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<v Speaker 1>Hey there, This is Annie and I play Emma in

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<v Speaker 1>the Swipewright series of episodes here on Roxy's Erotic Whispers.

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<v Speaker 1>I just wanted to let you know that Roxy has

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<v Speaker 1>all of the Swipewright stories now available in a deluxe

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<v Speaker 1>e book. You can find it on Amazon at Roxy

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<v Speaker 1>dot show slash swipe Wright All one word. If you

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<v Speaker 1>enjoyed the swipe Right episodes, you'll love reading ebook.

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<v Speaker 2>Hello, my love, lies, and welcome to my Erotic Whispers podcast.

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<v Speaker 2>Here you'll find stories that celebrate the sexual empowerment of

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<v Speaker 2>women with tales of gentle love, passionate embraces, and the

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<v Speaker 2>exploration of lust and also, of course, the raw animal

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<v Speaker 2>desire found when two or more people don't hold back

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<v Speaker 2>as they fuck each other. I wrote this week's story

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<v Speaker 2>after producing a listener's story called Completing the Portrait in

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<v Speaker 2>episode seven. Our two voiceover talents in that story our

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<v Speaker 2>boyfriend and girlfriend and me being me. My mind wondered

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<v Speaker 2>what it would be like if you put two strangers

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<v Speaker 2>in a studio to record an erotic scene. And that's

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<v Speaker 2>this week's story. I hope you love it. But what's

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<v Speaker 2>even better is that our anonymous boyfriend and girlfriend agreed

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<v Speaker 2>to voice the episode. I hope you too had a

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<v Speaker 2>fun time as you did an amazing job. Finally, please

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<v Speaker 2>note that this podcast is intended for adult listeners.

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<v Speaker 3>I don't know what I was thinking agreeing to voice

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<v Speaker 3>a duet erotica novel. H It's been a total disaster.

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<v Speaker 3>I'm sitting here behind the mic, so it's too late

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<v Speaker 3>to quit. Plus my agent would kill me. But I'm

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<v Speaker 3>really regretting taking this job.

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<v Speaker 4>I wasn't sure what to expect in doing an erotica

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<v Speaker 4>voice over job, but it's been amazing. I'm so glad

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<v Speaker 4>I accepted the rule. I'm going to send my agent flowers.

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<v Speaker 3>I'm sitting here watching the director argue with the producer

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<v Speaker 3>over production time and costs. The producer clearly doesn't have

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<v Speaker 3>a huge budget. We're in a nice studio, but it's

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<v Speaker 3>one am. Why are we here at one am because

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<v Speaker 3>overnight studio time is much cheaper still each hour accounts,

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<v Speaker 3>and I'm watching the producer argue with the director over

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<v Speaker 3>wasting time with needless direction. And the director, he's the

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<v Speaker 3>main reason I'm hating this whole production. First of all,

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<v Speaker 3>it was his idea to do live recording. It's a

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<v Speaker 3>fucking audiobook. Why do I even need to meet the

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<v Speaker 3>other voice actor, let alone do a live read. But

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<v Speaker 3>the director feels like having us sitting across from each

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<v Speaker 3>other will generate what did you call it? Very similitude. Look,

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<v Speaker 3>I'm a voice actor. I don't meet a hot guy

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<v Speaker 3>across from me to moan louder or voice a woman

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<v Speaker 3>wanting to fuck the guy, and just to make this

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<v Speaker 3>even more of a clusterfuck, the guy is really cute

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<v Speaker 3>and sexy. He's so nice and so casually confident. I

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<v Speaker 3>have to stop mysel from staring at his smile, and

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<v Speaker 3>he smiles like all the time. Ah, the argument's over.

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<v Speaker 3>Let's see how much more fucked up this can get.

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<v Speaker 5>Okay, I know you're both going to hate this, but

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<v Speaker 5>I have reluctantly agreed to limit things to two takes

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<v Speaker 5>per scene.

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<v Speaker 3>The producer nods his head from the door to the studio.

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<v Speaker 4>That sucks, Max, I'll do my best to nail it.

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<v Speaker 4>On the first take.

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<v Speaker 3>It's Zane, the other voice actor. He looks over at

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<v Speaker 3>me with a let's just get through this together smile,

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<v Speaker 3>I seek. I smile back at him, but honestly, I'm

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<v Speaker 3>not sure did I mention how cute he is. Anyway.

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<v Speaker 3>Another thing that is making this a disaster is that

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<v Speaker 3>the director wants us to rehearse the sex scenes first.

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<v Speaker 3>We hadn't even made it through the foreplay before the

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<v Speaker 3>producer went nuclear starting the previous fight.

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<v Speaker 5>Okay, Claire, let's start with the climax. If we nailed this,

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<v Speaker 5>everything after will be easy. Nettling a climax does seem

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<v Speaker 5>like something to strive for.

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<v Speaker 3>I glance over and Zane is suppressing a laugh. Max, however,

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<v Speaker 3>is not amused.

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<v Speaker 4>Voice the climax.

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<v Speaker 3>Please, I can't help myself. Which part do you define

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<v Speaker 3>as the climax? Is it the fuck me harder or

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<v Speaker 3>the I'm coming or the moaning?

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<v Speaker 4>Which do you think will be most climactic? Claire?

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<v Speaker 3>Zain gives me a plateful look and I play along. Well,

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<v Speaker 3>it's like a three act play, don't you think so?

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<v Speaker 3>I think the moaning definitely.

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<v Speaker 4>The moaning.

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<v Speaker 5>Please, both of you just stick to the script. I

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<v Speaker 5>don't need you both directing, that's my job. So yes, Claire,

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<v Speaker 5>let's hear the moaning.

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<v Speaker 3>Oh yes, oh ah, that feels so good. Oh oh

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<v Speaker 3>oh fuck, that was hot, thank you, Saine.

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<v Speaker 5>Excuse me, but I don't like it. I want you

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<v Speaker 5>to do an oo ooh ooh type of.

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<v Speaker 3>Sound like a monkey. Zaane barely holds in a laugh.

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<v Speaker 5>No, like you're trying to hold in your orgasm. But

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<v Speaker 5>it's a passion that can't be restrained.

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<v Speaker 3>Okay, an orgasm that can't be strained. And got it?

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<v Speaker 4>As great as the prehearsal was going, I am absolutely

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<v Speaker 4>loving new orgasm direction. First of all, Claire's fucking hot.

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<v Speaker 4>I was totally expecting one of those faces made for

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<v Speaker 4>audio women, but she walked in with this just tight

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<v Speaker 4>enough V neck T shirt and tight jeans, and holy shit,

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<v Speaker 4>is she pretty. I mean, she's the whole package. But

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<v Speaker 4>you know what's the hottest her voice. I swear I

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<v Speaker 4>had to adjust my pants when she read her first line. Anyway,

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<v Speaker 4>the idiot director doesn't know what he's doing. Claire gave

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<v Speaker 4>this amazing orgasmic moone, and he wants some other thing. Look,

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<v Speaker 4>I have fucked enough women to know that they all

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<v Speaker 4>sound different, so I guess trying something else is fine.

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<v Speaker 4>But Claire just oozed coming with her take.

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<v Speaker 3>Oh oh oh.

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<v Speaker 4>Fuck man, even that sounded hot.

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<v Speaker 5>No, Claire, you actually do sound like a monkey. Remember

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<v Speaker 5>restrained passion. I look at Claire with sympathy, and she

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<v Speaker 5>gives me this gritted teeth grin. I can already tell

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<v Speaker 5>where a team on this project. You go, girl, let

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<v Speaker 5>me hear you come.

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<v Speaker 3>Oh oh be.

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<v Speaker 5>No, no, no, that's too passive. We're strained passion.

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<v Speaker 4>At that point, the producer comes in and he looks hissed, Max,

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<v Speaker 4>Can I talk with you in the other room?

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<v Speaker 3>So I look at Zayne, who shrugs.

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<v Speaker 4>I thought both takes were amazing.

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<v Speaker 3>The funny thing is that I don't like either of those.

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<v Speaker 3>When I come, I'm more of a long, slow moner.

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<v Speaker 3>As soon as I say the words, I cover my

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<v Speaker 3>mouth with my hand. I can't believe I just told

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<v Speaker 3>a stranger how I sound when I orgasm. Jesus Christ,

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<v Speaker 3>what am I doing?

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<v Speaker 4>Nice? I'm more of a long, low rumble kind of guy,

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<v Speaker 4>like ooh ooh yeah, yeah.

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<v Speaker 3>I look at him. Did he just attempt to make

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<v Speaker 3>me more comfortable by oversharing himself? I respect for him

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<v Speaker 3>as growing by the minute. In fact, at this point

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<v Speaker 3>I feel download affectionate Toory. It's the guy well affectionate

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<v Speaker 3>and other things. I'm looking forward to hearing that he smirks,

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<v Speaker 3>and I realize what I just said. I mean in

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<v Speaker 3>the studio, he smirks again. In the script, I mean

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<v Speaker 3>at that point, I'm so embarrassed I just shut up.

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<v Speaker 4>I'm not sure if there are sparks between us, but

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<v Speaker 4>our banter feels so natural and care free that I'm

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<v Speaker 4>already feeling comfortable with Claire, and in an environment of

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<v Speaker 4>recording an erotic accession live that seems really important. All

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<v Speaker 4>I know is that she's charming and cute with all

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<v Speaker 4>her accidental double entendres, and I'm really enjoying being in

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<v Speaker 4>the studio with her.

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<v Speaker 6>Zain, Claire, I'm sorry, but I've decided to part ways

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<v Speaker 6>with Max. Look, I don't want to demean your talent

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<v Speaker 6>or your work, but Max saw this as some great

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<v Speaker 6>piece of art, and it's fucking audio porn.

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<v Speaker 4>I don't say anything, but neither does Claire.

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<v Speaker 6>So do you think you can handle this without a director?

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<v Speaker 4>Absolutely?

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<v Speaker 3>Absolutely. Zain's an amazing town. I can aloty tell. He's

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<v Speaker 3>got great instincts. His voice is so smooth. He's perfect

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<v Speaker 3>for this part.

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<v Speaker 4>Thank you, Claire, But you're the real talent. Did you

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<v Speaker 4>hear her? Just now? She has this passionate range. That's

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<v Speaker 4>so real. Honestly, I think a director would just get

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<v Speaker 4>in her way.

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<v Speaker 6>Excellent, you have three days. I don't care if you

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<v Speaker 6>rehearse or not. Just have finished audio ready by Monday.

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<v Speaker 4>He tosses the key at me, which I miss. It

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<v Speaker 4>clatters to the floor and Claire picks it up.

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<v Speaker 3>Wait we're alone.

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<v Speaker 6>Yes, three days were nine to eight am. Don't forget

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<v Speaker 6>to lock the door when you leave.

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<v Speaker 4>And without even saying goodbye. Producer Dave Leaves. I look

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<v Speaker 4>at Claire.

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<v Speaker 3>We totally got this.

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<v Speaker 4>She has this cute, confident, all business but with a

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<v Speaker 4>hint of fun smile on her face. Oh yeah, I.

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<v Speaker 3>Recover well enough. I think. At least Zaye hasn't teased

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<v Speaker 3>me for implying I want to hear him come in

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<v Speaker 3>the studio. And Zaye has totally transformed a disaster of

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<v Speaker 3>a job into one that is well, I can't describe it.

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<v Speaker 3>It's fun, for sure, but as the night wear is on,

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<v Speaker 3>it's actually more than that. We decide to just do

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<v Speaker 3>the whole thing live without a rehearsal and just do

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<v Speaker 3>alternate takes if we messed anything up. But also we

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<v Speaker 3>decided to do it in linear fashion from beginning to end.

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<v Speaker 4>I think that this will really help us vocally connect

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<v Speaker 4>with the relationship as it grows. We'll start all tentative

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<v Speaker 4>and awkward, and as they get to know each other,

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<v Speaker 4>we'll be more tuned into that change in tone.

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<v Speaker 3>Oh yeah, that's a great idea. I pause, not sure

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<v Speaker 3>I want to go down this road, but saying such

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<v Speaker 3>a good guy that I feel it's okay. Plus, you

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<v Speaker 3>and I will also be more comfortable with each other

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<v Speaker 3>by the time I get to the hot scenes.

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<v Speaker 4>Can I ask you something.

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<v Speaker 3>I'm worried do zaying sounds serious? Is he going to

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<v Speaker 3>get weird? I hope he doesn't get all weird on me.

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<v Speaker 4>Sure, I feel like doing this live has turned out

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<v Speaker 4>to be a good idea. I was totally rolling my

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<v Speaker 4>eyes when my agent said that I couldn't do the

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<v Speaker 4>role my home studio and had to do it live

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<v Speaker 4>with Hugh. But I have to be honest. I think

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<v Speaker 4>we're totally vibing and it's going to make it feel

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<v Speaker 4>more real.

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<v Speaker 3>Oh my gosh, I was thinking the same thing. I'm

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<v Speaker 3>not lying. As Max was giving his idiotic direction, I

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<v Speaker 3>was thinking that it was ruining what would have been

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<v Speaker 3>a really vibrant and dynamic session due to Zaane and

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<v Speaker 3>I sitting across from each other. And if I'm honest,

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<v Speaker 3>it doesn't hurt that he's the kind of guy I'm

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<v Speaker 3>attracted to.

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<v Speaker 4>I couldn't tell Claire that the reason I think we're

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<v Speaker 4>vibing so well is because I think she's really hot.

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<v Speaker 4>And as the script gets as closer, I could easily

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<v Speaker 4>make that connection with her, which would make it sound

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<v Speaker 4>exactly like I said, more real but not real, as

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<v Speaker 4>in I want to ask her out, although that possibility

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<v Speaker 4>refuses to leave my mind.

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<v Speaker 3>I can't believe you cheated on me. What am I

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<v Speaker 3>to you? Just a convenient ornament for social occasions while

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<v Speaker 3>you go and fuck some hot chick.

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<v Speaker 4>Babe, I didn't cheat on you. Talk to my sister,

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<v Speaker 4>she'll explain it. We were not planning a surprise party.

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<v Speaker 3>Oh I'm sure this surprise was you fucking her in

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<v Speaker 3>the back room.

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<v Speaker 4>That's not true. Look, I can't tell you the surprise.

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<v Speaker 4>I promise i'd keep it a secret.

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<v Speaker 3>Well that's mighty convenient, isn't it. A mysterious surprise party

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<v Speaker 3>that requires you to spend all day with some mysterious

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<v Speaker 3>slut isn't something that you can explain because of a promise.

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<v Speaker 3>I'm done.

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<v Speaker 4>Claire takes a deep breath.

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<v Speaker 3>I think i'm done too. It's seven and I need

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<v Speaker 3>to get some sleep.

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<v Speaker 4>Yeah, we're making good progress. Claire puts her headphones on

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<v Speaker 4>the studio board and walks around to me.

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<v Speaker 3>I'm having a lot of fun. I love that there

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<v Speaker 3>really is a surprise party and it's for me. Hey, spoilers, spoilers.

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<v Speaker 3>I sure hope that doesn't mean you haven't read the script.

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<v Speaker 4>She winks at me. Ah, you read the script. I

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<v Speaker 4>guess that means you know what happens after the party.

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<v Speaker 4>I wink back at her.

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<v Speaker 3>It's difficult falling asleep during the day when you're not

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<v Speaker 3>used to it. To make matters worse, when Zay winked

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<v Speaker 3>at me, I felt my knees go weak. His What

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<v Speaker 3>happens next was more miscommunication between the two characters, followed

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<v Speaker 3>by two very lengthy closing sex scenes with graphic detail.

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<v Speaker 3>I'll hold that wink. I slid my hand across my

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<v Speaker 3>chest and light they cross a nipple. That wink. The

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<v Speaker 3>tingling is the kindling that lights the fire. I picture

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<v Speaker 3>the final day Zaine and I Having finished all the

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<v Speaker 3>sex scenes and the audio is turned in, Zayn makes

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<v Speaker 3>some joke about looking forward to a sequel, and as

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<v Speaker 3>my fantasies tend to do, reality goes out the window.

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<v Speaker 3>The sequel is Zaane between my legs, licking my pussy.

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<v Speaker 3>I lower my hand and start to stroke my clit.

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<v Speaker 3>As I imagine him licking me. He looks up and

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<v Speaker 3>his face and smile are not just cute, they're hot

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<v Speaker 3>as fuck. I stroke faster, and Zane and I are

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<v Speaker 3>doing sixty nine. His cock is in my mouth as

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<v Speaker 3>I feel his tongues slide between my lips, probing inside

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<v Speaker 3>before he focuses on my clit. I stroke faster and

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<v Speaker 3>come hard, lightly moaning Zayn's name. I quickly fall asleep.

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<v Speaker 4>Claire seems all business, so I don't really think anything

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<v Speaker 4>will happen, but that doesn't stop me from jerking off

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<v Speaker 4>to her when I get home. For some reason, my

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<v Speaker 4>mind wanders to the beach and I picture Claire in

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<v Speaker 4>a bikini. She's the whole package, gorgeous, with a tight

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00:13:26.200 --> 00:13:29.360
<v Speaker 4>bod at nice curves. I slowly slide my hand up

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<v Speaker 4>and down my dick, and as I get hard, I

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00:13:31.840 --> 00:13:34.279
<v Speaker 4>imagine her on a beach towel on her hands and knees.

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<v Speaker 4>I'm behind her and she looks over her shoulder, and

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<v Speaker 4>that amazingly sexy voice of hers, she says, fuck me, Zane.

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<v Speaker 4>I don't even slide down her bikini bottoms. I just

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<v Speaker 4>slide them to the side and start fucking her doggy style.

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<v Speaker 4>I picture her long, slow moaning as she comes with

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<v Speaker 4>me fucking her hard as imaginary Claire comes. I come

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<v Speaker 4>for real. After I clean up, I fall asleep, a

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<v Speaker 4>little sad at my fantasy is just that a fantasy.

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<v Speaker 3>The whole session is annoying me as Zain and I

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<v Speaker 3>just can't seem to get it together. Everything feels a

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<v Speaker 3>little off. It doesn't help that every line we have

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<v Speaker 3>is meant to annoy the other character, you know, Act two,

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<v Speaker 3>complications and such.

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<v Speaker 4>I think the word is pronounced ambiance.

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<v Speaker 3>I look at him. I'm moving from annoyed to piste off.

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<v Speaker 3>It's pronounced ambience. Have you never heard of an ambient

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<v Speaker 3>temperature or ambient music? He looks conflicted, and I'm not

279
00:14:33.919 --> 00:14:36.600
<v Speaker 3>sure how to handle that. I had enough boyfriends that

280
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<v Speaker 3>we're all too happy to flaunt their arrogance, especially when

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<v Speaker 3>I push back. Zay, however, looks thoughtful.

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<v Speaker 4>I don't think I'm wrong, but it's possible there are

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<v Speaker 4>alternate pronunciations.

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<v Speaker 3>He again looks thoughtful.

285
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<v Speaker 4>Look, I just don't want to hev you look bad

286
00:14:52.639 --> 00:14:54.440
<v Speaker 4>or anything, you know, just in case.

287
00:14:55.240 --> 00:14:57.240
<v Speaker 3>He pauses, and the look on his face is so

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00:14:57.480 --> 00:15:00.000
<v Speaker 3>sincere and so cute. I can't help it. Pull out

289
00:15:00.200 --> 00:15:03.159
<v Speaker 3>my phone is for no other reason that gently correct him.

290
00:15:04.080 --> 00:15:07.519
<v Speaker 3>I grab a pronunciation website and well, I'm sure you

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00:15:07.559 --> 00:15:08.399
<v Speaker 3>know what I heard.

292
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<v Speaker 2>Fuck me.

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<v Speaker 4>You know that's just a sign you're an intelligent person.

294
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<v Speaker 4>You've read the word before you ever heard it pronounced.

295
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<v Speaker 3>I'm an idiot and I feel that way. I'm thinking

296
00:15:20.840 --> 00:15:22.639
<v Speaker 3>back to all the bickering from the session, and it

297
00:15:22.720 --> 00:15:26.000
<v Speaker 3>all feels so dumb, and if I'm honest, it's mostly

298
00:15:26.039 --> 00:15:26.639
<v Speaker 3>because of me.

299
00:15:28.879 --> 00:15:31.480
<v Speaker 4>She says fuck me. She just blurts it out in

300
00:15:31.480 --> 00:15:34.320
<v Speaker 4>the normal, unscrewed way, but the way she says it,

301
00:15:34.960 --> 00:15:37.159
<v Speaker 4>just hearing the words fuck me coming out of her

302
00:15:37.200 --> 00:15:40.440
<v Speaker 4>mouth turns me on. But who am I kidding? She

303
00:15:40.480 --> 00:15:42.960
<v Speaker 4>said it because she's angry with herself, and there's no

304
00:15:43.000 --> 00:15:45.600
<v Speaker 4>reason for her to be. I listened to her the

305
00:15:45.639 --> 00:15:48.600
<v Speaker 4>whole day and while it was challenging, I'd never worked

306
00:15:48.600 --> 00:15:52.360
<v Speaker 4>with someone so brilliant. She had good ideas, and she

307
00:15:52.480 --> 00:15:55.519
<v Speaker 4>was confident and yet nice about presenting them. She could

308
00:15:55.559 --> 00:15:57.440
<v Speaker 4>get kind of worked up if I pushed back, but

309
00:15:57.480 --> 00:15:59.679
<v Speaker 4>we always got to the perfect line, and it was

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<v Speaker 4>usually due to her. And for that reason it bummed

311
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<v Speaker 4>me out to who is calling herself an idiot. I

312
00:16:05.279 --> 00:16:07.240
<v Speaker 4>stand up and walk around to stand next to her.

313
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<v Speaker 4>I think you're brilliant. You've been pushing me all day,

314
00:16:11.200 --> 00:16:13.679
<v Speaker 4>and I don't think I've ever sounded better. We don't

315
00:16:13.720 --> 00:16:16.960
<v Speaker 4>need a director with you here. You're the perfect combination

316
00:16:17.039 --> 00:16:21.039
<v Speaker 4>of incredibly romantic or sexy or angry delivery followed by

317
00:16:21.039 --> 00:16:24.440
<v Speaker 4>this amazing clinical assessment. Just think of this correction as

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00:16:24.519 --> 00:16:28.840
<v Speaker 4>one small contribution that I'm making without thinking. I lean

319
00:16:28.879 --> 00:16:31.120
<v Speaker 4>forward and give her a kind of side hug, and

320
00:16:31.159 --> 00:16:32.679
<v Speaker 4>I swear I don't know what is getting into me.

321
00:16:32.720 --> 00:16:34.480
<v Speaker 4>But I then lean forward and kiss her on top

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00:16:34.519 --> 00:16:37.600
<v Speaker 4>of her head. I'm flustered now and rush back of

323
00:16:37.639 --> 00:16:38.080
<v Speaker 4>my chair.

324
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<v Speaker 3>His arm is around me in this friendly and yet

325
00:16:42.440 --> 00:16:47.960
<v Speaker 3>intimate way, and I'm immediately feeling this connection. We're artists, sure,

326
00:16:48.440 --> 00:16:50.799
<v Speaker 3>but it feels like more than that. And then he

327
00:16:50.919 --> 00:16:53.759
<v Speaker 3>kisses me on the top of my head, this gentle

328
00:16:53.840 --> 00:16:56.840
<v Speaker 3>kiss that makes me blow up inside. Was it a

329
00:16:56.840 --> 00:17:00.799
<v Speaker 3>brotherly kiss? Was it just a step of famili towards

330
00:17:00.799 --> 00:17:04.799
<v Speaker 3>something more. I don't know, and I'm full of complex emotions.

331
00:17:05.359 --> 00:17:07.359
<v Speaker 3>It doesn't help that he rushes back to his chair,

332
00:17:07.400 --> 00:17:10.279
<v Speaker 3>picks up the script and stares at it. I take

333
00:17:10.319 --> 00:17:12.160
<v Speaker 3>a deep breath and try to bring the tension back

334
00:17:12.200 --> 00:17:16.480
<v Speaker 3>to normalcy Stak you. I actually have been feeling like

335
00:17:16.480 --> 00:17:19.160
<v Speaker 3>we weren't vibing at all. Earlier. We kept sniping at

336
00:17:19.160 --> 00:17:22.759
<v Speaker 3>each other over the smallest line disagreements. At that, he

337
00:17:22.799 --> 00:17:26.160
<v Speaker 3>looks up and his gorgeous smile just melts me. It's

338
00:17:26.160 --> 00:17:27.480
<v Speaker 3>so warm and inviting.

339
00:17:28.359 --> 00:17:30.279
<v Speaker 4>I don't see it that way at all. We were

340
00:17:30.319 --> 00:17:34.200
<v Speaker 4>just finding the best path forward. Look, yesterday was easy.

341
00:17:34.559 --> 00:17:36.720
<v Speaker 4>Our characters were angry with each other, and now it's

342
00:17:36.799 --> 00:17:40.559
<v Speaker 4>all complicated. We need to find the emotional center of that.

343
00:17:41.799 --> 00:17:44.359
<v Speaker 3>And then he stares right into my eyes.

344
00:17:45.240 --> 00:17:46.519
<v Speaker 4>And I think we found it.

345
00:17:47.519 --> 00:17:50.079
<v Speaker 3>He's right, of course, we're acting out a fairly obvious

346
00:17:50.160 --> 00:17:54.319
<v Speaker 3>conflict before sex novel, but we're also navigating that as actors.

347
00:17:55.079 --> 00:17:57.440
<v Speaker 3>But he's so fucking hot and he's so intent on

348
00:17:57.599 --> 00:18:00.640
<v Speaker 3>me that all my emotions are a mess. I want

349
00:18:00.680 --> 00:18:03.640
<v Speaker 3>to rush around and kiss his soft, gorgeous lips. I

350
00:18:03.640 --> 00:18:06.000
<v Speaker 3>want to feel him hug me again. I want to

351
00:18:06.039 --> 00:18:07.680
<v Speaker 3>live my fantasy from the night before.

352
00:18:10.200 --> 00:18:13.839
<v Speaker 4>She stares at me, and it's intensely erotic, and I

353
00:18:13.880 --> 00:18:15.359
<v Speaker 4>have to lower my head or I'll say or do

354
00:18:15.440 --> 00:18:19.559
<v Speaker 4>something stupid. It's not fair to her. She's a professional,

355
00:18:19.559 --> 00:18:21.799
<v Speaker 4>and I'm some dude that is realizing that I'm incredibly

356
00:18:21.799 --> 00:18:24.440
<v Speaker 4>turned on by her, and not just her gorgeous body,

357
00:18:24.519 --> 00:18:28.359
<v Speaker 4>but her confidence and intelligence too. Fuck. I'm getting a

358
00:18:28.400 --> 00:18:30.599
<v Speaker 4>heart on because I can't help but think of my

359
00:18:30.680 --> 00:18:33.079
<v Speaker 4>fantasy and looking over her shoulder and smiling at me

360
00:18:33.079 --> 00:18:36.200
<v Speaker 4>as I'm fucking her. Those eyes and that intense look,

361
00:18:36.839 --> 00:18:40.160
<v Speaker 4>it lives in her. It's desire and passion and all

362
00:18:40.160 --> 00:18:42.759
<v Speaker 4>the things that I've come to admire about her. I

363
00:18:42.920 --> 00:18:45.039
<v Speaker 4>cough and cross my legs as I finally look over

364
00:18:45.079 --> 00:18:47.559
<v Speaker 4>at her. I think we should end the session with

365
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<v Speaker 4>the makeup scene. Then we'll have a lot of fucking

366
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<v Speaker 4>to do tomorrow.

367
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<v Speaker 3>Did he just say that? He immediately looks down and

368
00:18:55.359 --> 00:18:58.759
<v Speaker 3>stares at his script. I mean, he's right. We had

369
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<v Speaker 3>saved all the sex scenes for the last night, and

370
00:19:00.640 --> 00:19:02.279
<v Speaker 3>we're going to do a lot of reading and voice

371
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<v Speaker 3>acting of fucking.

372
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<v Speaker 2>But was it me?

373
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<v Speaker 3>Or did he say it with a tone of something more?

374
00:19:08.319 --> 00:19:09.519
<v Speaker 4>I didn't mean it that way.

375
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<v Speaker 3>He says the words, and I'm suddenly completely devastated. I

376
00:19:13.680 --> 00:19:15.759
<v Speaker 3>want him to mean it that way. I want him

377
00:19:15.799 --> 00:19:18.200
<v Speaker 3>to shove me over the board and fuck me. I

378
00:19:18.240 --> 00:19:20.000
<v Speaker 3>want to kneel in front of him and suck him.

379
00:19:20.640 --> 00:19:22.720
<v Speaker 3>I don't think I've ever been this attracted to a man.

380
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<v Speaker 4>Before your line starts with you know you meant it?

381
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<v Speaker 3>Jesus, he was reading his next line, not saying it

382
00:19:30.480 --> 00:19:32.839
<v Speaker 3>to me. I take a quick drink of water and

383
00:19:32.880 --> 00:19:35.039
<v Speaker 3>look him in the eye, challenging him as I say

384
00:19:35.079 --> 00:19:37.400
<v Speaker 3>the words you know you meant it?

385
00:19:38.599 --> 00:19:41.160
<v Speaker 4>I guess I did. So what's next?

386
00:19:41.839 --> 00:19:44.079
<v Speaker 3>I don't know, but I need some time to think.

387
00:19:45.759 --> 00:19:48.240
<v Speaker 4>Claire nails every line and we both yawn As we

388
00:19:48.279 --> 00:19:50.759
<v Speaker 4>get up to go. She drops her script and she

389
00:19:50.759 --> 00:19:52.880
<v Speaker 4>bends over to pick it up. She's right in front

390
00:19:52.920 --> 00:19:56.359
<v Speaker 4>of me, wearing tight jeans, bending over. Her ass is

391
00:19:56.400 --> 00:19:58.720
<v Speaker 4>so fucking hot that I immediately a'm getting hard again.

392
00:19:59.440 --> 00:20:01.680
<v Speaker 4>She stands up up and turns around smiling, and to

393
00:20:01.720 --> 00:20:04.759
<v Speaker 4>make matters worse, her t shirt got disheveled and plunges lower,

394
00:20:04.839 --> 00:20:07.799
<v Speaker 4>revealing the top of her tits. Fuck, she's not even

395
00:20:07.799 --> 00:20:10.599
<v Speaker 4>wearing a bra. She walks forward and gives me a

396
00:20:10.599 --> 00:20:13.960
<v Speaker 4>tight hug. I'm awkward and sputtering, but I think I

397
00:20:14.000 --> 00:20:16.880
<v Speaker 4>say goodbye and have at least some semblets of professionalism.

398
00:20:18.640 --> 00:20:21.200
<v Speaker 3>I hug Zaye and I swear I feel his cock

399
00:20:21.240 --> 00:20:24.000
<v Speaker 3>against my hip. Is he hard or is he just

400
00:20:24.039 --> 00:20:28.200
<v Speaker 3>that huge? Or am I imagining things? I mutter a goodbye,

401
00:20:28.279 --> 00:20:30.359
<v Speaker 3>and as the sun comes up, I get out my

402
00:20:30.480 --> 00:20:34.319
<v Speaker 3>biggest toy and fuck myself imagining Zane's big cock pounding me.

403
00:20:34.599 --> 00:20:37.240
<v Speaker 3>As I'm laying back in bed, just taking him.

404
00:20:37.079 --> 00:20:41.880
<v Speaker 4>In, I fall asleep, but I'm full of nervous energy.

405
00:20:42.440 --> 00:20:44.920
<v Speaker 4>It's just a job. We're speaking lines written by some

406
00:20:45.000 --> 00:20:48.279
<v Speaker 4>woman in Ohio. Sure, I'll be seeing lines that I'd

407
00:20:48.319 --> 00:20:50.400
<v Speaker 4>only normally be saying to someone I was hooking up with,

408
00:20:50.519 --> 00:20:52.519
<v Speaker 4>but they're not my thoughts.

409
00:20:54.200 --> 00:20:57.279
<v Speaker 3>The drive to the studio is frenetic. I somehow sleep

410
00:20:57.279 --> 00:20:59.319
<v Speaker 3>in with the sun going down and wake up late,

411
00:21:00.039 --> 00:21:02.720
<v Speaker 3>grabble blouse and slide into my jeans while brushing my teeth.

412
00:21:03.039 --> 00:21:04.680
<v Speaker 3>I want to be early to the studio to get

413
00:21:04.720 --> 00:21:08.839
<v Speaker 3>into the right mindset, but the scramble only makes me tense. Luckily,

414
00:21:09.039 --> 00:21:11.119
<v Speaker 3>I'm there first and have time to grab a coffee

415
00:21:11.119 --> 00:21:13.640
<v Speaker 3>and stare at myself in the bathroom mirror. Why am

416
00:21:13.640 --> 00:21:16.920
<v Speaker 3>I nervous? This is just a job. Sure it can

417
00:21:17.000 --> 00:21:19.799
<v Speaker 3>get awkward in sex scenes, but no one budgets for

418
00:21:19.839 --> 00:21:22.680
<v Speaker 3>an intimacy coordinator in an audiobook. Hell, no one makes

419
00:21:22.680 --> 00:21:25.519
<v Speaker 3>the two voice actors do it live in the studio alone,

420
00:21:26.359 --> 00:21:28.839
<v Speaker 3>which reminds me. Why didn't Zane and I just tell

421
00:21:28.920 --> 00:21:31.200
<v Speaker 3>producer Dave do Let us record in our home studios

422
00:21:31.240 --> 00:21:34.039
<v Speaker 3>and I have the editor compile the audio. It's like

423
00:21:34.079 --> 00:21:37.319
<v Speaker 3>it didn't even cross our minds. I close one more

424
00:21:37.319 --> 00:21:40.000
<v Speaker 3>button on my blouse. I never wear a bran. Now

425
00:21:40.000 --> 00:21:43.079
<v Speaker 3>I'm kicking myself. You can't help but get a little

426
00:21:43.079 --> 00:21:45.720
<v Speaker 3>aroused in a well written sex scene, and now Zain

427
00:21:45.799 --> 00:21:48.039
<v Speaker 3>is going to see my erec nipples through the soft

428
00:21:48.079 --> 00:21:51.200
<v Speaker 3>and thin cotton. At least I can cover my cleavage

429
00:21:51.200 --> 00:21:53.880
<v Speaker 3>better than with a V neck. I button another button,

430
00:21:53.880 --> 00:21:56.079
<v Speaker 3>which covers my skin but makes the whole thing a

431
00:21:56.079 --> 00:22:00.160
<v Speaker 3>little tight. Whatever. I walk into the studio and the

432
00:22:00.240 --> 00:22:03.079
<v Speaker 3>Zaine is messing with his microphone. His back is to me,

433
00:22:03.160 --> 00:22:05.480
<v Speaker 3>and I get a great view of his amazing ass.

434
00:22:06.119 --> 00:22:08.960
<v Speaker 3>His jeans are tight and his ass is tight, and

435
00:22:09.000 --> 00:22:09.599
<v Speaker 3>I'm staring.

436
00:22:09.640 --> 00:22:13.680
<v Speaker 4>When he turns around, I turn around, and holy fuck,

437
00:22:13.759 --> 00:22:16.880
<v Speaker 4>Claire looks so hot. She's got this white cotton blouse

438
00:22:16.920 --> 00:22:18.880
<v Speaker 4>on that it's buttoned up. And as much as I

439
00:22:18.920 --> 00:22:21.200
<v Speaker 4>love watching Claire's tits jiggle a bit as she laughed

440
00:22:21.200 --> 00:22:23.960
<v Speaker 4>in her t shirt, this is so much better as

441
00:22:23.960 --> 00:22:25.920
<v Speaker 4>the blouse is a bit tight and I can see

442
00:22:25.960 --> 00:22:29.240
<v Speaker 4>just how fucking awesome they are before I embarrass myself

443
00:22:29.279 --> 00:22:32.640
<v Speaker 4>any further staring. She walks over to her mic You ready,

444
00:22:33.640 --> 00:22:36.720
<v Speaker 4>I can't wait. It's the kind of thing you say

445
00:22:36.720 --> 00:22:39.279
<v Speaker 4>when starting a job with someone, but when the thing

446
00:22:39.359 --> 00:22:41.960
<v Speaker 4>you're doing is sex scenes, I fear it comes across

447
00:22:42.000 --> 00:22:45.319
<v Speaker 4>as something more. Actually, I kind of hope it does

448
00:22:45.359 --> 00:22:48.519
<v Speaker 4>come across as something more. The opening is a long

449
00:22:48.599 --> 00:22:50.759
<v Speaker 4>drive up Mulholland drive to a view of the valley.

450
00:22:51.240 --> 00:22:53.359
<v Speaker 4>We talk along the way, dropping in little hints that

451
00:22:53.400 --> 00:22:55.839
<v Speaker 4>bring up the heat and build the tension. There are

452
00:22:55.880 --> 00:22:59.960
<v Speaker 4>hands on thighs and lots of romantic gazing. Everything's going great,

453
00:23:00.319 --> 00:23:02.680
<v Speaker 4>but then we get to the kiss at sunset and

454
00:23:02.759 --> 00:23:04.279
<v Speaker 4>things immediately go south.

455
00:23:05.799 --> 00:23:09.200
<v Speaker 3>I'm telling you that sounds fake. I'm getting annoyed at

456
00:23:09.240 --> 00:23:11.759
<v Speaker 3>Zane as he has this amazing line where he says

457
00:23:11.960 --> 00:23:15.119
<v Speaker 3>rather breathlessly but full of a kind of sexy forcefulness

458
00:23:15.440 --> 00:23:18.319
<v Speaker 3>that he needs more than that. The thing is that

459
00:23:18.359 --> 00:23:20.400
<v Speaker 3>the sound he makes to start his line does not

460
00:23:20.519 --> 00:23:22.759
<v Speaker 3>sound like he's just breathlessly kissed someone.

461
00:23:23.279 --> 00:23:25.359
<v Speaker 4>That's fully work, Claire, you know that.

462
00:23:26.119 --> 00:23:28.960
<v Speaker 3>Now I'm pissed. Fully work is when the sound designer

463
00:23:29.000 --> 00:23:32.279
<v Speaker 3>adds sound effects and ambient noise. Sure it can handle

464
00:23:32.319 --> 00:23:34.480
<v Speaker 3>a kiss, but it's not going to work for his

465
00:23:34.559 --> 00:23:39.319
<v Speaker 3>initial dialogue afterward saying, look, I know sound design, the

466
00:23:39.359 --> 00:23:42.519
<v Speaker 3>transition from kiss sound effects to your dialogue isn't working.

467
00:23:43.079 --> 00:23:44.640
<v Speaker 4>I guess we'll have to agree to disagree.

468
00:23:44.640 --> 00:23:48.359
<v Speaker 3>Then he looks annoyed and things are really tense. I

469
00:23:48.400 --> 00:23:50.680
<v Speaker 3>could just let it go, but honestly, I'm quite proud

470
00:23:50.720 --> 00:23:52.039
<v Speaker 3>of the work we've done, and I don't want to

471
00:23:52.039 --> 00:23:55.599
<v Speaker 3>see even one part sound horrible, especially for Zaye, who's

472
00:23:55.640 --> 00:24:00.160
<v Speaker 3>an amazing voice actor. Here listen, I walk up over

473
00:24:00.200 --> 00:24:03.319
<v Speaker 3>to the recording console, back up the audio, and hit play.

474
00:24:04.160 --> 00:24:06.319
<v Speaker 3>We never do that. As we're just supposed to keep

475
00:24:06.359 --> 00:24:08.319
<v Speaker 3>recording and then we clean it up afterwards for the

476
00:24:08.440 --> 00:24:11.799
<v Speaker 3>editor to work on. Zain's voice comes over the speaker.

477
00:24:12.599 --> 00:24:17.039
<v Speaker 3>Do you hear? He doesn't say anything. Oh, for fuck's sake,

478
00:24:17.599 --> 00:24:20.400
<v Speaker 3>I press record and walk over to him. Here, read

479
00:24:20.400 --> 00:24:23.200
<v Speaker 3>your line. He looks confused as I grab the back

480
00:24:23.240 --> 00:24:25.440
<v Speaker 3>of his head with my hand and pull him into

481
00:24:25.480 --> 00:24:30.440
<v Speaker 3>a kiss. Holy shit, his lips are so soft. The

482
00:24:30.559 --> 00:24:33.480
<v Speaker 3>kiss lasts much longer than it needs to, and before

483
00:24:33.480 --> 00:24:35.599
<v Speaker 3>I lose control and open my mouth, I pull back.

484
00:24:36.440 --> 00:24:39.559
<v Speaker 3>Zain looks stunned and really flustered. I'm worried I went

485
00:24:39.599 --> 00:24:41.200
<v Speaker 3>too far, as he's just sitting there.

486
00:24:42.000 --> 00:24:43.960
<v Speaker 4>Holy shit, I forgot to save my line.

487
00:24:44.680 --> 00:24:45.839
<v Speaker 3>It looks at the mic and then me.

488
00:24:46.559 --> 00:24:50.960
<v Speaker 4>I'm so sorry, but can we do that again? It

489
00:24:51.079 --> 00:24:54.359
<v Speaker 4>was the best fucking kiss. The second one is even

490
00:24:54.400 --> 00:24:57.240
<v Speaker 4>longer than the first one, and it's me who pulls back.

491
00:24:57.839 --> 00:25:00.000
<v Speaker 4>I so badly want to open my mouth and feel

492
00:25:00.119 --> 00:25:03.000
<v Speaker 4>her tongue on mine. But what would she say. She'd

493
00:25:03.000 --> 00:25:05.359
<v Speaker 4>probably storm out of the room about be taking advantage

494
00:25:05.359 --> 00:25:07.839
<v Speaker 4>of her on the job. So I say my line

495
00:25:07.880 --> 00:25:10.720
<v Speaker 4>as our lips part. Claire smiles and walks over to

496
00:25:10.759 --> 00:25:15.039
<v Speaker 4>the recording console. Wow, I whisper the words so she

497
00:25:15.039 --> 00:25:18.160
<v Speaker 4>doesn't hear. She starts to replay the dialogue.

498
00:25:18.920 --> 00:25:19.359
<v Speaker 3>See.

499
00:25:19.960 --> 00:25:22.759
<v Speaker 4>She has a huge smile on her face. My line

500
00:25:22.799 --> 00:25:25.319
<v Speaker 4>comes out of the speakers, and she was absolutely right.

501
00:25:25.759 --> 00:25:27.680
<v Speaker 4>The phrasing of the line coming directly out of the

502
00:25:27.759 --> 00:25:32.839
<v Speaker 4>case is so much more realistic and intense. But them, wow,

503
00:25:33.920 --> 00:25:38.960
<v Speaker 4>fuck it recorded my comment. Claire smiles at me. She's

504
00:25:39.000 --> 00:25:43.559
<v Speaker 4>not embarrassed or angry. She seems more like amused. I'm

505
00:25:43.559 --> 00:25:46.400
<v Speaker 4>not sure and look down. I think we should move on.

506
00:25:47.400 --> 00:25:48.240
<v Speaker 3>Sounds like a plan.

507
00:25:49.039 --> 00:25:50.400
<v Speaker 4>She moves over to her seat.

508
00:25:51.920 --> 00:25:54.119
<v Speaker 3>At this point, I'm desperate to work on the rest

509
00:25:54.119 --> 00:25:56.880
<v Speaker 3>of the scenes. I want to see Zamee's mouth shape

510
00:25:56.920 --> 00:25:59.880
<v Speaker 3>the words and shear his passion. And in the back

511
00:26:00.119 --> 00:26:02.200
<v Speaker 3>of my mind, I keep thinking of his whisper after

512
00:26:02.200 --> 00:26:06.480
<v Speaker 3>we kissed. Wow, it was exactly what I was thinking.

513
00:26:07.359 --> 00:26:10.680
<v Speaker 3>He's an amazing kisser and we didn't even use our tongues.

514
00:26:10.720 --> 00:26:15.359
<v Speaker 3>It was just our lips feeling soft and amazing. I

515
00:26:15.400 --> 00:26:18.160
<v Speaker 3>suppress a laugh. What did Max say he was looking

516
00:26:18.200 --> 00:26:23.880
<v Speaker 3>for restrained passion while he's definitely getting that. Still, I

517
00:26:23.960 --> 00:26:25.160
<v Speaker 3>need to remain professional.

518
00:26:26.279 --> 00:26:28.359
<v Speaker 4>I don't think fully work will help with this either.

519
00:26:29.160 --> 00:26:31.440
<v Speaker 3>Zay looks serious as he turns the page of the script.

520
00:26:32.000 --> 00:26:34.079
<v Speaker 4>All of this blocking requires our voices to have some

521
00:26:34.160 --> 00:26:36.799
<v Speaker 4>kind of spatial element. I see now why doing this

522
00:26:36.880 --> 00:26:37.839
<v Speaker 4>live is really helpful.

523
00:26:37.880 --> 00:26:40.759
<v Speaker 3>But this, He points to our two mics separated by

524
00:26:40.799 --> 00:26:43.839
<v Speaker 3>a flat tabletop. It's just going to make everything sound flat.

525
00:26:44.480 --> 00:26:46.960
<v Speaker 3>I agree. I think that kiss was a good example

526
00:26:47.000 --> 00:26:49.799
<v Speaker 3>of that. Zayin looks at me, and what is that

527
00:26:49.839 --> 00:26:53.839
<v Speaker 3>in his eyes? Agreement? No, it's more than that, is

528
00:26:53.880 --> 00:26:58.319
<v Speaker 3>it focus? No, it's more intense? Could it be desire?

529
00:26:59.200 --> 00:27:01.359
<v Speaker 3>Before I can get a and on things, he stands up.

530
00:27:01.680 --> 00:27:02.680
<v Speaker 4>Give me a few minutes.

531
00:27:03.400 --> 00:27:04.480
<v Speaker 3>He leaves the room.

532
00:27:05.160 --> 00:27:07.400
<v Speaker 4>I come back with an omnidirectional microphone.

533
00:27:08.039 --> 00:27:09.119
<v Speaker 3>Oh good idea.

534
00:27:09.839 --> 00:27:11.720
<v Speaker 4>We both set it up in an empty mic stand

535
00:27:11.720 --> 00:27:13.519
<v Speaker 4>a bit further in the studio, next to the wall.

536
00:27:13.920 --> 00:27:16.920
<v Speaker 4>It's darker there. Should I grab a lamp. It will

537
00:27:16.920 --> 00:27:19.240
<v Speaker 4>be hard to read our scripts here. I have the

538
00:27:19.279 --> 00:27:22.880
<v Speaker 4>rest of the scenes memorized me too. Okay, this will

539
00:27:22.880 --> 00:27:27.119
<v Speaker 4>work great? Then absolutely So we're holding each other and talking,

540
00:27:27.599 --> 00:27:29.640
<v Speaker 4>then we separate, and then we come back.

541
00:27:30.440 --> 00:27:32.880
<v Speaker 3>Right, we come back for kissing, and then the whole

542
00:27:32.920 --> 00:27:34.160
<v Speaker 3>removal of close narration.

543
00:27:35.119 --> 00:27:36.680
<v Speaker 4>The mic is set up, so I walk in front

544
00:27:36.720 --> 00:27:39.680
<v Speaker 4>of it. The mic is at mouth height with me standing,

545
00:27:39.759 --> 00:27:43.160
<v Speaker 4>but as it's omnidirectional, it will pick up everything. Claire

546
00:27:43.160 --> 00:27:44.599
<v Speaker 4>walks over and stands close to me.

547
00:27:45.279 --> 00:27:46.440
<v Speaker 3>The positioning looks good.

548
00:27:47.400 --> 00:27:50.559
<v Speaker 4>Maybe we should block this. I say the words, hoping

549
00:27:50.559 --> 00:27:53.519
<v Speaker 4>that by organizing everything and making it clinical it will

550
00:27:53.559 --> 00:27:54.599
<v Speaker 4>be a little less awkward.

551
00:27:56.279 --> 00:27:58.720
<v Speaker 3>He says the words, and I'm getting wetter and wetter

552
00:27:58.799 --> 00:27:59.720
<v Speaker 3>with each sentence.

553
00:28:00.720 --> 00:28:02.680
<v Speaker 4>So we kiss and run our hands up and down

554
00:28:02.680 --> 00:28:05.759
<v Speaker 4>our bodies. You're doing the narration, so I'll just hold

555
00:28:05.839 --> 00:28:08.480
<v Speaker 4>you while you're doing that. That way, when we hit dialogue,

556
00:28:08.480 --> 00:28:12.400
<v Speaker 4>we can be in the perfect position, right, So then

557
00:28:12.440 --> 00:28:15.920
<v Speaker 4>we French kiss and are holding each other. After the kissing,

558
00:28:16.039 --> 00:28:18.359
<v Speaker 4>I turn you around and push you against the car.

559
00:28:19.079 --> 00:28:20.079
<v Speaker 3>Zay looks to his right.

560
00:28:20.559 --> 00:28:23.319
<v Speaker 4>Oh, this will be perfect. I can push you against

561
00:28:23.319 --> 00:28:25.599
<v Speaker 4>the wall next to the mic. Then I pull down

562
00:28:25.680 --> 00:28:27.960
<v Speaker 4>your pants and you're narrating about how I'm eating you

563
00:28:28.000 --> 00:28:30.720
<v Speaker 4>out from behind. Then I stand up and you realize

564
00:28:30.720 --> 00:28:32.799
<v Speaker 4>I've pulled my pants down, and then I fuck you

565
00:28:32.839 --> 00:28:36.880
<v Speaker 4>against the wall. Car. You know the car and the story.

566
00:28:37.039 --> 00:28:38.279
<v Speaker 4>It's just a wall here.

567
00:28:38.880 --> 00:28:41.319
<v Speaker 3>I don't know what to say. I want him to

568
00:28:41.319 --> 00:28:42.359
<v Speaker 3>do all those things to me.

569
00:28:44.079 --> 00:28:49.559
<v Speaker 4>Oh uh, and I mean my character, not me. I'm

570
00:28:49.680 --> 00:28:52.960
<v Speaker 4>dying inside. I literally walk through this whole crazy hot

571
00:28:52.960 --> 00:28:55.759
<v Speaker 4>scenario of fucking Claire against the studio wall, and don't

572
00:28:55.799 --> 00:28:59.079
<v Speaker 4>refer to it being the characters. God, I hope she

573
00:28:59.119 --> 00:29:01.640
<v Speaker 4>doesn't think I'm a cree deep. Just as I'm in

574
00:29:01.680 --> 00:29:04.240
<v Speaker 4>the middle of explaining, she steps forward and puts her

575
00:29:04.319 --> 00:29:04.920
<v Speaker 4>arms around me.

576
00:29:05.640 --> 00:29:07.720
<v Speaker 3>Let's do the French kissing into narration thing.

577
00:29:08.839 --> 00:29:11.759
<v Speaker 4>I don't even wait. I lean forward and we kiss.

578
00:29:12.200 --> 00:29:14.400
<v Speaker 4>There isn't even a delay. As we open our mouths

579
00:29:14.400 --> 00:29:17.200
<v Speaker 4>and I feel her tongue against mine. I close my

580
00:29:17.279 --> 00:29:20.000
<v Speaker 4>mouth and slightly suck her tongue before opening it again.

581
00:29:20.359 --> 00:29:23.559
<v Speaker 4>And we're kissing deeply. At least our hands are behaving

582
00:29:23.599 --> 00:29:26.440
<v Speaker 4>as we hold each other. Claire suddenly pulls back, and

583
00:29:26.480 --> 00:29:28.839
<v Speaker 4>her panting sounds so incredibly realistic.

584
00:29:29.559 --> 00:29:33.519
<v Speaker 3>Fiona pulls back and stares at Jack. She stirned directly

585
00:29:33.559 --> 00:29:36.839
<v Speaker 3>into my eyes. He looks hungry and full of desire.

586
00:29:37.400 --> 00:29:40.319
<v Speaker 3>He grabs her by the waist, twirls her around, and

587
00:29:40.480 --> 00:29:44.359
<v Speaker 3>shoves her against the car. I'm speaking the words, but

588
00:29:44.400 --> 00:29:47.440
<v Speaker 3>I have no idea what I'm saying. Zaine's eyes are

589
00:29:47.440 --> 00:29:51.119
<v Speaker 3>full of hunger and desire. I finish my narration and

590
00:29:51.160 --> 00:29:54.000
<v Speaker 3>he grabs my waist and twirls me around, pushing me

591
00:29:54.079 --> 00:29:56.920
<v Speaker 3>up against the wall. I press both my hands against

592
00:29:56.960 --> 00:30:00.200
<v Speaker 3>the wall as I feel Zane's crotch pressed against my ass.

593
00:30:00.680 --> 00:30:03.279
<v Speaker 3>She can feel his cock against her ass, but then

594
00:30:03.359 --> 00:30:06.640
<v Speaker 3>he pulls away. She is tempted to turn to get

595
00:30:06.640 --> 00:30:10.160
<v Speaker 3>on her knees and beg when he reaches around unbuttons

596
00:30:10.160 --> 00:30:14.079
<v Speaker 3>her jeans and pulls them down, panties and pants in

597
00:30:14.200 --> 00:30:19.640
<v Speaker 3>one forceful motion. There's an awkward silence as Zane is

598
00:30:19.680 --> 00:30:22.599
<v Speaker 3>pressed against me. I can feel his hard cock through

599
00:30:22.599 --> 00:30:25.319
<v Speaker 3>our pants. I can tell he doesn't know what to

600
00:30:25.359 --> 00:30:28.240
<v Speaker 3>do next. The scene continues with him eating me out,

601
00:30:28.640 --> 00:30:31.400
<v Speaker 3>and that would be sound effects and folly work. But

602
00:30:31.480 --> 00:30:34.119
<v Speaker 3>he's standing there and his hands are on my hips

603
00:30:34.400 --> 00:30:37.119
<v Speaker 3>and his cock is against my ass, and in the

604
00:30:37.160 --> 00:30:40.240
<v Speaker 3>middle of his indecision, I give up on any restraint.

605
00:30:40.839 --> 00:30:43.160
<v Speaker 3>I can feel his hard cock. We share the most

606
00:30:43.160 --> 00:30:46.920
<v Speaker 3>amazing kiss. The sea demands he eat me out. I

607
00:30:47.119 --> 00:30:49.920
<v Speaker 3>desperately want him to eat me out.

608
00:30:50.440 --> 00:30:50.759
<v Speaker 1>To it.

609
00:30:52.400 --> 00:30:55.000
<v Speaker 4>In my entire life, I had not heard a more

610
00:30:55.000 --> 00:30:57.200
<v Speaker 4>erotic and amazing thing than Claire whispering.

611
00:30:57.279 --> 00:30:57.599
<v Speaker 6>Do it.

612
00:30:58.400 --> 00:31:00.839
<v Speaker 4>I reach around and unbutton her pants and pulled him down.

613
00:31:01.519 --> 00:31:05.079
<v Speaker 4>There's no going back, and she's not stopping me. She's

614
00:31:05.119 --> 00:31:08.079
<v Speaker 4>inviting me. Her pants are around her ankles, and I

615
00:31:08.119 --> 00:31:12.240
<v Speaker 4>pull her panties down. Bend forward. It's a line from

616
00:31:12.240 --> 00:31:14.359
<v Speaker 4>the script, but I say it with every ounce of

617
00:31:14.400 --> 00:31:18.480
<v Speaker 4>passionate sincerity. She bends forward and I kiss the cleft

618
00:31:18.480 --> 00:31:21.319
<v Speaker 4>of her ass. I can literally feel her butt muscles

619
00:31:21.359 --> 00:31:23.640
<v Speaker 4>clenched as I leave a trail of kisses along her

620
00:31:23.640 --> 00:31:26.799
<v Speaker 4>crack before slipping my tongue into her pussy. She is

621
00:31:26.920 --> 00:31:30.599
<v Speaker 4>sopping wet and tastes so good. She spreads her legs

622
00:31:30.599 --> 00:31:32.319
<v Speaker 4>further and I run my tongue as far up her

623
00:31:32.319 --> 00:31:35.240
<v Speaker 4>pussy as I can. I lick her lips and suck

624
00:31:35.279 --> 00:31:38.160
<v Speaker 4>on them gently. I slide my tongue in and out

625
00:31:38.200 --> 00:31:41.920
<v Speaker 4>like a soft dick. Oh fuck, that feels so good.

626
00:31:42.440 --> 00:31:44.759
<v Speaker 4>Her voice is breathy and sexiest. Fuck.

627
00:31:45.359 --> 00:31:48.920
<v Speaker 3>Without any warning, Jack stops and stands up before she

628
00:31:49.000 --> 00:31:51.839
<v Speaker 3>even knows what is happening. She feels his hard cock

629
00:31:51.880 --> 00:31:52.759
<v Speaker 3>against her ass.

630
00:31:54.440 --> 00:31:55.240
<v Speaker 4>Are you sure?

631
00:31:56.640 --> 00:31:59.119
<v Speaker 3>I look over my shoulder at him. I never wanted

632
00:31:59.119 --> 00:32:01.839
<v Speaker 3>a man more than it moment, I want his cock,

633
00:32:01.960 --> 00:32:06.119
<v Speaker 3>his tongue on a fucking be fucked. Fiona looks over

634
00:32:06.160 --> 00:32:08.880
<v Speaker 3>her shoulder and into his eyes, her own face full

635
00:32:08.920 --> 00:32:12.279
<v Speaker 3>of lust and desire. Shut up and just fuck me.

636
00:32:13.440 --> 00:32:15.519
<v Speaker 3>He nearly shoves me forward, and as my hands are

637
00:32:15.559 --> 00:32:18.119
<v Speaker 3>pressed against the wall, I hear his pants drop to

638
00:32:18.160 --> 00:32:21.400
<v Speaker 3>the floor, And just like the script, Zaye's cock is

639
00:32:21.440 --> 00:32:24.119
<v Speaker 3>against my ass. It's a rock hard and all I

640
00:32:24.160 --> 00:32:28.200
<v Speaker 3>want is it inside me. Fuck me, Zane, fuck me hard.

641
00:32:28.880 --> 00:32:32.440
<v Speaker 3>He stops. I wonder what is wrong, nearly laugh right

642
00:32:32.480 --> 00:32:35.599
<v Speaker 3>in the middle of everything at my mistake. Fuck me, jack,

643
00:32:35.960 --> 00:32:38.960
<v Speaker 3>fuck me hard. I feel his hand holding his cock

644
00:32:39.000 --> 00:32:41.359
<v Speaker 3>as he slides it down the my pussy. He's so

645
00:32:41.519 --> 00:32:43.960
<v Speaker 3>fucking hard, and I'm so wet that he's immediately deep

646
00:32:43.960 --> 00:32:46.720
<v Speaker 3>inside me. His hands are tight on my hips as

647
00:32:46.720 --> 00:32:51.039
<v Speaker 3>he slides in and out. I'm bracing myself against the wall. Harder,

648
00:32:51.440 --> 00:32:53.599
<v Speaker 3>fuck me like you mean it. You spend all this

649
00:32:53.720 --> 00:32:56.039
<v Speaker 3>time on mind games, Well, now show me you can

650
00:32:56.079 --> 00:32:59.920
<v Speaker 3>do more than that. Oh fuck harder. I'm trying to

651
00:33:00.240 --> 00:33:02.720
<v Speaker 3>like the script, but Zing's cock feels so good as

652
00:33:02.720 --> 00:33:04.799
<v Speaker 3>he's fucking me. All I want to do is just

653
00:33:04.839 --> 00:33:08.160
<v Speaker 3>focus on the feeling. Then he stops.

654
00:33:09.880 --> 00:33:13.599
<v Speaker 4>Claire's pussy tastes so good and then feels so tight.

655
00:33:14.160 --> 00:33:17.039
<v Speaker 4>Everything about her is perfect. I want to just fuck

656
00:33:17.039 --> 00:33:19.400
<v Speaker 4>her until I come, But as much as we're both

657
00:33:19.400 --> 00:33:22.880
<v Speaker 4>getting into it, we are recording an audiobook. The next

658
00:33:22.880 --> 00:33:25.200
<v Speaker 4>scene is me pulling back and me commanding her to

659
00:33:25.240 --> 00:33:27.240
<v Speaker 4>give me a blowjob, and then direct her on what

660
00:33:27.359 --> 00:33:33.200
<v Speaker 4>to do. Okay, then get on your knees. Claire slowly

661
00:33:33.200 --> 00:33:36.680
<v Speaker 4>turns around and she looks ravenous. She immediately drops to

662
00:33:36.720 --> 00:33:39.440
<v Speaker 4>her knees with her back to the wall. Lick your

663
00:33:39.519 --> 00:33:42.720
<v Speaker 4>juices off me. Claire stares at my dick and then

664
00:33:42.799 --> 00:33:45.680
<v Speaker 4>licks the entire length up and down. She then stops

665
00:33:45.759 --> 00:33:48.519
<v Speaker 4>the head and flutters her tongue under it. It's driving

666
00:33:48.559 --> 00:33:51.200
<v Speaker 4>me crazy. I want to moan and tell her how

667
00:33:51.200 --> 00:33:53.240
<v Speaker 4>great it feels, and to tell her how amazing she is,

668
00:33:53.279 --> 00:33:54.920
<v Speaker 4>and how much I love the way she touches and

669
00:33:54.960 --> 00:33:57.359
<v Speaker 4>licks me, and how much her voice turns me on.

670
00:33:58.000 --> 00:34:00.279
<v Speaker 4>But this entire scene is supposed to be just me

671
00:34:00.440 --> 00:34:04.839
<v Speaker 4>telling her what to do lick my balls. Claire looks

672
00:34:04.920 --> 00:34:07.680
<v Speaker 4>up at me and gives me this amazing smile with

673
00:34:07.759 --> 00:34:10.639
<v Speaker 4>the hint of dimbles. She then takes my dick in

674
00:34:10.679 --> 00:34:13.679
<v Speaker 4>her left hand, lifts it up, and lowers her head

675
00:34:13.679 --> 00:34:16.840
<v Speaker 4>to lick my balls. God, it feels so good.

676
00:34:18.639 --> 00:34:22.119
<v Speaker 3>I am totally getting off sucking Zaane. Holy shit, does

677
00:34:22.119 --> 00:34:24.920
<v Speaker 3>he have the perfect cock. It isn't small, but it

678
00:34:24.960 --> 00:34:29.440
<v Speaker 3>isn't huge either. It's literally perfect for everything. I love

679
00:34:29.519 --> 00:34:32.199
<v Speaker 3>how it felt pounding my pussy, and I love how

680
00:34:32.199 --> 00:34:34.719
<v Speaker 3>it feels to lick and suck it. Fuck. I have

681
00:34:34.760 --> 00:34:37.480
<v Speaker 3>a line, thank God for on the directional MIC's because

682
00:34:37.480 --> 00:34:39.880
<v Speaker 3>I didn't want to move away from Zaye's cock. I

683
00:34:39.920 --> 00:34:43.480
<v Speaker 3>look up toward the mic. Fuck my mouth, Jack, take

684
00:34:43.519 --> 00:34:46.119
<v Speaker 3>my head in your hands and just fuck my mouth.

685
00:34:46.920 --> 00:34:49.440
<v Speaker 3>I look up, and the desire in Zane's eyes make

686
00:34:49.519 --> 00:34:52.400
<v Speaker 3>me even hotter. He takes his cock in his hand,

687
00:34:52.679 --> 00:34:55.159
<v Speaker 3>shoves it in my mouth, and then grabs my head

688
00:34:55.199 --> 00:34:58.480
<v Speaker 3>with both his hands. It is so fucking hot how

689
00:34:58.559 --> 00:35:02.039
<v Speaker 3>much he loses control. He shoves his hips forward and back,

690
00:35:02.400 --> 00:35:04.760
<v Speaker 3>and I can feel as delicious cock pressing it against

691
00:35:04.800 --> 00:35:06.760
<v Speaker 3>my throat and then against my lips and then against

692
00:35:06.840 --> 00:35:07.320
<v Speaker 3>my throat.

693
00:35:08.239 --> 00:35:14.000
<v Speaker 4>Oh yeah, woh well, that feels so good. The next

694
00:35:14.000 --> 00:35:16.719
<v Speaker 4>part of the scene is my favorite. I pull away

695
00:35:16.719 --> 00:35:20.079
<v Speaker 4>from Claire and guide her to her feet. We kiss passionately,

696
00:35:20.119 --> 00:35:24.280
<v Speaker 4>and then we pull apart. Your turn. I lower myself

697
00:35:24.320 --> 00:35:26.840
<v Speaker 4>to my knees, lift Claire's leg and put it on

698
00:35:26.880 --> 00:35:29.719
<v Speaker 4>my shoulder, and then I bury my face in our pussy.

699
00:35:30.280 --> 00:35:33.000
<v Speaker 4>I start with my tongue deep inside her, sliding it

700
00:35:33.079 --> 00:35:34.519
<v Speaker 4>up and down between her lips.

701
00:35:35.320 --> 00:35:38.280
<v Speaker 3>Oh fuck, yes, God, that feels so good.

702
00:35:38.840 --> 00:35:41.199
<v Speaker 4>I slide my tongue up and flick it against her clit.

703
00:35:41.840 --> 00:35:44.719
<v Speaker 3>Oh yes, don't stop that. Fuck yes.

704
00:35:45.480 --> 00:35:47.440
<v Speaker 4>I lightly suck her clit, and then I can feel

705
00:35:47.440 --> 00:35:50.559
<v Speaker 4>her whole body tense. I shoved two fingers into her

706
00:35:50.559 --> 00:35:53.079
<v Speaker 4>pussy and slide them in and out as I concentrate

707
00:35:53.159 --> 00:35:56.159
<v Speaker 4>my tongue on her clit. She's writhing under me as

708
00:35:56.199 --> 00:35:58.360
<v Speaker 4>I put all my attention on having her explode in

709
00:35:58.440 --> 00:36:00.000
<v Speaker 4>an orgasm under my tongue.

710
00:36:01.639 --> 00:36:05.519
<v Speaker 3>Holy fucking shit. Zeane's tongue is magic. And then he

711
00:36:05.559 --> 00:36:07.519
<v Speaker 3>slips his fingers into me, and I know I'm going

712
00:36:07.559 --> 00:36:10.880
<v Speaker 3>to come fast. His tongue perfectly sliding up and down

713
00:36:10.880 --> 00:36:13.760
<v Speaker 3>on my clit, and his fingers are spreading my pussy wide.

714
00:36:14.320 --> 00:36:16.360
<v Speaker 3>I can't stop it, and grab his hair with my

715
00:36:16.400 --> 00:36:19.440
<v Speaker 3>fists and pull his face closer. I need his tongue

716
00:36:19.480 --> 00:36:24.039
<v Speaker 3>to grind on. Ooh ooh oh.

717
00:36:24.199 --> 00:36:29.960
<v Speaker 4>Yes, Claire totally loses control and it is the fucking

718
00:36:30.039 --> 00:36:33.039
<v Speaker 4>hottest thing. She's pulling my head into her pussy by

719
00:36:33.039 --> 00:36:36.199
<v Speaker 4>my hair, She's grinding on my tongue, and her whole

720
00:36:36.239 --> 00:36:39.280
<v Speaker 4>body is tensing as she's literally doing that slow orgasm

721
00:36:39.360 --> 00:36:42.440
<v Speaker 4>sound she said she makes. She lets go of my

722
00:36:42.519 --> 00:36:45.599
<v Speaker 4>hair and stumbles back against the wall. I stand up

723
00:36:45.599 --> 00:36:46.800
<v Speaker 4>as she continues from the.

724
00:36:46.760 --> 00:36:50.559
<v Speaker 3>Script that was amazing, Jack, But I can tell from

725
00:36:50.599 --> 00:36:55.079
<v Speaker 3>your throbbing hard cock that you need what I just experienced, Siona.

726
00:36:55.599 --> 00:36:57.599
<v Speaker 4>I'm going to fuck you so hard that you're going

727
00:36:57.599 --> 00:36:58.280
<v Speaker 4>to come again.

728
00:36:59.199 --> 00:37:01.719
<v Speaker 3>Those are big words, Jack, I think you need to

729
00:37:01.760 --> 00:37:03.360
<v Speaker 3>back them up with your big cock.

730
00:37:03.960 --> 00:37:06.519
<v Speaker 4>The script calls for Fiona to leap into Jack's arms

731
00:37:06.519 --> 00:37:08.840
<v Speaker 4>and he would then literally fuck her, standing up with

732
00:37:08.880 --> 00:37:11.639
<v Speaker 4>her legs wrapped around his waist. That seemed more like

733
00:37:11.800 --> 00:37:15.280
<v Speaker 4>impractical author creativity. And I'm planning on just fucking Claire

734
00:37:15.280 --> 00:37:18.760
<v Speaker 4>against the wall again. But then she wiggles her leg

735
00:37:19.239 --> 00:37:20.880
<v Speaker 4>and I watch her kick her pants off.

736
00:37:22.480 --> 00:37:25.400
<v Speaker 3>I can tell Zayne is strong and I'm pretty petite,

737
00:37:25.760 --> 00:37:27.719
<v Speaker 3>so there is no way I'm not going to try this.

738
00:37:28.239 --> 00:37:30.159
<v Speaker 3>I had actually touched myself as I went over the

739
00:37:30.199 --> 00:37:33.199
<v Speaker 3>scene at home. I don't know what's so hot about it,

740
00:37:33.280 --> 00:37:35.559
<v Speaker 3>but the idea of wrapping my arms and legs around

741
00:37:35.639 --> 00:37:37.480
<v Speaker 3>Zayne and having him fuck me while I'm clinging to

742
00:37:37.559 --> 00:37:41.639
<v Speaker 3>him feels so incredibly hot. So I jump into his arms.

743
00:37:42.239 --> 00:37:44.639
<v Speaker 3>He stumbles back a bit, but quickly grabs my ass

744
00:37:44.639 --> 00:37:47.039
<v Speaker 3>in his hands and pulls me up. I can feel

745
00:37:47.079 --> 00:37:49.679
<v Speaker 3>his cock brushing against the bottom of my thigh as

746
00:37:49.719 --> 00:37:52.280
<v Speaker 3>I wrap my legs around his waist and my arms

747
00:37:52.280 --> 00:37:56.119
<v Speaker 3>around his neck. I lean forward and just for him,

748
00:37:56.239 --> 00:38:00.760
<v Speaker 3>whisper in his ear. I love how you fuck me, Zane.

749
00:38:01.360 --> 00:38:04.960
<v Speaker 4>The whisper spikes my passionate heat to max. I'm fucking

750
00:38:05.039 --> 00:38:07.239
<v Speaker 4>rock hard and I'm holding this hot babes ass in

751
00:38:07.239 --> 00:38:09.519
<v Speaker 4>my hands with her legs wrapped around me. I'm not

752
00:38:09.559 --> 00:38:11.239
<v Speaker 4>sure how this is going to work, but I want

753
00:38:11.239 --> 00:38:14.960
<v Speaker 4>nothing more for it to work. I lower her body slowly,

754
00:38:15.440 --> 00:38:18.239
<v Speaker 4>my dicks sliding up along her thigh, and it's like

755
00:38:18.320 --> 00:38:21.079
<v Speaker 4>it was meant to be. She's so wet and I'm

756
00:38:21.119 --> 00:38:24.840
<v Speaker 4>so hard that I just slip inside hold on tight.

757
00:38:25.760 --> 00:38:28.599
<v Speaker 4>I lower her slowly until my dick is deep inside her.

758
00:38:29.480 --> 00:38:34.239
<v Speaker 7>Oh wow, I love this. That feels so good. I

759
00:38:34.280 --> 00:38:36.800
<v Speaker 7>lift her with my arms. She's not that heavy, and

760
00:38:36.880 --> 00:38:39.159
<v Speaker 7>she helps with how she's clutching my neck and shoulders.

761
00:38:39.760 --> 00:38:42.079
<v Speaker 7>I slide nearly all the way out and then just

762
00:38:42.159 --> 00:38:46.119
<v Speaker 7>drop her on my dick again. Oh, are you ready

763
00:38:46.119 --> 00:38:48.880
<v Speaker 7>for the ride of your life? I feel her fingernails

764
00:38:48.920 --> 00:38:51.039
<v Speaker 7>dig into my back and I lift her up and

765
00:38:51.079 --> 00:38:53.719
<v Speaker 7>lower her, swinging her up and down with my hands

766
00:38:53.719 --> 00:38:57.280
<v Speaker 7>on her ass. I've never felt anything like it. I'm

767
00:38:57.320 --> 00:39:00.360
<v Speaker 7>so incredibly deep inside her, and then I'm nearly out.

768
00:39:01.199 --> 00:39:04.000
<v Speaker 7>My legs help, but it's all strength and gravity, and

769
00:39:04.039 --> 00:39:06.079
<v Speaker 7>I'm not sure if I'm fucking her or she's fucking me,

770
00:39:06.239 --> 00:39:07.360
<v Speaker 7>or we're fucking each other.

771
00:39:08.239 --> 00:39:11.719
<v Speaker 3>Oh Jesus, your cock feels so good. Don't stop.

772
00:39:12.519 --> 00:39:15.880
<v Speaker 4>My orgasm is building fast. It's just too much friction,

773
00:39:15.960 --> 00:39:18.280
<v Speaker 4>and the thrusting is so deep. I can't possibly pace

774
00:39:18.320 --> 00:39:22.159
<v Speaker 4>myself to stop it. Fuck. Oh yeah, I'm gonna come.

775
00:39:22.599 --> 00:39:25.199
<v Speaker 3>Please just try to hold it a little longer, a

776
00:39:25.320 --> 00:39:26.079
<v Speaker 3>bit longer.

777
00:39:26.800 --> 00:39:28.639
<v Speaker 4>She's swinging up and down on my dick and I

778
00:39:28.719 --> 00:39:30.800
<v Speaker 4>do my best to hold it, and that only makes

779
00:39:30.800 --> 00:39:33.280
<v Speaker 4>it more intense. Fuck, I'm coming.

780
00:39:34.159 --> 00:39:37.119
<v Speaker 3>I'm coming too. Don't stop fuck me, keep fucking me.

781
00:39:38.119 --> 00:39:43.159
<v Speaker 4>Oh yes, you feel so good. Fuck I'm coming, yes, yes, yes,

782
00:39:44.159 --> 00:39:44.880
<v Speaker 4>a fuck.

783
00:39:44.760 --> 00:39:49.199
<v Speaker 3>Yes, oh yes, oh oh oh.

784
00:39:49.239 --> 00:39:51.559
<v Speaker 4>I drop her heart on my dick and my cum

785
00:39:51.599 --> 00:39:54.920
<v Speaker 4>shoots deep inside her. Her legs are clenched tight around

786
00:39:54.960 --> 00:39:57.800
<v Speaker 4>my hips as I feel her whole body throb. I

787
00:39:57.840 --> 00:40:01.840
<v Speaker 4>take a deep breath. She's breathing heavy and slowly unlocks

788
00:40:01.840 --> 00:40:04.840
<v Speaker 4>her legs. I'm still holding her ass and don't want

789
00:40:04.880 --> 00:40:07.320
<v Speaker 4>to let go. I want to feel my dick inside

790
00:40:07.320 --> 00:40:11.039
<v Speaker 4>her forever. She kisses me on the cheek and it's

791
00:40:11.079 --> 00:40:13.840
<v Speaker 4>my turn to whisper in her ear, just for her.

792
00:40:14.760 --> 00:40:18.559
<v Speaker 4>You are so amazing. I slowly let her down, and

793
00:40:18.639 --> 00:40:19.679
<v Speaker 4>my dick slides out.

794
00:40:20.840 --> 00:40:22.880
<v Speaker 3>I don't think either of us remembers the rest of

795
00:40:22.920 --> 00:40:25.920
<v Speaker 3>the script, but that's okay. The key scene is done

796
00:40:25.920 --> 00:40:28.239
<v Speaker 3>and we can patch it up later. I get cleaned

797
00:40:28.280 --> 00:40:31.920
<v Speaker 3>up and dressed, and Zane does the same. You realize

798
00:40:31.960 --> 00:40:32.599
<v Speaker 3>we have two more.

799
00:40:32.559 --> 00:40:34.960
<v Speaker 4>Chapters to do the happy ending.

800
00:40:35.920 --> 00:40:38.920
<v Speaker 3>I really love this novel. He looks at me with

801
00:40:38.960 --> 00:40:42.840
<v Speaker 3>something more than satisfied passion. Is that affection interest?

802
00:40:43.760 --> 00:40:43.960
<v Speaker 6>I know?

803
00:40:44.039 --> 00:40:45.679
<v Speaker 3>I want this to be more than just some wild

804
00:40:45.719 --> 00:40:48.559
<v Speaker 3>fuck in the studio. But that's always the challenging part,

805
00:40:48.599 --> 00:40:51.280
<v Speaker 3>isn't it. We jump to the happy ending, but still

806
00:40:51.320 --> 00:40:54.199
<v Speaker 3>needed to work through the first two acts. I'm really

807
00:40:54.199 --> 00:40:55.039
<v Speaker 3>looking forward to that.

808
00:40:56.519 --> 00:40:58.440
<v Speaker 4>Claire and I have brunched the next day, and it's

809
00:40:58.480 --> 00:41:03.039
<v Speaker 4>amazing talk about voice acting, our lives, our past, our friends.

810
00:41:03.599 --> 00:41:06.760
<v Speaker 4>It's all just so comfortable and fun. We don't mention

811
00:41:06.840 --> 00:41:09.519
<v Speaker 4>what happened in the studio, but as we stand outside

812
00:41:09.559 --> 00:41:13.119
<v Speaker 4>the restaurant, we both passionately kiss, ignoring the fact that

813
00:41:13.159 --> 00:41:16.000
<v Speaker 4>we're surrounded by people. It just feels right.

814
00:41:17.880 --> 00:41:19.840
<v Speaker 3>We really do go back to act one and take

815
00:41:19.880 --> 00:41:22.960
<v Speaker 3>it slow. We have lunches and dinners and walks on

816
00:41:23.000 --> 00:41:26.559
<v Speaker 3>the beach. Finally, we plan on a movie night with

817
00:41:26.639 --> 00:41:29.760
<v Speaker 3>hanging out at my place afterward. Both of us know

818
00:41:29.880 --> 00:41:31.679
<v Speaker 3>that it's going to end with us naked in bed.

819
00:41:32.239 --> 00:41:36.000
<v Speaker 3>It's that unspoken understanding when couple start to connect. They

820
00:41:36.119 --> 00:41:39.719
<v Speaker 3>just understand this date is going to be fun, but

821
00:41:39.760 --> 00:41:43.000
<v Speaker 3>the real fun will be one way fuck later. I'm

822
00:41:43.039 --> 00:41:45.599
<v Speaker 3>worried though. We have a meeting with producer day at

823
00:41:45.599 --> 00:41:48.599
<v Speaker 3>before date. Late in the afternoon. We did a lot

824
00:41:48.639 --> 00:41:51.400
<v Speaker 3>of editing and we both think it sounds great, but

825
00:41:51.440 --> 00:41:53.599
<v Speaker 3>what if it goes sideways and Dave hates it, and

826
00:41:54.280 --> 00:41:57.880
<v Speaker 3>night will be kind of ruined. My concerns go away. However,

827
00:41:58.039 --> 00:42:01.039
<v Speaker 3>when I see Zane in the lobby, He's trussed casually

828
00:42:01.079 --> 00:42:04.320
<v Speaker 3>and looks confident and cute and handsome. I walk up

829
00:42:04.320 --> 00:42:06.639
<v Speaker 3>to him and we give each other a chaste business hug.

830
00:42:07.440 --> 00:42:10.039
<v Speaker 3>As he pulls away, he has a wicked smile on

831
00:42:10.079 --> 00:42:10.559
<v Speaker 3>his face.

832
00:42:11.480 --> 00:42:14.920
<v Speaker 4>What I realized we missed something when we did the

833
00:42:15.000 --> 00:42:17.679
<v Speaker 4>rough cut of the audio. We were so hot and

834
00:42:17.719 --> 00:42:20.039
<v Speaker 4>bothered reliving the scene that we just flat out missed it.

835
00:42:21.199 --> 00:42:21.840
<v Speaker 3>What do you mean?

836
00:42:23.079 --> 00:42:26.199
<v Speaker 4>Well, I think we cut the fuck me Jack and

837
00:42:26.440 --> 00:42:28.199
<v Speaker 4>included the fuck me Zane in there.

838
00:42:29.559 --> 00:42:35.079
<v Speaker 3>Oh my god, I had totally forgotten that. I'm mortified.

839
00:42:35.519 --> 00:42:38.199
<v Speaker 3>Will producer Dave have heard it? Did the editor just

840
00:42:38.199 --> 00:42:39.960
<v Speaker 3>think it was a slip and edit it out before

841
00:42:39.960 --> 00:42:42.599
<v Speaker 3>it went to the author and Dave? Or did he know?

842
00:42:44.000 --> 00:42:45.639
<v Speaker 3>Zane puts his arm around my shoulder.

843
00:42:46.320 --> 00:42:49.280
<v Speaker 4>Look, I'm sure it'll be fine. I know the editor

844
00:42:49.320 --> 00:42:52.039
<v Speaker 4>and he didn't say anything. I'm sure he just edited

845
00:42:52.079 --> 00:42:52.360
<v Speaker 4>it out.

846
00:42:53.239 --> 00:42:54.480
<v Speaker 3>I breathe a sigh of relief.

847
00:42:55.159 --> 00:42:57.400
<v Speaker 4>But I'm probably going to get some looks the next

848
00:42:57.440 --> 00:42:58.159
<v Speaker 4>time I see him.

849
00:42:59.119 --> 00:43:01.400
<v Speaker 3>I affectionately punch him in the arm and we make

850
00:43:01.440 --> 00:43:04.760
<v Speaker 3>our way up to the producer's office.

851
00:43:04.800 --> 00:43:07.519
<v Speaker 4>Producer Dave literally, poor Champagne.

852
00:43:08.599 --> 00:43:10.840
<v Speaker 6>Did you know that this author is the best selling

853
00:43:10.880 --> 00:43:13.760
<v Speaker 6>erotica author in the world, and that this was the

854
00:43:13.800 --> 00:43:17.000
<v Speaker 6>first book of a ten book series, and not only

855
00:43:17.079 --> 00:43:19.320
<v Speaker 6>that this was a trial run, and if it didn't

856
00:43:19.360 --> 00:43:21.039
<v Speaker 6>go well, she was going to trash it and find

857
00:43:21.039 --> 00:43:21.679
<v Speaker 6>somebody else.

858
00:43:22.599 --> 00:43:24.639
<v Speaker 3>No, I don't think either of us knew that.

859
00:43:25.440 --> 00:43:27.440
<v Speaker 4>I shake my head.

860
00:43:27.440 --> 00:43:30.679
<v Speaker 6>Well knowing all that. Let me read you the note

861
00:43:30.760 --> 00:43:31.559
<v Speaker 6>the author sent me.

862
00:43:32.599 --> 00:43:35.760
<v Speaker 4>Producer Dave pulls out his phone and reads off the screen.

863
00:43:36.960 --> 00:43:41.079
<v Speaker 6>Dave, I'm beyond pleased. Erotica is so hard to get

864
00:43:41.159 --> 00:43:44.239
<v Speaker 6>right when you are mixing narrative and sex. I fully

865
00:43:44.280 --> 00:43:47.199
<v Speaker 6>expected strong voice actors, but I also knew that the

866
00:43:47.280 --> 00:43:51.320
<v Speaker 6>sex scenes would be somewhat clinical or dry. It's unavoidable usually.

867
00:43:51.960 --> 00:43:55.840
<v Speaker 6>But your voice talent are amazing. The passion and emotion

868
00:43:56.000 --> 00:43:59.400
<v Speaker 6>is so real. I hope this doesn't break any HR rules.

869
00:43:59.719 --> 00:44:02.079
<v Speaker 6>But I wrote the thing, and even I was getting

870
00:44:02.079 --> 00:44:04.800
<v Speaker 6>hot listening to them. It sounded like they were actually

871
00:44:04.840 --> 00:44:08.920
<v Speaker 6>having sex. They're both so talented. I would like to

872
00:44:08.960 --> 00:44:11.880
<v Speaker 6>sign for the full series. Of ten books, but only

873
00:44:11.920 --> 00:44:15.280
<v Speaker 6>if you can guarantee these voice actors.

874
00:44:15.280 --> 00:44:18.320
<v Speaker 4>Producer Dave looks at us, both, what do you think.

875
00:44:19.239 --> 00:44:22.239
<v Speaker 4>I look at Claire. She's smiling her cute smile with

876
00:44:22.280 --> 00:44:23.480
<v Speaker 4>the slight dimples.

877
00:44:24.199 --> 00:44:26.639
<v Speaker 3>I think we would absolutely love to voice all the

878
00:44:26.639 --> 00:44:27.280
<v Speaker 3>books together.

879
00:44:28.119 --> 00:44:28.400
<v Speaker 4>Fuck.

880
00:44:28.519 --> 00:44:37.880
<v Speaker 2>Yeah, thanks so much for listening to my podcast. I'm

881
00:44:37.960 --> 00:44:40.920
<v Speaker 2>Roxy Callahan and my Erotic Whispers are brought to you

882
00:44:40.960 --> 00:45:01.800
<v Speaker 2>by tenth Muse Studio