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Speaker 1: Come in.

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Speaker 2: Or welcome.

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Speaker 1: I'm a g Marshall chauffeur of this ominous omnibus which

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makes unscheduled stops for terror, suspense and murder. The life

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of man, according to the ancient Greeks, was a thread,

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a thread that passed through the hands of the three

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goddesses of fate. The first was Clotho, who spun the thread,

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the second was Lachisis, who wove the design, and the

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third was Atropos, grim, implacable, Atropos who used the sharp

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and terrible shears, Atropos who cut the thread of life

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for all eternity.

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Speaker 3: I don't want you to go.

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Speaker 2: Why not?

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Speaker 3: I told you why not. I can foresee the future,

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and I know the plain will crash and you'll be killed.

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You know the yes, Ted, I saw it in a dream.

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Speaker 1: I'd like to test your powers of prophecy. You say,

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you see what's going to happen to me twelve days

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from now, on March twelfth.

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Speaker 3: I've seen it. You get killed at the airport.

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Speaker 1: Tell me what else did you see? What was on

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the stock market page? Who won the races at Starlight Park?

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That's what you say. You can foresee the future.

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Speaker 3: I can ted believe me.

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Speaker 1: I will if you can tell me what's stock to buy? Well,

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I'm waiting. Our mystery drama The Ideas of March, was

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written especially for the Mystery Theater by Sam Dan and

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stars Nina Phousche and Les Tremayne. Albert Einstein had a theory.

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It was called relativity. Although it changed the scientific thinking

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of the world, less than a handful of people can

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actually understand it. One facet of it says, in a

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general way, if you travel at the speed of light,

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the past, the present, the future become all tangled up

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with each other in a general way. Then this could

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mean that the future has already happened off somewhere and

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it's waiting for us to catch up with it. Well,

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then is it possible somehow to catch a glimpse of it.

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There are people who say we do in dreams. The

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problem is most people's dreams are mixed up, confused, and obscure,

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as where the dreams of Cassandra Morrol. Until very recently,

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until last night. Last night, she had a dream that

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was so clear, so precise, so real.

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Speaker 3: It's seven o'clock in the morning, the morning of March twelfth,

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a morning that is still almost two weeks in the future.

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Ted is gulping down a cup of coffee and we

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are having an argument, a very bad argument.

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Speaker 2: I just have time to get to the airport.

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Speaker 3: Ted, Please don't go.

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Speaker 2: Oh what's the matter with you?

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Speaker 3: Do? Shout at me?

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Speaker 1: Oh, please be sensible, be reasonable, be rational. Why can't

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you believe me?

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Speaker 2: What am I to tell mister Henderson? I can't go

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to Chicago because my wife had a bad dream.

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Speaker 3: You won't live to get to Chicago. That plane will

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crash on takeoff.

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Speaker 2: Cassie, this is the biggest day of my life.

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Speaker 3: If you go to the airport, it will be the

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last day.

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Speaker 2: Of your life.

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Speaker 1: Henderson has called a special meeting of the Bord of Directors.

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These important people are coming in from all over the

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country to meet me.

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Speaker 3: Me.

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Speaker 2: You know what that means. Don't go.

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Speaker 3: I saw the flames, I heard the siren.

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Speaker 2: This damn You've made me some nervous. I've spilled coffee

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all over my new jacket.

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Speaker 3: The jacket.

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Speaker 2: Luck, he's got brown flecks. No one will notice it.

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Speaker 3: The jacket. How could I have known about the jacket? Ted?

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Speaker 2: Look, call your mother or my mother and have lunch.

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Speaker 3: The jacket the cop the sign.

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Speaker 1: How could I've known all that, Cassie. You just don't

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want to face the truth.

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Speaker 2: What truth? Deep down in your heart? You don't want

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me to take.

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Speaker 3: The job that isn't true. Go tomorrow.

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Speaker 2: The meeting is today.

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Speaker 3: Telephone, say say you're sick.

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Speaker 2: I can't say I'm sick.

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Speaker 1: Oh, I don't know what's gotten into you. You better

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call up doctor Miller for an appointment.

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Speaker 2: I saw it all so clear.

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Speaker 1: Look, I can't argue anymore. I have to make the plane.

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I'll be home for dinner. Might as well drive my

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own car at the airport.

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Speaker 2: Goodbye, Cassie, Ted, I'm going, and that's all there is

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to it. I'll call you from Chicago, Ted, Ted.

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Speaker 3: I want to stop dreaming, but I can't. I hear

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the car starting up in the driveway. What an incredible

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dream I'm having. Never was there such detail. I could

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hear the percolator, the tacking of the clock. There was

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a whipperwheel that started his song outside the window every morning,

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And now I heard him too. Ted's car pulls out

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of the driveway. I had to stop him. I would

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stop him. I'll catch him before he gets to the airport.

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I back my car out of the driveway. I race

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with the turnpipe, I disregard stop signing his traffic lights,

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and it is long.

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Speaker 1: Before I hear it.

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Speaker 2: Okay, lady, to mess your license and.

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Speaker 3: Registration, Officer, I don't have time.

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Speaker 2: You'll just have to make the time. Who are you

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trying to kill?

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Speaker 3: I have to save my husband.

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Speaker 2: You have to save your husband. I thought I heard

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him more. Okay, let's hear this one.

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Speaker 3: I have to stop my husband before he gets to

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the airport. Why, because you'll be killed. Oh, here's going

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to be an accident.

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Speaker 2: There's gonna be an accident. Yes, how do you know?

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Speaker 3: I had a dream?

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Speaker 2: You what?

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Speaker 3: I had a dream?

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Speaker 2: Hey? What are you trying to handle?

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Speaker 3: Please believe me?

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Speaker 2: Now?

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Speaker 3: Look miss that's missus I, missus Morrow, and I have

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to say my husband. I just cannot sit here.

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Speaker 4: I'm afraid You'll just have to sit here. You're in

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no condition to drive that car. Now, you just sit

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there quietly, and I'm going to radio back for someone

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to come.

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Speaker 2: Along and help.

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Speaker 3: Officer.

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Speaker 4: Now, lady, you just sit there and look at that sign.

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See the billboard about the new picture at the drive

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in See it says endless love starring Robert Gaylord. Very

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handsome guy. I'm used to think about him while I.

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Speaker 3: Got to sit here stop, I floor the pedal. The

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needle springs violently to the right to where it had

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never been before, all the way to the right hand

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edge of the gauge. No one could ever catch me,

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but I had to catch Tad. The car rattles, the

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whole world seems to twist and spin crazily, and then

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I see the nightmare flashing of red and blue lights,

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the terrible howling of the sirens, and my own voice suddenly.

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Speaker 5: Rises to a scream that drowns everything out.

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Speaker 3: I'm too late, it has already happened. I see his body, mangled, bloody, lifeless,

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and my scream dies to a mold.

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Speaker 2: A low and terrible moment.

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Speaker 6: Oh, Cassie Castle, wake up, angel, wake up, coming, wake up.

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Speaker 2: You're having a bad dream.

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Speaker 3: A dream, a dream, Yes, it was a dream, all

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a dream.

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Speaker 2: Something really must have scared you.

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Speaker 3: Yes, yes it was it was.

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Speaker 2: Tell me about it.

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Speaker 3: Oh, it was so clear, so exact. You know, sometimes

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you dream and it feels so real.

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Speaker 2: Well, what was he?

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Speaker 3: Oh it was silly?

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Speaker 2: Tell me no, why not?

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Speaker 3: Because I would dearly love to forget it, and if

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I talk about it, I might dream it again. And

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oh so tired.

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Speaker 1: You should be worn out from that dream.

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Speaker 3: Ah, I just want to get back to sleep again.

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Speaker 2: Dead, Yes, indeed, don already.

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Speaker 3: I know you heard you leave the house this morning.

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Speaker 2: You had a rough night. Thought i'd let you sleep.

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Speaker 3: I hope you made yourself some breakfast.

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Speaker 2: I'm in the star. You're feeling okay.

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Speaker 3: Why shouldn't I be feeling okay?

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Speaker 1: We had a very bad dream, seemed to take something

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out of you. I was worried about you all day

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at the office.

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Speaker 3: Well if you was so worried, why didn't you call?

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Speaker 2: Why didn't I call? To call? Or not to call?

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That was a question?

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Speaker 3: What question?

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Speaker 2: Well? First I was tied up all day, and second

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I wanted to tell you about it in person.

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Speaker 3: Tell me about what.

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Speaker 1: Tell you that I'm going to be named vice president

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in charge of production, Ted, vice president Ted, if you please,

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you mean it's going to happen.

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Speaker 2: This has already happened.

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Speaker 1: Sterling sent in the recommendation to mister big Wheel himself

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Henderson in Chicago, vice president.

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Speaker 2: Money, bonus, stock options.

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Speaker 1: The whole works I have become What is known as management.

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You know how people talk about they. I have now

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become a they.

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Speaker 3: Oh we'll have to move, won't we?

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Speaker 2: Sure?

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Speaker 1: Become the vice president in charge of production for International

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Minerals reside in a three bedroom ranch in West Valley.

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Speaker 2: No, we'll have to live up to it. I like it.

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You'll like it better where you're going.

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Speaker 3: When does it become official?

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Speaker 2: Thursday, twelfth of March. The twelfth of March, that's the

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faithful day. I'll give you a rundown.

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Speaker 1: On seven am Thursday, March twelfth, I drive out to

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the airport and I bought the eight o'clock to Chicago.

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What did you say, I haven't said anything yet. Listen,

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there will be a luncheon session of the Board of Directors,

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at which time I should be named VP in charge

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of production in Chicago.

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Speaker 2: Well, of course, why.

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Speaker 1: Why, Cassie, that's where the international headquarters of the company happened.

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Speaker 2: To be ted something wrong?

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Speaker 3: I don't know.

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Speaker 2: Well, then something has to be wrong.

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Speaker 7: What is it?

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Speaker 3: I don't know what to say.

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Speaker 2: Please tell me.

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Speaker 3: Well, I don't know how.

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Speaker 2: We'll try.

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Speaker 3: You know that dream I had last night, I dreamed

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that it was ten days from now. The morning the

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Thursday morning of March twelfth.

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Speaker 2: Well, that's a coincidence.

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Speaker 3: And I dreamed I tried to stop you from going

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to the airport. But why because because there would be

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an accident and you would be killed. That's what I dreamed.

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Speaker 1: Oh, well, I hope you woke up before anything drastic occurred.

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Speaker 3: No, I didn't wake up, not until I had seen

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the ambulances and the emergency cruise and I saw you dead.

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Speaker 2: Are you sure I was dead?

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Speaker 3: Please? Don't make me talk about it. Don't make me

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think about it. It was horrible. Well, forget it. Why

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did I have a dream like that? Ted? Why should

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I dream that that you would die in an airplane

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accident on March twelfth?

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Speaker 2: I don't know.

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Speaker 1: You're probably scared of me flying when you heard that

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I was scheduled to go to Chicago.

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Speaker 3: You're not listening. This was last night before I knew

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you were going to Chicago on the twelfth.

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Speaker 2: For you knew, Darling. There's an explanation for everything.

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Speaker 3: Well, how do you explain this?

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Speaker 1: Well, let's see if we can analyze the thing March twelfth,

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What if anything is significant about that date? Does March

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twelfth mean anything to you? No, March twelfth, Old course,

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what is it. I know why you don't want me

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to go to Chicago. Why because that's where Marcella Thornton lived.

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Speaker 3: Oh, Marcella, I haven't thought about her in years?

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Speaker 2: Oh?

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Speaker 3: Was that?

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Speaker 1: So you forget that Marcella and I were supposed to

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be married twelve years ago on what date?

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Speaker 2: March twelfth? Oh?

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Speaker 3: But Ted, I knew it was over between you and Marcella.

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I knew you chose Meh.

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Speaker 1: But a little residue of doubt may still be lurking

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in your subconscious. It was twelve years ago, the twelfth

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of March. All those twelves coming up must have overwhelmed you.

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Speaker 3: No, no, Ted, No, nothing inside of me brought this on.

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It was as if I had been allowed to live

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in the future and I had a glimpse of what

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was going to happen.

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Speaker 2: Oh, you don't believe that, do you.

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Speaker 1: I mean, you're a sensible, rational woman. You know you

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just know you can't see into the future.

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Speaker 2: Now admit it.

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Speaker 1: Well, look on the basis of that dream, do you

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want me to cancel the trip?

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Speaker 2: Well?

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Speaker 3: No, I suppose not.

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Speaker 2: Why don't we forget it?

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Speaker 1: Incidentally, there was a sale at Rossmeiers. I picked up

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a honey of a jacket.

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Speaker 3: It's about time you need new clothes.

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Speaker 2: Yeah, and you open the package. I was thinking, I'm

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wearing this to Chicago. They're a very informal group.

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Speaker 3: Oh no, wait, Ted, wait before you open the package.

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See if I can tell you what color it is.

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It's gray with brown flecks.

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Speaker 2: Well, how'd you know?

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Speaker 1: You must have been spying on me the see. Oh,

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it's exactly the way you described it, Ted.

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Speaker 3: That jacket, that's the jacket you were wearing in my dream.

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That's the jacket you were wearing on Thursday morning, the

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twelfth of March.

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Speaker 1: When you see into the future, you have to see

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it all, all the basic details, all the fine points,

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all the odds and ends.

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Speaker 2: What are we dealing with here? Anyhow? Is it coincidence

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or is it out and out prophecy? We always play fair.

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Speaker 1: You might consider her name, for example, do you know

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who Cassandra was? Well, we'll explore it all further when

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I return in just a few moments.

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Speaker 2: With that too, What is.

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Speaker 1: The difference between the oracle at Delphi of the ancient

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Greek and.

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Speaker 2: Your own psychiatrist?

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Speaker 1: The oracles stated that your dreams reveal your future. Your

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00:15:07,440 --> 00:15:12,320
psychiatrist will contend that your dreams illuminate your past. Albert

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Einstein reconciled it too, by saying, both past and future

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can exist at the same time.

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Speaker 2: Is everything clear? It is to Cassie.

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Speaker 1: Morrow, who had a terrible dream the other night, it's

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a coincidence.

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Speaker 3: I dream that you're killed at the airport. I dream

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you're wearing a jacket that you hadn't bought yet, that

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I'd never seen before.

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Speaker 2: Now, how do you account for that? I'm scared, Cassie.

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Be sensible.

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Speaker 3: That's what you said to me in the dream.

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Speaker 2: Be reasonable.

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Speaker 1: You said that too, well, Be rational.

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Speaker 3: Be sensible, be reasonable, be rational. That's exactly what you

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00:15:49,559 --> 00:15:53,039
said to me. Oh, Ted, I'm so frightened.

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Speaker 1: Well, I don't know what to tell you. Look, hadn't

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you better seen doctor Miller.

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Speaker 3: You told me to do that in the dream too.

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Speaker 2: Doesn't that make sense, Dear?

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Speaker 1: I don't know, all right, let me I'm trying to

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00:16:08,639 --> 00:16:10,279
think what it all means.

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Speaker 2: Has to mean something.

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Speaker 3: Thanks Ted, Thanks for not saying I'm being silly.

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Speaker 1: Well, the fact is you are being silly. It's just

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I'm being the concerned husband.

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Speaker 2: Here's what I'll do. I can't promise anything.

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Speaker 1: But in a roundabout diplomatic way, I'll ask Sterling if

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00:16:30,440 --> 00:16:33,519
there's any chance the meeting could be shifted a day earlier,

319
00:16:33,559 --> 00:16:34,080
a day later.

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Speaker 3: Oh, Ted, could you do that? Well?

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Speaker 2: I don't know if I can, but I can ask.

322
00:16:45,919 --> 00:16:50,080
Speaker 7: Hello, Cassie, I am what is it?

323
00:16:50,159 --> 00:16:50,360
Speaker 3: Dad?

324
00:16:51,759 --> 00:16:54,600
Speaker 7: Look on this thing, this dream of yours.

325
00:16:55,120 --> 00:16:59,600
Speaker 2: Well, well, but I couldn't even bring it up.

326
00:17:00,360 --> 00:17:01,559
Speaker 7: Sterling hit me first thing.

327
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Speaker 2: He said, March.

328
00:17:02,440 --> 00:17:04,440
Speaker 1: Twelfth is going to be a big event at the company.

329
00:17:04,720 --> 00:17:07,200
They're even bringing in the European people. And I just

330
00:17:07,279 --> 00:17:10,000
couldn't well, I couldn't ask.

331
00:17:10,079 --> 00:17:11,960
Speaker 3: Oh, Ted, you must, honey.

332
00:17:12,640 --> 00:17:16,079
Speaker 1: Everybody has bad dreams, and this is the twentieth century.

333
00:17:16,240 --> 00:17:20,200
I mean, look, maybe you had better go see doctor Miller.

334
00:17:20,279 --> 00:17:21,480
Speaker 3: And what will he tell me?

335
00:17:21,680 --> 00:17:25,319
Speaker 7: I don't know, but somebody has to tell you something.

336
00:17:25,039 --> 00:17:25,839
Speaker 2: That will make sense.

337
00:17:30,519 --> 00:17:33,400
Speaker 3: How do you account for my seeing his jacket, doctor,

338
00:17:34,079 --> 00:17:37,319
especially since I didn't even know he bought it? How

339
00:17:37,319 --> 00:17:39,559
could I describe the color and the design?

340
00:17:40,200 --> 00:17:45,920
Speaker 4: Oh, the colors, the designed, the cut flattering to your husband? Well, yes,

341
00:17:46,839 --> 00:17:49,160
is it the kind of jacket you would have selected?

342
00:17:50,000 --> 00:17:53,000
Speaker 2: I suppose so, Doctor but that could have explained it.

343
00:17:54,480 --> 00:17:58,480
Speaker 3: The dream, It was so real, missus.

344
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Speaker 4: Morrell, do won't you husband to be the vice president

345
00:18:01,839 --> 00:18:04,440
in charge of production for International Minerals?

346
00:18:04,839 --> 00:18:05,039
Speaker 2: Oh?

347
00:18:05,119 --> 00:18:06,279
Speaker 3: What does that have to do with it?

348
00:18:06,359 --> 00:18:07,599
Speaker 2: Please answer the question.

349
00:18:09,039 --> 00:18:12,759
Speaker 3: We were married twelve years ago. A few months later

350
00:18:12,839 --> 00:18:15,359
Ted went to work for International. We've been aiming at

351
00:18:15,359 --> 00:18:16,440
that job ever since.

352
00:18:16,720 --> 00:18:19,359
Speaker 4: I didn't ask you what you were aiming at. I

353
00:18:19,440 --> 00:18:20,759
asked you what you wanted.

354
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Speaker 3: I want what Ted wants?

355
00:18:23,759 --> 00:18:27,240
Speaker 4: Now about what you want? Life is more than what

356
00:18:27,359 --> 00:18:31,359
a person does for living. What should be on the

357
00:18:31,359 --> 00:18:34,960
way to your goal? Perhaps you found a way of

358
00:18:35,039 --> 00:18:40,160
life that appealed to you, friends, community, Maybe you really don't.

359
00:18:40,000 --> 00:18:40,599
Speaker 2: Want to leave it.

360
00:18:40,680 --> 00:18:42,519
Speaker 3: Well, what would that have to do with my dream?

361
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Speaker 4: Everything you knew Ted was being promoted. This is how

362
00:18:46,880 --> 00:18:48,519
you tried to stop him.

363
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Speaker 3: Well, that might make sense if I knew. But you see,

364
00:18:55,440 --> 00:18:59,039
I didn't know. I dreamed this dream the night before

365
00:18:59,079 --> 00:19:00,680
Ted told me about the promotion.

366
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Speaker 2: You knew you knew about the promotion.

367
00:19:05,119 --> 00:19:06,000
Speaker 3: Now how could I know?

368
00:19:07,160 --> 00:19:09,720
Speaker 4: Ten sames, things were coming to a head at the office.

369
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It made him tense, nervous after twelve years of marriage.

370
00:19:15,119 --> 00:19:19,920
People don't have to say things, you interpreted those signs,

371
00:19:20,799 --> 00:19:22,200
neither of you had to speak.

372
00:19:23,319 --> 00:19:25,240
Speaker 2: Well, I don't know.

373
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Speaker 4: What you're asking me to believe is that you were

374
00:19:28,640 --> 00:19:30,480
able to see into the future.

375
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Speaker 2: Isn't that so? Yes?

376
00:19:33,680 --> 00:19:37,880
Speaker 4: Yes, that so you should realize that such a.

377
00:19:37,839 --> 00:19:38,920
Speaker 2: Thing is impossible.

378
00:19:39,079 --> 00:19:40,799
Speaker 3: Why why is it impossible?

379
00:19:40,960 --> 00:19:47,039
Speaker 4: Because such things are not humanly Well, it just doesn't happen.

380
00:19:47,160 --> 00:19:49,799
Speaker 3: You mean, no one has ever been able to foresee

381
00:19:49,799 --> 00:19:50,599
a distant event?

382
00:19:51,000 --> 00:19:53,000
Speaker 2: Well, I would say so, how about.

383
00:19:52,799 --> 00:19:55,039
Speaker 3: These people you read about in the papers, these people who.

384
00:19:55,000 --> 00:19:59,240
Speaker 4: Forget dear missus morrow. You want to indulge in crackery.

385
00:20:00,000 --> 00:20:01,599
I know all about people who claim to have.

386
00:20:01,559 --> 00:20:05,079
Speaker 2: Foretold the assassination of a president or the breaking out

387
00:20:05,119 --> 00:20:05,680
of a war.

388
00:20:05,839 --> 00:20:09,680
Speaker 4: But does anyone keep score of their predictions? How many

389
00:20:09,839 --> 00:20:13,160
never happened? What is their batting average?

390
00:20:13,640 --> 00:20:14,000
Speaker 2: Well?

391
00:20:14,400 --> 00:20:18,440
Speaker 3: Still, there are people who have had premonitions of what of.

392
00:20:18,440 --> 00:20:21,720
Speaker 4: Some disaster, usually the death of a loved one.

393
00:20:22,000 --> 00:20:22,640
Speaker 2: What about it?

394
00:20:23,559 --> 00:20:26,640
Speaker 4: If you keep worrying about something constantly, one day it happens,

395
00:20:26,640 --> 00:20:29,480
and it's on a court that there's not prediction.

396
00:20:29,759 --> 00:20:31,400
Speaker 2: That's that's coincidence.

397
00:20:31,519 --> 00:20:34,319
Speaker 3: I know, I know all the arguments are against me,

398
00:20:35,000 --> 00:20:38,000
but I know I saw it all so plainly.

399
00:20:38,119 --> 00:20:41,160
Speaker 4: I'm trying to tell you why you don't want him

400
00:20:41,200 --> 00:20:41,440
to go.

401
00:20:42,319 --> 00:20:44,519
Speaker 3: I wouldn't stand in the way of his becoming VP

402
00:20:44,680 --> 00:20:45,640
in charge of production.

403
00:20:46,319 --> 00:20:50,599
Speaker 4: That's something less than a ringing endorsement. And then, of

404
00:20:50,720 --> 00:20:52,119
course three of Marcella.

405
00:20:52,599 --> 00:20:54,480
Speaker 3: No, no, I deny that completely.

406
00:20:55,000 --> 00:20:56,039
Speaker 2: Is Marcella made?

407
00:20:57,279 --> 00:20:58,039
Speaker 3: I don't think so.

408
00:20:58,720 --> 00:20:59,200
Speaker 2: Who is she?

409
00:21:00,279 --> 00:21:00,519
Speaker 8: Well?

410
00:21:01,160 --> 00:21:03,599
Speaker 2: No, what is she doing now?

411
00:21:04,440 --> 00:21:07,400
Speaker 3: She's editor of a fashion magazine in Chicago.

412
00:21:08,000 --> 00:21:09,279
Speaker 2: When did you see her last?

413
00:21:09,640 --> 00:21:12,359
Speaker 3: I never really met Marcella.

414
00:21:12,680 --> 00:21:15,480
Speaker 2: Oh, Sanuel, you never saw her?

415
00:21:16,079 --> 00:21:19,799
Speaker 3: Oh I did see her. It was a few days

416
00:21:19,799 --> 00:21:21,720
ago on a TV panel show.

417
00:21:23,319 --> 00:21:26,000
Speaker 2: And how did she look beautiful?

418
00:21:26,880 --> 00:21:33,599
Speaker 4: So here they have Marcella beautiful, surrounded by glamor by

419
00:21:33,920 --> 00:21:37,440
you have been missus housewife these past twelve years.

420
00:21:38,680 --> 00:21:43,400
Speaker 2: Did ted see the show with you? Yes, but they

421
00:21:43,480 --> 00:21:44,599
did say he.

422
00:21:44,599 --> 00:21:49,079
Speaker 3: Said, there's Marcella as beautiful as ever.

423
00:21:50,119 --> 00:21:53,240
Speaker 2: Did he discuss her after the show was over?

424
00:21:54,440 --> 00:21:54,680
Speaker 3: No?

425
00:21:55,960 --> 00:21:58,960
Speaker 2: Did he say anything else about her? You mean all

426
00:21:58,960 --> 00:21:59,720
he made was up one.

427
00:22:00,839 --> 00:22:07,880
Speaker 4: Yes, but you couldn't help thinking that quietly he was comparing.

428
00:22:07,440 --> 00:22:08,079
Speaker 2: The two of you.

429
00:22:08,480 --> 00:22:10,000
Speaker 3: I didn't think anything of the sort.

430
00:22:10,319 --> 00:22:11,079
Speaker 2: And didn't you.

431
00:22:11,160 --> 00:22:15,359
Speaker 4: Think, Oh my lord, I hope he never goes to Chicago.

432
00:22:15,920 --> 00:22:19,680
Speaker 3: I'm not worried about it. I know he chose me,

433
00:22:20,759 --> 00:22:24,799
and we have twelve years together, and they mean something.

434
00:22:24,880 --> 00:22:27,079
Speaker 4: Missus Mora, I think you must come to grips with

435
00:22:27,119 --> 00:22:28,319
your insecurity.

436
00:22:29,480 --> 00:22:31,000
Speaker 2: You're afraid of Marcella.

437
00:22:32,920 --> 00:22:36,799
Speaker 3: All I know is I had a dream I saw my.

438
00:22:36,880 --> 00:22:40,079
Speaker 4: Husband kill It's not what you saw, it's val you

439
00:22:40,119 --> 00:22:40,440
saw it.

440
00:22:40,759 --> 00:22:45,200
Speaker 3: Okay, Okay, let's say it's nothing more than my subconscious insecurity. Okay,

441
00:22:45,839 --> 00:22:49,119
But how could I dream the details, the details of

442
00:22:49,160 --> 00:22:50,880
the future, the jacket.

443
00:22:50,920 --> 00:22:52,640
Speaker 2: You've already accounted for the jacket.

444
00:22:53,519 --> 00:22:57,400
Speaker 3: How about how about the other details, such as the

445
00:22:57,440 --> 00:23:01,480
police officer. He stopped me just outside the drive in

446
00:23:01,559 --> 00:23:04,359
movie at the Turnpike and he said, why don't you

447
00:23:04,440 --> 00:23:08,480
look at that sign and fantasize about Robert Gaylord while

448
00:23:08,519 --> 00:23:09,559
I get you some help.

449
00:23:10,319 --> 00:23:12,720
Speaker 2: He said that, Well, I haven't.

450
00:23:12,519 --> 00:23:15,039
Speaker 3: Been near the Turnpike in weeks. I never go to

451
00:23:15,079 --> 00:23:17,960
that drive in. How would I be able to read

452
00:23:18,000 --> 00:23:22,119
a billboard Endless Love starring Robert Gaylord? How would I

453
00:23:22,200 --> 00:23:23,720
see that?

454
00:23:23,720 --> 00:23:25,079
Speaker 2: There must be an explanation.

455
00:23:25,519 --> 00:23:30,480
Speaker 3: Oh, everybody keeps saying there's an explanation, but nobody explains it.

456
00:23:31,960 --> 00:23:32,960
Have you got a phone book?

457
00:23:33,240 --> 00:23:34,440
Speaker 2: Yes? Right over there?

458
00:23:34,960 --> 00:23:43,440
Speaker 3: Thank you, turnpikee turnpipe. Drive in here. It is two

459
00:23:43,519 --> 00:23:47,759
o seven eight three oh eight. That may I yes,

460
00:23:47,880 --> 00:23:56,000
of course. Everybody says be rational, be sensible. I am rational.

461
00:23:56,079 --> 00:24:00,480
I am sensible. What I saw was real, and I'll

462
00:24:00,519 --> 00:24:07,240
prove it driving. Can you tell me what it says

463
00:24:07,240 --> 00:24:08,200
on your marquee?

464
00:24:08,480 --> 00:24:10,519
Speaker 2: It says what's playing? What else would it say?

465
00:24:11,400 --> 00:24:14,319
Speaker 3: Can you tell me what's playing? Please be my guest.

466
00:24:14,839 --> 00:24:17,039
Speaker 7: The love I get starring Jenny Bailey.

467
00:24:17,200 --> 00:24:19,079
Speaker 3: That that's what it says.

468
00:24:20,279 --> 00:24:21,279
Speaker 7: That's what we got showing.

469
00:24:21,880 --> 00:24:22,519
Speaker 3: I see.

470
00:24:23,039 --> 00:24:25,079
Speaker 7: Hey, come on, bring your husband a boyfriend.

471
00:24:25,279 --> 00:24:27,519
Speaker 2: Hey, I got a dynamite idea, bring them both.

472
00:24:30,079 --> 00:24:30,559
Speaker 9: But here's it.

473
00:24:31,920 --> 00:24:38,079
Speaker 3: Nothing I was wrong. It was just a dream, of course.

474
00:24:38,440 --> 00:24:41,680
I mean it was just a dream, a dream like

475
00:24:41,720 --> 00:24:45,160
any other dream, and it probably means nothing at all.

476
00:24:45,160 --> 00:24:47,480
Speaker 2: It probably means something, but.

477
00:24:47,480 --> 00:24:51,319
Speaker 3: It doesn't mean. It doesn't mean I foresaw the future.

478
00:24:51,759 --> 00:24:53,599
Speaker 2: Let me to change your mind suddenly.

479
00:24:53,839 --> 00:24:56,799
Speaker 3: What I was I was wrong about a significant detail

480
00:24:57,319 --> 00:25:00,720
the movie, so I could be wrong about all of

481
00:25:00,720 --> 00:25:07,039
it the accident too. Thank you doctor for what I

482
00:25:07,079 --> 00:25:14,759
feel so much better, But I only felt better for

483
00:25:14,799 --> 00:25:19,079
a few minutes the movie bothered me. I knew what

484
00:25:19,160 --> 00:25:22,759
I had seen on the billboard so clearly, so plainly,

485
00:25:23,640 --> 00:25:26,200
and it occurred to me I had better ask that

486
00:25:26,319 --> 00:25:34,799
question again and differently. Are you the manager?

487
00:25:35,279 --> 00:25:38,400
Speaker 10: Yeah, I'm the manager. Oh, you gotta beef already. Show

488
00:25:38,440 --> 00:25:39,319
hasn't even started.

489
00:25:39,880 --> 00:25:42,480
Speaker 3: Can you tell me what your billboard will read on

490
00:25:42,599 --> 00:25:47,839
Thursday morning, March twelfth, nine days from now? What will

491
00:25:47,839 --> 00:25:48,720
the attraction be?

492
00:25:48,920 --> 00:25:52,079
Speaker 10: Oh, lady, you said the magic word attraction. We're gonna

493
00:25:52,079 --> 00:25:55,119
have dynamite Robert Gaylord in Endless Lot.

494
00:25:55,640 --> 00:25:59,400
Speaker 3: And the sign that faces the turnpike, well.

495
00:25:59,359 --> 00:26:02,240
Speaker 10: Of course faces the turnpike. How else would people be

496
00:26:02,279 --> 00:26:03,000
able to read it?

497
00:26:03,119 --> 00:26:07,240
Speaker 3: Will it read Endless Love starring Robert Gaylord.

498
00:26:07,079 --> 00:26:09,160
Speaker 2: Or what he wanted to read? Those are the facts,

499
00:26:09,160 --> 00:26:09,680
ain't they?

500
00:26:10,359 --> 00:26:20,279
Speaker 3: Yes? Yes, those are the facts. But how could I

501
00:26:20,440 --> 00:26:23,160
foresee Robert Gaylord would be playing at the drive in?

502
00:26:23,680 --> 00:26:26,119
Speaker 2: Because he's your favorite actor?

503
00:26:26,240 --> 00:26:27,359
Speaker 3: But how would I know?

504
00:26:27,680 --> 00:26:30,640
Speaker 1: A dream is a fantasy world, and you create it

505
00:26:31,400 --> 00:26:34,559
and there are no real foundations for anything. You wanted

506
00:26:34,559 --> 00:26:36,400
that picture to be playing there? So that's what the

507
00:26:36,400 --> 00:26:37,240
billboard said.

508
00:26:37,400 --> 00:26:39,799
Speaker 3: Did I also want you killed in a crash?

509
00:26:40,160 --> 00:26:43,480
Speaker 2: Oh? Subconsciously. Maybe you're angry at me for something.

510
00:26:43,599 --> 00:26:45,519
Speaker 3: Oh what how would I know?

511
00:26:45,640 --> 00:26:47,559
Speaker 2: It's your subconscious.

512
00:26:47,079 --> 00:26:50,799
Speaker 3: Ted, I'll tell you what scares me. The tone in

513
00:26:50,839 --> 00:26:51,359
your voice.

514
00:26:51,960 --> 00:26:52,559
Speaker 2: What about it?

515
00:26:53,000 --> 00:26:57,680
Speaker 3: I never heard it before. I never heard such anger.

516
00:26:58,880 --> 00:27:01,119
Speaker 2: Maybe you never made me really angry before.

517
00:27:01,519 --> 00:27:05,359
Speaker 3: This is the dream, This is what I saw. Yes,

518
00:27:05,640 --> 00:27:06,480
we're getting.

519
00:27:06,200 --> 00:27:07,400
Speaker 2: There, getting where.

520
00:27:08,519 --> 00:27:13,319
Speaker 3: I have eight days till the twelfth, and we're starting

521
00:27:13,359 --> 00:27:18,599
to argue the way we'll argue that morning, angrily, bitterly.

522
00:27:18,839 --> 00:27:21,440
Speaker 2: Well, just cut it out.

523
00:27:21,599 --> 00:27:23,319
Speaker 3: I can't help it, Ted, I can't.

524
00:27:24,039 --> 00:27:27,279
Speaker 1: You want me to refuse to go to Chicago? Is

525
00:27:27,279 --> 00:27:29,640
that it only on the twelfth, Well, it's the twelfth

526
00:27:29,759 --> 00:27:31,160
or nothing, all.

527
00:27:31,200 --> 00:27:34,000
Speaker 3: Right, Ted, I don't want you to go.

528
00:27:34,880 --> 00:27:35,279
Speaker 2: That's it.

529
00:27:35,559 --> 00:27:39,559
Speaker 1: Yes, Well I can't cancel it, Cassie, I just can't.

530
00:27:40,359 --> 00:27:41,559
What did doctor Miller.

531
00:27:41,279 --> 00:27:42,880
Speaker 3: Say that's unimportant?

532
00:27:42,960 --> 00:27:44,359
Speaker 2: What do I mean it's unimportant?

533
00:27:44,519 --> 00:27:47,720
Speaker 3: Anything anyone says it's unimportant. I tell you, I know

534
00:27:47,839 --> 00:27:48,519
what's going.

535
00:27:48,319 --> 00:27:50,759
Speaker 2: To happen, Cassie. Cut it out.

536
00:27:51,240 --> 00:27:52,319
Speaker 3: Don't talk to me like that.

537
00:27:52,359 --> 00:27:54,640
Speaker 2: Ted, You've got to get a hold of yourself.

538
00:27:54,839 --> 00:27:57,079
Speaker 1: You've got to face the facts facts.

539
00:27:57,200 --> 00:27:59,759
Speaker 3: So far, I'm the only one who's offered any facts

540
00:27:59,799 --> 00:28:01,839
that all the jacket.

541
00:28:01,559 --> 00:28:05,519
Speaker 1: The movie Marquee, those are facts you created yourself, all right.

542
00:28:05,880 --> 00:28:09,079
Speaker 3: But there's one fact, one basic fact I couldn't create.

543
00:28:09,160 --> 00:28:09,720
Speaker 2: Yeah, what's that?

544
00:28:10,440 --> 00:28:12,319
Speaker 3: Isn't it that? It's a person?

545
00:28:13,359 --> 00:28:16,920
Speaker 1: It's a he who I have a witness? How could

546
00:28:16,920 --> 00:28:18,279
there be a witness to a dream?

547
00:28:18,440 --> 00:28:21,319
Speaker 3: If I can produce that witness, will you finally believe me?

548
00:28:21,920 --> 00:28:24,759
Speaker 1: I don't know what you're talking about, but if you

549
00:28:24,799 --> 00:28:36,319
can do it, I'll believe it. Who is this person

550
00:28:36,359 --> 00:28:41,119
who can vouch for the authenticity of Cassie's dream? If

551
00:28:41,160 --> 00:28:44,319
she says says a person, then she definitely is able

552
00:28:44,359 --> 00:28:47,480
to name that person. And since we try to play

553
00:28:47,519 --> 00:28:50,519
according to the rules, you know, we aren't going to

554
00:28:50,599 --> 00:28:54,000
drag in anybody out of lead field. That person has

555
00:28:54,079 --> 00:28:59,319
to be someone you've already met. But who I'll be

556
00:28:59,400 --> 00:29:00,720
back just few moments.

557
00:29:00,759 --> 00:29:12,559
Speaker 2: With Acts three, we.

558
00:29:12,720 --> 00:29:15,960
Speaker 1: Deal here with the basic subject of dreams and what

559
00:29:16,119 --> 00:29:20,000
they are and what are they? A kaleidoscope of what

560
00:29:20,079 --> 00:29:23,640
has already happened, a journey mails from of our hopes,

561
00:29:23,680 --> 00:29:28,720
fears and desires, or are the windows into the future.

562
00:29:29,799 --> 00:29:33,039
Cassie Morrow never thought much about it, one way or another.

563
00:29:33,640 --> 00:29:36,839
Speaker 2: But right now is all she can think about.

564
00:29:37,200 --> 00:29:40,720
Speaker 1: Okay, I'm listening. Who can prove you had this dream

565
00:29:40,720 --> 00:29:41,160
of yours?

566
00:29:41,880 --> 00:29:45,839
Speaker 3: Seven o'clock on the morning of the twelfth you storm

567
00:29:45,920 --> 00:29:46,400
out of here?

568
00:29:46,559 --> 00:29:46,720
Speaker 1: Oh?

569
00:29:46,720 --> 00:29:48,880
Speaker 2: I never stormed out of this house in my life,

570
00:29:49,160 --> 00:29:49,759
or you will.

571
00:29:50,000 --> 00:29:52,759
Speaker 3: You will. We're getting there. We're building up to it.

572
00:29:53,039 --> 00:29:55,400
Speaker 2: The proof, the guy who can prove it.

573
00:29:55,839 --> 00:29:58,519
Speaker 3: I followed you in my car. I break every law

574
00:29:58,519 --> 00:29:58,960
in the book.

575
00:29:59,079 --> 00:30:00,799
Speaker 2: Yeah, the world's best. You never worried.

576
00:30:00,799 --> 00:30:03,839
Speaker 3: No, no, please listen. A cop comes up. He pulls

577
00:30:03,880 --> 00:30:04,960
me over to the side of the road.

578
00:30:05,039 --> 00:30:06,200
Speaker 2: I hope he threw the book at you.

579
00:30:06,279 --> 00:30:07,519
Speaker 3: Oh please listen.

580
00:30:07,559 --> 00:30:09,720
Speaker 1: Oh, it's only a rehash of what you told me.

581
00:30:09,799 --> 00:30:11,599
You said a cop stomped you on the way.

582
00:30:11,799 --> 00:30:14,599
Speaker 3: I know, But let me tell you about him. He

583
00:30:14,720 --> 00:30:16,640
was a cop I've never seen before in my life.

584
00:30:16,759 --> 00:30:20,039
So let us suppose he's a real cop. What if

585
00:30:20,079 --> 00:30:22,240
there really is an Officer TJ. Belden.

586
00:30:22,480 --> 00:30:23,680
Speaker 2: Who is Officer TJ.

587
00:30:23,799 --> 00:30:26,839
Speaker 1: Belden the cop who stopped me? You mean he introduced himself.

588
00:30:27,079 --> 00:30:30,319
Speaker 3: No, I've read his name plate. He had a nameplate

589
00:30:30,400 --> 00:30:32,960
on one side and a marksman's medal on the other.

590
00:30:33,119 --> 00:30:35,480
Speaker 1: Oh, how many hundreds of cops have nameplates over one

591
00:30:35,519 --> 00:30:37,240
pocket and marksman's medals on the other.

592
00:30:37,640 --> 00:30:41,279
Speaker 3: How many cops are named TJ. Belden? How many cops

593
00:30:41,279 --> 00:30:44,279
have red hair, blue eyes, and a scar on their chin?

594
00:30:44,440 --> 00:30:44,599
Speaker 4: Oh?

595
00:30:44,680 --> 00:30:45,640
Speaker 2: Hey, what is this?

596
00:30:46,039 --> 00:30:49,119
Speaker 3: Your eyes take it all in. Maybe you don't think

597
00:30:49,160 --> 00:30:51,559
you notice it, but your eye sees it, and you

598
00:30:51,599 --> 00:30:54,440
can recall it if you try. I never saw this

599
00:30:54,480 --> 00:30:55,640
cop before in my life.

600
00:30:55,680 --> 00:30:58,000
Speaker 2: Well, how could you? He doesn't exist. He's a figment

601
00:30:58,039 --> 00:31:01,039
of your dream. You created him like you did that billboard.

602
00:31:01,079 --> 00:31:04,480
Speaker 3: I couldn't create a real, live human being. I couldn't

603
00:31:04,519 --> 00:31:05,839
create an officer TJ.

604
00:31:06,000 --> 00:31:08,680
Speaker 1: Belden who says he's any more real than the billboard?

605
00:31:10,119 --> 00:31:11,200
Speaker 3: Why don't we find out?

606
00:31:11,480 --> 00:31:11,680
Speaker 1: How?

607
00:31:12,279 --> 00:31:13,440
Speaker 2: As ask whom?

608
00:31:13,839 --> 00:31:15,200
Speaker 3: Ask the precinct? Oh?

609
00:31:15,319 --> 00:31:16,960
Speaker 2: Why, I'm not going to make a fool of myself.

610
00:31:17,160 --> 00:31:19,920
Speaker 3: You're afraid to face it. I'll do it for you.

611
00:31:20,000 --> 00:31:28,839
Speaker 8: Ted, Yes, ma'am, we patrol a termpike between here and

612
00:31:28,920 --> 00:31:29,480
the airport.

613
00:31:29,799 --> 00:31:35,559
Speaker 3: Sergeant, would you have an officer Belden? A TJ. Belden?

614
00:31:36,240 --> 00:31:40,720
Speaker 8: What he asked, ma'am? Well, I do you wish to

615
00:31:40,880 --> 00:31:41,960
register a complain?

616
00:31:42,119 --> 00:31:42,279
Speaker 2: No?

617
00:31:42,279 --> 00:31:44,599
Speaker 3: No, no, no, not at all. I just want to.

618
00:31:44,559 --> 00:31:49,039
Speaker 8: Know, lady, the personnel of any precinct is a matter

619
00:31:49,079 --> 00:31:51,920
of record. I couldn't keep it from here. I'm not

620
00:31:52,079 --> 00:31:54,319
saying if it came to it, you could have a

621
00:31:54,440 --> 00:31:56,079
lawyer compel the department.

622
00:31:56,119 --> 00:31:58,359
Speaker 3: No, no, no, I only want to know if an

623
00:31:58,400 --> 00:32:02,680
officer named TJ. Belden, we'll be patrolling the turnpike on

624
00:32:02,720 --> 00:32:03,839
the morning of the twelfth.

625
00:32:04,079 --> 00:32:05,559
Speaker 2: Uh. Look, ma'am.

626
00:32:06,680 --> 00:32:10,319
Speaker 8: If we have no officer Belden, I don't know what

627
00:32:10,400 --> 00:32:13,440
a man you might go to Central Headquarters downtown.

628
00:32:13,759 --> 00:32:18,279
Speaker 3: I see, thank you. It makes me feel wonderful to

629
00:32:18,319 --> 00:32:25,200
hear that thank you again. Now, finally the thing could

630
00:32:25,240 --> 00:32:28,000
be laid to rest. If a dream is to be

631
00:32:28,039 --> 00:32:31,279
more than a fantasy, then all the details must be real.

632
00:32:31,880 --> 00:32:35,000
And if I had fantasized an officer TJ. Belden, then

633
00:32:35,000 --> 00:32:36,559
I could have fantasized the rest.

634
00:32:37,279 --> 00:32:38,680
Speaker 7: And I was feeling.

635
00:32:38,359 --> 00:32:42,599
Speaker 3: Wonderful as I walked out the door. And then I

636
00:32:42,640 --> 00:32:47,720
saw him coming in, a tall, reddish haired cop with

637
00:32:48,000 --> 00:32:53,200
blue eyes, a scar on his chin, a marksman's medal

638
00:32:53,240 --> 00:32:56,720
over his right shirt pocket, and a nameplate over the

639
00:32:56,799 --> 00:33:02,519
left which read TJ. Belden. I thought my heart would stop.

640
00:33:03,519 --> 00:33:07,079
I stood by the doorway. I watched him approach the desk.

641
00:33:07,880 --> 00:33:10,279
Speaker 2: Uh Patrolman TJ. Beldon, Sergeant.

642
00:33:11,319 --> 00:33:14,839
Speaker 4: I'm being transferred on the twelfth year by papers H.

643
00:33:15,279 --> 00:33:20,039
Speaker 2: Weld Where have I heard that name before? Oh?

644
00:33:20,160 --> 00:33:22,799
Speaker 10: Yeah, yeah, you're just a minute ago some dame was

645
00:33:22,839 --> 00:33:23,640
asking for you.

646
00:33:24,359 --> 00:33:27,000
Speaker 2: Did you ask him for me? How don't you know

647
00:33:27,079 --> 00:33:27,920
I was coming here?

648
00:33:33,079 --> 00:33:36,759
Speaker 3: He's exactly the way I described him now, Ted, What

649
00:33:36,920 --> 00:33:37,480
do you say?

650
00:33:37,759 --> 00:33:39,119
Speaker 2: Oh?

651
00:33:38,000 --> 00:33:42,319
Speaker 1: I say, there has to be some kind of explanation totally.

652
00:33:43,119 --> 00:33:47,359
You don't sound so confident like Cassie. What am I

653
00:33:47,400 --> 00:33:47,920
going to do?

654
00:33:48,279 --> 00:33:48,920
Speaker 3: Don't go?

655
00:33:49,319 --> 00:33:51,240
Speaker 2: Then, I'm through. It's the end of the job.

656
00:33:51,920 --> 00:33:55,799
Speaker 3: The job isn't for you in your heart. You don't

657
00:33:55,839 --> 00:34:00,799
feel you really want it. It'll only make you us miserable.

658
00:34:01,240 --> 00:34:04,720
Speaker 2: You would foresee all this too, don't you don't you?

659
00:34:05,799 --> 00:34:10,199
Speaker 3: Ted? Oh? Ted? Sometimes we are allowed a glimpse into

660
00:34:10,199 --> 00:34:14,039
the future by whom I don't know. I only know

661
00:34:14,119 --> 00:34:18,400
what I saw, Ted. The signs are there, all the

662
00:34:18,519 --> 00:34:22,239
signs I did see. Officer TJ. Belden.

663
00:34:22,440 --> 00:34:27,280
Speaker 1: Yeah, yeah, yeah, I can't get around that. Well, okay,

664
00:34:27,320 --> 00:34:27,679
you win.

665
00:34:27,840 --> 00:34:28,360
Speaker 2: I won't go.

666
00:34:28,719 --> 00:34:39,599
Speaker 3: Don't say I win? We win? Hi, just in time

667
00:34:39,599 --> 00:34:46,079
for dinner steak. Yeah, oh you sound low a drink?

668
00:34:46,880 --> 00:34:49,719
Speaker 2: No, Well, what.

669
00:34:49,760 --> 00:34:51,280
Speaker 3: Happened after you told them you couldn't make it on

670
00:34:51,320 --> 00:34:55,280
the twelfth? I bet all your fears were groundless. They

671
00:34:55,360 --> 00:34:58,119
can't afford to lose a good man for a trivial reason.

672
00:34:59,000 --> 00:35:02,000
What did they say when you told I didn't tell

673
00:35:02,039 --> 00:35:06,880
them you didn't. But I thought you'd agreed not to

674
00:35:06,920 --> 00:35:07,559
go to Chicago.

675
00:35:07,960 --> 00:35:10,639
Speaker 2: Yes I did. I did because you scared me.

676
00:35:11,199 --> 00:35:13,159
Speaker 3: All I told you was the truth.

677
00:35:13,280 --> 00:35:15,960
Speaker 1: You scared me with Officer Belden, after all, how could

678
00:35:16,000 --> 00:35:17,360
you conjure him up out of nothing?

679
00:35:17,480 --> 00:35:19,400
Speaker 3: I never saw him before in my life.

680
00:35:19,440 --> 00:35:22,239
Speaker 1: Well that's true, and it wasn't a dream. Then it

681
00:35:22,320 --> 00:35:26,039
was truly a prophecy. If it's true, If you never

682
00:35:26,119 --> 00:35:27,800
saw him before, I never did.

683
00:35:27,960 --> 00:35:29,559
Speaker 2: But it isn't true.

684
00:35:29,719 --> 00:35:33,440
Speaker 1: You did see Officer Beldon before, that's impossible.

685
00:35:33,519 --> 00:35:35,239
Speaker 2: Then you brought him back into a dream.

686
00:35:35,480 --> 00:35:38,519
Speaker 1: But I tell you, five years ago you were ticketed

687
00:35:38,559 --> 00:35:39,920
for driving through a stop sign.

688
00:35:40,679 --> 00:35:42,280
Speaker 3: I don't remember.

689
00:35:43,119 --> 00:35:46,199
Speaker 1: Look this thing about Belden. It bothered me and bothered me.

690
00:35:46,719 --> 00:35:49,599
Speaker 2: Why not. My whole future was at stake. So I

691
00:35:49,639 --> 00:35:50,519
didn't go to the office.

692
00:35:50,519 --> 00:35:54,079
Speaker 1: I drove around thinking just thinking, then, I remember the

693
00:35:54,079 --> 00:35:57,159
traffic ticket? Would you buy any chance remember the cop

694
00:35:57,159 --> 00:35:57,920
who wrote the ticket?

695
00:35:58,039 --> 00:35:59,599
Speaker 3: But how could I remember a coup who gave me

696
00:35:59,639 --> 00:36:00,880
a ticket five years ago?

697
00:36:01,960 --> 00:36:04,639
Speaker 1: So I went down to the Central Traffic Bureau and

698
00:36:04,719 --> 00:36:07,599
I went through the old records, and I found the ticket.

699
00:36:08,320 --> 00:36:11,079
And you know who the arresting officer was? None other

700
00:36:11,119 --> 00:36:14,320
than TJ. Beldon Thomas Joseph happens to be his full name.

701
00:36:14,639 --> 00:36:18,039
Speaker 3: Oh, but how could I remember the face of an

702
00:36:18,079 --> 00:36:20,440
officer who wrote me a ticket a long time ago?

703
00:36:20,679 --> 00:36:24,320
Speaker 1: You've already asked that question, and it doesn't matter. He's

704
00:36:24,400 --> 00:36:27,519
part of your subconscious mind, and so you created him

705
00:36:27,519 --> 00:36:31,960
for your dream. You would have me jeopardize my entire

706
00:36:32,039 --> 00:36:33,559
career over a silly dream.

707
00:36:33,719 --> 00:36:35,280
Speaker 3: It's not a silly dream.

708
00:36:35,639 --> 00:36:38,519
Speaker 1: I've humored you long enough, and I don't want to

709
00:36:38,559 --> 00:36:40,079
hear one more word about it.

710
00:36:45,360 --> 00:36:49,760
Speaker 3: The days passed and we hardly spoke because what was

711
00:36:49,800 --> 00:36:53,760
there to speak about. And then it was the morning

712
00:36:53,760 --> 00:36:57,320
of the twelfth, the morning I had dreamed about twelve

713
00:36:57,440 --> 00:37:01,159
days before, and suddenly it was the dream come to life.

714
00:37:01,480 --> 00:37:03,880
The words exploded between.

715
00:37:03,639 --> 00:37:06,360
Speaker 2: Us, be sensible, be reasonable, be rational?

716
00:37:06,559 --> 00:37:09,639
Speaker 1: What the damn spilled coffee all over my new jacket,

717
00:37:09,639 --> 00:37:10,360
to the jacket.

718
00:37:10,679 --> 00:37:13,639
Speaker 3: How could I have known about the jacket, ted the jacket,

719
00:37:13,679 --> 00:37:16,519
the cop the movie sign. How could I have known?

720
00:37:16,679 --> 00:37:17,920
Speaker 2: Look, you won't face the truth.

721
00:37:18,360 --> 00:37:19,239
Speaker 3: Keep down in your heart.

722
00:37:19,280 --> 00:37:21,000
Speaker 2: You don't want me to go to Chicago. You're afraid

723
00:37:21,000 --> 00:37:22,800
of Marcella. You don't want me to take the job.

724
00:37:22,920 --> 00:37:24,280
Speaker 3: Go, but go tomorrow.

725
00:37:24,280 --> 00:37:26,920
Speaker 1: I'm going today, And that's all there is to it.

726
00:37:29,199 --> 00:37:32,360
Speaker 3: I'm living through it again, but this time I'm awake,

727
00:37:33,000 --> 00:37:36,719
wide awake. I'm not dreaming. I know I have to

728
00:37:36,760 --> 00:37:39,719
stop him, stop him somehow before he gets to the airport,

729
00:37:39,840 --> 00:37:43,119
before he gets on that plane, before that plane takes off.

730
00:37:43,920 --> 00:37:45,320
Speaker 7: In the dream, I was too late.

731
00:37:45,800 --> 00:37:47,440
Speaker 3: But this time I'll go faster.

732
00:37:53,639 --> 00:37:58,039
Speaker 2: Okay, lady, your license and registration? Now, who you trying

733
00:37:58,039 --> 00:37:58,440
to kill?

734
00:37:58,559 --> 00:37:59,840
Speaker 3: I have to save my husband.

735
00:38:00,320 --> 00:38:02,760
Speaker 2: I thought I heard them all. Let's hear this one.

736
00:38:02,880 --> 00:38:05,679
Speaker 3: My husband is going to be killed. There's going to

737
00:38:05,719 --> 00:38:06,400
be an accident.

738
00:38:06,840 --> 00:38:07,440
Speaker 2: How do you know?

739
00:38:07,800 --> 00:38:08,639
Speaker 3: I had a dream.

740
00:38:09,079 --> 00:38:10,760
Speaker 2: You're in no condition to drive that car.

741
00:38:10,800 --> 00:38:13,360
Speaker 4: And I'll sit there while I radio back, look at

742
00:38:13,400 --> 00:38:16,559
the billboard Endless Love starring Robert Gayla.

743
00:38:17,239 --> 00:38:18,119
Speaker 2: I think about him.

744
00:38:18,239 --> 00:38:22,559
Speaker 3: I can't sit here, I won't hey where in the shirt.

745
00:38:25,039 --> 00:38:27,440
Once again, I could see him in the rear view mirror.

746
00:38:27,719 --> 00:38:29,639
I could see him get into his cruiser and start

747
00:38:29,639 --> 00:38:32,719
out after me, but no one could catch me. The

748
00:38:32,800 --> 00:38:36,360
whole world seemed to twist and spin crazily, and just

749
00:38:36,480 --> 00:38:39,280
up ahead was the blue sedan with a license plate

750
00:38:39,440 --> 00:38:44,559
UL fifty eight, Ted's car. I hug the horn. I

751
00:38:44,639 --> 00:38:47,440
knew he was looking through a rear view mirror, but

752
00:38:47,519 --> 00:38:50,400
he refused to stop. He was trying to escape from me.

753
00:38:51,000 --> 00:38:53,599
I pushed down harder on the pedal, and this phenometer

754
00:38:53,719 --> 00:38:56,639
needle shut violently over to the right, all the way

755
00:38:56,679 --> 00:38:59,239
to the extreme right hand side of the gage, to

756
00:38:59,280 --> 00:39:02,599
where it had never been before. And suddenly I heard.

757
00:39:02,360 --> 00:39:12,679
Speaker 5: It, the terrible sound of the crash.

758
00:39:12,719 --> 00:39:17,400
Speaker 3: And for a while I didn't know anything. And then

759
00:39:17,480 --> 00:39:23,519
suddenly all around me I heard sirens. I could see

760
00:39:23,639 --> 00:39:28,039
the flashing lights, red and blue. I had been too late.

761
00:39:29,039 --> 00:39:30,920
The plane had taken off.

762
00:39:32,480 --> 00:39:33,360
Speaker 2: Ted was dead.

763
00:39:35,079 --> 00:39:40,639
Speaker 3: Then I saw familiar faith, the helmet, the red hair,

764
00:39:40,800 --> 00:39:45,519
the blue eyes, the name plate ten J. Belden, and

765
00:39:45,639 --> 00:39:46,719
I could hear his voice.

766
00:39:46,960 --> 00:39:51,320
Speaker 4: I think this woman's alive. Get the ambulance over here. Oh,

767
00:39:51,400 --> 00:39:54,519
this is a bad one, sage. She rear ended him

768
00:39:54,519 --> 00:39:56,840
at over one hundred miles an hour air.

769
00:39:56,960 --> 00:39:57,960
Speaker 2: Poor day's gone.

770
00:39:58,880 --> 00:40:02,800
Speaker 8: According to his wality, he's a mister Ted Morrow. Does

771
00:40:02,840 --> 00:40:04,159
she have anything on her person?

772
00:40:04,599 --> 00:40:07,159
Speaker 2: And here's her license. That's funny.

773
00:40:08,079 --> 00:40:11,760
Speaker 8: Her name is Morrow too, Cassandra Morrow, same address.

774
00:40:11,960 --> 00:40:15,719
Speaker 4: Yes, yes, she said she was trying to stop him,

775
00:40:16,239 --> 00:40:19,719
stop him from what stop him from getting killed?

776
00:40:20,559 --> 00:40:24,840
Speaker 2: Hey, this is the name. Wish to have it, the

777
00:40:24,920 --> 00:40:29,039
one who was asking about you, How do you figure?

778
00:40:29,079 --> 00:40:41,079
It beats me? Sure beats me, It sure beats me.

779
00:40:42,280 --> 00:40:43,440
That's how we dismiss.

780
00:40:43,519 --> 00:40:46,199
Speaker 1: So many things in this world, so many things we

781
00:40:46,440 --> 00:40:51,119
don't understand. You can't explain how many times do we

782
00:40:51,199 --> 00:40:52,480
stand without knowing?

783
00:40:53,000 --> 00:40:55,119
Speaker 2: At the edge of quicksand.

784
00:40:55,199 --> 00:40:58,360
Speaker 1: Near the edge of the volcano, within the reach of

785
00:40:58,400 --> 00:40:59,239
the jaws of.

786
00:40:59,199 --> 00:41:00,960
Speaker 2: The shark, or the bangs the snake.

787
00:41:01,880 --> 00:41:06,360
Speaker 1: How many things are hidden and yet just beneath the surface.

788
00:41:07,559 --> 00:41:10,280
I shall only be hidden for a few moments, and

789
00:41:10,320 --> 00:41:11,719
then I shall return.

790
00:41:14,599 --> 00:41:23,480
Speaker 11: Teledisc proudly presents the Classical Collection. The Classical Collection three

791
00:41:23,519 --> 00:41:28,320
hours of the world's best loved music, Beethoven, Mozart, Tchaikowsky, Chopin,

792
00:41:29,639 --> 00:41:33,519
an exquisite four album library. The Classical Collection comes wrapped

793
00:41:33,519 --> 00:41:36,400
in its own gift box with a special program guide,

794
00:41:36,440 --> 00:41:37,960
only from Teledisc.

795
00:41:37,559 --> 00:41:38,559
Speaker 2: And not in any store.

796
00:41:49,679 --> 00:41:52,000
Speaker 11: To order, called one eight hundred sixty four to two

797
00:41:52,159 --> 00:41:56,519
seven four hundred the Classical Collection your musical treasure for

798
00:41:56,639 --> 00:41:57,400
years to come.

799
00:41:57,760 --> 00:42:00,599
Speaker 2: Call one eight hundred sixty four to two seven four hundred.

800
00:42:00,920 --> 00:42:04,760
Speaker 11: Operators are standing by credit cards accepted, that satisfaction is

801
00:42:04,800 --> 00:42:08,119
guaranteed or your money back. Call one eight hundred sixty

802
00:42:08,119 --> 00:42:11,000
four to two seven four hundred to order your copy

803
00:42:11,039 --> 00:42:12,840
of the Classical Collection Today.

804
00:42:14,920 --> 00:42:15,719
Speaker 2: I fell for it.

805
00:42:16,039 --> 00:42:18,719
Speaker 12: They said save big on long distance over AT and

806
00:42:18,760 --> 00:42:21,360
T that I found out that were comparing their discount

807
00:42:21,360 --> 00:42:24,559
plant AT and T's regular prices. Talk about holding back

808
00:42:24,599 --> 00:42:27,280
the facts. There were no big savings. They never mentioned

809
00:42:27,320 --> 00:42:29,880
AT and T savings plan reach out America saves you

810
00:42:29,960 --> 00:42:32,639
money twenty four hours a day. But it's not a word,

811
00:42:33,000 --> 00:42:36,000
not a because they wouldn't have much to talk about anymore.

812
00:42:36,320 --> 00:42:38,280
Speaker 13: People who thought they could do better than AT and

813
00:42:38,320 --> 00:42:41,079
T are coming back for the real value. Aren't you

814
00:42:41,119 --> 00:42:54,719
glad you never left AT and T the right choice?

815
00:42:55,000 --> 00:42:57,960
Speaker 2: What happened to Cassandra Morrow? She recovered.

816
00:42:57,960 --> 00:43:04,400
Speaker 1: Finally, she's raising itildren, but she no longer dreams about anything.

817
00:43:05,320 --> 00:43:08,679
Speaker 2: They say. Apollo fell in love with Cassandra and gave

818
00:43:08,679 --> 00:43:12,280
her the gift of prophecy. There's also another part of it.

819
00:43:12,719 --> 00:43:17,519
Speaker 1: When she displeased him, he turned the gift into a curse. Yes,

820
00:43:18,280 --> 00:43:21,280
she still was able to foresee the future, but he

821
00:43:21,480 --> 00:43:24,239
saw to it that no one would ever believe her

822
00:43:25,119 --> 00:43:28,559
at any rate. Never dismiss your dreams.

823
00:43:28,960 --> 00:43:31,480
Speaker 2: They may be the preview of your future.

824
00:43:32,559 --> 00:43:35,599
Speaker 1: Our cast included Nina fouche Let's, Remaine Brett Morrison and

825
00:43:35,679 --> 00:43:38,920
Lou Krugman. The entire production was under the direction of

826
00:43:39,000 --> 00:43:45,920
Hyman Brown nineteen forty one.

827
00:43:45,599 --> 00:43:48,639
Speaker 2: A date which will live in infamation.

828
00:43:48,800 --> 00:43:53,239
Speaker 1: We believe that all men are created equal, yet many

829
00:43:53,719 --> 00:43:55,320
are denied equal treatment.

830
00:43:55,599 --> 00:43:58,960
Speaker 4: We propose the most sweeping and generous arms control proposal

831
00:43:59,000 --> 00:44:00,840
in historam we offered them.

832
00:44:00,960 --> 00:44:03,679
Speaker 9: Every president has had to face tough decisions in his

833
00:44:03,800 --> 00:44:07,480
term of office. Many discuss them with their vice presidents,

834
00:44:07,599 --> 00:44:11,639
members of their cabinets and Congress. Other presidents of consulted

835
00:44:11,719 --> 00:44:15,840
court decisions or sought advice from special advisors. But only

836
00:44:15,920 --> 00:44:19,519
one thing has influenced every presidential decision made in the

837
00:44:19,679 --> 00:44:24,440
history of the United States, and that's the Constitution. The Constitution,

838
00:44:24,960 --> 00:44:26,480
the words we live by.

839
00:44:27,280 --> 00:44:29,440
Speaker 6: To receive a free copy of this great document and

840
00:44:29,519 --> 00:44:32,360
information about it right Constitution, Washington, d C.

841
00:44:32,599 --> 00:44:35,039
Speaker 2: Two zero zero zero six three, nine ninety nine.

842
00:44:35,360 --> 00:44:37,480
Speaker 9: A message from the Commission on the vice Centennial of

843
00:44:37,480 --> 00:44:40,079
the United States Constitution and the Advertising Council.

844
00:44:41,760 --> 00:44:42,320
Speaker 2: This is E. G.

845
00:44:42,559 --> 00:44:45,920
Speaker 1: Marshall inviting you to return to our Mystery Theater for

846
00:44:46,000 --> 00:44:58,400
another adventure in the macabre. Until next time, pleasant dreams.

847
00:44:59,360 --> 00:45:01,679
If you're a high school student thinking of quitting before

848
00:45:01,719 --> 00:45:03,840
you get your diploma, or if you know someone in

849
00:45:03,880 --> 00:45:06,800
that situation, please take a moment to listen to