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Speaker 1: Hello everyone, and welcome to a huge live crossover where

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me and three other people are gonna get together to

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talk about a very special body horror movie today. It's

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gonna be a fun time. Let's bring in our guests.

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The man that wanted us to review this kept asking

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me to review this, Andy from All Apologies, Hello.

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Speaker 2: Hey, yes, I didn't shut up about this movie. I've

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been badgering people since like February to get this together,

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so it's been a long time coming. I'm very excited

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to talk about this.

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Speaker 1: And of course you know, if you watch Hack the movies,

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you know her, you love her. It's my best friend,

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the person I respect most of this world. Angela does harr.

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Hello Angela, Hello you.

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Speaker 3: I'm good.

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Speaker 4: I'm so good. I'm so happy to be here with

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all of you, separate people I know.

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Speaker 1: And of course everyone watching knows exactly who you are.

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But in case they might have missed, many episodes have

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been on who Are You Again?

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Speaker 4: My name is Angela channel on YouTube. Most people know

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me from Normal World with Dave Landau and Quarter Black Garrett.

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Speaker 2: So yeah, I wanted Angela on the show based on her. Well,

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we both know doctor Steve from Weird medicine through Dave

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Landau's show, and when I became aware of Angela's movie channel,

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I started just binging it so much and I thought,

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nice to be part of the discussion.

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Speaker 1: Yeah, well that's that's great and oh Kayley, all right,

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so today Hi Rob K by rob.

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Speaker 3: K No no no no, Rob k.

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Speaker 2: K and the Tony I did to mark the special

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occasion I did create when I realized that I had

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Tony from Heck of the Movies and Angela does Horror.

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The Tony and Angela connection inspired me to create an

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intro for this show. And Okay, I'm very bad with AI,

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so I think I think that the quality of this

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video is gonna thank you demonstrate that.

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Speaker 3: But thank you.

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Speaker 2: It's all for.

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Speaker 1: Those thank you for the heads up my audience that

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hates AI videos. All right, let's let that con and

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I bet you there's a copyrighted song, so remember I'm

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also streaming.

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Speaker 2: It's all transformative in terms of service. Yeah, YouTube is

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very very forgiving.

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Speaker 3: All right, here we go.

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Speaker 1: Here's Handy's hilarious video.

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Speaker 5: The Time Belone and the Time Falling Chance.

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Speaker 2: Of Thanks.

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Speaker 5: Dancing, New Band Bill Time, The Last Sam Want Wasping Choice,

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is up to my face. That's lung mad.

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Speaker 2: A brand new life, A brand new life.

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Speaker 1: Okay, hold on, that was very transformative the song in

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its entirety.

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Speaker 3: Thank you.

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Speaker 1: I can't wait for the later on to have to

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clip that out after we get the motivation.

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Speaker 2: I think it was worth it. Okay, you think it

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was worth it.

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Speaker 3: Anyway, I worked.

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Speaker 2: I worked really hard on that to for it to

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look so shitty.

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Speaker 3: Oh yeah, I really love that.

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Speaker 1: My jeans made up half of my shirt and then

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with the jean jacket, I'm sure that was because of

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the of the movie.

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Speaker 2: Yeah, well, based on the song. I won't make you

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play the other one, but AI did me so fucking dirty.

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I took a picture of myself from the neck up

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and it gave me gene shorts for no reason and

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these enormous like dirty teeth, and I was like the fuck. Yeah.

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Speaker 1: Anyway, since we're all gonna get a copyright claim, please

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leave us super chats, leave us all the super chats,

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and whoever gets the most super chats on whoever streaming

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uh wings, I don't know. Just a few announcements. One,

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please sign up for Patreon patreon dot com. Slash hackc

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Movies very, very important. Even if it's at the free teery,

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you get free videos and the free podcast feed. I

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will be at VHS fests in July, but me and

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Kaylee and Joey C we'll be hosting street Fighter the

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movie the screening July nineteenth at the Rochester Comedy Festival.

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We all got outfits for it and we're all eating

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I tips for the next week. It's gonna be great.

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It's gonna be greater. Maybe that's just me. As soon

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as I put my alp and on, I'm like, oh God,

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this is I regret this entire decision. This is a

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horrible mistake. So keep an eye out for that if

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you're in the Rochester area.

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Speaker 2: Okay, I who might that be? Who lives there?

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Speaker 1: That reminds me when I'm there. I gotta get you guys.

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I gotta record everyone in Rochester apologizing for a certain

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movie that was filmed there.

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Speaker 3: But we'll talk about that.

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Speaker 2: After the Stay Off My Beat Together.

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Speaker 1: A movie writing and directed by Michael Shanks, who did

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stuff that I've never seen. Has anyone seen any of

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his stuff?

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Speaker 6: No, I'm sure it's actually I think this was his

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first feature.

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Speaker 1: Yes, yeah, he wrote and wrecked to this. Now, there

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is some controversy with this movie. Were you guys aware

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of this? There is a plagiarism lawsuit that's happening right now.

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Another guy apparently pitched this idea to Alsonbrie and Dave

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Franco and they turned it down and it ended up

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being a film called Better Half in twenty twenty three.

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He claims that they stole the idea from him. They

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reject the idea. The writer of Together was like, I

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wrote this in like twenty nineteen and stuff. The lawsuit

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is still ongoing, but like you can't watch Better Half.

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It played in festivals and like that's it. So I

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tried to look up what I could of it, and

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it's literally derivative of the same Greek mythology things, but

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it's not very original because you're taking from a Greek

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mythology thing. But like it's like a girl who or

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someone who wants to be in love and then a

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polygamist and it's just supposed to be a one night

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stan and then they fuse together, and that's that's like

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very different then together, other than they fuse together. And

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if that's the case, then I don't know. Dragon Ball

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Z Time, Cop and Society also are or like they're

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all ripping off those three.

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Speaker 3: So I don't know.

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Speaker 1: The lawsuit is still ongoing, I learned, but I think

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it's a pretty weak case. The only bad part is

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that he pitched it to them and then they made

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a movie about people fusing together.

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Speaker 3: That's like the only really shady part.

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Speaker 1: But other than that, it just feels like the girl

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keeps saying the matrix, she wrote the matrix and she

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like on did not but yes, when did you?

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Speaker 2: Guys? And that happens though with like Deep Impact and

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Armageddon and there's always like parallel thinking in cinema, so

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it's not so weird.

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Speaker 1: Yeah, and again they're both based off the Greek thing,

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so like how much can you really rip? Like, yeah,

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we're all ripping off Greek mythology?

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Speaker 3: Who cares?

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Speaker 1: When did you, uh Andy, when did you first see together?

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Speaker 2: Oh? Right before I started bothering you about it, like

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in January? Yeah, as soon as it was on streaming

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and maybe maybe not immediately, but definitely not in the theater.

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Speaker 3: How about how about you, Angela?

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Speaker 4: I saw it in the theater Okay, yeah, I saw

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it pretty much right when it came out. I was

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very curious about it. I really like it when people

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fuse together in fun ways like color out of space.

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Speaker 3: Or yeah, that was.

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Speaker 4: Two hot people fusing together. What could possibly go wrong?

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Speaker 2: Yeah? Have you did you do an episode about this

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on your channel? Have you talked about it?

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Speaker 3: Yeah?

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Speaker 2: Yeah, oh you did. I probably should have known that.

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Speaker 3: Uh Kayley, when did you first see this?

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Speaker 6: I saw it for the first time today, Wow, five

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hours ago.

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Speaker 2: I've been telling her to watch it since February and

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shows you to help me how much my opinion is

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respected in this circle.

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Speaker 3: So you just saw me today.

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Speaker 6: Andy has been encouraging me to watch this one for

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a very very long time, as he just said, and

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it's just been one of those movies that I haven't

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gotten around to. I miraculously though, managed to still go

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into it knowing almost nothing about it except for the

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movie posters that I saw. So that's always an exciting

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experience for me, and I had a great time getting

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to experience it for the first time today.

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Speaker 1: This is a speaking of body harder. This is like

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the reverse of the Substance where you saw it in

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theaters and then I had to see it like many

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months later. Yeah, and I was like, well, that really

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was good. I probably should have seen that earlier. Yeah,

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I remember it hit Hulu. I was I usually do

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these monthly wrap ups where I talk about new things,

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and this one just flew under my radar, and people

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like put it on the wrap up, put it on

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a wrap up, like I already have.

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Speaker 3: The six things picked. I'll get to it eventually.

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Speaker 1: A friend of mine, Emily, who I reviewed Bottoms with

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on Patreon, she like messages, She's like.

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Speaker 3: I just watched.

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Speaker 1: She's like, I just put on together and it had

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a dream sequence. I freaked out and I turned it

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off and I'm like, all right, I guess I'll watch

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the rest of the movie and I'll let you know

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how it ends.

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Speaker 3: And I really really dig this.

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Speaker 2: Yeah, the body horror element was one of the reasons why,

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because I watched I watched each of your's review of

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the Substance, so that was another reason why I was like,

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all these people need to meld together into one review

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of event.

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Speaker 1: It's funny we're doing this on the forty fourth anniversary

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of John Carpenter's The Thing, like one of the best

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body horror movies of all time.

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Speaker 2: And it gets ripped off at the beginning of the movie.

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Speaker 3: Yes, it really does.

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Speaker 1: And let's dive into the film, shall we. We open

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up on a dark forest with a bell in the ground.

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We'll see a lot of bells throughout the film, with

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some weird hippie design on it. I do like the

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titles are the names kind of separated few into one,

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giving you like an idea of what this movie's about.

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I thought that was cool. I didn't notice that on

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my first go around. Like, that's a fun title sequence.

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We see two dogs that fell into this little cave

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and they're drinking the water that's coming out of like,

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I don't know, an hr gieger design pond.

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Speaker 3: That'sst horrifying thing I've ever seen. I would never.

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Speaker 2: Outscribed it as the recombination butthole fountain.

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Speaker 4: I also called it a butthole.

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Speaker 3: So yeah, they're drinking the water.

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Speaker 1: Somehow they get out, I have no idea, because we

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see how all the other characters get out of this.

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Speaker 3: I have no idea how these dogs got out.

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Speaker 4: Such a good point.

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Speaker 1: Yeah, is there like a back door or something like

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a hole that maybe only they could crawl through. I

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don't know, but yeah, the owner who's out there looking

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for people. That's like very important, there are missing hikers

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in these woods. He finds his dogs and they're just

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staring at each other like creeps. And then that night,

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as I said, the missing poster, he goes home and

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here's some noises coming from the dog's pen, and he

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decides to go check on it, and we get a

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horrifying introduction here get the flamethrower. Mac, what's the flamethrower?

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I thought that was awesome.

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Speaker 3: Yeah.

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Speaker 2: I remember seeing the thing being just becoming my all

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time favorite movie and that sequence and from that movie

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being so just impactful and to see it pay tribute

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to and this was like, Okay, I'm I'm on board

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with this immediately.

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Speaker 1: So I also like this because Kaylee, it reminds me

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of the actually reminds me of the Substance the beginning

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where it shows you the eggs and tells you basically

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how everything works. We learn here you go into the hole,

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you drink the pond, you fuse together, and I'm like, oh, cool,

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now we know how what's going to happen to other

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people who do this.

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Speaker 6: I was really inspired by the beginning of this film.

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It was a great title sequence and you're right. I

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really do think that even the way that they have

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the title cards up as we're looking at the shots

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of the woods in the beginning, it is quite beautiful

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and it's very simple. And then we get that super

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quick cut of the dogs molding and fusing together, and

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it's so fast your brain almost doesn't have time to

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process it, and that is the perfect way to start

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out a body horror movie. Body horror is one of

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my favorite subgenres of horror, and it takes a lot

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to impress me, and it takes a lot to be

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unique about it. And so that opening sequence again Andy's

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point about it paying tribute to the thing, but also

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just how quick and icky it felt. It was near

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perfect for an opening sequence.

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Speaker 1: And I just always like when a horror movie like

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this technically is supernatural. I like when it explains like

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what the rules are ahead of time, like, hey, this

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is what to expect, get ready to see it happen

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in like a longer form.

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Speaker 2: And did you feel bad for the dog us?

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Speaker 4: I guess yeah. I have a big questions about like

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which I guess we can get to a little bit

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later on, but like, do the dogs have to be

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soulmates in order for this to work or like, well,

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you know, I guess.

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Speaker 2: That's why they ended up like that.

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Speaker 4: That's true. They we just weren't attracted to each other.

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Speaker 1: Yeah, I have a lot of questions at the end.

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I really want to know the ethics around this evil cult.

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I'm calling them evil. Uh, they didn't really, They're not

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doing a good job with their magic pools all I'm saying,

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and they really have to put more restrictions on it.

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But yes, we cut to our character. Oh what were

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their names? Was it like Mike and Tilly or something?

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Speaker 2: I just call him.

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Speaker 3: Millions.

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Speaker 1: Okay, wait Tilly, Sorry that was a spoiler. Tilly is

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what the special effects people called something at the very

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very end. Yeah, So Tim was going through his records.

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There have any going away party. Him and his girlfriend

283
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are going to be moving to the country, and he's

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a little pummed out about it, you could tell.

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Speaker 4: Uh.

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Speaker 1: He's going through his pictures and he finds one of

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his parents who have recently died, and he's very upset

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about that, as you would be.

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Speaker 3: So, uh, what's what's her face?

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Speaker 1: Millie comes in and she points out that everyone's excited

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and they think it. They think it's funny that they're

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wearing the they're like matching. They unintentionally matched for the night.

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And this is great visual storytelling where in the next

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like scene, he's changed his outfit, so we're getting kind

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of an idea of wear his headspaces where he's like,

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I don't feel like I'm my own person anymore.

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Speaker 3: I'm this is like a slight way of rebelling.

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Speaker 2: And they had to like really ug up Allison Breed

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to justify Dave Franco's quarter life crisis. It's like, she's amazing,

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You're lucky to be with her, and with.

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Speaker 1: It, they also made him all like scruffy and whatnot,

302
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and I'm like, that's not working.

303
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Speaker 3: They're still there's still ridiculously good look.

304
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Speaker 1: So yeah, uh, everyone's having little conversations at the party.

305
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Millie's friend is like, hey, Tim kind of sucks. Are

306
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you sure you want to like be with him? He

307
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hasn't slept with you in months.

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Speaker 6: So I actually struggled with this sequence, and again I

309
00:16:28,519 --> 00:16:30,759
have I kind of went up and down with this

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00:16:30,799 --> 00:16:33,639
movie quite a few times. You just described this moment

311
00:16:33,679 --> 00:16:38,159
where you know the male character Tim, he changes his

312
00:16:38,200 --> 00:16:40,919
outfit because that's how much he wants to not be

313
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associated with his girlfriend who he's about to move with.

314
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And then we go into these conversations where Millie is

315
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talking to her friend and Tim is talking to his friends,

316
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and the exposition in these sequences is just so boring

317
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and slap you in your face, and it drove me insane,

318
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And after having that great moment of him changing his outfit,

319
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I couldn't believe that this is where the relationship drama

320
00:17:03,200 --> 00:17:05,920
was taking me. At one point, it becomes so over

321
00:17:06,000 --> 00:17:09,160
explaining that. As Tim is talking to his friends, he says,

322
00:17:09,359 --> 00:17:12,079
one of the friends says something like, you know, when

323
00:17:12,119 --> 00:17:14,559
you started to date my sister then I thought you

324
00:17:14,599 --> 00:17:17,200
were going to make her cooler, but instead she just

325
00:17:17,279 --> 00:17:19,440
made you suck more. And I was like, I don't

326
00:17:19,480 --> 00:17:22,000
need to know about these people relationships. I don't need

327
00:17:22,039 --> 00:17:24,880
this level of exposition. I've already learned so much from

328
00:17:24,920 --> 00:17:27,480
watching him change his outfit. Why in the heck are

329
00:17:27,559 --> 00:17:29,920
you doing this now? I found this to be a

330
00:17:30,039 --> 00:17:31,279
very bizarre sence.

331
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Speaker 3: Yeah, I.

332
00:17:33,960 --> 00:17:36,319
Speaker 1: Really think the only information we really needed was that

333
00:17:36,480 --> 00:17:39,519
his parents like recently died, because that's probably like he

334
00:17:39,640 --> 00:17:43,680
was probably content with how they were before this, but

335
00:17:43,720 --> 00:17:45,839
I guess maybe their death like woke him up a

336
00:17:45,880 --> 00:17:47,359
little bit. He's like, Oh, no, what have I been

337
00:17:47,400 --> 00:17:48,960
doing in my life? Is this what I want to do?

338
00:17:49,720 --> 00:17:51,839
Life is so short? Should I be trying other things?

339
00:17:52,359 --> 00:17:55,000
But this is some important information. They tell him, like, hey,

340
00:17:55,039 --> 00:17:57,000
we want you to like make music with us again.

341
00:17:57,039 --> 00:17:59,559
You haven't really been making music. Do you want to

342
00:18:00,079 --> 00:18:01,640
sign with or you want to like get back on

343
00:18:01,680 --> 00:18:04,559
a label or something. And he's like, but I'm moving

344
00:18:04,599 --> 00:18:06,880
out of the I'm moving out of the city. And

345
00:18:06,920 --> 00:18:08,960
they kind of convinced them to like come back into

346
00:18:09,000 --> 00:18:12,319
the city to work on it. But the problem is

347
00:18:12,359 --> 00:18:17,759
he's a manchild who doesn't try Usually I do, you know,

348
00:18:17,920 --> 00:18:20,480
usually I defend all the asshole men in these movies.

349
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Speaker 3: But between this and obsession.

350
00:18:21,759 --> 00:18:24,079
Speaker 1: I'm having a hard time, Like this is kind of

351
00:18:24,119 --> 00:18:26,759
your fault him, Like, you could get a license, you

352
00:18:26,799 --> 00:18:28,240
could just do this.

353
00:18:28,559 --> 00:18:31,559
Speaker 2: Yeah, I feel like they were trying to pile on whatever,

354
00:18:31,680 --> 00:18:35,720
like seven years of their relationship the into seven minutes.

355
00:18:35,880 --> 00:18:39,839
So yeah, it's pretty exposition heavy so they can get

356
00:18:39,880 --> 00:18:41,839
to all the freaky stuff.

357
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Speaker 1: And we all had things to say, Angela was an

358
00:18:44,880 --> 00:18:47,559
exposition heavy for you. I noticed you didn't agree with us.

359
00:18:47,599 --> 00:18:48,720
Are we the weird ones?

360
00:18:49,200 --> 00:18:49,519
Speaker 7: No?

361
00:18:49,519 --> 00:18:51,839
Speaker 4: No, I completely agree. I think it was a lot

362
00:18:51,880 --> 00:18:57,680
of unnecessary information. I'm also wondering, on a teacher's salary alone,

363
00:18:57,720 --> 00:19:00,160
how they're able to afford this apartment that they're so does.

364
00:19:02,240 --> 00:19:05,839
Speaker 3: Just that was wed Where did she teach? I need

365
00:19:05,880 --> 00:19:06,319
to know.

366
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Speaker 4: Because people are seeking her out to come teaching their school,

367
00:19:12,359 --> 00:19:14,759
so she must be like the best teacher in the

368
00:19:14,799 --> 00:19:15,839
country or something.

369
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Speaker 1: Yeah, and I don't know if there was like anything

370
00:19:17,680 --> 00:19:20,119
there where, like maybe like her and her brother's family

371
00:19:20,200 --> 00:19:21,920
or like wealthy or something.

372
00:19:22,519 --> 00:19:24,839
Speaker 2: Living off the dead parents inheritance.

373
00:19:25,200 --> 00:19:26,559
Speaker 3: Well, uh, well.

374
00:19:26,400 --> 00:19:29,599
Speaker 1: No, I don't think his family had any I don't know,

375
00:19:30,599 --> 00:19:33,519
but yeah, that is a really really nice apartment.

376
00:19:33,519 --> 00:19:37,559
Speaker 4: And I've had who.

377
00:19:37,400 --> 00:19:40,720
Speaker 1: Were both like like really employed and everything and made

378
00:19:40,720 --> 00:19:43,799
like decent money and had way smaller apartments in New York.

379
00:19:44,400 --> 00:19:46,039
Speaker 2: Yes, they're making bad decisions.

380
00:19:47,160 --> 00:19:49,799
Speaker 1: This is like a TV sitcom apartment, Like you need

381
00:19:49,799 --> 00:19:51,440
it to be big because you're filming in there all

382
00:19:51,480 --> 00:19:53,480
the time before a movie. You're like, it could have

383
00:19:53,480 --> 00:19:58,559
been a little bit more realistic. So yeah, you could

384
00:19:58,559 --> 00:20:01,079
tell she's excited for the move, and he's a little hesitant.

385
00:20:01,200 --> 00:20:05,119
Speaker 3: There are two different points in their relationship.

386
00:20:05,200 --> 00:20:08,000
Speaker 1: But you know, he's being nice at the party, saying

387
00:20:08,000 --> 00:20:09,920
he's gonna like miss him, but it's not that far.

388
00:20:10,640 --> 00:20:15,440
And then she does like the worst, most uncomfortable thing ever,

389
00:20:15,839 --> 00:20:17,920
and I have it right here.

390
00:20:18,839 --> 00:20:22,640
Speaker 7: Oh yes, yes, of course, yes I do.

391
00:20:25,160 --> 00:20:27,119
Speaker 3: That was really hard to watch.

392
00:20:28,519 --> 00:20:33,039
Speaker 2: A word. Yeah. I mean if a woman reverse proposed

393
00:20:33,079 --> 00:20:35,880
to me with no ring, I would think it was

394
00:20:35,920 --> 00:20:38,519
a joke as well. I mean, you can't really blame

395
00:20:38,640 --> 00:20:42,599
him for being like, what the fuck is this? If

396
00:20:42,640 --> 00:20:45,480
this was the other way around and I showed up

397
00:20:45,519 --> 00:20:50,000
with no ring, would you take me seriously, Tony when

398
00:20:50,000 --> 00:20:50,799
I proposed to you.

399
00:20:51,920 --> 00:20:55,200
Speaker 1: Well, it'd be weird if you showed up and proposed

400
00:20:55,279 --> 00:20:58,440
to be so yeah, I probably would have taken you.

401
00:20:58,640 --> 00:21:01,480
Not having the ring would be the least of my concerns. Mean,

402
00:21:01,680 --> 00:21:02,920
why did Auntie drive to.

403
00:21:02,920 --> 00:21:06,039
Speaker 3: Philadelphia to get on one knee and showed me his pounds?

404
00:21:06,519 --> 00:21:12,200
Speaker 1: I didn't gone insane? I love if you're like, yeah, sorry,

405
00:21:12,240 --> 00:21:12,759
what did that be weird?

406
00:21:12,759 --> 00:21:14,559
Speaker 3: If I didn't have a ring? Like, everything would be

407
00:21:14,599 --> 00:21:15,880
weird about that situation.

408
00:21:18,319 --> 00:21:21,400
Speaker 2: It was weird, though, girls, would you ever do that?

409
00:21:22,279 --> 00:21:23,519
Speaker 7: No?

410
00:21:23,519 --> 00:21:29,119
Speaker 4: No, no, especially not in front of people. Yeah, that's embarrassing.

411
00:21:29,519 --> 00:21:30,720
Private all you want, but.

412
00:21:31,279 --> 00:21:32,599
Speaker 3: A private thing.

413
00:21:32,680 --> 00:21:35,400
Speaker 1: If they agreed that things were bullshit because they're hippies

414
00:21:35,519 --> 00:21:37,960
or whatever, and they did it, like, but that was

415
00:21:38,000 --> 00:21:40,519
weird to do in front of everyone, Like I'm gonna also,

416
00:21:40,599 --> 00:21:42,920
I'm gonna be the lady proposing and I have no ring.

417
00:21:43,000 --> 00:21:45,839
It's like, that's uncomfored and it's very uncomfortable, and I

418
00:21:45,839 --> 00:21:47,680
do like her friend tries to establish it with a

419
00:21:47,720 --> 00:21:50,279
clap after he like pluckily says.

420
00:21:50,079 --> 00:21:53,079
Speaker 2: Yet, yeah, she kind of did that to herself.

421
00:21:54,759 --> 00:21:57,400
Speaker 6: Well, it's also a peculiar time for her to do it,

422
00:21:57,440 --> 00:22:00,960
because again she must have noticed that he changed his outfit.

423
00:22:01,599 --> 00:22:04,200
So is that not a cue maybe don't go on

424
00:22:04,319 --> 00:22:06,200
with your little proposal moment?

425
00:22:06,799 --> 00:22:12,240
Speaker 1: I don't know, Well, we know she she's definitely in denial.

426
00:22:12,319 --> 00:22:14,519
She's like in a denial stage right now. She can

427
00:22:14,559 --> 00:22:17,480
tell that he's different and his heart isn't in it,

428
00:22:17,759 --> 00:22:21,279
which leads to the next scene where they're in bed

429
00:22:21,319 --> 00:22:23,680
and she's just like, Hey, if you don't want to

430
00:22:23,720 --> 00:22:25,920
do this, we gotta split right now.

431
00:22:26,279 --> 00:22:27,960
Speaker 3: And that's like the theme of the film.

432
00:22:28,359 --> 00:22:33,519
Speaker 1: We have to split or it'll get harder later, which, Uh,

433
00:22:33,599 --> 00:22:35,279
I don't know if I did I mention this on stream.

434
00:22:35,279 --> 00:22:36,839
I think I said it before the stream. This is

435
00:22:36,880 --> 00:22:40,240
my new favorite subgenre of horror film. Guy who waits

436
00:22:40,240 --> 00:22:42,799
too long to break up?

437
00:22:45,559 --> 00:22:49,680
Speaker 2: Yeah, every woman's favorite movie Midsummer.

438
00:22:49,400 --> 00:22:52,440
Speaker 1: Yes, yes, both those movies. I was just like, Ah,

439
00:22:52,519 --> 00:22:54,680
I've been that guy. I've been that guy. I hope

440
00:22:54,680 --> 00:22:57,559
I don't get turned into a bear or fused with

441
00:22:58,079 --> 00:23:00,799
Alison actuallyffusing with Alison Bree when too bad. I hope

442
00:23:00,799 --> 00:23:02,960
I don't get put into a pair and lit on fire.

443
00:23:03,039 --> 00:23:03,839
That's the battle.

444
00:23:05,160 --> 00:23:05,400
Speaker 2: Uh.

445
00:23:05,440 --> 00:23:08,400
Speaker 1: But yeah, he's just too scared to do it, even

446
00:23:08,440 --> 00:23:12,599
though he very clearly wants to leave her, or does

447
00:23:12,640 --> 00:23:14,559
he or does he just feel like he has to

448
00:23:14,599 --> 00:23:16,799
because of like the trauma he just went through recently

449
00:23:16,839 --> 00:23:19,640
with his parents. I think that's like something he hasn't

450
00:23:19,680 --> 00:23:21,799
fully decided on yet, Like do I want to leave

451
00:23:21,839 --> 00:23:24,200
her things are fine right now? Or do I want

452
00:23:24,200 --> 00:23:26,359
to like make a big change before things are too late.

453
00:23:26,799 --> 00:23:29,759
Speaker 2: Yeah, that's a good question. I think that he does

454
00:23:29,839 --> 00:23:32,759
want to leave her, but he's too lonely and scared

455
00:23:32,799 --> 00:23:34,880
and sad or whatever to pull the trigger on it

456
00:23:34,920 --> 00:23:36,039
at this point, what do.

457
00:23:36,039 --> 00:23:37,279
Speaker 3: You guys think he goes.

458
00:23:37,079 --> 00:23:39,359
Speaker 2: From, he goes from not wanting to be with her

459
00:23:39,400 --> 00:23:42,079
to being like hopelessly codestendant.

460
00:23:42,440 --> 00:23:46,119
Speaker 4: I think he's just like very directionless and doesn't seem

461
00:23:46,160 --> 00:23:48,319
like he can make a decision on his own in

462
00:23:48,440 --> 00:23:51,960
any like in any way in his life period.

463
00:23:52,240 --> 00:23:56,799
Speaker 2: Like he's he's I mean not failed, he has an opportunity.

464
00:23:56,839 --> 00:23:59,599
But they later they say he's thirty five and he's

465
00:23:59,640 --> 00:24:03,400
trying to in knee Rocker. That's not the best place

466
00:24:03,480 --> 00:24:05,279
to be at the age of thirty five.

467
00:24:06,799 --> 00:24:09,559
Speaker 3: What do you think, Kayley, that you sol decided, undecided

468
00:24:09,640 --> 00:24:10,480
or so?

469
00:24:10,880 --> 00:24:12,599
Speaker 6: I think that a big theme of this movie, and

470
00:24:13,039 --> 00:24:17,519
Tony you mentioned the mythology earlier, of course, is Plato's symposium,

471
00:24:17,759 --> 00:24:22,039
and the entire idea of Plato's symposium is that two

472
00:24:22,079 --> 00:24:26,000
people can potentially be so magnetized to each other because

473
00:24:26,000 --> 00:24:31,400
they are their person's literal other half. That's what I

474
00:24:31,519 --> 00:24:34,279
see this ass So even if he doesn't want to

475
00:24:34,319 --> 00:24:36,599
be with her, he cannot get rid of her because

476
00:24:36,599 --> 00:24:41,559
they are literally and figuratively attached. And that is very

477
00:24:41,640 --> 00:24:43,279
much what we see throughout the rest of the movie

478
00:24:43,319 --> 00:24:46,160
is that no matter how toxic, their relationship is they

479
00:24:46,160 --> 00:24:48,680
can't quit each other. They're addicted to each other. They

480
00:24:48,799 --> 00:24:50,759
must form back together.

481
00:24:51,000 --> 00:24:51,799
Speaker 7: They have to do that.

482
00:24:51,880 --> 00:24:54,640
Speaker 6: So to me, even if he thinks it's the right

483
00:24:54,680 --> 00:24:57,000
thing to do to get out of there, there's no

484
00:24:57,119 --> 00:24:59,079
way that he can ever quit this relationship.

485
00:24:59,799 --> 00:24:59,960
Speaker 3: Yeah.

486
00:25:00,039 --> 00:25:03,559
Speaker 1: Yeah, and thank god he uh looks like Dave Franco,

487
00:25:04,319 --> 00:25:07,319
because being in your mid thirties and not having like

488
00:25:07,359 --> 00:25:09,920
a real job and having like a clown job, like

489
00:25:10,000 --> 00:25:12,839
I don't know, reviewing movies on the internet.

490
00:25:12,720 --> 00:25:15,359
Speaker 3: The dating scene's not great. Don't do it, Dave Franco.

491
00:25:15,519 --> 00:25:16,160
Don't do it.

492
00:25:16,279 --> 00:25:18,599
Speaker 1: I mean, you'll have a better time than me, Dave Franco.

493
00:25:18,759 --> 00:25:21,440
But for anyone else, don't do it. Don't do it.

494
00:25:21,440 --> 00:25:25,440
It's a nightmare. Yeah, they're all making fun of him,

495
00:25:25,519 --> 00:25:27,200
like and I'm like, yeah, look at that musician. I'm like,

496
00:25:27,200 --> 00:25:29,720
oh wait, I talk about movies on the internet. Goddamn it.

497
00:25:33,200 --> 00:25:36,880
So yeah, he says like, now it's fine, we'll be together,

498
00:25:36,960 --> 00:25:37,440
it's great.

499
00:25:37,799 --> 00:25:40,039
Speaker 3: I'm excited about this future we're gonna have.

500
00:25:40,480 --> 00:25:43,440
Speaker 1: And then he has a terrifying nightmare, which is why

501
00:25:43,640 --> 00:25:45,480
where my friend texted me and said, I turned the

502
00:25:45,519 --> 00:25:46,000
movie off.

503
00:25:46,000 --> 00:25:49,279
Speaker 3: I can't make it past the scene. Uh he wakes

504
00:25:49,359 --> 00:25:49,799
up and he.

505
00:25:49,799 --> 00:25:54,359
Speaker 1: Sees his his deceased mom staring at him from across

506
00:25:54,359 --> 00:25:58,759
the bed, a bed that's now two beds that affused

507
00:25:58,759 --> 00:26:02,519
into one. Learn what this is later, let me get

508
00:26:02,559 --> 00:26:05,240
like the creepiest fucking scene I've ever seen.

509
00:26:06,279 --> 00:26:14,599
Speaker 3: Jesus, Yeah, thing, I think it was y R fine

510
00:26:15,240 --> 00:26:15,559
that was?

511
00:26:15,680 --> 00:26:20,279
Speaker 2: That gave me a arioster summer vibes, like the carbon

512
00:26:20,319 --> 00:26:23,119
monoxide scenes. Yeah, that reminded me of that.

513
00:26:23,440 --> 00:26:26,039
Speaker 1: It also reminded me of I don't know, it's probably

514
00:26:26,039 --> 00:26:28,599
in all the Grudges because they remade it fifteen times,

515
00:26:28,599 --> 00:26:30,440
but like when the doll goes like under the sheets

516
00:26:30,440 --> 00:26:33,119
and the thing is in the sheet with her. It

517
00:26:33,160 --> 00:26:36,480
also reminded me of that. Weird because there's really nothing

518
00:26:37,440 --> 00:26:38,480
like this in the rest.

519
00:26:38,279 --> 00:26:38,759
Speaker 3: Of the movie.

520
00:26:39,000 --> 00:26:40,960
Speaker 1: This kind of weird dream sequence reminds me of the

521
00:26:41,039 --> 00:26:45,440
dream sequence in Kaylee. Remember Cobweb? Oh yeah, remember there's

522
00:26:45,519 --> 00:26:48,240
that one nightmare sequence the kid has where like the

523
00:26:48,279 --> 00:26:49,799
parents all freaking and smiling.

524
00:26:49,839 --> 00:26:50,759
Speaker 3: It reminded me of that.

525
00:26:51,480 --> 00:26:53,960
Speaker 6: Yeah, you know, I don't think about cob Web very often,

526
00:26:54,000 --> 00:26:56,000
but I did just recently text you about that because

527
00:26:56,039 --> 00:26:59,480
I was trying to remember why on earth a substitute

528
00:26:59,480 --> 00:27:01,799
teacher would to ever act like he was going to

529
00:27:01,839 --> 00:27:04,680
get involved in kids' lives, because that reminded me so

530
00:27:04,799 --> 00:27:07,119
much of everybody's favorite Lol cow is Stuttering John.

531
00:27:10,200 --> 00:27:11,920
Speaker 1: You know, cob Web would have been a lot better

532
00:27:11,960 --> 00:27:14,680
with stuttering John instead of whoever was.

533
00:27:14,599 --> 00:27:15,279
Speaker 3: In that movie.

534
00:27:15,759 --> 00:27:17,240
Speaker 7: Better is a challenging word.

535
00:27:20,440 --> 00:27:21,480
Speaker 3: So yeah, we cut ahead.

536
00:27:21,640 --> 00:27:24,839
Speaker 1: They're moving into the house into the woods, and you're right,

537
00:27:24,920 --> 00:27:26,200
what does she do for a living?

538
00:27:26,319 --> 00:27:28,720
Speaker 3: Is this did they inherit this house or did they

539
00:27:28,720 --> 00:27:29,440
buy this house?

540
00:27:30,359 --> 00:27:31,519
Speaker 4: I think they just bought it?

541
00:27:32,119 --> 00:27:33,160
Speaker 7: Or is this is pretty money?

542
00:27:34,160 --> 00:27:35,920
Speaker 3: Did this was? Did they mention that this was the

543
00:27:35,960 --> 00:27:36,599
parents house?

544
00:27:38,319 --> 00:27:40,599
Speaker 4: I don't think it was, As you mentioned something about

545
00:27:40,640 --> 00:27:41,440
the rats.

546
00:27:42,400 --> 00:27:44,640
Speaker 1: Oh yeah, wait, and they've never been in this area before,

547
00:27:44,759 --> 00:27:46,720
they're they're new to it. Never mind, I guess they

548
00:27:47,039 --> 00:27:50,599
I guess they had they had a chine apartment, and

549
00:27:50,640 --> 00:27:53,480
how they're moving into a giant house in the country

550
00:27:53,799 --> 00:27:54,039
on it.

551
00:27:54,200 --> 00:27:57,960
Speaker 2: It was probably part of the super saturated exposition dump

552
00:27:58,000 --> 00:28:00,279
at the top of the film where they explained eating

553
00:28:00,359 --> 00:28:01,799
so much that you can't.

554
00:28:03,359 --> 00:28:06,960
Speaker 4: Those house hunters things where it's like she's a thirty

555
00:28:07,000 --> 00:28:09,599
five year old teacher on six k s allry, he's

556
00:28:09,640 --> 00:28:12,920
a failed musician nothing, you.

557
00:28:12,880 --> 00:28:15,319
Speaker 2: Know what they said, budget's one million dollars.

558
00:28:15,839 --> 00:28:16,480
Speaker 3: I'm wondering.

559
00:28:16,720 --> 00:28:19,359
Speaker 1: They said he was like on a label or something.

560
00:28:19,440 --> 00:28:21,720
Maybe he like made a bunch of money when he

561
00:28:21,799 --> 00:28:24,200
was young and then just didn't invest in poor and

562
00:28:24,319 --> 00:28:27,039
like lost it all. That could be something, that could

563
00:28:27,039 --> 00:28:27,359
be something.

564
00:28:27,359 --> 00:28:30,000
Speaker 4: I don't think she'd be as uninterested in him as

565
00:28:30,000 --> 00:28:31,680
she seems that were the cases.

566
00:28:33,480 --> 00:28:40,720
Speaker 2: I think his backstory is that he wrote Baby Shark's Millions, though.

567
00:28:43,000 --> 00:28:44,799
Speaker 3: He would not be dating a school teacher if that

568
00:28:44,920 --> 00:28:45,519
was the case.

569
00:28:46,880 --> 00:28:51,039
Speaker 2: He only wrote the keyboard melody. He didn't own the rights.

570
00:28:53,039 --> 00:28:57,000
Speaker 3: But yeah, they're moving in. We get Chekhov's uh.

571
00:28:57,000 --> 00:28:59,799
Speaker 2: Saul foreshadowing anywhere.

572
00:29:00,319 --> 00:29:02,240
Speaker 3: Like, well, that's definitely coming back later.

573
00:29:05,319 --> 00:29:09,279
Speaker 1: Yeah, yeah, that was something in a light in the

574
00:29:09,279 --> 00:29:12,359
hallway and he pulls out a freaking nest of dead

575
00:29:12,440 --> 00:29:18,440
rats while which apparently is the thing that can happen.

576
00:29:18,519 --> 00:29:20,000
Rat's tails get all tangled.

577
00:29:20,279 --> 00:29:22,039
Speaker 2: Oh did you see cold Storage?

578
00:29:22,640 --> 00:29:22,839
Speaker 1: No?

579
00:29:22,960 --> 00:29:23,480
Speaker 3: I didn't.

580
00:29:24,160 --> 00:29:26,079
Speaker 2: I just watched that on a plane and when I

581
00:29:26,160 --> 00:29:28,960
was traveling, And there's a rat king in that too,

582
00:29:29,279 --> 00:29:31,640
so I'm in rat king?

583
00:29:31,759 --> 00:29:33,960
Speaker 1: Was that the one where the Stranger Things kid and

584
00:29:33,960 --> 00:29:35,279
there's like an underground lab.

585
00:29:36,359 --> 00:29:39,960
Speaker 2: Yeah, okay, it was fun, but it's just it's just fun.

586
00:29:39,839 --> 00:29:43,000
Speaker 1: And I needed a break from Stranger Things Kids and

587
00:29:43,160 --> 00:29:48,480
underground labs after that disappointing finale. However, the weird Teeth

588
00:29:48,519 --> 00:29:50,720
Kip from Stranger Things, he was in that Pizza movie

589
00:29:50,720 --> 00:29:52,039
that came out, and that's like one of the best

590
00:29:52,039 --> 00:29:54,039
comedies I've seen in a long time. I feel like

591
00:29:54,079 --> 00:29:57,000
I'm in the minority, but I love that movie was hilarious.

592
00:29:57,640 --> 00:30:01,160
But yeah, this nest of rats complete terrifies it. We'll

593
00:30:01,240 --> 00:30:03,359
learn that it was like an old memory that he had.

594
00:30:04,440 --> 00:30:08,279
Speaker 2: He'll smell something rotten in a hole. Don't stick your

595
00:30:08,319 --> 00:30:12,839
hand in it, Okay, unless unless she reverse proposes with

596
00:30:12,920 --> 00:30:13,880
a big diamond ring.

597
00:30:19,559 --> 00:30:21,359
Speaker 3: Yeah wait, so this is this lady.

598
00:30:21,400 --> 00:30:24,200
Speaker 1: She's paying all his bills and she didn't even ask

599
00:30:24,240 --> 00:30:26,240
for a ring and didn't even bring up he really

600
00:30:26,319 --> 00:30:28,839
hit the jackpot with this lady. And he's like, uh,

601
00:30:29,400 --> 00:30:31,400
not my style. I need to get out of this,

602
00:30:31,720 --> 00:30:36,119
Like you should be really thankful, dude. But yeah, Millie

603
00:30:36,200 --> 00:30:40,039
goes to work and she accidentally drinks this lady's tea

604
00:30:40,160 --> 00:30:45,680
or something, and she needs another teacher, Jamie, who's a

605
00:30:45,720 --> 00:30:47,799
neighbor of hers. He's like, I'm on the yellow house

606
00:30:47,880 --> 00:30:51,519
down the street, and right away as I'm watching this,

607
00:30:51,640 --> 00:30:54,960
I'm like, that guy's up to no good. Like as

608
00:30:54,960 --> 00:30:57,160
soon as I saw him, like up to no good.

609
00:30:57,240 --> 00:30:58,480
Don't trust that guy.

610
00:31:00,079 --> 00:31:03,440
Speaker 2: Full of spoiler full on this show or what we'll

611
00:31:03,480 --> 00:31:03,920
get away.

612
00:31:04,000 --> 00:31:06,759
Speaker 1: But that was just that was literally what I thought

613
00:31:06,880 --> 00:31:09,400
as I was watching it, because he's like, Oh, yes,

614
00:31:09,519 --> 00:31:11,400
I'm a neighbor and I'm the only one being nice

615
00:31:11,400 --> 00:31:13,039
to you, And I'm like, oh, we're clearly the bad

616
00:31:13,079 --> 00:31:16,599
guy or in this movie of like five people.

617
00:31:16,680 --> 00:31:18,759
Speaker 3: Really. Uh.

618
00:31:19,640 --> 00:31:23,160
Speaker 4: He also said that he's like a partially responsible for

619
00:31:23,200 --> 00:31:26,119
her getting the job there, which is interesting.

620
00:31:26,279 --> 00:31:28,960
Speaker 3: Oh yeah, why, I don't know.

621
00:31:29,880 --> 00:31:31,960
Speaker 1: I don't know if there's like something hidden like where

622
00:31:32,000 --> 00:31:34,559
he was like scoping her out or something they can

623
00:31:34,680 --> 00:31:35,319
smell their.

624
00:31:35,400 --> 00:31:37,240
Speaker 4: Those two are perfect for each other.

625
00:31:39,920 --> 00:31:40,519
Speaker 3: There's a lot of.

626
00:31:43,559 --> 00:31:46,519
Speaker 2: Cyber stalking their corny as Facebook account.

627
00:31:47,240 --> 00:31:48,599
Speaker 3: Lating Facebook together.

628
00:31:50,599 --> 00:31:53,400
Speaker 1: So that night, uh, what's his face? Tim is working

629
00:31:53,400 --> 00:31:54,519
on his demos.

630
00:31:55,200 --> 00:31:59,960
Speaker 4: Oh, I gotta mention this scene. He's he's looking at guitar.

631
00:32:00,039 --> 00:32:02,359
Are tabs that show you where to put your fingers,

632
00:32:02,440 --> 00:32:04,279
by the way, I just want to point that out.

633
00:32:04,720 --> 00:32:07,559
Speaker 7: Wait, like I.

634
00:32:07,480 --> 00:32:09,680
Speaker 3: Was gonna say, wasn't he like a season musician?

635
00:32:09,799 --> 00:32:13,359
Speaker 2: What's the hey, hey, hey, as somebody that plays music,

636
00:32:13,640 --> 00:32:15,319
that's totally acceptable. Okay.

637
00:32:16,440 --> 00:32:18,720
Speaker 4: The way they've painted him like he's this, Oh he's

638
00:32:18,759 --> 00:32:21,240
so good, and he's like looking at where to put

639
00:32:21,240 --> 00:32:24,359
his fingers just kind of chule or.

640
00:32:24,359 --> 00:32:26,079
Speaker 3: Is he out of practice? Has he?

641
00:32:26,160 --> 00:32:28,400
Speaker 1: Has he given up that much where he doesn't even

642
00:32:28,440 --> 00:32:33,160
really play anymore. But she thought, after months of not

643
00:32:33,200 --> 00:32:36,039
getting laid that moving into a new, big house would get.

644
00:32:35,920 --> 00:32:39,480
Speaker 3: Him in the mood. And it doesn't. It doesn't get

645
00:32:39,599 --> 00:32:40,720
him in the mood.

646
00:32:41,759 --> 00:32:43,640
Speaker 1: But he decides, Hey, you know what, I'll do something

647
00:32:43,720 --> 00:32:46,839
nice for you. You've earned it, woman who bought this house

648
00:32:46,880 --> 00:32:49,920
and finances my lifestyle and drives me around. You were

649
00:32:49,960 --> 00:32:53,839
good today, so I'll take you on a hike tomorrow.

650
00:32:55,519 --> 00:32:57,920
I kind of hate this guy, and I really, I

651
00:32:58,000 --> 00:32:59,920
really want to defend him, but I really can't.

652
00:32:59,759 --> 00:33:01,039
Speaker 3: I just kind of hate this guy.

653
00:33:03,319 --> 00:33:05,519
Speaker 1: But so yeah, they go on a nice hike in

654
00:33:05,599 --> 00:33:07,920
the woods, and there's scenes like this where you can

655
00:33:08,000 --> 00:33:11,279
tell like he does actually love her, even if he's

656
00:33:11,319 --> 00:33:13,640
thinking of leaving like he doesn't really It's like one

657
00:33:13,640 --> 00:33:15,519
of those breakups where it's just like I don't really

658
00:33:15,559 --> 00:33:17,400
hate the person. I just don't think we're right for

659
00:33:17,480 --> 00:33:21,240
each other anymore. There's no like animosity. Really, there will

660
00:33:21,279 --> 00:33:25,160
be at some point, but as of right now, yeah,

661
00:33:25,200 --> 00:33:25,519
it is.

662
00:33:25,799 --> 00:33:28,240
Speaker 2: It really is like quarter life crisis. Shit. He's like

663
00:33:28,319 --> 00:33:33,039
frustrated with his career. He is, he doesn't want to move,

664
00:33:33,240 --> 00:33:36,680
he is sad about his parents. It is a hard

665
00:33:37,000 --> 00:33:39,480
place to be and he can't get it. He can't

666
00:33:39,480 --> 00:33:42,039
get it up for Alison breathe, it's the craziest part

667
00:33:42,079 --> 00:33:43,880
of this movie even Okay.

668
00:33:43,960 --> 00:33:46,119
Speaker 6: You know, one of the things that I struggled with

669
00:33:46,359 --> 00:33:48,599
during this portion of the film. A lot of people

670
00:33:48,599 --> 00:33:50,799
complain about the pacing of this movie, so of course,

671
00:33:51,039 --> 00:33:53,720
during this whole portion, we are seeing a lot about

672
00:33:53,720 --> 00:33:57,039
their relationship and we're not getting into that body horror

673
00:33:57,039 --> 00:33:58,200
that everybody is here for.

674
00:33:58,640 --> 00:33:59,640
Speaker 7: My criticism of.

675
00:33:59,599 --> 00:34:05,240
Speaker 6: This movie, it actually is the diametric opposite of what

676
00:34:05,359 --> 00:34:09,039
my praises were for Obsession, which is that Obsession is

677
00:34:09,039 --> 00:34:13,599
a horror movie where the relationship drama and the relationship

678
00:34:13,719 --> 00:34:18,440
scenes are almost more terrifying than the horror and here

679
00:34:18,679 --> 00:34:24,400
in in Uh oh, my God, Yether, thank you, good God,

680
00:34:24,639 --> 00:34:31,320
here in together. These relationship sequences are so boring. I

681
00:34:31,519 --> 00:34:34,920
don't care at all about the fact that they are struggling.

682
00:34:35,000 --> 00:34:38,480
I found it extremely, extremely panantic. I found it just

683
00:34:39,239 --> 00:34:41,760
I didn't care at all. I didn't care at all.

684
00:34:41,800 --> 00:34:44,400
I thought that they were both unappealing and that they

685
00:34:44,440 --> 00:34:47,079
both stunk, and it.

686
00:34:47,239 --> 00:34:47,880
Speaker 7: Just I didn't.

687
00:34:49,119 --> 00:34:51,440
Speaker 2: She certainly looks like she stinks. I don't know why

688
00:34:51,480 --> 00:34:54,119
they gave her that haircut. It's so bad.

689
00:34:54,840 --> 00:34:59,119
Speaker 6: It just wasn't terrifying, it wasn't tension building. It didn't

690
00:34:59,239 --> 00:35:01,760
lead into body horror that we all know is coming,

691
00:35:01,840 --> 00:35:04,360
because of course, the posters of this movie suggest that

692
00:35:04,440 --> 00:35:05,760
it is going to be body horror.

693
00:35:06,960 --> 00:35:07,719
Speaker 3: I'm actually fine.

694
00:35:07,760 --> 00:35:09,880
Speaker 1: I mean, the movie's only like an uh what now

695
00:35:09,880 --> 00:35:12,000
and forty one minutes. I was fine at the pacin.

696
00:35:12,119 --> 00:35:15,280
I don't mind these scenes. I like knowing a lot

697
00:35:15,400 --> 00:35:17,079
about their I mean, there was a little too much

698
00:35:17,079 --> 00:35:19,400
in the beginning, but I like seeing them interact as

699
00:35:19,400 --> 00:35:21,880
a couple knowing that there's this friction, because it's gonna

700
00:35:21,880 --> 00:35:24,840
be really funny seeing them forced to be together afterwards.

701
00:35:25,320 --> 00:35:27,199
So I don't know it didn't bother me too much. Also,

702
00:35:27,239 --> 00:35:32,639
I like that you call an obsession their relationship. That

703
00:35:32,719 --> 00:35:35,599
was a really it wasn't really a relationship. But there

704
00:35:35,639 --> 00:35:38,440
where I did review Obsession, there were very relatable things

705
00:35:38,440 --> 00:35:40,360
that are like relationships in that movie.

706
00:35:42,800 --> 00:35:44,639
Speaker 3: So, yeah, they go in the woods. I did.

707
00:35:44,679 --> 00:35:47,199
Speaker 1: There's some really comedic edits. I forgot to clip the

708
00:35:47,239 --> 00:35:49,840
one here, but I like where he's like, yeah, you know,

709
00:35:49,920 --> 00:35:52,599
it'll be fine, and then hard cut to it just

710
00:35:52,760 --> 00:35:55,960
downpouring in the rain, and he's like, it's nice out.

711
00:35:56,000 --> 00:35:57,400
If we get lost, we'll be able to find our

712
00:35:57,440 --> 00:35:57,960
way home.

713
00:36:00,360 --> 00:36:00,559
Speaker 3: Yeah.

714
00:36:00,559 --> 00:36:03,519
Speaker 1: As they're wandering around, they fall into a hole which

715
00:36:03,519 --> 00:36:07,559
has a weird bell sticking out of it. Uh, and

716
00:36:07,599 --> 00:36:10,320
they lose signal and they're kind of just stuck in

717
00:36:10,400 --> 00:36:13,119
this cave because I guess it's too wet to crawl out.

718
00:36:13,320 --> 00:36:14,840
And they're like, all right, well, I guess we're here

719
00:36:14,880 --> 00:36:17,320
for the night. And we look around this cave. Yeah,

720
00:36:17,360 --> 00:36:20,039
we see the bell, we see weird pews that are.

721
00:36:19,920 --> 00:36:23,559
Speaker 3: In the wall. We could tell this was something at

722
00:36:23,599 --> 00:36:24,719
some point.

723
00:36:24,920 --> 00:36:26,760
Speaker 1: We never I mean, we get told what it is,

724
00:36:26,800 --> 00:36:28,639
but I still have a lot of questions about it.

725
00:36:31,039 --> 00:36:34,320
Speaker 2: Yeah, I did like that part when they fall in

726
00:36:34,360 --> 00:36:37,199
and she's like, I'm fine, don't worry.

727
00:36:37,480 --> 00:36:39,119
Speaker 3: This is a phone were on there.

728
00:36:39,880 --> 00:36:42,719
Speaker 2: This is an iPhone seventeen Promax, bitch, I can get

729
00:36:42,719 --> 00:36:44,119
a new girlfriend, you know.

730
00:36:44,239 --> 00:36:46,599
Speaker 1: He's like, you know, but that phone broke. You know

731
00:36:46,599 --> 00:36:50,920
how much that cost you a lot? You're gonna have

732
00:36:50,920 --> 00:36:53,079
to buy a whole new phone. You should be upset.

733
00:36:55,800 --> 00:36:57,079
I think I would have liked it if he was

734
00:36:57,079 --> 00:37:01,519
more like that, just even meaner. But yeah, he pulls

735
00:37:01,519 --> 00:37:02,760
out the lighter and I'm like, she's like, why do

736
00:37:02,800 --> 00:37:04,639
you have a Lighter's like, that's not important right now.

737
00:37:04,800 --> 00:37:05,400
Speaker 3: They come it in.

738
00:37:08,920 --> 00:37:10,599
Speaker 1: But yeah, he decides, you know what, there's a lot

739
00:37:10,599 --> 00:37:13,440
of water down here. Let me drink in this this

740
00:37:13,880 --> 00:37:17,639
pond which you guys described as hr gigers anus or whatever.

741
00:37:18,119 --> 00:37:21,639
Speaker 2: The recombination, but whole fountain. Yes, it's just funny.

742
00:37:21,360 --> 00:37:23,719
Speaker 4: That they're in there for three minutes and he's like, well,

743
00:37:23,800 --> 00:37:26,320
better drink this stagnant cave water.

744
00:37:27,840 --> 00:37:31,159
Speaker 3: Him. It's not even like it's running water.

745
00:37:31,280 --> 00:37:33,559
Speaker 1: It's like, you're right, it's stagnant a cave, Like I

746
00:37:33,599 --> 00:37:34,599
would not drink that.

747
00:37:34,880 --> 00:37:37,000
Speaker 2: Yeah. Great, now I'm stuck in a cave and I

748
00:37:37,039 --> 00:37:39,320
have diarrhea.

749
00:37:39,559 --> 00:37:42,840
Speaker 4: It's been that two minutes. Relax, you're gonna crhyme.

750
00:37:45,119 --> 00:37:47,039
Speaker 1: And it's not even that like high of a hole

751
00:37:47,159 --> 00:37:49,239
like they could. I mean, they do climb it. When

752
00:37:49,239 --> 00:37:51,559
it stops rating, He's like, we're just gonna die it. Thirst,

753
00:37:51,559 --> 00:37:53,239
I know we're gonna die thirst Like, you're fine, it's

754
00:37:53,280 --> 00:37:55,400
actually rating. You can just open up your mouth action.

755
00:37:59,079 --> 00:38:03,519
Ton I do think there's like an underlike theme here

756
00:38:03,639 --> 00:38:04,519
that they're idiots.

757
00:38:04,800 --> 00:38:06,880
Speaker 3: They're both real idiots.

758
00:38:07,440 --> 00:38:09,239
Speaker 2: I found this to be one of the more charming

759
00:38:09,320 --> 00:38:11,159
parts of the movie. This is where you can see

760
00:38:11,199 --> 00:38:13,480
that they do get along and like each other, and

761
00:38:13,840 --> 00:38:17,960
she's got mad and mad at him for hiding and smoking.

762
00:38:18,760 --> 00:38:22,559
Speaker 1: Yeah, it happens a breakup, says someone who's gone through many, many, many, many,

763
00:38:22,719 --> 00:38:25,800
many many breakups. It happens where you're in like the whole,

764
00:38:25,880 --> 00:38:26,599
like I gotta end this.

765
00:38:26,639 --> 00:38:28,440
Speaker 3: You're like, ah, but I get along with her doing this,

766
00:38:28,599 --> 00:38:29,280
like should I.

767
00:38:30,119 --> 00:38:35,519
Speaker 1: This stuff happened again, very relatable to old uncle Tony here. Yeah,

768
00:38:35,559 --> 00:38:37,239
they talk and we get to know a little bit

769
00:38:37,239 --> 00:38:40,679
more about him and why the rats freaked him out,

770
00:38:40,719 --> 00:38:42,440
and he talks about how like when he was a kid,

771
00:38:43,079 --> 00:38:45,199
his dad was like going nuts because he hurt. He

772
00:38:45,440 --> 00:38:48,159
smelled something in his room, and no matter how many

773
00:38:48,199 --> 00:38:50,320
times he cleaned it, they couldn't get rid of the smell.

774
00:38:50,360 --> 00:38:52,679
And it turns out there was a dead rat in

775
00:38:52,679 --> 00:38:54,639
the light and he was cooking it every time he

776
00:38:54,679 --> 00:38:56,840
put the light on, but he didn't know.

777
00:38:56,840 --> 00:38:59,159
Speaker 3: Because it was so gradual he was used to it.

778
00:39:00,280 --> 00:39:03,159
Speaker 1: Then we find out more about what happened to his mom,

779
00:39:04,199 --> 00:39:08,639
where basically the dad died and she woke up and

780
00:39:08,679 --> 00:39:12,480
her brain just snapped and she just sat there for

781
00:39:12,599 --> 00:39:15,800
days smiling like a creep until she eventually died too.

782
00:39:16,000 --> 00:39:18,400
Speaker 3: I think that's where where we're supposed to think.

783
00:39:19,039 --> 00:39:21,920
Speaker 1: And again we got that horrifying imagery of the creepy

784
00:39:22,000 --> 00:39:24,760
smiling mom, which I thought we were gonna see more

785
00:39:24,760 --> 00:39:27,119
of later on, and I think the last time we

786
00:39:27,239 --> 00:39:27,760
see it.

787
00:39:28,079 --> 00:39:31,280
Speaker 2: I was surprised he didn't keep coming back. Yeah, I

788
00:39:31,320 --> 00:39:37,039
wrote in my notes here Dave's four year consideration Dad's story.

789
00:39:37,320 --> 00:39:41,320
It begs the question is Dave Franco a good actor?

790
00:39:41,920 --> 00:39:46,199
Is he just like Nepo Jim Belushi to James Franco

791
00:39:46,360 --> 00:39:51,119
Because I kept thinking of the hit the Disaster Artist

792
00:39:51,159 --> 00:39:54,760
when he's doing that line about Guerrero Street, and I

793
00:39:54,800 --> 00:39:59,519
was just this guy fucking cannot deliver a line. What's

794
00:39:59,519 --> 00:40:02,039
everybody's opinion about Dave Dave Franco's talent.

795
00:40:02,360 --> 00:40:04,159
Speaker 1: Maybe he's so good of an actor that acting like

796
00:40:04,199 --> 00:40:06,079
a bad actor was hard for him. But Kaylee, you

797
00:40:06,079 --> 00:40:07,119
were about to say something.

798
00:40:07,519 --> 00:40:09,559
Speaker 6: No, I think that he did a horrible job in

799
00:40:09,559 --> 00:40:13,480
this movie. I think Ellison Brees' performance I thought was outstanding.

800
00:40:13,760 --> 00:40:17,519
I had some issues with Dave Franco, but overall I

801
00:40:17,599 --> 00:40:18,679
was able to overlook it.

802
00:40:20,800 --> 00:40:22,000
Speaker 7: I really enjoyed.

803
00:40:22,039 --> 00:40:24,760
Speaker 6: So you guys are talking about the imagery of you know,

804
00:40:24,840 --> 00:40:27,760
the spooky mom face. I was thankful that that didn't

805
00:40:27,760 --> 00:40:30,719
come back. What I really loved that kept coming back

806
00:40:30,880 --> 00:40:34,239
was the concept of the stench of death. Yeah, and

807
00:40:34,480 --> 00:40:37,239
having to sit through that and experience that.

808
00:40:37,440 --> 00:40:40,239
Speaker 7: I was very excited that that was really cool for me.

809
00:40:40,400 --> 00:40:45,280
Speaker 1: So yeah, just I guess, Angela, is Dave Franco a

810
00:40:45,280 --> 00:40:46,000
good actor or not?

811
00:40:46,400 --> 00:40:48,119
Speaker 3: I want to know what you say before I weigh in.

812
00:40:48,400 --> 00:40:49,000
Speaker 4: No.

813
00:40:49,000 --> 00:40:51,480
Speaker 3: No, oh, okay.

814
00:40:51,199 --> 00:40:54,199
Speaker 4: I don't think I think he's got He's had a

815
00:40:54,199 --> 00:40:56,119
couple of moments where he was fine, like twenty one

816
00:40:56,199 --> 00:41:00,440
Drump Street and stuff like that. But it was painful one.

817
00:41:00,719 --> 00:41:03,920
Speaker 1: I think Dave Franco is okay, and I thought he

818
00:41:04,039 --> 00:41:08,599
was fine in this. However, he got lucky riding on

819
00:41:08,639 --> 00:41:12,159
the success of pre canceled James Franco. If James Franco

820
00:41:12,239 --> 00:41:15,679
got canceled just like five years earlier, I don't think

821
00:41:15,679 --> 00:41:18,280
we'd have Dave Franco, or we wouldn't have him in

822
00:41:18,360 --> 00:41:21,320
as many things.

823
00:41:21,920 --> 00:41:23,079
Speaker 3: A good job, Dave Franco.

824
00:41:23,280 --> 00:41:25,639
Speaker 1: Marison marrying Alison Brae as young as you could so

825
00:41:25,679 --> 00:41:26,880
you didn't fall into the same.

826
00:41:26,800 --> 00:41:28,079
Speaker 3: Trap as your older brother.

827
00:41:28,360 --> 00:41:30,519
Speaker 1: Is James Franco back yet? Has there been a James

828
00:41:30,559 --> 00:41:31,639
Franco revival yet?

829
00:41:31,880 --> 00:41:35,079
Speaker 4: He's just recently said that he had aliens in his garage,

830
00:41:35,280 --> 00:41:37,760
and that's the first I've heard from him a lot time.

831
00:41:38,320 --> 00:41:40,840
Speaker 3: My god, Yes, that's a great idea for a movie.

832
00:41:41,719 --> 00:41:44,880
Speaker 2: I think that's just the spring Breakers poster in his crush.

833
00:41:45,039 --> 00:41:46,199
Speaker 3: Aliens in his now?

834
00:41:46,239 --> 00:41:49,599
Speaker 1: Was that part of the the FBI files they released recently.

835
00:41:50,599 --> 00:41:52,360
Speaker 3: One if some one of them was James Franco just

836
00:41:52,360 --> 00:41:59,360
showing his garage. I met James Franco in person for

837
00:41:59,519 --> 00:42:02,280
my old ja uh No.

838
00:42:02,400 --> 00:42:08,239
Speaker 1: I worked for a YouTube prankster called Ed Bassmaster. Yeah,

839
00:42:08,280 --> 00:42:10,920
we were at an event, uh where he was. He

840
00:42:10,960 --> 00:42:13,320
was stressed, as his character called the creep. So it

841
00:42:13,400 --> 00:42:14,760
was actually a really that.

842
00:42:14,800 --> 00:42:16,840
Speaker 3: Was I've actually talked about this on the show before.

843
00:42:17,079 --> 00:42:19,519
Speaker 1: That was the same night Will I AM's agent yelled

844
00:42:19,559 --> 00:42:21,880
at me because he thought I was filming his performance.

845
00:42:22,119 --> 00:42:24,079
And that was the night I got screamed at by

846
00:42:24,119 --> 00:42:28,199
Miss Piggy's representative because I was just holding a camera

847
00:42:28,199 --> 00:42:29,960
and this guy came up from the handsome people. It's like,

848
00:42:29,960 --> 00:42:31,760
you're not to film this Piggy below the waist. You're

849
00:42:31,800 --> 00:42:33,840
not to film me after doing this Piggy's voice, You're

850
00:42:33,880 --> 00:42:35,960
not to this. I looked at him like, I'm not

851
00:42:35,960 --> 00:42:37,639
filming this pig at all. What do you What do

852
00:42:37,719 --> 00:42:39,119
you want me to do? I'm holding a camera. I

853
00:42:39,199 --> 00:42:44,280
nowhere to put it. But James frank is there. Yeah,

854
00:42:44,360 --> 00:42:46,559
James Franco creep the hell out of it. And then

855
00:42:46,599 --> 00:42:48,840
his like assistant or whatever screamed in us.

856
00:42:48,880 --> 00:42:49,760
Speaker 3: It was really funny.

857
00:42:50,679 --> 00:42:52,679
Speaker 1: And then like two days later he got canceled. It

858
00:42:52,760 --> 00:42:55,079
was like around that time, it was like fresh he

859
00:42:55,159 --> 00:42:58,280
was so freaking hungover. It was hilarious because of you.

860
00:42:58,280 --> 00:42:59,880
Speaker 2: You were calling TMZ.

861
00:43:02,360 --> 00:43:04,320
Speaker 1: Just never forget them because I love the Muppets. So

862
00:43:04,320 --> 00:43:06,840
I'm like, my one exposure with the Muppets is getting

863
00:43:06,920 --> 00:43:08,079
yelled at goddamn.

864
00:43:09,880 --> 00:43:11,360
Speaker 3: That night, after they.

865
00:43:11,320 --> 00:43:16,199
Speaker 1: Were drinking the creepy cave water, uh, he starts having nightmares,

866
00:43:16,239 --> 00:43:18,360
which honestly might be unrelated to the curse.

867
00:43:18,400 --> 00:43:21,000
Speaker 3: It's probably a result of just drinking cave water.

868
00:43:21,800 --> 00:43:25,440
Speaker 1: But yeah, he has this hallucination of the cave moving

869
00:43:26,079 --> 00:43:28,960
and breathing, and I think I have a video clip

870
00:43:29,000 --> 00:43:37,960
of that right here, and I think that's to imply

871
00:43:38,119 --> 00:43:40,800
the curse is taking effect. And if you look this

872
00:43:41,079 --> 00:43:43,320
closet there, you can see face in the wall.

873
00:43:44,679 --> 00:43:46,360
Speaker 2: It's the sphincter of the butthole.

874
00:43:46,719 --> 00:43:48,800
Speaker 3: It really is shunting from gaping.

875
00:43:51,480 --> 00:43:52,480
Speaker 2: The cave is gaping.

876
00:43:52,679 --> 00:43:56,079
Speaker 1: Has anyone else seen Society here besides oh yeah, I

877
00:43:56,119 --> 00:43:58,800
reviewed it. Yeah, Yeah, it does really the cave when

878
00:43:58,840 --> 00:44:00,639
you see it later more than light. I feel like

879
00:44:00,639 --> 00:44:03,960
this was a previous shunting that went wrong. They just

880
00:44:04,039 --> 00:44:07,639
kind of left them there. Uh so, yeah, next morning

881
00:44:07,840 --> 00:44:09,679
they're able to get out of there. Oh, she reveals

882
00:44:09,679 --> 00:44:12,639
that she's been smoking too, So clearly they made a

883
00:44:12,719 --> 00:44:14,960
goal to stop smoking together, and they clearly broke it,

884
00:44:15,000 --> 00:44:16,599
and I thought that was a cute moment where they're

885
00:44:16,599 --> 00:44:19,159
like confessing to each other, like, yeah, we both broke

886
00:44:19,199 --> 00:44:22,840
the rule. So yeah, they want to get out, but

887
00:44:23,119 --> 00:44:27,039
their legs are kind of sticking together because of mildew.

888
00:44:30,239 --> 00:44:30,760
Speaker 3: I do love.

889
00:44:30,840 --> 00:44:32,800
Speaker 1: Later, he's like, I don't know what mildew is. I'm like,

890
00:44:32,800 --> 00:44:34,079
at least he confess.

891
00:44:37,039 --> 00:44:43,800
Speaker 2: Now that's like super glue though together.

892
00:44:44,039 --> 00:44:46,480
Speaker 1: Yeah, that's yeah, it does look like that when you

893
00:44:46,519 --> 00:44:48,800
put glue together and like spread your fingers or whatever.

894
00:44:49,360 --> 00:44:54,199
Speaker 4: Everybody that you can't say you don't love to do that.

895
00:44:54,360 --> 00:44:56,960
Speaker 1: Well, okay, you're speaking of the present tense. I like

896
00:44:57,039 --> 00:45:00,079
doing it when I was six. Okay, I was gonna say,

897
00:45:00,239 --> 00:45:04,119
up to me, just bluing your fingers and spreading.

898
00:45:04,480 --> 00:45:10,480
Speaker 4: I'm unemployed, so every day, buddy.

899
00:45:10,599 --> 00:45:12,039
Speaker 3: Some people consider me unemployed.

900
00:45:12,079 --> 00:45:17,960
Speaker 1: Anyway, they pull their legs apart and it's extremely painful

901
00:45:17,960 --> 00:45:19,760
for them, and I like that they're blaming each other

902
00:45:20,039 --> 00:45:22,960
and it's just like, clearly something happened that neither of

903
00:45:22,960 --> 00:45:23,920
you were responsible for.

904
00:45:24,559 --> 00:45:27,280
Speaker 3: Well they don't. They are responsible, but they don't know

905
00:45:27,320 --> 00:45:30,039
that they're responsible. Yeah.

906
00:45:30,039 --> 00:45:32,639
Speaker 1: They get out of there finally, and then she does

907
00:45:32,679 --> 00:45:35,719
the old phone and the rice bowl trick. Now there

908
00:45:35,800 --> 00:45:39,320
was something we have to mention. There is no internet here,

909
00:45:40,000 --> 00:45:45,199
so their phones are broken and they are unlimited data,

910
00:45:45,440 --> 00:45:47,880
which will come into play later when you're like, why

911
00:45:47,920 --> 00:45:51,760
don't they just call for help because apparently they can

912
00:45:51,920 --> 00:45:53,719
and they only have one neighbor.

913
00:45:53,800 --> 00:45:54,679
Speaker 3: I guess I don't know.

914
00:45:55,559 --> 00:45:57,440
Speaker 1: By the way, I feel like this phone in the

915
00:45:57,519 --> 00:46:00,599
rice bull trick has never worked for me. Anyone ever

916
00:46:00,639 --> 00:46:02,239
has success with this. Anyone tried this.

917
00:46:03,239 --> 00:46:07,320
Speaker 6: I've never had to Yeah, you guys not dropping your phone,

918
00:46:07,519 --> 00:46:10,320
So I guess we know who's responsible.

919
00:46:09,679 --> 00:46:15,960
Speaker 1: Here said dropping in some rights and I'm like, that

920
00:46:16,000 --> 00:46:16,880
shit didn't work.

921
00:46:19,159 --> 00:46:20,920
Speaker 2: I'm a disposable track phone guy.

922
00:46:24,679 --> 00:46:25,119
Speaker 3: Uh you know.

923
00:46:25,159 --> 00:46:26,960
Speaker 1: I saw a disclosure day and they're doing the burner

924
00:46:27,000 --> 00:46:28,760
phone thing from Breaking Bad. I'm like, I kind of

925
00:46:28,840 --> 00:46:30,440
just want to buy a burner phone just to break

926
00:46:30,480 --> 00:46:32,079
it in half. I just really want to do that.

927
00:46:32,159 --> 00:46:33,039
It looks so cool.

928
00:46:33,639 --> 00:46:35,239
Speaker 3: I want to make one call and be like, hey,

929
00:46:35,760 --> 00:46:37,360
the hit is on and then just breaking that.

930
00:46:38,079 --> 00:46:40,760
Speaker 1: Uh So, yeah, she asked for a massage before she

931
00:46:40,880 --> 00:46:44,079
goes to work, and we see this spell like come

932
00:46:44,199 --> 00:46:46,960
over him. I'm guessing he drank more of the water

933
00:46:47,000 --> 00:46:51,360
because it hits him early and like fast. Uh, and

934
00:46:51,400 --> 00:46:53,159
he starts like he's supposed to give her a message,

935
00:46:53,199 --> 00:46:55,519
but he ends up like squeezing your back and like

936
00:46:56,039 --> 00:47:00,239
really messing with her, and obviously she gets up set.

937
00:47:00,320 --> 00:47:01,559
Speaker 3: She's like, all right, I'm leaving.

938
00:47:01,639 --> 00:47:04,639
Speaker 2: That's the good advice of the movie. It's like, this

939
00:47:04,679 --> 00:47:06,519
is how you get out of having to give your

940
00:47:06,559 --> 00:47:13,679
woman a massage. Yeah, I karate chop my wife's back.

941
00:47:14,719 --> 00:47:17,760
She's like, I don't need any more massages for the

942
00:47:17,840 --> 00:47:18,320
real one.

943
00:47:19,400 --> 00:47:21,400
Speaker 1: Well, later on we learned that she doesn't know how

944
00:47:21,400 --> 00:47:23,000
to cook. You think that's how she got out.

945
00:47:23,119 --> 00:47:23,679
Speaker 3: She's like, I'm just.

946
00:47:23,719 --> 00:47:26,599
Speaker 1: Gonna like look like really bad, give him salmonella, and

947
00:47:26,639 --> 00:47:29,920
then they'll never ask me to again. But I love

948
00:47:30,000 --> 00:47:32,920
this moment where she's driving away and it's making his

949
00:47:33,039 --> 00:47:36,239
body like move, so she like makes a left and

950
00:47:36,239 --> 00:47:38,400
he hits his face on the wall and he just

951
00:47:38,440 --> 00:47:40,800
starts jumping all around the shower. I thought that was

952
00:47:40,840 --> 00:47:43,800
really really funny what he like freaking cracks the tiles

953
00:47:43,840 --> 00:47:45,880
with his head, which I think the rest of the

954
00:47:45,920 --> 00:47:49,559
movie he'd be fucked, but apparently he's fine.

955
00:47:50,760 --> 00:47:52,480
Speaker 2: I've done weir in a shower.

956
00:47:54,280 --> 00:47:56,280
Speaker 3: You've had but in the shower.

957
00:47:57,480 --> 00:48:00,719
Speaker 1: And then so so he uh goes to meet with

958
00:48:00,800 --> 00:48:03,599
a uh and I don't know this is a doctor.

959
00:48:05,519 --> 00:48:07,920
Speaker 7: This was a very unclear scene to me.

960
00:48:08,000 --> 00:48:13,679
Speaker 1: But in a prescription, so I'm guessing it's a doctor

961
00:48:13,800 --> 00:48:15,599
or like a therapist or something.

962
00:48:16,079 --> 00:48:18,719
Speaker 2: They don't have to happen. This has to happen for

963
00:48:18,960 --> 00:48:20,880
my favorite part of the movie to happen.

964
00:48:21,000 --> 00:48:23,840
Speaker 1: So wait, wait, wait, So they don't have internet, but

965
00:48:23,840 --> 00:48:26,599
they've already got like a local therapist and doctor lined up.

966
00:48:26,599 --> 00:48:28,400
Speaker 3: Okay, all right, priorities, I guess.

967
00:48:29,880 --> 00:48:29,920
Speaker 4: So.

968
00:48:30,039 --> 00:48:32,360
Speaker 1: Yeah, the guys like, all right, uh, is this related

969
00:48:32,480 --> 00:48:34,719
to your stress and your trauma and your mom who

970
00:48:34,760 --> 00:48:37,199
had I don't know, craziness.

971
00:48:37,519 --> 00:48:39,119
Speaker 3: He's like, oh, it has nothing to do with that.

972
00:48:39,599 --> 00:48:41,800
He's like, all right, here's some muscle reactors. What is it?

973
00:48:41,920 --> 00:48:42,039
Speaker 4: Uh?

974
00:48:42,559 --> 00:48:43,159
Speaker 3: Is this value?

975
00:48:43,239 --> 00:48:46,199
Speaker 1: He's like, it's called dioxypin or whatever now, which is

976
00:48:46,239 --> 00:48:48,480
a joke that comes back later the correct name.

977
00:48:48,400 --> 00:48:52,239
Speaker 3: Of the drug. Yeah.

978
00:48:51,840 --> 00:48:52,199
Speaker 2: He Uh.

979
00:48:52,239 --> 00:48:54,280
Speaker 1: He also tells about the missing couple, so of course

980
00:48:54,280 --> 00:48:58,159
he starts googling the missing couple and uh, by the way, Kayley,

981
00:48:58,199 --> 00:49:00,000
ever since we did the Nightmare on Elm Street, Remay

982
00:49:00,280 --> 00:49:02,320
I hate all search engines. I want them to be

983
00:49:02,480 --> 00:49:04,880
rocket blast or whatever it was in that one. I

984
00:49:04,880 --> 00:49:08,280
missed the fake search engines. I think we need to

985
00:49:08,280 --> 00:49:13,320
bring those back. Say it looks for the couple.

986
00:49:13,719 --> 00:49:14,119
Speaker 2: Uh.

987
00:49:14,159 --> 00:49:18,920
Speaker 1: He realizes they well, he doesn't realize yet, but he tells.

988
00:49:18,960 --> 00:49:22,280
He tells uh Milly about it, and they talk. Yeah,

989
00:49:22,280 --> 00:49:24,000
they're like last thing was like we're in a hike

990
00:49:24,079 --> 00:49:26,719
or whatever, something lame. And he realizes their last post

991
00:49:26,800 --> 00:49:31,760
is we took the plunge and he looks he could

992
00:49:31,800 --> 00:49:35,559
not be faking a smile more. I love that it's

993
00:49:35,559 --> 00:49:37,599
not even because he keeps saying like, oh, well, my

994
00:49:37,719 --> 00:49:39,880
last post be but that's not his last post.

995
00:49:40,000 --> 00:49:41,840
Speaker 3: It's her post that she tagged him in.

996
00:49:43,239 --> 00:49:46,559
Speaker 2: I like that setup for the gag at the and oh.

997
00:49:46,519 --> 00:49:49,199
Speaker 1: Yeah, she's like, my last post, can you make sure

998
00:49:49,239 --> 00:49:51,559
it's uh dying or be right back dying.

999
00:49:51,599 --> 00:49:53,679
Speaker 3: I'm like, that's pretty good, pretty good last post.

1000
00:49:53,760 --> 00:49:58,519
Speaker 1: Actually my last post, which I like, people were just

1001
00:49:58,559 --> 00:49:59,760
like the last thing I say before I die is

1002
00:49:59,760 --> 00:50:02,400
gonna something random, like a mystery, but they'll actually is

1003
00:50:02,400 --> 00:50:02,880
no mystery.

1004
00:50:02,880 --> 00:50:04,039
Speaker 3: I just want to confuse people.

1005
00:50:04,840 --> 00:50:08,320
Speaker 7: Now I know something you don't on my deathbed.

1006
00:50:08,360 --> 00:50:10,480
Speaker 3: I'll be like, it's in a cellar. Like what seller

1007
00:50:10,599 --> 00:50:12,159
was he talking about? I have no idea.

1008
00:50:12,599 --> 00:50:14,280
Speaker 1: Soon how you got all you assholes are gonna be

1009
00:50:14,280 --> 00:50:17,800
looking for it. It's under a big w Their neighbor

1010
00:50:17,840 --> 00:50:20,880
comes by, Jamie. He's like, Hi, let me welcome you

1011
00:50:20,920 --> 00:50:21,679
in the neighborhood.

1012
00:50:22,840 --> 00:50:27,000
Speaker 3: Uh. They're catching up. Uh they're talking about the woods.

1013
00:50:27,039 --> 00:50:28,840
Speaker 1: They mentioned they fell into the cave and he's like, yeah,

1014
00:50:28,840 --> 00:50:32,320
I used to belong to like a hippie, dippy, commie

1015
00:50:32,400 --> 00:50:33,360
new age.

1016
00:50:33,000 --> 00:50:34,400
Speaker 3: Cult out there.

1017
00:50:34,840 --> 00:50:36,480
Speaker 1: And then Jamie's like, yeah, they were a new age

1018
00:50:36,480 --> 00:50:38,239
cold I don't know what happened to him right away.

1019
00:50:38,280 --> 00:50:40,480
I'm like, you're a member. You're a member of the cult.

1020
00:50:40,760 --> 00:50:43,360
You're in the cult. You're the cult.

1021
00:50:44,119 --> 00:50:46,760
Speaker 3: Did anyone did everyone else have the same idea?

1022
00:50:46,920 --> 00:50:49,599
Speaker 6: Because I there was never There was never a point

1023
00:50:49,599 --> 00:50:51,800
in time where that wasn't blatantly obvious to me.

1024
00:50:52,920 --> 00:50:55,360
Speaker 1: And in case you guys missed it, he's wearing two

1025
00:50:55,400 --> 00:50:58,199
wedding rings in a movie where people get fused together.

1026
00:50:58,440 --> 00:51:02,679
Speaker 2: Like he's probably did this that you. I'm an idiot.

1027
00:51:02,960 --> 00:51:03,679
I did not know.

1028
00:51:04,360 --> 00:51:10,280
Speaker 3: Until they show it here they zoom up on it later. Yeah, yeah,

1029
00:51:10,320 --> 00:51:11,119
they keep trying to do.

1030
00:51:11,079 --> 00:51:13,119
Speaker 1: All these like mister rects with this guy, like oh

1031
00:51:13,239 --> 00:51:14,199
is he into her?

1032
00:51:14,840 --> 00:51:14,960
Speaker 2: Uh?

1033
00:51:15,239 --> 00:51:17,960
Speaker 1: Did his husband die? And at the end it's like, oh,

1034
00:51:17,960 --> 00:51:20,760
it's exactly what we thought it was. It's exactly what

1035
00:51:20,760 --> 00:51:21,480
we thought it was.

1036
00:51:22,559 --> 00:51:26,079
Speaker 2: It's not a mystery film, Tony Well.

1037
00:51:25,960 --> 00:51:27,960
Speaker 3: His part is supposed to be. It's supposed to make

1038
00:51:28,000 --> 00:51:29,960
a guess, but you call it right away.

1039
00:51:30,880 --> 00:51:31,320
Speaker 2: Uh.

1040
00:51:31,320 --> 00:51:33,599
Speaker 1: But yeah, they're uh they This is where they have

1041
00:51:34,079 --> 00:51:37,599
that uncomfortable moment where they're pointing out each other's flalls

1042
00:51:37,599 --> 00:51:39,639
and you they're doing it in a jokey way, but

1043
00:51:39,679 --> 00:51:42,119
then you can tell it gets serious. I feel like

1044
00:51:42,400 --> 00:51:45,760
all of us have experienced this at some point in

1045
00:51:45,840 --> 00:51:48,119
their past. We've all been in this. I mean as

1046
00:51:48,159 --> 00:51:51,559
the spectator. I mean maybe we've been before arguing. I'm

1047
00:51:51,599 --> 00:51:53,519
sure I probably wasn't one point, but I have more

1048
00:51:53,559 --> 00:51:56,280
memories of being the spectator and be like, oh, no,

1049
00:51:57,519 --> 00:51:59,480
I hope they don't ask me to pick a side.

1050
00:51:59,559 --> 00:52:01,679
And then the friend's girlfriend goes.

1051
00:52:01,599 --> 00:52:03,559
Speaker 3: Do you think it's wrong? I'm like, oh, why did

1052
00:52:03,599 --> 00:52:04,599
she ask me that question?

1053
00:52:05,199 --> 00:52:07,559
Speaker 1: Because you can't answer, I don't care, which is what

1054
00:52:07,599 --> 00:52:14,000
I want to say, is so freaking uncomfortable, and I

1055
00:52:14,239 --> 00:52:15,320
got a clip of it here.

1056
00:52:15,519 --> 00:52:18,119
Speaker 4: Something weren't for me, you Nautica, And if it weren't

1057
00:52:18,119 --> 00:52:19,880
for me, you wouldn't be the only thirty something without

1058
00:52:19,880 --> 00:52:20,800
a driver's license.

1059
00:52:23,280 --> 00:52:27,519
Speaker 6: I Jamie handles that scene so masterfully, though, so Tony,

1060
00:52:27,559 --> 00:52:29,840
you just talked about like being that third person watching

1061
00:52:29,880 --> 00:52:33,159
this couple fight in is so horrible, and Jamie does

1062
00:52:33,159 --> 00:52:35,719
it perfectly. He says, it sounds like you guys complete

1063
00:52:35,719 --> 00:52:39,480
each other. It sounds like your strengths or weaknesses, and

1064
00:52:39,599 --> 00:52:40,800
your weaknesses are strengths.

1065
00:52:40,880 --> 00:52:43,440
Speaker 7: And I was like, oh, I'm gonna use that. Thanks Jamie.

1066
00:52:44,679 --> 00:52:47,199
Speaker 1: The situations I'm thinking of that would have just sounded

1067
00:52:47,239 --> 00:52:47,960
like nonsense.

1068
00:52:49,480 --> 00:52:50,960
Speaker 7: It's not them. It worked.

1069
00:52:51,599 --> 00:52:54,679
Speaker 1: Yeah, so that about the specific situation. Because my one

1070
00:52:54,679 --> 00:52:55,920
friend actually watches the show.

1071
00:52:57,119 --> 00:52:58,239
Speaker 3: Thank you for that fourth of July.

1072
00:52:58,320 --> 00:53:01,840
Speaker 2: It was great that the other guy that's that is

1073
00:53:01,880 --> 00:53:04,639
the cult creep guy that his name is Jamie, like

1074
00:53:04,679 --> 00:53:06,440
an a sexual name. That's funny.

1075
00:53:06,599 --> 00:53:09,559
Speaker 3: Yeah, it's bad and it's a gender fluid name. I know.

1076
00:53:13,519 --> 00:53:15,760
Speaker 1: So he leaves and then uh, Tim is just like

1077
00:53:15,840 --> 00:53:18,920
I gotta make out with my hot Uh what did

1078
00:53:18,960 --> 00:53:19,760
what did she call him?

1079
00:53:19,840 --> 00:53:21,000
Speaker 3: Her boy partner?

1080
00:53:21,719 --> 00:53:23,880
Speaker 1: Like she wants to beance, even though at this point

1081
00:53:23,920 --> 00:53:26,360
they should be engaged, and she won't say boyfriend.

1082
00:53:26,440 --> 00:53:27,840
Speaker 3: She went with boy partner.

1083
00:53:30,760 --> 00:53:33,079
Speaker 1: Yeah, so they're they're just going at it, and then

1084
00:53:33,119 --> 00:53:36,000
their lips get stuck together and they rip apart, which

1085
00:53:36,039 --> 00:53:37,199
of course she's like, you bit me.

1086
00:53:37,320 --> 00:53:42,199
Speaker 3: It's like that was definitely not a bite. So and then.

1087
00:53:42,079 --> 00:53:44,199
Speaker 1: She she I like that line where she's like, if

1088
00:53:44,199 --> 00:53:45,719
you don't want to fuck me, just tell me.

1089
00:53:45,840 --> 00:53:47,480
Speaker 3: Like she's definitely like fed up with it.

1090
00:53:47,679 --> 00:53:49,920
Speaker 1: You can tell she like was tolerating it for months

1091
00:53:49,920 --> 00:53:51,559
and now she's like, all right, I'm done, I'm done.

1092
00:53:51,559 --> 00:53:53,920
Speaker 3: You gotta you gotta get in there or not. But

1093
00:53:53,960 --> 00:53:54,840
that night I.

1094
00:53:55,199 --> 00:53:58,960
Speaker 4: Didn't understand, Sorry, I didn't understand about the like he's

1095
00:53:58,960 --> 00:54:01,559
like biting her lip and all over her, and she's like, well,

1096
00:54:01,559 --> 00:54:03,719
if you don't want to have sex with me, it's

1097
00:54:03,760 --> 00:54:06,239
just like I think you're misreading all of the signals,

1098
00:54:06,239 --> 00:54:09,159
like where did finally making a move on you?

1099
00:54:11,119 --> 00:54:13,000
Speaker 2: Sorry? You wearing into my biting move.

1100
00:54:13,119 --> 00:54:16,280
Speaker 1: But she's like, you bit me, and he's like no,

1101
00:54:16,400 --> 00:54:18,440
because he acts like he got bit two and she

1102
00:54:18,599 --> 00:54:21,559
just totally ignores that. She's she's not very bright. She's

1103
00:54:21,599 --> 00:54:24,000
not very bright. However, I will say I do love.

1104
00:54:24,079 --> 00:54:26,280
Later on, she apologizes for all of this. I'm like,

1105
00:54:26,320 --> 00:54:28,800
you know what, most of women would have apologize, but

1106
00:54:28,840 --> 00:54:32,760
I liked that. She was like, you're actually right, I'm

1107
00:54:32,760 --> 00:54:33,400
glad she.

1108
00:54:33,400 --> 00:54:36,400
Speaker 3: Gave him a w there with the benefit behinds.

1109
00:54:36,559 --> 00:54:38,960
Speaker 1: She's like, I was wrong. But this is creepy where

1110
00:54:39,000 --> 00:54:41,039
she wakes up at night and she turns light on.

1111
00:54:41,119 --> 00:54:43,199
He's just ingesting her hair.

1112
00:54:43,800 --> 00:54:48,239
Speaker 2: I fucking hate the I hate hair related horror gags

1113
00:54:48,280 --> 00:54:50,920
like this. This is my least favorite part of the movie.

1114
00:54:52,039 --> 00:54:56,400
Like the mom uh nightmare or all the other freak

1115
00:54:56,440 --> 00:54:59,840
out things. This is the this is my eyeball or

1116
00:55:00,079 --> 00:55:02,480
shark uh part of the movie.

1117
00:55:03,559 --> 00:55:06,199
Speaker 1: Angela, don't say what scares you. For the love of God,

1118
00:55:06,320 --> 00:55:07,760
do not say what's now.

1119
00:55:07,960 --> 00:55:11,920
Speaker 2: I'm gonna get hair audience, audience.

1120
00:55:12,000 --> 00:55:15,039
Speaker 1: I've been I've been dealing with maybe eight years of

1121
00:55:15,199 --> 00:55:18,000
stabbed eye and eye injuries. Stuff that can sent to

1122
00:55:18,039 --> 00:55:22,079
me all the time. Kaylee gets sharks constantly. I remember

1123
00:55:22,400 --> 00:55:24,639
Kaylee had this one friend who said, Hey, I'm going

1124
00:55:24,679 --> 00:55:26,199
on a day, can you look at this cool alpha

1125
00:55:26,280 --> 00:55:28,000
I picked, and then this asshole set a picture of

1126
00:55:28,079 --> 00:55:30,199
him in a shark costume. We're not going to name

1127
00:55:30,320 --> 00:55:33,519
names on who that was. Uh so don't, for the

1128
00:55:33,639 --> 00:55:37,199
love of God, do not say what your biggest fear is. Also, Andy,

1129
00:55:37,239 --> 00:55:40,159
I'm just gonna full screen this, thank you.

1130
00:55:40,440 --> 00:55:48,199
Speaker 4: And I like that you called it a gag.

1131
00:55:48,559 --> 00:55:50,800
Speaker 2: But yeah, it's pretty freaky though. No, and I the

1132
00:55:50,800 --> 00:55:51,719
only one that hated this.

1133
00:55:52,239 --> 00:55:53,079
Speaker 3: No, it's freaky.

1134
00:55:53,119 --> 00:55:54,800
Speaker 1: I mean, hair stuff doesn't freak me out, but this

1135
00:55:54,960 --> 00:55:59,000
is a freaky scene because he's doing it like subconsciously.

1136
00:55:59,119 --> 00:56:01,079
His eyes are open about don't even think he's awake yet,

1137
00:56:01,599 --> 00:56:04,880
and it's like a vacuum. It's like a It's so gross.

1138
00:56:06,079 --> 00:56:08,239
But then again, she like gets up and he's like

1139
00:56:08,320 --> 00:56:10,639
coughing and freaking out. She's like, why are you eating

1140
00:56:10,679 --> 00:56:14,199
my hair? Like, lady, there's something wrong with him. There's

1141
00:56:14,360 --> 00:56:17,960
clearly something wrong with him. You need to, like against

1142
00:56:17,960 --> 00:56:19,760
his own will get him out there.

1143
00:56:22,159 --> 00:56:22,880
Speaker 3: That which is like.

1144
00:56:23,159 --> 00:56:28,840
Speaker 1: Two I love the next day, there's still hair in there.

1145
00:56:29,239 --> 00:56:33,039
Now let me full scream this again. Is it weirder

1146
00:56:33,079 --> 00:56:35,119
when it's a lot of hair or is it grosser

1147
00:56:35,159 --> 00:56:37,400
when it's like like a strand of hair.

1148
00:56:37,719 --> 00:56:39,960
Speaker 2: I know guys with hair in their teeth is usually

1149
00:56:39,960 --> 00:56:42,679
a good sign, right, ladies, wink wink.

1150
00:56:46,559 --> 00:56:51,559
Speaker 6: Andy has never shut up to ladies as quickly as that.

1151
00:56:52,639 --> 00:56:53,480
Speaker 3: I like that. I like that.

1152
00:56:53,639 --> 00:56:55,480
Speaker 1: Cayley rolled her eyes and he had like the most

1153
00:56:55,480 --> 00:57:01,960
delayed reaction. But he's just yanking his hair and it's

1154
00:57:02,000 --> 00:57:04,079
like it's not just like it's stuck in his mouth,

1155
00:57:04,159 --> 00:57:05,360
it's like stuck to him, Beau.

1156
00:57:05,400 --> 00:57:06,840
Speaker 3: He has to like yank it out of him.

1157
00:57:07,239 --> 00:57:10,960
Speaker 2: It reminded me of a basketball when he's licking the

1158
00:57:11,000 --> 00:57:12,199
g of the mom's dildo.

1159
00:57:14,599 --> 00:57:17,119
Speaker 1: Uh. And then here this is when she has to

1160
00:57:17,199 --> 00:57:19,480
drive him to the train station because she can't drive

1161
00:57:19,559 --> 00:57:20,280
him to the city.

1162
00:57:20,679 --> 00:57:22,079
Speaker 3: What she's real bummed about.

1163
00:57:22,159 --> 00:57:26,119
Speaker 1: It's like she has a job in that, Like why

1164
00:57:26,159 --> 00:57:28,280
won't you drive me two hours into the city. It's like,

1165
00:57:28,320 --> 00:57:33,239
because that's super inconvenient. Yeah, he's got to get to

1166
00:57:33,280 --> 00:57:35,199
the train. And here she's actually doing the right thing.

1167
00:57:35,239 --> 00:57:38,760
She's like, hey, you're like not well, and like he's

1168
00:57:38,800 --> 00:57:41,880
totally this is where he's being kind of it. She's like, hey,

1169
00:57:41,920 --> 00:57:43,360
you should stay home. He's like, of course you want

1170
00:57:43,400 --> 00:57:44,719
me to stay home. You don't want it to be

1171
00:57:44,760 --> 00:57:47,320
a great musician. And she's like, hey, you're trying to

1172
00:57:47,360 --> 00:57:50,159
eat my hair. You're freaking out and sweating all the time,

1173
00:57:50,360 --> 00:57:52,159
like you're clearly sick.

1174
00:57:52,199 --> 00:57:53,199
Speaker 3: You should stay home.

1175
00:57:53,760 --> 00:57:56,360
Speaker 2: There's no danger of your music career taking off.

1176
00:57:57,360 --> 00:58:02,960
Speaker 1: God forbid you miss this one thing. Uh So, yeah,

1177
00:58:03,280 --> 00:58:05,639
he goes to the station. He's taking a shit ton

1178
00:58:05,639 --> 00:58:10,239
of muscle relaxers. He's waiting to get picked up. But

1179
00:58:10,360 --> 00:58:15,000
as she leaves the spell, it overtakes him again and

1180
00:58:15,039 --> 00:58:17,360
he says he's getting like he's real horny. He's like

1181
00:58:17,400 --> 00:58:20,840
rubbing his legs and everything, and he goes, oh.

1182
00:58:20,800 --> 00:58:22,239
Speaker 3: No, not now, not.

1183
00:58:25,960 --> 00:58:26,280
Speaker 4: Uh.

1184
00:58:26,320 --> 00:58:29,039
Speaker 3: And then in school we circle back to this.

1185
00:58:29,079 --> 00:58:30,639
Speaker 1: I didn't think they were going to revisit this, but

1186
00:58:30,679 --> 00:58:33,400
we see this little girl who's drawing a picture, and

1187
00:58:33,440 --> 00:58:34,119
it turns.

1188
00:58:33,880 --> 00:58:36,119
Speaker 3: Out, uh oh, he left all his equipment there.

1189
00:58:36,199 --> 00:58:38,920
Speaker 1: I thought that was it turns out this girl was

1190
00:58:38,960 --> 00:58:42,360
the owner of the dogs. And if we could see

1191
00:58:42,400 --> 00:58:44,559
by the tails on the dogs, I think it's heavily

1192
00:58:44,639 --> 00:58:46,400
suggested that they lit them on fire.

1193
00:58:47,760 --> 00:58:50,159
Speaker 4: Well, I thought that was diarrhea because they drink that

1194
00:58:50,239 --> 00:58:50,880
cave of water.

1195
00:58:53,440 --> 00:58:57,760
Speaker 1: You know, it never confirms it, so it's open to interpretation.

1196
00:58:58,559 --> 00:59:00,559
Speaker 3: I think it's fine. Who thinks since.

1197
00:59:00,400 --> 00:59:04,320
Speaker 1: Diarrhea who thinks it's fire. Let us know in the chat.

1198
00:59:05,559 --> 00:59:07,519
Speaker 6: I previously thought that it was fire, but I like

1199
00:59:07,599 --> 00:59:08,679
Angela's take on us.

1200
00:59:09,679 --> 00:59:12,840
Speaker 2: Yeah, put in the chat for diarrhea. Yeah.

1201
00:59:13,880 --> 00:59:18,559
Speaker 1: Actually, but of course I won't read the chat unless

1202
00:59:18,559 --> 00:59:19,199
it's a super chat.

1203
00:59:19,239 --> 00:59:20,320
Speaker 3: I have to reiterate that.

1204
00:59:20,599 --> 00:59:23,239
Speaker 1: Uh No, I've had too many guests recently that are like,

1205
00:59:23,280 --> 00:59:24,360
I'm gonna read the free chat.

1206
00:59:24,400 --> 00:59:27,880
Speaker 3: I'm like, out, dare you? So?

1207
00:59:27,960 --> 00:59:30,679
Speaker 1: Yeah, her friend is uh calling her and she's like, hey,

1208
00:59:30,719 --> 00:59:33,960
you should probably like not live there and also break

1209
00:59:34,039 --> 00:59:34,519
up with him.

1210
00:59:35,360 --> 00:59:38,719
Speaker 3: Oh why don't you leave? And she's like, ah, nah,

1211
00:59:38,800 --> 00:59:41,280
I think I'll stay, and then she sees him outside.

1212
00:59:41,679 --> 00:59:44,920
Oh wait. She also mentions that, uh, this is a

1213
00:59:44,920 --> 00:59:45,480
great moment.

1214
00:59:45,559 --> 00:59:48,320
Speaker 1: This is definitely a breakup moment where you're like someone's

1215
00:59:48,360 --> 00:59:49,920
like you gotta break up and like, yeah, but he

1216
00:59:50,000 --> 00:59:52,199
was really great when he did this thing when he

1217
00:59:52,239 --> 00:59:54,679
bought me the Spice Girl's vinyl because I said it

1218
00:59:54,719 --> 00:59:55,639
was my favorite.

1219
00:59:55,320 --> 00:59:56,920
Speaker 3: Fan and I love what she goes.

1220
00:59:56,960 --> 00:59:59,280
Speaker 1: That was eight years ago, and I'm like, uh h,

1221
01:00:00,039 --> 01:00:01,599
it sounds like yeah, really hanging on to that.

1222
01:00:02,719 --> 01:00:04,440
Speaker 2: They got to set that up so they could pay

1223
01:00:04,480 --> 01:00:07,679
it off later at least fucking favorite gig.

1224
01:00:08,880 --> 01:00:11,119
Speaker 1: Like, here's the thing, Like, I'm not really I mean,

1225
01:00:11,159 --> 01:00:13,559
I know the Spice Girls obviously, I was in the

1226
01:00:13,639 --> 01:00:15,079
nineties and had a little sister.

1227
01:00:15,159 --> 01:00:17,559
Speaker 3: It's hard to avoid them.

1228
01:00:17,639 --> 01:00:19,480
Speaker 1: But as soon as they said Spice Girls, I'm like,

1229
01:00:19,559 --> 01:00:22,400
I know exactly what song is gonna play at the end.

1230
01:00:22,960 --> 01:00:25,320
I know exactly what it is.

1231
01:00:25,440 --> 01:00:28,719
Speaker 4: It's the only song about written ever in the world

1232
01:00:28,760 --> 01:00:30,039
about two people.

1233
01:00:31,199 --> 01:00:31,719
Speaker 3: Want to be.

1234
01:00:31,800 --> 01:00:34,679
Speaker 1: It would be weird to be even though that is

1235
01:00:34,800 --> 01:00:35,840
more popular one.

1236
01:00:36,440 --> 01:00:39,639
Speaker 2: I would have enjoyed that sequence more if it was here.

1237
01:00:41,679 --> 01:00:43,920
Speaker 1: But yeah, she's talking to her friend. She looks up

1238
01:00:43,960 --> 01:00:46,719
and he's just outside and he comes in. He's like,

1239
01:00:46,760 --> 01:00:49,440
I need you, I need you, And I thought it

1240
01:00:49,480 --> 01:00:53,159
was appropriate to come to a place full of fucking

1241
01:00:53,400 --> 01:00:55,920
children to tell you how much I want to plow

1242
01:00:56,000 --> 01:00:59,840
you right now. And I guess the spell has it

1243
01:01:00,280 --> 01:01:02,079
been working on her, But I guess it kind of

1244
01:01:02,159 --> 01:01:05,119
hits her a little bit here because she's like, yes,

1245
01:01:05,880 --> 01:01:10,119
let's have sex in the children's boys room. They're like,

1246
01:01:10,159 --> 01:01:15,679
this is a horrible idea, but yeah, they get in

1247
01:01:15,719 --> 01:01:18,000
there and it gets pretty spicy.

1248
01:01:19,239 --> 01:01:21,840
Speaker 6: Let me pause for a second here, because this might

1249
01:01:21,880 --> 01:01:25,360
be a question more for Angela. But sweaty running man

1250
01:01:25,760 --> 01:01:28,599
comes up to you and tries to bang you at

1251
01:01:28,599 --> 01:01:32,559
your workplace. And also he just ditched the one and

1252
01:01:32,639 --> 01:01:35,639
only thing that he's passionate about to do about in

1253
01:01:35,760 --> 01:01:37,480
order to do this, which means that he has no

1254
01:01:37,559 --> 01:01:38,480
motivation or drive.

1255
01:01:39,119 --> 01:01:40,559
Speaker 7: Do you want to have sex with him?

1256
01:01:40,599 --> 01:01:43,519
Speaker 1: Because real quick, Kayley, you have to mention that it's

1257
01:01:43,559 --> 01:01:46,519
like her boy partner, because you just said sweaty dirty man.

1258
01:01:46,880 --> 01:01:49,400
Speaker 3: You didn't emphasize it was like someone she's in a relationship.

1259
01:01:49,760 --> 01:01:53,320
Speaker 4: If it's a stranger, yes, but my boyfriend who won't

1260
01:01:53,320 --> 01:01:54,000
have sex with me?

1261
01:01:54,159 --> 01:01:57,920
Speaker 7: No, Angela, I like you more and more.

1262
01:01:59,159 --> 01:02:01,199
Speaker 3: I don't. But you didn't preface out the correct way.

1263
01:02:01,199 --> 01:02:03,079
You're like, all right, so a sweaty dirty man, Like,

1264
01:02:03,119 --> 01:02:05,519
what the fuck ever know?

1265
01:02:05,639 --> 01:02:07,480
Speaker 7: He's not behaving like her boyfriend?

1266
01:02:07,519 --> 01:02:09,840
Speaker 3: And you say your friend. You just started with sweaty

1267
01:02:09,880 --> 01:02:19,440
dirty man. You didn't say boyfriend.

1268
01:02:15,199 --> 01:02:17,039
Speaker 2: That's wandered onto a playground.

1269
01:02:17,519 --> 01:02:20,039
Speaker 4: He just got like a pill bottle. He keeps hopping.

1270
01:02:20,360 --> 01:02:20,559
Speaker 7: Yeah.

1271
01:02:24,320 --> 01:02:26,960
Speaker 1: So yeah, they go to Poundtown and they finish and

1272
01:02:26,960 --> 01:02:30,519
they're feeling pretty great and then, uh, they noticed someone's

1273
01:02:30,559 --> 01:02:33,239
watching them. And it turns out as a kid, and

1274
01:02:33,320 --> 01:02:35,079
she's just like, we gotta.

1275
01:02:34,840 --> 01:02:36,320
Speaker 3: We gotta get out, we gotta get out, we gotta

1276
01:02:36,360 --> 01:02:36,800
get out here.

1277
01:02:36,840 --> 01:02:39,760
Speaker 1: But he can't physically get out of her. And I

1278
01:02:39,840 --> 01:02:41,840
love again. I love when they blame each other like

1279
01:02:41,840 --> 01:02:43,639
they haven't figured it out. He's like, why are you

1280
01:02:43,719 --> 01:02:47,360
tensing up? She's really talking about knowing not uh, And

1281
01:02:47,400 --> 01:02:49,559
he tries to yank that bad boy out and I

1282
01:02:49,599 --> 01:02:52,639
had to censor it the best I could. I censored

1283
01:02:52,679 --> 01:02:54,599
it the best I could. Andy, I know you really

1284
01:02:54,599 --> 01:02:55,480
wanted the scene.

1285
01:02:55,880 --> 01:02:59,559
Speaker 2: Well, this is the reason I've been bugging Kayley for

1286
01:02:59,639 --> 01:03:02,159
the last six months to watch this is. I was

1287
01:03:02,199 --> 01:03:06,639
like body Horror Plato Symposium, because she brings that up

1288
01:03:06,679 --> 01:03:08,760
more than a couple of times in the last couple

1289
01:03:08,800 --> 01:03:11,880
of years. And this scene was like did you have

1290
01:03:11,880 --> 01:03:13,760
you seen it yet? Have you watched it yet? Have

1291
01:03:13,639 --> 01:03:16,039
you watched it yet? Exactly?

1292
01:03:16,920 --> 01:03:22,719
Speaker 1: And knows what I like, real quick, let me see

1293
01:03:22,760 --> 01:03:26,360
what was the Okay Shanks partner.

1294
01:03:27,880 --> 01:03:32,480
Speaker 3: His For a minute, I was just like, wait, this

1295
01:03:32,519 --> 01:03:33,800
is the director writer? Gay?

1296
01:03:33,880 --> 01:03:37,039
Speaker 1: I guess he is because it's a partner. Oh no

1297
01:03:37,119 --> 01:03:41,199
girlfriend since twenty ten? Well it just says partner. I

1298
01:03:41,239 --> 01:03:42,559
don't know if it's business.

1299
01:03:42,159 --> 01:03:46,119
Speaker 3: Partner or his girl partner, but it says, uh, where

1300
01:03:46,280 --> 01:03:48,880
should I just lost it? Hold on? Hold on Shank's.

1301
01:03:48,519 --> 01:03:51,039
Speaker 2: Partner picking this really flattering photo of me.

1302
01:03:52,480 --> 01:03:56,599
Speaker 1: Shag's partner, who worked for a sex toy company, supplied

1303
01:03:56,719 --> 01:04:01,239
free lifelike prop Genitalia for use in this scene. So

1304
01:04:01,280 --> 01:04:02,960
it basically she gave him like a prop dick, and

1305
01:04:02,960 --> 01:04:05,440
then they like dressed it up and made it look real.

1306
01:04:05,559 --> 01:04:08,119
It looked a little too real, but this was.

1307
01:04:08,599 --> 01:04:12,039
Speaker 2: I mean, I was surprised that the prosthetic was so big.

1308
01:04:12,119 --> 01:04:15,199
You know, It's like even the part that wasn't in

1309
01:04:15,400 --> 01:04:17,280
was still you know, twice as vague as a regular

1310
01:04:17,280 --> 01:04:19,880
penis or eight ladies of course.

1311
01:04:20,239 --> 01:04:24,360
Speaker 6: Yeah, yes, I what I really loved about the sequence.

1312
01:04:24,360 --> 01:04:25,920
And we got to see this a little bit earlier

1313
01:04:25,920 --> 01:04:27,800
in the massage sequences. We got to see it in

1314
01:04:27,840 --> 01:04:29,920
some of the dream like sequences and with the hair.

1315
01:04:30,880 --> 01:04:35,000
The the effects for this movie truly are the success

1316
01:04:35,000 --> 01:04:36,400
of it. And if you were going to do a

1317
01:04:36,440 --> 01:04:39,920
modern body horror film, I need to have that. And

1318
01:04:39,960 --> 01:04:42,400
I really liked the sequence because of that. It felt

1319
01:04:42,519 --> 01:04:45,960
very believable to me because everything was so life size

1320
01:04:46,000 --> 01:04:47,159
and accurate.

1321
01:04:48,760 --> 01:04:53,000
Speaker 2: I'll say that about this part effect, but when we

1322
01:04:53,119 --> 01:04:57,039
get to the third act, kind of hard decision.

1323
01:04:57,000 --> 01:04:59,800
Speaker 7: There are definitely some things that do not function.

1324
01:05:00,519 --> 01:05:03,840
Speaker 6: However, overall, I really liked a lot of the effects.

1325
01:05:04,199 --> 01:05:07,480
Speaker 1: Yeah, but yeah, this part's hard to watch. And this

1326
01:05:07,480 --> 01:05:09,599
this was rough where she looks at him and she's like,

1327
01:05:09,639 --> 01:05:11,119
I'm really sorry, and he's like what.

1328
01:05:11,519 --> 01:05:13,800
Speaker 3: She just pushes him out.

1329
01:05:13,880 --> 01:05:16,719
Speaker 1: I'm like, oh my god the whole time, like, don't

1330
01:05:16,719 --> 01:05:18,760
show it, don't show it, don't show it.

1331
01:05:18,840 --> 01:05:20,440
Speaker 3: Thank god they don't show it.

1332
01:05:21,880 --> 01:05:23,679
Speaker 1: But then it gets worse because the kid comes back

1333
01:05:23,679 --> 01:05:28,079
with the teacher, Jamie, So what's the space. Tim is

1334
01:05:28,119 --> 01:05:30,960
just like on the toilet seat, trying not to scream

1335
01:05:31,000 --> 01:05:34,840
about his like dickon being ripped up. She walks out

1336
01:05:34,880 --> 01:05:36,840
and she's like, oh, yeah, I had a problem, and

1337
01:05:36,880 --> 01:05:39,440
I think Jamie like sees the blood tripping down. He's like, oh,

1338
01:05:39,480 --> 01:05:42,960
she must have had like a woman problem. He tells

1339
01:05:42,960 --> 01:05:44,920
the kid to like go back. He's like, all right,

1340
01:05:44,960 --> 01:05:47,880
get out of here, go back to class. Everything is fine,

1341
01:05:49,119 --> 01:05:51,559
but as he walks away, he sees Tim kitting out

1342
01:05:51,559 --> 01:05:54,119
of the toilet. I'm like, oh, that's bad. That's really bad.

1343
01:05:55,239 --> 01:05:57,280
Speaker 3: Cuts to her freaking out. She's like, what did you do?

1344
01:05:57,400 --> 01:05:59,159
Speaker 1: Like, you haven't touched me a month. You show up

1345
01:05:59,159 --> 01:06:01,280
at my work. I could have been fired or arrested.

1346
01:06:03,119 --> 01:06:06,880
Speaker 2: They're both on a list now, and he's like.

1347
01:06:06,880 --> 01:06:09,320
Speaker 1: Trying to tell her like there's something not right, like

1348
01:06:09,360 --> 01:06:12,280
we're fucked since we went to that cave, but she's

1349
01:06:12,320 --> 01:06:13,400
just not having it.

1350
01:06:14,679 --> 01:06:14,880
Speaker 3: Yeah.

1351
01:06:14,920 --> 01:06:17,800
Speaker 1: She goes down the street to Jamie and we see

1352
01:06:17,840 --> 01:06:20,719
her ring a bell at the door, but we don't

1353
01:06:20,719 --> 01:06:22,000
see what the bell looks like.

1354
01:06:22,119 --> 01:06:26,840
Speaker 3: And I'm like, bad guy, bad guy, we saw bells earlier.

1355
01:06:27,400 --> 01:06:30,840
He's bad guy who fucking has a big goddamn bell

1356
01:06:31,000 --> 01:06:35,440
In this day and age, you we have bells? What

1357
01:06:35,480 --> 01:06:37,920
are you talking about? Shit.

1358
01:06:38,719 --> 01:06:42,920
Speaker 2: The one moment where she is probably the shittiest version

1359
01:06:42,960 --> 01:06:46,239
of that character when she invokes his dead parents and

1360
01:06:46,320 --> 01:06:49,320
throws it in his face before storms off. I was like, Wow,

1361
01:06:49,400 --> 01:06:53,320
that's fucking a nasty thing to say. This is how

1362
01:06:53,360 --> 01:06:55,960
you could tell she's getting fed up with his bullshit.

1363
01:06:56,039 --> 01:06:58,039
Speaker 1: I guess because she's like, I feel like your mom

1364
01:06:58,079 --> 01:07:00,280
And he's like why, because I'm crazy.

1365
01:07:00,360 --> 01:07:03,159
Speaker 3: She's no living with something that's dead. I'm like, that

1366
01:07:03,400 --> 01:07:04,039
is rough.

1367
01:07:04,320 --> 01:07:07,480
Speaker 1: We went really far there, you could have eased into

1368
01:07:07,519 --> 01:07:11,920
an insult like that. But yeah, she goes to Jamie's house.

1369
01:07:12,119 --> 01:07:15,480
She sees a picture of just two handsome gentleman who

1370
01:07:15,960 --> 01:07:18,760
looked kind of like Jamie but not quite.

1371
01:07:20,159 --> 01:07:23,840
Speaker 2: I was gonna say before we were about to spoil

1372
01:07:23,880 --> 01:07:29,239
things at the top, if you were merged into the

1373
01:07:29,280 --> 01:07:33,239
ideal version of two people and that guy who comes

1374
01:07:33,239 --> 01:07:36,440
out on the other side a little disappointed.

1375
01:07:40,400 --> 01:07:44,159
Speaker 3: But yeah, yeah, he's like, so obviously bad guy.

1376
01:07:44,880 --> 01:07:49,199
Speaker 1: What was it reminded me of, uh, actually, it reminds

1377
01:07:49,199 --> 01:07:51,559
me of hot fuzz where what's his face? Timothy Dalton

1378
01:07:51,679 --> 01:07:53,760
is so clearly the bad guy, and the movie's kind

1379
01:07:53,760 --> 01:07:57,119
of having fun about how obvious he's the bad guy,

1380
01:07:58,440 --> 01:07:59,800
but you do you have to wait until the end

1381
01:07:59,840 --> 01:08:00,760
for it to be confirmed.

1382
01:08:00,800 --> 01:08:01,800
Speaker 3: You're like, yeah, but I know.

1383
01:08:01,920 --> 01:08:03,679
Speaker 1: And this is like the same thing where he's the

1384
01:08:03,760 --> 01:08:06,880
double rings, the two pictures of the guys the belts, like.

1385
01:08:07,079 --> 01:08:09,280
Speaker 3: You might as well just be like, it's me. I'm

1386
01:08:09,280 --> 01:08:10,920
gonna make you two stick together.

1387
01:08:12,719 --> 01:08:13,039
Speaker 2: It's me.

1388
01:08:17,159 --> 01:08:19,800
Speaker 3: And this is the scene where we find out he's gay.

1389
01:08:19,880 --> 01:08:22,239
Speaker 1: So he's sitting like a lady because up until this

1390
01:08:22,359 --> 01:08:24,079
they're like, is he really into her?

1391
01:08:24,199 --> 01:08:26,119
Speaker 3: And it's just like, no, you don't worry. He's just

1392
01:08:26,199 --> 01:08:26,920
a gay guy.

1393
01:08:27,800 --> 01:08:28,239
Speaker 6: Uh.

1394
01:08:28,239 --> 01:08:31,880
Speaker 3: And of course, so you missed this the two rings

1395
01:08:31,920 --> 01:08:32,520
close up.

1396
01:08:33,319 --> 01:08:36,319
Speaker 2: I was probably doing something else. I was playing.

1397
01:08:36,399 --> 01:08:40,479
Speaker 1: So I'm measuring your dick and comparing it with you.

1398
01:08:40,600 --> 01:08:46,520
Speaker 3: Yeah, I was like yeah, yeah, uh. But yeah.

1399
01:08:46,520 --> 01:08:49,640
Speaker 1: He talks about his lover that he was with, and

1400
01:08:49,640 --> 01:08:51,800
it's like I loved him so much and I was scared.

1401
01:08:51,840 --> 01:08:53,159
I was like, you, I didn't know what to do,

1402
01:08:53,199 --> 01:08:55,560
and I walked away and she's like, what did you do?

1403
01:08:55,640 --> 01:08:57,520
She's like, I did nothing. I didn't know what to do.

1404
01:08:57,920 --> 01:08:59,560
I had all this freedom, but then I couldn't think

1405
01:08:59,600 --> 01:09:00,560
of life with out him.

1406
01:09:01,199 --> 01:09:04,039
Speaker 3: And then the way he's telling the story, it makes it.

1407
01:09:03,920 --> 01:09:06,680
Speaker 1: Seem like they ended up together and he died, but

1408
01:09:06,720 --> 01:09:07,640
that's not the case.

1409
01:09:08,039 --> 01:09:09,399
Speaker 3: But I do like that he goes, hey, can I

1410
01:09:09,399 --> 01:09:10,600
show you my wedding tape?

1411
01:09:10,640 --> 01:09:13,119
Speaker 1: I've been waiting to show someone, And now that we

1412
01:09:13,159 --> 01:09:15,000
know what the wedding tape is, later on.

1413
01:09:15,119 --> 01:09:17,319
Speaker 3: It's just like, how did he think that was gonna go?

1414
01:09:17,399 --> 01:09:19,399
Speaker 1: That would have been the most horrifying thing in the world,

1415
01:09:21,439 --> 01:09:24,000
because somehow he knows what happens.

1416
01:09:24,039 --> 01:09:26,600
Speaker 3: Then with the cave and I don't know.

1417
01:09:27,239 --> 01:09:29,319
Speaker 1: I guess I know where all the other cult members are,

1418
01:09:29,359 --> 01:09:31,279
but I don't know why he's just letting this happen

1419
01:09:31,279 --> 01:09:35,119
and not interfering more directly, I feel like he wants.

1420
01:09:34,800 --> 01:09:36,720
Speaker 4: It to happen because he's the one who told them

1421
01:09:36,800 --> 01:09:39,039
to go hiking in the woods behind the house, like

1422
01:09:39,039 --> 01:09:41,560
on the first day was yeah, hey, go to the woods.

1423
01:09:42,159 --> 01:09:43,159
Speaker 3: But to what end?

1424
01:09:43,560 --> 01:09:45,560
Speaker 1: I guess that's his question for the end of the movie,

1425
01:09:45,840 --> 01:09:48,119
like why does he want this to continue happening?

1426
01:09:49,199 --> 01:09:51,399
Speaker 3: And why are all the other ones in a wall?

1427
01:09:53,680 --> 01:09:54,279
Speaker 2: Is the answer?

1428
01:09:56,399 --> 01:09:56,760
Speaker 3: What is it?

1429
01:09:56,800 --> 01:09:58,479
Speaker 1: Heaven's Gate is the one where they all killed himself,

1430
01:09:58,560 --> 01:10:01,680
but they like left two people behind to maintain the website, right,

1431
01:10:01,880 --> 01:10:04,600
was there something like that? It's like, after thirty years,

1432
01:10:04,600 --> 01:10:06,640
have those people are they still maintaining the website?

1433
01:10:06,720 --> 01:10:08,560
Speaker 3: Or if they finally clicked that, they're like, oh wait,

1434
01:10:08,600 --> 01:10:10,039
I think that was all wrong. I think it was

1435
01:10:10,079 --> 01:10:13,640
all long. That's gonna be the worst shop.

1436
01:10:13,680 --> 01:10:15,560
Speaker 1: We're all going to Heaven and it's gonna be great,

1437
01:10:15,640 --> 01:10:18,039
but you gotta update our press.

1438
01:10:18,159 --> 01:10:18,560
Speaker 3: You're staying.

1439
01:10:18,720 --> 01:10:20,279
Speaker 2: I want to say, I want to say our boy,

1440
01:10:20,399 --> 01:10:24,439
uh Luigi Greenberg ain skeptical Robot just mentioned that that

1441
01:10:24,520 --> 01:10:25,880
website is still active.

1442
01:10:26,359 --> 01:10:29,920
Speaker 1: Oh yeah, why were they updating the website? They're all

1443
01:10:30,000 --> 01:10:33,279
dead anyway. Sorry. They didn't want those two to go

1444
01:10:33,319 --> 01:10:35,479
to heaven with them, And they're like, you, guys.

1445
01:10:38,439 --> 01:10:39,680
Speaker 3: It's really important.

1446
01:10:40,000 --> 01:10:44,640
Speaker 6: Jesus wants to update that website.

1447
01:10:44,199 --> 01:10:47,560
Speaker 1: You'll get there eventually.

1448
01:10:47,760 --> 01:10:49,560
Speaker 3: We're going ahead and I we'll set it up for you.

1449
01:10:49,600 --> 01:10:50,479
We got a nice place.

1450
01:10:52,560 --> 01:10:55,560
Speaker 1: But yeah, Dave Franco's just hanging outside the window, and

1451
01:10:55,640 --> 01:10:57,640
she's like, oh shit, I gotta go. I can't watch

1452
01:10:57,640 --> 01:11:00,920
your wedding video, you creep. I gotta leave.

1453
01:11:01,560 --> 01:11:05,840
Speaker 2: Yeah. Showing up at children's playground and peaking in the

1454
01:11:05,880 --> 01:11:09,439
neighbor's windows, it's not a great look for Dave Franco.

1455
01:11:11,079 --> 01:11:14,800
Speaker 3: So, uh, they get home and he's checking his messages and.

1456
01:11:15,119 --> 01:11:21,079
Speaker 1: The rock Dogs, okay, who's starting a band called the

1457
01:11:21,239 --> 01:11:21,960
rock Dogs?

1458
01:11:23,119 --> 01:11:25,439
Speaker 3: I don't know how to play. Let's all start a band.

1459
01:11:27,359 --> 01:11:29,359
Speaker 2: I've ever heard. I didn't even notice that in the.

1460
01:11:29,319 --> 01:11:32,199
Speaker 3: Movie, guys. I don't know why the rock Dogs never

1461
01:11:32,279 --> 01:11:36,760
took off as a band. Uh, but yeah, I love.

1462
01:11:36,760 --> 01:11:38,399
They're like, hey, did you get in? How far away

1463
01:11:38,399 --> 01:11:40,520
are you? They're like, oh, the one.

1464
01:11:40,399 --> 01:11:45,920
Speaker 1: Guy goes you better be dead because this is very

1465
01:11:46,039 --> 01:11:47,920
rude to make a big deal about this and you're

1466
01:11:47,920 --> 01:11:50,760
gonna be there and then just ghost everyone.

1467
01:11:51,720 --> 01:11:52,000
Speaker 4: Uh.

1468
01:11:52,159 --> 01:11:54,319
Speaker 1: He's all upset about and I think they finally lose

1469
01:11:54,399 --> 01:12:00,520
internet at that point here.

1470
01:12:00,600 --> 01:12:01,279
Speaker 3: Oh no, yeah.

1471
01:12:01,319 --> 01:12:03,479
Speaker 1: He does a little bit more checking and he sees

1472
01:12:03,560 --> 01:12:06,800
the people got lost right around where they fell into

1473
01:12:06,800 --> 01:12:09,079
the cave, and he's like, okay, wait, I think I

1474
01:12:09,119 --> 01:12:11,039
figured something out here, and he's like looking at the

1475
01:12:11,039 --> 01:12:14,840
picture of them, he sees the bell. While this is happening,

1476
01:12:14,880 --> 01:12:17,279
you hear a bunch of noises upstairs and I forgot

1477
01:12:17,319 --> 01:12:18,960
to clip it, but I love that he's on the

1478
01:12:18,960 --> 01:12:21,600
computer and like the camera just looks at the ceiling

1479
01:12:21,640 --> 01:12:24,239
and you hear like the thump and the thud. I'm like, oh,

1480
01:12:24,319 --> 01:12:26,399
that's really cool because he's like, you know what's happening.

1481
01:12:27,800 --> 01:12:29,840
You're just like waiting for it to like pay off.

1482
01:12:30,399 --> 01:12:32,760
She shows up on the other side of the glass door.

1483
01:12:32,760 --> 01:12:36,800
It's like spasting out, Isn't it.

1484
01:12:36,920 --> 01:12:43,479
Speaker 2: Like a screenwriter's best development since Sliced Bread? That they

1485
01:12:43,479 --> 01:12:46,800
don't always have to have a scene where Jennifer Love

1486
01:12:46,840 --> 01:12:49,439
Hewitt goes to the public library to figure out who

1487
01:12:49,479 --> 01:12:52,079
the killer is now they can just use the internet

1488
01:12:52,119 --> 01:12:55,560
at home. It's such a shortcut to screenwriting.

1489
01:12:57,600 --> 01:13:00,159
Speaker 6: Oh for micro fies, it's so easy now.

1490
01:13:02,840 --> 01:13:05,239
Speaker 1: Uh oh, crap, did I miss a Did I miss

1491
01:13:05,239 --> 01:13:07,199
a clip? Hold on, I see a clip here, and

1492
01:13:07,199 --> 01:13:08,199
I think I might have miss something.

1493
01:13:08,199 --> 01:13:12,640
Speaker 3: I even started to miss the fights we had. Sorry,

1494
01:13:12,720 --> 01:13:15,359
I wanted to worth that.

1495
01:13:19,640 --> 01:13:22,680
Speaker 2: His previous Relationshipsky.

1496
01:13:21,560 --> 01:13:24,000
Speaker 1: Sorry, there was a reason I clip had backtracking to

1497
01:13:24,039 --> 01:13:26,199
that previous men. When he went I missed all the

1498
01:13:26,199 --> 01:13:28,560
fights we had, I'm thinking of every breakup my head.

1499
01:13:28,720 --> 01:13:30,680
Speaker 3: I've never missed a single fight.

1500
01:13:31,039 --> 01:13:33,960
Speaker 1: That was the weirdest thing of Like, No, even if

1501
01:13:34,000 --> 01:13:36,359
I missed the girl and I was sad, I never

1502
01:13:36,439 --> 01:13:39,239
missed the fights once. I never want to revisit those.

1503
01:13:39,680 --> 01:13:42,079
That was the dumbest thing this guy could have said.

1504
01:13:42,600 --> 01:13:45,760
Maybe he's regretting fusing spoiler with his other self and

1505
01:13:45,800 --> 01:13:46,359
he wants.

1506
01:13:46,119 --> 01:13:47,640
Speaker 3: To fuse with these people or something.

1507
01:13:48,159 --> 01:13:51,239
Speaker 1: Anyway, back to the scene we were talking about, he's

1508
01:13:51,319 --> 01:13:54,159
terrified open the door, but then like the curse has

1509
01:13:54,199 --> 01:13:56,399
gotten so strong that they freaking start.

1510
01:13:56,399 --> 01:14:00,560
Speaker 3: Levitating in the air. That's right.

1511
01:14:00,600 --> 01:14:02,159
Speaker 1: When I was first watching this, I'm like, Oh, is

1512
01:14:02,199 --> 01:14:04,520
it gonna be like a science thing, it's gonna be revealed.

1513
01:14:04,520 --> 01:14:07,359
It's like, oh no, it's definitely like magic, like ancient magic.

1514
01:14:08,640 --> 01:14:12,439
But yeah, they smash into each other and he has

1515
01:14:12,520 --> 01:14:14,640
to slap her to stap her out of bit.

1516
01:14:15,359 --> 01:14:17,359
Speaker 2: Yah, and of course she's like, why did you hit.

1517
01:14:17,279 --> 01:14:19,640
Speaker 3: Me downstairs in this room that I didn't know I

1518
01:14:19,720 --> 01:14:23,039
was in? Just now? Why do I feel like I've

1519
01:14:23,039 --> 01:14:23,800
been head budding?

1520
01:14:24,520 --> 01:14:24,840
Speaker 2: Oh?

1521
01:14:24,960 --> 01:14:25,319
Speaker 3: Door?

1522
01:14:25,359 --> 01:14:27,439
Speaker 1: And might is my back hurt? Like I slunk down

1523
01:14:27,439 --> 01:14:28,560
a bunch of stairs?

1524
01:14:28,760 --> 01:14:31,880
Speaker 2: Yeah? I like this is the other useful information that

1525
01:14:31,960 --> 01:14:36,159
the movie gives us. The curative sleepwalking is the Sean

1526
01:14:36,239 --> 01:14:37,199
Connery treatment.

1527
01:14:40,760 --> 01:14:43,079
Speaker 1: But he tells her like, hey, something happened to those

1528
01:14:43,119 --> 01:14:43,840
people went missing.

1529
01:14:43,920 --> 01:14:45,600
Speaker 3: I think we have to.

1530
01:14:45,600 --> 01:14:46,960
Speaker 1: Stay apart, And she's like, you don't want to be

1531
01:14:47,000 --> 01:14:49,159
near me. He's like, exactly, we shouldn't be near each other.

1532
01:14:49,239 --> 01:14:51,359
Something happens when we get close to each other. And

1533
01:14:51,399 --> 01:14:54,479
she's just like not getting that. He means literally, She's like,

1534
01:14:54,520 --> 01:14:55,880
you just want to break up. He's like, that's not

1535
01:14:55,920 --> 01:14:56,960
what I'm talking about.

1536
01:14:57,359 --> 01:14:57,840
Speaker 3: And I like that.

1537
01:14:57,880 --> 01:15:00,000
Speaker 1: He goes, look, just touch my hand, upprove it uproof,

1538
01:15:00,199 --> 01:15:03,600
and she just doesn't want to hear it. And it's

1539
01:15:03,600 --> 01:15:05,439
this moment where she gets up and she just tells

1540
01:15:05,479 --> 01:15:09,520
him like, uh, I don't want you, but she doesn't

1541
01:15:09,560 --> 01:15:12,279
like say you to be here. I just don't want you.

1542
01:15:13,359 --> 01:15:15,920
We forgot to mention her parents are coming on Sunday.

1543
01:15:15,960 --> 01:15:19,800
That's like a sicking clock element there. But basically she's

1544
01:15:19,840 --> 01:15:23,920
done with him, probably because he got stuck in her

1545
01:15:23,920 --> 01:15:25,640
badge and then slapped her across the face in the

1546
01:15:25,680 --> 01:15:27,880
same day that probably i'd probably be fed up.

1547
01:15:27,760 --> 01:15:28,600
Speaker 3: To at that point.

1548
01:15:30,880 --> 01:15:35,079
Speaker 1: Some girls are into it, but I like this little

1549
01:15:35,079 --> 01:15:37,279
bent again. It reminds me of the thing where like

1550
01:15:37,319 --> 01:15:40,279
the blood from her nose starts making its way to him, Like,

1551
01:15:40,359 --> 01:15:43,279
oh that's cool, that's cool. I get another setup for

1552
01:15:43,359 --> 01:15:47,319
something we'll see later on. So yeah, they we get

1553
01:15:47,319 --> 01:15:56,039
the I love you I okay again, another very relatable

1554
01:15:56,039 --> 01:15:58,039
one on the receiving end, the one who also had

1555
01:15:58,039 --> 01:16:00,560
to do that at some point be okay, like I

1556
01:16:00,560 --> 01:16:02,680
don't like hearing it, I don't like saying it feels wrong,

1557
01:16:03,680 --> 01:16:05,359
but yeah, they're sleeping in other rooms.

1558
01:16:06,039 --> 01:16:09,000
Speaker 3: Then he wakes up and he's just sliding on the floor.

1559
01:16:09,159 --> 01:16:12,640
Speaker 1: The curse is now magnetizing them.

1560
01:16:14,199 --> 01:16:18,159
Speaker 2: This is the point where it's almost to the minute,

1561
01:16:18,279 --> 01:16:20,960
like the third act, the last half hour of the

1562
01:16:21,000 --> 01:16:25,319
movie when things go into overdrive, and this when I

1563
01:16:25,319 --> 01:16:28,560
saw it the first time, this movie becomes a comedy

1564
01:16:28,600 --> 01:16:31,920
to me at this point, like so many things maybe

1565
01:16:32,000 --> 01:16:33,359
laugh out loud from this.

1566
01:16:33,399 --> 01:16:35,840
Speaker 1: I feel like I feel like at some point they're like, hey,

1567
01:16:36,079 --> 01:16:38,399
we know a contortionist we can get for the movie.

1568
01:16:38,479 --> 01:16:40,840
We're like, get her right here, get a lady contortionis

1569
01:16:40,880 --> 01:16:43,039
We're gonna make Alice Breeze look like she's falling behind

1570
01:16:43,119 --> 01:16:46,279
and her legs are all going around her. But yeah,

1571
01:16:46,319 --> 01:16:50,000
their fingers start to fuse together and it looks so awesome.

1572
01:16:51,359 --> 01:16:54,079
Speaker 3: And then hold on, I got an example of it. Actually,

1573
01:16:58,279 --> 01:17:02,680
Ah that the sound effects are creepy too, weird, Like.

1574
01:17:02,640 --> 01:17:04,720
Speaker 2: The sound effects are the whole thing, because it looked

1575
01:17:04,760 --> 01:17:08,039
just looked like silly putty to me. You put something

1576
01:17:08,039 --> 01:17:13,319
supposed to look hair and sweat. They need to be slimier.

1577
01:17:13,479 --> 01:17:16,720
I don't know, it just looked so fake to me.

1578
01:17:17,359 --> 01:17:19,359
A lot of a lot of this part of the

1579
01:17:19,359 --> 01:17:22,279
the effects portion of this part of the movie.

1580
01:17:22,560 --> 01:17:25,399
Speaker 1: But he learned, uh that if he has a panic attack,

1581
01:17:25,439 --> 01:17:28,520
you can take the muscle relaxers relaxers to even though

1582
01:17:28,560 --> 01:17:32,119
his brain is patticking, his muscles will relax and he'll stop.

1583
01:17:31,840 --> 01:17:34,439
Speaker 3: The feedback loop. And I forgot the clip it. I'm sorry,

1584
01:17:34,479 --> 01:17:37,840
but he just goes muscle relaxing. He's just screaming.

1585
01:17:39,479 --> 01:17:41,079
Speaker 4: I also just want to point out there, like in

1586
01:17:41,119 --> 01:17:45,199
the middle of the hall, and he's keeping his precious

1587
01:17:45,279 --> 01:17:49,239
muscle relaxers in like a table in the hall luckily,

1588
01:17:50,640 --> 01:17:52,800
where everybody keeps their muscle reliant.

1589
01:17:53,239 --> 01:17:55,640
Speaker 1: Ye yeah, wait, not like in his bedroom or like

1590
01:17:55,680 --> 01:17:58,800
a medicine cab that look at that house like it

1591
01:17:58,880 --> 01:18:01,399
has a medicine cab that I'm I don't I can't believe.

1592
01:18:02,079 --> 01:18:04,279
Other than writing, they're like, the bathroom will be too

1593
01:18:04,359 --> 01:18:06,079
far away. We need this to be we want it

1594
01:18:06,119 --> 01:18:08,560
in the hallway. So let's say it's in a nice stand.

1595
01:18:09,920 --> 01:18:11,640
Speaker 2: I thought he was headed to the bathroom when he's

1596
01:18:11,680 --> 01:18:13,479
sliding down the floor and then he pulls up his

1597
01:18:13,479 --> 01:18:18,479
shirt and he's got the literal bubble guts. He's gonna

1598
01:18:18,479 --> 01:18:22,279
ship his pants. I didn't understand that part, Like, what

1599
01:18:22,279 --> 01:18:26,840
what was the what was the meaning of that? You

1600
01:18:26,880 --> 01:18:30,560
know what I mean? How does that translate to them

1601
01:18:30,600 --> 01:18:34,920
being drawn together? That is, intestines are gurgling through his skin.

1602
01:18:35,520 --> 01:18:37,520
I don't know, it didn't make sense.

1603
01:18:37,600 --> 01:18:39,399
Speaker 1: I think the bodies just won each other and they're

1604
01:18:40,279 --> 01:18:49,039
acting all weird. That's the unrelated parasite that's in his belly.

1605
01:18:49,399 --> 01:18:52,319
It was merging with him unknowingly. It's like, ah, the parasite.

1606
01:18:54,600 --> 01:18:56,199
Speaker 3: It's gonna be a fly situation.

1607
01:18:57,760 --> 01:18:59,880
Speaker 4: The parasite is the one who wants to bang Alison.

1608
01:19:00,560 --> 01:19:03,800
Speaker 7: Yes, yes it's not him, But.

1609
01:19:03,760 --> 01:19:05,840
Speaker 1: I love the pills Paul, and they're like eating them

1610
01:19:05,840 --> 01:19:07,720
and they're like, wait, it'll be faster if we snored them,

1611
01:19:07,720 --> 01:19:10,159
and they smashing them and storting them out.

1612
01:19:10,680 --> 01:19:11,039
Speaker 3: You're right.

1613
01:19:11,079 --> 01:19:13,079
Speaker 1: It is kind of a dark comedy. I didn't mind

1614
01:19:13,079 --> 01:19:14,239
the comedic elements.

1615
01:19:14,680 --> 01:19:18,159
Speaker 2: Oh when when he is like, oh, we gotta snort

1616
01:19:18,199 --> 01:19:21,680
it and he's just smashing the pills and doing wines

1617
01:19:21,720 --> 01:19:25,760
off of the hardwood floor, I was laughing my ass off.

1618
01:19:25,800 --> 01:19:29,359
That was the funniest part to me. I love it.

1619
01:19:30,159 --> 01:19:33,880
Speaker 6: Yeah, watching them really try to get those muscle relaxers

1620
01:19:33,960 --> 01:19:36,199
into their system as fast as they possibly can.

1621
01:19:36,560 --> 01:19:37,800
Speaker 7: That was a genius moment.

1622
01:19:38,239 --> 01:19:38,800
Speaker 3: That was good.

1623
01:19:39,760 --> 01:19:42,800
Speaker 1: But he wakes up and he looks on the table

1624
01:19:42,800 --> 01:19:44,880
and there we have it. We have the saw so

1625
01:19:44,920 --> 01:19:48,159
we know what's happening. Uh, She's taped them up to

1626
01:19:48,199 --> 01:19:49,880
a chair. He's like, hey, what what are you doing?

1627
01:19:49,960 --> 01:19:52,039
And we see that their arms have now fused together,

1628
01:19:52,840 --> 01:19:55,000
but the muscle relaxer stopped it, and she's like, hey,

1629
01:19:55,039 --> 01:19:57,640
they're gonna wear off soon and it's gonna start again,

1630
01:19:58,159 --> 01:20:00,760
so we gotta make sure we stop this.

1631
01:20:00,760 --> 01:20:04,479
Speaker 2: This was when we were talking about how I thought

1632
01:20:04,479 --> 01:20:07,640
the fusing of the hands together look corny and fake,

1633
01:20:07,680 --> 01:20:10,479
and how they could have made that cooler. I was

1634
01:20:10,520 --> 01:20:13,000
thinking about it and if one of them had a

1635
01:20:13,199 --> 01:20:17,239
tattoo and that started to like go across to the

1636
01:20:17,279 --> 01:20:21,560
other one, that maybe would have been a better sequence

1637
01:20:21,640 --> 01:20:25,279
for me. But this looks not bad but not good either.

1638
01:20:25,319 --> 01:20:28,840
I don't know. This doesn't look it looks fake as fuck.

1639
01:20:29,399 --> 01:20:32,399
Speaker 1: A lot of this realistic would look to be honest

1640
01:20:32,439 --> 01:20:36,520
about looking too rubbery and like with modern cameras and whatnot,

1641
01:20:36,600 --> 01:20:39,239
I know, like older films, you know you had like

1642
01:20:39,399 --> 01:20:40,960
darker lighting and stuff. But yeah, I don't know how

1643
01:20:40,960 --> 01:20:42,720
you shoot this in the daytime and not have it

1644
01:20:42,800 --> 01:20:45,199
look insane.

1645
01:20:45,840 --> 01:20:48,319
Speaker 2: But either the veins are good though, Yeah, the veins

1646
01:20:48,319 --> 01:20:52,119
are that's it. Yeah, that's what I practical effects.

1647
01:20:52,119 --> 01:20:53,840
Speaker 3: But with the practical effects, you don't get like the

1648
01:20:53,880 --> 01:20:55,399
bones moving underneath.

1649
01:20:55,479 --> 01:20:57,880
Speaker 1: It's kind of hard to do that practically, although there

1650
01:20:57,880 --> 01:20:59,279
were practical effects.

1651
01:20:58,960 --> 01:21:01,520
Speaker 3: That they enhanced with CGI, which I think is a

1652
01:21:01,560 --> 01:21:02,039
good thing.

1653
01:21:03,880 --> 01:21:06,079
Speaker 1: But yeah, she's ready to cut him, and she's like

1654
01:21:06,119 --> 01:21:09,079
getting him super drunk so he won't feel it.

1655
01:21:09,079 --> 01:21:09,800
Speaker 3: It's like it's fine.

1656
01:21:09,800 --> 01:21:12,279
Speaker 1: But then like they're sharing the same blood, so she's like,

1657
01:21:12,439 --> 01:21:14,880
oh no, I'm drunk now. He's like, oh god, and

1658
01:21:14,880 --> 01:21:17,319
you're left handed. This is gonna be terrible. And I

1659
01:21:17,359 --> 01:21:20,479
love that she turns the saw on and almost just

1660
01:21:20,479 --> 01:21:25,359
cuts his head off, flies in the air, and this

1661
01:21:25,560 --> 01:21:27,560
was a great moment where she's about to cut she

1662
01:21:27,680 --> 01:21:29,800
is She's just like, oh, by the way, I'm so sorry.

1663
01:21:29,840 --> 01:21:31,800
Speaker 3: You were obviously right. He's like I don't care anymore,

1664
01:21:31,880 --> 01:21:32,359
just kind of a.

1665
01:21:34,560 --> 01:21:34,800
Speaker 7: Yeah.

1666
01:21:34,840 --> 01:21:37,760
Speaker 6: This was probably one of my favorite sequences within the movie,

1667
01:21:37,760 --> 01:21:40,640
because again, it is so funny to watch to have

1668
01:21:40,680 --> 01:21:43,359
the realization that she is getting drunk because he's getting

1669
01:21:43,399 --> 01:21:45,520
drunk and she's smaller than him, so it's gonna hit

1670
01:21:45,520 --> 01:21:46,000
her harder.

1671
01:21:46,000 --> 01:21:47,359
Speaker 7: So she's fucked right now.

1672
01:21:47,479 --> 01:21:50,920
Speaker 6: When she's about to try to save them, save them,

1673
01:21:51,199 --> 01:21:51,680
it's great.

1674
01:21:52,880 --> 01:21:57,119
Speaker 2: I was disappointed that they didn't show more of that sequence.

1675
01:21:58,119 --> 01:22:02,079
They leave it to the imagination. That's a fine way

1676
01:22:02,119 --> 01:22:04,960
to shoot a movie, but when given all of the

1677
01:22:05,039 --> 01:22:09,119
Saw films that you've been given, I just thought that

1678
01:22:09,359 --> 01:22:10,479
they would feature that more.

1679
01:22:11,000 --> 01:22:11,439
Speaker 3: Yeah.

1680
01:22:11,560 --> 01:22:14,279
Speaker 1: Now, I like the comita cutaway. Usually that could be annoying.

1681
01:22:14,319 --> 01:22:16,079
In this movie, it works because we've had a couple

1682
01:22:16,119 --> 01:22:16,720
of them so far.

1683
01:22:16,880 --> 01:22:17,600
Speaker 3: My god, well that.

1684
01:22:17,680 --> 01:22:21,680
Speaker 2: That relies so much on Dave Franco's facial expression acting,

1685
01:22:22,119 --> 01:22:24,399
which is a bad choice to make.

1686
01:22:26,000 --> 01:22:28,119
Speaker 3: Well, who would have been better in this movie? Come on?

1687
01:22:31,560 --> 01:22:35,000
Speaker 1: Anyway, So they're eating some snacks and they're like, we

1688
01:22:35,039 --> 01:22:36,960
gotta do something about this, and I love that. She's like,

1689
01:22:36,960 --> 01:22:39,159
we're going to a hospital. It's like a hospital won't help,

1690
01:22:39,600 --> 01:22:42,600
And I want to be like, how do you know? Well,

1691
01:22:42,640 --> 01:22:44,560
obviously it's a curse, but like, it would be nice

1692
01:22:44,560 --> 01:22:48,720
to have other people who can keep you separated, because

1693
01:22:48,720 --> 01:22:51,520
you guys are clearly doing a bad job on your

1694
01:22:51,520 --> 01:22:54,640
own right now. But he wants to go to the

1695
01:22:54,680 --> 01:22:57,640
cave and learn more, and she's like, no, that's the

1696
01:22:57,720 --> 01:22:58,279
source of.

1697
01:22:58,239 --> 01:23:00,439
Speaker 3: All our problems. No, how about we don't go to

1698
01:23:00,520 --> 01:23:01,039
that cave?

1699
01:23:01,479 --> 01:23:03,680
Speaker 4: His stomach yearns for the caves.

1700
01:23:06,800 --> 01:23:09,840
Speaker 1: Look, I love caves too, but the magic water cave

1701
01:23:09,920 --> 01:23:11,359
that fuses you with the girl.

1702
01:23:11,119 --> 01:23:11,680
Speaker 3: You want to leave.

1703
01:23:11,760 --> 01:23:13,119
Speaker 1: I don't want to go back to that cave. I

1704
01:23:13,199 --> 01:23:17,159
want to avoid that cave. But she has a great idea.

1705
01:23:17,199 --> 01:23:18,880
Oh no, she has to go to Janie's because she

1706
01:23:18,960 --> 01:23:21,880
left her keys there. I don't know why she ever

1707
01:23:21,880 --> 01:23:23,479
took her keys out of the pocket, out of her

1708
01:23:23,479 --> 01:23:26,279
pockets when she was there, but she's like, all right,

1709
01:23:26,279 --> 01:23:27,000
I'm gonna go do that.

1710
01:23:27,720 --> 01:23:29,760
Speaker 2: There was a leave behind. She's kind of.

1711
01:23:30,079 --> 01:23:33,479
Speaker 3: Another great go back, another great cut.

1712
01:23:34,560 --> 01:23:37,199
Speaker 1: Don't do anything stupid. He like stands there for a

1713
01:23:37,199 --> 01:23:40,600
second and then just bolts right into the on, not

1714
01:23:40,680 --> 01:23:45,199
really hesitating at all. Okay, this is when they lose

1715
01:23:45,199 --> 01:23:48,319
the internet. Uh. And then this is when we see

1716
01:23:48,880 --> 01:23:53,359
that the obvious Colt guy has a magic sun bell thing,

1717
01:23:53,479 --> 01:23:56,800
which we all knew. I'm sure there's one person out

1718
01:23:56,840 --> 01:24:02,199
there that went chat let us know if you were

1719
01:24:02,279 --> 01:24:04,640
shocked and this guy was a bad guy, but let

1720
01:24:04,720 --> 01:24:07,359
us know in the form of a fifty dollars super chat. Anyway,

1721
01:24:08,840 --> 01:24:11,880
while she's going there, he's cave diving into the fucking

1722
01:24:12,000 --> 01:24:15,439
cave of wonders and I love that.

1723
01:24:17,079 --> 01:24:20,439
Speaker 3: Is Jamie surveilling them. How did he know what was.

1724
01:24:20,359 --> 01:24:23,079
Speaker 1: Going on with them at that moment, He's like, oh good,

1725
01:24:23,079 --> 01:24:25,319
they cut their hands off. She's definitely gonna come here.

1726
01:24:25,399 --> 01:24:28,319
I'm gonna have my wedding tape play. Do you think

1727
01:24:28,319 --> 01:24:30,079
he's just been on a loop and he's just been

1728
01:24:30,199 --> 01:24:31,079
standing there for.

1729
01:24:31,039 --> 01:24:31,359
Speaker 4: Like a day.

1730
01:24:32,079 --> 01:24:33,880
Speaker 6: I was gonna say it's possible that it's been on

1731
01:24:33,960 --> 01:24:37,800
a loop because presumably he has done this before with

1732
01:24:37,880 --> 01:24:39,880
other people, and if that's the case, he knows that

1733
01:24:39,920 --> 01:24:42,600
at some point they're going to break and then they

1734
01:24:42,640 --> 01:24:44,479
can come in and see the wedding tape.

1735
01:24:45,159 --> 01:24:48,960
Speaker 1: So you see the old chapel, which is I love

1736
01:24:49,000 --> 01:24:50,680
how it's cutting to like what it used to look

1737
01:24:50,720 --> 01:24:51,640
like and what it looks like.

1738
01:24:51,760 --> 01:24:54,880
Speaker 3: Now you've got the what we call it.

1739
01:24:55,439 --> 01:24:55,520
Speaker 7: The.

1740
01:24:57,000 --> 01:25:03,359
Speaker 2: Yes perfect union of people. So gross by.

1741
01:25:03,199 --> 01:25:05,840
Speaker 4: The way, jealous when we look like that.

1742
01:25:06,359 --> 01:25:10,399
Speaker 1: I'm sorry, but uh yeah, Plato is an idiot. That's

1743
01:25:10,439 --> 01:25:14,319
a totally practical design. Zeus was right to stop it.

1744
01:25:14,439 --> 01:25:16,119
Zeus was like, har fin.

1745
01:25:17,800 --> 01:25:18,920
Speaker 2: Butthole the butthole.

1746
01:25:21,039 --> 01:25:24,520
Speaker 4: Also, it's super weird that this like crazy thing that

1747
01:25:24,560 --> 01:25:29,199
Plato figured out and this ancient magic just exists in like,

1748
01:25:29,359 --> 01:25:33,479
fuck ass Pennsylvania.

1749
01:25:34,399 --> 01:25:36,079
Speaker 3: Don't throw my state on the bus. I think this

1750
01:25:36,159 --> 01:25:41,399
is one of those weird state or angels they were

1751
01:25:41,479 --> 01:25:44,479
in Manhattan earlier. This is definitely New York, the don't

1752
01:25:44,520 --> 01:25:49,479
ship on the great state of We have.

1753
01:25:49,640 --> 01:25:54,560
Speaker 1: We have cool things here, like the crypti squawk. That's yeah,

1754
01:25:54,640 --> 01:25:57,600
it's it looks like a shaved bulldog. It's the worst

1755
01:25:57,600 --> 01:26:01,840
cryptid ever anyway, So he finds like the picture in there,

1756
01:26:01,880 --> 01:26:04,079
and then we see that they would start the wedding

1757
01:26:04,119 --> 01:26:05,800
in the chapel and they would bring you to the

1758
01:26:05,840 --> 01:26:10,800
magic butthole pond and then you would form and it.

1759
01:26:10,800 --> 01:26:12,479
Speaker 3: Would be freaky for a little bit.

1760
01:26:13,640 --> 01:26:13,800
Speaker 4: Uh.

1761
01:26:14,119 --> 01:26:16,640
Speaker 1: And then of course we have the my jade pegs.

1762
01:26:16,680 --> 01:26:18,920
I keep forgetting that JPEGs make it way too dark.

1763
01:26:19,159 --> 01:26:22,159
We get the Hereditary effect, which people are now calling it,

1764
01:26:22,479 --> 01:26:25,159
where your eyes have to adjust to the lighting and

1765
01:26:25,159 --> 01:26:27,279
you're like, oh, there's someone in the back there, which

1766
01:26:27,319 --> 01:26:29,720
I'm sure other movies have done, but Hereditary is like

1767
01:26:29,760 --> 01:26:32,600
the one that really popularized it, and we saw it

1768
01:26:32,640 --> 01:26:35,359
recently in what obsession It was in Obsession recently.

1769
01:26:37,520 --> 01:26:38,239
Speaker 3: Really good effect.

1770
01:26:38,279 --> 01:26:41,520
Speaker 1: I like it, But yeah, he's standing there in his

1771
01:26:41,640 --> 01:26:45,239
cult outfit, and he's like, I know what's happening. You

1772
01:26:45,239 --> 01:26:48,439
should totally fuse with your boyfriend who you said you

1773
01:26:48,479 --> 01:26:51,439
wanted to leave. I think it's a great idea. It's awesome.

1774
01:26:51,920 --> 01:26:55,720
And then we learn what happens if you're two unlucky

1775
01:26:55,760 --> 01:26:58,239
assholes who have no idea what the rules are and

1776
01:26:58,279 --> 01:27:01,520
don't know what to do. So we find the campers

1777
01:27:01,640 --> 01:27:05,960
and they fused into one being. But since they didn't

1778
01:27:06,000 --> 01:27:10,439
accept the fusion because they don't know what it is,

1779
01:27:11,000 --> 01:27:13,760
and this asshole cult member probably hasn't gone to the

1780
01:27:13,800 --> 01:27:17,680
cave to let them know, they're probably just resisting it constantly,

1781
01:27:17,720 --> 01:27:21,560
and they've turned into this horrifying blob monster.

1782
01:27:22,199 --> 01:27:25,840
Speaker 2: The Cronenberg that's on loan from the Lloyd Kaufman collection.

1783
01:27:26,680 --> 01:27:30,239
This was again, this is when I when I was

1784
01:27:30,279 --> 01:27:38,199
complaining about the effects before, I saw this creature and

1785
01:27:38,239 --> 01:27:40,319
it's like, I think I could make I don't know.

1786
01:27:40,439 --> 01:27:42,920
It's no, it's great.

1787
01:27:43,000 --> 01:27:45,439
Speaker 3: And it looks kind of like the painting too that

1788
01:27:45,439 --> 01:27:46,079
they should.

1789
01:27:45,840 --> 01:27:50,880
Speaker 2: It's gross, but I don't know, but but I love.

1790
01:27:50,800 --> 01:27:51,520
Speaker 3: That he warns her.

1791
01:27:51,600 --> 01:27:54,560
Speaker 1: He's like, yeah, another great cut where he's like, hey,

1792
01:27:54,560 --> 01:27:59,359
you're really gonna, you're yeah, but he's like, yeah, you're

1793
01:27:59,359 --> 01:28:02,640
really really GOODNA want to not like the alternative.

1794
01:28:10,239 --> 01:28:12,479
Speaker 2: I like how it's they gave it the pink hair

1795
01:28:12,560 --> 01:28:15,479
so you would know it was the girl camper? Yeah,

1796
01:28:15,520 --> 01:28:16,760
where where.

1797
01:28:16,560 --> 01:28:18,720
Speaker 3: Was this thing? The whole movie? How big is that cave?

1798
01:28:20,840 --> 01:28:25,680
How was it not there earlier? Where I was like whoa.

1799
01:28:24,920 --> 01:28:26,119
Speaker 4: When they were there all night?

1800
01:28:26,680 --> 01:28:27,760
Speaker 2: Yeah?

1801
01:28:27,760 --> 01:28:30,960
Speaker 1: But also around here he starts like fusing with the

1802
01:28:31,000 --> 01:28:32,720
cave too a little bit.

1803
01:28:32,760 --> 01:28:34,319
Speaker 3: It's like hands are sticking to it.

1804
01:28:34,640 --> 01:28:36,079
Speaker 2: Oh yeah, I didn't understand that party.

1805
01:28:36,119 --> 01:28:38,479
Speaker 1: Well, if you look at the cave, it shows that

1806
01:28:38,520 --> 01:28:41,199
all the other cult members are the cave.

1807
01:28:41,279 --> 01:28:43,760
Speaker 3: They've all fused into it, so I think.

1808
01:28:45,840 --> 01:28:47,800
Speaker 1: So, I think the idea is like they all merged

1809
01:28:47,840 --> 01:28:49,760
with their like one lovers, and then they decided they

1810
01:28:49,760 --> 01:28:52,159
were all gonna merge together, and they've kind of like

1811
01:28:52,319 --> 01:28:56,000
become one with the cave, and Jamie wasn't invited because

1812
01:28:56,000 --> 01:28:56,319
he has.

1813
01:28:56,239 --> 01:28:59,640
Speaker 4: To make the wesde.

1814
01:29:00,840 --> 01:29:04,079
Speaker 1: So I think that is like the grand scheme of

1815
01:29:04,079 --> 01:29:05,880
it all is like eventually you will end up in

1816
01:29:05,960 --> 01:29:08,920
the cave infusing with all of them, so you can

1817
01:29:08,960 --> 01:29:10,920
all beat together, but you have to accept it, which

1818
01:29:11,000 --> 01:29:14,520
the hikers, who again don't know the rules. Because Jane sucks.

1819
01:29:14,840 --> 01:29:18,199
He has an update at the website. Probably they're all like, god.

1820
01:29:18,119 --> 01:29:18,880
Speaker 3: What are we doing?

1821
01:29:19,000 --> 01:29:24,079
Speaker 1: We don't know what we're doing, but uh, what's his face?

1822
01:29:24,159 --> 01:29:25,800
Jane's like, all right, you're taking too long. I'm gonna

1823
01:29:25,840 --> 01:29:28,439
cut like an artery in a or a vein in

1824
01:29:28,439 --> 01:29:29,800
your arm, so you're gonna bleed out.

1825
01:29:29,880 --> 01:29:32,399
Speaker 3: You have no choice but to fuse your boyfriend. Good luck.

1826
01:29:32,840 --> 01:29:33,520
This is weird.

1827
01:29:33,920 --> 01:29:37,439
Speaker 1: She slaps him and then his head like splits apart,

1828
01:29:37,680 --> 01:29:41,079
And at that point, I'm like, wait, is this reversible?

1829
01:29:41,359 --> 01:29:44,199
That kind of implies that it might be reversible and.

1830
01:29:45,680 --> 01:29:47,399
Speaker 4: You can get it, like just to have this ship

1831
01:29:47,439 --> 01:29:48,079
beaten out of you.

1832
01:29:48,159 --> 01:29:52,439
Speaker 3: And also what else would trigger that?

1833
01:29:52,560 --> 01:29:54,880
Speaker 1: Like what if he like sneeze really hard in class

1834
01:29:54,920 --> 01:29:57,479
and he comes to like shoots like two heads out

1835
01:29:57,520 --> 01:29:59,920
and the kids all freak out. I feel like that part,

1836
01:30:00,159 --> 01:30:01,720
Like I know it's a cool visual, but I'm thinking

1837
01:30:01,720 --> 01:30:04,880
about realistically, Like you would be terrified to go outdoors.

1838
01:30:04,880 --> 01:30:07,199
You would be afraid of tripping and turning into two

1839
01:30:07,199 --> 01:30:09,319
people in front of everyone, and we.

1840
01:30:09,319 --> 01:30:12,079
Speaker 2: Never see this character again, right, They would just kind

1841
01:30:12,079 --> 01:30:17,199
of revealed that as some kind of supernatural regenerative ability,

1842
01:30:17,319 --> 01:30:19,479
and I guess he doesn't. He just kind of come

1843
01:30:19,560 --> 01:30:21,600
up in for him and you don't see him again.

1844
01:30:21,680 --> 01:30:24,960
Speaker 1: No, no, but again I think I guess at some

1845
01:30:25,039 --> 01:30:27,239
point he will also go to the cave.

1846
01:30:27,359 --> 01:30:29,119
Speaker 3: I don't know why they are equal.

1847
01:30:30,079 --> 01:30:31,840
Speaker 1: Yeah, I don't know why they all decided to become

1848
01:30:31,840 --> 01:30:34,039
a cave and let the chapel burn down. I was

1849
01:30:34,079 --> 01:30:36,680
waiting for like the towns people found out and they

1850
01:30:36,720 --> 01:30:39,760
hunted all of them, but I'm the last one. But

1851
01:30:39,800 --> 01:30:42,800
there's like nothing like that. Uh, not that you really

1852
01:30:42,880 --> 01:30:46,000
need it, but how could you not like this? Come on,

1853
01:30:46,079 --> 01:30:46,800
that's awesome.

1854
01:30:47,479 --> 01:30:48,600
Speaker 7: I like it.

1855
01:30:48,960 --> 01:30:51,920
Speaker 1: Loucks, as a fan of the thing who had to

1856
01:30:51,920 --> 01:30:55,279
sit through that terrifying, terrible prequel where they see Gi

1857
01:30:55,399 --> 01:30:58,279
the two guys fusing together, I'd like seeing a practical

1858
01:30:58,319 --> 01:30:59,800
effect here, And I'm like, all right, that's what I

1859
01:30:59,840 --> 01:31:02,000
kind of wanted to see in that movie, and we

1860
01:31:02,039 --> 01:31:04,039
didn't get it. We're kind of getting it here. But yeah,

1861
01:31:04,039 --> 01:31:05,720
they got a knife sticking out of an eck, like

1862
01:31:05,760 --> 01:31:08,079
they tried to kill themselves and they didn't pull it

1863
01:31:08,119 --> 01:31:11,760
off well, but he aanks it out of there and

1864
01:31:11,800 --> 01:31:14,439
he gets out now he has this knife.

1865
01:31:15,279 --> 01:31:15,520
Speaker 3: I love.

1866
01:31:15,560 --> 01:31:19,279
Speaker 1: When they get home, just instantly magnetized again and they're

1867
01:31:19,279 --> 01:31:24,239
like holding on to like poles and shit. But yeah,

1868
01:31:24,279 --> 01:31:26,560
he tells her he's got a plan. He's got a plan,

1869
01:31:26,640 --> 01:31:29,239
and then oh, he gets on his knee and doesn't

1870
01:31:29,239 --> 01:31:33,479
have a ring. This is a heartwarming moment, right where

1871
01:31:33,520 --> 01:31:36,199
we all moved by this emotionally.

1872
01:31:41,920 --> 01:31:46,039
Speaker 2: In this moment. You're doing this corniss bullshit, Okay, but he.

1873
01:31:46,560 --> 01:31:49,399
Speaker 1: Basically says that he does love her and he can't

1874
01:31:49,399 --> 01:31:53,600
imagine life without her and all of this and uh,

1875
01:31:54,680 --> 01:31:57,479
she is his other person. He finally figured it out

1876
01:31:57,520 --> 01:32:00,600
now after having his stick ripped off and his arm

1877
01:32:00,640 --> 01:32:06,000
cut off and seeing a horrifying amalgamation of two assholes,

1878
01:32:06,800 --> 01:32:09,159
he's now just all of that made him realize he

1879
01:32:09,199 --> 01:32:13,520
does love the woman who financially supports him and he's

1880
01:32:13,600 --> 01:32:15,239
gonna nobly kill himself.

1881
01:32:15,239 --> 01:32:16,800
Speaker 3: But she's like, oh, don't worry about it.

1882
01:32:17,399 --> 01:32:23,079
Speaker 1: I'm bleeding out right now, and I like, I did

1883
01:32:23,199 --> 01:32:25,199
like this where the blood, her blood is going up

1884
01:32:25,199 --> 01:32:27,560
his shirt and he looks at the trail and he's like,

1885
01:32:27,600 --> 01:32:31,039
oh shit, so they're both dying, which I guess is

1886
01:32:31,079 --> 01:32:32,239
one way to break the curse.

1887
01:32:33,079 --> 01:32:38,359
Speaker 6: Uh So almost always with movies, I want them to

1888
01:32:38,479 --> 01:32:41,439
end like five or ten minutes before they actually end.

1889
01:32:41,960 --> 01:32:44,600
And when we see this sequence where you think he's

1890
01:32:44,600 --> 01:32:46,960
about to kill her and then instead he proposes and

1891
01:32:47,000 --> 01:32:49,560
then they realize that they want to be together, I

1892
01:32:49,600 --> 01:32:51,640
was like, Okay, end the movie right now. I was

1893
01:32:51,680 --> 01:32:54,319
so happy that we got the next ten minutes. I

1894
01:32:54,439 --> 01:32:57,520
really Typically I'm like, nope, just end the movie. That

1895
01:32:57,640 --> 01:32:59,720
was the correct ending. Why are we continuing on? But

1896
01:32:59,800 --> 01:33:03,279
I really really enjoy how this actually wraps up.

1897
01:33:04,760 --> 01:33:06,880
Speaker 3: Sorry, give me one. It cut off my slides at

1898
01:33:06,880 --> 01:33:08,600
one hundred again. Hold on, Hold on.

1899
01:33:09,880 --> 01:33:11,800
Speaker 7: Every professional Tony over here.

1900
01:33:13,800 --> 01:33:16,600
Speaker 1: Sometimes stream Yard doesn't do it, and then sometimes it does.

1901
01:33:16,680 --> 01:33:18,359
It drives me nuts, Tony.

1902
01:33:18,439 --> 01:33:20,920
Speaker 2: I appreciate the hard work that you put into the

1903
01:33:20,920 --> 01:33:21,840
production of the show.

1904
01:33:21,880 --> 01:33:23,279
Speaker 3: Thank you for time. Guys.

1905
01:33:23,319 --> 01:33:25,640
Speaker 1: When I get a girlfriend again in ten years, how

1906
01:33:25,640 --> 01:33:28,600
should I propose with no ring? Should I wait for

1907
01:33:28,640 --> 01:33:30,760
her to propose? Give me some ideas while I make

1908
01:33:30,800 --> 01:33:31,159
a new.

1909
01:33:31,760 --> 01:33:36,079
Speaker 2: This is a handbook of how to get chicks propose

1910
01:33:36,159 --> 01:33:36,800
with no ring.

1911
01:33:38,680 --> 01:33:41,000
Speaker 3: I gotta go to a cave. That's very important.

1912
01:33:41,319 --> 01:33:42,439
Speaker 2: Jerk off in the shower.

1913
01:33:43,000 --> 01:33:45,039
Speaker 4: She's financially supporting you beforehand.

1914
01:33:45,199 --> 01:33:51,760
Speaker 7: Yeah, learn how to cook? That wasn't I.

1915
01:33:51,760 --> 01:33:53,600
Speaker 3: Do know how to cook that? That is?

1916
01:33:53,960 --> 01:33:56,039
Speaker 1: Oh, come on, log into your account for sending you

1917
01:33:56,079 --> 01:33:59,079
a code. Come on, stream Yard, don't fuck me now.

1918
01:34:03,520 --> 01:34:07,800
Speaker 4: Doesn't want us to see them.

1919
01:34:07,920 --> 01:34:13,039
Speaker 2: Kaylee is right though, the last U the final sequence

1920
01:34:13,239 --> 01:34:17,600
is the fireworks factory. You save the best version of

1921
01:34:18,199 --> 01:34:20,760
that the effects for the very end of the movie.

1922
01:34:20,800 --> 01:34:23,880
Speaker 3: So which which trust me? Is gonna look great?

1923
01:34:23,880 --> 01:34:25,520
Speaker 1: And I got pictures of it, but I gotta take

1924
01:34:25,600 --> 01:34:27,960
the goddamn Google codd.

1925
01:34:29,359 --> 01:34:31,239
Speaker 3: This is a first. This is a first. The slides

1926
01:34:31,279 --> 01:34:31,880
being cut off.

1927
01:34:31,920 --> 01:34:34,800
Speaker 1: That happens a lot me having to reverify even though

1928
01:34:34,800 --> 01:34:40,479
I logged it earlier. That is a first for the show. Yes,

1929
01:34:40,600 --> 01:34:44,159
I trust stream Yard. I'm already pulling slides from my account.

1930
01:34:44,239 --> 01:34:47,840
I don't need to trust stream Yard anymore than I already.

1931
01:34:48,119 --> 01:34:52,000
Speaker 2: Chat GBT is saying to put your social Security numbers.

1932
01:34:52,399 --> 01:34:53,159
Speaker 7: Say it out loud.

1933
01:34:53,199 --> 01:34:58,880
Speaker 2: Actually yeah, okay.

1934
01:34:58,079 --> 01:35:02,079
Speaker 1: So it's revealal that he put his hand on her

1935
01:35:02,199 --> 01:35:03,600
arm so she wouldn't bleed.

1936
01:35:04,359 --> 01:35:08,560
Speaker 2: That just looks like a big scrotum. Yeah what else?

1937
01:35:09,159 --> 01:35:10,600
Speaker 3: I mean? It is shriveled skin?

1938
01:35:10,720 --> 01:35:15,680
Speaker 1: Andy I'll like, come on, but yeah, he's like, you

1939
01:35:15,680 --> 01:35:20,039
know what, we should be together as one horrifying monster.

1940
01:35:20,199 --> 01:35:23,000
And you know what, baby, let's put on the spice girls.

1941
01:35:23,359 --> 01:35:24,960
It was gonna be our wedding song.

1942
01:35:25,079 --> 01:35:29,079
Speaker 2: He doesn't even know what the neighbor Jamie has been

1943
01:35:29,159 --> 01:35:32,640
explaining about it. He doesn't know anything about Jamie and

1944
01:35:32,720 --> 01:35:37,279
his husband and that he became a singular person from

1945
01:35:37,319 --> 01:35:41,199
two people. I think successfully, all James Franco knows is

1946
01:35:41,239 --> 01:35:43,520
the freak in the cave and he's like, yeah, let's

1947
01:35:43,560 --> 01:35:43,920
do that.

1948
01:35:44,720 --> 01:35:47,600
Speaker 1: I think he's figured out like we did, like we

1949
01:35:47,680 --> 01:35:50,039
have to accept it and let it happen. When you

1950
01:35:50,159 --> 01:35:52,640
resist it, that's when it gets all messed up. He's

1951
01:35:52,680 --> 01:35:55,680
come to that conclusion on his own. I don't think

1952
01:35:55,680 --> 01:35:57,760
he knows, like the specific that there was a wedding

1953
01:35:57,840 --> 01:36:01,600
ceremony and stuff that I don't think he would Yes, idiot,

1954
01:36:01,680 --> 01:36:02,119
how did.

1955
01:36:02,000 --> 01:36:03,840
Speaker 4: He figure it out?

1956
01:36:06,840 --> 01:36:08,840
Speaker 2: I had miskey and muscle relaxes.

1957
01:36:12,960 --> 01:36:15,079
Speaker 1: So yeah, and also like if he didn't do it,

1958
01:36:15,159 --> 01:36:17,039
she was gonna die and he can't really cut himself

1959
01:36:17,119 --> 01:36:18,880
up again. So he's like, hey, you know, let's try it.

1960
01:36:18,920 --> 01:36:22,159
Let's try to be one horrifying blob. But yeah, he

1961
01:36:22,199 --> 01:36:25,359
pulls out the Spice Girl's vinyl, which I knew they

1962
01:36:25,399 --> 01:36:26,680
were going to pick that song, but there was a

1963
01:36:26,680 --> 01:36:28,279
moment where I'm like, oh, I wonder if they cleared

1964
01:36:28,279 --> 01:36:30,079
the song. And then I saw the album, I'm like, oh,

1965
01:36:30,119 --> 01:36:33,479
we're about to get that song. He puts it on

1966
01:36:33,760 --> 01:36:37,520
and they're like all right, let's uh, let's do this.

1967
01:36:37,680 --> 01:36:40,199
And then you see Alice in green tits for ten seconds,

1968
01:36:40,279 --> 01:36:44,279
very happy about that, and then they start mutating and

1969
01:36:44,840 --> 01:36:48,279
morphing into one horrifying abomination.

1970
01:36:49,319 --> 01:36:50,840
Speaker 3: This is cool. I do like that.

1971
01:36:50,920 --> 01:36:52,600
Speaker 1: Again, this is something you can't really get her practical

1972
01:36:52,640 --> 01:36:55,720
effects where you get like the fingers moving underneath. Oh,

1973
01:36:55,760 --> 01:36:58,079
that's awesome. And thank got her hair covered upper nipple.

1974
01:36:58,119 --> 01:36:59,800
I just realized I didn't censor that as well as

1975
01:36:59,840 --> 01:37:03,520
I should have. Thank god, frowns and breeze hair or

1976
01:37:03,520 --> 01:37:05,159
that would have been a problem. And then we have

1977
01:37:05,279 --> 01:37:09,000
the reason I didn't really want to see this movie originally, uh, because,

1978
01:37:09,000 --> 01:37:12,520
as I mentioned earlier, you don't don't mention eye injuries

1979
01:37:12,640 --> 01:37:15,680
or creepy eye stuff. When the poster came out that

1980
01:37:15,880 --> 01:37:18,920
was this, I maybe got like one hundred tweets and

1981
01:37:19,039 --> 01:37:21,520
DMS being like, hey, you should see this movie, and

1982
01:37:21,560 --> 01:37:24,479
I'm like, hey, you should fucking never message me again.

1983
01:37:26,199 --> 01:37:28,840
This was really hard. I'm having a hard time looking

1984
01:37:28,880 --> 01:37:31,239
at it right now. I really don't like it.

1985
01:37:31,319 --> 01:37:33,560
Speaker 6: This was another effect that I really enjoyed. I liked

1986
01:37:33,600 --> 01:37:37,159
seeing the eyelashes intertwined again. This is kind of like

1987
01:37:37,199 --> 01:37:40,720
the symbolism of the togetherness being so incredibly deep that

1988
01:37:40,800 --> 01:37:44,279
we have to suffer through Tony's favorite eyeball stuff. Everybody

1989
01:37:44,279 --> 01:37:45,680
spent Tony more eyeballs.

1990
01:37:45,840 --> 01:37:49,840
Speaker 1: No, no, uh, and there you go. That's the last

1991
01:37:49,920 --> 01:37:51,560
time we see them more fingers.

1992
01:37:52,239 --> 01:37:57,359
Speaker 2: The beautiful soulmates together at last? Are they really.

1993
01:37:57,600 --> 01:37:58,119
Speaker 3: That's the thing?

1994
01:37:58,239 --> 01:38:00,720
Speaker 1: They keep saying it's soulmates, But it feels like just

1995
01:38:00,800 --> 01:38:04,079
any two people could fall in there and then morph.

1996
01:38:04,239 --> 01:38:05,439
Speaker 3: It doesn't seem like it's picking.

1997
01:38:05,920 --> 01:38:09,000
Speaker 4: I was curious about, like, if if you're not meant

1998
01:38:09,039 --> 01:38:11,119
to be, if you're not soulmates, do you turn into

1999
01:38:11,119 --> 01:38:14,039
an abomination or merge with the cave or whatever? But

2000
01:38:14,079 --> 01:38:17,640
if you are soulmates, it I didn't know if that

2001
01:38:17,720 --> 01:38:19,119
was the case or not. I don't think so. I

2002
01:38:19,159 --> 01:38:21,000
don't think these two they hate.

2003
01:38:20,880 --> 01:38:24,239
Speaker 2: Each other based on based on the other couple and

2004
01:38:24,279 --> 01:38:28,159
the with the pink hair that didn't that ended up

2005
01:38:28,199 --> 01:38:30,680
the way they did, and then the the last scene

2006
01:38:30,680 --> 01:38:34,800
of the film. I think the difference is just choosing

2007
01:38:34,840 --> 01:38:38,960
it and being meant to be together. So that's my interpretation.

2008
01:38:39,680 --> 01:38:44,960
Speaker 1: Yeah, they choose it. Oh good, their internet came just

2009
01:38:45,039 --> 01:38:47,159
in time. Their internet came back.

2010
01:38:47,319 --> 01:38:51,399
Speaker 2: For their Facebook post game up to pay off.

2011
01:38:51,520 --> 01:38:54,680
Speaker 1: Yeah, and oh boy, her parents, they're real excited to

2012
01:38:54,720 --> 01:38:57,359
see them. And now they also have a bell. Was

2013
01:38:57,359 --> 01:38:59,279
that bell always there and they just never showed it?

2014
01:38:59,359 --> 01:39:01,840
I think that's me maybe like a former cult member's house,

2015
01:39:02,119 --> 01:39:04,600
because why else would they have In one day they

2016
01:39:04,640 --> 01:39:05,560
got the magic bell?

2017
01:39:05,640 --> 01:39:07,800
Speaker 3: Are they friends with Jamie now?

2018
01:39:08,000 --> 01:39:08,119
Speaker 4: Uh?

2019
01:39:08,279 --> 01:39:11,960
Speaker 1: And then we get a hilarious ending on.

2020
01:39:17,479 --> 01:39:22,920
Speaker 2: Hi Hi, Hey we turned into tig Nataro.

2021
01:39:25,119 --> 01:39:28,159
Speaker 3: Okay. I have a lot of questions here.

2022
01:39:28,960 --> 01:39:31,520
Speaker 1: Thank god the movie ends, because I'm like, wait, how

2023
01:39:31,520 --> 01:39:34,439
do you get like a whole new personality, How do

2024
01:39:34,520 --> 01:39:36,159
you tell your family about this?

2025
01:39:36,720 --> 01:39:40,039
Speaker 3: How do you get them to believe? What the fuck

2026
01:39:40,279 --> 01:39:40,479
do you?

2027
01:39:42,239 --> 01:39:44,159
Speaker 4: It's clearly them too mixed.

2028
01:39:44,199 --> 01:39:44,560
Speaker 3: I mean.

2029
01:39:46,399 --> 01:39:49,720
Speaker 1: What they did they got they had Alisonbrie acted out

2030
01:39:49,840 --> 01:39:52,000
with like a short hair wig, and they like put

2031
01:39:52,239 --> 01:39:55,159
they gave her like his eyebrows with like makeup and stuff,

2032
01:39:55,439 --> 01:39:58,479
and then they had yeah, and then they had him

2033
01:39:58,520 --> 01:40:00,760
shoot the scene with his face like like with all

2034
01:40:00,800 --> 01:40:03,640
the dots, and then they warphed it later on in

2035
01:40:03,760 --> 01:40:07,159
a post and then they came from that ridiculous voice

2036
01:40:07,159 --> 01:40:09,119
and I, by the way, my friend who didn't finish

2037
01:40:09,119 --> 01:40:10,720
the movie, I'm like, oh, then they turned the one

2038
01:40:10,760 --> 01:40:13,079
person at the end I set the nut screenshot and they.

2039
01:40:14,199 --> 01:40:16,800
Speaker 3: They're like, oh no, that's hilarious. Wait.

2040
01:40:16,880 --> 01:40:18,640
Speaker 1: I have so many questions, like how do you how

2041
01:40:18,640 --> 01:40:21,239
do you survive in a modern world like this? So

2042
01:40:21,279 --> 01:40:23,800
many people have so many questions, like, hey, who where's

2043
01:40:23,800 --> 01:40:24,159
this house?

2044
01:40:24,239 --> 01:40:26,239
Speaker 3: You are the owners? Where the other owners go?

2045
01:40:26,560 --> 01:40:28,600
Speaker 2: You just live in the middle of the woods alone,

2046
01:40:28,720 --> 01:40:31,640
like Jamie, They have no friends except your neighbors, who

2047
01:40:31,640 --> 01:40:34,600
you're trying to sucker into doing the same dumb thing

2048
01:40:34,640 --> 01:40:35,000
you did.

2049
01:40:35,960 --> 01:40:42,560
Speaker 4: It's a true they them situation. The pronouns are really.

2050
01:40:45,079 --> 01:40:47,720
Speaker 1: But yeah, I just think again, thank god the movie

2051
01:40:47,840 --> 01:40:50,079
ends on that and didn't go further, because I'm just

2052
01:40:50,119 --> 01:40:51,840
thinking of all these I want to see.

2053
01:40:51,600 --> 01:40:54,199
Speaker 4: The dinner, I want to see the lunch with the parents, Like,

2054
01:40:54,439 --> 01:40:57,279
please go on, I gotta see, right. I love.

2055
01:40:57,399 --> 01:41:00,159
Speaker 6: I would like to see a short film of the

2056
01:41:00,239 --> 01:41:01,720
lunch with the parents that I think.

2057
01:41:01,800 --> 01:41:02,960
Speaker 7: I don't want a sequel to this.

2058
01:41:03,000 --> 01:41:04,399
Speaker 6: I don't want to pick up where we left off,

2059
01:41:04,399 --> 01:41:05,960
but doing a short film of that would.

2060
01:41:05,800 --> 01:41:07,760
Speaker 2: Be post credit scene.

2061
01:41:08,079 --> 01:41:11,800
Speaker 7: Yeahs, yeah, I love.

2062
01:41:11,960 --> 01:41:15,319
Speaker 6: Also, when right before the parents arrive there, you get

2063
01:41:15,359 --> 01:41:17,840
to see that the table is set for three, and

2064
01:41:17,880 --> 01:41:20,079
I think that before earlier in the movie, she only

2065
01:41:20,119 --> 01:41:22,600
mentions that her mom is coming, So when you see

2066
01:41:22,640 --> 01:41:27,039
that her dad is also there, Okay, I must misremember that,

2067
01:41:27,079 --> 01:41:28,640
but you see that the table is set for three,

2068
01:41:28,720 --> 01:41:32,640
so you know that some sort of crazy morphine has

2069
01:41:32,680 --> 01:41:36,359
been going on, and it's it's the timing is excellent.

2070
01:41:36,840 --> 01:41:39,359
It's silly and goofy, and I want to see them

2071
01:41:39,359 --> 01:41:40,239
all interact more.

2072
01:41:40,399 --> 01:41:42,640
Speaker 1: I think they should have did a TV sitcom thing

2073
01:41:42,680 --> 01:41:44,439
where she's like wearing a wig and then she puts

2074
01:41:44,439 --> 01:41:46,520
a mustache on. It's like, Hi, I'm Tim, I grew

2075
01:41:46,560 --> 01:41:49,920
a mustache. I'm a different guy. Oh, let me get

2076
01:41:50,199 --> 01:41:51,000
she's in the other.

2077
01:41:50,920 --> 01:41:53,560
Speaker 6: Room, but she's wearing one of those She's wearing one

2078
01:41:53,560 --> 01:41:56,479
of those outfits, the half tuxedo at half evening.

2079
01:41:56,199 --> 01:41:57,560
Speaker 7: Down the.

2080
01:42:00,279 --> 01:42:04,359
Speaker 2: Substance ending where it's the Freak from the Cave Monster

2081
01:42:04,760 --> 01:42:07,800
with Alison Breeze face sta on it.

2082
01:42:09,680 --> 01:42:11,800
Speaker 3: Angela's sorry, oh, I don't know.

2083
01:42:11,800 --> 01:42:15,600
Speaker 4: Oh, I was just wondering about her job. Like that's

2084
01:42:15,439 --> 01:42:17,079
the way they can afford this.

2085
01:42:17,039 --> 01:42:21,319
Speaker 1: House, like Jamie could be like I got another teacher,

2086
01:42:21,359 --> 01:42:23,159
but then it's like wholds the house?

2087
01:42:23,239 --> 01:42:26,840
Speaker 3: And who's so.

2088
01:42:26,880 --> 01:42:32,039
Speaker 1: Many complicated questions they have a security number.

2089
01:42:32,159 --> 01:42:36,880
Speaker 3: Like It's funny. There's movies that do this. I know.

2090
01:42:37,119 --> 01:42:39,600
Corey Barker Baker he said his.

2091
01:42:39,560 --> 01:42:43,000
Speaker 1: Next movie will like hint at whatever happened in Obsession,

2092
01:42:43,720 --> 01:42:46,640
and it reminds me of how Hatchet Too. Have you

2093
01:42:46,680 --> 01:42:49,560
guys ever seen Hatchet Too? It like shows you the

2094
01:42:49,600 --> 01:42:52,600
aftermath of his movie Frozen. They have like the girl

2095
01:42:52,600 --> 01:42:54,720
from the ski lift talking and.

2096
01:42:54,760 --> 01:42:55,159
Speaker 3: What was it.

2097
01:42:55,319 --> 01:42:57,800
Speaker 1: I really like that movie Moon and the director apparently

2098
01:42:57,800 --> 01:42:59,840
did a sequel that was garbage, but it mentions what

2099
01:43:00,079 --> 01:43:01,039
happened at the end of Moon.

2100
01:43:01,319 --> 01:43:03,159
Speaker 3: Whatever Michael Shank's next.

2101
01:43:02,920 --> 01:43:04,840
Speaker 1: Movie is, I want them to just be like, oh,

2102
01:43:04,880 --> 01:43:07,279
by the way two people can confuse together. We learned

2103
01:43:07,319 --> 01:43:12,279
that in this little town in upstate New York, not Pennsylvania.

2104
01:43:12,359 --> 01:43:13,640
Speaker 3: I put something like.

2105
01:43:13,600 --> 01:43:16,399
Speaker 1: That where like a newspaper's like two freaks fused together,

2106
01:43:16,439 --> 01:43:18,479
their science is confused.

2107
01:43:19,319 --> 01:43:20,720
Speaker 3: I'll appreciate something like that.

2108
01:43:21,000 --> 01:43:23,079
Speaker 1: Or Kayler, you know they show the parents like we

2109
01:43:23,199 --> 01:43:30,239
disavowed our gender morphed child. Yeah, but that is the

2110
01:43:30,439 --> 01:43:32,720
end of together.

2111
01:43:33,119 --> 01:43:35,640
Speaker 3: Final thoughts. I really like this.

2112
01:43:35,760 --> 01:43:39,760
Speaker 1: I really enjoy it. It's fast, it's brisk, it's a

2113
01:43:39,760 --> 01:43:42,760
good time. It has many relatable things that I've had

2114
01:43:42,800 --> 01:43:46,479
to gone through. Not mixing with people, but breakup stuff.

2115
01:43:46,479 --> 01:43:48,800
Breakup drama is really I don't know why it's entered

2116
01:43:48,800 --> 01:43:53,800
into horror films, but it's really getting to me. It's terrifying.

2117
01:43:54,239 --> 01:43:56,840
Speaker 3: Andy. Final thoughts, since you suggested this and wanted this

2118
01:43:56,920 --> 01:43:57,479
so bad.

2119
01:43:58,039 --> 01:44:02,920
Speaker 2: M Yeah, I really liked the jayhor vibe of the beginning,

2120
01:44:03,279 --> 01:44:07,359
and then I really liked I was watching that the

2121
01:44:07,399 --> 01:44:11,560
whole Hallway sequence and it reminded me of adaptation when

2122
01:44:11,720 --> 01:44:14,920
Charlie Kaufman's brother starts writing the movie and it just

2123
01:44:15,279 --> 01:44:17,840
the accelerator goes down and it starts going in all

2124
01:44:17,840 --> 01:44:19,039
these wild actions.

2125
01:44:19,319 --> 01:44:21,319
Speaker 3: Oh your joke?

2126
01:44:22,239 --> 01:44:25,880
Speaker 2: Yeah yeah. I asked Groc, like, what it would look

2127
01:44:25,960 --> 01:44:29,000
like if Tony and Kaylee merged into one person? And

2128
01:44:29,039 --> 01:44:33,319
what that eight year old child would look like. And

2129
01:44:33,319 --> 01:44:36,119
then I asked it, what if Kayley and Angela had

2130
01:44:36,159 --> 01:44:38,399
an eight year old boy, what that looked like?

2131
01:44:39,439 --> 01:44:39,920
Speaker 3: Pull that up?

2132
01:44:41,560 --> 01:44:44,279
Speaker 4: Uh ala our son together.

2133
01:44:47,119 --> 01:44:48,479
Speaker 3: And oh you have one for me and you?

2134
01:44:48,600 --> 01:44:50,720
Speaker 2: And yeah, then I said, what if Tony and I

2135
01:44:50,800 --> 01:44:52,439
had a child, what would that look like?

2136
01:44:52,640 --> 01:44:55,640
Speaker 1: It'll probably be the most attractive and handsome of the

2137
01:44:56,840 --> 01:44:58,720
asshole your asshole.

2138
01:45:02,760 --> 01:45:09,279
Speaker 2: Uh yeah. So all in all, I really enjoy the film,

2139
01:45:09,600 --> 01:45:14,479
and I but Dave Franco's performance is maybe the worst

2140
01:45:14,479 --> 01:45:18,119
part of it. And yeah, just some of the wacky.

2141
01:45:18,279 --> 01:45:22,239
It just got wacky in the in the most fun way.

2142
01:45:22,479 --> 01:45:24,880
In the third act. It went from being something really

2143
01:45:25,079 --> 01:45:33,600
creepy and uh meditative on codependence and attraction kind of

2144
01:45:33,920 --> 01:45:36,960
they're they're physically attractive even though they don't really seem

2145
01:45:37,039 --> 01:45:40,760
to want to be together, which is kind of the

2146
01:45:40,800 --> 01:45:46,640
opposite of usually people are emotionally attracted when you know

2147
01:45:46,800 --> 01:45:50,520
maybe they shouldn't be. So uh it was it was

2148
01:45:50,560 --> 01:45:54,880
fun to watch the them interpret that you know on screen.

2149
01:45:55,000 --> 01:45:58,199
So I mean I insisted on doing this, so obviously

2150
01:45:58,279 --> 01:46:00,800
I I enjoyed it to a degree.

2151
01:46:00,640 --> 01:46:04,600
Speaker 1: But real quick, uh, we were all wrong. I just

2152
01:46:04,640 --> 01:46:07,800
glanced over and I saw, Uh, the film is set

2153
01:46:07,840 --> 01:46:09,560
in Washington State, so.

2154
01:46:09,479 --> 01:46:11,800
Speaker 3: We were all wrong about where it was set.

2155
01:46:12,560 --> 01:46:19,359
Speaker 6: Washing two hours from New York, I guess, yeah, yeah,

2156
01:46:19,359 --> 01:46:20,720
they referred to it as the city.

2157
01:46:21,359 --> 01:46:23,279
Speaker 3: Yeah. I don't know, I see a thing you're saying.

2158
01:46:23,319 --> 01:46:28,279
Speaker 1: Though it's in Washington State, it was filmed in Melbourne, Victoria, Australia.

2159
01:46:28,359 --> 01:46:31,399
Speaker 3: Sorry, uh Kaylee. Final thoughts on together.

2160
01:46:32,800 --> 01:46:35,840
Speaker 6: You know, I love the concept of a as Andy

2161
01:46:35,880 --> 01:46:38,439
mentioned earlier, I love Plato's Symposium. I love the concept

2162
01:46:38,479 --> 01:46:40,399
of that story. I love other movies that reference it,

2163
01:46:40,439 --> 01:46:45,800
including Hedwig and the Angry Inch. But and so overall,

2164
01:46:46,119 --> 01:46:49,439
the concept of a Plato's symposium based horror movie is

2165
01:46:49,479 --> 01:46:52,239
exactly up my alley. And in so many ways this

2166
01:46:52,319 --> 01:46:55,960
movie succeeded, it's still left me feeling a little bit

2167
01:46:56,039 --> 01:46:59,159
underwhelmed overall, which I was very sad about because I

2168
01:46:59,159 --> 01:47:02,399
had great expectations for it. I think that so much

2169
01:47:02,439 --> 01:47:04,479
of that has to do with me not really being

2170
01:47:04,479 --> 01:47:07,680
attached to the couple and finding those sequences of the

2171
01:47:07,760 --> 01:47:11,359
relationship building to be a little bit boring and not

2172
01:47:11,439 --> 01:47:14,720
really exciting for me. And as we've all kind of mentioned,

2173
01:47:14,760 --> 01:47:17,039
as we've gone through this there's a lot of questions.

2174
01:47:17,119 --> 01:47:20,199
I don't necessarily know that the story, no matter how

2175
01:47:20,239 --> 01:47:23,680
interesting it is, makes any sense at all. Now I

2176
01:47:23,680 --> 01:47:27,399
can suspend my disbelief in any body horror movie, which again,

2177
01:47:27,520 --> 01:47:31,560
one of my favorite genres. So I enjoy it regardless.

2178
01:47:31,760 --> 01:47:33,560
I just would maybe like it to feel a little

2179
01:47:33,600 --> 01:47:34,399
bit something more.

2180
01:47:34,479 --> 01:47:37,319
Speaker 7: I don't know. I also love the penis scene.

2181
01:47:37,359 --> 01:47:40,960
Speaker 2: As we all know, all those questions will be answered

2182
01:47:41,000 --> 01:47:41,760
in the sequel.

2183
01:47:41,800 --> 01:47:46,479
Speaker 3: Together again, Angela final thoughts on Together.

2184
01:47:47,199 --> 01:47:50,600
Speaker 4: Okay, So I really wanted to like this movie a lot.

2185
01:47:50,640 --> 01:47:53,520
I was really excited about it when I saw the

2186
01:47:53,520 --> 01:47:56,199
promo images and stuff for it. I feel like, for

2187
01:47:56,279 --> 01:47:59,119
a body horror movie, I just needed a little bit

2188
01:47:59,239 --> 01:48:03,199
more body horror, especially because this movie came out the

2189
01:48:03,239 --> 01:48:06,079
same year after The Substance, and I feel like that

2190
01:48:06,199 --> 01:48:08,600
really did it a service, because the Substance just blew

2191
01:48:08,640 --> 01:48:11,399
everybody away with you know, all of the body horror

2192
01:48:11,399 --> 01:48:12,279
and the things that it was able.

2193
01:48:12,399 --> 01:48:15,439
Speaker 3: Well, well not everyone. John Carpenter hated for Substance. I

2194
01:48:15,600 --> 01:48:17,439
was there. I was at that Q and A when

2195
01:48:17,479 --> 01:48:19,119
he was shitting on it. I was the guy who

2196
01:48:19,159 --> 01:48:20,760
asked him about Elvis. I was the only one who

2197
01:48:20,720 --> 01:48:22,920
asked him about his Elvis movie. But anyway, here go.

2198
01:48:24,680 --> 01:48:27,319
Speaker 4: I agree with Kayleie. I just wanted a little bit

2199
01:48:27,359 --> 01:48:30,840
more from it. I needed some more just I don't know.

2200
01:48:30,880 --> 01:48:34,199
It kind of left me just wanting more, and I

2201
01:48:34,199 --> 01:48:38,439
feel like the dialogue and the writing wasn't necessarily up

2202
01:48:38,479 --> 01:48:41,199
to part with what I wanted. But I do think

2203
01:48:41,199 --> 01:48:45,880
this movie is super entertaining and unintentionally hilarious in certain parts,

2204
01:48:45,920 --> 01:48:48,439
and I would recommend anybody to watch it. You're gonna

2205
01:48:48,439 --> 01:48:49,079
have a great time.

2206
01:48:49,840 --> 01:48:54,319
Speaker 1: Yeah, it's a good Hulu streaming horror movie night movie.

2207
01:48:54,399 --> 01:48:57,119
You don't have to watch it for too long. It's

2208
01:48:57,159 --> 01:48:59,239
a good time, all right. How about we read some

2209
01:48:59,279 --> 01:49:03,680
super chats with sound good. I'm looking at a bunch

2210
01:49:03,680 --> 01:49:05,880
of super chats here on my end and they all

2211
01:49:05,920 --> 01:49:08,399
have links, which means they're not going to me, you

2212
01:49:08,520 --> 01:49:15,960
goddamn traders. Remember please uh leave leave a super chat

2213
01:49:16,000 --> 01:49:19,439
for me. Make sure to report everyone else on the stream. Okay,

2214
01:49:20,119 --> 01:49:25,840
hambleton Berger for ten Canadian dollars, here's money to force

2215
01:49:25,920 --> 01:49:29,079
you to get Angela to come back more. And Kaylee

2216
01:49:29,560 --> 01:49:32,800
Hack the Movies is also a channel on YouTube. Asshole,

2217
01:49:33,079 --> 01:49:34,840
who the hell are you? Hamilton Burger.

2218
01:49:35,960 --> 01:49:38,359
Speaker 7: Find out who you are, smart, smart man.

2219
01:49:38,439 --> 01:49:40,119
Speaker 3: We're gonna shrink from a cave and you're gonna be

2220
01:49:40,159 --> 01:49:41,039
stuck with me forever.

2221
01:49:42,359 --> 01:49:45,199
Speaker 1: Oh boy, I can't believe your left to comment for

2222
01:49:45,319 --> 01:49:46,000
five dollars?

2223
01:49:46,079 --> 01:49:47,960
Speaker 3: Kaylee, how would you like me to take.

2224
01:49:47,840 --> 01:49:50,680
Speaker 1: You out to dinner to despise Tony?

2225
01:49:51,159 --> 01:49:52,159
Speaker 3: I think he meant spie.

2226
01:49:52,239 --> 01:49:55,760
Speaker 1: That doesn't really make sl right, no right, because he

2227
01:49:55,920 --> 01:49:58,560
still won't do it for Crystal and Jonah Johanna. Yeah,

2228
01:49:58,560 --> 01:50:00,720
I'm like four years late. Iowa, I'm at dinner.

2229
01:50:00,800 --> 01:50:01,600
Speaker 7: Yeah you do.

2230
01:50:02,560 --> 01:50:04,880
Speaker 1: I got a prediction wrong, but you know what, it

2231
01:50:04,920 --> 01:50:06,840
really helped when Crystal moved to Florida.

2232
01:50:06,840 --> 01:50:08,640
Speaker 3: I'm like, yeah, you should move that way. I get

2233
01:50:08,680 --> 01:50:10,000
out of doing that.

2234
01:50:12,479 --> 01:50:17,159
Speaker 1: Dayan Taft movie show for one ninety nine. Here's popsicle money,

2235
01:50:17,319 --> 01:50:21,359
put one up. Andy's censored?

2236
01:50:21,560 --> 01:50:22,119
Speaker 2: Hi, thank you?

2237
01:50:22,159 --> 01:50:29,920
Speaker 1: No idea what they censored there? Donna g for nineteen

2238
01:50:30,039 --> 01:50:39,279
ninety nine. Hello, ladies and gents, Welcome back, Andy, welcome back, welcome.

2239
01:50:38,920 --> 01:50:40,319
Speaker 3: Back, all right?

2240
01:50:41,279 --> 01:50:45,039
Speaker 1: Beavis e J three and why I don't know why

2241
01:50:45,039 --> 01:50:47,720
Streamer has been messing up like everyone's names? Uh?

2242
01:50:47,840 --> 01:50:50,279
Speaker 3: Where are you gonna do? The Oceans movies?

2243
01:50:50,880 --> 01:50:53,560
Speaker 1: There's the original three with Clooney and then the Woke,

2244
01:50:53,600 --> 01:50:57,000
but I don't know. Kayley keeps hinting at a Girl's

2245
01:50:57,079 --> 01:51:01,039
Month that seems like something she would do Oceans, but

2246
01:51:01,119 --> 01:51:02,399
I doubt Girl's Month.

2247
01:51:02,359 --> 01:51:03,000
Speaker 3: Is gonna happen.

2248
01:51:03,000 --> 01:51:04,720
Speaker 1: In fact, when I go to Rochester, I will be

2249
01:51:04,800 --> 01:51:08,199
leaving a bomb in our house to prevent it from happening.

2250
01:51:10,199 --> 01:51:12,399
Speaker 3: Here's the thing. I like Ocean's.

2251
01:51:12,039 --> 01:51:15,239
Speaker 1: Eleven, but the sequels suck because they just all wanted

2252
01:51:15,319 --> 01:51:17,680
to hang out and I really don't want to rewatch

2253
01:51:17,680 --> 01:51:18,760
the sequels ever again.

2254
01:51:18,920 --> 01:51:20,119
Speaker 3: So I don't know.

2255
01:51:21,199 --> 01:51:22,399
Speaker 4: Uh.

2256
01:51:23,079 --> 01:51:26,079
Speaker 1: The Flute Wizard for five dollars thought this movie and

2257
01:51:26,159 --> 01:51:30,920
Obsession were just okay. B pluses had some cool parts,

2258
01:51:30,960 --> 01:51:33,920
but could have been written better with more over.

2259
01:51:33,720 --> 01:51:35,600
Speaker 3: The top stuff, love y'all.

2260
01:51:36,560 --> 01:51:38,399
Speaker 1: That's the thing with these You can't get like two

2261
01:51:38,479 --> 01:51:41,119
over the top because then people will be like, there's

2262
01:51:41,159 --> 01:51:43,640
some supernatural stuff here. We all have to get involved

2263
01:51:43,640 --> 01:51:46,199
in interfere and then you kind of lose the herror.

2264
01:51:46,279 --> 01:51:48,279
Like if they were running in the middle of town

2265
01:51:48,439 --> 01:51:51,000
like morphing together, the movie would be done.

2266
01:51:51,159 --> 01:51:53,399
Speaker 3: People would just shoot them for being horrifying.

2267
01:51:54,119 --> 01:51:56,880
Speaker 1: Uh So you guys agree, are these, Is this an

2268
01:51:56,880 --> 01:51:58,520
obsession just b pluses?

2269
01:51:59,359 --> 01:52:01,720
Speaker 6: Usually flut Wizard and I agree on movies, I think,

2270
01:52:01,800 --> 01:52:04,439
but I disagree vehemently about Obsession.

2271
01:52:04,439 --> 01:52:07,239
Speaker 7: I think that it is a near perfect movie.

2272
01:52:07,439 --> 01:52:09,520
Speaker 1: Yeah, I did like Obsession. I think I love like

2273
01:52:09,560 --> 01:52:12,600
the obsession more, but I enjoy both of these. I

2274
01:52:12,640 --> 01:52:14,760
think I love the substance more than both of them.

2275
01:52:16,319 --> 01:52:19,760
Speaker 2: At an obsession just kind of Oh, I bought this

2276
01:52:20,680 --> 01:52:22,439
magic charm in a gift shop.

2277
01:52:23,279 --> 01:52:25,119
Speaker 3: That's yeah, And it's a caution.

2278
01:52:25,960 --> 01:52:28,520
Speaker 1: Men should not be going into shops that sell crystals

2279
01:52:28,520 --> 01:52:29,319
and tarot cards.

2280
01:52:29,399 --> 01:52:30,600
Speaker 3: Yeah, you don't belong there.

2281
01:52:30,880 --> 01:52:34,640
Speaker 2: That's only by women gifts. That's the ring.

2282
01:52:36,199 --> 01:52:38,199
Speaker 1: My favorite thing that we talked about, My favorite thing

2283
01:52:38,199 --> 01:52:40,399
are like it's mostly just women that they are like,

2284
01:52:40,560 --> 01:52:42,199
he's the bad guy because he made the wish, and

2285
01:52:42,199 --> 01:52:44,439
I'm like, no, no, he thought it was a toy

2286
01:52:44,600 --> 01:52:46,760
joke thing because in the real world it doesn't worry.

2287
01:52:46,960 --> 01:52:49,079
Speaker 3: That wasn't when he became he became a bad guy

2288
01:52:49,079 --> 01:52:49,479
in the movie.

2289
01:52:49,520 --> 01:52:51,720
Speaker 1: But making the wish, and of course it's like girls

2290
01:52:51,720 --> 01:52:53,720
who believe in astrology and I'm like, all right, never mind,

2291
01:52:53,760 --> 01:52:54,159
never mind.

2292
01:52:54,199 --> 01:52:55,920
Speaker 3: Yeah, he's the bad guy because he bought a toy.

2293
01:52:56,359 --> 01:52:58,920
Speaker 2: I would be like, Yeah, a guy buying X ray

2294
01:52:58,960 --> 01:53:01,319
glasses the back of a comic book, what are you

2295
01:53:01,319 --> 01:53:01,880
gonna do with those?

2296
01:53:01,960 --> 01:53:04,920
Speaker 1: He's he bought those X rayspects like he didn't know

2297
01:53:04,960 --> 01:53:09,600
they were all right? Freddy Jones Junior for four ninety nine, Andy,

2298
01:53:09,680 --> 01:53:14,600
could you tell Lucy congrats on her brilliant prediction? Uh?

2299
01:53:14,640 --> 01:53:18,239
Stuttering John wouldn't hire an attorney or respond to Shuley's

2300
01:53:18,239 --> 01:53:19,279
frivolous lawsuit?

2301
01:53:19,399 --> 01:53:21,720
Speaker 3: Wait? Is that new? Has he not hired an attorney?

2302
01:53:21,920 --> 01:53:24,720
Speaker 6: No, he has hired an attorney, and he has requested

2303
01:53:24,720 --> 01:53:28,119
an extension of time, which I suspect he will be granted.

2304
01:53:28,199 --> 01:53:32,560
But I'm an idiot, So congratulations, thank you?

2305
01:53:32,600 --> 01:53:34,319
Speaker 3: Oh was that a sarcastic thing?

2306
01:53:35,279 --> 01:53:36,039
Speaker 7: It seems to be.

2307
01:53:36,319 --> 01:53:38,520
Speaker 1: Oh, I don't know who Freddy Jones Junior is and

2308
01:53:38,560 --> 01:53:39,800
I have been keeping up with that.

2309
01:53:40,000 --> 01:53:40,479
Speaker 2: Sorry.

2310
01:53:40,960 --> 01:53:44,039
Speaker 1: Sorry, I thought that was an actual compliment.

2311
01:53:44,720 --> 01:53:46,720
Speaker 3: You made a great prediction. Good job, And it's like,

2312
01:53:46,720 --> 01:53:47,119
oh no.

2313
01:53:47,279 --> 01:53:49,279
Speaker 7: Some people compliment me on the internet.

2314
01:53:49,319 --> 01:53:50,079
Speaker 3: Are you stupid?

2315
01:53:53,239 --> 01:53:57,960
Speaker 1: Need ten more super chats? Rob Kay? And I'm sure?

2316
01:53:58,039 --> 01:54:00,399
Oh wow, I see a hold on and I see

2317
01:54:00,439 --> 01:54:03,319
a little link next to Rob K's name, which means it's.

2318
01:54:03,199 --> 01:54:07,800
Speaker 3: Not on my channel. For five dollars, preach Kaylee.

2319
01:54:07,840 --> 01:54:11,279
Speaker 1: The body hoars scenes were good, but the relationship scenes

2320
01:54:11,319 --> 01:54:14,760
were dull, mostly because Dave Franco is so cringey.

2321
01:54:15,199 --> 01:54:18,199
Speaker 3: It realized there was so much Dave Franco hate. What

2322
01:54:18,239 --> 01:54:18,600
the fuck?

2323
01:54:19,800 --> 01:54:22,039
Speaker 1: And no one should love Dave Franco, but you should

2324
01:54:22,039 --> 01:54:25,159
all just be like, okay with Dave Franco that this

2325
01:54:25,399 --> 01:54:26,720
hate is coming out of nowhere.

2326
01:54:28,680 --> 01:54:32,000
Speaker 3: Lucha st for two dollars, Andy should watch the movie

2327
01:54:32,399 --> 01:54:36,439
X Stay X day? Is that a typo? Or is

2328
01:54:36,479 --> 01:54:38,039
there a movie called X stay.

2329
01:54:39,720 --> 01:54:40,680
Speaker 2: Sounds like a trap?

2330
01:54:41,479 --> 01:54:42,560
Speaker 3: Oh?

2331
01:54:42,960 --> 01:54:46,279
Speaker 1: Sorry, that wasn't the full title. The full title is

2332
01:54:47,439 --> 01:54:52,560
X day Hair Extensions. After hair from a dead girl

2333
01:54:52,720 --> 01:54:58,079
is sold as extensions, a deadly curse begins, killing its wearers,

2334
01:54:58,560 --> 01:55:01,720
pushing a hairdresser in her needs to uncover its dark

2335
01:55:01,760 --> 01:55:04,079
origin and stop the horn.

2336
01:55:04,199 --> 01:55:07,479
Speaker 3: It looks like it's an Asian film. Uh, Andy, I.

2337
01:55:07,399 --> 01:55:08,880
Speaker 2: Think you're gonna have to watch that movie.

2338
01:55:09,199 --> 01:55:12,880
Speaker 3: Yeah, oh co Goo from Kill Bill in Battle Royalites

2339
01:55:12,920 --> 01:55:14,800
in it. I might have to watch that movie. That

2340
01:55:14,840 --> 01:55:19,520
looks good. Okay, Uh the flip?

2341
01:55:19,680 --> 01:55:21,760
Speaker 1: Wait did you not put the full title so you

2342
01:55:21,800 --> 01:55:23,039
can keep the super chat.

2343
01:55:22,920 --> 01:55:24,800
Speaker 3: Under five dollars. You guess.

2344
01:55:27,920 --> 01:55:32,560
Speaker 1: Sure the fail for two dollars, the answer is always diarrhea.

2345
01:55:32,600 --> 01:55:34,439
Speaker 3: I guess that was the dog painting question.

2346
01:55:34,520 --> 01:55:37,159
Speaker 2: Yeah, that's joke of Angela was.

2347
01:55:41,119 --> 01:55:45,840
Speaker 1: Uh senior sticks for two dollars? Is it body horror

2348
01:55:45,920 --> 01:55:51,800
or body romance? Either way? Odd, it's a body romantic horror.

2349
01:55:53,800 --> 01:55:54,680
Speaker 3: We're just gonna go with that.

2350
01:55:55,239 --> 01:56:01,119
Speaker 2: Being too close to other people's never appeal what I now.

2351
01:56:01,119 --> 01:56:03,319
I merge with my significant other and I never get

2352
01:56:03,319 --> 01:56:06,079
a moment's piece for what's good about this.

2353
01:56:06,680 --> 01:56:09,840
Speaker 1: I assume once your brains connect, you're just one entity

2354
01:56:10,000 --> 01:56:15,039
or a new thing. The Culinary Mercenary for four ninety nine, Tony,

2355
01:56:15,640 --> 01:56:18,479
do you really believe that the Rocketeer is not based

2356
01:56:18,520 --> 01:56:21,479
on a comic book? Kayley, I'm really looking forward to

2357
01:56:21,600 --> 01:56:24,520
Girls Month? All right, well, Culinary Mercenary your band forever?

2358
01:56:24,800 --> 01:56:29,039
Speaker 6: Girls Month August twenty twenty six, Angela, I would love

2359
01:56:29,039 --> 01:56:31,279
to have you joined for that WETA with Tony.

2360
01:56:31,640 --> 01:56:33,600
Speaker 7: We got to with Tony, we are gonna slay.

2361
01:56:33,840 --> 01:56:35,479
Speaker 3: I love that You're like, it's definitely happening.

2362
01:56:35,479 --> 01:56:37,119
Speaker 1: And then all the hacked movies Girls are like, I

2363
01:56:37,119 --> 01:56:38,920
haven't heard from Kayley, that's true.

2364
01:56:38,960 --> 01:56:40,199
Speaker 7: I finally did start reaching out.

2365
01:56:40,239 --> 01:56:45,479
Speaker 2: I'm it's I call it that Girls Time of the Month.

2366
01:56:48,680 --> 01:56:51,479
Speaker 3: Hold on based on the rockets here.

2367
01:56:51,760 --> 01:56:54,199
Speaker 1: Okay, So I must have screwed up at some point

2368
01:56:54,239 --> 01:56:56,399
and said Rocketeer is not a comic. What I meant

2369
01:56:56,439 --> 01:56:59,079
was Originally I thought the rockets Heer was based off

2370
01:56:59,119 --> 01:57:02,760
like a thirties like Batman or The Fantom. But it

2371
01:57:02,800 --> 01:57:04,479
was based off a comic. But it's a comic from

2372
01:57:04,520 --> 01:57:07,520
the eighties. It's meant to feel like an old thirties

2373
01:57:07,560 --> 01:57:08,279
forties comic.

2374
01:57:08,359 --> 01:57:11,159
Speaker 6: So I messed up, and he does know anything. You

2375
01:57:11,159 --> 01:57:12,399
have to watch Girls Month.

2376
01:57:12,279 --> 01:57:15,399
Speaker 2: Only credibility shot asshole.

2377
01:57:17,880 --> 01:57:21,760
Speaker 1: So yes, I was right and wrong about the Rocketeer

2378
01:57:21,840 --> 01:57:25,560
whenever I said that, do their clothes merge as well?

2379
01:57:25,720 --> 01:57:26,479
Speaker 3: No, they do not.

2380
01:57:28,199 --> 01:57:34,399
Speaker 1: Hamilton Burger for two Canadian dollars more like play does Symposium?

2381
01:57:34,520 --> 01:57:35,199
Speaker 3: Am I right?

2382
01:57:35,840 --> 01:57:38,840
Speaker 2: Oh yeah, baby, good one nailed.

2383
01:57:39,279 --> 01:57:41,640
Speaker 4: They have to buy all new clothes too to fit

2384
01:57:41,680 --> 01:57:48,479
their new body. Oh yeah, anyway, okay.

2385
01:57:46,920 --> 01:57:51,359
Speaker 1: Hamilton Burger again, also money for Kayley to bring Angela back.

2386
01:57:51,720 --> 01:57:53,520
Speaker 6: Thank you, Hamilton Burger. But I do have to say

2387
01:57:53,560 --> 01:57:57,319
this is entirely Andy's doing. Andy organized all of us

2388
01:57:57,359 --> 01:57:59,399
getting together for this, So thank you Andy.

2389
01:58:00,520 --> 01:58:01,960
Speaker 7: But we could all talk about this movie.

2390
01:58:03,079 --> 01:58:07,960
Speaker 1: Sure see Senior Sticks again for two dollars. This needs

2391
01:58:07,960 --> 01:58:11,119
a trilogy. Quadrilogy, Yes, it needs.

2392
01:58:10,920 --> 01:58:14,520
Speaker 3: A quad trilogy. Where am I he here?

2393
01:58:14,600 --> 01:58:19,159
Speaker 1: Let's where can we find you guys? Well, we can

2394
01:58:19,199 --> 01:58:21,600
find Kayley at once Over with Kayley on YouTube.

2395
01:58:21,640 --> 01:58:25,960
Speaker 3: But you got coming? Oh hey Kayley? Uh Sunset Boulevard

2396
01:58:26,039 --> 01:58:28,880
any day now? Right? That review me shot five months ago.

2397
01:58:29,800 --> 01:58:30,640
Speaker 7: I'm very behind.

2398
01:58:31,720 --> 01:58:34,720
Speaker 3: That was meant for the anniversary last year.

2399
01:58:35,039 --> 01:58:37,199
Speaker 1: We relate to shooting it helps late to being a

2400
01:58:37,840 --> 01:58:39,479
I don't know if you got any messages. I called

2401
01:58:39,479 --> 01:58:41,319
you out in the Seat of Chucky review because there's

2402
01:58:41,359 --> 01:58:44,000
a scene that literally references Sunset Bulevard in it.

2403
01:58:44,760 --> 01:58:47,680
Speaker 3: I'm like, release the Sunset bull of Art. Come?

2404
01:58:48,920 --> 01:58:49,039
Speaker 4: Uh?

2405
01:58:49,319 --> 01:58:51,279
Speaker 3: What else you got coming up on once Over one?

2406
01:58:51,720 --> 01:58:53,600
Speaker 6: I am very excited that you are going to be

2407
01:58:53,640 --> 01:58:56,079
coming to Rochester on July nineteenth and we're going to

2408
01:58:56,079 --> 01:58:59,439
be doing a live screening of Street Fighter. The movie

2409
01:58:59,640 --> 01:59:01,159
is going to be awesome and I hope that everybody

2410
01:59:01,159 --> 01:59:04,039
comes out to that. You can get tickets at Comedy

2411
01:59:04,079 --> 01:59:06,920
at the Carlson. It is going to be in connection

2412
01:59:06,960 --> 01:59:09,079
with the Rochester Comedy Festival. We're going to be doing

2413
01:59:09,119 --> 01:59:11,600
some funny stuff. We'll be on stage, will be in costume.

2414
01:59:11,920 --> 01:59:12,840
It's gonna be lovely.

2415
01:59:13,239 --> 01:59:14,239
Speaker 2: I got my ticket.

2416
01:59:14,880 --> 01:59:17,239
Speaker 1: Kayley is going to be Cammy. She insisted on being

2417
01:59:17,319 --> 01:59:19,119
Balrog and I was like, no, I will not let

2418
01:59:19,159 --> 01:59:22,439
you do blackface, Kley. It's not happening, no matter how

2419
01:59:22,479 --> 01:59:23,319
much you asked for it.

2420
01:59:26,239 --> 01:59:27,399
Speaker 2: But she would have been topless.

2421
01:59:29,159 --> 01:59:32,600
Speaker 3: I think I don't know know the other.

2422
01:59:32,479 --> 01:59:35,520
Speaker 2: Glackit black tits? Is that is that racist?

2423
01:59:36,279 --> 01:59:40,800
Speaker 3: Yes? Speaking of racist, we can find you at all.

2424
01:59:40,840 --> 01:59:44,640
Speaker 2: Apologies. Yeah, yeah, thanks for having me. This has been

2425
01:59:45,199 --> 01:59:47,399
I've been looking forward to this for quite some time

2426
01:59:47,720 --> 01:59:51,840
and uh, all apologies. I'm doing Sunday Mornings at nine

2427
01:59:51,880 --> 01:59:55,000
with my co host Nelly from the UK, and uh,

2428
01:59:55,039 --> 01:59:57,600
there's been a lot of apologies in the Devil Versus. Recently,

2429
01:59:57,680 --> 02:00:02,800
Keano and Bacon did the Beef Tips Skies and I

2430
02:00:02,840 --> 02:00:06,279
saw Rocco and Cardiff ripping off the Chris Catan content

2431
02:00:06,319 --> 02:00:09,119
that I brought to Hackemania, so I'm gonna put them

2432
02:00:09,119 --> 02:00:12,800
on blast. So that's happening Sunday, and then on July first,

2433
02:00:12,960 --> 02:00:14,960
Kaylee is going to be back on the show for

2434
02:00:15,079 --> 02:00:18,079
a poker game. I do a poker stream with different

2435
02:00:18,079 --> 02:00:22,239
creators from all around the YouTube's and anybody that wants

2436
02:00:22,279 --> 02:00:25,199
to get in on that can DM me on x

2437
02:00:25,279 --> 02:00:26,680
all apologies podcast over.

2438
02:00:26,560 --> 02:00:30,560
Speaker 1: There, so they're apology maxing there. They're all sorry maxing

2439
02:00:30,640 --> 02:00:32,920
over there. Yeah, you guys think Clivic yoular and I

2440
02:00:32,920 --> 02:00:34,239
couldn't stop saying maxing.

2441
02:00:34,479 --> 02:00:37,000
Speaker 3: Yeah. A two weeks I kept working it into everything.

2442
02:00:37,319 --> 02:00:40,359
Speaker 2: Yeah, yeah, it'll get and then it's taken over the

2443
02:00:40,359 --> 02:00:42,159
Final Boss's channel.

2444
02:00:42,199 --> 02:00:45,319
Speaker 1: So speaking of some dabble Verse thing, it hasn't happened yet,

2445
02:00:45,359 --> 02:00:48,720
but I think next week I'm recording with a Dabblevers

2446
02:00:48,760 --> 02:00:52,840
person everyone loved up until a month ago, Shmuel Buckman,

2447
02:00:52,920 --> 02:00:54,079
who now everyone hates.

2448
02:00:54,399 --> 02:00:56,199
Speaker 3: It's great, perfect.

2449
02:00:55,880 --> 02:00:58,439
Speaker 1: Timing to have him on the show. I'm like, yeah,

2450
02:00:58,520 --> 02:01:00,600
I'm finding in Shmuel Buckman. I watch everyone show and

2451
02:01:00,600 --> 02:01:02,119
they're like, she fuel made up a rumor about me.

2452
02:01:02,199 --> 02:01:04,600
She will say this, like, oh god, I waited too long.

2453
02:01:06,119 --> 02:01:07,800
I was afraid he was gonna die because he's a

2454
02:01:07,800 --> 02:01:10,359
million years old. But now just everyone doesn't like him,

2455
02:01:10,359 --> 02:01:14,359
like fuck, but I'm having him on for Poltergeist too,

2456
02:01:14,399 --> 02:01:15,439
So I need him because.

2457
02:01:15,239 --> 02:01:18,840
Speaker 2: It's like, really because he looks like that guy, because.

2458
02:01:18,680 --> 02:01:21,359
Speaker 1: He looks like the bad guy from It's literally the

2459
02:01:21,399 --> 02:01:24,000
only reason I'm putting him on the show because I

2460
02:01:24,000 --> 02:01:25,680
wanted to wear a hat and looked like the bad

2461
02:01:25,720 --> 02:01:30,920
guy for polter Guys too. And now everyone, fucking god, damn.

2462
02:01:30,640 --> 02:01:35,159
Speaker 3: It, you really screwed me. Uh, you can find you

2463
02:01:35,199 --> 02:01:38,439
and Angela? Where else can we follow you? Since you're

2464
02:01:38,520 --> 02:01:39,359
new to hack the movies?

2465
02:01:39,399 --> 02:01:44,279
Speaker 4: Here on Instagram? Same thing, Angelida's Horror Twitch, Angelida's Horror,

2466
02:01:44,359 --> 02:01:44,800
all of it?

2467
02:01:45,119 --> 02:01:47,479
Speaker 3: Yeah, and uh, what do you got coming up? What

2468
02:01:47,560 --> 02:01:48,359
other reviews you have?

2469
02:01:48,640 --> 02:01:49,079
Speaker 2: Tomorrow?

2470
02:01:49,199 --> 02:01:51,920
Speaker 4: Well, tomorrow night, I'm doing a watch long to May.

2471
02:01:52,079 --> 02:01:55,039
I've never seen May.

2472
02:01:53,359 --> 02:01:57,239
Speaker 3: Oh yes a minute since seen it, but.

2473
02:01:57,279 --> 02:02:00,560
Speaker 4: I remember really yeah, everybody keeps telling me that it's

2474
02:02:00,560 --> 02:02:02,960
super good, great ending, So I was like, yeah, pull

2475
02:02:03,039 --> 02:02:04,800
the pull, pull the pug on that, pull the cord

2476
02:02:04,840 --> 02:02:07,239
on that how you say it? But that'll be tomorrow

2477
02:02:07,319 --> 02:02:11,159
night at nine pm Central Time. And then uh, sometime

2478
02:02:11,199 --> 02:02:14,079
next week I'm going to be releasing a video about uh,

2479
02:02:14,399 --> 02:02:18,800
you know, like the desktop like webcam horror movies. Oh yeah,

2480
02:02:19,119 --> 02:02:22,079
Brended like that I'm going to go into a couple

2481
02:02:22,079 --> 02:02:25,520
of those and rank some of those because I'm open windows.

2482
02:02:26,199 --> 02:02:30,079
Open Windows, Yes, with Elijah Woods and Slasha Gray.

2483
02:02:30,159 --> 02:02:34,880
Speaker 7: Of course, what a successful and unique movie. That's awesome.

2484
02:02:34,880 --> 02:02:35,199
Speaker 2: I like that.

2485
02:02:36,039 --> 02:02:39,239
Speaker 1: Yes, I like the host from twenty twenty, the Zoom

2486
02:02:39,279 --> 02:02:39,640
one that.

2487
02:02:39,640 --> 02:02:42,720
Speaker 6: Was Yes, I do too, and you just watched that, yeah,

2488
02:02:43,199 --> 02:02:44,000
my recommendation.

2489
02:02:44,119 --> 02:02:48,239
Speaker 1: I like, Oh so it was literally shot over zoom

2490
02:02:48,560 --> 02:02:49,439
during COVID.

2491
02:02:50,039 --> 02:02:53,680
Speaker 7: They also up ice Cube one No as a word

2492
02:02:53,680 --> 02:02:54,159
of the world.

2493
02:02:54,359 --> 02:02:58,319
Speaker 1: No, that's the World, which also was filmed during COVID

2494
02:02:58,359 --> 02:03:01,000
and was shout out last year. No, it was like

2495
02:03:01,039 --> 02:03:02,520
it was like an indie film, so like all the

2496
02:03:02,520 --> 02:03:05,239
actors shot it at their homes on zoom and everything.

2497
02:03:05,319 --> 02:03:07,399
It was like really really well done and it came

2498
02:03:07,439 --> 02:03:09,720
out like in the middle of lockdown. They shot it

2499
02:03:09,800 --> 02:03:12,560
fast shut or picked it up. It was a solid,

2500
02:03:12,720 --> 02:03:14,720
solid movie. It's really of its time too.

2501
02:03:15,760 --> 02:03:17,520
Speaker 3: It was it was a good one. It was good one.

2502
02:03:18,199 --> 02:03:20,119
Speaker 1: But yeah, definitely check that out. I think it's one

2503
02:03:20,119 --> 02:03:21,880
of the best examples of that what do they call

2504
02:03:21,920 --> 02:03:24,039
it screen life genre? I think it's what it called

2505
02:03:24,119 --> 02:03:24,600
screen life.

2506
02:03:24,680 --> 02:03:27,520
Speaker 3: Yeah, okay, but yeah, definitely do that.

2507
02:03:27,640 --> 02:03:32,439
Speaker 1: And we have no more super chats, right, Okay, so

2508
02:03:32,520 --> 02:03:35,039
we're just gonna get the hell out of here, all right.

2509
02:03:35,079 --> 02:03:37,359
Goodbye everyone, Goodbye