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Speaker 1: You're listening to double Humin HS not far.

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Speaker 2: The Command God, don't get Supreme Leader Maxwell Cobby.

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Speaker 1: You are listening to Double Human hsnty far Point World Premiere.

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Speaker 3: Just cant a cat on the places where we've been,

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and I just got a ready sall the things out

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we have seen.

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Speaker 4: Now are you away? Because I've seen you in my dreams.

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Oh please note I have seen sad near freens.

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Speaker 5: Calling this name.

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Speaker 4: Swimming against the tide. The morning brings me, yeahs us London,

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what thing mass.

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Speaker 6: By day please say and you stay down by things

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stopping it don't even don't we alet.

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Speaker 7: So being text lines that tell us got a then

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he said, its not these things. Then don't try to

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stand the rays o the things said. We have scenes.

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Speaker 1: Lets you see you really like the teams.

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Speaker 7: Go please class save me.

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Speaker 8: See see.

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Speaker 7: You stand round the scene.

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Speaker 9: You feel like a doll.

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Speaker 4: Bum three five thos a sevening.

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Speaker 10: There still there They know.

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Speaker 4: Son you went on your season and this house says

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stay my.

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Speaker 7: Say till please thing got the way your mess and

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no say seven free. Let the seal that sass say the.

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Speaker 9: Same said.

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Speaker 11: Same.

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Speaker 12: Oh what a great great track. I love that so

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much and that's a great way to kick off this

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week's Matt Connorton Unleashed. Hello everybody, We are live from

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the studios of WMNH ninety five point three FM in

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glorious but very wet and rainy Manchester, New Hampshire. The

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song you just heard is called Max Scene and the

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band is The Forensics. They are from the UK, and

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that is the American radio premiere of that track. You

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have not heard that anywhere else in the United States.

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The song will be released, of course, officially on all

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the stream streaming platforms and everything on the twenty third

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of May this month, so soon soon, and then the

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band is going to be here on the show, not

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here in person, of course, but joining us from across

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the pond on the thirty first of May. So really

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looking forward to talking to them. But that is the

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American radio premiere of the new track from the Forensics.

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It's called Max Scene. And we'll probably hit that again

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in the second and third hour two just to make

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sure that no matter when you tune into the show,

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you get to hear it. Because that is a great,

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great track. I love that so much and really looking

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forward to talking with those But you heard it here

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first on Matt connorton Unleashed here on WM and H

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ninety five point three FM. So today is Saturday, May ten,

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twenty twenty five, flying solo this morning. But Jenny will

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be back next week. She is in the chat room

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though I did see her in there. So but we've

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got a great show ahead for you. In just a

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couple of moments, we're gonna be joined by Awaiting Abigail.

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We did talk to James from the band briefly a

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little bit a few weeks ago. But if you are

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watching live, if you're watching the video feed on Facebook

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or YouTube or wherever you might see it, I do

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have my Awaiting Abigail shirt. They sent us a package

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of stuff, which is so much fun. And I'll tell

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you what these Texas bands especially, they do that, or

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Grim from Pennsylvania obviously, artists that we have joining us

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in studio who are from the area, they'll they'll bring

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stuff with them. But we always appreciate that a little

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bit of extra effort that it takes to actually put

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something in the mail and send it to us. So

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Awaiting Abigail sent us an amazing package of stuff, and

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they sent shirts for Jenny and I and a bunch

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of cool stuff. So we love getting We love getting

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stuff from our guests, and it's not something that we

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in any way require or request. They just do it

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and we love it and we appreciate it and appreciate

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them and looking forward to getting to talk to members

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of Awaiting Abigail. I'm not sure how many members are

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going to be joining us on the line. We are

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going to be doing a little bit of an experiment

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this morning. So if you listen to the show last week,

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we made radio history here or Matt Connerton on Leashed History.

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Sorry if I'm stumbling a little bit here. My full disclosure.

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I'll just say this right up front. My allergies have

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been brutal lately, so I need a gulp of water.

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It'll probably be having many many gulps of water to

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get me through the show today because I've just got

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all this congestion and you know, the pollen's been really bad.

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And then it rains, and I don't like the rainy

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weather because it's dreary and it makes me tired, but

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as it does affect a lot of us. But then

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I hope, well, at least it'll wash away at the pollen,

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some of the pollen, but I don't think it actually

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works out because I still feel very congested and allergy ish,

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if that's a word, which it's not. Anyway, Last week

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on the show, because Skype has been discontinued, so we

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used WhatsApp for the first time on Matt Connerton Unleashed

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our friend at Charles Richardson, host of The Charles Richardson Show,

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joined us from Florida using WhatsApp. Went okay. The only

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problem with WhatsApp is if you're using it on the desktop.

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I haven't figured out yet how to because it's really

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it's designed to be a phone app. I haven't figured

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out how to answer on the desktop. So there's probably

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a way to do it. But when I called so

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I had to call Charles, but he wasn't able to

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answer on his computer. He had to use his phone

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to answer, and he wanted to use his computer because

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he's got his professional mic setup and everything that he

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uses for his show. Sounded really good anyway, The sound

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quality was great, but would have sounded even better if

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he was able to actually use his microphone instead of

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his phone. But there doesn't seem to be a way.

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I'm sure, there's a way. I just haven't figured it

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out yet to use WhatsApp where you can just answer

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it on your computer, so it's a little trickier. So

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I came up with another solution, another service. I don't

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want to say what it is. I don't want to

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give away too much proprietary information, but it is something

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that I'm already used to using. And I sent James

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a link to this other service. Will we'll see if

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that works. He has the studio line number, so if

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that doesn't work, he can call the studio line. But

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we're gonna kind of use Awaiting Abigail as our guinea

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pig to make sure that the way we're doing it

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now works. Because Skype is no more. This little notification

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popped up that said Skype is discontinued or being discontinued,

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and now you can use Google Teams. But that's that's

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not what we need for this. So anyway, so we'll

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see what happens. We'll see what happens. But so Awaiting

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Abigail is going to be joining us. I got to

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keep an eye on that for when they pop in

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to the I think I'll hear I think I'll hear

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something in my headphones, a chime or something when they arrive.

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Coming up in the second hour, we have Trawl from Portland, Maine.

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These guys I've been aware of for a while, saw

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them live once. Great great band. They're driving down. I hope,

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I hope they travel safely in the rain. It's pouring outside,

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but they're coming down from Portland, so really looking forward

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to meeting them. And then in the third hour, we

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have Mike Frasier, who is driving here all the way

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from Seattle. No, I'm kidding, he is from Seattle, but

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he's actually on tour right now, but the way the

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tour routing worked out, he's able to come and join

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us here on the program. Jenny and I met Mike

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might have been a year ago at the shas Skiene

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in Manchester. He was playing a show there, and he's

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got a fascinating backstory. He's really been through a lot,

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but I think he's well play. We actually did a

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world premiere of his newest single, April Days here on

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the show a couple of months ago. But really looking

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forward to having him and talking to him. Some more

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really interesting guy and a very talented musician. Oh h

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we've got him coming on in the third hour, So

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lots to do today on the show. We've got a

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very busy show ahead of us. But welcome everybody if

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you are just joining. This is Matt Condorton Unleashed and

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we are live from the studios of w m n

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H ninety five point three FM. And of course, for

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all your streaming options, you can go to my website

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Matt conorton dot com slash live and you can join

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the audio stream there. You can click a link to

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join the video stream if you'd like to.

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Speaker 9: Uh.

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Speaker 12: Oh, I just heard a chime. That's a good sign.

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That's a good sign. I think this is gonna work. Okay,

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let's see now I have to add. I just clicked

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add to the stream and I hear I hear things.

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That's a good sign. I think this is gonna work.

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Can you hear me?

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Speaker 13: Yes, I can hear you.

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Speaker 12: Hey, all right, it works. It works. We're using uh,

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we're using some different software than we're used to using

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because Skype is Skype is, Skype is no more. Okay, wonderful,

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wonderful awaiting abigail, Ladies and gentlemen, who do we have uh,

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who do we have? Joined us? On the on the

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line here.

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Speaker 13: Yeah, so this is Abigail Hill.

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Speaker 12: I'm the singer of Awaiting, okay, and who and and is.

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Speaker 13: Just I think James is supposed to join as well.

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Speaker 12: Hm hmm okay, wonderful. So if I hear another chime,

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I'll know to uh, I'll know to add him. Okay, excellent, excellent.

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I'm just gonna adjust something here. I'm sorry I'm doing

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this live on the air, but I just want to

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make sure this is working, okay, because we're doing a

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little bit doing this a little bit different. So Abigail, Yeah,

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so welcome to the program. I became well. First of all,

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thank you for the wonderful package that that the band

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sent us. And I wear my uh waiting Jenny and

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I we wear our Awaiting Abigail shirts proudly and tell

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us about you know, we kind of got when James

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was on with us. Oh, I heard another chime. Let's see.

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Speaker 9: What's going on up James?

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Speaker 12: Welcome?

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Speaker 9: What's up? Hey?

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Speaker 12: This new software I'm working see I'm using seems to

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be working great. So thank you for thank you for

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kind of being our guinea pigs with us this morning.

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Speaker 9: Hey man, we don't ever mind it. We're guinea pigs

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for a lot of stuff. We dig it.

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Speaker 12: There you go, there you go. I'm relieved that it

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works and we're all able to talk. So yeah, I

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was about to ask, Abigail, can you kind of tell

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us now you told us when we had you on before,

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kind of the history of the band how it all

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came together and uh, But I'd like to hear a

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little more too, from Abigail's perspective, because it's a unique

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project in the sense that you know, it's multi generational

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and there's even a father and a daughter combination in

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the band, I believe, and the whole deal. So it's

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really interesting how this band uh formed, And Abigail, I'd

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like to learn a little bit more about you and

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how you became a part of the band that is

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now awaiting Abigail.

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Speaker 14: Yeah, so I started off in musical theater when I

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was four, and when I was a little bit older,

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I went to this like in town in Tomball was

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this rock club thing.

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Speaker 13: It is called all about.

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Speaker 14: Music and Arts, and I actually got into a rock

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band with that, but it wasn't like a like a

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big rock band.

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Speaker 13: We would just like practice covers just so we get

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the feel of it.

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Speaker 14: And then I now am then college at ET Arlington,

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and I was like really wanting a band because I

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also make my own music. I do pop as well,

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but I kind of wanted a band to like help

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me out and like collaborate because I love collaborating. And

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so I got on this app called band Mix, and

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that's actually where I found James and he messaged me

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and I did an audition from the Pretty Reckless.

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Speaker 13: We just did a video audition.

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Speaker 14: He liked it, and then we he ended up flying

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me out to do a band rehearsal because I was

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in Houston for the summer, and.

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Speaker 13: We did a band rehearsal with the full band. They

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liked me. So then there was the last test.

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Speaker 14: The last test was to see if I could songwrite

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and then do in the studio to make sure, like

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you know, I was the one because he had a

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couple of other options, and.

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Speaker 13: So I song wrote. I worked with my boyfriend, he's

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actually right here.

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Speaker 14: We worked at meals on wheels together, so I would

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songwrite like in between the routes and stuff, and I

247
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ended up songwriting all four of the EPs, all four

248
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of the songs off of the EP of Bad Mind

249
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and he liked it.

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Speaker 13: So we went into the studio and I guess the

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studio person he said that he liked me. So that's

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kind of what got me into the band.

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Speaker 12: And yeah, so it's interesting that you mentioned so you

254
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had initially you had auditioned for the Pretty Reckless, and

255
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then you were able to use that audition to show

256
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that to James.

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Speaker 14: I did it, auditioned for the Pretty Reckless, but he

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wanted me to sing a pretty reckless song.

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Speaker 12: Oh I got you, okay, Yeah.

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Speaker 7: Yeah, I just gave it.

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Speaker 9: I just gave her a cover, a couple of cover

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songs to learn.

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Speaker 15: You know.

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Speaker 9: That was kind of like our initial screening is like

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and then you know, she made the she made a

266
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short order because those were you know, we could tell

267
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she really had some chops from that, and so I

268
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was like, well, the next real test is gonna be,

269
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you know, can she write songs? So we had four

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tracks already, the four tracks are on the EP. Those

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already existed before Abby was around, and uh, we were

272
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just kind of struggling to find a singer. I mean

273
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we were pretty selective, so we turned a couple of

274
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people away. But anyways, it's crazy because you know that

275
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music's uh everywhere, at least for a small band. And uh,

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that those four songs, she laid those down and just

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a couple hours, Uh after only rehearsing with us one time.

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Speaker 12: Yeah, when something, when something comes together quickly like that,

279
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that's how you know you've really got something when it's

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you know, it just makes it kind of seem like

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it's fate.

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Speaker 9: Yeah, totally, So, so.

283
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Speaker 12: That's very cool. Are you working on You've got the

284
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four tracks that you've released from the the ep Bad Mind.

285
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Do you have more stuff you're already working on?

286
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Speaker 14: Yeah, we do, actually, so we're actually doing a couple

287
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from my actual originals from my pop stuff. One is

288
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called Anxiety, so we transformed that into a rock song,

289
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and then they also had another rock song that they

290
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kind of wrote together, and so I just made lyrics

291
00:17:24,799 --> 00:17:26,279
to that, and you've been performing that live.

292
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Speaker 13: It's called left Out.

293
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Speaker 14: So we're gonna go in the studio and get that

294
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ready and then tonight actually we have a performance as Kida.

295
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Speaker 13: So we're actually doing a new one that was also

296
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from my pop stuff. It's called fun House. So we're

297
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kind of getting new tracks out as well.

298
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Speaker 12: Yeah, excellent. And where did you the ep? Bad mind?

299
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Where did you record this? Because it sounds phenomenal.

300
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Speaker 9: Yeah, Alex Gerst in Empire Sounds Studio and Dallas. He's

301
00:17:59,519 --> 00:18:04,000
absolutely a legend and the production is top quality. And

302
00:18:04,160 --> 00:18:06,839
to be honest with you, we had originally gone in

303
00:18:06,920 --> 00:18:10,039
there with a different vocalist and he and I have

304
00:18:10,160 --> 00:18:12,319
been friends for a long time. We recorded with his

305
00:18:12,480 --> 00:18:15,920
dad and we're kids and we were playing and vocal bands,

306
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and you know, making the CD was a huge deal.

307
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So we've known him for a long time. But he's like, dude,

308
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this music's too good. You got to find the right person.

309
00:18:22,279 --> 00:18:24,880
But he's absolutely a legend. I mean, he does a

310
00:18:25,000 --> 00:18:27,599
lot of a lot of stuff that people can google

311
00:18:27,680 --> 00:18:31,200
him and check him out. He definitely he's definitely like

312
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an additional member of the band when we're working on stuff.

313
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Speaker 12: Yeah, oh that's great. And what's the what's the live situation? Like,

314
00:18:39,599 --> 00:18:41,440
are you able to uh, are you able to do

315
00:18:41,559 --> 00:18:43,799
some live shows or because when you've got a you've

316
00:18:43,799 --> 00:18:48,400
got a large lineup of people and obviously it's you know,

317
00:18:48,519 --> 00:18:50,799
like we said, it's multi generational. I'm sure everyone has

318
00:18:50,839 --> 00:18:53,839
different levels of commitments and obligations that they have to fulfill.

319
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So I'm really curious about the touring situation.

320
00:18:57,799 --> 00:19:00,640
Speaker 9: Yeah, so we're we're playing tonight actually here locally and

321
00:19:00,759 --> 00:19:05,599
for worth. Actually, yeah, we're Everybody is very easy to

322
00:19:05,720 --> 00:19:08,960
work with and it is a multi uh generational. It's

323
00:19:09,000 --> 00:19:12,359
pretty funny. We've got we've got pretty much every decade covered.

324
00:19:12,480 --> 00:19:16,079
But yeah, it's something that we all enjoy and so

325
00:19:16,920 --> 00:19:20,680
we're able to make time for it. We rehearse sometimes

326
00:19:21,119 --> 00:19:24,640
every week, sometimes every other week, but uh, we have

327
00:19:24,920 --> 00:19:29,359
our shows basically scheduled a month apart. As far as

328
00:19:29,440 --> 00:19:33,319
the touring situation will probably be like Weekend Warriors for

329
00:19:33,519 --> 00:19:36,279
a while. On that we've got. I wish that I

330
00:19:36,319 --> 00:19:38,240
could break it right now because it'd be kind of

331
00:19:38,279 --> 00:19:40,759
a huge deal. But we've got a little mini tour. Yeah,

332
00:19:40,839 --> 00:19:43,480
we've got. I just can't I asked, Uh, I asked

333
00:19:43,519 --> 00:19:45,240
the person that's putting it on, and I can't do

334
00:19:45,319 --> 00:19:48,799
it yet, but uh, stand by for a huge announcement

335
00:19:48,839 --> 00:19:51,039
for a little mini tour down in Florida coming up

336
00:19:51,079 --> 00:19:51,759
in September.

337
00:19:52,079 --> 00:19:55,200
Speaker 12: Oh, very cool, very cool. Yeah, is that where you're from?

338
00:19:55,279 --> 00:19:56,200
Are you all in Florida?

339
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Speaker 13: We're from We're based in Dallas, tex Oh.

340
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Speaker 12: That's right, right, yeah, but to get to Florida's probably

341
00:20:04,559 --> 00:20:07,960
not not too bad. What what's the scene like in

342
00:20:08,079 --> 00:20:10,240
Dallas right now? From what I've heard from other guests,

343
00:20:10,279 --> 00:20:12,119
it's pretty good. There's a lot of really good bands

344
00:20:12,160 --> 00:20:13,720
there is that. Is that true?

345
00:20:14,759 --> 00:20:18,039
Speaker 13: Yeah? I would say that's pretty true. There's definitely a

346
00:20:18,119 --> 00:20:21,039
lot of live music down there, and there's different genres too,

347
00:20:21,079 --> 00:20:21,880
which is really cool.

348
00:20:23,400 --> 00:20:25,640
Speaker 12: Excellent, excellent. Do you have other do you have other

349
00:20:25,720 --> 00:20:27,039
bands that you kind of you know, it tempts to

350
00:20:27,119 --> 00:20:29,319
happen organically. Are there other bands in the area that

351
00:20:29,359 --> 00:20:31,640
you've kind of teamed up with as far as playing out.

352
00:20:33,799 --> 00:20:37,480
Speaker 9: For sure? Yeah, for sure. Initially your buddy Mike from

353
00:20:37,559 --> 00:20:41,200
Moonfallen we played their first show, was our first show

354
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also back in December.

355
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Speaker 12: Yeah, oh, very cool.

356
00:20:45,359 --> 00:20:47,359
Speaker 9: Yeah, so we kicked that. We kicked the whole thing

357
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off with a women and metal show that was five

358
00:20:51,039 --> 00:20:53,880
female fronted bands, and man, it really set the tone

359
00:20:53,960 --> 00:20:58,920
for everything that we have done because we hung out beforehand,

360
00:20:59,039 --> 00:21:02,000
did like a pre show photoshet and like seeing the

361
00:21:02,079 --> 00:21:04,720
girls with Abby and like, it was just really cool.

362
00:21:04,759 --> 00:21:07,279
It's like a networking type of thing that I think

363
00:21:07,319 --> 00:21:11,200
has really paid dividends for you know, the whole, the

364
00:21:11,279 --> 00:21:12,200
whole thing so far.

365
00:21:12,920 --> 00:21:15,799
Speaker 12: Well, I can tell you ever since we met Mike Woolsey,

366
00:21:16,039 --> 00:21:18,759
he's been He's sent us so many We've met so

367
00:21:18,839 --> 00:21:23,160
many great Texas bands and artists through him. You know,

368
00:21:23,279 --> 00:21:25,599
he refers people to us, and and it's it's been

369
00:21:25,680 --> 00:21:27,440
really great. You know, he's a great guy, and it's

370
00:21:28,440 --> 00:21:30,480
we've met so much great talent through him. I mean,

371
00:21:30,559 --> 00:21:32,400
Jenny can attest to that too. You know, she does

372
00:21:32,440 --> 00:21:34,599
all the booking, and you know, we love whenever Mike

373
00:21:35,039 --> 00:21:36,680
refers anyone to us, we know it's going to be

374
00:21:37,119 --> 00:21:40,960
someone of great quality. I can't remember if we talked

375
00:21:40,960 --> 00:21:42,599
about this, h when you were on the show with

376
00:21:42,680 --> 00:21:46,079
us before, James, But you've also got and I referenced

377
00:21:46,240 --> 00:21:50,400
a father daughter duo in the band, which is pretty

378
00:21:50,480 --> 00:21:52,079
unusual Mike and Corey.

379
00:21:53,880 --> 00:21:57,799
Speaker 9: Yeah, it's super funny. Man Like. So, Corey actually was

380
00:21:57,880 --> 00:22:02,039
a former student of mine when I was teaching school

381
00:22:02,240 --> 00:22:06,559
public school band. So she was a percussionist in one

382
00:22:06,599 --> 00:22:08,839
of my early bands. I was like, I don't know,

383
00:22:08,960 --> 00:22:12,319
maybe four years out of college or something, and she

384
00:22:12,480 --> 00:22:15,680
was a great percussion student. And I didn't really stay

385
00:22:15,720 --> 00:22:19,200
in touch with her. But I connected with her dad

386
00:22:20,400 --> 00:22:24,799
through a local flying club, like a general aviation club,

387
00:22:25,440 --> 00:22:28,440
and we kind of made the connection and it was like, what, like,

388
00:22:28,599 --> 00:22:30,920
your last name is Tulfa. That's a unique name. And

389
00:22:31,039 --> 00:22:33,799
he's like, oh my gosh, you're mister Smith from whatever.

390
00:22:34,279 --> 00:22:36,680
But both but both of them are super cool, like

391
00:22:36,759 --> 00:22:39,240
they're literally down for anything. Like I could call them

392
00:22:39,359 --> 00:22:41,440
up today and say, hey, you know, y'all want to

393
00:22:41,480 --> 00:22:44,839
go to jump in the car and go to road

394
00:22:44,880 --> 00:22:47,119
trip or something, and they'd be like, yeah, we're in.

395
00:22:47,640 --> 00:22:51,480
And I knew Corey's background. You know, the percussionists in

396
00:22:51,519 --> 00:22:53,880
a public school at least around here have to learn

397
00:22:53,920 --> 00:22:57,519
a lot of keyboarding skills, not just drums, so I

398
00:22:57,640 --> 00:23:00,119
knew that. I knew she would be perfect for or

399
00:23:00,920 --> 00:23:04,559
you know, to put behind a keyboard for samples and

400
00:23:04,759 --> 00:23:08,720
different stuff like that. And then Mike has played guitar.

401
00:23:09,599 --> 00:23:11,880
He's the oldest. I'm gonna out him on this. He's

402
00:23:11,920 --> 00:23:14,079
the oldest. He I think he's sixty two right now,

403
00:23:14,200 --> 00:23:16,559
but he looks like he's like like in his forties.

404
00:23:16,960 --> 00:23:20,680
But yeah, anyways, yeah, so he's the oldest sixty two,

405
00:23:20,680 --> 00:23:23,640
and Abby's youngest twenty. But anyways, Mike had Put has

406
00:23:23,680 --> 00:23:26,359
played guitar for a long time, huge kiss fan to

407
00:23:26,519 --> 00:23:29,880
the Freest Guy, and so yeah, so I knew I

408
00:23:29,920 --> 00:23:32,160
could wrangle him in, Like he's kind of like you

409
00:23:32,319 --> 00:23:34,160
just say the word, and both of them are like that.

410
00:23:34,240 --> 00:23:36,480
They just show up and they're down through anything.

411
00:23:36,680 --> 00:23:41,319
Speaker 12: Mm hmmm, Oh excellent. Now, so who's responsible primarily for

412
00:23:41,440 --> 00:23:44,319
the songwriting? Because the songs are really good? You had

413
00:23:44,400 --> 00:23:46,559
sent us a couple of singles which we did play

414
00:23:47,400 --> 00:23:49,920
the last time we talked to you, James, but but

415
00:23:50,000 --> 00:23:51,880
then I ended up playing an extra song. I played

416
00:23:51,920 --> 00:23:54,279
that song I Hate You, which I love that is

417
00:23:54,359 --> 00:23:59,680
so so catchy. But who wrote these primarily? Like, who's

418
00:23:59,720 --> 00:24:01,359
the print songwriter around these?

419
00:24:03,559 --> 00:24:05,720
Speaker 13: Yeah, I would say I do.

420
00:24:06,279 --> 00:24:08,119
Speaker 14: James kind of gave me. He gave me the like

421
00:24:08,200 --> 00:24:11,160
the soundtracks. Yeah, And what I did was I would

422
00:24:11,200 --> 00:24:13,400
just songwrite over them. And since I used to do

423
00:24:13,519 --> 00:24:16,960
like well, I still do pop music. But since I

424
00:24:17,079 --> 00:24:18,720
do pop music, I.

425
00:24:18,839 --> 00:24:20,400
Speaker 12: Kind of know how to make it kind of catchy,

426
00:24:20,799 --> 00:24:21,200
makes sense.

427
00:24:21,640 --> 00:24:24,240
Speaker 13: I think that's why it's fun to like transform it

428
00:24:24,359 --> 00:24:26,079
into a rock song. It's really fun.

429
00:24:26,599 --> 00:24:28,880
Speaker 12: Oh yeah, yeah, especially like I said, I Hate You

430
00:24:28,960 --> 00:24:31,319
as such a great hook. You know, it's infectious and

431
00:24:31,559 --> 00:24:34,039
uh no, really good stuff that makes sense. I mean,

432
00:24:34,160 --> 00:24:36,960
is that is that kind of your prior to being

433
00:24:37,799 --> 00:24:40,519
in A Waiting Abigail? Did did you ever you know,

434
00:24:40,680 --> 00:24:44,160
because obviously you you've written a lot of pop music,

435
00:24:44,279 --> 00:24:47,920
but had you ever written anything quite like this where

436
00:24:48,119 --> 00:24:51,559
you're going into it with that sort of rock sensibility

437
00:24:51,680 --> 00:24:52,920
or is this kind of new for you?

438
00:24:54,359 --> 00:24:55,599
Speaker 13: This is kind of new for me, So.

439
00:24:55,640 --> 00:24:57,960
Speaker 14: I think it's kind of cool to to met in

440
00:24:58,480 --> 00:25:00,720
what I've known and I'm kind of of learning.

441
00:25:00,519 --> 00:25:01,079
Speaker 13: More as I go.

442
00:25:02,200 --> 00:25:04,319
Speaker 12: Yeah. Yeah, well you're off to a great start. So

443
00:25:04,440 --> 00:25:07,920
that's excellent. That's excellent. And have you done any videos?

444
00:25:08,160 --> 00:25:10,920
Does A Waiting Abigail have any videos yet? Any music videos?

445
00:25:11,920 --> 00:25:12,119
Speaker 13: Yeah?

446
00:25:12,200 --> 00:25:12,400
Speaker 6: We do.

447
00:25:12,559 --> 00:25:15,480
Speaker 14: We actually have two out. We have Bad Minds and

448
00:25:15,680 --> 00:25:18,079
then we also have Falling Under, which actually just came out.

449
00:25:18,400 --> 00:25:22,839
Speaker 12: Okay, I gotta check that out. Yeah it out? Yeah,

450
00:25:23,799 --> 00:25:27,680
very cool, very cool. So what what is the what's

451
00:25:27,759 --> 00:25:30,160
kind of the future trajectory as far as new music?

452
00:25:30,200 --> 00:25:33,319
I know you've got some stuff you're working on, but

453
00:25:33,799 --> 00:25:36,920
this EP is relatively new, right, so you probably you

454
00:25:37,000 --> 00:25:39,079
probably aren't in a big hurry to get new stuff out,

455
00:25:39,119 --> 00:25:40,160
I would assume, but maybe not.

456
00:25:41,200 --> 00:25:44,480
Speaker 9: Well, it's funny, Matt, because as you know, like the

457
00:25:44,559 --> 00:25:49,119
social media monster and you know, just the scene as

458
00:25:49,200 --> 00:25:51,920
it is, it's hungry and like if you feed it

459
00:25:52,119 --> 00:25:55,440
it once more and yeah, so we actually yeah, and

460
00:25:55,599 --> 00:25:58,839
so we've got like four or five.

461
00:25:58,799 --> 00:26:02,119
Speaker 16: New originals and uh, I don't have an exact plan yet,

462
00:26:02,200 --> 00:26:04,440
but there definitely will will be more music in the

463
00:26:04,480 --> 00:26:07,039
next couple of months, probably like a single, A side

464
00:26:07,119 --> 00:26:11,839
B side thing and then maybe another EP before the

465
00:26:12,119 --> 00:26:12,680
end of the year.

466
00:26:12,920 --> 00:26:15,640
Speaker 9: We write music really fast. It's just a matter of

467
00:26:16,720 --> 00:26:19,559
you know, getting into the studio. And we even work

468
00:26:19,640 --> 00:26:22,759
pretty quickly in the studio because uh, we go in

469
00:26:22,880 --> 00:26:26,680
there with a click track already with the scratch parts down.

470
00:26:27,119 --> 00:26:30,039
I use the same software as Alex, so we're able

471
00:26:30,039 --> 00:26:32,680
to Yeah, we're able to move. We're able to move

472
00:26:32,720 --> 00:26:36,400
pretty quickly. It's just a matter of actually balancing that

473
00:26:36,720 --> 00:26:40,519
with supporting it live. But yeah, it's definitely like, gosh,

474
00:26:40,599 --> 00:26:44,759
that thing's only been out since December, but like everybody

475
00:26:44,880 --> 00:26:46,839
digs all four songs and it's like we've got to

476
00:26:46,880 --> 00:26:48,519
get we've got to feed the monster.

477
00:26:49,720 --> 00:26:52,640
Speaker 12: Yeah, yeah, exactly, Yeah, that is a big challenge in

478
00:26:52,759 --> 00:26:55,599
the social media environment that we're in. You're right, and

479
00:26:55,720 --> 00:26:58,960
it's it's it's hard to keep up with it all too,

480
00:26:59,160 --> 00:27:02,079
you know, with so many different social media services and

481
00:27:02,839 --> 00:27:04,960
and so many different ways now that you can connect

482
00:27:05,000 --> 00:27:07,480
with fans, which is great in the sense that there

483
00:27:07,519 --> 00:27:09,480
are many ways that you can connect with fans, but

484
00:27:09,599 --> 00:27:12,519
also it can be a little overwhelming at times and

485
00:27:12,559 --> 00:27:14,240
trying to figure out how to navigate well, how do

486
00:27:14,279 --> 00:27:16,279
we how do we keep people interested? How do we

487
00:27:16,400 --> 00:27:19,160
keep people engaged? You know, engagement is a word that

488
00:27:19,200 --> 00:27:21,440
you hear a lot when we're talking about social media

489
00:27:21,960 --> 00:27:26,599
and marketing anything really, but but especially music, and how

490
00:27:26,640 --> 00:27:28,599
do you balance that with you also don't want to

491
00:27:28,680 --> 00:27:30,920
oversaturate and you want to make sure that whatever you're

492
00:27:30,960 --> 00:27:35,000
putting out isn't rushed, that it's of quality. So it's

493
00:27:35,039 --> 00:27:37,920
a lot too, it's a lot to kind of navigate through.

494
00:27:38,440 --> 00:27:40,680
But uh, you know, but but so far, it seems

495
00:27:40,720 --> 00:27:43,880
like you're doing great. You've definitely got some some momentum

496
00:27:43,960 --> 00:27:47,440
behind you. And I'm really excited to see what awaiting

497
00:27:47,480 --> 00:27:49,480
a gap. Uh, I can't say it all of a sudden,

498
00:27:49,519 --> 00:27:53,400
awaiting Abigail I'm excited to see, uh, to see what

499
00:27:53,519 --> 00:27:57,160
you have in the future and and you've got and

500
00:27:57,240 --> 00:27:59,279
I'm really excited too to hear what this big announcement

501
00:27:59,319 --> 00:28:01,880
is that you can't tell us yet, but can you

502
00:28:01,920 --> 00:28:04,480
give us a hint, any any hints you can offer.

503
00:28:06,119 --> 00:28:09,519
Speaker 9: I could say, just it's gonna be Florida, it's gonna

504
00:28:09,519 --> 00:28:14,599
be September, and it's going to be a national act. Okay, yeah, yeah,

505
00:28:14,720 --> 00:28:17,960
little four day mini tour with them, and it'll definitely

506
00:28:18,079 --> 00:28:21,440
be somebody. It's somebody that people will definitely know, and

507
00:28:21,960 --> 00:28:23,440
it'll it's a great matchup for.

508
00:28:23,559 --> 00:28:26,160
Speaker 12: Us, not a not a not a national act you

509
00:28:26,240 --> 00:28:29,359
might have mentioned earlier in the conversation by any chance, No,

510
00:28:29,720 --> 00:28:34,200
okay yet, Okay, okay, it's it's coming though, I'm sure

511
00:28:34,200 --> 00:28:34,680
it's coming.

512
00:28:35,319 --> 00:28:36,200
Speaker 9: It's it's our goal.

513
00:28:36,559 --> 00:28:39,960
Speaker 12: Yeah, yeah, yeah, very good. Well listen, it's wonderful to

514
00:28:40,000 --> 00:28:42,279
speak to you both this morning. James, of course we

515
00:28:42,359 --> 00:28:44,519
had talked before, and Abigail, it's nice to meet you.

516
00:28:45,240 --> 00:28:48,920
And uh, absolutely, we'll definitely do this again in the

517
00:28:48,960 --> 00:28:50,920
future as you have more music coming out or and

518
00:28:51,039 --> 00:28:52,519
and if you want to come back on to when

519
00:28:52,519 --> 00:28:55,279
you can make make that announcement formally, Uh, you know,

520
00:28:55,359 --> 00:28:57,240
we we Jenny and I are both big fans and

521
00:28:57,319 --> 00:28:59,960
we want to support what you're doing. And I did

522
00:29:00,119 --> 00:29:02,359
get a lot of positive feedback too from from before

523
00:29:02,440 --> 00:29:04,799
when I played those songs on the show and I

524
00:29:05,039 --> 00:29:08,319
was thinking about ending the segment with I'm gonna let

525
00:29:09,359 --> 00:29:11,480
I told you what my personal favorite is, but I

526
00:29:11,559 --> 00:29:14,839
want to let the two of you choose, because I

527
00:29:14,839 --> 00:29:16,960
don't know if there's something you're pushing more than more

528
00:29:17,039 --> 00:29:19,759
than something else from the EP bad mind. But what

529
00:29:19,880 --> 00:29:22,720
would your what would your preference be, James and Abigail,

530
00:29:22,799 --> 00:29:25,279
what would your preference be that I that I closed

531
00:29:25,279 --> 00:29:25,880
the segment with.

532
00:29:26,759 --> 00:29:28,000
Speaker 9: I'll let the little lady pick.

533
00:29:28,640 --> 00:29:33,559
Speaker 12: Okay, I guess I.

534
00:29:33,680 --> 00:29:35,119
Speaker 13: Hate you such your favorite?

535
00:29:35,240 --> 00:29:42,480
Speaker 12: I would yeah, perfect, perfect, Yeah, I I hate you

536
00:29:42,559 --> 00:29:44,480
as my favorite. That is so catchy, Like I said,

537
00:29:44,519 --> 00:29:45,960
I you know, after I played it on the show,

538
00:29:46,000 --> 00:29:48,000
I played it a bunch of times after we got

539
00:29:48,039 --> 00:29:49,200
off the air that day. I was just like, this

540
00:29:49,319 --> 00:29:52,960
is just such a great track, so so wonderful. All right,

541
00:29:53,000 --> 00:29:55,839
well listen, we'll uh, we'll wrap up with that. We'll

542
00:29:55,920 --> 00:29:57,240
let you go and then I'm gonna hit that track.

543
00:29:57,319 --> 00:30:00,119
But Abigail and James so nice to talk with. Thank

544
00:30:00,119 --> 00:30:03,440
you both this morning on Matt connorton Unleashed. I wish

545
00:30:03,480 --> 00:30:05,799
you continued success and I'm sure we'll talk again soon.

546
00:30:07,079 --> 00:30:07,359
Speaker 9: Thank you.

547
00:30:07,759 --> 00:30:10,519
Speaker 12: Okay, thank you, Okay, you got it. Thank you. Take care,

548
00:30:10,680 --> 00:30:12,759
bye bye bye.

549
00:30:13,440 --> 00:30:13,759
Speaker 9: All right.

550
00:30:13,799 --> 00:30:16,079
Speaker 12: Wonderful. So that is James, of course had been on

551
00:30:16,119 --> 00:30:17,559
the show. We talked with him a few weeks ago,

552
00:30:17,680 --> 00:30:19,880
and I was wonderful to get to speak with Abigail

553
00:30:19,960 --> 00:30:23,640
as well, the lead singer of Awaiting Abigail, and we're

554
00:30:23,680 --> 00:30:25,799
gonna play this track again. This is this is so

555
00:30:26,000 --> 00:30:28,799
so good. This is called I Hate You. This is

556
00:30:28,880 --> 00:30:34,279
from the EP called Bad Mind. And we might actually

557
00:30:34,359 --> 00:30:36,319
we might actually sneak another one into We might play

558
00:30:36,319 --> 00:30:38,359
a couple of these. If you are listening live on

559
00:30:38,480 --> 00:30:41,599
Saturday morning. Trall is coming up next. I've been notified

560
00:30:41,640 --> 00:30:43,680
that they have arrived, so we're going to get them

561
00:30:43,720 --> 00:30:45,519
in the building. I'm really excited to talk to those

562
00:30:45,559 --> 00:30:47,160
guys as well. And of course in the third hour,

563
00:30:47,240 --> 00:30:49,680
we have Mike Frazier joining us, so we've got a

564
00:30:49,759 --> 00:30:52,680
lot of show left to go. But check this out.

565
00:30:52,759 --> 00:30:54,559
This is catchy as hell. This is called I Hate You,

566
00:30:54,720 --> 00:31:02,279
and the band is awaiting Abigail, Oh.

567
00:31:02,400 --> 00:31:07,160
Speaker 17: Good fear cheez, what's weird? I hate her so much?

568
00:31:07,359 --> 00:31:08,680
I'm not doing this today.

569
00:31:09,359 --> 00:31:11,839
Speaker 1: Let's go a long way quick, let's go.

570
00:31:13,000 --> 00:31:20,880
Speaker 15: Whatever you show up, you always happen by your fingers

571
00:31:20,920 --> 00:31:23,480
and crows and reads him nice?

572
00:31:26,240 --> 00:31:34,160
Speaker 12: No, why no when you hate came? But I see you?

573
00:31:38,400 --> 00:31:40,000
Speaker 17: Why you so?

574
00:31:41,680 --> 00:31:54,880
Speaker 7: Why so way? Worry you say? Moliday so chest Why

575
00:31:59,039 --> 00:32:03,599
by and.

576
00:32:08,799 --> 00:32:15,440
Speaker 8: By you know sk.

577
00:32:17,319 --> 00:32:21,400
Speaker 7: Grace bol, This says Bol.

578
00:32:31,119 --> 00:32:36,000
Speaker 17: You played the game, but no, you would just play.

579
00:32:37,359 --> 00:32:44,920
We're all her for all the shame? Why I so?

580
00:32:46,559 --> 00:32:47,839
Speaker 7: By? Eyre?

581
00:32:48,119 --> 00:32:48,880
Speaker 14: So way?

582
00:32:52,440 --> 00:32:55,440
Speaker 7: Mary? You say?

583
00:32:55,680 --> 00:32:56,400
Speaker 18: Are day.

584
00:32:57,799 --> 00:32:57,839
Speaker 9: So?

585
00:32:59,440 --> 00:33:01,839
Speaker 1: Why ye so away?

586
00:33:03,960 --> 00:33:09,279
Speaker 17: Why why.

587
00:33:13,839 --> 00:33:13,920
Speaker 9: Ye?

588
00:33:25,200 --> 00:33:26,599
Speaker 19: I been trying to find y'all?

589
00:33:27,119 --> 00:33:28,279
Speaker 17: Did you know what happened to?

590
00:33:29,359 --> 00:33:29,400
Speaker 20: What?

591
00:33:30,839 --> 00:33:31,039
Speaker 8: Yes?

592
00:33:31,160 --> 00:33:36,000
Speaker 17: And if everything she's totally deserves you?

593
00:33:36,720 --> 00:33:37,000
Speaker 9: Are you?

594
00:33:37,400 --> 00:33:44,000
Speaker 17: Why now you're the one? Five face b.

595
00:33:45,559 --> 00:33:45,880
Speaker 4: Loud?

596
00:33:48,119 --> 00:33:54,480
Speaker 7: Why I am so? Why eyes soway.

597
00:33:57,279 --> 00:34:01,279
Speaker 17: Marry day by day.

598
00:34:02,680 --> 00:34:09,960
Speaker 14: So jo b? I hate?

599
00:34:13,559 --> 00:34:19,719
Speaker 9: What is? I hate?

600
00:34:22,960 --> 00:34:24,760
Speaker 7: What idea.

601
00:34:30,800 --> 00:35:37,280
Speaker 17: Than whistles though dissumption entangled.

602
00:35:36,840 --> 00:35:43,480
Speaker 7: In for mind, Give me my comper for your paper, hide.

603
00:35:45,079 --> 00:35:48,920
Speaker 17: I see, stow your footstot your lies and well fast

604
00:35:50,719 --> 00:35:52,639
and then make happier on.

605
00:35:52,800 --> 00:35:53,559
Speaker 15: The back.

606
00:35:56,440 --> 00:36:00,559
Speaker 21: Holding nun bias day, got a mess of I'm trying

607
00:36:00,559 --> 00:36:01,519
to pry great.

608
00:36:02,119 --> 00:36:06,119
Speaker 22: Trying du been chop me how fine becking.

609
00:36:05,920 --> 00:36:06,320
Speaker 9: Me all.

610
00:36:07,679 --> 00:36:11,239
Speaker 7: Cho may be telling me.

611
00:36:13,239 --> 00:36:19,800
Speaker 22: Falling under fall and that's stipulated the best fun recycle

612
00:36:20,400 --> 00:36:23,000
this in the trust.

613
00:36:24,440 --> 00:36:26,199
Speaker 7: Falling under fall.

614
00:36:26,159 --> 00:36:31,800
Speaker 17: And that's stipulated. I felt that now I see.

615
00:36:33,519 --> 00:36:46,079
Speaker 23: Falling nonders, falling nono, falling non nose but.

616
00:36:50,199 --> 00:36:50,599
Speaker 8: Fallen.

617
00:36:50,760 --> 00:37:00,599
Speaker 24: London tells me, don't you worry, You'll be up and

618
00:37:00,679 --> 00:37:01,639
you'll be fine.

619
00:37:03,480 --> 00:37:11,480
Speaker 17: Get here, kay, time see through your f sal eyes

620
00:37:11,519 --> 00:37:20,519
and ravel fast happened in the past corner. You're holding

621
00:37:20,639 --> 00:37:23,719
on by a straight You're the message.

622
00:37:23,760 --> 00:37:28,440
Speaker 21: I'm trying to break break trying to control me how

623
00:37:28,639 --> 00:37:29,880
my recking.

624
00:37:29,679 --> 00:37:34,800
Speaker 7: Moods Chayes, Maybe tell.

625
00:37:34,840 --> 00:37:42,199
Speaker 22: Me break falling under fall and fast stipulated the best

626
00:37:42,559 --> 00:37:49,079
on the cycle of the seat in the falling under

627
00:37:49,360 --> 00:37:55,519
fall and fastipuates it like the fast see.

628
00:37:57,280 --> 00:38:15,239
Speaker 23: Fun unders stuff, falling unders, falling nonders good, falling under.

629
00:38:19,519 --> 00:38:21,039
Speaker 1: Falling no nerves go.

630
00:38:42,559 --> 00:39:02,519
Speaker 8: Yeah, breathing out outside her mother's.

631
00:39:02,079 --> 00:39:03,599
Speaker 17: Not okay.

632
00:39:04,760 --> 00:39:12,440
Speaker 19: Two full telling mon che but no, no, every everything

633
00:39:12,679 --> 00:39:19,119
seems fine. It's fine, not doing my fane when your world.

634
00:39:19,039 --> 00:39:20,519
Speaker 15: Is going to cease this.

635
00:39:20,840 --> 00:39:23,800
Speaker 1: You just got to remember this one me by.

636
00:39:25,320 --> 00:39:26,559
Speaker 17: What's happ in front.

637
00:39:26,320 --> 00:39:30,360
Speaker 21: Of theF That's all you got to do?

638
00:39:32,199 --> 00:39:33,440
Speaker 17: What's happ in front of me?

639
00:39:33,880 --> 00:39:38,079
Speaker 15: Happens supine a fad mine?

640
00:39:39,079 --> 00:39:43,039
Speaker 17: What's happen in front of the epsodes? What's epp in

641
00:39:43,159 --> 00:39:44,639
front of the essence?

642
00:39:45,920 --> 00:39:46,519
Speaker 9: What's eve in.

643
00:39:46,599 --> 00:39:47,960
Speaker 13: Front of the essen?

644
00:39:48,480 --> 00:39:49,920
Speaker 7: Don't you gonna do anything?

645
00:39:50,079 --> 00:39:50,679
Speaker 14: My life?

646
00:39:51,519 --> 00:39:54,679
Speaker 7: Bad mindne.

647
00:39:57,559 --> 00:40:05,519
Speaker 17: Mad? They always tell.

648
00:40:05,440 --> 00:40:08,719
Speaker 7: Me you got to be brave, But what the hell

649
00:40:09,000 --> 00:40:10,000
is that you to pay?

650
00:40:11,039 --> 00:40:18,280
Speaker 21: You at your worst and badrive to know mine? Don't

651
00:40:18,320 --> 00:40:23,840
you at your cousin making thing to the sumo sound true?

652
00:40:24,639 --> 00:40:27,960
Speaker 17: I got a pen's a listening tears allow you just

653
00:40:28,159 --> 00:40:28,480
got to.

654
00:40:28,559 --> 00:40:33,280
Speaker 21: Some members find they se what's set in front of

655
00:40:33,400 --> 00:40:36,159
the athen That's all.

656
00:40:36,039 --> 00:40:37,239
Speaker 8: You got to do?

657
00:40:39,079 --> 00:40:40,320
Speaker 17: What set in front of the.

658
00:40:41,880 --> 00:40:42,280
Speaker 14: Just said?

659
00:40:43,559 --> 00:40:44,880
Speaker 7: A fat mine?

660
00:40:46,000 --> 00:40:48,039
Speaker 17: What's that in front of the essence?

661
00:40:49,360 --> 00:40:51,519
Speaker 22: What's happen in front of the essence?

662
00:40:52,719 --> 00:40:56,159
Speaker 17: What's set in front of theessence? I tell you gotta

663
00:40:56,239 --> 00:40:57,800
do this in my life.

664
00:40:58,119 --> 00:40:59,119
Speaker 7: A fast.

665
00:41:11,639 --> 00:41:13,039
Speaker 17: Wants you'll have to keep it in.

666
00:41:15,079 --> 00:41:19,480
Speaker 22: That ships out high things you feel like you won't

667
00:41:19,679 --> 00:41:21,159
keep better again?

668
00:41:22,360 --> 00:41:27,599
Speaker 7: You got over the sky and mine.

669
00:41:28,800 --> 00:41:30,000
Speaker 14: You be a.

670
00:41:31,719 --> 00:41:34,079
Speaker 7: What you wanna or come this time.

671
00:41:34,400 --> 00:41:35,559
Speaker 22: I'm here with you.

672
00:41:36,000 --> 00:41:37,760
Speaker 1: Just take my big.

673
00:41:39,079 --> 00:41:40,440
Speaker 17: What's that in front of thee?

674
00:41:40,719 --> 00:41:44,119
Speaker 7: At them? So all you got to do?

675
00:41:45,960 --> 00:41:48,039
Speaker 17: What's up in front of thief? At them?

676
00:41:48,920 --> 00:41:51,679
Speaker 7: There by a fast mine?

677
00:41:52,800 --> 00:41:54,599
Speaker 17: What's up in front of things?

678
00:41:54,760 --> 00:41:54,920
Speaker 9: Them?

679
00:41:56,239 --> 00:41:57,599
Speaker 17: What's up in front of bee?

680
00:41:57,840 --> 00:41:58,320
Speaker 7: That them?

681
00:41:59,599 --> 00:41:59,880
Speaker 14: What's it?

682
00:42:22,039 --> 00:42:24,239
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683
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684
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685
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689
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690
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691
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693
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694
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695
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698
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699
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700
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701
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702
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704
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716
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717
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Speaker 9: Seven times out of ten we listened to our music

718
00:44:42,360 --> 00:44:42,920
at night.

719
00:44:44,920 --> 00:44:48,039
Speaker 6: That's gon titled lists program.

720
00:44:47,960 --> 00:44:52,000
Speaker 10: Late Night to Light with DJ Midas right here on WMNH, Manchester.

721
00:44:52,119 --> 00:44:53,760
Speaker 1: If you want to know why, because.

722
00:44:55,480 --> 00:44:59,679
Speaker 9: Saturdays and Sunday nights midnight to four am this hour.

723
00:45:00,239 --> 00:45:06,000
Speaker 26: WMNH is sponsored by CGI Business Solutions, located at five

724
00:45:06,159 --> 00:45:10,119
Dartmouth Drive in Auburn. They serve all your business needs

725
00:45:10,239 --> 00:45:15,800
including employee benefits, planning, corporate design and business administration, investments

726
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and wealth management and customized.

727
00:45:18,079 --> 00:45:19,639
Speaker 9: Business insurance solutions.

728
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Speaker 26: Their phone number is eight sixty six eight four one

729
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forty six hundred, or on the web at CGI business

730
00:45:27,039 --> 00:45:28,400
Solutions dot com.

731
00:45:31,440 --> 00:45:34,960
Speaker 27: Behold the harmony of airwaves as you immerse yourself in

732
00:45:35,000 --> 00:45:39,119
the captivating frequencies of w n NHLP, the sonic.

733
00:45:38,880 --> 00:45:40,199
Speaker 9: Cards of Manchester.

734
00:45:40,519 --> 00:45:43,199
Speaker 27: The transcending through the ether at ninety five point three

735
00:45:43,280 --> 00:45:47,000
megahertz frequency modulation or transmissions emanate from the z F

736
00:45:47,239 --> 00:45:49,960
one thousand elm streets insur into the hearts of our

737
00:45:50,079 --> 00:45:53,559
creative Realm at one nineteen Canal Street where Innovation and

738
00:45:53,760 --> 00:45:58,360
Sound Globe. They're the impromter of Manchester Public Television Service

739
00:45:58,440 --> 00:46:02,000
in the venerable city of Manchester, New Hampshire, USA. Enrich

740
00:46:02,079 --> 00:46:04,760
your auditory journey with the depth of our license to

741
00:46:04,840 --> 00:46:08,079
wesn't wesspt your missives did w M n H ninety

742
00:46:08,119 --> 00:46:11,480
five three at gmail dot com or traverse the virtual

743
00:46:11,599 --> 00:46:14,760
corridors of w m n H radio dot org. Engage

744
00:46:14,840 --> 00:46:17,320
with our sonic vibrations by communing with us through the

745
00:46:17,400 --> 00:46:21,159
digital channels or radio reconds. Eager to enthrall you with

746
00:46:21,280 --> 00:46:24,119
its mesmerizing kidence and envelop you with a symphony of

747
00:46:24,199 --> 00:46:25,480
foundless auditories.

748
00:46:25,519 --> 00:46:33,960
Speaker 1: One dude, w m n H rip the novels you're

749
00:46:34,079 --> 00:46:35,360
listening to w M.

750
00:46:35,360 --> 00:46:39,159
Speaker 9: And H World premiere.

751
00:46:47,159 --> 00:46:49,320
Speaker 1: There last story on both.

752
00:46:55,559 --> 00:47:01,760
Speaker 3: By soss them everything that lady wants to be in

753
00:47:01,920 --> 00:47:02,440
his arme.

754
00:47:03,320 --> 00:47:05,440
Speaker 7: Just take a little cat of his mask.

755
00:47:05,360 --> 00:47:08,239
Speaker 1: And you don't realize that his full loves grass.

756
00:47:11,199 --> 00:47:12,199
Speaker 3: He tom say.

757
00:47:16,280 --> 00:47:17,679
Speaker 7: What he thinks he said.

758
00:47:17,719 --> 00:47:18,920
Speaker 9: Everybody's there.

759
00:47:21,800 --> 00:47:28,280
Speaker 7: Oh boy, he's so cool, but we all know that

760
00:47:28,559 --> 00:47:39,400
he's just a fool. A top ten session. He's got

761
00:47:39,480 --> 00:47:40,280
praise like no.

762
00:47:44,360 --> 00:47:46,119
Speaker 8: I turn them see from.

763
00:47:48,559 --> 00:47:51,119
Speaker 7: A time Winn the Man of Surprise and you'll break

764
00:47:51,199 --> 00:47:55,000
even one time readers, Dad, rise not grass to see

765
00:47:55,119 --> 00:47:57,760
what's mask? You want to turn around man and shout

766
00:47:57,800 --> 00:48:01,400
it up here praying tetu his he's the worst. The

767
00:48:01,519 --> 00:48:02,360
boys back.

768
00:48:02,440 --> 00:48:04,119
Speaker 1: I mean, it's really upset.

769
00:48:04,519 --> 00:48:06,400
Speaker 4: These teams of the past.

770
00:48:06,719 --> 00:48:07,679
Speaker 8: A high school.

771
00:48:07,519 --> 00:48:08,519
Speaker 7: Captain still smoking.

772
00:48:08,559 --> 00:48:09,920
Speaker 1: Team pas.

773
00:48:12,360 --> 00:48:13,559
Speaker 17: Was here, Tom Sam.

774
00:48:17,880 --> 00:48:20,000
Speaker 21: He thinks he's sav thirties.

775
00:48:20,119 --> 00:48:29,280
Speaker 7: There, Oh boy, he's so cool. Well, we all know

776
00:48:29,559 --> 00:48:31,039
that he's touch up fool.

777
00:48:35,039 --> 00:48:36,360
Speaker 1: The jack se too.

778
00:48:40,360 --> 00:48:42,000
Speaker 17: He's got praise like now.

779
00:48:45,880 --> 00:48:47,400
Speaker 7: Jock till see food.

780
00:48:51,079 --> 00:48:55,159
Speaker 1: Wheel and we know the true.

781
00:48:56,440 --> 00:48:58,000
Speaker 23: When it comes Lane.

782
00:48:59,159 --> 00:49:00,119
Speaker 12: There it goes.

783
00:49:24,320 --> 00:49:25,559
Speaker 7: When he comes out.

784
00:49:29,639 --> 00:49:32,320
Speaker 1: What he thinks he's say Freebody's friend.

785
00:49:35,119 --> 00:49:37,559
Speaker 17: Oh boy, he so cool.

786
00:49:40,519 --> 00:49:47,440
Speaker 1: Well, we don't know that he took up fool. Jack

787
00:49:47,559 --> 00:49:48,440
can't say true.

788
00:49:52,360 --> 00:49:53,599
Speaker 9: He's got praise like you.

789
00:49:57,679 --> 00:49:59,079
Speaker 17: I don't feel safe.

790
00:50:03,599 --> 00:50:03,920
Speaker 6: Like you.

791
00:50:04,199 --> 00:50:04,400
Speaker 14: Man.

792
00:50:19,519 --> 00:50:22,639
Speaker 12: Oh that is so good. That is Braggadocio and the

793
00:50:22,760 --> 00:50:26,360
band is Trall and we've got Troll here with us

794
00:50:26,599 --> 00:50:29,719
live in studio. This is Matt Connorton Unleashed and we

795
00:50:29,800 --> 00:50:33,199
are live from the studios of w MNH ninety five

796
00:50:33,199 --> 00:50:36,280
point three FM and glorious, very rainy and wet, Manchester,

797
00:50:36,400 --> 00:50:39,360
New Hampshire, if you are listening live on Saturday May ten,

798
00:50:39,800 --> 00:50:43,000
twenty twenty five, and so happy to have you with us.

799
00:50:43,039 --> 00:50:44,599
That is a world radio premiere of that track, by

800
00:50:44,639 --> 00:50:46,760
the way, that has not been heard on the radio

801
00:50:47,440 --> 00:50:50,079
prior to today. So we do love the world radio premieres.

802
00:50:50,159 --> 00:50:52,719
And we've got the members of Trall all four guys

803
00:50:52,760 --> 00:50:55,559
are here with us live in studio. Welcome, gentlemen. Hello,

804
00:50:57,599 --> 00:51:00,840
let's do this. Let's start with you, sir. We'll go

805
00:51:00,880 --> 00:51:02,559
around the room and tell us who you are and

806
00:51:02,599 --> 00:51:03,320
what you do in the band.

807
00:51:03,800 --> 00:51:06,679
Speaker 5: I am Sean. I am the singer of Well. I

808
00:51:06,719 --> 00:51:08,400
make mouth noises. Let me get that right, I make

809
00:51:08,440 --> 00:51:10,800
mouth noises for troll all right, welcome shot.

810
00:51:11,199 --> 00:51:13,679
Speaker 12: I'm Adam. I hit things, Adam, you hit.

811
00:51:13,639 --> 00:51:18,360
Speaker 28: Things, okay. I played guitar, justin you play guitar. Very good, seth.

812
00:51:18,519 --> 00:51:21,519
I play the big guitar or also known as the bass.

813
00:51:21,519 --> 00:51:25,039
Speaker 12: The bass. Yes, yes, well, welcome, by the way, I

814
00:51:25,079 --> 00:51:27,079
did enjoy we were talking off here. I really like

815
00:51:27,199 --> 00:51:31,320
that that bass solo there and braggadocio. That's really good.

816
00:51:31,400 --> 00:51:32,199
Speaker 28: Thank you so much.

817
00:51:32,239 --> 00:51:34,480
Speaker 12: That was fun to do that every band has to

818
00:51:34,559 --> 00:51:37,679
have a bass solo song. Well actually a lot of

819
00:51:37,719 --> 00:51:39,559
bands would disagree with that, but I'm all for.

820
00:51:39,599 --> 00:51:43,239
Speaker 28: It anytime I can sneak one in there, I'm always psych.

821
00:51:43,239 --> 00:51:46,920
Speaker 12: Absolutely absolutely man. And by the way, so I appreciate

822
00:51:47,000 --> 00:51:49,440
you guys traveling too. You know, we have a lot

823
00:51:49,440 --> 00:51:54,320
of artists on the show from various parts. We just

824
00:51:54,360 --> 00:51:56,960
talked to awaiting Abigail from Texas, of course, and they

825
00:51:57,039 --> 00:51:58,880
skyped in or what we're using in place of Skype

826
00:51:58,920 --> 00:52:01,679
now because Skype is apparently away. But usually you know,

827
00:52:01,760 --> 00:52:03,960
when people are joining us live in studio, they're usually

828
00:52:04,000 --> 00:52:06,159
you know, maybe within within an hour max. But you

829
00:52:06,199 --> 00:52:08,400
guys drove all the way down from Portland on a

830
00:52:08,599 --> 00:52:11,000
rainy Saturday morning. So I really appreciate that you're here.

831
00:52:11,159 --> 00:52:12,519
Speaker 28: Yeah, absolutely pleasure.

832
00:52:12,679 --> 00:52:15,760
Speaker 12: And of course our friend Nathan Hill, he's in the

833
00:52:15,800 --> 00:52:17,679
chat room. He was, he drove a long way too

834
00:52:17,719 --> 00:52:19,119
to get here. He was on the show recently, and

835
00:52:19,320 --> 00:52:21,360
uh so I think he's the one who actually connected

836
00:52:21,440 --> 00:52:24,000
us with you guys, who connected Jenny. Yes, but we've

837
00:52:24,039 --> 00:52:27,519
been aware of you for a long time. I certainly

838
00:52:27,599 --> 00:52:30,480
have in fact, j Bellow from Chasing the Devil he

839
00:52:30,559 --> 00:52:32,360
had said something about you guys in the chat room

840
00:52:32,400 --> 00:52:33,840
I think a couple weeks ago, and he might be listening,

841
00:52:33,960 --> 00:52:36,280
HJ And yeah, he said, because I think they did

842
00:52:36,320 --> 00:52:38,280
they play a show with you. Yeah, we resent with them.

843
00:52:39,480 --> 00:52:40,800
Speaker 28: That was the last summer show.

844
00:52:40,840 --> 00:52:45,840
Speaker 12: Yeah, no, Chasing the Devil's last July. Yeah, oh very cool. Great,

845
00:52:45,920 --> 00:52:47,159
dudes love Chasing the Devil.

846
00:52:47,159 --> 00:52:49,039
Speaker 5: Would love to get, you know, hooked up with them

847
00:52:49,039 --> 00:52:50,840
again because they put on a hell of a show.

848
00:52:50,960 --> 00:52:54,000
Speaker 12: So oh absolutely absolutely, Yeah, They're incredible. And I've known

849
00:52:54,079 --> 00:52:57,800
Jay forever, uh since back in his purge d I days. Yeah,

850
00:52:58,000 --> 00:53:00,360
long time, long time. But yeah, so I've been and uh,

851
00:53:02,639 --> 00:53:05,840
forgive me, my allergies have been out of control. And

852
00:53:05,880 --> 00:53:07,599
then I hope the rain washes away to the pollend,

853
00:53:07,599 --> 00:53:10,280
but it doesn't seem to work that way. So if

854
00:53:10,320 --> 00:53:12,480
I a couple of times, that's why I'm sorry. I'm

855
00:53:12,519 --> 00:53:15,039
not sick. I'm just uh, it's a it's a rough spring.

856
00:53:16,000 --> 00:53:17,440
But uh but yeah, so I've been aware of you

857
00:53:17,480 --> 00:53:19,840
guys for a while. I've seen you live. I can't

858
00:53:19,880 --> 00:53:22,440
remember where it was. It might have been a few

859
00:53:22,519 --> 00:53:22,920
years ago.

860
00:53:23,679 --> 00:53:26,400
Speaker 28: Oh yeah, if you played a few years ago, we

861
00:53:26,519 --> 00:53:28,840
played We've played a couple of places in Manchester. We've

862
00:53:28,840 --> 00:53:31,679
played at Jewel right up the street, that's where it was, Okay, yeah,

863
00:53:31,760 --> 00:53:32,440
I remember.

864
00:53:32,320 --> 00:53:33,800
Speaker 5: Jewel, And then last time we were down here we

865
00:53:33,840 --> 00:53:35,960
played at the Goat. We played with the Blackstone Cherry.

866
00:53:36,079 --> 00:53:38,840
It was a little mini run we did for we

867
00:53:38,920 --> 00:53:41,199
had our CD release, and then we played two shows

868
00:53:41,239 --> 00:53:43,960
back to back with Blackstone Cherry once in the Goat

869
00:53:44,159 --> 00:53:46,480
down here, and then we went to Wally's in.

870
00:53:46,559 --> 00:53:49,719
Speaker 12: Hampton Beach to you know, oh, very cool, finish that out.

871
00:53:49,840 --> 00:53:52,440
So yeah, yeah, yeah, I remember seeing you guys a Jewel.

872
00:53:52,559 --> 00:53:54,440
That's that's the show I was at, and yeah, we

873
00:53:54,519 --> 00:53:56,880
were just very impressed. But you've been around for a while,

874
00:53:56,960 --> 00:53:59,960
like right, Parl's been around for at least five or

875
00:54:00,000 --> 00:54:00,639
six years.

876
00:54:00,519 --> 00:54:03,800
Speaker 28: Right, Yeah, we started in about I think June of

877
00:54:03,840 --> 00:54:07,840
twenty eighteen, so it's been next month will be seven

878
00:54:08,000 --> 00:54:09,000
years for trial, So.

879
00:54:09,239 --> 00:54:12,920
Speaker 12: Okay, yeah, same lineup or has that changed over the years.

880
00:54:13,280 --> 00:54:16,000
Speaker 28: It just changed a little. Sean and I have been

881
00:54:16,199 --> 00:54:20,960
in the entire time, and we've known Adam and Justin

882
00:54:21,079 --> 00:54:23,679
for for a very long time and they've been friends

883
00:54:23,760 --> 00:54:25,840
and fellow musicians, and Adam and I were in a

884
00:54:25,880 --> 00:54:29,960
band together for a long time. But Justin on guitar

885
00:54:30,119 --> 00:54:33,960
came in almost five years ago, and then and then

886
00:54:34,000 --> 00:54:36,079
Adam came in three years ago. So we've been the

887
00:54:36,119 --> 00:54:39,360
same lineup for three years and I really feel like we've,

888
00:54:40,239 --> 00:54:42,039
in my opinion, kind of hit our stride with the

889
00:54:42,639 --> 00:54:44,800
line I feel like this is the lineup. Yeah.

890
00:54:45,079 --> 00:54:48,280
Speaker 12: Yeah. In terms of your live shows, does any of

891
00:54:48,320 --> 00:54:51,719
the early material survives that carried forth?

892
00:54:51,840 --> 00:54:52,719
Speaker 9: Oh? Yeah, yeah, yeah.

893
00:54:52,800 --> 00:54:55,840
Speaker 5: We play a lot of you know, everything that we've written.

894
00:54:55,880 --> 00:54:58,280
We pretty much play okay, kind of in a rotation

895
00:54:58,400 --> 00:55:01,159
depending on you know, where we are, who we're playing with.

896
00:55:01,320 --> 00:55:04,920
We try to cater to the set, you know, who's there.

897
00:55:05,039 --> 00:55:07,400
You know, if it's heavier, we might tend to push

898
00:55:07,440 --> 00:55:10,440
ourselves a little bit in the heavier direction. But we

899
00:55:10,519 --> 00:55:12,840
play pretty much everything. I think there's two songs that

900
00:55:12,920 --> 00:55:17,440
we just kind of retired based on we wrote them

901
00:55:17,599 --> 00:55:20,079
and we like them, and then it's like, yeah, kind

902
00:55:20,119 --> 00:55:22,519
of outgrew it. It's just not it doesn't hit the

903
00:55:22,559 --> 00:55:23,599
way it hit when we wrote it.

904
00:55:23,920 --> 00:55:26,440
Speaker 12: Yeah. I'm always curious because I've been in bands where

905
00:55:26,559 --> 00:55:29,719
sometimes if there's a change in members, you know, there's

906
00:55:29,920 --> 00:55:31,679
sometimes there might be somebody in the band who's like, ah,

907
00:55:31,719 --> 00:55:33,960
that's from before, we shouldn't do that, which which I

908
00:55:34,000 --> 00:55:36,599
would always fight against because I was always like I

909
00:55:36,679 --> 00:55:38,320
was in a band called My Life Crisis, which went

910
00:55:38,320 --> 00:55:40,480
through a lot of different permutations through through the years,

911
00:55:40,480 --> 00:55:42,880
and I was always like, well, I know these songs

912
00:55:42,920 --> 00:55:44,719
are from a from an old lineup, but still, you

913
00:55:44,760 --> 00:55:46,360
know these are songs that we made. I mean, we

914
00:55:46,480 --> 00:55:47,719
made this music. It's our music.

915
00:55:47,920 --> 00:55:50,199
Speaker 18: A good song is a good song exactly worth it

916
00:55:50,320 --> 00:55:53,239
didn't play it exactly, and it's heartbreaking to have to

917
00:55:53,320 --> 00:55:55,519
retire something just because you know, like if you've got

918
00:55:55,559 --> 00:55:57,280
one guy in the band who's like, a, I don't

919
00:55:57,280 --> 00:55:59,840
want to play that anymore because you know that's tied

920
00:55:59,880 --> 00:56:02,280
to a previous lineup, and it's like, oh come on man.

921
00:56:02,159 --> 00:56:03,119
Speaker 12: I've done that a few times.

922
00:56:03,159 --> 00:56:05,039
Speaker 18: And it's like if the guy who left actually wrote

923
00:56:05,079 --> 00:56:07,079
the song like that was his baby, yeah kind of

924
00:56:07,159 --> 00:56:07,760
understand it.

925
00:56:07,920 --> 00:56:11,320
Speaker 12: Yeah, I yeah, I can kind of understand. Although that

926
00:56:11,639 --> 00:56:13,320
ended up in the band I was talking about that

927
00:56:13,400 --> 00:56:15,519
I was in that that did become a big point

928
00:56:15,559 --> 00:56:18,039
of contention. It all worked out in the end, but yeah.

929
00:56:19,039 --> 00:56:21,559
Speaker 28: Yeah, and we kind of like let the the people

930
00:56:21,679 --> 00:56:23,320
tell us what they want to hear too, because a

931
00:56:23,360 --> 00:56:24,639
lot of times we'll reach out and say, hey, what

932
00:56:24,679 --> 00:56:25,960
do you want to what do you want to see

933
00:56:25,960 --> 00:56:29,079
this weekend? And and some of our older songs people

934
00:56:29,840 --> 00:56:31,719
want want to see live. So we're you know, we

935
00:56:31,840 --> 00:56:36,639
actually close with car chard on and it's like it

936
00:56:36,760 --> 00:56:38,559
was one of the first songs we ever wrote, and

937
00:56:38,679 --> 00:56:41,119
it's literally been our closer for.

938
00:56:41,239 --> 00:56:43,400
Speaker 12: Like our entirety of the band.

939
00:56:43,519 --> 00:56:45,679
Speaker 5: Yeah really, yeah, yeah, it was the first song we

940
00:56:45,800 --> 00:56:49,119
recorded and put out, and honestly, like when we got

941
00:56:49,199 --> 00:56:51,159
it going, it was just a hey, we got to

942
00:56:51,159 --> 00:56:52,920
have something to show what we're doing, like we are

943
00:56:53,000 --> 00:56:56,239
playing shows. But car Chardon was the first one we recorded,

944
00:56:56,519 --> 00:56:58,840
and Seth sold like a bunch of comic books to

945
00:56:58,880 --> 00:57:01,320
help pay for it and stuff like that. Yeah, Like

946
00:57:01,559 --> 00:57:03,519
it was funny because the conversation we had the songs

947
00:57:03,519 --> 00:57:06,519
about a shark from the point of view of a shark. Yeah,

948
00:57:06,599 --> 00:57:09,360
and Seth sould the Batman comic book that had a

949
00:57:09,599 --> 00:57:12,280
shark on the cover, and we were about it was.

950
00:57:12,280 --> 00:57:15,920
Speaker 28: Like Batman two fifty one there it is, Batman fights

951
00:57:15,960 --> 00:57:18,119
a Shark. It's the one with Joker on the cover

952
00:57:18,360 --> 00:57:21,239
with the with the actual playing card really and it's

953
00:57:21,320 --> 00:57:25,719
an iconic cover and I ended up parting ways with

954
00:57:25,840 --> 00:57:29,119
it to get the money to to go record that song. Yeah,

955
00:57:29,719 --> 00:57:31,400
but I don't regret it. I don't regret it, and

956
00:57:31,440 --> 00:57:32,360
I'll buy it back some days.

957
00:57:32,480 --> 00:57:35,000
Speaker 12: Yeah, yeah, exactly. You can always get it back later.

958
00:57:35,079 --> 00:57:38,000
Speaker 5: First there we recorded, and it's been our closer ever since,

959
00:57:38,119 --> 00:57:40,639
just because we feel like it's just a fun song. Yeah,

960
00:57:40,800 --> 00:57:43,079
it always is a good time and people when we

961
00:57:43,280 --> 00:57:45,599
first played it. I remember the faces. People were like, Okay,

962
00:57:45,719 --> 00:57:47,440
they were getting into all the stuff we'd done and

963
00:57:47,519 --> 00:57:49,800
this song came on and they weren't anticipating what would

964
00:57:49,840 --> 00:57:51,599
happen towards the end of it, and they were like,

965
00:57:52,599 --> 00:57:57,199
what just occurred was not in my purview of what

966
00:57:57,400 --> 00:58:00,159
was going on this entire set. And so it's it's

967
00:58:00,159 --> 00:58:01,960
been one of those fun surprises. If you've never seen

968
00:58:02,039 --> 00:58:03,960
us and you come see this and you hear that song,

969
00:58:04,039 --> 00:58:05,920
you're like, what was that?

970
00:58:06,320 --> 00:58:10,719
Speaker 12: Yeah, yeah, that's pretty cool. Is it being a band

971
00:58:10,800 --> 00:58:11,400
from Portland?

972
00:58:11,519 --> 00:58:11,960
Speaker 9: Is it? Uh?

973
00:58:12,320 --> 00:58:12,480
Speaker 27: Is it?

974
00:58:13,920 --> 00:58:15,599
Speaker 12: This might be a strange question. I don't know. Is

975
00:58:15,599 --> 00:58:17,280
it hard to stand out there when you're first starting

976
00:58:17,320 --> 00:58:20,320
to build a following because people say this about Boston, like,

977
00:58:20,360 --> 00:58:22,760
if you're a Boston band, there's so many Boston bands,

978
00:58:22,800 --> 00:58:24,639
it's hard to stand out, and like up here it's

979
00:58:24,639 --> 00:58:27,360
a little easier. But but Portland, for as long as

980
00:58:27,400 --> 00:58:29,519
I can remember, has always had a pretty incredible music

981
00:58:29,559 --> 00:58:31,519
scene too. It seems like there's a lot of really

982
00:58:31,559 --> 00:58:34,119
good bands in Portland. I mean, is that is it competitive?

983
00:58:34,199 --> 00:58:36,400
Like what's the I haven't I used to do a

984
00:58:36,440 --> 00:58:38,599
lot in Portland. I used to promote shows and stuff

985
00:58:38,639 --> 00:58:40,440
when I was more into that part of the business.

986
00:58:40,480 --> 00:58:43,599
But but but I've been kind of disengaged from Portland

987
00:58:43,639 --> 00:58:45,400
as a city for a long time, so I don't

988
00:58:45,400 --> 00:58:47,360
really know, like what the vibe is there now.

989
00:58:48,400 --> 00:58:50,960
Speaker 28: Yeah, i'd say it is. It is tough to stand out.

990
00:58:51,039 --> 00:58:53,599
I think it's just about kind of finding your other peers,

991
00:58:53,679 --> 00:58:56,280
your other bands that like you fit well with, yeah,

992
00:58:56,400 --> 00:58:59,199
and kind of trying to create critical mass with like

993
00:58:59,280 --> 00:59:02,079
two or three bands that like everyone will come out

994
00:59:02,119 --> 00:59:04,800
and see and the and the audience makes sense, which

995
00:59:04,840 --> 00:59:06,960
has been a rotating cast over the years because a

996
00:59:07,039 --> 00:59:10,039
lot of bands, you know, fall off and break up

997
00:59:10,119 --> 00:59:13,840
and new bands are always popping up, so we're always

998
00:59:14,519 --> 00:59:17,039
trying to find new bands to play with that that

999
00:59:17,519 --> 00:59:20,519
are exciting to us, that we like their sound. But

1000
00:59:20,679 --> 00:59:23,360
Portland in general is is tough because you've got a

1001
00:59:23,400 --> 00:59:27,280
lot of tourism and you kind of got this whole

1002
00:59:27,440 --> 00:59:31,239
upper end rising up with all the you know, luxury

1003
00:59:31,280 --> 00:59:33,800
condos and whatnot, and so you've got you've got kind

1004
00:59:33,840 --> 00:59:36,360
of two Portland's. You know, you got the the sort

1005
00:59:36,400 --> 00:59:39,840
of the tourists and and sort of higher priced end,

1006
00:59:39,920 --> 00:59:42,679
and then you've got your your bars and clubs and

1007
00:59:42,800 --> 00:59:45,679
you know, sort of the local scene end. And and

1008
00:59:46,079 --> 00:59:48,719
there's a lot of clubs that don't cater to rock

1009
00:59:48,800 --> 00:59:50,920
and metal, and there's a there's a few that do,

1010
00:59:51,400 --> 00:59:54,360
and those are always a moving target. And uh, it's

1011
00:59:54,440 --> 00:59:55,960
it's been tough through the pandemic, like