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Speaker 1: This is a podcast from Minute.

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Speaker 2: Media two three.

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Speaker 1: Hello everybody, and welcome back to the Surely You Can't

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Be Serious Podcast. We are here to talk about Saturday

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Night Fever. Soundtrack track by track Jason. What are we

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gonna do for the intro to this episode?

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Speaker 3: I was thinking that we should work on our falsettos.

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Speaker 1: Okay, no, I think you're chop talking. All right, No,

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we will not be doing that for the remainder of

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the episode. Okay, before we get going, I have to

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celebrate the fact that we have an anniversary. It was

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three years ago that we first sat down on your

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porch and said, what are we going to do for

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this podcast?

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Speaker 3: Yeah, that's right.

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Speaker 1: It was an amazing moment. We sat down, we explored movies,

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we explored comparisons. We came up with our first season

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and about a million ideas for the seasons to come.

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And I want to give some credit to some guys

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who are inspirational thirty something Movie Podcast. We had been

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listening to them. We had taken some cues from stuff

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that they were doing, and so I gotta say, guys,

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if you are not listening to the thirty something Movie Podcast,

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you need to be Shirley fans go look up the

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thirty something movie podcast. What they do is they go

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and they look at movies that are thirty years old

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this year. So right now they're covering nineteen ninety two movies.

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They've been doing it for like six years now. I

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think they started in eighty five, seven years now. Yeah,

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but I mean, gosh, they just covered Patriot Games, they

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covered The Bodyguard, they covered the Last the Mohicans, they

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covered Scent of a Woman.

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Speaker 3: Who Who.

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Speaker 1: Man, these guys are awesome. It's John and Pat and

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Jeff and Dennis and Bo and it's like hanging out

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with your best friends for an hour and a half.

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It's fantastic.

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Speaker 3: Yeah, we love these guys. These guys have actually become

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our friends. It's really cool, it really is. You know,

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we really need to go up to Chicago and see

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these guys. But they're great guys. Their podcasts are fun

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and entertaining and definitely recommend them.

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Speaker 1: You guys need to go subscribe right now. Okay, so

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did you listen to the most recent one if you

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good man? Yeah, I did. Pat's not a fan of

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the of the movie. I was floored by that. Right,

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he tells you the truth. He does. You want the truth,

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you can't hit all truth.

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Speaker 3: That was a little bit upset. I think that the

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Tom Cruise character was not stepping in line with the

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chain of command, and that, you know, he has had

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that little Maverick arrogance there. But it's very interesting stuff.

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Those guys aren't great friends of ours. Go check them,

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especially Jeff. Jeff is the best one. He's the greatest

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guy of them all. We are just ripping Jeff a

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little bit. We love you Man, we love you guys.

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Speaker 1: We love Jeff, we love Pat, we love Bo, we

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love Dennis, and we love our good friends John Reid, who.

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If you haven't checked out that podcast as well, be

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sure and check out podcast Full of Kryptonite where we

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go and we talk about all wonderful things that are

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Superman and Jeff.

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Speaker 3: I swear that text was freeing you, not Pat, although

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I texted Pat it's just a copy and paste error.

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I'm sorry.

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Speaker 1: Be sure go check them out thirty something movie podcast.

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Speaker 3: Yeah.

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Speaker 1: This is one of the best soundtracks of the seventies.

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Speaker 3: It's the second biggest selling soundtrack of all time behind

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Whitney Houston's The Bodyguard soundtrack. Wow. Yeah, that's forty million copies.

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Speaker 1: I mean, Titanic didn't beat this one. No, man, no,

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that's incredible.

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Speaker 3: It was the largest selling album of all time until

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Thriller came around. Oh my gosh, this is the thriller

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of the seventies. Oh my word, that's crazy. Seventeen tracks

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on this one, seventy tracts. We're gonna have to move fast.

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Speaker 1: Okay, ready to jump into the history.

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Speaker 3: Now, let's go.

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Speaker 1: Okay, I thought we weren't doing the false stuf. Yeah, okay,

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I'm going to start in the Isle of Man in

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nineteen forty six, where a young English boy named Barry

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Gibb is born. Okay, three years later he has little

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fraternal twin brothers named Robin and Maurice, and then they

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move to Australia. Now interesting, let's do another shrimp on

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the Bobby. Oh, thank you so much for doing that.

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Oh my gosh. So interestingly, at the same time that

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they're moving to Australia, there's a guy who grew up

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in Australia, born in nineteen thirty four. In nineteen fifty five,

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he moves from Australia to the United Kingdom. So they

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basically kind of switch sides of the ocean if you will. Okay, Now,

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what's really interesting is that in the articles that I read,

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it says that this guy, Robert Stigwood, after he was

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down with college nineteen fifty five, he hitchhiked to England.

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I don't know how you do that, Like, I mean,

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this isn't just the Australia. Yes, this isn't just the

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Wikipedia page. Like there's a legitimate article out there that's

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like he hits I don't know, I don't you know.

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Did he thumb a ride on a barge of I

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don't even it's weird.

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Speaker 3: Well done to him.

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Speaker 1: Yes, good job. So in fifty five, the Ghib Brothers

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they start a little rock and roll slash skiffle band.

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Have you heard the term skiffle before?

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Speaker 3: No?

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Speaker 1: I don't think so. Okay. So it's this music that

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was kind of the precursor to what a lot of

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rock and roll guys did, which is a combination of

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American folk, jazz and blues. So they're starting off in

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the same way that the Beatles are starting off a

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bunch of other big bands from the UK. But they're

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down in Australia and they're young men fifty five. The

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oldest one Berry would have been eleven and the other

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two would have just been eight. But they're getting some

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TV appearances, they're starting to make some singles that they're releasing,

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but nothing exciting is happening yet. So since they're not

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doing anything exciting in Australia, let's see what's happening with

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mister Robert Stigwood up in the UK. Okay. He goes

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up there and he does a few odd jobs, ultimately

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ends up working with a theatrical agency, convinces a businessman, hey,

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will you finance my theatrical agency. I'm going to get

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some of these theater actors and have them be in

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TV commercials in the UK. Okay. So it's doing okay,

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and he's got this client named John Leyton. John is

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in this like Oxofamily commercial and doing these little bit parts.

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But he goes to Stigwood and he says, hey, you know,

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I really wanted to be a pop star. I mean,

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I like acting, but I'm really a singer. And Robert

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stick was like, well, let's just go take you to

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the record company. He said, well, I've already been, you know,

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and they all turned me down. So Robert stick Wood

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was like, Okay, I'm going to take you over the

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recording studio. We're going to have a professional engineer do

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one of your songs, okay. And so they go over

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there and they record this song called Johnny Remember Me. Okay.

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Then Robert Stigwood goes to the director of this TV

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series that his client is acting in, and he says, hey,

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you know this guy's playing a singer in the show.

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Why don't you have him actually sing this song? And

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the director like great, sounds like a great idea. Yeah. Well,

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the song becomes a hit from the TV show, and

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now the record companies that had rejected him are now

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beating a path to his door so that they can

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sign him. Well, of course Robert Stigwood is managing him,

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and Robert Stigwood's rock and roll career begins, and this

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song not only goes to number one. I hadn't heard

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of it, so I checked it on YouTube. YouTube three

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point two million downloads of this song. We'll play it

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for you here, he yes, sign up, screamman. Yeah. I

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hadn't heard it either, but it made Robert Stigwood a name. Okay,

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So fast forward to nineteen sixty six, couple of other

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bands that he's managing aren't really feeling like they're vibing

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too well anymore. The guitarist from one of the bands

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is like, Hey, I saw these other guys that were

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in a trio. I kind of would like to do

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something like that. Was like, Hey, I know a couple

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other guys from one of my other bands. You guys

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can all work together. And so the guitarist was Eric Clapton,

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Eric Clapton. The two other guys were Jack Bruce and

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Ginger Baker Woo, and they went on to form the

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band Cream Holy Smokes.

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Speaker 3: Right, So Stigwood is off to a fantastic start exactly.

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Speaker 1: So this is sixty six. He says, Hey, you know,

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I'm the booking agent for The Who. They need an

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opening band. Cream becomes with the opening band for The Who.

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By the time they get done with their tour their

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world famous.

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Speaker 3: Wow. Hey, you mentioned that that song went to number one. Yeah,

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let me just prepare myself for this episode. Okay, Okay,

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that song hit number one. That's another hit the hit

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number one, and that's another song that hit number one. Okay,

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I think I'm ready to go. Now we're going to

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talk about eight ten number one hits.

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Speaker 1: It's absurd the amount of number one hits. Now to

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jump back if you will, to our Beg's friends. Yeah,

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nineteen sixty six they record the first song that comes

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a chart topper for them, and it's a song called

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Spicks and Specs.

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Speaker 4: Where is the song that show.

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Speaker 1: Hits number four okay on the top fourty in Australia.

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I got a question for you. Can you tell me

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what the songs Physical by Olivia Newton, John, Genie in

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a Bottle by Christina Aguilera, and Hard Habit to Break

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by Chicago all have in common? No, I can't. They

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were all written by a guy named Steve Kipner, who

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in his very first gig was singing backup vocals on

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Spics and Specs by the Begs.

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Speaker 3: That is a fantastic nugget right there, rabbit.

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Speaker 1: Hole that I go down right hey.

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Speaker 3: By the way, yes, you know he's playing guitar on

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Olivia Newton John's Physical right deve look a.

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Speaker 1: The they had all ties together, all ties together, and

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Olivia Newton and John of course comes up a little

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bit later on with Robert Stigwood's productions. We'll get to

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that in a little bit. So by this time, obviously

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the Beatles have become huge, right, and the Begs think, hey,

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we want to go be a part of this British

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invasion that's happening. So in January of sixty seven they

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go back to the UK and they start pumping themselves.

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The dad is their manager and he's really trying to

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get them out there. So one of the guys that

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they end up talking to is the manager for the Beatles,

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Brian Epstein. I mean, he's the guy who made the

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Beatles famous. Incredible name, and he says, hey, you know,

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I'm a little busy. I don't think that you're probably

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right for me, but I just merged my company with

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this guy named Robert Stigwood, and he's from Australia. You

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guys should talk to him. Wow, do you see how

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the stars are? Okay? So Stigwood says, I love these guys.

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They sound just like the Beatles, and if you listen

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to their sixties recordings, they have a very Beatles style

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of their music. And so they decide, hey, we're gonna

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go check out some musical venues. They go over to

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New York City. They happen to catch Otis Redding playing

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at the Apollo Theater. Now, I watched the documentary that's

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out right now on the Beg's, and here's the way

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this story goes. In the documentary, Robert Stigwood takes them

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to New York, they see Otis Redding, they love Otis Redding.

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They decide to write a song for Otis Redding, and

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unfortunately Otis Redding dies that same year, and so they

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end up recording the song themselves, and the song is

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to Love Somebody.

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Speaker 4: Got so love Somebody, So Love Somebody.

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Speaker 1: Yeah, So I'm like, wow, that is a fantastic nugget.

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I got to talk about that on the show. The

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only problem is when I started looking at it, they

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recorded the song in April of sixty seven. Motus Writing

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didn't die until December of sixty seven. So I'm not

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sure if the memories are off or or the release

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dates are off on the internet swebs. But it's a

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good story. So let's just go with to Love Somebody

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was supposed to be an Otis writing song that became

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a beachy song. Okay, I can go with that. So

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also in sixty seven, they record a song called the

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New York Mining Disaster of nineteen forty one. This happens

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when they first go to the recording studio. They get

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there and suddenly the power goes out in the building.

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They're all sitting around waiting for the power to come

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back on. They're in pitch black. They're playing a guitar

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and it's got this kind of weird echoe effect in

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the place, and suddenly they're kind of taken to this

241
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idea of being trapped in a mine. And so they

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just got this kind of idea that in their head

243
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of what it would be like to be stuck inside

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this dark mining shaft. What they ended up with was

245
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a song that they named New York Mining Disaster of

246
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nighte forty one. There was no disaster in nineteen forty

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one in New York. There was in Pennsylvania. But I

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don't think that they really that was a part of it.

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It was just, hey, this, you know, paints the picture.

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That song becomes a top twenty hit for him. Shortly thereafter.

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August of sixty seven, they record Massachusetts. Witch goes on

252
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to be a huge success, and then later that month

253
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Brian Epstein drops Dead Gosh. Sixty seven is pretty impactful

254
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year for these guys, Yeah for sure. Okay. So suddenly

255
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the manager of the Beatles dies and so the question is, hey,

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is Bob Stickwood going to become the new manager for

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the Beatles? And it looked like he was the guy

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who would be the heir apparent right to me. The

259
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only problem is the Beatles said, f you, no way,

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not going to happen. And so, since they've got this

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company together and the Beatles are refusing to have him

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as a manager, he is asked to leave the company.

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But it's not a bad deal for him. He goes

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out with what they call a golden handshake. You've heard

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about the golden parachute for executives, you know it. It's

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pig severance back. Well, the golden handshakes like a step

267
00:14:01,720 --> 00:14:04,960
above that. Like he gets all the money, all the retirement,

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everything all at once. And he goes on to form

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his own RSO Records, which now has Cream and the

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begs RSO.

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Speaker 3: I remember RSO Records when I was a kid. I

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just remember the little bull on the record label.

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Speaker 1: Nice good throwback. Okay, all right. Unfortunately, in nineteen sixty eight,

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Cream disbands. They're done, right. Eric Clapton goes on to

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form Blind Faith in sixty eight. They had some great stuff,

276
00:14:31,000 --> 00:14:33,759
but it just wasn't popular at the time. Next thing

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00:14:33,799 --> 00:14:36,840
that he puts together is Derek and the Dominos, Right

278
00:14:37,480 --> 00:14:40,759
Huge Album, Right Huge, Leyla and other love.

279
00:14:40,639 --> 00:14:43,399
Speaker 3: Songs, the flashback jar Goodfellas episode.

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Speaker 1: Thank You Always waiting for that? Okay? The only problem

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00:14:45,559 --> 00:14:47,879
is it also doesn't do very well when it first

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00:14:47,919 --> 00:14:51,799
is released, and so wow. Eric Clapton has now gone

283
00:14:51,840 --> 00:14:55,159
through three bands, has had not the huge success that

284
00:14:55,200 --> 00:14:58,200
he thought he would have, and his best buddies Jimmy

285
00:14:58,240 --> 00:15:02,679
Hendrix and Dwayne Allman both so he spirals in depression.

286
00:15:02,840 --> 00:15:05,159
The same time, the Beg's are breaking up. Robin is

287
00:15:05,200 --> 00:15:07,840
tired of Barry. Barry is tired of Robin. Robin's like,

288
00:15:07,840 --> 00:15:10,759
you know what I'm done, and he leaves. So Cream's

289
00:15:10,759 --> 00:15:13,840
falling apart. Begee's are falling apart. Robert Sigwood is in

290
00:15:13,840 --> 00:15:17,879
a predicament, it seems, and Eric Clapton has gone into

291
00:15:17,879 --> 00:15:20,279
this huge depression from the loss of his friends, the

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00:15:20,279 --> 00:15:23,759
bad album reviews, and his unrequited love by Patty Boyd.

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00:15:23,919 --> 00:15:25,240
You know Patty Boyd is right.

294
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Speaker 3: Patty is George Harrison's wife.

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00:15:29,120 --> 00:15:31,000
Speaker 1: Correct, Yes, you nailed it.

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Speaker 3: Wow.

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00:15:31,720 --> 00:15:34,840
Speaker 1: So at first, obviously she's married to George Harrison. She

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00:15:34,919 --> 00:15:37,759
is not going to return his love, and so he's depressed. Now.

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Ultimately she ends up divorcing Harrison and Mary and Clapton.

300
00:15:41,039 --> 00:15:43,320
But that's a story for another day. But the song

301
00:15:43,399 --> 00:15:45,679
Layla is about her and the fact that she is

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00:15:46,039 --> 00:15:48,600
not returning his love. She's got him mind his knees, yeah,

303
00:15:48,679 --> 00:15:49,320
begging please.

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00:15:51,639 --> 00:15:54,320
Speaker 3: Hey. Eric Clapton was supposed to join the Beatles at

305
00:15:54,320 --> 00:15:56,720
some point in this whole thing, right, yeah, I mean

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00:15:56,759 --> 00:15:58,440
they Is this the Eric Clapton Podcast.

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00:15:58,519 --> 00:16:01,399
Speaker 1: I'm sorry, Yeah, no, no, it's but it all comes back.

308
00:16:01,480 --> 00:16:04,879
I'm bringing it full up. Just wait, just wait, right,

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00:16:05,519 --> 00:16:09,120
And so the Beg's put some albums out that are

310
00:16:09,279 --> 00:16:12,679
just Barry and Maurice in there, none of them very good.

311
00:16:12,879 --> 00:16:16,039
So even though all of Robert Stigwood's world is falling

312
00:16:16,080 --> 00:16:19,919
apart right now, he is having some success stories outside

313
00:16:20,000 --> 00:16:23,360
of rock music, with a production of a few Broadway hits,

314
00:16:23,759 --> 00:16:27,360
one of which is Jesus Christ Superstar nineteen seventy three.

315
00:16:27,559 --> 00:16:29,960
Young man comes into audition for him. You brought this

316
00:16:30,080 --> 00:16:32,279
up on our last podcast. Can you tell me who

317
00:16:32,320 --> 00:16:32,919
that young man was?

318
00:16:32,960 --> 00:16:36,559
Speaker 3: That young man's name was John Travolta, and he didn't

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00:16:36,559 --> 00:16:37,039
get the part.

320
00:16:37,399 --> 00:16:42,039
Speaker 1: He did not, but Robert Stigwood remembered him. So Stigwood

321
00:16:42,080 --> 00:16:45,279
is thinking, Okay, what you need, Eric Clapton is a

322
00:16:45,360 --> 00:16:47,519
change of scene. So in nineteen seventy four, he's like,

323
00:16:47,639 --> 00:16:50,360
I'm gonna take you away from the bad influences that

324
00:16:50,440 --> 00:16:52,600
you have, get you in a nice sunny place so

325
00:16:52,639 --> 00:16:55,120
you can't be sad. We're gonna go to Miami, Florida,

326
00:16:55,200 --> 00:16:58,200
and you're gonna record an album. He records an album

327
00:16:58,440 --> 00:17:02,039
and titles it The Place Where Stayed four six' One Ocean,

328
00:17:02,080 --> 00:17:05,319
boulevard which has a little song you might have heard

329
00:17:05,359 --> 00:17:10,279
of on there CALLED I shot The. Sheriff and at

330
00:17:10,279 --> 00:17:13,359
this point he sees the success that he's been missing

331
00:17:13,359 --> 00:17:16,480
his whole, life and he, says you know, What, robert

332
00:17:16,640 --> 00:17:19,880
maybe the begs need a change of scenery, Too and

333
00:17:19,960 --> 00:17:22,000
So robert, says, yeah let me see IF i can

334
00:17:22,039 --> 00:17:25,319
get them Over. Miami they bring Back, Robin robin's with,

335
00:17:25,400 --> 00:17:28,200
Them maury's is with, Them berries with them all. Together

336
00:17:28,240 --> 00:17:31,720
we're going to record this album In miami called Main,

337
00:17:31,839 --> 00:17:35,319
course which has another song you might have heard of Called.

338
00:17:35,319 --> 00:17:38,720
Speaker 3: Dove talking The falsetto's.

339
00:17:38,799 --> 00:17:44,680
Speaker 1: Back, yeah so that is How Eric clapton resurrected The beg's.

340
00:17:44,720 --> 00:17:48,279
Speaker 3: Career thank You Eric clapton for saving The beg's and

341
00:17:48,359 --> 00:17:51,279
giving this this fantastic album we're going to talk about.

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00:17:51,279 --> 00:17:52,440
Today SO i want.

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00:17:52,319 --> 00:17:55,960
Speaker 1: To talk about a couple of things with main. Course, Okay,

344
00:17:55,960 --> 00:17:59,720
first it has is the first appearance of the logo

345
00:18:00,079 --> 00:18:03,359
that is totally recognizable as The beg's. Logo, now okay

346
00:18:03,359 --> 00:18:05,440
talking about? It, YEAH i, do, Okay, Yeah so do

347
00:18:05,480 --> 00:18:07,440
you know who the album the artist was for that?

348
00:18:07,480 --> 00:18:10,240
Album you, know a young guy who had been doing

349
00:18:10,319 --> 00:18:13,240
some other albums but hadn't really hit his major success

350
00:18:13,319 --> 00:18:18,839
yet Named Drew Strewsann get the heck out of. Here

351
00:18:19,039 --> 00:18:20,640
that was the one that blew my mind just a second.

352
00:18:20,680 --> 00:18:22,559
AGO i was, like, oh that's a great.

353
00:18:22,640 --> 00:18:27,000
Speaker 3: NUGGET i Am, drews Drews end's biggest frigging. Fan my

354
00:18:27,119 --> 00:18:29,440
son did a report On Drew streusan and at.

355
00:18:29,480 --> 00:18:32,079
Speaker 1: School that's. Fantastic every movie poster.

356
00:18:32,000 --> 00:18:35,359
Speaker 3: You've ever seen from the, eighties, yeah was done By Drew, Cruzza.

357
00:18:35,119 --> 00:18:38,039
Speaker 1: Indiana, jones Shash, Ank, redemption you name, it and it's

358
00:18:38,079 --> 00:18:40,799
got an amazing. Poster he's the guy that was the.

359
00:18:40,920 --> 00:18:41,200
Speaker 5: Artist.

360
00:18:41,319 --> 00:18:46,240
Speaker 1: Wow so main, course another big important thing that happened

361
00:18:46,359 --> 00:18:49,200
Was Robert stigwood, Said, hey, GUYS i don't think that

362
00:18:49,240 --> 00:18:51,160
you should keep doing these ballads that you've been doing

363
00:18:51,160 --> 00:18:53,400
for the last four years and failing at how about

364
00:18:53,480 --> 00:18:54,079
we try some.

365
00:18:54,240 --> 00:18:59,319
Speaker 3: Disco thank, You Robert. Stigwood let's try. Disco so that

366
00:18:59,440 --> 00:18:59,839
was seventy.

367
00:18:59,880 --> 00:19:04,319
Speaker 1: Five also in nineteen seventy, five A tv series comes,

368
00:19:04,319 --> 00:19:06,839
out has that young actor that we mentioned. BEFORE tv

369
00:19:06,960 --> 00:19:13,359
series Named Welcome Back. Copper Welcome, Back your dreams were your.

370
00:19:13,599 --> 00:19:16,359
Ticket welcome.

371
00:19:16,559 --> 00:19:19,960
Speaker 3: Back the stars are aligning right. HERE i can see it.

372
00:19:20,000 --> 00:19:25,799
Speaker 1: Happening got. There also in nineteen seventy. Six the next,

373
00:19:25,920 --> 00:19:30,160
Year Robert stigwood buys the rights to an article called

374
00:19:30,200 --> 00:19:33,559
The Tribal rights of The New Saturday. Night he also

375
00:19:33,640 --> 00:19:37,160
in nineteen seventy six signs that young man who had

376
00:19:37,200 --> 00:19:40,440
auditioned for him In Jesus Christ superstar to a one

377
00:19:40,519 --> 00:19:44,480
million dollar three picture deal starting With saturday Nine.

378
00:19:44,519 --> 00:19:52,400
Speaker 5: Feet that's.

379
00:19:52,480 --> 00:19:53,079
Speaker 3: Fantastic.

380
00:19:53,160 --> 00:19:55,119
Speaker 1: Thanks NOW i think we can jump into the album

381
00:19:55,160 --> 00:19:55,519
track by.

382
00:19:55,559 --> 00:19:57,640
Speaker 3: Track oh my, GOSH i mean to get us to this.

383
00:19:57,759 --> 00:20:00,680
Point you've already blown my mind five, Times so let's

384
00:20:00,680 --> 00:20:03,720
talk about the album really. Exactly, Okay, yeah So Saturday Night.

385
00:20:03,799 --> 00:20:07,559
Fever the album was released In november of nineteen seventy.

386
00:20:07,599 --> 00:20:10,240
Seven like we, said this is the second biggest selling

387
00:20:10,319 --> 00:20:13,759
soundtrack of all, time Behind The bodyguard By Whitney. Houston

388
00:20:13,880 --> 00:20:17,240
this album stayed on the charts From november of nineteen

389
00:20:17,319 --> 00:20:22,039
seventy seven Until march of nineteen. Eighty holy, cow three

390
00:20:22,160 --> 00:20:22,839
years on the.

391
00:20:22,960 --> 00:20:25,599
Speaker 1: Charts CAN i tell you something that happened in nineteen? Eighty? Also?

392
00:20:25,720 --> 00:20:29,759
Sure in nineteen, eighty The begs realized That Robert stigwood

393
00:20:29,839 --> 00:20:34,160
had very slyly and carefully taken over the rights to

394
00:20:34,319 --> 00:20:37,240
all of their. Copyrights they no longer had rights in

395
00:20:37,319 --> 00:20:40,440
any of their, songs so they had to say goodbye

396
00:20:40,480 --> 00:20:44,039
Mister stigwood And Sue rso to get the rights to

397
00:20:44,079 --> 00:20:47,079
their songs, back which they. Won. Wow probably soured the,

398
00:20:47,079 --> 00:20:48,440
relationship just AS i would.

399
00:20:48,480 --> 00:20:51,680
Speaker 3: Say. So, yes this album was number one for twenty

400
00:20:51,720 --> 00:20:54,759
four straight. Weeks to say this is the thriller of

401
00:20:54,799 --> 00:20:59,079
the seventies is not. Hyperbole this was a humongous pop

402
00:20:59,079 --> 00:21:03,720
culture nuclear of the. Seventies the only people to outsell The.

403
00:21:03,759 --> 00:21:06,400
Begees listen to this. List, okay this is all. Time,

404
00:21:06,559 --> 00:21:11,400
Yay Elvis, okay The beatles, Yeah Michael, Jackson, Yeah Garth

405
00:21:11,440 --> 00:21:14,880
brooks uh, huh And paul. McCartney. Wow that's the. List,

406
00:21:15,400 --> 00:21:17,880
wow that's the list of people who have out sold The.

407
00:21:17,920 --> 00:21:21,920
Speaker 1: Begs they were a wrecking. Ball they were amazing and

408
00:21:22,279 --> 00:21:26,200
so well regarded because of their association with disco and

409
00:21:26,240 --> 00:21:29,480
probably their teeth a little. Bit they were a punching

410
00:21:29,559 --> 00:21:31,359
bag for a whole lot of. FOLKS i told. You

411
00:21:31,559 --> 00:21:34,519
once nineteen eighty came, around they stopped doing so much

412
00:21:34,559 --> 00:21:36,720
of their own songs and did more writing for other,

413
00:21:36,759 --> 00:21:40,279
folks Including Kenny rodgers And Dolly. Parton islands in The,

414
00:21:40,279 --> 00:21:43,440
stream that's. Fantastic you sent me A Selene dion song.

415
00:21:43,480 --> 00:21:43,720
Speaker 2: Though oh.

416
00:21:43,839 --> 00:21:46,400
Speaker 1: Yeah they're the ones who Wrote, immortality which you will

417
00:21:46,400 --> 00:21:48,920
know from The Selene dion version that came out in

418
00:21:49,000 --> 00:21:51,400
nineteen ninety. EIGHT i, mean they're all over the. Place

419
00:21:51,480 --> 00:21:54,759
their catalog is, huge just as. Songwriters so listen to.

420
00:21:54,759 --> 00:21:58,319
Speaker 3: This The begs did not even get involved In Saturday

421
00:21:58,359 --> 00:22:01,240
Night fever until the movie was in post. Production. Wow

422
00:22:01,440 --> 00:22:03,839
they were working on their next. Album they were In,

423
00:22:03,960 --> 00:22:06,559
France melissa ingill try to help me with my friends

424
00:22:06,559 --> 00:22:09,559
pronunciation of. This, okay thank, You. Melissa i'm still gonna,

425
00:22:09,559 --> 00:22:11,880
stink but here we. Go. Okay they were at the

426
00:22:12,000 --> 00:22:15,400
chateau they Are. Aville Elton john called this The Funky. Chateau,

427
00:22:16,039 --> 00:22:19,079
okay he named his album in nineteen seventy four after this.

428
00:22:19,119 --> 00:22:21,400
Place it's a recording studio In. France that's where they,

429
00:22:21,440 --> 00:22:24,640
were And Robert stigwood calls them and, says, Hey i'm

430
00:22:24,680 --> 00:22:27,480
doing this. Movie can you guys send me some? Songs

431
00:22:27,599 --> 00:22:31,279
And Robin gibbs, says we don't have. Time we can't do, it.

432
00:22:31,359 --> 00:22:33,799
Speaker 1: Dude, sorry we're. Booked we're working.

433
00:22:33,440 --> 00:22:35,720
Speaker 3: On a new. Album uh huh, okay and so he's,

434
00:22:35,759 --> 00:22:37,880
like oh, NO i really need you guys TO i

435
00:22:37,920 --> 00:22:40,559
really think this is change your life type of. Material

436
00:22:40,960 --> 00:22:43,359
you guys have gotta do. This and so basically they

437
00:22:43,599 --> 00:22:47,839
sacrificed that album and it morphed into The Saturday Night fever.

438
00:22:48,000 --> 00:22:51,079
Speaker 1: Soundtrack. Fantastic it's crazy to think that they did the

439
00:22:51,119 --> 00:22:53,799
whole movie without these. Songs, OH i.

440
00:22:53,759 --> 00:22:56,000
Speaker 3: Know we talked about how Bos skags is Low down

441
00:22:56,119 --> 00:22:58,240
was supposed to be in. There, yeah and they tried

442
00:22:58,240 --> 00:22:59,759
to get the rights for that and they, said, no

443
00:23:00,359 --> 00:23:00,839
five million.

444
00:23:00,880 --> 00:23:04,039
Speaker 1: Bucks, Yeah travolta is dancing To Boss gagged And Stevie.

445
00:23:04,039 --> 00:23:06,759
Speaker 3: Wonder, Okay SO i mentioned That Robert stig would call

446
00:23:06,839 --> 00:23:10,359
these guys And Robin gibbs, said we don't have. Time

447
00:23:10,559 --> 00:23:12,319
so one of the things he, Says number, one we

448
00:23:12,359 --> 00:23:14,880
don't have. Time number, two we're working on this other album.

449
00:23:14,960 --> 00:23:17,720
Already number, three we don't even know what this movie is. About,

450
00:23:17,720 --> 00:23:19,680
Well Robert stigg was, like, well here's the. Dell, okay

451
00:23:19,680 --> 00:23:22,359
it's about this guy who sells paint and he's a great,

452
00:23:22,440 --> 00:23:27,519
dancer like he dances on the. Weekends, Right, yeah this

453
00:23:27,559 --> 00:23:30,640
is what blows my. Mind, okay this is what they're dealing,

454
00:23:30,720 --> 00:23:33,720
with right, Right he's a paint salesman who's a great

455
00:23:33,799 --> 00:23:36,240
dancer on the, weekends and you come up with How

456
00:23:36,279 --> 00:23:39,480
deep Is Your love And Night fever And Staying alive

457
00:23:39,759 --> 00:23:40,720
as a response to.

458
00:23:40,799 --> 00:23:42,920
Speaker 1: That, yeah it just speaks.

459
00:23:42,599 --> 00:23:45,279
Speaker 3: To their genius right. There listen to. This they wrote these,

460
00:23:45,319 --> 00:23:49,480
songs those five right, there virtually in one. Weekend they

461
00:23:49,480 --> 00:23:52,920
wrote the first five songs on The Saturday Night fever. Soundtrack,

462
00:23:53,119 --> 00:23:56,319
Wow Robert stigwood calls. Them they're at The Funky. Chateau

463
00:23:56,599 --> 00:23:58,400
so they're, like, okay you, know we'll work on some.

464
00:23:58,440 --> 00:24:01,200
Stuff so they spent a. Weekend digwood and his music

465
00:24:01,240 --> 00:24:05,400
Supervisor Bill oaks arrived to listen to the. Demos Bill,

466
00:24:05,480 --> 00:24:07,359
oaks by the, way just put a pin in his.

467
00:24:07,440 --> 00:24:10,640
Name they showed, up they played the demos for. Him

468
00:24:10,720 --> 00:24:12,680
they flipped out and, said these are, great could you

469
00:24:12,680 --> 00:24:16,000
make them a little more. Discoe this is one of

470
00:24:16,039 --> 00:24:19,200
the most profitable albums of all. Time it was a

471
00:24:19,240 --> 00:24:22,400
double album that had several songs that were just orchestral

472
00:24:22,440 --> 00:24:27,759
filling coupled with old hits and cheap. Stuff okay and

473
00:24:27,839 --> 00:24:31,039
The beg's one of the most profitable albums of all.

474
00:24:31,119 --> 00:24:33,359
Time Robert, Stigwood he's no dummy.

475
00:24:33,799 --> 00:24:36,519
Speaker 1: Now he is a savvy business also shady.

476
00:24:36,519 --> 00:24:38,799
Speaker 3: Though all, right are we ready to dive in track by?

477
00:24:38,839 --> 00:24:41,319
Speaker 1: Track how about we save the best for.

478
00:24:41,400 --> 00:24:44,759
Speaker 3: First this song is called Staying.

479
00:24:44,880 --> 00:25:06,559
Speaker 6: Alive you're not streutting in your seat right, now there's

480
00:25:06,680 --> 00:25:07,480
something wrong with.

481
00:25:07,559 --> 00:25:11,640
Speaker 1: You this is the song of The. Beaches you Say beg's,

482
00:25:11,680 --> 00:25:14,359
SONG i, say stay in live like it's the. Song

483
00:25:14,480 --> 00:25:18,599
it is representative of. Them it's representative of the, Movie

484
00:25:18,680 --> 00:25:21,480
it is representative of the disco era as a. Whole

485
00:25:22,039 --> 00:25:25,119
it is the pinnacle, peak the top song of all

486
00:25:25,160 --> 00:25:27,559
three of those. CATEGORIES i agree with. YOU i would

487
00:25:27,559 --> 00:25:28,000
go a step.

488
00:25:28,039 --> 00:25:30,200
Speaker 3: Further, YEAH i would say this is one of the

489
00:25:30,200 --> 00:25:31,720
most recognizable songs of the.

490
00:25:31,799 --> 00:25:46,000
Speaker 1: Seventies, absolutely like.

491
00:25:46,000 --> 00:25:49,240
Speaker 3: It is the decade in one three minute or four minute.

492
00:25:49,279 --> 00:25:50,319
Speaker 1: Song, yeah for.

493
00:25:50,359 --> 00:25:54,359
Speaker 3: Sure so this song was originally Called Saturday, night. Right

494
00:25:54,440 --> 00:25:57,240
Robert stigwood wanted a song Called Saturday night because the

495
00:25:57,279 --> 00:26:01,079
original working title for the movie Was Saturday night makes, sense, Right,

496
00:26:01,240 --> 00:26:03,200
Yeah and so they took this song and they kind

497
00:26:03,200 --> 00:26:05,839
of squeezed it and Worked Saturday night in, there uh.

498
00:26:05,880 --> 00:26:07,839
Huh and you can kind of hear how that would work,

499
00:26:07,880 --> 00:26:10,680
Right Saturday, Night Saturday, night, Right and they, thought, nah

500
00:26:10,880 --> 00:26:13,359
it just doesn't sound, right and so they changed it

501
00:26:13,400 --> 00:26:14,240
To Staying.

502
00:26:14,240 --> 00:26:18,160
Speaker 1: Alive Staying. Alive it's kind of. Interesting so the song

503
00:26:18,279 --> 00:26:20,880
is about surviving in the streets Of New. YORK i,

504
00:26:20,880 --> 00:26:23,160
mean if you look at the, lyrics you, know away

505
00:26:23,160 --> 00:26:25,880
from this fantastic groovy, beat you've got a song that's

506
00:26:25,960 --> 00:26:28,599
kind of dirty and mean and rough and, tough and

507
00:26:28,680 --> 00:26:50,160
you are a survivor like staying alive means you've survived

508
00:26:50,240 --> 00:26:52,920
this difficult ordeal of living on the streets Of New.

509
00:26:53,000 --> 00:26:55,480
York you, know they're In. France from THE, uk they're In.

510
00:26:55,519 --> 00:26:59,559
France it came From Robin Gibbs Concord, Ticket, LIKE i

511
00:26:59,599 --> 00:27:01,440
guess there was some talk in there about you, know

512
00:27:01,480 --> 00:27:03,400
what's going to happen if there's a plane crash and

513
00:27:03,480 --> 00:27:06,279
the difficulty of survival there and that what kind of inspire.

514
00:27:06,359 --> 00:27:08,039
Him but it became instead of you, know a plane,

515
00:27:08,079 --> 00:27:09,640
crash it became the streets Of New York.

516
00:27:09,680 --> 00:27:09,960
Speaker 5: City.

517
00:27:10,279 --> 00:27:11,319
Speaker 1: Wow, YEAH i.

518
00:27:11,240 --> 00:27:13,799
Speaker 3: Heard Robin gibb talk about. It he said they're desperate. Words,

519
00:27:13,920 --> 00:27:16,680
yeah he, said they're. Desperate songs make great.

520
00:27:16,759 --> 00:27:19,920
Speaker 1: Songs. YEAH i, mean if you've got a song about

521
00:27:20,039 --> 00:27:21,880
going out on A saturday, night it's going to be.

522
00:27:21,920 --> 00:27:24,200
Forgot if you've got a, song, right if you've got

523
00:27:24,200 --> 00:27:28,359
a song about fighting the most difficult life imaginable and

524
00:27:28,440 --> 00:27:31,119
coming out a, winner that's something that people will attach

525
00:27:31,160 --> 00:27:32,799
to and just give it a groovy.

526
00:27:32,839 --> 00:27:33,079
Speaker 7: Beat.

527
00:27:33,519 --> 00:27:38,279
Speaker 3: Absolutely when fans saw this, movie, yeah the opening, credits opening,

528
00:27:38,319 --> 00:27:41,240
credits it's Johns revolta's. Feet he's walking, around he's strut

529
00:27:41,240 --> 00:27:43,240
and they've got that camera on the dolly and it's just.

530
00:27:43,119 --> 00:27:44,559
Speaker 1: His, feet the invention of the steady.

531
00:27:44,559 --> 00:27:49,359
Speaker 3: Camp, yes fans flooded radio stations to request them played this.

532
00:27:49,480 --> 00:27:51,720
Song this was the second. Single it wasn't the lead,

533
00:27:51,759 --> 00:27:55,680
single And Robert stigwood kind of played his cards. WISELY

534
00:27:55,799 --> 00:27:58,160
i think he didn't want to come out with one

535
00:27:58,240 --> 00:28:00,480
and it fail and the movie flop and that's.

536
00:28:00,519 --> 00:28:02,880
Speaker 1: It you don't blow your load on the first song.

537
00:28:03,400 --> 00:28:08,839
Speaker 3: Exactly but people, responded. Right, yeah this song hit number

538
00:28:08,880 --> 00:28:10,559
One february, fourth nineteen seventy.

539
00:28:10,599 --> 00:28:13,319
Speaker 1: Eight it was second number one. Hit it is the

540
00:28:13,359 --> 00:28:14,640
second number, one second number one.

541
00:28:14,680 --> 00:28:16,799
Speaker 3: Hit just hear those, words number one.

542
00:28:16,839 --> 00:28:17,960
Speaker 1: Hit, okay put up in in.

543
00:28:18,039 --> 00:28:21,400
Speaker 3: That. Yeah it was not originally scheduled for, release but

544
00:28:21,519 --> 00:28:23,279
fans demanded it to be.

545
00:28:23,359 --> 00:28:24,119
Speaker 1: Released you know.

546
00:28:24,119 --> 00:28:25,839
Speaker 3: What it was knocked out of the number one spot

547
00:28:25,880 --> 00:28:28,920
by no Mister Andy gibb with a song Called Love

548
00:28:29,000 --> 00:28:29,559
Is thicker than The.

549
00:28:29,599 --> 00:28:32,680
Speaker 1: Water So andy is the younger, brother like he was

550
00:28:32,799 --> 00:28:35,440
much younger than the rest of the, boys like ten

551
00:28:35,519 --> 00:28:39,119
years or. Something, yeah and he had a big career

552
00:28:39,119 --> 00:28:41,880
of his. Own was also managed By Robert. Stigwood ended

553
00:28:41,960 --> 00:28:44,960
up dying like thirty years Old, yeah DRUGS i.

554
00:28:44,960 --> 00:28:48,559
Speaker 3: Think, yeah this song blocked just The way You are

555
00:28:48,880 --> 00:28:52,240
By Billy joel And We are The Championspike. Queen oh,

556
00:28:52,279 --> 00:28:53,759
wow it kept them out of the.

557
00:28:53,759 --> 00:28:56,839
Speaker 1: Times talk about being a big. Hitter, yeah this song

558
00:28:57,000 --> 00:28:58,960
Kept We are The champions out of the number one.

559
00:28:58,960 --> 00:29:03,440
Speaker 3: Spot, yes. Amazing last thing on This this uses the

560
00:29:03,519 --> 00:29:05,599
same Drum loube From More than A.

561
00:29:05,599 --> 00:29:09,359
Speaker 1: Woman, OKAY i can see. That it's a drum beat that.

562
00:29:09,640 --> 00:29:10,599
Works it won't.

563
00:29:10,640 --> 00:29:13,200
Speaker 3: Stop this is the disco. Song this is the pinnacle

564
00:29:13,279 --> 00:29:15,079
of disco. SONGS i mean four on.

565
00:29:15,000 --> 00:29:16,200
Speaker 1: The, Floor baby on the.

566
00:29:16,240 --> 00:29:18,279
Speaker 3: Floor, Okay i've got to mention something real.

567
00:29:18,319 --> 00:29:18,559
Speaker 1: Quick.

568
00:29:18,559 --> 00:29:21,559
Speaker 3: Okay we talked a little, bit just briefly last week

569
00:29:21,640 --> 00:29:25,880
about the sequel To Saturday Night, fever a movie Called Staying.

570
00:29:25,920 --> 00:29:28,359
Alive it got its name from this. Song, Okay, yes

571
00:29:28,960 --> 00:29:32,319
it Starts Miss Cynthia. Rhodes, yeah From Dirty, Dancing, yes

572
00:29:32,359 --> 00:29:35,240
and from The Toto rosanna. Video from The rosanna. Video

573
00:29:35,799 --> 00:29:38,720
she met her future Husband Richard marx on the set

574
00:29:38,759 --> 00:29:41,160
of that movie because he was writing music for that.

575
00:29:41,240 --> 00:29:44,079
Speaker 1: Movie and. FANTASTIC i love how it all comes full.

576
00:29:44,119 --> 00:29:46,960
Speaker 3: Circle, OKAY i got one more. THING i got it talked. About,

577
00:29:47,119 --> 00:29:53,079
okay in episode Three yes by, us we Covered airplane And.

578
00:29:53,119 --> 00:29:57,640
Speaker 1: Spaceballs i'm so glad you said. This i'm like looking

579
00:29:57,680 --> 00:29:59,359
it up right, Now i'm, like ok when did We

580
00:29:59,480 --> 00:30:01,519
when do we come with? This so our dear Friend

581
00:30:01,559 --> 00:30:04,559
John holland just texted us right before we started, Recording

582
00:30:04,759 --> 00:30:07,680
john and he, said the traffic is, horrible but you

583
00:30:07,759 --> 00:30:09,759
guys are keeping me sane and send us a picture

584
00:30:09,839 --> 00:30:12,640
of his console where it shows him listening to the

585
00:30:12,720 --> 00:30:16,319
Space Balls Versus airplane, episode which was our second series of.

586
00:30:16,359 --> 00:30:20,640
Episodes but you bring that up obviously Because, angie, right

587
00:30:20,680 --> 00:30:25,119
she's In Saturday Night. Fever, no because staying. Alive this

588
00:30:25,200 --> 00:30:29,200
song is played in the boy Meets girl scene of

589
00:30:29,480 --> 00:30:29,839
the Movie.

590
00:30:29,880 --> 00:30:32,599
Speaker 3: Airplane, yes when he laying is dancing and the guy

591
00:30:32,599 --> 00:30:35,319
gets stabbed in the back and he's pointing to the

592
00:30:35,400 --> 00:30:37,799
knife in his back and she thinks he's making disco

593
00:30:37,880 --> 00:30:41,039
moves all that whole scene and the music is sped

594
00:30:41,119 --> 00:30:41,559
up ten.

595
00:30:41,640 --> 00:30:43,319
Speaker 1: Percent, yes so you listen to.

596
00:30:43,359 --> 00:30:45,559
Speaker 3: It it's past extra falsetto right.

597
00:30:45,599 --> 00:30:49,599
Speaker 1: There. Yes and, interestingly in the Movie John travolta never

598
00:30:49,640 --> 00:30:51,839
does the. Point the point came about when they were

599
00:30:51,839 --> 00:30:54,359
doing the photo shoot for the. Album he never did

600
00:30:54,359 --> 00:30:57,440
the point in the, movie but In Airplane Robert hayes

601
00:30:57,640 --> 00:30:58,480
does the point.

602
00:30:58,319 --> 00:31:01,279
Speaker 3: Absolutely with the ricochet out effects when he does. It

603
00:31:03,440 --> 00:31:06,680
the song one A grammy For Best arrangement For.

604
00:31:06,839 --> 00:31:08,319
Speaker 1: Voices do you Watch The? Office?

605
00:31:08,519 --> 00:31:11,319
Speaker 3: Yes did you watch that episode where they were doing

606
00:31:11,359 --> 00:31:13,240
THE cpr to stand.

607
00:31:13,079 --> 00:31:17,559
Speaker 1: Alivee cuts the face? Mask? Yes, yeah it's ingrained in pop. Culture,

608
00:31:17,720 --> 00:31:22,000
yeah it is. Iconic it is a, Juggernaut.

609
00:31:21,640 --> 00:31:24,440
Speaker 3: Yes it is all. Right the second song is a

610
00:31:24,440 --> 00:31:26,200
song called How deep Is Your?

611
00:31:26,200 --> 00:31:46,440
Speaker 8: Love Have You Touched?

612
00:31:46,480 --> 00:31:48,000
Speaker 6: Me in the Bond.

613
00:31:49,319 --> 00:31:53,000
Speaker 1: The song is, beautiful, beautiful even in the. FALSETTO i,

614
00:31:53,039 --> 00:31:55,160
mean if you're gonna do the, falsetto these are the

615
00:31:55,160 --> 00:31:57,559
guys that mastered, it for, sure you know he he.

616
00:31:57,480 --> 00:32:00,000
Speaker 3: Doesn't lean on the falsetto as much in this. Song,

617
00:32:00,160 --> 00:32:01,640
no it's mostly his normal.

618
00:32:01,720 --> 00:32:05,359
Speaker 1: Voice, well the falsetto came about because he said he

619
00:32:05,440 --> 00:32:09,119
was partly inspired by The Beach. Boys it's for, you Def, Dave,

620
00:32:09,680 --> 00:32:13,200
dave and he did it a little bit in sixty.

621
00:32:13,240 --> 00:32:15,880
Seven but then when they started recording these albums in the,

622
00:32:15,880 --> 00:32:17,799
seventies they were doing the disco. Stuff somebody was, like

623
00:32:17,839 --> 00:32:20,960
handing somebody who could scream the, lyric Like paul. McCartney he's, like,

624
00:32:20,960 --> 00:32:22,480
WELL i don't even, scream BUT i could do a.

625
00:32:22,559 --> 00:32:24,720
Falsetto and he was the only one to volunteer to do.

626
00:32:24,759 --> 00:32:26,559
It but, man he nailed. It Very.

627
00:32:26,559 --> 00:32:28,000
Speaker 3: Gibson his falsetto was.

628
00:32:28,079 --> 00:32:30,000
Speaker 1: Hiding he didn't even know it.

629
00:32:30,039 --> 00:32:33,319
Speaker 3: Existed. Yeah that sound became the sound of the disco.

630
00:32:33,359 --> 00:32:33,559
Speaker 9: Era.

631
00:32:33,759 --> 00:32:37,000
Speaker 3: Yeah so this song listen to This okay hit number

632
00:32:37,000 --> 00:32:40,200
one shocker On Christmas eve nineteen seventy. Seven this was

633
00:32:40,240 --> 00:32:40,880
the first single.

634
00:32:40,920 --> 00:32:41,319
Speaker 1: Released.

635
00:32:41,400 --> 00:32:43,799
Speaker 3: Yep this Is Barry gibbs's FAVORITE beg.

636
00:32:44,039 --> 00:32:45,839
Speaker 1: Song here's the number one.

637
00:32:45,920 --> 00:32:49,200
Speaker 3: Song, OKAY i got something a little more for. You,

638
00:32:49,240 --> 00:32:52,559
okay this knocked you Light up My life out of

639
00:32:52,599 --> 00:32:59,400
the top. Spot mahala, Yes Debbie, boone, Yep so How

640
00:32:59,400 --> 00:33:03,160
deep Is? Your spent seventeen weeks in the top. Ten,

641
00:33:03,559 --> 00:33:04,640
okay The billboard top.

642
00:33:04,640 --> 00:33:15,880
Speaker 1: Ten that's. Incredible it was.

643
00:33:15,920 --> 00:33:20,160
Speaker 3: Bested by A boys To men's. Song can you name that?

644
00:33:20,240 --> 00:33:23,920
Speaker 1: SONG i would like to, try but, NO i don't

645
00:33:23,920 --> 00:33:24,640
have a clear.

646
00:33:29,039 --> 00:33:29,440
Speaker 5: Of.

647
00:33:29,599 --> 00:33:35,160
Speaker 3: THEM i can go that's.

648
00:33:35,240 --> 00:33:38,720
Speaker 1: It spent nineteen long to, Me i've be.

649
00:33:38,759 --> 00:33:39,000
Speaker 8: Long.

650
00:33:40,559 --> 00:33:41,720
Speaker 1: SORRY i GUESS i could have named.

651
00:33:41,720 --> 00:33:43,160
Speaker 3: Ith, YEAH i guess so, right.

652
00:33:45,119 --> 00:33:47,359
Speaker 1: Hard to reach back that. FAR i have a funny

653
00:33:47,359 --> 00:33:48,640
story about the creation of this.

654
00:33:48,720 --> 00:33:52,160
Speaker 3: Song, okay, Yeah so one, morning one of the guys

655
00:33:52,160 --> 00:33:54,640
in the, band his name Is Blue, Weaver, okay. Right

656
00:33:54,759 --> 00:33:56,960
he's actually a piano player who was In Mata.

657
00:33:57,000 --> 00:34:00,799
Speaker 1: Hooper he's a big session, musician played For time, band, Right.

658
00:34:01,039 --> 00:34:03,720
Speaker 3: Okay so it's just him And barry in the studio one,

659
00:34:03,799 --> 00:34:07,960
day and So barry, says, hey play the most beautiful

660
00:34:08,039 --> 00:34:10,920
chord that you. Know and so he's, like, okay well

661
00:34:10,920 --> 00:34:13,599
how about, This and he's, Like, okay that's. Good that's.

662
00:34:13,599 --> 00:34:16,480
Good now play the next most beautiful chords you. Know

663
00:34:17,039 --> 00:34:19,079
and then he would play, it and then they would

664
00:34:19,119 --> 00:34:21,519
slowly just kind of be, Like, okay that's a good. One, okay,

665
00:34:21,559 --> 00:34:23,880
no and play something, Different, Okay, okay that's a great

666
00:34:23,880 --> 00:34:25,960
one right. There and so little by little they kind

667
00:34:25,960 --> 00:34:29,480
of built this chord. Progression and so that Night blue

668
00:34:29,559 --> 00:34:32,880
got tired or drank too much or, whatever went to,

669
00:34:32,960 --> 00:34:36,320
sleep and when he woke up they had recorded a. Demo,

670
00:34:41,480 --> 00:34:44,480
wow he had fallen asleep when he went to, bed

671
00:34:44,559 --> 00:34:45,519
they recorded the.

672
00:34:45,559 --> 00:34:49,239
Speaker 1: Demo it's, interesting LIKE i listen to these, guys they

673
00:34:49,280 --> 00:34:53,760
were not The Mutt lang school of. Recording they basically

674
00:34:54,039 --> 00:34:55,960
got it the first, Take like they wrote the lyrics

675
00:34:55,960 --> 00:34:58,239
the day they were going to, record so they they

676
00:34:58,440 --> 00:35:01,079
put together the music in a short amount time than

677
00:35:01,079 --> 00:35:03,000
when they knew it was recording. Date they would write

678
00:35:03,000 --> 00:35:06,480
the lyrics and then they would record in just a few,

679
00:35:06,519 --> 00:35:11,199
sessions like very short span of. Time and they released

680
00:35:11,239 --> 00:35:13,360
like when they were first started, recording released like three

681
00:35:13,360 --> 00:35:14,960
albums a. Year, wow that's.

682
00:35:15,039 --> 00:35:18,559
Speaker 3: Amazing, YEAH i did hear. That Barry gibbs, said melody was, First,

683
00:35:18,800 --> 00:35:20,639
yep you get a great, melody then you build the

684
00:35:20,719 --> 00:35:22,880
verses from, there and that's why all these songs are so.

685
00:35:23,039 --> 00:35:23,599
Speaker 1: Melodious.

686
00:35:24,280 --> 00:35:34,280
Speaker 10: MELODIOUS yep actually talked about Having Yvonne elleman record this,

687
00:35:34,320 --> 00:35:36,440
one But stigwood.

688
00:35:35,920 --> 00:35:39,599
Speaker 1: Said, no this is too. Good you've got to not

689
00:35:39,639 --> 00:35:40,239
get it too somebody.

690
00:35:40,239 --> 00:35:42,639
Speaker 3: Else and he was, right he was. RIGHT i absolutely

691
00:35:42,719 --> 00:35:45,440
love this. One another number one hit that's two for.

692
00:35:45,519 --> 00:35:48,000
Speaker 1: Two, yeah and you've got this. GREAT i, mean the

693
00:35:48,079 --> 00:35:51,679
dynamics of an album are very, important and you got

694
00:35:51,679 --> 00:35:54,679
this disco. Album you might think boom dance, song boom dance,

695
00:35:54,679 --> 00:35:56,239
song but they don't do. That they go boom dance,

696
00:35:56,280 --> 00:35:59,039
song and then they, go, nice, slow sweet. Song how

697
00:35:59,079 --> 00:36:00,320
about we bring in another disco.

698
00:36:00,400 --> 00:36:03,719
Speaker 3: Song let's let's, go let's disco it. Out song number.

699
00:36:03,719 --> 00:36:04,880
Three this song is called Night.

700
00:36:04,920 --> 00:36:33,480
Speaker 1: Fever, okay so that the nice wounch chink.

701
00:36:33,599 --> 00:36:34,519
Speaker 3: CHINK i love.

702
00:36:34,559 --> 00:36:37,559
Speaker 1: That it is so. Disco it is so definitively. Disco

703
00:36:37,639 --> 00:36:40,400
it's got the kind of wah phaser effect on the,

704
00:36:40,400 --> 00:36:45,159
guitar on the muted. Strings and then they bust. IN i,

705
00:36:45,199 --> 00:36:47,039
mean not a great.

706
00:36:47,079 --> 00:36:50,480
Speaker 3: One this is disco e. Man this is where the

707
00:36:50,519 --> 00:36:51,039
title of.

708
00:36:51,000 --> 00:37:02,519
Speaker 1: The movie comes. FROM i, know right. Right so the

709
00:37:02,639 --> 00:37:05,960
article that they based the movie on was Called Tribal

710
00:37:06,039 --> 00:37:08,960
rights of The New Saturday. Night so they had This

711
00:37:09,039 --> 00:37:12,159
Saturday night in. Mind but then when they heard this

712
00:37:12,239 --> 00:37:15,159
song Night, fever they were, like, oh that's. It we're

713
00:37:15,159 --> 00:37:19,599
gonna blend these two, Titles Saturday Night Night Fever Saturday Night.

714
00:37:19,760 --> 00:37:21,239
Fever you, know it's. FUNNY i was talking to my.

715
00:37:21,280 --> 00:37:23,280
Speaker 3: WIFE i kept talking to her, about, hey we're comparing

716
00:37:23,320 --> 00:37:26,519
Dirty dancing Versus Saturday Night, fever and she just had

717
00:37:26,559 --> 00:37:28,719
this block in our. Branch she kept Saying Saturday Night,

718
00:37:28,719 --> 00:37:30,599
Live oh, Yeah Saturday Night. Live and some of the

719
00:37:30,639 --> 00:37:33,360
people On facebook have commented that which is their favorite

720
00:37:33,360 --> 00:37:36,159
Movie Saturday Night, live because the.

721
00:37:36,079 --> 00:37:37,760
Speaker 1: Word live comes After Saturday.

722
00:37:37,840 --> 00:37:40,800
Speaker 3: Night. Right this one's got some interesting chart history with. It,

723
00:37:40,840 --> 00:37:44,119
okay to say that The beg's were scorching hot at

724
00:37:44,119 --> 00:37:49,239
this time is an way. Understatement so this song is

725
00:37:49,400 --> 00:37:52,039
another number one, hit third in a, row.

726
00:37:52,039 --> 00:37:55,440
Speaker 1: Third single off the, album third number one. Hit, yes

727
00:37:55,559 --> 00:37:58,119
and now for number, one so listen to.

728
00:37:58,159 --> 00:38:01,400
Speaker 3: This when they dropped this song debuted at number seventy,

729
00:38:01,440 --> 00:38:05,119
six it leaped forty four positions to number thirty, two

730
00:38:06,199 --> 00:38:09,400
then seventeen eighty, five two and. One that is a

731
00:38:09,639 --> 00:38:12,599
tremendously fast climbed to the top, one oh, yeah to

732
00:38:12,639 --> 00:38:15,800
the top. Spot Yeah, Okay now Then i'm gonna throw

733
00:38:15,800 --> 00:38:19,760
this at. You the top five From march, eighteenth nineteen seventy.

734
00:38:19,760 --> 00:38:21,639
EIGHT i don't want to glaze anybody's eyes, over but

735
00:38:21,679 --> 00:38:24,599
this is so amazing it blows me. Away, Okay, Okay march,

736
00:38:24,639 --> 00:38:28,239
eighteenth nineteen seventy. EIGHT yep number five the Song love

737
00:38:28,320 --> 00:38:31,079
Is Thicker Than WATER. Yep that's An Andy gibbs song

738
00:38:31,119 --> 00:38:31,920
written by the GiB.

739
00:38:31,920 --> 00:38:32,280
Speaker 1: Brothers.

740
00:38:32,480 --> 00:38:35,880
Speaker 3: Right number four is Layd Down Sally Eric clapton. Yep

741
00:38:36,039 --> 00:38:39,119
number three is a song Called emotion By Samantha, saying

742
00:38:39,800 --> 00:38:42,679
written by the GiB, Brothers oh My. Gosh number two

743
00:38:42,719 --> 00:38:45,119
Is Staying, Alive oh My, god and number one is Night.

744
00:38:45,119 --> 00:38:46,000
Speaker 1: Fever that is.

745
00:38:46,199 --> 00:38:50,239
Speaker 3: Nuts they had four songs in the top five at

746
00:38:50,239 --> 00:38:50,599
the same.

747
00:38:50,679 --> 00:38:53,400
Speaker 1: TIME i love, it, Okay so you have you heard

748
00:38:53,440 --> 00:38:56,360
of the song called A Summer place came out in the.

749
00:38:56,400 --> 00:39:06,039
Sixties it was by The Percy Faith orchestra On not

750
00:39:06,119 --> 00:39:08,400
a lot of people are gonna know a summer place

751
00:39:08,559 --> 00:39:11,239
when you say the, name but that music is, unmistakable, Right,

752
00:39:11,280 --> 00:39:14,400
Yeah so you Mentioned Blue weaver on last. Song so

753
00:39:14,559 --> 00:39:18,079
he had always had this idea OF i would like

754
00:39:18,119 --> 00:39:21,199
to do kind of a disco version of that song

755
00:39:21,440 --> 00:39:23,920
because that, song like it takes you to a happy, place,

756
00:39:24,000 --> 00:39:26,440
right it just makes you feel. Good and so he,

757
00:39:26,480 --> 00:39:28,760
whils like disco is supposed to make you feel, Good

758
00:39:29,079 --> 00:39:31,400
let's do a disco version of that. Song and so

759
00:39:31,440 --> 00:39:34,400
what he ended up doing was twisting the chords a,

760
00:39:34,400 --> 00:39:37,840
bit and as he was playing, It barry, said what was?

761
00:39:37,840 --> 00:39:40,199
That AND i said a theme FROM A Summer, Place

762
00:39:40,239 --> 00:39:48,639
And barry, said, no it. Wasn't it was New he

763
00:39:48,639 --> 00:39:51,360
heard the. Idea he was playing it on a string

764
00:39:51,400 --> 00:39:55,000
synthesizer And barry sang the riff over, it and that

765
00:39:55,239 --> 00:39:56,800
is how the Night fever was.

766
00:39:56,800 --> 00:39:59,280
Speaker 3: Born, wow that's a great story right. There, Okay i've

767
00:39:59,280 --> 00:40:00,079
got something for you on.

768
00:40:00,159 --> 00:40:00,239
Speaker 1: This.

769
00:40:00,360 --> 00:40:03,280
Speaker 3: Okay have you seen the music video for Night?

770
00:40:03,320 --> 00:40:03,519
Speaker 5: Fever?

771
00:40:03,800 --> 00:40:07,079
Speaker 3: No, okay remember back in Our Guns N' roses, Episode uh,

772
00:40:07,159 --> 00:40:09,480
huh we talked about the music video for a song

773
00:40:09,519 --> 00:40:12,920
Called It's So. Easy it was recorded and not released

774
00:40:13,199 --> 00:40:16,599
and not seen by anybody for like twenty. Years, okay

775
00:40:16,840 --> 00:40:18,039
same thing happened with Night.

776
00:40:18,079 --> 00:40:18,280
Speaker 4: Fever.

777
00:40:18,400 --> 00:40:22,320
Speaker 3: Okay, yeah they shot a video in nineteen seventy. Eight,

778
00:40:22,920 --> 00:40:26,400
okay nobody saw that video until two thousand and.

779
00:40:26,440 --> 00:40:26,679
Speaker 8: Four.

780
00:40:26,920 --> 00:40:30,280
Speaker 3: What, Yeah SO i watched this, video, okay and so

781
00:40:30,639 --> 00:40:34,760
it's it's a seventies disco, video, right brothers are. Singing

782
00:40:34,960 --> 00:40:36,599
but the cool thing is is there's a lot of

783
00:40:36,679 --> 00:40:41,000
video of what they Call Motel row In. Florida but

784
00:40:41,119 --> 00:40:44,079
it looks like you're watching the Movie Diamonds Are. FOREVER i,

785
00:40:44,119 --> 00:40:46,480
mean it's like a moment plucked right out of the.

786
00:40:46,519 --> 00:40:50,719
Seventies it's a really cool little treasure chest of seventies. Stuff,

787
00:40:50,840 --> 00:40:52,840
okay so check it out if you get a. Chance,

788
00:40:52,960 --> 00:40:56,599
Okay Cool Night fever spent eight weeks at number. One

789
00:40:56,679 --> 00:40:58,760
that's more than any other song in nineteen seventy. Eight

790
00:40:59,000 --> 00:41:00,960
they were bliss string hot at.

791
00:41:00,800 --> 00:41:02,880
Speaker 1: This moment or the next song on the album is

792
00:41:03,480 --> 00:41:03,920
More than A.

793
00:41:03,960 --> 00:41:21,559
Speaker 3: Woman so, deed this song was not released as a.

794
00:41:21,599 --> 00:41:25,480
Speaker 1: Single, well The beg's version wasn't released as a, single, right, right, right, Right, okay,

795
00:41:25,599 --> 00:41:29,039
yes but IT'S i, MEAN i know The beg's, version me,

796
00:41:29,079 --> 00:41:32,159
Too but there's another, version but that's a few songs.

797
00:41:32,159 --> 00:41:32,920
Ahead we'll get that.

798
00:41:32,960 --> 00:41:35,559
Speaker 3: One, yeah but it blows me away that this was

799
00:41:35,599 --> 00:41:37,519
never released as a. Single i'm very familiar with this.

800
00:41:37,599 --> 00:41:40,079
SONG i couldn't believe it wasn't another number, one right

801
00:41:40,159 --> 00:41:41,360
it could have, BEEN i, think.

802
00:41:41,199 --> 00:41:43,880
Speaker 1: Yeah, ABSOLUTELY i think it actually might have. Charted it just.

803
00:41:44,079 --> 00:41:45,920
Was it was one of those things where it was

804
00:41:46,000 --> 00:41:47,639
charting even though it was never released as a.

805
00:41:47,679 --> 00:41:50,800
Speaker 3: SINGLE i believe this is the song that When John

806
00:41:50,840 --> 00:41:54,679
travolta And annette are, dancing they danced to this, Song, okay.

807
00:41:54,840 --> 00:42:16,440
Speaker 1: Practicing, okay SO i know this is The beg's. Song,

808
00:42:16,719 --> 00:42:19,159
yeah but this was never released as a single by The.

809
00:42:19,159 --> 00:42:21,440
Speaker 3: Beg's it blows me away that this is not a

810
00:42:21,440 --> 00:42:23,800
single because this is a popular song in ONE i

811
00:42:23,880 --> 00:42:24,760
was very familiar.

812
00:42:24,760 --> 00:42:28,199
Speaker 1: With, Yeah and, now obviously with the album selling like it,

813
00:42:28,480 --> 00:42:31,559
did it still played on the, radio no question about.

814
00:42:31,599 --> 00:42:31,679
Speaker 3: That.

815
00:42:31,920 --> 00:42:33,679
Speaker 1: Right the version that we're going to talk about in

816
00:42:33,679 --> 00:42:36,800
a little bit is really the more chart topping version that.

817
00:42:36,880 --> 00:42:40,920
Speaker 3: Existed that's. True, yeah ALTHOUGH i still believe that if

818
00:42:40,920 --> 00:42:42,920
they had released this, one it's another number one. Hit,

819
00:42:43,079 --> 00:42:44,159
yeah this is a huge.

820
00:42:43,920 --> 00:43:01,760
Speaker 8: Song it, yes.

821
00:43:14,159 --> 00:43:16,840
Speaker 3: Okay so the fifth song on the album is a

822
00:43:16,840 --> 00:43:34,960
song called IF I Can't Have you?

823
00:43:38,559 --> 00:43:41,719
Speaker 1: Okay so this is another song by The. Beg's, yes

824
00:43:41,920 --> 00:43:44,719
it's just not sung by The. Begs, yes this song

825
00:43:44,880 --> 00:43:46,039
was sung By Yvonne.

826
00:43:46,039 --> 00:43:48,719
Speaker 3: Ellman so who in the heck is? That you ask?

827
00:43:48,800 --> 00:43:51,679
Speaker 1: YOURSELF i am asking. You you tell? Me is this?

828
00:43:51,760 --> 00:43:52,639
Speaker 3: LADY i will tell?

829
00:43:52,679 --> 00:43:52,840
Speaker 2: You.

830
00:43:52,960 --> 00:43:57,039
Speaker 3: Okay so she has two connections that got her this

831
00:43:57,159 --> 00:44:00,039
job in my, opinion all, right other than being a

832
00:44:00,079 --> 00:44:03,280
successful singer or, whatever got a nice. Voice she Played

833
00:44:03,320 --> 00:44:08,000
Mary magdalen In Jesus Christ. SUPERSTAR I Love. It that

834
00:44:08,199 --> 00:44:10,360
was produced by our, Man Robert.

835
00:44:10,360 --> 00:44:11,840
Speaker 1: Stickwood you're blowing my mind, man.

836
00:44:11,960 --> 00:44:17,199
Speaker 3: Whoo and she was also married To Bill. Oakes the

837
00:44:17,440 --> 00:44:21,199
r executive that went over to The Funky chateau to

838
00:44:21,199 --> 00:44:21,960
listen to the demo.

839
00:44:22,000 --> 00:44:22,320
Speaker 5: Tapes.

840
00:44:22,519 --> 00:44:25,480
Speaker 3: Nice she's got a great voice and this is a huge. Song,

841
00:44:25,719 --> 00:44:28,360
yeah there are connections that probably got her this, song

842
00:44:28,400 --> 00:44:28,920
if you know What i'm.

843
00:44:28,960 --> 00:44:31,360
Speaker 1: Saying, Sure, Okay so can you tell me about what

844
00:44:31,400 --> 00:44:32,599
happened with her later? Online?

845
00:44:32,679 --> 00:44:36,719
Speaker 3: Yeah so this is. Interesting SO i told you that

846
00:44:36,800 --> 00:44:38,960
this is my earliest favorite.

847
00:44:39,000 --> 00:44:40,519
Speaker 1: Song, yeah, okay that's.

848
00:44:40,599 --> 00:44:43,360
Speaker 3: Right and so WHENEVER i hear this, SONG i always

849
00:44:43,440 --> 00:44:45,519
remember it just kind of bounces around in my. HEAD

850
00:44:45,840 --> 00:44:48,360
i was five years. OLD i was sitting At swinson's

851
00:44:48,400 --> 00:44:49,639
ice cream shop In, Tulsa.

852
00:44:49,639 --> 00:44:53,719
Speaker 1: Oklahoma shout out To, winston's shout out To winston's no longer, There, okay.

853
00:44:53,880 --> 00:44:56,559
Speaker 3: Shocker they played it over the loud. SPEAKER i remember

854
00:44:56,599 --> 00:44:59,320
sitting there eating my ice cream, cone, GOING i really

855
00:44:59,400 --> 00:45:10,960
like this. Song in, fact it's my. Favorite and it

856
00:45:11,000 --> 00:45:13,000
was the time of my life WHEN i knew about three,

857
00:45:13,000 --> 00:45:14,199
songs including.

858
00:45:14,280 --> 00:45:15,920
Speaker 1: Mint chocolate chip is my favorite ice.

859
00:45:15,960 --> 00:45:23,800
Speaker 11: Cream that's my early spiking the football right, there five

860
00:45:23,880 --> 00:45:28,079
year Old Jason colvin fikes in. Football IF i can't have, you.

861
00:45:28,840 --> 00:45:32,400
Speaker 3: That's, it that's. IT i told YOU i HAD i

862
00:45:32,559 --> 00:45:36,480
LIKE i, knew like this song plus Stay, alive plus

863
00:45:36,679 --> 00:45:42,480
the bare, necessities, right but for those bare? Necessities, okay

864
00:45:42,559 --> 00:45:43,119
so listen to.

865
00:45:43,159 --> 00:45:45,800
Speaker 1: This So i'm i gotta know what happened with the

866
00:45:45,880 --> 00:45:49,880
lady who sang your First, spike the football favorite.

867
00:45:49,920 --> 00:45:55,199
Speaker 3: Song, Okay, Okay Miss Evonne elleman nineteen seventy eight was

868
00:45:55,239 --> 00:45:58,119
a long time. Ago, Okay so listen to what she's

869
00:45:58,159 --> 00:45:58,800
doing in twenty.

870
00:45:58,840 --> 00:46:01,599
Speaker 1: Seventeen, Okay so she's over.

871
00:46:01,400 --> 00:46:05,079
Speaker 3: In, Guam. Gwam she's getting ready to sing for The

872
00:46:05,199 --> 00:46:09,280
catholic school, charity which you think these kids have ever?

873
00:46:09,320 --> 00:46:10,400
Heard IF i can have?

874
00:46:10,480 --> 00:46:12,599
Speaker 1: You MAYBE i don't think. So it was the biggest

875
00:46:12,639 --> 00:46:13,679
selling album of the nineteen.

876
00:46:13,760 --> 00:46:17,199
Speaker 3: Seventies, okay maybe so doubt, it but maybe. So she

877
00:46:17,400 --> 00:46:19,960
was arrested for transporting marijuana and.

878
00:46:20,119 --> 00:46:23,400
Speaker 1: Meth, well those plane rides out To guam take a long.

879
00:46:23,480 --> 00:46:26,159
Time you need a little cool down and a little bump,

880
00:46:26,239 --> 00:46:28,559
Up that's What i'm. Saying, oh it made me.

881
00:46:28,679 --> 00:46:30,840
Speaker 3: Sad she had to use a cane in, Court that's

882
00:46:30,840 --> 00:46:34,840
how this. Is but they punted her back To, hawaii

883
00:46:34,880 --> 00:46:36,599
her home, state and she did her time over.

884
00:46:36,639 --> 00:46:39,760
Speaker 1: There well that was mighty neighborly of, Them.

885
00:46:39,119 --> 00:46:43,880
Speaker 3: Mary Magdalene Transporting MYTH a great. Song, oh it's a

886
00:46:43,920 --> 00:46:47,119
fantastic song and one that is very very close to my.

887
00:46:47,159 --> 00:46:50,440
Heart this song was given to him on after they

888
00:46:50,519 --> 00:46:52,880
kind of toyed with giving Her How deep Is Your?

889
00:46:52,920 --> 00:46:55,840
Love but instead they gave her IF I Can't Have? You,

890
00:46:56,039 --> 00:46:58,679
yeah and it became sort of A nett's theme song

891
00:46:58,800 --> 00:47:00,840
in the Movie, yeah and it makes it kind of

892
00:47:00,880 --> 00:47:04,440
a sad, song right, right because she's pining After tony

893
00:47:04,480 --> 00:47:06,559
who doesn't want, her who doesn't want, her and so

894
00:47:06,599 --> 00:47:09,679
she doesn't want nobody. Baby, okay so out of five,

895
00:47:09,760 --> 00:47:11,840
songs that's four out of five number.

896
00:47:11,840 --> 00:47:13,800
Speaker 1: Ones wait a, minute which one didn't hit number?

897
00:47:13,840 --> 00:47:15,920
Speaker 3: One more than a woman that was not released as a.

898
00:47:15,920 --> 00:47:16,880
Single oh, right.

899
00:47:18,599 --> 00:47:22,639
Speaker 1: That makes sense, then, okay all, Right so the producer

900
00:47:22,679 --> 00:47:25,079
of this song is a guy Named Freddy. Parrin he

901
00:47:25,599 --> 00:47:28,800
had his own like Wrecking crew guys studio musicians that

902
00:47:28,880 --> 00:47:31,920
always played at his recording, studio which was called The

903
00:47:31,920 --> 00:47:35,599
mom And Pop's Company. Store, okay we have bob boogie

904
00:47:35,639 --> 00:47:41,800
bowels on the. Guitar boogie. Bowels. Bowels it's not, bowls it's.

905
00:47:41,880 --> 00:47:42,880
Bowels there's a n E.

906
00:47:43,639 --> 00:47:48,440
Speaker 12: I hit it when my bowel's, Boogie Scott edwards on the,

907
00:47:48,440 --> 00:47:52,239
bass And James gadson on the, drums and as it,

908
00:47:52,360 --> 00:47:57,159
Happens Freddy parrin and these guys also did the song

909
00:47:57,280 --> 00:47:57,679
comes right.

910
00:47:57,719 --> 00:47:59,519
Speaker 1: Out after the next song that we're about to talk,

911
00:47:59,519 --> 00:48:02,480
about they did The tavers version of More than A.

912
00:48:02,480 --> 00:48:05,039
Speaker 3: Woman, okay, cool, Cool well we'll talk about that here

913
00:48:05,079 --> 00:48:07,920
in just a. Second, yeah, alright d take the needle

914
00:48:07,960 --> 00:48:10,800
off the, record flip it, over place the needle, on

915
00:48:11,079 --> 00:48:13,280
and here we. Go the next song on the album

916
00:48:13,360 --> 00:48:14,840
is a song called A fifth Of.

917
00:48:14,960 --> 00:48:34,920
Speaker 1: Beethoven ludwig Van beethoven was born In jermy with, deaf

918
00:48:35,440 --> 00:48:41,000
composed a thousand musical, masterpieces and died in eighteen twenty.

919
00:48:41,000 --> 00:48:44,000
Speaker 3: Seven and he hit number one in nineteen seventy.

920
00:48:44,039 --> 00:48:50,000
Speaker 1: SIX a mirror one hundred and fifty years, later.

921
00:48:50,599 --> 00:48:55,639
Speaker 3: That is incredible took somebody Named Walter murphy changed his

922
00:48:55,880 --> 00:48:59,199
Fifth symphony into a disco song and it became a

923
00:48:59,280 --> 00:49:01,199
number one Hit october nineteen seventy.

924
00:49:01,199 --> 00:49:06,599
Speaker 1: Six this is Arguably beethoven's most well known. Composition you

925
00:49:06,639 --> 00:49:09,360
got this and you GOT o De joy basically thank you. Diehard,

926
00:49:09,760 --> 00:49:12,960
yes but it just it made sense to put a

927
00:49:12,960 --> 00:49:15,000
disco beat with it and put it in this. Movie,

928
00:49:15,079 --> 00:49:15,760
Right it's.

929
00:49:15,800 --> 00:49:19,400
Speaker 3: FUN i love this instrumental. Version it's prominent in the.

930
00:49:19,440 --> 00:49:21,840
Movie it's a number one. Hit it's a lot of.

931
00:49:21,880 --> 00:49:24,599
Speaker 1: Fun when we did Our Van halen Versus Van hagar,

932
00:49:24,679 --> 00:49:28,000
EPISODE i talked about having an album Called hooked on The,

933
00:49:28,000 --> 00:49:31,440
classics and it's all this same type of, thing this

934
00:49:31,599 --> 00:49:35,719
kind of groovy disco beat with electric guitar style versions

935
00:49:35,840 --> 00:49:38,280
of classical masterpieces mashed up.

936
00:49:38,320 --> 00:49:39,599
Speaker 7: Together, okay.

937
00:49:39,639 --> 00:49:42,119
Speaker 3: Fantastic, YEAH i gotta throw this out there real.

938
00:49:42,199 --> 00:49:42,480
Speaker 1: Quick.

939
00:49:42,599 --> 00:49:45,360
Speaker 3: Yea the top five when this hit number, one it's

940
00:49:45,440 --> 00:49:45,679
kind of.

941
00:49:45,719 --> 00:49:47,440
Speaker 1: Notable this song hit number.

942
00:49:47,440 --> 00:49:49,800
Speaker 3: One this song hit number one in nineteen seventy, Six,

943
00:49:49,880 --> 00:49:52,480
okay so it's prior to the release of the. Album

944
00:49:52,519 --> 00:49:54,960
this is a number one hit from the year. Before,

945
00:49:55,199 --> 00:49:58,679
okay then kind of scooped it up for, pennies, right

946
00:49:58,719 --> 00:50:01,599
the royalty is really low on, that. Right so the

947
00:50:01,639 --> 00:50:03,880
top five the week this hit number, One number Five

948
00:50:03,960 --> 00:50:06,880
If You Leave Me now By, Chicago, okay great song

949
00:50:07,400 --> 00:50:09,880
number four a song that you MENTIONED i think last

950
00:50:09,920 --> 00:50:13,039
Week Disco duck By Rick d's there you. GO i,

951
00:50:13,039 --> 00:50:15,440
mean you talk about disco Being hot When Donald duck

952
00:50:15,480 --> 00:50:15,880
gets a.

953
00:50:15,880 --> 00:50:19,119
Speaker 1: Top five hit by A CALIFORNIA. Dj No.

954
00:50:19,239 --> 00:50:23,639
Speaker 3: Less number three is Low down By Boss skaggs that

955
00:50:23,719 --> 00:50:25,719
they used in the, Movie, well that they wanted to

956
00:50:25,800 --> 00:50:26,119
use in the.

957
00:50:26,119 --> 00:50:28,639
Speaker 1: Movie, well when they used when they were doing the dance,

958
00:50:28,679 --> 00:50:30,679
scenes THEY i, mean that's What John travolta was.

959
00:50:30,760 --> 00:50:33,840
Speaker 3: Dancing that's exactly right with the guys From toto playing

960
00:50:33,840 --> 00:50:36,119
the instruments on that. One number two is play that

961
00:50:36,199 --> 00:50:38,239
funky music By casey in The Sunshine. Band we're going

962
00:50:38,280 --> 00:50:40,239
to talk about them in just a. Second and then

963
00:50:40,280 --> 00:50:43,079
of course a fifth Of beethoven number one, awesome.

964
00:50:42,880 --> 00:50:46,880
Speaker 1: Awesome love it moving? On, Well beethoven's, dead so let's keep.

965
00:50:46,920 --> 00:50:50,480
Speaker 3: Going the next song on the album is The tavar's.

966
00:50:50,039 --> 00:51:07,639
Speaker 1: Version of More than A. Woman so this song is

967
00:51:07,679 --> 00:51:12,239
by The TAVERS. Yep they actually were backstage At Madison

968
00:51:12,239 --> 00:51:15,760
Square garden at A beg show and that's when THE beg, Said,

969
00:51:15,920 --> 00:51:17,599
hey would you guys like to record a version of this?

970
00:51:17,719 --> 00:51:17,960
Speaker 2: Song?

971
00:51:18,039 --> 00:51:21,519
Speaker 1: Wow that's. Cool, Yeah and AS i, Mentioned Freddy parron

972
00:51:21,599 --> 00:51:24,400
was the one who produced this. One Freddy parron had

973
00:51:24,480 --> 00:51:28,480
produced hits by The Jackson, five co produced and co

974
00:51:28,599 --> 00:51:31,400
WROTE I Will survive By Gloria. GAYNOR i mean, say

975
00:51:31,599 --> 00:51:34,400
for these songs on this, album he won The. Grammy

976
00:51:34,519 --> 00:51:35,840
good for, Him good for.

977
00:51:35,920 --> 00:51:38,559
Speaker 3: Him you know what The tavars were called before they

978
00:51:38,559 --> 00:51:39,039
were called The.

979
00:51:39,039 --> 00:51:44,199
Speaker 1: Tavars, YES i. Do shall be in The turnpikes because

980
00:51:44,239 --> 00:51:48,079
those things go. Together she'll be in the. Turnpikes WHAT i,

981
00:51:48,199 --> 00:51:48,920
KNOW i don't.

982
00:51:48,960 --> 00:51:53,079
Speaker 3: Know and like you mentioned, previously this was the version

983
00:51:53,199 --> 00:51:56,559
Of More than A woman that actually, charted which to

984
00:51:56,599 --> 00:52:00,320
me is an absolute. Crime The beg's versions way.

985
00:52:00,360 --> 00:52:04,480
Speaker 1: Better, well yeah it, is. Okay, next the next song

986
00:52:04,599 --> 00:52:05,480
is Called Manhattan.

987
00:52:05,559 --> 00:52:17,039
Speaker 9: Skyline, OKAY I got something for.

988
00:52:17,199 --> 00:52:18,400
Speaker 1: You okay On Manhattan.

989
00:52:18,400 --> 00:52:22,000
Speaker 3: Skyline, yeah this, song for whatever, reason it rings bells

990
00:52:22,000 --> 00:52:25,079
in my. HEAD i think this instrumental was used on

991
00:52:25,199 --> 00:52:30,159
LIKE tv shows or award banquets or, something because it

992
00:52:30,280 --> 00:52:32,400
just sounds so, familiar BUT i can't place.

993
00:52:32,440 --> 00:52:36,599
Speaker 1: It it's it's the perfect little background music to some

994
00:52:36,679 --> 00:52:38,360
sort of well scene Of New.

995
00:52:38,440 --> 00:52:38,679
Speaker 3: York.

996
00:52:38,800 --> 00:52:41,559
Speaker 1: Right. Sure so this is the first song on this

997
00:52:41,760 --> 00:52:45,000
album that was written by the guy who's considered the

998
00:52:45,000 --> 00:52:48,039
composer of the. Movie this song is By David. Schier

999
00:52:48,199 --> 00:52:51,199
he's a guy who composed stage musicals and a ton

1000
00:52:51,320 --> 00:52:54,960
of film and television, scores Including The Big, Bus The

1001
00:52:55,119 --> 00:52:58,440
taking Of felon, one two, Three The conversation and all

1002
00:52:58,480 --> 00:52:59,679
The Presidents meant not.

1003
00:52:59,760 --> 00:53:04,679
Speaker 3: To you know what? Else, Yeah Max Dugod returns And Short. Circuit,

1004
00:53:05,239 --> 00:53:09,800
ah how about That johnny? Five and one of the

1005
00:53:09,880 --> 00:53:13,239
stage musical scores that he, Wrote, yeah was the musical

1006
00:53:13,480 --> 00:53:18,719
production Of Big, nice that movie we hope to cover next.

1007
00:53:19,000 --> 00:53:21,800
Speaker 1: Season this guy's still, Around he's eighty four years, old

1008
00:53:21,840 --> 00:53:24,480
still having. Kicking, hey you know who he was married, To,

1009
00:53:24,840 --> 00:53:28,159
well let's go through his. List his his name Is David.

1010
00:53:28,280 --> 00:53:31,199
Shier AND i know an actress whose last name Is,

1011
00:53:31,199 --> 00:53:33,360
shier who we've talked about in one of our episodes

1012
00:53:33,400 --> 00:53:35,400
from this, Season Talia Freaking.

1013
00:53:35,519 --> 00:53:39,800
Speaker 3: Shire you Ud Talia shire from The godfather episodes that

1014
00:53:39,840 --> 00:53:42,320
we talked about a few weeks. Ago, yes he later

1015
00:53:42,440 --> 00:53:47,119
Married Dede, khan who Played frenchy In Greece school.

1016
00:53:47,239 --> 00:53:51,440
Speaker 1: Drama they look so much, alike not When Dede khn

1017
00:53:51,519 --> 00:53:55,719
has her weird pink, hair but those two people look incredibly.

1018
00:53:55,760 --> 00:53:58,119
SIMILAR i Want i'm curious as to how they, met

1019
00:53:58,119 --> 00:54:01,280
because Obviously Francis Ford coppola talked about how when he

1020
00:54:01,320 --> 00:54:03,559
agreed to do The godfather. Too part of it was

1021
00:54:03,599 --> 00:54:06,679
that he got to do the conversation And David shires the,

1022
00:54:06,920 --> 00:54:09,480
GUY i don't make. SENSE i, WONDER i. Wonder, okay,

1023
00:54:09,519 --> 00:54:10,159
cool it's.

1024
00:54:10,239 --> 00:54:14,159
Speaker 3: Instrumental it's. Interesting moving. On next song is Called Calypso.

1025
00:54:14,199 --> 00:54:24,119
Breakdown so when.

1026
00:54:23,920 --> 00:54:27,840
Speaker 1: This drum beat, STARTS i start, thinking is my record? Skipping?

1027
00:54:27,880 --> 00:54:29,719
Here are they going to get to the? Song what's

1028
00:54:29,760 --> 00:54:30,119
going on?

1029
00:54:30,199 --> 00:54:33,599
Speaker 3: Here this song is an instrumental created by this guy

1030
00:54:33,679 --> 00:54:37,599
Named ralph. McDonald, okay he is a world famous. Percussionist,

1031
00:54:37,760 --> 00:54:40,199
yeah Maybe James buckley can shed some light on. Him

1032
00:54:40,199 --> 00:54:42,079
but listen to this? This are you ready to have

1033
00:54:42,119 --> 00:54:42,440
your mind?

1034
00:54:42,440 --> 00:54:43,599
Speaker 1: Blown i'm? Ready?

1035
00:54:43,679 --> 00:54:46,719
Speaker 3: Yes so he's a, percussionist, yes plays the. Drumps he

1036
00:54:46,800 --> 00:54:48,639
also not the.

1037
00:54:48,679 --> 00:54:52,199
Speaker 1: Congos LIKE i made the mistake on Our toto. Episode con, Guys,

1038
00:54:52,960 --> 00:54:53,599
yes go.

1039
00:54:53,639 --> 00:54:55,880
Speaker 3: Ahead he also apparently writes.

1040
00:54:55,920 --> 00:54:56,280
Speaker 1: Songs.

1041
00:54:56,960 --> 00:54:59,920
Speaker 3: Yes he wrote the Song where's The love BY. Roberta,

1042
00:55:00,039 --> 00:55:02,920
flack which won The grammy nineteen seventy ONE O famous. Song,

1043
00:55:03,079 --> 00:55:06,239
Yeah and he also wrote the song just the two

1044
00:55:06,280 --> 00:55:10,480
of The weekend beged If We BAD.

1045
00:55:15,280 --> 00:55:15,719
Speaker 4: I Love?

1046
00:55:15,719 --> 00:55:18,920
Speaker 3: It, yeah that reached number. Two that song was sung

1047
00:55:18,960 --> 00:55:21,119
By Bill. Withers and then later covered By Will.

1048
00:55:21,199 --> 00:55:25,079
Speaker 1: SMITH i will say that almost absolves him of this

1049
00:55:25,239 --> 00:55:28,960
eight minute long monstrosity that we will definitely be. Skipping

1050
00:55:29,039 --> 00:55:30,920
but it. DOESN'T i want TO i want to move.

1051
00:55:30,920 --> 00:55:34,000
On you, know why did you just give me a

1052
00:55:34,079 --> 00:55:36,400
forty five second ticket to cod ticket to get ticket

1053
00:55:36,400 --> 00:55:38,440
to ticket? Ticket turn it?

1054
00:55:38,519 --> 00:55:41,480
Speaker 3: Off all, right lift the, needle take that, record put

1055
00:55:41,480 --> 00:55:43,119
it back in the sleeve carefully because you don't want

1056
00:55:43,119 --> 00:55:45,119
to scratch. It pull out the second, album lay it,

1057
00:55:45,159 --> 00:55:47,800
Down put the needle. Down this is the first song

1058
00:55:48,039 --> 00:55:52,000
on side one of record. Two it's Called night On Disco.

1059
00:55:52,119 --> 00:56:12,960
Mountain another instrumental barrow Man David. Shire, yes so this

1060
00:56:13,000 --> 00:56:16,119
one like the fifth Of. Beethoven they've taken a classical,

1061
00:56:16,159 --> 00:56:20,039
Piece night On Bald mountain by modest Musk, gordy and

1062
00:56:20,320 --> 00:56:21,880
they've put the disco beat to.

1063
00:56:21,960 --> 00:56:24,800
Speaker 1: It And i'll love. IT i dig. It i'm a

1064
00:56:24,800 --> 00:56:27,480
big fan Of, fantasia The Disney fantasia where they have

1065
00:56:27,519 --> 00:56:30,599
all these classical, pieces And night On Bald mountain may

1066
00:56:30,599 --> 00:56:33,719
be my favorite song of those songs on THAT i

1067
00:56:33,719 --> 00:56:35,800
mean the whole. THING i dig the. SONG i like

1068
00:56:35,800 --> 00:56:37,159
it a. Lot it's, okay it's fun to.

1069
00:56:37,199 --> 00:56:40,280
Speaker 3: Me this song is played in the movie when those

1070
00:56:40,440 --> 00:56:43,920
Four jackweeds are running around the bridge and scaring the

1071
00:56:43,920 --> 00:56:46,880
crap out of a net and giving HER. Ptsd, Okay

1072
00:56:47,480 --> 00:56:50,239
i've got a really deep cut for you Regarding night

1073
00:56:50,320 --> 00:56:54,800
On Disco. Mountain, okay, really this is really. Deep, okay all.

1074
00:56:54,880 --> 00:56:59,159
Right so you mentioned That night On Disco mountain is

1075
00:56:59,199 --> 00:57:05,000
based On night On Bald. Mountain the original composition By. Mazgorski.

1076
00:57:05,199 --> 00:57:06,039
Speaker 1: Yessky.

1077
00:57:06,159 --> 00:57:11,000
Speaker 3: Okay it was featured In Fantasia Will This infantasia nineteen forty.

1078
00:57:10,800 --> 00:57:11,320
Speaker 1: That's the ONE i.

1079
00:57:11,360 --> 00:57:16,039
Speaker 3: Love, yes that song was arranged By Leopold.

1080
00:57:15,599 --> 00:57:19,039
Speaker 7: Stokowski, yes famous, Conductor, yes.

1081
00:57:19,280 --> 00:57:21,840
Speaker 3: Who was parodied By Bugs.

1082
00:57:21,840 --> 00:57:26,559
Speaker 1: Bunny this is six degrees Of Kevin, Baker Keep, Going Keep, Going.

1083
00:57:27,320 --> 00:57:36,719
Speaker 3: Bugs bunny pretended to Be leopold Le Leopold, leopold and

1084
00:57:36,760 --> 00:57:42,360
that is my deep rabbit hole my. Friends oh, great that's.

1085
00:57:42,400 --> 00:57:44,840
Speaker 1: Fantastic all, right next, song moving.

1086
00:57:44,880 --> 00:57:48,639
Speaker 3: On next song is called Open sesame by cooling the

1087
00:57:48,679 --> 00:58:05,679
Game get down With.

1088
00:58:05,960 --> 00:58:09,599
Speaker 1: Genie, yeah so this one is not one of cool

1089
00:58:09,639 --> 00:58:13,880
in The gang's more well known. Hints, right you probably

1090
00:58:13,920 --> 00:58:17,480
know them From Jungle, BOOGIE i, Know. Celebration, yeah that. Too,

1091
00:58:17,639 --> 00:58:20,280
right but, yeah Jungle boogie is familiar, too yeah on

1092
00:58:20,360 --> 00:58:23,440
The fiction Book, Yeah Pulp fiction, Soundtrack, yes, Sir and

1093
00:58:23,679 --> 00:58:26,000
they were big in the seventies as. Well Jungle boogie

1094
00:58:26,079 --> 00:58:28,679
had come out in seventy three on their Album wild And.

1095
00:58:28,719 --> 00:58:32,679
Speaker 3: Peaceful, yep Listen celebration is the Pinnacle cool in The

1096
00:58:32,719 --> 00:58:35,239
gang Song, Yeah i'm spiking the football on that.

1097
00:58:35,320 --> 00:58:38,360
Speaker 1: One. Yeah, Yeah and they Alsoid, cherish which is another

1098
00:58:38,719 --> 00:58:44,559
chantastic misled, yep, fresh get down On, It get down On. Joanna.

1099
00:58:44,679 --> 00:58:48,519
Speaker 3: Hey they Supported Van halen on their tour in twenty. Twelve,

1100
00:58:48,679 --> 00:58:51,880
wow Van halen And cool in The gang on the same.

1101
00:58:51,960 --> 00:58:53,039
Speaker 1: Bill, hey why?

1102
00:58:53,079 --> 00:58:53,719
Speaker 3: Not why?

1103
00:58:53,760 --> 00:58:55,519
Speaker 1: Not why? NOT i don't have much to say about the.

1104
00:58:55,519 --> 00:58:58,519
Song this is not a favorite of, mine, skipper, Okay

1105
00:58:58,599 --> 00:59:03,079
so jumping past that, one we are on to job.

1106
00:59:03,559 --> 00:59:06,000
TALKING i can get to. That so a third time

1107
00:59:06,000 --> 00:59:06,519
you got to do.

1108
00:59:06,559 --> 00:59:26,119
Speaker 13: That the song is, irresistible absolutely, fantastic and AS i mentioned,

1109
00:59:26,159 --> 00:59:29,440
earlier it came from their comeback album Main.

1110
00:59:29,559 --> 00:59:32,719
Speaker 1: Course Right. Yeah this was not originally released on The

1111
00:59:33,119 --> 00:59:37,599
Saturday Night fever. Soundtrack this was originally released on Main.

1112
00:59:37,719 --> 00:59:40,320
Course it was their first top ten hint since how

1113
00:59:40,360 --> 00:59:42,280
Can you mend A Broken heart from seventy, one.

1114
00:59:42,320 --> 00:59:45,039
Speaker 3: And this was considered it like a comeback. Song, yeah this.

1115
00:59:45,119 --> 00:59:48,320
Speaker 1: WAS i, mean this was, saying, Hey begi's are a disco,

1116
00:59:48,400 --> 00:59:52,000
band now, right that's a big. Deal talking is introducing

1117
00:59:52,000 --> 00:59:54,679
The begi's as a disco. Band but here it is

1118
00:59:54,719 --> 00:59:57,840
on this. Soundtrack the difference is they used the live

1119
00:59:58,000 --> 01:00:00,599
version for the. Soundtrack the reason they did that was

1120
01:00:00,639 --> 01:00:04,239
because it Made Robert stigwood more money to use the

1121
01:00:04,280 --> 01:00:07,719
live version in the movie than to use the one

1122
01:00:07,719 --> 01:00:09,639
from Main. Course are you sure about?

1123
01:00:09,639 --> 01:00:12,679
Speaker 3: That? Yes, oh in the, Movie, Okay Robert stigwood is

1124
01:00:12,719 --> 01:00:13,440
not afraid to make some.

1125
01:00:13,480 --> 01:00:16,079
Speaker 1: Money he's not afraid to do some deals to screw

1126
01:00:16,159 --> 01:00:17,360
some other people out of. Money that's.

1127
01:00:17,360 --> 01:00:21,679
Speaker 3: True so listen the beginning part of this song where

1128
01:00:21,679 --> 01:00:25,280
it's like the, yes they got that sound from the

1129
01:00:25,320 --> 01:00:28,480
car rolling over The Biscayne Bay bridge In. Miami oh,

1130
01:00:28,760 --> 01:00:30,760
nice just kind of the rhythm that the tires.

1131
01:00:30,800 --> 01:00:34,480
Speaker 1: Make, yeah they showed up In miami Because Eric clapton,

1132
01:00:34,599 --> 01:00:37,760
said you guys should go To. MIAMI i felt much.

1133
01:00:37,800 --> 01:00:43,159
Better SHAB.

1134
01:00:50,760 --> 01:00:53,679
Speaker 3: I watched an interview With Barry gibb and the girl

1135
01:00:53,679 --> 01:00:55,599
who was interviewing him was driving him around in the.

1136
01:00:55,639 --> 01:00:57,400
Car uh, huh and she's, like are we on the

1137
01:00:57,480 --> 01:01:01,199
jive talking? Bridge and he's, like you're on the jive talking.

1138
01:01:01,239 --> 01:01:02,960
Bridge that's.

1139
01:01:03,000 --> 01:01:04,000
Speaker 7: Awesome it was really.

1140
01:01:04,000 --> 01:01:04,440
Speaker 1: Cool that was.

1141
01:01:04,480 --> 01:01:07,480
Speaker 3: Awesome this song reached number One august, ninth nineteen seventy.

1142
01:01:07,519 --> 01:01:10,480
Five Like You, Said this is two years prior To

1143
01:01:10,599 --> 01:01:13,679
Saturday Night. Fever the song was originally called Drive Talking,

1144
01:01:14,079 --> 01:01:17,000
okay based on the sounds that your car makes right.

1145
01:01:16,960 --> 01:01:17,960
Speaker 1: When you're driving on the.

1146
01:01:17,960 --> 01:01:20,760
Speaker 3: Bridge, sure so they switched it to jive talking and

1147
01:01:21,000 --> 01:01:22,400
their producer, says.

1148
01:01:22,199 --> 01:01:23,880
Speaker 1: Me MISS i, speak give.

1149
01:01:27,519 --> 01:01:27,599
Speaker 4: No.

1150
01:01:27,679 --> 01:01:33,519
Speaker 3: Help that's our second airplaye reference this. Time but their producer,

1151
01:01:33,599 --> 01:01:36,679
said do you know what jive talking even? Means and they're,

1152
01:01:36,679 --> 01:01:39,519
like you, know it's like you, know when you're dancing or.

1153
01:01:39,559 --> 01:01:41,239
Speaker 1: Something, no it doesn't.

1154
01:01:40,960 --> 01:01:43,840
Speaker 3: Mean when you're. Dancing it's a black term that means

1155
01:01:43,880 --> 01:01:47,719
you're full of, it you're spouting OFF. Bss and so they're, like,

1156
01:01:47,760 --> 01:01:51,960
Okay so they changed the words and so it's about lies.

1157
01:01:51,719 --> 01:01:59,000
Speaker 1: And, okay. Deception hey there you, go make it. Work

1158
01:01:59,119 --> 01:02:00,400
write the. Lyrics on same.

1159
01:02:00,320 --> 01:02:04,000
Speaker 3: Day when they released this single to the radio, Stations

1160
01:02:04,599 --> 01:02:06,199
LIKE I, said it was the comeback song for The.

1161
01:02:06,199 --> 01:02:09,159
Begees so if they send the single, in Says begi's

1162
01:02:09,159 --> 01:02:12,199
the radio disc, Jock he's, like, no no. Thanks it

1163
01:02:12,280 --> 01:02:16,199
was in a plain white, cover so literally take the record,

1164
01:02:16,280 --> 01:02:18,480
out put it on and listen to it to figure

1165
01:02:18,480 --> 01:02:21,360
out who it was By, wow and it worked worked

1166
01:02:21,360 --> 01:02:21,480
like a.

1167
01:02:21,559 --> 01:02:23,559
Speaker 1: Jar nice. MYSTERY i love.

1168
01:02:23,599 --> 01:02:24,079
Speaker 3: It how about.

1169
01:02:24,119 --> 01:02:24,639
Speaker 1: That that's.

1170
01:02:24,679 --> 01:02:26,519
Speaker 3: Great it was used in a scene in the, movie

1171
01:02:26,559 --> 01:02:28,639
but that scene was. Cut that's why you don't see

1172
01:02:28,639 --> 01:02:32,079
it In Saturday Night. Fever, okay you keep talking about these,

1173
01:02:32,079 --> 01:02:34,519
songs and you keep. TALKING i don't think you should be.

1174
01:02:34,519 --> 01:02:39,840
TALKING i think you should be. Dancing that is a

1175
01:02:39,840 --> 01:02:44,360
great segue to our next, song you should be.

1176
01:02:44,440 --> 01:02:54,960
Speaker 5: Dancing.

1177
01:02:55,880 --> 01:02:59,639
Speaker 3: Okay so here's another number one. Hit oh my, gosh

1178
01:02:59,719 --> 01:03:02,480
this is another number one. Hit but it wasn't originally

1179
01:03:02,559 --> 01:03:06,119
released on this. Soundtrack, okay it was on an Earlier

1180
01:03:06,159 --> 01:03:09,440
beg's album Called children of The. World, okay this hit

1181
01:03:09,519 --> 01:03:12,960
number One september, fourth nineteen seventy. Six, okay a full

1182
01:03:13,039 --> 01:03:14,559
year prior To Saturday Night.

1183
01:03:14,559 --> 01:03:14,800
Speaker 1: Fever.

1184
01:03:14,960 --> 01:03:18,079
Speaker 3: Gotcha my kids know this song very well from the

1185
01:03:18,119 --> 01:03:29,079
Movie Despicable. Me oh, YEAH i play this at the

1186
01:03:29,199 --> 01:03:31,320
very end Of Despicable. Me oh, yeah one of the

1187
01:03:31,360 --> 01:03:34,679
minions flips on the disco album and everybody starts. Dancing

1188
01:03:34,679 --> 01:03:35,320
it's great.

1189
01:03:35,760 --> 01:03:42,800
Speaker 1: Own boogie, Robots cooky, ROLLBOTS i, said coogy Roll why

1190
01:03:42,960 --> 01:03:43,400
he was so?

1191
01:03:43,559 --> 01:03:50,280
Speaker 3: Old spicable me a? Favorite The graves And calvin. Households

1192
01:03:50,400 --> 01:03:53,599
there you. Go So John travolta prepared For Saturday Night

1193
01:03:53,679 --> 01:03:56,199
fever by practicing dance moves to this.

1194
01:03:56,280 --> 01:03:56,480
Speaker 1: Song.

1195
01:03:56,719 --> 01:03:58,639
Speaker 3: Okay and when they came to him and, said, no

1196
01:03:58,719 --> 01:04:00,920
we're gonna Play Night fever at the, time you take

1197
01:04:00,960 --> 01:04:03,719
the floor And he's, like, nope you're playing you should be. Dancing,

1198
01:04:04,000 --> 01:04:06,440
Yeah and so they, WENT i guess we'll just have

1199
01:04:06,519 --> 01:04:07,159
to go get that.

1200
01:04:07,239 --> 01:04:07,480
Speaker 1: Song.

1201
01:04:07,719 --> 01:04:10,800
Speaker 3: Yeah and so at his, insistence that songs in the,

1202
01:04:10,840 --> 01:04:13,480
movie and that's why it's on the. SOUNDTRACK i love.

1203
01:04:13,360 --> 01:04:15,480
Speaker 1: The amount of control that this, guy who is in

1204
01:04:15,559 --> 01:04:19,360
his very first major motion picture, has like controlling the

1205
01:04:19,400 --> 01:04:23,119
cut over the director and controlling the song choice over

1206
01:04:23,239 --> 01:04:25,639
the musical. Director i'm, like, what but he was.

1207
01:04:25,639 --> 01:04:26,920
Speaker 3: Right, okay you ready to have your mind?

1208
01:04:26,920 --> 01:04:27,960
Speaker 1: Blown? Yeah hit?

1209
01:04:28,000 --> 01:04:28,079
Speaker 2: Me.

1210
01:04:28,119 --> 01:04:31,440
Speaker 3: Okay it's two. Things THE, dgs which is a side

1211
01:04:31,480 --> 01:04:36,079
project me you Are, graves there are? You the member

1212
01:04:36,079 --> 01:04:36,199
of the.

1213
01:04:36,239 --> 01:04:38,159
Speaker 1: DJs no tell me about THE Dj.

1214
01:04:38,159 --> 01:04:41,119
Speaker 3: THE, dgs which is a side project of The Foo.

1215
01:04:41,199 --> 01:04:44,360
Speaker 1: Fighters, okay you've got my, attention.

1216
01:04:44,119 --> 01:04:45,159
Speaker 3: Has a cover of this.

1217
01:04:45,280 --> 01:04:59,360
Speaker 1: SONG i love those. Guys such a tragic.

1218
01:04:59,440 --> 01:05:03,360
Speaker 3: Loss one last. Name Stephen stills Of, Crosby stills And

1219
01:05:03,440 --> 01:05:05,159
nash plays percussion on this.

1220
01:05:05,199 --> 01:05:08,480
Speaker 1: SONG i listened To Maurice gibb do an interview With Alec.

1221
01:05:08,559 --> 01:05:10,920
Baldwin he was actually talking ABOUT i can't remember where

1222
01:05:10,920 --> 01:05:12,840
song it, was but he was, Like, Crosby stills And

1223
01:05:12,920 --> 01:05:15,400
nash were sitting on the wall listening to us record the.

1224
01:05:15,440 --> 01:05:17,440
Song he. Goes we used to record in the same

1225
01:05:17,480 --> 01:05:20,119
studio With Lynyrd skynyrd and with The, eagles and they

1226
01:05:20,159 --> 01:05:21,840
would just go hang out with them at night and

1227
01:05:21,880 --> 01:05:23,880
we'd play and maybe nothing would come of, it but

1228
01:05:23,880 --> 01:05:26,079
it was just great fun to be able to hang

1229
01:05:26,119 --> 01:05:29,400
out with these incredible musicians and make this music. TOGETHER

1230
01:05:29,719 --> 01:05:32,199
i Think Don felder ends up being oh he, does

1231
01:05:32,320 --> 01:05:35,920
he's on the sill come, later but he's on the

1232
01:05:36,000 --> 01:05:39,039
last album that they did FOR Rso. Records he's on

1233
01:05:39,039 --> 01:05:40,199
one of the Songs Don felder.

1234
01:05:40,280 --> 01:05:40,360
Speaker 9: Is.

1235
01:05:40,480 --> 01:05:41,719
Speaker 1: Wow i'll tell you about that in a.

1236
01:05:41,719 --> 01:05:43,760
Speaker 3: Minute, okay the next song on the album is Called

1237
01:05:43,800 --> 01:06:01,119
Boogie shoes By casey in The Sunshine. Band we're bopping

1238
01:06:01,159 --> 01:06:02,519
our heads when they play this.

1239
01:06:02,639 --> 01:06:05,599
Speaker 1: Song i'll tell you, What casey and The Sunshine. Band

1240
01:06:05,639 --> 01:06:09,599
as far as disco bands, go they might be number

1241
01:06:09,639 --> 01:06:19,159
two after the Bee, gees, RIGHT i mean they have

1242
01:06:19,480 --> 01:06:22,760
a whole lot of disco hits that have persisted through

1243
01:06:22,800 --> 01:06:25,400
time to still be something that's on everybody's.

1244
01:06:25,440 --> 01:06:28,119
Speaker 3: Mind, yeah this is another old. Song this was on

1245
01:06:28,159 --> 01:06:31,599
the nineteen seventy five Album uh. Huh it wasn't a hit. Initially,

1246
01:06:31,880 --> 01:06:33,960
yeah but because of the movie they released it and

1247
01:06:33,960 --> 01:06:35,800
it got to number thirty five in The hot one. Hundred.

1248
01:06:35,880 --> 01:06:38,639
Speaker 1: Yeah when it was originally, released it was the b

1249
01:06:38,920 --> 01:06:41,280
side to another, single you, know the single No.

1250
01:06:41,320 --> 01:06:45,199
Speaker 13: Jake Jag Jake, Jake Jake Jake Really Jake yo Boudeh

1251
01:06:45,880 --> 01:06:46,280
Jake yo.

1252
01:06:46,360 --> 01:06:48,719
Speaker 1: Budh, yes that's, awesome good.

1253
01:06:48,800 --> 01:06:54,719
Speaker 3: Job so this has been In No escape mal.

1254
01:06:54,800 --> 01:06:58,039
Speaker 1: Rats, Yeah Boogie, knights of, course that's WHAT i know

1255
01:06:58,119 --> 01:06:58,800
it from Is Boogie.

1256
01:06:58,840 --> 01:07:02,519
Speaker 3: Knights, yes Tru Rock, City The Wedding. Day it's a popular.

1257
01:07:02,519 --> 01:07:04,599
Song it's a good. SONG i like. It it's toe Taber,

1258
01:07:04,760 --> 01:07:07,360
yeah next, next all, right take the needle off the.

1259
01:07:07,400 --> 01:07:10,960
Record flip that record over for side two of record.

1260
01:07:11,000 --> 01:07:14,159
Two first song is Called salsation By David.

1261
01:07:14,239 --> 01:07:26,880
Speaker 7: Shire, okay what do you got?

1262
01:07:27,239 --> 01:07:30,679
Speaker 1: So play the introduction To sympathy for The devil by

1263
01:07:30,719 --> 01:07:31,400
The Rolling.

1264
01:07:31,119 --> 01:07:33,960
Speaker 3: Stones classic one of my old time favorites by The.

1265
01:07:34,000 --> 01:07:42,400
Speaker 1: Stones very close spot, on, man it's very close spot,

1266
01:07:42,480 --> 01:07:45,400
on the same drum. Beat. Wow and Then David shire

1267
01:07:45,480 --> 01:07:49,239
comes in with some sort Of barry manlow music going.

1268
01:07:49,280 --> 01:07:50,679
ON i don't know what. THIS i don't know what

1269
01:07:50,760 --> 01:07:51,199
this music.

1270
01:07:51,320 --> 01:07:54,119
Speaker 3: IS i think they play this song in the movie

1271
01:07:54,239 --> 01:07:57,360
when The latin couple is competing at the very end

1272
01:07:57,400 --> 01:07:59,480
In John travolt's just like they danced.

1273
01:07:59,519 --> 01:08:00,320
Speaker 12: Us this.

1274
01:08:00,480 --> 01:08:02,079
Speaker 1: Stinks this whole competition.

1275
01:08:02,280 --> 01:08:05,320
Speaker 3: Sucks. YEAH i have bad memories of that scene in the.

1276
01:08:05,360 --> 01:08:08,599
Speaker 1: Movie IF i remember. Correctly when they did the re

1277
01:08:08,599 --> 01:08:11,280
release of this movie making IT pg so that other

1278
01:08:11,280 --> 01:08:13,840
people could see it and maybe some of THE tv,

1279
01:08:14,039 --> 01:08:17,359
VERSIONS i think they replaced this song with a More

1280
01:08:17,760 --> 01:08:18,640
latin sounding.

1281
01:08:18,720 --> 01:08:23,079
Speaker 3: Song, okay, okay all, right once Again David, shire he's

1282
01:08:23,159 --> 01:08:24,600
the composer of the.

1283
01:08:24,720 --> 01:08:26,720
Speaker 1: Movie Next yes Hit.

1284
01:08:26,760 --> 01:08:32,479
Speaker 3: Me the next song on the album is CALLED kg BY. Mfsb,

1285
01:08:44,760 --> 01:08:45,439
okay SO.

1286
01:08:46,000 --> 01:08:49,279
Speaker 1: Mfsb all kinds of weird names you could come up

1287
01:08:49,279 --> 01:08:51,680
with Their, yeah, mother, father sister.

1288
01:08:52,159 --> 01:08:54,840
Speaker 3: Brother, OKAY i think that's the nice version of what

1289
01:08:54,880 --> 01:09:01,840
it really stands. FOR i heard mf ing son OF. B, yes, well, mother,

1290
01:09:01,880 --> 01:09:05,199
father sister. Brother this is a group of like thirty studio, musicians,

1291
01:09:05,359 --> 01:09:09,000
right this is a complex group and mix of music.

1292
01:09:09,039 --> 01:09:14,079
Here but The sound Of philadelphia was their second most successful.

1293
01:09:14,359 --> 01:09:17,319
Single you will know it as the theme From Soul.

1294
01:09:17,439 --> 01:09:20,279
Speaker 1: Training all, right that's.

1295
01:09:20,319 --> 01:09:22,840
Speaker 3: COOL i do know that a lot of news stations

1296
01:09:22,880 --> 01:09:26,560
in the seventies and, Eighties, yeah used this instrumental song

1297
01:09:26,680 --> 01:09:29,760
as kind of their funky background music as they switch

1298
01:09:29,840 --> 01:09:30,279
stories or.

1299
01:09:30,319 --> 01:09:32,399
Speaker 1: Whatever perfect perfect. Cool.

1300
01:09:32,680 --> 01:09:35,760
Speaker 3: Yeah this actually charted at number thirty nine on The

1301
01:09:35,760 --> 01:09:36,119
hot one.

1302
01:09:36,199 --> 01:09:39,439
Speaker 1: Hundred okay you ready for? This, yes this song was

1303
01:09:39,560 --> 01:09:46,479
written By Harvey. Fuquah, okay That's. Fuqua. So harvey was

1304
01:09:46,520 --> 01:09:49,920
married to a lady Named When. Gordy they distributed the

1305
01:09:49,920 --> 01:09:53,680
First motown hit, single which was called Money that's WHAT I,

1306
01:09:53,760 --> 01:09:56,840
want which you will know from The beatles redoing it later.

1307
01:09:56,880 --> 01:10:00,439
On then he sold his record to his his, Wife

1308
01:10:00,439 --> 01:10:04,600
Gwynn gordy's Brother Barry, gordy who is of, course one

1309
01:10:04,640 --> 01:10:10,720
of the most iconic motown producers in. History So Barry

1310
01:10:10,720 --> 01:10:13,680
gordy's brother in law wrote this. Song, wow there you.

1311
01:10:13,760 --> 01:10:13,920
Speaker 11: Go.

1312
01:10:14,159 --> 01:10:18,119
Speaker 3: Wow we are digging deep for, nuggets all. Right last

1313
01:10:18,159 --> 01:10:21,000
song on the. Album this song is Called Disco inferno

1314
01:10:21,119 --> 01:10:33,279
by The. Tramps burn The Mother.

1315
01:10:33,199 --> 01:10:35,319
Speaker 1: Down Disco, Inferno Burn Baby.

1316
01:10:35,359 --> 01:10:36,760
Speaker 3: Burn this is a disco era.

1317
01:10:36,920 --> 01:10:40,439
Speaker 1: Classic this is just an ICONIC i mean they're ending

1318
01:10:40,520 --> 01:10:43,800
the two album set with a tent pole. Song this,

1319
01:10:43,920 --> 01:10:47,359
song of, course had been released before the movie came,

1320
01:10:47,399 --> 01:10:50,119
out before the soundtrack came, out was re released on

1321
01:10:50,159 --> 01:10:54,199
the soundtrack with this song is another seventies disco.

1322
01:10:54,680 --> 01:11:08,199
Speaker 3: Icon do you know where they got the inspiration for this?

1323
01:11:08,279 --> 01:11:10,399
Song from the Movie Towering?

1324
01:11:10,479 --> 01:11:11,880
Speaker 1: Inferno oh.

1325
01:11:12,039 --> 01:11:14,399
Speaker 3: Nice this is one of those movies THAT i watched

1326
01:11:14,439 --> 01:11:16,319
all the time on like The Sunday Night movie And

1327
01:11:16,880 --> 01:11:18,840
My jammy's on in my sleeping. Bag WHEN i was

1328
01:11:18,840 --> 01:11:20,319
a little, kid watched disaster.

1329
01:11:20,439 --> 01:11:21,960
Speaker 1: Movies this is a small child huh.

1330
01:11:21,760 --> 01:11:22,439
Speaker 3: Oh, YEAH i loved.

1331
01:11:22,479 --> 01:11:26,600
Speaker 1: Them put me Right. Asleep but there's a big.

1332
01:11:26,439 --> 01:11:29,479
Speaker 3: Fire in this tall building And Oj simpson's trying to

1333
01:11:29,479 --> 01:11:29,760
put it.

1334
01:11:29,800 --> 01:11:31,159
Speaker 1: Out The.

1335
01:11:31,239 --> 01:11:34,560
Speaker 3: Juice The juice And Paul newman are working really hard

1336
01:11:34,720 --> 01:11:39,039
And steve McQueen it's. Fantastic fred The. Stairs there lots

1337
01:11:39,039 --> 01:11:44,600
of stuff going. On this song comes from that Movie Burn, Baby, Burn,

1338
01:11:44,960 --> 01:11:46,000
Wow burn that mother.

1339
01:11:46,119 --> 01:11:49,880
Speaker 1: Down that's. Awesome so this song since the release has

1340
01:11:50,000 --> 01:11:52,439
been covered a couple of, times once By Tina turner

1341
01:11:52,439 --> 01:11:54,000
for the Movie What's Love got To do With? It,

1342
01:11:54,159 --> 01:11:58,319
yeah and once for the Movie night at The roxbury

1343
01:11:58,439 --> 01:12:01,119
by Miss Cindy. Lauper maybe we.

1344
01:12:01,159 --> 01:12:02,279
Speaker 3: Cover her next, year what do you?

1345
01:12:02,319 --> 01:12:03,359
Speaker 1: THINK i think that's a good.

1346
01:12:03,359 --> 01:12:08,079
Speaker 3: Idea she's so, unusual she's so. Unusual eleven minutes of

1347
01:12:08,119 --> 01:12:11,119
just Go infernal's at that's a. Lot it's a great,

1348
01:12:11,159 --> 01:12:13,079
song but eleven minutes is a little bit long for.

1349
01:12:13,119 --> 01:12:14,159
Speaker 1: Me, Yeah i'll tell you what.

1350
01:12:14,199 --> 01:12:16,880
Speaker 3: Though you are ending the album on a tenth tole

1351
01:12:17,039 --> 01:12:28,239
song and it's it's killer love It.

1352
01:12:28,479 --> 01:12:31,560
Speaker 1: Yeah so of notes some songs that didn't appear on

1353
01:12:31,560 --> 01:12:33,920
this album that were in the Movie, Wow, Okay you've

1354
01:12:33,960 --> 01:12:36,159
got emotion By samantha saying you.

1355
01:12:36,159 --> 01:12:38,359
Speaker 3: Can't even by The brothers GiB yes.

1356
01:12:38,199 --> 01:12:40,520
Speaker 1: You got IF i can't have? You by The beg's,

1357
01:12:40,720 --> 01:12:43,600
Right you've got our, love don't throw it all away

1358
01:12:43,720 --> 01:12:47,039
by The beg's, again And Warm ride by The. Beg's

1359
01:12:47,159 --> 01:12:50,159
The beg's are all over this stinking movie and of

1360
01:12:50,199 --> 01:12:52,399
course all over this. Album fantastic.

1361
01:12:52,439 --> 01:12:55,760
Speaker 3: Album every single that they released from this, album yeah

1362
01:12:55,880 --> 01:12:58,680
hit number. One. Yeah that's killing, it, dude that IS i,

1363
01:12:58,680 --> 01:12:59,920
MEAN i can't get much higher.

1364
01:12:59,760 --> 01:13:02,560
Speaker 1: Than, one no, No and even THE i mean even

1365
01:13:02,600 --> 01:13:04,880
the songs that they didn't release as a single some

1366
01:13:04,960 --> 01:13:06,560
other band, released they still charted.

1367
01:13:06,520 --> 01:13:08,880
Speaker 3: On element number. One IF i can't have? You, wow all,

1368
01:13:08,960 --> 01:13:11,960
right are we ready to do final judgment Between Dirty

1369
01:13:12,039 --> 01:13:14,680
dancing soundtrack and The Saturday Night fever.

1370
01:13:14,840 --> 01:13:18,800
Speaker 1: Soundtrack this is too, Hard this is freaking too. Hard

1371
01:13:18,880 --> 01:13:20,880
i'm not. KIDDING i DON'T i don't have an answer

1372
01:13:20,880 --> 01:13:22,840
for you right. Now WHAT i don't have an answer for.

1373
01:13:22,880 --> 01:13:24,520
You i'm gonna have to sit. Here you're gonna have

1374
01:13:24,520 --> 01:13:26,760
to give me like at least ten seconds to like

1375
01:13:27,119 --> 01:13:30,479
run over the miracle work that is both of these,

1376
01:13:30,600 --> 01:13:34,279
albums because With Dirty, dancing you've got hits from the,

1377
01:13:34,439 --> 01:13:38,960
sixties you've got hits from the, eighties and with this,

1378
01:13:39,039 --> 01:13:42,279
one you've got hits from the, sevenies and those are

1379
01:13:42,319 --> 01:13:46,479
all my sweet. Spots every single decade there, is oh my,

1380
01:13:46,520 --> 01:13:50,439
gosh it's iconic song after iconic song after iconic. Song, yeah,

1381
01:13:50,520 --> 01:13:52,159
okay you're gonna have to go. First you want me

1382
01:13:52,159 --> 01:13:52,720
to go, First go?

1383
01:13:52,800 --> 01:13:53,039
Speaker 5: First.

1384
01:13:53,159 --> 01:13:56,159
Speaker 3: Okay so here's the. DEAL i told you that some

1385
01:13:56,239 --> 01:13:59,199
of my earliest memories involve this album right, Here Saturday

1386
01:13:59,279 --> 01:14:01,399
Night fever sound t has a special place in my.

1387
01:14:01,520 --> 01:14:04,680
Heart it's WHAT i listened to WHEN i was playing

1388
01:14:04,720 --> 01:14:08,039
with My Star Wars action figures after A New hope came.

1389
01:14:08,039 --> 01:14:08,199
Speaker 4: Out.

1390
01:14:08,359 --> 01:14:11,239
Speaker 3: Nice, Okay so it's your first favorite, song it's my

1391
01:14:11,279 --> 01:14:14,119
first favorite, Song Dirty. DANCING i love those, songs SO

1392
01:14:14,159 --> 01:14:16,840
i have nostalgia feelings for all of those. Songs time

1393
01:14:16,880 --> 01:14:19,680
Of My life was the song of eighty, seven all of.

1394
01:14:19,720 --> 01:14:23,920
That but the hit after hit after hit after hit

1395
01:14:24,039 --> 01:14:27,520
after hit On Saturday Night fever is so. Undeniable The

1396
01:14:27,560 --> 01:14:31,439
beg's are an unappreciated punching bag for so many. PEOPLE

1397
01:14:31,479 --> 01:14:33,920
i hate. It but just the number one hit after

1398
01:14:34,000 --> 01:14:36,039
number one hit after number one. Hit so there's a

1399
01:14:36,079 --> 01:14:38,319
lot of crap songs on The Saturday Night fever, soundtrack,

1400
01:14:38,399 --> 01:14:41,079
right there's not a lot of crap songs on The Dirty.

1401
01:14:40,920 --> 01:14:42,640
Speaker 1: Dancing, soundtrack that's. True but If.

1402
01:14:42,560 --> 01:14:44,760
Speaker 3: I'm running out the door AND i can only grab

1403
01:14:44,840 --> 01:14:49,079
one of these. Albums for, me it's it's unquestionably my earliest.

1404
01:14:49,159 --> 01:14:52,520
Memories i'm grabbing This Saturday Night fever, Soundtrack spike The

1405
01:14:52,560 --> 01:14:54,239
Football Take It All Day, Long.

1406
01:14:54,399 --> 01:14:57,880
Speaker 1: Dejr Turn okay With Saturday Night fever. Soundtrack not only

1407
01:14:57,880 --> 01:15:00,840
do you have songs from the seventies that are all,

1408
01:15:01,319 --> 01:15:04,359
ICONIC i mean you've got reissues Of casey in The,

1409
01:15:04,399 --> 01:15:08,399
Sunshine band Of cool and The gang of The. TRAMPS

1410
01:15:08,560 --> 01:15:11,359
i mean you got. That and then you Have beg's,

1411
01:15:11,720 --> 01:15:15,039
masterpieces like this is their pinnacle. Album they, said we

1412
01:15:15,079 --> 01:15:17,279
don't want to do this because we're recording an. Album

1413
01:15:17,399 --> 01:15:19,359
as it turned, out this was the album they needed to.

1414
01:15:19,399 --> 01:15:22,199
Do it's falls out amazing how good these songs are

1415
01:15:22,239 --> 01:15:24,680
and they just make you. Happy they do what disco

1416
01:15:24,800 --> 01:15:27,319
is supposed to. Do we talked in our earlier episodes

1417
01:15:27,439 --> 01:15:30,359
about how people at by the time the seven early

1418
01:15:30,399 --> 01:15:34,680
seventies roll, around they were tired of the philosophical folk you,

1419
01:15:34,720 --> 01:15:36,880
know all that. Stuff they wanted to just have some.

1420
01:15:36,960 --> 01:15:39,600
Music they could go dance, to go have some. Fun

1421
01:15:39,720 --> 01:15:41,880
and you know, what for this time in, history right,

1422
01:15:41,920 --> 01:15:43,960
now at this, MOMENT i want a SONG i can

1423
01:15:44,039 --> 01:15:45,640
have fun. Too If i'm going to walk out the

1424
01:15:45,680 --> 01:15:48,680
door And i'm going to grab one of these, CDs

1425
01:15:48,960 --> 01:15:52,039
it's going to Be Saturday Night. FEVER i love the

1426
01:15:52,119 --> 01:15:55,640
songs On Dirty, dancing and you're, right percentage, wise there

1427
01:15:55,680 --> 01:15:58,600
are fewer throwaway. Tracks but we're talking about a double

1428
01:15:58,640 --> 01:16:01,399
album versus a single. Album, Now i'll say, this if

1429
01:16:01,479 --> 01:16:06,159
you gave Me Dirty dancing And More Dirty dancing against

1430
01:16:06,479 --> 01:16:08,880
The Saturday Night fever, ALBUM i don't know THAT i

1431
01:16:08,920 --> 01:16:11,479
would still Pick Saturday Night. Fever but that's not what we're. Deciding,

1432
01:16:11,600 --> 01:16:14,439
okay we did not Cover More Dirty, dancing which brought

1433
01:16:14,520 --> 01:16:16,680
us more of those hits from the sixties that we,

1434
01:16:16,800 --> 01:16:19,840
loved but those weren't on the Original Dirty dancing. Soundtrack

1435
01:16:19,920 --> 01:16:22,880
and of those songs in the, eighties they're not my

1436
01:16:22,960 --> 01:16:25,439
favorite eighties. Songs they're, good they bring me, memories but

1437
01:16:25,520 --> 01:16:27,800
they're just kind, of you, know slow dance songs THAT

1438
01:16:27,920 --> 01:16:29,600
i was really thinking about other things in the gym

1439
01:16:29,680 --> 01:16:32,239
dancing with a girl than that. Song So spiking The

1440
01:16:32,239 --> 01:16:36,039
football With You Saturday Night fever is the better. Album

1441
01:16:36,159 --> 01:16:38,840
that is. Fantastic we've been on the same page on

1442
01:16:38,920 --> 01:16:41,239
both of these. Comparisons by the, way we both Pick

1443
01:16:41,319 --> 01:16:44,039
Dirty dancing as the far better, movie, yep and we

1444
01:16:44,279 --> 01:16:47,119
both have Picked Saturday Night Fever soundtrack as the better.

1445
01:16:47,159 --> 01:16:49,640
Soundtrack so let's rank the, one, two, three Four, okay

1446
01:16:50,079 --> 01:16:54,000
walking out the. DOOR i am Picking Dirty dancing the movie, first,

1447
01:16:54,159 --> 01:16:58,760
Okay Saturday Night fever the. Album, second, Okay Dirty dancing the,

1448
01:16:58,960 --> 01:17:03,680
album And Saturday Night fever a far DISTANT i will

1449
01:17:03,720 --> 01:17:08,399
never watch that movie. Again, fourth, okay, interesting that's. Good that's. Good.

1450
01:17:08,439 --> 01:17:10,880
Speaker 3: Thanks here's WHERE i. Am i'm walking out the. Door

1451
01:17:10,960 --> 01:17:13,960
here's Where i'm Grabbing Saturday Night fever. Soundtrack, first, okay

1452
01:17:14,000 --> 01:17:18,960
blowing the disco music out of my speakers. Unapologetically number

1453
01:17:18,960 --> 01:17:22,039
one hit after number one, hit including my very first favorite.

1454
01:17:22,079 --> 01:17:25,279
Song second Thing i'm grabbing is The Dirty dancing. Movie

1455
01:17:25,720 --> 01:17:28,359
it has those, songs plus it's got a great love,

1456
01:17:28,399 --> 01:17:33,800
story Plus Cynthia, rhodes you, know plus mister Cool Patrick. Swayzee.

1457
01:17:33,880 --> 01:17:35,039
Yeah it's a great.

1458
01:17:35,079 --> 01:17:37,439
Speaker 1: Movie, yes and you get to see the. Lift that's

1459
01:17:37,439 --> 01:17:38,199
WHY i put it number.

1460
01:17:38,199 --> 01:17:41,239
Speaker 3: One number three is The Dirty dancing. Soundtrack the songs are,

1461
01:17:41,239 --> 01:17:43,359
great and then a distant.

1462
01:17:42,920 --> 01:17:44,840
Speaker 1: Fourth will you ever watch the movie? Again?

1463
01:17:45,079 --> 01:17:45,760
Speaker 3: NO i would.

1464
01:17:45,760 --> 01:17:48,800
Speaker 1: Not, yeah if you said you could Watch Saturday Night

1465
01:17:48,840 --> 01:17:51,159
fever for the next two, hours Or i'll give you

1466
01:17:51,159 --> 01:17:53,119
a nice paper cut and put some lemon juice in.

1467
01:17:53,159 --> 01:17:55,840
IT i probably picked the paper cut because then it

1468
01:17:55,840 --> 01:17:57,840
at least it'd be over like in you, know five

1469
01:17:57,880 --> 01:18:00,439
minutes or. So we're not, Fans, no we are, not

1470
01:18:00,640 --> 01:18:04,439
AND i totally. Agree we understand this captured a moment in,

1471
01:18:04,560 --> 01:18:07,520
time but it is a moment in time we weren't

1472
01:18:07,560 --> 01:18:09,760
experienced in and we'd sooner Forget.

1473
01:18:09,680 --> 01:18:12,000
Speaker 3: Yep that's. Right but we want to hear from, you, guys.

1474
01:18:11,800 --> 01:18:13,920
Speaker 1: Absolutely tell us how we're totally off. Face there are

1475
01:18:13,960 --> 01:18:16,319
some people out there that feel the same way about

1476
01:18:16,359 --> 01:18:18,800
The Dirty dancing movie that we feel about The Saturday

1477
01:18:18,920 --> 01:18:20,680
Night fever, movie and we want to hear from. You

1478
01:18:20,760 --> 01:18:24,600
tell us Why Dirty dancing sucks and Why Saturday Night

1479
01:18:24,680 --> 01:18:25,479
fever is the.

1480
01:18:25,479 --> 01:18:28,600
Speaker 3: Best, okay next, week come, back because we have been

1481
01:18:28,600 --> 01:18:32,359
putting this podcast off for two, years two and a half, years.

1482
01:18:32,239 --> 01:18:34,479
Speaker 1: Two and a half. Years this was supposed to be season,

1483
01:18:34,560 --> 01:18:37,039
one then it was supposed to be season. Two here

1484
01:18:37,079 --> 01:18:40,039
we are in season. Three thank, YOU, Covid, no thank.

1485
01:18:40,079 --> 01:18:46,840
You finally they're going to Release Top. Gun maverick and

1486
01:18:46,920 --> 01:18:50,399
of course we have to have to cover one of

1487
01:18:50,439 --> 01:18:54,319
the most iconic movies of nineteen eighty, six, nay nineteen,

1488
01:18:54,439 --> 01:18:57,720
eighties all, together Top. Gun be sure and join. Us

1489
01:18:57,800 --> 01:19:01,239
hit that follow button. Now we have spent some time on.

1490
01:19:01,279 --> 01:19:03,359
This we spent some time with, you and we enjoyed that.

1491
01:19:03,439 --> 01:19:05,960
Time if you enjoyed, it give us a five stars

1492
01:19:06,159 --> 01:19:10,119
on your podcast. App give us a review on your podcast.

1493
01:19:10,199 --> 01:19:12,720
App if you can fit in the words night fever

1494
01:19:13,159 --> 01:19:16,000
OR i carried the watermelons in the, review you will

1495
01:19:16,000 --> 01:19:18,439
be entered into a running to get one of our

1496
01:19:18,520 --> 01:19:22,439
awesome custom engraved yetti style. Cups surely you can't be

1497
01:19:22,479 --> 01:19:25,520
serious logo plus your. Name thank you to all of

1498
01:19:25,560 --> 01:19:29,640
you who have submitted reviews up until. Now we truly appreciate.

1499
01:19:29,720 --> 01:19:32,880
You you can't tell you how much your loyalty means to.

1500
01:19:32,960 --> 01:19:33,760
Us come back next.

1501
01:19:33,760 --> 01:19:35,600
Speaker 3: Week we're gonna Go mott three with our hair on,

1502
01:19:35,680 --> 01:19:37,680
Fire Great balls Of.

1503
01:19:37,720 --> 01:19:38,760
Speaker 1: FIRE i think she lost.

1504
01:19:38,800 --> 01:19:40,359
Speaker 3: It anyway she does it