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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>email it to me Box thirteen at Great Detectives dot net,

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<v Speaker 1>follow us on Twitter at Radio Detectives, and become one

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<v Speaker 1>of our friends on Facebook, Facebook dot com slash Radio Detectives.

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<v Speaker 1>Today's program is brought to you in part by the

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<v Speaker 1>financial support of our listeners, and I want to highlight

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<v Speaker 1>something that our patron supporters have done that will change

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<v Speaker 1>our video theater Patreon supporters across the eight hundred dollars threshold.

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<v Speaker 1>As a result of that, we did an upgrade have

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<v Speaker 1>moved all of our video theater to an outside host

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<v Speaker 1>of That means is videos will not slow down your

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<v Speaker 1>old time radio listening enjoyment. And in addition to that,

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<v Speaker 1>while we had been limiting the number of video theaters

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<v Speaker 1>that we had available, thanks to our Patreon supporters, all

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<v Speaker 1>past recordings that we did with the hosted videos are

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<v Speaker 1>now up and will continue to be available. And you

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<v Speaker 1>can follow the video podcast with public domain television programs

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<v Speaker 1>and movies at Video Theater dot Great Detectives dot net,

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<v Speaker 1>and if you want to support the program, You can

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<v Speaker 1>do so either on a one time basis at support

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<v Speaker 1>dot great Detectives dot net or become one of our

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<v Speaker 1>Patreon supporters Patreon dot great Detectives dot net. Now it's

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<v Speaker 1>time for today's episode of not Beat. I should mention

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<v Speaker 1>that not Beat is entering kind of a dead zone

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<v Speaker 1>where lost episodes really mean. We don't have very many

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<v Speaker 1>episodes from this era. Between the fiftieth and ninety second

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<v Speaker 1>episodes of not Beat, we have a grand total of

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<v Speaker 1>four episodes that are available, so more than ninety percent missing.

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<v Speaker 1>This one aired only five weeks after the previous one.

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<v Speaker 1>The original air date on it is August the seventeenth

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<v Speaker 1>of nineteen fifty one, and the title is they.

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<v Speaker 2>NBC presents Frank Lovejoy in.

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<v Speaker 3>Night Hi, this is Randy Stone. I cover the Nightbeat

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<v Speaker 3>for the Chicago Star only tonight. It was too hot

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<v Speaker 3>to cover anything, and I mean anything. It was too

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<v Speaker 3>hot for wife killings, ganglin murders and such nonsense. Nobody

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<v Speaker 3>had energy for much more than the wave of soggy

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<v Speaker 3>newspaper back and forth in front of his face. And

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<v Speaker 3>the standard reply to the standard question what's cooking? Was

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<v Speaker 3>a dull me around ten o'clock with no story inside.

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<v Speaker 3>I checked in with the office and the switchbird girl

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<v Speaker 3>sounded like the last rows of last summer, but she

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<v Speaker 3>managed to inform me that mister Baker, the night editor,

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<v Speaker 3>wanted words with me. As she wearily connected me, I

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<v Speaker 3>dug out my handkerchief and blotted the back of my neck.

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<v Speaker 3>It's dom yeah, climbing year.

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<v Speaker 4>Old Gillappia, and take her right out to the insane.

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<v Speaker 3>Asylum and they got air conditioning.

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<v Speaker 2>Oh, I'm serious.

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<v Speaker 4>Is a report that a half a dozen police cars

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<v Speaker 4>are parking at the entrance.

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<v Speaker 2>I called a check, but the switchboard doesn't answer. Beat

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<v Speaker 2>it up there, Randy.

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<v Speaker 3>I headed for the outskirts of town, and soon I

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<v Speaker 3>was approaching my destination. I guess the way the world's

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<v Speaker 3>been spinning around, a lot of people are getting lost

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<v Speaker 3>in the fog. Because this place was really big. Half

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<v Speaker 3>a dozen huge buildings spread out across acres of greenland,

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<v Speaker 3>and a mighty high fence running all the way around.

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<v Speaker 3>But even while I was still blocks away, I knew

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<v Speaker 3>something was wrong because though it was only around ten o'clock,

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<v Speaker 3>in all those buildings there wasn't one light burning. I

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<v Speaker 3>drove up to the gate, and yet they were police cars,

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<v Speaker 3>and the police sergeant with the red flashlight signaled me

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<v Speaker 3>to was stuck.

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<v Speaker 2>What's your business, cousin.

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<v Speaker 3>I'm a newspaper man, Randy Stone of a star.

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<v Speaker 2>They're not buying any newspapers tonight. Got all the newspapers

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<v Speaker 2>they need. All fine.

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<v Speaker 3>Now you and your flashlights step aside.

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<v Speaker 2>Now go on in.

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<v Speaker 3>No one goes in, no one goes out orders, and

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<v Speaker 3>you get on that gate phone, cousin, until the superintendent

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<v Speaker 3>the press is pounding at the walls. And if I

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<v Speaker 3>don't get in, I'm going back to town and invent

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<v Speaker 3>a story. When I start inventing, sometimes I just never stop. Well,

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<v Speaker 3>go ahead, cousin. When the sarge hung up the phone,

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<v Speaker 3>he swung open the gates and waved me in with

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<v Speaker 3>his pretty red flashlight, saying that I was to go

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<v Speaker 3>right onto the administration building. As I drove up the

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<v Speaker 3>curved roadway, I saw little shafts of light moving through

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<v Speaker 3>the darkness all over the place, but still no lights

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<v Speaker 3>anyplace else. I parked in front of the administration building

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<v Speaker 3>and was met by a man also carrying a flashlight.

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<v Speaker 3>That man, this is my name, a public relations officer.

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<v Speaker 3>Oh what's going on here? It is rather embarrassing. You know,

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<v Speaker 3>I'm quite sure they'll find him in a minute. Now

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<v Speaker 3>find who The superintendent thinks it would be best if

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<v Speaker 3>you talk to Fugati. Oh this week rising here the

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<v Speaker 3>first age room. Easy, easy, easy with this chapter. Having

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<v Speaker 3>his head bandaged. This is mister Stone, a newspaper reports,

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<v Speaker 3>But I thought, well, the superintendent feels it's pointless to

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<v Speaker 3>try and hide the facts in the longer.

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<v Speaker 2>They caught Captain Bob, yet they.

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<v Speaker 3>Expect you in a moment. I take it one of

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<v Speaker 3>the inmates is escape. No, no, not really, he's still

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<v Speaker 3>on the grounds. That's what we don't want. No alarming

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<v Speaker 3>story about an escaped maniac.

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<v Speaker 2>Maniac. Yeah a doc doc easy with a bandage, harder

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<v Speaker 2>work with just a flashlight. Yeah, Captain Bob. That kills me,

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<v Speaker 2>absolutely kills me. He's the artificial mayor of this place,

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<v Speaker 2>a real veteran. Once he even applied by hash marks

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<v Speaker 2>and service stars. And then the blow is top like this,

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<v Speaker 2>easy doc man. Almost a huge man with a mind

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<v Speaker 2>of a child, A gentle giant.

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<v Speaker 3>You might say, gentle what caused he blow up?

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<v Speaker 2>What caused it? Yeah, that's a reasonable question. We took

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<v Speaker 2>away his brown sugar, his witch. He kept it in

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<v Speaker 2>his foot locker for his oatmeal. Well, they were afraid

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<v Speaker 2>of roaches, you know, so they kept asking him to

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<v Speaker 2>turn it in Today. They got tired of him ignoring him,

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<v Speaker 2>so they sent me around. He was all by himself

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<v Speaker 2>in a warden, this giant of a man, sitting on

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<v Speaker 2>his bed and his gym shoes and his red bathroom.

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<v Speaker 2>Captain Bob, Captain Bob.

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<v Speaker 3>Brow.

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<v Speaker 2>That was splendid. That was splendid. Wasn't that splendid? Fog Yeah?

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<v Speaker 2>Sure you know what? All in the diaphragm. It's right

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<v Speaker 2>down here, the diaphragm, you see. Hell, how many times

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<v Speaker 2>did I tell him, Enrico, if you only breathe properly

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<v Speaker 2>and forgot the chicken, open your foot lock a, captain,

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<v Speaker 2>And why the brown sugar? It's gotta go? Oh jurns okay, swoot,

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<v Speaker 2>okay it myself, hold it? Dono's the lid? Oh goodbye,

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<v Speaker 2>mister fogerty. Look I got my orders. Just stop that racket,

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<v Speaker 2>will you. They gave me artist to take that sugar.

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<v Speaker 2>Repeat that slowly, mister foy, I said, they gave me away,

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<v Speaker 2>gave you orders there again. They know that brown sugar

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<v Speaker 2>is the very essence of my power, so they must

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<v Speaker 2>take it away from me. Now, come on, captain, how

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<v Speaker 2>long ago was that did they decided I could no

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<v Speaker 2>longer have my fine gold leaf tobacca plug. And wasn't

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<v Speaker 2>it only last year that they made me shave my beard?

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<v Speaker 2>Walt used to say to me, Walt Quitman, that is sure.

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<v Speaker 2>Mine's a decent sort of beard. But yours, Captain Bobe,

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<v Speaker 2>yours is pure silk, and they made me shave it. Cap,

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<v Speaker 2>you're getting all excited. It's too hot to get excited.

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<v Speaker 2>I've set back. I've bided my time. I've waited, and

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<v Speaker 2>now I wait no longer. Cap, hands laugh of me. Forward,

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<v Speaker 2>Cap sit down, No, no, don't make me use the

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<v Speaker 2>night stick. I haven't used it yet. I haven't want to. Yeah,

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<v Speaker 2>but I want to give it to me. Look out,

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<v Speaker 2>get away from me a night stick. No, you must,

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<v Speaker 2>you must. There are struck, There are struck struck, there

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<v Speaker 2>are has struck. That's the last thing in the world

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<v Speaker 2>I heard. Then I will loop up down here. I

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<v Speaker 2>understand he's really raised. Kine broke into the power station,

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<v Speaker 2>banged up the generator, Captain Bob. You just don't figure.

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<v Speaker 3>Well, I don't suppose that one guy with a night

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<v Speaker 3>stick is gonna do too much damage. Well, it's not

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<v Speaker 3>quite that simple. Now he took the night stick and

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<v Speaker 3>overpowered an armed guard, and now he has a gun.

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<v Speaker 3>All fine, and that's why we've gone to such great

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<v Speaker 3>links to protect the place.

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<v Speaker 2>Huh.

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<v Speaker 3>I'll answer this day that he speaks of he must

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<v Speaker 3>mean the authorities here.

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<v Speaker 2>Is that it? Oh? I don't think so. At least

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<v Speaker 2>he hasn't tried to harm any of them, and with

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<v Speaker 2>that gun he could do a pretty good job.

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<v Speaker 3>Well, then who is the they?

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<v Speaker 2>Your guess is as good as mine. I see that

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<v Speaker 2>is one of the guards.

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<v Speaker 3>The superintendent saw your car and raised the roof. Well,

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<v Speaker 3>he told me I could come in, yes, but not

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<v Speaker 3>the car. He wants nothing on the grounds that could

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<v Speaker 3>possibly be used by Captain Bob and escape. He want

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<v Speaker 3>you to remove the car immediately. You can park it

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<v Speaker 3>in the parking area outside the wall. I went on

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<v Speaker 3>out and started driving back down the road to the gate.

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<v Speaker 3>The little groups with flashlights were still scattered all about,

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<v Speaker 3>hunting for Captain Bob. But who was Captain Bob hunting for? Him.

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<v Speaker 3>My friend, the police sergeant was still at the gate

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<v Speaker 3>with his little red flashlight again, signaling me to stop

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<v Speaker 3>you again, cousin, I'm just gonna park the car, be

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<v Speaker 3>right back. What's that supposed to be good news?

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<v Speaker 2>Go on?

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<v Speaker 3>I passed the squad car scattered all over the place.

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<v Speaker 3>The parking area was just ahead, and I started turning

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<v Speaker 3>into it. I suddenly fell a metallic pressure on my neck,

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<v Speaker 3>the barrel of a gun.

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<v Speaker 2>Just keep going down the highway, my boy, and everything

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<v Speaker 2>will beat Jim Dandy.

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<v Speaker 3>I could see him in the rear view mirror, bright

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<v Speaker 3>eyes on the shaggy gray brows, a bald head, and

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<v Speaker 3>a full pink face, and even bigger than they had

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<v Speaker 3>described him. Yes, I had myself a first class passenger

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<v Speaker 3>and one and only Captain Bob.

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<v Speaker 2>No, isn't an immortal sin the way old cap'n Bob

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<v Speaker 2>twisted him all around his little finger. Huh Yeah, mental power?

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<v Speaker 2>You know, ten ounces of brain tissue can move mountains,

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<v Speaker 2>dry oceans, fill the sky with fire.

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<v Speaker 3>Yeah, ten ounces. Sure, But me, I'm stuck with about

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<v Speaker 3>half a gram. Falling for a gag like that, How

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<v Speaker 3>where'd you call from?

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<v Speaker 2>One of the other officers keeping my voice very low,

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<v Speaker 2>very official. The superintendent insists that the car be moved

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<v Speaker 2>at once. See Ellen used to I used to say

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<v Speaker 2>to Ellen, you're the famous actress Ellen Drew. You know, Ellen,

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<v Speaker 2>you must always remember live the part. If you're supposed

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<v Speaker 2>to be an oyster stew, then become an oyster stew.

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<v Speaker 2>Make it so real that people get heartburn. Captain Bob,

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<v Speaker 2>she would reply, And that's sweet, gentle voice. What would

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<v Speaker 2>I do without you? Well, that's very interesting.

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<v Speaker 3>Now that you've outsmarted all the guards. What's the next

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<v Speaker 3>step to.

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<v Speaker 2>Ruthlessly hunt down and exterminate humanity's greatest enemy? Which is

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<v Speaker 2>who were they?

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<v Speaker 3>They?

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<v Speaker 2>Well? Who else? Those scavengers, those ravagers. I really don't

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<v Speaker 2>care about myself. I've lived my years. I'm an old man,

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<v Speaker 2>heavy with honor and with time. Aristophanes, Uh huh, of

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<v Speaker 2>course you know I'm quite insane. Oh, yes, yes, so

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<v Speaker 2>it doesn't matter about me. See others, Oh what they

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<v Speaker 2>have done the poor suffering humanity. I've heard the talk. Oh, yes,

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<v Speaker 2>surely I have. You know, of course I can hear

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<v Speaker 2>quite distinctly for a distance of some twenty three hundred miles. Oh, certainly,

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<v Speaker 2>with the proper atmospheric conditions. Ah, And very often late

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<v Speaker 2>at night, I lie there in my bed listening to

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<v Speaker 2>the people talking in oh San Francisco and Houston, and

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<v Speaker 2>Memphis and Upper New York State and such places. And

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<v Speaker 2>what do I hear? They are causing prices to rise

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<v Speaker 2>sky high. They buy more than they need, They hoard

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<v Speaker 2>in their basements. They patronize a black market. They are

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<v Speaker 2>so selfish, so thoughtless, they may bring on inflation and

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<v Speaker 2>wipe out the savings and pensions of millions of innocent people.

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<v Speaker 2>That's what I hear. And this I hear. They certainly

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<v Speaker 2>elect some shabby politicians, but what can you expect. Most

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<v Speaker 2>of the time they don't even bother to vote. If

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<v Speaker 2>they don't use some judgment, they'll wreck the country. They again,

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<v Speaker 2>You see that, Yes, I see it. Yes, And I

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<v Speaker 2>hear talk about w too. They fell asleep again. If

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<v Speaker 2>they don't wake up and prepare, civilization itself will go under.

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<v Speaker 2>And they'll beat the blame. They they they they do this,

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<v Speaker 2>and they do that. All the evil and suffering in

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<v Speaker 2>the world they are responsible for. They well, and isn't

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<v Speaker 2>it all rather simple? Oh, Captain Bob's gonna do the

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<v Speaker 2>world one final service. He's gonna find these they and

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<v Speaker 2>shoot them done like dogs.

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<v Speaker 3>That sounds like a reasonable idea.

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<v Speaker 2>Yes, of course, of course. I so you sign on

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<v Speaker 2>your license plate, your newspaper man. Well then you must

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<v Speaker 2>know where they live. You'll be able to bring me

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<v Speaker 2>to them.

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<v Speaker 3>Well, I suppose so, but it might take a long time.

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<v Speaker 2>Can not takeing any longer than from Nodus seven o'clock

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<v Speaker 2>tomorrow morning. Well, I have to be back at the

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<v Speaker 2>asylum by then for breakfast. Missus Turner, the cook. She

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<v Speaker 2>takes great pains preparing the oatmeal to my complete satisfaction.

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<v Speaker 3>Oh well, in that case, why are you turning the

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<v Speaker 3>car around? Well, that's all the time we got. Let's

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<v Speaker 3>call it off for tonight and get an early start

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<v Speaker 3>tomorrow evening, say around six.

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<v Speaker 2>I see, now you've decided to trick Captain Bob.

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<v Speaker 3>No, no, not at all. But if you're expected for.

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<v Speaker 2>Breakfast, go over to the curse.

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<v Speaker 3>I'm not trying to trick.

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<v Speaker 2>At the present angle of my gun, the bullet should

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<v Speaker 2>under your skull at the basil juncture, you will lose

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<v Speaker 2>consciousness within one second, be dead within three. Okay, now

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<v Speaker 2>you talking me into it, all right? No turn off

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<v Speaker 2>the engine. Yep, it was a mistake to tell you

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<v Speaker 2>I was insane. Now you think I'm on a harmless

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<v Speaker 2>old fool, not at all. Oh, of course you do.

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<v Speaker 2>But I'm not harmless, Sarah. I need your help. So

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<v Speaker 2>I suppose I must convince you that I will not

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<v Speaker 2>hesitate to use this gun if you force me.

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<v Speaker 3>I believe you.

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<v Speaker 2>Oh no, of course you don't. This strange weapon? Is

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<v Speaker 2>it not a chunk of ore twisted into a vulgar shape?

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<v Speaker 2>Yet it's made man supreme?

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<v Speaker 3>Oh not, come on? Put down the gun. Captain shooting

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<v Speaker 3>me won't help you?

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<v Speaker 2>Who said anything about you? My boy? Observe?

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<v Speaker 3>But pointing it at your hand, don't you've torn away

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<v Speaker 3>half your finger?

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<v Speaker 2>That's all right, I have others.

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<v Speaker 3>Let me use his handkerchief as a torny. No, no trickery.

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<v Speaker 3>Now come on here, Okay, I've got to pull it tight,

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<v Speaker 3>all right?

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<v Speaker 2>All right, now that's better.

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<v Speaker 3>What a thing to do.

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<v Speaker 2>Now you understand how serious I am about this. Obviously,

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<v Speaker 2>if I can use the gun on myself, I wouldn't

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<v Speaker 2>hesitate to use the gun on you if I felt

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<v Speaker 2>you were trying to fool me. So take me into

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<v Speaker 2>the city and let's hunt the rescals down. Yeah. One

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<v Speaker 2>thing more, sir, Yeah, there can be trickery by omission.

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<v Speaker 2>If you think you can drive me around in meaningless circles,

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<v Speaker 2>will let me hasten to assure you that if we

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<v Speaker 2>haven't found them by breakfast, well then I know you

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<v Speaker 2>fool me and I will kill you.

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<v Speaker 5>NBC is bringing you Nightbeat, starring Frank Lovejoy as Randy Stone.

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<v Speaker 5>It's the Silver Jubilee on NBC Tonight. Your dial is

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<v Speaker 5>set for Adventure with Inspector Thorn and mister Keen Tracer

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<v Speaker 5>of Lost Persons. This evening, actor Carl Weber comes to

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<v Speaker 5>the NBC microphone as the fast moving police investigator known

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<v Speaker 5>as Inspector Thorn and later mister Keen Tracer of Lost Persons,

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<v Speaker 5>brings you the heart hitting story of the poisoned Sandwich

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<v Speaker 5>murder case. Now back to Nightbeat and Randy Stone.

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<v Speaker 3>It was after one o'clock and I was driving through

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<v Speaker 3>the Chicago streets, block after deserted flock. The Neon that

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<v Speaker 3>Never went to sleep, still shouting its multi colored messages

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<v Speaker 3>to empty sidewalks, past long rows of warehouses, wearily leaning

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<v Speaker 3>one against the other, and through narrow cobblestones streets, driving

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<v Speaker 3>purposefully like I had nothing but jumbo sized plans, while

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<v Speaker 3>actually I didn't even have a small pocket sized idea.

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00:20:10.839 --> 00:20:13.079
<v Speaker 3>And Captain Bob in the back seat with his gun,

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<v Speaker 3>growing more impatient all the time. And now it was

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<v Speaker 3>almost two am, and in my mind's eye I saw

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<v Speaker 3>the good cook what's her name, sleeping soundly and just

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<v Speaker 3>a few hours away from starting the Captain's oat meal.

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<v Speaker 3>And now we were getting close to the loop. I

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<v Speaker 3>turned off Ashland Avenue to cross the bridge spanning the

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<v Speaker 3>Chicago River, and at the other side of the bridge,

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<v Speaker 3>I saw a most wonderful sight two police cars blocking

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<v Speaker 3>the way, their red warning lights blinking angrily.

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<v Speaker 2>Turned around quickly, my boy, and.

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<v Speaker 3>Suddenly, in the rear view myrr eye saw still another

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<v Speaker 3>police car swing in behind us. We were caught on

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<v Speaker 3>the bridge, trapped like a butterfly on a half dozen

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<v Speaker 3>spears of light.

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<v Speaker 2>What, Captain Bob, I'm turning the matter over in my mind.

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<v Speaker 2>That you're strong, right, all right? It slowly, man, mister Stone.

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<v Speaker 2>Tell him how comfortable the skun feels against your head?

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<v Speaker 3>Hat Hell, lieutenant, take it easy. Captain Bob has sort

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<v Speaker 3>of got me covered. Captain Bob hear me?

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<v Speaker 2>Can I hear him? I've heard Brisbane, Australia on a

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<v Speaker 2>very calm night. Can I hear him? You don't hear me?

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<v Speaker 2>Captain Bob?

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<v Speaker 3>He hears you, but he's not impressed. Cap. What do

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<v Speaker 3>you want them to do?

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<v Speaker 2>Clear off the bridge so we can get on with

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00:21:46.240 --> 00:21:48.359
<v Speaker 2>our chore. It's getting late.

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<v Speaker 3>Look, Cap, I'm going to be frank with you, and

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<v Speaker 3>if you want to pull the trigger, well, my insurance

337
00:21:54.839 --> 00:21:55.319
<v Speaker 3>is paid up.

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<v Speaker 2>Well what is it, my boy?

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<v Speaker 3>I don't have any idea where they may be. Oh,

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<v Speaker 3>it's true, but you take the lieutenant now, it's his

341
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<v Speaker 3>job to know those things. I bet he could tell

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<v Speaker 3>us where they are.

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<v Speaker 2>Just like that, all right, call him over and ask him.

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<v Speaker 3>Oh no, no, we can't do it that way. If

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<v Speaker 3>he knows that you want to find out about they

346
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<v Speaker 3>just to kill him. Why he'll never tell us?

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<v Speaker 2>Well why not? For goodness sake?

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<v Speaker 3>Well he just won't. He's a funny guy. So well,

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<v Speaker 3>so let me go over and talk to him, you know,

350
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<v Speaker 3>call him around, wheel it out of him.

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<v Speaker 2>You think you can, my boy, Yes, I think so.

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<v Speaker 3>I've known him for many years. He's not very bright.

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<v Speaker 2>Oh, I could tell that from his voice. He does

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<v Speaker 2>all this talking from his jowls. So I'll go over

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<v Speaker 2>and ask him. Huh, you, you wouldn't be fooling an

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<v Speaker 2>old man with a sore finger. Scout's on her, captain,

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<v Speaker 2>all right, call that young policeman over there, the one

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<v Speaker 2>that's leading on the finger of the squad car.

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<v Speaker 3>Oh him, oh, oh him. He's an old cousin.

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<v Speaker 2>Of Yeah, call him over if you want to talk

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<v Speaker 2>to the lieutenant.

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<v Speaker 3>Hey, sarge me, come on over.

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<v Speaker 2>You not to something?

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<v Speaker 3>Send him over, Lieutenant Roger, go on, cousin. The minute

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<v Speaker 3>I saw you tonight, I knew I'd have been better

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<v Speaker 3>off with.

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<v Speaker 2>Typhoid, both of us. Now, I tell you what I'd

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<v Speaker 2>like for you to do, young man. You just lean

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<v Speaker 2>your head in through the window. What is do?

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<v Speaker 3>What he says, I've got to go talk to the lieutenant.

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<v Speaker 2>Now we take the gun from mister Stone's head and

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<v Speaker 2>place it against yours. Hey, all right, mister Stone, go

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<v Speaker 2>to your conference. They dashboard clock says seven minutes after two.

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<v Speaker 2>If you have not returned by ten minutes after two,

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<v Speaker 2>this unfortunate young man will meet with sudden disaster. Stone,

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<v Speaker 2>I don't like this.

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<v Speaker 3>No one could blame you, don't. I started walking across

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<v Speaker 3>the bridge to the lieutenant's patrol car. A long string

379
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<v Speaker 3>of coal barges were slithering slowly by on the greasy

380
00:24:14.000 --> 00:24:18.799
<v Speaker 3>waters far below. Now, whatever unknown radar awakens people out

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<v Speaker 3>of a sound sleep and sends them running to disaster

382
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<v Speaker 3>was already at work. Both ends of the bridge were

383
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<v Speaker 3>lined with the curious, and most of the police officers

384
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<v Speaker 3>were busy keeping them at a distance. Lieutenant Boyle stood

385
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<v Speaker 3>beside his squad car. Lieutenant, tell me, how did you

386
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<v Speaker 3>find out that he was with me?

387
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<v Speaker 2>The sergeant?

388
00:24:36.720 --> 00:24:39.119
<v Speaker 4>After you lift to park your car and didn't come back,

389
00:24:39.160 --> 00:24:42.079
<v Speaker 4>he started wondering, checked and found it been a phony

390
00:24:42.119 --> 00:24:45.279
<v Speaker 4>call that added up. We've been trying to corner you

391
00:24:45.319 --> 00:24:48.319
<v Speaker 4>all night. What are you gonna do with that character?

392
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<v Speaker 3>Well, we've got one problem, and it's how to make

393
00:24:51.119 --> 00:24:54.200
<v Speaker 3>him use up those bullets in his gun. Yeah, but

394
00:24:54.279 --> 00:24:56.200
<v Speaker 3>now look, I got a crazy thought it might work.

395
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<v Speaker 3>If it doesn't, well it's my funeral. And as the

396
00:25:00.160 --> 00:25:01.720
<v Speaker 3>little joke goes, that's not a.

397
00:25:01.680 --> 00:25:03.799
<v Speaker 2>Figure of speech. All right, what is it?

398
00:25:04.319 --> 00:25:06.200
<v Speaker 3>You know where the river view is?

399
00:25:06.519 --> 00:25:09.039
<v Speaker 2>Yeah? That amusement park on the west side. Yeah, what

400
00:25:09.079 --> 00:25:11.079
<v Speaker 2>are we going to do? Right America around.

401
00:25:10.880 --> 00:25:12.759
<v Speaker 3>Everything is closed up this time of the night. But

402
00:25:12.799 --> 00:25:14.759
<v Speaker 3>see if you can get him to cooperate with you.

403
00:25:14.799 --> 00:25:18.000
<v Speaker 3>Captain Bob is looking for something. He calls. They don't

404
00:25:18.039 --> 00:25:19.599
<v Speaker 3>ask me to go into that. There's no time.

405
00:25:20.160 --> 00:25:35.039
<v Speaker 2>But if we work this, welcome back, my boy. Yeah.

406
00:25:35.279 --> 00:25:40.039
<v Speaker 2>I was telling this lad here that those barges reminds

407
00:25:40.119 --> 00:25:44.200
<v Speaker 2>me of my river days or the Mississippi. He seemed

408
00:25:44.200 --> 00:25:45.680
<v Speaker 2>distinctly uninterested.

409
00:25:46.119 --> 00:25:47.519
<v Speaker 3>I can't imagine why.

410
00:25:48.480 --> 00:25:50.640
<v Speaker 2>All right now, point the gun at him.

411
00:25:50.880 --> 00:25:55.839
<v Speaker 3>Yeah, right in the old Basil jundger. That's that's it, cousin.

412
00:25:55.920 --> 00:25:58.559
<v Speaker 3>I was really sweating you out, Believe me. I was

413
00:25:58.680 --> 00:25:59.720
<v Speaker 3>tempted to start walking.

414
00:25:59.799 --> 00:26:04.720
<v Speaker 2>Yeah, yeah, well goodbye. Now did you get the information,

415
00:26:04.920 --> 00:26:07.880
<v Speaker 2>my boy? Well, you know something. You want to circle

416
00:26:07.920 --> 00:26:09.519
<v Speaker 2>this date with a red pencil. Cat.

417
00:26:10.160 --> 00:26:13.839
<v Speaker 3>This is your lucky night. Oh they are all together

418
00:26:13.960 --> 00:26:15.799
<v Speaker 3>under one roof having a meeting.

419
00:26:16.039 --> 00:26:18.799
<v Speaker 2>Oh, doubtlessly plotting some new devil.

420
00:26:18.960 --> 00:26:21.119
<v Speaker 3>Sure, but I know exactly where they are.

421
00:26:21.240 --> 00:26:28.119
<v Speaker 2>Oh this is grand news. Well, police are leaving for sure.

422
00:26:28.440 --> 00:26:29.960
<v Speaker 3>I told him you were going to go back to

423
00:26:30.000 --> 00:26:32.720
<v Speaker 3>the institution like a good, solid citizen, and so I

424
00:26:32.799 --> 00:26:38.079
<v Speaker 3>shall when I'm finished. But now to the task.

425
00:26:37.799 --> 00:26:41.400
<v Speaker 2>Ahead, Yeah, to the task ahead.

426
00:26:49.640 --> 00:26:51.960
<v Speaker 3>It was two forty five am when we pulled up

427
00:26:51.960 --> 00:26:56.240
<v Speaker 3>before the darkened amusement park, the Ferris Whale silhouetted against

428
00:26:56.279 --> 00:26:59.319
<v Speaker 3>the dark sky, and the empty seats creaking just a little,

429
00:26:59.319 --> 00:27:03.880
<v Speaker 3>as though worn out from generations of screaming children. The

430
00:27:03.960 --> 00:27:08.200
<v Speaker 3>towering wooden structure of the Superbods dipping and rising gracefully

431
00:27:08.200 --> 00:27:10.680
<v Speaker 3>in the night, and the funhouse in the merry Ground

432
00:27:10.680 --> 00:27:14.200
<v Speaker 3>and the Tunnel of Love, all sealed up a wilderness

433
00:27:14.279 --> 00:27:18.680
<v Speaker 3>and potential joy, but now very quiet and painfully lonely,

434
00:27:19.400 --> 00:27:23.279
<v Speaker 3>an amusement park where no one was being amused. We

435
00:27:23.400 --> 00:27:27.759
<v Speaker 3>walked down the boardwalk Captain Bob gun in hand and

436
00:27:27.839 --> 00:27:29.640
<v Speaker 3>Randy stone heart in mouth.

437
00:27:30.400 --> 00:27:34.839
<v Speaker 2>A strange place for they to be meeting, my boy.

438
00:27:35.079 --> 00:27:38.079
<v Speaker 3>Well, wouldn't they pick such a place, knowing that no

439
00:27:38.119 --> 00:27:41.160
<v Speaker 3>one hauld ever think of looking for them here? Well,

440
00:27:41.200 --> 00:27:45.559
<v Speaker 3>of course, Oh the treachery of them. It's just a

441
00:27:45.680 --> 00:27:48.240
<v Speaker 3>head now, that little building there.

442
00:27:48.279 --> 00:27:53.720
<v Speaker 2>Yes is, Oh, the dream of a lifetime reaching fluition.

443
00:27:53.920 --> 00:27:56.160
<v Speaker 3>It's all boarded up, but you can see the lights

444
00:27:56.200 --> 00:27:59.400
<v Speaker 3>gleaming through the cracks. Yes, now here is what you've

445
00:27:59.400 --> 00:28:03.359
<v Speaker 3>got to remember there will be many, many of them.

446
00:28:03.640 --> 00:28:06.960
<v Speaker 3>They're all armed, and they're on guard. I do not fear, no, no,

447
00:28:07.039 --> 00:28:09.079
<v Speaker 3>but you want to get as many as you can.

448
00:28:09.240 --> 00:28:11.079
<v Speaker 2>Oh, yes, indeed, indeed.

449
00:28:10.839 --> 00:28:15.319
<v Speaker 3>Okay, I keep your voice down. Now you've got to

450
00:28:15.400 --> 00:28:18.240
<v Speaker 3>start shooting the instant. You go through that door and

451
00:28:18.359 --> 00:28:21.720
<v Speaker 3>keep shooting as fast as you can. Yes, that is

452
00:28:21.759 --> 00:28:23.079
<v Speaker 3>if you can shoot fast.

453
00:28:23.359 --> 00:28:27.039
<v Speaker 2>Well, trust me, you will not be able to separate

454
00:28:27.119 --> 00:28:35.599
<v Speaker 2>the sound of the shots. Good luck, my boy, Thank you.

455
00:28:36.599 --> 00:28:39.400
<v Speaker 2>Will you shake my hand? Of course, you've been a

456
00:28:39.480 --> 00:28:43.920
<v Speaker 2>loyal ally. The time will come when children will sing

457
00:28:44.039 --> 00:28:49.279
<v Speaker 2>folk songs in your honor. Your statue will stand in

458
00:28:49.400 --> 00:28:50.920
<v Speaker 2>public parks. Yeah.

459
00:28:51.079 --> 00:28:53.839
<v Speaker 3>Now, look, I'm going to tear open the door, and

460
00:28:53.880 --> 00:29:00.920
<v Speaker 3>you rush in and start shooting. Yes, yes, ready, said yeah,

461
00:29:00.920 --> 00:29:13.480
<v Speaker 3>go After that, things happened rapidly. The park, which it

462
00:29:13.559 --> 00:29:16.559
<v Speaker 3>seemed so empty, now suddenly filled with police, all running

463
00:29:16.599 --> 00:29:20.799
<v Speaker 3>toward me. And behind them came the swarms of citizens, again,

464
00:29:20.920 --> 00:29:23.359
<v Speaker 3>coming in all directions, attracted by the shots.

465
00:29:24.400 --> 00:29:30.319
<v Speaker 2>A good Workstone, Get the door open, boys, bring them out.

466
00:29:30.799 --> 00:29:33.000
<v Speaker 3>Through the open door. I looked in on a house

467
00:29:33.039 --> 00:29:36.759
<v Speaker 3>of mirrors. Most of the mirrors were shattered, now just

468
00:29:36.880 --> 00:29:40.759
<v Speaker 3>bits of glass hanging from the walls, and Captain Bob

469
00:29:40.839 --> 00:29:43.960
<v Speaker 3>the empty gun hanging limply in his hand, still looking

470
00:29:43.960 --> 00:29:47.559
<v Speaker 3>at the wreckage, dazedly realizing at last that he'd been

471
00:29:47.599 --> 00:29:49.200
<v Speaker 3>shooting in his own reflections.

472
00:29:49.440 --> 00:29:50.359
<v Speaker 2>Old timer.

473
00:29:50.519 --> 00:29:54.519
<v Speaker 4>Let's get going easy with him, boy, that's it easy.

474
00:29:54.839 --> 00:29:57.240
<v Speaker 3>And now the entrance to the House of Mirrors was

475
00:29:57.319 --> 00:29:59.640
<v Speaker 3>jammed with people craning their necks.

476
00:29:59.319 --> 00:30:02.960
<v Speaker 2>For a look. Step aside, give us room, overside, folks,

477
00:30:03.000 --> 00:30:06.200
<v Speaker 2>it's all over, Go on home, Come on one side.

478
00:30:06.640 --> 00:30:09.160
<v Speaker 3>And while the police tried to clear a path through

479
00:30:09.160 --> 00:30:12.400
<v Speaker 3>the crowd for a moment to so, Captain Bob and

480
00:30:12.480 --> 00:30:13.920
<v Speaker 3>I stood face to face.

481
00:30:14.119 --> 00:30:18.200
<v Speaker 2>Oh you tricked me after all, my boy, it's a

482
00:30:18.319 --> 00:30:21.880
<v Speaker 2>cruel blow. Captain Bob didn't expect that.

483
00:30:22.200 --> 00:30:23.920
<v Speaker 3>You come on, all of you.

484
00:30:24.720 --> 00:30:29.480
<v Speaker 2>I tell you, one side, okay, Captain, let's go here.

485
00:30:29.680 --> 00:30:33.920
<v Speaker 2>Trick me. You shouldn't have done that to me, my boy,

486
00:30:35.960 --> 00:30:37.839
<v Speaker 2>You just don't understand.

487
00:30:39.200 --> 00:30:42.599
<v Speaker 3>And then he was gone. He was back home and

488
00:30:42.640 --> 00:31:00.480
<v Speaker 3>plenty of time for his oatmeal without brown sugar. But

489
00:31:00.599 --> 00:31:03.519
<v Speaker 3>even after they took all Captain Bob away, somehow the

490
00:31:03.599 --> 00:31:07.160
<v Speaker 3>people still hung around the doorway of the House of Mirrors,

491
00:31:07.240 --> 00:31:10.720
<v Speaker 3>just in case there might be something else to see.

492
00:31:10.759 --> 00:31:14.839
<v Speaker 3>Their faces reflected endlessly in the broken mirrors, all kinds

493
00:31:14.839 --> 00:31:21.400
<v Speaker 3>of faces, fat, lean, bright, dull, high and cheekbones, low cheekbones,

494
00:31:21.480 --> 00:31:26.480
<v Speaker 3>square chins, no chins, white faces, black faces, endless faces,

495
00:31:27.279 --> 00:31:30.640
<v Speaker 3>millions of faces reflected again and again and again in

496
00:31:30.640 --> 00:31:34.960
<v Speaker 3>the mirrors. And gradually it dawned on me that perhaps

497
00:31:34.960 --> 00:31:39.039
<v Speaker 3>I hadn't tricked Captain Bob after all. I guess I

498
00:31:39.079 --> 00:31:42.440
<v Speaker 3>had brought him to the right place. Because of course

499
00:31:42.480 --> 00:31:46.440
<v Speaker 3>there's no big mystery about it. These were the they

500
00:31:46.640 --> 00:31:51.039
<v Speaker 3>all right, that's us, all of us. But if they

501
00:31:51.200 --> 00:31:55.599
<v Speaker 3>are responsible for the bad, they are also responsible for

502
00:31:55.680 --> 00:31:59.559
<v Speaker 3>the good. Actually, when you got right down to it,

503
00:32:00.119 --> 00:32:03.559
<v Speaker 3>to end all the injustices that so angered Captain Bob,

504
00:32:04.480 --> 00:32:08.160
<v Speaker 3>they need to learn only one thing more, that they

505
00:32:08.319 --> 00:32:11.799
<v Speaker 3>are the children of God, and that each of them.

506
00:32:11.680 --> 00:32:15.160
<v Speaker 2>Is his brother's keeper. Wow.

507
00:32:15.200 --> 00:32:18.920
<v Speaker 3>What a knight? Uh? Our one copy boy, one icebag

508
00:32:19.000 --> 00:32:28.000
<v Speaker 3>and two aspers huh.

509
00:32:28.559 --> 00:32:31.640
<v Speaker 5>Night Beat, starring Frank Lovejoy, is produced and directed by

510
00:32:31.640 --> 00:32:34.440
<v Speaker 5>Warren Lewis to Night's story was written by Larry Marcus

511
00:32:34.440 --> 00:32:37.200
<v Speaker 5>with music by Robert Armbrewster. The part of Cap was

512
00:32:37.240 --> 00:32:40.759
<v Speaker 5>played by Bill Conrad Others in Tonight's cast were Paul Dubove,

513
00:32:40.839 --> 00:32:44.440
<v Speaker 5>Howard mcneer, Frank Gersil and Jeff Corey. Frank Lovejoy can

514
00:32:44.480 --> 00:32:47.440
<v Speaker 5>currently be seen starring in Warner Brothers Force of Arms.

515
00:32:48.400 --> 00:32:51.000
<v Speaker 5>Listen next week at this time and every week as

516
00:32:51.079 --> 00:32:54.599
<v Speaker 5>Randy Stone searches through the city for the strange stories

517
00:32:54.640 --> 00:33:02.759
<v Speaker 5>waiting for him in the darkness. It's the Silver Jubilee

518
00:33:02.880 --> 00:33:06.200
<v Speaker 5>on NBC. There's plenty of fun in store for you

519
00:33:06.240 --> 00:33:09.039
<v Speaker 5>tomorrow night with Inside Bob and Ray. Bob Elliott and

520
00:33:09.119 --> 00:33:11.920
<v Speaker 5>Ray Goulding, the newest comedy team in radio, bring you

521
00:33:11.960 --> 00:33:14.920
<v Speaker 5>the light, satire and nonsense sketches designed to display their

522
00:33:14.960 --> 00:33:18.799
<v Speaker 5>many vocal impressions and impersonations. Here Inside Bob and Ray

523
00:33:18.880 --> 00:33:23.680
<v Speaker 5>Saturday evening for one full, fun filled hour on NBC.

524
00:33:24.880 --> 00:33:38.400
<v Speaker 5>Join Inspector Thorn. Next on NBC, this is Andrew J.

525
00:33:38.599 --> 00:33:41.440
<v Speaker 2>Graham, author of the web surface series Oh and a

526
00:33:41.519 --> 00:33:44.279
<v Speaker 2>Man and his Wife. You're listening to the great detectives

527
00:33:44.319 --> 00:33:45.359
<v Speaker 2>of Old Time Radio.

528
00:33:52.759 --> 00:33:58.319
<v Speaker 1>Welcome back. A tremendous performance from William Conrad and really,

529
00:33:58.440 --> 00:34:01.279
<v Speaker 1>outside of gun Smoke, I don't think any old time

530
00:34:01.440 --> 00:34:05.680
<v Speaker 1>radio series gave him a better chance to show what

531
00:34:05.839 --> 00:34:08.880
<v Speaker 1>he could do as an actor, and it reflects the

532
00:34:09.000 --> 00:34:13.280
<v Speaker 1>power of radio, because the reason you don't see these

533
00:34:13.320 --> 00:34:18.960
<v Speaker 1>sort of really rich roles for Bill Conrad and many

534
00:34:19.000 --> 00:34:24.159
<v Speaker 1>of the other media is he didn't physically fit a

535
00:34:24.199 --> 00:34:29.199
<v Speaker 1>lot of the tops that television and film really came

536
00:34:29.280 --> 00:34:34.920
<v Speaker 1>to rely on. On radio, he could perform in any

537
00:34:35.079 --> 00:34:37.639
<v Speaker 1>role that he could be convincing in, and we're seeing

538
00:34:37.679 --> 00:34:40.719
<v Speaker 1>it not be that there was such a great variety

539
00:34:40.800 --> 00:34:43.760
<v Speaker 1>of roles, and I like how he's able to make

540
00:34:43.880 --> 00:34:47.519
<v Speaker 1>so many of these characters very different. Now there are

541
00:34:47.679 --> 00:34:50.679
<v Speaker 1>some of the characters he've played that are more of

542
00:34:50.679 --> 00:34:55.440
<v Speaker 1>the typical hoods and heavies that he played on other series.

543
00:34:55.760 --> 00:34:59.880
<v Speaker 1>There are so many great memorable roles that he portrayed,

544
00:35:00.280 --> 00:35:04.719
<v Speaker 1>so many fantastic emotional moments, and this episode I think

545
00:35:04.840 --> 00:35:09.199
<v Speaker 1>was just another example clearly different from the other characters

546
00:35:09.239 --> 00:35:12.519
<v Speaker 1>he's played on the series, with a lot of thought

547
00:35:12.559 --> 00:35:15.800
<v Speaker 1>into creating this character, and it says a lot about

548
00:35:15.880 --> 00:35:19.519
<v Speaker 1>an actor's work ethic as well as the strength of

549
00:35:19.679 --> 00:35:23.599
<v Speaker 1>the script that you come in you're going to hear

550
00:35:23.719 --> 00:35:26.719
<v Speaker 1>in a radio show for half an hour and a

551
00:35:26.760 --> 00:35:29.639
<v Speaker 1>guest part, not going to be paid a ton of money,

552
00:35:29.920 --> 00:35:32.920
<v Speaker 1>and probably the episode as far as you know is

553
00:35:33.079 --> 00:35:37.000
<v Speaker 1>never going to be listened to again, and Conrad you

554
00:35:37.199 --> 00:35:40.119
<v Speaker 1>not be just went out there time and time again

555
00:35:40.480 --> 00:35:45.039
<v Speaker 1>and created these unforgettable characters. I also did like the

556
00:35:45.079 --> 00:35:48.840
<v Speaker 1>closing line of this episode. I should say of Randy's

557
00:35:48.880 --> 00:35:52.280
<v Speaker 1>column the episode, the closing line of the episode was funny.

558
00:35:52.480 --> 00:35:57.079
<v Speaker 1>With a lot of the column, it really could be

559
00:35:57.280 --> 00:36:01.400
<v Speaker 1>Randy Stone's credo. It's the theme of his life and

560
00:36:02.519 --> 00:36:06.760
<v Speaker 1>in the series as a whole. So a very solid

561
00:36:07.079 --> 00:36:11.280
<v Speaker 1>episode and again this makes me really wish we had

562
00:36:11.440 --> 00:36:15.159
<v Speaker 1>more episodes from this period in the series, but we'll

563
00:36:15.199 --> 00:36:18.559
<v Speaker 1>take what we have and look forward to next week

564
00:36:18.599 --> 00:36:22.559
<v Speaker 1>and another episode of Nightbeat coming up tomorrow though pursuit.

565
00:36:23.199 --> 00:36:27.440
<v Speaker 1>In the meantime, do sendra Commons Box thirteen at Greatdetectives

566
00:36:27.440 --> 00:36:31.360
<v Speaker 1>dot net, follow us on Twitter our Radio Detectives, and

567
00:36:31.440 --> 00:36:34.719
<v Speaker 1>become one of our friends on Facebook, Facebook, dot com,

568
00:36:34.719 --> 00:36:38.920
<v Speaker 1>slash Radiodetectives, and check out our YouTube archive YouTube dot

569
00:36:39.000 --> 00:36:43.639
<v Speaker 1>Greatdetectives dot net. But from Boiseidaho, this is your host,

570
00:36:43.800 --> 00:36:45.239
<v Speaker 1>Adam Grahamson and off
