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Speaker 1: Instead than a feeding bullet, more powerful than a Hey,

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those elite Paul buildings.

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Speaker 2: At a single bound.

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Speaker 1: Up on the sky. It's a bird, it's a plane.

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That's Cooperman.

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Speaker 2: He has met yourself, Superman.

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Speaker 1: When the planet krypt On, home of a race of Superman,

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exploded into dust, the soul survivor was an infant boy

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who had been shut to worth in a siled rocket.

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To day, that boy grown manhood is known as Superman.

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Sworn enemy of the forces of evil. To wighe him

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and his never ending fight for truth and justice, he

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masquerades as Clark Kent, crime reporter for a great metropolitan newspaper.

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His secret is carefully guarded. No one is aware that

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Kent is Superman. No one but you. Jine with us

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now on ABC as Superman saves an innocent boy from

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the electric care and an exciting transcribed story of crime

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and courage entitled One Minute to Death. The night was

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clear but darn. There were stars in the black canopy

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of the sky, but a waning moon had long since

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dipped beneath the horizon. When young Johnny Webber circled the

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modest shingled house on Pine Street in the suburbs of Metropolis.

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Moving siquently across the soft cushion of the lawn, he

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stationed himself beneath the second story window. Looking up, he

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whistled softly. A long moment of silence, broken only by

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the chirping of crickets and the hum of insects. Then,

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almost like a delayed echo, there was an answering whistle.

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Moving to the rear of the house, Johnny waited in

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a protective darkness. He saw a light go on in

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the kitchen and then go off. The key turned in

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a lock, The rear door opened, and a young girl

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tiptoed down the four steps.

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Speaker 3: Oh, I thought you never come.

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Speaker 1: I'd trouble get in a car. Why did you get

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w Yeah, but I gotta go pick it up now.

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That'll take me about twenty minutes.

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Speaker 4: Whose car is Johnny?

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Speaker 5: One of the boys?

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Speaker 1: And look, honey, you go get ready and it meet

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me out front.

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Speaker 3: Whose car is it?

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Speaker 4: Johnny?

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Speaker 1: What's the difference? Whose car it is? What we're gonna

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do is drive it up to Glen Oaks, get married,

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drive back. I want to know who's car you're borrowing.

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I told you one of the boys. Laura, how you

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will kill on time.

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Speaker 3: Promised me that you wouldn't have anything more to do

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with that, Yet.

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Speaker 1: You used to hang around with the baby. I'm not

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I spent two hours calling up people trying to get

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a car. Nobody was home.

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Speaker 4: Oh wait, wait, we don't have to do it tonight.

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Speaker 1: If we've been waiting six months. If we don't do

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it tonight, we'll never do it. Baby. Please don't make

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it tougher than it is.

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Speaker 3: You still haven't told me whose car it is.

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Speaker 1: You wouldn't know if I did tell you.

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Speaker 2: It's just the guy.

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Speaker 1: And anyway, maybe we're only taking it for the night,

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that's all after we give it back in the morning.

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Was through with the car and we're through with him.

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Speaker 3: I don't like you getting mixed up with him. His

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hood limits again.

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Speaker 1: I'm not getting mixed up, baby, believe me. You go,

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get ready, I'll be back in twenty minutes.

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Speaker 3: Johnny, Wait, you've got to promise something. What that you'll

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return the car in the morning and never have anything

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more to do with whoever you're borrowing is from.

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Speaker 5: Baby?

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Speaker 1: Why not?

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Speaker 3: I'm your word of hona chat on my word of a.

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Speaker 1: Fine time to get us being sick.

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Speaker 2: You in a hurry son. Yeah, matter of fact, I

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am opposite.

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Speaker 1: Alight.

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Speaker 2: Let's see the driver's license. Sure, I'm going to pick

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up my girl.

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Speaker 1: Yeah, we'll get married in Glenols. And I guess I'm

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so happy.

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Speaker 2: Bad I forgot I was going so fast. Registration, huh,

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car registration, the owner's license, let's it.

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Speaker 1: Oh gosh, you got to get it.

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Speaker 2: You see, I just borrowed.

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Speaker 1: This carf at the night who owns a friend of mine.

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Speaker 2: What's his name name? Tony? Tony what? I don't know.

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Speaker 5: His last name.

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Speaker 2: That's a real good friend.

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Speaker 1: Wells this way yet? Yeah, just borrowed the coffin night

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and kind of me and my girl.

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Speaker 2: Yeah you said that before?

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Speaker 1: How did I? Yeah, I guess I did.

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Speaker 5: You got my back?

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Speaker 1: Oh nothing, turn your motor off? Well, look all of

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a sudden, my girls, wait.

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Speaker 2: Turn it off.

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Speaker 5: Okay, I have the key.

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Speaker 1: Yeah, well, what are you looking for?

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Speaker 5: Anything?

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Speaker 2: I can find?

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Speaker 5: Sit tight, I open the trunk.

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Speaker 2: Well, why don't you just give me a ticket for

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speed and let me go. You're gonna get a lot

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more than a ticket for speeding. Get your hands up,

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get out, hi the idea? Come on, keep me up.

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I don't get this much. Shoot, don't where'd you get

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the radios? What the ten portable radios in the trunk?

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Speaker 5: What's talking about?

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Speaker 2: I'm clean, Johnny? Would you get them? I tell you,

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this isn't my car.

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Speaker 1: I borrowed it.

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Speaker 2: I don't know nothing about no radios. How about the

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name of the man you borrowed the car from? You

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remember it now? Yeah?

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Speaker 4: Yeah?

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Speaker 1: If I do, it's Dannelly totally.

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Speaker 2: Where does he live?

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Speaker 1: I don't know, honest, I don't.

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Speaker 2: How'd you got the car?

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Speaker 1: I set up at the Turnpike Tavernet's kind of a roadhouse.

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Speaker 5: On the TURNPI.

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Speaker 2: Don't know where it is? Is Dannelly there?

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Speaker 1: I guess?

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Speaker 2: So he was there when he gave you the car,

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wasn't he?

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Speaker 1: Yeah?

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Speaker 2: But I don't want to get mixed up with why not?

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Speaker 1: I just don't want it, That's.

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Speaker 2: All You're gonna have to get mixed up with him, Johnny.

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You say he owns this car?

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Speaker 5: Right?

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Speaker 2: There are ten new radios in the trunk that could

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have been stolen. No, we're taking a ride over to

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the Turnpike tavern and you're going to pick out Tony

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Dannelly for me and I am going to have a

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little talk with him, all right, Johnny, pick him up.

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I'm not saying that.

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Speaker 1: Sitting over there and last booth of this girl, you'd

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better find him.

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Speaker 2: Son, that's that guy with the ball head.

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Speaker 1: No, and he runs the slices.

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Speaker 5: You're coming over. You're looking for someone.

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Speaker 1: Yeah, where's Tony Tony who Danelly?

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Speaker 2: I don't know.

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Speaker 1: No Tony Dannelly.

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Speaker 2: Oh you know he comes in here all the time.

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He was sitting over there and the booth of the girl.

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Speaker 1: Kick he listened twenty minutes ago. No, Boddy was sitting

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in that boot all night.

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Speaker 2: You got a fron kid. You're lieing.

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Speaker 1: You're covering for you a little all right, that's gonna

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we run a straight giant here.

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Speaker 2: Yeah, I know, okay, Johnny, let's go.

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Speaker 1: Let's go.

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Speaker 6: Andagan State Patrol Car seventeen reporting have a Burton Ray suspect,

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request ownership check on black Chevrolets dan licensed four y six.

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Speaker 2: Seven eighty two.

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Speaker 1: That is all.

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Speaker 2: You better give it to me straight, Johnny. You heard

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the ownership report. The car belongs to a man named

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Walter Silsby on Cox's Lane, not to Tony Danelly.

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Speaker 1: You get the car from the Nelly, I swear right,

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and you.

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Speaker 2: Didn't know the radios were in the trunk.

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Speaker 1: Oh, call my girl, ask her what I was doing.

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Speaker 2: And we'll ask her later. Right now, we're going over

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to Cox's Lane to ask mister Silsby. That must be

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his place at check. All right, keep walking in front

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of me, Johnny. Don't try anything.

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Speaker 1: Shouldt's try anything I didn't do?

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Speaker 7: Not?

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Speaker 2: Keep walking?

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Speaker 1: Okay? Told them Knock on the door, maybe he's not home.

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Speaker 2: The light on a right, Try the door, see if

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it's open. Step inside. Remember, Johnny, I've got a gun

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in your back.

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Speaker 4: It I swear I didn't do it.

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Speaker 2: Three bullets in his chest and one in his hand.

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Speaker 1: I saw the guy before.

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Speaker 2: You gotta believe, but you got it. It's not up

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to me, Johnny. I'm taking you in for murder.

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Speaker 1: Arrested for murder, indicted, found guilty by a jury of

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his peers, and sentenced to die in the electric chair.

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Young Johnny Webber, caught in a mash of circumstantial evidence,

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now waits forgotten in a death house cell forgotten. Saved

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by two people, one Laura Williams, the girl he was

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about to marry. The other Clark Kent, who as crime

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reporter for the Metropolis Daily Planet, spent many hours at

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the trial and is convinced of Johnny's innocence. We find

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them both in can't office.

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Speaker 3: Oh, it's got left a week, mister Kitty. Isn't there

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some way of getting more time?

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Speaker 2: Oh?

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Speaker 1: The governor won't grant a stay of execution unless we

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present new evidence and we have him enabled to get any.

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Speaker 3: Yes, but how can we say, won't even let us

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talk to Johnny?

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Speaker 1: Well, I'm expecting a call from the warden in any

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minute now. I spend all morning at the DA's office,

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and he finally agreed to recommend that one of us

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be permitted to see Johnny. Really up to the warden.

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But I'm pretty sure you don't worry about that. Maybe

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see now, keep your things crossed, park, can't speaking? Oh

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hello Wharton, Yes, he said he was going to call you.

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I see, Well, thanks a lot, Yes, sir, I will

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thank you. Yes, yes, one of us can see him

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at see this afternoon.

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Speaker 3: You'd better go, mister Kent, I get all tied up

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inside now, wouldn't ask the right question? Then it might

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be better too, if Johnny didn't see me.

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Speaker 1: I think maybe you're right now what do we want

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00:08:51,799 --> 00:08:52,000
to know?

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Speaker 3: How to find Tony? Dennellers said, there must be a way.

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Tell Johnny he's got to give you the names of

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Dennelly's friends. The place is he usually hangs out anything

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he can.

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Speaker 2: Tell you that here, Okay, And.

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Speaker 3: Tell Johnny not to give up Hope. Tell him I hevn't,

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And tell him I I love him as.

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Speaker 1: Much as I have it. Hello Johnny.

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Speaker 5: Hello.

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Speaker 1: They'd only give me two minutes, Johnny, so I'll have

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to talk fast. First of all, Laura wanted me to

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tell you not to give up Hope. She hasn't, and

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she says she loves you as much as she ever did.

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Thanks now about Tony Donnelly. Our only chance to get

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you out of this mess is to locate Dannelly. He

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blew out of town a long time ago. You can

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count on. The chances are you're right. But someone must

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know where he is. Well left they do it, won't talk.

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I know what happened. I know it like I was

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written in a book. What do you mean? Tony and

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soils they pulled that radio still a job together. When

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Tony went to Silsby's house the next night, they get

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his cut. They got into an argument. Tony maybe had

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a few drinks. He pulled his gun and placed away,

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and he took the old man's car. Well, he sold

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it up. He realized the car was hot. That's when

239
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I came along. But Johnny knowing how it happened doesn't help.

240
00:10:00,279 --> 00:10:02,200
We've got to prove it, and we can't do it

241
00:10:02,279 --> 00:10:04,759
unless we lay our hands on Donnelly. Forget it, mister can't.

242
00:10:04,840 --> 00:10:08,480
Tony's gone. He won't come back till I But we'll

243
00:10:08,480 --> 00:10:10,559
find him if we can get a lead. What about

244
00:10:10,559 --> 00:10:12,360
his friends, but don't cover for him. I don't worry

245
00:10:12,360 --> 00:10:14,240
about their covering, Johnny, let me handle that. Just tell

246
00:10:14,240 --> 00:10:16,960
me who they are. For instance, you testify Donnelly was

247
00:10:17,000 --> 00:10:18,799
sitting in a booth at the Turnpike tavern with a

248
00:10:18,840 --> 00:10:21,480
girl Chicky. Do you know her last name? No? What

249
00:10:21,519 --> 00:10:23,879
was she Donnelly's girl? I guess so one of them. Anyway,

250
00:10:24,200 --> 00:10:26,759
describe her for me. She's a platinum blann about five

251
00:10:26,840 --> 00:10:29,240
three or four, kind of flashy, talks, tough girl. He

252
00:10:29,279 --> 00:10:30,919
used to be a cigarette girl on the joint before

253
00:10:31,000 --> 00:10:33,559
Tony picked her up. Go on about Oh if you

254
00:10:33,600 --> 00:10:35,480
said sheep hard drinking dame like one hundred other and

255
00:10:35,519 --> 00:10:37,399
that doesn't help much, Johnny. Nothing to think of about her,

256
00:10:37,440 --> 00:10:39,639
nothing different. The clothes she wears, a jewelry oil a minute.

257
00:10:39,799 --> 00:10:41,759
Tony gave her a ring with a great big green

258
00:10:41,879 --> 00:10:43,840
stone and emerald em real color, but it was too

259
00:10:43,840 --> 00:10:46,240
big to be real. The girando's a quarter, she would

260
00:10:46,279 --> 00:10:48,039
on the left hand. Now we're getting somewhere. She sounds

261
00:10:48,039 --> 00:10:49,399
like a good best How you've got to find the

262
00:10:49,480 --> 00:10:51,159
first We'll find her. Where does she hang out any

263
00:10:51,240 --> 00:10:53,039
one of a dozen jins on the south side. Okay,

264
00:10:53,080 --> 00:10:54,960
my time's up, Johnny. I think I've got enough. Don't

265
00:10:55,000 --> 00:10:56,639
give up. Hope now, and remember that Laura and I

266
00:10:56,639 --> 00:11:02,799
are plunking for you. Any message, Laura, yes, tell us

267
00:11:02,799 --> 00:11:06,519
forget about me. You sure you want me to tell that? John? Yeah,

268
00:11:06,559 --> 00:11:11,879
I'm sure. Okay, No, no, I'm kid. Wait, don't tell

269
00:11:11,919 --> 00:11:16,200
her that, tell right, tell him no matter what happens

270
00:11:16,200 --> 00:11:16,480
all over?

271
00:11:23,679 --> 00:11:24,960
Speaker 4: How why is he, mister Kent?

272
00:11:25,519 --> 00:11:27,080
Speaker 1: How did he look fine? Laura? Fine?

273
00:11:27,639 --> 00:11:29,039
Speaker 3: Did you give him?

274
00:11:29,559 --> 00:11:31,200
Speaker 1: I certainly did, And he said to tell you he

275
00:11:31,279 --> 00:11:32,159
loved you more than ever?

276
00:11:33,159 --> 00:11:33,320
Speaker 5: John?

277
00:11:33,559 --> 00:11:35,960
Speaker 1: Oh, No, look kid, lady, no tears. We've got work

278
00:11:36,000 --> 00:11:36,240
to do.

279
00:11:37,240 --> 00:11:37,720
Speaker 4: I'm sorry.

280
00:11:37,840 --> 00:11:40,159
Speaker 1: We've got six nights to camb every bar, gin Mill

281
00:11:40,200 --> 00:11:41,440
and Honkey Tonk on the south side.

282
00:11:41,480 --> 00:11:42,240
Speaker 2: You think you can take it.

283
00:11:42,399 --> 00:11:44,200
Speaker 1: I can take anything. It might mean staying out at

284
00:11:44,200 --> 00:11:46,120
all hours of the morning. What about your folks there?

285
00:11:46,159 --> 00:11:48,120
Speaker 4: Practically just selling me now? It doesn't matter.

286
00:11:48,879 --> 00:12:00,919
Speaker 1: When do we start tonight? I think you've got to

287
00:12:00,919 --> 00:12:04,279
call it quick side. How many places did we cover? Seven?

288
00:12:04,960 --> 00:12:06,440
And at least five to go tomorrow night?

289
00:12:06,879 --> 00:12:08,879
Speaker 3: Yes, but what if she shows up tomorrow one of

290
00:12:08,919 --> 00:12:10,200
the places we covered tonight?

291
00:12:10,320 --> 00:12:12,840
Speaker 1: You just got to keep rotating and truss the luck. Oh,

292
00:12:12,879 --> 00:12:15,000
we know she may be homesick or even dead for

293
00:12:15,159 --> 00:12:18,720
ten weeks, Johnny, last door hit? You tell you no,

294
00:12:18,840 --> 00:12:21,879
maybe not. I'll get a check and week what matter?

295
00:12:22,360 --> 00:12:25,559
Don't look now, but two couples just came in. One

296
00:12:25,559 --> 00:12:27,639
of the girls is a platinum blonde and she's working

297
00:12:27,720 --> 00:12:30,120
a ring with a huge green stone. Oh, she's about

298
00:12:30,120 --> 00:12:32,559
the right height too, I hope, I hope, Yes, what

299
00:12:32,639 --> 00:12:36,200
I captain's bringing them to the table next to us. Easy, No,

300
00:12:37,080 --> 00:12:41,279
don't look too Interestory, it's got a left hand on

301
00:12:41,320 --> 00:12:42,519
the table. Take a look at the ring.

302
00:12:44,360 --> 00:12:45,320
Speaker 5: Oh do you drinking chick?

303
00:12:47,960 --> 00:12:51,399
Speaker 1: Chick? I'll listen carefully, Laura, You've got to get acquainted

304
00:12:51,440 --> 00:12:51,679
with her.

305
00:12:51,840 --> 00:12:52,759
Speaker 4: Huh.

306
00:12:52,879 --> 00:12:55,320
Speaker 1: I'll tell you. We'll try pulling a fast woman. I'll

307
00:12:55,320 --> 00:12:57,559
start an argument with you. I'll say let's go home.

308
00:12:57,600 --> 00:12:59,159
You say no, you want to stay. I'll grab you

309
00:12:59,159 --> 00:13:01,759
alarm and you slap my face and then what that, Bikers,

310
00:13:01,840 --> 00:13:04,120
I'm going to beat you up. That's your cue to screen.

311
00:13:04,159 --> 00:13:06,399
You understand. One of those gorillas at her table is

312
00:13:06,399 --> 00:13:08,159
bound to come to your restless me. I'll take a

313
00:13:08,159 --> 00:13:09,840
poke at him. He'll hit me, and I'll let him.

314
00:13:09,759 --> 00:13:10,240
Speaker 4: Knock me out.

315
00:13:10,320 --> 00:13:11,200
Speaker 3: Oh no, no, I won't.

316
00:13:11,120 --> 00:13:14,559
Speaker 1: Let you worry. He can't hurt me. Carry me out

317
00:13:14,559 --> 00:13:17,000
of here. But don't you follow him. Stay behind. Thank

318
00:13:17,039 --> 00:13:19,399
the gorilla who saved you. Try to join their parties.

319
00:13:19,639 --> 00:13:21,639
Tell them, tell them Joe got him from out of town.

320
00:13:21,679 --> 00:13:24,879
You have no money, no place to sleep. Maybe maybe one.

321
00:13:24,759 --> 00:13:25,360
Speaker 5: Of them, chicky.

322
00:13:25,399 --> 00:13:26,759
Speaker 1: I hope I'll have to take your hand. Well.

323
00:13:26,840 --> 00:13:28,279
Speaker 3: I don't know whether I'm not good an actor.

324
00:13:28,360 --> 00:13:32,120
Speaker 1: You've got to be for Joy's sake, I'll do my best. Okay,

325
00:13:32,559 --> 00:13:33,039
here we go.

326
00:13:34,519 --> 00:13:36,080
Speaker 2: I come on here. I'm sick of this joint.

327
00:13:36,120 --> 00:13:36,720
Speaker 5: Let's go home.

328
00:13:36,960 --> 00:13:39,399
Speaker 1: No, I like it here I want to stay, I said,

329
00:13:39,480 --> 00:13:42,279
but going home not Come on, let go in my arm.

330
00:13:42,639 --> 00:13:43,840
Go when I gets out of here.

331
00:13:43,879 --> 00:13:44,399
Speaker 2: You let go?

332
00:13:44,679 --> 00:13:44,720
Speaker 5: No?

333
00:13:45,799 --> 00:13:46,720
Speaker 1: Why you h.

334
00:13:52,080 --> 00:13:53,480
Speaker 5: I said, I'll take care.

335
00:13:53,399 --> 00:13:56,360
Speaker 2: Of her and you too, So that's it.

336
00:13:56,639 --> 00:13:58,600
Speaker 5: Yeah, okay, you hun.

337
00:14:09,799 --> 00:14:13,039
Speaker 2: Clark can't speaking, Laura. I've been waiting all morning to

338
00:14:13,080 --> 00:14:13,440
hear from you.

339
00:14:16,039 --> 00:14:19,200
Speaker 1: Yes, I know you went home with Chickie. I waited

340
00:14:19,200 --> 00:14:21,039
outside the nightclub just to make sure. I followed you

341
00:14:21,080 --> 00:14:23,440
to her place, two seventy four Green Street. Where are

342
00:14:23,519 --> 00:14:27,960
you now? She's got to hang over, and I don't

343
00:14:27,960 --> 00:14:29,480
suppose you've had a chance to learn anything.

344
00:14:29,799 --> 00:14:30,879
Speaker 5: We got home at five o'clock.

345
00:14:32,279 --> 00:14:34,639
Speaker 1: Well, don't rush it, Laura, take it easy. Gain her

346
00:14:34,639 --> 00:14:37,480
confidence before you start pumping her. You might start by

347
00:14:37,519 --> 00:14:40,159
admiring that ring Donnelly gave her, you know, the usual stuff.

348
00:14:40,159 --> 00:14:41,240
Did your boyfriend give it a tin?

349
00:14:41,279 --> 00:14:41,919
Speaker 2: Sof and so on?

350
00:14:42,440 --> 00:14:44,360
Speaker 1: If she opens up and talks, fine, but it's not

351
00:14:44,519 --> 00:14:47,600
Let it drop for a while. I know, I know,

352
00:14:47,639 --> 00:14:49,679
But don't worry about that. If you've been learn where

353
00:14:49,679 --> 00:14:53,919
Donnelly's hiding out, the rest is easy and Laura, chances

354
00:14:53,919 --> 00:14:56,120
are she's got a picture of Dannelly somewhere in her room,

355
00:14:56,240 --> 00:14:58,320
maybe even in her pocketbook. Get hold of it.

356
00:14:58,320 --> 00:14:59,600
Speaker 4: If you can't.

357
00:15:00,279 --> 00:15:03,039
Speaker 1: Okay, I'll be here if you need me. Good luck, Laura.

358
00:15:10,000 --> 00:15:11,320
Speaker 3: Kill any better not Chicky?

359
00:15:11,559 --> 00:15:13,879
Speaker 4: Yeah, an assprint in the coffee?

360
00:15:13,879 --> 00:15:16,120
Speaker 5: Did the trick? Oh? Brother?

361
00:15:16,279 --> 00:15:20,279
Speaker 4: Did I have a head? He sure did? What time

362
00:15:20,279 --> 00:15:20,799
do we get in?

363
00:15:21,200 --> 00:15:21,879
Speaker 1: Five o'clock?

364
00:15:23,440 --> 00:15:25,399
Speaker 4: Bobo Loog wanted to come up, didn't he?

365
00:15:25,559 --> 00:15:26,240
Speaker 1: Yeah?

366
00:15:26,399 --> 00:15:30,159
Speaker 4: I talked him out of it. Thanks, kid. Oh he's

367
00:15:30,240 --> 00:15:32,639
all right, but he's got paws on him like an ape.

368
00:15:33,480 --> 00:15:35,240
But he sure flapped that punk who was trying to

369
00:15:35,320 --> 00:15:39,120
rough you up, didn't he? He sure did. One punch

370
00:15:39,159 --> 00:15:43,960
in the punk was out like a light. Oh you're

371
00:15:44,120 --> 00:15:45,120
feeling all right, kid?

372
00:15:45,399 --> 00:15:45,600
Speaker 1: Oh?

373
00:15:45,679 --> 00:15:48,159
Speaker 3: Sure, I'm fine.

374
00:15:48,440 --> 00:15:48,720
Speaker 2: Chicky.

375
00:15:48,799 --> 00:15:51,039
Speaker 3: You did a nice thing bringing me home last night.

376
00:15:51,360 --> 00:15:53,559
I can't tell you how much I appreciate it.

377
00:15:53,639 --> 00:15:55,960
Speaker 4: Oh, forget it. You're a good kid. A matter of fact,

378
00:15:56,120 --> 00:15:57,960
you're gonna stay with me till you find a place

379
00:15:57,960 --> 00:15:58,440
of your own.

380
00:15:59,320 --> 00:16:01,159
Speaker 2: You really mean? I'm not?

381
00:16:01,399 --> 00:16:02,639
Speaker 4: I at plenty of room here.

382
00:16:03,919 --> 00:16:04,559
Speaker 5: What's today?

383
00:16:04,960 --> 00:16:05,440
Speaker 3: Monday?

384
00:16:05,759 --> 00:16:06,200
Speaker 1: What day?

385
00:16:06,720 --> 00:16:07,200
Speaker 3: Sixteen?

386
00:16:08,639 --> 00:16:11,480
Speaker 4: You can stay with me until the twenty second. That's

387
00:16:11,519 --> 00:16:12,639
when my boyfriend will be back.

388
00:16:13,799 --> 00:16:14,879
Speaker 3: Where is he?

389
00:16:15,559 --> 00:16:15,679
Speaker 1: Oh?

390
00:16:15,720 --> 00:16:17,440
Speaker 4: He had to take it on the link. I mean

391
00:16:17,519 --> 00:16:19,080
he had to go away on kind of a trip.

392
00:16:19,279 --> 00:16:21,360
Speaker 3: He's here traveling salesman, Tony.

393
00:16:22,240 --> 00:16:24,519
Speaker 4: He sill get a boot out of that. No, you

394
00:16:24,600 --> 00:16:27,080
see he he kind of got into a little dam

395
00:16:27,200 --> 00:16:29,320
so he had a blow for a while. But he'll

396
00:16:29,360 --> 00:16:31,720
be back Sunday the twenty second on a kind of

397
00:16:31,759 --> 00:16:35,000
on Saturday, something's happened and that'll put him in the clear.

398
00:16:36,679 --> 00:16:42,960
What's the mate, kid not got green around the gills.

399
00:16:42,039 --> 00:16:48,879
Speaker 3: I was just thinking, how niceness must beat him. Have

400
00:16:48,879 --> 00:16:49,960
a regular boyfriend?

401
00:16:50,279 --> 00:16:53,519
Speaker 4: Yeh, sure is? How about that's rushing up some breakfast?

402
00:16:53,600 --> 00:16:55,480
Speaker 3: Hunh and no I'm not very hungry.

403
00:16:55,679 --> 00:16:58,080
Speaker 4: I come on, snap out of a kid, We'll find

404
00:16:58,120 --> 00:17:04,640
your boyfriend. And I almost see myself.

405
00:17:04,720 --> 00:17:05,839
Speaker 1: Wait a minute, that's what she said.

406
00:17:05,920 --> 00:17:08,519
Speaker 4: Nelly was coming back on Sunday because on Saturday something

407
00:17:08,599 --> 00:17:09,160
was going to happen.

408
00:17:10,480 --> 00:17:12,200
Speaker 1: You know what she is, Yes, but it's not going

409
00:17:12,279 --> 00:17:14,319
to happen. Keep plugging, Laura, You're doing fine.

410
00:17:14,960 --> 00:17:15,519
Speaker 4: Day is gone.

411
00:17:15,759 --> 00:17:20,960
Speaker 1: Don't think about that. Just keep plugging.

412
00:17:21,680 --> 00:17:23,640
Speaker 3: She talked about Tony for an hour last I said,

413
00:17:23,640 --> 00:17:25,000
you can't, but I couldn't get her to tell me

414
00:17:25,039 --> 00:17:25,839
where he's hiding out.

415
00:17:26,279 --> 00:17:27,000
Speaker 4: I'm getting worried.

416
00:17:27,079 --> 00:17:31,640
Speaker 1: Don't worry, Laura, don't be too anxious. What about the picture?

417
00:17:31,680 --> 00:17:32,799
Have you had a chance to look around?

418
00:17:32,920 --> 00:17:34,160
Speaker 3: No, she's been with me every minute.

419
00:17:35,279 --> 00:17:37,279
Speaker 4: Why can't we have a police question to.

420
00:17:37,279 --> 00:17:39,200
Speaker 1: Tell us where he is? No, No, you can't force her,

421
00:17:39,240 --> 00:17:41,400
Laura anyway, that would be a tip off to Dannelly.

422
00:17:41,720 --> 00:17:43,480
This is the best way to believe me. Just don't

423
00:17:43,480 --> 00:17:45,480
get panicky. Something's bound to break.

424
00:17:49,599 --> 00:17:49,759
Speaker 2: Ken.

425
00:17:50,119 --> 00:17:52,160
Speaker 3: I saw a picture on two letters from Tony buried

426
00:17:52,200 --> 00:17:53,079
under some clothes.

427
00:17:52,799 --> 00:17:54,559
Speaker 1: And one of the girl draws, what girl, where are

428
00:17:54,559 --> 00:17:57,039
the letters from base Mo?

429
00:17:58,039 --> 00:18:00,240
Speaker 4: N A U G A N K.

430
00:18:01,799 --> 00:18:04,880
Speaker 1: Yeah, I know. It's a coal mining town here Scratton. No,

431
00:18:04,920 --> 00:18:08,279
where are you now? You've got to verify the location

432
00:18:08,359 --> 00:18:09,960
if you can. He may have mailed the letters from

433
00:18:09,960 --> 00:18:13,920
another town Saturday. It's a lot I know. I know, Hey,

434
00:18:13,920 --> 00:18:14,880
where you are? I'll come over.

435
00:18:15,039 --> 00:18:16,000
Speaker 5: No, No, I can't do that.

436
00:18:16,039 --> 00:18:17,400
Speaker 4: She only went out for a few minutes to pay

437
00:18:17,400 --> 00:18:19,359
her electric I've got.

438
00:18:19,200 --> 00:18:20,160
Speaker 6: To pull out all together.

439
00:18:20,839 --> 00:18:22,359
Speaker 1: I'll tell you what you do. Borrow an envelope from

440
00:18:22,359 --> 00:18:23,880
the druggist, put the letters in the picture in it,

441
00:18:23,960 --> 00:18:25,319
seal it, write my name on it and leave it

442
00:18:25,359 --> 00:18:27,079
there for me. I'll pick it up, all right, but

443
00:18:27,160 --> 00:18:29,359
then talk to her when she gets back. Somehow mentioned

444
00:18:29,359 --> 00:18:31,599
Pennsylvania the coal mines. You know. You might even tell

445
00:18:31,599 --> 00:18:33,480
you've got a friend in Morganac she's found to react.

446
00:18:33,519 --> 00:18:36,119
Maybe even tell you that's where Danelly is. I can't

447
00:18:36,119 --> 00:18:37,640
be very far wrong. You better go now.

448
00:18:45,480 --> 00:18:46,720
Speaker 2: Oh hello, Shaggy, A.

449
00:18:48,119 --> 00:18:50,640
Speaker 4: Box of Kleenex, an orange stick, and the pine of

450
00:18:50,759 --> 00:18:51,480
rubin alcohol.

451
00:18:52,480 --> 00:18:53,359
Speaker 1: Even keep yourself.

452
00:18:54,319 --> 00:18:56,440
Speaker 2: I see your girlfriend a lot, but I don't see

453
00:18:56,480 --> 00:18:58,799
what to you that was the rubin alcohol?

454
00:18:58,920 --> 00:19:02,160
Speaker 4: Right? Yeah, Hi, what girlfriend?

455
00:19:02,240 --> 00:19:05,319
Speaker 2: Oh one's living with your dark hair, kind of nice looking.

456
00:19:05,960 --> 00:19:08,279
Comes in almost every day to use a pay telephone.

457
00:19:08,720 --> 00:19:11,000
Oh yeah, matter of fact, she was in a few

458
00:19:11,000 --> 00:19:15,519
minutes ago. Men rope some fella to pick up. Yeah,

459
00:19:15,559 --> 00:19:18,240
this one, let's see it, dog, Sure.

460
00:19:18,079 --> 00:19:22,680
Speaker 4: Sure, Clark and oh yeah, I know this guy. Only

461
00:19:22,799 --> 00:19:25,039
you shouldn't left it here, for I'm coming by the house.

462
00:19:25,079 --> 00:19:26,960
Speaker 2: I'll I'll take it with me.

463
00:19:27,319 --> 00:19:29,240
Speaker 4: You finished wapping that package? Dog, I gotta make a

464
00:19:29,279 --> 00:19:48,160
phone ball thurday, No good sneak, b this is cheap.

465
00:19:49,079 --> 00:19:51,039
I need in a hurry, Bobo, tell you when I

466
00:19:51,079 --> 00:19:52,519
see you pick me up at the corner. Of green

467
00:19:52,519 --> 00:20:03,559
and have a iron make it fast. Oh that's so soon. Yeah,

468
00:20:03,599 --> 00:20:08,160
I'm black. Come on in, Bobo. I don't remember Bobo.

469
00:20:08,559 --> 00:20:10,599
He's the one paste of that guy with the night

470
00:20:10,640 --> 00:20:13,319
we met. Of course, it's nice to see you again.

471
00:20:13,519 --> 00:20:15,640
Speaker 5: Give the glad hands. Sister like to do a chick?

472
00:20:15,920 --> 00:20:16,359
Speaker 4: Yeah?

473
00:20:16,640 --> 00:20:17,160
Speaker 3: What's the matter?

474
00:20:17,240 --> 00:20:18,640
Speaker 1: Is something wrong with us?

475
00:20:18,640 --> 00:20:20,279
Speaker 5: Sister? How about you? Chicky?

476
00:20:20,319 --> 00:20:21,200
Speaker 4: What's he talking about?

477
00:20:21,279 --> 00:20:21,880
Speaker 2: Get off it?

478
00:20:22,000 --> 00:20:22,799
Speaker 4: Who are you stealing?

479
00:20:22,799 --> 00:20:22,839
Speaker 7: For?

480
00:20:22,920 --> 00:20:22,960
Speaker 2: You?

481
00:20:23,000 --> 00:20:23,559
Speaker 1: A little? Right?

482
00:20:24,319 --> 00:20:25,119
Speaker 3: I don't know what you mean.

483
00:20:25,240 --> 00:20:27,599
Speaker 1: Maybe this will help you to get these lights on

484
00:20:27,640 --> 00:20:28,079
his picture?

485
00:20:28,160 --> 00:20:33,599
Speaker 4: And I never saw them before. You've got no no, I.

486
00:20:33,519 --> 00:20:34,960
Speaker 2: Didn't I get doing for the cops.

487
00:20:35,160 --> 00:20:38,559
Speaker 4: Come on, answer me, stop it stop answer me, or

488
00:20:38,599 --> 00:20:40,880
I'll pull out every here in your head. Oh no, no?

489
00:20:41,039 --> 00:20:41,960
Speaker 1: What? Please?

490
00:20:42,519 --> 00:20:42,880
Speaker 7: Please?

491
00:20:44,799 --> 00:20:47,720
Speaker 5: She passed out? Hey, look, what are you wasting time

492
00:20:47,759 --> 00:20:49,839
with her foot? Let's load in the car and take

493
00:20:49,880 --> 00:20:50,799
her for one way, right.

494
00:20:50,759 --> 00:20:52,680
Speaker 4: I gotta find out who she's doing for the cops?

495
00:20:52,680 --> 00:20:54,680
Speaker 5: Who do you think? Don't make no difference. You got

496
00:20:54,680 --> 00:20:55,559
the letters in the pictures.

497
00:20:55,599 --> 00:20:57,279
Speaker 4: Yeah, but I don't know how much you already told them.

498
00:20:57,319 --> 00:20:58,039
Speaker 5: Who cares?

499
00:20:58,319 --> 00:21:00,279
Speaker 7: That kid gets burned up in the big house a night,

500
00:21:00,319 --> 00:21:04,960
but tomorrow Tony is clear. Okay, that's the way you

501
00:21:05,039 --> 00:21:14,680
want it.

502
00:21:19,960 --> 00:21:21,920
Speaker 4: Quick, stall on your right way? You where and you're

503
00:21:21,920 --> 00:21:23,240
gonna stay here? Tell your thing?

504
00:21:23,759 --> 00:21:24,319
Speaker 1: Whose claw?

505
00:21:24,400 --> 00:21:24,519
Speaker 2: Can?

506
00:21:25,400 --> 00:21:27,440
Speaker 4: I don't all of a sudden you don't know nothing?

507
00:21:27,440 --> 00:21:28,319
Speaker 1: Do you?

508
00:21:28,359 --> 00:21:28,759
Speaker 2: Please?

509
00:21:28,839 --> 00:21:30,319
Speaker 4: You know enough to step into the drug store every

510
00:21:30,359 --> 00:21:31,000
day and call a cop?

511
00:21:31,039 --> 00:21:31,319
Speaker 1: Didn't?

512
00:21:31,319 --> 00:21:31,640
Speaker 5: Please?

513
00:21:31,720 --> 00:21:34,640
Speaker 2: I can't then talk? I do know it?

514
00:21:34,720 --> 00:21:37,319
Speaker 4: Let me we're she'll just black out again.

515
00:21:37,799 --> 00:21:40,000
Speaker 1: I just said before with the right pitch. Where can

516
00:21:40,000 --> 00:21:40,440
we do it?

517
00:21:40,559 --> 00:21:41,240
Speaker 5: I know? Please?

518
00:21:41,400 --> 00:21:43,640
Speaker 4: Okay we'll stick so then we'll blow until tomorrow. Get

519
00:21:43,640 --> 00:21:46,559
a coat out of the closet. Come on, sure you're

520
00:21:46,599 --> 00:21:48,480
going to do rode over shoulders. I'll go down first

521
00:21:48,519 --> 00:21:50,039
and get the car door over you fall burn? Can

522
00:21:50,079 --> 00:21:51,759
your gun in the bash? Where are you taking me

523
00:21:52,119 --> 00:21:53,680
out for a little fresh air?

524
00:21:53,920 --> 00:21:54,519
Speaker 1: Sweetheart?

525
00:22:00,599 --> 00:22:00,880
Speaker 5: You say?

526
00:22:00,960 --> 00:22:02,759
Speaker 1: The dark haired skir left the envelope for me, and

527
00:22:02,759 --> 00:22:03,920
then the blonde girl picked it up.

528
00:22:04,000 --> 00:22:07,000
Speaker 2: Yeah that's right, mischief Kicky, she's the blonde said you

529
00:22:07,039 --> 00:22:08,480
were coming by the house. There was no sense of

530
00:22:08,559 --> 00:22:10,599
leaving it here. I see how long ago was this? Oh?

531
00:22:10,640 --> 00:22:13,440
Speaker 1: I say fifteen minutes. Thanks? Thanks a lot, Hey, you

532
00:22:13,559 --> 00:22:15,759
the Clark can't write for the Daily Plan Yeah, that's right.

533
00:22:15,920 --> 00:22:16,839
Speaker 5: Oh what do you know?

534
00:22:17,160 --> 00:22:19,240
Speaker 2: You know, I'd like to ask you something, mister can sorry,

535
00:22:19,240 --> 00:22:19,759
but I haven't time.

536
00:22:19,799 --> 00:22:21,279
Speaker 1: Now, some other time maybe, Oh.

537
00:22:21,079 --> 00:22:22,400
Speaker 2: Okay, well drop by day.

538
00:22:22,559 --> 00:22:22,960
Speaker 1: Sure thing?

539
00:22:24,000 --> 00:22:24,279
Speaker 4: All right?

540
00:22:24,279 --> 00:22:25,960
Speaker 1: It looks like a limp blown off this thing And

541
00:22:26,119 --> 00:22:29,759
just when we were great Scott stucking into an alley.

542
00:22:29,799 --> 00:22:32,240
Clark Kent looks on intense amazement as he watches Laura

543
00:22:32,279 --> 00:22:34,319
forced into the back of a dark Glean sedan, obviously

544
00:22:34,359 --> 00:22:37,079
at gunpoint. His first instinct is to go to her rescue,

545
00:22:37,160 --> 00:22:40,079
but he restrains himself. Can't start any trouble on the street.

546
00:22:40,119 --> 00:22:42,680
It would need police cars, reporter as a front page story,

547
00:22:42,720 --> 00:22:45,000
and a tip off to Deli. I'd like to follow

548
00:22:45,039 --> 00:22:50,319
them wherever they go as Superman. Almost before the Sadan

549
00:22:50,400 --> 00:22:51,920
has pulled away from the curb, Kent has made the

550
00:22:51,920 --> 00:22:54,519
transformation from the conservative business suit of a newspaper crime

551
00:22:54,559 --> 00:22:57,240
reporter for the brig red and blue costume of Superman,

552
00:22:59,160 --> 00:23:01,119
sting high into the Yeah, the only human being on

553
00:23:01,160 --> 00:23:03,359
earth who numbers, among his other amazing powers, the power

554
00:23:03,359 --> 00:23:05,799
of flight, follows the dark Queen Sedana. It turns the

555
00:23:05,839 --> 00:23:07,920
corner and heads for the outskirts.

556
00:23:07,319 --> 00:23:08,680
Speaker 2: Of the city.

557
00:23:10,759 --> 00:23:13,480
Speaker 1: Twenty minutes later, in the darkening dusk of early evenings,

558
00:23:13,920 --> 00:23:16,359
the car pulled into a narrow sidon road and comes

559
00:23:16,359 --> 00:23:16,920
to a stuff.

560
00:23:18,279 --> 00:23:19,279
Speaker 5: Okay, this is it.

561
00:23:19,359 --> 00:23:21,559
Speaker 3: Get out, no no, please, please don't kill me.

562
00:23:21,599 --> 00:23:22,519
Speaker 1: I'll tell you everything.

563
00:23:22,599 --> 00:23:23,720
Speaker 4: It's too now, get.

564
00:23:23,519 --> 00:23:29,559
Speaker 5: Out please please, no, no, go you staying to cut nice?

565
00:23:29,720 --> 00:23:33,279
Speaker 1: Make it go all right?

566
00:23:33,480 --> 00:23:37,160
Speaker 5: Just to say your pray. Gonna say yours first, He says,

567
00:23:37,160 --> 00:23:37,960
where did you come.

568
00:23:37,920 --> 00:23:41,279
Speaker 1: Out of the blue domo? Laura, try it again, Bobo

569
00:23:42,440 --> 00:23:46,559
doesn't happen. Watch what happens now, So let you get away.

570
00:23:46,599 --> 00:23:52,839
She got her hand off so fast, Laura, hold on minute.

571
00:23:53,039 --> 00:23:55,200
Just after the main road, Laura flag the first car

572
00:23:55,319 --> 00:23:56,880
comes along. Tell him to send the police back here

573
00:23:56,880 --> 00:23:57,279
in a hurry.

574
00:23:57,319 --> 00:23:58,880
Speaker 2: Okay, you've got to race to do this.

575
00:23:59,160 --> 00:24:01,559
Speaker 1: Not discuss right the wrong Chicky. Just tell me one thing.

576
00:24:01,599 --> 00:24:04,640
Where's Tony Dnnelly? If you don't, who does? And you

577
00:24:04,720 --> 00:24:06,519
better tell me before the police get here, because when

578
00:24:06,519 --> 00:24:09,079
they do, it'll be too late. I didn't do nothing, Danelly,

579
00:24:09,240 --> 00:24:11,359
murdered a man and you shielded him. You're an accessory.

580
00:24:11,359 --> 00:24:13,880
Would you like to spend ten years behind bars? Oh?

581
00:24:13,960 --> 00:24:15,720
What a cheap punk would turn his mother in to

582
00:24:15,720 --> 00:24:18,000
save his own skin. Take it over, Chicky. I can

583
00:24:18,079 --> 00:24:19,519
make it easier for you if you play along.

584
00:24:19,720 --> 00:24:21,839
Speaker 4: Yeah, sure, I can believe it.

585
00:24:22,000 --> 00:24:22,839
Speaker 2: You can believe it.

586
00:24:24,039 --> 00:24:25,559
Speaker 1: Well, you know where I is.

587
00:24:25,720 --> 00:24:28,599
Speaker 4: She saw the letters, Morgan, I'm not saying anymore.

588
00:24:28,680 --> 00:24:32,279
Speaker 1: Okay, that's enough. There's two miles down the road.

589
00:24:32,319 --> 00:24:33,319
Speaker 4: The man said he'd notified them.

590
00:24:33,359 --> 00:24:33,759
Speaker 5: Good girl.

591
00:24:34,000 --> 00:24:35,440
Speaker 4: But what's the use of all this now?

592
00:24:36,039 --> 00:24:38,839
Speaker 1: It's too late, too late for lunch, so much six o'clock.

593
00:24:39,319 --> 00:24:42,640
We can't get to Pennsylvanian back in time. We can't,

594
00:24:42,640 --> 00:24:44,799
but I can. Oh, your man must have passed the

595
00:24:44,799 --> 00:24:46,599
patrol far on the road. Can they come? He give

596
00:24:46,640 --> 00:24:48,519
me those letters in the picture? Hurry, I don't want

597
00:24:48,519 --> 00:24:50,240
to waste time with explanations. You'll have to tell him

598
00:24:50,279 --> 00:24:51,880
what happened, do you really think?

599
00:24:51,920 --> 00:24:52,400
Speaker 5: Don't worry?

600
00:24:52,519 --> 00:24:54,279
Speaker 1: Pick up, I got her gorilla friend dropped and hold

601
00:24:54,279 --> 00:24:55,200
it on Chicken until the police.

602
00:24:55,440 --> 00:24:58,039
Speaker 2: Yeah, have you got us? Yeah, okay, they're here.

603
00:24:58,079 --> 00:25:01,759
Speaker 1: It's along and keep your chin up. Leaping into the

604
00:25:01,839 --> 00:25:03,640
now darkened sky, the Man of Steel hobbits for a

605
00:25:03,680 --> 00:25:05,519
moment above the narrow side road until he is certain

606
00:25:05,559 --> 00:25:07,839
the police are on the scene, then turning in mid air,

607
00:25:07,880 --> 00:25:09,920
he heads north, almost with the speed of light, racing

608
00:25:10,000 --> 00:25:16,359
against the grim specter of death. Hours later, in his

609
00:25:16,400 --> 00:25:18,799
Guy's a clock can't he picks up Tony Dannelly's trail

610
00:25:18,839 --> 00:25:20,400
at the Bar and Grill in the coal mining town

611
00:25:20,440 --> 00:25:23,759
of Morgant. But now time is precious. It is ten thirty.

612
00:25:23,920 --> 00:25:27,559
It's Johnny Webber's execution is scheduled for eleven. Every minute counts.

613
00:25:28,039 --> 00:25:30,240
The trail finally leads to a cheap rooming house at

614
00:25:30,279 --> 00:25:32,759
the edge of town. Once more in his true role,

615
00:25:32,920 --> 00:25:34,799
Superman knocks at Tony Dannelly's door.

616
00:25:36,440 --> 00:25:39,640
Speaker 2: Open up, Dannelly, I know you're in there. Open up there,

617
00:25:39,799 --> 00:25:42,559
Come in and get you all right, if that's the

618
00:25:42,599 --> 00:25:44,039
way you want it. Here going.

619
00:25:46,640 --> 00:25:48,640
Speaker 1: No time for horse playing anyway. I want that gun,

620
00:25:48,839 --> 00:25:50,559
probably the one you used to murder. Waller tells me,

621
00:25:51,319 --> 00:25:52,880
get to make sure you don't get me any trouble

622
00:25:52,880 --> 00:25:53,000
on the.

623
00:25:53,000 --> 00:25:56,480
Speaker 2: Trip back on Metropolis. Here's a little sleeping till now

624
00:25:56,559 --> 00:25:57,359
to the state prisons.

625
00:25:57,440 --> 00:25:58,119
Speaker 1: But fat.

626
00:26:02,319 --> 00:26:04,160
Speaker 5: I'm sorry, Superman, but there's nothing.

627
00:26:03,960 --> 00:26:05,519
Speaker 1: I can do with that. But they've got an innocent

628
00:26:05,599 --> 00:26:07,960
man in that execution room. This man is the murderer that.

629
00:26:08,119 --> 00:26:09,880
Speaker 5: May be but the only one who can stop it

630
00:26:09,920 --> 00:26:11,920
now is the governor. And there's no turn, I tell you,

631
00:26:12,079 --> 00:26:14,240
scrapping him into the chair right now, they'll be pulling

632
00:26:14,279 --> 00:26:14,680
the switch.

633
00:26:14,759 --> 00:26:17,319
Speaker 1: The eleven chops. Just one minute. It must be away,

634
00:26:17,400 --> 00:26:20,160
that's got to be Wait a minute, Yes, there is here.

635
00:26:20,200 --> 00:26:23,519
Watch this pump for me. I'll be back racing into

636
00:26:23,559 --> 00:26:26,160
the prison yard. Superman, sharp eyes penetrate the darkness in

637
00:26:26,279 --> 00:26:28,359
a split second, find what they want. The power lines

638
00:26:28,440 --> 00:26:31,079
running from the prisons electric generators sleeping off the ground.

639
00:26:31,119 --> 00:26:33,400
He gits the heavily insulated wires in his hands, drits

640
00:26:33,440 --> 00:26:35,279
them apart, as though they were caught in thread. There's

641
00:26:35,279 --> 00:26:37,319
the shower of parts in the grat, kissing and crackling.

642
00:26:37,519 --> 00:26:40,279
As the severed wires writhe and flips like portied snakes.

643
00:26:40,759 --> 00:26:43,960
The entire prisoner is plunged into merciful, life giving darkness.

644
00:26:55,480 --> 00:26:58,079
Speaker 2: Well, Laura, Johnny, how does it feel to be married?

645
00:26:58,119 --> 00:26:58,400
Speaker 5: People?

646
00:26:59,000 --> 00:26:59,039
Speaker 7: It?

647
00:26:59,240 --> 00:27:02,079
Speaker 3: Here's one, mister Ken And it never would have happened

648
00:27:02,079 --> 00:27:03,559
if not for you and Superman.

649
00:27:03,759 --> 00:27:05,880
Speaker 1: Yes, don't forget Superman. You know, I was a little

650
00:27:05,920 --> 00:27:08,079
worried that the warden and the governor would be furious

651
00:27:08,079 --> 00:27:10,920
about those power lines being ripped apart, but they weren't.

652
00:27:10,799 --> 00:27:11,319
Speaker 2: It too bad?

653
00:27:11,359 --> 00:27:14,240
Speaker 1: Superman isn't here, so we can thank him personally. Well, Johnny,

654
00:27:14,279 --> 00:27:17,440
I'll seizure he really is here? Is he where?

655
00:27:18,200 --> 00:27:19,000
Speaker 2: Or shall we say?

656
00:27:19,799 --> 00:27:30,599
Speaker 1: In spirit? And so ends one Minute to Death on

657
00:27:30,839 --> 00:27:33,839
the adventures of Superman, which come to you now each

658
00:27:33,880 --> 00:27:36,960
week at the same time over many of these ABC stations.

659
00:27:37,319 --> 00:27:40,559
Superman is a copyright transcribed feature appearing in Superman DC

660
00:27:40,720 --> 00:27:57,720
comic magazine. This is ABC, the American broadcasting company