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Speaker 1: Looking at the nonsense that they're telling and obvious rebellion

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is a problem, and the process got our children's running fellings.

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Speaker 2: As a product.

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Speaker 3: The process, think is crazy.

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Speaker 1: I'm propelling like a helicopter, getting proper. I'm your chop,

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your melon. Don't know what to call it, but used

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to be alcoholic. Catch me out with my migos, walking

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and how I talking home to me? Where the hardest

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my heart is inside these raps? So she ain't liking

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my raps? Then tell her that it's a rat. I'm

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running on every track. I'm canying and that's a fact.

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Speaker 3: My venom. Them relaxed and now they vision is black?

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Speaker 4: How black?

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Speaker 5: Holy see him?

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Speaker 3: He put him right on his back. They don't know

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where Robbie chat.

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Speaker 1: I'm never shoving the mask, plotting, no destinations.

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Speaker 3: It's a about preparation and just want to kick it.

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Speaker 1: I told him I wasn't agent said it was in

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the building. So Wyatt looking so vacant. Bob was never dead.

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I'm working on the replacement and danger. How don't deal

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with strangers? How don'd don't save her? Wasn't from a manger?

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She just want to snapchat told her him my pager

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only thing, I snapped at stack In on his paper, danger,

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How don't deal with strangers?

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Speaker 3: Houn'd gone save her? Wasn't from a manger, she just

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want a.

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Speaker 1: Snapchat, told her him my pager, Holy thing, I snapped

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at stack In on this paper.

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Speaker 3: The more you know, the less you know. Just think

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about it, let it go because what is yours? She'll

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never doubt it.

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Speaker 6: Like a finger on your.

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Speaker 1: Hand you did always counting, know when everything is straight,

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so you don't call a simpleness and complications rooted into

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pain like it'll probably work out better if I simply walked.

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Speaker 3: Away, like I don't want to stay, just to stay

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for the pity in my back, feeling drained for the

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way on.

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Speaker 1: My city, how I was making bands but far from

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a diddy, because how zigging they'll off with me?

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Speaker 3: Hephysis of didty bitty ive been on my toes? No

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approval from.

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Speaker 1: Committees I've been knocking down does like if you want

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to know.

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Speaker 3: Why I'm really in this game, listen to my first track.

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Not a damn thing changed, but the way I.

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Speaker 1: Progressed and the reason that I'm stressed and the pressure

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made me better, got me thinking that.

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Speaker 3: I'm next danger. I don't deal with strangers. How I'm

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gone save?

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Speaker 1: He wasn't from a manger, She just wanted to snapshot.

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Speaker 3: Told her head like pager.

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Speaker 1: Only thing I snapped that stagg In on this paper,

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Dan Journals, How don't deal with strangers?

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Speaker 3: How I'm gone save?

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Speaker 6: Her wasn't from a.

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Speaker 3: Manger, She just wanted to snapchat. Told her hit my pager.

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Speaker 1: The only thing I snapped cat stagg In on this paper.

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Speaker 6: Sorry, rise of the glass instead of the sun. One

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more vodka Cran and I'll be under.

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Speaker 7: This silly Indian music that I'm starting to enjoy by

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sipping convasation with this girl who's playing court. I know

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slwako from me because there's always other boys.

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Speaker 4: She don't know.

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Speaker 8: She don't know.

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Speaker 9: What she's missing here.

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Speaker 6: She don't know you. You kidd, be anyone and someone.

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Speaker 9: Else's clothes, a good seat jacket and ring up your nose,

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keep your cute sheet and keep lying through your tea.

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Speaker 3: I bought my threads at the thrift Star down the street.

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Speaker 7: But I don't talk clothes because I know that talk

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is cheap.

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Speaker 6: Now they don't.

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Speaker 10: Know, they don't know.

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Speaker 3: I got so much to say.

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Speaker 6: I don't know.

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Speaker 3: I'm doubting.

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Speaker 6: Why see me see it and seeing see me.

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Speaker 3: Wait?

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Speaker 6: And someone else's clothes.

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Speaker 7: Flornated water in my ears and in my nose. I

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don't remember much.

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Speaker 11: I have to guess.

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Speaker 7: I tried to be social, like I really tried my best.

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I don't have a personality, just trying to impress now.

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Speaker 6: I don't know.

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Speaker 4: I don't know.

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Speaker 3: What I'm doing here.

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Speaker 6: I don't know.

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Speaker 2: That is cool. That is Rabbits for Sale. That's the band.

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The track is called they Don't Know, And we have

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the guys here in studio with us. We're going to

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introduce them in just a moment. Before that, of course,

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we heard a brand new single from Hope the Rapper

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that is called Snapchat. As we are in week number

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eight of our ten weeks of brand new singles from

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our friend Hope the Rapper. That's the world radio premiere

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of Snapchat. And today, of course, is Saturday, August third,

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twoenty twenty four, and I am not alone.

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Speaker 12: Bet, Good morning, Sunshine.

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Speaker 2: Jenny is here at the news table. Good morning, good morning.

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I am president accountable.

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Speaker 5: That is my favorite Hope the Rappers, is it?

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Speaker 2: Yeah?

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Speaker 5: You like that one?

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Speaker 6: Yeah?

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Speaker 12: I love them?

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Speaker 2: Yeah, yeah, very cool. Can you believe it's week eight?

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Speaker 13: No?

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Speaker 2: Yeah? Two more yeah, yeah two more awesome? Yeah yeah,

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absolutely absolutely a brand new track every week. But uh,

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and we have a very full show for you by

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joining us right now in studio. Let me get the

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mics up for these guys. We have rabbits for sale.

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Hey guys, Hello, what's up. Let's do this and we're

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gonna play some more of your music, of course in

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a couple of minutes. But Jet, let's start with you

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in the corner, and if we can just go around

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and you can each tell me who you are, what

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you do in the band, and you have any other

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pertinence of course.

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Speaker 14: Yeah.

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Speaker 5: My name is Jet Harris Lack.

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Speaker 15: I play guitar, the guitar, and I sing lead vocals,

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and I guess i'll patch the spencer all right, kind.

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Speaker 16: Of lighting up spencer the keyboards for the band. I

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do some background vocals as well.

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Speaker 2: All right, yeah, all right, very good.

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Speaker 17: And you vance Carpenter. I played bass in the band.

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And a fun fact about me, I like mac and cheese.

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Speaker 5: You like mac and cheese, that's crazy. I like mac

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and cheese too. I can change.

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Speaker 18: I'm Oliver Kine.

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Speaker 19: I'm the drummer for the band, and uh, I also

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do a lot of the managing and I did the

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production on the EP.

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Speaker 2: Oh no kidding, Oh, very cool, very cool. Where did

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you uh? Where did you record that?

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Speaker 19: So we recorded that with a friend of ours, David Porter,

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up in his home studio in Foxborough.

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Speaker 2: Okay, yeah, it sounds great, thank you, thank you. So

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as home studio, you said, yeah, he he used to.

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Speaker 19: Have a studio way back when in Boston called Mixed

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One Studio, I believe. Okay, but you know, things happen.

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So now he has his own little studio that he

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has in his basement. He does his own stuff. He's

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done audio production stuff for a while.

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Speaker 18: So uh low shout out to Dave Porter, of course.

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Speaker 2: Yeah, yeah, no, he did a great job. Everything sounds

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really good. You know, I'm old enough to remember when

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you know, the home studio thing wasn't really a thing,

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you know, so now you know, we live in an

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era and you know, you guys are are fortunate. You know,

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you're young guys, you know growing up in an era

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where you know, you have so many different options in

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terms of how you record, and it's you know, you

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can you can do something like that in a home

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studio quote unquote, and it sounds like it was done

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in a million dollar studio, you know.

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Speaker 15: You know, it's just so much more accessible now, like

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oh yeah, mak and produce music and you know, and

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get it out there for millions to hear.

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Speaker 5: So it's really great.

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Speaker 2: Yeah. Yeah, and there's still you know, there's a lot

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of great studios around. It's interesting how that that continues

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as well. It's like, even though you have all these

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different options for how you record, there's still a lot

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of professional studios around that continue to thrive. It's I

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think it's because there's just more people making music than ever,

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you know, because of the Internet. Like I said, you know,

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I when I was growing up, we didn't have the

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Internet yet, so you know, it was it was kind

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of ah, you didn't have a lot of opportunities to

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really get your music out there, you know, unless you

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got signed to a record label and all that. But

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but today there's so many different ways to to record

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and to distribute music. It's it's really wonderful and uh,

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there's more music than ever. Yeah, I'm really curious to

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ask you guys about influences and and how you kind

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of define your sound because and I'm sure you've probably

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heard this a million times, but you know it's it's unique.

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I couldn't think of anybody as I was listening to

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the songs, you know, I was trying to figure out

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who you remind me of. And I'm not sure. I mean,

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I heard maybe a little bit of Vampire Weekend at

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least on one of the songs, But but I like

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you guys a lot better than I like Vampire Weekend,

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So so I don't know if that even works. But uh,

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I mean, talk to me about that, Like I'm I

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I'm gonna guess that there's like a mix of terms of.

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Speaker 15: Yeah, yeah, yeah. So like you know, we all, you know,

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I grew up listening to a whole bunch of stuff.

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A lot of like a lot of us grew up

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on little classics, you know, Beatles, you know, and like

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you know, led Zeppelin and like Queen and all of

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these classic rock influences that kind of like shaped or

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like are kind of our taste for music. And then

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we kind of broadened out and like you know, like

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we listened to really obscure acts like will Wood and

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the Tape Worms is one that like we all really

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it's one that we really listen to a lot, and

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you know, it's very very small, small much smaller artists.

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You know that they have more of like a more

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of a cult following on the internet. But like and

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that's sort of like, I don't know, that was really

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inspiring to us. Yeah, you know, starting out and you know,

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releasing music also on the internet, and like, you know,

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it's just like it's a different way to reach an audience.

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Speaker 20: So it was.

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Speaker 15: And I'm sure Aliver you have influences you want to

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talk about as well.

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Speaker 19: Yeah, yeah, I think, you know, we all had different

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backgrounds and a lot of different music that we do

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listen to.

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Speaker 18: Like I'm a big Elliot Smith guy.

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Speaker 19: That's my my go to guy for sure, and that

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comes through on some of my tracks and like some

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of the stuff I do, but it also mixes with

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like something Spencer or Advanced would do at the same time.

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Speaker 17: Yeah, yeah, I think we all have a lot of

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different influences, which makes writing music together very interesting and

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also challenging at times. Yeah yeah, and also just like

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I think we're still trying to find our sound as well.

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Speaker 12: But yeah, I mean, I I can't really.

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Speaker 17: I mean there's bands that we like to play like,

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we'll play like some covers, I know, like the rare Occasions.

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Speaker 12: Is kind of I think.

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Speaker 17: Yeah, I mean when I describe like what kind of

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music I play to people, I usually say like alternatives.

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Speaker 12: Really broader.

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Speaker 15: We also kind of dip into like the folky or

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acoustic stuff too, which is like but not as much

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as probably other indiacts, which is a you know, but yeah,

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like Van said it, you know it is it is

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a challenge, and like we're still finding our sound. You

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find on this EP, we sort of do meander. It's

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a stew that's why we called it the Rap. Yeah,

239
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it's supposed to be, you know, and because it's it's

240
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kind of like, you know, a meld of our influences

241
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and it's kind of meandering through all of those different

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flavors of music.

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Speaker 5: So yeah, yeah.

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Speaker 2: No, I think that's a big part of what makes

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it so interesting to listen to. You know, as I'm

246
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listening to the four tracks, I mean they all they

247
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all kind of sound like the same band, but at

248
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the same time, they're very they're very different, different textures

249
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in the songs, and I forget which one I I emailed,

250
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I I forget which one I said was my favorite.

251
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Speaker 18: I'll be okay, I'll be okay.

252
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Speaker 2: That's yeah, that one, that one especially, really that really

253
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gets me.

254
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Speaker 18: But thank you?

255
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Speaker 2: Do you guys? Are you playing out a lot? Do

256
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you play a lot of shows?

257
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Speaker 12: Yes, we actually have a show today.

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Speaker 2: Oh, that's right, you've got something tonight. Yeah, we should

259
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definitely plug that. Yeah, of course.

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Speaker 15: Yeah, we're playing at the Tributary Brewing Company, Kitterymain. We're

261
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gonna be playing from four to six, so if you're

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in the area show, we'll chicks out, get it, get

263
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get get some Bruce Kis and listen to some great music.

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Speaker 5: Gona a good time. And then what else do we

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have coming up?

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Speaker 12: We have our next one after that.

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Speaker 18: Is we're gonna play Newburyport Brewery. I forget the day

268
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on it. The tent that is the tenth.

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Speaker 12: That's gonna be a little later in the day.

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Speaker 19: Yeah, it'll be a little later, well like six or

271
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something like that. I forget the exact time on that one.

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But then we play Midway Cafe on the thirty first

273
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as well.

274
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Speaker 18: Just another one right there.

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Speaker 2: Excellent, excellent. I would imagine with your sound you guys

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can play a lot of different kinds of places like right,

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because you're not you know, you're not a metal band,

278
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so you're not like super loud, but you're not you know,

279
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you're not just like like an acoustic act either, so

280
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you know, it's not like you're you know, you're kind

281
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of just doing coffee shops, right, Like you can probably

282
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fit in almost anywhere, I would imagine.

283
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Speaker 15: Yeah, we really do try to like broad, keep it

284
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broad because you know, you know, we you know, we

285
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have a lot of Yeah, we do have a huge

286
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dynamic range, you know, where we can really play something

287
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that's really like kind of forward, more punk, and then

288
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kind of yeah, more soft.

289
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Speaker 17: You know, it's just yeah, and I think we have

290
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some acoustic stuff too, so it depends. Sometimes we play

291
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like an electric set, but it's also nice to be

292
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able to play an acoustic set.

293
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Speaker 2: Yeah, well, yeah, when.

294
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Speaker 19: We need to, even like every now and then, we

295
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also build to like some jazz because we all and

296
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we all also come from like a jazz background. We

297
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played in the jazz group for a while all together,

298
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and yeah, that is kind of like when we all

299
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knew each other from school in general, but we also

300
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played you know in our high school we were in

301
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the jazz combo together.

302
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Speaker 18: So the award winning jazz combo.

303
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Speaker 2: Oh no kidding, Oh yeah, oh very cool, very cool.

304
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Speaker 19: So yeah, yeah, we we all kind of met each

305
00:16:18,200 --> 00:16:19,440
other and started playing through that.

306
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Speaker 2: Yeah, so you guys were all in school together.

307
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Speaker 20: Yeah.

308
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Speaker 2: Yeah, oh excellent, excellent and Jet. Now your father was

309
00:16:26,639 --> 00:16:28,720
selling me you you play, or at least in the

310
00:16:28,759 --> 00:16:31,080
I think in the video. I watched the video of

311
00:16:31,480 --> 00:16:35,279
you guys were doing something for the auditioning for the NP. Yeah, yes,

312
00:16:35,559 --> 00:16:38,399
Tiny Desk concert, and I talked to your dad. I

313
00:16:38,440 --> 00:16:40,240
assume he told you about this. I'd stopped in at

314
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the store and he was telling me about the guitar

315
00:16:42,679 --> 00:16:44,279
that was his that did you play?

316
00:16:44,440 --> 00:16:47,240
Speaker 5: Yeah, so that less Paul. Yeah, it's gotta got some history,

317
00:16:47,279 --> 00:16:47,759
I guess. You know.

318
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Speaker 15: He he was a huge He was into all the

319
00:16:49,919 --> 00:16:52,360
crazy hair metal bands and stuff. So he's yeah, you know,

320
00:16:52,440 --> 00:16:55,240
he he was. Randy Rose was a player that really

321
00:16:55,919 --> 00:16:58,799
that really inspired him. So he went and got a

322
00:16:58,840 --> 00:17:01,080
guitar that was just like his. Yeah, like the Floyd

323
00:17:01,159 --> 00:17:04,799
Rose style bridge kind of and the in lays and stuff.

324
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Speaker 5: It's a it's a really gorgeous guitar yea, but yeah

325
00:17:07,319 --> 00:17:08,799
it's kind of a family Ireland.

326
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Speaker 15: Now I kind of I kind of did he loan

327
00:17:11,440 --> 00:17:14,559
it to you or did he give it to That's

328
00:17:14,599 --> 00:17:17,000
cool and that must be so cool for him to

329
00:17:16,799 --> 00:17:18,960
to to see you ye use, you know, and not

330
00:17:19,039 --> 00:17:22,079
sitting just collect right, you know, it's getting the love

331
00:17:22,119 --> 00:17:22,839
it deserves, you know.

332
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Speaker 2: Yeah, yeah, that's that's excellent. Well, we should play another

333
00:17:26,640 --> 00:17:30,519
track and if you don't mind. Now, normally I would

334
00:17:30,799 --> 00:17:33,160
I would say what should what should we play next?

335
00:17:33,200 --> 00:17:35,640
But I I might be selfish in play I'll be

336
00:17:35,720 --> 00:17:39,319
Okay because that is that is my personal favorite of these.

337
00:17:39,359 --> 00:17:43,559
I absolutely love that song. You so we will uh

338
00:17:43,680 --> 00:17:46,000
oh we should mention too. Are these on an album

339
00:17:46,119 --> 00:17:48,559
or is this just a collection of singles? These are

340
00:17:48,960 --> 00:17:53,720
part of our EP called rabbit stew Okay, gotcha? How

341
00:17:53,720 --> 00:17:54,720
many tracks are on the EP?

342
00:17:56,000 --> 00:17:57,680
Speaker 5: Six six tricks?

343
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Speaker 2: Yeah, all right, very good. Well let's give this a

344
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listen and then we'll go gonna We're gonna come back

345
00:18:01,440 --> 00:18:03,279
and talk to these guys some more. We have rabbits

346
00:18:03,319 --> 00:18:05,480
for sale with us live in studio. But this is

347
00:18:05,519 --> 00:18:06,079
my favorite.

348
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Speaker 21: This is called I'll be Okay.

349
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Speaker 1: M hm.

350
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Speaker 3: Begathers time.

351
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Speaker 22: Guys, there's nothing to do, nothing to spatter when your

352
00:19:42,599 --> 00:19:43,880
life is saving.

353
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Speaker 6: Any us, how come you?

354
00:19:45,839 --> 00:19:50,480
Speaker 22: It gets the sound of shadow glass as the empty

355
00:19:51,240 --> 00:19:52,920
army watson this song.

356
00:19:53,160 --> 00:19:54,720
Speaker 3: But let's go for.

357
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Speaker 6: A walk through the tall four let's look at all

358
00:19:59,480 --> 00:20:05,480
the trees that just refer us sinning. My last grade.

359
00:20:05,480 --> 00:20:09,319
Speaker 22: Had a tragic blot about a young guy like me

360
00:20:09,759 --> 00:20:11,880
forgetting what he thoughts.

361
00:20:30,599 --> 00:20:32,400
Speaker 6: Help me get this man.

362
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Speaker 22: He's done nothing now, but I hate his fay.

363
00:20:37,240 --> 00:20:38,599
Speaker 6: You send away.

364
00:20:38,400 --> 00:20:42,920
Speaker 22: Heat sacks and she's caught in throat as we joke

365
00:20:43,039 --> 00:20:48,319
on eyes don't buy cable mill's house with right yellow eies.

366
00:20:48,920 --> 00:20:52,039
So I had on my phone says it just for

367
00:20:53,359 --> 00:20:56,440
seeing dot on sawbles, not.

368
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Speaker 6: Spy fundas, and so.

369
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Speaker 2: It gets. It gets so quiet at the end, but

370
00:22:08,759 --> 00:22:12,119
but I didn't want to. I was reluctant to talk

371
00:22:12,119 --> 00:22:13,880
over it because it's so pretty with the piano.

372
00:22:18,799 --> 00:22:19,960
Speaker 12: I really love that one.

373
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Speaker 2: Yeah, that is so good. That is so good. That

374
00:22:21,680 --> 00:22:24,240
is called I'll be okay. And if you're just doing us.

375
00:22:24,279 --> 00:22:26,920
The band is Rabbits for Sale and they're here with

376
00:22:27,079 --> 00:22:31,359
us live in studio on this Saturday morning. Hey, where

377
00:22:31,400 --> 00:22:33,079
does the name come? From Rabbits for Sale.

378
00:22:34,200 --> 00:22:38,839
Speaker 16: So we uh, and I used to play in an older,

379
00:22:39,000 --> 00:22:41,559
just high school band mostly just for fun, and on

380
00:22:41,559 --> 00:22:43,440
on our way to practice one time we saw this

381
00:22:43,559 --> 00:22:46,680
sign on our way there and it said Rabbits for sale.

382
00:22:46,799 --> 00:22:48,799
It was just like, you know, a guy selling rabbits

383
00:22:48,799 --> 00:22:50,160
and he just had a sign out and we just

384
00:22:50,200 --> 00:22:53,759
thought we were like, yeah, that's cool, that's a cool name.

385
00:22:54,440 --> 00:22:57,279
Speaker 2: I'm almost surprised someone Didn't'm almost surprised someone didn't have

386
00:22:57,319 --> 00:22:57,759
it already.

387
00:22:59,000 --> 00:22:59,480
Speaker 18: I hope not.

388
00:23:00,079 --> 00:23:00,880
Speaker 2: I was worried.

389
00:23:01,039 --> 00:23:02,759
Speaker 12: I was worried to do We're going to brute force

390
00:23:02,799 --> 00:23:03,160
their way.

391
00:23:03,319 --> 00:23:07,200
Speaker 2: Yeah, yeah, I can tell you. I'm sure you realize

392
00:23:07,200 --> 00:23:09,000
this if if you try to look you guys up

393
00:23:09,000 --> 00:23:13,559
on Facebook, you got to type in rabbits for sale band. Yeah, yeah,

394
00:23:13,599 --> 00:23:16,039
because otherwise, because it turns out, and I had no

395
00:23:16,119 --> 00:23:18,519
idea how many people on Facebook we're selling rabbits.

396
00:23:19,200 --> 00:23:22,480
Speaker 15: Turns out it's a lot, a lot of there's a

397
00:23:22,519 --> 00:23:25,039
lot of rabbits thills. I mean yeah, I mean there's

398
00:23:25,039 --> 00:23:26,359
a lot of them to go around. So, I mean,

399
00:23:26,359 --> 00:23:27,200
what you're doing.

400
00:23:27,519 --> 00:23:29,119
Speaker 18: We're trying to get a very niche audience.

401
00:23:29,119 --> 00:23:33,119
Speaker 15: A rabbits would helped if we had like a Facebook page.

402
00:23:33,119 --> 00:23:33,480
Speaker 2: We don't have.

403
00:23:33,759 --> 00:23:35,519
Speaker 5: We need to get a proper We'll get one together.

404
00:23:35,680 --> 00:23:37,880
Speaker 18: You don't. You don't have one, Well, we have an Instagram.

405
00:23:37,920 --> 00:23:40,160
Speaker 19: I don't know if that technically it goes over the

406
00:23:40,160 --> 00:23:41,799
Facebook as well.

407
00:23:41,160 --> 00:23:44,119
Speaker 12: Yeah, you need to get on the Facebook.

408
00:23:44,480 --> 00:23:47,079
Speaker 18: On the Facebook, on the Facebook.

409
00:23:49,640 --> 00:23:52,839
Speaker 2: I'm curious about the writing process. You guys all write together.

410
00:23:52,920 --> 00:23:55,279
Do you get together in jam or how does that work?

411
00:23:55,839 --> 00:23:59,160
Speaker 15: A bit of a little bit of everything, like they

412
00:23:59,160 --> 00:24:01,079
don't know started as Jim and then we all kind

413
00:24:01,079 --> 00:24:03,839
of like pulled together and I'm like, hey, let's write something.

414
00:24:04,119 --> 00:24:06,240
But a good amount of the other ones were kind

415
00:24:06,240 --> 00:24:09,039
of individual, like you know, kind of us just kind

416
00:24:09,039 --> 00:24:12,160
of breaking off and kind of we're especially since we

417
00:24:12,160 --> 00:24:13,599
were kind of forming the band, it was kind of

418
00:24:13,640 --> 00:24:15,160
material we already had in our back pocket.

419
00:24:15,200 --> 00:24:21,079
Speaker 2: They were okay bringing forward, so everybody kind of brought something. Yeah, yeah,

420
00:24:21,119 --> 00:24:23,359
and Jet, do you always sing no?

421
00:24:23,440 --> 00:24:25,200
Speaker 5: So on that last track, all of us sings that one?

422
00:24:25,359 --> 00:24:26,000
Speaker 2: You sing that one on?

423
00:24:26,200 --> 00:24:26,359
Speaker 8: Yeah?

424
00:24:26,440 --> 00:24:27,359
Speaker 5: Yeah, okay, Yeah.

425
00:24:27,359 --> 00:24:28,799
Speaker 19: We all kind of share a lot of like the

426
00:24:28,880 --> 00:24:31,039
lead vocals. I think Jet definitely does the most, but

427
00:24:31,319 --> 00:24:33,880
like vancings on the song, Spencer has his own songs

428
00:24:33,880 --> 00:24:35,880
as well that he sings, and then I sing my

429
00:24:35,920 --> 00:24:36,519
songs as well.

430
00:24:36,599 --> 00:24:39,799
Speaker 18: Yeah, it kind of you know, changes little beatles es.

431
00:24:40,160 --> 00:24:42,119
Speaker 2: I I was just thinking that it's it's cool that

432
00:24:42,160 --> 00:24:44,119
you're all able to sing lead and mix it up

433
00:24:44,160 --> 00:24:47,200
like that. Now is it just you Oliver on that track?

434
00:24:47,319 --> 00:24:47,640
Is it is?

435
00:24:47,640 --> 00:24:47,759
Speaker 21: There?

436
00:24:47,799 --> 00:24:49,759
Speaker 2: Are the vocals doubled? Because that sounds I love the

437
00:24:49,839 --> 00:24:51,519
vocals on that. I love the sound of that.

438
00:24:51,680 --> 00:24:51,839
Speaker 3: Yeah.

439
00:24:51,920 --> 00:24:55,480
Speaker 19: Yeah, so we doubled them and did that lower one

440
00:24:55,599 --> 00:24:57,960
and then we had that higher sort of like Michael

441
00:24:58,039 --> 00:25:01,319
Jacksony weird sounding one as well well on top of it.

442
00:25:01,559 --> 00:25:04,640
Speaker 2: Yeah. No, it sounds really cool. I really creates a

443
00:25:04,680 --> 00:25:08,279
cool vibe. What do you when you do you play

444
00:25:08,319 --> 00:25:09,039
that with one live?

445
00:25:09,599 --> 00:25:10,680
Speaker 18: We do play that one live.

446
00:25:10,759 --> 00:25:12,759
Speaker 19: Yeah, when we play it live, I usually do the

447
00:25:12,839 --> 00:25:13,960
higher part and Jet we'll do that.

448
00:25:14,680 --> 00:25:17,880
Speaker 2: Okay, Yeah that makes sense. That makes sense. Now you

449
00:25:17,920 --> 00:25:20,000
mentioned covers. What do you guys do for covers? Because

450
00:25:20,039 --> 00:25:21,519
I find you can kind of tell a lot about

451
00:25:21,519 --> 00:25:24,039
a band's influences from what they what they choose for

452
00:25:24,079 --> 00:25:24,759
cover songs.

453
00:25:25,200 --> 00:25:27,200
Speaker 12: Yeah. I mean we were starting out doing kind of some.

454
00:25:28,640 --> 00:25:32,880
Speaker 17: Obscure covers of bands that we like, yeah, so we're

455
00:25:32,880 --> 00:25:36,799
trying to do I guess it's like more popular tunes.

456
00:25:37,039 --> 00:25:41,119
So like right now we're doing uh, recently, we've been

457
00:25:41,160 --> 00:25:43,759
doing moon Age day Dream by Bowie.

458
00:25:45,200 --> 00:25:47,200
Speaker 12: We're doing a Talking Head song cycle Killer.

459
00:25:47,440 --> 00:25:50,079
Speaker 18: Oh nice, but we do it different, we do it cool.

460
00:25:50,200 --> 00:25:52,960
Speaker 2: Yeah, we can do kind of like a punk I've

461
00:25:52,960 --> 00:25:55,960
heard that's I've heard that song covered before, and it

462
00:25:55,960 --> 00:25:58,000
seems like everyone who covers it kind of puts a

463
00:25:58,039 --> 00:26:00,480
different spin on it, which is cool, and I love

464
00:26:00,559 --> 00:26:02,759
every version I've ever heard of it, including the original.

465
00:26:02,799 --> 00:26:05,000
Of course, my dad loves that song too, I remember

466
00:26:05,000 --> 00:26:07,160
growing up because we were both big Talking Heads fans.

467
00:26:07,160 --> 00:26:18,279
But yeah, that's a great choice. Yeah what what what else? Oh,

468
00:26:18,359 --> 00:26:20,720
it's early No, I was asking about covers.

469
00:26:20,559 --> 00:26:22,839
Speaker 16: Covers, right, yeah, and then we also got some Some

470
00:26:22,880 --> 00:26:25,720
of our early covers that we did were like from

471
00:26:26,000 --> 00:26:31,119
the more obscure bands were like Orange Dog Club. We

472
00:26:31,160 --> 00:26:33,920
did cover their song called untitled.

473
00:26:34,559 --> 00:26:35,759
Speaker 2: I don't I don't know them Orange.

474
00:26:35,839 --> 00:26:38,160
Speaker 5: They're like spells Us.

475
00:26:38,160 --> 00:26:40,400
Speaker 15: They actually have a bigger following than their Spotify than

476
00:26:40,680 --> 00:26:41,839
they have a lot.

477
00:26:42,400 --> 00:26:45,880
Speaker 12: I think they kind of uh, I grew from.

478
00:26:45,720 --> 00:26:48,599
Speaker 15: TikTok, they grew from TikTok, but they're still very small.

479
00:26:48,839 --> 00:26:50,119
Speaker 12: I think they're upstate, New York.

480
00:26:50,319 --> 00:26:51,160
Speaker 2: Oh yeah.

481
00:26:51,200 --> 00:26:52,839
Speaker 15: And I found them one day and I was like,

482
00:26:52,880 --> 00:26:56,279
these guys are awesome, and like, you know, you know,

483
00:26:56,319 --> 00:26:58,200
hopefully like one day I'm gonna shoot an email and

484
00:26:58,200 --> 00:26:59,480
be like, hey, let's do a collapse because they have

485
00:26:59,519 --> 00:27:01,440
a great son, and like I feel like I can

486
00:27:01,559 --> 00:27:03,319
imagine like a show bill with like the two of

487
00:27:03,400 --> 00:27:05,200
us on It would just like be amazing.

488
00:27:05,440 --> 00:27:08,240
Speaker 12: Yeah, we do some Tally Hall.

489
00:27:08,759 --> 00:27:10,039
Speaker 5: Oh yeah, Telly Hall's another act.

490
00:27:10,079 --> 00:27:13,359
Speaker 18: It's like Banana Man did some Banana one of There's

491
00:27:13,400 --> 00:27:13,799
more Cold.

492
00:27:14,720 --> 00:27:17,559
Speaker 2: Do you guys when when you do obscure covers, does

493
00:27:17,599 --> 00:27:20,079
anyone ever come up to you afterward and say, hey,

494
00:27:20,119 --> 00:27:22,160
I really love that song and they assume that it's

495
00:27:22,200 --> 00:27:24,039
yours because they don't they don't know.

496
00:27:24,079 --> 00:27:25,319
Speaker 12: It never happened.

497
00:27:25,720 --> 00:27:29,759
Speaker 19: I think we've had to state multiple times that it

498
00:27:29,920 --> 00:27:32,359
is a cover. Like when we cover Tally Hall, we

499
00:27:32,440 --> 00:27:35,160
did the Bidding and then we also did Banana Man.

500
00:27:35,880 --> 00:27:36,480
Speaker 18: Great songs.

501
00:27:36,519 --> 00:27:39,160
Speaker 19: I haven't heard them listen to them, but I think

502
00:27:39,480 --> 00:27:41,400
there was like once or twice when we've played Banana

503
00:27:41,480 --> 00:27:42,319
Man where we've had.

504
00:27:42,200 --> 00:27:44,200
Speaker 18: To be like, this is a cover by the way.

505
00:27:46,000 --> 00:27:47,559
Speaker 19: I remember once at a show there was some guy

506
00:27:47,640 --> 00:27:50,079
that when we started playing it, his face like lit

507
00:27:50,200 --> 00:27:52,960
up and he was like, yeah a song.

508
00:27:53,119 --> 00:27:53,960
Speaker 5: Yeaheah, it was cool.

509
00:27:54,640 --> 00:27:55,200
Speaker 2: That's very good.

510
00:27:55,279 --> 00:27:56,680
Speaker 15: Yeah, it's one of those weird ones. And that song

511
00:27:56,720 --> 00:27:58,400
intest is interesting because it's like it kind of like

512
00:27:58,480 --> 00:28:00,200
blew up on the Internet and like a weird in

513
00:28:00,240 --> 00:28:02,720
the early two thousands, So like some people know it,

514
00:28:02,799 --> 00:28:04,400
but it's like they don't really know what it's from.

515
00:28:04,480 --> 00:28:06,559
But like it's fun because it's a song. It's a goofy,

516
00:28:06,599 --> 00:28:08,839
silly song, right, and it's always a crowd pleaser. So

517
00:28:08,920 --> 00:28:10,720
we always we kept it on the set like regard

518
00:28:10,880 --> 00:28:13,359
like disregarding like the ability of the acted just kind of.

519
00:28:13,599 --> 00:28:16,319
Speaker 2: Yeah, Now, do you guys have anybody Are there any

520
00:28:16,359 --> 00:28:18,319
other bands on the scene that you kind of because

521
00:28:18,359 --> 00:28:21,599
I know from my own experience sometimes this happens organically

522
00:28:21,680 --> 00:28:23,359
where you just kind of end up teaming up with

523
00:28:23,440 --> 00:28:25,839
other bands and playing a lot of shows with with

524
00:28:26,079 --> 00:28:28,960
certain other bands. Is there anybody like that that that

525
00:28:29,079 --> 00:28:30,839
you guys have kind of teamed up with.

526
00:28:31,519 --> 00:28:34,599
Speaker 16: Yeah, So we've the past, We've we booked a couple

527
00:28:34,640 --> 00:28:38,480
of gigs over the summer or from the spring that

528
00:28:38,920 --> 00:28:42,319
we played with a couple of people, So GEMD we

529
00:28:42,480 --> 00:28:45,079
recently connected with and we've been trying to get some

530
00:28:45,160 --> 00:28:47,799
shows with them, and also Willie Nardo and the Corporates.

531
00:28:48,160 --> 00:28:52,400
We seem to really resonate with those artists, and we

532
00:28:52,680 --> 00:28:54,920
also just really like their music and playing with them live.

533
00:28:55,000 --> 00:28:57,839
We just kind of formed a relationship and you know,

534
00:28:57,920 --> 00:28:59,799
we definitely keep in touch as much as we can.

535
00:29:00,160 --> 00:29:04,599
Speaker 2: Yeah, yeah, yeah, yeah, that's that's that's good. You know,

536
00:29:04,680 --> 00:29:07,960
it's good to have other because obviously networking is so important,

537
00:29:08,480 --> 00:29:11,000
you know when you're doing this and uh and being

538
00:29:11,039 --> 00:29:12,480
able to have other bands that you can kind of,

539
00:29:12,559 --> 00:29:14,960
like I said, it happens organically, but you know, kind

540
00:29:14,960 --> 00:29:17,480
of team up with and support each other in that way,

541
00:29:17,480 --> 00:29:18,960
and it's a great way to get a lot more shows.

542
00:29:18,960 --> 00:29:20,559
You know, the more the more people you meet, the

543
00:29:20,599 --> 00:29:22,880
more shows you get and and so forth. So are

544
00:29:22,880 --> 00:29:25,160
you guys playing out all you mentioned you've got a

545
00:29:25,200 --> 00:29:27,400
bunch of shows coming up, But do you guys play

546
00:29:27,799 --> 00:29:30,119
out through the year or I know a lot of

547
00:29:30,240 --> 00:29:32,720
bands kind of use on. Part of it, I'm sure

548
00:29:32,799 --> 00:29:34,200
has to do with part of the country that we're

549
00:29:34,240 --> 00:29:36,079
in with you know, a colder winter. A lot of

550
00:29:36,119 --> 00:29:38,759
bands kind of take winter to not do so many

551
00:29:38,799 --> 00:29:40,519
shows but kind of focus on recording.

552
00:29:40,720 --> 00:29:43,079
Speaker 15: Is that kind of it kind of coincidentally happened like that.

553
00:29:43,200 --> 00:29:44,519
I guess that we ended up doing all of our

554
00:29:44,559 --> 00:29:46,720
gigs in the summer, Yeah, just because we had spent

555
00:29:46,799 --> 00:29:49,200
all the time working on the EP in the winter. Yeah,

556
00:29:49,240 --> 00:29:50,799
and we were released it in November and then we

557
00:29:50,880 --> 00:29:53,799
were like still sort of writing stuff. We recorded two

558
00:29:53,880 --> 00:29:54,839
singles this past.

559
00:29:54,720 --> 00:29:59,559
Speaker 2: January or February March, one of those months, and they're.

560
00:29:59,400 --> 00:30:01,440
Speaker 15: In that there's still the mixing and post production process,

561
00:30:01,480 --> 00:30:03,440
but we hope to have those out soon, at least

562
00:30:03,440 --> 00:30:04,880
one of them out by the end of the year.

563
00:30:06,279 --> 00:30:07,559
Speaker 5: So yeah, I keep on the lookout for that.

564
00:30:08,599 --> 00:30:08,799
Speaker 18: Yeah.

565
00:30:08,839 --> 00:30:11,839
Speaker 19: And also for a while Vance was in New York

566
00:30:11,880 --> 00:30:13,440
for a little bit going to school, so we were

567
00:30:14,160 --> 00:30:16,279
short of basis, so we didn't really have the opportunity

568
00:30:16,319 --> 00:30:19,519
to play too much. But Vance is back now, so

569
00:30:19,599 --> 00:30:21,279
now we're gonna try and play as much as we can.

570
00:30:21,400 --> 00:30:21,720
Speaker 18: For sure.

571
00:30:21,880 --> 00:30:24,839
Speaker 2: Excellent, excellent, Well we should uh yeah, I want to

572
00:30:24,880 --> 00:30:26,599
try to get them all in. Let's play another track.

573
00:30:27,359 --> 00:30:29,319
What should we go with next? I'll let you guys

574
00:30:29,359 --> 00:30:29,960
pick this time.

575
00:30:30,519 --> 00:30:32,160
Speaker 15: What's on the list to be have potato Head and

576
00:30:32,160 --> 00:30:34,680
Promenade of the other two Yeah, one of the two p's.

577
00:30:36,880 --> 00:30:37,519
Speaker 18: On flip a coin.

578
00:30:37,559 --> 00:30:41,880
Speaker 19: You guys want to choose Spencer, you choose Promenade, Promenadminade.

579
00:30:43,119 --> 00:30:44,680
Speaker 2: Yeah, I was wondering, you know, it's funny. When I

580
00:30:44,720 --> 00:30:46,920
looked at it, I in my mind I said promenade,

581
00:30:46,920 --> 00:30:48,559
and and then I listened to it, and I said,

582
00:30:48,559 --> 00:30:52,680
oh no, it's promenade. All right, we'll go with this

583
00:30:52,839 --> 00:30:55,240
one next. If you are just joining us, we have

584
00:30:55,400 --> 00:30:58,160
Rabbits for sale. No, we're not selling Rabbits. It's the

585
00:30:58,200 --> 00:31:04,039
name of the band Live in Studio. Yes, we love Rabbits,

586
00:31:04,079 --> 00:31:06,000
but no Rabbits for Sale is here with us Live

587
00:31:06,039 --> 00:31:09,000
in Studio. We're playing some tracks from their EP. What's

588
00:31:09,039 --> 00:31:12,039
it called again, rabbit Stew. Rabbit Stew streaming on all

589
00:31:12,039 --> 00:31:17,160
platforms Spotify, Apple Music, Outstanding, outstanding. All right, give this

590
00:31:17,279 --> 00:31:19,079
a listen. This is called promenade.

591
00:32:02,079 --> 00:32:09,640
Speaker 11: And if I taught myself to you that, will you

592
00:32:09,960 --> 00:32:18,559
take a chance on me. When the music starts.

593
00:32:18,200 --> 00:32:23,559
Speaker 2: To slow, I'm a.

594
00:32:23,920 --> 00:32:25,720
Speaker 23: Like too loud to see.

595
00:32:28,640 --> 00:32:31,599
Speaker 6: Then I could say that I do anything go want about.

596
00:32:31,680 --> 00:32:38,200
But but all of those things that I thought to

597
00:32:38,359 --> 00:32:40,359
myself I'd never do.

598
00:32:57,920 --> 00:33:05,799
Speaker 11: If I ask to take your health, would you put

599
00:33:06,000 --> 00:33:07,640
your hand in mine?

600
00:33:11,839 --> 00:33:14,640
Speaker 6: February comes round?

601
00:33:18,759 --> 00:33:20,839
Speaker 11: Would you be my vale?

602
00:33:24,319 --> 00:33:26,920
Speaker 6: And I could say that I'd do anything wrong the

603
00:33:27,039 --> 00:33:34,519
problem at all those things that I thought to myself,

604
00:33:35,240 --> 00:33:36,200
I never did.

605
00:33:53,359 --> 00:34:02,519
Speaker 13: And if I inspire you, will you walk along with

606
00:34:07,480 --> 00:34:15,440
be my sweetheart for old time promise made.

607
00:34:15,639 --> 00:34:17,320
Speaker 8: I've been busy.

608
00:34:19,920 --> 00:34:22,480
Speaker 6: And I could say that I do anything I want.

609
00:34:22,519 --> 00:34:31,320
The problem us all those things that affect to myself, I've.

610
00:34:31,280 --> 00:35:39,679
Speaker 2: Never I wish my fingers could do that on the guitar.

611
00:35:41,400 --> 00:35:44,280
That is uh, that is so pretty. That is Prominade

612
00:35:45,039 --> 00:35:47,000
and the band is Rabbits for Sale. They are here

613
00:35:47,079 --> 00:35:51,519
with us, alive in studio and yeah, that is that

614
00:35:51,639 --> 00:35:53,000
is really nice. That's the kind of thing you can

615
00:35:53,079 --> 00:35:55,239
just kind of close your eyes and get lost in. Yeah.

616
00:35:55,239 --> 00:35:57,480
Speaker 12: I just found them on Amazon Music to add them

617
00:35:57,519 --> 00:35:58,360
to my playlist.

618
00:35:58,440 --> 00:36:01,639
Speaker 2: I need to paint to this, Thank you very much. Excellent. Yeah,

619
00:36:01,719 --> 00:36:04,519
Jenny's also looking always looking for music to paint too.

620
00:36:04,599 --> 00:36:05,880
She's an artist and awesome.

621
00:36:06,039 --> 00:36:06,639
Speaker 5: That's very cool.

622
00:36:06,719 --> 00:36:08,880
Speaker 2: Yes, yes, I got a paint to that one.

623
00:36:08,960 --> 00:36:09,119
Speaker 1: Boy.

624
00:36:10,519 --> 00:36:12,000
Speaker 2: Actually, no, I really do enjoy you.

625
00:36:12,079 --> 00:36:14,719
Speaker 16: Guys' music is really great and I do put a

626
00:36:14,800 --> 00:36:16,880
lot of independent artists in my playlist, and I did

627
00:36:17,000 --> 00:36:17,880
just add you for real.

628
00:36:18,559 --> 00:36:19,440
Speaker 18: We do really appreciate it.

629
00:36:19,440 --> 00:36:20,119
Speaker 5: Thank you very much.

630
00:36:20,480 --> 00:36:22,920
Speaker 19: You're always looking for, you know, fans to enjoy ourself,

631
00:36:23,039 --> 00:36:24,119
and we really appreciate it.

632
00:36:25,000 --> 00:36:27,559
Speaker 2: Is it I'm curious about recording a song like that.

633
00:36:27,719 --> 00:36:32,480
Is it challenging to really get that guitar sound exactly right?

634
00:36:32,639 --> 00:36:35,079
Because it's to me, it's such an art when when

635
00:36:35,239 --> 00:36:38,760
you hear that and you can you can hear everything

636
00:36:38,880 --> 00:36:40,800
so clearly to the point where you can you can

637
00:36:40,840 --> 00:36:42,960
hear the you know, the fingers moving on the fred board.

638
00:36:43,400 --> 00:36:45,920
You know, I love that. Is that challenging to get

639
00:36:46,000 --> 00:36:47,760
that right in the studio?

640
00:36:48,199 --> 00:36:50,480
Speaker 15: I mean, fortunately for us, you know, Dave is you know,

641
00:36:50,599 --> 00:36:53,679
extremely experienced engineer and like you know, you knew all

642
00:36:53,719 --> 00:36:57,280
the right stuff for Mike placement to get that. Yeah,

643
00:36:57,480 --> 00:37:01,760
all of everything that was coming from here. Yeah, I'm

644
00:37:01,760 --> 00:37:02,920
going from the guitar out to that.

645
00:37:03,280 --> 00:37:06,000
Speaker 18: Do we do direct in and Mike? I think that's

646
00:37:06,039 --> 00:37:06,559
what we did, right.

647
00:37:06,599 --> 00:37:08,639
Speaker 15: I think we did like a scratch with directing, But

648
00:37:08,679 --> 00:37:11,079
I don't think we ended up using it though, they

649
00:37:11,320 --> 00:37:14,360
just using because when we plugged it in. When plugging

650
00:37:14,360 --> 00:37:17,280
in an acoustic guitar, the electric the pickup doesn't always

651
00:37:17,280 --> 00:37:17,679
sound good.

652
00:37:18,079 --> 00:37:20,239
Speaker 5: You know, it's always better to get them wrong, you know.

653
00:37:20,599 --> 00:37:21,760
Recording with the mic, it's.

654
00:37:21,679 --> 00:37:25,920
Speaker 2: You know, yeah, I'm always curious about that because I'm

655
00:37:25,920 --> 00:37:27,880
a bit of a recording nerd, and I just I

656
00:37:28,119 --> 00:37:30,400
I love when I when I hear you know, because

657
00:37:30,440 --> 00:37:33,599
it doesn't you know a lot of that that that

658
00:37:33,800 --> 00:37:36,639
specifically is something that with the guitar that a lot

659
00:37:36,719 --> 00:37:39,559
of a lot of times it's you have to be

660
00:37:39,639 --> 00:37:42,119
so precise about how you do it to really to

661
00:37:42,199 --> 00:37:43,880
really capture it, you know what I mean, to really

662
00:37:43,960 --> 00:37:46,719
do it justice and uh and uh no, that that

663
00:37:46,880 --> 00:37:50,840
is that is really really good. What should you know?

664
00:37:50,920 --> 00:37:52,280
We kind of we kind of talked about it a

665
00:37:52,320 --> 00:37:54,960
little bit about uh, trying to find you guys on Facebook?

666
00:37:55,000 --> 00:37:57,079
But what should our audience know about how to find

667
00:37:57,079 --> 00:37:59,119
you guys online to keep up with everything that you're

668
00:37:59,159 --> 00:38:00,639
doing your music?

669
00:38:01,519 --> 00:38:04,199
Speaker 19: Yeah, so we have you know, all, like the majority

670
00:38:04,239 --> 00:38:07,239
at least of like the classic socials, we have an Instagram.

671
00:38:07,280 --> 00:38:09,039
Speaker 18: It's rappers Sale, Artificial.

672
00:38:08,639 --> 00:38:11,000
Speaker 5: Right, Rabbits first sale Dot Official and Instagram. Instagram is

673
00:38:11,000 --> 00:38:12,079
definitely the best one to follow.

674
00:38:12,280 --> 00:38:14,639
Speaker 15: Yeah, it's the It's definitely the best way to keep

675
00:38:14,719 --> 00:38:16,719
updated and everything, all of our events and what we're doing.

676
00:38:17,320 --> 00:38:19,119
Speaker 18: To talk as well, right, bik talk is good, you know,

677
00:38:20,519 --> 00:38:21,840
to talk you find some funny content.

678
00:38:21,960 --> 00:38:22,119
Speaker 24: Yeah.

679
00:38:22,159 --> 00:38:24,159
Speaker 15: Yeah, well you know that's you know where the majority

680
00:38:24,199 --> 00:38:25,719
of our like just our wheels and our skits and

681
00:38:25,800 --> 00:38:28,280
like little things get posted and everything. Yeah, and it's

682
00:38:28,280 --> 00:38:30,000
always good to you know, follow us on that too

683
00:38:30,039 --> 00:38:32,000
and helpe support so we can beat the algorithm.

684
00:38:32,039 --> 00:38:33,719
Speaker 5: And you know, yeah go viral.

685
00:38:34,320 --> 00:38:37,360
Speaker 2: And you guys are really creative, you know, just beyond

686
00:38:37,760 --> 00:38:39,599
the band, you know, beyond the music. You guys are

687
00:38:39,639 --> 00:38:41,559
really creative. So you're able to think, you know, because

688
00:38:41,599 --> 00:38:43,480
content creation is so important.

689
00:38:43,599 --> 00:38:45,599
Speaker 5: Super important. You got to you know, you got to

690
00:38:45,679 --> 00:38:47,960
like multi task pretty much when you're out the industry.

691
00:38:48,000 --> 00:38:50,000
Speaker 2: It's like absolutely We did.

692
00:38:49,960 --> 00:38:52,719
Speaker 18: Have one semi viral video from Spencer.

693
00:38:55,360 --> 00:38:57,679
Speaker 16: Viral maybe isn't the right word, but like we got

694
00:38:57,800 --> 00:39:01,960
more a lot more views than the viral probably like viral,

695
00:39:03,199 --> 00:39:03,880
Like yeah, there's.

696
00:39:03,760 --> 00:39:07,239
Speaker 15: Probably twenty one k right now, which is more than

697
00:39:07,239 --> 00:39:09,960
their other videos that kind of only get like five hundred.

698
00:39:10,199 --> 00:39:11,880
Speaker 2: Yeah, what what was it about this one?

699
00:39:11,920 --> 00:39:12,119
Speaker 6: What? What?

700
00:39:12,719 --> 00:39:14,920
Speaker 16: When I so, I was I was having trouble fall

701
00:39:14,960 --> 00:39:16,920
asleep one night and I just thought of an idea.

702
00:39:17,000 --> 00:39:19,320
I was like, what if I jumped on a piano

703
00:39:20,119 --> 00:39:23,559
and so, but then it kind of developed into like

704
00:39:23,960 --> 00:39:27,480
trying to grab people's attention, like, oh, look at this,

705
00:39:27,719 --> 00:39:30,480
this Beethoven technique that people do. And then I run

706
00:39:30,559 --> 00:39:32,400
over and I jump over a keyboard, but I cut

707
00:39:32,440 --> 00:39:34,400
it so it looks like I'm about to fall on it. Yeah,

708
00:39:34,519 --> 00:39:36,960
and I like play all eighty keys of once. Oh yeah,

709
00:39:37,079 --> 00:39:38,599
this really is a really yeah yeah.

710
00:39:38,559 --> 00:39:40,519
Speaker 2: Video really yeah. We just got to watch it, you know.

711
00:39:40,760 --> 00:39:42,639
Speaker 18: It's like five seconds or something like that.

712
00:39:42,800 --> 00:39:45,800
Speaker 15: Yeah, very very great, you know, but there's like the

713
00:39:45,880 --> 00:39:49,000
attention to detail on it, like you like you have

714
00:39:49,119 --> 00:39:52,599
like background music that's like releast I.

715
00:39:52,960 --> 00:39:56,840
Speaker 16: Did like a slat based funk version of like Burle's

716
00:39:56,880 --> 00:39:57,440
in the background.

717
00:39:57,599 --> 00:40:01,960
Speaker 2: Yeah something. Yeah, it's just Oh that's very cool. That's

718
00:40:02,079 --> 00:40:02,480
very cool.

719
00:40:02,679 --> 00:40:03,800
Speaker 5: You're in for a laugh for sure.

720
00:40:04,360 --> 00:40:06,320
Speaker 2: By the way, we should sail out everybody quickly on

721
00:40:06,360 --> 00:40:08,440
the Facebook lat Chat because you're getting some love in there.

722
00:40:08,840 --> 00:40:10,800
Our friend Bruce, I don't know if you know Bruce

723
00:40:10,880 --> 00:40:13,960
from Legion of Solace. He's in Massachusetts and they do

724
00:40:14,039 --> 00:40:15,960
a lot of promotion. They work with a lot of

725
00:40:16,000 --> 00:40:18,639
different artists. Someone you should meet.

726
00:40:18,960 --> 00:40:19,079
Speaker 6: Uh.

727
00:40:19,199 --> 00:40:21,280
Speaker 2: He's in the chat and he says, Uh, they would

728
00:40:21,280 --> 00:40:23,440
pair really well with the band at Jam Tomorrow that

729
00:40:23,480 --> 00:40:24,880
you had on a couple of weeks ago. I don't

730
00:40:24,880 --> 00:40:26,800
know if you know those guys Jam Tomorrow, but yeah,

731
00:40:26,840 --> 00:40:30,000
you guys, yeah they would. We should definitely reach out

732
00:40:30,000 --> 00:40:30,519
to them, for sure.

733
00:40:30,559 --> 00:40:32,440
Speaker 18: I haven't. I haven't heard of them myself.

734
00:40:32,199 --> 00:40:35,599
Speaker 2: But yeah, you guys went really well with them. Yep.

735
00:40:36,239 --> 00:40:37,960
Our friend Eazy G is in the chat. This is

736
00:40:38,039 --> 00:40:40,039
off topic, but he says, Hi, Matt, are you ready

737
00:40:40,119 --> 00:40:42,440
for Summer Slam? I guess we're ready.

738
00:40:43,519 --> 00:40:44,559
Speaker 6: Are you ready?

739
00:40:47,360 --> 00:40:48,760
Speaker 2: I mean, there's not much to get ready for it.

740
00:40:48,960 --> 00:40:53,400
We just turn on Hulu. I'm sorry, I'm sorry, Peacock.

741
00:40:54,559 --> 00:40:54,960
Speaker 18: Popcorn.

742
00:40:56,639 --> 00:40:59,119
Speaker 2: Our friend Charles Richardson is in the chat and says,

743
00:40:59,159 --> 00:41:03,000
good morning, let's go CM Punk SummerSlam tonight. Yes, we know,

744
00:41:03,199 --> 00:41:03,400
we know.

745
00:41:04,960 --> 00:41:06,360
Speaker 12: They're making sure we don't forget.

746
00:41:06,400 --> 00:41:10,679
Speaker 2: Apparently, Melanie Liberty from the Great State of Vermont UH

747
00:41:11,119 --> 00:41:13,840
is in the chat and says, ladies, totally dig guys

748
00:41:14,239 --> 00:41:19,480
that say Bruce Ki. I forget who said it.

749
00:41:21,159 --> 00:41:24,960
Speaker 15: Yeah, we're all going to say Youngland.

750
00:41:25,440 --> 00:41:31,679
Speaker 2: The ladies love Bruce Ki. That's right. Well, in a moment,

751
00:41:31,840 --> 00:41:34,960
we'll play we'll play one more track to to close

752
00:41:35,000 --> 00:41:37,119
out the segment. But it's great having you guys here.

753
00:41:38,039 --> 00:41:39,679
Speaker 12: Yeah, thank you for having me so much.

754
00:41:40,280 --> 00:41:43,480
Speaker 2: Absolutely, but for those listening live on Saturday morning, we

755
00:41:43,559 --> 00:41:45,599
definitely need to plug the show you have today. It's

756
00:41:45,760 --> 00:41:48,199
uh this afternoon actually right, Yeah.

757
00:41:48,119 --> 00:41:52,760
Speaker 19: Tributary Brewing and Can remain right over the border basically

758
00:41:52,840 --> 00:41:56,840
in Portsmouth, honestly, but it's from four to six be there.

759
00:41:57,000 --> 00:41:58,360
You know, it's gonna be a good time. They have,

760
00:41:58,559 --> 00:42:00,880
they have great beer, good people. It will be a

761
00:42:00,920 --> 00:42:02,360
good time they have they have.

762
00:42:03,840 --> 00:42:09,440
Speaker 18: They have great bruskies, very good, very good.

763
00:42:09,880 --> 00:42:12,800
Speaker 2: And by the way, to the music that you're working

764
00:42:12,840 --> 00:42:14,400
on now, because you've got a couple of singles you

765
00:42:14,679 --> 00:42:17,519
had mentioned, Uh, any kind of an eta on those

766
00:42:17,639 --> 00:42:19,639
or are you gonna or is it gonna be a while?

767
00:42:20,639 --> 00:42:22,679
Speaker 12: We've been trying to figure that, I mean hopefully not

768
00:42:22,760 --> 00:42:23,119
a while.

769
00:42:23,320 --> 00:42:24,119
Speaker 5: Hopefully not a while.

770
00:42:24,159 --> 00:42:25,960
Speaker 12: I mean just said before at the end of the

771
00:42:26,119 --> 00:42:27,559
at least one of them before the end of the year.

772
00:42:27,599 --> 00:42:30,760
Speaker 17: I think I think we're hoping earlier, but like this

773
00:42:30,840 --> 00:42:34,280
summer we kind of dedicated to like gigging. Yeah, yeah,

774
00:42:34,519 --> 00:42:37,840
so we're kind of I think once maybe like September hits.

775
00:42:38,159 --> 00:42:39,199
Speaker 2: Okay, Yeah, we.

776
00:42:41,079 --> 00:42:43,000
Speaker 18: Could say October for now and to see what happens.

777
00:42:43,159 --> 00:42:47,719
Speaker 5: Yeah, super perfectionist about it.

778
00:42:47,760 --> 00:42:49,199
Speaker 15: You know, we want the mixes to be perfect, so

779
00:42:49,320 --> 00:42:51,599
you know, it's about getting the best quality content out

780
00:42:51,599 --> 00:42:53,400
there for for our listeners, you know.

781
00:42:53,639 --> 00:42:58,480
Speaker 2: Oh, absolutely absolutely. And oh one more thing, because you

782
00:42:58,519 --> 00:43:00,559
guys were talking off air, is there a story?

783
00:43:02,400 --> 00:43:02,639
Speaker 6: Yeah?

784
00:43:03,880 --> 00:43:06,000
Speaker 5: Well, then since you're the culprit for it, I guess

785
00:43:06,000 --> 00:43:06,840
you should start.

786
00:43:08,119 --> 00:43:10,199
Speaker 17: Caused, Well, I don't think you want me to tell

787
00:43:10,400 --> 00:43:12,960
the story because it might be biased coming from me.

788
00:43:13,280 --> 00:43:13,719
Speaker 18: That's true.

789
00:43:14,199 --> 00:43:14,719
Speaker 5: Yeah, that's true.

790
00:43:15,039 --> 00:43:16,119
Speaker 18: You want to start with first?

791
00:43:16,960 --> 00:43:20,360
Speaker 12: Is the story for this happened while we were recording

792
00:43:21,119 --> 00:43:21,800
the vocals.

793
00:43:22,760 --> 00:43:26,239
Speaker 18: It was a guitar acoustic guitar gar No. I thought no,

794
00:43:26,360 --> 00:43:28,920
because I remember I was I was playing guitar, and

795
00:43:29,000 --> 00:43:29,840
I was really.

796
00:43:29,760 --> 00:43:34,800
Speaker 12: Well, yeah, you were away, but we were recording I'll

797
00:43:34,840 --> 00:43:35,199
Be Okay.

798
00:43:36,079 --> 00:43:39,440
Speaker 16: So we were recording the guitar for I'll Be Okay

799
00:43:39,639 --> 00:43:42,519
and Oliver is uh, I was told, you know, just

800
00:43:42,599 --> 00:43:45,400
go in the room start recording the bands comes down

801
00:43:46,000 --> 00:43:49,800
and announces that someone's wrong with the toilet. It's broken

802
00:43:49,880 --> 00:43:53,599
or something, and so in a rush, Jet and Dave

803
00:43:53,920 --> 00:43:56,880
go upstairs figure out the situation, and Oliver is just

804
00:43:56,960 --> 00:43:59,880
in there recording the rest of the guitar and there's

805
00:44:01,079 --> 00:44:01,559
he didn't know what.

806
00:44:01,679 --> 00:44:02,400
Speaker 2: Was going on, so.

807
00:44:04,519 --> 00:44:10,159
Speaker 12: Walked out and I'm like, toilet, it was like quite that.

808
00:44:10,400 --> 00:44:11,119
Speaker 5: I mean, it was pretty.

809
00:44:11,199 --> 00:44:15,039
Speaker 12: It was a lot of white, it was it started overflowing.

810
00:44:15,880 --> 00:44:16,280
Speaker 2: It was quite.

811
00:44:16,400 --> 00:44:16,800
Speaker 5: It was quite.

812
00:44:16,840 --> 00:44:17,039
Speaker 2: The man.

813
00:44:17,440 --> 00:44:19,559
Speaker 18: I was in there recording the acoustic guitar part.

814
00:44:19,559 --> 00:44:21,360
Speaker 19: I had no idea, So I'm just sitting in there

815
00:44:21,559 --> 00:44:23,480
and I finished, and I'm still sitting in there like

816
00:44:23,800 --> 00:44:27,159
what happened? And eventually Dave came down, like hit the

817
00:44:27,199 --> 00:44:29,320
button to talk into the room and was like, Hey,

818
00:44:29,480 --> 00:44:33,280
everything's fine, the toilet kind of broke. Just just do

819
00:44:33,360 --> 00:44:34,559
another pass, do another take.

820
00:44:34,559 --> 00:44:36,440
Speaker 18: And I'm like all right.

821
00:44:36,719 --> 00:44:40,000
Speaker 19: So both the guitar tracks, the acoustic guitar tracks were

822
00:44:40,000 --> 00:44:41,920
both done in one take and they are doubled. So

823
00:44:42,719 --> 00:44:44,920
I think that the toilet kind of motivated me to

824
00:44:44,960 --> 00:44:45,679
get it done quick.

825
00:44:46,400 --> 00:44:48,440
Speaker 12: No, yeah, it was clean, you know, not like the toilet,

826
00:44:48,880 --> 00:44:51,920
like the toilet clean. I want to say, I sure

827
00:44:52,159 --> 00:44:53,239
he did not go number two?

828
00:44:53,400 --> 00:44:54,960
Speaker 18: You didn't, Yeah it was I didn't.

829
00:44:55,000 --> 00:44:58,440
Speaker 12: I just want to clarify, for okay, Well, that.

830
00:44:58,480 --> 00:45:00,920
Speaker 2: Does make a difference in a situation like that, Actually

831
00:45:01,119 --> 00:45:04,360
it does. It does make a very big difference. Well, good,

832
00:45:04,559 --> 00:45:06,880
all right? Has the toilet been repaired since then? I

833
00:45:06,960 --> 00:45:10,599
assume everything's all right, Everything is okay.

834
00:45:10,639 --> 00:45:12,880
Speaker 18: I took it out of there. You know, he kind

835
00:45:12,880 --> 00:45:15,719
of maybe charges for who knows, there's an extra charge

836
00:45:15,760 --> 00:45:16,039
on there.

837
00:45:16,559 --> 00:45:18,960
Speaker 2: It's very rock and roll though it is. There's nothing

838
00:45:19,039 --> 00:45:20,639
more rock and roll in a broken.

839
00:45:20,360 --> 00:45:23,440
Speaker 15: Toilet actually going to go down in the in the

840
00:45:23,519 --> 00:45:26,519
history books, the Broken Toilet Hall of Fame.

841
00:45:26,599 --> 00:45:27,440
Speaker 18: That's going to be that toilet.

842
00:45:27,559 --> 00:45:29,400
Speaker 2: That's right, yeah, right, yeah, you got to get that

843
00:45:29,519 --> 00:45:34,280
story in there. That's awesome. That's awesome, all right. And

844
00:45:34,360 --> 00:45:37,199
before we play this, uh, a song with a title

845
00:45:37,280 --> 00:45:38,800
like potato Head, I feel like there might be a

846
00:45:38,840 --> 00:45:41,599
story behind it, But I could be wrong. Is there

847
00:45:41,639 --> 00:45:43,719
a story behind I mean there's kind of a story.

848
00:45:43,880 --> 00:45:45,039
Is it about an actual potato?

849
00:45:45,840 --> 00:45:49,679
Speaker 17: I mean no, but I guess in a sense, I

850
00:45:49,719 --> 00:45:51,800
mean it's kind of like when you have potato heads,

851
00:45:51,880 --> 00:45:55,880
just kind of like you get the eyes and maybe

852
00:45:55,880 --> 00:45:58,679
they're lotsided, and then you got the mouth.

853
00:45:59,000 --> 00:46:01,639
Speaker 18: Yeah, from what you told me, it's kind of about

854
00:46:01,679 --> 00:46:03,159
making a perfect person, right.

855
00:46:03,559 --> 00:46:06,440
Speaker 17: Yeah, it's about making a perfect person. But oh okay,

856
00:46:06,599 --> 00:46:09,039
kind of not a realistic.

857
00:46:09,519 --> 00:46:12,000
Speaker 19: Yeah, parts of it are inspired by like real people

858
00:46:12,079 --> 00:46:15,360
that we've met, you know, Like some lyrics, especially like

859
00:46:15,400 --> 00:46:17,960
the first lyric, your eyes are you know where it is?

860
00:46:18,039 --> 00:46:20,000
But like some of them are inspired by people that

861
00:46:20,079 --> 00:46:23,119
we actually know. So it's just like a conglomerate of

862
00:46:23,239 --> 00:46:26,599
like trying to create like the ideal person and and

863
00:46:26,719 --> 00:46:29,199
kind of like the unrealistic aspects of that as well.

864
00:46:29,599 --> 00:46:30,920
Speaker 12: Okay, I think conglomerate.

865
00:46:31,400 --> 00:46:33,079
Speaker 18: That's a big word for me.

866
00:46:33,280 --> 00:46:33,880
Speaker 2: Conglomerate.

867
00:46:34,480 --> 00:46:36,119
Speaker 18: It's a good word, solid word.

868
00:46:37,360 --> 00:46:40,159
Speaker 2: So we will end with this, but Rabbits for sale, guys,

869
00:46:40,239 --> 00:46:42,320
thank you again, so much, so much, Thank you so

870
00:46:42,440 --> 00:46:44,960
much for having absolutely and we'll do this again when

871
00:46:44,960 --> 00:46:47,119
you've got the new music ready to ready to go,

872
00:46:49,760 --> 00:46:51,800
we'll have you back and we'll play those and uh

873
00:46:52,039 --> 00:46:54,400
and we will end our segment with this track. If

874
00:46:54,440 --> 00:46:57,079
you're are listening live on Saturday morning, stick around. We

875
00:46:57,199 --> 00:46:59,360
have the great Dylan Reynolds coming up. He's gonna be

876
00:46:59,840 --> 00:47:04,119
called want are skyping? Jenny skyping? He's skyping excellent. He

877
00:47:04,199 --> 00:47:06,800
will be skiping in in just a few minutes. But

878
00:47:06,920 --> 00:47:08,880
here it is. This is potato Head and the band

879
00:47:09,079 --> 00:47:10,320
is Rabbits for Sale.

880
00:47:11,360 --> 00:47:11,760
Speaker 21: Mm hmm.

881
00:47:34,239 --> 00:47:38,719
Speaker 25: You're arez are the woman.

882
00:47:39,960 --> 00:47:41,159
Speaker 12: Who comes.

883
00:47:43,280 --> 00:47:45,360
Speaker 6: For coffee.

884
00:47:47,000 --> 00:47:47,239
Speaker 17: Day?

885
00:47:51,679 --> 00:48:03,400
Speaker 25: What do us say? You're heads the golden.

886
00:48:04,880 --> 00:48:06,119
Speaker 14: I would see.

887
00:48:07,719 --> 00:48:17,920
Speaker 25: And story books ridden on me, all in my memory,

888
00:48:22,000 --> 00:48:27,599
and all plugs on it, every pece.

889
00:48:28,800 --> 00:48:29,880
Speaker 6: Made of the fifth?

890
00:48:31,719 --> 00:48:37,920
Speaker 25: Don't you will be person at.

891
00:48:38,320 --> 00:48:39,480
Speaker 14: T me?

892
00:48:39,760 --> 00:48:42,400
Speaker 6: Hell that she loved me.

893
00:48:44,159 --> 00:48:46,119
Speaker 24: On your own?

894
00:48:55,599 --> 00:49:04,960
Speaker 25: Your rides unmatched, so much smarter than I could have

895
00:49:06,360 --> 00:49:08,039
order to become.

896
00:49:10,800 --> 00:49:12,639
Speaker 6: With you a undone.

897
00:49:15,400 --> 00:49:19,199
Speaker 26: Your hands.

898
00:49:20,719 --> 00:49:24,880
Speaker 25: Are perfect, turning them.

899
00:49:24,840 --> 00:49:38,440
Speaker 23: Over and let me read your futures you pass.

900
00:49:41,519 --> 00:49:42,599
Speaker 4: All plug on.

901
00:49:42,840 --> 00:49:46,320
Speaker 24: It, every pe.

902
00:49:48,159 --> 00:49:49,280
Speaker 6: Make them figure.

903
00:49:51,159 --> 00:49:53,599
Speaker 26: Oh you'll be perfect.

904
00:49:54,239 --> 00:50:01,000
Speaker 3: Come to life and tell me help that ship.

905
00:50:14,840 --> 00:50:29,239
Speaker 25: You're falling a pole, slipping away out of mygress.

906
00:50:32,360 --> 00:50:48,079
Speaker 14: You're dis rut and kay, you're not my You're not anyone,

907
00:50:52,239 --> 00:50:55,199
You're not anything.

908
00:50:55,840 --> 00:50:59,320
Speaker 6: At all at all.

909
00:51:00,760 --> 00:51:01,960
Speaker 25: I'll plug on.

910
00:51:02,159 --> 00:51:08,519
Speaker 6: It, every piece, make a fail.

911
00:51:10,440 --> 00:51:18,599
Speaker 26: Oh you'll be perfect, Come to life. Tell me how

912
00:51:19,639 --> 00:51:20,920
that should love me.

913
00:51:23,039 --> 00:51:24,800
Speaker 12: On your own.

914
00:52:28,639 --> 00:52:33,039
Speaker 24: When when I was a boy, all I think about

915
00:52:33,280 --> 00:52:37,239
this was a stupid boy that I was. When I

916
00:52:37,519 --> 00:52:41,480
was a kid, I got my face up there not

917
00:52:42,000 --> 00:52:44,239
toilets with the geese out.

918
00:52:44,480 --> 00:52:44,719
Speaker 6: Damn.

919
00:52:45,280 --> 00:52:50,360
Speaker 8: I wasn't always a stoopid pup, but when I was,

920
00:52:51,039 --> 00:52:56,159
I was that jump. I didn't always look at some

921
00:52:57,199 --> 00:53:00,800
I used to have himble still manaus.

922
00:53:02,840 --> 00:53:06,199
Speaker 10: I remember roll the Mad Times and.

923
00:53:06,360 --> 00:53:13,360
Speaker 3: Picks member Bob. It feels like someone that's shopping their

924
00:53:13,559 --> 00:53:16,239
sad fun all of my far.

925
00:53:18,599 --> 00:53:18,800
Speaker 8: Right.

926
00:53:19,519 --> 00:53:21,119
Speaker 4: Don't your mass side.

927
00:53:21,079 --> 00:53:24,199
Speaker 3: Go where no scene down a bomb me?

928
00:53:24,400 --> 00:53:25,159
Speaker 4: Roll the live?

929
00:53:26,039 --> 00:53:29,280
Speaker 19: I rye do you miss side.

930
00:53:29,199 --> 00:53:32,360
Speaker 10: Go where no scene down a boby?

931
00:53:32,840 --> 00:53:53,559
Speaker 4: Roll up live. Yes, when I was in school, didn't.

932
00:53:53,400 --> 00:53:54,519
Speaker 3: Make good grades.

933
00:53:54,679 --> 00:53:58,840
Speaker 10: I was, yes, still being dumb fool when I was

934
00:53:58,920 --> 00:53:59,679
still young.

935
00:54:01,039 --> 00:54:04,679
Speaker 3: All I care about proud one girls. But they did

936
00:54:04,840 --> 00:54:06,119
and like my temples.

937
00:54:06,559 --> 00:54:11,000
Speaker 10: I used to be such a reform day.

938
00:54:10,960 --> 00:54:13,960
Speaker 3: As Nina crying on the floor.

939
00:54:14,719 --> 00:54:18,559
Speaker 10: They used to wear your fans. Read me of my

940
00:54:18,760 --> 00:54:25,199
milk money taking. When I was growing up, I remember

941
00:54:25,400 --> 00:54:32,440
all the vans times and taking them along. It feels

942
00:54:32,639 --> 00:54:37,360
like someone is shoving the same like lots of my heart.

943
00:54:39,239 --> 00:54:44,679
Speaker 4: I ride done your nest side go with no sin down,

944
00:54:44,840 --> 00:54:46,480
no bomb you all alive.

945
00:54:47,360 --> 00:54:51,519
Speaker 3: I ride done mass side go wi.

946
00:54:51,639 --> 00:55:12,320
Speaker 10: No sa down, no bomby roll up live. You know,

947
00:55:12,559 --> 00:55:15,800
when I was a boy, my father used to look

948
00:55:15,880 --> 00:55:19,559
down at me, insane. What the hell is even? Then

949
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go outside and cut some grass? Why don't you go

950
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kids a girl?

951
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Speaker 3: You stupid losers.

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Speaker 27: See, in times of crisis, you need a law firm

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that stands by your side. With over forty years of experience,

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Craig and Getsulis is dedicated to fighting for your rights.

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As former state prosecutors, our attorneys have the knowledge and

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trial experience to provide an aggressive defense against any charge,

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from duise to homicides. If you've injured, our compassionate team

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will assess your case and fight for the compensation you deserve.

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Serving all of New Hampshire, Craigan get Zulus is here

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when you need us most. Visit Craig Atzulis dot com

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or call six oh three five five five one two

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three four for a free consultation. Craigan get Zulus, your advocates,

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your allies.

964
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Speaker 20: Bring your kitchen to life with Queen Citycabinetry, located at

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eighty seven Elm Street, in the historic Sunbeam Law in Manchester.

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Open Monday through Friday nine am to five thirty pm,

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in Saturdays ten am to two pm. They can be

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reached at six oh three two two two to zero

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dot com. Come see the possibilities. Queen Citycabinetry, another crowd

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sponsor of w MNH.

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Speaker 28: Business Cafe is the place to put a smile.

973
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Speaker 6: On your face.

974
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Speaker 28: Judy and the crew will take care of you, bring.

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Speaker 20: Your appetite and treat your taste.

976
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Speaker 6: Thanks right.

977
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Speaker 28: Disne's Cafe is always a winning choice. Breakfast, lunch or

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supper Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

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Dine in, take out or make a reservation call six

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982
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Speaker 29: When it comes to keeping WMNH on the air and

983
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your own personal or business computer needs, trust growl In Computers,

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located on Elm Street in Manchester. Grolin handles computer repair,

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virus removal and custom built systems. Are you looking for

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budget friendly options, check out our selection of fully inspected

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at six zero three six four five zero one zero one.

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Speaker 18: Your Tech, your way, Trust groll In Computers.

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Speaker 29: Seven times out of ten we listened to our music

992
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at night. That's on the title Bossiness program.

993
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Speaker 1: Late Night to Light with DJ Midas right here on WMNH, Manchester.

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Speaker 6: Do you want to know?

995
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Speaker 20: Because Saturdays and Sunday nights midnight to four am.

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located at five Dartmouth Drive in Auburn.

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business Solutions dot com