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Speaker 1: Welcome to the great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to get into this week's episode of Dragnet. I

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do want to encourage you, if you enjoy the podcast,

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to follow us using your favorite podcast software. Today's program

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is brought you in part by the financial support of

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our listeners. You can support the show on a one

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time basis by mailing a donation to Adam Graham pill

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box one pive nine one three. That's peelbox one, pive

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nine thirteen, Boise Aldahol eight three seven one five. You

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can also become one of our ongoing Patreon supporters for

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as little as two dollars per month, and we want

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to go ahead and welcome our latest Patreon supporter. Thank

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you to Angelina supporting the podcast at the Detective Sergeant

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level of seven dollars and fourteen cents or more per month.

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And I also want to thank Steve for upgrading his

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membership from the Shawmus level to the Detective Sergeant level. Again,

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thank you so much for your support. Well, now it

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is time from October fifth, nineteen fifty for the Big thirty.

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Speaker 2: Eight the story you were about to hear is true,

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only the names have been change to protect the innocent.

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You're a detective sergeant here assigned a robbery detail. A

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store clerk has been murdered, shot to death in a robbery.

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The hold up man is described as tall, well dressed.

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He escapes in a taxicab. Your job get him.

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Speaker 3: Dragnet the documented drama of an actual crime. While the

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next thirty minutes, in cooperation with the Los Angeles Police Department,

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you will travel step by step on the side of

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the law through an actual case, from official police fins,

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from beginning to end, from crime to punishment. Dragnet is

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the story of your police force in action.

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Speaker 4: Was free.

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Speaker 5: August seventeen was hot in Los Angeles. We were working

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the night Watch out of robbery detail. My partner's Ben Romero,

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the boss's captain Walker, my name is Friday. Was eight

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thirty five pm when we got to the Church of

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Saint Damian the vestibule. That must be her playing the organ. Yeah,

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I don't see any stairs. I wonder how you get up.

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Speaker 4: There to the loft. Looks like that might be the

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sect and they we're there, or let's ask.

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Speaker 5: Her excuse me, sir. Ye, we're looking for an Ernestine Matthews.

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Understand she's the organist.

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Speaker 4: Here at the church.

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Speaker 6: Oh that's her playing up there now, playing over a

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few pieces for Sunday.

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Speaker 4: Could you tell us how to get up to the

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choir lof.

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Speaker 5: Sureley through that door over there, follow the stairway straight up,

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cad Miss thank you?

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Speaker 4: Sure has been a long time. Yeah.

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Speaker 5: What's that climbing stairs to a choir saying a lot

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in church when I was a kid? Mooieprano? All right,

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can you finally throw me out? Boy's change?

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Speaker 4: Yes?

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Speaker 7: Did you want something?

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Speaker 4: Are you? And missus Ernestine Matthews? Yes?

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Speaker 7: Did you come about the new provoos?

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Speaker 4: No, ma'am Police officers, Oh.

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Speaker 7: Can I help you?

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Speaker 4: It's about your husband as Matthews brute?

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Speaker 7: What about him? Has brit done something?

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Speaker 4: He was hurt? Ma'am?

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Speaker 7: Well, I don't understand Bert's working at store. What do

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you mean he was hurt?

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Speaker 4: I was a hold of you God, my husband.

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Speaker 7: Was he hurt? Bad?

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Speaker 4: Yes, ma'am? Where is he?

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Speaker 7: I've got to go to him? Is he in pain? No,

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ma'am what are you trying to say to God? Tell

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me the truth? Which hospital is he in?

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Speaker 4: It took him to Georgia Street. They helped him all

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they could.

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Speaker 7: Not trying to tell him the BRIT's dead. Not trying

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to tell me that are you.

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Speaker 4: I'm sorry man.

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Speaker 5: In the past sixteen days, seven armed robberies had been committed,

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apparently with the same man. The suspect was described victims

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as tall, heavily built, and very nervous.

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Speaker 4: He was armed.

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Speaker 5: It's cold logic that every suspect was armed in the

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commission of a robbery is a potential killer. It's a

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fact that's been proved a hundred times over. The man

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we were after had proven it again. We'd used every

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means at our disposal to identify him, through the Stats Office,

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the Record Bureau, laden fingerprints, through informants and witnesses. We'd

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gotten not an APB on him containing his description and

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his method of operation. We'd maintained stakeouts. We hadn't reached

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him in time. Early that evening, a.

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Speaker 4: Downtown grocery store had been held up.

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Speaker 5: One of the clerks, thirty one year old Bert Matthews,

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failed to empty the cash register quickly enough, and the

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band had shot him three times through the chest. He

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died almost instantly in the hold up man escape. Was

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only one witness, another clerk who had been on duty

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in the store with Matthews at the time of the

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hold up. His name was Jess Tallman. He was brought

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to the city Hall, where we questioned him further.

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Speaker 4: Did you see Bird's wife to show him?

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Speaker 5: Yeah, we dropped off at the church on the way

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in drover to his sister's place.

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Speaker 8: Still can't get through my head. One minute I was

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talking to Burt, the next minute he was dead. It's

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kind of hard to take, you know.

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Speaker 5: I'd like to go over that description of the hold

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up man. You were pretty upset out there at the story.

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Do you feel up to it now? Yeah, I'm okay,

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all right now, you just take it ease. He tell

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us everything you remember and take all the time you need.

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Speaker 8: Well, I know he was a big guy, over six

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foot anyway, I'm sure that he had a good build too.

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Speaker 4: Wasn't skinny? How about his face? Do yes? You get

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a good look at it? Yeah? I did.

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Speaker 8: It was thin and he kept working it around, you know,

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twitching that guy who was bloody, nervous.

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Speaker 4: Can you tell us anything else about it?

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Speaker 8: He was young, about twenty one. I'd say had dark

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color eyes. That's about all I'd swear to sergeant. He

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had a hat on I know that.

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Speaker 4: How about the rest of his clothing, I wouldn't be

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sure about.

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Speaker 8: It could have been a great coat, blue coat, I

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don't know. I wouldn't want to give you a bump stare.

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Speaker 4: Did you get a look at the gun.

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Speaker 8: I couldn't miss that. It was a big one. It

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wasn't shine. He was kind of dark blue color. I

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can see the guy now walking in the store and

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pointing at it.

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Speaker 4: What time was that again, Jess? When the bandit showed up.

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Speaker 8: Just about seven thirty. Bert was behind the counter. I

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was in the back stacking the shelves. The guy just

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walked in, point of the gun, said gimme the dough.

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I heard him say that. Bert was kind of surprised.

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He just stood there for a minute and the guy said,

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hurry up, give me the door. Bert said, okay, you

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can have everything, and he reached to get the door

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from the cash register.

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Speaker 4: That's when the guy did it. He hit Bert right

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in the chest. What happened? Then? Bert moaned a little

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and fell down on the floor.

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Speaker 8: I got Samantha started running for the guy, but he

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swung around at me with a gun, said stay where

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you are. Yeah, I didn't want to get killed. I stopped.

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You can't blame me for that, can you? Did you

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follow the man when he left? Well, you see, he

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backed out of the store, and when he got to

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the sidewalk, he jammed the gun in his pocket, ran

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down the street.

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Speaker 4: I ran out after him, saw him jumping a taxi

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cab and take off. Did you get the cabs number?

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Speaker 8: Well, he was too far away for that, at least

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halfway down the block. I know somebody else must have

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been driving it, though. How do you know that the

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cabs already moving when the whole up guy jumped in

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and got front seat?

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Speaker 4: You know it was the front seat and not the back.

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Speaker 8: The way those cab doors open, you know, front doors

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swing out to the left. Back when swing out to

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the right tis end. Joe used the same memo, and

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I was hold up last week. Yeah you got anything

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else to add? Yes, anything you think we ought to know.

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Speaker 4: It's about the size of it, Sergeant. You all think

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I'm yellow, do you? Well? What do you mean?

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Speaker 3: I mean?

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Speaker 4: Because I stopped.

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Speaker 8: When he pointed the gun at me, I guess I

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should have grabbed him, but that gun looked as big

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as a cannon.

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Speaker 4: Let's face it, I'm not that much of a haircut.

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I'll put in with you. Yes, neither am I.

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Speaker 5: Along with a team of men from Homicide Detail, we

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continued our investigation of the hold up and killing. Ballistics

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reported that the slugs taken from the body of Bert

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Matthews had possibly been fired from a thirty eight caliber

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Colt revolver. The slugs were in good condition for identification.

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All the possible suspects picked from the mud books by

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the victims had been checked out.

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Speaker 4: All of them had been cleared.

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Speaker 5: Fingerprints left by the bandit at the scene of his

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latest crime were checked out.

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Speaker 4: No make.

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Speaker 5: We tried to check the taxicab used in the escape.

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We got nowhere.

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Speaker 4: The morning after the Matthew was killing, we got a.

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Speaker 5: Call from Sheriff's Homicide who went across the street and

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checked with Inspector Bowers.

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Speaker 9: Either one of you remember that case about six months ago,

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the Harry Solomon killing.

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Speaker 5: Oh yeah, I inspect here. It's pretty vague right now.

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Your men handled it at Connecky.

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Speaker 9: Yeah, let me lay it out fair. It's just possible.

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It might tie in without killing you. Phill asad last

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night and what's the angle. Harry Solomon was a taxi

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cab driver. The night of February twenty sixth somebody saw

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him pick up a fair at Sunset and Highland about

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ten thirty pm. That's the last time he was seen alive.

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Speaker 4: Yeah, I think I remember.

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Speaker 9: The next morning, we found Solomon's body in a ditch

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out in the valley. Two thirty eight slugs in his head,

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found his cab a few yards up the road.

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Speaker 4: Abandoned killer used a thirty eighth same kind of gun

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used on last night's job. Here's something else that ties in. Yeah.

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Speaker 9: A description of the passenger Solomon picked up at Sunsett

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and Hyland the night he was murdered. The last fairy

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ever handled.

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Speaker 5: White man Eric over six feet tall, heavy bills, age

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twenty twenty one, dark eyes, had a dark suit on the.

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Speaker 4: Half matches all the way down the line. You had

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a robbery motor figured on the Solomon killing, didn't you.

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That's right?

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Speaker 9: Except for a five dollar bill hidden in his wallet,

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Solomon didn't have a penny of his receipts for the night.

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Might have been another reason behind the killing.

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Speaker 4: The size set. Yeah, it's just barely possible. Solomon might

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have known the hold up man, the guy who killed it.

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How do you figure it?

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Speaker 9: Solomon had been a cabby for fourteen years before he

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was murdered from this hold up man's moo, using cabs

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for a getaway car. It's possible he might have been

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a cab driver at some time or other.

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Speaker 5: I mean, if the kell had got in a cab

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and thought Solomon recognized him was suspicious, that.

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Speaker 9: I could have been reason enough for him to kill Solomon.

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I know there's a lot of goods and if some

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maybees in it that I thought you might be.

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Speaker 4: Interested, I would check it out. First thing. How are

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your men coming on the Solomon case? Progress is pretty slow.

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Speaker 5: I We'll keep you posted on anything near forty if

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we can help. And we know, right, two sets of

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thirty eight slugs, what do you think? Let's ask the

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crime lab. We'd put in a request to RUSS Camp

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and Ballistics to check the thirty eight slugs found in

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taxi driver Solomon's body against those found in the body

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of G.

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Speaker 4: Burt Matthews. Then we contacted the special agent at the

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taxi camp company. We asked him for.

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Speaker 5: Pictures of all their drivers employed by the company during

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the past year, who were six feet and highter over.

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He told us that they'd have a file ready for us.

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The following morning, we drove back to the office and

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checked in with Russ Camp at the crime lab. He

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was examining the thirty eight slugs under the comparison line.

242
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Speaker 4: Just a few more menus fellows have a share.

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Speaker 6: Yeah, not much luck so far.

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Speaker 4: Well well, well, well that's it.

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Speaker 8: Yeah, make these slugs come from two different guns.

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Speaker 5: That night, two more armed robberies were committed, one at

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a liquor store, the other at a cafe. In both cases,

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the hold up man escaped in a taxi cab. The

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description of the man who robbed the liquor stor matched

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00:12:17,879 --> 00:12:20,120
that of the bandit who shot and killed Bert Matthews.

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Speaker 4: The big switch came when we checked the cafe hold up.

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Speaker 1: There.

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Speaker 5: The victims described the suspect as short and fat with

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dark blonde hair.

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Speaker 4: He had a deep scar on his chin.

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Speaker 5: During the robbery, this suspect had become so nervous that

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he dropped his gun, but he'd succeeded in getting outside

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and escaping in a taxi cab before it could be apprehended.

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The gun was taken back to Lake Fingerprints and checked

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was clean. Russ Camp checked it through ballistics.

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Speaker 2: Some days are like this, Fellas, what do you mean

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00:12:45,519 --> 00:12:47,679
that cab driver Solomon was shot with a thirty eight?

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Speaker 4: Yeah?

264
00:12:48,279 --> 00:12:50,320
Speaker 8: Bert Matthews was shot with a thirty eight a different

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one though it's gone the bandit dropped tonight.

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Speaker 4: It's a thirty eight too, you know, we know that.

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What are you getting it? It doesn't match either case.

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00:13:00,120 --> 00:13:02,000
Speaker 5: The next morning we started working one of the few

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leads we had left. We drove down to the taxicab

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company and collected the pictures of all the drivers that

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they employed during the past year, who were six feet

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and the hider over the eighty seven of them. We

273
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started checking them out. That's what the working detective calls legwork.

274
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It's slow and it's tedious, and you're not sure it's

275
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going to amount to anything even by the time you finished.

276
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Two nights later, the taxicab banned hit again. His first repeater,

277
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a restaurant in South figure O. He robbed the same

278
00:13:27,360 --> 00:13:30,039
place less than three weeks before. Ben and I interviewed

279
00:13:30,080 --> 00:13:32,480
the manager of mister Cavallo tell.

280
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Speaker 4: You, Sogant, I can't take any more of it.

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Speaker 5: Twice in one month, Yes, sir, could we talk back

282
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there in one of the bullets.

283
00:13:37,399 --> 00:13:41,200
Speaker 4: Oh yeah, come on, you've got a good look at

284
00:13:41,240 --> 00:13:41,480
the man.

285
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Speaker 5: Did Jimmy kavab two feet from him memorize his face

286
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from the first time.

287
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Speaker 4: It's a a joke, you know, so I have no

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00:13:47,919 --> 00:13:48,279
time for.

289
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Speaker 5: The customers, and too busy opened the cash box for

290
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that feet Yeah, shut.

291
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Speaker 4: Up, thanks man.

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Speaker 5: Well, and you're positive it's the same man who robbed

293
00:13:58,080 --> 00:14:01,159
you before, there's no question. There are non positive And

294
00:14:01,240 --> 00:14:02,759
he used the same moo too.

295
00:14:03,039 --> 00:14:06,440
Speaker 4: Yeah, sure mo, what's that? Excuse me? I mean he

296
00:14:06,519 --> 00:14:08,399
used the same approach, the same method of.

297
00:14:08,360 --> 00:14:10,759
Speaker 5: Operation, and everything was the same, the man, the gun,

298
00:14:10,759 --> 00:14:11,879
the taxi cab, everything.

299
00:14:12,159 --> 00:14:13,519
Speaker 4: You didn't get the number of the cab.

300
00:14:13,799 --> 00:14:17,679
Speaker 5: I looked for it to see any must cover it up, someway. Well,

301
00:14:17,679 --> 00:14:20,080
we've got some pictures here, mister Vallow. We'd like to

302
00:14:20,120 --> 00:14:21,519
have you a look at him. Just tell us if

303
00:14:21,559 --> 00:14:22,639
you recognize any of them.

304
00:14:22,840 --> 00:14:25,120
Speaker 4: I won't do any good. I already did that. They

305
00:14:25,159 --> 00:14:27,759
showed me pictures the last time. This is a different lot.

306
00:14:28,360 --> 00:14:32,639
Oh all right, quite a few of them.

307
00:14:32,600 --> 00:14:34,360
Speaker 5: Like to have you check each one of them carefully,

308
00:14:34,440 --> 00:14:35,720
if you would just take your time.

309
00:14:36,279 --> 00:14:39,600
Speaker 4: We can't sit here without coffee, Natalie, I would. I

310
00:14:39,600 --> 00:14:41,320
don't care for him. I don't be silly. You can't

311
00:14:41,320 --> 00:14:45,799
work without eating, Natalie. Coffee three cups? And now where

312
00:14:45,840 --> 00:14:49,559
do I start? Well? These right here? If you just

313
00:14:49,639 --> 00:14:50,639
check these over? Please?

314
00:14:51,240 --> 00:15:01,639
Speaker 10: Uh huh No not him?

315
00:14:58,080 --> 00:15:11,360
Speaker 4: U not him either? Oh, thank you, thank you? Oh

316
00:15:11,480 --> 00:15:22,200
it's hot. No, not that one? No? Is that all? No?

317
00:15:22,440 --> 00:15:23,279
I have some more here?

318
00:15:24,000 --> 00:15:24,200
Speaker 9: Yeah.

319
00:15:27,279 --> 00:15:31,320
Speaker 5: Oh hey, that's an ugly looking guy.

320
00:15:31,399 --> 00:15:33,440
Speaker 4: I don't look at that scar. You look familiar.

321
00:15:34,000 --> 00:15:37,279
Speaker 5: No, better check with his skipper when we finished year.

322
00:15:37,279 --> 00:15:38,679
I mean, it's been a couple hours in there.

323
00:15:38,840 --> 00:15:42,240
Speaker 4: That allows you, no good thief? So right here, this one.

324
00:15:42,279 --> 00:15:45,159
That's a guy you're sure? I open my cash box

325
00:15:45,159 --> 00:15:46,559
twice for might know his face in a.

326
00:15:46,480 --> 00:15:53,399
Speaker 5: Million Morris Copley, age twenty one description matches scoping.

327
00:15:54,279 --> 00:15:54,879
Speaker 4: Thanks mitches.

328
00:15:54,960 --> 00:15:57,840
Speaker 5: Well, it's only forty minutes, since the robbery's probably.

329
00:15:57,559 --> 00:15:58,320
Speaker 7: Not even home yet.

330
00:15:58,399 --> 00:16:03,919
Speaker 4: What can you do? We'll wait up ten thirty pm.

331
00:16:04,000 --> 00:16:06,840
Speaker 5: We parked down the street from five twenty seven Dayton Avenue,

332
00:16:07,039 --> 00:16:09,759
a two story white Stuccle apartment house. We checked the

333
00:16:09,840 --> 00:16:12,600
names on the mailboxes. Morris Copley's wasn't on any of them.

334
00:16:12,639 --> 00:16:14,159
We rang for the manager.

335
00:16:14,600 --> 00:16:19,279
Speaker 11: Copley, Mars Copeland. No, he doesn't live here, never heard

336
00:16:19,320 --> 00:16:19,679
of him.

337
00:16:19,759 --> 00:16:21,639
Speaker 5: I wonder if you'd take a look at this man

338
00:16:22,919 --> 00:16:23,720
this picture, ma'am.

339
00:16:24,279 --> 00:16:25,679
Speaker 4: Have you ever seen this man before?

340
00:16:26,320 --> 00:16:30,399
Speaker 11: Let me get over here in the line let me

341
00:16:30,559 --> 00:16:34,440
say no, No, it doesn't live.

342
00:16:34,320 --> 00:16:37,080
Speaker 4: Here, and you've never seen him before. No, I didn't

343
00:16:37,080 --> 00:16:39,440
say that. I just said he doesn't live here. You

344
00:16:39,559 --> 00:16:41,960
have seen him before, I believe in my time.

345
00:16:42,080 --> 00:16:45,039
Speaker 11: Yes, matter of fact, I'm sure of it. It's a

346
00:16:45,080 --> 00:16:48,399
friend of mister Tauben's apartment five comes to visit mister

347
00:16:48,440 --> 00:16:49,480
Tauben every now then?

348
00:16:49,960 --> 00:16:52,039
Speaker 4: Is this mister toubin in now man? We like to

349
00:16:52,039 --> 00:16:52,720
talk to him?

350
00:16:53,240 --> 00:16:56,720
Speaker 11: No, try not. He works nice, never comes home for

351
00:16:56,879 --> 00:17:08,920
two am. Yeah, he's a cab driver.

352
00:17:09,960 --> 00:17:13,720
Speaker 3: You are listening to dragnet authentic stories of your police

353
00:17:13,720 --> 00:17:14,400
force in action.

354
00:17:22,160 --> 00:17:25,319
Speaker 5: Ten pm, in the presence of the manager, we made

355
00:17:25,319 --> 00:17:27,240
a search of the apartment registered in the name of

356
00:17:27,319 --> 00:17:29,480
Ralph Tobin, the man who was supposed to be a

357
00:17:29,480 --> 00:17:32,400
friend of the suspect Morris Copley We found nothing that

358
00:17:32,400 --> 00:17:34,200
would tie either of them up with the robberies and

359
00:17:34,240 --> 00:17:37,319
the killings. Before the manager returned to her apartment, we

360
00:17:37,359 --> 00:17:39,400
instructed her to say nothing about our being there in

361
00:17:39,440 --> 00:17:42,440
case Tobain or Copley returned. We called the office and

362
00:17:42,480 --> 00:17:45,559
told them we'd received an identification on Morris Copley. They

363
00:17:45,640 --> 00:17:47,759
checked them both through R and I. Neither had any

364
00:17:47,759 --> 00:17:50,440
criminal record. They got on an APB on Copley.

365
00:17:51,079 --> 00:17:58,880
Speaker 4: We waited. Midnight came, nothing happened. One am.

366
00:17:59,240 --> 00:18:04,799
Speaker 5: Still no sign up. Be there, man one, somebody's coming.

367
00:18:04,920 --> 00:18:06,880
Run back your kitchen.

368
00:18:06,559 --> 00:18:14,759
Speaker 4: Door, Maury, you're back or right? Hold it right there,

369
00:18:14,839 --> 00:18:19,160
mister police officers. I'm fanny. Why is this a stick up?

370
00:18:19,200 --> 00:18:20,799
Police officers? Explain Joe?

371
00:18:21,079 --> 00:18:22,880
Speaker 6: What's it all about? What do you want you?

372
00:18:23,039 --> 00:18:23,599
Speaker 4: Ralph Tobin?

373
00:18:23,880 --> 00:18:25,240
Speaker 6: That's right. This is my apartment.

374
00:18:25,279 --> 00:18:26,359
Speaker 4: You know Morris Copley.

375
00:18:26,920 --> 00:18:29,519
Speaker 6: Copley, Yeah, I know him. You're looking for him. He's

376
00:18:29,559 --> 00:18:31,680
not here, We know that. Where is he? I wish?

377
00:18:31,720 --> 00:18:31,880
Speaker 7: I know?

378
00:18:32,000 --> 00:18:33,759
Speaker 6: I'm looking for him too. He owes me money.

379
00:18:34,160 --> 00:18:36,200
Speaker 4: Hopefully he's a pretty steady visitor. Here's that right?

380
00:18:36,480 --> 00:18:38,559
Speaker 8: He was till I let him at sixty five dollars.

381
00:18:38,759 --> 00:18:40,400
I haven't seen him since he took off.

382
00:18:40,640 --> 00:18:43,680
Speaker 4: When was that? When? About two weeks ago?

383
00:18:44,160 --> 00:18:44,359
Speaker 9: Yeah?

384
00:18:44,519 --> 00:18:47,119
Speaker 6: Just about Look you mind if I sit down, I'm

385
00:18:47,119 --> 00:18:47,799
a little nervous.

386
00:18:47,960 --> 00:18:52,119
Speaker 4: Go ahead kind of upsets you. You know, why are

387
00:18:52,119 --> 00:18:52,920
you looking for Mauric?

388
00:18:53,599 --> 00:18:55,160
Speaker 5: Like to have you repeat what you said when you

389
00:18:55,200 --> 00:18:58,440
came in that door? What I said as to your

390
00:18:58,440 --> 00:19:01,240
word and you know, I mean before that said, I

391
00:19:01,319 --> 00:19:03,079
don't think I know what you're getting that officer.

392
00:19:03,079 --> 00:19:05,480
Speaker 4: You said, Maury, you're back already? What you said?

393
00:19:06,119 --> 00:19:07,000
Speaker 6: Yeah, I guess I did.

394
00:19:07,039 --> 00:19:09,039
Speaker 8: I guess I thought Maury came back to pay me

395
00:19:09,079 --> 00:19:10,200
the sixty five he borrowed.

396
00:19:10,480 --> 00:19:12,440
Speaker 5: You didn't make it sound like keptob And I've got

397
00:19:12,440 --> 00:19:13,200
the idea.

398
00:19:12,920 --> 00:19:16,400
Speaker 8: You were expecting expecting him. I haven't seen more in

399
00:19:16,440 --> 00:19:19,240
two weeks, maybe three. It took me for sixty five hours. Right,

400
00:19:19,279 --> 00:19:21,680
that's enough small talk. Mister Copley's in deep. You're gonna

401
00:19:21,680 --> 00:19:23,480
match him if we don't get a straight story. Some

402
00:19:23,799 --> 00:19:26,039
cans of beer in the refrigerator. Let's have one around.

403
00:19:26,160 --> 00:19:27,519
Speaker 4: Get the beer. Where's Copley?

404
00:19:27,839 --> 00:19:29,519
Speaker 6: I'll swear in the Bible if you want me to.

405
00:19:29,640 --> 00:19:30,119
Speaker 4: I don't know.

406
00:19:31,119 --> 00:19:33,720
Speaker 6: Look, if Maury pull anything heavy, I'm not in on it, Ben.

407
00:19:33,640 --> 00:19:35,319
Speaker 5: You want to check with the manager. Ask her when's

408
00:19:35,319 --> 00:19:36,680
the last time she saw Copley here?

409
00:19:36,759 --> 00:19:36,920
Speaker 6: Yeah?

410
00:19:37,000 --> 00:19:41,079
Speaker 8: Right now, Wait a minute, officers, I want to cooperate.

411
00:19:42,319 --> 00:19:45,119
Maury's in deep. That's his fault, not mine. That's right,

412
00:19:45,200 --> 00:19:46,559
isn't it. I'm right nowhere is he?

413
00:19:47,200 --> 00:19:50,079
Speaker 6: I don't know. That's the truth. I'll tell you something else.

414
00:19:50,480 --> 00:19:51,400
I wasn't squaring.

415
00:19:51,440 --> 00:19:54,559
Speaker 8: I saw Maury early tonight six o'clock, came here and

416
00:19:54,559 --> 00:19:55,759
borrowed another five from him.

417
00:19:55,759 --> 00:19:56,839
Speaker 4: But you don't know where he is now?

418
00:19:56,960 --> 00:19:59,759
Speaker 6: No, said sure? Like a can of beer?

419
00:19:59,759 --> 00:20:01,200
Speaker 5: If you I don't know, I sit still, I'll get

420
00:20:01,240 --> 00:20:02,640
it for you.

421
00:20:02,640 --> 00:20:03,799
Speaker 6: You sure you won't have one?

422
00:20:04,079 --> 00:20:04,240
Speaker 1: No?

423
00:20:04,319 --> 00:20:09,599
Speaker 4: Not me? No thanks, I don't want to. There you go,

424
00:20:10,400 --> 00:20:11,279
good cold beer.

425
00:20:13,839 --> 00:20:17,160
Speaker 6: I like it when I get nervous.

426
00:20:17,160 --> 00:20:24,640
Speaker 5: Always calms me down, say Tobin, Yeah, sorry, you haven't

427
00:20:24,640 --> 00:20:25,480
taken your hat off.

428
00:20:25,799 --> 00:20:28,359
Speaker 6: Oh I was nervous. I guess I forgot.

429
00:20:30,400 --> 00:20:33,480
Speaker 4: Your hair always been dark blond since I was a kid. Yeah,

430
00:20:33,519 --> 00:20:35,920
why how about that scar in your chin? It's a

431
00:20:35,920 --> 00:20:38,640
pretty deep one? Beer?

432
00:20:38,720 --> 00:20:39,200
Speaker 6: Sure good?

433
00:20:39,319 --> 00:20:42,920
Speaker 8: I asked you about the scar. It's kind of embarrassing.

434
00:20:42,960 --> 00:20:44,599
I got a little high one and I fell off

435
00:20:44,640 --> 00:20:48,359
a Merry Garron big night. Now, I've heard everything.

436
00:20:48,400 --> 00:20:50,359
Speaker 5: I had a robbery report a couple of nights ago, Tobin,

437
00:20:50,519 --> 00:20:52,200
hold up, man was just about your height and weight?

438
00:20:52,519 --> 00:20:55,119
Speaker 4: Yeah, dark blonde hair, had a scar on his chin too.

439
00:20:55,240 --> 00:20:55,799
I'm afraid you.

440
00:20:55,839 --> 00:20:58,000
Speaker 8: Got a wrong slant, Officer. I work my cab every

441
00:20:58,079 --> 00:21:00,400
night of the week, wasn't me? And if we have

442
00:21:00,440 --> 00:21:01,279
a look at your cars?

443
00:21:01,920 --> 00:21:02,920
Speaker 6: How'd you know I had a car?

444
00:21:03,119 --> 00:21:05,200
Speaker 4: We didn't misgive it a look, Shelley. Why do you

445
00:21:05,240 --> 00:21:06,599
want to look at it? Do you have anything to

446
00:21:06,680 --> 00:21:07,680
hide at it? Of course not.

447
00:21:07,839 --> 00:21:09,240
Speaker 6: And then like Maury's.

448
00:21:08,839 --> 00:21:13,000
Speaker 8: Oz in trouble oz on the lamb, you probably think

449
00:21:13,039 --> 00:21:15,640
it's funny when you checked the glove compartment my car.

450
00:21:15,720 --> 00:21:18,720
Will we yeah, he will? Why is that keep a

451
00:21:18,759 --> 00:21:21,359
gun in there? You know how many camp drivers get shy.

452
00:21:21,440 --> 00:21:22,680
A guy can't be too careful.

453
00:21:22,680 --> 00:21:24,000
Speaker 4: What kind of gun you have, Tobin?

454
00:21:24,119 --> 00:21:24,559
Speaker 8: Revolver?

455
00:21:24,720 --> 00:21:31,079
Speaker 4: Regular revolver? What caliber? Here? He ate? Why? Two thirty am.

456
00:21:31,279 --> 00:21:33,839
Speaker 5: We searched his car, picked up his thirty eight caliber Revolver,

457
00:21:33,880 --> 00:21:35,799
and then we drove Ralph Tobin back to the office

458
00:21:35,839 --> 00:21:37,279
where he was detained for questioning.

459
00:21:37,960 --> 00:21:39,720
Speaker 4: We had a stakeout placed in his apartment.

460
00:21:40,160 --> 00:21:42,920
Speaker 5: Russ Camp and Ballistics checked Tobin's gun against the slugs

461
00:21:42,920 --> 00:21:45,519
which had taken the lives of Harry Solomon and Bert Matthews.

462
00:21:46,000 --> 00:21:47,839
Was found beyond the question of a doubt that his

463
00:21:47,880 --> 00:21:50,799
gun had been used in the Solomon killing. We confronted

464
00:21:50,799 --> 00:21:53,839
Tobin with the evidence. He started talking. He told us

465
00:21:53,839 --> 00:21:56,319
that Copley was responsible for the murder of both Solomon

466
00:21:56,319 --> 00:21:58,279
and Matthews, that Copley had borrowed.

467
00:21:58,000 --> 00:21:59,400
Speaker 4: His gun for the Solomon job.

468
00:22:00,079 --> 00:22:02,440
Speaker 5: In all the robberies except one, he described himself only

469
00:22:02,440 --> 00:22:05,359
as the accomplice. He drove the getaway taxi cab. The

470
00:22:05,440 --> 00:22:07,559
only occasion he tried to handle the actual hold up

471
00:22:07,640 --> 00:22:09,519
was at the cafe, where he became so nervous that he.

472
00:22:09,519 --> 00:22:10,359
Speaker 4: Had dropped his gun.

473
00:22:11,160 --> 00:22:13,480
Speaker 5: Before he was booked on suspicion of murder, Tobin told

474
00:22:13,559 --> 00:22:16,240
us that Morris Copley still had two thirty eight revolvers

475
00:22:16,240 --> 00:22:16,960
in his possession.

476
00:22:17,319 --> 00:22:20,359
Speaker 4: He insisted he had no idea where Copley was. Ben

477
00:22:20,400 --> 00:22:20,880
handled the.

478
00:22:20,839 --> 00:22:24,359
Speaker 5: Questioning while a stenographer took Tobin's statement. I contacted Inspector

479
00:22:24,359 --> 00:22:26,240
Bowers and informed them of our progress.

480
00:22:26,640 --> 00:22:32,480
Speaker 4: Eleven am. I got back to the squad room.

481
00:22:32,519 --> 00:22:34,759
Speaker 5: All right, to check back through that personnel record we

482
00:22:34,799 --> 00:22:37,319
got from the cab company. Yeah, I got half an idea.

483
00:22:37,359 --> 00:22:40,839
I think you know, see here on Copley's application for

484
00:22:40,920 --> 00:22:41,279
the job.

485
00:22:42,240 --> 00:22:44,319
Speaker 4: I'm sure we checked out all those references. They didn't

486
00:22:44,359 --> 00:22:46,519
go anywhere. No, I mean that's right here, all right?

487
00:22:46,599 --> 00:22:50,759
Speaker 5: Yes, children one daughter aged four months when his application

488
00:22:50,880 --> 00:22:54,319
dated May sixth. That means his baby was born in Babruary.

489
00:22:54,359 --> 00:22:56,839
I'm sure Copley was working here then, so it's ten

490
00:22:56,880 --> 00:22:58,640
to one the baby was born in the local hospital.

491
00:22:58,720 --> 00:23:00,359
But I mean, if we find the right hot hospital

492
00:23:00,359 --> 00:23:03,799
of the doctor they did lead us to him.

493
00:23:03,880 --> 00:23:09,000
Speaker 4: There's the phone book. Let's go from noon until four pm.

494
00:23:09,039 --> 00:23:12,039
Speaker 5: We called every hospital, sanitarium, clinic, and rest home listed

495
00:23:12,039 --> 00:23:14,160
in the book. The answers were the same. No record

496
00:23:14,200 --> 00:23:16,240
of confinement for a Missus Morris Copley.

497
00:23:17,440 --> 00:23:20,880
Speaker 4: H It seemed like a good idea. How you's going now,

498
00:23:20,920 --> 00:23:22,720
we've got one more in the county hospital.

499
00:23:27,319 --> 00:23:30,799
Speaker 5: Well, this is Sergeant Friday, Police Department Robbery Detail. Yes,

500
00:23:31,160 --> 00:23:32,720
I'd like to find out if you have any record

501
00:23:32,720 --> 00:23:36,839
of confinement for a Missus Morris Copley. No, it's Copley,

502
00:23:36,880 --> 00:23:38,759
SA isn't Charlie, Yes.

503
00:23:38,680 --> 00:23:40,599
Speaker 4: Thank you. You might have sent his wife out of

504
00:23:40,640 --> 00:23:41,480
town to have them baby.

505
00:23:41,559 --> 00:23:47,640
Speaker 5: That's possible. Yeah, h eleven eighteen, thank you. Eleven eighteen

506
00:23:47,759 --> 00:23:48,880
Rochester Copley's aunt.

507
00:23:49,119 --> 00:23:53,759
Speaker 4: Let's go. Four thirty pm.

508
00:23:53,880 --> 00:23:56,599
Speaker 5: Together with Olsen and Thaxter from Homicide Detail, we drove

509
00:23:56,640 --> 00:24:00,599
out to eleven eighteen Rochester Avenue in the Prenshaw District, vacant.

510
00:24:00,960 --> 00:24:03,200
Speaker 4: From a neighbor we learned that Kopley's aunt had moved

511
00:24:03,240 --> 00:24:04,039
two weeks before.

512
00:24:04,319 --> 00:24:06,119
Speaker 5: We got her address from one of her friends in

513
00:24:06,160 --> 00:24:08,160
the neighborhood, and finally located her at work in a

514
00:24:08,200 --> 00:24:12,240
beauty shop on Melrose Avenue. We posed as traffic investigators.

515
00:24:12,519 --> 00:24:14,119
The aunt told us she thought we could find her

516
00:24:14,160 --> 00:24:17,920
nephew Morris at home and address on East thirteenth Street.

517
00:24:17,960 --> 00:24:18,599
Speaker 4: Six pm.

518
00:24:18,799 --> 00:24:20,960
Speaker 5: We located the house and parked the cars at half

519
00:24:21,000 --> 00:24:23,599
a block away. As we approached the house on foot,

520
00:24:23,599 --> 00:24:25,200
we saw a light burning in one of the windows

521
00:24:25,200 --> 00:24:27,720
on the left side of the house. Thaxter and Olsen

522
00:24:27,759 --> 00:24:30,240
covered the back At a given signal, we entered the

523
00:24:30,279 --> 00:24:31,640
back door, Ben and I went.

524
00:24:31,559 --> 00:24:39,839
Speaker 4: Through the front. It's empty, well fatter I here at happy.

525
00:24:40,440 --> 00:24:40,920
That's great.

526
00:24:40,960 --> 00:24:42,880
Speaker 5: It looks like somebody passed him a tip off just

527
00:24:42,960 --> 00:24:45,920
in time. We've become messis places in here.

528
00:24:46,359 --> 00:24:49,119
Speaker 4: We got out in a hurry. Hey, what's going on here?

529
00:24:49,200 --> 00:24:50,839
Few men think you're doing police office?

530
00:24:50,920 --> 00:24:51,400
Speaker 6: Is your name?

531
00:24:52,079 --> 00:24:54,119
Speaker 4: Silvera? One of the neighbors. Are you looking for the

532
00:24:54,200 --> 00:24:57,000
Copley's when they leave twenty minutes ago? I guess, in

533
00:24:57,000 --> 00:24:59,200
an awful hurry. What's the trouble? You know where they

534
00:24:59,240 --> 00:25:02,359
were going? No, but you might try mister Kopley's ant.

535
00:25:02,440 --> 00:25:04,960
She lives over in Rochester. They're not there. Well, if

536
00:25:04,960 --> 00:25:06,079
you tried his sister's house.

537
00:25:08,839 --> 00:25:11,799
Speaker 5: Six forty five pm, the neighbors Silvera directed us to

538
00:25:11,839 --> 00:25:14,880
the home of Morris Copley's sister, a small framed cottage

539
00:25:14,880 --> 00:25:17,039
on the edge of Beverly Hills. The lights were on

540
00:25:17,079 --> 00:25:19,880
in the living room, but the shades were drawn. Thaxter

541
00:25:19,960 --> 00:25:20,880
and Olsen made their.

542
00:25:20,720 --> 00:25:22,400
Speaker 4: Way quietly around to the back ben and I went

543
00:25:22,440 --> 00:25:23,759
up the front steps and rang the bell.

544
00:25:32,440 --> 00:25:35,880
Speaker 5: Yes, what do you want you, miss Copley?

545
00:25:35,960 --> 00:25:37,039
Speaker 7: Yes, what is it?

546
00:25:37,160 --> 00:25:38,799
Speaker 4: Police officers, ma'am? I'm sorry.

547
00:25:38,920 --> 00:25:40,880
Speaker 7: Oh, he isn't here, Moore, he isn't here.

548
00:25:40,920 --> 00:25:43,000
Speaker 4: We know he's here. Living room's empty. Must be in

549
00:25:43,000 --> 00:25:43,480
the bad year.

550
00:25:43,640 --> 00:25:44,039
Speaker 6: You can't.

551
00:25:45,240 --> 00:25:46,960
Speaker 7: She's in the bedroom of the baby. He's got a gun.

552
00:25:47,000 --> 00:25:47,680
You can't go in there.

553
00:25:47,680 --> 00:25:48,359
Speaker 4: Where's the bedrooms?

554
00:25:48,839 --> 00:25:50,119
Speaker 7: See into the hall at that door.

555
00:25:51,039 --> 00:25:51,720
Speaker 4: He wasn't sleeping.

556
00:25:51,759 --> 00:25:52,759
Speaker 7: I think he's awake now.

557
00:25:52,920 --> 00:25:54,160
Speaker 4: The baby close to him have.

558
00:25:54,240 --> 00:25:56,480
Speaker 7: The same beds propped up on cools right next to it.

559
00:25:56,960 --> 00:25:58,480
He's got that gun with him. Don't go in and

560
00:25:58,559 --> 00:25:58,880
cleat it.

561
00:25:59,119 --> 00:26:00,839
Speaker 4: Where's the bed sit you waiting in the room.

562
00:26:00,880 --> 00:26:03,720
Speaker 11: It's right inside the door the let please don't go in,

563
00:26:03,759 --> 00:26:05,759
and she won't care what happens to the baby.

564
00:26:05,880 --> 00:26:08,079
Speaker 4: Man, I'll open the door. You hit the light switch

565
00:26:08,119 --> 00:26:10,599
and cover me. What the baby? You might just stays

566
00:26:10,599 --> 00:26:18,759
go for your baby, won't get her. Let's go, all right,

567
00:26:18,880 --> 00:26:23,839
that's going robot the gun?

568
00:26:23,880 --> 00:26:27,839
Speaker 5: Bet all right, I got it, Joe, all right, go

569
00:26:28,000 --> 00:26:28,319
to get.

570
00:26:28,279 --> 00:26:29,240
Speaker 4: Him up, Come on up.

571
00:26:30,200 --> 00:26:34,079
Speaker 5: Yeah, yeah, just a little frightened, ma'am.

572
00:26:34,160 --> 00:26:35,759
Speaker 4: She's all right. I kill your baby.

573
00:26:36,000 --> 00:26:39,200
Speaker 8: You tell him where to find this didn't job kill you,

574
00:26:39,799 --> 00:26:40,559
lousy damn.

575
00:26:40,640 --> 00:26:41,440
Speaker 4: Nobody else knows.

576
00:26:41,480 --> 00:26:42,799
Speaker 6: She's the one who told you didn't.

577
00:26:43,759 --> 00:26:45,839
Speaker 4: And who did who told you? You're looking at her?

578
00:26:46,000 --> 00:26:51,319
What do you mean your baby?

579
00:26:54,920 --> 00:26:58,480
Speaker 2: The story you've just heard was true, only the names

580
00:26:58,519 --> 00:26:59,920
were changed to protect the you know.

581
00:27:00,680 --> 00:27:03,480
Speaker 3: On December sixteenth, trial was held in Superior Court, City

582
00:27:03,519 --> 00:27:05,680
and County of Los Angeles, State of California. In a

583
00:27:05,680 --> 00:27:07,319
moment the results of that trial.

584
00:27:07,759 --> 00:27:10,920
Speaker 4: And now here is our star, Jack Webb, thank you.

585
00:27:11,480 --> 00:27:13,640
Speaker 5: The working detective knows that there is one mark of

586
00:27:13,680 --> 00:27:17,680
identification that never changes a man's fingerprints. The suspect may

587
00:27:17,759 --> 00:27:20,279
change his appearance in many ways, but his fingerprints always

588
00:27:20,319 --> 00:27:23,559
remain the same, a mark of identity that cannot be changed.

589
00:27:31,599 --> 00:27:34,119
Speaker 3: Maurice John Copley and Ralph Edward Tiburn were tried and

590
00:27:34,160 --> 00:27:36,599
convicted of murder in the first degree, two counts. They

591
00:27:36,599 --> 00:27:38,920
were both sentenced to be executed in the lethal gas

592
00:27:39,000 --> 00:27:45,119
chamber of the State Penitentiary San Quentin, California. You have

593
00:27:45,279 --> 00:27:48,440
just heard Dragnet, a series of authentic cases from official files.

594
00:27:48,480 --> 00:27:50,880
Technical advice comes from the Office of Chief of Police

595
00:27:50,920 --> 00:27:53,039
wh Parker, Los Angeles Police Department.

596
00:27:53,400 --> 00:27:56,079
Speaker 2: Coming up, we the people tomorrow enjoy the Life of

597
00:27:56,160 --> 00:27:57,799
Riley on NBC.

598
00:28:04,359 --> 00:28:08,640
Speaker 1: Welcome Back. I like the line where Friday reassured the

599
00:28:08,680 --> 00:28:12,519
surviving clerk who was concerned he should have been braver.

600
00:28:13,400 --> 00:28:17,680
I think in particular, men will have this expectation of

601
00:28:17,759 --> 00:28:23,279
themselves that they should take some heroic measures when dealing

602
00:28:23,359 --> 00:28:26,839
with someone with a gun, and doubtless, on top of

603
00:28:26,880 --> 00:28:31,000
that general expectation, this guy was probably dealing with what

604
00:28:31,039 --> 00:28:34,920
we call survivor's guilt. Friday makes it clear that he

605
00:28:34,960 --> 00:28:39,559
wouldn't have tried anything, which is not only reassuring, but

606
00:28:39,680 --> 00:28:43,200
also reflects the preference of law enforcement in general on

607
00:28:43,680 --> 00:28:49,440
unarmed citizens dealing with dangerous individuals. I think the juxtaposition

608
00:28:49,759 --> 00:28:53,039
of the big pair in this episode in the schedule

609
00:28:53,279 --> 00:28:57,759
is an interesting contrast. In the Big Pair or sympathetic

610
00:28:57,839 --> 00:29:03,279
grandfather and granddaughter were burgled because of no neighbors knowing

611
00:29:03,960 --> 00:29:06,640
that they were away or what exactly was going on.

612
00:29:06,759 --> 00:29:11,599
In today's episode, a criminal is captured in part because

613
00:29:11,640 --> 00:29:14,680
the police had a neighbor who knew all of its business.

614
00:29:15,319 --> 00:29:18,799
This forms the idea that neighbors and community are blessing

615
00:29:18,839 --> 00:29:21,440
to the law abiding but a curse to the criminals.

616
00:29:21,759 --> 00:29:24,799
Not sure it was intended, but it struck me that way.

617
00:29:25,079 --> 00:29:28,000
Now it's time to thank our Patreon supporter of the day,

618
00:29:28,039 --> 00:29:30,839
and I want to thank Maggie. Maggie has been one

619
00:29:30,839 --> 00:29:35,519
of our Patreon supporters since January twenty eighteen, currently supporting

620
00:29:35,519 --> 00:29:39,000
the podcast at the shamous level of four dollars or

621
00:29:39,000 --> 00:29:42,559
more per month. Thank you so much for your support, Maggie,

622
00:29:42,799 --> 00:29:45,599
and that will actually do it for today. If you're

623
00:29:45,720 --> 00:29:50,559
enjoying the podcast, please follow us using your favorite podcast software.

624
00:29:51,039 --> 00:29:54,079
And if you're enjoying the podcast on YouTube, be sure

625
00:29:54,119 --> 00:29:57,200
to lock the video, subscribe to the channel, and mark

626
00:29:57,279 --> 00:30:01,559
the notification bell. We'll be back now Saturday with another

627
00:30:01,920 --> 00:30:06,920
episode of Dragnet. Coming up. Tomorrow, we'll have our Sunday

628
00:30:07,039 --> 00:30:10,880
encore and it'll be Thanksgiving themed. But then we will

629
00:30:10,920 --> 00:30:15,519
resume your regular great Detectives of Old time radio line

630
00:30:15,640 --> 00:30:18,039
up with the adventures of the fall can Wear.

631
00:30:18,920 --> 00:30:20,880
Speaker 6: Do you ever hear of the character named Lippy Mayo?

632
00:30:21,640 --> 00:30:22,920
Speaker 4: Do you mean you're related to Lippy?

633
00:30:23,279 --> 00:30:26,519
Speaker 12: Only have my father and mother's son. I see you

634
00:30:26,599 --> 00:30:30,559
ever run across him? Well, it's all right, Mike. I

635
00:30:30,599 --> 00:30:33,200
can understand why no one would be overly fond of Lippy.

636
00:30:33,680 --> 00:30:35,839
As a matter of fact, I'm not too crazy about myself.

637
00:30:36,839 --> 00:30:38,599
You know he was shot tonight, Yeah.

638
00:30:38,480 --> 00:30:39,400
Speaker 4: So I heard. How is he?

639
00:30:39,960 --> 00:30:43,000
Speaker 12: Jax says he'll pull through, but he'll be paralyzed for life.

640
00:30:43,480 --> 00:30:48,480
So then you wouldn't happen to know who was responsible. No,

641
00:30:48,559 --> 00:30:50,400
I wouldn't please you to find Anthony.

642
00:30:51,720 --> 00:30:53,160
Speaker 4: I don't think i'd care to. Steve.

643
00:30:54,000 --> 00:30:55,039
Speaker 6: Suppose I put it on a.

644
00:30:54,960 --> 00:30:57,839
Speaker 12: Professional basis, as a private detective at your usual feet,

645
00:30:58,119 --> 00:31:00,720
I still wouldn't be interested in well, as a job

646
00:31:00,759 --> 00:31:04,400
for the police. And secondly, well, secondly, I think I

647
00:31:04,440 --> 00:31:06,720
got an idea what you have in mind, and you

648
00:31:06,799 --> 00:31:10,559
don't approve. Nope, not a bit, okay, friends of our feelings,

649
00:31:10,759 --> 00:31:12,960
I suppose there are other ways of finding out.

650
00:31:12,759 --> 00:31:13,240
Speaker 4: Listen to me.

651
00:31:13,519 --> 00:31:15,960
Speaker 12: Sorry, Mike, I haven't time, a lot of work to do.

652
00:31:16,240 --> 00:31:18,799
Speaker 1: I hope you'll be with us then in the meantime,

653
00:31:19,039 --> 00:31:25,160
send your comments to Box thirteen at Greatdetectives dot net,

654
00:31:25,599 --> 00:31:29,240
follow us on Twitter at Radio Detectives, and check us

655
00:31:29,279 --> 00:31:34,799
out on Instagram, Instagram, dot com slash Great Detectives from

656
00:31:35,000 --> 00:31:39,160
Boise Atahol. This is your host, Adam Graham signing off.

