: Or whatever they actually have if I remember correctly, they 753 00:44:05,320 --> 00:44:07,840 have magic shot glasses that seem to never be empty. 754 00:44:07,960 --> 00:44:09,079 Speaker 2: Oh yeah, that's true. 755 00:44:09,480 --> 00:44:10,440 Speaker 12: What it was, it was weird. 756 00:44:10,519 --> 00:44:13,320 Speaker 13: They would my drops and there would just be a 757 00:44:13,400 --> 00:44:14,880 shot glass that would just fill. 758 00:44:14,719 --> 00:44:16,880 Speaker 12: Right up, nice, nice. 759 00:44:17,360 --> 00:44:20,519 Speaker 2: And then after that, on August twenty second, we are 760 00:44:20,719 --> 00:44:23,239 back at the Nest and we usually start at the 761 00:44:23,320 --> 00:44:24,199 Nest what round. 762 00:44:24,599 --> 00:44:30,239 Speaker 16: Around eight o'clock, eight o'clock, yeah, yeah, and then. 763 00:44:31,119 --> 00:44:33,800 Speaker 2: Then we're back at Lenz in September on the sixth. 764 00:44:33,880 --> 00:44:35,400 Speaker 12: But nobody's writing this down, trust me. 765 00:44:37,000 --> 00:44:38,000 Speaker 2: Hey, this is part of. 766 00:44:39,480 --> 00:44:40,079 Speaker 12: The website. 767 00:44:40,760 --> 00:44:42,880 Speaker 2: Okay, yeah, just go to the website that we don't 768 00:44:42,960 --> 00:44:48,119 have to face for I didn't know we were playing. 769 00:44:47,880 --> 00:44:49,039 Speaker 1: At Hudson, I'll be honest with you. 770 00:44:50,199 --> 00:44:52,000 Speaker 7: That's awesome. Now you guys got a lot of gigs 771 00:44:52,000 --> 00:44:54,039 coming up though. That's that's really good. That's really good. 772 00:44:54,159 --> 00:44:55,119 Do you want to play one more? 773 00:44:55,639 --> 00:44:55,840 Speaker 12: Yeah? 774 00:44:55,880 --> 00:44:56,840 Speaker 7: I'd love to hear one more? 775 00:44:57,039 --> 00:44:58,480 Speaker 12: Yeah, you want to do uh? Do you want to 776 00:44:58,519 --> 00:45:00,159 do one for him? And do you want to do you? 777 00:45:00,719 --> 00:45:02,159 Would you like to hear you too a kiss? 778 00:45:02,760 --> 00:45:02,880 Speaker 13: Well? 779 00:45:02,920 --> 00:45:05,119 Speaker 10: I would always feel like that's gonna be biased, Yeah 780 00:45:05,199 --> 00:45:07,480 that is yeah, I would always like to hear kiss definitely. 781 00:45:07,920 --> 00:45:09,440 Speaker 7: Do you want to do both? But if you have 782 00:45:09,519 --> 00:45:10,760 too in mind, we have time. 783 00:45:10,800 --> 00:45:12,719 Speaker 1: If you want to do them both, you can't you 784 00:45:12,800 --> 00:45:15,199 want to we can start with Kiss and see what happens. 785 00:45:15,320 --> 00:45:17,000 Speaker 7: Yeah, just yeah, just play them both? Yeah, why not? 786 00:45:17,400 --> 00:45:20,079 Speaker 2: I don't think Kiss has even done this one acoustic. 787 00:45:19,840 --> 00:45:24,159 Speaker 12: So there's probably a reason. Yeah, it's not gonna knock 788 00:45:24,199 --> 00:45:24,920 his socks off on it. 789 00:45:25,239 --> 00:45:28,079 Speaker 7: I'm trying to get what what is it? Give me 790 00:45:28,119 --> 00:45:29,440 a hint? What are you gonna play? I want? I 791 00:45:29,480 --> 00:45:30,320 want to see if I get. 792 00:45:31,800 --> 00:45:32,320 Speaker 12: Real quickly? 793 00:45:33,039 --> 00:45:33,800 Speaker 2: No denying it. 794 00:45:33,960 --> 00:45:38,159 Speaker 7: I know because I've heard you play a certain riff 795 00:45:38,760 --> 00:45:41,320 all right, yeah, just oh nice. 796 00:45:41,719 --> 00:45:42,159 Speaker 1: Nope, no. 797 00:45:43,920 --> 00:45:44,719 Speaker 2: It's not that one though. 798 00:45:44,880 --> 00:45:45,599 Speaker 7: It's not that one. 799 00:45:45,679 --> 00:45:46,320 Speaker 2: It's not that one. 800 00:45:46,400 --> 00:45:48,800 Speaker 12: Okay, it's a pretty mainstream, all right. 801 00:45:49,159 --> 00:45:51,119 Speaker 7: Surprised, I mean I know all the Kiss songs anyway, Yeah, 802 00:45:51,360 --> 00:45:52,000 I surprised me. 803 00:45:52,880 --> 00:45:55,079 Speaker 12: I never heard that this one's called keep Me Coming 804 00:45:55,119 --> 00:45:55,840 off the Asylum. 805 00:45:57,400 --> 00:45:59,239 Speaker 2: Geez, you're just like Paul Stanley. You can't even get 806 00:45:59,239 --> 00:45:59,800 the album. 807 00:45:59,719 --> 00:46:03,239 Speaker 7: Right, I know that's on Creatures of the Night, sir, exactly, 808 00:46:03,639 --> 00:46:03,960 Thank you. 809 00:46:06,039 --> 00:46:12,719 Speaker 1: You're smiling all right? 810 00:46:12,760 --> 00:46:16,440 Speaker 7: Waiting for ze live in Studio two three four. 811 00:46:39,440 --> 00:46:41,000 Speaker 5: Up time say. 812 00:46:45,159 --> 00:46:47,519 Speaker 12: Fuck radio's whole life? 813 00:46:50,159 --> 00:46:56,719 Speaker 19: Hear that soul and pulls the through, comes on stroll 814 00:46:56,920 --> 00:47:00,239 and tells what I got to and I got to 815 00:47:00,960 --> 00:47:05,159 get up. Everybody's gonna move their feet, get down. Everybody's 816 00:47:05,199 --> 00:47:06,280 gonna leave their seed. 817 00:47:08,159 --> 00:47:11,639 Speaker 1: You gotta lose your mind and DeJoy roxy there. 818 00:47:12,119 --> 00:47:12,639 Speaker 5: Get up. 819 00:47:12,960 --> 00:47:16,960 Speaker 19: Everybody's gonna move their feet, get down. Everybody's gonna leave 820 00:47:17,000 --> 00:47:17,519 their seed. 821 00:47:18,079 --> 00:47:18,760 Speaker 5: Get away. 822 00:47:19,320 --> 00:47:20,239 Speaker 12: I just can't heal you. 823 00:47:23,599 --> 00:47:24,400 Speaker 5: Ten o'clock. 824 00:47:24,840 --> 00:47:30,159 Speaker 19: You know what goutt to hear the word? First I drink, 825 00:47:30,559 --> 00:47:36,719 then I smoke. Stop the car, try to make the 826 00:47:36,840 --> 00:47:42,559 midnight Sure, let's go up. Everybody's gonna move their feet. 827 00:47:42,760 --> 00:47:43,239 Speaker 5: You're down. 828 00:47:43,519 --> 00:47:45,320 Speaker 19: Everybody's gonna leave their seed. 829 00:48:20,679 --> 00:48:23,199 Speaker 12: Move it fast, U ninety five. 830 00:48:26,199 --> 00:48:29,559 Speaker 1: Hits up speed, still moving most time. 831 00:48:31,800 --> 00:48:32,719 Speaker 5: Feels so good. 832 00:48:32,920 --> 00:48:34,320 Speaker 19: I'm so live. 833 00:48:37,320 --> 00:48:37,480 Speaker 6: Here. 834 00:48:37,559 --> 00:48:42,960 Speaker 19: That song lay on the radio when it goes Get up, 835 00:48:43,239 --> 00:49:34,639 everybody's gonna move their feet. Twelve o'clock and a gout 836 00:49:34,800 --> 00:49:44,440 of rock. This truck ahead, like said, I'm ayes, Oh my. 837 00:49:44,639 --> 00:49:46,400 Speaker 12: God, no time to turn. 838 00:49:50,000 --> 00:49:52,679 Speaker 5: Gotta laught know who I'm gonna die? 839 00:49:53,760 --> 00:49:54,000 Speaker 24: Why? 840 00:49:54,840 --> 00:49:55,320 Speaker 3: Get up? 841 00:49:55,559 --> 00:50:05,119 Speaker 19: Everybody's gonna move their feet out, Get up. 842 00:50:05,280 --> 00:50:07,119 Speaker 12: Everybody's going to leave the scene. 843 00:50:07,599 --> 00:50:17,639 Speaker 8: Yeah, explosions in the background, of course, that's firefireworks, leather 844 00:50:17,719 --> 00:50:18,320 seat solo. 845 00:50:26,079 --> 00:50:28,760 Speaker 7: Well done, guys, that's a that's a fun bassline, isn't it? 846 00:50:29,559 --> 00:50:30,000 It's so fun? 847 00:50:30,159 --> 00:50:30,320 Speaker 25: Yeah? 848 00:50:30,360 --> 00:50:31,159 Speaker 12: Yeah, I went and you went. 849 00:50:31,239 --> 00:50:32,559 Speaker 1: One day. I'm gonna learn how to play it, you 850 00:50:32,639 --> 00:50:33,000 know what I mean? 851 00:50:34,000 --> 00:50:34,440 Speaker 7: That was great. 852 00:50:34,440 --> 00:50:36,760 Speaker 10: You gotta sound amazing waiting for Z with us live 853 00:50:36,800 --> 00:50:38,280 in studio. Okay, you want to do one more. You're 854 00:50:38,280 --> 00:50:39,199 gonna do a you two song. 855 00:50:39,800 --> 00:50:40,519 Speaker 1: We can do one more. 856 00:50:40,599 --> 00:50:44,920 Speaker 12: Yeah, we're just gonna switch switch guitars. 857 00:50:45,159 --> 00:50:47,480 Speaker 14: That's how talented day are. They both play six and 858 00:50:47,639 --> 00:50:49,639 twelve strike. Yeah, it's crazy. 859 00:50:49,800 --> 00:50:51,559 Speaker 16: Yeah yeah, yeah, Dave, you want to show off the 860 00:50:51,599 --> 00:50:56,960 switch But that's when I get fired. 861 00:51:02,079 --> 00:51:03,239 Speaker 7: Yeah, could be. 862 00:51:05,639 --> 00:51:05,800 Speaker 2: It is? 863 00:51:06,920 --> 00:51:08,559 Speaker 7: I mean, yeah, it's in there. 864 00:51:08,679 --> 00:51:08,800 Speaker 2: Oh. 865 00:51:08,840 --> 00:51:09,239 Speaker 1: By the way. 866 00:51:09,480 --> 00:51:11,920 Speaker 10: Nathan Hill, who was here with us last week, he says, uh, 867 00:51:12,360 --> 00:51:15,360 he says, good morning, sounds great, thank you. And uh 868 00:51:15,480 --> 00:51:18,119 and also our friend, uh Bruce Heberlin from Legion of 869 00:51:18,199 --> 00:51:18,760 Solace whoit. 870 00:51:18,920 --> 00:51:20,239 Speaker 7: They do a lot of promotion. They work with a 871 00:51:20,280 --> 00:51:20,800 lot of bands. 872 00:51:21,199 --> 00:51:23,960 Speaker 10: He's in the chat room as well, and uh yeah, 873 00:51:24,039 --> 00:51:25,760 so you guys are getting a lot of love this morning. 874 00:51:25,840 --> 00:51:26,280 Speaker 7: Would you say? 875 00:51:26,320 --> 00:51:27,840 Speaker 2: He does a lot of promotion and stuff like that. 876 00:51:28,360 --> 00:51:30,679 Hit me, hit us up, hit us up, you. 877 00:51:30,719 --> 00:51:31,400 Speaker 5: Know he does. 878 00:51:31,760 --> 00:51:35,440 Speaker 7: Yes, we must connect to absolutely absolutely. 879 00:52:01,599 --> 00:52:07,559 Speaker 12: One man comes in the neighbor love. One man come, and. 880 00:52:10,360 --> 00:52:13,039 Speaker 26: One man comes, He's justified. 881 00:52:14,719 --> 00:52:18,639 Speaker 5: One man to over flow in the. 882 00:52:24,639 --> 00:52:27,440 Speaker 18: Name in the. 883 00:52:33,360 --> 00:52:33,760 Speaker 5: Neighbor. 884 00:52:36,599 --> 00:52:41,039 Speaker 26: One man comes on a bar by the fence. One 885 00:52:41,199 --> 00:52:48,480 man he is is, one man washed on an empty beach. 886 00:52:49,559 --> 00:52:53,199 Speaker 7: One man betrayed with a key in. 887 00:53:00,039 --> 00:53:02,360 Speaker 5: A live. 888 00:53:08,199 --> 00:54:02,320 Speaker 25: A early morning April four, shudderings out in a Memphis scow. 889 00:54:03,800 --> 00:54:09,440 Speaker 7: Last that should do not they could not. Theyll bro. 890 00:54:11,159 --> 00:54:13,599 Speaker 3: The name all. 891 00:54:15,239 --> 00:54:26,800 Speaker 5: Woe man, name a name all name no. 892 00:54:28,320 --> 00:54:29,360 Speaker 1: In the name. 893 00:54:32,760 --> 00:54:39,360 Speaker 5: Go bad name no here the name no. 894 00:54:43,320 --> 00:54:58,280 Speaker 20: Name a long woo no. 895 00:55:15,880 --> 00:55:19,679 Speaker 1: All right, get attack gott. 896 00:55:21,760 --> 00:55:24,679 Speaker 2: And you know what's funny is for the musicians out there, 897 00:55:25,000 --> 00:55:30,880 every song we've played it has incrementally dropped from the 898 00:55:30,960 --> 00:55:34,519 position that I've played that each time. Yeah, it's weird. 899 00:55:35,280 --> 00:55:38,400 Speaker 12: We wrote it up completely the way we planned. 900 00:55:38,239 --> 00:55:39,719 Speaker 2: Yeah, Anthony planned it that way. 901 00:55:40,840 --> 00:55:41,840 Speaker 1: It is the arranger. 902 00:55:42,159 --> 00:55:45,039 Speaker 2: So again, waiting for Z. Check us out on Facebook? 903 00:55:45,679 --> 00:55:48,719 Speaker 7: Yeah yeah, all our gigs coming up and the best 904 00:55:48,760 --> 00:55:50,559 place to go Facebook for that? Yeah yeah. 905 00:55:51,599 --> 00:55:53,239 Speaker 2: Do we have an Instagram or something. 906 00:55:53,039 --> 00:55:55,280 Speaker 15: That we don't yet, but I can set one up 907 00:55:55,280 --> 00:55:59,159 soon probably going but yeah w w W dot Facebook? 908 00:55:59,679 --> 00:56:00,840 Speaker 16: Uh lah. Waiting for Z. 909 00:56:01,840 --> 00:56:03,480 Speaker 1: Well we get the action. We don't have numbers after 910 00:56:03,639 --> 00:56:04,000 or anything. 911 00:56:04,320 --> 00:56:04,360 Speaker 27: No. 912 00:56:05,000 --> 00:56:07,320 Speaker 12: Wow, Well that's a good time, big time. 913 00:56:07,519 --> 00:56:08,760 Speaker 7: That's good, famous dude. 914 00:56:09,280 --> 00:56:11,119 Speaker 10: That's a that's a good thing about picking a name 915 00:56:11,199 --> 00:56:12,559 like that. You want to you want to pick something 916 00:56:12,599 --> 00:56:14,559 that you don't think somebody else is gonna have already, 917 00:56:14,559 --> 00:56:16,599 you know, And that's right. Yeah, So that that's uh, 918 00:56:16,679 --> 00:56:17,880 that's smart. That's smart. 919 00:56:18,039 --> 00:56:20,239 Speaker 7: Guys. This has been wonderful. Thank you so much, thank you, 920 00:56:20,280 --> 00:56:20,840 thank you, thank you. 921 00:56:20,880 --> 00:56:21,480 Speaker 12: Very much for having me. 922 00:56:22,159 --> 00:56:24,920 Speaker 10: Absolutely good. We will definitely do it again in the future. 923 00:56:25,000 --> 00:56:27,559 And uh, if you're listening live on Saturday, we've got 924 00:56:27,639 --> 00:56:30,320 Space Casino coming up next in the second hour. They're 925 00:56:30,320 --> 00:56:32,840 going to be calling in from Boston, but uh waiting 926 00:56:32,920 --> 00:56:34,920 for Z. You got to see these guys live. Guys, 927 00:56:35,000 --> 00:56:36,880 thank you again, than thank you so much for having us. 928 00:56:36,920 --> 00:56:40,199 Thank you again so very much. And uh again, if 929 00:56:40,239 --> 00:56:42,159 you are listening, I was so into the song I 930 00:56:42,239 --> 00:56:46,159 forgot to queue up the commercial spot for a commercial break. 931 00:56:46,360 --> 00:56:49,760 Speaker 7: If you are listening uh live on Saturday, plenty more 932 00:56:49,800 --> 00:56:51,760 to come. Don't go anywhere. 933 00:56:53,519 --> 00:56:54,480 Speaker 1: In times of crisis. 934 00:56:54,719 --> 00:56:56,840 Speaker 28: You need a law firm that stands by your side 935 00:56:57,159 --> 00:57:00,280 with over forty years of experience. Craig and Gazulas is 936 00:57:00,360 --> 00:57:04,000 dedicated to fighting for your rights. As former state prosecutors, 937 00:57:04,199 --> 00:57:07,000 our attorneys have the knowledge and trial experience to provide 938 00:57:07,000 --> 00:57:11,440 an aggressive defense against any charge, from duys to homicides. 939 00:57:11,920 --> 00:57:14,960 If you've been injured, our compassionate team will assess your 940 00:57:15,039 --> 00:57:18,199 case and fight for the compensation you deserve. Serving all 941 00:57:18,239 --> 00:57:20,840 of New Hampshire, Craigan Getzulis is here when you need 942 00:57:20,920 --> 00:57:24,519 us most. Visit craigatzulis dot com for a free consultation. 943 00:57:24,840 --> 00:57:27,480 Craigan Getzulus, your advocates, your. 944 00:57:27,440 --> 00:57:32,519 Speaker 24: Allies, bring your kitchen to life with Queen Citycabinetry, located 945 00:57:32,639 --> 00:57:36,079 at eighty seven Elm Street in the historic Sunbeam Wall 946 00:57:36,239 --> 00:57:39,960 in Manchester, open Monday through Friday nine am to five 947 00:57:40,119 --> 00:57:43,679 thirty pm, in Saturdays ten am to two pm. 948 00:57:44,159 --> 00:57:47,239 Speaker 29: They can be reached at six h three two two 949 00:57:47,400 --> 00:57:50,800 two to zero zero seven. We're on the web at 950 00:57:50,880 --> 00:57:57,679 Queen citycabinatry NH dot com. Come see the possibilities. Queen Citycabinetry, 951 00:57:57,920 --> 00:58:02,400 another crowd sponsor of w H. Disney's Cafe is the 952 00:58:02,480 --> 00:58:04,840 place to put a smile on your face. Judy and 953 00:58:04,880 --> 00:58:07,000 the crew will take care of you, bring your. 954 00:58:06,960 --> 00:58:10,880 Speaker 30: Appetite and trig your taste buds Right business cafe is 955 00:58:11,079 --> 00:58:15,719 always a winning choice. Breakfast, lunch or supper Dizze's Cafe 956 00:58:16,239 --> 00:58:19,960 at eight sixty Elm Street in downtown Manchester. Dine in, 957 00:58:20,199 --> 00:58:23,000 take out or make a reservation call six oh three, 958 00:58:23,440 --> 00:58:27,719 six oh six two five three two each, drink and 959 00:58:27,880 --> 00:58:29,800 be happy Dizzne's Cafe. 960 00:58:30,119 --> 00:58:32,840 Speaker 27: When it comes to keeping WMNH on the air and 961 00:58:32,960 --> 00:58:36,719 your own personal or business computer needs, trust Growland Computers, 962 00:58:36,960 --> 00:58:40,719 located on Elm Street in Manchester. Groland handles computer repair, 963 00:58:40,960 --> 00:58:43,840 virus removal and custom built systems. Are you looking for 964 00:58:43,960 --> 00:58:47,239 budget friendly options, check out our selection of fully inspected 965 00:58:47,360 --> 00:58:51,440 used computers. We offer tailored on site solutions no unnecessary 966 00:58:51,519 --> 00:58:55,119 expenses here. Visit Groland dot com or call Grolling Computers 967 00:58:55,239 --> 00:58:58,519 at six zero three six four five zero one zero 968 00:58:58,679 --> 00:59:02,199 one Your tech your one trust roll In Computers. 969 00:59:08,719 --> 00:59:13,079 Speaker 2: Midnight seven times out of ten we listened to our 970 00:59:13,239 --> 00:59:14,400 music at night. 971 00:59:16,400 --> 00:59:19,679 Speaker 23: That's one titled Businesses program Late. 972 00:59:19,719 --> 00:59:23,480 Speaker 28: Night to Light with DJ Midas right here on WMNH Manchester. 973 00:59:23,599 --> 00:59:25,239 Speaker 5: If you want to know, because. 974 00:59:26,960 --> 00:59:29,320 Speaker 29: Saturdays and Sunday nights midnight to four am. 975 00:59:30,679 --> 00:59:36,119 Speaker 7: This Hour on WMNH is sponsored by CGI Business Solutions, 976 00:59:36,480 --> 00:59:39,440 located at five Dartmouth Drive in Auburn. 977 00:59:39,800 --> 00:59:43,719 Speaker 2: They serve all your business needs including employee benefits, planning, 978 00:59:44,039 --> 00:59:48,679 corporate design and business administration, investments and wealth management, and 979 00:59:48,840 --> 00:59:52,960 customized business insurance solutions. Their phone number is eight sixty 980 00:59:53,000 --> 00:59:56,199 six eighty four to one forty six hundred, or on 981 00:59:56,360 --> 00:59:59,840 the web at CGI business Solutions dot com.