WEBVTT

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<v Speaker 1>I think Luke was a lot of fun, and I

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<v Speaker 1>know that we've been shitting on the guy a lot,

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<v Speaker 1>but he's just an endless supply of AMMO.

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<v Speaker 2>And if you want to get him on cameo, you

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<v Speaker 2>can either talk to him for three hundred and twenty

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<v Speaker 2>five dollars. Yeah, yeah, or you can talk to any

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<v Speaker 2>of the captains for the same price, right right, So

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<v Speaker 2>fuck off, Okay, I'm trying to help that.

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<v Speaker 1>Hi, Hello, and welcome to another brands banging episode of

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<v Speaker 1>bad Television. I am Dylan.

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<v Speaker 2>That is pat great to be here at permission to

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<v Speaker 2>come aboard.

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<v Speaker 1>Granted, Kaylen this here as well. We will not be

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<v Speaker 1>getting his knots today. We're in a post kayln N

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<v Speaker 1>era of the show. I've had it, guys, joint us

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<v Speaker 1>to paygreon dot com session on other podcast network. I

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<v Speaker 1>don't know what we're doing over there. I don't really

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<v Speaker 1>think anything but go over there and aps.

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<v Speaker 2>I just did a great one where I recapped my

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<v Speaker 2>vacation in Napos. Were overpaid for a vacation, that's right,

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<v Speaker 2>vacation with rich people complaining about how they weren't going

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<v Speaker 2>to get their their money and their accounts. Yeah.

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<v Speaker 1>That was fun, and I discussed the the hardship that

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<v Speaker 1>my marriage has endured because of the World Cup and

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<v Speaker 1>me being married to an Argentine. So yeah, there's a

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<v Speaker 1>lot of stuff patreon dot com in the cities there

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<v Speaker 1>as well. Go up, donate a little or a little more.

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<v Speaker 1>And what's one way that people could get five dollars

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<v Speaker 1>if if they are strapped for cash?

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<v Speaker 2>Oh okay, this is an old one, but a goodie.

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<v Speaker 1>Let's come up with a new one, because people don't

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<v Speaker 1>need your stale arbustrage opportunities. Okay, now we've talked about

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<v Speaker 1>this before. You take a can of beer, you say

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<v Speaker 1>there were hops at this it almost killed me, and

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<v Speaker 1>then they'll send you a new pack of beer and

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<v Speaker 1>then you sell it to kids. Okay, now we've heard that. Okay,

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<v Speaker 1>all right, how about.

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<v Speaker 2>A spin on this? Okay, Okay, you call Hershey's candy Okay,

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<v Speaker 2>and the hotline, because at on the package of every

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<v Speaker 2>Hershey's product there's a customer line. Yeah, you tell them

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<v Speaker 2>that the candy bar that you just ate almost killed

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<v Speaker 2>the person that you're standing next to, Okay, and that

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<v Speaker 2>they need to send you some money.

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<v Speaker 1>Okay, they're not going to do that. Right.

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<v Speaker 2>What they will do is say, can we send you something?

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<v Speaker 2>So they're going to send you a box of chocolate,

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<v Speaker 2>and you'll say, I will take that. You take that

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<v Speaker 2>box of chocolate when it shows up. Okay, you bring

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<v Speaker 2>it down to I don't know, Gelson's a grocery store.

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<v Speaker 1>Right.

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<v Speaker 2>You say, I'm poor and I'm selling these for five

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<v Speaker 2>dollars a chocolate.

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<v Speaker 1>Let let me let me try to and we're here

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<v Speaker 1>to talk about bullow Deck. We'll get to it.

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<v Speaker 2>Then they say you're a fifty year old man.

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<v Speaker 1>But let me let me because there's a way to

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<v Speaker 1>There will be questions from unweeding victims of your effort

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<v Speaker 1>to sign up for our patriot. But what you need

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<v Speaker 1>to do is you need to take that chocolate, and

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<v Speaker 1>you need to say that you are part of Homeboy Industries.

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<v Speaker 1>Now you can get their merch that's going to put

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<v Speaker 1>you in the hole a little bit because it's twenty

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<v Speaker 1>seven dollars plus shipping, but with the box of chocolate,

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<v Speaker 1>you'll make forty five dollars at least. Okay, wear sunscreen.

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<v Speaker 1>It's very hot out. But what we're saying is just

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<v Speaker 1>go to patreon dot com, session or the podcast network

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<v Speaker 1>donate a little or a little bit more. We've lost

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<v Speaker 1>ninety percent of the people. But we are here now

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<v Speaker 1>to officially talk about below Deck. And the thing about

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<v Speaker 1>this show is that it is firing on all cylinders.

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<v Speaker 1>This show is so fun right now. And for everyone

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<v Speaker 1>who is getting fatigue by us, happy for twenty everybody.

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<v Speaker 1>For the people that are getting fatigued by us talking

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<v Speaker 1>about Come as often as we've been talking about Yes,

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<v Speaker 1>that chapter is over after tonight. I think you have

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<v Speaker 1>about an hour left of us talking about Come in

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<v Speaker 1>very validated, descriptive and disgusting ways. But then after that

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<v Speaker 1>we're done.

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<v Speaker 2>There are people and they are talking in the comments.

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<v Speaker 2>They are done with it now. Bravo's not done with it.

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<v Speaker 2>The episode title was, in fact, he come, they saw

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<v Speaker 2>its bonkers. Now we've been accused of do you say

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<v Speaker 2>that again? He come, they saw its bonkers? That was

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<v Speaker 2>the episode title.

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<v Speaker 1>He came.

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<v Speaker 2>I thought it was, he come, Why would it be that?

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<v Speaker 2>I don't know they write these things, not me.

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<v Speaker 1>Right, But the saying is, I came, I saw I conquered.

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<v Speaker 2>Look I write it down for bab No, I.

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<v Speaker 1>Know you wrote it down, he come? All right, Maybe

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<v Speaker 1>maybe I got it, what's up? Maybe maybe alright.

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<v Speaker 2>Anyway, Eric, yeah, tomato, tomato. My point here, we've been

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<v Speaker 2>accused of driving a bit into the ground.

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<v Speaker 1>Okay, any times now, I never.

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<v Speaker 2>Want to say the word come or just again. I

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<v Speaker 2>feel like I've reached our quota for the year, So

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<v Speaker 2>I'm going.

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<v Speaker 1>To uh no, another chat pod term. Oh god, damn it.

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<v Speaker 1>What's he gonna call it this week?

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<v Speaker 2>Moving forward?

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<v Speaker 1>Joed Nectar No, no, no, no.

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<v Speaker 2>It's more quaint no, Joe.

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<v Speaker 1>Neck No, no, no, come on, alright, no, we will

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<v Speaker 1>refer to it as semen man tears, whatever we want,

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<v Speaker 1>Dick tears whatever. Okay, just but we're gonna be done

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<v Speaker 1>after this episode. It's fine, let's get into our We

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<v Speaker 1>had an amazing episode. I want Amy, I was gonna

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<v Speaker 1>say on my screen all the time. I do not

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<v Speaker 1>want that. Two episodes of Amy is the perfect amount

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<v Speaker 1>of Amy.

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<v Speaker 2>You know what, Amy, I hope you're listening because she

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<v Speaker 2>seems like such a narcissist. She would Amy. You were

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<v Speaker 2>definitely deep in the veno when you told your client, Hey,

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<v Speaker 2>I trust you, it's your journey. Just pick whoever you want.

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<v Speaker 1>So I go into a tailor and going does this

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<v Speaker 1>look good. This is not my choice, this is yours.

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<v Speaker 1>What I'm here to do is to have you choose

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<v Speaker 1>your own suit.

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<v Speaker 2>Then what the fuck do I need you for?

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<v Speaker 1>Right?

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<v Speaker 2>Yes, yes, what do I need you for?

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<v Speaker 1>Can you imagine if a waiter you asked a waiter

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<v Speaker 1>what the favorites are?

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<v Speaker 3>What?

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<v Speaker 1>What's something we can't miss? And they were just like,

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<v Speaker 1>I'm not here to do that. There is a menu,

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<v Speaker 1>and you can.

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<v Speaker 2>You're a human, that is, you should be proud that

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<v Speaker 2>you're a human.

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<v Speaker 1>Well, I should say that Amy was fantastic and Suzanne

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<v Speaker 1>was even more. Suzanne gifted us a full blown blackout

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<v Speaker 1>this episode, where in multiple of her suitors actually try

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<v Speaker 1>to get away from her because she's so shitfaced, and

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<v Speaker 1>she will wake the next morning and take severe umbrage

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<v Speaker 1>with the fact that some of them thought that she

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<v Speaker 1>was intoxicated, to which Amy replies, oh my god, what

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<v Speaker 1>do you mean, Oh my.

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<v Speaker 2>God, Oh my god, oh my god.

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<v Speaker 1>I give this episode ninety two pots.

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<v Speaker 2>I'm gonna give this ninety pots too. This is one

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<v Speaker 2>of the best seasons we've had and uh spoiler alert,

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<v Speaker 2>I mean we've all watched the episode, right, Luke leaves

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<v Speaker 2>and as you pointed out last episode, we.

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<v Speaker 1>Like turnover, turnover, you need a little turnover. Calen's making

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<v Speaker 1>me very nervous with all of this.

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<v Speaker 2>Calen, if you turn that fucking camera and make me

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<v Speaker 2>look like I have a double chin, I will kill you.

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<v Speaker 1>Okay, So, last we left off, Luke had come on

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<v Speaker 1>his boss's sheets and he was he's yeah. He had

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<v Speaker 1>gone up to Captain Sandy and said that I think

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<v Speaker 1>that the best thing to do here is to remove

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<v Speaker 1>myself from the situation. Now Luke is Kronk, so he

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<v Speaker 1>does have a sense of pride about himself despite having

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<v Speaker 1>been such an embarrassment. He wants Sandy to not say anything,

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<v Speaker 1>and that he is going to go out standing out

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<v Speaker 1>He's going to reveal to his co work curse that

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<v Speaker 1>it's his call.

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<v Speaker 2>Yes, he resigns, and she accepts his resignation. Now I thought,

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<v Speaker 2>for a second, there's something deeper involved with this resignation.

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<v Speaker 2>I don't think he wants her to write that goddamn

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<v Speaker 2>report on him.

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<v Speaker 1>I think he's got to be a little bit more

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<v Speaker 1>clear because I was thinking that too. So so let's

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<v Speaker 1>do a little rope play.

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<v Speaker 2>Well, can I just can I be him?

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<v Speaker 1>Yes?

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<v Speaker 2>Of course, Hey, I know I just resigned, Sandy. Just

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<v Speaker 2>one thing, can I.

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<v Speaker 1>Is there room for me?

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<v Speaker 2>Sandy? Now? Sandy? One thing? Yeah about me leaving? Can

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<v Speaker 2>we in that report? Can we leave the part out

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<v Speaker 2>where I painted my boss's sheets with a ball bar.

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<v Speaker 1>You know what, I'm just gonna let that go. I'm

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<v Speaker 1>gonna I'm gonna pick up my ball in go home. Okay,

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<v Speaker 1>So Sea Rat history, we get to chef Joy, who

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<v Speaker 1>lost her mother at the age of twenty. Oh God,

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<v Speaker 1>you were the weirdest human being. There will be things

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<v Speaker 1>that people go through that are like genuinely just traumatic

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<v Speaker 1>and awful, and Pat will go get over it. But

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<v Speaker 1>then there will be things like someone is like upside

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<v Speaker 1>down on a crypto investment and they're complaining about it,

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<v Speaker 1>and Pat's like, give them a little sympathy. I mean,

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<v Speaker 1>my god, Pat, her mother died.

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<v Speaker 2>All right, let's back up, Okay, all right. In the galley,

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<v Speaker 2>Joy struggles to prepare dinner for the roadblocks that primary

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<v Speaker 2>Suzanne has laid out for it. I don't want it

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<v Speaker 2>to be like too hot.

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<v Speaker 1>I can't I have the two hot mushrooms.

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<v Speaker 2>But Joy will prevail because cooking is what saved her

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<v Speaker 2>dill right. Joy lost her mom when she was twenty,

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<v Speaker 2>as you pointed out, which left her alone. But she

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<v Speaker 2>wasn't alone. She had her dad, Caylen.

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<v Speaker 1>Who do you think is more cynical generally me or Pat?

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<v Speaker 2>That's actually tough goal anyway, No dad. She bleached her

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<v Speaker 2>hair blonde, took up boozing, and then she started cooking

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<v Speaker 2>to save her life.

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<v Speaker 1>Zero points obviously reads that scale. Hey, listen, nobody liked

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<v Speaker 1>Roger and Neepert because they were soft critics. They had

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<v Speaker 1>integrity and it was difficult to get five thumbs up

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<v Speaker 1>or whatever the fuck those old guys did.

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<v Speaker 2>Were they old the whole way through? I feel like

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<v Speaker 2>they were always they were when they started, but they

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<v Speaker 2>looked eighty. I want to say this.

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<v Speaker 1>Yeah, she's a tough bitch man, she is, but she

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<v Speaker 1>likes Luke I know.

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<v Speaker 2>So that's what's wrong with her.

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<v Speaker 1>We got to get Joy on the show and talk

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<v Speaker 1>to her.

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<v Speaker 2>About well we went back and forth on the Instagram.

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<v Speaker 1>Well yeah, well oh you did, Yeah, so okay.

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<v Speaker 2>The problem with Joy is obviously the problems with most

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<v Speaker 2>sea rats. Even though they're impressive.

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<v Speaker 1>There's sea rats. It's this inescapable thing right where and

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<v Speaker 1>I'm sorry to make such a crude analogy.

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<v Speaker 2>But it's not crude, it's reality.

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<v Speaker 1>Let's let's say a chimpanzee scorn from his group gets

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<v Speaker 1>taken in and taught how to point at letters in

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<v Speaker 1>the alphabet or something. Right, you go, oh, that's very

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<v Speaker 1>very cute. There's a lot of optimism here. Perhaps we

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<v Speaker 1>can break through somewhere. He ripped someone's testicles off. The

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<v Speaker 1>day later or a day later, it's there's a thing

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<v Speaker 1>where you can't take the sea rat out of the

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<v Speaker 1>sea rat. Okay, there's always going to be abandonment. Oh yeah,

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<v Speaker 1>Oh so he sees the letter ean points of the elephant.

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<v Speaker 1>Very good, very good. He's going to bite your hand

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<v Speaker 1>off very soon. Okay. One thing I love about summer

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<v Speaker 1>is how easy everything feels.

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<v Speaker 2>Me too.

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<v Speaker 1>It's just easy, breezy. The days are a little more relaxed,

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<v Speaker 1>and I can find myself reaching for the same comfortable

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<v Speaker 1>clothing over and over and over again. It's it's easy.

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<v Speaker 1>It's summer.

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<v Speaker 2>Are you talking about Quins?

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<v Speaker 1>That's why we keep coming back to Quin's. Quince is

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<v Speaker 1>one hundred percent European linen pants and shirts are breathable,

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<v Speaker 1>easy to throw, on and the summer upgrade your rotation needs,

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<v Speaker 1>starting at just thirty four dollars. Leaning is one. It

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<v Speaker 1>looks good, it makes you look like you get a

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<v Speaker 1>little bit of class, and it's breathable. Linen is the best. Okay,

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<v Speaker 1>and the quinn stuff. I've been popping on the Quinn's

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<v Speaker 1>shorts at the house. It's a little hot. We don't

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<v Speaker 1>have central ac. We're in one of these charming old spots. Yeah, yeah,

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<v Speaker 1>very cute, but it gets hot. Quince lets me breathe.

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<v Speaker 1>My haunches dry, smooth and beautiful.

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<v Speaker 2>Well, here's my endorsement. I exclusively only wear their shirts.

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<v Speaker 2>Yeah it makes me look hot.

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<v Speaker 1>Yep. Make your summer wardrobe easier. Go to Quinns dot

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<v Speaker 1>com slash bad tv for free shipping on your order

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<v Speaker 1>and three hundred and sixty five day returns now available

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<v Speaker 1>in Canada too. That's qu I n ce dot com

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<v Speaker 1>sixty five day returns quints dot com slash bad TV.

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<v Speaker 1>Today's episode is also brought to you by the marvelous

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<v Speaker 2>I took a nuclear one and I went to a movie.

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<v Speaker 2>I saw Millions.

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00:15:55.399 --> 00:16:00.559
<v Speaker 1>lumgummies dot com code bad TV. Thanks Loomy. So Suzanne

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<v Speaker 1>is making her second guess. Her talent. Joy I would say,

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<v Speaker 1>it doesn't matter what you're gonna do, what you do,

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<v Speaker 1>just get get done with this charter and get this

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<v Speaker 1>woman off the boat. So Will and Suzanne have a

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<v Speaker 1>lovely chat and a little smooch, and she's starting to

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<v Speaker 1>get pretty turned up here.

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<v Speaker 2>Well, I mean they're bonding over the superficiality of humans

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<v Speaker 2>and their need to need to their struggle over beauty

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<v Speaker 2>as humans. Right, isn't it like I.

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<v Speaker 1>Wasn't paying attention to what they were saying.

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<v Speaker 2>They're like, oh my god, isn't it so superficial to

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<v Speaker 2>like want to be good looking for the rest of

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<v Speaker 2>our lives?

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<v Speaker 1>Yeah?

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<v Speaker 2>No, it's so superficial, Yeah, says two people with botox.

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<v Speaker 1>All Right, So they head back and Asia is really

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<v Speaker 1>invested in this whole thing, and go ahead.

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<v Speaker 2>Well I was gonna say your honor.

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<v Speaker 1>He just he I'm ready to testify, and the jury

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<v Speaker 1>there cross example, Pat just raises his Kerman I say something.

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<v Speaker 2>I mean, this is bullshit, this is bullshit. Kermit has

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<v Speaker 2>been so sidelined, and I think she's so bored and

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<v Speaker 2>so we're bored with her, and she's so I love

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<v Speaker 2>as you do. Okay, she's trying to find like part

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<v Speaker 2>like how she can be on film. So she's like,

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<v Speaker 2>I'm interested in this. No you're not. You hate this.

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<v Speaker 2>This sucks, But that's why she's saying I'm interested in this.

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<v Speaker 2>She hates these.

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<v Speaker 1>People are my good Okay, so where are we at?

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<v Speaker 1>This has been a bad up. This has been bad

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<v Speaker 1>so far? Right? No, not at all? Oh sure, I

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<v Speaker 1>think it's probably well.

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<v Speaker 2>As the book docks, the primary, Susan walks past the

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<v Speaker 2>galley and tells Joy, are you dooks?

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<v Speaker 1>Oh yeah, because we got a head back in because

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<v Speaker 1>of the wind that'll come up with better.

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<v Speaker 2>Primary Susan walks past the galley and she says to Joy,

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<v Speaker 2>are you gonna bring Joy to the table tonight? And

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<v Speaker 2>then she says, I really hope.

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<v Speaker 1>So that's where I take a full bottle of vizine

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<v Speaker 1>and I switch up the menu. I go, you know

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<v Speaker 1>what we're doing French onion soup. And one of these

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<v Speaker 1>bulls is getting all of this vizing it's going to

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<v Speaker 1>Suzanne and if she dies, she dies because you cannot

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<v Speaker 1>speak to me like that.

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<v Speaker 2>Well, she said, I hope so, and as walking off,

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<v Speaker 2>she said, I hope. So the second I really hope.

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<v Speaker 2>So was the real fuck you to Joy? In my opinion,

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<v Speaker 2>I did? Did Joy fuck your husband in a past life?

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<v Speaker 2>What's wrong? Yeah, Suzanne, I'm gonna call her Susan.

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<v Speaker 1>Yeah, that's fine. So listen. It's super windy danger Will

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<v Speaker 1>Robinson in the crows Nest. We've got the very intense

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<v Speaker 1>kind of blade Runner how nine thousand kind of red lighting,

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<v Speaker 1>and that's how you know it's serious. So while we

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<v Speaker 1>sit down for dinner, we're gonna dog I'm glad you.

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<v Speaker 2>Picked up that so dramatic music, uh, creative editing. For

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<v Speaker 2>a minute there, they had me thinking, with all this

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<v Speaker 2>incompetence going on, they're gonna smash that fucking boat again.

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<v Speaker 1>No, you're kidding me, party bo Are you kidding me?

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<v Speaker 1>What do you mean? They're listening to fucking Mike Posner

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<v Speaker 1>over there? Just focus on fucking docking. It's not a

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00:19:23.000 --> 00:19:28.759
<v Speaker 1>big deal. I love Mike Posner Viza. Yeah, Caitlin's a

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<v Speaker 1>big Mike Posner guy.

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<v Speaker 2>I know him. I got his phone. I got his number.

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<v Speaker 2>Oh really call him right now?

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<v Speaker 1>Yeah, why don't give him a call?

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<v Speaker 3>Used to service his old fish pond together.

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<v Speaker 1>That I you're gonna call Mike Posner right now. Don't

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<v Speaker 1>fucking tell me. No, I'm not tempting you. I'm asking

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<v Speaker 1>you to call Mike Posner. It's no tempt I'm just

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<v Speaker 1>just saying, just you want me to call him? Right, yeah, Mike,

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<v Speaker 1>call Mike Poster.

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<v Speaker 2>I'm not gonna fucking calm Dylan, you asshole.

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<v Speaker 1>All right, Fine, the guy won that Mexican stand up,

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<v Speaker 1>Yes you did, Okay, all right, So we sit down

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<v Speaker 1>for dinner. One guy starts to move his hips in

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<v Speaker 1>uh and his ass and an extremely un set I mean,

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<v Speaker 1>he's very good at it, but yeah, it was just

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<v Speaker 1>kind of alarming. So this is the same spot where

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<v Speaker 1>we last hit the boat. The party boats right next door.

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<v Speaker 1>They're listening to Pilnabiza. They're listening to other songs and oh.

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<v Speaker 2>My god, they're always playing loud music.

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<v Speaker 1>You kidding me? They duck. It's fine. We get to

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<v Speaker 1>the first chorus, which is a tunisavice with avocado for

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<v Speaker 1>the meat eaters. We're going to be doing a mole at.

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<v Speaker 1>There's some clumsiness around describe being Let Molay do its thing. Okay,

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<v Speaker 1>we don't have to call it chocolate sauce, right if

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<v Speaker 1>if if we're gonna do mole let's just say that

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<v Speaker 1>we're we're presenting a molay and and and just have

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<v Speaker 1>people eat it. We don't need to kind of do

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<v Speaker 1>this sloppy education for a bunch of drunk people at

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<v Speaker 1>this table. Susanne's a foodie, so when the Molly gets

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<v Speaker 1>sat down, she knows it's one of the most complex

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<v Speaker 1>sauces in astronomy, and she says, ah, she's like Orson

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<v Speaker 1>Wells and those outtakes Peace. No, not those ones. The

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<v Speaker 1>who are you who's sucking to me? No? No, no, no,

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<v Speaker 1>no no. It's the Champagne one. You know that one

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<v Speaker 1>o the French Champagne. This is a sparkling wad from

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<v Speaker 1>Paul Mez song. He just throws up on the table

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<v Speaker 1>Orson two young actors standing right next to him, like

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<v Speaker 1>this is Orson Wells. This is crazy, and he's blackout

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00:22:12.079 --> 00:22:17.200
<v Speaker 1>Fame Fame. You know that song?

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<v Speaker 2>Okay, you know that song?

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<v Speaker 1>Okay, So this is you're telling me this isn't a

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00:22:22.200 --> 00:22:25.160
<v Speaker 1>bad episode. I keep going, all right, So we sit

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<v Speaker 1>down for dinner. We're there, We're there, We're there. Okay.

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<v Speaker 1>So Susanna is a booze bag she's on vacation. But

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<v Speaker 1>enjoy yourself. We get a pat. I'm not even gonna

384
00:22:37.119 --> 00:22:39.799
<v Speaker 1>say it. It's a it's a puff pastry with vanilla

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00:22:39.839 --> 00:22:44.759
<v Speaker 1>cream and salty caramel. And before everyone heads in, Joy

386
00:22:44.799 --> 00:22:47.240
<v Speaker 1>heads up and she says, this is your dessert and

387
00:22:47.720 --> 00:22:51.400
<v Speaker 1>enjoy your meal. And then Joy goes to walk down

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<v Speaker 1>into the gay. There's a lot of cleaning to be done,

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00:22:53.839 --> 00:23:01.960
<v Speaker 1>and Susanne says, uh, way second, and everyone goes, what

390
00:23:02.039 --> 00:23:07.720
<v Speaker 1>did she just say? And she says, I had food,

391
00:23:08.039 --> 00:23:14.000
<v Speaker 1>get something, and then she starts to moan at the table.

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00:23:14.799 --> 00:23:16.440
<v Speaker 1>And this is where you go. I think it's time

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00:23:16.480 --> 00:23:21.519
<v Speaker 1>for night night, Okay, night night time? How many pots

394
00:23:21.519 --> 00:23:22.519
<v Speaker 1>would you give this dinner?

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00:23:22.680 --> 00:23:25.759
<v Speaker 2>Well, we should start doing. I love a pot puff pastry.

396
00:23:25.799 --> 00:23:27.680
<v Speaker 1>You love a puff pastry. You're a sweet boy.

397
00:23:29.000 --> 00:23:31.880
<v Speaker 2>I hate moley though that's made on coffee grounds.

398
00:23:31.960 --> 00:23:33.079
<v Speaker 1>Right, it's chocolate and.

399
00:23:34.359 --> 00:23:37.400
<v Speaker 2>It should not be in Uh what was the protein there?

400
00:23:37.599 --> 00:23:37.920
<v Speaker 1>Beef?

401
00:23:40.799 --> 00:23:41.519
<v Speaker 2>I don't like it?

402
00:23:41.559 --> 00:23:44.200
<v Speaker 1>And what about like a tunisaveatre?

403
00:23:44.240 --> 00:23:45.640
<v Speaker 2>I don't like tuna. It's disgusting.

404
00:23:45.680 --> 00:23:50.759
<v Speaker 1>Okay, So how many pots would you give? Even with

405
00:23:50.839 --> 00:23:53.039
<v Speaker 1>the puff pastry and the vanilla cream? What was in

406
00:23:53.079 --> 00:23:55.279
<v Speaker 1>the puff pastry, vanilla cream and salty care.

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00:23:55.359 --> 00:23:57.920
<v Speaker 2>That's the dessert five points, so.

408
00:23:57.920 --> 00:24:02.480
<v Speaker 1>You'd give it five knots okay? So Amy continues to

409
00:24:02.559 --> 00:24:08.200
<v Speaker 1>be tough. Susanne says, who should I lean towards? And

410
00:24:08.279 --> 00:24:11.519
<v Speaker 1>this is where Amy said, this is this.

411
00:24:11.400 --> 00:24:15.920
<v Speaker 2>Is where the matchmaker comes in, and this is this

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00:24:16.000 --> 00:24:16.920
<v Speaker 2>is where she shines.

413
00:24:17.119 --> 00:24:21.720
<v Speaker 1>Yes, so this is when we bring in the equalizer. Right.

414
00:24:22.880 --> 00:24:26.640
<v Speaker 1>It's been on Suzanne to whittle down her choices, and

415
00:24:26.640 --> 00:24:30.200
<v Speaker 1>now she is stuck between two Kurt, who has some

416
00:24:30.759 --> 00:24:36.680
<v Speaker 1>vague AI company, and Will, who I think does tantric

417
00:24:36.759 --> 00:24:40.720
<v Speaker 1>retreats or something, okay, and she goes up to her

418
00:24:41.319 --> 00:24:45.160
<v Speaker 1>match maker. She says, all right, first off, there are

419
00:24:45.279 --> 00:24:48.839
<v Speaker 1>five of you right now, but I need some help.

420
00:24:49.240 --> 00:24:52.839
<v Speaker 1>I'm stuck between two people. What should I do? And

421
00:24:53.000 --> 00:24:57.799
<v Speaker 1>Amy says, as a matchmaker, my job is to do nothing.

422
00:25:05.000 --> 00:25:08.119
<v Speaker 2>You are this is a direct quest. You are a

423
00:25:08.160 --> 00:25:11.200
<v Speaker 2>strong woman. You'll figure it out.

424
00:25:14.000 --> 00:25:19.200
<v Speaker 1>It's by paying the big bucks, all right. So Luke

425
00:25:19.599 --> 00:25:22.279
<v Speaker 1>starts to get very melodramatic.

426
00:25:22.440 --> 00:25:24.960
<v Speaker 2>This is the next morning or this is nighttime.

427
00:25:25.279 --> 00:25:32.799
<v Speaker 1>Luke grabs his giant tiger pillow and he says, can

428
00:25:32.799 --> 00:25:36.519
<v Speaker 1>you I mention fucking guy? With that in the bed. Okay,

429
00:25:36.680 --> 00:25:40.240
<v Speaker 1>so he is kind of gassing him up, and he says,

430
00:25:40.240 --> 00:25:42.640
<v Speaker 1>this is the last time be sleeping in this bed.

431
00:25:43.559 --> 00:25:47.079
<v Speaker 1>The ceremony of this ending is not lost on him.

432
00:25:47.240 --> 00:25:50.839
<v Speaker 1>This is a new chapter in his life. All right.

433
00:25:50.920 --> 00:25:54.079
<v Speaker 1>So Amy did her thing, and then we get to

434
00:25:54.200 --> 00:25:58.599
<v Speaker 1>drop off day. Well, yeah, today we finally find out

435
00:25:58.599 --> 00:26:01.519
<v Speaker 1>who Susanne is going to be picking. But first we

436
00:26:01.599 --> 00:26:04.920
<v Speaker 1>have Luke, who continues to be insane. He stands by

437
00:26:05.039 --> 00:26:09.200
<v Speaker 1>Joy once again, lumbering and quiet and doesn't say anything, moping,

438
00:26:09.400 --> 00:26:14.839
<v Speaker 1>and this is when he says, and I don't know

439
00:26:14.839 --> 00:26:17.400
<v Speaker 1>if this is a verbatim quote, like I'm gonna go

440
00:26:17.440 --> 00:26:19.440
<v Speaker 1>down standing up, but I'm gonna get as close as

441
00:26:19.440 --> 00:26:23.680
<v Speaker 1>I can to what he says, because again it's crazy.

442
00:26:25.200 --> 00:26:29.319
<v Speaker 1>When speaking of Joy, Luke says, I know I don't

443
00:26:29.359 --> 00:26:35.960
<v Speaker 1>know her, but she means so much to me. It's

444
00:26:36.039 --> 00:26:40.480
<v Speaker 1>really interesting that there are you know, on the outside,

445
00:26:40.519 --> 00:26:43.200
<v Speaker 1>he just looks like a linebacker, right, kind of like

446
00:26:43.240 --> 00:26:51.759
<v Speaker 1>a logging, hulking guy. But then he has these very

447
00:26:51.839 --> 00:26:55.200
<v Speaker 1>like immature you know what I don't need to get

448
00:26:55.799 --> 00:26:57.680
<v Speaker 1>we don't need to do. But he's probably listening. We've

449
00:26:57.680 --> 00:26:59.680
<v Speaker 1>been talking about his come for a month. We don't

450
00:26:59.680 --> 00:27:03.599
<v Speaker 1>need to get into all this stuff. But but yeah, okay, okay, I.

451
00:27:03.559 --> 00:27:08.640
<v Speaker 2>Want to talk about this. He's a pretty manipulative guy.

452
00:27:08.720 --> 00:27:11.400
<v Speaker 1>That's what I'm like. There are these petty emotional games

453
00:27:11.400 --> 00:27:13.319
<v Speaker 1>that are being okay too, and it's just like, what

454
00:27:13.519 --> 00:27:14.039
<v Speaker 1>is going on.

455
00:27:14.920 --> 00:27:19.680
<v Speaker 2>Here's the saddest part. Him moping around is actually working.

456
00:27:19.960 --> 00:27:24.920
<v Speaker 2>I know, I know on Joy Yeah, a lot of

457
00:27:24.960 --> 00:27:27.160
<v Speaker 2>on the socials, a lot of people are like, Joy,

458
00:27:27.279 --> 00:27:30.079
<v Speaker 2>thank you for telling this guy to fuck off. Yeah,

459
00:27:30.079 --> 00:27:33.559
<v Speaker 2>but then we're gonna probably find out the two of

460
00:27:33.599 --> 00:27:34.319
<v Speaker 2>them men out.

461
00:27:34.519 --> 00:27:42.559
<v Speaker 1>Yeah. Yeah, yeah, we walked that. That whole thing back

462
00:27:42.640 --> 00:27:43.319
<v Speaker 1>quite a little bit.

463
00:27:43.440 --> 00:27:44.920
<v Speaker 2>By the way, We're gonna try and get Joy on.

464
00:27:45.519 --> 00:27:48.599
<v Speaker 1>We'll try, all right. So Suzanne gets with Amy and

465
00:27:48.960 --> 00:27:53.160
<v Speaker 1>she says, Kurt said something really insulting to me last night.

466
00:27:53.960 --> 00:28:01.720
<v Speaker 1>He said that I was intoxicated. Cut cut back to

467
00:28:02.640 --> 00:28:05.839
<v Speaker 1>I want to say something. I had a food or

468
00:28:06.000 --> 00:28:10.720
<v Speaker 1>guys to night. So Kurt was making a correct observation. Uh,

469
00:28:10.759 --> 00:28:14.839
<v Speaker 1>And Suzanne is Sunset Boulevard crazy.

470
00:28:15.839 --> 00:28:20.039
<v Speaker 2>And also I would argue Kurt while he said that

471
00:28:20.079 --> 00:28:23.640
<v Speaker 2>to you, that your main dude just said peace the

472
00:28:23.759 --> 00:28:24.319
<v Speaker 2>fuck out.

473
00:28:24.440 --> 00:28:24.759
<v Speaker 3>Bye.

474
00:28:24.960 --> 00:28:27.440
<v Speaker 1>Don't want to be around it. So she heads out

475
00:28:27.480 --> 00:28:30.759
<v Speaker 1>to the guys and she says, how is everybody up

476
00:28:30.799 --> 00:28:31.279
<v Speaker 1>before me?

477
00:28:32.119 --> 00:28:32.319
<v Speaker 3>Oh?

478
00:28:32.359 --> 00:28:33.079
<v Speaker 1>You blacked out?

479
00:28:35.039 --> 00:28:35.279
<v Speaker 4>Uh.

480
00:28:35.359 --> 00:28:41.519
<v Speaker 1>Suzanne says that she's she's going to pick Will and

481
00:28:41.559 --> 00:28:44.279
<v Speaker 1>the alcohol still hasn't completely gotten out of her system.

482
00:28:44.319 --> 00:28:46.759
<v Speaker 1>I don't think she's talking to Will and she's still

483
00:28:46.799 --> 00:28:49.319
<v Speaker 1>a little kind of a little in the gloom.

484
00:28:49.359 --> 00:28:51.359
<v Speaker 2>I was the couch.

485
00:28:51.519 --> 00:28:53.119
<v Speaker 1>Yeah, they have little private conversation.

486
00:28:53.279 --> 00:28:55.759
<v Speaker 2>Yeah, what happened last night? He's like, well, this is

487
00:28:55.759 --> 00:28:58.480
<v Speaker 2>a direct quote, he said my U. I'll use this

488
00:28:58.559 --> 00:29:01.440
<v Speaker 2>at some point if I ever get a caught leaving

489
00:29:01.440 --> 00:29:06.920
<v Speaker 2>a party. Early ago, my social battery went south? The fuck?

490
00:29:07.000 --> 00:29:09.920
<v Speaker 2>Does that? Me? Irish? Goodbye to you.

491
00:29:09.960 --> 00:29:14.079
<v Speaker 1>There's a really funny sketch from I don't know the Friday.

492
00:29:14.240 --> 00:29:17.759
<v Speaker 1>I think it's Friday Beers or something. There's this great

493
00:29:17.759 --> 00:29:20.559
<v Speaker 1>sketch where they're laughing. It's it's four friends at a

494
00:29:20.559 --> 00:29:22.519
<v Speaker 1>table and they're laughing, and this girl stands up and

495
00:29:22.559 --> 00:29:23.240
<v Speaker 1>she goes.

496
00:29:23.559 --> 00:29:24.039
<v Speaker 2>That's it.

497
00:29:24.519 --> 00:29:27.880
<v Speaker 1>I'm done. I no longer have energy. I've said all

498
00:29:27.920 --> 00:29:31.000
<v Speaker 1>the stories, I've laughed at all the jokes. I simply

499
00:29:31.319 --> 00:29:34.799
<v Speaker 1>must leave, which is what we all want to do.

500
00:29:35.359 --> 00:29:37.279
<v Speaker 1>When we're out.

501
00:29:37.039 --> 00:29:41.440
<v Speaker 2>Dylan, do do that, and you have done that, especially

502
00:29:41.519 --> 00:29:46.079
<v Speaker 2>when you were younger like I have. I'm leaving, and

503
00:29:46.200 --> 00:29:49.799
<v Speaker 2>the younger you was much more honest and comfortable in

504
00:29:49.960 --> 00:29:51.200
<v Speaker 2>your skin.

505
00:29:51.480 --> 00:29:54.039
<v Speaker 1>Yeah, yeah, totally, Yeah, I'm leaving.

506
00:29:55.240 --> 00:29:59.680
<v Speaker 2>I want to go what happens to us? You feel

507
00:29:59.680 --> 00:30:01.519
<v Speaker 2>like we need to fit in and.

508
00:30:01.680 --> 00:30:03.480
<v Speaker 1>Like Kate and stuff like that.

509
00:30:03.759 --> 00:30:07.039
<v Speaker 2>But I hear what you're saying to do it, because

510
00:30:07.160 --> 00:30:09.920
<v Speaker 2>I'll go as other creatures you go. I want you

511
00:30:09.960 --> 00:30:10.799
<v Speaker 2>to lie to me more.

512
00:30:11.079 --> 00:30:14.200
<v Speaker 1>You know what's happened, and I take what you're You're

513
00:30:14.240 --> 00:30:16.759
<v Speaker 1>you're trying to tell me to be more rude again.

514
00:30:16.880 --> 00:30:18.799
<v Speaker 2>But no, I'm not trying to tell you that. Well,

515
00:30:18.880 --> 00:30:20.680
<v Speaker 2>I thought it was funny, but but.

516
00:30:20.640 --> 00:30:22.519
<v Speaker 1>I really do want to get back to that place.

517
00:30:22.599 --> 00:30:23.440
<v Speaker 1>But here's the thing.

518
00:30:24.000 --> 00:30:26.160
<v Speaker 2>No one wants to be around someone who's honest.

519
00:30:26.319 --> 00:30:29.880
<v Speaker 1>I know. And what what happens when you do things

520
00:30:29.960 --> 00:30:34.440
<v Speaker 1>like that. I remember I told someone that that we

521
00:30:34.519 --> 00:30:37.960
<v Speaker 1>know that they had to uh leave the house now,

522
00:30:38.039 --> 00:30:41.680
<v Speaker 1>and that everyone was being very that everyone was uncomfortable.

523
00:30:43.559 --> 00:30:45.599
<v Speaker 1>Did not go over well. And there are a ton

524
00:30:45.680 --> 00:30:49.680
<v Speaker 1>of instances. God, I remember that night so clearly. Everyone

525
00:30:49.720 --> 00:30:54.240
<v Speaker 1>had said and then I was the one that said

526
00:30:54.319 --> 00:30:56.200
<v Speaker 1>in front of everybody, you gotta go, and.

527
00:30:56.119 --> 00:30:56.839
<v Speaker 2>I remember her.

528
00:30:56.920 --> 00:31:00.279
<v Speaker 1>They all but they all backed off and they were like,

529
00:31:00.319 --> 00:31:02.119
<v Speaker 1>what are you talking about? This is fun? I go,

530
00:31:02.240 --> 00:31:05.440
<v Speaker 1>You guys are all being cowards. This one needs to go. Okay,

531
00:31:05.720 --> 00:31:08.960
<v Speaker 1>But what happens is there are so many uncomfortable moments

532
00:31:08.960 --> 00:31:12.079
<v Speaker 1>that you have to massage your way through and apologize

533
00:31:12.119 --> 00:31:15.759
<v Speaker 1>for that. It's better to just lie, always.

534
00:31:15.759 --> 00:31:18.440
<v Speaker 2>Lie, lie, just lie, and then sneak out.

535
00:31:18.720 --> 00:31:20.920
<v Speaker 1>Okay, So we get to Nate going into the room.

536
00:31:21.079 --> 00:31:24.759
<v Speaker 1>The bag is blocking the door, and Nathan says, what's

537
00:31:24.799 --> 00:31:25.440
<v Speaker 1>going on here?

538
00:31:28.480 --> 00:31:29.039
<v Speaker 2>What do you mean?

539
00:31:29.119 --> 00:31:33.039
<v Speaker 1>What are you doing? How old is giant tiger billow?

540
00:31:34.240 --> 00:31:38.079
<v Speaker 1>I can't get over this tire pillow. But yes, it

541
00:31:38.240 --> 00:31:41.680
<v Speaker 1>seems as though Luke is ready to confess I am

542
00:31:41.759 --> 00:31:48.720
<v Speaker 1>leaving father. He says, it really awkward. He says, it's

543
00:31:48.799 --> 00:31:51.000
<v Speaker 1>really awkward because I came on your sheets and I

544
00:31:51.000 --> 00:31:53.319
<v Speaker 1>don't think that we can really get over that. And

545
00:31:53.599 --> 00:31:57.599
<v Speaker 1>Nathan says, listen, I'm not going to tell anybody. Cut

546
00:31:57.640 --> 00:31:59.759
<v Speaker 1>to two minutes later, literally everybody on the bus, I

547
00:31:59.799 --> 00:32:01.079
<v Speaker 1>think Suzanne Thos.

548
00:32:01.720 --> 00:32:04.039
<v Speaker 2>Every I mean, some of those dudes I don't even

549
00:32:04.039 --> 00:32:06.279
<v Speaker 2>know their names, like, hey, did you hear this fucking

550
00:32:06.279 --> 00:32:07.400
<v Speaker 2>guy who came on that bed?

551
00:32:07.519 --> 00:32:08.720
<v Speaker 1>Yeah, he's leaving, leaving.

552
00:32:09.640 --> 00:32:10.880
<v Speaker 2>Can I back up for a second?

553
00:32:11.000 --> 00:32:11.160
<v Speaker 1>Yep.

554
00:32:11.799 --> 00:32:19.559
<v Speaker 2>So despite the relationship not lasting between Suzanne and Will,

555
00:32:19.720 --> 00:32:27.400
<v Speaker 2>probably forty five seconds past them leaving, Kermit says, I

556
00:32:27.640 --> 00:32:31.319
<v Speaker 2>love love in any way that you meet someone, you

557
00:32:31.359 --> 00:32:35.559
<v Speaker 2>shouldn't judge them, like whether it be meeting someone with

558
00:32:35.640 --> 00:32:42.200
<v Speaker 2>a matchmaker or whatever. Because how she meant Scott was unconventional.

559
00:32:42.880 --> 00:32:44.160
<v Speaker 2>Right did you see the look back?

560
00:32:44.759 --> 00:32:45.400
<v Speaker 1>Yeah they will.

561
00:32:46.920 --> 00:32:51.000
<v Speaker 2>I'll tell you. They meant both shitting in a bucket

562
00:32:51.160 --> 00:32:53.720
<v Speaker 2>at an Empire of the Sun concern now and the

563
00:32:53.759 --> 00:32:54.680
<v Speaker 2>rest was history.

564
00:32:54.839 --> 00:33:01.319
<v Speaker 1>I love this song. They meant they went to high

565
00:33:01.319 --> 00:33:02.000
<v Speaker 1>school with each other.

566
00:33:02.839 --> 00:33:06.519
<v Speaker 2>They he had a bad haircut. Yeah, they hadn't found

567
00:33:06.599 --> 00:33:09.960
<v Speaker 2>scatting yet as a bonding experience.

568
00:33:10.200 --> 00:33:15.839
<v Speaker 1>Yes, turns out turning your asshole into an aerosol can

569
00:33:16.000 --> 00:33:20.960
<v Speaker 1>in the presence of another can bring you close. That

570
00:33:21.200 --> 00:33:25.039
<v Speaker 1>sounded crazy. We've just got to cut a lot of stuff.

571
00:33:25.079 --> 00:33:27.119
<v Speaker 1>I mean, they say, episode is horrible.

572
00:33:27.160 --> 00:33:28.559
<v Speaker 2>No, okay, people are gonna love it.

573
00:33:29.000 --> 00:33:33.279
<v Speaker 1>Okay. So the last person that finds out is joy

574
00:33:34.200 --> 00:33:36.720
<v Speaker 1>oh Luke tells her as though he.

575
00:33:37.160 --> 00:33:40.680
<v Speaker 2>Loved telling her this, like he was departing like Leo

576
00:33:41.319 --> 00:33:43.160
<v Speaker 2>in the Titanic, sinking down to the bottom.

577
00:33:43.160 --> 00:33:47.880
<v Speaker 1>E it was Heath Ledger leaving in the Patriot, a

578
00:33:47.960 --> 00:33:51.200
<v Speaker 1>more niche reference, and we probably should have just stuck

579
00:33:51.279 --> 00:33:51.880
<v Speaker 1>with yours.

580
00:33:52.960 --> 00:33:56.559
<v Speaker 2>But but but not like both of those, because he'll

581
00:33:56.599 --> 00:34:00.200
<v Speaker 2>show up and FaceTime her in eighteen hours exactly.

582
00:34:00.240 --> 00:34:04.599
<v Speaker 1>Heath wet Ledger's wife actually was burned alive, and uh,

583
00:34:04.680 --> 00:34:07.559
<v Speaker 1>Leo died in the cold waters of the Indian Ocean

584
00:34:07.720 --> 00:34:11.079
<v Speaker 1>I think, or the Arctic, wherever the Titanic was.

585
00:34:11.719 --> 00:34:15.119
<v Speaker 2>I was Again, I'm not going to say I'm disappointed,

586
00:34:15.159 --> 00:34:19.239
<v Speaker 2>joy because I'm such a douche douchebag, but you being

587
00:34:19.360 --> 00:34:21.599
<v Speaker 2>so hurt that he's leaving because you were going to

588
00:34:23.199 --> 00:34:25.039
<v Speaker 2>your plan was to come around him.

589
00:34:25.159 --> 00:34:28.280
<v Speaker 1>Yeah. Yeah, ultimately we would have had a full blown

590
00:34:28.320 --> 00:34:30.840
<v Speaker 1>come around and uh, that's not great.

591
00:34:30.880 --> 00:34:32.159
<v Speaker 2>I'm glad I didn't get to see that.

592
00:34:32.280 --> 00:34:35.239
<v Speaker 1>Yeah, I think everybody's happy now. Luke is cause playing

593
00:34:35.800 --> 00:34:39.840
<v Speaker 1>boyfriend here, they're they're cause playing a relationship and it's uh,

594
00:34:40.039 --> 00:34:42.960
<v Speaker 1>it's tough to watch. Now, Susanna's getting ready to pick

595
00:34:43.480 --> 00:34:49.639
<v Speaker 1>Amy has chosen, uh Will and the kids take off now.

596
00:34:52.199 --> 00:34:53.760
<v Speaker 2>Caitlin, can you look this up?

597
00:34:53.920 --> 00:34:59.880
<v Speaker 1>There's it's the animal that that weirdos refer to most often.

598
00:35:00.079 --> 00:35:06.199
<v Speaker 1>There's a smallest look up, smallest animal ever, period, possible

599
00:35:06.280 --> 00:35:11.039
<v Speaker 1>ever bear bear, smallest animal bear. It's like this little

600
00:35:11.079 --> 00:35:15.599
<v Speaker 1>thing sun bear. Is it like a microbe or something?

601
00:35:15.800 --> 00:35:16.119
<v Speaker 4>Oh?

602
00:35:16.320 --> 00:35:17.599
<v Speaker 3>The tartar grade?

603
00:35:17.760 --> 00:35:19.639
<v Speaker 1>Is that what you're talking about? Yees? Yeah, it's some

604
00:35:19.760 --> 00:35:24.559
<v Speaker 1>kind of bear Jen, a water bear Jen and John

605
00:35:24.679 --> 00:35:28.519
<v Speaker 1>Cena and people who are just fucking weirdos will use

606
00:35:28.639 --> 00:35:32.400
<v Speaker 1>this animal as a reference point. So she says, I

607
00:35:32.440 --> 00:35:35.760
<v Speaker 1>have as much respect for Luke as a water bear. Now,

608
00:35:35.800 --> 00:35:37.840
<v Speaker 1>water bears are have you ever seed a water It's

609
00:35:37.880 --> 00:35:45.840
<v Speaker 1>like a maggot. It looks like a maggot. Yeah. So anyways,

610
00:35:45.840 --> 00:35:52.159
<v Speaker 1>we get to the tip meeting. Now this is where

611
00:35:52.280 --> 00:35:56.480
<v Speaker 1>Luke is going to give a speech.

612
00:36:02.840 --> 00:36:07.679
<v Speaker 2>Yeah, he says he's leaving, and then he says this. Yeah,

613
00:36:09.239 --> 00:36:16.880
<v Speaker 2>the same water that hardens the egg softens the potato. Now,

614
00:36:17.519 --> 00:36:23.519
<v Speaker 2>before I get into what that means, I'll say what

615
00:36:23.559 --> 00:36:27.760
<v Speaker 2>he should have said was, I'm sorry that I fire

616
00:36:27.800 --> 00:36:31.519
<v Speaker 2>hosed your bed with dong water and didn't clean it up.

617
00:36:31.599 --> 00:36:34.239
<v Speaker 2>I'm sorry about that. I didn't think about you I

618
00:36:34.280 --> 00:36:35.000
<v Speaker 2>was a douchebag.

619
00:36:35.039 --> 00:36:37.000
<v Speaker 1>I'm sorry. I apologize for that.

620
00:36:37.760 --> 00:36:38.519
<v Speaker 2>Okay, I'm sorry.

621
00:36:38.639 --> 00:36:39.079
<v Speaker 1>Yeah.

622
00:36:39.119 --> 00:36:43.440
<v Speaker 2>Also, girls, I'm sorry that I was a jerk to you.

623
00:36:43.760 --> 00:36:46.960
<v Speaker 2>I I was a jerk. Jen I was a jerk.

624
00:36:47.360 --> 00:36:47.599
<v Speaker 1>Yeah.

625
00:36:47.679 --> 00:36:49.719
<v Speaker 2>I had sex with you and then I made you

626
00:36:49.760 --> 00:36:52.199
<v Speaker 2>feel bad about doing it.

627
00:36:52.239 --> 00:36:54.039
<v Speaker 1>At this point, everyone goes, you know what you can,

628
00:36:54.159 --> 00:36:55.760
<v Speaker 1>It's fine, you don't need to talk at all.

629
00:36:55.840 --> 00:36:58.719
<v Speaker 2>Right, let me get all right, fine, then let's get

630
00:36:58.719 --> 00:37:01.119
<v Speaker 2>back to the uh A potato?

631
00:37:01.199 --> 00:37:04.119
<v Speaker 1>Yeah, I want to. I want to dive down on

632
00:37:04.159 --> 00:37:07.840
<v Speaker 1>this because the same water that hardens an egg softens

633
00:37:07.840 --> 00:37:12.280
<v Speaker 1>a potato. What does that mean in relation to you

634
00:37:13.280 --> 00:37:15.719
<v Speaker 1>ejaculating on your boss's bed and not cleaning it for

635
00:37:15.760 --> 00:37:16.159
<v Speaker 1>three days?

636
00:37:16.159 --> 00:37:20.159
<v Speaker 2>Funny you ask? Okay, this analogy is famous for resilience

637
00:37:20.400 --> 00:37:21.519
<v Speaker 2>and adaptability.

638
00:37:21.679 --> 00:37:22.440
<v Speaker 1>Oh got it.

639
00:37:22.440 --> 00:37:24.880
<v Speaker 2>It has no connection to what's actually.

640
00:37:24.679 --> 00:37:27.519
<v Speaker 1>Transpiring because if we look at the source material, it's

641
00:37:27.559 --> 00:37:29.559
<v Speaker 1>actually a guy that came on his boss's bed and

642
00:37:29.599 --> 00:37:30.440
<v Speaker 1>then quit.

643
00:37:30.639 --> 00:37:32.800
<v Speaker 2>And screwed over two girls and hurt them.

644
00:37:32.920 --> 00:37:33.079
<v Speaker 1>Right.

645
00:37:33.599 --> 00:37:39.800
<v Speaker 2>It means the exact opposite has no connection with anything

646
00:37:39.840 --> 00:37:40.599
<v Speaker 2>that's transpiring.

647
00:37:40.760 --> 00:37:45.199
<v Speaker 1>Yeah yeah, yeah, yeah, so okay, cool, Thank you Luke

648
00:37:45.360 --> 00:37:47.679
<v Speaker 1>for uh I think Luke, was a lot of fun.

649
00:37:47.719 --> 00:37:49.199
<v Speaker 1>And I know that we've been shitting on the guy

650
00:37:49.199 --> 00:37:51.599
<v Speaker 1>a lot, but he's just an endless supply of ammo.

651
00:37:51.960 --> 00:37:52.119
<v Speaker 3>Yeah.

652
00:37:52.079 --> 00:37:53.880
<v Speaker 2>And if you want to get him on cameo, you

653
00:37:53.960 --> 00:37:58.599
<v Speaker 2>can either talk to him for three yeah, yeah, or

654
00:37:58.719 --> 00:38:00.920
<v Speaker 2>you can talk to any of the captains for the

655
00:38:00.960 --> 00:38:10.480
<v Speaker 2>same price, right right, So funk off. Okay, I'm trying.

656
00:38:10.199 --> 00:38:18.079
<v Speaker 1>To help them, all right. So Jen is struggling with

657
00:38:18.440 --> 00:38:25.280
<v Speaker 1>positive mindset. She's called Kayleia double crossing kunt, She's called

658
00:38:25.480 --> 00:38:28.239
<v Speaker 1>Luke of Water. But she's spent in a negative headspace.

659
00:38:28.440 --> 00:38:31.400
<v Speaker 2>So what you're talking about here is the rebrand.

660
00:38:32.360 --> 00:38:32.840
<v Speaker 1>This is.

661
00:38:34.239 --> 00:38:36.760
<v Speaker 2>This is Jen journey into zen Jen.

662
00:38:36.920 --> 00:38:40.480
<v Speaker 1>Yes, this is zen Jen. This is Subway post Jared.

663
00:38:44.119 --> 00:38:47.920
<v Speaker 1>We don't have we don't have that silly guy doing

664
00:38:48.039 --> 00:38:56.199
<v Speaker 1>it anymore. No, we don't have them. Ouch.

665
00:38:57.239 --> 00:39:01.280
<v Speaker 2>Yeah, all right, now let's move on a coop. This

666
00:39:01.360 --> 00:39:05.440
<v Speaker 2>one was the more fascinating aspect. I did not see

667
00:39:05.480 --> 00:39:05.920
<v Speaker 2>this coming.

668
00:39:06.400 --> 00:39:08.320
<v Speaker 1>So I Caitlen, can you do me a favor? Can

669
00:39:08.360 --> 00:39:10.360
<v Speaker 1>we do a little check in on Jared from Subway?

670
00:39:10.360 --> 00:39:14.639
<v Speaker 1>Has he been killed in prison yet? We don't need

671
00:39:15.000 --> 00:39:17.119
<v Speaker 1>just we can keep going, but I do want to

672
00:39:17.159 --> 00:39:18.519
<v Speaker 1>see what check he's up.

673
00:39:18.400 --> 00:39:22.440
<v Speaker 3>To He's expected to be released in March of twenty

674
00:39:22.480 --> 00:39:23.199
<v Speaker 3>twenty nine.

675
00:39:23.480 --> 00:39:33.280
<v Speaker 1>So ooh ouch yikesh, my god, I know this. How

676
00:39:33.320 --> 00:39:35.199
<v Speaker 1>long did he serve in prison for?

677
00:39:36.320 --> 00:39:40.320
<v Speaker 3>He's currently serving his fifteen year and eight month sentence

678
00:39:40.760 --> 00:39:44.280
<v Speaker 3>in Colorado. He pleaded guilty in twenty fifteen.

679
00:39:49.400 --> 00:39:51.440
<v Speaker 2>Why don't you bring him up? Can we move the

680
00:39:51.440 --> 00:39:51.880
<v Speaker 2>fuck on?

681
00:39:52.079 --> 00:39:54.360
<v Speaker 1>Sorry, it's just like, well, what Pat and I are

682
00:39:54.639 --> 00:39:58.840
<v Speaker 1>negotiating whether to talk about fifteen years is enough punishment

683
00:39:58.920 --> 00:39:59.800
<v Speaker 1>for a child?

684
00:40:00.400 --> 00:40:03.719
<v Speaker 2>It wasn't child porn. It was more than that, all right.

685
00:40:03.920 --> 00:40:07.039
<v Speaker 2>So all right, so Coops, this is.

686
00:40:06.960 --> 00:40:09.079
<v Speaker 1>Where Klen you got to get your vigilante suit on

687
00:40:09.239 --> 00:40:12.320
<v Speaker 1>and you got to get him back in prison. All right.

688
00:40:12.800 --> 00:40:14.559
<v Speaker 1>You know he midnights as a hero.

689
00:40:15.039 --> 00:40:18.679
<v Speaker 2>He does yeah cheese man, Yeah, Jem.

690
00:40:19.159 --> 00:40:22.239
<v Speaker 1>You know what his super super hero's bucket man. He

691
00:40:22.320 --> 00:40:24.559
<v Speaker 1>takes the buckets of chicken that he eats and then

692
00:40:24.599 --> 00:40:26.360
<v Speaker 1>he cuts eyes and he puts it on top of

693
00:40:26.440 --> 00:40:28.159
<v Speaker 1>his head. He goes out and he fights cry but

694
00:40:28.239 --> 00:40:29.440
<v Speaker 1>he gets winded.

695
00:40:29.039 --> 00:40:34.440
<v Speaker 2>Really easily kill him. Calen. All right, Cooper, of all

696
00:40:34.519 --> 00:40:37.960
<v Speaker 2>people did not see this coming. But I've heard this

697
00:40:38.320 --> 00:40:42.880
<v Speaker 2>like as far as like society's work. When one douchebag leaves,

698
00:40:44.440 --> 00:40:45.840
<v Speaker 2>someone will fill his spot.

699
00:40:46.000 --> 00:40:50.000
<v Speaker 1>Well, we've talked about this. You know, the chimpanzee will

700
00:40:50.000 --> 00:40:53.599
<v Speaker 1>cause you harm. And as we discussed with Coop, we

701
00:40:53.599 --> 00:40:59.360
<v Speaker 1>were trepidacious to believe that he was this just southern

702
00:40:59.440 --> 00:41:02.280
<v Speaker 1>bull that wanted to treat I think chivalry is dead,

703
00:41:02.480 --> 00:41:04.599
<v Speaker 1>you know, And I love to open a car door,

704
00:41:04.679 --> 00:41:06.440
<v Speaker 1>and I don't think that you should kiss. On the

705
00:41:06.480 --> 00:41:09.440
<v Speaker 1>first day, cut to him slamming his tongue down the

706
00:41:09.440 --> 00:41:11.440
<v Speaker 1>throat of Cat, which he's open to, and that's fine,

707
00:41:11.760 --> 00:41:14.880
<v Speaker 1>but we were a little concerned. Kalin's bleeding. No big deal.

708
00:41:14.920 --> 00:41:16.920
<v Speaker 1>Why do you guys bleed on this show so much?

709
00:41:18.039 --> 00:41:21.119
<v Speaker 1>It's a lot of bleeding. Cooper is, at the end

710
00:41:21.159 --> 00:41:24.239
<v Speaker 1>of the day, a sea rat, so we'll see whether

711
00:41:24.480 --> 00:41:26.679
<v Speaker 1>or not he is going to hurt Cat.

712
00:41:26.840 --> 00:41:29.679
<v Speaker 2>Now, what we're referring here is him kind of second

713
00:41:29.760 --> 00:41:32.960
<v Speaker 2>guessing whether or not he wants to engage in a

714
00:41:33.039 --> 00:41:35.199
<v Speaker 2>boat mance here with her, because you know, he's young,

715
00:41:35.239 --> 00:41:37.519
<v Speaker 2>he's free, and what the fuck w how do you

716
00:41:37.679 --> 00:41:41.800
<v Speaker 2>maintain a boat mance? She's gonna go on another vessel, yeh, Like,

717
00:41:42.199 --> 00:41:44.119
<v Speaker 2>what does this do? He just wants to have fun.

718
00:41:45.400 --> 00:41:52.119
<v Speaker 2>Course of all people, Joe says, Hey, I'm having a

719
00:41:52.119 --> 00:41:54.079
<v Speaker 2>good time with kover.

720
00:41:54.760 --> 00:41:58.519
<v Speaker 1>Yeah. I think people Joe and k are actually doing

721
00:41:58.559 --> 00:42:01.000
<v Speaker 1>it the right way. Now, good luck with He will

722
00:42:01.000 --> 00:42:03.320
<v Speaker 1>expedite this and then burn it to the ground by

723
00:42:03.320 --> 00:42:04.960
<v Speaker 1>the end of the season, I think, but we'll see.

724
00:42:05.039 --> 00:42:07.239
<v Speaker 2>Can I say this personal story, Well, I don't think

725
00:42:07.280 --> 00:42:10.320
<v Speaker 2>we've been going too long. I have only executed one

726
00:42:11.119 --> 00:42:14.159
<v Speaker 2>sexual relationship. I know the female audience loves when they

727
00:42:14.159 --> 00:42:18.440
<v Speaker 2>talk about this one hookup buddy as a friend over

728
00:42:18.519 --> 00:42:21.000
<v Speaker 2>the course of like a six year period on and off,

729
00:42:21.280 --> 00:42:27.119
<v Speaker 2>where we had we captured no feelings and just hooked up.

730
00:42:28.360 --> 00:42:29.199
<v Speaker 1>It's very mature.

731
00:42:29.760 --> 00:42:31.360
<v Speaker 2>Well I don't know if it's mature, but it was.

732
00:42:31.519 --> 00:42:34.119
<v Speaker 1>I think it is. I think it's an emotional maturity

733
00:42:34.159 --> 00:42:37.559
<v Speaker 1>to recognize that there is no emotion in this, that

734
00:42:37.639 --> 00:42:42.000
<v Speaker 1>there's emotion in that. This is fun and I'm happy,

735
00:42:42.639 --> 00:42:47.280
<v Speaker 1>but there's no messiness. You know, people get bogged down

736
00:42:47.320 --> 00:42:49.119
<v Speaker 1>with that stuff very quickly. I mean, look at Little

737
00:42:49.199 --> 00:42:52.199
<v Speaker 1>Kay and Coop or Kat and Coop. I mean they're

738
00:42:52.199 --> 00:42:57.159
<v Speaker 1>completely confusing lust for love. Nathan heads out. He slams

739
00:42:57.239 --> 00:43:05.400
<v Speaker 1>some espresso martinis, and he is a it's fine.

740
00:43:05.519 --> 00:43:09.199
<v Speaker 2>Well before that, though, Gail yeah, says we fucking come home.

741
00:43:09.280 --> 00:43:11.719
<v Speaker 1>Yeah. And so we get to Cooper, who wants to

742
00:43:11.719 --> 00:43:14.199
<v Speaker 1>slow things down. He's sitting away from Kat at the

743
00:43:14.199 --> 00:43:16.920
<v Speaker 1>dinner table and Cat's going, what's going on now? Joy

744
00:43:16.920 --> 00:43:20.400
<v Speaker 1>and Kaylee. While Coop is talking about slowing things down,

745
00:43:20.639 --> 00:43:23.760
<v Speaker 1>they're ramping things up. Actually, they're slamming one another against

746
00:43:23.840 --> 00:43:26.880
<v Speaker 1>walls of bathrooms and making out, which is really fun

747
00:43:26.880 --> 00:43:30.559
<v Speaker 1>for them. Now Nathan is asked to head out from Gail,

748
00:43:31.000 --> 00:43:35.199
<v Speaker 1>and we get a text from Luke to Joy and

749
00:43:35.440 --> 00:43:39.880
<v Speaker 1>he says, just because I've left doesn't mean I've given

750
00:43:40.119 --> 00:43:41.320
<v Speaker 1>up on us.

751
00:43:41.559 --> 00:43:43.840
<v Speaker 2>Now, why do you like this guy and you're trying

752
00:43:43.880 --> 00:43:45.519
<v Speaker 2>to protect him from I don't.

753
00:43:46.119 --> 00:43:48.360
<v Speaker 1>I don't like him at all. I don't. I don't

754
00:43:48.440 --> 00:43:49.239
<v Speaker 1>like him at all.

755
00:43:49.559 --> 00:43:53.559
<v Speaker 2>All of this was like chivalry, Like I'm leaving with honor.

756
00:43:53.400 --> 00:43:57.840
<v Speaker 1>To get into to get into the psychology of him,

757
00:43:57.960 --> 00:44:01.880
<v Speaker 1>I felt was unnecessary because it's just way too boring

758
00:44:01.960 --> 00:44:05.519
<v Speaker 1>to do a deep dive on. But I don't think

759
00:44:05.800 --> 00:44:08.119
<v Speaker 1>that he's a good guy by any stretch, so we.

760
00:44:08.079 --> 00:44:09.599
<v Speaker 2>Should continue to bust his ball.

761
00:44:09.760 --> 00:44:10.199
<v Speaker 1>That's fine.

762
00:44:10.239 --> 00:44:11.719
<v Speaker 2>This is such a douche.

763
00:44:11.360 --> 00:44:13.719
<v Speaker 1>Move it is, well, it's not just a douche move.

764
00:44:13.800 --> 00:44:19.079
<v Speaker 1>It's insane. I mean, this guy's insane. What reality are

765
00:44:19.119 --> 00:44:21.880
<v Speaker 1>you living in where you're sending texts like this to

766
00:44:21.920 --> 00:44:22.760
<v Speaker 1>people you don't know?

767
00:44:22.920 --> 00:44:25.599
<v Speaker 2>By the way, if you don't think for one fucking second,

768
00:44:25.639 --> 00:44:27.920
<v Speaker 2>he asked production if he could go out there and

769
00:44:27.960 --> 00:44:28.679
<v Speaker 2>meet for dinner.

770
00:44:28.760 --> 00:44:34.239
<v Speaker 1>Oh yeah, They're like no, Luke. All right. So Cooper

771
00:44:34.480 --> 00:44:40.000
<v Speaker 1>is talking to some random ladies from Myrtle Beach and

772
00:44:40.920 --> 00:44:44.840
<v Speaker 1>Kat sees this, and given the distance that she's felt

773
00:44:44.880 --> 00:44:48.199
<v Speaker 1>at dinner and now this, she and he have to

774
00:44:48.199 --> 00:44:52.119
<v Speaker 1>have a conversation. They head out into the rain of

775
00:44:52.199 --> 00:45:03.039
<v Speaker 1>Croatia to discuss hearts breaking, romance, growing, commitment, evolving. You

776
00:45:03.039 --> 00:45:04.719
<v Speaker 1>guys are sea rats? I mean, what are we doing

777
00:45:04.760 --> 00:45:09.719
<v Speaker 1>here with this? What was the movie with Rachel mccadic.

778
00:45:10.800 --> 00:45:14.000
<v Speaker 2>I want to point out something here though. There is

779
00:45:14.679 --> 00:45:19.000
<v Speaker 2>something I want to teach my kids, which is an

780
00:45:19.119 --> 00:45:23.960
<v Speaker 2>inner instinct that she's feeling no matter what he tells

781
00:45:24.000 --> 00:45:26.199
<v Speaker 2>her while he was making out with her out there

782
00:45:26.199 --> 00:45:28.679
<v Speaker 2>in the rain, which is, I'm coming back to you.

783
00:45:29.119 --> 00:45:32.760
<v Speaker 2>I didn't realize I hurt you. She felt something, Yeah,

784
00:45:33.440 --> 00:45:35.960
<v Speaker 2>and no matter what he tells her while he's kissing her,

785
00:45:36.719 --> 00:45:40.079
<v Speaker 2>he's lying to her, he's checked out, he wants the

786
00:45:40.199 --> 00:45:40.960
<v Speaker 2>fuck out of it.

787
00:45:41.039 --> 00:45:43.960
<v Speaker 1>Can I tell you? You just kind of bubbled up

788
00:45:44.519 --> 00:45:48.719
<v Speaker 1>in an IRL bit? Like life bits. I've seen these lately.

789
00:45:49.000 --> 00:45:51.480
<v Speaker 1>They're called life bits. So like if you're on the

790
00:45:51.480 --> 00:45:53.840
<v Speaker 1>phone with somebody and you're in front of other people

791
00:45:54.800 --> 00:45:57.119
<v Speaker 1>and you're being a little rude, the conversation is going

792
00:45:57.159 --> 00:45:59.400
<v Speaker 1>on too long. When you're done with the conversation, you go,

793
00:45:59.400 --> 00:46:03.199
<v Speaker 1>I don't know who that was. It's like a lifebit.

794
00:46:03.320 --> 00:46:06.280
<v Speaker 1>If you refer to The Notebooks, that James Marsden movie,

795
00:46:07.559 --> 00:46:09.599
<v Speaker 1>would that just gets me tickled?

796
00:46:09.760 --> 00:46:12.159
<v Speaker 2>Okay, James Marsden.

797
00:46:11.880 --> 00:46:17.280
<v Speaker 1>Yeah, that's that movie that James Marson was in The Notebook.

798
00:46:17.719 --> 00:46:19.920
<v Speaker 2>The Notebook, Yeah, that movie that Ryan Gosling.

799
00:46:20.480 --> 00:46:28.280
<v Speaker 1>Now, James Marsden, We've got to stop recording this podcast

800
00:46:28.920 --> 00:46:32.920
<v Speaker 1>Dereliction of Duty tonight. Okay. So they kiss in the

801
00:46:32.960 --> 00:46:36.920
<v Speaker 1>rain and Nate heads home. It is not great at

802
00:46:36.960 --> 00:46:41.159
<v Speaker 1>the homestead. I have a feeling who.

803
00:46:41.039 --> 00:46:44.119
<v Speaker 2>Had this idea that filming this would be interesting.

804
00:46:44.280 --> 00:46:51.880
<v Speaker 1>Little baby seems like he's he's a tough, tough rearring.

805
00:46:52.199 --> 00:46:54.480
<v Speaker 1>I don't think this is an easy baby by any stretch.

806
00:46:56.039 --> 00:46:59.199
<v Speaker 1>There are babies that are much easier than other babies.

807
00:46:59.239 --> 00:47:00.719
<v Speaker 2>What's your baby easy?

808
00:47:01.320 --> 00:47:03.039
<v Speaker 3>The first one was much easier than the second.

809
00:47:03.079 --> 00:47:05.000
<v Speaker 2>I will say that, thanks for shitting my point.

810
00:47:05.679 --> 00:47:07.400
<v Speaker 1>Yeah, how could you not shot on your point of us?

811
00:47:07.400 --> 00:47:10.639
<v Speaker 1>And insanely, how was yours impossible? Mine?

812
00:47:10.880 --> 00:47:11.440
<v Speaker 2>Both of mine?

813
00:47:12.000 --> 00:47:18.199
<v Speaker 1>Okay, your baby's slept all day? You had easy babies.

814
00:47:23.920 --> 00:47:26.800
<v Speaker 2>I was drunk, all right.

815
00:47:26.840 --> 00:47:33.280
<v Speaker 1>So we get a little bit of a a late

816
00:47:33.360 --> 00:47:37.000
<v Speaker 1>night emergency, but not before Cooper is told by Kaylee, Hey,

817
00:47:37.239 --> 00:47:39.239
<v Speaker 1>this is the problem. You took around on a date.

818
00:47:40.079 --> 00:47:41.760
<v Speaker 1>You should just have sex with each other and then

819
00:47:41.840 --> 00:47:43.920
<v Speaker 1>everything will be fine. But when you take people out

820
00:47:43.960 --> 00:47:45.800
<v Speaker 1>on dates, that's when things get a little confusing.

821
00:47:45.920 --> 00:47:51.440
<v Speaker 2>Now, when you have sex with someone, that's when it gets.

822
00:47:50.360 --> 00:47:53.400
<v Speaker 1>But also the dates are probably more confusing to see

823
00:47:53.480 --> 00:47:57.119
<v Speaker 1>rats than sex. Late night emergency. The storm is a

824
00:47:57.119 --> 00:48:01.079
<v Speaker 1>little like a little bit like with those boys. Uh

825
00:48:01.239 --> 00:48:03.079
<v Speaker 1>sail Down of Massachusetts went through.

826
00:48:03.320 --> 00:48:06.280
<v Speaker 2>Oh yes, the perfect storm. Yeah, one of the worst

827
00:48:06.280 --> 00:48:11.400
<v Speaker 2>films ever made. Uh George Clooney putting on a Gloucester accent.

828
00:48:11.760 --> 00:48:12.639
<v Speaker 2>That was laughable.

829
00:48:12.800 --> 00:48:15.320
<v Speaker 1>Uh huh. Mark Wilber.

830
00:48:16.440 --> 00:48:17.119
<v Speaker 2>Even worse.

831
00:48:17.280 --> 00:48:18.639
<v Speaker 1>I'm our Wilbert.

832
00:48:19.760 --> 00:48:20.440
<v Speaker 2>Hilarious.

833
00:48:20.559 --> 00:48:21.800
<v Speaker 1>I get up at three in the morning.

834
00:48:22.199 --> 00:48:28.519
<v Speaker 2>Hey, hey, we're gonna do this. Yep, I got kill

835
00:48:28.639 --> 00:48:33.239
<v Speaker 2>some Those waves are huge. Look at those waves. What

836
00:48:33.400 --> 00:48:38.920
<v Speaker 2>I think We're gonna die? Okay, that movie was laughable.

837
00:48:38.960 --> 00:48:42.440
<v Speaker 1>We are done recording it shows two hours later he

838
00:48:42.559 --> 00:48:45.199
<v Speaker 1>was bad at his job. We'll we'll get there next week.

839
00:48:45.599 --> 00:48:48.000
<v Speaker 1>The fallout from this is going to be insane. The

840
00:48:48.079 --> 00:48:50.000
<v Speaker 1>boats and is two hours late to work and has

841
00:48:50.039 --> 00:48:51.360
<v Speaker 1>told no one anything.

842
00:48:51.719 --> 00:48:54.119
<v Speaker 2>Can you believe that he's going to be fire right?

843
00:48:54.199 --> 00:48:56.679
<v Speaker 1>Oh yeah? I think what happens is his back will

844
00:48:56.679 --> 00:48:59.119
<v Speaker 1>go out and he'll be removed from from the boat,

845
00:48:59.119 --> 00:49:02.920
<v Speaker 1>which will be good for everybody, especially Gail and the baby.

846
00:49:03.000 --> 00:49:07.920
<v Speaker 1>But yeah, it's not a shift at target. It's you're

847
00:49:08.000 --> 00:49:11.039
<v Speaker 1>the boswin of the boat. You can't just show up

848
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<v Speaker 1>two hours late and not text anybody.

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<v Speaker 2>Can I tell you something? This is what happens when

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00:49:15.000 --> 00:49:17.599
<v Speaker 2>you're on your third season of a reality TV show.

851
00:49:17.639 --> 00:49:21.559
<v Speaker 1>Totally you yep, totally. And that's where you got to

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00:49:21.559 --> 00:49:24.800
<v Speaker 1>give Asha credit. Because Asha's been on many, many seasons

853
00:49:24.840 --> 00:49:28.599
<v Speaker 1>still recognizes there's a certain amount of professionalism. Let's not

854
00:49:28.760 --> 00:49:30.519
<v Speaker 1>let the ego get too big.

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00:49:30.480 --> 00:49:33.440
<v Speaker 2>And that's why production loves her exactly.

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00:49:33.960 --> 00:49:38.000
<v Speaker 1>It's it's why the best like the best actors keep working.

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00:49:38.039 --> 00:49:40.480
<v Speaker 1>The best actors, even though they're super famous, know to

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00:49:40.519 --> 00:49:44.599
<v Speaker 1>be courteous to people, remember people's names. Nathan is like, uh,

859
00:49:45.480 --> 00:49:48.119
<v Speaker 1>he's got like Paris Hilton energy at this point. All right,

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00:49:48.159 --> 00:49:49.760
<v Speaker 1>get in the comments. Let us know you thought about

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00:49:49.760 --> 00:49:51.960
<v Speaker 1>the episode. We'll be back next week. Join us to Patreon.

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00:49:51.960 --> 00:49:54.159
<v Speaker 1>I'm dning saying good bye. Pat sag Balen.

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00:49:54.440 --> 00:50:07.719
<v Speaker 4>Yeah, distant, extinct, extinct at

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<v Speaker 1>The distant