WEBVTT

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<v Speaker 1>As performers in the adult industry, we get asked all

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<v Speaker 3>Sorry twenty Popstar, Big loads, better taste you're listening to.

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<v Speaker 3>Sorry for asking, Sorry for asking. I'm Cole Connor and

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<v Speaker 3>I'm Adam Ramsey. This is where we talk, shop, ask questions.

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<v Speaker 1>Tell stories, and laugh some laughs about being creators as

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<v Speaker 1>well as consumers of adult content.

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<v Speaker 2>We love watching too.

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<v Speaker 1>We certainly do. We also discussed the impact adult films

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<v Speaker 1>have had on us, on our guests, and on the

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<v Speaker 1>LGBTQ community.

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<v Speaker 2>So strap on and strap in and.

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<v Speaker 1>Here we go.

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<v Speaker 2>Hello, Hello, gooday, everybody, Good morning. Hi Cole, how's it going?

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<v Speaker 1>Oh you know?

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<v Speaker 3>Yeah, well yea, Hi everyone. I'm Adam Ramsey cold Connor.

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<v Speaker 3>You're listening too. Sorry for asking the podcast where we

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<v Speaker 3>where we.

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<v Speaker 1>Talk about talk about porn and.

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<v Speaker 3>Being gay, slots on camera and all that that entails.

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<v Speaker 3>We are here on the on the the aftermath of

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<v Speaker 3>a very weird night.

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<v Speaker 2>Yeah.

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<v Speaker 1>You know what I gotta say, I'm not that surprised.

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<v Speaker 2>I guess.

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<v Speaker 1>I guess I went into it thinking I don't like

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<v Speaker 1>it could happen again, and it will.

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<v Speaker 3>For those of you who don't know we're talking about

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<v Speaker 3>we're talking about Kim Kardashian and Paris Hilt and I'm

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<v Speaker 3>just kidding, we're talking about the elections. This is the

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<v Speaker 3>morning after the elections, the time of this recording, and

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<v Speaker 3>you know, tensions are I don't know, I feel that

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<v Speaker 3>at this point. It's like I was really panic leading

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<v Speaker 3>up to it, and now I'm kind of like.

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<v Speaker 2>You know, what it happened. I'm just like it happened.

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<v Speaker 3>At this point, we just have to take care of

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<v Speaker 3>ourselves and each other and hope nothing horrible goes wrong

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<v Speaker 3>and just hold on for the crazy ass ride. We've

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<v Speaker 3>been there once, you know, we've been there. Yeah, jeez, AnyWho.

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<v Speaker 1>I don't know. We thought it was like the worst

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<v Speaker 1>thing then too.

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<v Speaker 3>Yeah, Yeah, the stakes felt higher this time. But I mean,

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<v Speaker 3>whatever here we are.

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<v Speaker 1>They actually hire or is it where we made to

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<v Speaker 1>feel that?

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<v Speaker 2>I don't even care enough to talk about it.

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<v Speaker 4>We have.

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<v Speaker 3>What I care about is our is our very handsome

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<v Speaker 3>guest who I've been wanting to get on this podcast

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<v Speaker 3>for a while and I'm very excited.

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<v Speaker 2>Please everybody welcome Davy Wavy. Hi, Davy. Hey, can you

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<v Speaker 2>hear us?

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<v Speaker 5>Okay, okay, you sound great.

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<v Speaker 3>You sound great, You look great. Tell us about this

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<v Speaker 3>background right now? Well, it's my living room, your living

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<v Speaker 3>room where I feel like in Rhode Island.

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<v Speaker 5>Yeah, it's giving cabin.

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<v Speaker 2>I love it.

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<v Speaker 5>Yeah, it's very rustic.

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<v Speaker 4>This is my little highway away from you know, all

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<v Speaker 4>the excitement of filming gay porn.

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<v Speaker 5>I just kind of hang out here with my cat.

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<v Speaker 2>Yes, do you still have your palm Springs home? Too?

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<v Speaker 5>No, I don't.

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<v Speaker 4>I sold it a couple of years ago. So I'm

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<v Speaker 4>here in Rhode Island full time.

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<v Speaker 5>My family's nearby.

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<v Speaker 2>Yeah, I love them. You're from Rhode Island.

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<v Speaker 5>Yeah, yeah.

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<v Speaker 4>Most of the people that I love are out here,

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<v Speaker 4>and yeah, just kind of it feels important to stay

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<v Speaker 4>grounded and connected with them.

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<v Speaker 2>You know. It's funny.

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<v Speaker 3>I feel like I've been having a lot of conversations

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<v Speaker 3>lately with people where I feel like, as we you know,

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<v Speaker 3>enter our forties and beyond, a lot of people are

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<v Speaker 3>very future minded about where they want to plant themselves.

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<v Speaker 3>I feel like I've been hearing a lot of people

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<v Speaker 3>leaving Los Angeles, leaving San Francisco, moving closer to family,

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<v Speaker 3>or going to places where they can actually afford property.

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<v Speaker 5>Totally. Yeah, I own this house like it's in Los Angeles.

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<v Speaker 4>Also, like there are parts of Los Angeles, aspects of

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<v Speaker 4>Los Angeles that I loved. I just never felt and

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<v Speaker 4>this might be more on me than Los Angeles, but

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<v Speaker 4>I never found my tribe. I never found my people there.

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<v Speaker 4>And on weekends I would go to Palm Springs, which is,

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<v Speaker 4>you know, an older crowd, more kind of like the

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<v Speaker 4>Bearer community.

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<v Speaker 5>People who eat food that was. That was definitely more

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<v Speaker 5>my cup of tea. So that was kind of my

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<v Speaker 5>gradual move from.

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<v Speaker 1>Oh, well that was your problem and going to Palm

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<v Speaker 1>Springs every weekend. Of course you're not going to find

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<v Speaker 1>your tribe in La if you got a Palm Springs

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<v Speaker 1>every weekend.

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<v Speaker 3>Well, and also, if from what I'm hearing is correct,

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<v Speaker 3>you hang out with people who don't eat food. Is

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<v Speaker 3>that what you're saying Los Angeles? Your Los Angeles experience

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<v Speaker 3>was that was my.

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<v Speaker 5>Los Angeles experience? Yeah, very much so. Yeah, so it

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<v Speaker 5>was not it was not my cup of tea.

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<v Speaker 2>How long did you live here?

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<v Speaker 5>A couple of years.

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<v Speaker 4>But like, I'm more of a nature guy, Like I

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<v Speaker 4>don't drink, I don't party, like I don't go to bars.

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<v Speaker 4>I'm really boring. I'm boring and very much an old soul.

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<v Speaker 4>So Palm Springs is a better fit, but Rhode Island

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<v Speaker 4>even better.

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<v Speaker 2>Yeah. Where in the state are you?

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<v Speaker 4>Like? It's so small, doesn't really have parts. People always

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<v Speaker 4>ask that, and I'm like, well.

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<v Speaker 2>They're like, none of your business. Actually I don't need

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<v Speaker 2>you to come and looking for me.

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<v Speaker 4>No, it's more than it's like it's thirty minutes across

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<v Speaker 4>the state. So I'm kind of just like, yeah, I'm

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<v Speaker 4>near Providence, as every place in Rhode Island is.

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<v Speaker 3>What was it like growing up in Rhode Island or

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<v Speaker 3>in your part of Rhode Island.

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<v Speaker 5>I really like it here.

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<v Speaker 4>I know it's not cool to like really love the

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<v Speaker 4>place that you grew up in. But it has beaches,

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<v Speaker 4>it's close to the mountains if you like to ski.

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<v Speaker 4>We have four seasons. It's a progressive community relatively speaking.

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<v Speaker 4>And there's a really great food scene here in Providence.

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<v Speaker 4>A lot of universities here, so there's like this really

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<v Speaker 4>cool creative culture.

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<v Speaker 5>It's not a bad place. It's actually really.

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<v Speaker 1>Have you ever been to Rhode Island?

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<v Speaker 2>I have been, right, Yeah, I've been through.

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<v Speaker 3>On a road trip, I stopped in Providence and it

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<v Speaker 3>was beautiful from what I remember.

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<v Speaker 5>What did you do in Providence?

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<v Speaker 2>I was with.

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<v Speaker 3>Family, so we just kind of like bopped around and

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<v Speaker 3>looked at sites and ate food and then does.

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<v Speaker 1>It look like does it look like Provincetown.

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<v Speaker 4>No, there's parts of it that do. But Providence is

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<v Speaker 4>like a small city.

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<v Speaker 3>Yeah, it's bigger than Province Town certainly, right, Like from

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<v Speaker 3>my memory, it's more of a city than it is

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<v Speaker 3>a little beachside cape.

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<v Speaker 5>Yah.

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<v Speaker 2>A million people here, a million? Wow?

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<v Speaker 3>Yeah. I keep every time I hear Providence, I think

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<v Speaker 3>of a thirty Rock line where Queen Latifa says she

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<v Speaker 3>she plays like the mayor of Providence or something, or

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<v Speaker 3>or the governor Rhode Island. Queen Latifa in one episode

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<v Speaker 3>of thirty Rock, and she's talking like in her like

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<v Speaker 3>politician voice about Providence. And she's like, and we also

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<v Speaker 3>have a flourishing, thriving Italian criminal community.

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<v Speaker 2>Is that actually true?

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<v Speaker 5>Very very true? Yeah, it was like the mod headquarters

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<v Speaker 5>in New England.

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<v Speaker 2>Wow.

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<v Speaker 4>It's also very Catholic. So like when I grew up,

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<v Speaker 4>I went to Catholic high school. I went to an

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<v Speaker 4>all boys school.

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<v Speaker 2>But were you Catholic or your family?

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<v Speaker 5>My family was Catholic. Yeah, that never got molested. Oh fortunately, yeah,

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<v Speaker 5>was just too eager. They were like too bad.

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<v Speaker 4>But yeah, I went through Catholic high school and we

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<v Speaker 4>did like the Confessions and oh man, it was that

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<v Speaker 4>was a lot to go through.

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<v Speaker 2>But you know, did you struggle as like a young

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<v Speaker 2>gay boy.

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<v Speaker 4>I did, Like there were so many instances of being

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<v Speaker 4>in like Catholic high school I remember this. We had

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<v Speaker 4>to do it a confession every month, and I remember

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<v Speaker 4>literally being in like a closet with this priest and like,

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<v Speaker 4>you couldn't even write this. And you know, he had

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<v Speaker 4>this big belly and he kind of had his hands

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<v Speaker 4>up like this. And these priests when they do the confess,

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<v Speaker 4>they're like in full drag.

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<v Speaker 1>You know.

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<v Speaker 4>He has like the red slippers, the you know, the

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<v Speaker 4>tunic with the gold embroidering, and and he's asking me

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<v Speaker 4>to confess, and I said something about having like relations

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<v Speaker 4>with the boy, and he was like he kind of

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<v Speaker 4>just like perked right up and he was like, oh, well, well,

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<v Speaker 4>what did you do? And I was like, oh, I

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<v Speaker 4>think God probably knows what I did.

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<v Speaker 2>Wow.

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<v Speaker 4>And he was like, well, a vague confession gets a

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<v Speaker 4>vague forgiveness, so.

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<v Speaker 5>You need to tell me the details. And I was like, this.

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<v Speaker 3>Queen, Wow, a vague confession gets a vague forgiveness.

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<v Speaker 2>He's used that line before the title.

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<v Speaker 3>He has used that line to get more drama out

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<v Speaker 3>of his.

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<v Speaker 1>What do you call it confessions?

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<v Speaker 4>Yeah sure, yeah, yeah, And feel free to take that

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<v Speaker 4>line and run with it.

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<v Speaker 5>I know you, I like played priest before.

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<v Speaker 3>I've played priest twice, and I've actually won an award

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<v Speaker 3>for one of my performances as a priest, not the

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<v Speaker 3>one you'd expect.

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<v Speaker 1>I've never I always play like a like a guard

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<v Speaker 1>or like a prison warden. You like, I I think

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<v Speaker 1>I think I have. I think I'm playing a doctor

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<v Speaker 1>later finally, Yeah, Like people always ask if I'm a

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<v Speaker 1>doctor tattoo and they're like, oh, are you a doctor

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<v Speaker 1>or nurse? I'm like, no, I'm also not a fucking

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<v Speaker 1>koala and I point out my koala tattoo.

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<v Speaker 2>You get very at this.

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<v Speaker 1>I don't like people asking me about my tattoos. I

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<v Speaker 1>think it's I think it's invasive.

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<v Speaker 3>Yeah, yes, I played a I played a priest in

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<v Speaker 3>one cocky Boys movie and it was.

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<v Speaker 2>A very serious movie.

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<v Speaker 3>And then I played a priest in a in a

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<v Speaker 3>naked sword raging, stalling movie that was written by Jackie

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<v Speaker 3>beat so it was a very jokey, silly like. I

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<v Speaker 3>played a horny priest that was basically just trying to.

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<v Speaker 1>Find the one that was trying to get a confession

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<v Speaker 1>out of David.

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<v Speaker 3>That was me.

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<v Speaker 2>Yes, oh maybe it was.

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<v Speaker 5>Maybe it was a scene.

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<v Speaker 2>Yeah, yeah, but.

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<v Speaker 4>Adam, you have the I think the emotional gravitas to

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<v Speaker 4>like the spiritual weight right to play a priest.

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<v Speaker 5>I think it's good casting.

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<v Speaker 3>I think so it worked out great. I love that

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<v Speaker 3>Cockyboys movie. I feel like that's some of my best

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<v Speaker 3>work as an actor. I think actually some of my

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<v Speaker 3>best work as an actor was in a Himorrhos movie

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<v Speaker 3>as well. Journeys, which we can get into later, because

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<v Speaker 3>I want to keep asking a little bit.

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<v Speaker 2>Well. First of all, I do have a photo that

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<v Speaker 2>I would like to pull up. Oh God, if you

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<v Speaker 2>don't mind, Okay, this was.

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<v Speaker 3>This was a screenshot from your first It's listed as

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<v Speaker 3>your first ever YouTube video. I don't know if that's true.

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<v Speaker 3>It is true, Davy, did you drink the potion? That's

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<v Speaker 3>seventeen years ago? You look the absolute same. What is

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<v Speaker 3>happening here?

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<v Speaker 5>I don't know what's happening. I think it's because I

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<v Speaker 5>don't drink and I go to bed early.

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<v Speaker 2>That could do it? Are you well hydrated, well rested?

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<v Speaker 1>Oh?

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<v Speaker 5>Yeah?

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<v Speaker 1>All that?

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<v Speaker 2>Yeah?

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<v Speaker 4>That was That was in Washington, d C. I used

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<v Speaker 4>to work at a nonprofit called Family Equality Council, which

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<v Speaker 4>advocated for gay and lesbian parents, and I was their

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<v Speaker 4>online marketing manager. And they gave me a webcam and

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<v Speaker 4>so I went home and like played with it, and

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<v Speaker 4>there was this new website called YouTube and I heard that.

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<v Speaker 2>Yes, yeah, and.

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<v Speaker 5>So I was like, well, let me make a video.

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<v Speaker 4>And I think in the first couple of videos, I

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<v Speaker 4>just talked about books that I was reading. I mean,

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<v Speaker 4>they're terrible, like there's no editing, the sound is off.

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<v Speaker 4>But it was like my seventh or eighth video. I

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<v Speaker 4>had moved to Toronto for the summer and I looked

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<v Speaker 4>out my window. My neighbor was jerking off and it

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<v Speaker 4>turned out that he kind of in hindsight, I think

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<v Speaker 4>he was like a webcam boy, but he every day

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<v Speaker 4>at four o'clock he would jerk off, and I made

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<v Speaker 4>a YouTube video about it, and for early YouTube, it

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<v Speaker 4>went as viral.

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<v Speaker 5>As a video could go back then launched my career.

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<v Speaker 2>So yeah, so you were.

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<v Speaker 3>I mean, that's like when people when I talk about

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<v Speaker 3>you and my experience in Himorros, I always explain and

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<v Speaker 3>tell me this is correct, that you were one of

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<v Speaker 3>the earlier YouTube users who was able to monetize his content.

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<v Speaker 2>Is that correct?

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<v Speaker 1>Yeah?

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<v Speaker 4>And well, and thank god I was early, because I

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<v Speaker 4>wasn't good like it was. It was just kind of

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<v Speaker 4>like the first person to arrive at the party. The

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<v Speaker 4>first couple of years I did it, you couldn't even monetize.

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<v Speaker 4>Google hadn't even bought YouTube yet. Once they did, they

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<v Speaker 4>started running ads and that was a, you know, a

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<v Speaker 4>big game changer. Of course, now people go in with

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<v Speaker 4>the intention of making money. I just really wanted to

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<v Speaker 4>document these experiences that I was having in life. And

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<v Speaker 4>at first when people started following and commenting, I remember

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<v Speaker 4>initially like turning the comments off and being like I

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<v Speaker 4>don't want this, Like I didn't ask these people their opinion,

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<v Speaker 4>what's going on here? And then realizing at some point, oh,

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<v Speaker 4>like this is kind of there's an opportunity here, there's engagement,

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<v Speaker 4>there's a community that's being built.

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<v Speaker 1>What changed it for you where you like actually wanted

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<v Speaker 1>to engage with the people.

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<v Speaker 4>God this sounds so like righteous in earnest, but I realized,

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<v Speaker 4>coming from this like nonprofit background, that I was.

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<v Speaker 5>Reaching more people through my YouTube.

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<v Speaker 4>Channel than I was through like the work that I

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<v Speaker 4>was doing at this nonprofit. And I think I felt

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<v Speaker 4>something of a responsibility to create content that contributed to

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<v Speaker 4>this community. And initially my content wasn't particularly dirty. It

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<v Speaker 4>was a lot about coming out of the closet talking

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<v Speaker 4>to family and friends, which is as a twenty three

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<v Speaker 4>year old, which I was in that picture. That's the

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<v Speaker 4>stuff that I was navigating. As I got older, you know,

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<v Speaker 4>into my thirties and forty one, now it became more

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<v Speaker 4>interesting for me to talk about sex because that was

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<v Speaker 4>the personal journey that I was on. So I guess

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<v Speaker 4>I've just always made the content about the things that

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<v Speaker 4>I was interested in.

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<v Speaker 3>So it was essentially a video diary that you were

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<v Speaker 3>just sharing with the world, and it caught on.

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<v Speaker 4>Yeah, and and wasn't even a shirt with the world.

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<v Speaker 4>I just thought in twenty years would be fun to

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<v Speaker 4>look back and see where I was or what was

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<v Speaker 4>important to me.

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<v Speaker 2>Wow, that's really how it turned out.

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<v Speaker 1>Do you That just aspired a question for me, like,

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<v Speaker 1>do you find that you became more sexual in your

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<v Speaker 1>thirties than you were in your twenties.

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<v Speaker 4>I think I was hornier in my twenties than I

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<v Speaker 4>was in my thirties, but I think by my thirties

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<v Speaker 4>I was like, God, there's got to be more to

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<v Speaker 4>this than what's being presented. And I think I also

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<v Speaker 4>started to become better equipped with the language to talk

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00:14:31.080 --> 00:14:35.840
<v Speaker 4>about sex and sexuality and what I was experiencing. There

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00:14:35.840 --> 00:14:38.679
<v Speaker 4>were a few things that happened, these kind of tantric

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00:14:38.759 --> 00:14:42.200
<v Speaker 4>experiences that opened the door a little bit, and I

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00:14:42.320 --> 00:14:45.200
<v Speaker 4>was like, fuck, Like, I think I'm gonna walk through

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00:14:45.720 --> 00:14:48.639
<v Speaker 4>and do this. It's YouTube. A lot of my audience

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00:14:48.759 --> 00:14:52.840
<v Speaker 4>was young, like teenage girls. They were like, hey, yeah,

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00:14:52.879 --> 00:14:55.799
<v Speaker 4>we're not here for this journey is what we signed

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<v Speaker 4>up for, which is fine. I think I kind of

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<v Speaker 4>augree them.

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<v Speaker 3>But do you find it once you became a lot

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<v Speaker 3>more open about the sexual side of things, that you

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00:15:04.320 --> 00:15:06.279
<v Speaker 3>kind of opened the door to a whole new audience.

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<v Speaker 3>Did your audience grow, did it shrink? Did it take

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00:15:08.600 --> 00:15:11.559
<v Speaker 3>a while for that to hit? How did that process

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<v Speaker 3>go for you?

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<v Speaker 4>The audience definitely shifted, and it shifted older, it shifted

350
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<v Speaker 4>more mail, shifted more queer. Now YouTube is a smaller

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<v Speaker 4>piece of the puzzle for me. I still make content,

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<v Speaker 4>but YouTube's also changed. The algorithms have changed, yea, how

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00:15:27.919 --> 00:15:31.799
<v Speaker 4>they measure engagement. It's all kind of a different cup

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<v Speaker 4>of tea. And I'm totally at peace with the fact

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<v Speaker 4>that I'm like, I'm on the other side of my

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<v Speaker 4>relevancy curve on YouTube. But I think for the folks

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<v Speaker 4>that are really interested in this content, it's still interesting

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<v Speaker 4>for them to follow along and see behind the scenes

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<v Speaker 4>of a Himorrhos film that we're making, or get like

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<v Speaker 4>a producer's commentary for a scene that we released, or

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<v Speaker 4>talk about what really happens and the role Trimex can

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<v Speaker 4>play and how good sex might differ from what people

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<v Speaker 4>see see on screen.

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<v Speaker 1>Yeah, when did you start Hemorrhos?

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<v Speaker 4>We just celebrated the seventh anniversary. It feels longer than

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<v Speaker 4>that because we for a lot of reasons, but we

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<v Speaker 4>also started filming earlier than that so that I'd have

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<v Speaker 4>a library of content to like.

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<v Speaker 5>So when we launched, it wasn't like here's one video,

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<v Speaker 5>maybe I'll make another.

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<v Speaker 4>Yeah, So it's been like a probably eight and a

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<v Speaker 4>half nine years.

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<v Speaker 3>For our listeners who may not know, can you tell

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<v Speaker 3>us what Hemorrhos is, what's the brand and kind of

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<v Speaker 3>how it started?

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<v Speaker 5>You know.

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<v Speaker 4>What's fucking funny is like I'm still terrible at talking

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<v Speaker 4>about what Hemorrhos really is. Yeah, I am, because it's

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<v Speaker 4>like there's a part of me that's like, Okay, the

380
00:16:46.440 --> 00:16:49.080
<v Speaker 4>tagline we often use is like, Okay, it's like porn

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<v Speaker 4>but better, and it's.

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<v Speaker 5>Like, well, what the fuck does that mean?

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<v Speaker 4>And a lot of times people will be like, oh, well,

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00:16:55.320 --> 00:16:59.039
<v Speaker 4>it's kind of like consciously created porn or mindful porn,

385
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<v Speaker 4>or I've heard the term grass fed porn.

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<v Speaker 2>I use the word intentional like that.

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<v Speaker 3>That's a word that I use often to describe himros

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<v Speaker 3>dot TV.

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00:17:07.920 --> 00:17:09.000
<v Speaker 1>Intentional about what.

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00:17:09.640 --> 00:17:11.720
<v Speaker 3>Just in what it's delivering and what it has to

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00:17:11.759 --> 00:17:13.160
<v Speaker 3>say about sexual connection.

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<v Speaker 2>It's you know, a lot of the content.

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<v Speaker 1>Does that have to say about about it? What are

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00:17:20.440 --> 00:17:22.799
<v Speaker 1>you intentionally trying to say about it?

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<v Speaker 4>So, just to back up, when we film a project,

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00:17:26.559 --> 00:17:29.240
<v Speaker 4>we hire a sex coach and we'll go to usually

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<v Speaker 4>a really remote location, will film twelve scenes and they're

398
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<v Speaker 4>connected to some larger like kind of umbrella theme. So

399
00:17:35.680 --> 00:17:40.799
<v Speaker 4>we just did a scene where we reimagined fairy tales

400
00:17:40.839 --> 00:17:44.160
<v Speaker 4>through a queer lens. So we reclaimed a lot of

401
00:17:44.200 --> 00:17:48.960
<v Speaker 4>the narratives through this gay, erotic lens. So with like

402
00:17:49.079 --> 00:17:51.799
<v Speaker 4>Beauty and the Beast, instead of Belle going to the

403
00:17:51.839 --> 00:17:55.839
<v Speaker 4>castle and being a victim of Stockholm syndrome and being

404
00:17:55.880 --> 00:17:58.559
<v Speaker 4>subversive because she reads and then fucking a water buffalo.

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00:17:59.079 --> 00:18:03.240
<v Speaker 4>In our version, the boy goes to the castle and

406
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<v Speaker 4>every time he passes a mirror, he sees a reflection

407
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<v Speaker 4>of himself as the beast. So it's this idea that, like,

408
00:18:09.640 --> 00:18:11.880
<v Speaker 4>the beast is not something else, but it's the shadow

409
00:18:11.960 --> 00:18:12.799
<v Speaker 4>side of our own.

410
00:18:12.640 --> 00:18:13.440
<v Speaker 5>Self, which we all have.

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00:18:14.519 --> 00:18:16.759
<v Speaker 4>And in the scene the beast steps through the mirror,

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00:18:17.279 --> 00:18:20.720
<v Speaker 4>they have this really intimate you know they fought they had.

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00:18:21.400 --> 00:18:22.319
<v Speaker 5>It's very beautiful.

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00:18:22.359 --> 00:18:26.000
<v Speaker 4>But the idea is that instead of running from your shadow,

415
00:18:26.119 --> 00:18:29.000
<v Speaker 4>keeping it locked away, it's about integrating your shadow, learning

416
00:18:29.079 --> 00:18:34.079
<v Speaker 4>from it. So each scene kind of has this message

417
00:18:34.079 --> 00:18:37.000
<v Speaker 4>in it that we collaborate on with the sex and

418
00:18:37.039 --> 00:18:41.720
<v Speaker 4>Intimacy coach, And even when we're filming, like each day

419
00:18:41.759 --> 00:18:45.559
<v Speaker 4>starts with the workshop and the coach works with the

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00:18:45.559 --> 00:18:49.920
<v Speaker 4>models to help facilitate connections and to connect them with

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<v Speaker 4>the content we're filming that day. I also get that

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<v Speaker 4>for most models creating porn, they're not interested in that.

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<v Speaker 4>It's like I just want to show up, I want

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00:19:01.759 --> 00:19:03.839
<v Speaker 4>to fuck, I want to get my check. Yeah, this

425
00:19:03.920 --> 00:19:08.359
<v Speaker 4>is more about a willingness to go a little bit

426
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<v Speaker 4>on a sexual.

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00:19:09.480 --> 00:19:11.319
<v Speaker 5>Journey of discovery.

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00:19:11.440 --> 00:19:14.559
<v Speaker 4>Sometimes stuff comes up for folks, it's kind of opening

429
00:19:14.599 --> 00:19:19.000
<v Speaker 4>this door. But it's an opportunity to create something that

430
00:19:19.480 --> 00:19:22.119
<v Speaker 4>maybe feels like it has a little bit of a message,

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00:19:22.200 --> 00:19:25.480
<v Speaker 4>or that might feel more authentic to the to the

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00:19:25.480 --> 00:19:29.279
<v Speaker 4>models and the scene. But again, it's not for everyone, right,

433
00:19:29.400 --> 00:19:31.160
<v Speaker 4>but I think for people who are sick and tired

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00:19:31.200 --> 00:19:33.720
<v Speaker 4>of mainstream porn, it's a really great alternative.

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00:19:34.440 --> 00:19:36.240
<v Speaker 3>Do you find that there's a lot of vetting of

436
00:19:36.279 --> 00:19:38.119
<v Speaker 3>the models before a project?

437
00:19:39.000 --> 00:19:41.440
<v Speaker 5>Yeah, and I'm really shitty at it.

438
00:19:41.599 --> 00:19:45.759
<v Speaker 4>So, like I used to interview models for the scenes,

439
00:19:45.759 --> 00:19:47.519
<v Speaker 4>and you get on the phone and it's like, yeah,

440
00:19:47.680 --> 00:19:50.920
<v Speaker 4>like are you comfortable stepping into your authenticity on camera?

441
00:19:51.039 --> 00:19:52.559
<v Speaker 5>Like is that going to be really fun for you?

442
00:19:53.160 --> 00:19:54.079
<v Speaker 5>And everyone's just like oh.

443
00:19:54.079 --> 00:19:56.640
<v Speaker 2>Yeah, yeah, yeah, yeah, oh for sure, for sure, Yeah.

444
00:19:56.440 --> 00:19:57.920
<v Speaker 5>I can do that. That's really awesome.

445
00:19:58.519 --> 00:19:59.839
<v Speaker 4>And then you get on set and you know, the

446
00:20:00.279 --> 00:20:02.400
<v Speaker 4>exercise they do in the workshop is like eye gazing,

447
00:20:02.480 --> 00:20:07.119
<v Speaker 4>and someone's like, I'm out, you know. So now we

448
00:20:07.200 --> 00:20:09.559
<v Speaker 4>work through referrals. So if there's a model that we

449
00:20:09.599 --> 00:20:12.559
<v Speaker 4>really like, like we just shot a scene with with

450
00:20:12.599 --> 00:20:16.279
<v Speaker 4>Joonah Wheeler, and it's like, who's awesome, And it's like Jonah,

451
00:20:16.319 --> 00:20:18.119
<v Speaker 4>hey do you have other people that you've worked with

452
00:20:18.160 --> 00:20:20.920
<v Speaker 4>who you think would be receptive to this approach, who

453
00:20:20.920 --> 00:20:23.640
<v Speaker 4>aren't going to roll their eyes when we do a

454
00:20:23.720 --> 00:20:26.559
<v Speaker 4>workshop and they have to talk about their feelings, right,

455
00:20:26.640 --> 00:20:27.359
<v Speaker 4>And that's been better.

456
00:20:27.440 --> 00:20:28.559
<v Speaker 5>That's been a better process.

457
00:20:29.039 --> 00:20:32.720
<v Speaker 1>Yeah, So how do you find the sex coach like

458
00:20:33.960 --> 00:20:35.000
<v Speaker 1>that works with the.

459
00:20:36.000 --> 00:20:39.480
<v Speaker 4>Yeah, it's been pretty organic. We started with just a couple.

460
00:20:39.960 --> 00:20:44.640
<v Speaker 4>There's all these like sacred intimates and tantric instructors. There's

461
00:20:44.720 --> 00:20:46.960
<v Speaker 4>a handful of these folks kind of sprinkled throughout the

462
00:20:47.000 --> 00:20:50.759
<v Speaker 4>country and they do workshops often through like Eastern Mountain

463
00:20:50.839 --> 00:20:54.119
<v Speaker 4>and Upstate York or the Body Electric School. Some of

464
00:20:54.200 --> 00:20:56.880
<v Speaker 4>them have their own practices and they are also really

465
00:20:56.920 --> 00:21:00.160
<v Speaker 4>connected with one another and will sometimes refer me to

466
00:21:00.200 --> 00:21:03.200
<v Speaker 4>someone else or because we've been doing this for a while.

467
00:21:03.599 --> 00:21:06.839
<v Speaker 4>Like Don Shein, who does a lot of projects with

468
00:21:06.880 --> 00:21:10.160
<v Speaker 4>the Body Electric School, he reached out to me and

469
00:21:10.240 --> 00:21:13.039
<v Speaker 4>he was like, Hey, you know, I'm a rounder guy,

470
00:21:13.200 --> 00:21:16.519
<v Speaker 4>I'm a furrier guy. I have this idea of shooting

471
00:21:16.519 --> 00:21:19.160
<v Speaker 4>a project at a gay campground. It was really fundamental

472
00:21:19.519 --> 00:21:23.440
<v Speaker 4>to me coming into my own skin as a younger guy,

473
00:21:23.599 --> 00:21:25.640
<v Speaker 4>and I would like to write some scenes that we

474
00:21:25.640 --> 00:21:27.759
<v Speaker 4>could film, and I was like, yeah, let's chat about it,

475
00:21:27.799 --> 00:21:30.720
<v Speaker 4>and then we filmed that over the summer out in

476
00:21:31.720 --> 00:21:35.160
<v Speaker 4>rural Missouri at Serenity Farms campground.

477
00:21:36.279 --> 00:21:38.759
<v Speaker 3>I've worked with him ros I want to say, like

478
00:21:38.839 --> 00:21:41.640
<v Speaker 3>maybe six times now, and like it has been some

479
00:21:41.720 --> 00:21:46.119
<v Speaker 3>of the most challenging work I've done as an adult

480
00:21:46.400 --> 00:21:49.559
<v Speaker 3>film actor, as well as some of the most rewarding.

481
00:21:50.359 --> 00:21:53.240
<v Speaker 3>I remember when I met you, and just to give

482
00:21:53.279 --> 00:21:55.440
<v Speaker 3>you call this like little bit of background, I met

483
00:21:55.559 --> 00:21:59.680
<v Speaker 3>Davey at the Gay Ends, I want to say, in

484
00:22:00.400 --> 00:22:04.400
<v Speaker 3>eighteen when they first came back. You were giving the

485
00:22:04.519 --> 00:22:08.200
<v Speaker 3>keynote address like the day before the Awards show.

486
00:22:08.480 --> 00:22:09.160
<v Speaker 2>Do you remember this?

487
00:22:09.799 --> 00:22:11.359
<v Speaker 5>Yeah, it was like the brunch.

488
00:22:11.480 --> 00:22:13.960
<v Speaker 3>It was like the brunch before the show kind of,

489
00:22:14.359 --> 00:22:15.920
<v Speaker 3>and Davy, you were asked to speak.

490
00:22:16.000 --> 00:22:16.720
<v Speaker 2>Do you remember what.

491
00:22:16.799 --> 00:22:20.079
<v Speaker 3>I'm just curious just so I know what the prompt

492
00:22:20.200 --> 00:22:23.440
<v Speaker 3>was that they gave you, Like, why were you asked?

493
00:22:24.279 --> 00:22:25.680
<v Speaker 5>I remember this so vividly.

494
00:22:25.880 --> 00:22:29.640
<v Speaker 3>Please tell me because I remember a lot about it too. Yeah,

495
00:22:29.640 --> 00:22:30.920
<v Speaker 3>but I want to hear your side of it.

496
00:22:31.359 --> 00:22:34.160
<v Speaker 4>Okay, My version of this was, Yeah, they asked me

497
00:22:34.200 --> 00:22:35.880
<v Speaker 4>to speak at this brunch. They were like, oh, you're

498
00:22:35.920 --> 00:22:38.240
<v Speaker 4>doing something really unique with him ros TV. Why don't

499
00:22:38.279 --> 00:22:41.079
<v Speaker 4>you share it? And I remember walking into that room

500
00:22:41.839 --> 00:22:44.880
<v Speaker 4>and I had the mentality that like Google and YouTube

501
00:22:44.920 --> 00:22:47.079
<v Speaker 4>had instilled in us, which was very collaborative.

502
00:22:47.519 --> 00:22:48.960
<v Speaker 5>It's like if another.

503
00:22:48.680 --> 00:22:51.920
<v Speaker 4>YouTuber succeeds, gets a book deal, gets a TV show,

504
00:22:52.400 --> 00:22:54.319
<v Speaker 4>it lifts all of us up, and so we would

505
00:22:54.400 --> 00:22:59.559
<v Speaker 4>celebrate that. What I didn't anticipate with porn was the

506
00:22:59.680 --> 00:23:04.640
<v Speaker 4>like competitive cattiness and ego that would come into play.

507
00:23:04.720 --> 00:23:07.480
<v Speaker 4>And like I walked into that room and you know,

508
00:23:07.519 --> 00:23:10.880
<v Speaker 4>saw a lot of people who who had greatly influenced

509
00:23:10.920 --> 00:23:14.759
<v Speaker 4>me as a you know, gay man growing up, and

510
00:23:14.880 --> 00:23:17.440
<v Speaker 4>like there was one studio and I didn't know anyone.

511
00:23:17.480 --> 00:23:18.720
<v Speaker 4>I was like, can I sit at the table with

512
00:23:18.759 --> 00:23:19.119
<v Speaker 4>you guys?

513
00:23:19.160 --> 00:23:21.319
<v Speaker 5>And they were like no, yeah, no, of course not.

514
00:23:22.480 --> 00:23:25.920
<v Speaker 4>They like keep moving, the seat's taken. And it was

515
00:23:25.920 --> 00:23:28.920
<v Speaker 4>the first time where I really felt like I was

516
00:23:28.920 --> 00:23:31.599
<v Speaker 4>like speaking to a group of people that like wanted

517
00:23:31.640 --> 00:23:33.119
<v Speaker 4>me to fail.

518
00:23:33.519 --> 00:23:36.240
<v Speaker 5>And yeah, I just talked about.

519
00:23:36.119 --> 00:23:38.720
<v Speaker 4>Him Ro's TV. And I had mentioned that at the time,

520
00:23:38.799 --> 00:23:40.720
<v Speaker 4>one of our most popular models I think was like

521
00:23:40.759 --> 00:23:43.920
<v Speaker 4>eighty six, and like people thought it was a joke

522
00:23:44.039 --> 00:23:48.359
<v Speaker 4>and they were laughing, and there were two people who

523
00:23:48.400 --> 00:23:50.720
<v Speaker 4>came up to me afterwards and were like, hey, I

524
00:23:50.720 --> 00:23:52.839
<v Speaker 4>think this is really interesting and great.

525
00:23:52.680 --> 00:23:57.200
<v Speaker 5>And Adam were you were one of them. Yeah, it was.

526
00:23:57.279 --> 00:24:00.440
<v Speaker 5>It was really like I was a little shell shocked.

527
00:24:01.440 --> 00:24:04.839
<v Speaker 3>I didn't know the background about what you had experienced

528
00:24:04.839 --> 00:24:08.720
<v Speaker 3>with other studios and studio heads and stuff. I remember

529
00:24:08.880 --> 00:24:11.759
<v Speaker 3>being in the audience and listening to you and being

530
00:24:12.279 --> 00:24:15.440
<v Speaker 3>fascinated a by the mission statement and be the story

531
00:24:15.480 --> 00:24:17.640
<v Speaker 3>about was it Norm Was that his name?

532
00:24:17.920 --> 00:24:18.119
<v Speaker 5>Yeah?

533
00:24:18.200 --> 00:24:19.599
<v Speaker 2>Yeah, yeah, the elder man.

534
00:24:19.920 --> 00:24:23.920
<v Speaker 3>He shared a story about filming somebody in his seventies

535
00:24:24.400 --> 00:24:27.519
<v Speaker 3>doing basically like a jerk off video on a porch,

536
00:24:27.720 --> 00:24:29.720
<v Speaker 3>and just like you know that like eroticism is in

537
00:24:29.799 --> 00:24:31.400
<v Speaker 3>all of us, and like that was kind of like

538
00:24:31.599 --> 00:24:33.559
<v Speaker 3>what you were trying to state, right, and that like

539
00:24:34.079 --> 00:24:37.519
<v Speaker 3>that's the potential of what we can do as porn

540
00:24:37.559 --> 00:24:41.400
<v Speaker 3>studios is like kind of like reignite the eroticism in anybody,

541
00:24:41.480 --> 00:24:45.000
<v Speaker 3>regardless of age or gender or shape or you know everything.

542
00:24:45.079 --> 00:24:47.480
<v Speaker 2>Like that is this kind of correct.

543
00:24:47.480 --> 00:24:50.599
<v Speaker 4>It's this idea that like, for sure, we can show

544
00:24:50.640 --> 00:24:53.799
<v Speaker 4>these like beautiful adonis chiseled men, but it's also nice

545
00:24:53.799 --> 00:24:56.000
<v Speaker 4>for people to see a reflection of themselves.

546
00:24:56.079 --> 00:24:57.720
<v Speaker 5>Yes, when they consume porn.

547
00:24:57.720 --> 00:25:01.720
<v Speaker 4>Right, because otherwise it sets the this idea that like

548
00:25:01.759 --> 00:25:04.160
<v Speaker 4>if all you see is cad MADEX kid madex ca matic,

549
00:25:04.799 --> 00:25:08.079
<v Speaker 4>that like that's how you need to look. You need

550
00:25:08.119 --> 00:25:11.799
<v Speaker 4>to be hung and chiseled and you know, perfectly sculpted

551
00:25:11.880 --> 00:25:14.880
<v Speaker 4>to be worthy of desire or touch or connection. And

552
00:25:15.279 --> 00:25:18.640
<v Speaker 4>I think a lot of us internalize that that message

553
00:25:18.680 --> 00:25:20.880
<v Speaker 4>as gay people, and so I think there, yeah, I

554
00:25:20.920 --> 00:25:23.480
<v Speaker 4>was trying to speak to this opportunity to showcase a

555
00:25:23.519 --> 00:25:26.319
<v Speaker 4>broader spectrum of sexiness, and they just thought it was

556
00:25:26.319 --> 00:25:27.160
<v Speaker 4>like hysterical.

557
00:25:27.480 --> 00:25:29.839
<v Speaker 3>So I was looking at more like just to finish

558
00:25:29.880 --> 00:25:32.359
<v Speaker 3>my story, like not from the studio perspective, but from

559
00:25:32.400 --> 00:25:35.519
<v Speaker 3>the performers. I remember listening to and being fascinated, but

560
00:25:35.559 --> 00:25:38.119
<v Speaker 3>then kind of looking around me and everybody I knew

561
00:25:38.319 --> 00:25:42.240
<v Speaker 3>who were performers were like kind of partly tuning you out.

562
00:25:43.200 --> 00:25:45.480
<v Speaker 3>And that's part of why I decided to come up

563
00:25:45.519 --> 00:25:47.599
<v Speaker 3>to you, was because I was like, this is so

564
00:25:47.720 --> 00:25:50.799
<v Speaker 3>unfair that these people are not listening because they're so

565
00:25:50.839 --> 00:25:53.880
<v Speaker 3>busy wanting to be stars and getting ready for the

566
00:25:53.880 --> 00:25:56.240
<v Speaker 3>Red carpets and all that thing. And so that's why

567
00:25:56.279 --> 00:25:57.839
<v Speaker 3>I kind of came up and was like I love

568
00:25:57.880 --> 00:26:02.000
<v Speaker 3>what you're doing. I'm whatever language you're speaking, I speak

569
00:26:02.039 --> 00:26:06.119
<v Speaker 3>it and I understand it and I'm interested. I want

570
00:26:06.119 --> 00:26:08.039
<v Speaker 3>to say it was like three months later you had

571
00:26:08.079 --> 00:26:11.440
<v Speaker 3>me in Provinstown on that first shoot with Travis Matthews,

572
00:26:11.559 --> 00:26:12.079
<v Speaker 3>the director.

573
00:26:12.240 --> 00:26:14.319
<v Speaker 2>Yeah, yeah, I think it's really cool what you do.

574
00:26:14.880 --> 00:26:17.960
<v Speaker 4>So yeah, I really I really appreciated you reaching out

575
00:26:18.079 --> 00:26:20.519
<v Speaker 4>because yeah, I just felt like really.

576
00:26:20.599 --> 00:26:21.359
<v Speaker 5>Overwhelmed by it.

577
00:26:21.400 --> 00:26:24.759
<v Speaker 4>And I think there was a huge skepticism of like

578
00:26:24.799 --> 00:26:28.200
<v Speaker 4>the business model, like is there really an audience for this?

579
00:26:28.640 --> 00:26:31.720
<v Speaker 4>And because I was coming from YouTube, it's like, well,

580
00:26:31.759 --> 00:26:34.319
<v Speaker 4>who is this guy to speak to us like we create?

581
00:26:35.440 --> 00:26:38.799
<v Speaker 4>Like what does he think he's doing? And the mentality

582
00:26:38.920 --> 00:26:41.359
<v Speaker 4>was very much like Okay, we have one pizza, like

583
00:26:41.400 --> 00:26:44.000
<v Speaker 4>this is this is the market for porn and everyone's

584
00:26:44.000 --> 00:26:46.480
<v Speaker 4>fighting for like the biggest slice of pizza that they can,

585
00:26:47.160 --> 00:26:49.599
<v Speaker 4>Whereas my approach was like, hey, let's order another pizza.

586
00:26:49.880 --> 00:26:52.319
<v Speaker 5>Yeah, like let's make the pizza bigger.

587
00:26:52.640 --> 00:26:55.319
<v Speaker 3>Since you brought it up, I am curious what made

588
00:26:55.400 --> 00:26:58.799
<v Speaker 3>you decide? When was that like aha moment for you

589
00:26:58.960 --> 00:27:01.559
<v Speaker 3>as a YouTube created to be like, you know what,

590
00:27:02.039 --> 00:27:05.240
<v Speaker 3>I'm going to create a studio and do something a

591
00:27:05.279 --> 00:27:06.359
<v Speaker 3>little different.

592
00:27:06.279 --> 00:27:08.200
<v Speaker 1>Like a more inclusive version of.

593
00:27:08.640 --> 00:27:11.519
<v Speaker 3>More inclusive, more intentional, and very clearly different from what

594
00:27:11.599 --> 00:27:13.920
<v Speaker 3>else was out there, a different kind of pizza.

595
00:27:14.240 --> 00:27:16.599
<v Speaker 4>It was a little bit out of necessity because the

596
00:27:16.680 --> 00:27:21.200
<v Speaker 4>YouTube business model had changed so much over the I

597
00:27:21.240 --> 00:27:23.759
<v Speaker 4>guess at that point, maybe ten years, I've been creating

598
00:27:23.799 --> 00:27:27.079
<v Speaker 4>content where once YouTube bought it, it was ad revenue.

599
00:27:27.240 --> 00:27:30.440
<v Speaker 4>But then YouTube was like, oh, we're showing Coca Cola

600
00:27:30.799 --> 00:27:34.599
<v Speaker 4>ads before a video where someone does anal douching, and

601
00:27:35.319 --> 00:27:36.519
<v Speaker 4>Coca Cola doesn't like that.

602
00:27:37.519 --> 00:27:39.599
<v Speaker 2>So so you.

603
00:27:39.559 --> 00:27:41.759
<v Speaker 4>Know, it went from creating all this ad revenue to

604
00:27:41.920 --> 00:27:46.200
<v Speaker 4>then there being no ad revenue, to then creating income

605
00:27:46.200 --> 00:27:50.079
<v Speaker 4>through video sponsorships. So I could work with a company

606
00:27:50.079 --> 00:27:53.400
<v Speaker 4>that makes anal douches and promote those in a video,

607
00:27:53.599 --> 00:27:57.079
<v Speaker 4>and that's great, except you give up a lot of

608
00:27:57.079 --> 00:28:00.880
<v Speaker 4>creative control, and if your numbers drop then and you know,

609
00:28:00.920 --> 00:28:02.400
<v Speaker 4>you can't command the same price point.

610
00:28:02.400 --> 00:28:06.880
<v Speaker 5>There's a lot of pressure. And so my assistant at the.

611
00:28:06.880 --> 00:28:10.960
<v Speaker 4>Time we were doing like a corporate retreat in Hawaii,

612
00:28:11.160 --> 00:28:13.720
<v Speaker 4>which was really just a big brainstorming session, it was

613
00:28:13.720 --> 00:28:17.279
<v Speaker 4>obvious that a subscription model would be really financially beneficial

614
00:28:17.880 --> 00:28:19.319
<v Speaker 4>and he was like, why just create a porn site

615
00:28:19.319 --> 00:28:21.519
<v Speaker 4>and we both kind of laughed and then we're like, wait,

616
00:28:21.559 --> 00:28:25.519
<v Speaker 4>but yeah, maybe, and if we did, what aspect of

617
00:28:25.519 --> 00:28:28.279
<v Speaker 4>the market isn't being filled because it's like the world

618
00:28:28.279 --> 00:28:32.079
<v Speaker 4>doesn't need another men dot com right right, Like that exists.

619
00:28:32.240 --> 00:28:34.160
<v Speaker 4>You don't need a Twink studio like that exists.

620
00:28:34.480 --> 00:28:35.960
<v Speaker 1>So does it ever?

621
00:28:36.519 --> 00:28:38.279
<v Speaker 2>Yeah? Yeah, yeah.

622
00:28:38.400 --> 00:28:40.279
<v Speaker 4>So that was kind of the space that we identified

623
00:28:40.279 --> 00:28:42.519
<v Speaker 4>and it felt very on brand with what my journey

624
00:28:42.599 --> 00:28:46.519
<v Speaker 4>was on on on YouTube, and so that's that's how

625
00:28:46.559 --> 00:28:47.000
<v Speaker 4>it was born.

626
00:28:47.160 --> 00:28:48.200
<v Speaker 2>M h wow.

627
00:28:48.759 --> 00:28:51.359
<v Speaker 3>And how has the audience been since the beginning? Like,

628
00:28:51.480 --> 00:28:54.400
<v Speaker 3>pretty good response, pretty quick response. Did it take a

629
00:28:54.440 --> 00:28:56.799
<v Speaker 3>while to get off the ground, Yeah.

630
00:28:56.559 --> 00:29:02.160
<v Speaker 4>It's It's been really interesting because just last month I

631
00:29:02.200 --> 00:29:05.960
<v Speaker 4>screened some of our upcoming content at a retreat that

632
00:29:06.039 --> 00:29:09.839
<v Speaker 4>I was at, and we showed oh as Jacob ethan

633
00:29:10.000 --> 00:29:13.240
<v Speaker 4>Dale was in a scene. He co wrote the scene

634
00:29:13.240 --> 00:29:15.519
<v Speaker 4>with us where he was coming up against as an

635
00:29:15.559 --> 00:29:19.119
<v Speaker 4>Asian model, some of the racism that he experiences on Grinder,

636
00:29:19.720 --> 00:29:25.400
<v Speaker 4>and we imagined the scene that felt really celebratory of

637
00:29:25.440 --> 00:29:28.759
<v Speaker 4>who he was, and we filmed it with some really

638
00:29:28.799 --> 00:29:33.200
<v Speaker 4>great crew and we screened the scene and people were crying,

639
00:29:33.519 --> 00:29:39.319
<v Speaker 4>and it was like, oh, like I think it shows

640
00:29:39.359 --> 00:29:41.880
<v Speaker 4>a different possibility of what erotic content can be. And

641
00:29:41.920 --> 00:29:43.759
<v Speaker 4>not all of the scenes that we film are like that,

642
00:29:43.920 --> 00:29:46.720
<v Speaker 4>but I do kind of like this idea of every

643
00:29:46.759 --> 00:29:49.359
<v Speaker 4>Monday new scene comes out and someone logs in and

644
00:29:49.960 --> 00:29:52.079
<v Speaker 4>like you don't really know what flavor you're going to get,

645
00:29:52.119 --> 00:29:53.799
<v Speaker 4>and you might be like, you know, sitting there with

646
00:29:53.839 --> 00:29:57.160
<v Speaker 4>your dick out ready to like you know, ready to stroke,

647
00:29:57.480 --> 00:30:01.640
<v Speaker 4>and then this really emotional scene, maybe you're.

648
00:30:01.519 --> 00:30:03.000
<v Speaker 5>Crying while you're jerking off.

649
00:30:04.079 --> 00:30:04.480
<v Speaker 2>What do I do?

650
00:30:04.519 --> 00:30:05.359
<v Speaker 5>But this is really hot.

651
00:30:07.279 --> 00:30:10.960
<v Speaker 1>It's kind of fun to play coaster for your for

652
00:30:11.039 --> 00:30:12.119
<v Speaker 1>your ark off journey.

653
00:30:12.200 --> 00:30:14.839
<v Speaker 3>I mean, the thing is it's cool, Like I like

654
00:30:14.960 --> 00:30:17.839
<v Speaker 3>I've been I've been in tears and several hemorro scenes

655
00:30:17.960 --> 00:30:21.000
<v Speaker 3>like like there's it just we access something really deep.

656
00:30:21.480 --> 00:30:24.000
<v Speaker 3>Shadow Work seems to be a common theme in a

657
00:30:24.000 --> 00:30:27.599
<v Speaker 3>lot of hemorros scenes. It's like addressing the demons within,

658
00:30:27.799 --> 00:30:31.160
<v Speaker 3>or addressing parts of our past or or addressing things

659
00:30:31.200 --> 00:30:35.519
<v Speaker 3>that we want to kind of reappropriate from an empowered perspective.

660
00:30:36.400 --> 00:30:40.119
<v Speaker 3>Are these like things you have gone through personally that

661
00:30:40.200 --> 00:30:43.519
<v Speaker 3>you thought maybe you could channel into erotic content.

662
00:30:44.480 --> 00:30:47.519
<v Speaker 4>Yeah, I mean, of course, and going back to being

663
00:30:47.640 --> 00:30:50.880
<v Speaker 4>raised Catholic, right that we're taught to just push it away,

664
00:30:50.880 --> 00:30:54.319
<v Speaker 4>push it away, push it away, and in actuality, our

665
00:30:54.519 --> 00:30:58.200
<v Speaker 4>shadow self is offering so much to us, to to

666
00:30:58.839 --> 00:31:03.039
<v Speaker 4>if we're willing to listen, to grow and to evolve

667
00:31:03.079 --> 00:31:06.079
<v Speaker 4>as a person. Oh I'm feeling this really strong response

668
00:31:06.240 --> 00:31:08.319
<v Speaker 4>or ooh, I'm really into this thing that kind of

669
00:31:08.319 --> 00:31:11.559
<v Speaker 4>feels fucked up, Like what is this really about? And

670
00:31:11.640 --> 00:31:14.079
<v Speaker 4>if you're willing to kind of pull on those strings,

671
00:31:14.240 --> 00:31:17.400
<v Speaker 4>there's usually something really juicy on the other side. I

672
00:31:17.440 --> 00:31:20.160
<v Speaker 4>think we're kind of taught to just push all of

673
00:31:20.200 --> 00:31:23.599
<v Speaker 4>that away, put in a neat little box tucked.

674
00:31:23.400 --> 00:31:25.240
<v Speaker 5>On the bed, like it's.

675
00:31:24.720 --> 00:31:27.599
<v Speaker 4>Fine, everything's fine, Like I'm gonna be fine. And this

676
00:31:27.759 --> 00:31:30.200
<v Speaker 4>is the opposite of that. This is unpacking it. And

677
00:31:30.279 --> 00:31:32.799
<v Speaker 4>obviously you can't do that in like a super The

678
00:31:32.880 --> 00:31:35.079
<v Speaker 4>videos are fifteen minutes long, twenty minutes long, Like, it's

679
00:31:35.079 --> 00:31:39.519
<v Speaker 4>not These aren't uncovering the secret to life, but it's

680
00:31:39.960 --> 00:31:43.839
<v Speaker 4>showing people. It plants the seeds in people's minds and

681
00:31:43.960 --> 00:31:47.519
<v Speaker 4>ask questions that they might not otherwise be accessing.

682
00:31:48.079 --> 00:31:51.279
<v Speaker 1>Right, Yeah, it's interesting. It's an interesting space to like

683
00:31:51.559 --> 00:31:56.079
<v Speaker 1>or want someone to reflect on themselves, like during like

684
00:31:56.079 --> 00:31:58.519
<v Speaker 1>when they're watching important because a lot of times it's

685
00:31:58.519 --> 00:32:00.720
<v Speaker 1>like you just you know, put something on that's going

686
00:32:00.759 --> 00:32:02.920
<v Speaker 1>to get you off. Yeah, you know, and it's just

687
00:32:03.000 --> 00:32:04.880
<v Speaker 1>kind of like something I need to I need to

688
00:32:04.960 --> 00:32:07.839
<v Speaker 1>not what is cool?

689
00:32:07.880 --> 00:32:09.839
<v Speaker 3>What is some shadow work that you think you could

690
00:32:09.880 --> 00:32:11.599
<v Speaker 3>channel into some erotic content?

691
00:32:13.559 --> 00:32:15.279
<v Speaker 2>I don't know. I'll give I'll give you an.

692
00:32:15.160 --> 00:32:17.480
<v Speaker 3>Example, because I feel like one of the ones Davy

693
00:32:17.519 --> 00:32:19.200
<v Speaker 3>and I have kind of joked about a lot in

694
00:32:19.240 --> 00:32:22.880
<v Speaker 3>the past is being roughed up by like bigger, stronger

695
00:32:23.359 --> 00:32:27.079
<v Speaker 3>older men when we were younger, right, isn't that is

696
00:32:27.079 --> 00:32:30.559
<v Speaker 3>that one? Am I giving away secrets? I'm sorry. I

697
00:32:30.599 --> 00:32:32.079
<v Speaker 3>feel like that's one that you and I have talked

698
00:32:32.079 --> 00:32:33.640
<v Speaker 3>about a lot where I feel like it's a theme

699
00:32:33.680 --> 00:32:35.319
<v Speaker 3>for you, and I'm always like, Davy, there it is

700
00:32:35.359 --> 00:32:38.440
<v Speaker 3>again where you like being like manhandled.

701
00:32:38.759 --> 00:32:40.960
<v Speaker 5>I don't know, having boundaries violated by.

702
00:32:41.319 --> 00:32:46.359
<v Speaker 3>You said, it's so much better, thank you older totally, Yes,

703
00:32:46.559 --> 00:32:48.920
<v Speaker 3>having boundaries violated that is a good one.

704
00:32:49.440 --> 00:32:52.319
<v Speaker 1>Yeah, I mean I don't I don't know. I you know,

705
00:32:52.400 --> 00:32:54.720
<v Speaker 1>I'm not kinky and so like I don't get a

706
00:32:54.759 --> 00:32:57.160
<v Speaker 1>lot of like I feel like I just don't have

707
00:32:57.440 --> 00:32:57.759
<v Speaker 1>the thing.

708
00:32:57.880 --> 00:32:59.359
<v Speaker 5>I have an example, that's sure.

709
00:32:59.400 --> 00:32:59.720
<v Speaker 2>Please.

710
00:33:00.680 --> 00:33:04.160
<v Speaker 4>So, like like when we filmed Norm, who Adam you're

711
00:33:04.160 --> 00:33:06.519
<v Speaker 4>talking about, right, yeah? And I think he was in

712
00:33:06.599 --> 00:33:08.799
<v Speaker 4>his eighties when we filmed him. He since passed away.

713
00:33:09.599 --> 00:33:12.920
<v Speaker 5>Oh really yeah, yeah, he was in his eighties.

714
00:33:13.200 --> 00:33:18.720
<v Speaker 4>And I was so confronted by seeing the body of

715
00:33:18.759 --> 00:33:22.319
<v Speaker 4>a naked eighty something year old man, like we don't

716
00:33:22.319 --> 00:33:29.480
<v Speaker 4>see that, and especially in a well And he wasn't

717
00:33:29.559 --> 00:33:32.519
<v Speaker 4>just like you know, this wasn't like someone that you

718
00:33:32.559 --> 00:33:35.359
<v Speaker 4>see getting changed in the locker room, like he was

719
00:33:36.119 --> 00:33:36.720
<v Speaker 4>jerking off.

720
00:33:36.799 --> 00:33:39.440
<v Speaker 5>He was ecstatic. He was in his body.

721
00:33:39.599 --> 00:33:43.559
<v Speaker 4>He was very alive and radiant and fully living in

722
00:33:43.599 --> 00:33:46.640
<v Speaker 4>his erotic energy. And it was like I think, especially

723
00:33:46.640 --> 00:33:49.279
<v Speaker 4>as someone who who started creating YouTube content at the

724
00:33:49.279 --> 00:33:52.119
<v Speaker 4>age of twenty three, and our youth is a currency,

725
00:33:52.240 --> 00:33:55.359
<v Speaker 4>our body is a currency. And listen, like we're all

726
00:33:55.440 --> 00:33:57.880
<v Speaker 4>on a journey to bankruptcy when it comes to you, right,

727
00:33:58.119 --> 00:34:01.799
<v Speaker 4>And so when you're looking at Norm, you're seeing a

728
00:34:01.880 --> 00:34:06.160
<v Speaker 4>version of yourself that you're going to meet someday, hopefully

729
00:34:06.279 --> 00:34:10.079
<v Speaker 4>if we make it that far. And it really it

730
00:34:10.119 --> 00:34:12.000
<v Speaker 4>holds a mirror up to you in a way that's

731
00:34:12.039 --> 00:34:14.760
<v Speaker 4>really confronting. So I think for a lot of people

732
00:34:15.159 --> 00:34:19.440
<v Speaker 4>seeing that scene, we interspliced it with Joey Mills and

733
00:34:19.440 --> 00:34:22.639
<v Speaker 4>Blake Mitchell having sex and in the scene Norm was

734
00:34:23.440 --> 00:34:26.719
<v Speaker 4>it was called Blessing of the Elder and he was

735
00:34:27.519 --> 00:34:30.719
<v Speaker 4>basically doing like a meditation or a chant, blessing the

736
00:34:30.719 --> 00:34:34.119
<v Speaker 4>younger generation of gay men to come into their the

737
00:34:34.159 --> 00:34:37.719
<v Speaker 4>fullness of their sexuality, their authentic sexual selves. And to

738
00:34:37.800 --> 00:34:41.079
<v Speaker 4>cut between as Norm touched his body, Blake touching his

739
00:34:41.280 --> 00:34:45.400
<v Speaker 4>like younger, more muscular body. For gay guys, like seeing

740
00:34:45.400 --> 00:34:49.519
<v Speaker 4>that is really that strikes a nerve, that's it's triggering.

741
00:34:50.400 --> 00:34:55.719
<v Speaker 3>Yeah, I really struggled on that Joshua Tree shoot with Norm. Well,

742
00:34:55.760 --> 00:34:57.719
<v Speaker 3>that was I think kind of an earlier him RHO shoot.

743
00:34:57.760 --> 00:34:59.840
<v Speaker 3>So those and we were filming documentaries on each of

744
00:34:59.920 --> 00:35:04.239
<v Speaker 3>us as well. The workshop portion of that shoot was

745
00:35:04.320 --> 00:35:07.960
<v Speaker 3>three hours a day, which was more than the current

746
00:35:08.239 --> 00:35:10.400
<v Speaker 3>more like forty five minutes to an hour in the

747
00:35:10.440 --> 00:35:14.559
<v Speaker 3>morning workshop when we were actually shooting the scene where

748
00:35:14.559 --> 00:35:16.000
<v Speaker 3>it was kind of like a hot tub party, it

749
00:35:16.039 --> 00:35:20.760
<v Speaker 3>was like me Alex Meekham, Calvin Banks, and Max Adonis

750
00:35:21.559 --> 00:35:24.559
<v Speaker 3>basically having this hot tub party where Norm is there

751
00:35:24.639 --> 00:35:27.320
<v Speaker 3>and we all kind of like surround him and give

752
00:35:27.400 --> 00:35:29.519
<v Speaker 3>him love and hugs, and like he jacks off and

753
00:35:29.760 --> 00:35:32.480
<v Speaker 3>it was so sweet. Like the shooting of that portion

754
00:35:32.880 --> 00:35:36.719
<v Speaker 3>was really beautiful, I thought, But like I had also

755
00:35:36.920 --> 00:35:40.679
<v Speaker 3>just lost a mentor a couple weeks prior, and I

756
00:35:40.679 --> 00:35:42.280
<v Speaker 3>think there was just a lot going on in my

757
00:35:42.320 --> 00:35:44.199
<v Speaker 3>head and I wasn't as able to be present for

758
00:35:44.280 --> 00:35:47.119
<v Speaker 3>that shoot, but I was kind of like, holy shit,

759
00:35:47.159 --> 00:35:48.519
<v Speaker 3>we're gonna have to have sex with a man in

760
00:35:48.519 --> 00:35:51.880
<v Speaker 3>his eighties what And I felt and like, looking back

761
00:35:51.920 --> 00:35:54.519
<v Speaker 3>on it, I feel really like a little bit ashamed

762
00:35:54.599 --> 00:35:58.760
<v Speaker 3>that I first had that initial reaction because I know

763
00:35:58.920 --> 00:36:01.719
<v Speaker 3>what you were trying to do with that scene.

764
00:36:01.679 --> 00:36:04.719
<v Speaker 4>Well, and that's a very real reaction though, And the

765
00:36:04.760 --> 00:36:08.519
<v Speaker 4>invitation to each model was to engage with Norm in

766
00:36:08.559 --> 00:36:12.400
<v Speaker 4>whatever way like felt okay for you that maybe it

767
00:36:12.519 --> 00:36:14.880
<v Speaker 4>was like in your garden of consent, but at the

768
00:36:14.960 --> 00:36:17.360
<v Speaker 4>edge of it, right, yes, and that might just be

769
00:36:17.760 --> 00:36:21.840
<v Speaker 4>waiting at him or giving him a hug or you know,

770
00:36:21.920 --> 00:36:25.400
<v Speaker 4>holding him, or you know, it could be helping him

771
00:36:25.480 --> 00:36:27.719
<v Speaker 4>jerk off. But it was it was imagining a world

772
00:36:27.800 --> 00:36:32.719
<v Speaker 4>where our elders were more revered and not really kind

773
00:36:32.719 --> 00:36:39.400
<v Speaker 4>of considered these like invisible and the reality is a

774
00:36:39.400 --> 00:36:41.920
<v Speaker 4>lot of these older men have made this world possible

775
00:36:41.920 --> 00:36:44.840
<v Speaker 4>for us through their sacrifice and their sweat. And what's

776
00:36:44.880 --> 00:36:47.119
<v Speaker 4>also true is that they lived in a different world

777
00:36:47.119 --> 00:36:50.519
<v Speaker 4>where their relationship with boundaries is different than what we

778
00:36:50.599 --> 00:36:54.760
<v Speaker 4>have for sure, and so some of our apprehension may

779
00:36:54.760 --> 00:36:59.679
<v Speaker 4>be well founded in experiences that we've had. Adam, you've

780
00:36:59.719 --> 00:37:01.920
<v Speaker 4>said it, but I quote you so often on this

781
00:37:02.280 --> 00:37:04.199
<v Speaker 4>and maybe you've said this on the podcast before, but

782
00:37:04.280 --> 00:37:06.280
<v Speaker 4>something you've said to me was like, because I think

783
00:37:06.320 --> 00:37:08.480
<v Speaker 4>we're both kind of at this inflection point where it's

784
00:37:08.519 --> 00:37:12.280
<v Speaker 4>like men that are older than us, it is I.

785
00:37:12.320 --> 00:37:13.039
<v Speaker 5>Think you put it.

786
00:37:13.079 --> 00:37:15.960
<v Speaker 4>You said, it's it's yes until you say no, and

787
00:37:16.079 --> 00:37:18.480
<v Speaker 4>guys that are younger than us it's no until you

788
00:37:18.519 --> 00:37:18.880
<v Speaker 4>say yes.

789
00:37:18.960 --> 00:37:21.239
<v Speaker 2>Correct. Yeah, I say that a lot about consent.

790
00:37:21.360 --> 00:37:24.760
<v Speaker 4>Yeah, yep, yeah, yeah, And that's a really those are

791
00:37:24.920 --> 00:37:28.199
<v Speaker 4>opposite perspectives and that can create a lot of.

792
00:37:28.760 --> 00:37:32.840
<v Speaker 1>Yeah, yeah, it's so annoying when someone is when it's

793
00:37:33.320 --> 00:37:34.840
<v Speaker 1>no until when it's.

794
00:37:34.960 --> 00:37:36.440
<v Speaker 2>Yes and no.

795
00:37:36.679 --> 00:37:39.480
<v Speaker 3>Well, it's a different era, it's a different era, for sure.

796
00:37:39.800 --> 00:37:42.119
<v Speaker 3>But I also wanted to tell that story to illustrate

797
00:37:42.400 --> 00:37:45.199
<v Speaker 3>like just what's possible with what you can create with porn,

798
00:37:45.679 --> 00:37:47.360
<v Speaker 3>and I like that that's kind of what you do.

799
00:37:47.480 --> 00:37:49.880
<v Speaker 3>Is There's been not only that scene, but a lot

800
00:37:49.880 --> 00:37:53.760
<v Speaker 3>of scenes where I think going into it, I have

801
00:37:53.800 --> 00:37:56.440
<v Speaker 3>this big apprehension and I'm just like, oh God, this

802
00:37:56.519 --> 00:37:57.880
<v Speaker 3>is going to be a tough shoot and we've got

803
00:37:57.880 --> 00:38:00.119
<v Speaker 3>to just get through it. But for some reason, and

804
00:38:00.159 --> 00:38:02.719
<v Speaker 3>once the cameras are rolling and we are in that scenario,

805
00:38:03.039 --> 00:38:06.599
<v Speaker 3>I lean right into it and somehow open up. Do

806
00:38:06.639 --> 00:38:09.880
<v Speaker 3>you know if other models have experienced Hemorrow shoots that way?

807
00:38:09.960 --> 00:38:12.679
<v Speaker 1>But you're a performer. You're a good performer, so you

808
00:38:12.960 --> 00:38:13.639
<v Speaker 1>can do that.

809
00:38:13.800 --> 00:38:18.559
<v Speaker 3>While that's true, I'm not performing. I'm actually giving myself

810
00:38:18.559 --> 00:38:20.320
<v Speaker 3>because like what Himorros does is it's a.

811
00:38:20.559 --> 00:38:24.000
<v Speaker 1>Performance when you can convince yourself. I see what you're saying,

812
00:38:24.039 --> 00:38:26.039
<v Speaker 1>are that you are into it?

813
00:38:26.199 --> 00:38:30.719
<v Speaker 2>Yes? Right, But like I'm not just convincing myself. I'm

814
00:38:30.760 --> 00:38:34.519
<v Speaker 2>you're letting yourself yourself. I'm leaning in, is what I'm saying.

815
00:38:34.800 --> 00:38:36.639
<v Speaker 1>But that's part of it. That's what I'm saying. It's

816
00:38:36.639 --> 00:38:39.639
<v Speaker 1>like some people cannot do that. They're just like, no,

817
00:38:39.719 --> 00:38:40.719
<v Speaker 1>this isn't what I want.

818
00:38:40.920 --> 00:38:43.639
<v Speaker 3>Well, that's when making adult films is work right like,

819
00:38:43.840 --> 00:38:47.159
<v Speaker 3>and we have you know, Davy. We have performers all

820
00:38:47.199 --> 00:38:49.599
<v Speaker 3>the time on this show who talk about the difference

821
00:38:49.639 --> 00:38:53.440
<v Speaker 3>between and enjoying yourself on a set versus just working.

822
00:38:53.760 --> 00:38:55.760
<v Speaker 3>And I think that there's a difference in what I'm

823
00:38:55.800 --> 00:38:58.760
<v Speaker 3>talking about here is where I think spiritually, you and

824
00:38:58.880 --> 00:39:02.559
<v Speaker 3>him Row shoots give performers do the space to not

825
00:39:02.639 --> 00:39:05.800
<v Speaker 3>only come to work, but also to kind of confront

826
00:39:05.840 --> 00:39:08.639
<v Speaker 3>these things that might be a little different. There's some

827
00:39:08.679 --> 00:39:12.320
<v Speaker 3>spiritual work to do here in order to also provide

828
00:39:12.360 --> 00:39:16.159
<v Speaker 3>something that is erotic and sexy for the audience to consume.

829
00:39:16.480 --> 00:39:20.280
<v Speaker 4>I think it's like, instead of becoming this character or

830
00:39:20.320 --> 00:39:26.000
<v Speaker 4>this thing, it's finding that thing inside yourself and accessing it.

831
00:39:26.039 --> 00:39:28.679
<v Speaker 4>And that's like what I think some of the best

832
00:39:29.039 --> 00:39:32.280
<v Speaker 4>performers that we work with are able to do. Yeah,

833
00:39:32.360 --> 00:39:35.760
<v Speaker 4>and that's what's really fun to capture. I think now

834
00:39:35.840 --> 00:39:38.239
<v Speaker 4>our approach, I mean, going into our eighth year of

835
00:39:38.280 --> 00:39:42.079
<v Speaker 4>this is probably a little softer that models have all

836
00:39:42.079 --> 00:39:44.519
<v Speaker 4>the concepts ahead of time. We do a lot of

837
00:39:44.559 --> 00:39:46.719
<v Speaker 4>prep work around, like Okay, which scene is going to

838
00:39:46.800 --> 00:39:49.280
<v Speaker 4>feel like a reach but a healthy reach for you?

839
00:39:49.519 --> 00:39:49.639
<v Speaker 1>Right?

840
00:39:49.840 --> 00:39:52.039
<v Speaker 5>And which scene maybe would you not want to be in.

841
00:39:52.639 --> 00:39:54.519
<v Speaker 4>And it's also though, why like on the other side,

842
00:39:54.559 --> 00:39:56.840
<v Speaker 4>after models do a shoot with us, we offer five

843
00:39:57.559 --> 00:40:02.960
<v Speaker 4>post filming counseling sessions. Sometimes accessing that place inside yourself

844
00:40:03.159 --> 00:40:06.239
<v Speaker 4>means opening that box that we like to keep tucked away,

845
00:40:07.079 --> 00:40:09.000
<v Speaker 4>and maybe that box isn't so easy to pack back

846
00:40:09.039 --> 00:40:11.800
<v Speaker 4>up again. So those counseling sessions can help people integrate

847
00:40:11.840 --> 00:40:12.400
<v Speaker 4>what's come up.

848
00:40:12.519 --> 00:40:12.760
<v Speaker 3>And now.

849
00:40:12.800 --> 00:40:15.519
<v Speaker 4>It's also why when a model film's with us, whatever

850
00:40:15.559 --> 00:40:17.480
<v Speaker 4>they shoot with us, we give to them to use

851
00:40:17.480 --> 00:40:20.760
<v Speaker 4>on their only fans because it feels like we've captured

852
00:40:20.800 --> 00:40:23.880
<v Speaker 4>something that's so personal to who they are. It feels

853
00:40:23.880 --> 00:40:26.599
<v Speaker 4>disingenuous to be like, well, that's ours, because it's it's

854
00:40:26.639 --> 00:40:29.199
<v Speaker 4>also theirs, and so they can really sun their only

855
00:40:29.239 --> 00:40:31.639
<v Speaker 4>fans after it comes out on Himro's TV.

856
00:40:31.920 --> 00:40:34.159
<v Speaker 2>We as performers really appreciate that option.

857
00:40:34.920 --> 00:40:36.519
<v Speaker 5>Yeah, yeah, some good content.

858
00:40:36.920 --> 00:40:37.239
<v Speaker 2>Yeah.

859
00:40:37.440 --> 00:40:40.719
<v Speaker 3>Can you think of three scenes at least in the

860
00:40:40.760 --> 00:40:43.119
<v Speaker 3>last couple of years or you know, three that come

861
00:40:43.159 --> 00:40:46.000
<v Speaker 3>to mind that you were like particularly proud of providing.

862
00:40:46.119 --> 00:40:46.440
<v Speaker 5>We did this.

863
00:40:46.800 --> 00:40:49.440
<v Speaker 4>Yeah, we did the scene with court Fox. He was

864
00:40:49.480 --> 00:40:51.599
<v Speaker 4>the coach we worked with, and we did it in

865
00:40:51.639 --> 00:40:54.559
<v Speaker 4>Illinois and it was called tears, and it was Nico

866
00:40:54.639 --> 00:40:58.519
<v Speaker 4>Nova and Vander Pulaski, and it was written to have

867
00:40:58.719 --> 00:41:02.719
<v Speaker 4>three different types of tears. And Nico is like the

868
00:41:02.840 --> 00:41:03.920
<v Speaker 4>like Meryl Streep of.

869
00:41:04.159 --> 00:41:05.920
<v Speaker 2>Just like he can cry on command.

870
00:41:06.599 --> 00:41:09.599
<v Speaker 4>Yeah, yes, and so like the first tears were like

871
00:41:09.679 --> 00:41:12.119
<v Speaker 4>him disappointing his dom, which was Vander. And then it

872
00:41:12.239 --> 00:41:14.920
<v Speaker 4>was the tears of the punishment, right because he was

873
00:41:14.960 --> 00:41:17.119
<v Speaker 4>getting like paddled or spanked.

874
00:41:17.760 --> 00:41:18.880
<v Speaker 5>And and then the.

875
00:41:18.840 --> 00:41:24.239
<v Speaker 4>Final tiers were the tears of affirmation when Vander you know,

876
00:41:24.239 --> 00:41:26.000
<v Speaker 4>affirmed him for who he was and that he was

877
00:41:26.039 --> 00:41:29.639
<v Speaker 4>worthy and deserving. And in each case, like the tears,

878
00:41:29.880 --> 00:41:32.880
<v Speaker 4>they were real, and it was like, I think the

879
00:41:32.920 --> 00:41:35.760
<v Speaker 4>whole scene maybe took forty minutes to film, and when

880
00:41:35.800 --> 00:41:38.079
<v Speaker 4>it ended, we were all just kind of like like

881
00:41:38.199 --> 00:41:40.400
<v Speaker 4>just standing there in silence of like, oh my god,

882
00:41:40.440 --> 00:41:43.800
<v Speaker 4>I can't believe that. Yeah, how generous of a model

883
00:41:43.960 --> 00:41:48.639
<v Speaker 4>to give that to us and to the world to watch,

884
00:41:48.920 --> 00:41:51.320
<v Speaker 4>you know, But Nico's are really you've worked with with

885
00:41:51.440 --> 00:41:54.360
<v Speaker 4>nicos Yeah, yeah, yeah.

886
00:41:54.159 --> 00:41:56.679
<v Speaker 2>And I was on that. I was on that. Yeah.

887
00:41:56.679 --> 00:41:59.519
<v Speaker 3>The self sess that I mean talk about confronting something

888
00:41:59.719 --> 00:42:01.719
<v Speaker 3>deep is like that was it was me and Nico

889
00:42:01.840 --> 00:42:04.519
<v Speaker 3>playing like younger and older versions of the same person,

890
00:42:05.000 --> 00:42:08.119
<v Speaker 3>and we essentially like come together in this really beautiful moment.

891
00:42:08.719 --> 00:42:11.159
<v Speaker 3>But I was on that Illinois shoot as well. There

892
00:42:11.239 --> 00:42:14.159
<v Speaker 3>was something you were There was something very magical about

893
00:42:14.199 --> 00:42:16.639
<v Speaker 3>that week. I feel like every scene was kind of

894
00:42:16.719 --> 00:42:18.639
<v Speaker 3>like that, where like going into it, there was just

895
00:42:18.679 --> 00:42:21.119
<v Speaker 3>a lot of prep and then once the camera started rolling,

896
00:42:21.159 --> 00:42:24.320
<v Speaker 3>the scenes were done in forty five minutes. Almost every

897
00:42:24.360 --> 00:42:26.400
<v Speaker 3>scene felt like it went that way that week.

898
00:42:26.920 --> 00:42:28.480
<v Speaker 4>Was there a scene do you remember any of the

899
00:42:28.679 --> 00:42:30.920
<v Speaker 4>I mean, this was like a couple years. Was there

900
00:42:30.960 --> 00:42:33.119
<v Speaker 4>any scene that was like really impactful for you that

901
00:42:33.719 --> 00:42:34.599
<v Speaker 4>you are more memorable?

902
00:42:34.679 --> 00:42:37.719
<v Speaker 3>I had a variety of scenes that week where I

903
00:42:37.840 --> 00:42:40.440
<v Speaker 3>was a sub in one and like a dominant another,

904
00:42:40.679 --> 00:42:42.760
<v Speaker 3>and you know, there was you know, the Brat taming

905
00:42:42.800 --> 00:42:44.880
<v Speaker 3>one where me and Jackson are beating the crap out

906
00:42:44.880 --> 00:42:47.440
<v Speaker 3>of Glittery Bottom and trying to you know, he was

907
00:42:47.440 --> 00:42:49.079
<v Speaker 3>playing a brat so we had to kind of and

908
00:42:49.079 --> 00:42:50.559
<v Speaker 3>this was before Brat Summer.

909
00:42:50.320 --> 00:42:51.679
<v Speaker 2>Everybody, by the way.

910
00:42:53.079 --> 00:42:56.440
<v Speaker 3>But the final scene was where it was all the

911
00:42:56.480 --> 00:42:59.400
<v Speaker 3>performers together and there was like maybe seven or eight

912
00:42:59.440 --> 00:43:04.039
<v Speaker 3>of us, and I was cast in basically like the

913
00:43:04.280 --> 00:43:08.039
<v Speaker 3>like figurehead who kind of like directed what everybody did.

914
00:43:08.679 --> 00:43:10.239
<v Speaker 2>Do you remember that it was the one?

915
00:43:10.360 --> 00:43:12.280
<v Speaker 3>It was the one in the barn, and that was

916
00:43:12.320 --> 00:43:15.239
<v Speaker 3>the one I was the most nervous about because I

917
00:43:15.320 --> 00:43:21.039
<v Speaker 3>was essentially leading this group sex activity kind of. But

918
00:43:21.079 --> 00:43:24.480
<v Speaker 3>then once the camera started rolling, I just channeled a

919
00:43:24.599 --> 00:43:28.000
<v Speaker 3>side of myself that I mean, it's beyond dom sub stuff.

920
00:43:28.239 --> 00:43:30.480
<v Speaker 3>Like it was like I was like, you do this,

921
00:43:30.719 --> 00:43:32.880
<v Speaker 3>you serve him? Everyone come like it.

922
00:43:33.199 --> 00:43:34.960
<v Speaker 1>Was I was.

923
00:43:35.119 --> 00:43:38.199
<v Speaker 2>It was almost an out of body experience, like you

924
00:43:38.280 --> 00:43:39.719
<v Speaker 2>facilitated it, facility.

925
00:43:39.800 --> 00:43:43.239
<v Speaker 3>I was a facilitator for sure of this like almost

926
00:43:43.360 --> 00:43:48.000
<v Speaker 3>ritualistic erotic experience. And I almost don't even remember what

927
00:43:48.039 --> 00:43:50.679
<v Speaker 3>I said. You know, it was like I was channeling

928
00:43:50.719 --> 00:43:52.239
<v Speaker 3>something so that I think is the one I'm the

929
00:43:52.280 --> 00:43:53.360
<v Speaker 3>most excited to see.

930
00:43:53.960 --> 00:43:59.320
<v Speaker 4>Yeah, unfortunately we forgot to hit record And I'm kidding, no.

931
00:43:58.920 --> 00:44:01.679
<v Speaker 5>Do you think you would ever consider.

932
00:44:01.440 --> 00:44:05.840
<v Speaker 4>Being like like a coach in some capacity or some

933
00:44:05.880 --> 00:44:07.400
<v Speaker 4>sort of like, yeah, you.

934
00:44:07.360 --> 00:44:10.280
<v Speaker 3>Know, I have I have a mental health background, and

935
00:44:10.360 --> 00:44:14.320
<v Speaker 3>I think I mean i've because I was a LGBT

936
00:44:14.559 --> 00:44:18.880
<v Speaker 3>psychology master's, Like that's what got me into making porn

937
00:44:18.920 --> 00:44:21.599
<v Speaker 3>in the first place. So I feel like eventually I'm

938
00:44:21.639 --> 00:44:24.000
<v Speaker 3>going to kind of lead in that direction. I don't

939
00:44:24.039 --> 00:44:26.320
<v Speaker 3>know how it's going to look yet, but yeah, I

940
00:44:26.360 --> 00:44:27.199
<v Speaker 3>think I could do that.

941
00:44:28.840 --> 00:44:29.400
<v Speaker 5>Nervous.

942
00:44:30.360 --> 00:44:32.000
<v Speaker 4>Well, it was so funny that you were nervous about

943
00:44:32.000 --> 00:44:35.719
<v Speaker 4>filming that scene because what I remember is this like

944
00:44:35.920 --> 00:44:40.039
<v Speaker 4>really grounded confidence that you embodied. And I was like,

945
00:44:40.079 --> 00:44:43.800
<v Speaker 4>oh this, I was like this queen like like oh.

946
00:44:43.960 --> 00:44:47.119
<v Speaker 2>Wow, Like you didn't tell me this.

947
00:44:47.400 --> 00:44:49.880
<v Speaker 1>I know you do, because you get Siria, you get

948
00:44:49.920 --> 00:44:53.519
<v Speaker 1>like you have this like seriousness. He puts like I

949
00:44:53.800 --> 00:44:56.519
<v Speaker 1>know because I know you that You're like you're nervous

950
00:44:56.519 --> 00:44:59.760
<v Speaker 1>in there, but you're like, m You're like, yeah, you

951
00:45:00.039 --> 00:45:04.800
<v Speaker 1>really the game taking it seriously Like he's really like thinking, like.

952
00:45:05.119 --> 00:45:08.239
<v Speaker 3>I did feel very grounded in that scene, and I was,

953
00:45:08.360 --> 00:45:09.920
<v Speaker 3>and it was kind of like I don't think I

954
00:45:10.119 --> 00:45:13.840
<v Speaker 3>was until we started filming, until the camera started rolling,

955
00:45:13.920 --> 00:45:16.920
<v Speaker 3>and then I just like landed in this role kind of.

956
00:45:17.199 --> 00:45:18.159
<v Speaker 2>It was really beautiful.

957
00:45:18.719 --> 00:45:20.559
<v Speaker 4>Yeah, And I didn't say anything to you because it

958
00:45:20.599 --> 00:45:23.079
<v Speaker 4>seems so effortless that I was like that you just

959
00:45:23.119 --> 00:45:25.039
<v Speaker 4>stepped into this. I was like, oh, like this is

960
00:45:25.400 --> 00:45:28.360
<v Speaker 4>this is a really easy place for Adam to access,

961
00:45:28.440 --> 00:45:31.400
<v Speaker 4>Like this seems very available to him and and I

962
00:45:31.400 --> 00:45:33.039
<v Speaker 4>was like, wow, I was just really impressed.

963
00:45:33.239 --> 00:45:36.239
<v Speaker 2>Wow, awesome, that sounds that feels great to hear. Thank you.

964
00:45:36.280 --> 00:45:41.280
<v Speaker 3>I didn't even know I wasn't fishing at all. Yeah, Well,

965
00:45:41.320 --> 00:45:43.599
<v Speaker 3>is there anything you're kind of like really excited about

966
00:45:43.719 --> 00:45:46.519
<v Speaker 3>coming up and he shoots or anything like what's in

967
00:45:46.559 --> 00:45:49.079
<v Speaker 3>the near future and far future for Davey Wavy and

968
00:45:49.119 --> 00:45:49.280
<v Speaker 3>for you.

969
00:45:49.960 --> 00:45:54.320
<v Speaker 4>In December, we're going to Spain to film a scripted series,

970
00:45:54.400 --> 00:45:56.880
<v Speaker 4>The Mansion Neil King, And it's gonna be a nine

971
00:45:56.920 --> 00:45:57.760
<v Speaker 4>day shoot for us.

972
00:45:57.639 --> 00:45:59.119
<v Speaker 5>That's really really long.

973
00:45:59.320 --> 00:46:00.599
<v Speaker 2>Yeah, and will.

974
00:46:00.440 --> 00:46:04.360
<v Speaker 4>Release YouTube version and we'll also have the spicy erotic

975
00:46:04.440 --> 00:46:06.880
<v Speaker 4>version on Himro's TV. But it's kind of inspired by

976
00:46:07.320 --> 00:46:10.079
<v Speaker 4>White Littus. I know, Adam, you saw the script. So

977
00:46:10.079 --> 00:46:13.000
<v Speaker 4>that's in December, and then in January we're going to France.

978
00:46:13.039 --> 00:46:15.920
<v Speaker 4>We rented this castle to do a shoot that's inspired

979
00:46:15.960 --> 00:46:21.360
<v Speaker 4>by video games, and that one's still very much coming together.

980
00:46:21.480 --> 00:46:26.079
<v Speaker 4>But I mean, any excuse to you know, be in

981
00:46:26.119 --> 00:46:29.719
<v Speaker 4>a castle in France eating chocolate and French foods and croissants.

982
00:46:30.719 --> 00:46:31.320
<v Speaker 5>Sign me up.

983
00:46:32.320 --> 00:46:35.159
<v Speaker 3>You shoot things really ahead of time? Does that mean

984
00:46:35.199 --> 00:46:38.519
<v Speaker 3>you have like content lined up for like a ways.

985
00:46:38.400 --> 00:46:39.679
<v Speaker 5>Almost two years of content.

986
00:46:40.400 --> 00:46:41.360
<v Speaker 2>Yes, nice.

987
00:46:41.760 --> 00:46:45.159
<v Speaker 4>Yeah, because we filmed, we filmed twelve scenes each shoot,

988
00:46:45.199 --> 00:46:48.559
<v Speaker 4>and so it's like if we just released another French

989
00:46:48.599 --> 00:46:51.440
<v Speaker 4>castle video French Castle, French Cat, there needs to be

990
00:46:51.559 --> 00:46:55.079
<v Speaker 4>like eight weeks in between. Otherwise it feels like okay, yeah,

991
00:46:55.119 --> 00:46:56.800
<v Speaker 4>we get it. You filmed in a castle in France?

992
00:46:56.800 --> 00:46:58.760
<v Speaker 2>Do you film? Do you release one a week? Is

993
00:46:58.760 --> 00:46:59.440
<v Speaker 2>that how it works?

994
00:46:59.719 --> 00:47:03.000
<v Speaker 4>Yeah, release one a week and each shoe is like

995
00:47:03.440 --> 00:47:07.480
<v Speaker 4>each scene from different shoots. They're broken up by about

996
00:47:07.480 --> 00:47:08.079
<v Speaker 4>two months.

997
00:47:08.119 --> 00:47:09.039
<v Speaker 2>Wow.

998
00:47:09.239 --> 00:47:11.880
<v Speaker 4>Yeah, so there's still like I think five scenes from

999
00:47:11.920 --> 00:47:13.519
<v Speaker 4>the Illinois shoot that haven't come out yet.

1000
00:47:13.760 --> 00:47:15.639
<v Speaker 2>Okay, wow, that's so exciting.

1001
00:47:15.760 --> 00:47:16.000
<v Speaker 1>Have go.

1002
00:47:16.360 --> 00:47:18.960
<v Speaker 2>Yeah, need to I need to myself for having it

1003
00:47:19.000 --> 00:47:19.760
<v Speaker 2>through December.

1004
00:47:19.960 --> 00:47:25.519
<v Speaker 3>Yeah right, I need to reactivate my Hemorrhos membership. Speaking

1005
00:47:25.559 --> 00:47:27.960
<v Speaker 3>of himorrhos dot tv h I M E r O

1006
00:47:28.079 --> 00:47:31.519
<v Speaker 3>S dot tv. For those of you are watching or listening,

1007
00:47:32.239 --> 00:47:33.880
<v Speaker 3>check out what Davey's got to offer.

1008
00:47:34.199 --> 00:47:37.079
<v Speaker 2>Cole, Do you have any other questions for Davy Davy?

1009
00:47:37.159 --> 00:47:39.079
<v Speaker 2>Are we missing anything? Is there anything else you'd like

1010
00:47:39.119 --> 00:47:40.760
<v Speaker 2>to share with our listeners.

1011
00:47:41.199 --> 00:47:42.360
<v Speaker 5>I'll just plug that we're doing.

1012
00:47:43.239 --> 00:47:46.000
<v Speaker 4>We are kicking off as of this week our year

1013
00:47:46.119 --> 00:47:49.360
<v Speaker 4>and sale, which means that our annual membership is just

1014
00:47:49.440 --> 00:47:52.440
<v Speaker 4>ninety nine bucks, which is a significant discount from its

1015
00:47:52.519 --> 00:47:53.199
<v Speaker 4>regular price.

1016
00:47:53.719 --> 00:47:56.320
<v Speaker 2>How long is this sale going on till?

1017
00:47:56.880 --> 00:47:59.320
<v Speaker 5>We will do it through through New Year's Eve?

1018
00:47:59.440 --> 00:47:59.599
<v Speaker 1>Oh?

1019
00:47:59.639 --> 00:47:59.960
<v Speaker 2>Perfect.

1020
00:48:00.039 --> 00:48:01.800
<v Speaker 5>It's always like to make a sale of the year.

1021
00:48:02.039 --> 00:48:03.800
<v Speaker 1>So if they listen to that, still have like.

1022
00:48:03.800 --> 00:48:04.599
<v Speaker 2>Yeah, they'll have time.

1023
00:48:04.639 --> 00:48:06.719
<v Speaker 3>That's why I asked, because this will this will come

1024
00:48:06.719 --> 00:48:07.639
<v Speaker 3>out around Thanksgiving.

1025
00:48:07.760 --> 00:48:10.440
<v Speaker 2>I think so amazing. Cool.

1026
00:48:10.559 --> 00:48:11.960
<v Speaker 5>Yea, thank you for you, sir.

1027
00:48:12.159 --> 00:48:16.119
<v Speaker 1>I think that that's great. I'm happy to meet you.

1028
00:48:16.480 --> 00:48:22.559
<v Speaker 3>Right, Davy Cole Cole, Davy Cole is available.

1029
00:48:22.760 --> 00:48:23.480
<v Speaker 1>I was shut up.

1030
00:48:25.559 --> 00:48:29.800
<v Speaker 3>He is also an actor. Awesome anyway, thank you so

1031
00:48:29.880 --> 00:48:31.719
<v Speaker 3>much for joining us. I've been wanting to do this

1032
00:48:31.760 --> 00:48:34.000
<v Speaker 3>for a months. I'm glad it finally worked out. We

1033
00:48:34.039 --> 00:48:34.719
<v Speaker 3>appreciate you.

1034
00:48:35.000 --> 00:48:36.599
<v Speaker 5>Yeah, thanks for thinking of me.

1035
00:48:36.639 --> 00:48:41.840
<v Speaker 3>Absolutely, chat you guys, Yeah, thank you. Yeah, that's all.

1036
00:48:42.239 --> 00:48:45.440
<v Speaker 3>Tune in next time for our season three finale, y'all.

1037
00:48:45.800 --> 00:48:48.920
<v Speaker 3>It's almost the end of the year. So I'm Adam Ramsey.

1038
00:48:49.000 --> 00:48:49.679
<v Speaker 1>I'm cold cotter.

1039
00:48:49.800 --> 00:48:52.800
<v Speaker 2>This has been sorry for asking, Thanks you guys so much. Bye,

1040
00:48:53.000 --> 00:48:53.639
<v Speaker 2>take it easy.

1041
00:48:56.559 --> 00:48:59.599
<v Speaker 1>This has been sorry for asking you sure to like

1042
00:49:00.079 --> 00:49:11.679
<v Speaker 1>it and subscribe, and until next time, stay sexy.
