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Speaker 1: You're listening to macconnorton Unleashed on wm n H ninety

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five point three and now the world radio premiere of

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the new single from Jersey Calling. This is called working

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Class Punk.

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Speaker 2: Why me at six am looks like got over slept again?

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Speaker 3: John got me.

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Speaker 2: Dressed in on the do orient and it's like Trapp

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Bick at his worst. Swear to God it must be

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cursed joined the rad resident of Davey.

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Speaker 3: Was screaming, suns go work, go to work, Go to work,

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go work, so you can't feel the hurt till it

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makes you go biser.

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Speaker 4: Go to work, go to work, Go to work, Go

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to work.

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Speaker 2: In the closet, your face covered in dirt, go to work.

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Speaker 5: The bun gives me.

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Speaker 2: A shout, says I'm just a bum burn out my altress.

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Speaker 3: To the confederations him down, So I say.

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Speaker 2: Hey, you're right, old man, flip the.

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Speaker 3: Burden of the ram.

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Speaker 6: But there's now as get a taste sounds out of

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the love.

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Speaker 3: That's a res in my screaming sounds that.

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Speaker 5: Let that say wow, trying to.

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Speaker 6: Tool, go work, go to work, go to work, go

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to work.

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Speaker 4: What do you You can't feel the hurtil it makes

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you go perserve, go.

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Speaker 3: To work, Go to work, Go to work, go to work,

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head in the concert, young face, cupboard, and.

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Speaker 6: Go to work where you win you Yeah?

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Speaker 3: How that my house screaming south Wow, we bring to

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that outs to.

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Speaker 4: Go to work, go to work, work, work, work, so

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you can't feel the until it makes you go berserk.

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Speaker 3: No work, go work, go to work, go work. Head

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in the clouds with your face covered in.

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Speaker 6: Out, work out, new work work. What do you get me?

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It makes you come beside work, work, work and.

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Speaker 7: Work.

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Speaker 1: Oh I love it. That is so good. That is

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working class Punk. That is the band Jersey Calling. They

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were on the show a couple months ago. A great

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band from Philadelphia, and that track is coming out on

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Labor Day appropriately enough. But you heard it here first

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the world radio premiere of the new track from Jersey

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Calling that is called working Class Punk. And we're going

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to get them on the show at some point in

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the very near future to talk about it, probably not

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in person, because they are from Philadelphia. They were able

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to come in before because they were on tour and

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we were sort of on the tour routing, so to speak.

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But we'll get them to call in or join us online,

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but love that track so again. That is working class

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punk that is coming out on Labor Day, available everywhere,

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and that is the world radio premiere of that. And

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this is Matt Connorton Unleashed. We are live from the

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studios of wm n H ninety five point three FM

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and Glorious Manchester, New Hampshire. Today is Saturday August twenty third,

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twenty twenty five and I am not alone.

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Speaker 8: Good morning Sunshine.

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Speaker 1: Jenny is here at the news table. Yes, yes, so

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we have an exciting show. Of course, in just a

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couple of minutes we're gonna be talking to Skull or School.

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I gotta ask how to pronounce the name correctly. I'm

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not sure it's s k A l As the umlot

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over the a so great band from the UK. We

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recently did the American radio premiere of their new single,

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The Whites, and we're gonna play that again in a

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couple of minutes, and then we're gonna have I think

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at least one of the guys joining us via WhatsApp

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from the band all the way from the UK, and

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then at the end of our conversation we'll play their

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first single, which is also really really good so I

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love this band, so looking forward to that. In the

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second hour today, our friend Charles Richardson from The Charles

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Richardson Show, who we have not had on the program

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in quite some time, but he's going to be joining

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us all the way from the great state of Florida.

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And then in the third hour, Linda Avelynde is going

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to be joining us to talk about her new single.

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So we have although it's it's an unusual show this

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week in the sense that we don't have any in

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studio guests. Everyone is remote, which is which is unusual,

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not intentional in any way, it just worked out that way.

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But we also want to make sure that we mentioned

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so Vice's Fest is coming up and when Vice's Inc.

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Was on the show the last time, you know, because

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obviously this is a major festival, so these things are

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planned way way in advance. But Vice's Fest is happening

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next weekend August twenty, ninth, thirtieth and thirty first at

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the Strand Theater in Dover. Jenny and I were invited

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to go, but the problem is with our schedules with

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all the you know, with the radio shows and the podcasting,

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and everything's really hard for us to get away for

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a whole weekend to go and do this. But but

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it's a big event. It starts again. This is at

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the Strand in Dover. It starts Friday, doors open at

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eleven a m. Saturday doors open at eleven and Sunday

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doors open at twelve. So it's Friday, Saturday and Sunday

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Labor Day weekend. It's an all ages event. You can

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go to Vicesfest dot com. I do want to quickly

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mention at least some of that. I'll quickly run through

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who's going to be performing at the show, because a

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lot of these are guests who we've had on the

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show here on Matt Connorton on leash. Let's see we've

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got so Vice's Inc. Of course, Signal to Noise, Sepsis,

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Troll Scarecrow Hill, Euphemia, Jony, Earthquake Band, Night Fury, Under

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the Horizon, the Roscoes, Lions and Lavender. That's a cool name.

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Battle Mode, house Lights, Oh, house Lights has been on

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the show YEP a while ago. The Shirts and Shoes,

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Alaska Angels, The Carrot Flowers, Plague Dad. Plague Dad has

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been on the show, The Living Space Boyd and the Monkeys,

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Willie DeNardo and the corporates Mango Catch Manuel, Separator. I

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think that's separator. It's just a different way of spelling it.

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Silver Cord, Mother, Nimbus, Trading, Tombstones. They've been on the show,

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Decaying Continuum, Cellar Door, Cryan Caleb of course has been

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on the show recently. Fine Pioneer Brady's Grown Up Time.

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That's interesting. The Joe Blander, Shred Trio, Peter Gay, Adam Vitali,

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Jake Hebert and twenty Vegan. So that is the lineup.

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If you go to vicesfest dot com you can see

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the full lineup, learn how to get tickets. And again

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that is next weekend. That's a this is a big deal.

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There's a lot of great bands, a lot of these

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bands that have been on the show. Of course, you

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know Sepsis. We've got a Swarmyfests coming up soon. Troll

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they were on recently Scarecrow Hill, Incredible, they've been on

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the show. We saw them at the show that Under

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the Horizon was also on recently to a swarm Fast

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at Jewel and they'll be They were just recently added

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to Swarmy Fest as well. Yeah, so there's lots of

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great stuff going on, so I definitely suggest you check

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out this festival. Like I said, for Jenny and I

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to get there logistically would be very difficult because it's

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you know, Friday, Friday. Our Fridays and Saturdays are obviously

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very full, and then Sundays we you know, we have

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podcasts to do Sunday as well.

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Speaker 8: So also while we're on the topic of arts and wonder,

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I wanted to make sure to mention that the Mosaic

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Art Collective has an open art call right now and

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the deadline is coming up. It's the end of this

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end of this coming week on Friday. It's called Full

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Circle twenty twenty five. Every year they do an annual show,

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and what they're looking for is, you know, show them

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what what you're your priest, you're very proud of that

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you've recently done, or your own take on what full

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Circle means to you. What is there a moment in

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time that you've created something about or anything like that.

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So they're invited. It's an open call. I'm telling you,

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it's fun to be in it. I've done it myself

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and I hope to do this one as well. The

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deadline is coming up this coming Saturday at August August thirtieth,

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at midnight. That's the deadline. And then the exhibit is

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in September from the September eighth to the twenty sixth,

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and the reception is on September thirteenth from four to eight.

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And it's wonderful to have a piece of yourself hung

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on a wall in there, and you know, bring your

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friends and family and just enjoy the gallery itself. It's

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such an incredible place to be and it's a unique

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aspect that we have here in Manchester to have such

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a wonderful gallery right here in the Queen City. So

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I would highly, highly encourage you to submit your work

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to that. If that's not your cup of tea, they

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do have another opening as well, called the Exquisite Corpse,

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and that's going to run in October. So you can

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imagine they're looking for, you know, the creepy, celebrating the uncanny,

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the strange, beautiful, you know that kind of a thing.

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So if that's more your cup of tea, check it out.

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Go to the mosaic Arcollective dot com. Submit your work,

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be a part of it. It is a wonderful place.

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Speaker 1: To show very good, very good. Just briefly too, do

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you want to mention the Common Dreams Byeline just yeah,

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just quickly, yes.

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Speaker 8: Very quickly. I am proud to say that I have

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my first byline in Common Dreams, which is an excellent

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publication to get published in. It's about some recent events

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in my life, so I encourage you to go check

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it out. If you have a hard time finding it,

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go to Gencoffee dot com, J E. N N C

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O F f Ey dot com and you can catch

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a link there in my blog along with other things

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that I write about.

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Speaker 1: Very good and congratulations on that, Thank you very much.

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I'm proud. So right now we're going to hit this track,

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this is the Whites again. We gave this the American

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radio premiere I think a week or two ago, a

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great track, and then we're going to have at least

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one of the guys from the band on the line

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with us all the way from the UK via WhatsApp.

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So really looking forward of that. But uh, and then

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we'll play the other single too at the end of

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our conversation, because they've got another great song. Their first

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single is also really good, but this is the newest one.

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This is called the Whites, the Band of Skull and

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check this out. I like this quite a bit.

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Speaker 6: Gotta beam out to.

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Speaker 9: Keep on ins e to you know what's coming the

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lights up? It's time ago. Why let's keep my breaking

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the sleeping bon y'all. I is a man, always been.

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Speaker 5: Yeah, I know you come man, you got.

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Speaker 9: To we ain't come to tea. So I'm starting some things.

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Speaker 1: We deal in nothing all at the time.

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Speaker 6: It's going, man, you're not just's your cart f it's

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a monthday feelings you start going to blain't see feelings,

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no waste against y'all.

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Speaker 9: Be as living.

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Speaker 5: Yeah, no, your come man, they got stop this sidling.

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Speaker 6: Us got a big one.

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Speaker 5: Y'all got all this out, y'all.

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Speaker 3: Let me tellbody that comes out.

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Speaker 6: Of rys hot out this bunny, y'all brain.

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Speaker 5: I'm chilling up here.

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Speaker 9: I'll see if they see y'all got out of this

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out there, y'all.

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Speaker 6: By Johns.

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Speaker 5: Buy Beyond begin S.

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Speaker 1: I love that the track is called the Whites, the

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band is Skull, And let's see who we have on

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the line with us. Hello, welcome to the show. Hello, Hello, Hey,

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hey guys, So who do we have?

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Speaker 9: Who do we have on the line so this is

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and I'm the lead singer.

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Speaker 1: My name is Jack very Good, very good. So we've

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got Evan and Jack with us, guys. I love that

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track that is it's catchy. I love the energy of it.

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It's one of those songs I always say, if it

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doesn't get you move in check your pulse, you might

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be dead because it's really really good. So I love you.

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I love your sound. And by the way, I also

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really like the first single too, which we're going to

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play at the end of our conversation today all of

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the people. That's that's another great song. But I was

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reading about you, guys, and this is a relatively new project,

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right if you guys only been around for like a year?

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Speaker 8: Is that correct?

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Speaker 9: Yeah? Yeah, the most part really Yeah about February last wet.

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Speaker 1: Okay, oh wow, So this is yeah, So that's that's

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pretty new. You're already having it looks like you're already

239
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having a lot of success. Have you been getting uh

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have you been getting some airplay with these singles over

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in the UK?

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Speaker 10: So we recently just had something come through that we

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got played on Radio X, which is obviously like a

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big station around here. Quite a few local ones as well,

245
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so you play list editions like and obviously yourself are

246
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playing it as well.

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Speaker 1: Absolutely with with your music, I mean, do you try

248
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to do you try to write things that are are

249
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accessible or do you just kind of do what you

250
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do and and hope it catches on because it just

251
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seems like it seems like these songs are very sort

252
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of radio accessible. Shall we say, you know, they've got hooks,

253
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they've got you know, they pull you in quick. I mean,

254
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is that is that the kind of thing you try

255
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to write or does that just sort of happen organically.

256
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Speaker 11: I'll say, we don't try and we don't sit down

257
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to write to Kater for radio. It's just kind of

258
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what comes out in the moment. That's fonsaneous singing the

259
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practice room when we're writing.

260
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Speaker 1: Yeah, absolutely, when we go in to the.

261
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Speaker 11: Studio work with producer, you know, it gets a bit

262
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more like we'll take this bit out and we'll make

263
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it a bit more radio friendly. That's when that happens

264
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in that stage of the process rather than when we're

265
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actually writing a thing.

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Speaker 10: Yeah, the listener as well for some aspects like is

267
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that like we like to write catch you up because

268
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we enjoy it, But at the same time, it's like,

269
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you know, if if if it gets catchy, then that's

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what you want.

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Speaker 9: But you've got to write from the soul as well,

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you know what I mean.

273
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Speaker 1: You've got to be truly honest, right of course. Yeah,

274
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that's that's where it starts. Yeah. And then now, so

275
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you've got the two singles, is there what's kind of

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the long term plan? Do you have more singles in

277
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the pipeline or do you plan do you plan to

278
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release an EP or an album? Uh?

279
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Speaker 10: What, We've got more songs and sense at the moments,

280
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befair mate. So it's like the plane is is, We've

281
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got a live session booked in that we're gonna do,

282
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which will obviously have multiple tracks on the songs that

283
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we've not done like we've not previously done hopefully released

284
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of like independently in a slight way that it's not

285
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a fullyp but we'll have like a session from there

286
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and then we've had a lot of content.

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Speaker 9: You know, video wise, to be able to put out everywhere.

288
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Speaker 1: Yeah. Yeah, it's interesting. We live in a time when

289
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there's so many different ways to approach that in terms

290
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of how you release music. I'm old enough to remember

291
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when it was you know you you have a single

292
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is the Ghost of Radio six eight weeks before the album,

293
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and then the album comes out, and then hopefully, if

294
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it all goes well, you'll have more singles from the album.

295
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But today there's so many different ways to do it,

296
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which is which is fantastic. And I was looking too,

297
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it looks like all of the People, which is the

298
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first single that that did pretty well for you, that's

299
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or continues to do well for you on on Spotify,

300
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and then I I assume, I mean, I don't know

301
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what the numbers are like so far for the whites,

302
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but I assume it's already taken off.

303
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Speaker 9: Yeah, as you have finished. Yeah, it's been a great response.

304
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Getting played on sort of national radio was always a

305
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great win.

306
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Speaker 10: It's just about being able to extend out to people

307
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who have maybe never heard of us before. So obviously

308
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things like this is a big help because you know

309
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we're from like an across the water.

310
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Speaker 1: That's right. Yeah, absolutely, Now, have you guys been in

311
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have you guys both been been in bands before this?

312
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I assume you have. It sounds like you've both you know,

313
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got some experience at this.

314
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Speaker 9: Yeah.

315
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Speaker 11: Well, me and Evan actually bring our first ever bands

316
00:19:36,319 --> 00:19:41,359
together back call You Kids. Yeah yeah, there's so many

317
00:19:41,480 --> 00:19:46,799
poor renditions of Beatles tracks, so we started from there

318
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and we've been doing it for years now.

319
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Speaker 1: Oh wow. So having started together so young, there's probably

320
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kind of almost an intuition right in terms of collaborating

321
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in terms of making music. I I would assume that

322
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it's very that it's very easy at this point. And

323
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another one, Yeah, after all these years.

324
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Speaker 9: Natural chemistry which like words calm truly explain. It just

325
00:20:09,799 --> 00:20:12,119
happens within that moment, which what that's what makes it

326
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so special. Same with our drummer Tom as well.

327
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Speaker 11: I've been playing in bands with Thom since about thirteen fourteen,

328
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so we've got that mean him we're playing for that

329
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long together.

330
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Speaker 9: Well we know which, we know it works together, you

331
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know what I mean. So it's just it all falls

332
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into place really easily.

333
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Speaker 1: Yeah, yeah, that's great. That's great. Now what about the

334
00:20:29,960 --> 00:20:32,599
other guys, because there's there's five of you in the band, correct,

335
00:20:32,799 --> 00:20:36,480
it's a five piece? Yeah, five piece? Now, now how

336
00:20:36,519 --> 00:20:38,319
did the how did the rest of the band come together?

337
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Because I assume the two of you were the nucleus

338
00:20:41,079 --> 00:20:43,359
in the beginning right, and then and then you brought

339
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in other people or how did the band? How did

340
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the band become a band?

341
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Speaker 10: So the main trio originally was me Emty and some

342
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like we went to high school together kind of thing,

343
00:20:54,039 --> 00:20:55,960
and then the likes of Darcy and Adams.

344
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Speaker 9: So Darcy's younger brother Zaki is one of our best mates.

345
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Speaker 10: He's the same mates does so Ghast and ended up

346
00:21:01,480 --> 00:21:03,480
joining and then Adam was in other bands as well,

347
00:21:03,519 --> 00:21:05,039
like we'll do both in other bands, and then we

348
00:21:05,160 --> 00:21:07,880
kind of just like they collided together for a band

349
00:21:07,960 --> 00:21:11,319
called Riverstone, and then after that I then joined the band.

350
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It is like a sort of new alias of Skull

351
00:21:13,759 --> 00:21:15,480
kind of thing, and then like the rebirth of the

352
00:21:15,559 --> 00:21:17,759
sort of the band. So these were going for a

353
00:21:17,799 --> 00:21:19,720
good couple of years before and as well with a

354
00:21:19,799 --> 00:21:22,079
separate band who were unreal like you know what I mean.

355
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Speaker 9: It was over the past few years really.

356
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Speaker 1: But it sounds like this project again because it hasn't

357
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been around for too too long, so it sounds like

358
00:21:31,720 --> 00:21:33,759
it came together pretty quickly, right once you had all

359
00:21:33,759 --> 00:21:35,640
the once you had all the pieces of the puzzle together,

360
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it really gelled fast.

361
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Speaker 9: Well, yeah, we were all friends previously as well.

362
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Speaker 10: So I think when your friends were somebody and you know,

363
00:21:41,519 --> 00:21:42,640
I mean, you can go out for a droop with

364
00:21:42,720 --> 00:21:44,039
them and you can go spend time with him, you

365
00:21:44,119 --> 00:21:46,119
kind of know them then. So it makes life in

366
00:21:46,200 --> 00:21:48,880
the practice room a lot easier at the same time

367
00:21:49,200 --> 00:21:50,640
harder when you know what I mean, someone's had a

368
00:21:50,680 --> 00:21:51,359
worse day than other.

369
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Speaker 9: But that's that's the beauty of it, Like, you know

370
00:21:53,119 --> 00:21:55,079
what I mean, you have to have that sort of piece.

371
00:21:55,200 --> 00:21:57,880
We all are. We're all really cooks made. We are brothers,

372
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and I think that same.

373
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Speaker 11: I think if you could if you saw it was live,

374
00:22:02,359 --> 00:22:06,839
it shows outside the band as well. You know, it

375
00:22:07,599 --> 00:22:09,720
shows out we were jealous to everyone are playing live

376
00:22:09,759 --> 00:22:12,480
because you can spot Botts a mile away when they play.

377
00:22:13,000 --> 00:22:14,519
You can sell to just a group of people you

378
00:22:14,680 --> 00:22:16,000
meet up in a room every now and then go

379
00:22:16,160 --> 00:22:16,680
play a gig.

380
00:22:16,920 --> 00:22:19,319
Speaker 9: You know, there's no there's no like brotherly chemistry to it,

381
00:22:19,400 --> 00:22:21,200
whereas we did.

382
00:22:21,319 --> 00:22:23,559
Speaker 1: We have that, you know what I mean, Yeah, that

383
00:22:23,920 --> 00:22:25,720
makes such a huge difference. I just know from my

384
00:22:25,759 --> 00:22:28,240
own experience playing in bands, when you actually have a

385
00:22:28,359 --> 00:22:30,359
genuine friendship with the people you're in the band with,

386
00:22:30,480 --> 00:22:32,759
it it makes all the difference in the world. You know,

387
00:22:32,880 --> 00:22:36,400
you could have you could have great songs and great everything, right,

388
00:22:36,519 --> 00:22:39,839
but if you're not, if you're not friends, it's not

389
00:22:39,960 --> 00:22:44,240
gonna last, you know. So that's that's really good. And

390
00:22:44,319 --> 00:22:47,359
then now I read something too about you guys. Are

391
00:22:47,440 --> 00:22:49,599
are you guys doing this independently or are you actually

392
00:22:49,720 --> 00:22:53,119
you're because I see something here about Snowdonia Records. Are

393
00:22:53,119 --> 00:22:54,000
you signed to a label?

394
00:22:54,920 --> 00:22:56,839
Speaker 10: Oh so there's a long story on that behind that

395
00:22:56,920 --> 00:22:59,240
one that was like a previous thing. We're not working

396
00:22:59,279 --> 00:23:04,240
with people like Noisy Neighbors. We believe in Roadhouse. So

397
00:23:04,559 --> 00:23:06,359
the Noisy Neighbors and we believe in a few other

398
00:23:06,440 --> 00:23:09,200
partners have joined together to create this Roadhouse and it's

399
00:23:09,240 --> 00:23:13,279
like they sort of have like sort of around, yeah,

400
00:23:13,319 --> 00:23:15,319
a few bands on the roster, like and then you're

401
00:23:15,359 --> 00:23:17,119
sort of all around the country. So it's like a

402
00:23:17,200 --> 00:23:18,839
new it's a new leaf for us kind of thing

403
00:23:18,960 --> 00:23:21,480
and a chance to be able to sort of take

404
00:23:21,519 --> 00:23:24,119
over cities like Liverpool, which is like our closest one

405
00:23:24,160 --> 00:23:27,079
in Manchester as well. Quite lucky to be Winsford because

406
00:23:27,079 --> 00:23:29,640
we are like a sandwich between two of the greatest

407
00:23:29,720 --> 00:23:31,839
musical cities this herbs ever had, you know what I mean,

408
00:23:31,880 --> 00:23:34,279
And we have like a beautiful combination of the pair

409
00:23:34,400 --> 00:23:37,519
of them, and that's sort of predominantly where our sounds

410
00:23:37,559 --> 00:23:38,359
come from, you know what I mean.

411
00:23:38,440 --> 00:23:40,200
Speaker 9: It's it's all very British based sort of.

412
00:23:42,720 --> 00:23:44,720
Speaker 1: Now when you talk about the two cities. Uh so

413
00:23:44,920 --> 00:23:48,799
for for our American listeners, we're we're in Manchester, but

414
00:23:48,839 --> 00:23:50,839
we're in Manchester, New Hampshire in the US of course.

415
00:23:52,480 --> 00:23:54,480
So when you talk about the two cities, what two

416
00:23:54,519 --> 00:23:57,079
cities are you speaking of specifically? If so, everyone's clear.

417
00:23:57,759 --> 00:23:58,880
Speaker 9: Manchester and Liverpool.

418
00:23:59,039 --> 00:24:01,519
Speaker 10: Yeah, so we've got like Manchester over here, which is

419
00:24:02,039 --> 00:24:04,440
a big northern city. You obviously got bands like Oasis,

420
00:24:04,519 --> 00:24:07,400
the Stone Roses, and then Loverpool is obviously the birthplace

421
00:24:07,440 --> 00:24:09,160
of the Beatles and many other great bands that the

422
00:24:09,200 --> 00:24:10,440
real people as UTAs you know.

423
00:24:10,400 --> 00:24:13,000
Speaker 9: What I mean. Yeah, that lies yeah, yeah, of our

424
00:24:13,000 --> 00:24:14,960
biggest you know what I mean. It's like they are

425
00:24:15,319 --> 00:24:15,880
the coolest.

426
00:24:16,160 --> 00:24:18,319
Speaker 10: There's a cool scene that's always been going around here

427
00:24:18,400 --> 00:24:21,359
for many years, and especially within our little town of Winsford.

428
00:24:21,440 --> 00:24:23,440
Like we've had we've had a couple of venues where

429
00:24:23,480 --> 00:24:26,359
we've had like bands coming through and that's what sort

430
00:24:26,359 --> 00:24:28,440
of influenced us from being so young. It is just

431
00:24:28,519 --> 00:24:31,119
being introduced to the cool side of music and just

432
00:24:31,599 --> 00:24:34,279
the realness of being like true to your craft, being

433
00:24:34,319 --> 00:24:37,000
honest about what you say, being like full focused into

434
00:24:37,039 --> 00:24:39,680
the music, and just like it's it's it's a feeling

435
00:24:39,720 --> 00:24:41,960
that not many people can truly appreciate because they've never

436
00:24:42,000 --> 00:24:42,440
grown up.

437
00:24:42,400 --> 00:24:45,359
Speaker 1: Around it, you know what I mean, right, right, So, geographically,

438
00:24:45,519 --> 00:24:46,799
you're in a great place.

439
00:24:46,960 --> 00:24:50,440
Speaker 9: In terms of yeah, in the heart of the country,

440
00:24:50,480 --> 00:24:50,960
you know what I mean.

441
00:24:51,759 --> 00:24:55,599
Speaker 1: Yeah, No, that's fantastic. Yeah, And I mean, is there

442
00:24:56,079 --> 00:24:57,519
I don't know if this is a strange question, but

443
00:24:57,599 --> 00:24:59,319
I'll ask it. Is there any kind of pressure that

444
00:24:59,400 --> 00:25:01,960
comes with that in terms of where you are geographically?

445
00:25:02,359 --> 00:25:06,799
Is there like a pressure to be really good? Because

446
00:25:07,240 --> 00:25:10,200
you know, there is so much great those those two cities,

447
00:25:10,319 --> 00:25:13,240
Like you said this, you know, in terms of the

448
00:25:13,400 --> 00:25:17,000
musical output from those those cities. I mean, is there

449
00:25:17,000 --> 00:25:18,960
a pressure that comes with that being kind of sandwiched

450
00:25:18,960 --> 00:25:21,480
between them, Like you you have to be great in

451
00:25:21,640 --> 00:25:23,960
order to in order for people to take you seriously.

452
00:25:24,000 --> 00:25:25,920
You can't just be good, You've got to be really,

453
00:25:26,000 --> 00:25:26,519
really good.

454
00:25:27,400 --> 00:25:27,880
Speaker 9: I don't know.

455
00:25:28,160 --> 00:25:29,720
Speaker 11: I don't think we do you feel any pressure, to

456
00:25:29,759 --> 00:25:31,839
be honest, I mean, yeah, likely the bands that we've

457
00:25:31,839 --> 00:25:34,720
grown up listening to for our northwest of England. You know,

458
00:25:34,799 --> 00:25:37,279
we are inspired by them, but there's a lot.

459
00:25:37,240 --> 00:25:38,240
Speaker 9: Of good young bands around it.

460
00:25:38,240 --> 00:25:39,240
Speaker 1: In a minute, the all.

461
00:25:39,200 --> 00:25:42,119
Speaker 11: Fit Insight scenes and you know, scenes of Liverpool, scenes

462
00:25:42,119 --> 00:25:45,400
in Manchester. But we're not concerned anybody else but ourselves

463
00:25:46,440 --> 00:25:48,160
if we don't want to be you know, put ourselves

464
00:25:48,200 --> 00:25:50,279
into a box of sounds a certain way to fit

465
00:25:50,400 --> 00:25:51,240
into a certain scene.

466
00:25:51,279 --> 00:25:52,759
Speaker 9: We just want to do our thing. And that's all

467
00:25:52,799 --> 00:25:53,599
we're bothered about.

468
00:25:53,920 --> 00:25:56,400
Speaker 1: Yeah, no, that makes sense. I think that's a healthy

469
00:25:56,440 --> 00:25:58,720
way to approach it, right, just you know, don't you know,

470
00:25:58,839 --> 00:26:01,079
rather than worrying about what everyone else is doing, worry

471
00:26:01,079 --> 00:26:02,799
about what you're doing and doing it the best that

472
00:26:02,880 --> 00:26:04,759
you can. And obviously you guys are off to a

473
00:26:04,839 --> 00:26:07,759
fantastic start, so you're you've clearly got the right attitude

474
00:26:07,759 --> 00:26:11,759
and the right approach. I'm curious about what you guys

475
00:26:11,799 --> 00:26:15,000
have learned you you probably, I mean, you can tell

476
00:26:15,079 --> 00:26:16,839
the story if you want to. I'd love to hear it,

477
00:26:16,880 --> 00:26:18,160
but I don't know if you want to get into that.

478
00:26:18,319 --> 00:26:19,960
But but you mentioned there's there's a bit of a

479
00:26:20,079 --> 00:26:23,640
story with your previous label. But I'll ask the question

480
00:26:23,720 --> 00:26:25,519
this way, just more broadly, what have you guys in

481
00:26:25,559 --> 00:26:27,279
the short time that you guys have been together as

482
00:26:27,319 --> 00:26:31,599
a band? What have you learned? Uh, business wise, industry wise,

483
00:26:32,160 --> 00:26:34,720
and and maybe even have there been some surprises along

484
00:26:34,799 --> 00:26:36,759
the way, because it sounds like you've already been through

485
00:26:36,839 --> 00:26:38,960
some things and now you're on a very positive path.

486
00:26:39,039 --> 00:26:40,519
But it sounds like you you might have hit a

487
00:26:41,519 --> 00:26:43,160
speed bumper two. I don't know if they call them

488
00:26:43,200 --> 00:26:44,880
speed bumps in the UK, but oh.

489
00:26:46,559 --> 00:26:47,920
Speaker 9: There's always speed bumps in the road.

490
00:26:47,920 --> 00:26:50,000
Speaker 10: There's always pop ways that you can lead down in

491
00:26:50,079 --> 00:26:53,599
the Yeah, promise and did like at the end of

492
00:26:53,640 --> 00:26:56,400
the day, like when we did it things that worked well.

493
00:26:56,440 --> 00:26:57,319
Speaker 9: It was just a.

494
00:26:57,400 --> 00:27:01,480
Speaker 10: Differences of like of models and understandings and things, and like,

495
00:27:01,640 --> 00:27:03,240
you have to stay true to your word and stay

496
00:27:03,240 --> 00:27:04,880
true to what you believe in when you do stuff

497
00:27:04,920 --> 00:27:05,079
like this.

498
00:27:05,240 --> 00:27:08,039
Speaker 9: So if you're mixing with people who don't.

499
00:27:07,839 --> 00:27:11,160
Speaker 10: Quite have that same thing, and then you witness people

500
00:27:11,200 --> 00:27:12,960
for like kind of who they truly are at times,

501
00:27:13,000 --> 00:27:14,160
and I think I think.

502
00:27:14,039 --> 00:27:16,400
Speaker 11: A lot of our speed bunch has come down to

503
00:27:16,559 --> 00:27:21,240
a lack of knowledge of the industry, m being behind

504
00:27:21,279 --> 00:27:23,440
in the years in that regard, not in regard to music,

505
00:27:23,480 --> 00:27:25,839
but in regard to the industry. But we've got a

506
00:27:25,880 --> 00:27:28,559
good team working behind us now and it's looking pretty

507
00:27:28,599 --> 00:27:29,400
good for the future.

508
00:27:29,599 --> 00:27:30,839
Speaker 9: But I think next year is going to be a

509
00:27:30,839 --> 00:27:31,559
good year for us.

510
00:27:31,640 --> 00:27:33,200
Speaker 10: And there's a lot of people in the pipelines as

511
00:27:33,200 --> 00:27:35,960
well and on the underground of an underlayer like people

512
00:27:36,039 --> 00:27:38,680
within the industry and very respective people within the industry

513
00:27:39,079 --> 00:27:41,200
who have like obviously like close to us.

514
00:27:41,279 --> 00:27:42,920
Speaker 9: You will also give us a help and add along

515
00:27:42,960 --> 00:27:43,240
the way.

516
00:27:43,799 --> 00:27:46,000
Speaker 10: I mean you can advise you and tell you how

517
00:27:46,039 --> 00:27:49,119
it truly is from an aspect where we may not understand,

518
00:27:49,240 --> 00:27:52,400
but from a viewpoint of people who are probably working

519
00:27:52,440 --> 00:27:54,759
class like us growing up and then had to deal

520
00:27:54,839 --> 00:27:56,480
with this sort of big industry where there's a lot

521
00:27:56,519 --> 00:27:57,599
of money and there's a lot.

522
00:27:57,480 --> 00:27:59,000
Speaker 9: Of pressure and a lot of power.

523
00:27:59,599 --> 00:28:02,319
Speaker 10: But we don't feel no pressure currently, like so it's

524
00:28:02,359 --> 00:28:04,079
one of them you just have to wing getting to

525
00:28:04,119 --> 00:28:05,039
see how you get unbuilgain.

526
00:28:05,680 --> 00:28:07,720
Speaker 1: No, that's great. I think you've got the right the

527
00:28:07,839 --> 00:28:10,039
right approach and and it's so important too to have

528
00:28:10,119 --> 00:28:11,720
a good team around you and to have people that

529
00:28:11,759 --> 00:28:15,039
you can trust, because yeah, you know, there's a lot

530
00:28:15,119 --> 00:28:18,359
of uh you know, there's there's there's a lot of

531
00:28:18,359 --> 00:28:21,119
people in the industry who maybe are not trustworthy. Of

532
00:28:21,200 --> 00:28:23,759
course it's the entertainment industry. There's also some people who

533
00:28:24,440 --> 00:28:27,559
you know, maybe they mean well, uh but they don't

534
00:28:27,640 --> 00:28:30,279
maybe quite quite have you know, as you said, the

535
00:28:30,359 --> 00:28:34,400
knowledge to be really helpful and to and to support you.

536
00:28:35,799 --> 00:28:38,079
And uh so it sounds like, yeah, it sounds like

537
00:28:38,119 --> 00:28:39,599
you've got a great team and it sounds like too,

538
00:28:39,680 --> 00:28:41,880
so there's it sounds like there's also other bands that

539
00:28:41,960 --> 00:28:44,480
you I mean, do you play out Are there certain

540
00:28:44,519 --> 00:28:46,640
bands that you guys share the stage with a lot

541
00:28:46,880 --> 00:28:49,119
or or what what is the live situation there?

542
00:28:49,319 --> 00:28:49,519
Speaker 9: Are you?

543
00:28:49,720 --> 00:28:51,240
Speaker 1: Are you playing a lot of shows? If you've been

544
00:28:51,279 --> 00:28:54,359
doing festivals this summer, like what's what's the touring situation

545
00:28:54,480 --> 00:28:54,839
over there?

546
00:28:55,559 --> 00:28:57,079
Speaker 10: So it's been still early days, like we've got a

547
00:28:57,119 --> 00:29:00,440
few obviously at the least party for the second and single,

548
00:29:00,519 --> 00:29:02,119
like we did the Whites and that was a good night.

549
00:29:02,200 --> 00:29:05,039
We had like qualms and our Matland support and we

550
00:29:05,119 --> 00:29:07,720
have a regular sort of Scottish band that we play

551
00:29:07,759 --> 00:29:10,680
with called ocean Views a bunch. It's like we met

552
00:29:10,720 --> 00:29:12,920
them playing a festival on like the island Butte, which

553
00:29:12,960 --> 00:29:15,000
is like a little Scottish island a few years ago.

554
00:29:15,480 --> 00:29:17,039
Speaker 9: Yeah, then we do it.

555
00:29:17,160 --> 00:29:19,799
Speaker 10: We do like a so we run like a venue

556
00:29:19,880 --> 00:29:22,079
up in where we're from, in Winston called the Dellamete Dog,

557
00:29:22,640 --> 00:29:25,160
And then we do like a thing called Stalloween, which

558
00:29:25,240 --> 00:29:26,519
is like a big Halloween party.

559
00:29:26,599 --> 00:29:29,039
Speaker 9: We do a big gig. Obviously everyone dresses up in

560
00:29:29,160 --> 00:29:29,400
like that.

561
00:29:29,599 --> 00:29:31,920
Speaker 10: Like ocean Views are like a traditional character and an

562
00:29:32,359 --> 00:29:34,400
integral part of that with us, you know what I mean.

563
00:29:35,720 --> 00:29:38,200
Speaker 1: Oh, that's very cool, And that's so important to getting

564
00:29:38,240 --> 00:29:41,359
to play festivals because uh, not only does it give

565
00:29:41,359 --> 00:29:43,039
you an opportunity to be in front of an audience

566
00:29:43,079 --> 00:29:45,200
who might not some of who might not be aware

567
00:29:45,200 --> 00:29:48,240
of you, but also the networking opportunities and you know

568
00:29:48,359 --> 00:29:51,240
involved in those types of situations are unparalleled. You know,

569
00:29:51,319 --> 00:29:53,720
you'll you'll never get a better chance than when you're

570
00:29:53,720 --> 00:29:56,279
at a festival to really meet a lot of people,

571
00:29:56,400 --> 00:29:59,039
meet other bands, meet other people in the industry. That's great.

572
00:30:00,759 --> 00:30:01,720
Speaker 9: Well, networking is just.

573
00:30:01,759 --> 00:30:06,519
Speaker 11: As important as the music and talking to people and

574
00:30:06,880 --> 00:30:09,279
getting people on board of what you're doing, and you know,

575
00:30:10,160 --> 00:30:12,680
creating a buzz around yourself speaking to people at gigs

576
00:30:12,720 --> 00:30:16,480
and just generally being friendly and talking to people and

577
00:30:16,720 --> 00:30:21,000
checking out their bands rather than being like arrogant and thinking, yeah,

578
00:30:21,039 --> 00:30:22,880
we're rock and roll man, we don't need to speak

579
00:30:22,920 --> 00:30:24,759
to people and try all.

580
00:30:24,799 --> 00:30:27,279
Speaker 9: You know, it's that way.

581
00:30:27,319 --> 00:30:28,799
Speaker 11: I think that works against you a lot of the

582
00:30:28,839 --> 00:30:31,200
time these days. So it's good to you know, show

583
00:30:31,240 --> 00:30:33,960
your face and speak to people, like saying networking.

584
00:30:33,759 --> 00:30:34,920
Speaker 9: And just be real, you know what I mean.

585
00:30:35,000 --> 00:30:36,839
Speaker 10: Like we do it because we love it, you know

586
00:30:36,880 --> 00:30:38,559
what I mean. You see you can you can you

587
00:30:38,599 --> 00:30:40,200
can sell a black artist from a mile away. You

588
00:30:40,240 --> 00:30:41,640
can tell a fake, you know what I mean. It's

589
00:30:41,680 --> 00:30:43,440
like if you do it, you do it because you

590
00:30:43,519 --> 00:30:44,759
love it and you want to be able to do

591
00:30:44,839 --> 00:30:46,519
it and you want to have that passion. And then

592
00:30:46,519 --> 00:30:48,960
when you meet like minded people like that, then that

593
00:30:49,160 --> 00:30:51,839
natural connection and chemistry just works, you know what I mean.

594
00:30:52,079 --> 00:30:54,720
Speaker 9: That's what it's about, those natural connection. That's what music is.

595
00:30:54,799 --> 00:30:56,519
Speaker 11: It speaks for the soul, doesn't it. You know, it's

596
00:30:56,559 --> 00:31:00,599
a universal language. Music is when you find up then,

597
00:31:00,920 --> 00:31:02,519
you know, isn't it?

598
00:31:02,960 --> 00:31:05,799
Speaker 1: Yeah? One hundred absolutely. Hey, by the way, what's the

599
00:31:05,839 --> 00:31:08,559
correct way to pronounce your name? Is it?

600
00:31:08,839 --> 00:31:08,880
Speaker 9: Is?

601
00:31:08,920 --> 00:31:08,960
Speaker 6: It?

602
00:31:09,400 --> 00:31:11,359
Speaker 1: Is it skull? I was saying skull? Is that correct?

603
00:31:11,400 --> 00:31:11,440
Speaker 12: Or?

604
00:31:11,480 --> 00:31:12,400
Speaker 1: Am I off a little bit?

605
00:31:13,319 --> 00:31:13,359
Speaker 8: So?

606
00:31:13,440 --> 00:31:15,839
Speaker 10: I think I think with the American accent, maybe skull,

607
00:31:15,920 --> 00:31:18,799
but we say scalped. So it's like it's like, so

608
00:31:18,960 --> 00:31:22,039
there's a lingo like which is if you were a scaley.

609
00:31:22,200 --> 00:31:25,759
I'm trying to think of what the counterpoint would be

610
00:31:25,799 --> 00:31:28,839
for that. But at the same time, it's Swedish for reason,

611
00:31:29,000 --> 00:31:30,000
cause and motive.

612
00:31:30,559 --> 00:31:34,279
Speaker 9: That's what the music, that's why we do it music.

613
00:31:35,240 --> 00:31:37,759
Speaker 1: Oh I like that, That's that's cool. Okay. So so

614
00:31:38,000 --> 00:31:40,240
technically okay, so I am off a little bit. So

615
00:31:40,640 --> 00:31:41,920
scal is that closer?

616
00:31:42,920 --> 00:31:43,119
Speaker 7: Yeah?

617
00:31:43,200 --> 00:31:45,960
Speaker 9: Yeah, kill you know what I mean?

618
00:31:46,039 --> 00:31:48,279
Speaker 10: But we can't we can't say that if we have

619
00:31:48,359 --> 00:31:50,519
to drop the two dots, but we will put it's.

620
00:31:50,440 --> 00:31:53,559
Speaker 1: Scalp, yeah, scal Okay, Okay, good, I'm glad I asked.

621
00:31:53,640 --> 00:31:57,799
I wasn't. I wasn't one hundred percent sure. Do you

622
00:31:57,880 --> 00:32:00,440
ever see it? Do people ever get a like on

623
00:32:01,200 --> 00:32:03,839
on poster? Is there anything do they do they leave out?

624
00:32:03,960 --> 00:32:07,279
Because uh, because of the way the A is do

625
00:32:07,400 --> 00:32:08,720
people ever mess that up?

626
00:32:08,759 --> 00:32:10,880
Speaker 10: Okay, well we're not too fuss like you know what

627
00:32:10,920 --> 00:32:15,880
I mean, Like it's yeah, it's one of them. If anything,

628
00:32:16,240 --> 00:32:17,799
the correct way to spell the way we say it

629
00:32:17,839 --> 00:32:20,079
would be about it. But when you do some fonts

630
00:32:20,079 --> 00:32:21,200
and you have them two dots at the top, it

631
00:32:21,200 --> 00:32:21,759
looks pretty fun.

632
00:32:22,119 --> 00:32:23,480
Speaker 11: Yeah, if you don't know us and they don't know

633
00:32:23,680 --> 00:32:25,440
to save the name properly after we've watched us live,

634
00:32:25,720 --> 00:32:26,599
definitely all are.

635
00:32:28,559 --> 00:32:32,839
Speaker 1: Outstanding. Outstanding. Well, now, so what's next for you guys? So, uh,

636
00:32:33,039 --> 00:32:35,160
you know, you've got the two singles out. What's what's

637
00:32:35,279 --> 00:32:37,799
the next thing that we should be looking for from you?

638
00:32:38,559 --> 00:32:38,880
Speaker 9: Thank you?

639
00:32:39,160 --> 00:32:41,519
Speaker 11: We've got this live studio, sess something that we're going

640
00:32:41,599 --> 00:32:45,039
to be doing. Okay, this year hopefully we get back

641
00:32:45,039 --> 00:32:47,240
in the studio, get another single in the pipeline. But

642
00:32:47,960 --> 00:32:51,319
at the moment, it's preparing for next year. Hopefully it's

643
00:32:51,319 --> 00:32:52,960
going to be a really good year for us.

644
00:32:53,359 --> 00:32:56,039
Speaker 1: Yeah, yeah, outstanding. No, we look forward to uh, we

645
00:32:56,119 --> 00:32:58,359
look forward to keeping track of everything that you do. Which,

646
00:32:58,440 --> 00:33:01,640
by the way, my other question about that, where is

647
00:33:01,680 --> 00:33:03,400
the best place for people to go online to keep

648
00:33:03,480 --> 00:33:04,920
up with everything that you guys are doing?

649
00:33:06,559 --> 00:33:09,559
Speaker 9: Instagram's always good. We need to get to the modern

650
00:33:09,599 --> 00:33:11,319
world and develop a TikTok you know what I mean.

651
00:33:11,319 --> 00:33:15,920
Speaker 10: We've got an account too much any streaming services, but

652
00:33:16,160 --> 00:33:17,960
the best one for now once we do this live

653
00:33:18,039 --> 00:33:21,039
session was make sure to keep an eye out on SoundCloud. Okay,

654
00:33:21,119 --> 00:33:24,240
the sound place, the really true underground sort of music,

655
00:33:24,400 --> 00:33:26,680
like you know what I mean. I've seen the recently

656
00:33:26,720 --> 00:33:29,400
did something where they're like helping to make certain artists

657
00:33:29,440 --> 00:33:31,400
to release records and singles and stuff.

658
00:33:31,480 --> 00:33:34,119
Speaker 9: So they're doing something that's helping out with the industry.

659
00:33:34,200 --> 00:33:36,640
Speaker 10: And yeah, there'll certainly be a few bits and bobs

660
00:33:36,680 --> 00:33:39,160
on there, but the Instagram, TikTok and the SoundCloud, and

661
00:33:39,240 --> 00:33:41,839
obviously you know what I mean, you can Spotify.

662
00:33:41,960 --> 00:33:46,240
Speaker 1: Spot Yeah, outstanding, outstanding, Well, Evan and Jack. I want

663
00:33:46,240 --> 00:33:48,160
to thank both of you so much for joining us today.

664
00:33:48,240 --> 00:33:49,839
And in a moment, we're going to play this track

665
00:33:50,000 --> 00:33:52,599
All of the People, which is the first single. Anything

666
00:33:52,640 --> 00:33:54,559
we should know about this track, this is another really

667
00:33:54,599 --> 00:33:57,480
great song, and anything we should know about it or

668
00:33:57,519 --> 00:33:58,200
what it's about.

669
00:33:58,079 --> 00:34:01,160
Speaker 10: Or anything, well, we know both of these songs at

670
00:34:01,160 --> 00:34:03,839
the same time about sixty seventeen, and they were all

671
00:34:03,920 --> 00:34:06,160
just kind of about you the age where you're.

672
00:34:06,039 --> 00:34:08,840
Speaker 9: Sort of like so in swear about You Manchester, New.

673
00:34:08,719 --> 00:34:11,360
Speaker 1: Hampshire, Manchester, New Hampshire.

674
00:34:11,400 --> 00:34:15,159
Speaker 9: Yeah, so is is it's kind of it's legal over there.

675
00:34:16,440 --> 00:34:17,280
Speaker 1: What say that again?

676
00:34:18,280 --> 00:34:21,280
Speaker 9: Is the is like the album Mary Jane legal over there?

677
00:34:21,360 --> 00:34:25,480
Speaker 1: Oh oh well, oh well, well okay, interesting interesting, uh

678
00:34:25,760 --> 00:34:29,559
interesting question because so, uh no, in in the state

679
00:34:29,599 --> 00:34:32,519
of New Hampshire. Now we're surrounded by places where it's legal,

680
00:34:32,880 --> 00:34:35,719
all the surrounding states and Canada, which borders us to

681
00:34:35,880 --> 00:34:38,559
our north, it is legal in New Hampshire. We have

682
00:34:38,760 --> 00:34:43,480
decrem decriminalization. So uh oh yeah, so we have that.

683
00:34:43,719 --> 00:34:47,039
It's sort of like a like a light legalization in

684
00:34:47,280 --> 00:34:49,880
a sense. We have medical it's.

685
00:34:49,960 --> 00:34:51,719
Speaker 9: Very frowned upon. But yeah, for a period it was

686
00:34:51,760 --> 00:34:53,599
just a pound of like writing songs.

687
00:34:53,679 --> 00:34:55,159
Speaker 10: Well when you were just sort of like looking around

688
00:34:55,199 --> 00:34:57,079
at people who just sort of maybe seem like didn't

689
00:34:57,079 --> 00:34:57,639
want you're there.

690
00:34:57,679 --> 00:34:58,519
Speaker 9: You felt like you were.

691
00:34:58,760 --> 00:35:01,559
Speaker 10: Sort of like trying to understand like of the roughness

692
00:35:01,599 --> 00:35:04,639
of life and the underground thing that obviously can be

693
00:35:04,679 --> 00:35:06,760
taboo to a lot of people, you know what I mean, Sure,

694
00:35:06,840 --> 00:35:10,000
but right and making sense of it before we truly

695
00:35:10,079 --> 00:35:11,480
understood it if you get what I mean.

696
00:35:11,559 --> 00:35:11,760
Speaker 12: I do.

697
00:35:11,960 --> 00:35:15,119
Speaker 1: I do. And by the way, uh, most according Topoling,

698
00:35:15,199 --> 00:35:17,880
most Americans seem to think that it should be fully

699
00:35:17,960 --> 00:35:20,199
legal here. Uh, we just happen to live in a

700
00:35:20,239 --> 00:35:23,760
state that's a little behind on that, one of the few.

701
00:35:23,840 --> 00:35:25,800
Speaker 8: That's a little behind on it. Because the majority of

702
00:35:25,880 --> 00:35:26,880
the country is already there.

703
00:35:27,079 --> 00:35:29,000
Speaker 1: That's true, a majority of the country is already there.

704
00:35:29,119 --> 00:35:32,559
Speaker 10: So but yeah, those people out it doesn't make you

705
00:35:33,000 --> 00:35:35,400
like alcoholsh rouse you up.

706
00:35:35,719 --> 00:35:38,480
Speaker 1: Oh yeah alcohol alcohol.

707
00:35:38,719 --> 00:35:41,679
Speaker 8: State makes so much money off of alcohol.

708
00:35:41,800 --> 00:35:43,000
Speaker 1: Oh yeah, that they love.

709
00:35:45,039 --> 00:35:46,119
Speaker 8: It's totally twisted.

710
00:35:46,480 --> 00:35:48,559
Speaker 1: Oh yeah, we have state liquor stores and the whole deal.

711
00:35:48,679 --> 00:35:52,599
So yeah, yeah, it's it's it's uh, there's a lot

712
00:35:52,639 --> 00:35:54,039
of there's a lot of things over here that are

713
00:35:54,039 --> 00:35:57,079
a little uh out of whack. But uh anyway, well

714
00:35:57,280 --> 00:35:59,960
guys again, Evan and Jack, thank you both so much.

715
00:36:00,000 --> 00:36:01,559
We're gonna hit this track and we'll let you go

716
00:36:01,639 --> 00:36:03,960
for now, but we will, uh, we'll definitely talk again

717
00:36:04,000 --> 00:36:06,119
in the near future because we want to. We're fans

718
00:36:06,119 --> 00:36:07,840
and we want to keep track of everything that you're doing.

719
00:36:07,960 --> 00:36:09,719
So we appreciate you joining us today.

720
00:36:10,639 --> 00:36:11,280
Speaker 9: You for giving us.

721
00:36:12,880 --> 00:36:15,880
Speaker 1: Appreciate it absolutely. Okay, thanks guys, take care.

722
00:36:16,559 --> 00:36:18,920
Speaker 9: I listen to them all right.

723
00:36:19,000 --> 00:36:22,719
Speaker 1: That was listen to the day I do too. Yeah.

724
00:36:23,000 --> 00:36:26,239
So that's Jack and Evan from the band scal. I

725
00:36:26,360 --> 00:36:29,119
was pronouncing it a little bit off, but we're gonna

726
00:36:29,199 --> 00:36:31,239
hit this track. This is called all of the People.

727
00:36:31,360 --> 00:36:33,480
This is uh, this is such a great song. Later

728
00:36:33,599 --> 00:36:35,480
in the show we'll probably play the Whites again to

729
00:36:35,639 --> 00:36:38,000
the newest single, but give this a spin. This is

730
00:36:38,079 --> 00:36:41,039
really good. All of the People. The band is scal.

731
00:37:01,480 --> 00:37:08,639
Speaker 5: Only to how I do go An say suits shot

732
00:37:08,800 --> 00:37:15,400
speak shot. We'll go in boy to where we go.

733
00:37:21,559 --> 00:37:23,239
Speaker 6: Bout me all season.

734
00:37:26,159 --> 00:37:26,719
Speaker 8: Shot shoes.

735
00:37:27,079 --> 00:37:28,360
Speaker 5: What you all as.

736
00:37:41,840 --> 00:37:42,119
Speaker 6: Sign?

737
00:37:43,639 --> 00:37:44,559
Speaker 5: My body is that?

738
00:37:45,239 --> 00:37:45,639
Speaker 9: I said?

739
00:37:45,800 --> 00:37:52,719
Speaker 5: Where sis the most always she's just lie?

740
00:37:54,119 --> 00:37:56,079
Speaker 3: What's a game is before?

741
00:38:04,480 --> 00:38:23,000
Speaker 5: Boss? What's you dont wants your brand?

742
00:38:23,119 --> 00:38:29,280
Speaker 6: Mane soller pepall.

743
00:38:30,559 --> 00:38:34,920
Speaker 5: See n s that Sali brand.

744
00:38:36,480 --> 00:38:39,159
Speaker 9: Say go the wind.

745
00:38:42,320 --> 00:38:55,199
Speaker 5: It's trolling its start times.

746
00:39:01,639 --> 00:39:21,039
Speaker 6: I want to be born as you all you want

747
00:39:21,199 --> 00:39:25,039
nothing to do bad. I don't want to be like you.

748
00:39:26,280 --> 00:39:30,239
I recognize able from the persons.

749
00:39:31,960 --> 00:39:33,039
Speaker 3: Should have known better.

750
00:39:34,599 --> 00:39:40,400
Speaker 6: She's sounded for a while now, probably trying thought. I

751
00:39:40,519 --> 00:39:44,320
I don't want to make your sound, don't really shall

752
00:39:48,679 --> 00:39:56,159
your way chill had a long? Guy had a long?

753
00:39:56,440 --> 00:39:56,679
Speaker 5: Guy?

754
00:40:00,079 --> 00:40:01,119
Speaker 6: Oh Blady.

755
00:40:03,800 --> 00:40:04,679
Speaker 5: That ain't long?

756
00:40:04,880 --> 00:40:12,840
Speaker 6: God? How love can say? I ain't hit the reset,

757
00:40:14,199 --> 00:40:17,800
but I don't want to start. John that ain't no?

758
00:40:18,079 --> 00:40:21,679
Speaker 3: Please like child, Please start like you was liked?

759
00:40:22,639 --> 00:40:26,719
Speaker 6: Who wasn't what you want said? Don't like John is

760
00:40:26,960 --> 00:40:29,480
so we can't waste a minute.

761
00:40:29,599 --> 00:40:31,920
Speaker 1: We want to waste some minutes Jays some.

762
00:40:32,079 --> 00:40:41,360
Speaker 6: Man, don't wait, Joe, that ain't long, Guy that ain't long?

763
00:40:45,159 --> 00:40:49,880
My body art that ain't long?

764
00:40:50,079 --> 00:40:52,519
Speaker 8: Guy that ain't.

765
00:41:02,599 --> 00:41:10,599
Speaker 3: H I've got that sick Jim feeling what out of

766
00:41:11,000 --> 00:41:12,039
used to ealing?

767
00:41:12,679 --> 00:41:14,440
Speaker 1: I don't know what to do.

768
00:41:15,119 --> 00:41:17,280
Speaker 6: I still love be sup you.

769
00:41:18,400 --> 00:41:21,639
Speaker 12: I got that sick jet figuring out right now?

770
00:41:21,880 --> 00:41:27,239
Speaker 3: Antways, I don't know what sometime sell.

771
00:41:52,920 --> 00:42:16,599
Speaker 6: No way, that ain't long Guy that long? God sat jem.

772
00:42:18,360 --> 00:42:19,119
Speaker 9: Always to.

773
00:42:23,239 --> 00:42:34,639
Speaker 1: Sell love that track so much that is called Piece

774
00:42:34,719 --> 00:42:38,360
of View. The band is Rivia, and you're gonna be

775
00:42:38,400 --> 00:42:40,440
hearing a lot more of them in the United States.

776
00:42:40,639 --> 00:42:43,639
Uh we are the This is the first American radio

777
00:42:43,679 --> 00:42:46,239
station and the first American radio show to play that song.

778
00:42:46,960 --> 00:42:49,400
But you're gonna be hearing it on radio stations across

779
00:42:49,440 --> 00:42:52,159
the country very soon, so uh, trust me on that.

780
00:42:52,519 --> 00:42:54,559
But a great, great track. I love that so much.

781
00:42:54,559 --> 00:42:56,960
Another great band from the UK. And of course before

782
00:42:57,000 --> 00:42:59,320
that we heard all of the people from skal And

783
00:42:59,639 --> 00:43:02,239
after our conversation with a couple of the guys from

784
00:43:02,280 --> 00:43:05,320
the band, Evan and Jack, and really enjoyed that a lot.

785
00:43:05,679 --> 00:43:08,320
And we'll probably play their newest single too again later

786
00:43:08,400 --> 00:43:11,119
in the show, So if you're listening live on Saturday morning,

787
00:43:11,800 --> 00:43:14,519
stick around. Also coming up in the second hour today,

788
00:43:14,920 --> 00:43:17,320
we have Charles Richardson from The Charles Richardson Show. And

789
00:43:17,559 --> 00:43:21,480
in the third hour Linda Avelinda and her new single

790
00:43:21,519 --> 00:43:23,320
and we're going to talk to her. Looking forward to

791
00:43:23,559 --> 00:43:27,519
that right now though, So let's see a little bit

792
00:43:27,559 --> 00:43:31,239
of music news here. This is from from NME dot com.

793
00:43:31,800 --> 00:43:37,079
Prince's estate responds to Apollonia's quote frivolous lawsuit. This I

794
00:43:37,159 --> 00:43:41,360
remember when when this first broke, this, this news about

795
00:43:42,079 --> 00:43:46,039
Apollonia Cato getting into a bit of a conflict there

796
00:43:46,599 --> 00:43:50,920
with about Paisley Park, the recording studio that Prince had

797
00:43:51,039 --> 00:43:54,159
on his estate. And you know, I've been a fan

798
00:43:54,280 --> 00:43:57,519
of so coincidentally, I won't I can't say who this

799
00:43:57,599 --> 00:43:59,280
individual is or how I know them. But Jenny, I

800
00:43:59,320 --> 00:44:01,880
think you'll know who I'm talking about. Yesterday I spent

801
00:44:02,000 --> 00:44:05,000
time with someone who he was wearing a shirt of

802
00:44:05,360 --> 00:44:08,679
Prince when Dove's Cry, yep, And I always compliment to

803
00:44:08,760 --> 00:44:12,320
mind whenever he wears that shirt. But but yeah, because

804
00:44:12,400 --> 00:44:15,800
when Doves Cry, when that was a big hit when

805
00:44:15,920 --> 00:44:17,880
when we were kids, and I would play that song

806
00:44:17,960 --> 00:44:19,760
over and over and over, and you know, huge, huge

807
00:44:19,760 --> 00:44:22,320
Prince fan. And I've seen Purple Rain. I don't know

808
00:44:22,360 --> 00:44:25,159
how many times because you know, it would be on

809
00:44:25,320 --> 00:44:27,519
HBO all the time and I would just watch it

810
00:44:27,599 --> 00:44:30,119
over and over and over. By the way, Pauly C

811
00:44:30,239 --> 00:44:33,079
from Retrospect Radio with poly C has never seen Purple Rain.

812
00:44:33,679 --> 00:44:34,280
Can you believe that?

813
00:44:34,480 --> 00:44:34,760
Speaker 9: Says that?

814
00:44:34,880 --> 00:44:37,199
Speaker 1: But he never watched I know he's never seen that.

815
00:44:37,320 --> 00:44:39,679
He's never seen this as spinal tap, he's missing out.

816
00:44:39,960 --> 00:44:43,480
But so this is the story from Enemy dot Com.

817
00:44:43,639 --> 00:44:47,000
Princess of State has responded to singer songwriter Apollonia's lawsuit,

818
00:44:47,400 --> 00:44:51,440
dismissing it as frivolous and unwarranted. The US artist, actor,

819
00:44:51,559 --> 00:44:56,360
and former model a real name Patricia Apollonia Catero, starred

820
00:44:56,400 --> 00:44:59,840
in Prince's classic nineteen eighty four film Purple Rain, portraying

821
00:45:00,280 --> 00:45:04,559
love interest who has the name Apollonia. She recently filed

822
00:45:04,599 --> 00:45:07,599
a fourteen page complaint against the late icons of state

823
00:45:07,679 --> 00:45:11,440
Paisley Park Enterprises in a Los Angeles federal court, accusing

824
00:45:11,519 --> 00:45:15,800
it of attempting to steal her name. Kataro claims in

825
00:45:15,920 --> 00:45:19,039
the suit that after appearing in Purple Reign, Prince never

826
00:45:19,280 --> 00:45:22,599
asked her to stop going by the name Apollonia and

827
00:45:22,840 --> 00:45:25,719
did not quote contend that the name did not belong

828
00:45:25,880 --> 00:45:30,559
to her, either personally or professionally unquote. She alleges it

829
00:45:30,679 --> 00:45:33,800
was on the contrary, and that quote Prince himself consented

830
00:45:33,920 --> 00:45:38,519
and encouraged Apollonia in her professional endeavors unquote. Under that name,

831
00:45:38,840 --> 00:45:41,639
Kataro has now used the name for over four decades

832
00:45:41,760 --> 00:45:45,840
and released numerous projects using the alias. Her legal team

833
00:45:45,920 --> 00:45:48,719
claims that Prince's estate was out of line when it

834
00:45:48,800 --> 00:45:52,679
tried to claim ownership of the Apollonia trademark in June.

835
00:45:53,199 --> 00:45:55,960
She alleges that the estate filed an intent to use

836
00:45:56,000 --> 00:45:58,119
application that would allow it to use the name in

837
00:45:58,159 --> 00:46:02,599
connection with clothing and entered atainment services. Kato also claims

838
00:46:02,599 --> 00:46:05,239
that Paisley Park Enterprises has made moves to try and

839
00:46:05,320 --> 00:46:08,760
cancel her trademark applications and registrations despite her being the

840
00:46:08,880 --> 00:46:12,079
rightful owner now the estate, by the way, this is

841
00:46:12,119 --> 00:46:14,880
a This is a different thing than what I the

842
00:46:15,119 --> 00:46:17,800
conflict I was referring to earlier, because prior to all

843
00:46:17,880 --> 00:46:20,960
of this, Apollonia was complaining about something else related to

844
00:46:22,159 --> 00:46:26,480
this organization and the Paisley Park recording studio. But apparently

845
00:46:26,559 --> 00:46:28,440
that's a completely separate thing. So I don't know whatever

846
00:46:28,480 --> 00:46:30,679
happened with that. I guess nothing, but this is this

847
00:46:30,880 --> 00:46:33,599
is interesting. So now the estate has responded via a

848
00:46:33,639 --> 00:46:37,760
written statement posted on Prince's official social media channels. Quote. Regrettably,

849
00:46:38,239 --> 00:46:43,039
Miss Patti Kato aka Apolonia filed a frivolous lawsuit, as

850
00:46:43,159 --> 00:46:46,360
she acknowledges Apollonia is the name Prince gave to the

851
00:46:46,480 --> 00:46:49,360
character played by Miss Kataro in Prince's movie Purple Rain

852
00:46:49,440 --> 00:46:52,400
over forty years ago. We never instructed her to cease

853
00:46:52,480 --> 00:46:55,400
using her adopted professional name, nor did we object to

854
00:46:55,480 --> 00:46:59,280
her business activities. In fact, we repeatedly offered her opportunities

855
00:46:59,320 --> 00:47:03,639
to perform at Paisley Park using this professional name. Unquote,

856
00:47:05,039 --> 00:47:07,039
So wait, can we mention the.

857
00:47:07,039 --> 00:47:08,800
Speaker 8: Fact that he didn't come up with it out of

858
00:47:08,880 --> 00:47:11,320
thin air. It's her middle name. Yeah, her middle name

859
00:47:11,360 --> 00:47:15,119
is with the name right right, Yeah, And the way

860
00:47:15,159 --> 00:47:19,039
they're talking about it really galls me because it's like,

861
00:47:19,440 --> 00:47:22,880
do you remember when when Prince was in a fight

862
00:47:23,000 --> 00:47:26,119
with the label and he wrote slave across his cheek

863
00:47:26,360 --> 00:47:29,000
and he wouldn't use the name Prince because of the

864
00:47:29,039 --> 00:47:29,760
way they were.

865
00:47:30,320 --> 00:47:33,119
Speaker 1: Using his name. Yeah, he became an unpronounceable symbol. Yes,

866
00:47:33,360 --> 00:47:35,400
and the artist formerly known as the same.

867
00:47:35,280 --> 00:47:38,760
Speaker 8: Damn thing being done in reverse to her, Well, it's

868
00:47:38,880 --> 00:47:42,079
her middle name. He didn't pull it out of thin air. No, Yes,

869
00:47:42,119 --> 00:47:43,679
he named the character that, but it's.

870
00:47:43,559 --> 00:47:46,480
Speaker 1: Her right well. But the other weird thing is they're

871
00:47:46,639 --> 00:47:49,000
they're claiming they never told her not to use the name.

872
00:47:49,679 --> 00:47:51,679
So I don't I don't know what the hang up

873
00:47:51,760 --> 00:47:54,239
is here. There's more than this article, But I wonder

874
00:47:54,280 --> 00:47:57,800
if maybe there's a matter of how she uses the name.

875
00:47:58,239 --> 00:48:00,400
Speaker 8: Yeah, but they've gotten in the way of her trying

876
00:48:00,480 --> 00:48:03,360
to trademark it herself her own name.

877
00:48:03,559 --> 00:48:08,719
Speaker 1: Yeah, uh yeah, that's that's that's true, right. She wants

878
00:48:08,760 --> 00:48:14,519
to be able to own the name. It says here. Also, uh, oh, this.

879
00:48:14,599 --> 00:48:17,159
Speaker 8: Is also Remember they said that they that the name

880
00:48:17,239 --> 00:48:22,760
doesn't belong to her personally or professionally. It's her middle name.

881
00:48:23,119 --> 00:48:25,480
How does that not belong to her personally?

882
00:48:26,039 --> 00:48:30,039
Speaker 1: There are exceptions of trademark law and copyright law and

883
00:48:30,239 --> 00:48:32,599
intellectual property. It's all very fascinating to me.

884
00:48:32,800 --> 00:48:34,880
Speaker 13: But there's there say it doesn't belong to her, but

885
00:48:34,960 --> 00:48:37,480
there's there's but there are there are exceptions, just as

886
00:48:37,519 --> 00:48:39,639
a random example, because Hall and Oates, for example, they

887
00:48:39,880 --> 00:48:43,280
recently settled, uh they finally.

888
00:48:43,000 --> 00:48:46,440
Speaker 1: Through arbitration, they settled their whole legal dispute. But so

889
00:48:46,639 --> 00:48:49,480
let's say, for example, your name is Daryl Hall and

890
00:48:49,599 --> 00:48:51,599
you have a friend named John Oates, and you decide

891
00:48:51,639 --> 00:48:53,480
you're going to form a musical duo and go out

892
00:48:53,519 --> 00:48:56,599
and perform, and those are your real names. It doesn't matter.

893
00:48:56,760 --> 00:48:58,960
You're still going to get slapped down for that, you

894
00:48:59,199 --> 00:48:59,679
know what I mean?

895
00:49:00,000 --> 00:49:03,320
Speaker 8: Okay, But that's different. That's something happening after the fact.

896
00:49:04,119 --> 00:49:07,719
The creation of Apollonia, the character came.

897
00:49:07,760 --> 00:49:11,119
Speaker 1: In part out of her, right, Well, I'll tell you, yeah,

898
00:49:11,159 --> 00:49:11,960
he named.

899
00:49:11,719 --> 00:49:15,360
Speaker 8: The character after he cast her, not before. He didn't

900
00:49:15,400 --> 00:49:17,360
come up with the name Apollonia and then go oh, Look,

901
00:49:17,400 --> 00:49:19,599
I found a chick who has the Apollodia middle name.

902
00:49:19,920 --> 00:49:22,440
That's not what happened. I met her, wanted to cast

903
00:49:22,519 --> 00:49:25,440
her and then name the character her middle name.

904
00:49:25,599 --> 00:49:28,320
Speaker 1: Yeah, And I don't know what Prince's long term intentions

905
00:49:28,360 --> 00:49:30,960
were with that, but I do know it can get complicated.

906
00:49:31,480 --> 00:49:35,400
Dealing with Prince was complicated because Morris Day, of Morris

907
00:49:35,440 --> 00:49:38,000
Day in the Time. Sure, he's talked about that, how

908
00:49:38,079 --> 00:49:42,480
difficult that was, because you know, so you watch, you

909
00:49:42,800 --> 00:49:44,599
watch the movie, and of course Morris Day on the

910
00:49:44,639 --> 00:49:46,719
Time is one of the bands in the movie. And

911
00:49:46,840 --> 00:49:49,519
then but if you do some digging, you find out

912
00:49:50,400 --> 00:49:53,159
that was really Prince's band. You know, he put he

913
00:49:53,280 --> 00:49:57,239
put those guys together, Jimmy jam and Terry Lewis, who

914
00:49:57,280 --> 00:50:00,920
went on to become very successful producers. Uh they produced

915
00:50:01,000 --> 00:50:02,800
Janet Jackson and stuff. But they were also a part

916
00:50:02,840 --> 00:50:05,199
of that band along with Morris Day. That that was

917
00:50:05,480 --> 00:50:09,519
the time, that was Prince's creation. And then and then

918
00:50:09,599 --> 00:50:13,079
so Morris Day had problems with you know, so later on,

919
00:50:13,360 --> 00:50:16,199
years after Purple Rain, he's trying to tour as Purple Rain.

920
00:50:16,400 --> 00:50:18,159
I mean, I'm sorry, as Purple He's trying to tour

921
00:50:18,239 --> 00:50:21,360
as Morris Day on the Time and he's he's got

922
00:50:21,480 --> 00:50:22,800
he's getting a hard time about it.

923
00:50:22,960 --> 00:50:26,559
Speaker 8: Mix because if she was trying to use Apollonius, no, no, no,

924
00:50:26,800 --> 00:50:28,519
I'm not, I'm not which was her, But now I'm

925
00:50:28,559 --> 00:50:30,559
a c No, I'm just saying. All I'm saying is

926
00:50:30,599 --> 00:50:33,159
it's comp Dealing with Prince was complicated. That was That

927
00:50:33,440 --> 00:50:34,159
was my only point.

928
00:50:34,639 --> 00:50:35,119
Speaker 1: That's true.

929
00:50:35,519 --> 00:50:37,519
Speaker 8: It is true. But it is interesting that you bring

930
00:50:37,599 --> 00:50:39,679
that up because he did create the Time, just like

931
00:50:39,800 --> 00:50:43,239
he did create Apollonius, which was.

932
00:50:43,480 --> 00:50:45,840
Speaker 1: Her with two other cars, which had three people in it,

933
00:50:45,880 --> 00:50:47,360
which was was so weird.

934
00:50:47,480 --> 00:50:51,360
Speaker 8: Right, six but three people and you know, and that

935
00:50:51,800 --> 00:50:55,039
was his creation, and that was music he created. Yeah,

936
00:50:56,400 --> 00:51:01,360
her in the name Apollonia, I'm sorry, it's her middle name.

937
00:51:02,199 --> 00:51:06,519
Let her use her dang name. Are trying to use Apollonius. No,

938
00:51:06,679 --> 00:51:11,280
but they're stopping own her own name, And that I

939
00:51:11,400 --> 00:51:14,400
find I find is really upsetting to me because it

940
00:51:14,519 --> 00:51:18,239
completely flies in the face of what Prince did in

941
00:51:18,400 --> 00:51:23,039
his time to have ownership of himself and what he

942
00:51:23,199 --> 00:51:26,719
did to teach the music world about ownership of self,

943
00:51:27,079 --> 00:51:28,320
ownership of artistry.

944
00:51:28,719 --> 00:51:28,880
Speaker 7: Right.

945
00:51:29,119 --> 00:51:30,880
Speaker 8: The whole that went on for like how many How

946
00:51:30,920 --> 00:51:31,519
long did that go on?

947
00:51:31,719 --> 00:51:34,119
Speaker 1: Was it two years longer than that?

948
00:51:34,519 --> 00:51:34,920
Speaker 6: That went on?

949
00:51:35,039 --> 00:51:38,079
Speaker 8: That he was fighting with them to own himself, and

950
00:51:38,159 --> 00:51:40,119
that's what he was fighting for. This is to me,

951
00:51:40,280 --> 00:51:42,679
this is this is the same damn thing. It's her

952
00:51:42,760 --> 00:51:46,679
middle name, it's her name. Right, he can pull it

953
00:51:46,719 --> 00:51:49,000
out of thin air. He named the character after her.

954
00:51:49,679 --> 00:51:50,920
Speaker 1: Yeah, right.

955
00:51:51,039 --> 00:51:52,639
Speaker 8: She should get to use it. She should be able

956
00:51:52,679 --> 00:51:56,800
to own them saying that them them saying she has

957
00:51:56,920 --> 00:52:01,239
no ownership to no right to it, personally or professionally.

958
00:52:02,000 --> 00:52:05,079
The personally really gets me. Because it's her middle name.

959
00:52:05,519 --> 00:52:07,480
She has every right to it. I don't know how

960
00:52:07,519 --> 00:52:09,360
many people I've met in my lifetime that go by

961
00:52:09,400 --> 00:52:14,000
their middle name, or like parents, especially like guys who

962
00:52:14,079 --> 00:52:16,400
have sons named Junior. Instead of calling him Junior, they

963
00:52:16,440 --> 00:52:18,679
might call him David the middle name, or instead of

964
00:52:18,719 --> 00:52:23,400
little Bill and big Bill. You know exactly exactly. They

965
00:52:23,440 --> 00:52:26,599
should let her own her own dang name. They shouldn't

966
00:52:26,599 --> 00:52:29,119
be so selfish and new sides of fact, why are

967
00:52:29,159 --> 00:52:31,760
you paying so much attention to this princess state? How

968
00:52:31,760 --> 00:52:33,800
about the eight thousand or whatever songs you got in

969
00:52:33,880 --> 00:52:36,599
that vault? You got enough music in that vault to

970
00:52:36,719 --> 00:52:39,400
be releasing an album like every year for the rest

971
00:52:39,440 --> 00:52:42,719
of my life and beyond. So why aren't you concentrating

972
00:52:42,800 --> 00:52:45,239
on that. You've got a ton of money making material.

973
00:52:45,840 --> 00:52:46,519
Speaker 1: Leave her alone.

974
00:52:46,599 --> 00:52:49,239
Speaker 8: Let her own her dang name. That's my opinion on it.

975
00:52:49,599 --> 00:52:52,239
Speaker 1: Well, the other thing, too is I don't know from

976
00:52:52,320 --> 00:52:56,960
their I mean, I guess they're going to I guess

977
00:52:57,000 --> 00:53:01,079
their attitude is they're going to defend the intellectual property

978
00:53:01,199 --> 00:53:05,199
of quote unquote the estate, no matter what, and and

979
00:53:05,360 --> 00:53:08,239
but and I understand that from a legal perspective to

980
00:53:08,320 --> 00:53:10,760
a point. But at the same time, what value.

981
00:53:11,880 --> 00:53:13,519
Speaker 8: Like sexual property?

982
00:53:13,519 --> 00:53:17,119
Speaker 1: He no, no, no, But I'm just saying, though, from

983
00:53:17,159 --> 00:53:21,800
a financial standpoint, like what value is that name? Specifically

984
00:53:22,440 --> 00:53:25,320
in terms of market Like what are you marketing where

985
00:53:25,360 --> 00:53:27,760
you're making money off of the name Apollonia?

986
00:53:27,880 --> 00:53:28,159
Speaker 6: You know what?

987
00:53:29,400 --> 00:53:31,119
Speaker 8: They refer to her as Patty.

988
00:53:31,280 --> 00:53:33,159
Speaker 1: Oh yeah, I noticed that. I noticed that.

989
00:53:33,760 --> 00:53:36,079
Speaker 8: Patricia appolonial Kato because it's not going to use the

990
00:53:36,079 --> 00:53:37,960
whole name if you don't want you, They don't want

991
00:53:38,000 --> 00:53:40,519
you the public to know that that's actually her middle name.

992
00:53:41,039 --> 00:53:43,559
People believe that he pulled it out of thin air

993
00:53:43,599 --> 00:53:46,960
and named her. Yeah, most people, you know that's what

994
00:53:47,079 --> 00:53:51,039
people think I would be. I would, I would, I

995
00:53:51,079 --> 00:53:52,920
would go out on a limit, say that probably eighty

996
00:53:52,920 --> 00:53:55,559
percent of the American public believes that Prince pulled the

997
00:53:55,639 --> 00:53:57,719
name out of thin air and that's where the name

998
00:53:57,800 --> 00:54:00,639
came from, not that it was actually her middle right.

999
00:54:01,199 --> 00:54:04,800
And know that for them to I just seriously, they

1000
00:54:04,880 --> 00:54:08,800
have so much money already and there so much material

1001
00:54:08,920 --> 00:54:12,679
to make billions of dollars more. How much money do

1002
00:54:12,760 --> 00:54:15,880
you need, grotesque creed? Let the child have her name?

1003
00:54:17,159 --> 00:54:20,719
Speaker 1: No, I agree with you? Uh, they say too. In

1004
00:54:20,840 --> 00:54:23,880
their statement the lawyers for the estate quote Misscataro's unwarranted

1005
00:54:23,920 --> 00:54:26,199
lawsuit comes at the tail end of years long disputes

1006
00:54:26,599 --> 00:54:30,400
before the Trademark Trial and Appeal Board concerning trademark registrations,

1007
00:54:30,440 --> 00:54:33,320
in which rulings are imminent and with respect to which

1008
00:54:33,360 --> 00:54:36,760
we have sought a settlement numerous times despite her highly

1009
00:54:36,840 --> 00:54:40,840
unreasonable demands. Unsurprisingly, her suit fails to acknowledge the cancelation

1010
00:54:40,920 --> 00:54:44,159
of her Apollonia registration by the United States Patent and

1011
00:54:44,480 --> 00:54:47,400
Trademark Office. We look forward to the rulings in the

1012
00:54:47,519 --> 00:54:51,320
pending trademark proceedings and a dismissal of Miss Kato's recent

1013
00:54:51,400 --> 00:54:54,480
federal action. As is as is our duty, we will

1014
00:54:54,480 --> 00:54:56,960
continue to protect and preserve Prince's assets and legacy.

1015
00:54:57,039 --> 00:54:59,480
Speaker 8: Unquot prime me a river with that bowl of a

1016
00:55:00,239 --> 00:55:04,719
of malaccy Seriously, I bet you money that they had

1017
00:55:04,760 --> 00:55:06,760
something to do with the cancelation of that trademark.

1018
00:55:08,840 --> 00:55:09,599
Speaker 1: I don't know.

1019
00:55:09,920 --> 00:55:12,119
Speaker 8: Yeah, maybe they won't leave her alone to have it.

1020
00:55:12,480 --> 00:55:16,000
They're claiming her frivolous. I call you frivolous, Princess State.

1021
00:55:17,119 --> 00:55:17,880
Speaker 1: Leave her alone.

1022
00:55:18,039 --> 00:55:20,320
Speaker 8: Let her have her middle name, let her live it's

1023
00:55:20,360 --> 00:55:20,920
her name.

1024
00:55:21,320 --> 00:55:22,400
Speaker 1: Yeah, leave her.

1025
00:55:23,079 --> 00:55:26,199
Speaker 8: You know they made that character together, utilizing her middle name.

1026
00:55:26,599 --> 00:55:27,440
Speaker 1: Leave them both alone.

1027
00:55:27,480 --> 00:55:29,280
Speaker 8: You've got tons of money to make in that vault.

1028
00:55:29,320 --> 00:55:31,800
Oh my god, Like, really, what if they released from

1029
00:55:31,800 --> 00:55:36,599
the vault anything nothing? And they have how many late

1030
00:55:36,800 --> 00:55:40,760
thousands and thousands. There's so business closively, so much music

1031
00:55:40,880 --> 00:55:44,960
in there that they could quite literally release songs for

1032
00:55:45,119 --> 00:55:48,599
the rest of my life and not run out and

1033
00:55:49,199 --> 00:55:51,960
your life probably and not run out. He has so

1034
00:55:52,119 --> 00:55:54,599
much material in there, and they've all admitted to it,

1035
00:55:55,000 --> 00:55:56,920
but they're sitting on it like you want to make money,

1036
00:55:56,960 --> 00:55:59,880
there you go, you gotta you got a vault full

1037
00:55:59,920 --> 00:56:05,199
of probably a billion dollars, not not even exaggerating, right,

1038
00:56:06,920 --> 00:56:07,360
go do that?

1039
00:56:07,639 --> 00:56:08,000
Speaker 1: Why this?

1040
00:56:08,440 --> 00:56:08,639
Speaker 9: Yeah?

1041
00:56:08,880 --> 00:56:10,559
Speaker 1: Why this? Why are we being so petty?

1042
00:56:11,440 --> 00:56:11,679
Speaker 6: I know?

1043
00:56:13,400 --> 00:56:16,239
Speaker 1: Well on that note, it is almost to top the r.

1044
00:56:16,280 --> 00:56:17,800
So let's get to our ad break and then when

1045
00:56:17,800 --> 00:56:20,239
we come back in the second hour, Charles Richardson from

1046
00:56:20,280 --> 00:56:21,880
the Charles Richardson Show is going to be with us.

1047
00:56:21,920 --> 00:56:24,639
So looking forward to that for those of you listening

1048
00:56:24,760 --> 00:56:28,239
live on Saturday morning. But so stick around. We've got

1049
00:56:28,360 --> 00:56:29,000
plenty more to go.

1050
00:56:29,639 --> 00:56:33,000
Speaker 7: Luigi's Pizza Bar and Grilled One.

1051
00:56:33,719 --> 00:56:38,159
Speaker 2: Let's praise this lies on hide with topping to the ground.

1052
00:56:38,679 --> 00:56:41,719
Speaker 3: Pizza Pizza Baro mine Luigi.

1053
00:56:41,800 --> 00:56:45,599
Speaker 7: It's Pizza Bar and Grill, seven twelve Valley Street, Manchester.

1054
00:56:45,880 --> 00:56:48,719
Come on in or call six two two one zero

1055
00:56:49,000 --> 00:56:53,119
two to one. Luigi, keeping the tradition alive since nineteen

1056
00:56:53,320 --> 00:56:54,039
seventy five.

1057
00:56:55,880 --> 00:57:00,199
Speaker 2: Pizza brea breed one, Come join a piece two n

1058
00:57:01,239 --> 00:57:04,559
With these slye sets of it, everything.

1059
00:57:04,239 --> 00:57:05,199
Speaker 6: Feels so right.

1060
00:57:08,360 --> 00:57:10,559
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former state prosecutors, our attorneys have the knowledge and trial

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1069
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1070
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1072
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1073
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Speaker 7: Open Monday through Friday nine am to five thirty pm,

1074
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1075
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Speaker 15: They can be reached at six three two two two

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Speaker 15: It's Queen City Cabinet Tree, another crowd sponsor of w MNH.

1080
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1081
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1082
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1083
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1084
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1085
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and a whole lot of jazz. We have twelve craft

1086
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1087
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1089
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1090
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