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<v Speaker 2>You are now listening to True Murder, the most shocking

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<v Speaker 2>killers in true crime history and the authors that have

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<v Speaker 2>written about them. Gasey Bundy, Dalhmer, The Nightstalker DTK every week,

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<v Speaker 2>another fascinating author talking about the most shocking and infamous

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<v Speaker 2>killers in true crime history. True Murder with your host,

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<v Speaker 2>journalist and author Dan Zufanski. Good evening at a high

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<v Speaker 2>school dance in nineteen sixty four, seventeen year old Sondra

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<v Speaker 2>London met a bright, handsome, well mannered Catholic boy, eighteen

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<v Speaker 2>year old Gerald John Schaeffer. They hung out all the

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<v Speaker 2>time and soon fell in love, but after a year,

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<v Speaker 2>as young lovers will, they went their separate ways. She

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<v Speaker 2>thought she'd never see him again. Then in nineteen seventy

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<v Speaker 2>two came the screaming headlines six dead twenty eight maybe,

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<v Speaker 2>and the foolish stories about the smiling cop turned sadistic

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<v Speaker 2>killer and corpse loving fiend, hoarding mementos of his mutilated

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<v Speaker 2>victims and writing it all up in feverish prose. Absolutely unbelievable.

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<v Speaker 2>She was appalled that crimes like this could be committed

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<v Speaker 2>by anyone, much less someone she had known intimately. Remember,

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<v Speaker 2>those were the days before the term serial killer existed,

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<v Speaker 2>before Ted Mundy, John Wayne Gacy, and Jeffrey Dahmer so

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<v Speaker 2>irreqroavely showed us what it meant. In those days, Shaeffer's

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<v Speaker 2>type of crime was not only unnamed, it was unheard of.

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<v Speaker 2>Between March and July of nineteen eighty nine, Shaffer sent

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<v Speaker 2>her the stories included in two sections of killer Fiction,

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<v Speaker 2>Whore's and Stark Stories. Selections from the stories and drawings

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<v Speaker 2>used as evidence in his nineteen seventy three murder trial

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<v Speaker 2>are included in the section actual Fantasies. A limited edition

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<v Speaker 2>of the volume comprising these three sections was copyright and

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<v Speaker 2>published in June of nineteen eighty nine. I'm not writing nonfiction,

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<v Speaker 2>explained the literary Madman. Its killer fiction, a new genre

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<v Speaker 2>where the writer takes violence as an artistic medium in

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<v Speaker 2>instead of glorifying it, makes the reader see it as

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<v Speaker 2>the cruel and horrid act it is in reality. I

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<v Speaker 2>don't represent violence as good.

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<v Speaker 3>Or bad, merely as it is. I let the reader

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<v Speaker 3>conclude that violence is a socially negative force, not to

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<v Speaker 3>be reveled in. Thus he expounded his grim postmodern aesthetic.

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<v Speaker 3>The truth about his crimes did not matter to her

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<v Speaker 3>as much as the chance to take a look into

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<v Speaker 3>his deranged mind. Somehow she managed to overcome her revulsion

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<v Speaker 3>to his sexually violent obsessions enough to continue documenting them.

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<v Speaker 3>His sexism is racism, his fury at every living being

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<v Speaker 3>in the world, including himself, His boast of rape, sodomy, murder,

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<v Speaker 3>even necrophilia. These she managed to tolerate by reminding her

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<v Speaker 3>self that this was important data, and so she decided

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<v Speaker 3>to set aside her own personal distaste for the ugliness

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<v Speaker 3>of the work and focus on presenting it in all

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<v Speaker 3>its twisted glory and leave it to the audience to

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<v Speaker 3>tell her what it was. The book that we're featuring

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<v Speaker 3>this evening is Killer Fiction Stories That Convicted the ex

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<v Speaker 3>cop of murder, with my special guest journalist and author,

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<v Speaker 3>Sandra London. Welcome to the program, and thank you very

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<v Speaker 3>much for agreeing to this interview. Sondra London.

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<v Speaker 4>Hi, how are you doing, Dan, I'm very good.

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<v Speaker 3>Thank you very much for joining us today to talk

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<v Speaker 3>about this incredible true crime classic killer fiction.

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<v Speaker 4>Well, I'm honored.

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<v Speaker 3>Now, well, thank you. I'm honored to have you on

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<v Speaker 3>the program once again. Let's talk about nineteen sixty four,

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<v Speaker 3>as we did in the introduction. You were seventeen years old.

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<v Speaker 3>Tell us just a little bit before we get into

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<v Speaker 3>this examination of what Gerald Schaeffer wrote and sent you

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<v Speaker 3>and wanted to have out there for everyone to read.

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<v Speaker 3>Tell us how it all started in nineteen sixty four.

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<v Speaker 3>Tell us a little bit about this college.

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<v Speaker 4>Kay. First, I had to correct It's Gerard. It's always Gerard.

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<v Speaker 4>It's not Gerald in that most people are familiar with

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<v Speaker 4>the word Gerald, so they usually call him Gerald because

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<v Speaker 4>they heard it before. But it's Geord. So anyway, there

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<v Speaker 4>I was. I went to US Tranahan High School in

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<v Speaker 4>Fort Lauderdale, and I was had a dance at my

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<v Speaker 4>school and when I saw this handsome young boy that

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<v Speaker 4>I had never seen before. And so the reason I

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<v Speaker 4>didn't see him is because he went to the Catholic

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<v Speaker 4>school in town. And he we met literally at the

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<v Speaker 4>punch bowl. We both had days, but somehow or another

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<v Speaker 4>we wound up chatting over the punch bowl and told

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<v Speaker 4>him my name, and so he went through the Fort

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<v Speaker 4>Lauderdale phone book and looked up everyone by that last

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<v Speaker 4>name and called them to see if he could find

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<v Speaker 4>me that way. And he did find me, and I

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<v Speaker 4>thought it was kind of flattering, you know, and cute,

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<v Speaker 4>you know at the time. You know, it's only after

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<v Speaker 4>years and years of years of retrospection that I put

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<v Speaker 4>a different kind of different color on the whole procedure.

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<v Speaker 3>Now, you had this short relationship with him, What was

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<v Speaker 3>it about this relationship that it why did it end?

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<v Speaker 3>And then tell us what happened afterwards in terms of

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<v Speaker 3>your writing career.

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<v Speaker 4>Okay, well it was one year from beginning to end,

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<v Speaker 4>and why didn't we break up? I was just a kid, now, look,

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<v Speaker 4>I was a kid. Number one, number two. Nobody ever

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<v Speaker 4>heard a serial killers, and if they had them, they

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<v Speaker 4>sure didn't reach the level of awareness that we are

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<v Speaker 4>accustomed to today. And another thing is when people say stuff,

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<v Speaker 4>you don't really take it the hard. You don't believely

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<v Speaker 4>think oh yeah, oh my god. You know. Uh, people

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<v Speaker 4>just say stuff and you're like, uh huh, you know

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<v Speaker 4>so uh. We had a u a regular love affair.

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<v Speaker 4>And I gotta say this right off because everybody always

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<v Speaker 4>thinks that know what they're talking about, and they're wrong.

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<v Speaker 4>I had sex with John and it was as plain

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<v Speaker 4>vanilla as you can imagine. There was nothing funny about

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<v Speaker 4>having sex with John Schaeffer. And I don't. I know,

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<v Speaker 4>it's hard to believe. We learned these theorems, and we

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<v Speaker 4>learned these overall generalities when we studied the textbooks, and

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<v Speaker 4>then to me, all that learning gets away, It gets

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<v Speaker 4>in the way and blocks the case that's standing right

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<v Speaker 4>before you. So that's one thing I have learned to

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<v Speaker 4>strive for. I studied the literature, but I tried very

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<v Speaker 4>hard to set it aside when it comes to the

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<v Speaker 4>case before me and allow it to be what it is.

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<v Speaker 4>So there you go. John was an outdoorsman. He liked

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<v Speaker 4>to go fishing, hunting, and he had a boat. He

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<v Speaker 4>liked to go out on the boat. His family was

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<v Speaker 4>very respectable. They belonged to the yacht club and the

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<v Speaker 4>country club. And he had one girlfriend before me for

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<v Speaker 4>five years since she was a debutante, so he was

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<v Speaker 4>her debutante escort at all the high society functions in town.

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<v Speaker 4>So that was the boy I knew. He liked to

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<v Speaker 4>play golf. He took me out shooting and taught me

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<v Speaker 4>how to handle a weapon. He took me out on

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<v Speaker 4>the boat into the golf stream. We got stranded on

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<v Speaker 4>a sidebar once and didn't get home until four and

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<v Speaker 4>m in the morning, and appearance rather freaked out, But

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<v Speaker 4>in general it was just a teenage dating, going to

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<v Speaker 4>dances of football games and what like that. Toward the

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<v Speaker 4>end he became a drag. He was upset and instead

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<v Speaker 4>of going out and having fun, it would be like

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<v Speaker 4>a like always. He's a psychotherapist or something, and he

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<v Speaker 4>wanted to talk about his problems, so much. And the

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<v Speaker 4>picture that remains in my mind is just this one

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<v Speaker 4>vignette that we used to go out in his whole car.

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<v Speaker 4>We had a blanket, We go out on the beach

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<v Speaker 4>and sex and stuff. So in this vignette that that

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<v Speaker 4>presaged the end of this, we're sitting out on the beach,

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<v Speaker 4>but we've got the blanket over our shoulders and we're

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<v Speaker 4>huddled under it like two little lost children and or something,

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<v Speaker 4>and he's just crying, well, he's crying and upset because

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<v Speaker 4>he is being pestered by unwanted, intrusive thoughts of killing women.

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<v Speaker 4>And he wants to kill women. And I don't know

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<v Speaker 4>he's telling this to me because some of his closest companion.

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<v Speaker 4>But I want you to understand that I didn't have

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<v Speaker 4>I'm not in any position to do anything that the

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<v Speaker 4>casual armchair observer might think I should have done. Years later,

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<v Speaker 4>I consulted with the homicide chief and the chief of

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<v Speaker 4>detectives there, and Fort Lauderdale told him that John I

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<v Speaker 4>told me he wanted to kill women, and I said

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<v Speaker 4>a lot of people they accused me of failing to

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<v Speaker 4>call the cops on him, and they reassured me that

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<v Speaker 4>no such thing was possible. Cops do not respond to

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<v Speaker 4>reports as someone saying they want to kill. Cops only

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<v Speaker 4>respond when the crime has been committed. And if I

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<v Speaker 4>were to call the cops on him, they would not

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<v Speaker 4>take a report. But in fact, it didn't dawn on

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<v Speaker 4>me to call the cops on him because I didn't

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<v Speaker 4>think he was a serial killer. I just thought he

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<v Speaker 4>was my boyfriend who was supposed to take me out

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<v Speaker 4>and show me a good time, and he was a drag.

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<v Speaker 4>Pretty much.

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<v Speaker 3>Now, after this nineteen sixty four, we're into nineteen sixty five,

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<v Speaker 3>and you don't hear anything more about You thought you'd

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<v Speaker 3>never see him again. You don't hear anything else from

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<v Speaker 3>Gerard for till nineteen seventy two, and you see the

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<v Speaker 3>screaming headlines. But in the interim, you become a writer.

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<v Speaker 3>Tell us what kind of writer you are, and tell

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<v Speaker 3>us a little bit about that writing career, and then

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<v Speaker 3>what happens in nineteen seventy two, what's the headline you read?

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<v Speaker 3>And then tell us a little bit about that reaction

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<v Speaker 3>to that.

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<v Speaker 4>Okay, as far as me writing, it started in third

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<v Speaker 4>grade when they picked me out for a special class

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<v Speaker 4>in creative writing and there was only five of us

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<v Speaker 4>in the school. May take us in there and let

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<v Speaker 4>us create a write. My forte is poetry, and I

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<v Speaker 4>will edited my high school literary magazine. And then when

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<v Speaker 4>I went to college and got a degree in literature,

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<v Speaker 4>our graduation ceremony consisted of me presenting a nine page

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<v Speaker 4>poem I had written about our time sixty eight, which

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<v Speaker 4>was a pretty interesting time. And anyway, there was that.

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<v Speaker 4>After that, I went on mostly interested in being a

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<v Speaker 4>singer and bands stuff like that, continue to write poetry

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<v Speaker 4>to earn a living. I was working for a terns

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<v Speaker 4>and doing legal research and writing, and eventually that phase

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<v Speaker 4>drifted into technical writing along the way. So that was

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<v Speaker 4>the kind of background I had. I had been in singing,

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<v Speaker 4>show business and everything. And I got tired of hearing

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<v Speaker 4>this refrain which goes, there's no pay, but it's great exposure.

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<v Speaker 4>I don't know if any any of us have ever

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<v Speaker 4>heard that one, even oh yeah, but I spore to god,

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<v Speaker 4>I was never gonna you know, I'm like scool Era,

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<v Speaker 4>you know, I'm never going to hear that again, you know.

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<v Speaker 4>And so I set off toward writing. And that occurred

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<v Speaker 4>in nineteen eighty nine when I decided to enter true crime.

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<v Speaker 4>As far as writing, I'd been doing legal write. Everything

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<v Speaker 4>is under a structure called work for hire, which means

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00:15:23.639 --> 00:15:26.399
<v Speaker 4>you don't put your name on it, they pay you

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<v Speaker 4>to write something for them. And that was worked for hire.

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<v Speaker 4>So come eighty nine then I was like, oh, okay.

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<v Speaker 4>There was a crazy little thing called Reaganomics. And for

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<v Speaker 4>a whole year I wasn't able to get the contracts

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<v Speaker 4>that I'd always gotten. Every time I pitched a contract

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<v Speaker 4>to a client, I got it. And all of a sudden,

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00:15:48.519 --> 00:15:50.960
<v Speaker 4>this year I couldn't do anything right, and I was like,

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<v Speaker 4>what it didn't dawn on me. It was the economy.

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<v Speaker 4>I thought it was me. So by early eighty nine,

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<v Speaker 4>I said, look at this. They killed Ted Bundy and

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<v Speaker 4>everybody was going crazy. Bundy, Bundy, Bundy and serial killer,

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00:16:11.879 --> 00:16:15.960
<v Speaker 4>serial killer, serial killers. It was in everywhere you looked

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<v Speaker 4>her And I said, well, what is this? And I

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00:16:18.679 --> 00:16:21.440
<v Speaker 4>read that book by Anne Ruled the Stranger beside me

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<v Speaker 4>and I said, shucks. I said, I can write better

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<v Speaker 4>than that. And I said, plus, she barely knew that guy.

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<v Speaker 4>I knew a serial killer a lot more than that.

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<v Speaker 4>And that was the thought process that led me to

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<v Speaker 4>contact Drord John Shaffer in prison on February seventh, nineteen

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<v Speaker 4>eighty nine. And so that was the starting gun.

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<v Speaker 3>What did you think when you in nineteen seventy two

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<v Speaker 3>and seventy three, when Gerard's trial was being conducted. What

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00:16:54.080 --> 00:16:58.039
<v Speaker 3>did you think at the time? Okay, fast forward, what

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<v Speaker 3>do you think of the.

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00:16:58.639 --> 00:17:03.279
<v Speaker 4>Time stumble upon that? Myself, my sister and my mother

237
00:17:04.559 --> 00:17:13.039
<v Speaker 4>hurled it at me eccusingly in a way. This you know,

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00:17:13.400 --> 00:17:17.279
<v Speaker 4>this is what happened to that boyfriend the years. I

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00:17:17.319 --> 00:17:20.200
<v Speaker 4>don't know. That was the way is hit me?

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<v Speaker 5>Lucky Land Casino, asking people what's the weirdest place you've

241
00:17:24.680 --> 00:17:25.359
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<v Speaker 4>Lucky?

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<v Speaker 6>In line at the Delhi I guess ah, in my

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00:17:28.720 --> 00:17:32.279
<v Speaker 6>dentist's office more than months. Actually do I have to say?

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00:17:32.359 --> 00:17:32.559
<v Speaker 5>Yes?

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00:17:32.599 --> 00:17:32.839
<v Speaker 4>You do?

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00:17:33.119 --> 00:17:35.559
<v Speaker 7>In the car before my kid's PTA meeting?

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00:17:35.759 --> 00:17:36.119
<v Speaker 5>Really?

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00:17:36.279 --> 00:17:37.400
<v Speaker 3>Yes? Excuse me?

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<v Speaker 8>What's the weirdest place you've gotten lucky?

251
00:17:39.359 --> 00:17:40.440
<v Speaker 4>I never win?

252
00:17:40.519 --> 00:17:41.920
<v Speaker 5>And tell well, there you have it.

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256
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<v Speaker 4>No?

257
00:17:47.839 --> 00:17:48.599
<v Speaker 5>We're not necessary, Voyd.

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00:17:48.720 --> 00:17:49.839
<v Speaker 8>Were my low eighte plus terms?

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<v Speaker 5>Conditions of plus you wants every details.

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<v Speaker 6>Wait the Lucky land slots. You can get lucky just

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00:17:59.240 --> 00:18:01.480
<v Speaker 5>weather's five. We're just gonna circle up here a while

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<v Speaker 5>and get lucky. No, no, nothing like that. It's just

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00:18:04.680 --> 00:18:07.240
<v Speaker 5>these cash prizes add up quick. So I suggest you

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<v Speaker 5>sit back, keep your trade table up right, and start

267
00:18:09.720 --> 00:18:10.279
<v Speaker 5>getting lucky.

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<v Speaker 6>Pay for free at Lucky landslides dot com. Are you

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<v Speaker 4>They right, they threw it at me. They threw it

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00:18:27.079 --> 00:18:31.599
<v Speaker 4>in my face. I don't know I read it. I

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00:18:31.680 --> 00:18:37.160
<v Speaker 4>never heard of anything like that. I was not a

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00:18:37.200 --> 00:18:41.920
<v Speaker 4>true crime lover. I never will watch the Whodunnits on TV.

275
00:18:42.359 --> 00:18:46.000
<v Speaker 4>I never took interest in murder mysteries. I didn't care

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00:18:46.200 --> 00:18:51.839
<v Speaker 4>anything about crime really. I loved horses and poetry and music.

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00:18:53.359 --> 00:18:57.640
<v Speaker 4>Those were my passions. And of course I lived Fort

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<v Speaker 4>Lauderdale at the beach, so there was quite a lot

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00:19:00.200 --> 00:19:04.160
<v Speaker 4>of beach funny in me. And Uh then I went

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00:19:04.240 --> 00:19:09.680
<v Speaker 4>to a new College of Florida's uh honor College's called

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00:19:09.680 --> 00:19:13.920
<v Speaker 4>an experiment in education back at the time, and uh

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<v Speaker 4>there was no set curriculum and there was no grades.

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<v Speaker 4>You just had to jump in there and really do

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00:19:20.440 --> 00:19:23.319
<v Speaker 4>or they it was pass or fail. So there was

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00:19:23.359 --> 00:19:28.200
<v Speaker 4>one hundred narc class and only thirty three finally graduated

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00:19:28.319 --> 00:19:34.599
<v Speaker 4>out of that one hundred students. So at that process

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00:19:34.720 --> 00:19:42.039
<v Speaker 4>I learned to structure my own studies and theories like

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00:19:42.240 --> 00:19:45.000
<v Speaker 4>go from the particular to the general, go from the

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00:19:45.039 --> 00:19:47.599
<v Speaker 4>general to the particular. So when I set out to

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00:19:47.640 --> 00:19:52.079
<v Speaker 4>do Shaeffer, I said, this is a serial killer, so

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00:19:52.160 --> 00:19:54.839
<v Speaker 4>I need to read all the literature on serial killers.

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00:19:55.559 --> 00:20:00.400
<v Speaker 4>I need to consult the experts, and I need to

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00:20:00.440 --> 00:20:03.720
<v Speaker 4>get uh study some more serial killers who I know

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00:20:03.799 --> 00:20:09.200
<v Speaker 4>how to compare. And so I contacted the FBI and

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00:20:09.240 --> 00:20:12.000
<v Speaker 4>I said, I'm gonna study this serial killer and I

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00:20:12.079 --> 00:20:18.400
<v Speaker 4>wanted some help, and they referred me to Roy hazel Wood,

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00:20:19.319 --> 00:20:24.680
<v Speaker 4>who became my personal mentor. And Roy hazel Wood was

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00:20:24.720 --> 00:20:27.079
<v Speaker 4>so good to me over the years. They had these

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00:20:27.160 --> 00:20:34.559
<v Speaker 4>white papers that they issued to FBI agents, and he

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00:20:34.640 --> 00:20:36.599
<v Speaker 4>sent me the list of them. He said, any of

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00:20:36.599 --> 00:20:40.000
<v Speaker 4>them you want, let me offen them to you. And

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00:20:40.079 --> 00:20:43.200
<v Speaker 4>I had his home number to call him consult him,

303
00:20:43.200 --> 00:20:46.680
<v Speaker 4>and he come I needed to, and he visited me

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00:20:46.720 --> 00:20:49.240
<v Speaker 4>in my home. He had me as a special guest

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00:20:49.279 --> 00:20:53.960
<v Speaker 4>at seminars and backstage at a a murder trial. He

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00:20:54.200 --> 00:21:00.359
<v Speaker 4>uh had me a Meetneer and so it that was

307
00:21:00.400 --> 00:21:04.880
<v Speaker 4>a big influence over the way I went about this.

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00:21:05.039 --> 00:21:07.319
<v Speaker 4>And I'm gonna say, I'm going to boil it down.

309
00:21:07.319 --> 00:21:10.160
<v Speaker 4>Of course, there's the longest story in the world, so

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00:21:10.759 --> 00:21:15.599
<v Speaker 4>I'm trying to only touch the real plot points. The

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00:21:15.759 --> 00:21:19.720
<v Speaker 4>first foremost thing he told me is exactly what they

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00:21:19.799 --> 00:21:24.799
<v Speaker 4>told creeson the movie, which was, don't ever tell him

313
00:21:25.119 --> 00:21:29.960
<v Speaker 4>anything personal because he'll find a way to use it

314
00:21:30.039 --> 00:21:38.920
<v Speaker 4>against you. And the second principle, do not respond emotionally

315
00:21:39.440 --> 00:21:43.559
<v Speaker 4>to anything he says, because he is going to be

316
00:21:43.839 --> 00:21:47.599
<v Speaker 4>trying to get a reaction out of you. And you

317
00:21:48.000 --> 00:21:55.200
<v Speaker 4>must keep a dead pan demeanor. And those two things

318
00:21:55.240 --> 00:21:58.839
<v Speaker 4>guided me. And the part about the dead pan demeanor,

319
00:21:59.720 --> 00:22:05.400
<v Speaker 4>that's what really drove Schaeffer into the frenzy that became

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00:22:05.559 --> 00:22:11.319
<v Speaker 4>Killer Fiction, because he kept trying to shock me and

321
00:22:12.160 --> 00:22:17.200
<v Speaker 4>discussed me as fault me with this stuff he was writing.

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00:22:17.279 --> 00:22:24.759
<v Speaker 4>It was written at me, and so I held to

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00:22:24.920 --> 00:22:29.319
<v Speaker 4>that do not respond. And so there you go. That's

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00:22:29.440 --> 00:22:32.400
<v Speaker 4>the biggest dynamic of that whole thing right there in

325
00:22:32.440 --> 00:22:33.119
<v Speaker 4>a nutshell.

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<v Speaker 3>What were the what was this opening introduction to him

327
00:22:39.519 --> 00:22:44.920
<v Speaker 3>A reintroduction to Gerard saying, listen, you remember me? What

328
00:22:45.000 --> 00:22:49.039
<v Speaker 3>were some of the conditions that he agreed to that

329
00:22:49.160 --> 00:22:53.279
<v Speaker 3>he wanted as part of the agreement between YouTube? Tell

330
00:22:53.359 --> 00:22:56.400
<v Speaker 3>us a little bit about what he expected, what he

331
00:22:56.480 --> 00:22:57.200
<v Speaker 3>wanted from you.

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00:22:58.720 --> 00:23:03.440
<v Speaker 4>I agree, he and narcissistic personality as he is. I mean,

333
00:23:04.920 --> 00:23:09.240
<v Speaker 4>he would say anything more. But he he couldn't resist

334
00:23:09.279 --> 00:23:12.039
<v Speaker 4>me no matter what. You know. I was the one

335
00:23:12.079 --> 00:23:17.319
<v Speaker 4>that had to power over him, and I I wrote

336
00:23:17.359 --> 00:23:21.680
<v Speaker 4>to him and I said, uh, hi, ah remember me?

337
00:23:22.000 --> 00:23:25.000
<v Speaker 4>And I said, uh, become a writer and would like

338
00:23:25.039 --> 00:23:27.799
<v Speaker 4>to do a collaborate in a book about your life

339
00:23:27.839 --> 00:23:32.000
<v Speaker 4>and crimes. And he responded back, how could I not

340
00:23:32.119 --> 00:23:36.000
<v Speaker 4>remember you? My love for you burned for like a

341
00:23:36.160 --> 00:23:44.440
<v Speaker 4>cold blue flame and it still burns. So I'm like, mm, well,

342
00:23:45.440 --> 00:23:47.759
<v Speaker 4>I'm not in love with you. So anyway, he wanted

343
00:23:47.759 --> 00:23:51.880
<v Speaker 4>to do a book or what you know, And yeah,

344
00:23:51.920 --> 00:23:54.960
<v Speaker 4>he had a lot of grandiose ideas and the book

345
00:23:55.160 --> 00:24:00.400
<v Speaker 4>was a matter of him trying to manipulate me and

346
00:24:00.440 --> 00:24:08.119
<v Speaker 4>me manipulating him. Because he wanted the gratification of the

347
00:24:09.200 --> 00:24:17.519
<v Speaker 4>sexual attention, and I wanted a story. And the story

348
00:24:17.640 --> 00:24:21.599
<v Speaker 4>I wanted was a story of guilt, and I want

349
00:24:21.680 --> 00:24:23.880
<v Speaker 4>to know what you did and why you did it.

350
00:24:25.200 --> 00:24:30.720
<v Speaker 4>And so I played to his vanity. We right, Oh,

351
00:24:30.799 --> 00:24:35.039
<v Speaker 4>you're such a good writer, John. But then I would

352
00:24:35.119 --> 00:24:38.039
<v Speaker 4>challenge him. I say, you know what, your characters are

353
00:24:39.240 --> 00:24:42.920
<v Speaker 4>a lot of like they're kind of wooden, really stick figures.

354
00:24:42.960 --> 00:24:45.200
<v Speaker 4>And I said, why don't you try to bring out

355
00:24:46.880 --> 00:24:53.880
<v Speaker 4>something more real and a character? Oh my god. So

356
00:24:54.119 --> 00:24:59.480
<v Speaker 4>he writes to death real, death Row and made in Virginia,

357
00:24:59.759 --> 00:25:02.359
<v Speaker 4>and he said, his name is Crystal Beaver's and he's

358
00:25:02.720 --> 00:25:10.039
<v Speaker 4>a sixteen year old prom queen who is organization called

359
00:25:10.279 --> 00:25:14.039
<v Speaker 4>Justice Now, and that means all you people on death

360
00:25:14.119 --> 00:25:17.880
<v Speaker 4>row need to go ahead and get executed quickly. And

361
00:25:17.960 --> 00:25:20.599
<v Speaker 4>so he started writing to these death row inmates in

362
00:25:20.680 --> 00:25:29.279
<v Speaker 4>that tone, very sexy, flirtatious and challenging. And he caught

363
00:25:29.319 --> 00:25:33.599
<v Speaker 4>that whole death row in Virginia in an uproar until

364
00:25:33.759 --> 00:25:37.599
<v Speaker 4>it became a behavior issue. And then the monitor of

365
00:25:37.759 --> 00:25:40.759
<v Speaker 4>death Row, Joe O'Dell wrote to me and said, all right,

366
00:25:40.880 --> 00:25:44.559
<v Speaker 4>Crystal Beavers, what do you think you're doing. And I

367
00:25:44.599 --> 00:25:46.640
<v Speaker 4>wrote back to him and I'm like, you know what,

368
00:25:46.920 --> 00:25:50.839
<v Speaker 4>there is no Crystal Beavers. It's gerorge On Shaeffer and

369
00:25:52.119 --> 00:25:55.599
<v Speaker 4>you know so forth. Well, it turns out joe'dell had

370
00:25:55.640 --> 00:25:59.240
<v Speaker 4>been down there in prison with gerarge On Shaeffer in

371
00:25:59.400 --> 00:26:04.160
<v Speaker 4>Florida Day Prison previously. He knew him, he knew him,

372
00:26:04.480 --> 00:26:09.160
<v Speaker 4>he'd been in prison with him, and he knew some

373
00:26:09.200 --> 00:26:14.759
<v Speaker 4>of these other characters that were trying to get me

374
00:26:14.839 --> 00:26:16.759
<v Speaker 4>to pay attention to them. I don't know how to

375
00:26:16.759 --> 00:26:22.240
<v Speaker 4>put it, but so Odell that became a whole other

376
00:26:22.359 --> 00:26:28.279
<v Speaker 4>thing with him Shaeffer trying to get them all worked

377
00:26:28.359 --> 00:26:30.640
<v Speaker 4>up in a frenzy. And Shaeffer's like, oh, is that

378
00:26:30.759 --> 00:26:31.799
<v Speaker 4>real enough for you?

379
00:26:34.519 --> 00:26:41.440
<v Speaker 3>When you talk about him adding realistic details to his stories.

380
00:26:42.319 --> 00:26:46.200
<v Speaker 3>What was the premise of this? Again it's called killer fiction?

381
00:26:46.440 --> 00:26:51.839
<v Speaker 3>What was his What did he decide that would be?

382
00:26:52.039 --> 00:26:54.799
<v Speaker 3>What were the rules of this killer fiction? What was

383
00:26:54.839 --> 00:26:56.680
<v Speaker 3>the purpose of this killer fiction?

384
00:26:57.000 --> 00:26:59.720
<v Speaker 4>Well, I was, I guess determined by me as the

385
00:27:00.640 --> 00:27:04.160
<v Speaker 4>how it started was. I asked him, maybe it was

386
00:27:04.160 --> 00:27:07.079
<v Speaker 4>that first letter, If not, maybe the third letter or

387
00:27:07.119 --> 00:27:12.599
<v Speaker 4>fourth letter. Do you still write those stories? You know

388
00:27:12.680 --> 00:27:16.640
<v Speaker 4>that his case was based on for the new listener,

389
00:27:16.720 --> 00:27:21.359
<v Speaker 4>I will just quickly recap when he was arrested, his

390
00:27:21.519 --> 00:27:25.559
<v Speaker 4>mother's house was rated, and there was a stack of

391
00:27:26.119 --> 00:27:30.440
<v Speaker 4>manuscripts in a closet that had been John's closet when

392
00:27:30.480 --> 00:27:33.480
<v Speaker 4>he was in high school and lived there. They would

393
00:27:33.519 --> 00:27:37.519
<v Speaker 4>put seized and putting evidence, and those are the writings

394
00:27:37.559 --> 00:27:43.160
<v Speaker 4>that convicted him of murder. Okay. Now you would think

395
00:27:44.200 --> 00:27:48.400
<v Speaker 4>logically that to be evidence and a murder it would

396
00:27:48.440 --> 00:27:53.960
<v Speaker 4>have to say, uh, you know, I killed ex victim

397
00:27:54.079 --> 00:27:57.720
<v Speaker 4>and here's how are what I did and none of that,

398
00:27:58.039 --> 00:28:00.640
<v Speaker 4>so that nature at all. All those had been meant

399
00:28:01.039 --> 00:28:09.200
<v Speaker 4>many years before the crime. And I think, after thinking

400
00:28:09.200 --> 00:28:12.480
<v Speaker 4>about there's quite a lot, I think the genre would

401
00:28:12.519 --> 00:28:20.839
<v Speaker 4>best be described as jack off fantasies because specifically, I

402
00:28:21.000 --> 00:28:24.640
<v Speaker 4>say that because there were so many of them that

403
00:28:24.960 --> 00:28:29.799
<v Speaker 4>just trailed off that he didn't finish. Okay, So but

404
00:28:30.119 --> 00:28:33.039
<v Speaker 4>always the after he got to the park that was

405
00:28:33.200 --> 00:28:38.759
<v Speaker 4>most interesting to him, and then the writing would just

406
00:28:38.839 --> 00:28:41.759
<v Speaker 4>driple off and say he'd lose interest in it. So

407
00:28:41.880 --> 00:28:47.240
<v Speaker 4>Shaeffer was convicted on the basis of these writings. So

408
00:28:47.480 --> 00:28:51.400
<v Speaker 4>when this Latter Day project, I think that William Hirns

409
00:28:51.480 --> 00:28:56.000
<v Speaker 4>the catch me. Killer was very astute when he said,

410
00:28:56.039 --> 00:28:58.200
<v Speaker 4>I see what he's trying to do is more or

411
00:28:58.279 --> 00:29:02.240
<v Speaker 4>less mighty the water and create the illusion that all

412
00:29:02.319 --> 00:29:06.839
<v Speaker 4>he had ever done was right these stories. So therefore,

413
00:29:07.240 --> 00:29:10.480
<v Speaker 4>you know, he's not guilty of murder. And I think

414
00:29:10.519 --> 00:29:14.000
<v Speaker 4>there may have been some of that. I also think

415
00:29:14.200 --> 00:29:19.960
<v Speaker 4>that he was just as part of his sexual disorder,

416
00:29:20.079 --> 00:29:25.880
<v Speaker 4>his compulsions, that he did these things. He did these writings.

417
00:29:25.920 --> 00:29:29.039
<v Speaker 4>It was a kind of a masturbation type thing to

418
00:29:29.119 --> 00:29:34.119
<v Speaker 4>do even if there was no audience. But since for

419
00:29:34.240 --> 00:29:39.440
<v Speaker 4>this project the audience was me, then therefore everything he

420
00:29:39.480 --> 00:29:46.200
<v Speaker 4>wrote was targeted at me. Is he if he were

421
00:29:46.240 --> 00:29:53.480
<v Speaker 4>not being restrained by cuffs and chains and steel and stone,

422
00:29:53.920 --> 00:29:57.759
<v Speaker 4>these are the things that he would be perpetrating. And

423
00:29:57.839 --> 00:30:01.319
<v Speaker 4>since he was restrained, the only way Duke was by writing.

424
00:30:05.000 --> 00:30:10.079
<v Speaker 3>When he start writing these stories to you, Yeah, what

425
00:30:10.240 --> 00:30:17.960
<v Speaker 3>amount of parallel truth was there from you? Looking at

426
00:30:18.160 --> 00:30:21.440
<v Speaker 3>the information you knew about the trial? You knew about

427
00:30:22.519 --> 00:30:26.359
<v Speaker 3>what even what Schaefer says, it's just stuff that he

428
00:30:26.440 --> 00:30:31.519
<v Speaker 3>wrote long long before that has no relation to the truth.

429
00:30:31.720 --> 00:30:34.359
<v Speaker 3>And yet he was convicted. And of course part of

430
00:30:34.359 --> 00:30:39.000
<v Speaker 3>this killer fiction is also revenge against those prosecutors, isn't it.

431
00:30:39.240 --> 00:30:43.519
<v Speaker 4>Yeah, right, that's right, and the judges and everyone, and

432
00:30:43.559 --> 00:30:50.200
<v Speaker 4>the media and everyone. And he did issue real death

433
00:30:50.240 --> 00:30:53.359
<v Speaker 4>threats against all these people and get punished for it.

434
00:30:53.440 --> 00:30:57.000
<v Speaker 4>He got put in the whole for sending out hits

435
00:30:57.039 --> 00:31:03.759
<v Speaker 4>against the prosecutor and the judge. So he was he

436
00:31:03.839 --> 00:31:09.279
<v Speaker 4>was a dead serious about that. He had a record

437
00:31:09.359 --> 00:31:13.039
<v Speaker 4>of it. You know, it was on his sheet that

438
00:31:13.160 --> 00:31:16.880
<v Speaker 4>he had done that by the time I met him again.

439
00:31:19.240 --> 00:31:23.400
<v Speaker 3>But what was his what what was the not the premise,

440
00:31:23.480 --> 00:31:27.519
<v Speaker 3>but what was the out the the purpose of this

441
00:31:27.720 --> 00:31:31.039
<v Speaker 3>as well? He was framed with this trial. So with

442
00:31:31.119 --> 00:31:34.680
<v Speaker 3>the killer fiction he wanted to do what in terms

443
00:31:34.720 --> 00:31:37.799
<v Speaker 3>of connection to the truth, He said, this is killer fiction.

444
00:31:37.960 --> 00:31:40.960
<v Speaker 3>But what did he want to do well in the

445
00:31:41.039 --> 00:31:42.279
<v Speaker 3>killer fiction writing?

446
00:31:42.599 --> 00:31:45.279
<v Speaker 4>He wouldn't prove that he's just a writer. He's like

447
00:31:45.400 --> 00:31:51.319
<v Speaker 4>Stephen King that to put a different light on the

448
00:31:51.400 --> 00:31:54.880
<v Speaker 4>things that he did write. Then he said, well, I

449
00:31:54.960 --> 00:31:58.240
<v Speaker 4>can write more and show you what a good writer.

450
00:31:59.559 --> 00:32:04.039
<v Speaker 4>And anyone who ever read any of his stuff and

451
00:32:04.279 --> 00:32:08.920
<v Speaker 4>me all kept saying to John, John, you really do

452
00:32:09.000 --> 00:32:14.599
<v Speaker 4>have a talent. Why don't you write about something else? Right,

453
00:32:15.480 --> 00:32:20.279
<v Speaker 4>But he couldn't tear himself away from these pathological musings.

454
00:32:21.759 --> 00:32:26.920
<v Speaker 4>So it was a pose. If you really were uh,

455
00:32:27.319 --> 00:32:32.039
<v Speaker 4>you know, quite inspired as a writer, surely something other

456
00:32:32.440 --> 00:32:35.680
<v Speaker 4>would have caught his attention in this journey through life.

457
00:32:36.039 --> 00:32:41.000
<v Speaker 4>But no, it always was narrowly focused. He couldn't stop

458
00:32:41.079 --> 00:32:46.039
<v Speaker 4>writing about those things that in my research into his past,

459
00:32:46.079 --> 00:32:49.799
<v Speaker 4>the people that were locked up to him with him there.

460
00:32:49.839 --> 00:32:55.440
<v Speaker 4>I was able to reach a former cellmate and he

461
00:32:55.599 --> 00:33:01.640
<v Speaker 4>was there, uh, pre trial and everything, and he told

462
00:33:01.839 --> 00:33:06.200
<v Speaker 4>me Shaeffer was always writing, writing, writing, and he was

463
00:33:06.240 --> 00:33:09.119
<v Speaker 4>writing these stories and he's read them to us. He'd

464
00:33:09.119 --> 00:33:14.279
<v Speaker 4>read them, the horrifying, uh you know, get murder stories.

465
00:33:15.400 --> 00:33:19.759
<v Speaker 4>And then he got charged and the inmates said that

466
00:33:20.200 --> 00:33:22.720
<v Speaker 4>he took all those stories and tore them up and

467
00:33:22.799 --> 00:33:29.039
<v Speaker 4>threw them away. So any kind of madness that affects

468
00:33:29.039 --> 00:33:32.039
<v Speaker 4>his mind, it does not go so far that he

469
00:33:32.160 --> 00:33:39.680
<v Speaker 4>can't tell reality from fantasy. He there are people who

470
00:33:39.680 --> 00:33:43.440
<v Speaker 4>are so deranged that they really can't tell. But a

471
00:33:43.480 --> 00:33:47.640
<v Speaker 4>successful serial killer has to be able to pull himself

472
00:33:47.680 --> 00:33:52.480
<v Speaker 4>together and to do the mo necessary to get away

473
00:33:52.599 --> 00:33:56.000
<v Speaker 4>with the murder so he can do it again. So

474
00:33:56.039 --> 00:34:01.240
<v Speaker 4>you've got a different type of mind at work there.

475
00:34:01.359 --> 00:34:05.960
<v Speaker 4>Besides just someone who's you know, morbidly fascinated on death.

476
00:34:07.119 --> 00:34:15.400
<v Speaker 3>Sure what he talked about descriptions also was evidence of

477
00:34:15.440 --> 00:34:19.719
<v Speaker 3>his narcissistic personality in that it was all about him.

478
00:34:20.320 --> 00:34:25.039
<v Speaker 3>He was the biggest and best. He cites ever people

479
00:34:25.079 --> 00:34:29.880
<v Speaker 3>saying that he was the best, the most skilled serial killer,

480
00:34:30.079 --> 00:34:36.519
<v Speaker 3>the greatest. And also when he talks about that he's

481
00:34:36.559 --> 00:34:42.079
<v Speaker 3>an excellent lover. He's basically a romantic person that has

482
00:34:42.159 --> 00:34:45.239
<v Speaker 3>experienced in s and m and bondage, but also just

483
00:34:45.280 --> 00:34:48.159
<v Speaker 3>in the ways of life. So in these all of

484
00:34:48.199 --> 00:34:52.559
<v Speaker 3>these stories, he's a sexual stud. He can please women.

485
00:34:53.239 --> 00:34:58.719
<v Speaker 3>He knows everything. He's a uber intelligent person because and

486
00:34:58.760 --> 00:35:01.039
<v Speaker 3>that's evidenced by the crime that he has. So these

487
00:35:01.079 --> 00:35:02.480
<v Speaker 3>stories are all filled.

488
00:35:02.280 --> 00:35:05.679
<v Speaker 4>And then and how he outsmarts all the stupid cops.

489
00:35:07.239 --> 00:35:11.800
<v Speaker 3>Certainly, it's it's it's like go.

490
00:35:11.800 --> 00:35:17.320
<v Speaker 4>Back to his real life experiences as a police officer

491
00:35:17.679 --> 00:35:24.679
<v Speaker 4>there in Wilson Manors, Florida. He was a snitch. Even then.

492
00:35:25.920 --> 00:35:30.360
<v Speaker 4>He would go to the chief and tell him what

493
00:35:30.719 --> 00:35:36.679
<v Speaker 4>officers were slacking off and not writing enough tickets and

494
00:35:36.800 --> 00:35:41.000
<v Speaker 4>laying around the donuts shop and that sort of thing.

495
00:35:41.239 --> 00:35:47.760
<v Speaker 4>You know, all right, you got the three strands that's

496
00:35:47.760 --> 00:35:52.880
<v Speaker 4>taught the fatal triad, you know that they mentioned about homicide,

497
00:35:53.159 --> 00:35:55.920
<v Speaker 4>except this is the other side. This is a fatal

498
00:35:56.000 --> 00:36:01.320
<v Speaker 4>triad to have in prison. You know, he killed girls underage,

499
00:36:01.719 --> 00:36:08.480
<v Speaker 4>he was a cop, and he was a snitch. So

500
00:36:08.840 --> 00:36:11.440
<v Speaker 4>you know, I mean, you really can't get much lower

501
00:36:11.440 --> 00:36:16.519
<v Speaker 4>than that. So all of his bluster and everything was

502
00:36:17.000 --> 00:36:19.440
<v Speaker 4>some of that must have had to have been built

503
00:36:19.559 --> 00:36:23.159
<v Speaker 4>up from having to live in prison for quite a while,

504
00:36:24.840 --> 00:36:29.280
<v Speaker 4>you know, to build up a front that they could

505
00:36:29.760 --> 00:36:34.440
<v Speaker 4>possibly offer some protection. That his activities that as a

506
00:36:34.519 --> 00:36:40.679
<v Speaker 4>snitch were so well known in a very small community,

507
00:36:40.800 --> 00:36:43.480
<v Speaker 4>I don't care how big the prison is, you know,

508
00:36:44.239 --> 00:36:46.599
<v Speaker 4>and they got up, they got a hotline, you know,

509
00:36:46.920 --> 00:36:52.599
<v Speaker 4>and so he got job as a wall clerk, and

510
00:36:52.639 --> 00:36:57.239
<v Speaker 4>then he would go and get defendant and debrief him

511
00:36:57.280 --> 00:37:01.480
<v Speaker 4>and everything about his crime, and then low behold, those

512
00:37:01.599 --> 00:37:05.239
<v Speaker 4>details would wind up on the desk of the prosecutor.

513
00:37:06.480 --> 00:37:09.800
<v Speaker 4>Oh wait a minute, now, how long do you think

514
00:37:09.840 --> 00:37:15.119
<v Speaker 4>he's going to be able to continue operating like that? See?

515
00:37:15.320 --> 00:37:18.079
<v Speaker 4>So then the next trick he did that got him

516
00:37:18.199 --> 00:37:23.840
<v Speaker 4>killed actually was when there was an actual team of

517
00:37:24.079 --> 00:37:28.760
<v Speaker 4>legal consultants who had a hold of a defendant and

518
00:37:29.400 --> 00:37:32.480
<v Speaker 4>he weaseled them away from him. He told him to

519
00:37:32.519 --> 00:37:36.880
<v Speaker 4>do it for less and so he stole their client

520
00:37:36.960 --> 00:37:40.480
<v Speaker 4>away from them, and then again he got him convicted,

521
00:37:40.599 --> 00:37:51.159
<v Speaker 4>goten sent to death row. And his Schaeffer's classification officer

522
00:37:51.960 --> 00:37:58.440
<v Speaker 4>is my source for this. So that those boys were very,

523
00:37:58.559 --> 00:38:03.519
<v Speaker 4>very popular in me and so that that is what

524
00:38:03.599 --> 00:38:08.800
<v Speaker 4>he believes accounted for his being murdered. Before he was murdered,

525
00:38:09.639 --> 00:38:16.599
<v Speaker 4>his cell was set on fire three different times. It

526
00:38:16.760 --> 00:38:19.519
<v Speaker 4>wasn't because he was a snitch. I mean, it wasn't

527
00:38:19.519 --> 00:38:23.000
<v Speaker 4>because he was a cop. It wasn't because he killed girls.

528
00:38:24.199 --> 00:38:27.480
<v Speaker 4>It was because he was a snitch, and he just

529
00:38:28.639 --> 00:38:32.480
<v Speaker 4>it was a part of him that could not could

530
00:38:32.480 --> 00:38:35.519
<v Speaker 4>not be controlled, had to do it.

531
00:38:37.280 --> 00:38:42.360
<v Speaker 3>In this killer fiction, he has a main philosophy someone

532
00:38:43.079 --> 00:38:46.519
<v Speaker 3>that he targets that he hates more than anyone else,

533
00:38:46.559 --> 00:38:50.039
<v Speaker 3>and he feels it's his mission to eliminate these people.

534
00:38:50.760 --> 00:38:53.840
<v Speaker 4>Yeah, you're talking about whares.

535
00:38:55.000 --> 00:38:57.400
<v Speaker 3>We're talking about prostitutes. Yes, what is there?

536
00:38:58.760 --> 00:39:03.639
<v Speaker 4>That's what he calls him. Ho Diferent called him profited. Well,

537
00:39:03.920 --> 00:39:08.760
<v Speaker 4>all right, I let's go back to something I mentioned

538
00:39:08.800 --> 00:39:11.679
<v Speaker 4>earlier in my interview where he and Harbor sitting out

539
00:39:11.760 --> 00:39:14.920
<v Speaker 4>under the blanket, talking about him wanting to kill women.

540
00:39:15.840 --> 00:39:19.840
<v Speaker 4>Let's bear down on that for a minute, and unpat,

541
00:39:19.920 --> 00:39:24.960
<v Speaker 4>there's more to it. He told me at that time,

542
00:39:25.119 --> 00:39:27.880
<v Speaker 4>as we sat out there, that he had already planned

543
00:39:27.920 --> 00:39:30.519
<v Speaker 4>to kill a girl, and gave me the details. She

544
00:39:30.880 --> 00:39:33.679
<v Speaker 4>lived on the end of his dead ended street, at

545
00:39:33.719 --> 00:39:38.960
<v Speaker 4>the at the avenue side, not the dead inside. And

546
00:39:39.039 --> 00:39:42.360
<v Speaker 4>so he said that they took out the garbage on Tuesday.

547
00:39:42.440 --> 00:39:46.840
<v Speaker 4>So he pulled his station wagon up right by her

548
00:39:46.960 --> 00:39:52.039
<v Speaker 4>house and waited for her to take out the trash.

549
00:39:52.320 --> 00:39:58.559
<v Speaker 4>And he had the accouterments in the station wagon which

550
00:39:58.599 --> 00:40:04.480
<v Speaker 4>he mentioned to me, will hope and concrete block, a rifle,

551
00:40:05.360 --> 00:40:09.079
<v Speaker 4>and I'm trying to think what else, but anyway, a

552
00:40:09.119 --> 00:40:13.400
<v Speaker 4>blanket to wrap her up. And so he was lurking

553
00:40:13.480 --> 00:40:15.360
<v Speaker 4>there waiting for her to come out so he could

554
00:40:15.440 --> 00:40:18.960
<v Speaker 4>take her, hit her on the head, wrap her up

555
00:40:19.000 --> 00:40:22.400
<v Speaker 4>in the blanket, tie it, carried it into the road,

556
00:40:22.920 --> 00:40:26.679
<v Speaker 4>put her in his daddy's little cabin cruiser, take her

557
00:40:26.679 --> 00:40:29.679
<v Speaker 4>out into the gulf stream, and shoot her and dumper

558
00:40:30.880 --> 00:40:40.239
<v Speaker 4>and except his father came driving by in his car

559
00:40:40.400 --> 00:40:43.519
<v Speaker 4>and pulled up and said, hey, John, what you doing.

560
00:40:45.400 --> 00:40:49.119
<v Speaker 4>And John's like, oh, nothing, And so he canceled the

561
00:40:49.880 --> 00:40:55.559
<v Speaker 4>mission and he didn't do it. And that's what he

562
00:40:55.800 --> 00:41:01.880
<v Speaker 4>told me in nineteen and sixty four. And so then

563
00:41:02.159 --> 00:41:05.760
<v Speaker 4>when we were working on this book, you know I've

564
00:41:05.880 --> 00:41:08.880
<v Speaker 4>met every now and that I'd make little illusions to

565
00:41:08.960 --> 00:41:12.039
<v Speaker 4>the things that he had told me before, but I

566
00:41:12.039 --> 00:41:15.800
<v Speaker 4>would never say what it was. Then when we sat

567
00:41:15.880 --> 00:41:18.880
<v Speaker 4>down in a uh in a person in person meeting,

568
00:41:18.960 --> 00:41:21.519
<v Speaker 4>he asked me, you mentioned this before. What were you

569
00:41:21.599 --> 00:41:24.320
<v Speaker 4>talking about? And I told him what I had just

570
00:41:24.480 --> 00:41:28.840
<v Speaker 4>told you what he said, and he said, that's interesting,

571
00:41:29.519 --> 00:41:37.559
<v Speaker 4>he says, because that's not what happened. And from that

572
00:41:38.480 --> 00:41:44.519
<v Speaker 4>he wrote the story Gator Bait, and he said that

573
00:41:44.719 --> 00:41:50.599
<v Speaker 4>is what really happened. And UH in that he describes

574
00:41:50.840 --> 00:41:55.239
<v Speaker 4>UH hiding him way. He enters her house and waits

575
00:41:55.239 --> 00:41:58.239
<v Speaker 4>for her to come home from a date, kiss her

576
00:41:58.320 --> 00:42:01.679
<v Speaker 4>date good night at the door, and come in by herself. Now,

577
00:42:01.679 --> 00:42:04.840
<v Speaker 4>I want to point out something at this point, if

578
00:42:04.840 --> 00:42:11.280
<v Speaker 4>you're following his twisted logic, he's reason for doing this

579
00:42:11.519 --> 00:42:14.800
<v Speaker 4>was because she was a whore and she was pulling

580
00:42:14.880 --> 00:42:21.079
<v Speaker 4>him away from his righteous Catholic nature every time he

581
00:42:21.159 --> 00:42:25.480
<v Speaker 4>went jogging by her house, her sitting out there showing

582
00:42:25.519 --> 00:42:34.760
<v Speaker 4>off her body. The power of her was enough to

583
00:42:34.880 --> 00:42:41.840
<v Speaker 4>derange him from his proper goodness. Okay, that is the

584
00:42:41.880 --> 00:42:47.800
<v Speaker 4>way he experienced it. So he called her a whole. Now, look,

585
00:42:47.880 --> 00:42:50.400
<v Speaker 4>here's what she was doing, sitting out in her backyard

586
00:42:50.760 --> 00:42:55.039
<v Speaker 4>in shorts and a halt, sunbathing. I mean, who doesn't

587
00:42:55.079 --> 00:42:59.559
<v Speaker 4>do that? You see? So she didn't have to be

588
00:42:59.599 --> 00:43:06.480
<v Speaker 4>a whore. He called her a whore, okay. And then

589
00:43:06.519 --> 00:43:10.679
<v Speaker 4>the night that he claims he attacked her, she didn't

590
00:43:10.719 --> 00:43:13.679
<v Speaker 4>do anything horror. She went out on the day she

591
00:43:14.320 --> 00:43:19.239
<v Speaker 4>kissed the garden knight and came in by herself. See

592
00:43:19.320 --> 00:43:24.920
<v Speaker 4>so it isn't you have to understand it wasn't necessarily

593
00:43:25.119 --> 00:43:29.960
<v Speaker 4>real whore. It was a psychological mechanism that he would

594
00:43:30.159 --> 00:43:36.119
<v Speaker 4>use to characterize someone as the being deserving as event

595
00:43:36.360 --> 00:43:43.880
<v Speaker 4>for his h His hatred is disgusted, and he describes

596
00:43:43.920 --> 00:43:46.360
<v Speaker 4>what he did to her at any rate. He assaulted her,

597
00:43:46.440 --> 00:43:49.199
<v Speaker 4>Let's put it that way. It was vulgar and disgusting.

598
00:43:50.280 --> 00:43:53.800
<v Speaker 4>But he didn't kill her, and she continued to live.

599
00:43:54.280 --> 00:44:02.719
<v Speaker 4>And and but the title of the of the stories

600
00:44:02.760 --> 00:44:05.760
<v Speaker 4>gator bait, because he said, if you do what I

601
00:44:05.960 --> 00:44:10.320
<v Speaker 4>said that I'll cut you up and you gator bait

602
00:44:10.519 --> 00:44:11.079
<v Speaker 4>or mourning.

603
00:44:13.639 --> 00:44:19.679
<v Speaker 3>Most of this writing, too, is characterized by this this

604
00:44:19.840 --> 00:44:24.760
<v Speaker 3>violence that he reports upon that he rains down on

605
00:44:24.840 --> 00:44:28.960
<v Speaker 3>these people, but also the idea of his again, and

606
00:44:29.079 --> 00:44:32.920
<v Speaker 3>this is not so uncommon, the idea of sex slaves,

607
00:44:33.280 --> 00:44:36.159
<v Speaker 3>people that will do everything that he wants them to do.

608
00:44:37.039 --> 00:44:40.000
<v Speaker 3>Yet at the same time he says contradictory things like

609
00:44:40.639 --> 00:44:44.559
<v Speaker 3>the one woman said something about and he thought it

610
00:44:44.599 --> 00:44:48.639
<v Speaker 3>was quite genuine, pleading for her life, something about her

611
00:44:48.639 --> 00:44:51.920
<v Speaker 3>faith in Jesus, and he hesitated, he said, he hesitated.

612
00:44:51.960 --> 00:44:55.719
<v Speaker 3>But otherwise if they if they said express something about

613
00:44:55.760 --> 00:45:00.360
<v Speaker 3>their faith, he would just kill them quickly. A So

614
00:45:00.400 --> 00:45:05.480
<v Speaker 3>he's very contradictory into when you mentioned about justification, saying

615
00:45:05.519 --> 00:45:07.920
<v Speaker 3>that they were whoors, there were prostitutes, but in the

616
00:45:07.960 --> 00:45:11.199
<v Speaker 3>case that you just mentioned, that wasn't a case. But

617
00:45:11.280 --> 00:45:14.760
<v Speaker 3>he's also brags about being so open minded and experienced

618
00:45:14.800 --> 00:45:17.679
<v Speaker 3>in the S and M lifestyle that it don't make

619
00:45:17.800 --> 00:45:18.280
<v Speaker 3>much sense.

620
00:45:18.280 --> 00:45:23.760
<v Speaker 4>I didn't put in this book, And when I get

621
00:45:23.800 --> 00:45:26.719
<v Speaker 4>ready to do the second edition of this book, I'm

622
00:45:26.760 --> 00:45:29.519
<v Speaker 4>also going to come out in another volume in which

623
00:45:29.559 --> 00:45:33.360
<v Speaker 4>he goes into some other things. Well, at the time

624
00:45:34.639 --> 00:45:41.559
<v Speaker 4>I took it as just complete fantasy. In the interval,

625
00:45:41.679 --> 00:45:47.480
<v Speaker 4>we've had Jeffrey Epstein and other related cases come to life.

626
00:45:47.519 --> 00:45:51.880
<v Speaker 4>And there was a operative who was sent in on

627
00:45:52.119 --> 00:45:56.039
<v Speaker 4>me and who tried to work me to my document

628
00:45:56.280 --> 00:46:01.079
<v Speaker 4>for at least ten years, and a point where he

629
00:46:01.159 --> 00:46:03.599
<v Speaker 4>revealed to me that he had been invited to go

630
00:46:03.679 --> 00:46:10.000
<v Speaker 4>on this of offshore trip out and it involved recreational murder.

631
00:46:10.960 --> 00:46:14.159
<v Speaker 4>And that is what Shaefer was writing about in these

632
00:46:14.199 --> 00:46:18.840
<v Speaker 4>stories I didn't necessarily include in Killer Fiction. There a

633
00:46:18.840 --> 00:46:23.679
<v Speaker 4>whole bunch of more stories, and they revolve around the

634
00:46:23.880 --> 00:46:28.559
<v Speaker 4>idea that the women or girls were sex trafficked and

635
00:46:28.599 --> 00:46:33.199
<v Speaker 4>then whenever they were used up, that the privilege of

636
00:46:33.320 --> 00:46:37.639
<v Speaker 4>killing them would be sold. It would be part of

637
00:46:37.840 --> 00:46:44.239
<v Speaker 4>what he called the fleet trade. Well, I didn't publish

638
00:46:44.360 --> 00:46:51.159
<v Speaker 4>that stuff. I never heard anything like that before, and

639
00:46:51.199 --> 00:46:55.519
<v Speaker 4>in the intervening years. It's kind of creepy that, you know,

640
00:46:55.599 --> 00:46:59.480
<v Speaker 4>I really didn't question him about it, like what really

641
00:46:59.519 --> 00:47:02.599
<v Speaker 4>happened about that? What do you really know or anything.

642
00:47:02.719 --> 00:47:07.239
<v Speaker 4>I just kept on and encouraging him to write more.

643
00:47:07.800 --> 00:47:11.239
<v Speaker 4>You see, I wanted the data, and I had to

644
00:47:11.360 --> 00:47:19.679
<v Speaker 4>divorce myself from my natural personal reaction to it. Now,

645
00:47:19.719 --> 00:47:22.719
<v Speaker 4>I'd like to talk for a second about the thing

646
00:47:22.800 --> 00:47:27.960
<v Speaker 4>you were picking up on, which was contradictoriness. And I

647
00:47:28.039 --> 00:47:32.199
<v Speaker 4>want to say that when Elton Schwartz took his case

648
00:47:32.280 --> 00:47:35.599
<v Speaker 4>to defend him, he was going around trying to talk

649
00:47:35.679 --> 00:47:38.880
<v Speaker 4>to anyone who ever knew him, and he commented for

650
00:47:38.920 --> 00:47:45.400
<v Speaker 4>the record that he thought Schaeffer must have a split personality,

651
00:47:46.599 --> 00:47:51.079
<v Speaker 4>because everyone who knew him saw no indication of any

652
00:47:51.119 --> 00:47:57.719
<v Speaker 4>of this kind of a character. And in those days

653
00:47:57.760 --> 00:48:03.360
<v Speaker 4>we did not have the diagnose of multiple personality disorder

654
00:48:03.960 --> 00:48:11.360
<v Speaker 4>which has now become dissociative identity disorder. However, from my

655
00:48:11.599 --> 00:48:17.039
<v Speaker 4>dealing with Schaeffer in real life and going on day

656
00:48:17.079 --> 00:48:21.400
<v Speaker 4>to day with you know, activities of daily living and

657
00:48:21.480 --> 00:48:26.280
<v Speaker 4>so forth, I would have to say I believe that

658
00:48:26.400 --> 00:48:33.119
<v Speaker 4>he did have a dissociative identity disorder because he had

659
00:48:34.400 --> 00:48:42.800
<v Speaker 4>clearly contradictory identities and he would switch and I have

660
00:48:43.199 --> 00:48:46.760
<v Speaker 4>letters from him in which he would switch on the

661
00:48:46.800 --> 00:48:49.119
<v Speaker 4>same page.

662
00:48:49.840 --> 00:48:49.960
<v Speaker 8>Uh.

663
00:48:50.639 --> 00:48:56.079
<v Speaker 4>And we had there was a lag there with the

664
00:48:56.119 --> 00:49:01.320
<v Speaker 4>body of research and the psychological theory. We had to

665
00:49:01.440 --> 00:49:05.719
<v Speaker 4>kind of come around to being able to interpret his

666
00:49:05.880 --> 00:49:10.039
<v Speaker 4>personality in those terms. But I do think it's important,

667
00:49:10.760 --> 00:49:15.719
<v Speaker 4>and I want to say about myself that in dealing

668
00:49:15.920 --> 00:49:22.119
<v Speaker 4>with a person who really is dissociative, it's not an

669
00:49:22.199 --> 00:49:28.440
<v Speaker 4>excuse like you're Kim Bianki. It's real. And I would

670
00:49:28.480 --> 00:49:32.119
<v Speaker 4>also say it was real and Danny rowling. But if

671
00:49:32.159 --> 00:49:37.239
<v Speaker 4>you have to do that eventually you or I, let's

672
00:49:37.360 --> 00:49:41.519
<v Speaker 4>just leave it to me. I had to develop what

673
00:49:41.800 --> 00:49:48.719
<v Speaker 4>I call a multiple interface to where whenever this character

674
00:49:49.039 --> 00:49:55.400
<v Speaker 4>would come at me, I would have to immediately respond

675
00:49:55.599 --> 00:49:59.880
<v Speaker 4>on that frequency and don't really make any who have

676
00:50:00.000 --> 00:50:07.320
<v Speaker 4>diference to the other contradictory presentations don't confront him with

677
00:50:07.360 --> 00:50:14.760
<v Speaker 4>that because there's one thing it will drive a fragile

678
00:50:14.880 --> 00:50:21.119
<v Speaker 4>person into a spasm of lack of control is when

679
00:50:21.159 --> 00:50:26.000
<v Speaker 4>you break the fantasy. Okay, So if his fantasy right

680
00:50:26.039 --> 00:50:29.639
<v Speaker 4>now is that he's a framed X cop, you don't

681
00:50:29.840 --> 00:50:32.440
<v Speaker 4>just really want to just jerk him out of that

682
00:50:32.519 --> 00:50:35.960
<v Speaker 4>and all of a sudden remind him that he claims

683
00:50:36.000 --> 00:50:38.719
<v Speaker 4>to be the greatest killer of women in the century.

684
00:50:38.760 --> 00:50:42.599
<v Speaker 4>You just kind of have to be reactive to where

685
00:50:42.679 --> 00:50:46.920
<v Speaker 4>he is. And I say that because of what you

686
00:50:47.079 --> 00:50:55.760
<v Speaker 4>call trial and error. I say that because I made mistakes, okay,

687
00:50:57.039 --> 00:51:00.519
<v Speaker 4>And so it wasn't that I was so at this

688
00:51:01.360 --> 00:51:04.599
<v Speaker 4>or anything like that. It's that I had to do it,

689
00:51:05.719 --> 00:51:09.559
<v Speaker 4>and so I tried, you know, saying you're a liar

690
00:51:09.880 --> 00:51:12.239
<v Speaker 4>and look what you said yesterday and all that kind

691
00:51:12.320 --> 00:51:18.519
<v Speaker 4>of stuff, and eventually I had to get practical and

692
00:51:18.639 --> 00:51:20.400
<v Speaker 4>deal with what was in front of me.

693
00:51:21.920 --> 00:51:23.000
<v Speaker 8>Judy was boring.

694
00:51:23.199 --> 00:51:23.519
<v Speaker 2>Hello.

695
00:51:23.840 --> 00:51:26.639
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696
00:51:26.639 --> 00:51:28.199
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697
00:51:28.360 --> 00:51:29.920
<v Speaker 8>Now Judy is the life of the party.

698
00:51:30.000 --> 00:51:32.079
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699
00:51:32.280 --> 00:51:36.360
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700
00:51:36.360 --> 00:51:39.400
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701
00:51:39.440 --> 00:51:42.400
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702
00:51:42.480 --> 00:51:45.320
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703
00:51:45.920 --> 00:51:49.800
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704
00:51:49.920 --> 00:51:51.960
<v Speaker 8>etem lost terms and condition to play se what's every details?

705
00:51:52.280 --> 00:51:52.519
<v Speaker 4>Hello?

706
00:51:52.760 --> 00:51:54.440
<v Speaker 7>It is Ryan and I was on a flight the

707
00:51:54.480 --> 00:51:56.920
<v Speaker 7>other day playing one of my favorite social spin slot

708
00:51:56.960 --> 00:51:59.559
<v Speaker 7>games on chumpacasino dot com. I looked over the person

709
00:51:59.719 --> 00:52:01.480
<v Speaker 7>said next to me, and you know what they were doing.

710
00:52:01.679 --> 00:52:04.320
<v Speaker 7>They were also playing Chumba Casino coincidence. I think not

711
00:52:04.480 --> 00:52:06.920
<v Speaker 7>everybody's loving having fun with it. Chumba casino's home the

712
00:52:07.039 --> 00:52:09.119
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713
00:52:09.239 --> 00:52:13.079
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714
00:52:13.159 --> 00:52:15.679
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715
00:52:15.719 --> 00:52:18.920
<v Speaker 7>Welcome bonut, that's Chumbuck Casino dot com and live the

716
00:52:19.039 --> 00:52:19.559
<v Speaker 7>chumber line.

717
00:52:19.639 --> 00:52:21.760
<v Speaker 9>No, we're necessary, I dily where everybody lost in terms

718
00:52:21.760 --> 00:52:22.519
<v Speaker 9>of conditions eighteen plus?

719
00:52:23.880 --> 00:52:24.840
<v Speaker 4>Does that make sense?

720
00:52:26.199 --> 00:52:30.760
<v Speaker 3>Certainly? I can understand to a certain degree by interviewing

721
00:52:30.880 --> 00:52:35.840
<v Speaker 3>a psychopathic killer for a year. And I had a

722
00:52:35.920 --> 00:52:39.039
<v Speaker 3>goal and I believe he had a goal. They were

723
00:52:39.119 --> 00:52:42.480
<v Speaker 3>different goals, though, but I did have to act like

724
00:52:43.360 --> 00:52:46.480
<v Speaker 3>nothing he said to me shocked me.

725
00:52:47.239 --> 00:52:49.000
<v Speaker 4>Oh that's right, I had to do.

726
00:52:49.159 --> 00:52:51.360
<v Speaker 3>I had to do that because it seems very very

727
00:52:51.440 --> 00:52:55.639
<v Speaker 3>similar in the disgusting nature. There seems to be an

728
00:52:55.719 --> 00:52:59.119
<v Speaker 3>envelope that this guy he claims to be. This is

729
00:52:59.320 --> 00:53:03.119
<v Speaker 3>just another genre of fiction where he's pushing the envelope,

730
00:53:03.400 --> 00:53:07.679
<v Speaker 3>the disgusting envelope. Yeah, I'm very aware of that as well.

731
00:53:07.880 --> 00:53:11.480
<v Speaker 3>I think they're trying to see how far they can go,

732
00:53:11.639 --> 00:53:16.079
<v Speaker 3>and they do realize that it's far past anybody's acceptance,

733
00:53:17.159 --> 00:53:19.840
<v Speaker 3>but they want to see it again. You mentioned reaction,

734
00:53:20.360 --> 00:53:23.000
<v Speaker 3>and reaction is what he wants from this killer fiction,

735
00:53:23.199 --> 00:53:25.920
<v Speaker 3>and from every letter that he sent you. That's evidence

736
00:53:26.880 --> 00:53:28.280
<v Speaker 3>that's evident in the book itself.

737
00:53:29.119 --> 00:53:33.039
<v Speaker 4>So when he started right off, he was being really,

738
00:53:33.119 --> 00:53:38.840
<v Speaker 4>really hateful and ugly toward women, and I tolerated it.

739
00:53:39.000 --> 00:53:43.280
<v Speaker 4>I built up a tolerance for it. Somehow, it didn't

740
00:53:43.400 --> 00:53:45.719
<v Speaker 4>just stab me in the gut every time I read it.

741
00:53:46.440 --> 00:53:51.559
<v Speaker 4>I'd be able to handle it. He got that way

742
00:53:51.880 --> 00:54:00.920
<v Speaker 4>about homosexuals, he was real vicious about that. Uh, he

743
00:54:00.960 --> 00:54:03.559
<v Speaker 4>even got that way about Muslims. I guess he was

744
00:54:03.719 --> 00:54:08.159
<v Speaker 4>preciant that he went off on Muslims. And you know,

745
00:54:08.360 --> 00:54:12.000
<v Speaker 4>I k I managed to handle it with an even

746
00:54:12.280 --> 00:54:15.960
<v Speaker 4>keel and keep working. And then he started in on

747
00:54:16.119 --> 00:54:21.599
<v Speaker 4>the blacks, and I I it. It broke me. I snapped,

748
00:54:22.280 --> 00:54:24.760
<v Speaker 4>and I s I. I took what he wrote me

749
00:54:24.920 --> 00:54:27.280
<v Speaker 4>and I bawled it up and sent it. I screamed,

750
00:54:27.719 --> 00:54:30.119
<v Speaker 4>scribbled all over it and sent it back and said

751
00:54:30.159 --> 00:54:37.119
<v Speaker 4>this is disgusting. And uh, he got so excited, and

752
00:54:37.320 --> 00:54:41.679
<v Speaker 4>he was like, oh, finally he got a reaction from

753
00:54:41.719 --> 00:54:46.119
<v Speaker 4>the media, queen, you know, And I was like, oh, no,

754
00:54:46.480 --> 00:54:49.440
<v Speaker 4>you know, that's exactly what hazel Wood warn you about,

755
00:54:49.559 --> 00:54:54.800
<v Speaker 4>you know, but uh I, once I went through that,

756
00:54:56.199 --> 00:54:58.679
<v Speaker 4>that is when I decided it was even more important

757
00:54:58.760 --> 00:55:00.679
<v Speaker 4>that I published it. Now, I want to tell you

758
00:55:00.840 --> 00:55:04.280
<v Speaker 4>something else. I was working for an attorney at the time,

759
00:55:05.280 --> 00:55:09.679
<v Speaker 4>and his law office was a First Amendment UH law

760
00:55:09.760 --> 00:55:13.599
<v Speaker 4>office represented like the New York Times and other papers

761
00:55:13.679 --> 00:55:17.159
<v Speaker 4>and defense actions, right, but he was an expert, and

762
00:55:17.440 --> 00:55:22.320
<v Speaker 4>he also taught constitutional law at the college. So when

763
00:55:22.360 --> 00:55:26.280
<v Speaker 4>I got this put together manuscript, I asked him if

764
00:55:26.280 --> 00:55:29.079
<v Speaker 4>he would look at it and tell me what is

765
00:55:29.280 --> 00:55:37.000
<v Speaker 4>this and what should I do with it? And we

766
00:55:37.159 --> 00:55:40.360
<v Speaker 4>discussed was a pornography and he said that it was

767
00:55:40.440 --> 00:55:45.519
<v Speaker 4>a pornography because pornography by the courts was almost always

768
00:55:45.639 --> 00:55:50.639
<v Speaker 4>a visuals that they did not bother with straight text

769
00:55:50.760 --> 00:55:54.360
<v Speaker 4>as far as how pornographic it might be. So he

770
00:55:54.360 --> 00:55:57.199
<v Speaker 4>said he wouldn't worry about that. And he said the

771
00:55:57.320 --> 00:56:02.360
<v Speaker 4>most curious thing to me, Dan, He said, if you

772
00:56:02.800 --> 00:56:08.079
<v Speaker 4>don't publish this, you will be doing serious harm to

773
00:56:08.239 --> 00:56:12.800
<v Speaker 4>the First Amendment. And I was like, what.

774
00:56:14.280 --> 00:56:14.320
<v Speaker 1>What?

775
00:56:15.559 --> 00:56:21.360
<v Speaker 4>And he said, you are oblicated to publish this, and

776
00:56:21.960 --> 00:56:26.760
<v Speaker 4>if you if you take the role of censoring it,

777
00:56:27.280 --> 00:56:32.880
<v Speaker 4>then you are internalizing the oppression of the First Amendment.

778
00:56:35.199 --> 00:56:38.639
<v Speaker 4>So that's something I don't think anybody's ever charged anyone with.

779
00:56:38.960 --> 00:56:44.559
<v Speaker 4>But that's what happened along way to publishing this consulted

780
00:56:44.719 --> 00:56:47.480
<v Speaker 4>and then that was what I was advised, that was

781
00:56:47.599 --> 00:56:50.920
<v Speaker 4>my legal counsel that if I didn't publish it, I

782
00:56:51.079 --> 00:56:54.599
<v Speaker 4>was harming the First Amendment. Well, you know, Shaeffer wrote

783
00:56:54.679 --> 00:56:59.079
<v Speaker 4>this stuff in Florida State prison. But when I typesaid

784
00:56:59.119 --> 00:57:03.400
<v Speaker 4>it and sent back to him, it was seized and

785
00:57:04.320 --> 00:57:08.679
<v Speaker 4>called pornographic filth and he was thrown in the hole

786
00:57:08.920 --> 00:57:10.920
<v Speaker 4>for thirty days for having it.

787
00:57:14.480 --> 00:57:18.000
<v Speaker 3>And what did they say to you? I know what

788
00:57:18.079 --> 00:57:18.719
<v Speaker 3>they did to him.

789
00:57:19.599 --> 00:57:26.079
<v Speaker 4>Basic They said, you're not a real journalist. And I said, oh,

790
00:57:26.199 --> 00:57:29.880
<v Speaker 4>yes I am. And I sent them the letters of

791
00:57:30.039 --> 00:57:36.159
<v Speaker 4>incorporation of my publishing company, Pete Media Queen, LLC. And

792
00:57:36.320 --> 00:57:43.599
<v Speaker 4>I said this is a Georgia corporation. Excuse me, I said, uh,

793
00:57:44.199 --> 00:57:47.199
<v Speaker 4>I have a corporation. I'm a journalist. And then they

794
00:57:47.280 --> 00:57:55.559
<v Speaker 4>said you are under investigation and you won't be allowed

795
00:57:55.679 --> 00:58:01.519
<v Speaker 4>in the prisons until we complete our investigation. And I said, okay, fine,

796
00:58:01.679 --> 00:58:03.960
<v Speaker 4>I says, why don't I come up there and meet

797
00:58:04.039 --> 00:58:06.840
<v Speaker 4>with you so you can investigate me? And they said, no,

798
00:58:07.119 --> 00:58:11.079
<v Speaker 4>that's not how it works. So that went along, and

799
00:58:11.159 --> 00:58:14.559
<v Speaker 4>they kicked me out of Florida State Prison. And then

800
00:58:14.679 --> 00:58:19.000
<v Speaker 4>they transferred Schaeffer down to Belglade, which I said, lower security,

801
00:58:19.039 --> 00:58:20.719
<v Speaker 4>and it was down there so he could go to

802
00:58:20.800 --> 00:58:23.760
<v Speaker 4>a hearing. And while he was there, they let me

803
00:58:23.840 --> 00:58:27.840
<v Speaker 4>in to visit him at Belglade, and so that way

804
00:58:28.639 --> 00:58:34.920
<v Speaker 4>I got quote unquote on his visiting list. Okay, so

805
00:58:35.079 --> 00:58:38.280
<v Speaker 4>when he listened back to Florida State Prison, there I

806
00:58:38.639 --> 00:58:45.480
<v Speaker 4>was on his list. See well, that made them extremely angry.

807
00:58:47.119 --> 00:58:51.119
<v Speaker 4>So they told I was in Atlanta. I call, said

808
00:58:51.159 --> 00:58:52.800
<v Speaker 4>him on my head down there and visit him. I

809
00:58:52.960 --> 00:58:56.280
<v Speaker 4>just wanted to check as he available to receive visits. No, no,

810
00:58:56.519 --> 00:59:01.239
<v Speaker 4>come on down. Everything's like, come on down, come on down.

811
00:59:01.320 --> 00:59:03.159
<v Speaker 4>I wait in the line. I get up there and

812
00:59:03.280 --> 00:59:06.800
<v Speaker 4>they said, well, sorry, this London, you're not allowed to

813
00:59:07.039 --> 00:59:14.000
<v Speaker 4>enter this prison. I said what I called yesterday, you know, right.

814
00:59:14.719 --> 00:59:19.639
<v Speaker 4>So it went from there. It went on.

815
00:59:19.880 --> 00:59:24.800
<v Speaker 3>Now the course, now, the correspondence you had with Gerard

816
00:59:25.000 --> 00:59:29.840
<v Speaker 3>John Schaeffer lasted quite a while, but the tone of

817
00:59:29.920 --> 00:59:36.920
<v Speaker 3>these letters changed dramatically from the beginning to the in

818
00:59:37.639 --> 00:59:41.280
<v Speaker 3>sort of midpoint, and then at the end of tell

819
00:59:41.360 --> 00:59:44.360
<v Speaker 3>us about the change in the correspondence and why, oh.

820
00:59:44.880 --> 00:59:48.039
<v Speaker 4>You put it in such a sane way. You know,

821
00:59:51.960 --> 00:59:56.639
<v Speaker 4>it was pretty it was pretty crazy. Well he went along,

822
00:59:56.719 --> 00:59:59.280
<v Speaker 4>he went along, sending me all this stuff, and I

823
00:59:59.400 --> 01:00:01.679
<v Speaker 4>had a meeting with him in person and I said,

824
01:00:01.719 --> 01:00:04.719
<v Speaker 4>look here, John, I says, this is stupid. I says,

825
01:00:04.760 --> 01:00:06.920
<v Speaker 4>you're not a real serial coader. It's writing all this

826
01:00:07.239 --> 01:00:09.880
<v Speaker 4>dirty stuff and sending it to me, and I don't

827
01:00:09.880 --> 01:00:12.039
<v Speaker 4>want to read it anymore or not. I don't want

828
01:00:12.079 --> 01:00:15.000
<v Speaker 4>to be bothered with you. And then he's like, oh really,

829
01:00:15.960 --> 01:00:18.599
<v Speaker 4>and he's like, whoa, you will miss out on your

830
01:00:18.719 --> 01:00:21.920
<v Speaker 4>chance of a lifetime to have a real serial killer,

831
01:00:22.159 --> 01:00:25.360
<v Speaker 4>and you know all this and all this, and I'm like, yeah,

832
01:00:25.800 --> 01:00:31.719
<v Speaker 4>uh huh. At that point he offered up artist Tool,

833
01:00:32.000 --> 01:00:35.320
<v Speaker 4>whom he had comed into working with me by telling

834
01:00:35.400 --> 01:00:37.599
<v Speaker 4>him I was going to send him money, which was

835
01:00:37.679 --> 01:00:42.079
<v Speaker 4>a lot. And so he says, oh, I've got otist

836
01:00:42.199 --> 01:00:44.519
<v Speaker 4>Tool for you. Isn't that great? You can have a

837
01:00:44.639 --> 01:00:49.559
<v Speaker 4>real serial killer. And that went off on another tension.

838
01:00:50.199 --> 01:00:54.880
<v Speaker 4>As for him, he started the next phase of his assault,

839
01:00:55.719 --> 01:00:59.920
<v Speaker 4>and this one you would describe as uh, I'll prove

840
01:01:00.159 --> 01:01:03.960
<v Speaker 4>to you that it's worth your time to stick around

841
01:01:04.159 --> 01:01:04.480
<v Speaker 4>with me.

842
01:01:05.320 --> 01:01:05.679
<v Speaker 8>And his.

843
01:01:07.719 --> 01:01:14.320
<v Speaker 4>His ever elusory goal was his appeal. He had an appeal.

844
01:01:14.639 --> 01:01:18.000
<v Speaker 4>Schaeffer had twenty appeals. He got all the way to

845
01:01:18.039 --> 01:01:21.480
<v Speaker 4>the United States Supreme Court. So he said, oh, I've

846
01:01:21.480 --> 01:01:25.199
<v Speaker 4>got an appeal, and when my appeal's over, I'll give

847
01:01:25.280 --> 01:01:29.400
<v Speaker 4>you everything I'll give you you know, blah blah blah.

848
01:01:30.000 --> 01:01:33.960
<v Speaker 4>So just stick around. And so that was that phase.

849
01:01:34.079 --> 01:01:37.880
<v Speaker 4>And during that phase, he sent me things that were

850
01:01:38.159 --> 01:01:45.280
<v Speaker 4>more and more incriminating and statements that were more and

851
01:01:45.599 --> 01:01:51.440
<v Speaker 4>more in the first person, in fact based, and finally

852
01:01:51.840 --> 01:01:57.400
<v Speaker 4>I said to him, John, Okay, that's it. I'm convinced

853
01:01:58.199 --> 01:02:03.079
<v Speaker 4>you're a serial killer. Okay. So that was fine except

854
01:02:03.119 --> 01:02:08.440
<v Speaker 4>for his other personality okay, And that was where we

855
01:02:08.559 --> 01:02:12.159
<v Speaker 4>started the next phase, which was to threaten me and

856
01:02:12.599 --> 01:02:18.719
<v Speaker 4>threaten my child. Uh. I had a personal friendship with

857
01:02:19.519 --> 01:02:23.880
<v Speaker 4>a touring musician that I never mentioned to him. He

858
01:02:24.039 --> 01:02:26.960
<v Speaker 4>sent me a letter with that musician's tour date, sent

859
01:02:27.039 --> 01:02:31.320
<v Speaker 4>it and said he's not safe either. He sent people

860
01:02:31.760 --> 01:02:37.559
<v Speaker 4>in on me personally to drop off threatening messages. Uh,

861
01:02:38.400 --> 01:02:40.599
<v Speaker 4>tuck them in my in the winch. You'll wipe out

862
01:02:40.679 --> 01:02:46.840
<v Speaker 4>my car and uh, he also started a program of

863
01:02:47.000 --> 01:02:52.599
<v Speaker 4>sending out UH all these statements he UH found willing publishers.

864
01:02:52.920 --> 01:02:57.039
<v Speaker 4>UH for example, Fatal Visions in Australia, and they published

865
01:02:57.079 --> 01:02:59.480
<v Speaker 4>a a curse that he put on me, who wrote

866
01:02:59.519 --> 01:03:04.159
<v Speaker 4>this law elaborate satanic curse against me. It's still out

867
01:03:04.239 --> 01:03:10.199
<v Speaker 4>there somewhere, and uh, oh, I gotta tell you this, this,

868
01:03:10.360 --> 01:03:13.840
<v Speaker 4>it's just terrible. One day I got a call from

869
01:03:13.960 --> 01:03:19.159
<v Speaker 4>Roy Hazelwood. Oh hi, woy good to hear from you. Well,

870
01:03:19.440 --> 01:03:22.239
<v Speaker 4>he says, UH, not so good. He says, so, what

871
01:03:22.360 --> 01:03:25.519
<v Speaker 4>do you think our boy's up to now? And I said,

872
01:03:25.599 --> 01:03:30.880
<v Speaker 4>oh no, and he said, oh yes. He Shaeffer had

873
01:03:30.960 --> 01:03:36.679
<v Speaker 4>sat down and he had written to every cop shop

874
01:03:37.239 --> 01:03:40.679
<v Speaker 4>that he can find in his book of cop shops

875
01:03:41.440 --> 01:03:48.239
<v Speaker 4>and sent them a statement saying that UH contacts son

876
01:03:48.320 --> 01:03:54.639
<v Speaker 4>for London Media Queen to find out details of homicides

877
01:03:54.800 --> 01:04:02.960
<v Speaker 4>in your jurisdiction. Sontra London is close personal friends, on

878
01:04:03.079 --> 01:04:10.400
<v Speaker 4>an intimate relationship with Roy Hazelwood. Okay. And when Roy

879
01:04:10.559 --> 01:04:13.079
<v Speaker 4>told me that I like to died, I like to

880
01:04:13.159 --> 01:04:18.239
<v Speaker 4>die write them there, I'm like, oh no, I never

881
01:04:18.400 --> 01:04:22.320
<v Speaker 4>told him anything. He said, I know, I know, and

882
01:04:23.440 --> 01:04:25.840
<v Speaker 4>he said, I'm not blaming you, But I just thought

883
01:04:25.880 --> 01:04:30.280
<v Speaker 4>you ought to know whoa And I was so ashamed,

884
01:04:30.320 --> 01:04:33.320
<v Speaker 4>and I was so embarrassed, and this is the kind

885
01:04:33.400 --> 01:04:38.000
<v Speaker 4>of stuff he was doing, you know. And it was

886
01:04:38.239 --> 01:04:43.679
<v Speaker 4>just that Roy Hazelwood was big minded enough and he

887
01:04:43.800 --> 01:04:47.039
<v Speaker 4>knew me well enough that he didn't just drop a

888
01:04:47.159 --> 01:04:48.559
<v Speaker 4>bomb on me or something.

889
01:04:51.079 --> 01:04:57.239
<v Speaker 3>You know, when when Schaeffer sent those letters threatening your daughter, threatening,

890
01:04:57.440 --> 01:04:59.679
<v Speaker 3>and he had the connections in prison to be able

891
01:04:59.719 --> 01:05:02.079
<v Speaker 3>to do this, to reach out to you and your

892
01:05:02.159 --> 01:05:04.159
<v Speaker 3>family to be able to do this, and then as

893
01:05:04.199 --> 01:05:07.760
<v Speaker 3>you say, you had evidence he could do that. Uh,

894
01:05:09.480 --> 01:05:11.679
<v Speaker 3>what was the reason behind that?

895
01:05:12.679 --> 01:05:15.880
<v Speaker 4>He commits a serial killer?

896
01:05:16.800 --> 01:05:19.960
<v Speaker 3>Yeah, but at one point in there he wants to

897
01:05:20.079 --> 01:05:22.400
<v Speaker 3>be known as a serial killer exactly.

898
01:05:22.679 --> 01:05:24.719
<v Speaker 4>That's what I was talking about. Dissociation.

899
01:05:27.719 --> 01:05:31.360
<v Speaker 3>See was there any merit to him? Yeah, but he

900
01:05:31.400 --> 01:05:35.360
<v Speaker 3>says that you have to do some brain surgery.

901
01:05:35.000 --> 01:05:39.280
<v Speaker 4>On your own brain because the normal brain wants to

902
01:05:39.440 --> 01:05:43.960
<v Speaker 4>resolve inconsistencies and say this is the truth, that is

903
01:05:44.239 --> 01:05:48.159
<v Speaker 4>a lie, this is true, that is false, And the

904
01:05:48.280 --> 01:05:52.440
<v Speaker 4>mind wants to settle settle down, and the mind wants

905
01:05:52.519 --> 01:05:57.239
<v Speaker 4>to make up its mind. The mind wants to come

906
01:05:57.480 --> 01:06:04.519
<v Speaker 4>to terms and all that prevents you from properly perceiving

907
01:06:04.639 --> 01:06:11.440
<v Speaker 4>that you're dealing with multiple personality. And only if you

908
01:06:11.599 --> 01:06:14.559
<v Speaker 4>can really really go in there and wrench your mind

909
01:06:14.719 --> 01:06:17.440
<v Speaker 4>open for just a minute, just try it for one

910
01:06:17.559 --> 01:06:25.519
<v Speaker 4>minute and try to allow that these mutually exclusive states

911
01:06:25.559 --> 01:06:30.360
<v Speaker 4>of mind both exist there. Now, I'll tell you something

912
01:06:30.440 --> 01:06:34.239
<v Speaker 4>that is in the book. And it happened. And so

913
01:06:34.400 --> 01:06:37.639
<v Speaker 4>I sat down with him, if face to face, and

914
01:06:37.920 --> 01:06:42.800
<v Speaker 4>this is before they kicked me out, and I said, John,

915
01:06:43.000 --> 01:06:46.119
<v Speaker 4>why are you doing this? Why are you sending out

916
01:06:46.159 --> 01:06:48.760
<v Speaker 4>all these letters to these people when on you got

917
01:06:48.840 --> 01:06:52.239
<v Speaker 4>me all winded up telling them you're an innocent framed cop.

918
01:06:52.599 --> 01:06:56.800
<v Speaker 4>Why are you sending them these letters saying that that

919
01:06:57.320 --> 01:07:03.280
<v Speaker 4>you're gonna confess the homicides? And he said, you don't

920
01:07:03.719 --> 01:07:11.320
<v Speaker 4>understand because you're not a serial killer, and I'm like, hmm,

921
01:07:12.280 --> 01:07:16.519
<v Speaker 4>you're right about that. Then he started trying to explain,

922
01:07:16.639 --> 01:07:18.559
<v Speaker 4>and it really got through to me. And I don't

923
01:07:18.599 --> 01:07:20.639
<v Speaker 4>know if it would get through to anyone else who

924
01:07:20.719 --> 01:07:23.960
<v Speaker 4>hasn't actually been there. Actually I had to go through this,

925
01:07:24.679 --> 01:07:27.519
<v Speaker 4>but it did get through to me. And he said this.

926
01:07:28.199 --> 01:07:31.440
<v Speaker 4>He says, it's like you're in your room upstairs and

927
01:07:31.599 --> 01:07:34.920
<v Speaker 4>I'm down the ground trying to get your attention, and

928
01:07:35.079 --> 01:07:39.280
<v Speaker 4>I'm throwing rocks in your window, and you're picking the

929
01:07:39.400 --> 01:07:42.519
<v Speaker 4>rocks up off the floor, and they're all different colors

930
01:07:42.920 --> 01:07:45.559
<v Speaker 4>and you can't figure out where they're coming from because

931
01:07:45.559 --> 01:07:50.000
<v Speaker 4>they're all different colors, and so he kind of pauses,

932
01:07:50.079 --> 01:07:53.760
<v Speaker 4>and again then Leen's forward. He stares me in the eyes.

933
01:07:53.800 --> 01:07:58.079
<v Speaker 4>I can still see it now, and he speaks with

934
01:07:58.320 --> 01:08:00.840
<v Speaker 4>pauses like I'm going to see now, and he says

935
01:08:01.599 --> 01:08:08.159
<v Speaker 4>they are different colors because they're coming from different places.

936
01:08:12.239 --> 01:08:15.960
<v Speaker 4>And there was just something about that that opened up

937
01:08:16.000 --> 01:08:18.760
<v Speaker 4>my mind to what I was dealing with, and I

938
01:08:18.920 --> 01:08:22.800
<v Speaker 4>found it very useful later when I had to deal

939
01:08:22.840 --> 01:08:32.920
<v Speaker 4>with Danny Rowling. And the thing about the images of

940
01:08:33.079 --> 01:08:36.039
<v Speaker 4>the rocks that are different colors is that they are

941
01:08:36.159 --> 01:08:39.680
<v Speaker 4>not They don't mix. They don't mix. They're not a fluid,

942
01:08:40.159 --> 01:08:46.479
<v Speaker 4>they're not a sand. They remain distinct. Each rock remains

943
01:08:46.600 --> 01:08:52.920
<v Speaker 4>distinct from the other, and there are hard borders between them.

944
01:08:54.239 --> 01:08:57.640
<v Speaker 4>And I just think if if you could just get

945
01:08:57.800 --> 01:09:01.359
<v Speaker 4>that image, I think sometime it might help you to

946
01:09:01.520 --> 01:09:04.479
<v Speaker 4>understand what you're dealing with if you are dealing with

947
01:09:04.920 --> 01:09:08.159
<v Speaker 4>one of these kind of people. I don't know, it

948
01:09:08.399 --> 01:09:09.279
<v Speaker 4>just helped me.

949
01:09:11.800 --> 01:09:16.760
<v Speaker 3>In the writings, he talks extensively about his interactions with

950
01:09:16.920 --> 01:09:21.640
<v Speaker 3>Ted Bundy, saying that Ted Bundy was a did some

951
01:09:21.920 --> 01:09:25.800
<v Speaker 3>crimes in a copycat fashion, trying to emulate Schaeffer, who

952
01:09:25.880 --> 01:09:28.560
<v Speaker 3>he looked up to tell us a little bit more

953
01:09:28.600 --> 01:09:31.399
<v Speaker 3>about these interactions with Ted Bundy that he had in

954
01:09:31.640 --> 01:09:35.159
<v Speaker 3>Florida State prison, he says he did.

955
01:09:35.439 --> 01:09:42.039
<v Speaker 4>Other people say his lying, So there, what can I

956
01:09:42.159 --> 01:09:45.159
<v Speaker 4>tell you? I do know he was lying about the

957
01:09:45.319 --> 01:09:48.960
<v Speaker 4>stuff he put out about Artist Tool. He put out

958
01:09:49.039 --> 01:09:53.520
<v Speaker 4>this interview with artist Tool that is still all over

959
01:09:53.600 --> 01:09:57.319
<v Speaker 4>the net and people believe it and they'll quote it

960
01:09:57.439 --> 01:10:00.680
<v Speaker 4>when they're talking about like ritual crime. You know, Autist

961
01:10:00.680 --> 01:10:03.479
<v Speaker 4>Tool did this Auto do and it was written by Schaeffer,

962
01:10:03.520 --> 01:10:06.439
<v Speaker 4>and I could, uh, I could tell you that from

963
01:10:06.479 --> 01:10:09.479
<v Speaker 4>one hundred miles away, and an Autist Tool doesn't have

964
01:10:09.640 --> 01:10:14.119
<v Speaker 4>that kind of a Florida imagination or ability to express himself.

965
01:10:15.119 --> 01:10:20.479
<v Speaker 4>And uh, surely Autist Tool had his own, very very

966
01:10:21.079 --> 01:10:25.039
<v Speaker 4>profoundly disturbed case. But it wasn't what Shaefer said it was.

967
01:10:25.159 --> 01:10:28.119
<v Speaker 4>It was all Shape was saying that. And as far

968
01:10:28.239 --> 01:10:33.680
<v Speaker 4>as Bundy, it just fits Shaffer's grandiose profile. To take

969
01:10:33.840 --> 01:10:37.960
<v Speaker 4>something and build it up like that, uh doctor Seue's story,

970
01:10:38.039 --> 01:10:41.520
<v Speaker 4>and to see say and to think that I saw

971
01:10:41.560 --> 01:10:45.920
<v Speaker 4>it on Mulberry Street, remember that one. Each time he

972
01:10:46.079 --> 01:10:50.760
<v Speaker 4>tells that the story gets wilder and wilder, And to me,

973
01:10:50.960 --> 01:10:55.720
<v Speaker 4>that's kind of like his creative process. Like when I

974
01:10:55.840 --> 01:10:58.960
<v Speaker 4>told him that these characters weren't in a personality, he

975
01:10:59.119 --> 01:11:01.560
<v Speaker 4>turns one into a real person in rights to real

976
01:11:01.720 --> 01:11:06.359
<v Speaker 4>killers and says they should be killed. You see. So

977
01:11:06.520 --> 01:11:09.640
<v Speaker 4>they said, well Bundy was there, Oh yeah, I was

978
01:11:09.720 --> 01:11:15.880
<v Speaker 4>with him, you know, and nobody can really prove he

979
01:11:16.079 --> 01:11:22.079
<v Speaker 4>was with him. I talked to his crossication officer and

980
01:11:22.199 --> 01:11:24.039
<v Speaker 4>he said he could have been with him. He could

981
01:11:24.039 --> 01:11:28.199
<v Speaker 4>have been transported with him on permanent quarters with him.

982
01:11:28.279 --> 01:11:34.600
<v Speaker 4>It could have happened nice and yet it also could

983
01:11:34.640 --> 01:11:35.800
<v Speaker 4>have not happened.

984
01:11:37.000 --> 01:11:42.800
<v Speaker 3>M It's interesting how of how much instigation went into

985
01:11:43.680 --> 01:11:49.319
<v Speaker 3>trying to manipulate Artist Tool into admitting about Adam Walsh

986
01:11:49.479 --> 01:11:52.479
<v Speaker 3>and giving all these details. Again, it sounds like Schaeffer

987
01:11:53.600 --> 01:11:58.000
<v Speaker 3>was involved in giving those kinds of details to a

988
01:11:58.159 --> 01:11:59.680
<v Speaker 3>half wit like Artist Tool.

989
01:12:00.239 --> 01:12:07.199
<v Speaker 4>Okay, no, no, I have an audio tape of a

990
01:12:07.359 --> 01:12:15.239
<v Speaker 4>this Tool before he even met Shaeffer and telling the

991
01:12:15.399 --> 01:12:22.159
<v Speaker 4>details of that of what he did. That is a

992
01:12:22.800 --> 01:12:29.399
<v Speaker 4>case that the public doesn't realize what's gone on. And

993
01:12:29.600 --> 01:12:33.479
<v Speaker 4>let's see if I'll get in trouble for saying what

994
01:12:33.640 --> 01:12:38.720
<v Speaker 4>I'm going to say, which is I investigated this case,

995
01:12:38.840 --> 01:12:43.600
<v Speaker 4>and I talked to the homicide detective who was in

996
01:12:43.840 --> 01:12:48.560
<v Speaker 4>charge of the case, and his mouth, to my ear

997
01:12:49.439 --> 01:12:54.439
<v Speaker 4>was John Walsh has never been cleared of complicity in

998
01:12:54.880 --> 01:13:02.279
<v Speaker 4>his son's his disappearance. That's number one. Number two, John

999
01:13:02.359 --> 01:13:05.600
<v Speaker 4>Walsh and his wife Reva were carrying on one of

1000
01:13:05.680 --> 01:13:10.680
<v Speaker 4>those operations similar to what our friend Epstein was doing,

1001
01:13:10.760 --> 01:13:15.479
<v Speaker 4>where they were getting tape to blackmail people sexual situations.

1002
01:13:16.760 --> 01:13:21.039
<v Speaker 4>And it just so happened that when the boy got snatched,

1003
01:13:21.159 --> 01:13:25.279
<v Speaker 4>Ms Reva was going on an assignation with a job. Okay,

1004
01:13:25.399 --> 01:13:30.960
<v Speaker 4>So therefore police had to go into their little black

1005
01:13:31.079 --> 01:13:36.840
<v Speaker 4>book and interview all the people who had crossed into

1006
01:13:37.359 --> 01:13:44.159
<v Speaker 4>that that operation. Okay, And that is what was in

1007
01:13:45.039 --> 01:13:47.800
<v Speaker 4>the police records. Okay.

1008
01:13:47.960 --> 01:13:51.119
<v Speaker 9>Round two, Name something that's not boring.

1009
01:13:51.760 --> 01:13:55.880
<v Speaker 1>Laundry, a book club, computer solitaire.

1010
01:13:56.119 --> 01:14:00.800
<v Speaker 9>Huh oh, sorry, we were looking for chum about casino

1011
01:14:02.159 --> 01:14:05.119
<v Speaker 9>to jump. That's right, chumbat casino dot com as over

1012
01:14:05.159 --> 01:14:07.640
<v Speaker 9>one hundred casino style games joined today and the play

1013
01:14:07.720 --> 01:14:10.239
<v Speaker 9>for free for your chance to redeem some serious prizes

1014
01:14:11.399 --> 01:14:16.479
<v Speaker 9>Jump Chumbacasino dot comay blusters. The Conision of Blue website

1015
01:14:16.520 --> 01:14:17.880
<v Speaker 9>details all.

1016
01:14:17.760 --> 01:14:22.000
<v Speaker 4>Those interviews with those Johns. Okay, in this whole situation

1017
01:14:22.239 --> 01:14:27.199
<v Speaker 4>that walsha going. But Walsh was a cash cow at

1018
01:14:27.319 --> 01:14:32.880
<v Speaker 4>Fox and Fox and instilians, sup lawyers. They killed the story. Okay,

1019
01:14:34.039 --> 01:14:38.720
<v Speaker 4>and my my tape of artists confessing to what he

1020
01:14:38.920 --> 01:14:44.560
<v Speaker 4>did was killed at that same time as the lawyers

1021
01:14:44.640 --> 01:14:49.159
<v Speaker 4>came and closed in on that. Because they tabloids follow

1022
01:14:49.159 --> 01:14:52.600
<v Speaker 4>the Floyer request them. They got those police records, they

1023
01:14:52.680 --> 01:14:56.720
<v Speaker 4>got them all right, but not a one published them.

1024
01:14:57.640 --> 01:15:01.279
<v Speaker 4>And they didn't publish the tape I have and the

1025
01:15:01.359 --> 01:15:05.760
<v Speaker 4>tape is real and and w and I I interviewed

1026
01:15:05.920 --> 01:15:10.039
<v Speaker 4>artist myself and uh he was very very real about

1027
01:15:10.079 --> 01:15:12.119
<v Speaker 4>what he had suffered in the in the life of

1028
01:15:12.279 --> 01:15:17.960
<v Speaker 4>a ritual crime that he had uh endured with uh unbelievable.

1029
01:15:18.640 --> 01:15:26.760
<v Speaker 4>I'm just saying that Shaffer hijacket, Okay, And and there

1030
01:15:26.880 --> 01:15:29.760
<v Speaker 4>was another tape of that I arranged a uh tool

1031
01:15:29.840 --> 01:15:33.159
<v Speaker 4>where the guy said, what about Shaffer? Schaffer? He says

1032
01:15:33.199 --> 01:15:36.039
<v Speaker 4>Shafer he says he's scared of death in me. He

1033
01:15:36.119 --> 01:15:38.199
<v Speaker 4>holds out of his hand. He said he's shaken just

1034
01:15:38.359 --> 01:15:44.760
<v Speaker 4>like this when he talks to me. Okay, so look

1035
01:15:45.000 --> 01:15:48.920
<v Speaker 4>here's what we got. We've got a big bullshitter. Okay,

1036
01:15:50.000 --> 01:15:53.000
<v Speaker 4>I I he's uh a con man and a bullshitter.

1037
01:15:53.319 --> 01:16:01.279
<v Speaker 4>And it's interesting to the true crime community because he

1038
01:16:01.640 --> 01:16:06.520
<v Speaker 4>is not just a casual bullshit or he's not HP Lovecraft.

1039
01:16:08.319 --> 01:16:12.600
<v Speaker 4>He is a real criminal. And these are really the

1040
01:16:12.720 --> 01:16:16.239
<v Speaker 4>way his thoughts go. And it took someone like me

1041
01:16:17.439 --> 01:16:22.880
<v Speaker 4>to not allow it to be censored because these thoughts

1042
01:16:22.920 --> 01:16:25.720
<v Speaker 4>are going on all the time. Probably other writers have

1043
01:16:26.439 --> 01:16:32.680
<v Speaker 4>uncovered material this disgusting, similarly disgusting, but they wouldn't publish

1044
01:16:32.720 --> 01:16:35.239
<v Speaker 4>it because they wanted to have a popular book that

1045
01:16:35.319 --> 01:16:39.520
<v Speaker 4>a lot of people would read. And this book, it's

1046
01:16:39.600 --> 01:16:44.399
<v Speaker 4>hard to read or hurt your feelings. And he just

1047
01:16:44.520 --> 01:16:46.920
<v Speaker 4>doesn't give anybody a break. And when I look at

1048
01:16:46.960 --> 01:16:50.640
<v Speaker 4>the way these people get all excited about what is

1049
01:16:50.760 --> 01:16:54.680
<v Speaker 4>Suman calls me the wrong prona for what I think

1050
01:16:54.840 --> 01:16:57.640
<v Speaker 4>I am. You know, I'm just like, look, honey, don't

1051
01:16:57.680 --> 01:17:01.560
<v Speaker 4>even pick up this book. Okay, just don't even think

1052
01:17:01.600 --> 01:17:06.760
<v Speaker 4>about the title, the author anything because talk about your

1053
01:17:06.800 --> 01:17:09.560
<v Speaker 4>feelings being hurt. You know, you won't get through half

1054
01:17:09.640 --> 01:17:16.000
<v Speaker 4>a page. And it's really published in the interest of

1055
01:17:16.199 --> 01:17:23.199
<v Speaker 4>being research material for people who are seriously in need

1056
01:17:23.319 --> 01:17:28.680
<v Speaker 4>of understanding the criminal mind. Okay, it's not recreational. It's

1057
01:17:28.680 --> 01:17:31.359
<v Speaker 4>not a Disney ride where you get on you feel

1058
01:17:31.359 --> 01:17:35.399
<v Speaker 4>a lit Lulu Lulu, but you know you're safe, you know,

1059
01:17:35.439 --> 01:17:38.279
<v Speaker 4>and the ride is going to be over. It's not that.

1060
01:17:40.520 --> 01:17:43.880
<v Speaker 3>It's interesting the themes that he has in the writing.

1061
01:17:44.000 --> 01:17:48.640
<v Speaker 3>Though I've seen discussing material, like I said, I've I've

1062
01:17:48.680 --> 01:17:52.560
<v Speaker 3>dealt with it myself. But this he goes to great

1063
01:17:52.720 --> 01:17:56.640
<v Speaker 3>links to talk about and say that he researched executions

1064
01:17:56.760 --> 01:18:01.399
<v Speaker 3>and to see and he's focused in trusted in defecation

1065
01:18:01.600 --> 01:18:07.840
<v Speaker 3>and urination at the time that death, no, no.

1066
01:18:08.079 --> 01:18:12.479
<v Speaker 4>Full stop. He's interested in defecation full stop. And here's

1067
01:18:12.520 --> 01:18:14.840
<v Speaker 4>the way I figured it. You know, we have that

1068
01:18:14.960 --> 01:18:19.840
<v Speaker 4>oak cliche shell scare you to death. Yeah, but he'll

1069
01:18:20.439 --> 01:18:23.880
<v Speaker 4>he'll try to just scare you, scare the ship out

1070
01:18:23.960 --> 01:18:28.920
<v Speaker 4>of you if he can, and you know, then he's satisfied.

1071
01:18:29.119 --> 01:18:32.159
<v Speaker 4>And then I noticed this scalpy he got caught where

1072
01:18:32.199 --> 01:18:34.399
<v Speaker 4>he tied her up and everything and she got loose.

1073
01:18:34.920 --> 01:18:38.960
<v Speaker 4>He uh put her on a fireman's carry over her shoulder. Well,

1074
01:18:39.000 --> 01:18:43.720
<v Speaker 4>that puts pressure on her, Adamin, doesn't it. And uh,

1075
01:18:44.279 --> 01:18:46.920
<v Speaker 4>that's really his payoff. And I can tell you this.

1076
01:18:47.680 --> 01:18:54.720
<v Speaker 4>I edited Shaeffer and I tried to influence Shaeffer. I

1077
01:18:54.960 --> 01:19:00.680
<v Speaker 4>told Shaeffer, Look, John, I said, Uh, all that stuff

1078
01:19:00.680 --> 01:19:04.800
<v Speaker 4>about murder and killing, that's great. We like to hear

1079
01:19:04.880 --> 01:19:08.079
<v Speaker 4>about that. We you go on in about PP and

1080
01:19:08.319 --> 01:19:11.960
<v Speaker 4>coca as if we don't. I said, we are adults,

1081
01:19:12.199 --> 01:19:16.880
<v Speaker 4>we're grown, We're not interested in PP and cocka, okay,

1082
01:19:17.600 --> 01:19:20.840
<v Speaker 4>so just knock it off. Well, as soon as I

1083
01:19:20.920 --> 01:19:23.039
<v Speaker 4>tell him knock it off, of course, he redoubles it.

1084
01:19:24.600 --> 01:19:28.159
<v Speaker 4>And so I find myself, well, look, John, you write it,

1085
01:19:28.720 --> 01:19:32.000
<v Speaker 4>I throw it away. That's what's gonna happen. So just

1086
01:19:32.359 --> 01:19:34.560
<v Speaker 4>if you're going to still continue to write that stuff,

1087
01:19:34.600 --> 01:19:37.000
<v Speaker 4>I'm still going to continue to throw it away. So

1088
01:19:37.159 --> 01:19:40.079
<v Speaker 4>believe me, I threw away a lot of it. And

1089
01:19:40.239 --> 01:19:43.079
<v Speaker 4>what you see in there, I only let it be

1090
01:19:43.159 --> 01:19:47.479
<v Speaker 4>in there if it absolutely was part of the plotline. Okay,

1091
01:19:48.960 --> 01:19:52.000
<v Speaker 4>And what you see, believe me, I've taken out five

1092
01:19:52.119 --> 01:19:59.279
<v Speaker 4>times as much because I told him, we're just just disgusting, Yes.

1093
01:19:59.319 --> 01:20:03.880
<v Speaker 3>But it is that lightening. Huh, it's very enlightening. I mean,

1094
01:20:04.000 --> 01:20:06.439
<v Speaker 3>we don't want to focus on disgusting.

1095
01:20:06.680 --> 01:20:09.720
<v Speaker 4>Left it in there. You saw it, yes, I saw it.

1096
01:20:12.119 --> 01:20:14.640
<v Speaker 4>One thing you know that it was even worse than

1097
01:20:14.680 --> 01:20:17.039
<v Speaker 4>the original and the handwritten.

1098
01:20:17.520 --> 01:20:20.760
<v Speaker 3>I can't even imagine. One thing that's very interesting we

1099
01:20:20.800 --> 01:20:22.960
<v Speaker 3>didn't talk about and we need to talk about is

1100
01:20:23.039 --> 01:20:27.479
<v Speaker 3>that it's part of this psychological attack on you eventually,

1101
01:20:27.600 --> 01:20:30.000
<v Speaker 3>and then of course the threats to you and your family,

1102
01:20:30.560 --> 01:20:34.079
<v Speaker 3>and then his denigration of you as a called you

1103
01:20:34.479 --> 01:20:37.119
<v Speaker 3>the same word whore as well, and a sheet and

1104
01:20:37.199 --> 01:20:37.640
<v Speaker 3>a liar.

1105
01:20:38.720 --> 01:20:41.359
<v Speaker 4>Uh. In this.

1106
01:20:42.840 --> 01:20:46.319
<v Speaker 3>He also claims that you were the trigger, that your

1107
01:20:46.359 --> 01:20:50.039
<v Speaker 3>relationship was also a trigger. Explain that. What do you say.

1108
01:20:50.159 --> 01:20:56.119
<v Speaker 4>I think it's true because among the papers that were

1109
01:20:56.199 --> 01:21:00.960
<v Speaker 4>in evidence, there was a letter. He had been arrested

1110
01:21:01.039 --> 01:21:05.119
<v Speaker 4>and he was in jail, he hadn't been charged, and

1111
01:21:05.960 --> 01:21:10.239
<v Speaker 4>he wrote a letter to his mother and he talked

1112
01:21:10.239 --> 01:21:14.720
<v Speaker 4>about his dear wife, Teresa, he was married to that.

1113
01:21:15.119 --> 01:21:17.920
<v Speaker 4>In that that's a whole other story. It was put

1114
01:21:18.000 --> 01:21:21.840
<v Speaker 4>out aside for now, and he talked about a girl

1115
01:21:21.920 --> 01:21:25.760
<v Speaker 4>who was his mistress at the time. Her name was Lynnette,

1116
01:21:26.880 --> 01:21:32.119
<v Speaker 4>and he said, but the one I can't forget was Sandy,

1117
01:21:34.239 --> 01:21:40.760
<v Speaker 4>and he geez, it's been you know, ten years. And

1118
01:21:41.319 --> 01:21:44.840
<v Speaker 4>he wrote that in his letter to his mother upon

1119
01:21:45.000 --> 01:21:50.039
<v Speaker 4>first being arrested. I was the one he couldn't forget. Well,

1120
01:21:50.640 --> 01:21:54.039
<v Speaker 4>I'll tell you a little about about how we broke up.

1121
01:21:54.159 --> 01:22:00.159
<v Speaker 4>Maybe it's a pertinent to criminological studies. I had some

1122
01:22:00.720 --> 01:22:03.880
<v Speaker 4>friends who happened to be boys. They were not any

1123
01:22:03.960 --> 01:22:07.199
<v Speaker 4>kind of romantic, they were just friends. And they didn't

1124
01:22:07.479 --> 01:22:11.800
<v Speaker 4>like Shaeffer. And they had this cute guy that went

1125
01:22:11.880 --> 01:22:15.600
<v Speaker 4>to college nearby, and they said, let's introduce her to him.

1126
01:22:16.520 --> 01:22:21.239
<v Speaker 4>Maybe she'll fall for him. And they did and I did,

1127
01:22:22.920 --> 01:22:27.079
<v Speaker 4>and he became my new boyfriend, cute as he could be.

1128
01:22:27.359 --> 01:22:30.560
<v Speaker 4>And he was a college boy, right, And I'm telling John, okay,

1129
01:22:30.640 --> 01:22:33.560
<v Speaker 4>well that's it, you know, goodbye, so longside and aurah

1130
01:22:33.960 --> 01:22:38.439
<v Speaker 4>baby and so forth. His quote to me was I'll

1131
01:22:38.600 --> 01:22:45.239
<v Speaker 4>get you back. Why you know that, I would never

1132
01:22:45.479 --> 01:22:48.840
<v Speaker 4>think in a million years that he meant anything other

1133
01:22:48.960 --> 01:22:54.039
<v Speaker 4>than he would like to be my boyfriend again. Only

1134
01:22:54.319 --> 01:22:57.840
<v Speaker 4>in deep retrospect or I think of the double meaning

1135
01:22:57.920 --> 01:23:02.119
<v Speaker 4>between that and the other meaning of the phrase I'll

1136
01:23:02.159 --> 01:23:05.600
<v Speaker 4>get you back, and then when I talked to him.

1137
01:23:06.479 --> 01:23:09.560
<v Speaker 4>I had a conversation with him sometime in that following year,

1138
01:23:10.920 --> 01:23:14.680
<v Speaker 4>and he told me that he was hiding and watching

1139
01:23:14.880 --> 01:23:17.760
<v Speaker 4>when I came home from my date with my new boyfriend.

1140
01:23:17.920 --> 01:23:20.640
<v Speaker 4>We sat out in the car. Next he told me

1141
01:23:20.760 --> 01:23:22.199
<v Speaker 4>he was out there watching me.

1142
01:23:23.439 --> 01:23:23.720
<v Speaker 3>Jeez.

1143
01:23:25.119 --> 01:23:30.159
<v Speaker 4>And that's when he used that phrase, I'll get you back, okay,

1144
01:23:30.359 --> 01:23:32.199
<v Speaker 4>So that was kind of creepy. I mean. Then it

1145
01:23:32.319 --> 01:23:34.600
<v Speaker 4>does tell you a little bit more about his whole

1146
01:23:36.680 --> 01:23:37.720
<v Speaker 4>criminal profile.

1147
01:23:39.279 --> 01:23:43.760
<v Speaker 3>Yes, it's very interesting too in the letter, in the

1148
01:23:43.840 --> 01:23:47.479
<v Speaker 3>progression of the tone in the letters, where he starts

1149
01:23:47.520 --> 01:23:51.159
<v Speaker 3>off very very very confident and of course boasting and bragging,

1150
01:23:51.880 --> 01:23:58.079
<v Speaker 3>and then and then you negotiate this deal between you

1151
01:23:58.199 --> 01:24:00.359
<v Speaker 3>to write this book, and then at some point believes

1152
01:24:00.399 --> 01:24:03.920
<v Speaker 3>you portrayed him, and then the tone changes to just

1153
01:24:04.079 --> 01:24:08.640
<v Speaker 3>outright threats and all his importance. But then at some

1154
01:24:08.800 --> 01:24:14.279
<v Speaker 3>point he also tries to then make amends with you.

1155
01:24:14.760 --> 01:24:17.520
<v Speaker 3>He does and in in the same again in the

1156
01:24:17.600 --> 01:24:20.800
<v Speaker 3>same month or in the same letter against against.

1157
01:24:21.920 --> 01:24:28.760
<v Speaker 4>That's right, yeap, And he me to interfere with me.

1158
01:24:28.920 --> 01:24:32.239
<v Speaker 4>There was a case of Danny Bowling, who goes in

1159
01:24:32.800 --> 01:24:38.239
<v Speaker 4>quite popular in the newspapers and everything, and he's singing

1160
01:24:38.319 --> 01:24:43.159
<v Speaker 4>to me in court and whatnot. Okay. And that that

1161
01:24:43.359 --> 01:24:45.840
<v Speaker 4>day when Danny Rowling sang to me in court, little

1162
01:24:45.960 --> 01:24:53.960
<v Speaker 4>little is known that that hearing was moved three times. Okay.

1163
01:24:54.600 --> 01:24:57.199
<v Speaker 4>The hearing was scheduled to be held at one place,

1164
01:24:57.880 --> 01:25:00.359
<v Speaker 4>and I went there and they said it's been moved,

1165
01:25:01.359 --> 01:25:05.960
<v Speaker 4>and so went to the other place. It's been moved. Okay.

1166
01:25:06.319 --> 01:25:08.199
<v Speaker 4>I finally went to where they had it and then

1167
01:25:08.239 --> 01:25:11.359
<v Speaker 4>they wasn't going to let me in, and they said

1168
01:25:11.800 --> 01:25:14.239
<v Speaker 4>this is only for media, and I says, well, I

1169
01:25:14.359 --> 01:25:18.319
<v Speaker 4>am edia, I'm reporting for a current affair. And their

1170
01:25:18.399 --> 01:25:22.199
<v Speaker 4>little local newspaper reporter that they knew so well, she said,

1171
01:25:22.319 --> 01:25:26.479
<v Speaker 4>she is, I've seen the story, okay, And so they

1172
01:25:26.520 --> 01:25:28.199
<v Speaker 4>had to let me in. So they let me in.

1173
01:25:29.279 --> 01:25:31.800
<v Speaker 4>So there was one of the local reporters who told

1174
01:25:31.880 --> 01:25:34.479
<v Speaker 4>me this later, and he told me he had three

1175
01:25:34.640 --> 01:25:39.000
<v Speaker 4>sources on it, and he said the reason that was

1176
01:25:39.159 --> 01:25:42.600
<v Speaker 4>moved three times, and all that was because they had

1177
01:25:42.960 --> 01:25:50.560
<v Speaker 4>word that Danny Rowling was going to break out. He

1178
01:25:50.760 --> 01:25:55.319
<v Speaker 4>was going to hold me hostage and break out, okay,

1179
01:25:56.119 --> 01:26:01.640
<v Speaker 4>And they was Shaeffer. Shaeffer told them that Shaeffer told

1180
01:26:01.720 --> 01:26:06.399
<v Speaker 4>them that, okay, But besides, that is the stupidest thing,

1181
01:26:07.079 --> 01:26:11.920
<v Speaker 4>Like you don't have metal detectors, you know, Like you

1182
01:26:12.000 --> 01:26:15.159
<v Speaker 4>don't have a whole place full of armed guards, you know.

1183
01:26:15.680 --> 01:26:18.520
<v Speaker 4>And then someone else made the joke if he was

1184
01:26:18.640 --> 01:26:21.960
<v Speaker 4>going to kidnap someone, why not Kidna's someone that someone

1185
01:26:22.119 --> 01:26:28.119
<v Speaker 4>that people cared about. Why he said, okay, but I'm

1186
01:26:28.199 --> 01:26:31.600
<v Speaker 4>just saying that's how far Shaeffer kept on and on

1187
01:26:32.439 --> 01:26:36.119
<v Speaker 4>and on. I want to tell you one more thing.

1188
01:26:37.000 --> 01:26:39.800
<v Speaker 4>Remember I told you he was transferred over there to

1189
01:26:40.000 --> 01:26:45.439
<v Speaker 4>the Belglade prison, and while he was there, he gave

1190
01:26:45.720 --> 01:26:50.319
<v Speaker 4>thought to following a guilty plead to all his murders

1191
01:26:50.600 --> 01:26:54.159
<v Speaker 4>and then he would tell me everything. And he said

1192
01:26:54.199 --> 01:26:58.000
<v Speaker 4>he I didn't want to do that less it was

1193
01:26:58.199 --> 01:27:05.560
<v Speaker 4>okay with his mom. So his mom and I came

1194
01:27:06.239 --> 01:27:12.119
<v Speaker 4>together to visit him at the prison, and I sat

1195
01:27:12.199 --> 01:27:16.920
<v Speaker 4>with them as he presented this to her and said, Mom,

1196
01:27:17.479 --> 01:27:22.359
<v Speaker 4>what if I plead guilty, would it be okay to

1197
01:27:22.479 --> 01:27:25.039
<v Speaker 4>you and everything? And she pretty much said yes, sure,

1198
01:27:25.159 --> 01:27:31.119
<v Speaker 4>I don't care, you know, And so that was what

1199
01:27:31.279 --> 01:27:33.960
<v Speaker 4>he was supposed to do. He was kind of supposed

1200
01:27:34.000 --> 01:27:39.399
<v Speaker 4>to plead guilty now because mom said it wouldn't bother her, right,

1201
01:27:40.840 --> 01:27:43.279
<v Speaker 4>But you know you have to yet to see all

1202
01:27:43.359 --> 01:27:45.840
<v Speaker 4>this stuff goes on behind the scenes. You can only

1203
01:27:45.880 --> 01:27:47.279
<v Speaker 4>put so much in one book.

1204
01:27:48.920 --> 01:27:53.880
<v Speaker 3>Yes, absolutely, Why don't you tell us about plans for

1205
01:27:56.000 --> 01:27:59.600
<v Speaker 3>new editions of not only Killer Fiction, but the book

1206
01:27:59.800 --> 01:28:06.039
<v Speaker 3>you did about Danny Rowling, tell us about the what

1207
01:28:06.239 --> 01:28:09.560
<v Speaker 3>happened to enabled you to be able to do this,

1208
01:28:09.920 --> 01:28:12.359
<v Speaker 3>tell us a little bit about us and these new ddutions.

1209
01:28:12.399 --> 01:28:17.159
<v Speaker 4>Thank you for asking, Dan. Both these books were published

1210
01:28:17.279 --> 01:28:21.439
<v Speaker 4>by Farrell House, which was slowly owned by Adam Parfrey.

1211
01:28:21.560 --> 01:28:26.800
<v Speaker 4>He died and his sister, Jessica Parfrey inherited the business.

1212
01:28:28.479 --> 01:28:34.000
<v Speaker 4>And meanwhile, Fararelhouse never did one five cents worth of

1213
01:28:34.079 --> 01:28:38.000
<v Speaker 4>promotion of any of my books or any books. Only

1214
01:28:38.079 --> 01:28:40.640
<v Speaker 4>books they promoted were books that were written by Adam,

1215
01:28:41.840 --> 01:28:44.359
<v Speaker 4>and so the books just withered on the vine, and

1216
01:28:45.479 --> 01:28:47.960
<v Speaker 4>you let him go out of print. And I had

1217
01:28:49.399 --> 01:28:52.159
<v Speaker 4>complaints about both of those books, about the way they

1218
01:28:52.199 --> 01:28:56.239
<v Speaker 4>were typeset, and they never gave me a blue line

1219
01:28:56.319 --> 01:28:59.319
<v Speaker 4>proof to examine and just run them to print. And

1220
01:28:59.319 --> 01:29:01.760
<v Speaker 4>now he said, no, oh no, no, not that this,

1221
01:29:02.039 --> 01:29:05.640
<v Speaker 4>you know, and look this okay they had Adam said, well,

1222
01:29:05.720 --> 01:29:09.119
<v Speaker 4>we'll fix it on the second run, and what they

1223
01:29:09.199 --> 01:29:11.600
<v Speaker 4>did was never did a second run and left them

1224
01:29:11.720 --> 01:29:14.359
<v Speaker 4>like that, never advertised them. A lot of people would

1225
01:29:14.359 --> 01:29:18.039
<v Speaker 4>go looking for these books, couldn't find them, even on

1226
01:29:18.119 --> 01:29:21.720
<v Speaker 4>the Faraoh House website, couldn't find them. Write to me

1227
01:29:21.840 --> 01:29:24.560
<v Speaker 4>and say where can I get these books? And I

1228
01:29:24.680 --> 01:29:27.800
<v Speaker 4>have similar letter to Pharaoh House and say, look, people

1229
01:29:27.920 --> 01:29:32.600
<v Speaker 4>can't find the books and everything's nothing. Nothing happened. So anyway,

1230
01:29:33.279 --> 01:29:36.920
<v Speaker 4>now I put through a request, a formal request, and

1231
01:29:37.039 --> 01:29:40.000
<v Speaker 4>I got the copyright back from the Making of a

1232
01:29:40.079 --> 01:29:44.079
<v Speaker 4>Serial Killer, which is the book about Danny Rowling, and

1233
01:29:44.560 --> 01:29:48.079
<v Speaker 4>so I am right up to the end of that

1234
01:29:48.319 --> 01:29:51.359
<v Speaker 4>book to put I'm going to put it out myself

1235
01:29:51.600 --> 01:29:56.600
<v Speaker 4>on Amazon and a ninety nine percent done. I just

1236
01:29:56.720 --> 01:29:58.960
<v Speaker 4>have a couple of finishing touches to put on it,

1237
01:29:59.560 --> 01:30:02.079
<v Speaker 4>and that it's going to be the second edition of

1238
01:30:02.640 --> 01:30:05.479
<v Speaker 4>the Making of a Serial Killer, which is the story

1239
01:30:05.560 --> 01:30:11.560
<v Speaker 4>of Danny Rowling. And it's pretty much like the first edition, folks,

1240
01:30:11.640 --> 01:30:15.640
<v Speaker 4>except there's a lot more illustrations, and the type setting

1241
01:30:15.760 --> 01:30:23.319
<v Speaker 4>conventions I established are now actually implemented instead of disregarded,

1242
01:30:24.439 --> 01:30:29.520
<v Speaker 4>and so it'll be better. But anyway, it'll be ready soon.

1243
01:30:29.600 --> 01:30:32.359
<v Speaker 4>And I like books I don't care about e books,

1244
01:30:33.640 --> 01:30:36.159
<v Speaker 4>So you'll be able to get an actual book of

1245
01:30:36.399 --> 01:30:40.840
<v Speaker 4>the Making of a Serial Killer really, really, really really soon,

1246
01:30:40.960 --> 01:30:45.560
<v Speaker 4>I promise. Then as soon as I get that out,

1247
01:30:46.199 --> 01:30:50.960
<v Speaker 4>we'll complete the next volume, Beyond the Killer fiction, because,

1248
01:30:51.399 --> 01:30:54.079
<v Speaker 4>like I mentioned a minute ago, you do a lot

1249
01:30:54.199 --> 01:30:56.479
<v Speaker 4>of work on a case, only so much can go

1250
01:30:56.560 --> 01:31:01.039
<v Speaker 4>on a book, and that's twice as much for Danny Rowling.

1251
01:31:01.159 --> 01:31:05.199
<v Speaker 4>I have a ton of new material on Danny Rowling,

1252
01:31:05.479 --> 01:31:10.079
<v Speaker 4>and I have it already compiled. I've already got four

1253
01:31:10.199 --> 01:31:13.880
<v Speaker 4>hundred pages, but I have two interviews I want to

1254
01:31:13.960 --> 01:31:17.439
<v Speaker 4>do to add to it, and with some more artwork,

1255
01:31:18.039 --> 01:31:21.279
<v Speaker 4>and that will kind of afterwards. It's all the covers

1256
01:31:21.439 --> 01:31:25.680
<v Speaker 4>on the verbs are done. Oh, let's say, probably eighty

1257
01:31:25.800 --> 01:31:28.720
<v Speaker 4>five percent of the text is already in dot said,

1258
01:31:29.720 --> 01:31:32.119
<v Speaker 4>and all a little bit more to do on it,

1259
01:31:32.600 --> 01:31:34.800
<v Speaker 4>So those are really going to be coming out. As

1260
01:31:34.840 --> 01:31:38.720
<v Speaker 4>soon as I can get the second edition of the

1261
01:31:38.880 --> 01:31:41.760
<v Speaker 4>Making of a Serial Killer done, I will get that out.

1262
01:31:42.399 --> 01:31:47.479
<v Speaker 4>Then I will set to work finishing up Beyond the

1263
01:31:47.640 --> 01:31:50.359
<v Speaker 4>Making of a Serial Killer and what I'd like people

1264
01:31:50.439 --> 01:31:53.199
<v Speaker 4>to do who want to be notified about this. I

1265
01:31:53.319 --> 01:31:59.199
<v Speaker 4>have a website. It's called Sondra London dot com. And

1266
01:31:59.359 --> 01:32:01.840
<v Speaker 4>on that website you can see a lot of examples

1267
01:32:01.960 --> 01:32:05.560
<v Speaker 4>of my work. You can read them, and you can

1268
01:32:05.680 --> 01:32:09.640
<v Speaker 4>send me a message on the contact and you can say,

1269
01:32:09.840 --> 01:32:12.760
<v Speaker 4>let me know when that book's coming out, and then

1270
01:32:12.800 --> 01:32:15.359
<v Speaker 4>you'll go on a list and I will let you

1271
01:32:15.439 --> 01:32:18.680
<v Speaker 4>know when that book comes out. Now, once I get

1272
01:32:18.800 --> 01:32:22.039
<v Speaker 4>those two, those those two are like, you know, they

1273
01:32:22.119 --> 01:32:27.000
<v Speaker 4>kind of like Sime. These twins. Beyond the Making of

1274
01:32:27.079 --> 01:32:30.079
<v Speaker 4>the Serial Killer picks up where the other book leaves off.

1275
01:32:31.560 --> 01:32:38.520
<v Speaker 4>So then after that we'll get to Schaeffer and you

1276
01:32:38.680 --> 01:32:42.079
<v Speaker 4>will they have a similar structure. I'm just gonna do

1277
01:32:42.479 --> 01:32:46.159
<v Speaker 4>a second edition of exactly what we have here, but

1278
01:32:46.399 --> 01:32:49.560
<v Speaker 4>with some of the jeez, I've been reading it over.

1279
01:32:49.600 --> 01:32:54.039
<v Speaker 4>There's so many type posts I can weep. But anyway,

1280
01:32:54.199 --> 01:32:56.479
<v Speaker 4>it'll just be pretty much what it is, except you

1281
01:32:56.520 --> 01:32:59.800
<v Speaker 4>can get it as a book, which is what I

1282
01:33:00.239 --> 01:33:06.279
<v Speaker 4>like books. And then after that I will continue on

1283
01:33:06.760 --> 01:33:15.159
<v Speaker 4>with Beyond Killer Fiction, which is going to contain a

1284
01:33:15.239 --> 01:33:17.039
<v Speaker 4>lot of this story I left out, like what I

1285
01:33:17.159 --> 01:33:20.560
<v Speaker 4>was telling you about the freak trade, about the white

1286
01:33:21.600 --> 01:33:24.439
<v Speaker 4>you know, when he let me just interject, you don't mind.

1287
01:33:24.479 --> 01:33:26.239
<v Speaker 4>I know we're probably running out of time. But I'm

1288
01:33:26.319 --> 01:33:30.399
<v Speaker 4>jumping back. Yes, remember when he tied up those two

1289
01:33:30.680 --> 01:33:34.640
<v Speaker 4>girls and they got away. Part of what he was

1290
01:33:34.920 --> 01:33:39.600
<v Speaker 4>doing to terrorize them, wanted to cause fear. Was telling

1291
01:33:39.720 --> 01:33:43.079
<v Speaker 4>him that they live about white slavery and he was

1292
01:33:43.239 --> 01:33:47.880
<v Speaker 4>going to put them in white slavery. And John in fact,

1293
01:33:48.119 --> 01:33:54.920
<v Speaker 4>did travel to Morocco, to five continents plus Canada, did

1294
01:33:54.920 --> 01:33:58.800
<v Speaker 4>a lot of traveling, and he kept saying had something

1295
01:33:58.880 --> 01:34:03.960
<v Speaker 4>to do with white slavery. Well, again, you know, I

1296
01:34:04.079 --> 01:34:09.279
<v Speaker 4>didn't probe, but it just seemed to be grandiose and

1297
01:34:09.439 --> 01:34:13.000
<v Speaker 4>really be on the scope of what I wanted to

1298
01:34:13.199 --> 01:34:18.119
<v Speaker 4>encourage him. And you know, I didn't want to get

1299
01:34:18.239 --> 01:34:21.439
<v Speaker 4>him off onto a wild thing when there were real,

1300
01:34:21.720 --> 01:34:24.840
<v Speaker 4>real cases here. So I've kind of let it go.

1301
01:34:25.000 --> 01:34:29.560
<v Speaker 4>But I think it's historically relevant and it would be

1302
01:34:29.680 --> 01:34:32.359
<v Speaker 4>good to have those on the public record. Those things

1303
01:34:32.399 --> 01:34:37.880
<v Speaker 4>that he said were real. I mean, he wrote them

1304
01:34:37.880 --> 01:34:41.039
<v Speaker 4>as fiction, but he also wrote me letters saying it real.

1305
01:34:42.800 --> 01:34:46.199
<v Speaker 3>Absolutely, So that stuff is going.

1306
01:34:46.119 --> 01:34:48.680
<v Speaker 4>To show up in the following volume.

1307
01:34:50.439 --> 01:34:51.840
<v Speaker 3>What would be looking forward to that?

1308
01:34:54.600 --> 01:34:56.319
<v Speaker 4>I gotta tell you, if you're the best, you know,

1309
01:34:56.479 --> 01:34:58.920
<v Speaker 4>I sent out notices to a lot of people, and

1310
01:34:59.079 --> 01:35:01.239
<v Speaker 4>they've been on your sh show and everyone wrote back

1311
01:35:01.680 --> 01:35:02.640
<v Speaker 4>how much they love you.

1312
01:35:04.359 --> 01:35:06.680
<v Speaker 3>Oh, thank you. I want to I have the best

1313
01:35:06.720 --> 01:35:08.239
<v Speaker 3>fans in the whole world, and I want to thank

1314
01:35:08.319 --> 01:35:12.359
<v Speaker 3>you and the audience for listening tonight. Thank you for

1315
01:35:12.439 --> 01:35:15.479
<v Speaker 3>coming on and talking about killer fiction stories that convicted

1316
01:35:15.560 --> 01:35:17.760
<v Speaker 3>the ex cop of murder. I want to thank you

1317
01:35:17.880 --> 01:35:21.439
<v Speaker 3>very much, Sondra London and look forward to speaking to

1318
01:35:21.479 --> 01:35:24.960
<v Speaker 3>you again real soon about the Danny Rowling case. I

1319
01:35:25.039 --> 01:35:27.640
<v Speaker 3>want you to have a great evening and thank you

1320
01:35:27.760 --> 01:35:28.319
<v Speaker 3>very much.

1321
01:35:28.800 --> 01:35:30.039
<v Speaker 4>And thank your audience.

1322
01:35:31.199 --> 01:35:41.880
<v Speaker 3>Thank you, Bye, good night, good night. Step into the

1323
01:35:42.039 --> 01:35:45.560
<v Speaker 3>world of power, loyalty and luck.

1324
01:35:45.800 --> 01:35:48.239
<v Speaker 5>I'm gonna make him an offer he can't refuse.

1325
01:35:48.279 --> 01:35:52.359
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1326
01:35:52.520 --> 01:35:55.079
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1327
01:35:55.279 --> 01:36:00.640
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1330
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1331
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