Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
This is your host, Adam Graham. In a moment, we're
going to bring you this week's episode of The Big Story.
But first I want to encourage you. If you're enjoying
the podcast, please follow us using your favorite podcast software
and be sure to rate and review the podcast wherever
you download it from. And today I want to highlight
one of our other podcasts, And today it's going to
be The Amazing World of Radio. The Amazing World of Radio.
We've got nearly three hundred episodes available for your listening
pleasure through a variety of genres, and over the course
of years done quite a few mini series as well
as holiday specials. And we are kicking off a new
series at the end of the month when we will
be bringing you Colombo Killers and Old Time Radio, featuring
actors in old time radio performances who went on to
play the murderer on Colombo. That series will launch on Wednesday,
May twenty eighth. Go ahead and check that out. But now,
from July twelfth, nineteen fifty here is shotgun and fatal Accident.
Speaker 2: The Big Story.
Speaker 3: Amy, What have I done? I heard a shot, Sir, What.
Speaker 4: Have I done?
Speaker 5: What's the matter, sir? My wife?
Speaker 4: Look?
Speaker 3: Shall I call a police, mister Hodge?
Speaker 5: Yes? Is she dead? She must have died instantly.
Speaker 6: The shot blew half her head off.
Speaker 2: Youngstown, Ohio. From the pages of the Youngstown Vindicator. The
story of a reporter who made a hunch pay off Youngstown, Ohio.
The story hasn't actually happened, Bill Griffith's story as he
lived it.
Speaker 7: The first chill wind of autumn slaps you across the
face Bell Grim, a reporter on the Youngstown Vindicator. As
you leave your home that morning late in October, you
hurry to your office, not because you're late, but because
you know there's a hot story waiting made the daughter
for you, the big jewelry store robbery downtown. But you
never get to that job because there's something else that happens.
It's so big that the boss himself is in your
office waiting for you. Oh oh, h John, don't take
your hat and go to Okay, Okay, I'll get right over.
Speaker 6: They get much.
Speaker 8: I'm not putting you on the jewelry job loss, and
you're going to cover it. Why, Lawson, you heard of
private Hodge. Sure, sure, the big mining millionaire. What's the
matter with him? I mean with him which his wife?
You just fleor head off accidentally? Get down there, fast down,
Try to hold the blue addition until I hear from you.
Speaker 7: I'm on my way. When you get to the Hodge mansion, goold.
The secretary, suave and courteous shows you into the huge library.
Speaker 3: There you see.
Speaker 7: Detective Bromley and a couple of his men sitting around
and listening to mister Hodge. You've seen mister Hodge many times,
but never like this. He's slumped in his chair, tortured
and dazed. He keeps shaking his head in horror, as
if trying to shake the remembrance away.
Speaker 9: It was after dinner detected Bromley. Amy was resting on
the left seat. She hadn't been feeling well. Hotly ate
her dinner.
Speaker 5: How did you happen to have a shotgun in the library,
miss Dodge?
Speaker 9: But we were nearly robbed the night before. I had
an old shotgun in the storehouse I carried for protection.
Speaker 6: I don't know why I did that.
Speaker 9: I never shot this gun or any gun for that
Go on, Well, she fell asleep on the chair she
looks so uncomfortable. I decided to wake her up. You
get her to go to a room. I prodded it
with a gun. It went off. I never even dreamed
it floaded.
Speaker 5: How far was the gun from her.
Speaker 9: Head about ten inches of most.
Speaker 5: It was the most awful thing.
Speaker 7: You look around the room, Bill Griffith, beautifully furnished, clean.
You look at the love seat, A large stain on
the side of it, and on the rug. Someone had
already tried to clean it since the accident. Someone had
been in this room cleaning it up, even the ash trays.
Speaker 6: You wonder what was the hurry.
Speaker 7: You get up and think, maybe you can look around
the mansion, maybe talk to a couple of the servant.
Speaker 5: Where are you going, sir?
Speaker 6: Or just looking around the school? Oh? Any objection? Oh no, sir,
go ahead and look all you like, No.
Speaker 10: Sir, they got along fine. It was always darling and
deary and honey. They've been on a perpetual honeymoon for
ten years. Mister, you're looking for something that isn't there.
Speaker 11: Well, to tell you the truth, I won't lie to you.
Speaker 12: They did have once that that was two years ago,
less than three weeks about two months after I came here.
Speaker 11: Mister Hodge was real considerate of her, not like some
of the men that walk around these days. He made
up to her when they were alone in their room.
He gave her a pearl necklace and kiss it behind here.
I couldn't always hear what they said, but well, they
always got along swell.
Speaker 4: I never saw them quarrel, But then I'm just the gardener.
I never didn't see them much at all. Lucy could
tell you more. She was poor Missus Hodge's maid.
Speaker 6: And I find her. She went back home. She was
fired this morning.
Speaker 7: Yes, sir, miss Lucy, I'm Bill Griffith from the Youngstown Vindicator. Mackleman, Oh, sure,
I want to talk to about missus Hodge. It was
a terrible accident, wasn't It was horrible? Why were you
discharged so soon?
Speaker 10: I don't. Mister Goole gave me two weeks salary and
told me there was no need for my services.
Speaker 6: How did mister Hodge and his wife get along?
Speaker 10: Not too good?
Speaker 6: Quarrel?
Speaker 10: No, but he.
Speaker 6: Didn't like her, He didn't. How do you know?
Speaker 10: Well, hey, I don't want to get mixed up in
is I I got nothing more to do. With mister Hodge,
and I'd rather forget the whole terrible business.
Speaker 6: Did you like missus Hodge?
Speaker 10: She was real nice and sweet to me. Always give
me a few extra dollars over my salary. He's an
old skin flant, he is.
Speaker 7: Wouldn't you want a help in case it wasn't an accident?
Speaker 6: I don't know. I'm trying to find out. Why didn't
he like his wife?
Speaker 10: Well, he had a friend girlfriend.
Speaker 6: Yes, what's her name?
Speaker 10: It's Mad's Cherrie. She lives over in Bellrows.
Speaker 6: Did missus Hodge know about her?
Speaker 10: Yeah, but she never let on. Missus Hodge was a
very unhappy woman.
Speaker 6: You know.
Speaker 10: She once told me that if anything ever happened to her,
for me to look behind the ruled. I never knew
what she meant by that.
Speaker 6: Ruled is a painter.
Speaker 7: She probably has one of his pictures hanging in a room.
It'd be very interesting to know what's behind that picture.
Now you have a fist full of leads, Bill Griffith,
but you're not ready to go back to the office,
not yet.
Speaker 6: You want to have a look at the body.
Speaker 4: I'm sorry, Bill, but I got instructions not to let
anyone look at the body. Mister Hodges orders why he
doesn't want anyone to see her the way she is.
I can't blame him.
Speaker 7: A shotgun makes okay, okay, just tell me where the
powder marks are?
Speaker 6: Powder mars, well.
Speaker 3: There must be.
Speaker 6: The gun went off ten inches from her head.
Speaker 4: I'm telling you there are no powder marks.
Speaker 6: Are you sure?
Speaker 4: Ok here Bell, I've been a corner and a mortician
for a long time. I worked with the police. I
know about these things. I'm telling you there aren't any
powder burns. I'm telling you absolutely.
Speaker 6: What the devil happened to your bill? Am I too
late for the blue addition?
Speaker 3: Bosson?
Speaker 6: What the better? An hour ago? What did you get?
Speaker 7: Boss's story was too good? The house is too clean,
everything's too perfect for my taste. So I did a
little snoopy and and now I'm a wiser man. I
don't know all the answers. I certainly picked up a
lot of questions that should be answered, like what There's
only one thing fit to print right now, and that
is why are there no powder burns on missus Hodge?
Since the gun went off ten inches away? It's just
not possible. Let's keep asking that question. And I have
a hunch we'll come up with the answer. But even
though the vindicator hammers away for days on the absence
of powder marks, the police decide that it was accidental homicide.
But you, Bill Griffith, aren't satisfied with this decision. You
go ahead with your investigations and make some phone calls.
You try to see Madge Carrey, Hodge's girlfriend, but he's
away for the weekend. Try to get into the Hodge
mansion to take a look at the rule of painting,
but mister Gould won't let you get any further than
the front door. You're getting nowhere fast until one of
your phone calls pays off.
Speaker 6: Yes, Cliff, Oh, hier, Cliff got anything for me, honey.
Speaker 13: After check through our policies, I have Hodging short his
wife from New York about a year ago.
Speaker 6: For fifteen fifteen thousand.
Speaker 13: That's not the half of it. You put in a
claim for the dog two days after her death.
Speaker 6: Oh, isn't that a loving don't.
Speaker 1: Go away yet.
Speaker 13: He even went to the trouble of claiming and collecting
one hundred dollars bario fund because his wife was once
a government nurse.
Speaker 7: You know what I'm beginning to have a feeling that
mister Hodge didn't like his wife at all.
Speaker 6: Yes, am I speaking to mister Griffith. Yes it was
his I am.
Speaker 10: Mister Gould, secretary to mister Hodge.
Speaker 2: Oh, yes, yes, Would you oblige me by coming down
to see mister Hodge at your earliest convenience?
Speaker 6: Okay, I can come down this afternoon.
Speaker 5: Thank you. He'll be waiting for you.
Speaker 3: Oh, come in please, mister Griffith.
Speaker 9: Mister Griffith, your paper has apparently been on a crusade
against me. I suppose it makes a good copy for
your readers.
Speaker 7: We're merely asking that someone answered the question we're asking.
Speaker 3: You mean about the lack of powder burn.
Speaker 6: That's right.
Speaker 3: I wish I knew the answer.
Speaker 6: There are a couple of other questions that have been
bothering us.
Speaker 3: I'd be very glad to answer any questions at all.
Speaker 6: You're a close friend of Madge Carey, aren't you?
Speaker 3: Who told you that?
Speaker 6: What difference does it make?
Speaker 3: I know her slightly?
Speaker 7: That's all seems strange that you should buy a new
automobile if you know a slightly.
Speaker 3: That was just a business to you.
Speaker 7: You also applied for collection on your wife's insurance two
days after a fatal accident.
Speaker 9: My business manager. He probably took care of that. I
had no idea that he made applications so soon.
Speaker 7: You also collected one hundred dollars burial fund three days
after a death. It's hard for some of the people
in my office to consider that an act of deep mourning.
Speaker 9: Mister Griffith, I don't care what your paper thinks. If necessary,
I'll put us up to these ugly stories. And I
can do it too. You can go back to your
editor and tell him that I'll break your paper if
he doesn't leave me alone.
Speaker 3: How you get out of here?
Speaker 7: On your way out you pass Amy Hodge's room. The
door is slightly a jar. The rule of the painting.
You step carefully into the room, Bell Griffith. You close
the door, You look on the walls. There it is
the rule of painting. You have to stand on a
chair to get at him.
Speaker 5: You take the picture.
Speaker 6: Off the hump and you look behind it. There's a
piece of paper stuck into the back of the frame.
To take the paper.
Speaker 5: What are you doing here?
Speaker 7: Well, I was just admiring your pictures, mister. You were swooping,
didn't I tell you to get out while I was
on my way out, when when I saw this picture before.
Speaker 9: I throw you out, hand me that paper. That paper,
mister Griffith, I found it.
Speaker 7: By accident behind the painting. It reads, I'm afraid of
my husband. It's a woman's handwriting.
Speaker 3: You're not leaving here.
Speaker 9: I'm going to call the police and have you arrested
for breaking into my wife's room.
Speaker 7: You're very confident, mister Hodge, but don't depend on that
good conduct driven the police gave you. I might take
it away. I know you're a powerful man around these parts,
but so is the Vindicator. It usually lives up to
its name, avenge and justice. If you're guilty, believe me,
we'll find you out a This is Sy Harris returning
to your narrator and the big story of Bill Griffith
as he lived it and wrote it. You, Phil Griffith,
reporter for the Youngstown Vindicator, are now standing in the
bedroom of the late Amy Hodge. Her husband has just
called the police and what you think is a bold bluff.
When they arrived, Hodge tells them the entire truth, how
he invited you, how you violated his hospitality, and then
he gives them the note you found behind the painting.
He's so straightforward about it that you begin to have
doubts about your convictions.
Speaker 5: The police let.
Speaker 7: You go, but they don't like your meddling, and they
tell you so in no uncertain terms. And now you
have one lead left, Madge Kerry, mister Hodge's girlfriend, William Griffith.
Speaker 11: What do you want?
Speaker 6: I'd like to speak to you, miss Carey. What about
I'm a reporter?
Speaker 11: Well, what do you want to see me about mister Hodge?
Speaker 6: You know him very well, don't you?
Speaker 11: What business is that of yours?
Speaker 6: Miss carry I can print what I think, or I
can print what you tell me. I think you'd be
better off if you answered a few questions.
Speaker 11: What are you dragging me into this for?
Speaker 6: You're a good friend of mister Hodge, aren't you?
Speaker 11: Yes?
Speaker 6: Very good? Eh?
Speaker 11: Yes, very good.
Speaker 6: You love each other, don't you?
Speaker 11: Of course not. He's a married man.
Speaker 6: Why did he buy you that car?
Speaker 8: Well?
Speaker 11: Because he likes me. We're good friends. Can't you understand that?
Speaker 9: No?
Speaker 6: I can't.
Speaker 7: I can't understand a young, pretty woman like yourself being
such a close friend of a man in his fifties?
Speaker 11: Are you making insinuation?
Speaker 6: You were seen kissing.
Speaker 11: That's a lie.
Speaker 6: I can prove it well.
Speaker 12: I might have kissed him once, and in friendship, nothing else,
just friendship. Now please get your foot out of the door.
I have nothing else to say to you.
Speaker 7: You didn't get very far with her, Bill Griffith, and
now you have nothing else left to go on. You
come back to your office planning to give this case up.
But there's someone waiting for you. Hi, Bill, remember me?
Speaker 3: Why Ed Visy?
Speaker 6: What brings you here? I haven't seen you in months?
Speaker 8: Well, naturally as a ballistics expert, I've been reading your
articles in the Hodge case.
Speaker 6: I think you're quite right about it.
Speaker 8: There should have been powder burns in the body. Yes,
I know, but it hasn't got me anywhere. Look, I've
just talked to coroner. He swears that there were no
powder burns. But I'm quite willing to testify that the
shot could not have been made at ten inches without
leaving burns. You are ried, I am, Dad, that's terrific.
I also took the trouble to go over the coroner's report.
The great area of the wound couldn't possibly have been
made by a shot fired at ten or fifteen inches away.
Speaker 6: It had to be a lot farther than that.
Speaker 7: And if you can prove that, I think we can
get the new prosecutor to reopen the case.
Speaker 8: If you'll all come down to the Culver Valley Hunting Club,
I can demonstrate it to everyone's satisfaction.
Speaker 14: Look, Bill, I've only been prosecutor for a short time.
The case is officially closed. The verdict is accidental homicide.
Speaker 6: Why should we reopen it now?
Speaker 7: I've got a lot of reasons why this case should
be reopened. One of them is this sworn statement by
mister v Z.
Speaker 6: A ballistics expert.
Speaker 3: Here. Take a look at this.
Speaker 14: All right, we'll suppose it wasn't fired at ten inches.
Speaker 5: What difference does a few more inches either way make?
Speaker 7: The difference was more than a few inches. This means
that mister Hodges was lying. It means that he wasn't
prodding his wife with a gun to awaken her. It
means that he was far enough away to take aim
and murder it.
Speaker 5: You say that mister VZ can prove it.
Speaker 7: Yes, he's willing to conduct a series of tests down
at the Cover Valley Hunting Club.
Speaker 5: All right, I'm willing to be shown.
Speaker 7: There's one more thing, like what I'd like you to
ask mister Hodge to come down.
Speaker 5: He'll never do it.
Speaker 7: From what I know about him, I have a hunch
he will. Two days later, everyone involved in this case
assembles at the Culver Valley Hunting Club in the target room,
and as you had expected, Bill Griffith, mister Hodge, and
his secretary, mister Gould are present. Mister Hodge seems calm,
even nods pleasantly to you when you happen to catch
each other's eye. The atmosphere is more like a college
lecture hall than a hearing in which a man's life
hangs in the balance.
Speaker 14: I want to thank you, mister Hodge for being so cooperative.
Speaker 9: Well, mister proscutor, I am as anxious as I hope
all of you are to get this tragedy cleared up
once and for all.
Speaker 14: Yes, let's proceed and get this finished as fast as
we can. Go ahead, mister veezy.
Speaker 8: Gentlemen, I have here the same shotgun which caused the
fatal accident.
Speaker 5: To missus Hodge.
Speaker 9: Is that the gun, mister Hodge, I suppose, so, I'm
not very familiar with guns, I guess it is it's.
Speaker 8: Loaded, mister Hodge said. He gently prodded his wife with
the gun went off. That's, mister Hodge, Yes it is.
So I'm going to take the same gun and pound
it on the floor, and now I'm going to hammer
it and knock it's facing me. You notice goes off
the shevel hit me? Did you see the shotgun didn't
go off? I wasn't being grammatic by pointing it me.
I did this only to prove that this gun can't
possibly go off unless you press the trigger and press
it hard.
Speaker 9: You might do that once too often, sir. You can
hammer it on the floor a thousand times and it
won't go off the thousand and first time it might fire.
Speaker 7: Mister Vesy, do you consider it impossible for the gun
to go off without pulling the trigger?
Speaker 8: Nothing is impossible, mister Griffith, But it's so unlikely that
I was quite willing, as you saw, to point the
gun at myself while pounding and hammering it.
Speaker 3: Do you have any other tests vis well, mister prosecutor.
I have brought here a slaughtered pig.
Speaker 8: I'm going to fire the shotgun at it from a
ten inch distance.
Speaker 3: A few people moved inside surely, all.
Speaker 6: Right, thank you.
Speaker 8: Notice that the hole in the body of this pig
is no bigger than the size of the shell a
half inch diameter.
Speaker 6: Notice the powder marks around the wound.
Speaker 8: Notice the wattings around the shell have followed the shot
into the wound.
Speaker 6: Is the corner here?
Speaker 4: Yes?
Speaker 3: Was there any wadding of the.
Speaker 8: Shell in the wound that killed missus Hodge?
Speaker 5: No, that wasn't. Do you want to say anything, mister Hodge?
Speaker 3: Oh, yes, yes, indeed it's to a prosecutor.
Speaker 9: I would merely like to say that I had no
idea there was going to be an accident, and I
didn't measure the distance the gun was from her head.
Speaker 3: It might have been more or less.
Speaker 9: I was so dazed by what happened that my sense
of distance might easily have been distorted.
Speaker 8: Well, that's very true, but I haven't finished this experiment.
Please let me go on.
Speaker 5: Go ahead.
Speaker 8: The shell of a shotgun is different from a rifle bullet.
A bullet makes the same hole no matter what the distance,
But a shell hole is larger the farther the weapon
is from the target.
Speaker 3: The shot spreads.
Speaker 8: Now, I'll fire the shotgun at a distance of three
feet from target. The wound is now much bigger, as
you can see, a little bigger than the silver dollar.
And I would like to ask coroner a question. Yes,
the wound that killed missus Hodge was bigger than the
silver dollar.
Speaker 6: Wasn't it? Yeah, much bigger, if I'm nothing mistaken.
Speaker 7: According to your report, the wound was about three by
two inches, or roughly about the size of a closed fist.
Speaker 4: That's about the size, mister GrITT.
Speaker 6: All right, I'll fire the shot.
Speaker 3: Guy. I don't know what you expect to prove by it.
Speaker 8: If you'll allow me to finish, I'll point out to
all of you the significant this experiment seems most unfair
to me, very prejudicial against allow me to finish.
Speaker 14: Why do you think it's prejudicial, mister Hodge, A mister prosecutor.
Speaker 3: He's firing into a dead body.
Speaker 9: There's a great difference between the resistance of a dead
body and a live one, though the size of the
wound would therefore be very different.
Speaker 8: Well, there is a difference, but so small as not
to be measurable for all intents and purposes. The shell
makes the same size holds the naked eye in a
live or dead body.
Speaker 3: I refuse to accept this.
Speaker 8: We can carry on the same experiment with a live
animal if necessary, but I deplore the unnecessary use of
slaughter to prove I object to these experiments as easy.
Speaker 14: You may continue with this experiment, Thank you, mister prosecutor.
Speaker 8: I will now fire the shotgun from a distance of
eight feet. Notice the wound about the size of my
closed bit, about the same size the wound that killed
missus hass.
Speaker 3: This is a ridiculous experiments.
Speaker 8: Harder can easily verify that this was the size of
the fatal wound.
Speaker 3: I objected this whole proceed quiet, please.
Speaker 5: Arner.
Speaker 6: Yes, that was about the size.
Speaker 8: The shot was fired at Missus Hodge from a distance
of eight feet, which meant that he took deliberate aim.
There can be no other possible explanation. Would you like
to comment on this, mister Hall.
Speaker 3: The whole thing is a lie rip off.
Speaker 9: Your newspapers are just trying to make a lurid story
out of this tragic accident.
Speaker 5: You have anything else to say, mister Hodge.
Speaker 3: My innocent. I love my wife. We never quarrel. I
wouldn't kill her, I wouldn't harm a her of her head.
I loved mister Hodge.
Speaker 7: We know about Madge Carey, what we know about the
note which I found behind the rules.
Speaker 3: So that doesn't prove anything. My wife was eccentric.
Speaker 7: You ensured your wife a year ago for fifteen thousand
dollars and put in a claim for the money two
days after a death.
Speaker 3: I told you, my business manager.
Speaker 6: You even collected one.
Speaker 7: Hundred dollar burial fund on your wife three days after
a death.
Speaker 3: I don't see what all this has to do with
the situation.
Speaker 7: I think the combination of all these things adds up
to a motive, and certainly this demonstration has proved.
Speaker 3: I tell you I didn't kill I'm sorry, miss.
Speaker 14: The state now considers you under suspicion of the murder
of your wife, Amy Hodge.
Speaker 5: You are now under arrest.
Speaker 2: Now we read you that telegram from Bill Griffith of
the Youngstown Vindicator.
Speaker 7: Suspect in tonight's big story was brought to trial. His
suavity and polish and his condemeanor did not fool the jury.
He was found guilty of murder and sentenced to life
imprisonment in the Ohio Penitentiary.
Speaker 15: And so ends another big story. In order to protect
the names of people actually involved, into Night's authentic Big Story.
The names of all characters and the dramatization were changed.
With the exception of the newspaper reporter, The Big Story
has been a presentation of the United States Armed Forces
Radio Service, the Voice of Information and Education.
Speaker 1: Welcome back. Well, let me go ahead and go through
the cast. Information. The star was Bill Quinn. Also in
the cast Amzi Strickland, Anita Anton, Paul McGrath, Roger to Covin,
Lyle Sudro, Mason Adams, and Bob Dryden. Now, in terms
of the inspiration of the particular episode, the Story Behind
the Big Story notes that the original story has been
identified summary to be available soon, so not available at
the moment, and so it's kind of hard to know
how it compares to real life, because you know, as
we've experienced with a Big Story, you don't even know
what era a story is properly set in. But I
think in terms of being a mystery, was a good,
solid episode with some solid forensic facts, it was kind
of plain in that way. I do again wonder about
the era, whether given the area, the police might not
have been as up to speed as they might have
been closer to nineteen fifty, but any rate, it is
time to think. Our Patreon supporter of the day Q
to Rosa, Patreon supporter since January of twenty twenty, currently
supporting the podcast of the Detective Sergeant level of seven
dollars and fourteen cents or more per month. Thanks so
much for your support, Rosa, and that will do it
for today. If you're enjoyed the podcast, please follow us
using your favorite podcast software and be sure to rate
and review the podcast wherever you download it from. We'll
be back next Tuesday with another episode of The Big Story.
But join us back here tomorrow for Broadways My beat
where they just.
Speaker 5: Told me, I don't put it? What are you doing?
Speaker 4: Him?
Speaker 6: Pop?
Speaker 3: I just told them what happened.
Speaker 2: I told them.
Speaker 3: We came back to you up here.
Speaker 13: You went outside, mister Caulker.
Speaker 3: Sure, sure, whatever you say.
Speaker 1: Just take it easy, Chilie boy, sit.
Speaker 6: Down, mister Baker.
Speaker 5: Your wife is dead. We'll see.
Speaker 6: I want you to try to tell me just what
happened to me.
Speaker 16: The office. Putty it.
Speaker 5: I went there.
Speaker 16: I was having a fun. Yes, I was having a
wonderful time. Look, it was the end of the day,
and at first I wanted to go home with it.
They wouldn't let me do said, look at all this,
three booths lap it up and forget it.
Speaker 6: And does go on.
Speaker 16: But I tried to call those seal three or four times,
I don't know how many times to till I was
having a good time not to wait up for me.
But line was always busy.
Speaker 7: What else do you remember?
Speaker 16: Bob said, come on, let's go home. So when we
got there, the last thing I remember, let's see laying
there saying to myself, just like this, I am drunk.
You think you see all sorts of things when you're drunk,
and this is one of them. That's not a little seal.
I'm not even a home. No, I wake up.
Speaker 1: I hope you'll be with us then. In the meantime,
do send your comments to Box thirteen at Great Detectives
dot net, follow us on Twitter at Radio Detectives, and
check us out on Instagram, Instagram, dot com, slash Great
Detectives from Boise, Idaho. This is your host, Adam graham
Son and all