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Speaker 1: Let's escape the weather may run away for the winter,

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prolong the suffering, and delay the existential crisis, falling into

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paravel from that old story itself?

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Speaker 2: What will remain of us when there's nothing but.

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Speaker 3: Fisk?

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Speaker 2: Why when it rains too?

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Speaker 4: There's nothing laughing you to feel? When fell so much before?

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Speaker 3: Left?

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Speaker 2: Why there's great when.

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Speaker 5: To follow?

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Speaker 4: There's nothing leaf for you to feel?

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Speaker 6: When it's sins running away?

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Speaker 3: Enough?

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Speaker 5: Where do we finally say?

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Speaker 4: Shelter comedy and answer say you won't.

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Speaker 2: Save us this time? The one side and the chats.

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Speaker 5: Is that we still that.

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Speaker 4: Three peoples don't say no, it's to you this is true, besca.

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Speaker 5: Just get all say oh right.

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Speaker 4: We race tomorrow. That's not their laugh for you to

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feel where you.

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Speaker 2: Fail, some fust fall? Why's last? Why best price were

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to borrow? That's not their laugh for you to feed up?

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Way it's off shot.

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Speaker 3: Made wet may yess west?

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Speaker 2: Thence west?

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Speaker 5: It's good?

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Speaker 7: All faye a way when it ends used to buy.

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Speaker 3: It's good?

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Speaker 2: Say no way when.

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Speaker 3: That's not bad?

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Speaker 8: That serious?

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Speaker 2: Wes that somebody past last? WoT this last week?

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Speaker 9: Oh that is so cool and uh and a little

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ominous that is called Tomorrow. That is Ryan Redwood all

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the way from the UK. We did give the American

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radio premiere to that track a number of weeks ago.

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And I love that song, love that song. But we've

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got Ryan on with us via WhatsApp. I believe Hey, Ryan, Matt,

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how you doing mate? Good? How are you welcome to

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the program? I love that song, love that song.

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Speaker 8: Thank you very much.

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Speaker 10: I appreciate you and showing it some.

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Speaker 9: School absolutely one of the things. And I did refer

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to the lyrics a little a little bit ominous. I

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noticed that because I was listening to some of your

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previous your work, and it seems like a little bit

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of a change in a direction for you, uh, in

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terms of lyrics. Maybe I'm maybe I'm wrong. You can

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you can tell me, but I feel like I feel

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like I said, this one has ah, it's got a

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message to it, right, and it's it's it's got a

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little bit of an ominous vibe. Whereas whereas your, uh,

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your other music seems a little more I don't know, happy, yeah,

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a little more a little more happy. Yeah, there you go,

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a little more happy.

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Speaker 3: Uh.

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Speaker 9: So, so tell us about Tomorrow. I'm really curious, uh,

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I'm curious to know more about this and and kind

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of what inspired you to write this.

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Speaker 10: Yeah, man, I mean say, the old stuff a bit

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more about love and relationships and sort of a bit

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more happier and like the music itself is a bit

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more lifting, I think as well. With Tomorrow, I really

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want explore my darker side as well as like in

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more indie stuff that we have here in the UK,

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there is sort of like influences that since I was

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like a teenager, so I don't really want to get

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into that with especially guitars. And then like the subject

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matter with lyrics is sort of about climate change and

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how we are still ignoring it and like why we

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ignoring it when it's inevitable, like the world might end

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at less, like do something about it or.

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Speaker 9: Try Yeah exactly, Yeah, there's that there's that light in there.

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What is it that you say they only listen when

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it's too late?

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Speaker 11: Yeah, yeah exactly.

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Speaker 10: That's literally how how at the moment, especially with everything

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going on. I don't want to get into too much,

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but like politically all over the world, we're in a really.

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Speaker 8: Dark spot.

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Speaker 4: M M.

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Speaker 10: That's what I'm explaining. Yeah, I don't know, but yeah,

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but I feel like is still kind of a little

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bit uplifted with its chorus, like musically, yeah, because there's

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a little bit escapism in there as well. It's not

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all doom and gloom.

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Speaker 9: But right, right, right, right right?

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Speaker 8: Are you talking?

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Speaker 9: Are you talking directly into your phone or are you

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on a computer.

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Speaker 10: Or I'm straight to my phone?

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Speaker 9: Oh right, okay, it sounds better. Now you're kind of

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we're kind of losing you a little I was getting

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most of what you were saying, but we were kind

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of losing you a little bit. Ah right, Oh that's

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oh that's perfect right there, right there is perfect. Yeah.

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But but but yeah, no, I really like the I

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like the vibe. I like the message. And is that

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the first thing that you've written that's kind of like that?

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It's it's like I said, your your previous material doesn't

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seem to have that that same vibe. But I'm curious

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if you've written other things like that.

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Speaker 10: Yeah, so this will be like the first of many

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of that sort of like vibe sort of just yeah,

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like I said, a bit of a darker direction compared

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to previous stuff. Yeah, I feel like I've sort of

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not completed what I've already done. But I got to

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a point where it was like, not only save for

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me to write that sort of stuff, but probably a

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bit samey for the people who have been listening for

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a while, you know what I mean. So it was

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nicer to like get the guitars out, turn the amps

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up a little bit more, and like go for a

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bit more of an aggressive approach, I guess, But yeah,

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there's definitely more to come, like the next one we're

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already working on at the moment, which is called The

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back Room, which is again that's sort of big guitars,

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a bit more aggressive with the vocal approach, and the

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nice as well.

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Speaker 9: So yeah, nice nice. What's the reaction been like to

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to the single from people who've who've been following you

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for a while, Like, do you get a lot of

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comments on it? Like Wow, this is this is different?

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I like this. I don't like this. I mean, what

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what's kind of been the reaction to it?

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Speaker 10: It's been It's been pretty good, to be fair, which

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I think is sort of the sign that people are

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sort of into you for you. Yeah that makes sense. Yes,

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So I feel like I'm in a really nice spot

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where the people who have been listening for a while.

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I could sort of go into anything or like I

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could go into like a techno record at some point,

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and I feel like they'd still go, oh, it's still right.

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I still like that, you know. So yeah, yeah, it's

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been really good. We've had so much support from like

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you guys as well, like every like radio station who's

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plaid it have been really into it as well. It's

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probably been the single that's gone down the best out

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of all of them, which is weird because in my

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head it doesn't seem that radio friendly and stuff really,

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but yeah, some reasons people really getting into it, mate.

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Speaker 9: Yeah, yeah, No, I think it's uh. I think it's catchy.

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I think it's uh. I think it's got a good hook.

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I think no, I think you've got a hit. I

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just think it's really good. But again too, I also

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identify with the message, and some of what you're saying

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in the lyrics are the same kind of thoughts that

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I I have. Especially, like I said, I really latch

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onto that line about you know they'll only listen when

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it's too late, which is uh, you know, And that's

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the thing too, I mean, if you're gonna if you're

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gonna continue to go in that direction, You'll certainly never

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have a shortage of material to draw from. Uh, in

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the world that we live in, right, You're always gonna

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have You're always gonna have stuff to uh to write about.

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Speaker 12: Uh.

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Speaker 9: Certainly, where where do you record? I mean, because everything,

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everything that you've done it, I'm it sounds really good.

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I mean, do you have a do you have a

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producer that you work with consistently? Do you do it

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all yourself or what's the process?

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Speaker 12: Like?

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Speaker 10: So yeah, like the older stuff done with a guy

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called Sam Wilson, who is one of my childhood best mates,

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but this one of the most recent one, Tomorrow is

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done with another one of my childhood best mates. I'm

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very fortunate to have a lot of like talented people

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around me. We're really good at what they do. So yeah,

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tomorrow was done with as A Lambert, who was also

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in a band called a JHJ who was sort of

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a little bit heavier as well. So it sort of

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made sense to do this with him used to that

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sort of vibe because we share a lot of common

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interests anyway, but I normally sort of start to start

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the tune off recording wise in my back room, which

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is why the next song called so I start off,

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I'll get like a rough demo down and then we'll

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take it to whoever I'm working, whether it be Sam

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or we'll sort of just bash it out together and

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maybe change some parts and then and then take it

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to the studio.

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Speaker 9: Yeah, yeah, excellent, excellent. Do you plan to do you

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plan to release an album with with these songs that

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you're working on now? This this question comes up a

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lot on the show because of so many different ways

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to release music now, in different strategies to use. Uh,

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do you plan to just do singles for an hour?

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Are you gonna put these into an album eventually? Or

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maybe you haven't thought that far. I don't know, but.

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Speaker 10: Well, I would love to do an album. I just

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like you say. I think there's so many different ways

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in which people are can assuming music nowadays. I feel

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like singles are the best way to sort of stay relevant,

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if that makes sense, because you can bring a year

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yeah more these days throughout either right, I feel like

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to do an album. I'd like to get to a

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point where I could just not disappear but not do

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as much for six seven months and really focus on

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getting the album right and then out and sort of

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have the hype around it. But an album is something

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I talk about with friends like regularly, like something that

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comes up like nearly on a weekly basis. They asked

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me the same thing, like I'm just doing an album, mate,

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and it's like, it's not just it's not just doing

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an album, guys, it's like everything else that has to

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go into it.

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Speaker 9: You know, right, right, Yeah, nothing is as simple as

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it looks to someone who doesn't know who you know,

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who's never done this, right, It's not that it's not

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that simple. Are you do you play out a lot?

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Are you able to uh to gig out a lot

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and tour in your area?

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Speaker 11: Yeah?

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Speaker 10: Man, we're always busy with the gigs come in like

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thick and fast, especially this year. Good seems to have

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had a bit of like a quiet start for the year.

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But as the year's sort of gone on and the

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weather has been getting better, I think there's been yet

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more and more opt to get out there and play live.

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Speaker 9: So now, now when you go out to play you

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are you bringing a full band or do you do

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do you do solo dates? Or why? What's a live

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situation like for you?

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Speaker 10: So we saw the mix of things. Really, it's been

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predominantly on my own, like just me and the acoustic

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guitar for a little while. But we've done a few

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like full band dates and at the moment as of

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the producer is actually doing the gigs with me, so

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it's got like a duo vibe to it.

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Speaker 9: Yeah.

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Speaker 10: Well, I always say I am playing on my own.

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It's not like just the guy in the corner of

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the acoustic guitar. I'm kind of really loud to be

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and I will try to include as many people as

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possible into that vibe, do you know.

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Speaker 9: What I mean?

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Speaker 10: Yeah, Yeah, if anyone's listening, I have a play America

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at some point, don't worry. So I'm not just that

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quiet man in the corner.

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Speaker 3: Yeah.

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Speaker 9: I hope you. I hope you come here to play.

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We gotta we gotta get over here. Absolutely, very very cool,

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very cool. Do you when you have you done any

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festivals or or do you plan to do any like that?

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Speaker 13: Or Yeah?

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Speaker 10: Quite a few festivals over the sort of time. We've

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got a really cool one that's local to where I live,

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which is like kind of on a beach, okay, which

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First Light Festival, and I've done that a few years running.

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I'm not doing it this year unfortunately, but I have

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done in the past and there's been Like the thing

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is with the UK. I don't know what it's like

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in the US, but we have so many independent festivals

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all over the place. So if you if you don't

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see me on like a rednand Leeds or a Glastonbury lineup,

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I'm probably playing like not so blaston Brick or something

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like that, you know, I.

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Speaker 9: Mean, yeah, yeah, okay, okay, very very cool. Now when

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you play out, I assume you play, uh, do you

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do all of you know, twenty something romance which has

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four tracks on it? I assume do you do all

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of those songs as well? Because I really like that.

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I was a listening to that last night. That's really good.

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Speaker 10: Oh nice one. Thank you very much. Yeah, that the

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EP is sort of a bit more of an acoustice

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to it, I think, is it? So yeah as well, mate,

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thank you very much for listening.

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Speaker 14: Yeah.

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Speaker 10: So I play all really all the stuff that's not

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on Spotify and available where to get you. The only

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one I don't pay something Romance is the last track

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if you need me, because it's like a really down stick. Yeah, yeah, yeah,

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the rest of it. Yeah, always in the depth.

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Speaker 9: Oh, very cool, very cool. And do you have any

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plans to I mean, what in terms of touring are

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you going to be getting out of the getting out

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of the UK at all. It's funny the in the

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first hour I talked with a band Killing Fly from

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Australia and and you know, they tell me they're going

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to Japan. It's like, oh wow, that's pretty cool. Yeah. Yeah,

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do you have any plans to, uh, to get out

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of there? Obviously, I know you want to come to

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America at some point, but uh, you got anything on

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the horizon immediately.

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Speaker 10: I've been to be fair to get to Europe a

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bit more because like places like Germany and France and

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places like that really have a cool scene at the moment. Yeah,

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seem to be supporting like independent up becoming artists. Yeah,

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So trying to get into in the door over in

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Europe it's a bit difficult with like recent things that

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have happened. I don't want to bring it up too much.

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Oh yeah, yeah, and I'd like to go over to

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the Island and stuff as well. Yeah, it's all pipeline.

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It's just sort of trying to get the opportunities really,

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because I don't think i'd want to go over there

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and immediately like sort of headline. I'd like to sort

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of support a band and learn from them and how

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they do it before I do it on my own. Sure,

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but yeah, definitely. I was listening to that Australian band

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actually that you've had on before, and the guitar work

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in that tune reminded me of the guy who did

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The White Cliffs of Dover. I think Eric Johnson. Oh okay,

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I want to bring that up.

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Speaker 9: Yeah, yeah, Oh they're so good, aren't they? Killing Fly?

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What a great band. But by and by the way,

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Rob messaged me he wanted me to make sure I

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tell people it's Killing Fly f l a W. Not

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not Killing Floor, because I guess they run into that

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sometimes where people miss people misunderstand the name. But yeah, yeah, no,

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they are. They are so good.

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Speaker 8: You know.

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Speaker 9: I did talk to them about influences, and I'm curious

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about your influencers, like, like, who, uh you know, who

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who is really influenced you. I have I have to ask,

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just as an American, I just have to ask this

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Oasis Is Oasis a big influence on you big time, Okay.

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Speaker 10: Big time. I'm actually fortunate enough to get a ticket

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to see them on the tour in Manchester in the UK.

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Speaker 9: Nice.

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Speaker 10: Yeah, honestly that's going to be like its be one

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of those things that's life performing for me. They've they've

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been a band of listening to since I was a kid,

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so yeah, then then together is like come true. Yeah,

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Oasis is one the early days I was really into

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like through Fighters in Green Bay, so more of like

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the American scene and had a big impact on me

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when I was a teenager. But as I've thought growing

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up and discovered the U case a bit more, I

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don't know why I was into like the West rock

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figure more readily available growing up, which is weird in

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the UK, I guess.

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Speaker 3: Yeah.

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Speaker 10: Yeah, we've got all the bands like Optic Monkeys they're

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massive obviously, and a band called Catfish at the Bottom Man,

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I don't know if you've heard of that.

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Speaker 9: I don't know them.

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Speaker 10: No, they're really good. I think they've toured America quite

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a lot actually, but they're not quite yet. Yeah yeah,

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but yeah they're a band to look out for if

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if they get their stuff back together and get back

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out on the road.

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Speaker 9: Oh, very cool, Very cool. Do you have any shows

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this weekend? You played anywhere this weekend?

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Speaker 10: No, I've got a Actually I'm literally sat at home

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at the moment, just watching a bit of golf on

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the Telly Mate.

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Speaker 9: Oh wow, okay, good time. That's cool. That's cool. Well,

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we're gonna let you go in a moment, Ryan, and

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we're going to play I think to end the segment well,

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because we talked about it so much and I want

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to hear it again. We're going to play for anyone

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who miss it tomorrow. Such a great single. Love this track.

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Like I said, I love the message and and it's

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you know, it's a kind of message I wish I

356
00:18:06,119 --> 00:18:09,039
wish more people were paying attention to. But good on you,

357
00:18:09,799 --> 00:18:12,079
uh for for getting that out there. But what should

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people know Ryan for? For people who want to follow

359
00:18:15,599 --> 00:18:17,400
you online and keep up with everything that you're doing,

360
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especially as you're releasing new music, where's the best place

361
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for people to go?

362
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Speaker 14: Instagram?

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Speaker 10: It's probably where I'm most active, and I'm trying to

364
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be more active on TikTok as well. Everywhere at Ryan

365
00:18:31,279 --> 00:18:33,640
is like e free social media handles. It's really easy

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whatever platform I'm on the I'm on the is the

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best place, and yeah, look out spotfight for new music

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coming soon, probably in June.

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Speaker 9: Next single, so oh cool. Okay, if you.

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00:18:48,599 --> 00:18:50,640
Speaker 10: Ever in the UK, hit me up. You've got a

371
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guest list spott very nice.

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Speaker 9: Appreciate that. And the when the new single comes out,

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you know, we would love to be the first American

374
00:18:57,880 --> 00:19:01,960
radio station to give it a spin, So putting you

375
00:19:02,000 --> 00:19:05,240
on the spot there, but no, we'll make it happen definitely.

376
00:19:06,359 --> 00:19:07,759
So we're gonna all right, so in a moment, we're

377
00:19:07,759 --> 00:19:09,720
gonna hit that track one more time. Tomorrow is such

378
00:19:09,720 --> 00:19:11,839
a great song. But Ryan Redwood, thank you so much

379
00:19:11,880 --> 00:19:14,559
for joining us and look forward to look forward to

380
00:19:14,599 --> 00:19:17,119
doing this again in the future, and we'll continue to

381
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follow everything that you're doing and support the music and

382
00:19:20,160 --> 00:19:20,720
great stuff.

383
00:19:20,759 --> 00:19:23,559
Speaker 10: So thanks Ryan, nice one, thank you very much.

384
00:19:23,640 --> 00:19:28,559
Speaker 9: Absolutely all right, take care you too, thank you, Bye bye.

385
00:19:29,319 --> 00:19:31,759
All right, the great Ryan Redwood and let's give this

386
00:19:31,839 --> 00:19:34,240
another spin. This is called Tomorrow. And by the way,

387
00:19:34,279 --> 00:19:37,319
if you are listening live on Saturday coming up in

388
00:19:37,440 --> 00:19:38,759
just a few minutes, we're gonna be joined by the

389
00:19:38,839 --> 00:19:42,680
band Major moment. We're gonna get them on the WhatsApp

390
00:19:42,839 --> 00:19:44,640
and they've got a big show coming up and they've

391
00:19:44,680 --> 00:19:46,960
got a lot going on. They were a kind of

392
00:19:47,000 --> 00:19:49,319
a last minute edition to today's show, but they're doing

393
00:19:49,400 --> 00:19:51,519
some really big stuff. So looking forward to talking to

394
00:19:51,559 --> 00:19:53,759
them and I love their sound. But check it out

395
00:19:53,799 --> 00:19:56,640
once again. This is tomorrow. This is the newest single

396
00:19:57,200 --> 00:19:59,079
from Ryan Redwood.

397
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Speaker 5: Less a scar.

398
00:20:00,079 --> 00:20:07,160
Speaker 1: If the weather may run away for the winter, prolong,

399
00:20:07,640 --> 00:20:16,200
suffer and and delay the existential crisis falling inturparavels from

400
00:20:16,319 --> 00:20:23,319
that old story itself, what will remain of us when

401
00:20:23,359 --> 00:20:25,039
there's nothing but.

402
00:20:27,759 --> 00:20:33,559
Speaker 6: Just get all say when it rains tomorrow.

403
00:20:34,960 --> 00:20:39,559
Speaker 4: There's nothing laugh for you to feel when.

404
00:20:39,599 --> 00:20:40,759
Speaker 3: Fell so much?

405
00:20:41,160 --> 00:20:46,240
Speaker 2: The fall last, when.

406
00:20:49,200 --> 00:20:53,960
Speaker 4: There's nothing left for you to feel, when it's.

407
00:20:53,880 --> 00:21:04,680
Speaker 5: All sins running away?

408
00:21:05,400 --> 00:21:05,640
Speaker 3: Enough?

409
00:21:05,799 --> 00:21:07,799
Speaker 5: Where do we finally say?

410
00:21:08,000 --> 00:21:15,440
Speaker 1: Shelter comedy and answer say you won't save us this time?

411
00:21:17,400 --> 00:21:17,920
Speaker 3: The one.

412
00:21:19,440 --> 00:21:22,039
Speaker 2: The chat is that we still that's.

413
00:21:24,440 --> 00:21:25,359
Speaker 3: The eples.

414
00:21:25,400 --> 00:21:31,839
Speaker 2: I'll say, no, miss you, it's in your desk. Just

415
00:21:32,039 --> 00:21:36,759
you all say, oh, why we lay tomorrow?

416
00:21:39,000 --> 00:21:43,480
Speaker 4: That's not fair laugh for you to feel where you

417
00:21:43,599 --> 00:21:45,599
fall off us before?

418
00:21:46,039 --> 00:21:51,119
Speaker 2: Why's last? Why best place where it ends to borrow?

419
00:21:53,240 --> 00:21:54,240
Speaker 5: That's not fair.

420
00:21:54,319 --> 00:21:57,200
Speaker 4: Laugh for you to feel the.

421
00:21:57,359 --> 00:22:17,319
Speaker 2: Webs come exactly the way.

422
00:22:19,160 --> 00:22:24,119
Speaker 3: Yeah sos to so wet to be.

423
00:22:28,759 --> 00:22:30,960
Speaker 4: It's good, all fade all way.

424
00:22:31,200 --> 00:22:34,000
Speaker 12: When it ends to borrow.

425
00:22:41,160 --> 00:22:43,640
Speaker 2: Its good, say why.

426
00:22:43,640 --> 00:22:49,160
Speaker 3: Wed I that's not there?

427
00:22:49,519 --> 00:22:53,440
Speaker 2: Have a serious webs SA so.

428
00:22:55,400 --> 00:22:59,720
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478
00:26:37,079 --> 00:26:40,640
meats of Manchester, transcending through the ether at ninety five

479
00:26:40,680 --> 00:26:44,440
point three megahertz frequency modulation or transmissions emanate from the

480
00:26:44,559 --> 00:26:47,200
zif of one thousand Elm Streets to insure into the

481
00:26:47,279 --> 00:26:50,839
hearts of our creative realm at one nineteen Canal Street, where.

482
00:26:50,720 --> 00:26:52,599
Speaker 2: Innovation and sound colugs.

483
00:26:53,200 --> 00:26:56,480
Speaker 19: They're the impromter of Manchester Public Television Service in the

484
00:26:56,559 --> 00:27:00,160
venerable city of Manchester, New Hampshire, USA, and rich or

485
00:27:00,200 --> 00:27:03,039
auditory journey with the depth of our license to wesn't

486
00:27:03,119 --> 00:27:06,000
wes spet your missives DoD w m n H ninety

487
00:27:06,000 --> 00:27:08,960
five three at gmail dot com, or to reverse the

488
00:27:09,039 --> 00:27:12,680
virtual corridors of w m n hradio dot org. Engage

489
00:27:12,720 --> 00:27:15,200
with our sonic vibrations by communing with us through the

490
00:27:15,279 --> 00:27:19,039
digital channels or radio beconds eager to enthrall you with

491
00:27:19,160 --> 00:27:22,000
its mesmerizing kidence and envelap you with a symphony of

492
00:27:22,119 --> 00:27:23,359
boundless auditories.

493
00:27:23,400 --> 00:27:29,839
Speaker 20: Wonder w m n H rip.

494
00:27:29,759 --> 00:28:13,559
Speaker 8: The dobles, smile to my face telling me it's a wall,

495
00:28:13,640 --> 00:28:17,000
my bloody street pitch from the tup of your.

496
00:28:21,640 --> 00:28:33,839
Speaker 3: Water ve ride fro whataver? How was that? B God

497
00:28:37,319 --> 00:28:44,160
so top that you never lady breathe a move to

498
00:28:44,440 --> 00:28:50,880
get my dig and yours to see I know you

499
00:28:51,119 --> 00:28:54,200
my bag don't know you like to bag.

500
00:28:55,480 --> 00:29:05,359
Speaker 8: Y my too cross always it still goes boys and

501
00:29:05,519 --> 00:29:07,319
see the dom.

502
00:29:11,279 --> 00:29:22,079
Speaker 3: What will you said? No my dog whatever? You don't

503
00:29:22,160 --> 00:29:30,799
have a change store, so top Dick you'll never lady,

504
00:29:30,960 --> 00:29:38,279
breathe a losing w to get my back, and you

505
00:29:38,319 --> 00:29:42,319
ever used to see I know you're not bad. Don't

506
00:29:42,400 --> 00:29:45,759
know your ny bag. You still will not be wearing

507
00:29:45,960 --> 00:29:49,920
on your eyes. And now the lie you have be

508
00:29:50,119 --> 00:29:55,599
gonna shack so dot Dick, and now you've got a

509
00:29:55,839 --> 00:29:59,720
leg I know you're not back. Ya'll know your lady.

510
00:30:00,079 --> 00:30:05,599
Thanks smooth to fill your sell made a small to

511
00:30:06,000 --> 00:30:12,640
my line. Tell me it's all a turn of dust.

512
00:30:14,720 --> 00:30:16,839
Speaker 8: I gave you gold, but your rust.

513
00:30:18,759 --> 00:30:27,920
Speaker 3: It took give me a cont your name want toil

514
00:30:28,160 --> 00:30:35,119
don dock. You have a lightning bread as a wood

515
00:30:35,839 --> 00:30:42,400
to get you. I don't get to see. I know

516
00:30:42,559 --> 00:30:47,359
you nothing. Don't feeling any thing you step or nothing

517
00:30:47,519 --> 00:30:52,359
round your your niece. And now the lion has begun

518
00:30:52,480 --> 00:30:58,759
as some dogs Dick, and now good my lag, I

519
00:30:58,920 --> 00:30:59,680
know you not that.

520
00:31:09,000 --> 00:31:12,880
Speaker 9: The track is called Toxic. The band is a major Moment.

521
00:31:13,079 --> 00:31:15,839
They are from Boston. Love them, love their sound. And

522
00:31:16,000 --> 00:31:18,599
let's see who we have on the line with us

523
00:31:18,720 --> 00:31:23,319
via WhatsApp from a major moment. Hello, good morning, haod morning.

524
00:31:23,480 --> 00:31:24,960
Speaker 8: How are you guys doing good?

525
00:31:25,119 --> 00:31:25,359
Speaker 4: Good?

526
00:31:25,799 --> 00:31:27,640
Speaker 9: So who do we have on the line with us?

527
00:31:28,759 --> 00:31:31,039
Speaker 20: My name is Andre, and I'm Sasha.

528
00:31:31,400 --> 00:31:35,000
Speaker 9: Hello, Andre and Sasha, welcome. Are you the two singers

529
00:31:35,039 --> 00:31:38,559
in the band? The two lead singers? That's right, very good,

530
00:31:38,680 --> 00:31:40,319
very good. Well, I'm glad we were able to do

531
00:31:40,440 --> 00:31:42,000
this because I know, you know, you were kind of

532
00:31:42,039 --> 00:31:46,160
a last minute edition to today's show. But Jenny messaged me.

533
00:31:46,240 --> 00:31:47,759
I was on the air last night doing a show

534
00:31:47,799 --> 00:31:49,640
that we do here on Friday nights, and Jenny messaged

535
00:31:49,680 --> 00:31:51,279
me and said, you're really going to like this band,

536
00:31:51,839 --> 00:31:55,000
and she was right. Love your sound. Jenny and I

537
00:31:55,119 --> 00:31:56,799
both love your sound. So it's good to have you

538
00:31:56,880 --> 00:31:57,759
on the show and.

539
00:31:58,559 --> 00:31:59,200
Speaker 20: Thank you so much.

540
00:31:59,319 --> 00:31:59,519
Speaker 18: Yeah.

541
00:31:59,559 --> 00:32:05,279
Speaker 9: Yeah, I'm curious so with with a sound like yours.

542
00:32:05,359 --> 00:32:07,839
You know this isn't you know, this isn't simple three

543
00:32:07,920 --> 00:32:10,920
chord rock. What you're doing is pretty sophisticated. How is

544
00:32:11,000 --> 00:32:13,960
it to replicate that live? What you do in the studio?

545
00:32:14,119 --> 00:32:15,799
And I know you've got you've got a couple of

546
00:32:15,839 --> 00:32:17,640
big shows coming up that we're going to talk about too,

547
00:32:17,720 --> 00:32:20,480
But I'm curious. You know, I'm a studio nerd, but

548
00:32:20,519 --> 00:32:22,000
I'm also I played in a lot of bands, so

549
00:32:22,039 --> 00:32:24,279
I'm also really curious too about you know, when you're

550
00:32:24,319 --> 00:32:26,680
in the studio. Are you able to are you able

551
00:32:26,720 --> 00:32:29,039
to replicate live what you do in the studio exactly

552
00:32:29,160 --> 00:32:30,799
or do you even worry about it? But some bands,

553
00:32:30,839 --> 00:32:32,400
you know, they play live and it's more of a

554
00:32:32,440 --> 00:32:34,880
stripped down thing. But I'm curious how you approach that

555
00:32:34,960 --> 00:32:42,039
because what you do is is pretty sophisticated. Uh oh,

556
00:32:43,279 --> 00:32:45,440
I don't hear voice. Well, oh there you are. I

557
00:32:45,519 --> 00:32:46,319
heard a weird beep.

558
00:32:47,519 --> 00:32:49,839
Speaker 20: Yeah, that was weird. Sorry, I'm not sure what it was.

559
00:32:50,039 --> 00:32:50,799
That's what I was saying.

560
00:32:50,960 --> 00:32:54,079
Speaker 13: It's arguably a little too sophisticated, you know, to a

561
00:32:54,319 --> 00:32:57,480
pull of fly. But we do our best, and you know,

562
00:32:57,559 --> 00:33:01,880
we have life since we have sampler that we play live,

563
00:33:02,039 --> 00:33:05,880
so we try to play live as much as many

564
00:33:05,960 --> 00:33:09,279
instruments and as many sounds as we possibly can. We

565
00:33:09,359 --> 00:33:12,720
have a drum pad, actually two drum pads. Oh, one

566
00:33:12,839 --> 00:33:16,440
is played by the drummer, another one I play occasionally

567
00:33:16,519 --> 00:33:17,640
to launch some samples.

568
00:33:18,119 --> 00:33:22,160
Speaker 14: Oh interesting, and then we switch off with the sincestation

569
00:33:22,599 --> 00:33:23,200
me and Andre.

570
00:33:23,480 --> 00:33:24,400
Speaker 20: So yeah, we call it.

571
00:33:24,519 --> 00:33:26,720
Speaker 13: We call it the since station. So it's a media

572
00:33:26,799 --> 00:33:30,319
keyboard that is connected to main stage. Main stage being

573
00:33:30,400 --> 00:33:34,480
the soft software problem. Oh, very different type of sins.

574
00:33:34,720 --> 00:33:37,759
Speaker 9: Yeah, very interesting. Okay, so you have a unique setup too,

575
00:33:38,200 --> 00:33:38,920
very different than.

576
00:33:39,200 --> 00:33:43,359
Speaker 13: What Yeah, like everybody, everybody's always given us the look

577
00:33:43,720 --> 00:33:46,559
when when we're trying to like bring bring all of

578
00:33:46,640 --> 00:33:48,920
this stuff up on stage and they're like, I've never

579
00:33:49,000 --> 00:33:50,359
seen anything like this before.

580
00:33:50,599 --> 00:33:53,039
Speaker 9: That's what that was literally going to be my next question.

581
00:33:53,119 --> 00:33:54,880
I was curious, like, do you have funny looks from

582
00:33:54,920 --> 00:33:57,480
other bands at shows or from or from the sound,

583
00:33:57,759 --> 00:34:00,759
Like what's it like to interact with the sound at

584
00:34:00,839 --> 00:34:01,160
a show?

585
00:34:02,839 --> 00:34:07,240
Speaker 13: Well, confured, But most of the sound guys that we

586
00:34:07,359 --> 00:34:11,360
came across, most of the front of house engineers, they're

587
00:34:11,400 --> 00:34:15,840
super friendly. Yeah, and they're super helpful and they try

588
00:34:15,880 --> 00:34:19,239
to accommodate whatever little nuances that we have going on,

589
00:34:19,320 --> 00:34:22,800
because like we have you know, not to get too

590
00:34:22,880 --> 00:34:25,480
deep into the details of the setup, but we have

591
00:34:25,639 --> 00:34:29,079
like medi that needs to be connected, you know, and

592
00:34:29,199 --> 00:34:32,800
we're working on the Whole Life light show, and we

593
00:34:32,960 --> 00:34:36,320
have a video show that is synced to our set.

594
00:34:36,760 --> 00:34:41,719
So it's it's a fairly large scale production for a smaller,

595
00:34:41,760 --> 00:34:43,320
independent band like ourselves.

596
00:34:43,599 --> 00:34:47,159
Speaker 9: Oh that's really cool. No, I admire that and that

597
00:34:47,599 --> 00:34:49,280
How long how long did it take to get to

598
00:34:49,360 --> 00:34:51,119
a point where, well, let me ask you this, how

599
00:34:51,159 --> 00:34:53,920
long has the band been around? And then because I

600
00:34:53,960 --> 00:34:56,239
assume it's it's kind of changed and evolved over time.

601
00:34:56,280 --> 00:34:58,280
But you've been at this a while, right, because you're

602
00:34:58,280 --> 00:34:59,840
pretty well established in the scene.

603
00:35:01,119 --> 00:35:04,000
Speaker 20: Yeah, so we're definitely.

604
00:35:05,079 --> 00:35:08,360
Speaker 13: You know, we're like a work in progress constantly, you know.

605
00:35:09,000 --> 00:35:13,800
And we started seven years ago. Back then when we

606
00:35:14,119 --> 00:35:16,760
first played a few of our live shows, we didn't

607
00:35:16,800 --> 00:35:21,719
have a single song recorded in the studio, and for both.

608
00:35:21,559 --> 00:35:23,480
Speaker 11: Of us, this is the first band, by the way,

609
00:35:23,800 --> 00:35:27,599
so oh wow, so learning how it works, what the.

610
00:35:27,639 --> 00:35:31,559
Speaker 13: Industry is looking like, you know, and we're so deep

611
00:35:31,679 --> 00:35:33,679
in that it's safe to say that it's going to

612
00:35:33,719 --> 00:35:34,480
be our last band.

613
00:35:38,360 --> 00:35:42,800
Speaker 20: We're already way too involved in it, understood, right.

614
00:35:42,880 --> 00:35:45,719
Speaker 13: So we started playing like we didn't have any backing tracks,

615
00:35:45,800 --> 00:35:49,119
any samples, any keyboards, you know, So we started like

616
00:35:49,239 --> 00:35:54,960
we just drums, guitars, bass, But then we started adding

617
00:35:55,000 --> 00:35:57,039
stuff because we went to the studio and realized that,

618
00:35:57,239 --> 00:35:59,599
you know, in order to produce a live show that

619
00:35:59,719 --> 00:36:02,960
sounds like people would expect it to sound, right like

620
00:36:03,239 --> 00:36:06,280
from listening to the record, we need to make it

621
00:36:07,280 --> 00:36:10,159
you know a little more complex than just you know,

622
00:36:10,320 --> 00:36:13,360
strip down instruments or like whatever, the guitars and bass

623
00:36:13,519 --> 00:36:15,960
and like basic kind of a bend setup.

624
00:36:16,119 --> 00:36:19,440
Speaker 9: Sure, sure, does anything anything ever go wrong with that?

625
00:36:20,719 --> 00:36:23,039
Speaker 20: All the time, every single time? Thank you for asking men.

626
00:36:25,239 --> 00:36:28,440
Speaker 14: Yeah, this is a problem solving business in the first place.

627
00:36:28,559 --> 00:36:32,239
Speaker 9: So that's a that's a really good way of putting it, Sasha,

628
00:36:32,320 --> 00:36:36,400
You're right, this is yeah, yeah, absolutely absolutely, But that's

629
00:36:36,480 --> 00:36:38,360
that's part of the adventure of it too, right, you know,

630
00:36:38,400 --> 00:36:39,199
if if.

631
00:36:39,119 --> 00:36:41,880
Speaker 13: You for sure you know, and like for example, right,

632
00:36:42,000 --> 00:36:43,960
like so we just got added to like a show

633
00:36:44,639 --> 00:36:48,000
like literally last minute, like and to your show last minute, right, yes,

634
00:36:48,119 --> 00:36:50,079
And it's a great problem to have, you know what

635
00:36:50,159 --> 00:36:52,840
I mean. So we're like, we're super happy to be

636
00:36:53,000 --> 00:36:55,760
here and thank you for having us. And you know,

637
00:36:55,880 --> 00:36:58,920
things come up last minute all the time, and it's

638
00:36:59,079 --> 00:37:02,599
it's it's our responsibility in our job to adjust and

639
00:37:02,679 --> 00:37:07,119
adapt to the you know, ever changing climate and you

640
00:37:07,199 --> 00:37:08,079
know all of that.

641
00:37:08,480 --> 00:37:11,639
Speaker 9: Yeah, one hundred percent percent. We should mention too, and

642
00:37:11,880 --> 00:37:13,840
and we'll we'll circle back to it to it at

643
00:37:13,880 --> 00:37:15,679
the end of our conversation. But you've got a couple

644
00:37:15,719 --> 00:37:18,719
of big shows coming up. I know that on the twentieth. Uh,

645
00:37:19,239 --> 00:37:21,000
you're gonna be where are you gonna be at the

646
00:37:21,280 --> 00:37:23,840
on the twentieth in Boston? It says supporting the Rasmus,

647
00:37:23,960 --> 00:37:24,639
but I'm not sure.

648
00:37:24,880 --> 00:37:27,920
Speaker 20: Yeah, we're at the the We're at Brighton Music Hall

649
00:37:28,000 --> 00:37:28,960
in Alton, mass.

650
00:37:28,920 --> 00:37:31,320
Speaker 9: Oh, very cool, Okay, awesome, awesome, And.

651
00:37:31,360 --> 00:37:33,599
Speaker 13: Then if venue is super excited to be there. That's

652
00:37:33,679 --> 00:37:36,000
gonna be our first time playing bright Music Hall. But

653
00:37:36,079 --> 00:37:37,760
we've been to a couple of shows there and it

654
00:37:37,920 --> 00:37:40,119
was always like, you know, it always sounds great, it

655
00:37:40,239 --> 00:37:44,000
always looks great. They have nice stage, nice lighting, So

656
00:37:44,280 --> 00:37:47,280
we're definitely looking forward to it. Not to mention we

657
00:37:47,440 --> 00:37:50,199
get to share the stage with the Rasmus themselves. I

658
00:37:50,239 --> 00:37:52,320
don't know if you guys are you know, aware of

659
00:37:52,440 --> 00:37:55,400
how big of a deal it is here in the States.

660
00:37:55,480 --> 00:38:01,000
But yeah, you know, g enormous, famous, famous band from

661
00:38:01,039 --> 00:38:05,559
Finland yep, Yeah, that played arenas and you know, major

662
00:38:05,639 --> 00:38:09,320
festivals like crock Emory in Germany and two like sold

663
00:38:09,360 --> 00:38:12,639
out crowds of millions of people and and this, and

664
00:38:12,800 --> 00:38:15,400
we grew up listening to them and going to their

665
00:38:15,480 --> 00:38:17,840
shows in Russia. Yeah, if they or not where we're

666
00:38:17,840 --> 00:38:21,719
originally from. So it's such a like a full circle

667
00:38:21,800 --> 00:38:22,480
moment for us.

668
00:38:22,599 --> 00:38:25,000
Speaker 20: It just you know, was so excited for it.

669
00:38:25,199 --> 00:38:28,519
Speaker 9: Oh that's extremely cool, very very cool. Congratulations and then

670
00:38:28,679 --> 00:38:30,559
uh and then on the twenty second, you got a

671
00:38:30,559 --> 00:38:32,519
big show in Hampton Hampton, New Hampshire.

672
00:38:32,599 --> 00:38:33,639
Speaker 20: Yes, twenty second.

673
00:38:34,320 --> 00:38:36,599
Speaker 13: We don't only get to play one show with the Rasmus,

674
00:38:36,679 --> 00:38:39,199
but we were so lucky that, you know, we get

675
00:38:39,239 --> 00:38:43,039
added to the second show where they're also supporting the

676
00:38:43,119 --> 00:38:46,239
Funeral Portrait, which is another up and coming band, but

677
00:38:46,519 --> 00:38:51,800
they're they're doing you know, phenomenally well. They had number

678
00:38:51,920 --> 00:38:55,719
one hit on Big Guns on Octane and and and

679
00:38:56,039 --> 00:38:58,920
you know millions of streams and millions of fans as well, so.

680
00:38:59,440 --> 00:39:04,519
Speaker 11: And great deep people kind of like online buddies with them.

681
00:39:04,880 --> 00:39:09,400
Speaker 13: Yeah, amazing show, amazing stage presence. So like we're looking

682
00:39:09,480 --> 00:39:11,280
forward to not only being a part of the show

683
00:39:11,800 --> 00:39:13,719
and sharing the stage with them, but we're also going

684
00:39:13,800 --> 00:39:16,079
to be in the crowd, like crowking out to their

685
00:39:16,199 --> 00:39:18,440
live sets, you know, to their show because like we're

686
00:39:18,800 --> 00:39:21,360
genuine fans of what they do. And also on the

687
00:39:21,440 --> 00:39:23,599
lineup is going to be Glass Waves, which is another

688
00:39:23,719 --> 00:39:25,440
up and coming band that we're excited to share the

689
00:39:25,480 --> 00:39:25,800
stage with.

690
00:39:26,039 --> 00:39:27,960
Speaker 9: I was gonna say Glass Waves are not familiar with

691
00:39:28,039 --> 00:39:28,960
I'll have to check them out.

692
00:39:30,000 --> 00:39:31,559
Speaker 20: Yeah, totally, they're they're amazing.

693
00:39:32,199 --> 00:39:32,360
Speaker 1: You know.

694
00:39:32,880 --> 00:39:35,599
Speaker 13: If you think of bands like bad Omens or Bring

695
00:39:35,719 --> 00:39:38,480
the Horizon or sleep Token, if you're if you're you know,

696
00:39:38,519 --> 00:39:42,039
a fan of those bands, Glass Waves, check those guys out,

697
00:39:42,199 --> 00:39:44,760
you know, and also check out the other bands as well.

698
00:39:44,920 --> 00:39:46,880
Speaker 9: Oh very cool, Very cool. By the way, I also

699
00:39:46,920 --> 00:39:51,000
notice you're gonna be heading to Pennsylvania and then Washington,

700
00:39:51,079 --> 00:39:53,239
d C. Kind of looking at the tour itinerary that

701
00:39:53,320 --> 00:39:54,840
you sent us, so it's good.

702
00:39:55,239 --> 00:39:58,800
Speaker 20: Yeah, totally. We'll call this we call this little tour,

703
00:39:58,920 --> 00:40:02,440
not a tour. Yeah, so because it's not a tour,

704
00:40:02,480 --> 00:40:03,360
it's like a little run.

705
00:40:03,480 --> 00:40:06,480
Speaker 13: But like people, our fans and you know, our supporters

706
00:40:06,519 --> 00:40:08,440
have been asking us for the longest time, or where

707
00:40:08,480 --> 00:40:10,360
you guys, when are you guys gonna go on tour?

708
00:40:10,480 --> 00:40:12,239
Speaker 20: Like when they come into like you.

709
00:40:12,280 --> 00:40:17,039
Speaker 5: Know, my area and anywhere, like yeah, right, Like usually.

710
00:40:16,840 --> 00:40:19,960
Speaker 13: It's like West Coast and we're like, uh, you know,

711
00:40:20,199 --> 00:40:22,320
not sure, like it might take us a little bit,

712
00:40:22,440 --> 00:40:24,719
but we're trying to branch out as much as possible.

713
00:40:24,760 --> 00:40:27,559
And this is our second run already, and we did

714
00:40:28,159 --> 00:40:33,360
for the first one in April, right, and then that

715
00:40:33,760 --> 00:40:38,000
we went to Pennsylvania, upstate New York and then.

716
00:40:38,800 --> 00:40:41,320
Speaker 20: Two shows in Ohio. That was super cool.

717
00:40:41,360 --> 00:40:44,000
Speaker 13: So we're you know, excited to do it all over

718
00:40:44,079 --> 00:40:47,320
again and we're hitting some you know, places that we

719
00:40:47,440 --> 00:40:49,960
haven't played before. Yeah, so super excited about it.

720
00:40:50,239 --> 00:40:52,920
Speaker 9: Outstanding. We should mention too, The Pain that Makes Us Grow.

721
00:40:53,079 --> 00:40:56,320
That's your band's full length album that comes out June twentieth,

722
00:40:57,039 --> 00:40:59,719
twenty twenty five, and you've got four singles that have

723
00:40:59,800 --> 00:41:06,639
been plays on Serious XM's octane channel, Toxic, Overcome, Victim,

724
00:41:06,760 --> 00:41:09,559
and Ludacy. We played Toxic here just a few minutes ago.

725
00:41:10,360 --> 00:41:13,480
You also sent us a track that I really really love,

726
00:41:13,880 --> 00:41:17,199
what a Time and yeah, and that's brand new, correct.

727
00:41:17,719 --> 00:41:21,039
Speaker 13: We just dropped it literally yesterday and it's already doing

728
00:41:21,119 --> 00:41:25,840
phenomenally well on streaming. And we've been listening to your

729
00:41:25,920 --> 00:41:29,559
show like for about an hour before we got on, right,

730
00:41:29,679 --> 00:41:32,960
So we you know, we're doing the same kind of

731
00:41:33,360 --> 00:41:37,039
waterfall thing a lot of bands are doing nowadays, but

732
00:41:37,199 --> 00:41:40,960
we're added a little twist to it where we are

733
00:41:41,119 --> 00:41:44,559
releasing songs on streaming, but we made the whole album

734
00:41:44,639 --> 00:41:49,320
available on CDs and vinyl, I think as soon as

735
00:41:49,400 --> 00:41:52,559
the first single was out, right now we're almost done

736
00:41:52,599 --> 00:41:53,760
with the release thing.

737
00:41:53,920 --> 00:41:56,840
Speaker 14: So so people have been listening to this album for

738
00:41:57,079 --> 00:41:57,880
like over a year.

739
00:41:58,119 --> 00:42:01,400
Speaker 13: Whoever wanted to direct directly support us, right, whoever was

740
00:42:01,480 --> 00:42:04,440
kind enough to pick up CD or vinyl. We thought,

741
00:42:04,679 --> 00:42:06,519
you know, it only makes sense to you know, make

742
00:42:06,559 --> 00:42:08,559
those people happy and give them the whole you know,

743
00:42:08,639 --> 00:42:10,559
the whole album ahead of everybody else.

744
00:42:10,719 --> 00:42:12,400
Speaker 9: I think that's a really cool way to do it.

745
00:42:12,639 --> 00:42:15,039
I commend that. I think that's really really cool. By

746
00:42:15,079 --> 00:42:17,159
the way, this track, yeah, this track, what a time

747
00:42:17,199 --> 00:42:19,039
has that been played on the radio at all?

748
00:42:20,760 --> 00:42:23,440
Speaker 13: We just released it and so it hasn't been played

749
00:42:23,559 --> 00:42:26,360
on the radio yet. I know another radio station just

750
00:42:26,480 --> 00:42:29,360
added it to rotation the sound too. It So shout

751
00:42:29,360 --> 00:42:33,079
out to those guys as well, super thankful for their

752
00:42:33,119 --> 00:42:36,400
support and obviously to Octane, you know, supporting our journey

753
00:42:36,400 --> 00:42:37,639
as an independent artists.

754
00:42:37,679 --> 00:42:40,760
Speaker 20: This is you know, next to unheard of. Not many

755
00:42:41,159 --> 00:42:42,159
independent bands.

756
00:42:42,000 --> 00:42:44,559
Speaker 13: Can can say that they've been so lucky to have

757
00:42:44,880 --> 00:42:48,320
like four singles in rotation and you know, needless to say,

758
00:42:49,480 --> 00:42:50,760
this exposure got us.

759
00:42:52,119 --> 00:42:54,599
Speaker 20: So in front of a huge audience. Right.

760
00:42:54,679 --> 00:42:58,119
Speaker 13: So, yeah, we get messages every single day saying I

761
00:42:58,239 --> 00:43:00,239
heard you guys here, I heard you guys there. I

762
00:43:00,360 --> 00:43:03,199
really love your sound and people are picking up Merged,

763
00:43:03,239 --> 00:43:05,920
people are picking up a full album to check it out,

764
00:43:06,039 --> 00:43:09,280
you know, and like we're you know, we're super grateful

765
00:43:09,320 --> 00:43:09,480
for that.

766
00:43:10,440 --> 00:43:13,760
Speaker 9: That's outstanding. By the way, what is the meaning of that?

767
00:43:13,880 --> 00:43:16,760
I love the title of the upcoming album, the Pain

768
00:43:16,840 --> 00:43:21,960
that makes Us grow? Right, what can you talk a

769
00:43:22,000 --> 00:43:23,320
little bit about that about the time?

770
00:43:23,440 --> 00:43:24,800
Speaker 20: Yeah, for sure, absolutely.

771
00:43:25,039 --> 00:43:28,800
Speaker 13: So this is actually related to the line we have

772
00:43:28,960 --> 00:43:33,039
in one of our other singles called Overcome, and the

773
00:43:33,119 --> 00:43:35,920
line goes, if we overcome the pain, we will grow.

774
00:43:36,800 --> 00:43:38,239
Speaker 14: Yeah, that's the line from the chorus.

775
00:43:38,400 --> 00:43:40,559
Speaker 13: That's the line from the chorus, right. And we had

776
00:43:40,920 --> 00:43:43,519
quite a few titles that we were choosing from, but

777
00:43:43,639 --> 00:43:47,719
this one kind of stood out, and the graphic designer,

778
00:43:48,239 --> 00:43:51,760
Kevin Moore, that that was helping us to make the

779
00:43:52,039 --> 00:43:55,039
artwork for the album on the visual side and the branding.

780
00:43:56,360 --> 00:43:58,199
He was like, I really like this title, you guys,

781
00:43:58,239 --> 00:43:59,719
I think you should go with this, and I already

782
00:43:59,760 --> 00:44:02,239
have kind of a vision for the artwork and for

783
00:44:03,159 --> 00:44:06,400
you know, the whole album design, and so we listened

784
00:44:06,480 --> 00:44:09,440
and you know, never looked back and you were so

785
00:44:09,599 --> 00:44:10,199
happy about it.

786
00:44:10,360 --> 00:44:12,480
Speaker 20: But you know, if you think.

787
00:44:12,400 --> 00:44:16,239
Speaker 13: About it, if like when we thought of this title

788
00:44:16,360 --> 00:44:20,000
being one of the options with that, there's fourteen songs

789
00:44:20,039 --> 00:44:23,519
on the album, and each of them is kind of

790
00:44:23,599 --> 00:44:25,119
related to a point of.

791
00:44:25,280 --> 00:44:28,719
Speaker 20: Like, you know, experiencing discomfort or pain.

792
00:44:29,079 --> 00:44:33,280
Speaker 13: You know, they're they're like, not really that many happy

793
00:44:33,360 --> 00:44:35,599
songs on the album as far as from from the

794
00:44:36,320 --> 00:44:38,679
from the perspective of all like this guy is blue

795
00:44:38,760 --> 00:44:41,840
and you know, the sun is up and the life

796
00:44:41,880 --> 00:44:43,960
is beautiful. The life is beautiful, but it's also full

797
00:44:44,000 --> 00:44:46,599
of problems, you know. So we want to talk about

798
00:44:46,679 --> 00:44:50,079
those problems, and we want to talk and bring up

799
00:44:50,599 --> 00:44:55,079
issues that you know are happening in the world every day,

800
00:44:55,320 --> 00:44:55,480
you know.

801
00:44:56,800 --> 00:45:01,199
Speaker 11: So I want to inspire people to never look back

802
00:45:01,360 --> 00:45:03,719
and keep doing what you're doing.

803
00:45:04,039 --> 00:45:08,559
Speaker 13: Growing, Yeah, keep growing, keep overcoming the pain and discomfort,

804
00:45:08,760 --> 00:45:11,880
because we believe that's that's when you actually grow.

805
00:45:12,159 --> 00:45:14,679
Speaker 9: Yeah. Oh, I love it. I love it. I think

806
00:45:14,719 --> 00:45:18,079
that's I think that's awesome. And I think I think

807
00:45:18,119 --> 00:45:20,760
a lot of people who I assume people who listen

808
00:45:20,800 --> 00:45:23,119
to your music who gravitate to what you're doing and

809
00:45:23,159 --> 00:45:25,960
have become fans. That that's probably something that really resonates

810
00:45:26,000 --> 00:45:27,320
with people. And I think that's awesome.

811
00:45:28,199 --> 00:45:28,679
Speaker 20: Definitely.

812
00:45:28,880 --> 00:45:33,960
Speaker 13: Yeah, a lot of people have expressed, you know, their

813
00:45:34,119 --> 00:45:39,760
gratitude for us talking about, you know, problems like mental

814
00:45:39,800 --> 00:45:44,239
health issues and you know, bring raising awareness about that

815
00:45:44,599 --> 00:45:50,960
and talking about anxiety and you know, being slightly paranoid

816
00:45:51,039 --> 00:45:54,159
that the world can be over at any moment in time,

817
00:45:54,280 --> 00:45:58,199
you know, because you know, we'll live in an interesting time, right,

818
00:46:00,079 --> 00:46:04,119
So so this is what what a time is actually about, correctly,

819
00:46:04,320 --> 00:46:06,840
this is this This was written about the fear of.

820
00:46:08,800 --> 00:46:12,880
Speaker 20: Basically nuclear war. Yeah, and that happened after.

821
00:46:14,760 --> 00:46:18,119
Speaker 13: You know, our motherland, Russia invaded Ukraine a couple of

822
00:46:18,159 --> 00:46:21,360
years ago, and we were very concerned about that whole

823
00:46:21,440 --> 00:46:24,840
situation and very concerned that you know, the escalation of

824
00:46:24,920 --> 00:46:27,519
the problem might let you know, might lead to the

825
00:46:27,679 --> 00:46:28,440
end of humanity.

826
00:46:28,480 --> 00:46:31,639
Speaker 9: Is we know, Yeah, I can. I can really relate too,

827
00:46:31,639 --> 00:46:33,760
because I'm you know, I'm older, and I'm a Cold

828
00:46:33,840 --> 00:46:37,119
war kid and growing up growing up in the eighties,

829
00:46:37,199 --> 00:46:40,159
I was I had an obsession is too strong a word,

830
00:46:40,199 --> 00:46:45,280
but I definitely had an unhealthy preoccupation with the threat

831
00:46:45,400 --> 00:46:48,400
of that, and so I can no, I can relate.

832
00:46:48,559 --> 00:46:52,519
And you know, it's funny too because we had on

833
00:46:52,800 --> 00:46:55,559
you might have heard Ryan Redwood our previous guests. He's

834
00:46:55,599 --> 00:46:58,599
got that song Tomorrow, which is uh, you know which

835
00:46:58,639 --> 00:47:01,679
which kind of reference is that as well? So interesting,

836
00:47:01,760 --> 00:47:04,639
it's a it's a day of themes I suppose, uh,

837
00:47:04,840 --> 00:47:08,519
but yeah, I think that that's this is something too,

838
00:47:08,559 --> 00:47:10,480
because I do want to play that track at the

839
00:47:10,559 --> 00:47:12,800
end of our conversation because it's so good and I

840
00:47:12,960 --> 00:47:14,519
like all I like all the I like all the

841
00:47:14,599 --> 00:47:16,360
songs I listened to. They're they're really really good. But

842
00:47:16,960 --> 00:47:19,360
but no, I think it's it's something very relatable for people,

843
00:47:19,559 --> 00:47:21,239
and we should.

844
00:47:21,320 --> 00:47:21,440
Speaker 12: Uh.

845
00:47:21,760 --> 00:47:24,199
Speaker 9: The time goes the time goes quickly, but I want

846
00:47:24,239 --> 00:47:26,559
to make sure we remind people again, especially for people

847
00:47:26,639 --> 00:47:27,840
just too. And by the way, I do want to

848
00:47:27,880 --> 00:47:30,199
do this again. Uh, this was kind of last minute,

849
00:47:30,239 --> 00:47:31,679
but I do want to do this again when we

850
00:47:31,760 --> 00:47:34,159
have time to really, oh for sure, because I will

851
00:47:34,199 --> 00:47:37,960
be there, yeah, right next to absolutely. I want to

852
00:47:38,000 --> 00:47:40,679
learn about your backgrounds and and influences and all that

853
00:47:40,760 --> 00:47:43,400
kind of stuff. So but uh, so we will do

854
00:47:43,519 --> 00:47:45,559
that in the future for sure. But but I want

855
00:47:45,599 --> 00:47:47,440
to make sure we remind people before we run out

856
00:47:47,480 --> 00:47:49,440
of time too, because you've got the two big shows

857
00:47:50,159 --> 00:47:53,760
uh uh, You've got on the twentieth uh and the

858
00:47:53,840 --> 00:47:56,360
twenty second and and these are these are very important

859
00:47:56,360 --> 00:47:59,000
shows for you. Obviously, this is absolutely a big deal.

860
00:47:59,199 --> 00:48:03,039
Speaker 13: Especially one of them is in New Hampshire area, right

861
00:48:03,679 --> 00:48:06,719
right in Hampton, New Hampshire. We're playing that Walleys with

862
00:48:06,840 --> 00:48:10,000
the Funeral Portrait and the Rasmus and Glass Waves, and

863
00:48:10,159 --> 00:48:12,039
this is gonna be an amazing show. And if you're

864
00:48:12,079 --> 00:48:14,840
listening and thinking, oh maybe I should come, or but

865
00:48:14,960 --> 00:48:16,599
I don't know, like I have a lot of things

866
00:48:16,679 --> 00:48:18,840
going on, definitely get there.

867
00:48:18,960 --> 00:48:22,440
Speaker 20: It's a Thursday night, so Thursday night, it's almost Friday.

868
00:48:22,559 --> 00:48:25,360
You're gonna feel so great. You know, it's gonna be

869
00:48:26,079 --> 00:48:26,920
a huge party.

870
00:48:27,119 --> 00:48:30,199
Speaker 9: There you go, there, you go, absolutely And by the way,

871
00:48:30,199 --> 00:48:32,079
where's the best place to go onlinehere should people go

872
00:48:32,159 --> 00:48:34,599
to keep up with everything that Major Moment is doing.

873
00:48:34,840 --> 00:48:37,920
Speaker 14: Oh so we'll try to be everywhere possible. We have

874
00:48:38,039 --> 00:48:42,559
a website, Major Moment band dot com. We're on every

875
00:48:42,639 --> 00:48:43,719
single social.

876
00:48:43,840 --> 00:48:53,239
Speaker 21: Media platform obviously Instagram, FACEBOOKIOK, streaming, Yeah, any streaming platform,

877
00:48:53,559 --> 00:48:56,280
so probably can find us everywhere.

878
00:48:56,559 --> 00:48:57,960
Speaker 20: Yeah, wherever you are, we're there.

879
00:48:58,599 --> 00:49:00,519
Speaker 9: Excellent. That's the way to do it. Yeah, that's the

880
00:49:00,559 --> 00:49:02,840
way to do it. All right. Well, Andre and Sasha,

881
00:49:02,960 --> 00:49:06,079
thank you both so much. Wonderful to meet you and

882
00:49:06,519 --> 00:49:09,760
and like I said, for having us. Absolutely and we'll

883
00:49:09,800 --> 00:49:11,320
we'll do it again in the future. We'll have an

884
00:49:11,320 --> 00:49:14,679
extended discussion and good luck with those shows. And I

885
00:49:14,880 --> 00:49:17,480
love the music, and uh, I'm really excited to share

886
00:49:17,519 --> 00:49:21,039
this track Major Moment with with our listeners. So we'll

887
00:49:21,119 --> 00:49:22,639
let you go for now and then I'm gonna hit

888
00:49:22,719 --> 00:49:25,079
that track. But thank you both so much, Thank you

889
00:49:25,199 --> 00:49:25,480
so much.

890
00:49:25,559 --> 00:49:27,599
Speaker 20: Looking forward to having another conversation with you.

891
00:49:27,960 --> 00:49:31,719
Speaker 9: Absolutely, absolutely, all right, take care, bye bye. All right,

892
00:49:31,800 --> 00:49:34,239
very cool. That was Andre and Sasha. They are the

893
00:49:35,400 --> 00:49:37,559
they are the vocalists, and you know, they do a

894
00:49:37,639 --> 00:49:40,199
co lead vocal thing which is really really cool for

895
00:49:40,360 --> 00:49:44,000
the band Major Moment and this is that's that's that's

896
00:49:44,079 --> 00:49:46,920
their band, that's their baby. H They're they're doing great

897
00:49:47,000 --> 00:49:49,280
things and having a lot of success, which is really cool.

898
00:49:49,320 --> 00:49:51,360
So I love their sound. We're gonna play this. We're

899
00:49:51,400 --> 00:49:55,239
gonna end this segment with this track Major from major moment.

900
00:49:55,320 --> 00:49:57,000
This is called what a Time? And if you are

901
00:49:57,119 --> 00:50:00,199
listening live on Saturday, make sure you stick around. I'm

902
00:50:00,199 --> 00:50:02,119
coming up in the third hour. I gotta see they

903
00:50:02,159 --> 00:50:03,639
might be here. In fact, I gotta go let them

904
00:50:03,679 --> 00:50:06,440
in if they are. Moonlight Ride is gonna be here

905
00:50:06,559 --> 00:50:09,000
a live in studio with us for our number three

906
00:50:09,159 --> 00:50:13,000
new Marrow trace of Matt Condorton unleashed on this Saturday.

907
00:50:13,039 --> 00:50:15,679
But here it is. This is brand new from major

908
00:50:15,760 --> 00:50:17,599
Moment and this is called what a Time.

909
00:50:18,199 --> 00:50:55,800
Speaker 22: M wacome these up, which is ascon thus, well, I go.

910
00:50:55,960 --> 00:51:04,440
Speaker 3: Cally when I made something. Oh you're so heavy bird

911
00:51:06,119 --> 00:51:11,199
hold them back their song. I'm so time can.

912
00:51:11,360 --> 00:51:13,199
Speaker 2: Fos myself Jos.

913
00:51:15,039 --> 00:51:26,280
Speaker 3: Designed shocking song. The scream shocks me water. I suppose

914
00:51:26,599 --> 00:51:36,440
the fair give the wildest son without this side for

915
00:51:36,840 --> 00:51:57,119
a time to be my yes story who well be

916
00:51:57,800 --> 00:52:04,239
around the boss, unable to focus on and as having

917
00:52:04,440 --> 00:52:05,360
right befo.

918
00:52:05,480 --> 00:52:11,079
Speaker 2: My sod that cat focus myself just.

919
00:52:13,199 --> 00:52:13,760
Speaker 3: Exactly.

920
00:52:14,840 --> 00:52:16,119
Speaker 8: It's shocking.

921
00:52:17,800 --> 00:52:24,840
Speaker 3: A little screaming d want a love. I suppose the

922
00:52:25,039 --> 00:52:28,280
fears the world is kind of so.

923
00:52:34,559 --> 00:52:36,039
Speaker 2: For to.

924
00:52:37,760 --> 00:52:42,559
Speaker 3: Danking. You're the lead that the world is thanking. No

925
00:52:43,239 --> 00:52:49,239
get thanking you're the lad that the wild and danking

926
00:52:49,800 --> 00:52:50,840
no get.

927
00:52:53,159 --> 00:52:53,199
Speaker 2: You.

928
00:52:53,440 --> 00:52:58,760
Speaker 3: Fucking you just jack the world and dad.

929
00:53:02,119 --> 00:53:05,760
Speaker 8: My back, So.

930
00:53:07,280 --> 00:53:13,920
Speaker 22: Con force myself to sleep my anatting jocket.

931
00:53:15,519 --> 00:53:23,039
Speaker 3: Looks all those crapy shoot girls w I supposed the

932
00:53:23,199 --> 00:53:26,320
bear gus the wildest kind I taste.

933
00:53:26,400 --> 00:53:29,400
Speaker 1: So with.

934
00:53:31,000 --> 00:53:43,000
Speaker 3: This for a time, give yourself lost myself doing exactly shocking.

935
00:53:44,559 --> 00:53:51,719
Looks all those scraping shoot girds be fun. I suppose

936
00:53:52,079 --> 00:53:55,360
the bear gause it wowest kind I test.

937
00:53:55,480 --> 00:54:13,119
Speaker 7: So in times of crisis, you need a law firm

938
00:54:13,199 --> 00:54:16,360
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939
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940
00:54:20,280 --> 00:54:23,400
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941
00:54:23,480 --> 00:54:27,400
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942
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943
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944
00:54:35,159 --> 00:54:38,079
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945
00:54:38,079 --> 00:54:41,119
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946
00:54:41,199 --> 00:54:45,840
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947
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948
00:54:50,159 --> 00:54:53,599
at eighty seven Elm Street in the historic Sunbeam Hall

949
00:54:53,760 --> 00:54:57,480
in Manchester, open Monday through Friday nine am to five

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00:54:57,639 --> 00:55:02,119
thirty pm in Saturday's to two pm. They can be

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00:55:02,280 --> 00:55:06,119
reached at six oh three two two two to zero

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zero seven or on the web at Queen citycabinatree NH

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dot com. Come see the possibilities Queen City Cabinet Tree.

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Another drownd sponsor of w.

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Speaker 16: MNH, Disneys Cafe is the place to put a smile

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00:55:21,239 --> 00:55:23,519
on your face. Judy and the crew will take care

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00:55:23,599 --> 00:55:27,079
of you, bring your appetite and treat your taste buds right.

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00:55:27,360 --> 00:55:31,440
Business cafe is always a winning choice. Breakfast, lunch or

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supper Dizne's Cafe at eight sixty Elm Street in downtown Manchester.

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00:55:37,119 --> 00:55:40,000
Dine in, take out or make a reservation call six

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00:55:40,119 --> 00:55:44,079
oh three six oh six two five three two each,

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00:55:44,519 --> 00:55:47,320
drink and be happy Dizzney's Cafe.

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00:55:47,639 --> 00:55:50,360
Speaker 17: When it comes to keeping WMNH on the air and

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00:55:50,480 --> 00:55:54,280
your own personal or business computer needs trust Roland Computers

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located on Elm Street in Manchester. Groland handles computer repair,

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virus removal and custom build systems Are you looking for

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budget friendly options. Check out our selection of fully inspected

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used computers. We offer tailored on site solutions no unnecessary

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expenses here. Visit Groland dot com or call Grolling Computers

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at six zero three six four five zero one zero one.

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Speaker 9: Your Tech, Your Way, Trust groll In Computers.

972
00:56:26,239 --> 00:56:30,599
Speaker 12: Midnight seven times out of ten we listened to our

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00:56:30,760 --> 00:56:37,280
music at night don titled book Business Program Late.

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00:56:37,239 --> 00:56:41,000
Speaker 19: Night to Light with DJ Midas right here on WMNH, Manchester.

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00:56:41,159 --> 00:56:41,880
Speaker 8: Do you want to know why?

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00:56:42,119 --> 00:56:46,840
Speaker 13: Because Saturdays and Sunday nights midnight to four am.

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00:56:48,199 --> 00:56:53,679
Speaker 18: This hour on wm NH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including in play benefits, planning, corporate design

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and business administration, investments and wealth management and customized business

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insurance solutions. Their phone number is eight sixty six eight

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four one forty six hundred or on the web at

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CGI Business Solutions dot com.

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00:57:20,440 --> 00:57:23,960
Speaker 19: Behold the harmony of airwaves as you immerse yourself in

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00:57:24,000 --> 00:57:28,079
the captivating frequencies of w m NHLP the sonic card

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00:57:28,199 --> 00:57:31,760
meats of Manchester transcending through the ether at ninety five

987
00:57:31,800 --> 00:57:35,559
point three megahertz frequency modulation or transmissions emanate from the

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00:57:35,679 --> 00:57:38,320
ZIF of one thousand Elm Streets to insure into the

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00:57:38,400 --> 00:57:41,360
hearts of our creative realm at one nineteen Canal Street,

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00:57:41,559 --> 00:57:45,400
where innovation and sound coluge. They're the improm mod of

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00:57:45,519 --> 00:57:49,079
Manchester Public Television Service in the venerable city of Manchester,

992
00:57:49,199 --> 00:57:52,960
New Hampshire, USA. Enrich your auditory journey with the depth

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00:57:53,000 --> 00:57:56,719
of our license to WESDOSPT your missives. Do w MNH

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00:57:56,880 --> 00:58:00,119
ninety five three at gmail dot com or traverse the

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00:58:00,199 --> 00:58:04,440
virtual corridors of wmnhradio dot org. Engage with our sonic

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vibrations by communing with us through the digital channels. Our

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radio beconds eager to enthrall you with its mesmerizing cadence

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and envelop you with a symphony of foundless on its

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or is one dude, WMNH rip the novels