WEBVTT

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<v Speaker 1>Sss ssss sss.

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<v Speaker 2>Welcome back midnight viewers to Fuseco fest. Oh man, it's

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<v Speaker 2>been a minute, but now we're back. We're back in it,

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<v Speaker 2>and I can't do it alone. I can't talk about

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<v Speaker 2>John Fusco by myself. I need HP to do it

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<v Speaker 2>with me.

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<v Speaker 3>You just go fest this back, father Malone. I'm so excited.

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<v Speaker 3>What are we digging into today?

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<v Speaker 2>It's like spring break, man. I just want to fucking

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<v Speaker 2>run around and drink beer from funnels and ride horses.

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<v Speaker 2>That would be appropriate. What are we watching today? My

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<v Speaker 2>god Man from March the fifth, two thousand and four,

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<v Speaker 2>that was the release date, directed by Joe Johnston, written

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<v Speaker 2>by John Fusco, starring Vigo Mortenson. Oh marsha reef, motherfuckers,

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<v Speaker 2>this is Hidalgo.

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<v Speaker 4>My father was a cowboy scout and you fell in

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<v Speaker 4>love with the chief's daughter, Mariner. I was never really

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<v Speaker 4>sure where I'm a Sometimes I think the only one

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<v Speaker 4>I can count on, I said, though I've done me

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<v Speaker 4>proud partner.

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<v Speaker 5>Frank Hopkins and cauld all go or legends they've never

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<v Speaker 5>lost a long distance race. Perhaps you have never heard

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<v Speaker 5>of the Great Ocean of Fire, a three thousand mile

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<v Speaker 5>race across the Arabian Desert.

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<v Speaker 4>Were betting on the last American cowboy. You think we

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<v Speaker 4>got one more on us.

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<v Speaker 3>I'm greatly pleased that you've accepted my challenge.

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<v Speaker 2>What breed is your study?

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<v Speaker 5>Mustang? Mustang?

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<v Speaker 6>Also the ready Indiet small mixed blood.

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<v Speaker 5>Mixed mustangs don't belong in races with thoroughbreds.

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<v Speaker 6>You can say that you are about me. I'm do

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<v Speaker 6>have to.

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<v Speaker 5>Ask you not to talk about my horse.

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<v Speaker 3>Maybe we should give you a headstuff.

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<v Speaker 4>I'm not here to insult anybody, sir, of course.

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<v Speaker 5>Ms the race touchtone pictures presents Your horse is too small,

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<v Speaker 5>This land is too dangerous.

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<v Speaker 6>You are gambling with your very life.

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<v Speaker 5>The incredible true story of a man who went halfway

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<v Speaker 5>around the world to find himself. The Indians of the West.

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<v Speaker 5>Have you seen their vanishing kind, armor, kind and the

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<v Speaker 5>friendship that inspired a legend?

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<v Speaker 6>And I'll go is the one who believes in you?

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<v Speaker 6>Can you believe in yourself? Little wouldn't send.

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<v Speaker 2>I didn't get you into this, You got me into it.

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<v Speaker 1>HP.

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<v Speaker 2>Yeah, was this your first experience with Hidalgo?

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<v Speaker 3>This was the first time I saw it. In fact,

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<v Speaker 3>I was in my mind. I thought this was a

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<v Speaker 3>movie from the mid to late nineties. It had that

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<v Speaker 3>feel to it. Maybe part of it is seeing that

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<v Speaker 3>good old Touchstone Pictures logo at the beginning kind of

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<v Speaker 3>put me in the mind of that. But yeah, this

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<v Speaker 3>was my first I was surprised that this came out

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<v Speaker 3>after Lord of the Rings, after Vigo Mortensen's star making

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<v Speaker 3>turn as Aragorn. So I was shocked. I was shocked

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<v Speaker 3>in a lot of ways, as we'll talk about. But yeah,

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<v Speaker 3>this was my first time.

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<v Speaker 2>I was a movie theater projectionist who showed this movie

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<v Speaker 2>back in the day, back in two thousand and four.

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<v Speaker 2>That's I was already in Las Vegas. So I was

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<v Speaker 2>showing it at over at the Orleans back in the day,

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<v Speaker 2>and because of that, I was convinced I had seen

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<v Speaker 2>the movie. I had never seen this fucking movie. I

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<v Speaker 2>couldn't believe I had never seen this movie. And now

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<v Speaker 2>I remember building it up. I remember checking the cues

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<v Speaker 2>and that the reels were all cut together, that the

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<v Speaker 2>image looked good. I must have been really busy and

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<v Speaker 2>not sitting in the theater watching it, and probably had

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<v Speaker 2>a lot of prints to watch in one night and

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<v Speaker 2>chose something else. Given that Iron Man came out the

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<v Speaker 2>same weekend. I'm guessing I was paying attention to Iron Man.

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<v Speaker 3>I'm really shocked. I thought for sure that this was

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<v Speaker 3>something you'd seen forever ago.

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<v Speaker 2>No, and shame on me, but I'm glad to have

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<v Speaker 2>seen it for this And what was the story on

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<v Speaker 2>this one? HP was the story of Hidalgo.

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<v Speaker 3>So the story of Hidalgo father alone is an interesting

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<v Speaker 3>one now here. As I recall, Disney got into a

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<v Speaker 3>little bit of hot water about how they marketed this movie.

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<v Speaker 3>This movie was marketed as being based on a true story,

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<v Speaker 3>and I think technically that's true. That there was a

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<v Speaker 3>named Frank Hopkins who was a long distance Mustang rider

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<v Speaker 3>in the I guess it would be the eighteen hundreds, right, yeah,

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<v Speaker 3>and he I think he performed in Buffalo Bill Cody's

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<v Speaker 3>Wild West Show. Anyway, he was known as being like

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<v Speaker 3>the king of the long distance marathon horse ride. And

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<v Speaker 3>in the movie, A a sultant a chic takes a

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<v Speaker 3>front at this this guy who races on a Mustang,

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<v Speaker 3>which isn't considered a very regal or what's the word,

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<v Speaker 3>I'm looking for, a very It didn't have the breeding

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<v Speaker 3>that the stallions and Africa had, so he is recruited

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<v Speaker 3>to race in this brutal cross consonant race. It goes

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<v Speaker 3>through Iran and Iraq and the winner gets one hundred

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<v Speaker 3>thousand dollars. But this is a race that not many

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<v Speaker 3>people survive. I think dozens and dozens of people don't

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<v Speaker 3>make it because you're crossing desert after desert there.

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<v Speaker 2>Are it's three thousand miles. It's three thousand miles on

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<v Speaker 2>horseback through the most inhospitable territory you could possibly imagine.

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<v Speaker 2>This is a desert race. The race itself is called

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<v Speaker 2>the Ocean of Fire.

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<v Speaker 3>Yeah, sh of Fire. See. The problem though, is that

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<v Speaker 3>very little of this is verifiable in real life. There's

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<v Speaker 3>from what I gathered, there's precious little evidence that Frank

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<v Speaker 3>Hopkins actually did. I don't even think this race truthfully

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<v Speaker 3>actually existed. It did.

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<v Speaker 2>They just didn't have a fanciful name for it.

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<v Speaker 3>They didn't have a name for it. But the I

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<v Speaker 3>think part of what doomed this movie originally, and maybe

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<v Speaker 3>part of the reason why I wasn't that enthused at

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<v Speaker 3>the time, was because there was such a backlash against

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<v Speaker 3>this movie. I don't know if you recall for them

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<v Speaker 3>alone but it was almost immediately slammed as how could

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<v Speaker 3>you say this is based on a true story. This guy,

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<v Speaker 3>Frank Hopkins was nothing but a charlatan or somebody who

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<v Speaker 3>made up all of these things like a Baron Munchausen

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<v Speaker 3>type of deal. These are tall tales, Jesus.

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<v Speaker 2>I would invite everyone to watch any biographical pick from

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<v Speaker 2>Time immemorial. Go back and watch Yankee Doodle Dandy and

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<v Speaker 2>tell me how much of that was true? You morons?

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<v Speaker 3>Well, I think if the Internet existed back then, they

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<v Speaker 3>probably would have been debating the merits of Yankee Doodle

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<v Speaker 3>Dandy excellent.

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<v Speaker 6>I do you know?

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<v Speaker 3>I know that that The backlash was so fierce that

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<v Speaker 3>years later, John Fusco himself created a website, or at

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<v Speaker 3>least contributed to a website which aimed to clap back

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<v Speaker 3>at all of those people who said that it wasn't true.

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<v Speaker 3>He had interviews with people who actually knew Frank Hopkins,

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<v Speaker 3>and what is not what is not in dispute, is

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<v Speaker 3>that the man was an incredible advocate for the much

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<v Speaker 3>as John Fusco is, and he did do a lot

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<v Speaker 3>of these horse races. He was known as a stellar

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<v Speaker 3>long distance rider. Anyway, that's the plot of the movie.

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<v Speaker 3>He's kind of recruited to do this hazardous three thousand

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<v Speaker 3>mile race across the desert in Africa.

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<v Speaker 2>Yeah see, I thought, I know that. I never saw

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<v Speaker 2>the movie before because in my mind this was a

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<v Speaker 2>movie about a guy who enters a camel race with

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<v Speaker 2>a horse. I could not be more off the fact

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<v Speaker 2>that these were all horses racing. I was like, I

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<v Speaker 2>was stunned. I was like, where are the camels? I

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<v Speaker 2>remember this having camels. Maybe there is a movie out

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<v Speaker 2>there about a horse racing and a camel race that

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<v Speaker 2>I've confused with Hidalgo. But yes, HP, I do remember

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<v Speaker 2>all the controversy at the time, and who gives a shit?

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<v Speaker 2>Are you kidding me? This is based on I agree

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<v Speaker 2>with the I agree that if Disney were pushing that narrative, though,

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<v Speaker 2>fuck them, like they should not have. Just how about

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<v Speaker 2>come see this movie, Hidalgo. It's a rip roaring adventure

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<v Speaker 2>in a traditional style, Like why does everything have to

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<v Speaker 2>be based on something else? You notice the nineties were

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<v Speaker 2>sort of lousy with that, particularly the late nineties. Of course,

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<v Speaker 2>it's bled into two thousand and four. This movie comes

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<v Speaker 2>out where everything has to be based on true events.

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<v Speaker 3>I will go ahead and quote Roger Ebert's review of

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<v Speaker 3>the movie, and I think this he's speaking for all

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<v Speaker 3>of us spotting alone. The final line of his review is,

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<v Speaker 3>and please ignore any tiresome scolds who complain that the

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<v Speaker 3>movie is not really based on fact. Duh, And that's it.

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<v Speaker 3>I basically he's doing the William Shatner Get a Life

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<v Speaker 3>with You people, because it's beside the point. Is the

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<v Speaker 3>movie fun? Did it transport you? Was it exciting? Was

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<v Speaker 3>it action packed? Real? Frankly, I don't care about the rest,

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<v Speaker 3>because anybody who believes that this is a word for

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<v Speaker 3>word retelling of the man's life in accurate detail is

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<v Speaker 3>fooling themselves or setting themselves up for a disappointment or worse.

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<v Speaker 2>What's to think of the movie?

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<v Speaker 3>I liked it. I liked it. I having said that,

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<v Speaker 3>I don't I didn't think it was a perfect movie

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<v Speaker 3>by any means that there were issues that I had

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<v Speaker 3>with it, but overall I really liked it. I kind

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<v Speaker 3>of wish there was more of the horse racing that

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<v Speaker 3>gets a little derailed in the middle third of the movie,

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<v Speaker 3>but look, it's Joe Johnston Number one. I love and

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<v Speaker 3>I know you do. I love Joe Johnston. We're talking

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<v Speaker 3>the Rockets here, We're talking Captain America. This guy knows

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<v Speaker 3>how to shoot an old timey film serial.

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<v Speaker 2>I think, oh my god, y absolutely, if you want

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<v Speaker 2>something nostalgic, call Joe Johnson, because not only is he

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<v Speaker 2>going to give you the nostalgia, he's gonna do it stylishly. HP.

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<v Speaker 2>In the run up to watching this movie for this podcast,

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<v Speaker 2>I actually avoided any information. I mean, I knew John

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<v Speaker 2>Fusco wrote it. I knew Vigo is starring in it,

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<v Speaker 2>and Amarsha Reef is in it, and I knew the

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<v Speaker 2>basics of the plot and everything, but the actual minutia

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<v Speaker 2>of who made the movie I didn't know. And there

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<v Speaker 2>are no credits at the beginning. So I found myself

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<v Speaker 2>over and over again thinking who fucking directed this? This

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<v Speaker 2>is really solid, especially considering some of the other movies

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<v Speaker 2>just here in Fuscofest we we saw The Babe, and

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<v Speaker 2>that I thought was like, is the diametric opposite of

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<v Speaker 2>this movie as far as shooting a movie as a

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<v Speaker 2>period piece and making it look gorgeous as opposed to

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<v Speaker 2>just we're wearing costumes on our freshly painted sets. This

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<v Speaker 2>movie not only looks lived in, not only is just

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<v Speaker 2>well acted and all of that kind of stuff, but

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<v Speaker 2>there were a shot after shot that is just gorgeous.

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<v Speaker 2>You never see a movie like this. You're never going

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<v Speaker 2>to see a movie like this again. As a matter

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<v Speaker 2>of fact, I agree.

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<v Speaker 3>The vibe I got from it. Not to make a

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<v Speaker 3>direct comparison, but it felt at times like Raiders of

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<v Speaker 3>Lost Arc the original Raiders, because it really is at

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<v Speaker 3>times a real swashbuckling type of adventure, which I really

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<v Speaker 3>liked about it, and I think Joe Johnston placed with

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<v Speaker 3>strengths there.

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<v Speaker 2>Not only that as far as the sort of this

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<v Speaker 2>movie delivering what you're not expecting, because I did get

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<v Speaker 2>that vibe a lot the writers of Lost Arc vibe

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<v Speaker 2>anytime it gets into a sort of rip rower and

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<v Speaker 2>action adventury kind of situation. It Look, you know, Joe

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<v Speaker 2>Johnson did Jumanji as well, so that's if you know

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<v Speaker 2>he did The Rocketeer like this is, that's who we're

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<v Speaker 2>talking about. If you haven't seen Hidalgo, so you know

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<v Speaker 2>that he can sort of deliver it in that regard.

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<v Speaker 2>But I've forgotten what on my point was what we were saying.

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<v Speaker 3>We're we talk about Joe Johnston and how he how

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<v Speaker 3>he delivers on a lot of different levels.

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<v Speaker 2>Oh ok, yeah, not only that, So not only is

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<v Speaker 2>Joe Johnson doing that, and well he's delivering what he

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<v Speaker 2>always does. But this script was constantly defying my expectations. Man,

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<v Speaker 2>this script is a lot of story. This is a

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<v Speaker 2>two hour and fifteen minute movie, and I honestly did

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<v Speaker 2>not feel it first of all, which is the hallmark

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<v Speaker 2>of any good movie when you don't know the passage

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<v Speaker 2>of time and it's freighted with a lot of emotion. Man,

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<v Speaker 2>like the opening of this movie, now we said it

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<v Speaker 2>like you kind of painted it in broad strokes. But

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<v Speaker 2>like Frank Hopkins at the beginning of this film is

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<v Speaker 2>a effectively a pony express rider who is running dispatches

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<v Speaker 2>for the US military. So what they've said or Fusco

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<v Speaker 2>has set him up here as the guy who has

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<v Speaker 2>delivered the message to the seventh Cavalry Regiment to eliminate

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<v Speaker 2>all of the Indigenous Lakota Sioux at the Wounded Knee massacre.

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<v Speaker 2>He's the guy who delivered the message. It's basically like

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<v Speaker 2>he's the fucking bombadier of the Anola.

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<v Speaker 3>Gay exactly, but it's also freighted with the idea that

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<v Speaker 3>he is much like we talked about Thunderheart previously, he

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<v Speaker 3>is all you find out that he is also half

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<v Speaker 3>Native American himself. So after having done this horrible thing,

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<v Speaker 3>you know, unwittingly done this horrible thing, he's then saddled

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<v Speaker 3>with all that guilt of what did he do to

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<v Speaker 3>these people because he knew, Like he goes to the

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<v Speaker 3>encampment where the cavalry is there and just waiting tensely

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<v Speaker 3>and watching what these Native Americans are doing, and the

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<v Speaker 3>Native Americans are doing like a tribal dance, and it's

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<v Speaker 3>got them all on edge because they feel like this

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<v Speaker 3>is going to lead to some kind of big uprising.

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<v Speaker 3>They're just waiting, they're itching for something to happen here.

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<v Speaker 3>And because he is familiar with the culture, when he

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<v Speaker 3>gets there, the first thing he says is, though, if

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<v Speaker 3>they're not preparing for war, this is a ghost dance,

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<v Speaker 3>This is not this is nothing to be worried about.

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<v Speaker 3>He knows that they're not a threat. But because he's

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<v Speaker 3>delivered these orders and because of the has depicted in

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<v Speaker 3>the movie, there's a misunderstanding with there's a Native American,

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<v Speaker 3>a young Native American man who won't give up his

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<v Speaker 3>gun when he's told to because you find out that

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<v Speaker 3>he's deaf, and that kicks off like the powder keg

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<v Speaker 3>of all. By the way, this is the first of many,

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<v Speaker 3>if you'll indulge me in any interesting side notes. The

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<v Speaker 3>Native American who doesn't give up his rifle, This deaf

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<v Speaker 3>Native American.

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<v Speaker 2>Good looking guy who is a good looking guy.

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<v Speaker 3>The actor's name is David mid Thunder, which I'm sure

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<v Speaker 3>will be familiar to you father alone, because he is

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<v Speaker 3>Amber mid Thunder's father. Amber mid Thunder, of course, the

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<v Speaker 3>badass Naarou in the incredible movie Prey, the Predator sequel

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<v Speaker 3>that basically redefined the series. Isn't that cool?

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<v Speaker 2>It's a fucking dynasty. I love it is.

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<v Speaker 3>Yeah. The second I saw his name and his surname,

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<v Speaker 3>I said, I wonder if he's related to Amber mid Thunder,

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<v Speaker 3>And sure enough, he's her father.

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<v Speaker 2>I thought that was the Barrymore's, the Arquettes, the mid Thunders.

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<v Speaker 3>Indeed, where were we?

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<v Speaker 1>Oh?

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<v Speaker 2>Oh okay, yeah, listen that Fusco was able to sort

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<v Speaker 2>of sneak in the Wounded Knee massacre in what is

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<v Speaker 2>promised to be just a rollicking, old fashioned adventure across

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<v Speaker 2>the desert is remarkable. And not only that he then

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<v Speaker 2>follows it up with not only the character is now

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<v Speaker 2>broken drunken period that he needs to be pulled out

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<v Speaker 2>of that's sort of typical of any story like this,

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<v Speaker 2>but he puts him in Buffalo Bill Cody's Wild West

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<v Speaker 2>show enacting the Wounded Knee massacre. Holy God, it's like

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<v Speaker 2>he's doing penance every night.

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<v Speaker 3>I love that. First of all, we have to mention

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<v Speaker 3>obviously that JK. Simmons is playing Buffalo Bill Cody. I

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<v Speaker 3>didn't know that he was in this movie either, and

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<v Speaker 3>I said, this is every new little tidbit that I'm watching,

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<v Speaker 3>I'm going I love this fucking movie even more and more.

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<v Speaker 3>But the way that that is depicted and written that

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<v Speaker 3>like you said, he's doing penance every single night, and

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<v Speaker 3>the way that they're being very even handed. They're showing

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<v Speaker 3>how incredibly brutal and prejudicial and all of this that

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<v Speaker 3>these Wild West shows are and depicting that the Native Americans,

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<v Speaker 3>but they're kind of showing the other side of it

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<v Speaker 3>that Buffalo Bill is actually like the chief who's acting

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<v Speaker 3>in these shows who gets abused every time because he

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<v Speaker 3>comes out basically symbolically to broker a treaty with the

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<v Speaker 3>cavalry after wounded knee, and the crowd are throwing trash

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<v Speaker 3>at him and booing him at every turn. The actor

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<v Speaker 3>is tremendous. I don't have the actor's name here who

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<v Speaker 3>plays this chief, but you see the other side of

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<v Speaker 3>it where then the chief has to go and ask

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<v Speaker 3>Buffalo Bill for help because he needs money and he's

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<v Speaker 3>trying to help or save these mustangs that are going

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<v Speaker 3>to be killed. I loved the even handed approach to

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<v Speaker 3>because this is a two thousand and four movie. I

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<v Speaker 3>didn't know to expect as far as how sensitive they're

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<v Speaker 3>going to be towards the plight of the Native American.

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<v Speaker 2>That was Floyd Red Crow Westerman.

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<v Speaker 3>By the way, as from the Doors, he was the

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<v Speaker 3>shaman in the.

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<v Speaker 2>Doors, He absolutely was. He was. Yeah, he was the

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<v Speaker 2>great Okay, yeah, so that was him. Also in I

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<v Speaker 2>agree Buffalo Bill Cody's being performed by JK. Simmons. Is

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<v Speaker 2>there never a role or is there ever a time

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<v Speaker 2>when JK. Simmons shows up in a role where you

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<v Speaker 2>don't immediately think, oh, perfect.

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<v Speaker 3>He's amazing, and I just the fact. I mean, I

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<v Speaker 3>know he was in OZ. I didn't watch OZ, but

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<v Speaker 3>I know that was his big star making role. That

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<v Speaker 3>must have already been what that was probably the early

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<v Speaker 3>two thousands also, But frankly, I wasn't that aware of him.

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<v Speaker 2>I was the nineties. He was already j Jonah Jamison

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<v Speaker 2>by now.

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<v Speaker 3>Oh Spider Man, of course, but it's just I was

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<v Speaker 3>so because he's now, He's JK. Simmons. He's a big deal,

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<v Speaker 3>so to speak. So it was really a delight to

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<v Speaker 3>see him and others in this movie. But you're right,

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<v Speaker 3>he just brings so much to every role. He's fantastic,

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00:20:07.799 --> 00:20:12.359
<v Speaker 3>whether it's something more sinister or someone more open hearted,

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<v Speaker 3>he can do it all.

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<v Speaker 2>I want to say that before we move on past

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<v Speaker 2>the opening scene, because this is just all sort of

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<v Speaker 2>prologue to the actual race. But playing Annie Oakley here

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<v Speaker 2>was Elizabeth Barridge, who if eagle eye viewers would recognize

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<v Speaker 2>her as Costanza or Stanzi from Amadeus, which he's so

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<v Speaker 2>young and adorable in, and then she ended up as

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<v Speaker 2>that girl on Night Court, you know, the bailiff, the

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<v Speaker 2>bailiff with bull, the sort of pinched face kind of girl.

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<v Speaker 3>Wow. Wow, I didn't put that together. That's amazing. The

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<v Speaker 3>original Night Court.

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<v Speaker 2>Yeah, that was Elizabeth Barridge. Geez, what happened to Elizabeth Barrett?

348
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<v Speaker 2>She was fucking I don't know, man.

349
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<v Speaker 3>And she's really good in this.

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<v Speaker 2>She's gray here.

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<v Speaker 3>She's not in it a ton. This is, as you said,

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<v Speaker 3>this is all prologue to getting us to the race.

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<v Speaker 3>But everybody up to this point, even somebody who's in

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<v Speaker 3>it just a little bit like her, it's fantastic. They

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<v Speaker 3>this movie is just stocked with great character actors.

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<v Speaker 2>Now, speaking of prologue and character actors. Before we even

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<v Speaker 2>got here, before we get to Wounded Me, we're introduced

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<v Speaker 2>to Frank Hopkins in a race where he's racing a

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<v Speaker 2>particular dandy I love this by the name of Preston Webb,

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<v Speaker 2>that's the character's name. Who's all you know, a spit

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<v Speaker 2>and polish and how dare you say? Your mixed race?

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<v Speaker 2>Hoss played by c Thomas Howell.

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<v Speaker 3>He's where did he come from?

364
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<v Speaker 2>Where you see? Where did he come from? He's grained here.

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<v Speaker 2>It's so jarring that he's here that I thought, clearly

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<v Speaker 2>he's going to be in the rest of the movie. No,

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<v Speaker 2>that's the one scene.

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<v Speaker 3>I had the same reaction because it's essentially like a

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<v Speaker 3>glorified cameo. He only has maybe two lines and a

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<v Speaker 3>little bit of a dust up in a bar with

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<v Speaker 3>Frank Hopkins where he gets his ass kicked, basically, but

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<v Speaker 3>that's it. But it made me think, is there a connection?

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<v Speaker 3>Is there some did he work with Joe Johnson or

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<v Speaker 3>somebody else previously? And this was like his hey little cameo,

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<v Speaker 3>a thing to like from one buddy to another. I

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<v Speaker 3>couldn't think of it, but I thought it was awesome

377
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<v Speaker 3>that he because who thinks of c Thomas Howell anymore,

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<v Speaker 3>let alone twenty one years ago thereabouts.

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<v Speaker 2>Oh, come on a couple of years from from this,

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<v Speaker 2>he would be helping Spider Man in The Amazing Spider Man.

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<v Speaker 3>I just I was delighted because, like you grew up

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<v Speaker 3>with so many movies that he was in The Outsiders

383
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<v Speaker 3>obviously that was the big one. So it was kind

384
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<v Speaker 3>of it was jarring, and I had this the exact

385
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<v Speaker 3>same reaction. I said, Okay, this is going to be

386
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<v Speaker 3>one of Frank Hopkins antagonists. Nope, He's in it for

387
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<v Speaker 3>about five minutes and he's gone onto the next adventure.

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<v Speaker 2>Indeed. But and okay, so you mentioned it that this

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<v Speaker 2>movie is predicated on a slight basically that the claim

390
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<v Speaker 2>has gone out that Frank Hopkins horse is the fastest

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<v Speaker 2>and longest distanced running horse in the world, and a

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<v Speaker 2>chic around the world has taken umbrage with this and

393
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<v Speaker 2>has invited him to join the race and prove it.

394
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<v Speaker 2>Put up her shot up. Basically, it's one thousand dollars

395
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<v Speaker 2>basically and a thousand silver coins with one hundred thousand

396
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<v Speaker 2>dollars perse so the all of the wild West show

397
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<v Speaker 2>people one hundred of them or so. Pony up ten

398
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<v Speaker 2>silver coins and off he goes, where he meets immediately

399
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<v Speaker 2>Malcolm McDowell. Another shock. I was like, what he's uncredited

400
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<v Speaker 2>in this?

401
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<v Speaker 4>He does?

402
00:23:47.640 --> 00:23:49.000
<v Speaker 3>He even have a credit for them.

403
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<v Speaker 2>Alone as major devintort. Oh, hello, Vigo Mortenson, how are Yeah?

404
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<v Speaker 2>That's my Malcolm mcdowald pression.

405
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<v Speaker 3>It's very good.

406
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<v Speaker 4>It is.

407
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<v Speaker 3>Well, So he's on the ship, he's en route to Africa,

408
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<v Speaker 3>and some of the crew are taunting or basically taunting

409
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<v Speaker 3>at his horse and haunting.

410
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<v Speaker 2>They're like kind of giant stick and they're like menacing it,

411
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<v Speaker 2>and they're all like ringed around the pen and like

412
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<v Speaker 2>taunting it, like fucking swatting at it.

413
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<v Speaker 3>Ah, they're poking him. And I will not stand for

414
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<v Speaker 3>animal abuse of any kind. So I'm already on Hidalgo's

415
00:24:29.839 --> 00:24:33.680
<v Speaker 3>side in a big way. But his so Major Davenport's wife,

416
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<v Speaker 3>Lady Davenport, who becomes who figures very prominently in the

417
00:24:37.640 --> 00:24:41.079
<v Speaker 3>main story, breaks up the fight, and that's how he

418
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<v Speaker 3>ends up meeting Major Davenport, and they have a nice

419
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<v Speaker 3>little tete a tet.

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<v Speaker 2>They're horse traders, as it turns out, but they are

421
00:24:49.599 --> 00:24:53.240
<v Speaker 2>competing in the race as well. And yeah, Lady Davenport,

422
00:24:53.319 --> 00:24:56.759
<v Speaker 2>let's talk about Lady Davenport. Who's the actress. Let me

423
00:24:56.799 --> 00:25:01.000
<v Speaker 2>find her name, Louise Lombard as Lady and the Davenport

424
00:25:01.480 --> 00:25:04.160
<v Speaker 2>apparently was on CSI for a couple of years, the

425
00:25:04.359 --> 00:25:06.559
<v Speaker 2>actual cs I, but that was the show I checked out,

426
00:25:06.559 --> 00:25:08.720
<v Speaker 2>and as soon as William Peterson was gone, so was I.

427
00:25:09.279 --> 00:25:12.640
<v Speaker 3>She looked exceedingly familiar to me, but I did not

428
00:25:12.839 --> 00:25:16.640
<v Speaker 3>watch CSI, nor could I really associate any of her

429
00:25:16.680 --> 00:25:18.880
<v Speaker 3>credits to something that I would have known her. She's

430
00:25:19.000 --> 00:25:21.319
<v Speaker 3>very good in this, though, I will say, for somebody

431
00:25:21.359 --> 00:25:24.000
<v Speaker 3>who has a bit of a hidden agenda, I think

432
00:25:24.000 --> 00:25:25.200
<v Speaker 3>she plays it really well.

433
00:25:25.599 --> 00:25:29.359
<v Speaker 2>Deceiver. You can tell she's a deceiver right from the beginning.

434
00:25:29.960 --> 00:25:33.319
<v Speaker 3>Yeah, well, somebody anyone who wears as many veils and

435
00:25:33.640 --> 00:25:37.000
<v Speaker 3>weird hat things that drape across her eyes. I think

436
00:25:37.039 --> 00:25:40.519
<v Speaker 3>that's Joe Johnston signaling us without telling us that this

437
00:25:40.599 --> 00:25:43.920
<v Speaker 3>person has a veiled agenda, so to speak.

438
00:25:43.839 --> 00:25:48.079
<v Speaker 2>She has many secrets. Okay, Now, look, here's where we

439
00:25:48.119 --> 00:25:50.519
<v Speaker 2>meet our other major star in the movie. Although we

440
00:25:50.599 --> 00:25:53.799
<v Speaker 2>keep meeting major stars and like not to discount JK.

441
00:25:53.960 --> 00:25:58.079
<v Speaker 2>Simmons and or C. Thomas Howe and or fucking well,

442
00:25:58.079 --> 00:26:01.039
<v Speaker 2>we're talking about O Marsherive. He does dwarf. It's gone damned.

443
00:26:01.079 --> 00:26:04.000
<v Speaker 3>Omar Sharif, Oh yeah, I mean the man is larger

444
00:26:04.039 --> 00:26:07.400
<v Speaker 3>than life. That phrase is so overused, but in this

445
00:26:07.480 --> 00:26:09.079
<v Speaker 3>case it's completely warranted.

446
00:26:09.400 --> 00:26:13.640
<v Speaker 2>Doctor Javago, for God's sake, Lawrence of Arabia, Omar Sharif,

447
00:26:13.720 --> 00:26:17.640
<v Speaker 2>the thirteenth Warrior, Omar Sharif, world.

448
00:26:17.319 --> 00:26:21.319
<v Speaker 3>Class bridge player. Omar Sharif so good father Malone. He

449
00:26:21.440 --> 00:26:25.240
<v Speaker 3>had his own computer game called Omar Sharif on Bridge

450
00:26:25.400 --> 00:26:30.119
<v Speaker 3>in nineteen ninety two. It actually featured him narrating the

451
00:26:30.160 --> 00:26:32.920
<v Speaker 3>game that you play, so it would say, like, you know,

452
00:26:32.960 --> 00:26:35.359
<v Speaker 3>he would say, bidding goes to the North, and then

453
00:26:35.400 --> 00:26:37.119
<v Speaker 3>you would play it, and then if you did good,

454
00:26:37.599 --> 00:26:39.519
<v Speaker 3>he would say that was a good play.

455
00:26:39.960 --> 00:26:40.319
<v Speaker 2>Wow.

456
00:26:40.839 --> 00:26:43.559
<v Speaker 3>Badly he would say, oh, tough break or something like that.

457
00:26:43.799 --> 00:26:46.319
<v Speaker 3>But he was That was his big passion in life,

458
00:26:46.319 --> 00:26:48.680
<v Speaker 3>and that's something that he was kind of known for

459
00:26:48.759 --> 00:26:50.480
<v Speaker 3>outside of acting. Did you know that he was a

460
00:26:50.519 --> 00:26:51.720
<v Speaker 3>world class bridge player.

461
00:26:51.960 --> 00:26:55.119
<v Speaker 2>I had no idea. I just know he was devastatingly handsome.

462
00:26:55.839 --> 00:26:59.559
<v Speaker 3>He was the man. The man had it, that's for sure.

463
00:26:59.359 --> 00:27:00.920
<v Speaker 3>They're not many like him at all.

464
00:27:01.240 --> 00:27:02.960
<v Speaker 2>The it's factor. And now I'm going to tell my

465
00:27:03.240 --> 00:27:04.720
<v Speaker 2>I don't have a story about him, but I have

466
00:27:04.759 --> 00:27:08.000
<v Speaker 2>a story of him. When they're filming Lawrence of Arabia,

467
00:27:08.079 --> 00:27:12.440
<v Speaker 2>the big no prisoners charging the train sequence, Oh Marsh

468
00:27:12.480 --> 00:27:15.599
<v Speaker 2>Reif went to Peter O'Toole and said, I'm really nervous

469
00:27:15.640 --> 00:27:18.720
<v Speaker 2>about that. So I've had myself tied to my saddle

470
00:27:19.200 --> 00:27:22.200
<v Speaker 2>and Peter O'Toole said, oh, I'm just getting drunk, and

471
00:27:22.200 --> 00:27:24.079
<v Speaker 2>Oh Marsh said, oh, I'm already drunk.

472
00:27:26.759 --> 00:27:30.440
<v Speaker 3>Are there any bad Peter O'Toole stories. Don't they all

473
00:27:31.359 --> 00:27:35.160
<v Speaker 3>elicit some kind of laughter, Father Malone? Isn't that the

474
00:27:35.200 --> 00:27:36.240
<v Speaker 3>point of these stories?

475
00:27:36.559 --> 00:27:39.119
<v Speaker 2>They do? But there is an expiration date on that

476
00:27:39.200 --> 00:27:41.920
<v Speaker 2>kind of behavior that's acceptable and such, you know what

477
00:27:41.920 --> 00:27:44.599
<v Speaker 2>I mean, Like those old hard drinking English guys like

478
00:27:44.640 --> 00:27:48.480
<v Speaker 2>Oliver Reed and Peter O'Toole and Richard Burton, like those fuckers,

479
00:27:48.799 --> 00:27:52.160
<v Speaker 2>you know, the oh my god, Richard Button is drunk,

480
00:27:52.279 --> 00:27:55.799
<v Speaker 2>you know that, Like those old stories like you know, oh,

481
00:27:56.240 --> 00:27:58.160
<v Speaker 2>you know, we had an intermission, we'd run over to

482
00:27:58.200 --> 00:28:01.240
<v Speaker 2>the pub. But those we don't want those stories anymore.

483
00:28:01.279 --> 00:28:01.799
<v Speaker 2>Stop doing this.

484
00:28:02.480 --> 00:28:06.839
<v Speaker 3>Sure we're more enlightened as a society. But having said that,

485
00:28:07.119 --> 00:28:10.720
<v Speaker 3>you know, yeah, I guess the expiration would be probably

486
00:28:10.759 --> 00:28:13.640
<v Speaker 3>what maybe the eighties, maybe after that it was a

487
00:28:13.680 --> 00:28:16.519
<v Speaker 3>little sad to be in that sort of company. But

488
00:28:16.680 --> 00:28:19.319
<v Speaker 3>before that, in the golden age of Hollywood, that was

489
00:28:19.359 --> 00:28:20.319
<v Speaker 3>Cachet right there.

490
00:28:20.680 --> 00:28:22.640
<v Speaker 2>Another thing about Omar Shariff I'd like to point out,

491
00:28:22.720 --> 00:28:27.359
<v Speaker 2>just because I recently was doing a twenty thousand leagues

492
00:28:27.519 --> 00:28:31.200
<v Speaker 2>under the Sea or Beneath the Sea deep dive because

493
00:28:31.240 --> 00:28:34.519
<v Speaker 2>of the new show Nautilus, and Omar Shariff was the

494
00:28:34.559 --> 00:28:37.960
<v Speaker 2>first person to play the character of Captain Nemo of

495
00:28:38.200 --> 00:28:41.279
<v Speaker 2>Middle Eastern descent. Everyone else was white before him, and

496
00:28:41.319 --> 00:28:44.960
<v Speaker 2>that was only in the mysterious Island in nineteen seventy two.

497
00:28:45.440 --> 00:28:48.359
<v Speaker 2>We wouldn't get another We wouldn't get another Middle Eastern

498
00:28:48.400 --> 00:28:51.599
<v Speaker 2>Nemo until the League of Extraordinary Gentlemen, believe it or not.

499
00:28:52.400 --> 00:28:54.319
<v Speaker 3>On a related note, Bother Moline, can I ask you

500
00:28:54.400 --> 00:28:54.799
<v Speaker 3>a question.

501
00:28:55.680 --> 00:28:57.640
<v Speaker 2>Yes, struggled with this a little bit.

502
00:28:57.920 --> 00:29:00.799
<v Speaker 3>I might have just been a little over sent. But

503
00:29:00.960 --> 00:29:04.519
<v Speaker 3>when we get to when we get to the race

504
00:29:04.880 --> 00:29:09.000
<v Speaker 3>and Hawkins meets the chic of Chichs and his whole

505
00:29:09.039 --> 00:29:12.680
<v Speaker 3>corterie of helpers and servants and what have you, how

506
00:29:12.680 --> 00:29:14.920
<v Speaker 3>did you feel about it? Did it did you think

507
00:29:14.960 --> 00:29:19.799
<v Speaker 3>that the ethnic stuff was handled well? Did you feel

508
00:29:19.880 --> 00:29:23.000
<v Speaker 3>uncomfortable uncomfortable about it? Did you feel like it was ripped?

509
00:29:23.039 --> 00:29:26.200
<v Speaker 3>How did you feel about the representation given that it

510
00:29:26.240 --> 00:29:28.240
<v Speaker 3>was back in two thousand and four. I'm just curious

511
00:29:28.319 --> 00:29:29.160
<v Speaker 3>what your thoughts were.

512
00:29:29.680 --> 00:29:31.400
<v Speaker 2>Oh, I thought it was pretty even handed, to be

513
00:29:31.400 --> 00:29:33.799
<v Speaker 2>honest with you, I think like most of your skots things.

514
00:29:33.960 --> 00:29:36.480
<v Speaker 2>Even if I had a question about it, I know

515
00:29:36.559 --> 00:29:39.759
<v Speaker 2>that guy's intentions. Maybe that's coloring it a little bit,

516
00:29:39.960 --> 00:29:43.519
<v Speaker 2>but I didn't find anything untoork. The only time I

517
00:29:43.599 --> 00:29:48.000
<v Speaker 2>kind of winced during this movie was when the ghost

518
00:29:48.079 --> 00:29:51.720
<v Speaker 2>dance figures showed back up. But at least that was

519
00:29:51.759 --> 00:29:54.599
<v Speaker 2>a fucking hallucination of a man in the middle of

520
00:29:54.599 --> 00:29:57.160
<v Speaker 2>a desert who had been racing for twenty five hundred miles.

521
00:29:57.640 --> 00:29:59.599
<v Speaker 3>True, and that kind of I put that in the

522
00:29:59.640 --> 00:30:04.400
<v Speaker 3>same case category as Thunderheart, where he kind of hallucinates

523
00:30:04.559 --> 00:30:08.240
<v Speaker 3>or sees his elders. That's I was a little uncomfortable

524
00:30:08.240 --> 00:30:11.839
<v Speaker 3>with that for much the same reason. But I just

525
00:30:11.960 --> 00:30:14.200
<v Speaker 3>was curious, how what was bothered about this?

526
00:30:14.440 --> 00:30:18.799
<v Speaker 2>What was bothering you about their portrayal of Omar Sharif

527
00:30:19.039 --> 00:30:20.440
<v Speaker 2>and his harem.

528
00:30:20.759 --> 00:30:24.519
<v Speaker 3>Oh hang One second, Oh, sorry about that. I heard

529
00:30:24.519 --> 00:30:26.720
<v Speaker 3>a door open. I thought someone was coming into the house,

530
00:30:26.720 --> 00:30:29.519
<v Speaker 3>but it was Sam coming up from downstairs. What was it?

531
00:30:29.519 --> 00:30:31.920
<v Speaker 3>It wasn't necessarily like I said. It could have been

532
00:30:32.079 --> 00:30:35.039
<v Speaker 3>just me being very sensitive to this after having gone

533
00:30:35.079 --> 00:30:37.880
<v Speaker 3>through a few of these movies and thinking about in

534
00:30:37.920 --> 00:30:40.720
<v Speaker 3>those terms, And to be honest, I didn't do enough

535
00:30:40.759 --> 00:30:44.440
<v Speaker 3>research into the actual ethnicity of some of the actors

536
00:30:44.440 --> 00:30:49.480
<v Speaker 3>that were portraying these Arabian types and everything. So maybe

537
00:30:49.480 --> 00:30:51.799
<v Speaker 3>that I should have done more research in that regard, but.

538
00:30:52.480 --> 00:30:53.920
<v Speaker 2>Elmar Sharif is Egyptian.

539
00:30:54.799 --> 00:30:58.680
<v Speaker 3>It definitely I was concerned at times that maybe it's

540
00:30:58.720 --> 00:31:01.880
<v Speaker 3>playing into the stereo type of these sort of Arabs

541
00:31:01.920 --> 00:31:06.440
<v Speaker 3>as being very ruthless and warlike and stop at nothing

542
00:31:06.599 --> 00:31:08.880
<v Speaker 3>kind of thing. That's what got me a little bit.

543
00:31:08.920 --> 00:31:11.200
<v Speaker 3>And I can't say how much of that might have

544
00:31:11.279 --> 00:31:13.000
<v Speaker 3>been true for the time, or how much of that

545
00:31:13.079 --> 00:31:15.799
<v Speaker 3>was ginned up just for this movie. That's what I

546
00:31:15.880 --> 00:31:16.920
<v Speaker 3>struggled with a little bit.

547
00:31:17.480 --> 00:31:20.039
<v Speaker 2>I found no I found no truck with that. But

548
00:31:20.400 --> 00:31:25.799
<v Speaker 2>you know, I found Fusco's motivations to be above board, and.

549
00:31:25.920 --> 00:31:29.119
<v Speaker 3>I think his intentions are all making a mistake. I

550
00:31:29.119 --> 00:31:33.000
<v Speaker 3>don't think his intentions are ever anything but pure and honest,

551
00:31:33.640 --> 00:31:37.880
<v Speaker 3>and I think any shortcomings that I felt are of

552
00:31:37.920 --> 00:31:42.400
<v Speaker 3>the time. So it's not like this discussion there's there's

553
00:31:42.440 --> 00:31:45.119
<v Speaker 3>an easy answer to any of this. I just was

554
00:31:45.759 --> 00:31:48.400
<v Speaker 3>just curious about your impressions of it as you were

555
00:31:48.400 --> 00:31:50.480
<v Speaker 3>watching this as I did. It didn't it did not

556
00:31:50.599 --> 00:31:53.400
<v Speaker 3>impact my enjoyment of the movie in any significant way,

557
00:31:53.960 --> 00:31:56.279
<v Speaker 3>but I felt like I had to bring it up anyway,

558
00:31:56.359 --> 00:31:59.440
<v Speaker 3>just because it's a big part of the second two

559
00:31:59.480 --> 00:32:03.200
<v Speaker 3>thirds of the movie. The second two thirds makes no sense.

560
00:32:03.279 --> 00:32:06.720
<v Speaker 2>That's true. Okay, listen, where was I going somewhere?

561
00:32:06.799 --> 00:32:08.519
<v Speaker 3>So we're where I'm going?

562
00:32:10.880 --> 00:32:13.640
<v Speaker 2>All right? Yeah, Oh, I wanted to talk about the

563
00:32:13.720 --> 00:32:16.839
<v Speaker 2>villain for a bit. Oh wait, god, no, wait, what

564
00:32:16.920 --> 00:32:18.640
<v Speaker 2>was I gonna say? Shit, I don't know.

565
00:32:18.680 --> 00:32:20.319
<v Speaker 3>Can we talk about let's do this. Can we talk

566
00:32:20.359 --> 00:32:21.480
<v Speaker 3>about the horse for a minute.

567
00:32:21.640 --> 00:32:23.480
<v Speaker 2>Oh my god, let's talk about the horse. Let's talk

568
00:32:23.519 --> 00:32:26.039
<v Speaker 2>about horses in general. Let's talk about mustangs.

569
00:32:26.680 --> 00:32:31.480
<v Speaker 3>Yes, I As I mentioned earlier, Fusco. When you look

570
00:32:31.519 --> 00:32:35.200
<v Speaker 3>into Fusco's history and his socials and so forth, you

571
00:32:35.240 --> 00:32:39.400
<v Speaker 3>will see that there is probably no bigger advocate for

572
00:32:39.799 --> 00:32:43.039
<v Speaker 3>the good treatment of horses and the resettlement of wild

573
00:32:43.519 --> 00:32:46.160
<v Speaker 3>mustangs in particular than John Fusco. And I think that's

574
00:32:46.559 --> 00:32:48.480
<v Speaker 3>very well reflected in this movie.

575
00:32:48.720 --> 00:32:52.119
<v Speaker 2>Oh there's a deep love of the animal obviously that

576
00:32:52.680 --> 00:32:54.960
<v Speaker 2>you know. You often say, like you know that the

577
00:32:55.039 --> 00:32:57.720
<v Speaker 2>animal is like a major character, but it really is

578
00:32:57.799 --> 00:33:01.240
<v Speaker 2>in this case. Like, was this just one horse? I

579
00:33:01.240 --> 00:33:03.880
<v Speaker 2>didn't do any research at all. Is this just one horse?

580
00:33:04.559 --> 00:33:06.720
<v Speaker 3>It's several. Actually, I did a little bit of research.

581
00:33:06.960 --> 00:33:08.799
<v Speaker 3>The only reason I know that it was several because

582
00:33:08.839 --> 00:33:13.279
<v Speaker 3>I know after the fact that Vigo Mortensen adopted one

583
00:33:13.319 --> 00:33:17.160
<v Speaker 3>of the horses that portrayed Hidalgo, and also John Fusco

584
00:33:17.519 --> 00:33:20.240
<v Speaker 3>himself resettled. I don't know if he owned it and

585
00:33:20.240 --> 00:33:24.039
<v Speaker 3>then but it brought it to some farm or something.

586
00:33:24.079 --> 00:33:27.960
<v Speaker 3>But both horses were basically adopted by both Vigo and

587
00:33:28.079 --> 00:33:32.599
<v Speaker 3>John Fusco. But they however, they however many horses there were.

588
00:33:33.119 --> 00:33:36.240
<v Speaker 3>The horse the animal actor as it were in this

589
00:33:36.799 --> 00:33:42.720
<v Speaker 3>is amazing because you from jump you love Hidalgo the

590
00:33:42.799 --> 00:33:46.799
<v Speaker 3>horse because he's doing things like he's picking up Frank

591
00:33:46.839 --> 00:33:50.839
<v Speaker 3>Hopkins because he's drunk and dragging him across the thing

592
00:33:50.960 --> 00:33:51.759
<v Speaker 3>to get him going.

593
00:33:52.240 --> 00:33:52.559
<v Speaker 2>There are.

594
00:33:54.279 --> 00:33:57.839
<v Speaker 3>Yeah, and he's giving these looks when things happen story beats,

595
00:33:58.200 --> 00:34:00.319
<v Speaker 3>the horse gives a look, which I some of that

596
00:34:00.440 --> 00:34:03.400
<v Speaker 3>is context, of course, but the way they got this

597
00:34:03.519 --> 00:34:07.319
<v Speaker 3>horse to react and the way that Frank Hopkins treats

598
00:34:07.319 --> 00:34:10.199
<v Speaker 3>the horse, because he most often calls the horse brother

599
00:34:10.719 --> 00:34:17.039
<v Speaker 3>and I love yeah, Yeah, it's so sweet the relationship

600
00:34:17.079 --> 00:34:20.159
<v Speaker 3>between the two of them because they need each other ultimately,

601
00:34:20.760 --> 00:34:24.119
<v Speaker 3>and the way they got this horse or horses to

602
00:34:24.280 --> 00:34:27.039
<v Speaker 3>act in the picture is really phenomenal.

603
00:34:27.480 --> 00:34:30.760
<v Speaker 2>Yeah, there is at no point in this movie did

604
00:34:30.800 --> 00:34:35.400
<v Speaker 2>I feel a presence of a trainer off camera? And

605
00:34:35.920 --> 00:34:38.719
<v Speaker 2>too often you see that in a movie with animals.

606
00:34:38.719 --> 00:34:41.000
<v Speaker 2>At one point you're gonna you're gonna feel like, oh,

607
00:34:41.159 --> 00:34:44.639
<v Speaker 2>somebody's shaking something or calling or just to the left

608
00:34:44.639 --> 00:34:48.920
<v Speaker 2>of the lens. But here it felt like a fucking performance.

609
00:34:49.119 --> 00:34:51.480
<v Speaker 2>It felt like he was an actor in there, mixing

610
00:34:51.480 --> 00:34:53.679
<v Speaker 2>it up. I'm sure he improv some of his lines.

611
00:34:54.679 --> 00:34:57.239
<v Speaker 3>The horse. They the horse does so much that I

612
00:34:57.360 --> 00:35:01.000
<v Speaker 3>began to be a little fearful, wonder just how they

613
00:35:01.000 --> 00:35:03.679
<v Speaker 3>got this horse to perform, Like is it a mister

614
00:35:03.840 --> 00:35:07.719
<v Speaker 3>ed situation where they're electrocuting this poor horse to get

615
00:35:07.760 --> 00:35:10.320
<v Speaker 3>him to do things. But the fact that John fusc

616
00:35:10.360 --> 00:35:13.960
<v Speaker 3>goes involved, and also Vigo Mortenson in particular, gave me

617
00:35:14.159 --> 00:35:17.079
<v Speaker 3>all the faith I needed to know that these animals

618
00:35:17.079 --> 00:35:20.599
<v Speaker 3>were treated humanely on this set. So frankly, I don't

619
00:35:20.639 --> 00:35:22.119
<v Speaker 3>know how they got the horse to do it other

620
00:35:22.159 --> 00:35:23.519
<v Speaker 3>than it's a really good actor.

621
00:35:24.039 --> 00:35:26.480
<v Speaker 2>God bless it. Speaking of good actors, let's talk about

622
00:35:26.480 --> 00:35:30.559
<v Speaker 2>the villain right now, katib He of the long and

623
00:35:30.719 --> 00:35:36.840
<v Speaker 2>Pointy Beard, Silas Carson. Listen up, nerds, I love this.

624
00:35:36.840 --> 00:35:38.800
<v Speaker 3>This is another great trivia bit, go for it.

625
00:35:39.400 --> 00:35:43.239
<v Speaker 2>Eh Silas Carson, who is the villain of this piece overall,

626
00:35:43.559 --> 00:35:46.239
<v Speaker 2>happens to be a sitting member of the Gedi Council.

627
00:35:46.320 --> 00:35:51.440
<v Speaker 2>He was Kayati Mundy in all three Star Wars prequels.

628
00:35:51.199 --> 00:35:55.719
<v Speaker 2>He remember when he gets betrayed in in in Revenge

629
00:35:55.719 --> 00:35:58.519
<v Speaker 2>of the Sith, when his guards turn on him, He's

630
00:35:58.559 --> 00:36:00.760
<v Speaker 2>like running with him and he stops. He's like, where

631
00:36:00.800 --> 00:36:03.119
<v Speaker 2>are you guys? And then they fucking shoot him. Fuck

632
00:36:03.199 --> 00:36:04.920
<v Speaker 2>those Imperial motherfuckers.

633
00:36:05.679 --> 00:36:08.920
<v Speaker 3>He's really good in this The fact that he could

634
00:36:09.000 --> 00:36:13.280
<v Speaker 3>portray this villain someone who is basically twirling their mustache.

635
00:36:13.320 --> 00:36:15.800
<v Speaker 3>He could have been twirling his mustache at many points

636
00:36:15.840 --> 00:36:20.119
<v Speaker 3>in this movie, but yet he is this iconic Jedi

637
00:36:20.840 --> 00:36:24.519
<v Speaker 3>from the prequel trilogy. I was like, Bravo, whatever your

638
00:36:24.679 --> 00:36:27.199
<v Speaker 3>This actor's name is are Silas What was his last name?

639
00:36:27.400 --> 00:36:27.800
<v Speaker 2>Carson?

640
00:36:28.559 --> 00:36:32.000
<v Speaker 3>Carson wonderful. I think he's done a lot of voiceover

641
00:36:32.119 --> 00:36:34.320
<v Speaker 3>work for video games and that sort of thing. I

642
00:36:34.400 --> 00:36:36.079
<v Speaker 3>just think he's a really versatile actor.

643
00:36:36.360 --> 00:36:38.400
<v Speaker 2>Oh hey, listen up, nerds. He's the voice of the

644
00:36:38.440 --> 00:36:44.639
<v Speaker 2>Oode in Doctor Who. You gotta be super nerdy to

645
00:36:44.679 --> 00:36:47.440
<v Speaker 2>know that. One. Yeah, theme as a villain is great.

646
00:36:47.559 --> 00:36:50.079
<v Speaker 2>I loved him. This was a villain I wanted to die.

647
00:36:50.239 --> 00:36:52.719
<v Speaker 2>That doesn't happen often with movies for me anymore. And

648
00:36:52.800 --> 00:36:54.480
<v Speaker 2>now I'm just like, can we all just get along

649
00:36:54.599 --> 00:36:56.239
<v Speaker 2>By the end of the movie, this guy was like,

650
00:36:56.320 --> 00:36:58.280
<v Speaker 2>you need to fucking go. Man.

651
00:36:58.559 --> 00:37:01.559
<v Speaker 3>It was really brutal too. That the whole sequence where

652
00:37:01.800 --> 00:37:05.679
<v Speaker 3>he spoiler alert. Obviously anyone who comes into these things,

653
00:37:05.760 --> 00:37:09.480
<v Speaker 3>Father Milon should understand there's a spoiler alert blanketed across this.

654
00:37:09.800 --> 00:37:12.320
<v Speaker 2>Well, it's definitely starting now because we're kind of in

655
00:37:12.400 --> 00:37:15.000
<v Speaker 2>the end of the movie here, we're not wrapping up,

656
00:37:15.000 --> 00:37:18.760
<v Speaker 2>but we got to talk about this because it's kind

657
00:37:18.760 --> 00:37:24.199
<v Speaker 2>of vitally important and incredibly violent and yet somehow appropriate.

658
00:37:24.880 --> 00:37:28.840
<v Speaker 3>So it's the closing sort of reaches of the race

659
00:37:29.199 --> 00:37:33.039
<v Speaker 3>and he so the villain's motives. First of all, let's

660
00:37:33.039 --> 00:37:35.400
<v Speaker 3>say what he wants. Let's kind of give a little

661
00:37:35.400 --> 00:37:37.880
<v Speaker 3>bit of a clue there. So he is the nephew

662
00:37:37.960 --> 00:37:41.039
<v Speaker 3>of the sheik of sheikhs. He's the nephew of Omar

663
00:37:41.079 --> 00:37:45.760
<v Speaker 3>Sharif's character. And what he wants is so Omar Sharif

664
00:37:46.159 --> 00:37:53.440
<v Speaker 3>is racing his prized stallion and the nephew wants the stallion,

665
00:37:53.519 --> 00:37:56.559
<v Speaker 3>or at the very least wants the breeding manual so

666
00:37:56.599 --> 00:37:59.960
<v Speaker 3>that he can effectively because this is a big deal

667
00:38:00.360 --> 00:38:03.440
<v Speaker 3>to the Sheikh and to the bloodline, having this pure

668
00:38:03.559 --> 00:38:06.840
<v Speaker 3>bred line of stallions that goes back generations.

669
00:38:07.239 --> 00:38:09.960
<v Speaker 2>That's what Alhatal is the name of the horse, by

670
00:38:09.960 --> 00:38:13.000
<v Speaker 2>the way, big prize for the Sheikh and for all

671
00:38:13.599 --> 00:38:15.159
<v Speaker 2>for all of his relatives.

672
00:38:16.039 --> 00:38:19.760
<v Speaker 3>And that's where Lady Davenport figures into this also because

673
00:38:20.360 --> 00:38:24.039
<v Speaker 3>initially she's she has her own horse that's racing, but

674
00:38:24.599 --> 00:38:27.119
<v Speaker 3>she's actually find out that she's actually in cahoots with

675
00:38:27.239 --> 00:38:32.039
<v Speaker 3>Katib because he if she wins the race, she her

676
00:38:32.039 --> 00:38:35.519
<v Speaker 3>horse will be able to breed with Al Hatal and

677
00:38:35.800 --> 00:38:38.400
<v Speaker 3>that's the only way that she can get her hands

678
00:38:38.840 --> 00:38:42.400
<v Speaker 3>on the stud rights effectively to this other horse. So

679
00:38:42.760 --> 00:38:46.719
<v Speaker 3>all of these different competitors and people involved in this

680
00:38:46.920 --> 00:38:51.159
<v Speaker 3>circle are trying to prevent Frank Hopkins from completing this

681
00:38:51.320 --> 00:38:54.840
<v Speaker 3>race and going through some pretty extreme measures to do so,

682
00:38:54.960 --> 00:38:59.519
<v Speaker 3>including horribly basically, Katib. This is the moment we talked about.

683
00:39:00.000 --> 00:39:02.280
<v Speaker 3>Hebe effectively leads him into a trap. It's like a

684
00:39:02.320 --> 00:39:02.960
<v Speaker 3>punge pit.

685
00:39:03.320 --> 00:39:05.840
<v Speaker 2>Oh god, yeah, it's the worst.

686
00:39:06.039 --> 00:39:08.440
<v Speaker 3>It's so the horse and Frank Go fall into this

687
00:39:08.559 --> 00:39:12.239
<v Speaker 3>pit with spikes, and of course this poor horse, Hidalgo,

688
00:39:12.320 --> 00:39:15.480
<v Speaker 3>has a spike right through its like front right leg.

689
00:39:15.920 --> 00:39:18.760
<v Speaker 3>It's awful, it's skewered.

690
00:39:18.920 --> 00:39:23.239
<v Speaker 2>It looks completely photorealistic. I've never felt so bad for

691
00:39:23.280 --> 00:39:25.840
<v Speaker 2>an animal in a movie as during this sequence.

692
00:39:26.320 --> 00:39:30.719
<v Speaker 3>Really sad. But that's that leads eventually to Katib's down.

693
00:39:30.800 --> 00:39:33.079
<v Speaker 2>No no, no, wait, Before that, they get out of

694
00:39:33.079 --> 00:39:37.119
<v Speaker 2>that fucking pit, and at a certain point, Frank Hopkins

695
00:39:37.239 --> 00:39:41.719
<v Speaker 2>is deciding whether or not to kill Hidalga. Yes, hul

696
00:39:42.039 --> 00:39:44.079
<v Speaker 2>he's got the fucking revolve. Is it a revolver?

697
00:39:44.199 --> 00:39:44.480
<v Speaker 3>Right? No?

698
00:39:44.519 --> 00:39:45.639
<v Speaker 2>It a knife?

699
00:39:46.000 --> 00:39:49.039
<v Speaker 3>Well, no, he has the knife. He uses the knife

700
00:39:49.039 --> 00:39:52.599
<v Speaker 3>to remove the spike from his his flank, but then

701
00:39:53.159 --> 00:39:54.800
<v Speaker 3>he pulls out his revolver and.

702
00:39:54.719 --> 00:39:58.039
<v Speaker 2>He and at that point HB I didn't know if

703
00:39:58.079 --> 00:40:01.079
<v Speaker 2>Hidalgo was going to live or die, and I've never

704
00:40:02.400 --> 00:40:05.559
<v Speaker 2>when listen, this might be some sort of manipulative thing.

705
00:40:05.599 --> 00:40:08.199
<v Speaker 2>But as soon as he was saved, I fucking cried

706
00:40:08.239 --> 00:40:11.920
<v Speaker 2>my eyes out, just in absolute relief that Hidalgo was

707
00:40:11.960 --> 00:40:13.039
<v Speaker 2>going to continue to live.

708
00:40:13.760 --> 00:40:15.960
<v Speaker 3>It was. It was so incredible because I don't know

709
00:40:16.039 --> 00:40:18.000
<v Speaker 3>if it was the actual horse or what but as

710
00:40:18.079 --> 00:40:21.920
<v Speaker 3>he's so, Frank is basically talking to the horse and

711
00:40:22.000 --> 00:40:24.719
<v Speaker 3>effectively telling him like we've had a great run, but

712
00:40:25.239 --> 00:40:28.599
<v Speaker 3>I'm sorry I have to do this. And it's wrenching,

713
00:40:29.119 --> 00:40:33.159
<v Speaker 3>and the horse is on the ground looking at trying

714
00:40:33.159 --> 00:40:36.119
<v Speaker 3>to look at Frank as he's saying this, and it's

715
00:40:36.199 --> 00:40:38.920
<v Speaker 3>it rips your heart out because you're like, he's about

716
00:40:38.960 --> 00:40:42.440
<v Speaker 3>to put a bullet in this poor horse's brain. Horse

717
00:40:42.440 --> 00:40:45.199
<v Speaker 3>doesn't know what happened. The horse is in the middle

718
00:40:45.239 --> 00:40:48.480
<v Speaker 3>of this conflict. I felt so bad for Hidalgo. But

719
00:40:48.519 --> 00:40:51.440
<v Speaker 3>then that kind of gets you into like the rocky

720
00:40:51.519 --> 00:40:54.320
<v Speaker 3>moment where before we even get to that, then we

721
00:40:54.400 --> 00:40:57.960
<v Speaker 3>get to this bit and it's probably the thick hang

722
00:40:58.000 --> 00:41:01.079
<v Speaker 3>one second, something happened with my headphone. Sorry about that.

723
00:41:02.679 --> 00:41:06.400
<v Speaker 3>They disconnected. I can hear you now. I'm sorry about that.

724
00:41:06.440 --> 00:41:09.440
<v Speaker 3>I don't know why I disconnected. So the biggest problem

725
00:41:09.480 --> 00:41:13.000
<v Speaker 3>I had with this movie ultimately was there's this moment

726
00:41:13.039 --> 00:41:16.840
<v Speaker 3>where he's about to put Hidogo out of his misery,

727
00:41:17.440 --> 00:41:20.760
<v Speaker 3>and it's a desert and like you said, he's hallucinating, basically,

728
00:41:20.760 --> 00:41:25.360
<v Speaker 3>and he hallucinates a group of Native Americans that are

729
00:41:25.400 --> 00:41:28.920
<v Speaker 3>surrounding him and chanting and out of that he ends

730
00:41:29.000 --> 00:41:32.079
<v Speaker 3>up seeing a vision of his mother and him as

731
00:41:32.119 --> 00:41:35.480
<v Speaker 3>a child, a Native American child, holding the mother's hand.

732
00:41:35.519 --> 00:41:40.960
<v Speaker 3>And this is what convinces him not to put Hidogo

733
00:41:40.960 --> 00:41:43.719
<v Speaker 3>out of his misery, because he I think Hidogo actually

734
00:41:43.760 --> 00:41:46.920
<v Speaker 3>like stands up. He gets the strength to stand up,

735
00:41:46.960 --> 00:41:50.440
<v Speaker 3>and that motivates Frank Hopkins to continue the race. But

736
00:41:50.559 --> 00:41:54.840
<v Speaker 3>I don't know, I felt weird about this sort of

737
00:41:55.000 --> 00:41:58.599
<v Speaker 3>Native American spirit thing coming through again. It was just

738
00:41:58.760 --> 00:42:01.039
<v Speaker 3>like what happened in thun Hard, and we had our

739
00:42:01.079 --> 00:42:02.280
<v Speaker 3>problems with that as well.

740
00:42:03.119 --> 00:42:06.079
<v Speaker 2>There's probably a far less a problem that here.

741
00:42:06.519 --> 00:42:08.519
<v Speaker 3>To your point, I guess you could make the case

742
00:42:08.599 --> 00:42:14.320
<v Speaker 3>that he was literally hallucinating because of dehydration and everything else.

743
00:42:14.639 --> 00:42:18.679
<v Speaker 2>They but Joe Johnson literally turned them into mirages. They

744
00:42:18.719 --> 00:42:22.800
<v Speaker 2>are shimmering in the heat, these Native American spirits.

745
00:42:23.360 --> 00:42:26.920
<v Speaker 3>Yeah. I just the fact that I don't know if

746
00:42:26.960 --> 00:42:29.960
<v Speaker 3>the real Frank Hopkins claimed to have any real Native

747
00:42:29.960 --> 00:42:31.079
<v Speaker 3>American ancestry.

748
00:42:31.239 --> 00:42:34.239
<v Speaker 2>He know he did, and that is one of the

749
00:42:34.280 --> 00:42:37.400
<v Speaker 2>FUSCO facts that was confirmed that he was in fact

750
00:42:37.440 --> 00:42:39.039
<v Speaker 2>half half Lakota.

751
00:42:39.079 --> 00:42:41.679
<v Speaker 3>Suit That's fine, then I will then, I you know what,

752
00:42:41.760 --> 00:42:45.239
<v Speaker 3>I'll take back my criticism then, because I was afraid

753
00:42:45.280 --> 00:42:48.760
<v Speaker 3>that might have been something that was invented to connect

754
00:42:48.840 --> 00:42:51.599
<v Speaker 3>him with this whole Native American lore. But if that's

755
00:42:51.599 --> 00:42:54.000
<v Speaker 3>the case, then I guess I will give it a pass.

756
00:42:54.159 --> 00:42:58.599
<v Speaker 3>You're right though, the initial wave of tribesmen that surround

757
00:42:58.679 --> 00:43:03.960
<v Speaker 3>him are But at the same time, when his mother

758
00:43:04.000 --> 00:43:07.840
<v Speaker 3>appears to him with him in tow, that's not so Miraji.

759
00:43:08.239 --> 00:43:11.199
<v Speaker 3>That looks like she's standing right there in front of him,

760
00:43:11.239 --> 00:43:14.320
<v Speaker 3>not heat waves or anything. So that's still a little

761
00:43:14.320 --> 00:43:17.079
<v Speaker 3>bit hinky for me. But ultimately, I guess I'll give

762
00:43:17.119 --> 00:43:20.559
<v Speaker 3>it a pass. Oh, you'll give it a pass like

763
00:43:20.599 --> 00:43:24.119
<v Speaker 3>they need to. But yeah, I guess I see your point.

764
00:43:24.400 --> 00:43:26.880
<v Speaker 3>You could explain it away as maybe this is just

765
00:43:26.920 --> 00:43:30.159
<v Speaker 3>a figment of his imagination, and that kind of explains Look.

766
00:43:30.239 --> 00:43:33.159
<v Speaker 2>Here, man, a ghost dance is asking your ancestors for help.

767
00:43:33.199 --> 00:43:34.519
<v Speaker 2>That's all he's doing right now.

768
00:43:34.920 --> 00:43:36.280
<v Speaker 3>That's fair. I'll put it aside.

769
00:43:36.280 --> 00:43:39.039
<v Speaker 2>I guess come on, that was listened. His name is

770
00:43:39.159 --> 00:43:41.679
<v Speaker 2>Vigo Mortensen and he's from Sweden or something.

771
00:43:41.719 --> 00:43:48.239
<v Speaker 3>But it's okay, but you know, but it's fine. But anyway,

772
00:43:48.320 --> 00:43:51.760
<v Speaker 3>that gets you to the sort of the swelling moment

773
00:43:51.800 --> 00:43:56.559
<v Speaker 3>where Hidalgo finds the strength despite this grievous injury too,

774
00:43:56.559 --> 00:43:59.679
<v Speaker 3>because it's really his decision to keep racing. If it

775
00:43:59.719 --> 00:44:02.000
<v Speaker 3>was up Frank, he would have said, that's it, I'm done.

776
00:44:02.559 --> 00:44:06.559
<v Speaker 3>But Hidalgo standing up in the face of such a

777
00:44:06.599 --> 00:44:12.480
<v Speaker 3>grave injury to his flank was incredible. And I don't know,

778
00:44:12.559 --> 00:44:14.400
<v Speaker 3>I just like I said, I can't say enough good

779
00:44:14.440 --> 00:44:18.039
<v Speaker 3>things about the horse that portrayed Hidalgo, but it's fantastic.

780
00:44:18.360 --> 00:44:20.400
<v Speaker 2>But all of that leads to a moment where we

781
00:44:20.400 --> 00:44:24.199
<v Speaker 2>would get Katib himself standing on one of these pungy

782
00:44:24.360 --> 00:44:26.960
<v Speaker 2>traps but it hasn't broken through. It's one of these

783
00:44:27.039 --> 00:44:32.119
<v Speaker 2>don't move kind of situation. And then Frank takes a

784
00:44:32.239 --> 00:44:34.360
<v Speaker 2>rope and throws it to him, and I thought, at

785
00:44:34.400 --> 00:44:37.519
<v Speaker 2>that moment, you know what, he is a decent guy.

786
00:44:37.880 --> 00:44:39.880
<v Speaker 2>I guess he is going to save Katib here, and

787
00:44:40.000 --> 00:44:44.480
<v Speaker 2>instead he has lassoed a piece of that pungy flooring

788
00:44:45.039 --> 00:44:47.639
<v Speaker 2>and rips it off, so he immediately plunges in. It

789
00:44:47.760 --> 00:44:49.719
<v Speaker 2>is fucking impaled.

790
00:44:49.719 --> 00:44:51.679
<v Speaker 3>Yeah, it's and he has one of those sort of

791
00:44:51.679 --> 00:44:55.400
<v Speaker 3>Schwarzenegger lines. Afterwards, he says something like, don't never hurt

792
00:44:55.400 --> 00:44:57.440
<v Speaker 3>my horse, and then he rips it and the guy

793
00:44:57.480 --> 00:44:59.800
<v Speaker 3>falls in the part of the reason why you think

794
00:44:59.840 --> 00:45:02.519
<v Speaker 3>he going to save the guys because just prior to that.

795
00:45:02.679 --> 00:45:06.480
<v Speaker 3>So in this race we should mention you are forbidden

796
00:45:06.960 --> 00:45:10.000
<v Speaker 3>to help any of the other racers. That's you know,

797
00:45:10.079 --> 00:45:12.079
<v Speaker 3>if you see someone go down and their life is

798
00:45:12.079 --> 00:45:14.639
<v Speaker 3>in jeopardy, you're supposed to just keep on going there,

799
00:45:14.800 --> 00:45:17.800
<v Speaker 3>just forget about it. So there's one particular racer that

800
00:45:17.840 --> 00:45:19.920
<v Speaker 3>they kind of cross paths a few times, this guy

801
00:45:19.960 --> 00:45:22.920
<v Speaker 3>with a falcon right who's I don't remember the character's

802
00:45:23.000 --> 00:45:25.840
<v Speaker 3>name or the actor's name for that matter, but he

803
00:45:25.840 --> 00:45:27.199
<v Speaker 3>he pops up every now and again.

804
00:45:27.360 --> 00:45:29.519
<v Speaker 2>I love that guy with his falcon, Like, what what

805
00:45:29.920 --> 00:45:32.840
<v Speaker 2>a great bunch of supporting characters in this race. Man,

806
00:45:33.119 --> 00:45:36.960
<v Speaker 2>if at some point Burt Reynolds and Don Delawa's drove

807
00:45:37.000 --> 00:45:39.320
<v Speaker 2>in the background in a fucking ambulance, that it wouldn't

808
00:45:39.480 --> 00:45:42.840
<v Speaker 2>it wouldn't have been out a character Captain Chaos.

809
00:45:44.000 --> 00:45:46.920
<v Speaker 3>There's a by the way, there's a great moment where

810
00:45:47.119 --> 00:45:51.599
<v Speaker 3>it's right after Hawkins has reached this camp and all

811
00:45:51.639 --> 00:45:53.480
<v Speaker 3>the racers are gathering it. He wakes up in the

812
00:45:53.519 --> 00:45:55.719
<v Speaker 3>morning and there's I think it's a rabbit start to

813
00:45:55.800 --> 00:45:59.079
<v Speaker 3>dart across the sort of prairie or whatever, and he

814
00:45:59.119 --> 00:46:01.119
<v Speaker 3>takes out his gun because he's gonna shoot it and

815
00:46:01.599 --> 00:46:04.559
<v Speaker 3>eat it for dinner, and out of fucking nowhere, that

816
00:46:04.639 --> 00:46:07.559
<v Speaker 3>falcon that this guy has had on his wrist for

817
00:46:07.599 --> 00:46:11.719
<v Speaker 3>a while like just darts down and fucking kills that rabbit,

818
00:46:11.800 --> 00:46:14.360
<v Speaker 3>like right there. I don't know about you, that looked

819
00:46:14.400 --> 00:46:16.360
<v Speaker 3>pretty fucking real to me. I'm sure it was probably

820
00:46:16.480 --> 00:46:19.480
<v Speaker 3>CG or something, but I was like, wow, that is

821
00:46:19.559 --> 00:46:23.559
<v Speaker 3>fucking intense. So that's falcon guy anyway, Falcon Guy.

822
00:46:23.480 --> 00:46:27.599
<v Speaker 2>Played by Will Forte, the falconer.

823
00:46:30.480 --> 00:46:34.280
<v Speaker 3>Good call. At a certain point, falcon guys is racing

824
00:46:34.840 --> 00:46:38.159
<v Speaker 3>and he falls into what amounts to it's not it's

825
00:46:38.239 --> 00:46:41.639
<v Speaker 3>kind of like quicksand in the desert. It's this big, muddy,

826
00:46:41.679 --> 00:46:46.760
<v Speaker 3>boggy area where arrow falls in its harrowing.

827
00:46:46.480 --> 00:46:47.440
<v Speaker 2>Harrowing sequence.

828
00:46:47.480 --> 00:46:50.719
<v Speaker 3>Brother, because not only is he you know, he's falling

829
00:46:50.719 --> 00:46:54.119
<v Speaker 3>into this thing, but it's hot, it's like hot mud,

830
00:46:54.239 --> 00:46:56.239
<v Speaker 3>and you can tell that it's burning him as he's

831
00:46:56.280 --> 00:47:00.000
<v Speaker 3>sitting in this thing. Anyway, Frank hop happens upon him

832
00:47:00.079 --> 00:47:03.320
<v Speaker 3>and it's nice time and the guy says, just leave me.

833
00:47:03.679 --> 00:47:06.280
<v Speaker 3>You don't rescue me, just put me out of my misery.

834
00:47:06.920 --> 00:47:09.639
<v Speaker 3>But Frank, being a decent guy, he throws a rope in,

835
00:47:09.719 --> 00:47:11.760
<v Speaker 3>pulls him out, and kind of nurses him back to

836
00:47:11.800 --> 00:47:16.320
<v Speaker 3>health a little bit. And eventually this same guy helps

837
00:47:16.400 --> 00:47:20.519
<v Speaker 3>him escape Katib, only to be shot himself, which is

838
00:47:20.679 --> 00:47:23.360
<v Speaker 3>kind of sad. But anyway, the fact that you see

839
00:47:23.400 --> 00:47:26.719
<v Speaker 3>Frank save a guy when he's expressly forbidden not to

840
00:47:27.320 --> 00:47:30.039
<v Speaker 3>makes you think that he's going to save Katib on

841
00:47:30.159 --> 00:47:33.199
<v Speaker 3>top of that trap. But no, he doesn't. He gives

842
00:47:33.280 --> 00:47:36.000
<v Speaker 3>us exactly what we want because this is the motherfucker

843
00:47:36.280 --> 00:47:39.239
<v Speaker 3>that hurt Hidalgo. We want him to be to suffer

844
00:47:39.280 --> 00:47:39.599
<v Speaker 3>for it.

845
00:47:40.000 --> 00:47:43.519
<v Speaker 2>Here's one other aspect of this movie that I absolutely loved,

846
00:47:44.039 --> 00:47:48.760
<v Speaker 2>which is as soon as he gets to the beginning

847
00:47:48.760 --> 00:47:54.360
<v Speaker 2>of the race, he is assigned a squire. Basically some

848
00:47:54.519 --> 00:47:58.400
<v Speaker 2>of too teach him the ways of teach him the

849
00:47:58.440 --> 00:48:03.119
<v Speaker 2>local customs and the ways of the race and tips. Basically,

850
00:48:03.159 --> 00:48:06.679
<v Speaker 2>he's going to be like Mickey in Rocky's Corner. This

851
00:48:06.760 --> 00:48:09.920
<v Speaker 2>is his guy. His character is named Usef and he's

852
00:48:09.920 --> 00:48:14.719
<v Speaker 2>played by harsh Nayer. Now Harshneier, I'm very familiar with,

853
00:48:14.880 --> 00:48:18.320
<v Speaker 2>and listeners of midnight Viewing should be as well, because

854
00:48:18.320 --> 00:48:19.960
<v Speaker 2>he has shown up on Tails from the dark Side

855
00:48:20.039 --> 00:48:23.719
<v Speaker 2>twice last season, once is a Vampire, which he was

856
00:48:23.760 --> 00:48:26.679
<v Speaker 2>the scariest fucking guy in the world that season, and

857
00:48:26.719 --> 00:48:29.519
<v Speaker 2>then later he showed up as this pleasant, ghosty character

858
00:48:29.840 --> 00:48:36.559
<v Speaker 2>in some guy's apartment. And he's great here because what

859
00:48:37.000 --> 00:48:40.960
<v Speaker 2>Fuse goes done here is he's given him a squire

860
00:48:41.480 --> 00:48:46.079
<v Speaker 2>who basically can't stand him and is rooting for him

861
00:48:46.079 --> 00:48:46.559
<v Speaker 2>to fail.

862
00:48:48.360 --> 00:48:51.079
<v Speaker 3>Yeah, from the very beginning, the moment he meets him,

863
00:48:51.599 --> 00:48:55.440
<v Speaker 3>all this guy does is tell him how arduous this

864
00:48:55.599 --> 00:48:58.119
<v Speaker 3>trip is going to be, this race, and all the

865
00:48:58.159 --> 00:49:00.719
<v Speaker 3>reasons why he will never make it, why he shouldn't

866
00:49:00.719 --> 00:49:04.880
<v Speaker 3>even start to begin with. And that basically continues throughout

867
00:49:04.920 --> 00:49:08.440
<v Speaker 3>the movie until the eventual conclusion, which I guess we

868
00:49:08.480 --> 00:49:12.119
<v Speaker 3>won't spoil just yet. But yeah, he's that character is hilarious.

869
00:49:12.599 --> 00:49:15.320
<v Speaker 2>It reminds me of and it came later than this movie.

870
00:49:15.440 --> 00:49:17.360
<v Speaker 2>I talk about the movie maybe too much, but Walk

871
00:49:17.440 --> 00:49:21.760
<v Speaker 2>hard the relationship between Dewey Cox and his first wife,

872
00:49:21.840 --> 00:49:25.280
<v Speaker 2>Kristen Wigg, where every conversation is her telling him that

873
00:49:25.320 --> 00:49:27.480
<v Speaker 2>he's never gonna make it, so like he'll call and

874
00:49:27.519 --> 00:49:29.440
<v Speaker 2>she's like, hey, honey, I can't really talk right now.

875
00:49:29.519 --> 00:49:31.000
<v Speaker 2>By the way, you're never gonna make it click.

876
00:49:31.840 --> 00:49:34.679
<v Speaker 3>Yeah, it's really good and it's I don't know, I

877
00:49:34.800 --> 00:49:38.440
<v Speaker 3>just I the movie does have a lot of heart.

878
00:49:38.559 --> 00:49:40.320
<v Speaker 3>It has a lot of humor. There's a lot of

879
00:49:40.320 --> 00:49:42.960
<v Speaker 3>action too, but a lot of the humor is because

880
00:49:42.960 --> 00:49:45.760
<v Speaker 3>of his sort of like you said, his squire. But

881
00:49:45.760 --> 00:49:47.800
<v Speaker 3>there's a lot of heavy stuff too, Like they even

882
00:49:47.880 --> 00:49:51.719
<v Speaker 3>touch upon the African slave trade, which I wasn't expecting

883
00:49:51.760 --> 00:49:55.559
<v Speaker 3>in kind of a rollicking swashbuckling movie, because what effectively

884
00:49:55.599 --> 00:50:00.519
<v Speaker 3>happens is Frank Hopkins sees these slaves being walked over

885
00:50:00.519 --> 00:50:03.320
<v Speaker 3>to the market, including one little boy who's probably like

886
00:50:03.440 --> 00:50:07.280
<v Speaker 3>seven or eight or something, and he ends up basically

887
00:50:08.000 --> 00:50:11.800
<v Speaker 3>buying the little boy and saving him from slavery, drafts

888
00:50:11.840 --> 00:50:14.880
<v Speaker 3>him onto his team, and then there's this little kind

889
00:50:14.880 --> 00:50:18.719
<v Speaker 3>of back and forth between this kid and this squire

890
00:50:18.920 --> 00:50:21.039
<v Speaker 3>who has no use for this little boy or whatever.

891
00:50:21.480 --> 00:50:23.760
<v Speaker 3>But I was surprised that they kind of got into

892
00:50:23.760 --> 00:50:26.920
<v Speaker 3>that they don't really shy away from, at least the

893
00:50:27.000 --> 00:50:29.079
<v Speaker 3>like the what it looked like to be in the

894
00:50:29.159 --> 00:50:32.079
<v Speaker 3>slave trade. I thought that was for something sort of rollicking.

895
00:50:32.119 --> 00:50:33.119
<v Speaker 3>I was surprised by.

896
00:50:32.960 --> 00:50:38.800
<v Speaker 2>That once again expectation versus reality. Given the trailer for

897
00:50:38.840 --> 00:50:42.079
<v Speaker 2>this movie, I thought this was effectively a family movie,

898
00:50:42.119 --> 00:50:45.960
<v Speaker 2>which it kind of is, But nevertheless it's not because

899
00:50:46.320 --> 00:50:50.800
<v Speaker 2>this movie never pulls punches, not in any of these sequences,

900
00:50:51.119 --> 00:50:54.599
<v Speaker 2>including the opening fucking massacre at wounded 'n He, and

901
00:50:54.639 --> 00:50:59.480
<v Speaker 2>then it never what's crazy is what we're describing sounds

902
00:50:59.519 --> 00:51:01.840
<v Speaker 2>like the ridious movie of all time, but it somehow

903
00:51:01.920 --> 00:51:06.679
<v Speaker 2>manages to also be this rollicking, old fashioned family flick.

904
00:51:07.400 --> 00:51:09.920
<v Speaker 3>It is, and actually, come to think of it, I

905
00:51:09.920 --> 00:51:12.440
<v Speaker 3>actually agree. I'm not sure if my kids were younger

906
00:51:12.440 --> 00:51:15.159
<v Speaker 3>that I would have them. It's kind of a family

907
00:51:15.360 --> 00:51:18.599
<v Speaker 3>picture in the way that Temple of Doom. I guess

908
00:51:18.679 --> 00:51:20.800
<v Speaker 3>if you think you know about it in a certain way,

909
00:51:20.800 --> 00:51:23.559
<v Speaker 3>that's a family picture. But yet it's not because of

910
00:51:23.639 --> 00:51:26.719
<v Speaker 3>all the awful things that happen in it, the things

911
00:51:26.760 --> 00:51:29.920
<v Speaker 3>that you could that could scar a small child watching it,

912
00:51:30.280 --> 00:51:34.079
<v Speaker 3>including in this case, watching Hidalgo get plunged into a

913
00:51:34.119 --> 00:51:37.320
<v Speaker 3>pit of spikes and almost die because his owner is

914
00:51:37.360 --> 00:51:38.880
<v Speaker 3>going to put him out of his misery with a

915
00:51:38.920 --> 00:51:41.599
<v Speaker 3>gun to his head. These are the kind of things

916
00:51:41.639 --> 00:51:45.559
<v Speaker 3>that you don't expect, and a family friendly picture.

917
00:51:45.519 --> 00:51:51.679
<v Speaker 2>Or child slavery for that matter of course. But Don Marapis,

918
00:51:51.719 --> 00:51:54.199
<v Speaker 2>by the way, was the name of the falconer. That's

919
00:51:54.239 --> 00:51:55.639
<v Speaker 2>the actor who played Sucker.

920
00:51:57.079 --> 00:52:02.119
<v Speaker 3>Ah. Okay, there's a few, but shockingly everybody who kind

921
00:52:02.119 --> 00:52:06.039
<v Speaker 3>of comes out to help Hidalgo, not the Shekh, because

922
00:52:06.079 --> 00:52:07.960
<v Speaker 3>the Sheikh is there through the whole movie. But there's

923
00:52:08.239 --> 00:52:10.760
<v Speaker 3>at one point, and this was maybe one of my

924
00:52:10.800 --> 00:52:13.400
<v Speaker 3>other big problems with this picture of Father Malone is

925
00:52:13.400 --> 00:52:15.840
<v Speaker 3>that I wanted, I said earlier, I wanted more of

926
00:52:15.880 --> 00:52:20.960
<v Speaker 3>the race. Well about halfway into the picture, this this

927
00:52:21.119 --> 00:52:24.039
<v Speaker 3>nephew of the Sheikh leads a raid on the camp,

928
00:52:24.079 --> 00:52:29.039
<v Speaker 3>on the Sheikh's camp and kidnaps the Sheikh's only daughter,

929
00:52:29.760 --> 00:52:32.280
<v Speaker 3>only child, I think, because his sons have all perished

930
00:52:32.320 --> 00:52:37.719
<v Speaker 3>in the race or otherwise. So then we have it

931
00:52:37.760 --> 00:52:39.360
<v Speaker 3>goes on for a long time. We have a bit

932
00:52:39.400 --> 00:52:44.360
<v Speaker 3>of a detour where the Sheikh recruits recruits Frank to

933
00:52:44.679 --> 00:52:50.800
<v Speaker 3>save his daughter from the from his nephew. I don't

934
00:52:50.840 --> 00:52:53.199
<v Speaker 3>know how you felt about this sort of detour into

935
00:52:53.400 --> 00:52:57.679
<v Speaker 3>sort of adventureland. It's all great outside of the context

936
00:52:57.679 --> 00:53:00.800
<v Speaker 3>of this race, but I want more of the race.

937
00:53:00.840 --> 00:53:04.519
<v Speaker 3>I wanted more high jinks and interesting stuff happening to

938
00:53:04.639 --> 00:53:07.400
<v Speaker 3>him on the race. I didn't need this detour into

939
00:53:07.599 --> 00:53:11.599
<v Speaker 3>kind of action adventure territory. What was your thoughts on this,

940
00:53:11.599 --> 00:53:13.599
<v Speaker 3>this thing that happened midway through the picture.

941
00:53:13.960 --> 00:53:16.840
<v Speaker 2>I think if you're talking about it in a hindsight

942
00:53:17.000 --> 00:53:20.679
<v Speaker 2>way and coupling with the lack of race, because I

943
00:53:20.679 --> 00:53:22.360
<v Speaker 2>do agree with you, the one thing this movie is

944
00:53:22.440 --> 00:53:25.599
<v Speaker 2>lacking is more of the race. Ordinarily, I would never

945
00:53:25.679 --> 00:53:28.559
<v Speaker 2>be saying that in a movie about race. I'd be saying,

946
00:53:28.599 --> 00:53:31.480
<v Speaker 2>let's race, give me some more character. In this case,

947
00:53:31.719 --> 00:53:33.760
<v Speaker 2>not there not that they skimp on the race at all.

948
00:53:33.800 --> 00:53:36.800
<v Speaker 2>There's plenty of horses, there's plenty of fighting, there's plenty

949
00:53:36.800 --> 00:53:42.960
<v Speaker 2>of whatever, you know, But yes, I would like it's

950
00:53:43.000 --> 00:53:45.880
<v Speaker 2>the racing stuff here is so good that I definitely

951
00:53:45.880 --> 00:53:48.639
<v Speaker 2>did want more of it. And if you start looking

952
00:53:48.840 --> 00:53:51.199
<v Speaker 2>at the film that way, you can find plenty to

953
00:53:51.559 --> 00:53:54.159
<v Speaker 2>xcize in its favor. This movie is two hours and

954
00:53:54.199 --> 00:53:57.320
<v Speaker 2>fifteen minutes, so you know, I think at that point

955
00:53:57.360 --> 00:54:00.800
<v Speaker 2>you you wouldn't even be if you sat down to

956
00:54:00.880 --> 00:54:03.440
<v Speaker 2>edit the movie. You wouldn't be looking to add more race.

957
00:54:03.480 --> 00:54:05.719
<v Speaker 2>You'd be looking to just cut down overall.

958
00:54:06.519 --> 00:54:10.599
<v Speaker 3>So yeah, it was sort of necessary in a way

959
00:54:10.679 --> 00:54:16.480
<v Speaker 3>because initially the Sheikh has a sort of a jaundice

960
00:54:16.559 --> 00:54:20.960
<v Speaker 3>view of Frank, and in fact, later his daughter visits

961
00:54:21.000 --> 00:54:24.760
<v Speaker 3>Frank in his tent and that's a big no no.

962
00:54:25.199 --> 00:54:27.599
<v Speaker 3>And when he's discovered. Actually, and this is another kind

963
00:54:27.599 --> 00:54:31.599
<v Speaker 3>of horrifying bit of a movie, the penalty that Frank

964
00:54:32.119 --> 00:54:36.159
<v Speaker 3>incurs upon himself is basically he's to be gelded like

965
00:54:36.199 --> 00:54:36.679
<v Speaker 3>a horse.

966
00:54:36.719 --> 00:54:38.519
<v Speaker 2>Basically, they're going to cut his balls off, and they

967
00:54:38.519 --> 00:54:41.760
<v Speaker 2>have even little utensils that are ball shaped. This is

968
00:54:41.840 --> 00:54:44.320
<v Speaker 2>not the first time this is.

969
00:54:44.840 --> 00:54:48.760
<v Speaker 3>And that's really uncomfortable to watch anyway, and you I

970
00:54:48.920 --> 00:54:50.719
<v Speaker 3>know as a viewer it's not going to come to that.

971
00:54:50.800 --> 00:54:56.360
<v Speaker 3>But basically this is he has this penalty and inflicted

972
00:54:56.440 --> 00:54:59.280
<v Speaker 3>upon him, and then this raid happens in the midst

973
00:54:59.280 --> 00:55:02.559
<v Speaker 3>of all of this, and that is what allows the

974
00:55:02.599 --> 00:55:04.920
<v Speaker 3>Sheikh to bargain with Frank to say, look, if you

975
00:55:04.960 --> 00:55:07.880
<v Speaker 3>can bring my daughter back before the next night fallo

976
00:55:07.920 --> 00:55:10.599
<v Speaker 3>or what have you, I will not you will not

977
00:55:10.639 --> 00:55:14.519
<v Speaker 3>be punished for this slight but the punishment is still

978
00:55:14.559 --> 00:55:17.679
<v Speaker 3>pretty heavy for a family friendly movie. Again, they're going

979
00:55:17.760 --> 00:55:20.960
<v Speaker 3>to cut his balls off and they come really close

980
00:55:21.000 --> 00:55:21.679
<v Speaker 3>to it too.

981
00:55:22.079 --> 00:55:23.920
<v Speaker 2>And Vigo fucking sells it.

982
00:55:24.000 --> 00:55:24.280
<v Speaker 6>Matt.

983
00:55:24.719 --> 00:55:26.440
<v Speaker 3>Yeah, let's talk.

984
00:55:26.280 --> 00:55:28.960
<v Speaker 2>About Vigo martins In for a second, shall way. Vigo Martinsen,

985
00:55:29.039 --> 00:55:31.840
<v Speaker 2>coming off of the Lord of the Rings movies, chooses

986
00:55:31.920 --> 00:55:35.679
<v Speaker 2>this as his big Hollywood think this one hundred a

987
00:55:35.719 --> 00:55:39.280
<v Speaker 2>million dollar movie it getting made without Vigo martins and

988
00:55:39.320 --> 00:55:39.920
<v Speaker 2>I don't think.

989
00:55:40.320 --> 00:55:42.840
<v Speaker 3>And he's so good in it, it's hard for me

990
00:55:42.920 --> 00:55:46.199
<v Speaker 3>to imagine anybody else who could really pull off that.

991
00:55:46.840 --> 00:55:50.519
<v Speaker 3>The soulfulness of Frank Hopkins, the guilt that he carries,

992
00:55:51.079 --> 00:55:54.480
<v Speaker 3>and the really the plain spokenness of the character. There's

993
00:55:54.519 --> 00:55:59.320
<v Speaker 3>one hundred percent no subterfuge with the character of Frank Hopkins. Here.

994
00:55:59.400 --> 00:56:03.639
<v Speaker 3>He is devoted to his horse, he wants to race

995
00:56:04.119 --> 00:56:07.239
<v Speaker 3>in this Actually you end up finding out his real

996
00:56:07.360 --> 00:56:11.599
<v Speaker 3>motive for competing in this race and eventually spoiler alert

997
00:56:11.719 --> 00:56:16.119
<v Speaker 3>winning it is because he knows that there's This was

998
00:56:16.159 --> 00:56:18.079
<v Speaker 3>a little fuzzy for me. I didn't really understand this,

999
00:56:18.159 --> 00:56:21.280
<v Speaker 3>but apparently the US military have rounded up all of

1000
00:56:21.280 --> 00:56:25.719
<v Speaker 3>these wild Mustangs for the sole purpose of killing them.

1001
00:56:26.000 --> 00:56:28.760
<v Speaker 3>They have them all corralled fa them alone, and they're

1002
00:56:29.280 --> 00:56:32.039
<v Speaker 3>what was maybe I missed that part? Why were they

1003
00:56:32.760 --> 00:56:35.599
<v Speaker 3>going to kill this giant herd.

1004
00:56:35.360 --> 00:56:37.519
<v Speaker 2>Of mustang to get the plot in motion.

1005
00:56:38.199 --> 00:56:40.960
<v Speaker 3>There was nothing. It didn't make sense to me why

1006
00:56:40.960 --> 00:56:44.199
<v Speaker 3>you'd want to kill these anyway. He wants to compete

1007
00:56:44.239 --> 00:56:47.760
<v Speaker 3>in this race, Frank Hopkins, so that he can buy

1008
00:56:48.119 --> 00:56:53.320
<v Speaker 3>the mustangs and basically let them run free, which I think,

1009
00:56:53.760 --> 00:56:56.719
<v Speaker 3>I mean, how amazing is that's he wants to put

1010
00:56:56.800 --> 00:57:00.480
<v Speaker 3>himself through hell and back to number one to suage

1011
00:57:00.519 --> 00:57:04.119
<v Speaker 3>his own guilt maybe at what his involvement and wounded knee,

1012
00:57:04.559 --> 00:57:06.719
<v Speaker 3>but this is his way of making up for that,

1013
00:57:06.960 --> 00:57:08.960
<v Speaker 3>is he's going to do this amazing, He's going to

1014
00:57:09.000 --> 00:57:12.039
<v Speaker 3>spend all this money to save these wild mustangs that

1015
00:57:12.079 --> 00:57:13.199
<v Speaker 3>he loves so much.

1016
00:57:13.440 --> 00:57:15.840
<v Speaker 2>So let's face it, it's the fucking horse that won

1017
00:57:15.880 --> 00:57:18.639
<v Speaker 2>the race, so it really.

1018
00:57:18.719 --> 00:57:21.199
<v Speaker 3>He owes it to the horse to do this, and

1019
00:57:21.239 --> 00:57:23.760
<v Speaker 3>in fact he sets hid I'll go free at the

1020
00:57:23.840 --> 00:57:26.320
<v Speaker 3>end too, which is a wonderful moment. But my point

1021
00:57:26.360 --> 00:57:29.440
<v Speaker 3>is in saying all of this, is that the character

1022
00:57:29.760 --> 00:57:34.159
<v Speaker 3>is so pure and true, and not that he doesn't have,

1023
00:57:34.719 --> 00:57:36.880
<v Speaker 3>you know, an edge to him, and not that he

1024
00:57:36.920 --> 00:57:40.480
<v Speaker 3>doesn't have flaws and foibles. But like I said, I

1025
00:57:40.519 --> 00:57:43.599
<v Speaker 3>don't know anybody who could really pull off the character

1026
00:57:43.760 --> 00:57:46.719
<v Speaker 3>with all of those shadings like Vigo Mortensen does.

1027
00:57:47.280 --> 00:57:50.400
<v Speaker 2>This is our second tangle with mister Martinson and mister

1028
00:57:50.440 --> 00:57:54.400
<v Speaker 2>Fusco in our Fusco Fest. He was John W. Poe

1029
00:57:54.719 --> 00:58:00.400
<v Speaker 2>back in Young Guns two, a like the most tonic

1030
00:58:00.480 --> 00:58:02.639
<v Speaker 2>of the Western characters in that movie. I think I

1031
00:58:02.679 --> 00:58:05.679
<v Speaker 2>said it then too, like Young Guns One's Dirty Steve

1032
00:58:06.360 --> 00:58:09.039
<v Speaker 2>and Young Guns too. It's definitely John W. Poe. He's

1033
00:58:09.079 --> 00:58:11.639
<v Speaker 2>great there, He's fucking great here. He did a movie

1034
00:58:11.639 --> 00:58:14.079
<v Speaker 2>with Ed Harris a few years later called Apple Lusa.

1035
00:58:14.559 --> 00:58:18.239
<v Speaker 2>I encourage everyone to see that because he's even better

1036
00:58:18.280 --> 00:58:19.079
<v Speaker 2>there somehow.

1037
00:58:19.760 --> 00:58:21.880
<v Speaker 3>Well, don't forget about him in a History of Violence.

1038
00:58:22.880 --> 00:58:24.960
<v Speaker 3>He's amazing. He's amazing and everything he does.

1039
00:58:25.119 --> 00:58:29.320
<v Speaker 2>I was talking about his Western performances. Thank you, Sorry

1040
00:58:29.559 --> 00:58:35.039
<v Speaker 2>you had to go on David Cronenberg. But he's the guy,

1041
00:58:35.159 --> 00:58:38.519
<v Speaker 2>remember him in the Eastern Eastern Promises. It was with

1042
00:58:38.519 --> 00:58:39.960
<v Speaker 2>his dick out.

1043
00:58:42.360 --> 00:58:44.000
<v Speaker 3>Ve Go's the man. He's awesome, man.

1044
00:58:44.119 --> 00:58:46.280
<v Speaker 2>I met him once at a diner in Santa Monica.

1045
00:58:46.840 --> 00:58:48.800
<v Speaker 3>Did you really was he just kind of a schlump?

1046
00:58:48.880 --> 00:58:51.599
<v Speaker 3>I imagine him very schlumpy and kind of hey, what's

1047
00:58:51.639 --> 00:58:52.000
<v Speaker 3>going on?

1048
00:58:52.079 --> 00:58:52.280
<v Speaker 5>Man?

1049
00:58:52.440 --> 00:58:55.199
<v Speaker 2>Yeah? It was. He was very hippyish with kind of

1050
00:58:55.199 --> 00:58:57.920
<v Speaker 2>a beard. Well it was the early nineties too, by

1051
00:58:57.920 --> 00:59:00.920
<v Speaker 2>the way, so it wasn't like he was Eric yet.

1052
00:59:01.159 --> 00:59:03.960
<v Speaker 3>Well he and he also had a very heavy spoken

1053
00:59:04.000 --> 00:59:06.559
<v Speaker 3>word thing going on for a while, So the hippie

1054
00:59:06.559 --> 00:59:08.039
<v Speaker 3>thing makes perfect sense.

1055
00:59:08.119 --> 00:59:10.440
<v Speaker 2>Oh yeah, he was with Exene Cervenka at the time.

1056
00:59:10.920 --> 00:59:14.800
<v Speaker 3>Oh, they probably performed together. I know they. I think

1057
00:59:14.840 --> 00:59:18.639
<v Speaker 3>they had CDs of spoken word performances like collaboratively, So

1058
00:59:19.239 --> 00:59:22.039
<v Speaker 3>that makes perfect was he was he involved with her

1059
00:59:22.079 --> 00:59:24.639
<v Speaker 3>and neverran I'm not going to go there, but anyway, Yeah,

1060
00:59:24.960 --> 00:59:27.000
<v Speaker 3>the hippie thing makes perfect sense. Yeah.

1061
00:59:27.000 --> 00:59:29.039
<v Speaker 2>Man, I love Viego Martins, and there was such a

1062
00:59:29.039 --> 00:59:33.480
<v Speaker 2>decency in there. And when he's playing just a decent

1063
00:59:34.400 --> 00:59:40.199
<v Speaker 2>fella without any agenda, you really feel how good a

1064
00:59:40.280 --> 00:59:45.639
<v Speaker 2>person can be. Kind of weird to say, but like, like,

1065
00:59:46.000 --> 00:59:49.880
<v Speaker 2>I don't he seems he can make himself seem innocent.

1066
00:59:50.000 --> 00:59:52.880
<v Speaker 2>I guess it is my point, and that doesn't seem

1067
00:59:52.920 --> 00:59:54.559
<v Speaker 2>possible when you look at that man.

1068
00:59:55.159 --> 00:59:57.719
<v Speaker 3>It's a rare quality and I think it's one that

1069
00:59:57.960 --> 01:00:02.000
<v Speaker 3>serves him well in this part in particular, because you

1070
01:00:02.519 --> 01:00:05.079
<v Speaker 3>have to root for this guy. You want to root

1071
01:00:05.119 --> 01:00:08.880
<v Speaker 3>for him, and the way that the character. Look the

1072
01:00:08.960 --> 01:00:11.280
<v Speaker 3>fact that he's talking to his horse and calling him

1073
01:00:11.280 --> 01:00:13.639
<v Speaker 3>a little brother, and all this sort of stuff could

1074
01:00:13.920 --> 01:00:17.679
<v Speaker 3>on paper sounds a little goofy, but man does he

1075
01:00:17.840 --> 01:00:20.360
<v Speaker 3>sell it, him and the horse both. But he sells it.

1076
01:00:20.400 --> 01:00:23.679
<v Speaker 3>You really feel the bond that he has with his

1077
01:00:23.719 --> 01:00:28.000
<v Speaker 3>horse and the lengths that he will go to to

1078
01:00:28.440 --> 01:00:30.880
<v Speaker 3>you know, stand up for him, number one and number two,

1079
01:00:31.480 --> 01:00:34.199
<v Speaker 3>just be a decent guy and make up for this

1080
01:00:34.519 --> 01:00:36.320
<v Speaker 3>sinful thing that he was involved in.

1081
01:00:36.679 --> 01:00:38.920
<v Speaker 2>I do want to say one thing before we start

1082
01:00:38.920 --> 01:00:42.320
<v Speaker 2>wrapping things up. Okay, One time I had a gig

1083
01:00:42.360 --> 01:00:45.400
<v Speaker 2>in Denver, Colorado. So I had to drive from Las

1084
01:00:45.480 --> 01:00:48.239
<v Speaker 2>Vegas to Denver, which means you're driving through the mountains.

1085
01:00:48.559 --> 01:00:53.119
<v Speaker 2>And at one point I went through basically a tunnel

1086
01:00:53.199 --> 01:00:59.679
<v Speaker 2>and into like a cavernous valley where directly across from me,

1087
01:01:01.280 --> 01:01:04.960
<v Speaker 2>across from the road, there was a river. And then

1088
01:01:05.000 --> 01:01:07.360
<v Speaker 2>on the other side of the river a train was

1089
01:01:07.400 --> 01:01:11.280
<v Speaker 2>going by. An old West looking locomotive was steaming past,

1090
01:01:11.800 --> 01:01:15.000
<v Speaker 2>and I thought, my god, that's the most Western American.

1091
01:01:15.199 --> 01:01:17.519
<v Speaker 2>That's the most American Western thing I've ever seen in

1092
01:01:17.559 --> 01:01:19.760
<v Speaker 2>my life. Right, and then there was a bit of

1093
01:01:19.760 --> 01:01:22.920
<v Speaker 2>a depression with a car lowered down a bit, and

1094
01:01:22.960 --> 01:01:25.320
<v Speaker 2>what was revealed was the rest of the side of

1095
01:01:25.320 --> 01:01:28.840
<v Speaker 2>the road beside me, where a pack of wild mustangs

1096
01:01:28.880 --> 01:01:32.360
<v Speaker 2>were running free. And what I thought was the most

1097
01:01:32.719 --> 01:01:36.280
<v Speaker 2>American Western thing I'd ever seen became the most American

1098
01:01:36.280 --> 01:01:39.880
<v Speaker 2>Western thing anyone has ever seen. And it is just

1099
01:01:40.000 --> 01:01:44.440
<v Speaker 2>magnificent that there are still wild horses running around America.

1100
01:01:45.280 --> 01:01:48.719
<v Speaker 3>It's shocking because they the movie. The PostScript of the

1101
01:01:48.800 --> 01:01:53.199
<v Speaker 3>movie makes mention to the fact that Hidalgo's forebears or whatever,

1102
01:01:53.400 --> 01:01:57.159
<v Speaker 3>the children, grandchildren and so on Hidago are still alive

1103
01:01:57.239 --> 01:02:00.000
<v Speaker 3>and still running free in this area of the car.

1104
01:02:00.360 --> 01:02:03.039
<v Speaker 3>And look at you and I were raised on the

1105
01:02:03.079 --> 01:02:06.400
<v Speaker 3>East Coast. There ain't no mustangs around here. The closest

1106
01:02:06.400 --> 01:02:10.400
<v Speaker 3>we can see is maybe, I don't know, a coyote

1107
01:02:10.480 --> 01:02:12.599
<v Speaker 3>or something like prowling around. There's not a lot of

1108
01:02:12.639 --> 01:02:15.880
<v Speaker 3>wild animals that can shock and surprise us and fill

1109
01:02:15.960 --> 01:02:19.599
<v Speaker 3>us with that feeling. So it's surprising that there are

1110
01:02:19.639 --> 01:02:23.199
<v Speaker 3>still parts of this country that are that still, you know,

1111
01:02:23.320 --> 01:02:27.679
<v Speaker 3>play host to wild mustangs. That's incredible, Like how do

1112
01:02:27.719 --> 01:02:28.360
<v Speaker 3>they survive?

1113
01:02:28.920 --> 01:02:31.480
<v Speaker 2>There's a reason that car is named Mustang, because it's

1114
01:02:31.519 --> 01:02:34.159
<v Speaker 2>fucking awesome. Because mustangs are fucking awesome.

1115
01:02:34.760 --> 01:02:36.920
<v Speaker 3>They are, But again, how do mustang How do wild

1116
01:02:37.039 --> 01:02:39.719
<v Speaker 3>mustangs wild horses survive.

1117
01:02:39.599 --> 01:02:42.920
<v Speaker 2>Where they drink? They drink water from the stream and

1118
01:02:42.960 --> 01:02:46.000
<v Speaker 2>then they eat the hay that grows naturally.

1119
01:02:46.679 --> 01:02:50.280
<v Speaker 3>I mean, do ranchers like take on mustangs and just

1120
01:02:50.840 --> 01:02:53.519
<v Speaker 3>I don't know, Like, is there any benefit to having

1121
01:02:53.519 --> 01:02:56.559
<v Speaker 3>a mustang that you don't train to be a riding horse?

1122
01:02:57.079 --> 01:02:59.800
<v Speaker 2>I think you should just let them be themselves and

1123
01:03:00.199 --> 01:03:03.119
<v Speaker 2>there and doing their thing. I don't want anyone jumping

1124
01:03:03.199 --> 01:03:05.599
<v Speaker 2>on a fence and putting a saddle on me and saying,

1125
01:03:05.599 --> 01:03:07.920
<v Speaker 2>now you're my horse. I have a question for you, HB.

1126
01:03:08.039 --> 01:03:10.880
<v Speaker 2>Is this the best horse movie you've ever seen? If not,

1127
01:03:11.400 --> 01:03:12.280
<v Speaker 2>which is.

1128
01:03:12.960 --> 01:03:17.000
<v Speaker 3>That's a good question that begs the response, what other

1129
01:03:17.119 --> 01:03:18.639
<v Speaker 3>horse movies have I seen?

1130
01:03:19.280 --> 01:03:20.239
<v Speaker 2>The Black Stallion?

1131
01:03:20.880 --> 01:03:21.800
<v Speaker 3>No? I never saw it?

1132
01:03:22.079 --> 01:03:22.360
<v Speaker 4>Wow?

1133
01:03:22.440 --> 01:03:24.360
<v Speaker 2>Really I saw that movie in the theater twice.

1134
01:03:24.920 --> 01:03:25.000
<v Speaker 4>No.

1135
01:03:25.159 --> 01:03:28.159
<v Speaker 3>I remember the commercials on TV, but it wasn't something

1136
01:03:28.159 --> 01:03:29.679
<v Speaker 3>that I was clamoring to see.

1137
01:03:29.760 --> 01:03:31.360
<v Speaker 2>Wait, why do you think of that? I'd like to

1138
01:03:31.360 --> 01:03:34.079
<v Speaker 2>say Earlier I mentioned that the sort of advertising this

1139
01:03:34.119 --> 01:03:37.000
<v Speaker 2>movie convinced me it was a children's movie. It also

1140
01:03:37.039 --> 01:03:39.159
<v Speaker 2>convinced me that a good portion of this movie was

1141
01:03:39.199 --> 01:03:43.039
<v Speaker 2>going to be spent during a sandstorm where has been

1142
01:03:43.119 --> 01:03:44.679
<v Speaker 2>sequence lasted about two minutes.

1143
01:03:45.320 --> 01:03:48.800
<v Speaker 3>Yeah, and that also features some of the awful special effects.

1144
01:03:48.840 --> 01:03:50.920
<v Speaker 3>I have to say it. We didn't talk about it yet.

1145
01:03:52.519 --> 01:03:55.639
<v Speaker 3>Some of the effects in this movie are abysmal, and

1146
01:03:55.679 --> 01:03:58.679
<v Speaker 3>they all have to do with computer generated the state

1147
01:03:58.719 --> 01:04:01.199
<v Speaker 3>of the art at the time. There's the sandstorm, which

1148
01:04:01.199 --> 01:04:06.119
<v Speaker 3>looks terrible. There's at one point Katigue as part of

1149
01:04:06.159 --> 01:04:13.119
<v Speaker 3>his trap to kill Hidalgo, he releases two leopards into

1150
01:04:13.159 --> 01:04:18.079
<v Speaker 3>the desert, and there's there. Well, it was an interesting idea,

1151
01:04:18.239 --> 01:04:21.800
<v Speaker 3>but the leopards are so badly animated that it took

1152
01:04:21.840 --> 01:04:22.960
<v Speaker 3>me out of the whole plot.

1153
01:04:23.280 --> 01:04:26.280
<v Speaker 2>Disagree. I loved it. Yeah, okay, oh yeah, I was

1154
01:04:26.320 --> 01:04:28.719
<v Speaker 2>in for penny, in for a pound, and you know what,

1155
01:04:29.519 --> 01:04:31.400
<v Speaker 2>it was never going to look real unless they were

1156
01:04:31.440 --> 01:04:34.559
<v Speaker 2>actually having those animals, and it was never going to happen.

1157
01:04:35.199 --> 01:04:40.199
<v Speaker 3>It felt a little bit like, no, like Gladiator, well

1158
01:04:40.440 --> 01:04:42.639
<v Speaker 3>when they released the lions and stuff.

1159
01:04:42.280 --> 01:04:45.639
<v Speaker 2>But not that bad man, come on, No.

1160
01:04:45.000 --> 01:04:48.000
<v Speaker 3>No, not that bad. But an answer to your question,

1161
01:04:48.239 --> 01:04:50.559
<v Speaker 3>it's it's up there with my favorite horse movies. I

1162
01:04:50.599 --> 01:04:54.719
<v Speaker 3>think probably Seabiscuit is somewhere in there. I remember liking

1163
01:04:54.760 --> 01:04:56.719
<v Speaker 3>that very much when I saw it. That was a

1164
01:04:56.760 --> 01:04:59.119
<v Speaker 3>long time ago. But I can't and I can't think

1165
01:04:59.119 --> 01:05:02.840
<v Speaker 3>of too many right now. Secretariat I never saw. I

1166
01:05:02.880 --> 01:05:05.960
<v Speaker 3>don't know what's your favorite horse movie? Fathom Alone.

1167
01:05:06.000 --> 01:05:08.039
<v Speaker 2>Well, I actually do have a soft spot for The

1168
01:05:08.079 --> 01:05:11.079
<v Speaker 2>Black Stallion because it is so melancholy, and you know, me,

1169
01:05:11.360 --> 01:05:16.079
<v Speaker 2>hb if a movie's out to press a young child,

1170
01:05:16.079 --> 01:05:17.719
<v Speaker 2>then it was specifically made for me.

1171
01:05:18.360 --> 01:05:20.000
<v Speaker 3>They're bless the beasts than children.

1172
01:05:20.079 --> 01:05:23.280
<v Speaker 2>Oh my god, there you go. That's a good, good

1173
01:05:23.360 --> 01:05:27.320
<v Speaker 2>horse movie. Thoroughbreds. That's a really good horse movie. Okay,

1174
01:05:28.480 --> 01:05:31.320
<v Speaker 2>horses are tangential almost to the plot of that movie,

1175
01:05:31.320 --> 01:05:35.800
<v Speaker 2>but nevertheless, that's probably my favorite movie involving horses. Let

1176
01:05:35.840 --> 01:05:38.960
<v Speaker 2>me think. I do not like any version of Oh

1177
01:05:39.039 --> 01:05:43.159
<v Speaker 2>never mind, I'll tell you what, man. Yeah, you're about

1178
01:05:43.159 --> 01:05:46.320
<v Speaker 2>to say, war Horse, Oh boy, war Horse. Where was

1179
01:05:46.360 --> 01:05:46.880
<v Speaker 2>the war.

1180
01:05:49.320 --> 01:05:51.679
<v Speaker 3>Spielberg? I don't know. I never saw that one either.

1181
01:05:51.960 --> 01:05:54.159
<v Speaker 2>Oh I saw that in the theater. Man, I was

1182
01:05:54.719 --> 01:05:58.480
<v Speaker 2>wildly disappointed. It really is the story of that horse.

1183
01:05:59.039 --> 01:06:02.840
<v Speaker 3>Yeah, siading detail, I'm sure, but yeah, this is I

1184
01:06:02.840 --> 01:06:04.760
<v Speaker 3>would look put it this way. This is probably top

1185
01:06:04.800 --> 01:06:07.239
<v Speaker 3>three in my favorite horse movies that I can think

1186
01:06:07.239 --> 01:06:08.559
<v Speaker 3>of right now on the top of my head.

1187
01:06:08.760 --> 01:06:11.639
<v Speaker 2>What's the name of that Bob kat Goldthwaite horse movie.

1188
01:06:12.119 --> 01:06:14.079
<v Speaker 3>Oh? Is that not Let It Ride?

1189
01:06:14.719 --> 01:06:18.840
<v Speaker 2>No, that's the Richard Dreyfuss horse movie. Is it, by

1190
01:06:18.840 --> 01:06:20.159
<v Speaker 2>any chance called Hot to Trot?

1191
01:06:23.280 --> 01:06:24.519
<v Speaker 3>I think you might be right.

1192
01:06:25.119 --> 01:06:26.320
<v Speaker 2>Oh, you know what, you know what you know? It

1193
01:06:26.360 --> 01:06:29.679
<v Speaker 2>was a pretty goddamn good movie involving horses recently. No,

1194
01:06:29.840 --> 01:06:31.679
<v Speaker 2>what's that the Oh?

1195
01:06:31.760 --> 01:06:34.400
<v Speaker 3>Yeah, the the Jordan Peele movie. Yeah, that's a that

1196
01:06:34.719 --> 01:06:36.039
<v Speaker 3>great call for them alone.

1197
01:06:36.679 --> 01:06:39.440
<v Speaker 2>Yeah, great Collins. It shouldn't have taken us this long

1198
01:06:39.599 --> 01:06:41.480
<v Speaker 2>movie's like five years old.

1199
01:06:41.840 --> 01:06:44.559
<v Speaker 3>Well it didn't, It didn't. I mean, that's a UFO

1200
01:06:44.719 --> 01:06:49.480
<v Speaker 3>movie or you know, the First and foremost horses. It

1201
01:06:49.519 --> 01:06:52.639
<v Speaker 3>figures into the plot, but it's not. It didn't come

1202
01:06:52.719 --> 01:06:54.480
<v Speaker 3>top of mind. But you're right, that is a good

1203
01:06:54.480 --> 01:06:57.199
<v Speaker 3>horse movie. Hot to Trot was the name of that movie, by.

1204
01:06:57.039 --> 01:06:58.679
<v Speaker 2>The way, ridiculous.

1205
01:06:59.000 --> 01:07:01.599
<v Speaker 3>Yeah, he was a voice of the horse.

1206
01:07:01.360 --> 01:07:04.280
<v Speaker 2>Right, he's in the movie with the horse. The horse

1207
01:07:04.360 --> 01:07:05.800
<v Speaker 2>is voiced by John Candy.

1208
01:07:06.280 --> 01:07:09.920
<v Speaker 3>That's right. I thought it was the reverse.

1209
01:07:12.239 --> 01:07:14.480
<v Speaker 2>That actually mean, you know what you're saying makes sense

1210
01:07:14.559 --> 01:07:18.920
<v Speaker 2>given how weird bobcats vocal range was at that moment.

1211
01:07:19.719 --> 01:07:21.119
<v Speaker 3>Yeah, oh that was a that's a that was a

1212
01:07:21.159 --> 01:07:22.519
<v Speaker 3>bad run for John Candy.

1213
01:07:23.000 --> 01:07:25.239
<v Speaker 2>Rest in Peace, deliriously bad.

1214
01:07:25.920 --> 01:07:28.239
<v Speaker 3>Yeah that's but you know what though, if someone like

1215
01:07:28.280 --> 01:07:31.360
<v Speaker 3>Eugene Levy can have like a second act and you

1216
01:07:31.400 --> 01:07:34.000
<v Speaker 3>remember Armed and Dangerous that was a movie he did

1217
01:07:34.000 --> 01:07:37.400
<v Speaker 3>with John Candy. Yeah, terrible, but he can you know,

1218
01:07:37.480 --> 01:07:39.920
<v Speaker 3>he can be such a respected actor. Now this room

1219
01:07:39.960 --> 01:07:40.519
<v Speaker 3>for everybody.

1220
01:07:40.559 --> 01:07:44.199
<v Speaker 2>Oh, John Candy was well on his way. I point

1221
01:07:44.199 --> 01:07:49.320
<v Speaker 2>everyone to JFK. His sequences so fucking good man. He

1222
01:07:49.480 --> 01:07:53.239
<v Speaker 2>was poised to be a really good dramatic actor. Yeah,

1223
01:07:53.280 --> 01:07:57.159
<v Speaker 2>that's a damn shame dance all over your head, Jimbo

1224
01:07:57.960 --> 01:07:59.400
<v Speaker 2>cock that doodle, dude.

1225
01:08:00.639 --> 01:08:03.000
<v Speaker 3>But you could say there's a lot of great performances

1226
01:08:03.000 --> 01:08:04.840
<v Speaker 3>in JFK that begs its own episode.

1227
01:08:04.880 --> 01:08:06.840
<v Speaker 2>I think, oh my, do we dare?

1228
01:08:07.840 --> 01:08:09.920
<v Speaker 3>I would love I would love to talk.

1229
01:08:09.840 --> 01:08:12.079
<v Speaker 2>JFK for Do you know that I saw that movie

1230
01:08:12.119 --> 01:08:14.760
<v Speaker 2>in Las Vegas while I was still living in Los Angeles?

1231
01:08:15.400 --> 01:08:17.560
<v Speaker 3>Did you really? It was along? It was ninety two,

1232
01:08:17.680 --> 01:08:22.000
<v Speaker 3>right two? Good movie? I am an anyway, go ahead.

1233
01:08:22.319 --> 01:08:24.720
<v Speaker 2>Thank you once again, Midnight viewers for joining us here

1234
01:08:24.720 --> 01:08:27.279
<v Speaker 2>at fuse Go Fest. We've got more fuse Go on

1235
01:08:27.319 --> 01:08:31.840
<v Speaker 2>the way. We've got several options. We've got kung Fu,

1236
01:08:32.039 --> 01:08:36.479
<v Speaker 2>We've got martial arts flicks coming, We've got Highwaymen on

1237
01:08:36.520 --> 01:08:41.760
<v Speaker 2>the Way and others. Until then, HP, where can people

1238
01:08:41.800 --> 01:08:43.479
<v Speaker 2>find you? If they're looking for you? And they are

1239
01:08:43.560 --> 01:08:45.359
<v Speaker 2>you all right? They keep telling.

1240
01:08:45.079 --> 01:08:47.840
<v Speaker 3>Me that remains to be seen. I co host the

1241
01:08:48.039 --> 01:08:51.920
<v Speaker 3>Night Mister Walters Taxi podcast with my esteemed co host

1242
01:08:51.960 --> 01:08:54.920
<v Speaker 3>right here across from me, father alone. I'm also an

1243
01:08:54.920 --> 01:08:58.159
<v Speaker 3>occasional guest on the Culture Cast with Chris Dashu, and

1244
01:08:58.279 --> 01:09:02.640
<v Speaker 3>I also host the Noise Donkeys music podcast. Finally, I

1245
01:09:02.800 --> 01:09:06.800
<v Speaker 3>have a band campsite hpmusicplace dot bandcamp dot com.

1246
01:09:07.159 --> 01:09:10.279
<v Speaker 2>As for me, you're listening to it midnight viewing. Although

1247
01:09:10.680 --> 01:09:13.960
<v Speaker 2>I've got a couple of irons in the fire HP.

1248
01:09:14.680 --> 01:09:17.680
<v Speaker 2>Later this year, Paul Waller from his podcast to A

1249
01:09:17.800 --> 01:09:19.920
<v Speaker 2>Year in Horror and I are teaming up to do

1250
01:09:19.960 --> 01:09:22.479
<v Speaker 2>a show called A Little Old Lady Got Mutilated Late

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<v Speaker 2>last night. We're looking at Werewolf movies that'll start later

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<v Speaker 2>this year, so look out for that. Also look out

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<v Speaker 2>for our first live show October fourth and fifth at

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<v Speaker 2>the Silverton Casino at the Nightmare in Vegas Convention and

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<v Speaker 2>Car Show. We will obviously keep you abreast of that.

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<v Speaker 2>Until then, we're going to leave you a little bit

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<v Speaker 2>from Hidalgo.

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<v Speaker 6>Why do I feel that you truly see me.

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<v Speaker 4>When others do not? Horse glaves. Even a plan man

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<v Speaker 4>can see that you're beautiful, Sis London,
