Speaker 1: Valmont. The Black Raven Chronicles written by Jonathan Miller, produced
at FBL Studios in Charleston, South Carolina. Original compositions by
Paul Flowers.
Speaker 2: All Right, load up, let's do this thing. What is
she doing?
Speaker 3: Kitty is just trying to show you she likes.
Speaker 2: You, Daniel, Grab Kitty. I'm driving and I don't have
time to flirt with a cat.
Speaker 4: It's me. Let me talk to the doctor. I have
guys on him. They just left Elmont's warehouse. If you
want this done, I'm gonna need have the payment now
before they get too far away. Excellent. Tell whoever you're
doing this for that target is as good as Greece.
I'll send verification for the rest of my payment in
a few minutes. Get off me. Hey, let go. You
know who my cousin is.
Speaker 5: He's here.
Speaker 6: Welcome up.
Speaker 4: Way, God, what the hell? Let me go? Do you
know who I am? You fucks are dead? Chuckles is
my cousin. When you hear about this, you're fucking dead.
I hope Frank tells you a part bullying.
Speaker 7: Ah.
Speaker 6: I can hand that they had some one apart.
Speaker 8: Sad Light and family warehouse.
Speaker 7: And here's the proof of family people.
Speaker 4: Say, Frank, what the hell is this? I'm Chuckle's family.
Do you really think he's gonna let your hawk looking
as us get away with this?
Speaker 6: Yo, It's funny you use the word family after you
doing what's done cause and that's it.
Speaker 4: I don't understand why you got me here like this.
We is blood, we grew up together. This isn't how
you treat family.
Speaker 6: Your mama on Jerome, she said to me, Leslee, Jerome
doesnet got itself in a heap of trouble. Please gonna
help me, she said, I know you can help him
make a name for herself. I told her, I said, Auntie,
don't you worry none. Me and Frank are on the way.
Speaker 7: We drove out the minute or not. Both.
Speaker 6: Aunta called me, told me you was in trouble, and
I come running because that's what family.
Speaker 4: Do, and that's what family does.
Speaker 6: Both sets you up with a place, got you some
good work, a nice car, new clothes. When fellas from
the VYU they call looking, I paid to make sure
they learn a little elsewhere, and this is how you
repay me.
Speaker 4: Listen, I was just doing some sidework, just a little
wet work. Get Honestly, I ain't done nothing to betray you.
Speaker 6: You ain't gone none to betray Who was his target? Cousin,
Who was you gonna kill?
Speaker 9: You tell me that just that Valma, that's it, just
that Valma, just that wellma, oh well, the mout work
for me, all mam elam my brother, he the one
I had helped clean up your last mess.
Speaker 4: Cuz you're gonna pick that guy over me. We blood leslie.
My mama trusted you.
Speaker 6: Not trusted yourser wrong. Now I had to call your
mom and tell her what happens to you. Tell her
how you took a job from my rival and walk
into a track. She is still crying and wailing when
I hung up right there in that car.
Speaker 4: Listen, this ain't funny you talking grizzy. You told my
mama something happened to means you can't do this. We family.
Speaker 6: Cousin right hand me, my cigar cutter.
Speaker 7: You go both.
Speaker 6: Now, you take a shoe off and hold his foot.
Speaker 4: Lest they come on. Now, this this ain't funny, cousin,
This ain't funny.
Speaker 6: No, this ain't funny as or wrong. You went after
a Fred our mom, he let my brother in the city.
Everybody know a Fred our mom work for shockers. Everybody
know that. Now I want to name Darron. You tell
me who you turn on your family for.
Speaker 4: Listen, please, you wan't God do this?
Speaker 6: Wait? Wait, wait the names Jerome. Now. Oh, I'm gonna
make your suffering for a long time, and you know
I can do it.
Speaker 10: Okay, okay, cousin please. He said his name was doctor
Phil Simmons. He worked with Slam, a pharmaceutical out there
by the yard. He said he was authorized to pay me.
Speaker 4: To eliminate Velmot, but not not to hurt the girl.
Speaker 6: He don't want the girl heard why he said that.
Speaker 4: He didn't tell me that I'm swearing. He didn't tell me.
Speaker 6: How must he say? He gonna pay you.
Speaker 4: Half a million? Cousin, He underset me half. That's a
lot of money. I can give you half of it
and bid you back your dyness to mean, leslie.
Speaker 6: That's a million. He would have to afraid of al
Man for half a million. I would spend ten times
as much to kill anyone trying to kill our mom.
He made me more than three times at much at least.
And he ain't no rat, He ain't your blood bod.
It don't make you fan llyalt to make your family, trust,
make your family, dedication, make your family and you, Jerome,
you don't got none of those. So I'm done with you.
Speaker 7: What do you mean?
Speaker 4: Done? Are you? You let me go? Because what are
you gonna do?
Speaker 6: Oh? I'm just gonna let everyone in a pen know
that a rat is on his way. You made your
mama so disappointed as you am Black, You're all yours.
I assume you have your empty Yes.
Speaker 7: That will definitely guarantee he goes away for a long,
long time, far away from here. Agent.
Speaker 4: Wait, Leslie, what's going on? Lizzie? You can't do this
to me. I'm gonna think about I'm gonna tell my mama.
Speaker 6: Let's go. Frank, we done, wouldn't need to be done now.
I just want to enjoy my head. Should we check
on a Fred? No, Frank, we let a Fred do
what he does. I'll embeled myself in front of him later,
I believe my carephones.
Speaker 11: Hurry up and get the hard drives out of those computers.
There can be no sign we were here.
Speaker 1: Doctor, we haven't received the asset yet. Do you just
leave it and remove all the equipment?
Speaker 11: Yes, and hurry get that last truck out quickly. I
doubt killing that mercenary will slow the wolves from finding
this place. We must be out of here soon.
Speaker 12: Doctor soon for you, sir.
Speaker 11: It's him quite right, excellent, This is doctor Simmons. Yes,
of course, Just please be quick about it. My assocists
don't have time to wait. The fund should be there now.
Speaker 8: Yes.
Speaker 11: Fine, I'll be waiting you too. Careful with those chemicals.
If they were to combine, it could kill you all.
Speaker 1: We've just gotten word from our man downtown.
Speaker 12: Doctor Johnson is on the move.
Speaker 2: Excellent.
Speaker 11: I'll head that way now. Finish up here and make
sure no trace of our operation is left. There'll be
hell to pay if you mess this up.
Speaker 1: Yes, sir, Doctor Simmons.
Speaker 6: Sarah, can you take instance off now?
Speaker 7: It's really hard to drive away this.
Speaker 5: Yeah. We're far away from them by now. Damn. Agent
Black has access to some interesting toys. Remind me to
stay his friend.
Speaker 8: Honestly, I quite enjoyed helping him and Chuckles with that.
But why did we need these fucking things? Jerome Simon
doesn't even know.
Speaker 5: Us, because I didn't want Chuckles thinking we were on
the same team. When this is over, it's business as
usual turn here?
Speaker 8: Is there even business as usual quote unquote after this one?
I mean, either we're stuck in Special Division with Agent
Black dealing with all of this fucking shit, or we
go back to missing persons knowing the whole time this
fucking world exists.
Speaker 5: This doesn't change the job. Just the people we deal with.
They have to obey the law just like everyone else.
We have to enforce it, just like every other cop.
Take the next left. It's the third building, right, third building.
Speaker 7: Okay, got it.
Speaker 5: And Chuckles is still skating around those laws. Maybe he's
not the monster I thought, but he's still a criminal
and he's still dangerous.
Speaker 8: Okay, I get where you're going with Chuckles and all
of this. I mean, sure, I get it, But where
the fuck are we going?
Speaker 7: Right now?
Speaker 5: Black is working on the warrens and subpoenas, but that
could take hours. We need answers now.
Speaker 8: How are we gonna get answers here? Do you just
happen to magically know someone up in the penthouse? Who
the hell is up there? Sarah?
Speaker 5: The one person I swore I'd never ask for a
damn thing, even if my life depended on it.
Speaker 8: Okay, if that's the case, Then why are we here?
Speaker 5: A Frank's life depends on it.
Speaker 8: I fucking knew it. You still have a thing for him?
Speaker 5: Shut up?
Speaker 12: Now, who could that be at this late hour? Oh well,
isn't this a surprise, detective? How wonderful to see you.
Speaker 5: Oh shit, we need to talk about slaymar pharmaceuticals and
doctor Simmons.
Speaker 12: Detective Klein, unless you have a Warren and I don't
see one, we don't have to talk about anything. Now.
You know where my office is, My hours at nine
am to five pm. Call my assistant and make an appointment.
Speaker 5: Damn it, Samantha, this isn't some kind of game.
Speaker 12: No, it's not. It seems like this is a detective
trying to bully a lawyer to break confidentiality without following procedures. Now,
because we have a mutual friend, I'm going to do
you the favor of closing my door and getting back
to watching Supernatural with my girlfriends.
Speaker 5: He hired someone to kill a Freid tonight.
Speaker 12: Naomi, you and Rachel will have to go on without me.
The files should be in my office.
Speaker 13: Let's hurry.
Speaker 7: Hey, Kira, do you have the item?
Speaker 3: Yeah? This should do it.
Speaker 2: Wait, is that my shirt.
Speaker 3: You were the most recent attack we treated.
Speaker 7: Technically, I can smell the thing that attacked you already.
You didn't tell me you were struck so badly. They
don't like it either, or the fact that you bled
so much.
Speaker 2: How could they? Oh right, the smell of blood. Yeah,
it's cool. I got better.
Speaker 7: If you were human, I doubt even the virus could
have saved you. Wait, they've got something great.
Speaker 2: You know. I've been meaning to ask you. How did
you know I'm not well?
Speaker 7: You know, seriously, we had a whole car right you
wait till now to ask.
Speaker 2: I'm not trying to announce it to the world yet.
Speaker 14: You know, I always knew I was different, but this
is uh.
Speaker 7: Look, everyone's different, afraid. I mean, for fuck's sake, even
normal humans aren't normal. There are many different beliefs as
to why we exist. Children of blwith spirits of the land,
coasts of our ancestors, protectors of the wild, a chance
product of evolution. You name it, I've heard it.
Speaker 3: If it helps, Faumont, I had no clue you were
anything more than an annoying human, though you catching my
arm and pushing me down should have been a dead giveaway.
Speaker 14: Yeah, After I saw how you took on that thing
in the sewer, I kind of got the idea.
Speaker 2: What are they doing?
Speaker 4: Stop?
Speaker 7: Stop listen, Griff is on to something this way.
Speaker 3: It's fascinating how they hunt as a pack. He can
hear and communicate with them almost at the speed of thought,
and practically without saying a word.
Speaker 2: You mean they're like telepathic.
Speaker 3: No, his intention and feelings transfer like they're a part
of him. He can't send messages to them. It's more automatic,
like they are all part of one system.
Speaker 2: Oh thank god. I don't mind running, but I need
a second.
Speaker 7: We don't want to draw its attention.
Speaker 2: Where's the hat?
Speaker 3: There's that smell again, but it's.
Speaker 7: Old, grit says. The building's clear. Come on, he's opening
the door for us.
Speaker 3: They were hiding in plain sight. This is just an
ordinary warehouse.
Speaker 14: Yeah, you know, I always expect evil layers to be
kind of more evil layer y.
Speaker 7: All right, kiddy, Lisa, you're on watch duty. Caleb, you're
with us. Damn.
Speaker 2: They hit this place with AJAX.
Speaker 14: Looks like Whoville after the Grinch rolled through the What
and where is Whoville?
Speaker 7: Damn? Kiup, I keep telling you you need to get
out more, go see some movies or something. Then, holy fuck,
I've seen movies.
Speaker 3: I go to at least one every two or three years,
and I get out plenty.
Speaker 2: Don't worry. I've got a copy of the house. I'll
show you when we finish this.
Speaker 7: Oh, now there's a plan. Hey, what are you gonna
do after saving the city? Oh? I don't know. I'll
just show a Christmas movie to a vampire.
Speaker 3: Great, so you'll be there too. Since you seem so excited,
consider another favor repaid.
Speaker 7: Oh come on, are you serious? You're pulling that shit again.
I figured you only had two or three of those left.
Speaker 3: Seven actually, well six after I learn of this whovill.
Speaker 2: Hey enough about doctor Seuss. Come look at this.
Speaker 3: It's a piece from a uniform. Looks like a shoulder patch.
Speaker 7: Slave More Pharmaceutical Security. Wait, slave More, that's the company
Senator Kinsey just dumped a shitload of money into.
Speaker 14: Samantha gave me a file on Kinsey. His wife is
divorcing him. I guess it said something about slay More
in there. I can't remember what though.
Speaker 3: Slay More Pharmaceutical is also the company that doctor Simmons.
Speaker 7: Works for, and they just announced they have a treatment
for cancer. How much you want to bet that comes
from our world, not theirs.
Speaker 3: That would be a direct violation of the treaty. Experimentation
on our kind is strictly forbidden on both sides ever
since World War Two.
Speaker 7: Hey, it just found something else. Come on, let's.
Speaker 2: Go what the action?
Speaker 7: Well?
Speaker 2: Fuck, this looks like something out of a comic book.
What the hell are those tubes?
Speaker 7: If I had to guess, I'd say that's where they
made the creatures.
Speaker 3: These two were practically destroyed, but it looks like there
was a third and it's been moved.
Speaker 7: Shit for out alone.
Speaker 15: Get ready, now you die?
Speaker 1: Kira Valmont The Black Raven Chronicles Britain by Jonathan Miller,
directed by Jacqueline Burns. Sound designed by Nick Kinky, David
Whitney and Marshaun Fry, featuring the voices of Corey Bishop,
Abigail Helms, PC Heart, Stevie Summers, Sam Saunders, Adele Valentine,
David Whitney, Josh Slavenak, Toby E. Locke, Cammy Davies, Adam Rose,
Crimson Rose, Travis Boyles, Ryan Willis, Jim Boyles, Chris, Jonathan Miller,
and Jacqueline Burns. Original music compositions by Paul Flowers. Bring
the Night performed by mid Guard off the album Deme.
Please support the official release at Patreon dot com. Fort
Slash the Carolina Storytellers. Don't let the vampires bat you.
Speaker 15: I believe the game sitters. I play that game of
chap sits