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<v Speaker 1>After twenty nine years engineering in the bones and sinews

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<v Speaker 1>of the city, I thought I understood how building kept

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<v Speaker 1>its secrets. Retired six months now, I fell Tuesday mornings

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<v Speaker 1>helping digitize dusty plans in the half forgotten corner of

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<v Speaker 1>the Municipal Library's basement. It's not purely altruism, as in

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<v Speaker 1>order to blueprints the stelsus my mind's need for clean

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<v Speaker 1>lines and labeled spaces. The physicality of the sheets, yellowed

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<v Speaker 1>and crackling, speaks to some stubborn instinct for reliability. A

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<v Speaker 1>thing once drawn, a measured or to exist. It was

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<v Speaker 1>a fog thick March morning when I lifted a roll

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<v Speaker 1>plan from the un catalog pile, more for the weight

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<v Speaker 1>of it than an I label. Most volunteers leave the

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<v Speaker 1>blueprints for me, faded graphite and fountain pen with notations

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<v Speaker 1>in at least three hands, signed off by a city

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<v Speaker 1>engineer whose lost project predates my own apprenticeship. In the

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<v Speaker 1>upper left a title block Municipal Library Eastern, an externeral

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<v Speaker 1>arrangement dated nineteen fifty seven, with red penciled revisions trailing

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<v Speaker 1>into nineteen sixty four. I raised the plant high level

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<v Speaker 1>and let it fall open. Across the work table's green bays,

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<v Speaker 1>the recognizably bold main body of the library span the

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<v Speaker 1>left half grand stair, weeding, rotten at stacks, and side

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<v Speaker 1>wings whose shadowed light remains familiar, but sprawling to the right.

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<v Speaker 1>Labels for a eastern annex, main gallery, quiet roommate, a

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<v Speaker 1>staff alcove archaz B three, even a southeast stair enough

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<v Speaker 1>square footage to nearly double the size I have crisscross

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<v Speaker 1>a measure in idle moments between shelf shifts, lines drawn

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<v Speaker 1>with conviction, room numbers, rolling book carts, even the old

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<v Speaker 1>electrical closet annotated with a cryptic twopy outlet for late fifty.

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<v Speaker 1>You think, in all my hours of wandering mapping, digitizing

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<v Speaker 1>a year is helping friends locate obscure homes, months of

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<v Speaker 1>gentle argument, overflow, loading and shuring walls. Even that rain

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<v Speaker 1>sook season, when the elevator grown back till life out

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<v Speaker 1>of glimpse. Some sign of this vast annex, But there

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<v Speaker 1>is nothing. The wall along the east end remains flushed brick,

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<v Speaker 1>its tall windows almost definedly ordinary, no trace of asimo

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<v Speaker 1>patched over arch, no odd angle or corridor. The only

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<v Speaker 1>irregularity is a gentle bulge in the sidewalk, which I

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<v Speaker 1>dismissed as sol to dens the earth shifting beneath too

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<v Speaker 1>much coastal rain. I stared at the plan. If this

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<v Speaker 1>annex was ever real, it should have left scars beans

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<v Speaker 1>in the ceiling, break doorways, a little asymmetry in the

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<v Speaker 1>lines of the roof. But the building, as I've known

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<v Speaker 1>at leavest no hint according to these drawings, though it

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<v Speaker 1>was in use by nineteen fifty nine. With Handriton's circulation

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<v Speaker 1>less striffing into the late nineteen sixties gallery reserved for

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<v Speaker 1>Poetry Club Autumn temp archives he transferred to Central nineteen seventy.

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<v Speaker 1>There's a penciled in corridor wrapping dog legged behind the

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<v Speaker 1>boiler room, yet I have never noticed such a path

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<v Speaker 1>in my dozens of crossings from the reference desk to

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<v Speaker 1>the north stacks. I heised the plan back into my satchel,

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<v Speaker 1>sweat prickling along my ribs. Even in a library famous

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<v Speaker 1>for misplaced Victorian pamphlets and warp shelf labels, this was odd.

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<v Speaker 1>By coffee break the usual conversations in the slow, agreeable

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<v Speaker 1>pulse of catalog he might have overwhelmed my curiosity, but

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<v Speaker 1>the contradiction had burned into a stubborn corner of my mind.

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<v Speaker 1>A building so proud in its slow de case, so

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<v Speaker 1>thoroughly traversed and talked over, how could it have hidden

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<v Speaker 1>a win of itself in plain view. I pressed my

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<v Speaker 1>hand against the rolled sheet, as if its weight could

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<v Speaker 1>shift the answer closer. Things leave run ends. I said

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<v Speaker 1>this to myself as the elevator grumbled up to the lobby.

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<v Speaker 1>Yet this feastern annex lingered as an outline, without a

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<v Speaker 1>shadow of blueprint, for something that both was and wasn't.

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<v Speaker 1>Just at the edge of civic memory retirement, I told

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<v Speaker 1>friends was supposed to be time for crossword puzzles and

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<v Speaker 1>model trains, But I've always preferred and finished puzzles, the

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<v Speaker 1>mysteries that demand quietly to be traced and measured, even

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<v Speaker 1>if only in pencil. The library settles into its days

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<v Speaker 1>with the kind of measure grandeur it stoned reading room

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<v Speaker 1>and marble sayre renounced a time when the city's fortune

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<v Speaker 1>still swung confident in the upward, long before the fog

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<v Speaker 1>and the salt air began taking back what ambition built.

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<v Speaker 1>My volunteer badge still bears my surname in block capitals

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<v Speaker 1>and indirect relic of the way engineers and paper pushes

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<v Speaker 1>once filled these halls. That morning I greeted a mess Cattery,

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<v Speaker 1>the head librarian, at her post behind the mahogany desk.

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<v Speaker 1>She scanned my satchel for evidence of frued old habit,

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<v Speaker 1>never relinquished, and smiled around the ever prison tightness in

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<v Speaker 1>her jaw. Early to day Peter, she said, already sorting

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<v Speaker 1>aquisition slips with the speed of some one who does

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<v Speaker 1>not slow for pleasantries. I give her the usual line habit, again,

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<v Speaker 1>dictating the rhythms of greeting. Lewis, the security guard, nodded

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<v Speaker 1>from his steel by the entry, checking his pocket radio.

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<v Speaker 1>Neither of them is given to idle speculation. MS Coffee's

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<v Speaker 1>capacity for recal borders on the religious, specially where library

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<v Speaker 1>policies are concerned. Lewis tracks the comings and goings with

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<v Speaker 1>the memory for faces, but little interest in paperwork. The

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<v Speaker 1>other Tuesday volunteers drifted in sturdy Missess Ferrel, local historian

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<v Speaker 1>emeritus and a retirement fixture for nearly as long as

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<v Speaker 1>the linoleum in the children's wing. Alex the grad student

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<v Speaker 1>whose urgent thesis on civic memory and the coastal imagination

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<v Speaker 1>often conflicts with his taste for half digested Wikipedia trivia.

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<v Speaker 1>Together we form a makeshift club, cross readed by decades

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<v Speaker 1>and temperaments, united only by need, perhaps to be needed.

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<v Speaker 1>If any place in the city survives on gentle routine,

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<v Speaker 1>it is this library. There is the morning ballet of reshelving,

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<v Speaker 1>the daily battle with the copy machine's paper jams. The

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<v Speaker 1>elevate of our only portal between basement storage and the

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<v Speaker 1>main floor is famous for its moods, sometimes embarking without

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<v Speaker 1>pass sometimes with them. People joke about the gross stacks,

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<v Speaker 1>where mis cataloged novels turn out months later, their return

102
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<v Speaker 1>slips fluttering as if an apology. I have my own routes,

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<v Speaker 1>the zigzig behind new acquisitions, past the wall of staff

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<v Speaker 1>commission paintings, turning left at the bronze drinking fountain with

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<v Speaker 1>its inexplicable trip after so many months. I know the

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<v Speaker 1>click of each light switch, the grown each day emits

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<v Speaker 1>on foggy days. There are no mysteries in the mortar,

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<v Speaker 1>or so I insisted until last week. If you trust

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<v Speaker 1>nothing else in an old civic building, trust its corners.

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<v Speaker 1>Every space is cataloged. Every room has a story stubbornly

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<v Speaker 1>attached to a plaque or grateful donor's name. It's almost

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<v Speaker 1>a point of pride with the staff. The building may creak,

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<v Speaker 1>but we know every passage in Alcove. There have been

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<v Speaker 1>endless renovations, true, but never enough resources to lose a wing,

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<v Speaker 1>never a scandal big enough to swallow half the eastern elevation.

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<v Speaker 1>The most we argue about is whether the city's shoving

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<v Speaker 1>scheme is better classify budgy or by the practical reality

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<v Speaker 1>of which chef can bear the most weight. I told

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<v Speaker 1>myself all this while staring at the plan again that night.

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<v Speaker 1>I trust buildings. You can measure, check, retrace in the

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<v Speaker 1>flesh work was put on an inc The annex plan

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<v Speaker 1>did not belong. Somehow, it felt like a deer. I

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<v Speaker 1>spent Wednesday on a quiet reconnaissance, a kind of play

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<v Speaker 1>for investigation. I mapped there should be walls from the

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<v Speaker 1>blueprint against their real world counterparts. The annex would have

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<v Speaker 1>begun just past the staff lunge east of the main

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<v Speaker 1>staircase and trailed back in a long wedge parallel to

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<v Speaker 1>the avenue. Yet the area is occupied by a restless

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<v Speaker 1>tangle of storage rooms, the electrical panel and most telling

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<v Speaker 1>plained unbroken masony. Every time I checked a spot where

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<v Speaker 1>a gallery entrance store quiet ruined tent fell on paper.

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<v Speaker 1>In life there was only plaster and pain decades old,

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<v Speaker 1>or pepwoalls so warped by humidity that nothing still fit.

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<v Speaker 1>I brought my old steel tape, as if measuring the

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<v Speaker 1>wall land would reveal some hidden count deep. But the

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<v Speaker 1>numbers were honest to the inch. No place for double walls,

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<v Speaker 1>no empty vestibule. Lewis, when I asked about the eastern side,

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<v Speaker 1>leaned back on his stool. Only place anyone really goes

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<v Speaker 1>is the mober room of the alley, he said. The

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<v Speaker 1>rest is wall hasn't been a door there since. He

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<v Speaker 1>wrapped his knuckles for effect. As long as I've been here,

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<v Speaker 1>could it have been walled up? I pressed, showing him

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<v Speaker 1>the place he's quinted. My money's on a building plan

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<v Speaker 1>they never followed. They used to dream big, right a

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<v Speaker 1>whole neighborhoods got extensions, then budgets. He handed the plan

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<v Speaker 1>back and concerned his mind. I sensed work differently from mine,

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<v Speaker 1>never supplementing the present with what might have been satisfied

148
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<v Speaker 1>instead of what hands could touch. Mess Coffee viewed the

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<v Speaker 1>drawings with the polite patience she saves for especially stubborn patrons.

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<v Speaker 1>These come up sometimes, she said, adjusting her glasses, A

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<v Speaker 1>proposed wing or a grant application that never quite materialize.

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<v Speaker 1>The building Commission did love their paperwork. There's no record

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<v Speaker 1>of an annex being finished. In fact, the annual reports wead.

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<v Speaker 1>She turned to a shelf, pulled out a sheaf of

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<v Speaker 1>bound ports and paged through lips. Pursed, No, look, this

156
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<v Speaker 1>is the nineteen sixty one annual, and there's only mention

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<v Speaker 1>a fire along testing in the east hallway. Nothing about

158
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<v Speaker 1>new rooms. I tried clumsily to suggest obliperntce this detailed

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<v Speaker 1>on usually just ideas. Her response was definitive buildings are

160
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<v Speaker 1>built errors sometimes, but they don't leave ghost rooms. If

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<v Speaker 1>something truly existed, I would know. There is a kind

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<v Speaker 1>of faith you alone, working in libraries of trust, in systems,

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<v Speaker 1>even flowered ones. She returned to her tasks. I tapped

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<v Speaker 1>the plan away with a growing scent of a knease.

165
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<v Speaker 1>After lunch, I rode the elevator alone, pressing each floor

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<v Speaker 1>and wrapping on the east wall panels. The bell rang

167
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<v Speaker 1>for every stop, no sign of an extra bottom blow

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<v Speaker 1>or above, no mysterious e glowing and in green. The

169
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<v Speaker 1>staff room was its usual self, mismatched muggs, the bulletin

170
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<v Speaker 1>from last year's gale culling on a corkpord, then yielding

171
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<v Speaker 1>smell of burnt coffee. In the only place the blueprint

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<v Speaker 1>promised to corridor, there was nothing now forgotten. Do no

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<v Speaker 1>seam in the paneling. Even missus Ferrell Hugh, prided herself

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<v Speaker 1>on preserving every scrap of the city's memory, squinted at

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<v Speaker 1>the plan and then shook her head. I'd remember if

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<v Speaker 1>we had a whole wing here, she insisted, But then

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<v Speaker 1>a flick across her kraggy theater lit face. Wait a gallery,

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<v Speaker 1>maybe ages ago at the end of the east corridor. God,

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<v Speaker 1>it's fuzzy. There was talk of new reading rooms. She

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<v Speaker 1>pressed her palm to her brow, rare furrowing. But it

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<v Speaker 1>doesn't add up. Maybe I'm mixing it with the art school,

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<v Speaker 1>or perhaps we just dreamed that Alex, working three feet away,

183
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<v Speaker 1>peeked over a heap of city directors. It it makes sense,

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<v Speaker 1>he said, tapping his temple. When you get a labyrinth's size.

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<v Speaker 1>Who's to say a phantom one couldn't slitt the record

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<v Speaker 1>books hegrin youthful skepticism shaded with affection, or just a

187
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<v Speaker 1>clerical error. These archives could teach quantum mechanics about uncertainty.

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<v Speaker 1>By closing, I was more certain of what I did

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<v Speaker 1>not know. If the annex was ever real, it had

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<v Speaker 1>vanished so perfectly that neither wall nor memory, not even

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<v Speaker 1>the elevator's ancient circuitry, dared with Spirit's name. The next

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<v Speaker 1>phase of my curiosity of compulsion, if I monester targeted

193
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<v Speaker 1>something less physical, more systemic. I spent the next day

194
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<v Speaker 1>trolling the digitized catalog, searching by location code A first nothing.

195
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<v Speaker 1>Then I widened the query. Room assignments, circulation slips, accession

196
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<v Speaker 1>numbers clustered by East Wing Annex Room forty two and

197
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<v Speaker 1>the solitary gallery noted in call numbers seventy three entries, novels, monographs,

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<v Speaker 1>local history, all attributed to Eastern Annex or variant room labels.

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<v Speaker 1>To my surprise, many were marked as checked out within

200
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<v Speaker 1>the last year, one with the n in the past month.

201
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<v Speaker 1>The borrowers barcodes were legitimate, but no one on staff

202
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<v Speaker 1>recognized the names. The computer showed the books as returned

203
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<v Speaker 1>and michelved, but where each clue floated just out of reach.

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<v Speaker 1>One title naded at me astus the fifth Voyage Lewis

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<v Speaker 1>Carrol asterisk spelled with two l s. I've read Carol.

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<v Speaker 1>There is no such book. Another asterisk, The Collected Letters

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<v Speaker 1>of Missus Hadton astrsk, the famous Landlady in Sherlock Combs,

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<v Speaker 1>has to my knowledge, no standalone volume of correspondence. I

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<v Speaker 1>brought a copy of the new Logs to the morning meeting. Ms.

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<v Speaker 1>Cartrey frowned over the pages. We haven't used these room

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<v Speaker 1>codes since the seventies, she said, after a pause. Most

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<v Speaker 1>rooms were consolidated when the city cut staffing. She turned

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<v Speaker 1>the slip over a cream colored card, blue library stamp.

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<v Speaker 1>The date line faded. This succession label predates me. Her

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<v Speaker 1>eyes narrowed, but this checked out last week and returned.

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<v Speaker 1>She glanced at me, and I felt a little chill,

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<v Speaker 1>not a fear, but of recognition that a certainty was

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<v Speaker 1>not vulnerable. I sought the stacks. Every shelf in the

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<v Speaker 1>modern fiction Bay was as I remembered, except one book

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<v Speaker 1>faced spying out with no visible call number. I picked

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<v Speaker 1>it up astros through the shadows e Olt Janson asterisk.

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<v Speaker 1>The slip glued inside bore an annex code and what

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<v Speaker 1>might have been a staff initial or a Chell's attempt

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<v Speaker 1>at script FM. The card looked like dozens I discarded

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<v Speaker 1>while relabeling, except this one listed returned Room forty two

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<v Speaker 1>Eastern Annex Thursday Shift. No Room forty two exists. The

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<v Speaker 1>book itself seen normal until the end of twenty pages,

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<v Speaker 1>missing entirely the final scene, vanishing mid sentence. Lewis, when

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<v Speaker 1>I showed him the slip, only shrugged, that's just old paper,

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00:11:34.120 --> 00:11:37.120
<v Speaker 1>why not toss it? But for once his pragmatic dismissal

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<v Speaker 1>struck me. His avoidance. The next few days brought new clues.

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<v Speaker 1>The microfilm machine, an artifact from another decade, flickered through

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<v Speaker 1>periodicals full of mundane civic news, photo contests, forward meetings,

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00:11:48.399 --> 00:11:51.480
<v Speaker 1>guard and lectures hosted in Ennex Gallery B book group

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<v Speaker 1>listings always vaguely phrased. Discussions by the bay window never

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<v Speaker 1>followed up in subsequent columns. Notices about art installations attributed

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<v Speaker 1>to the annex lene disappearing without a trace in the

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<v Speaker 1>weeks after the building too began to play its games

239
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<v Speaker 1>too many moments of feinne inexplicable sum from the sealed

240
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<v Speaker 1>utility hallway, at the trundle of a cart, a sudden,

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<v Speaker 1>harsh what might have been a laugh or cough. Rationally,

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00:12:12.519 --> 00:12:14.480
<v Speaker 1>it choked this up to echo or water pipes. But

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<v Speaker 1>the timing was odd, always when no one else seemed

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<v Speaker 1>to notice. Thursday, the elevator glitched on its reluctant climb.

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<v Speaker 1>For a split second, the button panel threw up a

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<v Speaker 1>pale green knee. I joed at it, but it vanished

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<v Speaker 1>before my finger landed. When I asked Lewis, he shook

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<v Speaker 1>his head. Happens every spring, he explained. The panel shores

249
00:12:32.480 --> 00:12:35.559
<v Speaker 1>a bit, some contacts misfire, no e just confusion. These

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00:12:35.559 --> 00:12:38.440
<v Speaker 1>old machines collect ghosts of their own. Yet each of

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<v Speaker 1>these oddities felt less like individual malfunctions and more like

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00:12:41.440 --> 00:12:43.639
<v Speaker 1>a system of remembering or refusing to forget a place

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00:12:43.679 --> 00:12:47.240
<v Speaker 1>it wants new. I went back to physical measurements. I

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<v Speaker 1>mapped every accessible wall, from the fogged trenched alley to

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<v Speaker 1>the stats lunchnook every dementia match the city surveyed the

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<v Speaker 1>public record the live experience of hundreds of visitors. No

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<v Speaker 1>one explained in just no secret hollows. If the annex exists,

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00:13:00.039 --> 00:13:01.919
<v Speaker 1>did it did so in a dimension that left no

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00:13:01.960 --> 00:13:04.799
<v Speaker 1>trace for tip measure or studfinder, But the pattern in

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00:13:04.840 --> 00:13:07.360
<v Speaker 1>a catalog I could not let it go. Here were

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00:13:07.360 --> 00:13:11.200
<v Speaker 1>not random database errors, but references persisting in circulation locks,

262
00:13:11.240 --> 00:13:14.759
<v Speaker 1>old slip tree surfacing among new books, A system's memory

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00:13:14.840 --> 00:13:17.919
<v Speaker 1>perhaps more durable than brick. The next step, im written

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00:13:17.919 --> 00:13:20.399
<v Speaker 1>in any engineering manual, was to look for memory rather

265
00:13:20.440 --> 00:13:23.559
<v Speaker 1>than stone. I phoned Missus Ferrell, hoping to probably something

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<v Speaker 1>from her vast and occasionally prickly recollection. She welcomed me

267
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<v Speaker 1>to her condominium with a lemon cookie and an abashed hesitation.

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<v Speaker 1>I recall my mother taking me to a long, bright room,

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<v Speaker 1>she said, eyes narrowing, as if focusing through fog. Ye send,

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<v Speaker 1>I think there were painting displays. I can picture the windows,

271
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<v Speaker 1>but not the pat to get there, Or did I

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<v Speaker 1>imagine it? She looked, mortified. YE know, at my age

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00:13:44.240 --> 00:13:46.360
<v Speaker 1>the mind invents. But there was always talk about the

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00:13:46.399 --> 00:13:49.320
<v Speaker 1>new reading rooms. A moment later she shook her head.

275
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<v Speaker 1>But nobody I know was ever able to show me

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00:13:51.840 --> 00:13:54.960
<v Speaker 1>that space. Not once I spend a week tracking down

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00:13:55.000 --> 00:13:58.159
<v Speaker 1>staff Wood served here in the seventies and eighties. An

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<v Speaker 1>old friend of mine, now a stayed away called Lych

279
00:14:00.440 --> 00:14:02.360
<v Speaker 1>shifts reshelving and some corridor at the end of the

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00:14:02.360 --> 00:14:04.720
<v Speaker 1>East Wing, but maybe it was a closet. There were windows,

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00:14:04.759 --> 00:14:07.799
<v Speaker 1>and yet she trailed off, voice thin with confusion. It

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00:14:07.879 --> 00:14:11.559
<v Speaker 1>was always almost there, never a clear route. Another clay

283
00:14:11.600 --> 00:14:14.120
<v Speaker 1>and declared, I stuck reference books where the plan said

284
00:14:14.120 --> 00:14:16.240
<v Speaker 1>the annex was. But all I remember is being annoyed

285
00:14:16.279 --> 00:14:20.720
<v Speaker 1>with the shelving order. Newspapers were no better. I shrolled microfilm,

286
00:14:20.759 --> 00:14:24.240
<v Speaker 1>then digital back pages, and found event listings Civicot Guilt,

287
00:14:24.320 --> 00:14:27.240
<v Speaker 1>Eastern Annex Gallery, are Friends of the Library, Meeting Thursday,

288
00:14:27.320 --> 00:14:30.519
<v Speaker 1>Room four X. The articles always ended abruptly or without

289
00:14:30.559 --> 00:14:34.399
<v Speaker 1>follow up. Next meeting location TBD. On those days, press

290
00:14:34.399 --> 00:14:36.320
<v Speaker 1>coverage seemed to blur, as if no one could quite

291
00:14:36.320 --> 00:14:39.759
<v Speaker 1>grasp what had happened. I gathered these stories, these hiccups

292
00:14:39.799 --> 00:14:42.440
<v Speaker 1>and memory. They differed in the particulars, but a shade

293
00:14:42.440 --> 00:14:45.519
<v Speaker 1>of quality remained. People spoke not of confusion, but of interruption,

294
00:14:45.600 --> 00:14:47.279
<v Speaker 1>the sense that the East Wing was real until the

295
00:14:47.279 --> 00:14:50.039
<v Speaker 1>moment he tried to recall it in detail, a memory

296
00:14:50.080 --> 00:14:53.320
<v Speaker 1>that made you embarrass, reluctant to be sure, bleezing things.

297
00:14:53.480 --> 00:14:56.720
<v Speaker 1>One patron put it, not misplacing them exactly, but skipping

298
00:14:56.720 --> 00:14:59.080
<v Speaker 1>over them, as if some moments or a spaces just

299
00:14:59.159 --> 00:15:02.159
<v Speaker 1>don't stick. This is a different kind of architecture. Space

300
00:15:02.240 --> 00:15:04.000
<v Speaker 1>is not measured in feet or bricks, but in the

301
00:15:04.039 --> 00:15:07.720
<v Speaker 1>reliability of recollection and the persistence of administrative habit. My

302
00:15:07.799 --> 00:15:10.919
<v Speaker 1>own confidence trembled, not just my faith in walls, but

303
00:15:10.960 --> 00:15:13.519
<v Speaker 1>in the ability of records, collective or personal, to whole

304
00:15:13.600 --> 00:15:16.799
<v Speaker 1>reality in place. I tried to write down what I knew,

305
00:15:16.840 --> 00:15:22.399
<v Speaker 1>tracing connections, a physical blueprint, catalog entries, circulations, lips labeled

306
00:15:22.399 --> 00:15:26.000
<v Speaker 1>for rooms that don't exist, newspaper clippings trailing off at

307
00:15:26.000 --> 00:15:28.679
<v Speaker 1>a course of elderly voices. Certain then uncertain about a

308
00:15:28.679 --> 00:15:31.519
<v Speaker 1>long room at the east edge, not just absence, but

309
00:15:31.519 --> 00:15:34.600
<v Speaker 1>a curated bureaurat, a kind of forgetting. Alex stopped me

310
00:15:34.639 --> 00:15:38.000
<v Speaker 1>one afternoon, as I sat among my scattered notes. You're

311
00:15:38.000 --> 00:15:40.360
<v Speaker 1>really going after this, ha t he said, smiling in

312
00:15:40.360 --> 00:15:42.559
<v Speaker 1>the way someone does when they admire a coxotic quespa,

313
00:15:42.600 --> 00:15:44.840
<v Speaker 1>expect little from it. I want to know how you

314
00:15:44.919 --> 00:15:48.240
<v Speaker 1>lose a room, I replied, A space ray so thoroughly

315
00:15:48.279 --> 00:15:51.600
<v Speaker 1>it leaves only paperwork. He considered this studying the plan.

316
00:15:52.320 --> 00:15:55.159
<v Speaker 1>Or maybe it's bureaucracy catching up with lived reality. Sometimes

317
00:15:55.159 --> 00:15:58.000
<v Speaker 1>the paper requites itself. Or maybe the paperwork is truer

318
00:15:58.039 --> 00:15:59.639
<v Speaker 1>than what's physically here. Do you think it to be

319
00:15:59.639 --> 00:16:03.279
<v Speaker 1>so stry range for this place? His words stuck. The

320
00:16:03.360 --> 00:16:06.840
<v Speaker 1>library's reality was not just brick anymore. It was the

321
00:16:06.879 --> 00:16:10.080
<v Speaker 1>sum of intentions, designs that almost took shape, records faithfully

322
00:16:10.159 --> 00:16:13.440
<v Speaker 1>kept even when nothing physical remained, Memories that preferred the

323
00:16:13.440 --> 00:16:16.799
<v Speaker 1>safety of venus. Perhaps the annex was not merely forgotten.

324
00:16:16.799 --> 00:16:19.320
<v Speaker 1>It hovered at the edge of realization, always threatening to become,

325
00:16:19.399 --> 00:16:22.600
<v Speaker 1>and always receding. On Friday, I took one last tour,

326
00:16:22.679 --> 00:16:25.240
<v Speaker 1>blueprint in hand, overlaying the plan with each angle, each

327
00:16:25.279 --> 00:16:28.360
<v Speaker 1>winto each crevice. I waited at the precise spot where

328
00:16:28.360 --> 00:16:31.360
<v Speaker 1>the corridor and the plan insisted on a door. No sound,

329
00:16:31.639 --> 00:16:34.080
<v Speaker 1>no draft, only the rumbling of distant cuts, and from

330
00:16:34.080 --> 00:16:36.840
<v Speaker 1>behind the wall the faintest scent of dustin news printrolled there, slowly,

331
00:16:36.879 --> 00:16:39.799
<v Speaker 1>cycling through pipe's first laid half a century ago. I

332
00:16:39.840 --> 00:16:42.600
<v Speaker 1>pressed my hand to the plaster, half expecting something to give.

333
00:16:43.320 --> 00:16:46.799
<v Speaker 1>Nothing did I paused and let the silence settle. For

334
00:16:46.879 --> 00:16:49.679
<v Speaker 1>the first time, I allowed myself to consider, perhaps buildings

335
00:16:49.720 --> 00:16:53.200
<v Speaker 1>are more than what is built. Perhaps, especially in old libraries,

336
00:16:53.320 --> 00:16:58.600
<v Speaker 1>the blueprints are never entirely overwritten, complete plans, accumulated records,

337
00:16:59.159 --> 00:17:03.320
<v Speaker 1>the scaffolding civic intention and memory, imperfect but persistent, finding

338
00:17:03.360 --> 00:17:05.839
<v Speaker 1>a way to leave its trace at some level. The

339
00:17:05.839 --> 00:17:07.559
<v Speaker 1>annex was as real as a paper on which it

340
00:17:07.599 --> 00:17:10.119
<v Speaker 1>was drawn, as persistent as the catalog entries that no

341
00:17:10.119 --> 00:17:12.559
<v Speaker 1>one could explain at present, as the hesitation in Missus

342
00:17:12.559 --> 00:17:16.000
<v Speaker 1>Fairl's brow. The city, the library staff and patience together

343
00:17:16.039 --> 00:17:18.200
<v Speaker 1>knitted a kind of almost space, not in stone, but

344
00:17:18.240 --> 00:17:21.200
<v Speaker 1>in thought, an administration. I closed my notebook and looked

345
00:17:21.200 --> 00:17:22.759
<v Speaker 1>again at the corridor in the planet, the one that

346
00:17:22.839 --> 00:17:26.200
<v Speaker 1>rat behind the known rooms than out of sight, shaded softly,

347
00:17:26.279 --> 00:17:29.680
<v Speaker 1>barely more than imagination or anticipation. I thought about how

348
00:17:29.720 --> 00:17:33.559
<v Speaker 1>intentions are laid down, marked, revised, then sometimes abandoned mid sentence.

349
00:17:34.240 --> 00:17:37.079
<v Speaker 1>What remains is not simply absence, but something like an echo,

350
00:17:37.119 --> 00:17:39.680
<v Speaker 1>a ghost not of the supernatural but of human bureaucracy,

351
00:17:39.720 --> 00:17:41.480
<v Speaker 1>and the stubborn half memory of what could have been.

352
00:17:42.000 --> 00:17:44.440
<v Speaker 1>Can a place be almost real? That was where I

353
00:17:44.480 --> 00:17:46.759
<v Speaker 1>left it for now, with more questions than answers, but

354
00:17:46.920 --> 00:17:49.799
<v Speaker 1>for the first time something more than confusion. I held

355
00:17:49.799 --> 00:17:51.599
<v Speaker 1>a new kind of map in my hands, not to

356
00:17:51.640 --> 00:17:54.240
<v Speaker 1>hid in passageways or secret rooms, but to the borders

357
00:17:54.240 --> 00:17:56.839
<v Speaker 1>between what is firmly built and what is perpetually unfinished.

358
00:17:57.599 --> 00:18:00.000
<v Speaker 1>In that space, I realized the library was still quite

359
00:18:00.039 --> 00:18:03.119
<v Speaker 1>rightly and possibly expanding. When you hover your palm over

360
00:18:03.160 --> 00:18:05.440
<v Speaker 1>a blueprint long enough, it leaves a faint ridge of

361
00:18:05.480 --> 00:18:07.920
<v Speaker 1>warmth on the paper, a sort of print physical or imagine,

362
00:18:07.920 --> 00:18:10.119
<v Speaker 1>and not unlike those marks left by but pressed beneath

363
00:18:10.119 --> 00:18:13.440
<v Speaker 1>a stack, almost visible when the light shifts. I stayed

364
00:18:13.480 --> 00:18:15.440
<v Speaker 1>at that spot by the east wall, finger tip, stole

365
00:18:15.480 --> 00:18:17.559
<v Speaker 1>tingling from a yielding plaster, and allowed the weight of

366
00:18:17.599 --> 00:18:19.559
<v Speaker 1>almost to settle over me, like the tide mista dead

367
00:18:19.599 --> 00:18:22.079
<v Speaker 1>from the bay. I thought, for a few minutes, I'd

368
00:18:22.079 --> 00:18:23.720
<v Speaker 1>reach the end of what the library could show me.

369
00:18:24.359 --> 00:18:26.640
<v Speaker 1>After all, you can disprove a myth with a ruler

370
00:18:26.680 --> 00:18:28.799
<v Speaker 1>and a flasklight. But what are you supposed to do

371
00:18:28.839 --> 00:18:30.920
<v Speaker 1>when the myth keeps signing its name on the paperwork,

372
00:18:31.000 --> 00:18:34.920
<v Speaker 1>When each system catalog memory ledter insists against all physical evidence,

373
00:18:35.599 --> 00:18:38.319
<v Speaker 1>The following Monday, Alex intercepted me as I was entering

374
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<v Speaker 1>the basement archives. He was carrying two oversized binders, and

375
00:18:42.279 --> 00:18:44.680
<v Speaker 1>his face was split, as always between eagerness and the

376
00:18:44.680 --> 00:18:48.200
<v Speaker 1>worried energy of someone in perpetual deadline. Peter, do you

377
00:18:48.240 --> 00:18:51.599
<v Speaker 1>have a minute? He followed me into a makeshift project nest,

378
00:18:51.680 --> 00:18:53.920
<v Speaker 1>which was nothing more than a folding table surrounded by

379
00:18:53.960 --> 00:18:56.839
<v Speaker 1>battter vetical files and the regular draft from a misaligned window.

380
00:18:57.440 --> 00:18:59.480
<v Speaker 1>The desk lamp cast our faces and pulls of yellow,

381
00:18:59.559 --> 00:19:01.880
<v Speaker 1>as if we were reploding somehast rather than volunteering in

382
00:19:01.960 --> 00:19:04.839
<v Speaker 1>service of order. I was thinking about your missing winghole,

383
00:19:04.880 --> 00:19:07.680
<v Speaker 1>the catalog weirdness, he said, sliding a laptop from his

384
00:19:07.759 --> 00:19:10.680
<v Speaker 1>bag with the detectives flourish. So I ran a couple

385
00:19:10.759 --> 00:19:13.279
<v Speaker 1>queries just for fun. It's not just old sluts. There's

386
00:19:13.279 --> 00:19:15.039
<v Speaker 1>a pattern. If his quint at it a right way.

387
00:19:15.519 --> 00:19:18.599
<v Speaker 1>He started scrolling through a spreadsheet with a hundred highlighted rows.

388
00:19:19.119 --> 00:19:21.640
<v Speaker 1>Every title from the Eastern annex or however it's labeled,

389
00:19:21.720 --> 00:19:24.839
<v Speaker 1>is off, sometimes by little, sometimes a lot. Like Hearer,

390
00:19:25.440 --> 00:19:28.680
<v Speaker 1>he tapped the screen, watering heights Emily burnt with the

391
00:19:28.720 --> 00:19:31.079
<v Speaker 1>numbat and the contents don't match the brunto. We note

392
00:19:31.079 --> 00:19:33.960
<v Speaker 1>those collected letters of Missess Hudson, which shouldn't exist any

393
00:19:33.960 --> 00:19:36.680
<v Speaker 1>works act maybe in someone's fun fiction and your loose

394
00:19:36.720 --> 00:19:39.480
<v Speaker 1>caroalty a less different page count. I found a record

395
00:19:39.519 --> 00:19:41.759
<v Speaker 1>for a froximity copy requested by someone named to get

396
00:19:41.759 --> 00:19:44.359
<v Speaker 1>this Jay and Barruman, who definitely doesn't have a library

397
00:19:44.359 --> 00:19:47.799
<v Speaker 1>acount to day. He looked up, grinning. It's not just

398
00:19:47.880 --> 00:19:50.359
<v Speaker 1>varnished rooms, it's books that sort of exist but don't.

399
00:19:50.440 --> 00:19:52.720
<v Speaker 1>I tried looking up their i sbns outside our catalog.

400
00:19:52.759 --> 00:19:55.240
<v Speaker 1>The closest matches are all slightly wrong, two few pages,

401
00:19:55.400 --> 00:19:58.400
<v Speaker 1>minor title differences, citation errors like imagine if we had

402
00:19:58.400 --> 00:20:02.359
<v Speaker 1>a wing just touse alternate versions of things. Errors I

403
00:20:02.400 --> 00:20:06.039
<v Speaker 1>suggested for was coming out more hopeful than convinced. He shrugged,

404
00:20:06.799 --> 00:20:09.599
<v Speaker 1>Errors repeat themselves. Sure, but this is more like a theme.

405
00:20:09.720 --> 00:20:11.279
<v Speaker 1>It's as if I don't know some part of the

406
00:20:11.319 --> 00:20:13.640
<v Speaker 1>library keeps accepting things that never quite made it to

407
00:20:13.680 --> 00:20:16.839
<v Speaker 1>the finish line. His observations center tremor through my comfortable

408
00:20:16.880 --> 00:20:19.519
<v Speaker 1>understanding of buildings, and to my alarm, pushed me away

409
00:20:19.519 --> 00:20:22.240
<v Speaker 1>from skepticism. I think I have clung to the idea

410
00:20:22.279 --> 00:20:24.480
<v Speaker 1>of a missing room because it preserved the reliability of

411
00:20:24.480 --> 00:20:27.759
<v Speaker 1>brooks and bends. But Alex was proposing something bigger than

412
00:20:27.799 --> 00:20:31.200
<v Speaker 1>faulty memory or misfiled entries. We looked at the list together.

413
00:20:31.920 --> 00:20:34.680
<v Speaker 1>Each record radiated a familiar and canny quality, the typhace

414
00:20:34.720 --> 00:20:37.680
<v Speaker 1>peer of the publication details plausible, the content wrong by small,

415
00:20:37.799 --> 00:20:41.160
<v Speaker 1>relentless increments. I was not prepared for the way realization

416
00:20:41.240 --> 00:20:43.599
<v Speaker 1>started to trickle through my bones. What if the annex,

417
00:20:43.640 --> 00:20:45.759
<v Speaker 1>if it existed, had been dedicated not to what was,

418
00:20:45.920 --> 00:20:49.000
<v Speaker 1>but to what almost was. We settled into rhythm. Alex

419
00:20:49.079 --> 00:20:52.559
<v Speaker 1>and I he creering locks and wrangling half broken databases,

420
00:20:52.720 --> 00:20:55.720
<v Speaker 1>and I plodding through accession numbers, checking label formats and

421
00:20:55.759 --> 00:20:59.279
<v Speaker 1>old shelf coats. I gathered the small, trembling stack of titles,

422
00:20:59.400 --> 00:21:02.519
<v Speaker 1>all bearing the Eastern annex stamp. Astoris Connined Life, Sherlock

423
00:21:02.559 --> 00:21:06.200
<v Speaker 1>Colne's Final Cases, Asterisk, Astorisk Lectures on Cypher's a loveless

424
00:21:06.200 --> 00:21:09.000
<v Speaker 1>Asterius cromade at wrong discipline but wholly credible at a glance.

425
00:21:09.160 --> 00:21:11.920
<v Speaker 1>ASTs the Fifth Voyage Asterisk, a slim blue banding with

426
00:21:12.000 --> 00:21:14.400
<v Speaker 1>sly illustrations that faded half way through the last chapter.

427
00:21:15.079 --> 00:21:18.000
<v Speaker 1>We poured over the lending logs, recurring barcodes and lone

428
00:21:18.079 --> 00:21:21.359
<v Speaker 1>histories trailing off into non existence. The return slips read

429
00:21:21.440 --> 00:21:24.480
<v Speaker 1>like confessions handwriting shifts. Dates that didn't correspond to the

430
00:21:24.559 --> 00:21:28.200
<v Speaker 1>library's calendar notes likely returned after confusion left in annex corridor.

431
00:21:28.799 --> 00:21:31.319
<v Speaker 1>Some names in the logs didn't match any recent patrons,

432
00:21:31.599 --> 00:21:33.920
<v Speaker 1>or they belonged to elderly members known to both of us,

433
00:21:34.200 --> 00:21:37.039
<v Speaker 1>people who didn't remember borrowing these books at all. On

434
00:21:37.119 --> 00:21:39.799
<v Speaker 1>a brusk afternoon, swept by scudding fog, I asked Missus

435
00:21:39.880 --> 00:21:42.799
<v Speaker 1>Farrow if she remembered any of these borrowed titles. She

436
00:21:42.880 --> 00:21:45.039
<v Speaker 1>frank for a heartbeat, then bit her lip, searching her

437
00:21:45.079 --> 00:21:47.839
<v Speaker 1>memory with the same intensity she usually reserves for her specialty,

438
00:21:47.839 --> 00:21:51.880
<v Speaker 1>the anniversaries of bridge openings collected letters of Missus Hudson.

439
00:21:52.000 --> 00:21:53.920
<v Speaker 1>That it rings a bell, I'll admit I think I

440
00:21:54.039 --> 00:21:56.440
<v Speaker 1>tried to find it once by recall reading some of it,

441
00:21:56.799 --> 00:21:58.759
<v Speaker 1>or at least holding it, But I can't be sure.

442
00:21:58.839 --> 00:22:02.200
<v Speaker 1>Did it of a blue cover? She grimaced. The trouble is,

443
00:22:02.400 --> 00:22:03.920
<v Speaker 1>whenever I tried to think of what was in it,

444
00:22:04.119 --> 00:22:06.000
<v Speaker 1>my mind just seems to flick like a film. Real

445
00:22:06.039 --> 00:22:09.440
<v Speaker 1>skipping a few frames. She pressed her fingers to her temple, uncertain,

446
00:22:09.480 --> 00:22:13.480
<v Speaker 1>and I sense slightly embarrassed. Maybe my memory is failing,

447
00:22:13.559 --> 00:22:15.440
<v Speaker 1>But I don't think it's just me. There's always been

448
00:22:15.480 --> 00:22:17.440
<v Speaker 1>something about the east end of this place I used

449
00:22:17.480 --> 00:22:20.440
<v Speaker 1>to imagine hall rooms, especially as a girl. Now, well,

450
00:22:20.480 --> 00:22:23.000
<v Speaker 1>who's to say what? We almost had? Alex and I

451
00:22:23.240 --> 00:22:26.799
<v Speaker 1>in turn grew bolder. We requested circulation history for every

452
00:22:26.839 --> 00:22:30.599
<v Speaker 1>code referencing annex ease or forty two. Each entry slipped

453
00:22:30.599 --> 00:22:32.599
<v Speaker 1>away as we followed it. The physical books turned up

454
00:22:32.599 --> 00:22:35.599
<v Speaker 1>shelled out of order, missing their original slips, or they

455
00:22:35.640 --> 00:22:38.640
<v Speaker 1>simply didn't exist elsewhere in a catalog. It was as

456
00:22:38.680 --> 00:22:42.079
<v Speaker 1>if the system, sensing our scrutiny, began rejecting these ghosts.

457
00:22:42.759 --> 00:22:45.400
<v Speaker 1>On a hunch, I dove into the microfilm Marquez again,

458
00:22:45.559 --> 00:22:48.799
<v Speaker 1>looking from more than just circled events or meetings. There

459
00:22:48.880 --> 00:22:51.920
<v Speaker 1>in an earliness one thousand, nine hundred sixty scan of

460
00:22:51.920 --> 00:22:54.160
<v Speaker 1>a staff log book, I found a shelving request for

461
00:22:54.279 --> 00:22:56.640
<v Speaker 1>in complete works an unfinished thought to please rochelve to

462
00:22:56.680 --> 00:22:59.799
<v Speaker 1>gallery or quiet room per caretaker F. C. Morrow. That

463
00:23:00.119 --> 00:23:03.039
<v Speaker 1>was the Falkrum. It was less flashy than secret blueprints

464
00:23:03.119 --> 00:23:05.559
<v Speaker 1>or missing doors. But something about the phrasing complete works

465
00:23:05.559 --> 00:23:08.400
<v Speaker 1>and unfinished thus crackled in my brain. It suggested a

466
00:23:08.440 --> 00:23:12.400
<v Speaker 1>purpose to the annex, not just accident or absence. Morrow.

467
00:23:12.599 --> 00:23:14.960
<v Speaker 1>The name felt almost familiar, as though it belonged to

468
00:23:15.000 --> 00:23:16.880
<v Speaker 1>the same universe as col slips and end of your

469
00:23:16.920 --> 00:23:20.359
<v Speaker 1>maintenance reports. I shared my find with Alex and Missesskatre,

470
00:23:20.440 --> 00:23:23.160
<v Speaker 1>who read the microfilms screen with the tight skeptical expression.

471
00:23:23.640 --> 00:23:26.480
<v Speaker 1>She clicked her tongue in the silence that followed. That's

472
00:23:26.559 --> 00:23:29.839
<v Speaker 1>probably some staff joke, schimuse, but not with her usual certainty.

473
00:23:30.480 --> 00:23:33.640
<v Speaker 1>Caretakers did tend to make their own rules, especially about shelving. Still,

474
00:23:33.680 --> 00:23:35.920
<v Speaker 1>I've never come across those initials in my old rosters.

475
00:23:36.400 --> 00:23:38.359
<v Speaker 1>She left us with the standing invitation to bring me

476
00:23:38.440 --> 00:23:41.279
<v Speaker 1>something physical and meaning, actual evidence of an annex, not

477
00:23:41.440 --> 00:23:45.039
<v Speaker 1>more spectral paperwork. Alex and I, undeterred, set out to

478
00:23:45.079 --> 00:23:47.920
<v Speaker 1>locate anything. Further time this morrier to the library's records.

479
00:23:48.599 --> 00:23:50.559
<v Speaker 1>It was during this phase that the audities began to

480
00:23:50.640 --> 00:23:54.079
<v Speaker 1>seem less accidental and more systemic. There were occurring traces

481
00:23:54.079 --> 00:23:57.240
<v Speaker 1>everywhere books that referenced events held in Gallery B Eastern Annex.

482
00:23:57.480 --> 00:24:00.799
<v Speaker 1>On June twenty four, nineteen sixty six, accession cards for

483
00:24:00.839 --> 00:24:04.119
<v Speaker 1>a works in progress awaiting final cataloging, room assignments for

484
00:24:04.160 --> 00:24:06.680
<v Speaker 1>academic talks by speakers who never appear again in any

485
00:24:06.720 --> 00:24:09.440
<v Speaker 1>other record. Each knit, it seemed, steeped in the same

486
00:24:09.480 --> 00:24:13.559
<v Speaker 1>flavor of almost their deliberate, persistent liminality. We broadened our search,

487
00:24:13.799 --> 00:24:17.519
<v Speaker 1>less concerned now with justifying our curiosity to the staff. Alex,

488
00:24:17.759 --> 00:24:21.039
<v Speaker 1>with his university credentials, sent offquaries to the city's personnel office.

489
00:24:21.079 --> 00:24:24.359
<v Speaker 1>In the library's old as payroll records. No one named F. C.

490
00:24:24.599 --> 00:24:27.240
<v Speaker 1>Morrow appeared in the current employee registry, but the archivists

491
00:24:27.240 --> 00:24:29.039
<v Speaker 1>sent back a scan of a faded ledger found in

492
00:24:29.079 --> 00:24:31.559
<v Speaker 1>a rarely accessed cabinet, and sent she wrote, because I

493
00:24:31.640 --> 00:24:35.119
<v Speaker 1>love a puzzle, and ye two sounded genuinely invested. Inside,

494
00:24:35.240 --> 00:24:38.039
<v Speaker 1>in a precise slanting hand, was a journal care Deaker's

495
00:24:38.079 --> 00:24:41.680
<v Speaker 1>Notes Eastern Annex, nineteen sixty five nineteen seventy eight. The

496
00:24:41.799 --> 00:24:44.720
<v Speaker 1>log was a kind of anti catalog, part technical, part diary.

497
00:24:44.839 --> 00:24:46.880
<v Speaker 1>Each entry dated and lined up with the librarian seal

498
00:24:46.960 --> 00:24:50.279
<v Speaker 1>for order and the philosopher's predilection toward and soudainity. Every

499
00:24:50.319 --> 00:24:53.200
<v Speaker 1>page opened a new puzzle a cart returned from gallery,

500
00:24:53.279 --> 00:24:57.119
<v Speaker 1>contents not matching out Wood's lips read wonder. Patron requested

501
00:24:57.200 --> 00:24:59.720
<v Speaker 1>volume Believe, not yet published, reshelved in Room forty two

502
00:24:59.759 --> 00:25:03.319
<v Speaker 1>with the others other fragmentary works, another later on the

503
00:25:03.400 --> 00:25:05.759
<v Speaker 1>key for the unfinished, all with shifts after falk keeped

504
00:25:05.799 --> 00:25:08.359
<v Speaker 1>or to quiet room prop The books will circle if unattended.

505
00:25:08.839 --> 00:25:12.519
<v Speaker 1>Pages of shoving instructions followed, describing locations and categories. I'd

506
00:25:12.519 --> 00:25:15.599
<v Speaker 1>never seen in an assisive shelf in complete monographs appending

507
00:25:15.720 --> 00:25:18.880
<v Speaker 1>narratives in one margin. The unfinished finds its own place.

508
00:25:18.960 --> 00:25:21.799
<v Speaker 1>Do not correct room numbers. Patrons usually remembered them after

509
00:25:21.880 --> 00:25:25.319
<v Speaker 1>a fashion. Alex, reading over my shoulder, looked up abruptly.

510
00:25:25.920 --> 00:25:28.839
<v Speaker 1>It's almost like a collection policy, he muttered. Half an

511
00:25:28.880 --> 00:25:31.880
<v Speaker 1>all or set of rules for something that resists catalogging,

512
00:25:32.039 --> 00:25:35.079
<v Speaker 1>I said, feeling the hair rise on my arms. There

513
00:25:35.160 --> 00:25:37.640
<v Speaker 1>was even enough hand complaint from nineteen seventy two about

514
00:25:37.640 --> 00:25:40.319
<v Speaker 1>how the east wall maintenance inspection was postponed again pending

515
00:25:40.359 --> 00:25:43.480
<v Speaker 1>with submission for fog klodure. The more entries we read,

516
00:25:43.519 --> 00:25:45.920
<v Speaker 1>the clearer it became that pending was a permanent status,

517
00:25:46.160 --> 00:25:49.200
<v Speaker 1>not a temporary delay. According to the Journal East War

518
00:25:49.319 --> 00:25:52.640
<v Speaker 1>work warriders and annex references were always awaiting final sign off.

519
00:25:53.319 --> 00:25:56.119
<v Speaker 1>The building's official expansion stalled on paper, but continued in

520
00:25:56.160 --> 00:25:59.519
<v Speaker 1>catalog intent and the routines have whoever kept these notes alive?

521
00:26:00.200 --> 00:26:02.720
<v Speaker 1>What does it mean? Alex asked? If the city kept

522
00:26:02.720 --> 00:26:05.559
<v Speaker 1>authorizing a place that didn't physically exist, it was a

523
00:26:05.640 --> 00:26:08.359
<v Speaker 1>question I carried to City Hall. I arranged to meet

524
00:26:08.400 --> 00:26:10.799
<v Speaker 1>with Daphney Wilcox, an old friend from my own years

525
00:26:10.839 --> 00:26:13.359
<v Speaker 1>with the municipal Works Department, now retired to gardening and

526
00:26:13.359 --> 00:26:16.640
<v Speaker 1>the occasional neighborhood dispute mediation. We sat over coffee in

527
00:26:16.680 --> 00:26:21.000
<v Speaker 1>her window bright kitchen. She remembered Mara's name, Bailey Morrow. Yes,

528
00:26:21.119 --> 00:26:24.319
<v Speaker 1>plans always caught in limber Eastern expansion, never funded, but

529
00:26:24.400 --> 00:26:26.640
<v Speaker 1>never canceled upright, the kind of project that stays in

530
00:26:26.680 --> 00:26:28.279
<v Speaker 1>the ledger just so they don't have to admit it

531
00:26:28.359 --> 00:26:30.559
<v Speaker 1>was abandoned. We joked, it was built out of paperwork

532
00:26:30.599 --> 00:26:33.880
<v Speaker 1>and delay. They'd prove inspections, even file budget entries, and

533
00:26:34.039 --> 00:26:36.880
<v Speaker 1>nothing ever happened. She pulled out a faded letter from

534
00:26:36.920 --> 00:26:39.079
<v Speaker 1>her files, a copy of a building permit request from

535
00:26:39.119 --> 00:26:42.920
<v Speaker 1>decades back, referencing the library and expending sight clearance. But

536
00:26:43.079 --> 00:26:47.559
<v Speaker 1>Daffy remembered Enna's pending stamps, not outcomes. She's snorted. If

537
00:26:47.559 --> 00:26:49.559
<v Speaker 1>he waited for everything in the city to be finalized,

538
00:26:49.640 --> 00:26:51.759
<v Speaker 1>you'd still be standing in line with your coffee freezing.

539
00:26:52.440 --> 00:26:55.440
<v Speaker 1>The feeling. The bureaucracy's ability to maintain something halfway between

540
00:26:55.480 --> 00:26:58.680
<v Speaker 1>negation and existence scared and delighted me equally. Back at

541
00:26:58.720 --> 00:27:00.599
<v Speaker 1>the library, I looked again at the more a journal,

542
00:27:00.640 --> 00:27:03.640
<v Speaker 1>in its odd directives close stows only when fog Lift's

543
00:27:03.720 --> 00:27:07.079
<v Speaker 1>shelve unresolved. Folumes by subject not author. The annex Luck's

544
00:27:07.079 --> 00:27:11.039
<v Speaker 1>intention was it a coded message about administrative inertia, a

545
00:27:11.119 --> 00:27:14.400
<v Speaker 1>personal philosophy of an et ceterric staffer, or a genuine

546
00:27:14.519 --> 00:27:16.960
<v Speaker 1>practical guide to managing a space that refused to settle

547
00:27:17.519 --> 00:27:19.960
<v Speaker 1>while the library persisted in referencing a wing that defied

548
00:27:20.000 --> 00:27:23.519
<v Speaker 1>both demolition and construction. Why did patron's memories behave the

549
00:27:23.559 --> 00:27:27.039
<v Speaker 1>same way as paperwork full of gaps, clances and sidelong admissions.

550
00:27:27.720 --> 00:27:30.079
<v Speaker 1>Alex brought one last discovery a pattern in a data

551
00:27:30.680 --> 00:27:33.920
<v Speaker 1>look Peter, he said, tapping his tablet display whenever the

552
00:27:33.960 --> 00:27:36.519
<v Speaker 1>city's annual fogg is worst really thick for multiple day's

553
00:27:36.519 --> 00:27:39.599
<v Speaker 1>circulation records for these or book spike, more returns, more

554
00:27:39.680 --> 00:27:42.440
<v Speaker 1>notes lugged about, annex my theories. It's not just administry

555
00:27:42.480 --> 00:27:44.759
<v Speaker 1>to err something about the foggy daysets the whole system

556
00:27:44.799 --> 00:27:46.759
<v Speaker 1>loose may be a little more room for the unfinished

557
00:27:46.759 --> 00:27:49.559
<v Speaker 1>to slip and d out. I realized suddenly to the fog.

558
00:27:49.799 --> 00:27:51.799
<v Speaker 1>Always looking at the city's edge had become less a

559
00:27:51.880 --> 00:27:54.519
<v Speaker 1>climatic feature and more stal permission. A time when everyone

560
00:27:54.599 --> 00:27:56.559
<v Speaker 1>from engineers to cloaks to the visitors of the reference

561
00:27:56.599 --> 00:27:59.200
<v Speaker 1>desk became just a little less certain, a time for

562
00:27:59.279 --> 00:28:02.920
<v Speaker 1>lapses and more. I walked the perimeter again that afternoon.

563
00:28:03.480 --> 00:28:06.119
<v Speaker 1>The city's fog had arrived early and thick, pressing up

564
00:28:06.119 --> 00:28:09.039
<v Speaker 1>against the glass. By then I had abandoned the notion

565
00:28:09.160 --> 00:28:12.319
<v Speaker 1>of finding a hidden door or a walled up stair. Instead,

566
00:28:12.440 --> 00:28:14.920
<v Speaker 1>I traced the building's outlines with a different kind of measuring,

567
00:28:15.000 --> 00:28:17.160
<v Speaker 1>testing door in ubs for the looseness of habit studying

568
00:28:17.200 --> 00:28:19.599
<v Speaker 1>the wakeouts seemed always to appear, then disappeared by the

569
00:28:19.599 --> 00:28:22.240
<v Speaker 1>east wall. It seemed to me that on the days

570
00:28:22.279 --> 00:28:24.559
<v Speaker 1>when the city could quite see itself clearly, the library,

571
00:28:24.640 --> 00:28:27.680
<v Speaker 1>This library may be any old institution became more permeable.

572
00:28:28.240 --> 00:28:30.559
<v Speaker 1>All the intentions and half completions in the world found

573
00:28:30.599 --> 00:28:32.440
<v Speaker 1>a home, if only for a day, in systems that

574
00:28:32.480 --> 00:28:35.400
<v Speaker 1>didn't insist on closure. The walls might not admit me,

575
00:28:35.559 --> 00:28:37.480
<v Speaker 1>but the catalog, the paperwork, and the sum of a

576
00:28:37.599 --> 00:28:41.000
<v Speaker 1>hundred contradictory memories lent the annex of peculiar intermittent persistence.

577
00:28:41.759 --> 00:28:44.319
<v Speaker 1>With Alex's help, I met the almost places in the city.

578
00:28:44.880 --> 00:28:47.119
<v Speaker 1>I found evidence of a dozen pending parks, half built,

579
00:28:47.119 --> 00:28:49.480
<v Speaker 1>brooches never finished nor torn down, a statue to a

580
00:28:49.559 --> 00:28:52.160
<v Speaker 1>local hero whose pedestal was set and forgotten, plaqu half

581
00:28:52.160 --> 00:28:56.440
<v Speaker 1>engraved permits, requested budget's approve, the memory of intent recorded

582
00:28:56.519 --> 00:28:59.680
<v Speaker 1>somewhere a faintest pencil on tissue. It was more than poetic.

583
00:29:00.400 --> 00:29:03.960
<v Speaker 1>City halls arquev showed occasional cross references, bizarrely specific a

584
00:29:04.000 --> 00:29:07.720
<v Speaker 1>budget transfer annex maintenance line item reallocated when paper only

585
00:29:07.799 --> 00:29:09.759
<v Speaker 1>to a park in waiting on the far west edge.

586
00:29:10.599 --> 00:29:13.400
<v Speaker 1>Like paperwork had become its own parallel architecture, lines of

587
00:29:13.480 --> 00:29:16.200
<v Speaker 1>intention looping and coiling between buildings, keeping the city and

588
00:29:16.240 --> 00:29:18.359
<v Speaker 1>could not just by what stirred, but what almost did.

589
00:29:19.039 --> 00:29:21.559
<v Speaker 1>I returned Finally to the libraries, he swore. As the

590
00:29:21.599 --> 00:29:23.680
<v Speaker 1>fog rolled its gray, slow weight in through the avenue,

591
00:29:24.240 --> 00:29:26.759
<v Speaker 1>past closing. When the last patients wandered up, brushing the

592
00:29:26.799 --> 00:29:30.039
<v Speaker 1>moisture from the coats, I linger blueprint in hand. You

593
00:29:30.079 --> 00:29:32.440
<v Speaker 1>could almost almost hear the distant squeak of wheels, a

594
00:29:32.559 --> 00:29:35.279
<v Speaker 1>voice half lost in the gloom. I raised my hand,

595
00:29:35.480 --> 00:29:37.640
<v Speaker 1>not to push again, but to aknowledge that whatever I

596
00:29:37.680 --> 00:29:39.880
<v Speaker 1>had been hunting was not behind the bricks, but woven

597
00:29:39.920 --> 00:29:43.200
<v Speaker 1>through the city's rituals of incompletion. That was when the realization,

598
00:29:43.480 --> 00:29:45.920
<v Speaker 1>delicate as it was profound, slid into place. The Eastern

599
00:29:45.960 --> 00:29:49.319
<v Speaker 1>Annex was neither fully constructed nor wholly imagined. It was

600
00:29:49.359 --> 00:29:51.559
<v Speaker 1>not a lost room, but a physical record of community

601
00:29:51.599 --> 00:29:56.440
<v Speaker 1>intentioned dreams, revisions, Near missus, bureaucratic echoes, its books, slips,

602
00:29:56.680 --> 00:29:58.920
<v Speaker 1>and numbers lived where memory and paper were called each

603
00:29:58.960 --> 00:30:01.960
<v Speaker 1>other in an endless arrange, a catalog for the almost remembered,

604
00:30:02.000 --> 00:30:05.359
<v Speaker 1>They unfinalized, the stories and spaces abandoned but not erased.

605
00:30:06.160 --> 00:30:08.359
<v Speaker 1>Maybe on the far guest days, a cart did appear

606
00:30:08.400 --> 00:30:11.160
<v Speaker 1>with a book that didn't quite match his description, perhaps

607
00:30:11.240 --> 00:30:14.039
<v Speaker 1>a patron sure of a particular gallery or readingknook wandered

608
00:30:14.039 --> 00:30:15.799
<v Speaker 1>off in search of an ending to a story they

609
00:30:15.920 --> 00:30:19.039
<v Speaker 1>never finished. Maybe the library wasn't just a container for

610
00:30:19.119 --> 00:30:21.519
<v Speaker 1>the past, but a palimpsyst its edges blurred by the

611
00:30:21.559 --> 00:30:24.880
<v Speaker 1>city's collective pasty to allow possibility and completion, dealt a

612
00:30:24.960 --> 00:30:28.200
<v Speaker 1>kind of architecture of lemonality. I stood awhile at the window,

613
00:30:28.319 --> 00:30:31.079
<v Speaker 1>tracing the city's gentle, persistent reluctance to settle its own

614
00:30:31.079 --> 00:30:33.680
<v Speaker 1>limits and institution, breathing with the intentions of its people,

615
00:30:33.759 --> 00:30:37.079
<v Speaker 1>embracing both what was finished and what was quietly, stubbornly andfinished.

616
00:30:37.759 --> 00:30:39.799
<v Speaker 1>I thought about my own home, half built, shelving in

617
00:30:39.839 --> 00:30:42.279
<v Speaker 1>the basement, a woodworking project I had never sanded smooth,

618
00:30:42.319 --> 00:30:44.680
<v Speaker 1>a box of clip plans yellowing under the waight of decades.

619
00:30:45.400 --> 00:30:47.839
<v Speaker 1>Perhaps we all live in our own annexes, wandering the

620
00:30:47.920 --> 00:30:51.079
<v Speaker 1>margins of our unfinished ideas. When the fog thickened, I

621
00:30:51.160 --> 00:30:53.599
<v Speaker 1>let myself be still. There was relief in it to

622
00:30:53.680 --> 00:30:55.039
<v Speaker 1>be part of a city that kept not only what

623
00:30:55.160 --> 00:30:58.119
<v Speaker 1>it completed, but also what it never could. The next morning,

624
00:30:58.319 --> 00:31:01.640
<v Speaker 1>particularly dense fog pressed against the tall library windows, blowing

625
00:31:01.680 --> 00:31:04.519
<v Speaker 1>every car and lamp. Pushed into suggestion. I was sorting

626
00:31:04.559 --> 00:31:07.039
<v Speaker 1>through returns. When the elevator chined slower than usual and

627
00:31:07.160 --> 00:31:10.440
<v Speaker 1>its door side open for a single impossible moment, the

628
00:31:10.480 --> 00:31:13.319
<v Speaker 1>old metal button panel glowed with a pale greenee, the

629
00:31:13.400 --> 00:31:16.079
<v Speaker 1>air hammed with possibility, the same frequency you hear when

630
00:31:16.119 --> 00:31:19.440
<v Speaker 1>a story hangs suspended before its ending is told. Then,

631
00:31:19.559 --> 00:31:21.799
<v Speaker 1>as quickly as it appeared, they be flickered and faded,

632
00:31:21.920 --> 00:31:25.880
<v Speaker 1>numbers reasserting themselves mundane, uncertain. Beneath the front desk, a

633
00:31:25.960 --> 00:31:28.759
<v Speaker 1>cut stood waiting. Three volumes purged to top it, their

634
00:31:28.839 --> 00:31:32.440
<v Speaker 1>jackets gentle with years. Aster's story without endings Asterisk Asteris

635
00:31:32.559 --> 00:31:35.880
<v Speaker 1>Mummer from the middle Asterisk Asterus, the final chapter untitled Asterisk.

636
00:31:36.640 --> 00:31:40.119
<v Speaker 1>None of these appeared in the official catalog. Each title

637
00:31:40.160 --> 00:31:42.279
<v Speaker 1>pulse were the quality both familiar and out of reach,

638
00:31:42.599 --> 00:31:44.759
<v Speaker 1>as if they had been dreamt once and then misplaced.

639
00:31:45.319 --> 00:31:48.680
<v Speaker 1>I hovered uncertain before the cart for the brief a second.

640
00:31:48.880 --> 00:31:51.000
<v Speaker 1>I entertained a foolish plan to read them, to claim

641
00:31:51.000 --> 00:31:53.039
<v Speaker 1>their contents, or to reshive them in the stacks where

642
00:31:53.039 --> 00:31:57.000
<v Speaker 1>they might belong. But the impulse passed. Some books, some places,

643
00:31:57.039 --> 00:31:59.079
<v Speaker 1>exist only to remind us of what slips the net

644
00:31:59.119 --> 00:32:01.680
<v Speaker 1>of what the world leaves open. I left my volunteer

645
00:32:01.759 --> 00:32:05.079
<v Speaker 1>badge and its customary drawer, passing Lewis on his way up. Humultuineously,

646
00:32:05.759 --> 00:32:08.039
<v Speaker 1>I did not mention the cot or the elevator's softlit

647
00:32:08.119 --> 00:32:11.240
<v Speaker 1>secret outside. The city was invisible at the edge, but

648
00:32:11.359 --> 00:32:14.359
<v Speaker 1>humming with the lives and ambitions of people inside. There

649
00:32:14.400 --> 00:32:16.720
<v Speaker 1>are places that remember what we almost built, Shelters for

650
00:32:16.759 --> 00:32:19.559
<v Speaker 1>the stories half told, wings never quite opened, rooms that

651
00:32:19.640 --> 00:32:22.960
<v Speaker 1>exist between paperwork and memory. I suspect the Eastern Annex

652
00:32:22.960 --> 00:32:25.000
<v Speaker 1>will always be there in the realm of almost, a quiet,

653
00:32:25.079 --> 00:32:28.880
<v Speaker 1>persistent invitation to let our unfinished ideas dwell alongside everything complete.

654
00:32:29.599 --> 00:32:32.519
<v Speaker 1>And walking away through the fog, I wondered, with a

655
00:32:32.559 --> 00:32:35.599
<v Speaker 1>fierce and sudden joy, just how many other almost spaces weighed,

656
00:32:35.680 --> 00:32:39.400
<v Speaker 1>quietly present in stories, buildings and memories of everyone everywhere.

657
00:32:41.000 --> 00:32:43.480
<v Speaker 1>And that is the end. Thank you for listening, and

658
00:32:43.559 --> 00:32:44.680
<v Speaker 1>I will see you in the next one.
