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<v Speaker 1>Welcome. This is Marsha for RADIOI and today I will

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<v Speaker 1>be reading National Geographic Magazine dated December twenty twenty four.

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<v Speaker 1>As a reminder, RADIOI is a reading service intended for

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<v Speaker 1>people who are blind or have other disabilities that make

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<v Speaker 1>it difficult to read printed material. Please join me now

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<v Speaker 1>for the first article titled Islamic Art the Art of Arabia.

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<v Speaker 1>In northwest Saudi Arabia, the artistic heritage of the Alulah

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<v Speaker 1>Oasis is literally carved into the landscape, from the enigmatic

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<v Speaker 1>rot art of the Neolithic era, through the colossal statues

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<v Speaker 1>of the Dadanite and Lehanite kingdoms to the monumental architecture

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<v Speaker 1>of the Nabtaeans. Alula was already steeped in artistic tradition

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<v Speaker 1>when a new and distinctive art form began to emerge,

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<v Speaker 1>Islamic art. After the founding of Islam in six ten CE.

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<v Speaker 1>The religious spread rapidly and in time became associated with

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<v Speaker 1>a recognizable style of artistic expression. Because of Islam's Arabic roots,

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<v Speaker 1>its art has often been associated with Arabia. The reality

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<v Speaker 1>is far more complex. Islamic art drew little on Arabic

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<v Speaker 1>artistic traditions. The Islamic faith is a way of life.

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<v Speaker 1>Religion touches almost every aspect of the daily experience, as

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<v Speaker 1>well as the life journey. As such, Islam comes with

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<v Speaker 1>a strong, unique and unifying cultural identity that is reflected

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<v Speaker 1>in its art. Islamic art encompasses much more than pieces

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<v Speaker 1>created explicitly for religious purposes, such as an illuminated Koran

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<v Speaker 1>or an intricately carved men mianbar in a mosque. It

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<v Speaker 1>is the art of Muslim people everywhere. Any work created

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<v Speaker 1>by a Muslim or for a Muslim over the fourteen

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<v Speaker 1>hundred years of Islam's existence falls under this classification, and

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<v Speaker 1>the geographical and historical range of Islamic art it is

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<v Speaker 1>huge and instantly identifiable. Initially, artistic expression was not fundamental

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<v Speaker 1>to Islam. Art is not directly mentioned in the Koran

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<v Speaker 1>or early religious texts. As the faith spread, conquered lands

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<v Speaker 1>continued their own indigenous artistic traditions. However, as a unified

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<v Speaker 1>Islamic state emerged under the Umayad and Abbasid caliphets, a

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<v Speaker 1>distinctly Islamic form of art was also emerging. But by

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<v Speaker 1>this time Islam had also moved far beyond its Arabian

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<v Speaker 1>roots and had embraced an array of cultural influences. However,

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<v Speaker 1>for all its extraordinary diversity, there are four broad artistic

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<v Speaker 1>themes that transcend place and time to be consciously recognizable

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<v Speaker 1>as Islamic. Vegetative patterns, geometric patterns, figurative art, and calligraphy

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<v Speaker 1>have long been consistently employed by Islamic artists to form

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<v Speaker 1>a cultural compesion across ethnically diverse following of Islam. These

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<v Speaker 1>four forms of artistic expression are found wherever Islam is practiced,

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<v Speaker 1>and all have powerful stories behind them. Intertwining plants, stems, leaves,

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<v Speaker 1>and flowers are found on objects throughout the Islamic world,

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<v Speaker 1>but foliage patterns like these were not new. Such designs

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<v Speaker 1>predate Islam and are present in the cultures of ancient

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<v Speaker 1>Byzantium and Sasanian Iran, where early Islam firmly established itself.

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<v Speaker 1>This local artistic tradition was adopted, adapted, and developed by

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<v Speaker 1>Islamic artists, and their experimentations spread through Muslim lands. By

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<v Speaker 1>the twelfth century, a highly abstract and distinctive style of

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<v Speaker 1>Islamic foliage patterns had emerged, found in architecture, textiles in

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<v Speaker 1>every form of object. This style came to be known

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<v Speaker 1>as Arabesque. These Arabesque patterns were neither specifically Arabian nor

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<v Speaker 1>religiously symbolic, but they remained a unifying feature of Islamic art.

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<v Speaker 1>Another instantly recognizable style of Islamic art is the geometric pattern.

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<v Speaker 1>These abstract designs, often formed using circles, squares, stars, and polygons,

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<v Speaker 1>can be linked to Islamic interest in mathematics and science.

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<v Speaker 1>But again, while such patterns reached their peak through Islamic art,

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<v Speaker 1>they were originally adapted from the classical traditions of Greece, Rome,

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<v Speaker 1>and Sesanian Iran. Building on these traditions, Islamic artists elaborated

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<v Speaker 1>and built on simple forms like circles, duplicating, overlapping, interlacing,

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<v Speaker 1>and combining them into complex and intricate patterns that stress symmetry, balance, proportion,

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<v Speaker 1>and order, while also offering the possibility of infinite expansion.

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<v Speaker 1>Little wonder then, that this is one of the most

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<v Speaker 1>prolific forms of Islamic art in the world. Perhaps the

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<v Speaker 1>most misunderstood influence on the emergence of Islamic art was

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<v Speaker 1>that of figurative representation. Depictions of humans and animnimals. Initially,

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<v Speaker 1>figures continued to be widely used for decoration, as they

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<v Speaker 1>had been for centuries before Islam, but around the eighth century,

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<v Speaker 1>the use of figurative forms in religious works was expressly

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<v Speaker 1>forbidden by Islam, based on the belief that God alone

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<v Speaker 1>could create living forms. This aligned with Christian thinking at

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<v Speaker 1>the time, and both religions actively eradicated the human form

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<v Speaker 1>from their religious art. However, figurative representation in secular art continued.

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<v Speaker 1>Perhaps in deference to the religious prohibition, Islamic artists often

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<v Speaker 1>stylized their figures, creating a great variety of figural designs,

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<v Speaker 1>though conspicuously rare in sculpture, stylized figures or integral to books,

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<v Speaker 1>where miniature paintings supported the text for both esthetic and

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<v Speaker 1>practical reasons, providing a visual aid for those who could

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<v Speaker 1>not read the written word itself. Channels one of Islam's

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<v Speaker 1>Islamic arts most distinctive and distinguished forms of expression, calligraphy,

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<v Speaker 1>and it is here that we found a profound connection

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<v Speaker 1>to Islam's origins in Arabia. The Koran was written in Arabic,

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<v Speaker 1>and the Arabic script had a particular propensity for being

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<v Speaker 1>written decoratively, which was eagerly cultivated by Islamic artists. Named

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<v Speaker 1>after the city of Kufa, located in now modern day Iraq,

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<v Speaker 1>this style has a geometric elegance that combines esthetic beauty

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<v Speaker 1>with a form and spacing that makes it demanding to read,

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<v Speaker 1>serving to slow the reader down to concentrate on the

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<v Speaker 1>word of God. Many forms of Kupit calligraphy emerged through

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<v Speaker 1>the centuries, but the earliest example records the death of

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<v Speaker 1>a caliph in six forty four CE and is engraved

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<v Speaker 1>on a rock in Ailulah. Today, Islamic art is still

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<v Speaker 1>being carved into the landscape of Alulah. In twenty twenty two,

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<v Speaker 1>Desert ex Alulah brought together acclaimed international artists to create

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<v Speaker 1>monumental works amid the red sandstone canyons of the desert.

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<v Speaker 1>The temporary exhibition included a piece by Saudi artists Dana Awartani,

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<v Speaker 1>where the dwellers lay the concave structure, an homage to

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<v Speaker 1>the ancient Nabatean tombs of hegra draws on Islamic arts

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<v Speaker 1>reliance on geometric design. Indeed, Aratani's works often revolve around

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<v Speaker 1>the highly codified and symbolically latent language of geometry. With

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<v Speaker 1>works like these, the Islamic artistic tradition continues to thrive,

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<v Speaker 1>embedded in a landscape that is hosted art for millennia. Next, Love, Hate,

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<v Speaker 1>and rattlesnakes. They've been revered as symbols of renewal. They've

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<v Speaker 1>been reviled as everissaries of the underworld. They've been hunted

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<v Speaker 1>and harassed into the dark corners of our imagination. But

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<v Speaker 1>can our fears be debunked before an icon of the

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<v Speaker 1>American West disappears? By Elizabeth Roight, The night of near

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<v Speaker 1>continuous rattlesnakes was mellow, the temperature pleasant and humidity low,

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<v Speaker 1>the beer cold under a crescent moon. The electric golf

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<v Speaker 1>cart rolled silently over hilly paths. When our head lights

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<v Speaker 1>illuminated a venomous snake. Matt Good would hop out, a

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<v Speaker 1>drink in his right hand, a snake stick in his left,

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<v Speaker 1>and calmly present the creature from my inspection. Unlike the

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<v Speaker 1>amped up fellows on YouTube snatching hissing vipers from beneath

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<v Speaker 1>the wooden boards, Good never shouted, dude. It was early

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<v Speaker 1>September and the herpetologist's field season was winding to a close.

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<v Speaker 1>For ever twenty years, the University of Arizona research scientists

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<v Speaker 1>and his students have been capturing snakes, including western diamondback rattlesnakes,

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<v Speaker 1>tiger rattlesnakes, and black tailed rattlesnakes. They have found more

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<v Speaker 1>than seven thousand so far on the cart paths of

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<v Speaker 1>Ora Valley's Stone Canyon golf course just north of Tucson,

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<v Speaker 1>and on the private roads dotted with multi million dollar

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<v Speaker 1>homes that surround it. On the best night, Scood's team

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<v Speaker 1>might bag up to twenty snakes in a campus lap.

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<v Speaker 1>The next day, his students measure, sex, weigh and mark

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<v Speaker 1>them for recapture, using paint on their rattles and inserting

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<v Speaker 1>tiny micro chips under their skin, then return them to

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<v Speaker 1>their site of capture. Good's central research question, how does

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<v Speaker 1>the ongoing conversion of Christine Desert to housing developments affect

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<v Speaker 1>snakes posed something of a conservation paradox Compared with snakes

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<v Speaker 1>in more natural areas, The Stone Canyon ones are growing larger,

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<v Speaker 1>producing more offspring, and expanding their ranges among the mcmagiens.

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<v Speaker 1>It helps, perhaps that most homeowners are absent during the

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<v Speaker 1>hottest months. As we rolled over a bridge past an

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<v Speaker 1>artificial waterfall, Good exclaimed, look at this productivity. Thanks to irrigation,

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<v Speaker 1>berries and blossoms abounded, attracting primary consumers such as the

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<v Speaker 1>silky pocket mice. We saw scampering among the along paths.

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<v Speaker 1>On the lush fairways, Our headlamps revealed the small herd

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<v Speaker 1>of javelinas, members of the Pekerey family, in a stand

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<v Speaker 1>of trees, a retreating mountain lion. Good had seen bob

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<v Speaker 1>pats here, coyotes and raccoons. Clearly this was an eden

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<v Speaker 1>for snakes. We had plenty of rodents, birds and eggs

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<v Speaker 1>to eat, and the rocky outcrops styled by bulldozers provided

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<v Speaker 1>plenty of places to hide. Who had had placed informational

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<v Speaker 1>signs here and there in an effort to curtail people's

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<v Speaker 1>baser instincts smashing rattlesnakes with golf clubs, But the nearby

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<v Speaker 1>roads were occasionally greasy with flattened reptiles. You gotta ask

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<v Speaker 1>who had said, with a sigh, is this development and

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<v Speaker 1>ecological trap? How sustainable is it? The fate of all

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<v Speaker 1>species is tied to antipomorphic disturbances. A golf course could

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<v Speaker 1>loose its water supply, for example, and half the birds

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<v Speaker 1>could DeCamp. The one thing you can count on people

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<v Speaker 1>to view, he said, mess things up. The snakes of

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<v Speaker 1>stone care Onion may be doing well, but the fate

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<v Speaker 1>of most other rattle snakes more than fifty species occur

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<v Speaker 1>exclusively throughout the Americas, is grimmer. From southwestern Canada to

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<v Speaker 1>central Argentina, people continue to capture them for the pet

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<v Speaker 1>or skin trade, swerve to flatten them as they warm

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<v Speaker 1>themselves on roads, and chop up their habitat with subdivisions, pipelines,

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<v Speaker 1>and sell towers. Timber rattlesnakes, once abundant, have been extirpated

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<v Speaker 1>in a number of northern US states and Ontario, and

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<v Speaker 1>they're threatened or endangered in pockets throughout their broad US range.

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<v Speaker 1>Several other species are categorized from generally threatened to critically endangered.

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<v Speaker 1>I got a taste of how far conservationists will go

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<v Speaker 1>to protect Pennsylvania's remaining timber rattlesnakes on a sunny late

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<v Speaker 1>summer day, sporting canvas snake gaiters. Thomas LaDuke, a herpetologist

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<v Speaker 1>at East Stroudsburg University. Picked his way along the rocky

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<v Speaker 1>ridge line of Hawk Mountain, twenty six hundred acre reserve

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<v Speaker 1>that's wildly popular with birders during migration. When the brush

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<v Speaker 1>to our right opened to a view of the valley below,

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<v Speaker 1>we stepped off trail. Look, le Duc said, nodding toward

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<v Speaker 1>a rocky shelf of pink and gray conglomerate. Not ten

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<v Speaker 1>feet away, I discerned a thick pile of yellow and

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<v Speaker 1>black coils. Somewhat incredulous, I crept infintesimis, infintesimously closer, anticipating

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<v Speaker 1>the characteristics of a tail rattle. Nothing. The snake wanted

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<v Speaker 1>only to pass. To my right, I saw another heap

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<v Speaker 1>of snake, female, said le Duc, probably pregnant. Her head,

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<v Speaker 1>like that of all rattlesnakes, was triangular, tapering quickly to

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<v Speaker 1>a narrow neck. Her pupils were vertical, and the yellow

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<v Speaker 1>and black chevrons down her spine looked as plush as velvet.

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<v Speaker 1>As I stared, she slowly uncoiled, creating an uncanny illusion

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<v Speaker 1>of moving in two directions at once, then disappeared into

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<v Speaker 1>a crevice. Voodook and I continued over the ridge line,

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<v Speaker 1>then descended to a talus filled just below the heavily

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<v Speaker 1>traveled trail. At first I solidly rocks. Then, as before,

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<v Speaker 1>I became aware of another reality. A coiled snake the

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<v Speaker 1>diameter of a fedora on a prominent boulder than six

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<v Speaker 1>feet away. Another scanning the boulder fields careful to move

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<v Speaker 1>only my eyeballs, and made out six more rattlesnake piles.

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<v Speaker 1>Atop one A clutch of neonates, khaki colored with brown stripes, squirmed.

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<v Speaker 1>Born alive just yesterday, Leuduke said, they already were more

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<v Speaker 1>than seven inches long and venomous, with hollow fangs and

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<v Speaker 1>one tiny tail segment called a button. Each time a

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<v Speaker 1>rattlesnake sheds its skin up to twice a year for adults,

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<v Speaker 1>more often for the young, it gains another rattle segment.

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<v Speaker 1>The rattles often fall off, so segments don't always reflect age.

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<v Speaker 1>After a week of parental protection and behavior more often

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<v Speaker 1>seen in mammals, the babies fend for themselves. They shed

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<v Speaker 1>their skin for the first time, then may start following

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<v Speaker 1>a trail of small animals such as mice and shrews,

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<v Speaker 1>using a scent detecting organ at the roof of their

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<v Speaker 1>mouth known as the vomuro nasal organ and heat detecting

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<v Speaker 1>organs inside small pits between their eyes and nostrils. They

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<v Speaker 1>ambush their prey, inject a dose of highly toxic venom,

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<v Speaker 1>then swallow their meal. Pole As the weather cools, young

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<v Speaker 1>rattlesnakes follow their mother's chemical trail back to the family's

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<v Speaker 1>den or hybernaculum. They overwinter coiled with kin of all ages,

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<v Speaker 1>including males returned from asse nations with females up to

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<v Speaker 1>two miles away, as well as with other snake species

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<v Speaker 1>such as racers and copperheads that might at other times

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<v Speaker 1>prey on the rattlesnake offspring. During hibernation, snakes have no

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<v Speaker 1>interest in eating if they don't mask, if they don't digest.

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<v Speaker 1>The Duke and his students radio tagged and tracked timber

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<v Speaker 1>rattlers for almost three years on Hawk Mountain, estimating their

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<v Speaker 1>population in size and pinpointing their most important hybernocula. Females,

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<v Speaker 1>alongside newborns and subadults, spend most of their time basking, feeding, mating,

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<v Speaker 1>and giving birth within several hundred yards of these underground

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<v Speaker 1>layers and legions of bird watching human visitors at the time,

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<v Speaker 1>LeDuc had recommended that the Hawk Mountain Sanctuary reroot its

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<v Speaker 1>ridge trail to avoid this basking site, which it did.

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<v Speaker 1>People picnic on these rocks, not knowing how close they

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<v Speaker 1>are to snakes. La Duke said. Nowadays, herpetologists consider the

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<v Speaker 1>location of dens and basking sites state level secrets. Some

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<v Speaker 1>spend hours scouring social media persuading enthusiasts posing with snakes

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<v Speaker 1>to remove geotags from their Facebook and Instagram posts. It's

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<v Speaker 1>great that people are interested in rattlesnake's, Luduke said, but

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<v Speaker 1>they don't realize the magnitude of their impact on the population.

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<v Speaker 1>Persuading the public to protect venomous snakes can be difficult.

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<v Speaker 1>Rattlesnakes have booth fascinated and terrified us with their ability

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<v Speaker 1>to remain hidden and their surprisingly strong bodies, needles, sharp fangs,

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<v Speaker 1>and toxic venom. As biologist Edward O. Wilson has written,

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<v Speaker 1>it pays in elementary survival to be interested in snakes.

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<v Speaker 1>Human's relationship with rattlesnakes have always been complicated. The Hope

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<v Speaker 1>of the US Southwest considered them messengers to the rain

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<v Speaker 1>giving spirits of the earth, and including rattlers in biennial

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<v Speaker 1>rituals the Aztec and Yucatec Maya of pre Columbian Mesoamerica

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<v Speaker 1>venerated rattlesnakes, linking them with rain and the planting season.

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<v Speaker 1>According to one early nineteenth century account, some Western Cherokee

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<v Speaker 1>felt an obligation to avoid killing rattlesnakes out of respect

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<v Speaker 1>for their tightly knit family organizations. The Apache associated them

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<v Speaker 1>with rebirth and renewal, while other Native American cultures linked

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<v Speaker 1>them with violence and revenge. For early European colonists, rattlesnakes,

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<v Speaker 1>found only in the New World, symbolized virility and fearlessness.

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<v Speaker 1>In an infamous political cartoon from seventeen fifty four that

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<v Speaker 1>urged colonial unity, the timber rattlesnake is separated into chunks

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<v Speaker 1>representing the original British colonies. Under the snakes that the

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<v Speaker 1>words join or die later A rattlesnake in the model

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<v Speaker 1>don't tread on Me were used on the Gadsden flag,

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<v Speaker 1>which rallied the colonial Continental Marines during the American Revolution.

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<v Speaker 1>That flag, with a snake loosely coiled into a pyramid

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<v Speaker 1>and ready to strike, has been brandished ever since by

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<v Speaker 1>those with an anti government right, but reverence extends only

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<v Speaker 1>so far. Through the seventeenth and eighteenth centuries, communities offered

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<v Speaker 1>bounties for dead rattlers, a practice New York and Vermont

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<v Speaker 1>continued into the nineteen seventies. States organized some still do

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<v Speaker 1>annual round ups that slaughtered hundreds, sometimes thousands, of snakes

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<v Speaker 1>in the name of safety. In the cold Northeast, where

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<v Speaker 1>hundreds of or rattlesnakes may overwinter in a single den,

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<v Speaker 1>their mass exists in the spring made them particularly vulnerable

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<v Speaker 1>to wholesale extermination. I'm blue in the face from teaching

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<v Speaker 1>people that snakes aren't out to get you, Matt Good

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<v Speaker 1>said as we hummed through Stone Canyon. But I don't

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<v Speaker 1>know how much progress we've made. Throughout much of the

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<v Speaker 1>South and Southwest, is legal to kill many rattlesnake species,

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<v Speaker 1>and some people kill a whole lot. Sweetwater, Texas population

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<v Speaker 1>ten thousand, has held its Rattlesnake round up annually since

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<v Speaker 1>nineteen fifty eight, when hunter Is extracted more than three

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<v Speaker 1>thousand pounds of Western diamondbacks from their hideaways in the

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<v Speaker 1>nearby countryside. Sponsored by the local jcs A youth leadership group,

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<v Speaker 1>the event continues to attract tens of thousands of visitors

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<v Speaker 1>to the Noland County Coliseum and procures a yearly average

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<v Speaker 1>of fifty eight hundred pounds of live rattlesnakes. Some are

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<v Speaker 1>collected on roadsides, but most are captured by hunters who

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<v Speaker 1>cruise the state, busting up rocky cracks and crevices with

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<v Speaker 1>crowbars and flushing their quarry from dens with aerosolized gasoline.

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<v Speaker 1>The eradication of a purported menace was the Sweetwater round

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<v Speaker 1>Up's founding goal, as it likely was at the nation's

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<v Speaker 1>twelve other round ups, but today its aim is unmistakably financial.

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<v Speaker 1>The round up by snakes from hunters at a fluctuating

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<v Speaker 1>per pound rate, It sends most of them to the

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<v Speaker 1>coliseum's cool shack, where they are dropped beer battered into

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<v Speaker 1>fry pans, and sells the rest to vendors who will

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00:19:31.519 --> 00:19:35.559
<v Speaker 1>convert their skins into wallets, boots, purses, and trinkets. The

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<v Speaker 1>three day event raises cash for local charities sixty three

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<v Speaker 1>thousand dollars in twenty twenty three, and visitors annually inject

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<v Speaker 1>over eight million dollars into the local economy. Kieren Hunt,

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<v Speaker 1>head of the local Chamber of Commerce told a Texas

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<v Speaker 1>newspaper that for many folks in Sweetwater, this is Black Friday.

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<v Speaker 1>This is what Black Friday is like. For the snakes

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<v Speaker 1>piled ankle deep in octagonal wooden pens, they mostly they

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00:20:00.119 --> 00:20:04.519
<v Speaker 1>remain coiled. Some rattle continuously and indication they feel threatened

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<v Speaker 1>in the while these solitary predators may rattle just a

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<v Speaker 1>few times in their entire lives, many suffocate to death,

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<v Speaker 1>and those with enough energy circle the perimeter of their pen,

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<v Speaker 1>constantly searching for an exit. The air stinks of right

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<v Speaker 1>guard deodorant sprayed to mask the snake's pungent musk released

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<v Speaker 1>in fear. Inside the milking pit, handlers squeeze yellowy venom

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<v Speaker 1>from snake's bangs into a glass funnel atop a baby bottle.

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<v Speaker 1>A filthy centrifuge sits nearby. What's the venom for drug research?

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<v Speaker 1>A handler answers vaguely. According to longtime JC Milking Pit

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<v Speaker 1>chairman Dennis Comby, the Sweetwater round Up sells large quantities

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<v Speaker 1>of venom to private companies that make anti venoms, but

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00:20:48.240 --> 00:20:51.519
<v Speaker 1>he won't reveal their names. In fact, companies that produce

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00:20:51.599 --> 00:20:55.240
<v Speaker 1>anti venoms or use venom for research, either keep their

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00:20:55.279 --> 00:20:58.799
<v Speaker 1>own captive snake colonies, or by venom from zoos that

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<v Speaker 1>collect it under some sterile laboratory conditions. They inject this

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00:21:03.039 --> 00:21:08.000
<v Speaker 1>venom into large donor mammals like sheb horses, which spurs

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<v Speaker 1>the creation of antibodies that distilled into anti venoms are

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<v Speaker 1>used to disable toxins in snake bite victims. Medical research

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00:21:17.559 --> 00:21:21.119
<v Speaker 1>sures are keenly interested in venoms hundreds of proteins and

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<v Speaker 1>enzymes which attack blood cells, damage muscles, or destroy the

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<v Speaker 1>central nervous system. Researchers around the world are experimenting with

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<v Speaker 1>venom derived compounds that block or neutralized pain pathways, potentially

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<v Speaker 1>offering an alternative to highly addictive opiates. Rail snake venom

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<v Speaker 1>has been used to treat blood clots that occur deep

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<v Speaker 1>inside veins, and to develop drugs that lower blood pressure

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<v Speaker 1>and stop heart attacks and strokes as they happen. In

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<v Speaker 1>the education pit, handler David Sager, in a stetson and

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<v Speaker 1>tall boots, pass among a dozen or so snakes, offering

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<v Speaker 1>snake factoids and describing Western die backs as mean, dangerous,

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<v Speaker 1>and ugly language that helps rationalize their persecution. With a

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00:22:06.680 --> 00:22:09.519
<v Speaker 1>snake stick, he crowds animals into a coil, pins their

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00:22:09.519 --> 00:22:12.720
<v Speaker 1>heads and lifts them from photos. He drops snakes to

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00:22:12.720 --> 00:22:16.000
<v Speaker 1>the floor, kicks them, and antagonizes a snake with a

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<v Speaker 1>balloon until it strikes pop. The crowd, ranging from toddlers

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00:22:19.799 --> 00:22:24.480
<v Speaker 1>to retirees, gasps. If education is the curtain raiser, skinning

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00:22:24.599 --> 00:22:28.240
<v Speaker 1>is the round up's denouement. Jac's pin live snakes to

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<v Speaker 1>a wooden block, then sever their heads with a single

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00:22:31.000 --> 00:22:34.480
<v Speaker 1>mashetty chop. Still, writhing bodies are hung from a pole.

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<v Speaker 1>Sometimes gall bladders are removed. They can fetch several dollars

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<v Speaker 1>each and are used in traditional Chinese medicine. Then, for

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00:22:42.319 --> 00:22:46.319
<v Speaker 1>a twenty dollar fee, visitors separate skin from sinu, appoint,

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00:22:46.519 --> 00:22:49.279
<v Speaker 1>anoint their palms with snake blood, and leave their red

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00:22:49.359 --> 00:22:53.920
<v Speaker 1>handprints on the wall. Even young children participate. I wander

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00:22:54.000 --> 00:22:58.240
<v Speaker 1>the dirt floored colosseum. The masked snakes look beaten down, stressed,

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00:22:58.319 --> 00:23:02.039
<v Speaker 1>possibly injured. If the is all about education, teaching the

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<v Speaker 1>public that Western diamondbacks retreat from threats, hiss and rattle

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00:23:06.480 --> 00:23:10.119
<v Speaker 1>and warning strike enemies only as a last option. Bite

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00:23:10.279 --> 00:23:13.440
<v Speaker 1>non venomously twenty five percent of the time, and are

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<v Speaker 1>relatively easy to avoid. Why continue to stoke fear that

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<v Speaker 1>results in mass slaughter? According to the Centers for Disease

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<v Speaker 1>Control and Prevention nationwide, in the average of five people

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<v Speaker 1>a year die from venomous snake and lizard bites. While

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<v Speaker 1>some snake hunters claim to be protecting livestock, which abound

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<v Speaker 1>in west central Texas, it's very rare to see cattle

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<v Speaker 1>bit and by rattle snakes, says veterinarian Bud Aldridge Junior,

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<v Speaker 1>who's been practicing in sweet Water for fifty five years,

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<v Speaker 1>and bytes are unlikely to be fatal. What explains the

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<v Speaker 1>round ups persistence? The money, yes, but as Morehead State

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<v Speaker 1>University philosophy professor Jack Weir put it in a case

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<v Speaker 1>study published by the Journal of Conservation Biology, round ups

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00:23:57.880 --> 00:24:02.039
<v Speaker 1>are away of continuing the extras and adventure of the

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<v Speaker 1>cowboy saga, proving one's manhood and identifying with the local ethos.

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<v Speaker 1>Though published in nineteen ninety two, weirs thesis appears to

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<v Speaker 1>hold true today. I ask j C President Jimmy Hendrix

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<v Speaker 1>if his organization would consider switching to no Kill's shows,

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<v Speaker 1>as a few other round ups have to each his own,

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<v Speaker 1>He answers, I understand Pupil's point that, yeah, we're killing rattlesnakes,

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<v Speaker 1>but that's certainly not what we'd want to make a priority.

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<v Speaker 1>It's what economically works for us. You think you'd get

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<v Speaker 1>such a big crowd if he didn't kill the snakes.

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<v Speaker 1>I don't know, he says. Western diamondbacks, which breed at

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<v Speaker 1>a relatively young age, are not endangered in Texas, though

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<v Speaker 1>the state's Parks and Wildlife Department acknowledges it doesn't have

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<v Speaker 1>any data from any specific populations anywhere in the state.

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<v Speaker 1>Since nineteen fifty eight, hunters have delivered, unto the Sweetwater

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<v Speaker 1>JCS more than three hundred fifty thousand pounds of snakes,

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<v Speaker 1>equivalent to about seventy thousand rattlers, at a time when

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<v Speaker 1>populations of animal species globally have declined by an average

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<v Speaker 1>of nearly seventy percent. Wanton disregard for life in the

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<v Speaker 1>absence of imminent threat to humans fathers Texas A and

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<v Speaker 1>M University herpetologist Lee Fitzgerald. The round ups do send

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<v Speaker 1>a twisted message. He says, They're not helping the way

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<v Speaker 1>we think about biodiversity. We care about polar bears, but

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00:25:24.559 --> 00:25:27.880
<v Speaker 1>these snakes are worthless. Back home, I try to forget

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<v Speaker 1>what I'd seen in the skinning pit and focus on

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<v Speaker 1>that afternoon on Hawk Mountain, where Tom Ledeuke and I

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<v Speaker 1>had contemplated, had contemplated over half a dozen ges dating

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<v Speaker 1>or postpartum timber rattlers, large and peaceful, vital and venomous

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<v Speaker 1>as they'd glided in and out of the sun. Pennsylvania

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<v Speaker 1>counties used to host their own sweet water style rattlesnake

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<v Speaker 1>round ups. Le Duke had told me the festivals were

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<v Speaker 1>hard to stamp out because they funded fire departments, but

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<v Speaker 1>eventually the State Fish and Boat Commission, which break it

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00:26:00.079 --> 00:26:03.960
<v Speaker 1>lights hunting, inaugurated a paid permit system for live capture

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<v Speaker 1>of rattlers and used the proceeds to fund community works.

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<v Speaker 1>They recruited old snake hunters to survey populations. Leduke said

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<v Speaker 1>they asked them for data, tag the snakes at round ups,

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00:26:15.920 --> 00:26:19.720
<v Speaker 1>and returned them to their capture sites. As the population recovered,

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<v Speaker 1>rattlers were removed from the state's endangered species candidate list.

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<v Speaker 1>Nodding toward visitors toting binoculars along the Hawk Mountain ridge line,

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<v Speaker 1>the Duke had asked rhetorically why herpers or at least

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<v Speaker 1>those board flippers and tail grabbers notching likes on social

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<v Speaker 1>media couldn't be more like birders than they count, but

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<v Speaker 1>not capture. I recalled that Hawk Mountain, before being set

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<v Speaker 1>aside as a bird refuge, was a popular site for

398
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<v Speaker 1>shooting gashawks, which carried a five dollar bounty. Gashaks prey

399
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<v Speaker 1>on game animals such as rabbits, grouse, and ducks, so

400
00:26:59.079 --> 00:27:01.960
<v Speaker 1>maybe there was hope. Its a mental shift, le Duc said,

401
00:27:02.240 --> 00:27:04.920
<v Speaker 1>first you're a hunter, then an illegal poacher, and then

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00:27:05.279 --> 00:27:07.799
<v Speaker 1>with a little bit of education, near someone who helps

403
00:27:07.960 --> 00:27:14.519
<v Speaker 1>another species survive. Petrick glyffs, including rattlesnakes on basalt that

404
00:27:14.680 --> 00:27:19.319
<v Speaker 1>painted rock Petroglyph's site and Maricopa County, Arizona, highlight how

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<v Speaker 1>snakes have coexisted with humans for centuries. The rock art,

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<v Speaker 1>created by indigenous peoples dates back fourteen hundred years. Rattles

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<v Speaker 1>are made of hollow, interlocking segments of carratin, the same

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<v Speaker 1>material that forms human figure nails and hair. When rattlesnake

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<v Speaker 1>tales vibrate, the loose segments rattle against each other, sending

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<v Speaker 1>a warning to leave the snake alone. More than fifty

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<v Speaker 1>species of rattlesnakes live across North America. Found in a

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<v Speaker 1>wide array of habitats. Most species remain within two to

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<v Speaker 1>five miles of their birth location their whole lives. This

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<v Speaker 1>concludes readings from National Geographic Magazine for to day. Your

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<v Speaker 1>reader has been more. If you've enjoyed hearing this content,

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<v Speaker 1>please give us a call at eight five nine for

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<v Speaker 1>two two six three nine zero. Thank you for listening,

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<v Speaker 1>and have a great day.
