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<v Speaker 1>Hello, conspiracy players. Welcome to another episode today. I have

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<v Speaker 1>back on writer Lee to talk about something that he

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<v Speaker 1>teased in the last episode where we were talking about

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<v Speaker 1>the UFO stuff, and that is none other than his

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<v Speaker 1>most recent movie, A Clockwork Shining. And I've talked about

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<v Speaker 1>it a couple times on this show, so if you

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<v Speaker 1>haven't watched it, listen to this and then watch it

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<v Speaker 1>or vice versa. But it's a killer movie and Laurel

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<v Speaker 1>Canyon is one of my favorite topics.

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<v Speaker 2>Just Kubrick in general.

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<v Speaker 1>And then you even threw some other stuff in there,

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<v Speaker 1>and we're going to get into all of it. So

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<v Speaker 1>welcome to the show. Writer, Thanks for coming on once again.

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<v Speaker 3>Thanks for having me on. Brother, I really appreciate it,

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<v Speaker 3>and I'm really happy that you enjoyed the movie and

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<v Speaker 3>you liked it. But yeah, it was a passion project,

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<v Speaker 3>a lot of work, blood, sweat and tears. As we

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<v Speaker 3>were talking about before we started the show. I'll put

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<v Speaker 3>into the movie, so I hope people after or if

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<v Speaker 3>they haven't already seen it, they go in support and

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<v Speaker 3>it's une buy it on Amazon Prime.

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<v Speaker 1>I would recommend buying it because, like I was telling

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<v Speaker 1>him earlier before we started recording it, you're just gonna

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<v Speaker 1>want to watch it again and even maybe more than twice.

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<v Speaker 2>So just buy the damn thing.

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<v Speaker 1>Before we get into a Clark clockwork shining though, I

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<v Speaker 1>do want to for a moment if you don't mind,

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<v Speaker 1>pick your brain about JFK because your first movie, JFK

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<v Speaker 1>X Solving the Crime of the Century, you and Jay

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<v Speaker 1>Widener lay out a theory that I think is probably

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<v Speaker 1>cooler than anyone I've ever seen, and it makes the

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<v Speaker 1>most sense. And I also have in the last few

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<v Speaker 1>years started swaying in two staged events being more common

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<v Speaker 1>than actual real events. So it made sense to me

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<v Speaker 1>that being said, what do you think is going to

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<v Speaker 1>happen with these JFK file releases that we're chomping at the.

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<v Speaker 2>Bit for, just like we were the Epstein files.

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<v Speaker 3>Well, here is an article from Vanity Fair. This blew

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<v Speaker 3>my mind because if you've seen JFKX, you know what

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<v Speaker 3>the theory is and what j Wyiner basically proposes in there.

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<v Speaker 3>And this Vanity Fair article came out I think November

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<v Speaker 3>twenty well, November nineteenth, twenty twenty four. Right here is

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<v Speaker 3>that thinkay real quick before.

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<v Speaker 1>You say what you're gonna say, do you want to

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<v Speaker 1>just lay it out in like a brief summary of

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<v Speaker 1>what that theory is For those who haven't seen it.

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<v Speaker 3>Well, you can watch it for free on Amazon Prime,

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<v Speaker 3>Amazon Prime Free V. You can also watch it for

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<v Speaker 3>free on two B as well, and it's on a

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<v Speaker 3>bunch of other streaming platforms. So you can just google

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<v Speaker 3>jfkx and it'll be one of the first things that

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<v Speaker 3>pop up for people that haven't seen it. We basically

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<v Speaker 3>theorize that JFK essentially faked his death, and that might

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<v Speaker 3>sound really outlandish. And that's why I've brought up this

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<v Speaker 3>Vanity Fair article because I've shown so many people of

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<v Speaker 3>this Vanity Fair article that are, like, I know a

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<v Speaker 3>lot about JFK, and they don't even know what to

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<v Speaker 3>think of this Vanity Fair article that came out. But essentially,

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<v Speaker 3>Tibbet officer JD. Tibbitt was also assassinated, supposedly by Oswald

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<v Speaker 3>on the day of the JFK assassination, and he looks

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<v Speaker 3>almost identical to JFK. He looks so identical that they

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<v Speaker 3>even called him h oh shit, this is freaking pop up.

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<v Speaker 3>They even nicknamed him JFK. And that was the whole

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<v Speaker 3>reason that Oswald was essentially arrested was for the murder

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<v Speaker 3>of that police officer. Oswald was never arrested for the

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<v Speaker 3>assassination of JFK. The public just threw that accusation on

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<v Speaker 3>him and then he was murdered, right And so we

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<v Speaker 3>basically surmised that because when you watch this a Bruner film,

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<v Speaker 3>we have the most clear version of the Zubruter film

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<v Speaker 3>ever made in our movie JFK X. And there's a

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<v Speaker 3>splice in the movie when whenever the limousine goes in

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<v Speaker 3>behind the freeway signs, there's a cut in the Zubruter film,

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<v Speaker 3>and whenever it emerges back behind the Stimmens freeway sign,

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<v Speaker 3>JFK looks like he's putting something on the side of

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<v Speaker 3>his face. I mean, as clear as day, no one

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<v Speaker 3>can argue with this. There's something on the side of

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<v Speaker 3>JFK's face, especially when you see it in high definition,

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<v Speaker 3>in clear video quality, there's something bulging from the side

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<v Speaker 3>of JFK's face, and it appears there whenever he puts

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<v Speaker 3>his hands up like this and he looks like he

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<v Speaker 3>brushes the side of his face and there's something bulging

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<v Speaker 3>from the side of his face is not arguable. There's

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<v Speaker 3>something on the side of JFK's face. And then whenever

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<v Speaker 3>it goes off, you see like this, and we pointed

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<v Speaker 3>out perfectly in our film, it's like this metal piece

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<v Speaker 3>just rolls up the side of his cheek and it's

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<v Speaker 3>even reflecting in the sunlight, and it's just rolling up

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<v Speaker 3>the side of his face and then it just and

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<v Speaker 3>it blows off. So this Vanity Fair article is mind

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<v Speaker 3>blowing because essentially Jackie filmed a fake assassination of JFK

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<v Speaker 3>two months before the supposed real assassination. This article is wild.

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<v Speaker 3>I would highly recommend anybody to look up this article.

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<v Speaker 3>I'm not going to read through it all here, but

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<v Speaker 3>it basically goes into you know how Jackie staged this

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<v Speaker 3>fake assassination two months before the supposed real assassination, and

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<v Speaker 3>that she was all into film and all the Secret

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<v Speaker 3>Service agents that were there and Dealey Plaza at that

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<v Speaker 3>time were also a part of this fake assassination that

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<v Speaker 3>happened two months before. So it's like, whenever you put

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<v Speaker 3>two and two together here, it's, uh, things aren't adding

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<v Speaker 3>up right.

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<v Speaker 1>And that came out four months ago, that article, Yes,

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<v Speaker 1>what the fuck. So what are they get to say, Like,

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<v Speaker 1>when they're supposed to release these JFK files, do you

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<v Speaker 1>think anything's gonna come up it or it's just going

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<v Speaker 1>to be more carrot and stick?

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<v Speaker 3>I mean, I hope. So. I think a lot of

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<v Speaker 3>people are still focused on the multiple shooter theory. But

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<v Speaker 3>the multiple shooter theory doesn't even make any sense either,

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<v Speaker 3>because if there was multiple shooters, that would mean that

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<v Speaker 3>that would have been happening right behind Zubruter, Like the

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<v Speaker 3>shots would have had to have been fired right over

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<v Speaker 3>Zabruterer's head from where he's standing in the gazebo area. There,

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<v Speaker 3>he would have been ducking, he would have heard something.

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<v Speaker 3>He would have been like moving frantically, but his camera

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<v Speaker 3>steadily on JFK the limousine all the way until the underpass.

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<v Speaker 3>He's not moving, he's not ducking unless the only position

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<v Speaker 3>that a second shooter could have been in to hit

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<v Speaker 3>that trajectory on JFK's head. So the second shooter where

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<v Speaker 3>he would have to be doesn't make any sense.

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<v Speaker 1>Yeah, and it almost seems like the multiple shooter theory

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<v Speaker 1>is part of the syeup because Grassy Know stuff has

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<v Speaker 1>been laid out for us in our pop culture for.

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<v Speaker 2>At least the last thirty years.

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<v Speaker 1>I mean that would make sense because it's just more

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<v Speaker 1>conspiracy candy to distract from. I think it's more closely

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<v Speaker 1>to what you guys have put out in your first movie.

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<v Speaker 2>So yeah, everybody check that out.

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<v Speaker 1>And I mean, do you have anything else to say

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<v Speaker 1>about that before we move on to the main topic.

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<v Speaker 3>Just watch jfkix with an open mind. I mean, it's

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<v Speaker 3>a it sounds wild and outlandish. I mean that's what

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<v Speaker 3>you know. Some of the detractors and the people that

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<v Speaker 3>said about whenever the movie just came out, they were like, oh, well,

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<v Speaker 3>this is this is garbage. There's no way that this

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<v Speaker 3>could ever happen. And then the Vanity Fair article hits

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<v Speaker 3>where they're like, they FK filmed a fake assassination two

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<v Speaker 3>months before the real assassination. So it's shaping up like

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<v Speaker 3>it's not so crazy, right.

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<v Speaker 2>Yeah.

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<v Speaker 1>And I didn't even know this article existed until it's

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<v Speaker 1>probably been a week or two.

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<v Speaker 2>I listened to you on the.

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<v Speaker 1>Occult Rejects with jj Vance and Nick there, and you

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<v Speaker 1>guys brought it up. So I kind of hoped that

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<v Speaker 1>when I prompted you here you talk about that, because

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<v Speaker 1>I think everybody needs to read that thing, and if

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<v Speaker 1>you haven't, in tandem at least watched the movie too,

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<v Speaker 1>because I think that, yeah, whatever they put out, who knows,

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<v Speaker 1>the Epstein thing was a big flop, so we'll see.

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<v Speaker 3>Yeah, a bunch of it was redacted. So I'm sure

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<v Speaker 3>that that's the way that a lot of these other

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<v Speaker 3>documents are going to go to. It's a bunch of

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<v Speaker 3>it's just going to be redacted. I mean, the people

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<v Speaker 3>that they disclosed in the Epstein documents was like the

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<v Speaker 3>not the clients, but the contact list. So it was

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<v Speaker 3>like Michael Jackson and a few other people that were

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<v Speaker 3>the people that had already been named before, but the

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<v Speaker 3>client list was completely redacted. So and people are trying

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<v Speaker 3>to put it out there like that the contact list

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<v Speaker 3>is the client list, and that's not true. The contact

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<v Speaker 3>list is different than the client list. The contact person

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<v Speaker 3>is just somebody that you contact that doesn't necessarily mean

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<v Speaker 3>that they're a client. But the client list was redacted

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<v Speaker 3>because they said that those people are victims, which in

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<v Speaker 3>one sense I understand in a way, But just release it, Broill,

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<v Speaker 3>just release the whole thing, let us see exactly what

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<v Speaker 3>was going on, But they're obvious. But this is supposed

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<v Speaker 3>to be one of three dumps, so maybe we'll get

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<v Speaker 3>something else in the other dumps. Who knows.

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<v Speaker 1>The phase thing just reminds me so much of the

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<v Speaker 1>Twitter files. It's like, why can't we just get a

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<v Speaker 1>WikiLeaks drop on all of it and then.

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<v Speaker 2>We can read it.

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<v Speaker 1>Why do we need a filter of alternative media personalities

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<v Speaker 1>who are all sketchy to begin with to be the

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<v Speaker 1>ones to filter it to us? So yeah, I mean

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<v Speaker 1>I didn't expect anything but the Dog and Pony show

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<v Speaker 1>it was something else, and I'm not expecting anything big

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<v Speaker 1>in the other phases.

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<v Speaker 2>So we'll see.

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<v Speaker 3>But I mean, we can have hope. At least he

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<v Speaker 3>has essentially done what he said that he was going

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<v Speaker 3>to do. I mean, you know what I mean. He

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<v Speaker 3>said he was going to release release the files. They're

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<v Speaker 3>going to be released, So I mean, I can't really

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<v Speaker 3>complain because I really don't believe that anybody else would

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<v Speaker 3>have even have brought that up. That would never even

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<v Speaker 3>have been a talking point for any other candidate, right,

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<v Speaker 3>So at least he's sticking to a guns and what

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<v Speaker 3>he said that he was going to do.

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<v Speaker 1>Yeah, essentially ross Olbrick being free.

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<v Speaker 2>I never saw that happening ever.

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<v Speaker 1>I mean I was kind of big into that whole

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<v Speaker 1>thing when it went down.

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<v Speaker 2>So yeah, the promise is being kept. I'm all about that.

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<v Speaker 1>But yeah, let's talk about a Clockwork Shining. And I

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<v Speaker 1>guess i'll just ask you because I know that Jay

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<v Speaker 1>Widner did his moon landing thing about Kubrick, can you

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<v Speaker 1>guys briefly touch on that in this movie again? Go

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<v Speaker 1>watch that if you haven't. And what is that one

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<v Speaker 1>called the Kubrick Code or.

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<v Speaker 3>Something like that, Cubric's Odyssey, Cubric's Odyssey one and two.

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<v Speaker 1>Yeah, I think I was thinking of Jay Dyer or

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<v Speaker 1>Isaac Waisoffer, one of those guys. But yeah, those movies,

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<v Speaker 1>and this is kind of like, from what I understand,

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<v Speaker 1>it's almost like a trilogy now the way that this

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<v Speaker 1>has been put out.

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<v Speaker 3>Yeah, this one's like a quasi trilogy to that. So

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<v Speaker 3>the full title, the subtitle is A Cubric's Odyssey three,

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<v Speaker 3>So the full title is A Clockwork Shining in A

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<v Speaker 3>Cubric's Odyssey three. So it's kind of like a quality

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<v Speaker 3>third installment, finishing up those because he was going to

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<v Speaker 3>originally do a third one. I think he was going

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<v Speaker 3>to call it Cubriic The Magician or something like that

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<v Speaker 3>until I came along and I was like, hey, this

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<v Speaker 3>is a new theory and I think that it makes

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<v Speaker 3>one hundred percent sense, and he was like, cool, let's

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<v Speaker 3>do it, and there it is. So we kind of

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<v Speaker 3>made it to wrap up his Kubrick trilogy. So yeah,

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<v Speaker 3>and I think it only made sense to do because

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<v Speaker 3>he's already done two other movies on Cubriic, so this

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<v Speaker 3>one's like the third one. So it kind of wraps

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<v Speaker 3>everything up for him.

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<v Speaker 1>And so you brought this MK ultra type grand scenario

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<v Speaker 1>to him, this is your baby?

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<v Speaker 3>Then yes?

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<v Speaker 2>Nice? All right.

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<v Speaker 1>Well, so then I'll ask you just about Kubrick in general,

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<v Speaker 1>because I think there's three things you could say.

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<v Speaker 2>He was a bad guy.

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<v Speaker 1>He was a tool of disclosure, or he was rogue,

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<v Speaker 1>and maybe it could be a combination of all three.

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<v Speaker 1>I mean, do you have like an overall opinion on

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<v Speaker 1>what you think he was all about because he's given

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<v Speaker 1>us so much, but he also was rubbing shoulders with

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<v Speaker 1>everybody that we call bad guys.

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<v Speaker 3>Well, essentially you do have to rub shoulders with people

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<v Speaker 3>that you necessarily don't want to rub shoulders. But that's

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<v Speaker 3>really how anything works in business, in the movie industry

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<v Speaker 3>and politics and like all of that, right, you essentially

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<v Speaker 3>have to do that. But I think that we kind

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<v Speaker 3>of purposefuvely didn't bring what exactly we thought about Kubrick

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<v Speaker 3>into the movie because it's kind of up for interpretation

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<v Speaker 3>right there. I mean, he's dead, he's passed away. Really

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<v Speaker 3>the only information that we can get is about you know,

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<v Speaker 3>people that knew him before or his family, and it's

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<v Speaker 3>really difficult to dige exactly what was going on with him.

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<v Speaker 3>So we kind of took a step back from that

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<v Speaker 3>and not really commenting so much on what we what

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<v Speaker 3>kind of person we thought Qubreic actually was. And I

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<v Speaker 3>think that that honestly serves the movie the best because

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<v Speaker 3>if we're just speaking directly on qubreak and we're like, okay, yeah,

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<v Speaker 3>he's he's a one good guy, because you're gonna have

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<v Speaker 3>that division right like that, there's a group of people

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<v Speaker 3>that's gonna think that he's he was like you know god,

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<v Speaker 3>and then there's gonna be the other group of people

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<v Speaker 3>that are like, oh, well, he was a horrible guy.

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<v Speaker 3>He treated everyone badly. You know, he was harassing people

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<v Speaker 3>on set and doing a hundred different takes on any

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<v Speaker 3>given scene, which is fact. He was definitely doing that.

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<v Speaker 3>But he was a perfectionist, right. He was a filmmaker,

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<v Speaker 3>he was an artist, and he wanted to bring that

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<v Speaker 3>realistic nature to his movies. And I think that that's

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<v Speaker 3>we're just trying to stay away from that, because it

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<v Speaker 3>was like, it's exactly like what we were talking about

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<v Speaker 3>with Trump, Like there's going to be a section of

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<v Speaker 3>people that hate him no matter what, and then there's

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<v Speaker 3>going to be people that look at him like a god.

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<v Speaker 3>And I don't think any either one of those are correct,

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<v Speaker 3>you know, So I think it lies somewhere in the middle,

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<v Speaker 3>and I think he's he computer back and forth on it,

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<v Speaker 3>you know.

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<v Speaker 4>Yeah.

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<v Speaker 1>And I mean this thing that just popped into my

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<v Speaker 1>head was the Beef fifty two bomber where he was

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<v Speaker 1>contacted because he made it too accurate, and you got

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<v Speaker 1>into that a lot on I heard you on Ground

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<v Speaker 1>Zero with Clyde Lewis, and he kind of wanted to

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<v Speaker 1>talk about that a little bit, so even more so

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<v Speaker 1>than it was in the movie. But I want to know,

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<v Speaker 1>like when he and this is speculation, probably, but like,

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<v Speaker 1>when was he brought to the attention to these bigger people,

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<v Speaker 1>because it seems like just with Doctor Strangelove two thousand

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<v Speaker 1>and one Space Odyssey, and you mentioned that he had

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<v Speaker 1>a whole list of people that he, you know, was

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<v Speaker 1>acknowledging at the end of Space Odyssey, and it's basically

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<v Speaker 1>just different factions of the Department adjust or the Department

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<v Speaker 1>of Defense. And I mean we talk about Operation mocking

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<v Speaker 1>Bird quite a bit on this show, so just the

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<v Speaker 1>fact that they're still doing it to this day.

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<v Speaker 2>But yeah, even back then, I don't.

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<v Speaker 1>Think anybody had any idea that that kind of stuff

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<v Speaker 1>was going on with military personnel and the overlap with Hollywood.

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<v Speaker 1>But one thing you brought up that I thought was

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<v Speaker 1>kind of interesting and I hadn't heard before, is Kubrick

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<v Speaker 1>did not want to make The Shining and it was

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<v Speaker 1>almost like they handed it to him after he flopped

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00:16:57.039 --> 00:17:02.120
<v Speaker 1>with what was the movie? Yes, So I just kind

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<v Speaker 1>of find it fascinating that it is one of his most.

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<v Speaker 2>Popular movies by far.

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<v Speaker 1>I think it's right up there with his best and

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<v Speaker 1>the fact that he didn't want to do it and

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<v Speaker 1>he ended up doing what he did with it and

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00:17:14.640 --> 00:17:16.720
<v Speaker 1>how it worked out so well, and what you think

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00:17:16.759 --> 00:17:20.119
<v Speaker 1>this overall message he's trying to give to us. It's

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<v Speaker 1>just like a happy accident basically.

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<v Speaker 3>Yeah, that makes the most sense to me. And with

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<v Speaker 3>Doctor Strangelove, I think that is where it started, like

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<v Speaker 3>this relationship with the intelligence community and the Air Force

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<v Speaker 3>and the military, because it was like you were saying,

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<v Speaker 3>no one really knew this since the inception of movies.

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<v Speaker 3>That's why we have the big Laurel Canyon section in

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<v Speaker 3>the documentary because it shows that the military was involved

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<v Speaker 3>in Hollywood, in the Hollywood, that the military was essentially

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<v Speaker 3>making all of these movies, like thousands of movies that

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00:18:04.359 --> 00:18:08.319
<v Speaker 3>nobody knows exactly what they were because they're still classified

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<v Speaker 3>to this very day, like tens of thousands of movies.

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<v Speaker 3>All the footage that we show when we're talking about

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<v Speaker 3>Laurel Canyon is all real footage. That's all real footage

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<v Speaker 3>from Lookout Mountain Air Force Base. Like whenever they're grabbing

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<v Speaker 3>those big barrels of like movie reels, all that's real

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<v Speaker 3>footage from Lookout Mountain.

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<v Speaker 1>Yeah, and you had to have like such high level

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<v Speaker 1>of security clearance to even step foot there.

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<v Speaker 3>So it makes sense when Cubri got this help from

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<v Speaker 3>making two thousand and one, and he had he was

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<v Speaker 3>thinking all the intelligence communities, Langley, Virginia Air Force intelligence,

329
00:18:55.400 --> 00:19:00.240
<v Speaker 3>a lot of government contractors were all in the ending

330
00:19:00.319 --> 00:19:03.400
<v Speaker 3>credits to two thousand and one A Space Odyssey, and

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<v Speaker 3>someone had to have seen that and they were like, oh,

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<v Speaker 3>you can't have that in there, you know, we can't

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00:19:11.200 --> 00:19:15.440
<v Speaker 3>let people know that there's this collaboration regardless of like

334
00:19:15.519 --> 00:19:18.440
<v Speaker 3>what it is, regardless if it's something nefarious or if

335
00:19:18.440 --> 00:19:21.640
<v Speaker 3>it's not anything nefarious. I mean, they could have just been,

336
00:19:22.160 --> 00:19:26.920
<v Speaker 3>you know, giving him things to model the stuff after

337
00:19:27.160 --> 00:19:31.039
<v Speaker 3>who knows exactly, you know, what it was. But obviously

338
00:19:31.079 --> 00:19:33.960
<v Speaker 3>it seems like it's a lot more because two thousand

339
00:19:33.960 --> 00:19:37.319
<v Speaker 3>and one of Space Odyssey was using special effects like

340
00:19:37.440 --> 00:19:39.839
<v Speaker 3>Jay Weiner talks about with the front screen projection that

341
00:19:39.880 --> 00:19:42.799
<v Speaker 3>had never been done before, you know, So how was

342
00:19:42.839 --> 00:19:47.400
<v Speaker 3>he getting all of this really hyper advanced technology to

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<v Speaker 3>be able to a lot of people say that they

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00:19:51.640 --> 00:19:57.559
<v Speaker 3>were NASA cameras that he was using. They had a

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00:19:57.599 --> 00:20:04.119
<v Speaker 3>special lens on them, and like a special modified lens

346
00:20:04.680 --> 00:20:10.400
<v Speaker 3>that he shot with. And it seems like someone's seen

347
00:20:10.519 --> 00:20:13.119
<v Speaker 3>that those credits where he thinked all the people and

348
00:20:13.160 --> 00:20:14.920
<v Speaker 3>were like, yeah, you got to take that out because

349
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<v Speaker 3>we also show documents within the movie of you know,

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<v Speaker 3>intelligence communities involvement with films that have come out you

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<v Speaker 3>know since then, like the Transformers movie that was all

352
00:20:25.599 --> 00:20:27.839
<v Speaker 3>got through four year requests, Like people send it for

353
00:20:28.119 --> 00:20:30.599
<v Speaker 3>four year requests and it would come back and be like, yeah,

354
00:20:30.599 --> 00:20:34.039
<v Speaker 3>the military and the CIA tomorrow will never die. Some

355
00:20:34.079 --> 00:20:38.079
<v Speaker 3>of the James Bond films, uh, you know had collaborations

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<v Speaker 3>with the intelligence community and the military. So if you

357
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<v Speaker 3>didn't already know about that, it's still important to see

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<v Speaker 3>in a movie. And for the people that didn't know

359
00:20:49.319 --> 00:20:51.720
<v Speaker 3>about it, I'm sure that they were, you know, kind

360
00:20:51.720 --> 00:20:54.799
<v Speaker 3>of shocked about it because you know, that's a really

361
00:20:54.799 --> 00:20:57.519
<v Speaker 3>important thing and they definitely wanted to take that out

362
00:20:57.640 --> 00:21:01.279
<v Speaker 3>and you know, make that a reveal for later on

363
00:21:01.359 --> 00:21:04.200
<v Speaker 3>in the future when people really don't care about it anymore.

364
00:21:04.720 --> 00:21:08.200
<v Speaker 3>Because that's another thing about these types of documents and

365
00:21:08.279 --> 00:21:12.920
<v Speaker 3>things that are you know coming out, is normally they don't.

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<v Speaker 3>I mean, the JFK Files has been a really long

367
00:21:15.680 --> 00:21:20.880
<v Speaker 3>time you know since it happened for them to be released,

368
00:21:21.519 --> 00:21:25.440
<v Speaker 3>but you know the Epstein files are different that when

369
00:21:25.839 --> 00:21:29.920
<v Speaker 3>that was like twenty and sixteen seventeen, right in that area.

370
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<v Speaker 3>And that's one that's really recent that, which is surprising

371
00:21:35.680 --> 00:21:39.200
<v Speaker 3>that they're even going to release because it's normally they

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<v Speaker 3>wait a really long time in between the event happening

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<v Speaker 3>and then them releasing any kind of real information about it,

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00:21:45.480 --> 00:21:49.240
<v Speaker 3>so by the time that it's released, people no longer care.

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<v Speaker 2>Yeah, this has been that I're responsible or probably fucking long.

376
00:21:53.240 --> 00:21:58.400
<v Speaker 3>Dead exactly so. And I think the the twenty twenty

377
00:21:58.440 --> 00:22:03.160
<v Speaker 3>files right won't be released until like twenty sixty or

378
00:22:03.200 --> 00:22:05.279
<v Speaker 3>something like that. They already put a date on those,

379
00:22:05.480 --> 00:22:08.240
<v Speaker 3>but they should release the freaking nine to eleven files.

380
00:22:08.839 --> 00:22:11.559
<v Speaker 3>Why not release the nine eleven files? You bring those out?

381
00:22:11.599 --> 00:22:16.039
<v Speaker 3>Has been what twenty twenty four years, Like, release the

382
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<v Speaker 3>freaking nine eleven files.

383
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<v Speaker 2>That'd be nice.

384
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<v Speaker 3>Let's find out about building seven, bro. We all need

385
00:22:21.039 --> 00:22:22.200
<v Speaker 3>to know about building solving.

386
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<v Speaker 1>Yeah, And I just wanted to throw in there. Anybody

387
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<v Speaker 1>who's a fan of the Marvel movies, Disney is.

388
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<v Speaker 2>The Pentagon Slash CIA and.

389
00:22:32.920 --> 00:22:35.359
<v Speaker 1>The Pentagon, And you can find these some documents like

390
00:22:35.440 --> 00:22:38.480
<v Speaker 1>what he's talking about here. They put hundreds of millions

391
00:22:38.519 --> 00:22:41.799
<v Speaker 1>of dollars into the Iron Man Iron Man franchise alone,

392
00:22:42.359 --> 00:22:45.559
<v Speaker 1>which you gave Elon Musk a little cameo in the

393
00:22:45.599 --> 00:22:50.160
<v Speaker 1>second one Tony Stark himself. But yeah, let's get into

394
00:22:50.559 --> 00:22:55.039
<v Speaker 1>the shining because the first thing that you brought up

395
00:22:55.079 --> 00:22:59.480
<v Speaker 1>that kind of opens this mk ultra theory is she's

396
00:22:59.519 --> 00:23:02.160
<v Speaker 1>reading Catcher in the Rye at the kitchen table before

397
00:23:02.200 --> 00:23:04.240
<v Speaker 1>they even go up to the hotel.

398
00:23:04.319 --> 00:23:06.400
<v Speaker 2>And Catcher in the Rye.

399
00:23:06.920 --> 00:23:08.920
<v Speaker 1>I think you mentioned this and it might have been

400
00:23:08.960 --> 00:23:11.359
<v Speaker 1>on The Occult Rejects, and I never even thought of this,

401
00:23:11.440 --> 00:23:13.440
<v Speaker 1>Like at the time that that movie was filming, those

402
00:23:13.480 --> 00:23:17.559
<v Speaker 1>assassinations hadn't even happened yet with you know, John Lennon

403
00:23:17.640 --> 00:23:23.480
<v Speaker 1>and Reagan, Yeah, Mark, David Chapman and John Hinckley Junior.

404
00:23:23.839 --> 00:23:26.640
<v Speaker 3>And then there was another one that was brought to

405
00:23:26.680 --> 00:23:29.440
<v Speaker 3>my attention by William Ramsey. I had him on my

406
00:23:29.480 --> 00:23:32.240
<v Speaker 3>show recently. And there was another one that happened that

407
00:23:32.359 --> 00:23:35.599
<v Speaker 3>involved Ketcher in the Rye, which I think was I

408
00:23:35.599 --> 00:23:41.079
<v Speaker 3>think he said early eighties or somewhere around there, not

409
00:23:41.160 --> 00:23:44.799
<v Speaker 3>one hundred percent sure all the time, but her name

410
00:23:44.880 --> 00:23:48.759
<v Speaker 3>was Rebecca Schaeffer and it happened in Hollywood, and Catcher

411
00:23:48.799 --> 00:23:53.119
<v Speaker 3>in the Rye was involved in that murder slash assassination

412
00:23:53.240 --> 00:23:58.160
<v Speaker 3>as well, so there was three. But yes, Catcher in

413
00:23:58.200 --> 00:24:00.759
<v Speaker 3>the Rye he had it, Windy is reading it in

414
00:24:00.839 --> 00:24:03.480
<v Speaker 3>the very beginning of The Shining Qubriic had it in there,

415
00:24:03.799 --> 00:24:07.359
<v Speaker 3>and the movie was released a year before the two

416
00:24:07.559 --> 00:24:10.519
<v Speaker 3>assassinations which happened almost back to back, which what you

417
00:24:10.640 --> 00:24:13.920
<v Speaker 3>just mentioned John Lennon and the attempted assassination on Ronald Reagan,

418
00:24:15.599 --> 00:24:21.160
<v Speaker 3>And how did Kubrick know to have that book in

419
00:24:21.200 --> 00:24:23.640
<v Speaker 3>there and have Wendy reading it? And then when you

420
00:24:23.680 --> 00:24:26.720
<v Speaker 3>think about it, you're like, oh my god. This book

421
00:24:26.759 --> 00:24:30.640
<v Speaker 3>has been involved with, you know, the two major assassinations

422
00:24:30.640 --> 00:24:33.480
<v Speaker 3>that everyone knows about, but a third one with Rebecca Schaeffer.

423
00:24:33.599 --> 00:24:35.839
<v Speaker 3>And people have theorized that this book as some sort

424
00:24:35.880 --> 00:24:41.279
<v Speaker 3>of mk Ultramanchurian Canada style trigger for these assassinations. And

425
00:24:41.359 --> 00:24:46.640
<v Speaker 3>what is Jack doing throughout the entire Shining movie. He's

426
00:24:46.640 --> 00:24:49.640
<v Speaker 3>attempting to kill his families, attempting to kill Danny and

427
00:24:50.039 --> 00:24:53.839
<v Speaker 3>kill Wendy. Right, So you put that together, you're like,

428
00:24:55.240 --> 00:24:58.519
<v Speaker 3>holy shit, this is what it seems like. And then

429
00:24:59.240 --> 00:25:02.839
<v Speaker 3>you see how he is being you know, made to

430
00:25:03.519 --> 00:25:06.119
<v Speaker 3>write the same sentence over and over and over and

431
00:25:06.160 --> 00:25:09.799
<v Speaker 3>over again, which is exactly like Sir Hans Sirhan did

432
00:25:09.880 --> 00:25:14.240
<v Speaker 3>whenever he supposedly assassinated RFK. He's writing the same thing

433
00:25:14.279 --> 00:25:17.000
<v Speaker 3>over and over, RFK must die, RFK must die, which

434
00:25:17.039 --> 00:25:21.160
<v Speaker 3>is psychic driving, which was created by human Cameron in Canada,

435
00:25:21.599 --> 00:25:28.319
<v Speaker 3>which was to implant certain thoughts and ideas to change

436
00:25:28.359 --> 00:25:32.359
<v Speaker 3>the person's behavior on things that they normally wouldn't do right.

437
00:25:33.000 --> 00:25:36.200
<v Speaker 3>And that's a real MK ultra technique and we have

438
00:25:36.279 --> 00:25:40.119
<v Speaker 3>the real life evidence of that with sir Han Surhan,

439
00:25:41.640 --> 00:25:44.599
<v Speaker 3>and Jack is essentially doing the exact same thing the

440
00:25:44.640 --> 00:25:46.880
<v Speaker 3>sir Han Sirhan was doing, just in his own way,

441
00:25:47.000 --> 00:25:48.759
<v Speaker 3>you know all working to no play makes Jack a

442
00:25:48.839 --> 00:25:52.839
<v Speaker 3>dull boy. It's the exact same type of programming. And

443
00:25:52.880 --> 00:25:56.799
<v Speaker 3>then when Wendy comes in and realizes that he's not

444
00:25:56.960 --> 00:25:59.759
<v Speaker 3>writing a novel, he's just writing the same phrase over

445
00:25:59.799 --> 00:26:02.559
<v Speaker 3>and over and over again, he then becomes triggered and

446
00:26:02.599 --> 00:26:09.079
<v Speaker 3>then he does then he tries to essentially kill Wendy. Yeah,

447
00:26:09.519 --> 00:26:12.160
<v Speaker 3>it goes from Danny to Wendy. So first off, it's

448
00:26:12.400 --> 00:26:17.400
<v Speaker 3>it's Danny. Whenever Grady is talking to Jack in the bathroom,

449
00:26:17.519 --> 00:26:21.440
<v Speaker 3>he's the focus is on Danny. He's like, the boy

450
00:26:21.519 --> 00:26:25.240
<v Speaker 3>is a problem. You need to correct correct him, sir,

451
00:26:25.519 --> 00:26:30.000
<v Speaker 3>like I corrected my two daughters, you know. And the

452
00:26:30.079 --> 00:26:32.359
<v Speaker 3>focus is on Danny. So then it's not on Wendy.

453
00:26:32.599 --> 00:26:36.079
<v Speaker 3>But then when Wendy comes in and essentially triggers Jack

454
00:26:36.160 --> 00:26:39.759
<v Speaker 3>by finding out that he's not writing the novel, right,

455
00:26:39.799 --> 00:26:42.759
<v Speaker 3>then the focus is on her. And then when Grady

456
00:26:42.960 --> 00:26:45.720
<v Speaker 3>is then talking to him outside of the door in

457
00:26:45.799 --> 00:26:52.240
<v Speaker 3>the storage room, it shifts focus from Danny to now Wendy,

458
00:26:53.000 --> 00:27:01.319
<v Speaker 3>and Grady says that Wendy is stronger than they had thought.

459
00:27:01.640 --> 00:27:05.359
<v Speaker 3>Those aren't the exact words, but it's essentially like, Wendy is,

460
00:27:05.519 --> 00:27:08.720
<v Speaker 3>you know, stronger than we had thought. And what he

461
00:27:08.799 --> 00:27:13.359
<v Speaker 3>means by that is that she's stronger mentally. She's obviously

462
00:27:13.400 --> 00:27:17.559
<v Speaker 3>not strong physically, she's you know, a super skinny woman.

463
00:27:18.640 --> 00:27:22.480
<v Speaker 3>So she's stronger mentally in her head. She's harder to crack,

464
00:27:23.880 --> 00:27:26.680
<v Speaker 3>she's harder to break down, she's harder to mind fracture

465
00:27:27.119 --> 00:27:30.480
<v Speaker 3>than Jack was. Because Jack had already you know, gone

466
00:27:30.559 --> 00:27:34.519
<v Speaker 3>through trauma, he'd already had the he was already an alcoholic,

467
00:27:35.759 --> 00:27:39.319
<v Speaker 3>right and Danny had already been through the trauma as well,

468
00:27:39.640 --> 00:27:43.960
<v Speaker 3>with Jack coming in and essentially abusing Danny when he

469
00:27:44.039 --> 00:27:46.319
<v Speaker 3>came home and his papers were all over the floor

470
00:27:46.240 --> 00:27:48.279
<v Speaker 3>or whatever, and he yanked Danny out by his arm

471
00:27:48.440 --> 00:27:51.440
<v Speaker 3>and broke his arm, well, injured his arm, is what

472
00:27:51.839 --> 00:27:57.559
<v Speaker 3>Wendy said. And then that's when Danny started receiving his abilities. Yeah,

473
00:27:57.880 --> 00:27:59.920
<v Speaker 3>that's all from the movie. That's what the doctor talks

474
00:28:00.079 --> 00:28:02.119
<v Speaker 3>Wendy about in the in the beginning of the movie.

475
00:28:02.480 --> 00:28:05.200
<v Speaker 3>So Jack has already been traumatized, Danny has already been traumatized.

476
00:28:05.519 --> 00:28:09.000
<v Speaker 3>That means that they are way more susceptible to MK

477
00:28:09.200 --> 00:28:13.680
<v Speaker 3>ultra style mind control programming. But Wendy isn't. Wendy hasn't

478
00:28:13.720 --> 00:28:18.240
<v Speaker 3>had the trauma yet. So whenever Jack comes in and

479
00:28:18.279 --> 00:28:21.440
<v Speaker 3>tries to, you know, break down the door with the

480
00:28:21.680 --> 00:28:25.359
<v Speaker 3>with the axe to get her, she's starting to get

481
00:28:25.440 --> 00:28:28.440
<v Speaker 3>it because that's the traumatic event, right, And then whenever

482
00:28:28.480 --> 00:28:33.480
<v Speaker 3>she goes downstairs, and whenever Jack goes after whenever he

483
00:28:33.480 --> 00:28:36.960
<v Speaker 3>hears Hollarin pulling up in the snowmobile, the snow cat,

484
00:28:37.359 --> 00:28:40.920
<v Speaker 3>he goes downstairs and Hollarin comes through the door, and

485
00:28:40.960 --> 00:28:43.799
<v Speaker 3>then he comes through and hits Hollarin in the chest

486
00:28:43.880 --> 00:28:47.359
<v Speaker 3>with the axe, kills him. Then he goes after Danny

487
00:28:47.599 --> 00:28:51.279
<v Speaker 3>downstairs in the uh. Then they go outside into the maze,

488
00:28:51.359 --> 00:28:53.079
<v Speaker 3>and the maze is a maze of the mind. I

489
00:28:53.160 --> 00:28:55.240
<v Speaker 3>hope I'm not losing people here too much and kind

490
00:28:55.240 --> 00:28:58.039
<v Speaker 3>of just going on and on. So he goes out,

491
00:28:58.079 --> 00:29:00.759
<v Speaker 3>and the maze is a metaphor for the mind. So

492
00:29:01.319 --> 00:29:03.640
<v Speaker 3>and then Danny has to retrace his steps in the

493
00:29:03.680 --> 00:29:06.359
<v Speaker 3>maze in his mind to escape Jack. And then Jack

494
00:29:06.480 --> 00:29:09.200
<v Speaker 3>is lost in the maze because he's like catatonic. He's

495
00:29:09.359 --> 00:29:14.160
<v Speaker 3>succumbed to the ultra pro style programming. But Wendy whenever

496
00:29:14.200 --> 00:29:18.599
<v Speaker 3>she comes downstairs and she sees Hollarin dead on the ground,

497
00:29:19.000 --> 00:29:22.039
<v Speaker 3>that's another really traumatic event. And then after she sees

498
00:29:22.519 --> 00:29:26.000
<v Speaker 3>Halarin dad on the ground, but one she's not expecting

499
00:29:26.000 --> 00:29:30.000
<v Speaker 3>Hollarin to even be there. Two he's dead, very traumatic,

500
00:29:30.519 --> 00:29:33.400
<v Speaker 3>and she had just been tried to be killed with

501
00:29:33.480 --> 00:29:39.079
<v Speaker 3>an axe by Jack. So after she comes downstairs, all

502
00:29:39.119 --> 00:29:41.200
<v Speaker 3>that stuff happens to her. She sees Hollarin dud on

503
00:29:41.200 --> 00:29:47.079
<v Speaker 3>the ground. That's when she starts experiencing her what the

504
00:29:47.200 --> 00:29:51.240
<v Speaker 3>audience has led to believe as hallucinations. She sees the

505
00:29:51.440 --> 00:29:54.680
<v Speaker 3>skeletons in the in the room. She turns around and

506
00:29:54.720 --> 00:29:58.400
<v Speaker 3>sees the guy with his head split that's holding the glass.

507
00:29:58.440 --> 00:30:03.720
<v Speaker 3>It's a great party, isn't right. That's the symbolization because

508
00:30:03.759 --> 00:30:06.359
<v Speaker 3>he has a streak of blood coming down the center

509
00:30:06.400 --> 00:30:12.119
<v Speaker 3>of his forehead. That's symbolically referencing the mind split, the

510
00:30:12.200 --> 00:30:17.039
<v Speaker 3>mind fracture, And she's starting to succumb to the mk

511
00:30:17.240 --> 00:30:21.119
<v Speaker 3>Ultra style mind control programming. She didn't experience any of

512
00:30:21.160 --> 00:30:25.960
<v Speaker 3>this stuff throughout the entire movie until she was traumatized

513
00:30:25.960 --> 00:30:26.559
<v Speaker 3>by Jack.

514
00:30:27.759 --> 00:30:33.640
<v Speaker 1>Yeah, and you pointed out too that Jack and Danny

515
00:30:33.680 --> 00:30:39.400
<v Speaker 1>who hallucinate after entering room two three seven. So you

516
00:30:39.480 --> 00:30:41.119
<v Speaker 1>want to talk about that a little bit because I

517
00:30:41.119 --> 00:30:44.519
<v Speaker 1>found that whole theory to be I mean, you can

518
00:30:44.559 --> 00:30:48.039
<v Speaker 1>look up the mk Ultra disclosure files for yourself to

519
00:30:48.039 --> 00:30:49.480
<v Speaker 1>see the kind of stuff they were doing.

520
00:30:51.319 --> 00:30:56.519
<v Speaker 3>Yeah, so Jack is he goes into meet with Lloyd

521
00:30:56.559 --> 00:31:01.599
<v Speaker 3>the bartender. We believe that Lloyd is a real person.

522
00:31:01.799 --> 00:31:03.839
<v Speaker 3>We believe that all the people in the hotel are

523
00:31:03.880 --> 00:31:04.480
<v Speaker 3>real people.

524
00:31:05.559 --> 00:31:07.440
<v Speaker 4>They're actors that are.

525
00:31:07.279 --> 00:31:10.319
<v Speaker 3>There like playing a role play. They're essentially they're playing

526
00:31:10.400 --> 00:31:14.359
<v Speaker 3>a lart. They're LARPing. It's like Shutter Island, right. Have

527
00:31:14.440 --> 00:31:17.799
<v Speaker 3>you seen the movie Shutter Island with Leonardo DiCaprio, where

528
00:31:17.920 --> 00:31:22.279
<v Speaker 3>essentially the entire freaking psychiatric facility, all the workers and

529
00:31:22.319 --> 00:31:26.640
<v Speaker 3>everything are LARPing their positions at the end of the movie.

530
00:31:27.440 --> 00:31:31.519
<v Speaker 3>They're actors playing actors in an acting movie. So that's

531
00:31:31.599 --> 00:31:35.680
<v Speaker 3>essentially what all the people at the overlook are. They're actors.

532
00:31:35.880 --> 00:31:39.759
<v Speaker 3>They're not ghosts. They're actors there to play a role

533
00:31:40.440 --> 00:31:44.599
<v Speaker 3>to essentially see what they can get Jack to do

534
00:31:45.519 --> 00:31:49.000
<v Speaker 3>to his family. It's an experiment. It's a giant experiment.

535
00:31:50.240 --> 00:31:54.279
<v Speaker 3>So Jack walks into the gold room, meets Lloyd. Lloyd

536
00:31:54.319 --> 00:31:58.200
<v Speaker 3>gives them an alcoholic drink. It has been well known

537
00:31:58.400 --> 00:32:03.000
<v Speaker 3>that the CIA has spiked alcoholic drinks with some form

538
00:32:03.000 --> 00:32:06.039
<v Speaker 3>of health hallucinogenic. This has happened time and time again.

539
00:32:06.119 --> 00:32:11.480
<v Speaker 3>Even an LSD aerosol has been sprayed. There's documentation on

540
00:32:11.559 --> 00:32:13.400
<v Speaker 3>all this. You can get on and look at the

541
00:32:13.480 --> 00:32:16.160
<v Speaker 3>mk ultro files or look up stories of.

542
00:32:16.240 --> 00:32:17.960
<v Speaker 2>Operation Midnight Climax.

543
00:32:18.000 --> 00:32:21.079
<v Speaker 1>They were trying the air isolation and kind of ended

544
00:32:21.160 --> 00:32:24.160
<v Speaker 1>up going with the drinks because it was easier to control.

545
00:32:25.039 --> 00:32:29.839
<v Speaker 3>Yep, and so Lloyd gives Jack his first drink of alcohol.

546
00:32:30.079 --> 00:32:33.519
<v Speaker 3>Then Wendy comes in and Wendy is like, Danny was

547
00:32:33.559 --> 00:32:38.240
<v Speaker 3>attacked by a woman in one of the upstairs bedrooms,

548
00:32:39.079 --> 00:32:42.519
<v Speaker 3>so he goes up there, then he encounters the woman.

549
00:32:43.079 --> 00:32:47.599
<v Speaker 3>And then later on whenever he goes up to the

550
00:32:47.640 --> 00:32:50.680
<v Speaker 3>apartment that they're staying at, Wendy said, Whendy asked him,

551
00:32:50.720 --> 00:32:54.839
<v Speaker 3>he's She's like, did you see anything? It's like, I

552
00:32:54.839 --> 00:33:01.640
<v Speaker 3>didn't see a goddamn thing up there, which is synonymous with.

553
00:33:03.839 --> 00:33:03.880
<v Speaker 1>That.

554
00:33:04.039 --> 00:33:10.000
<v Speaker 3>You know, you've essentially been drugged, right, Like you if

555
00:33:10.000 --> 00:33:13.319
<v Speaker 3>you experience something that's not there, like the only thing

556
00:33:13.559 --> 00:33:15.559
<v Speaker 3>that you can think of is like, oh, well, you've

557
00:33:15.759 --> 00:33:19.720
<v Speaker 3>you've been drugged. So it's a combination of drugs and

558
00:33:20.640 --> 00:33:24.440
<v Speaker 3>like actors. And then also with the aerosol, it's very

559
00:33:25.519 --> 00:33:28.880
<v Speaker 3>apparent that it's either an aerosol that's in room two

560
00:33:28.960 --> 00:33:33.279
<v Speaker 3>thirty seven LSD drug aerosol that's in there, because when

561
00:33:33.359 --> 00:33:36.400
<v Speaker 3>Danny goes in, that's how he could have experienced that

562
00:33:36.559 --> 00:33:39.759
<v Speaker 3>as well. So they sprayed the aerosol on Danny and

563
00:33:39.799 --> 00:33:45.200
<v Speaker 3>then they had Jack drink the laced alcohol with LSD

564
00:33:45.319 --> 00:33:47.240
<v Speaker 3>and that's how he experienced it.

565
00:33:48.599 --> 00:33:51.319
<v Speaker 1>And to just backtrack a little bit to just lend

566
00:33:51.359 --> 00:33:54.359
<v Speaker 1>more credence to what you're saying. When they're having the

567
00:33:54.400 --> 00:33:57.119
<v Speaker 1>meeting at the beginning talking about him going up there,

568
00:33:57.799 --> 00:34:03.640
<v Speaker 1>they keep mentioning our people in Denver, and you have

569
00:34:03.720 --> 00:34:05.480
<v Speaker 1>some theories about what that could mean.

570
00:34:07.880 --> 00:34:11.599
<v Speaker 3>Yeah, that's something that I really found odd when I

571
00:34:11.719 --> 00:34:14.800
<v Speaker 3>was watching it. Several times, I was like, why do

572
00:34:14.840 --> 00:34:18.079
<v Speaker 3>they keep mentioning these people in Denver right there? Over

573
00:34:18.159 --> 00:34:20.639
<v Speaker 3>and over again. It was at least we put a

574
00:34:20.639 --> 00:34:25.360
<v Speaker 3>compilation of it in the movie, and I'm pretty sure

575
00:34:25.360 --> 00:34:29.360
<v Speaker 3>it's at least five or six times that either Jack

576
00:34:29.840 --> 00:34:34.480
<v Speaker 3>or Almond mentions our people in Denver.

577
00:34:34.679 --> 00:34:36.679
<v Speaker 2>Another JFK connection there.

578
00:34:36.840 --> 00:34:41.440
<v Speaker 3>Yeah, which Olman looks striking lean similar to JFK's. And

579
00:34:41.440 --> 00:34:46.199
<v Speaker 3>we've got the American flag thing on his desk. And

580
00:34:48.440 --> 00:34:51.639
<v Speaker 3>Bill Watson, which we didn't really get into it in

581
00:34:51.679 --> 00:34:54.800
<v Speaker 3>the movie a lot because it was difficult to find

582
00:34:55.000 --> 00:34:58.840
<v Speaker 3>photos of Sydney Gottlieb, but we're essentially relating Bill Watson

583
00:34:58.920 --> 00:35:03.239
<v Speaker 3>as the the main person behind the entire operation. He's

584
00:35:03.280 --> 00:35:07.559
<v Speaker 3>the silent partner, right, He's actually the main guy that

585
00:35:07.840 --> 00:35:12.760
<v Speaker 3>the front is that it's Alman, but it's really Bill

586
00:35:12.800 --> 00:35:20.280
<v Speaker 3>Watson that's running the whole shindig, right, you know how

587
00:35:20.320 --> 00:35:24.280
<v Speaker 3>that's happened. Sometimes like you'll get that front person, but

588
00:35:24.320 --> 00:35:27.039
<v Speaker 3>the person that's really behind that person is the one

589
00:35:27.039 --> 00:35:29.199
<v Speaker 3>that actually makes all the real decisions and is in

590
00:35:29.280 --> 00:35:34.920
<v Speaker 3>charge of the operation. Yeah, that's that's how what's going

591
00:35:34.960 --> 00:35:37.000
<v Speaker 3>on here. And we didn't really bring it up within

592
00:35:37.039 --> 00:35:41.519
<v Speaker 3>the movie because it was difficult to relate Bill Watson

593
00:35:41.599 --> 00:35:46.239
<v Speaker 3>to Sydney Gottlieb, just because there's very few photos that

594
00:35:46.400 --> 00:35:50.519
<v Speaker 3>you can find of Sidney Gottlieb. So but but they

595
00:35:50.559 --> 00:35:54.440
<v Speaker 3>do resemble each other in the the way that they

596
00:35:54.639 --> 00:35:56.280
<v Speaker 3>dress and the way that they look, and even they're

597
00:35:56.559 --> 00:36:01.280
<v Speaker 3>like their facial structure. Yeah, experi similar to each other.

598
00:36:01.599 --> 00:36:04.920
<v Speaker 1>I got my hand on a paperback several years ago.

599
00:36:05.000 --> 00:36:08.400
<v Speaker 1>It's called Poisoner in Chief and it's about Gottlieb. And

600
00:36:08.440 --> 00:36:10.719
<v Speaker 1>I'm trying to remember if you can. You know, most

601
00:36:10.719 --> 00:36:16.000
<v Speaker 1>paperbacks have the little thin section of like glossy printed

602
00:36:16.039 --> 00:36:18.000
<v Speaker 1>photos in the middle. I don't remember if that one

603
00:36:18.000 --> 00:36:20.960
<v Speaker 1>did or not, but yeah, I haven't heard that. I'm

604
00:36:20.960 --> 00:36:23.280
<v Speaker 1>looking into that one as soon as we get off here,

605
00:36:23.320 --> 00:36:27.000
<v Speaker 1>because that's interesting. So, yeah, the people in Denver and

606
00:36:27.280 --> 00:36:30.440
<v Speaker 1>You've mentioned how Denver is kind of maybe a hub

607
00:36:30.519 --> 00:36:33.000
<v Speaker 1>for intelligence because it's in the center of the country

608
00:36:33.719 --> 00:36:37.719
<v Speaker 1>and they're just overseeing this project up in the mountains.

609
00:36:37.719 --> 00:36:40.320
<v Speaker 1>And yeah, you don't think this is the first time

610
00:36:40.760 --> 00:36:43.199
<v Speaker 1>this has gone on, right, This is like Jack might

611
00:36:43.239 --> 00:36:46.760
<v Speaker 1>be whatever number in a series of experiments they're doing

612
00:36:46.840 --> 00:36:47.280
<v Speaker 1>up there.

613
00:36:48.480 --> 00:36:52.880
<v Speaker 3>Yes, that's what I believe that the scene of the

614
00:36:52.920 --> 00:36:56.840
<v Speaker 3>shining is depicting. It's not depicting anything like reincarnation. When

615
00:36:56.880 --> 00:36:59.920
<v Speaker 3>it pans down on July fourth, nineteen twenty one, does

616
00:37:00.079 --> 00:37:04.639
<v Speaker 3>have anything to do with reincarnation or spiritual things. It's

617
00:37:04.679 --> 00:37:11.039
<v Speaker 3>a date marker for how long they've been running some

618
00:37:11.079 --> 00:37:15.920
<v Speaker 3>sort of operation up there at the Overlook Hotel. They

619
00:37:15.960 --> 00:37:19.880
<v Speaker 3>do it every year, and they get different kinds of

620
00:37:20.119 --> 00:37:24.480
<v Speaker 3>scenarios every single year. And when you think about it,

621
00:37:24.480 --> 00:37:27.199
<v Speaker 3>it's like the perfect place, right because no one's up there,

622
00:37:27.239 --> 00:37:29.599
<v Speaker 3>it's the middle of the winter, it snows a lot

623
00:37:29.719 --> 00:37:34.280
<v Speaker 3>up there, you get snowed into the hotel. It's honestly

624
00:37:34.320 --> 00:37:40.480
<v Speaker 3>a perfect location to run some sort of operation up there,

625
00:37:40.519 --> 00:37:46.559
<v Speaker 3>some sort of experiments, some sort of mind control type

626
00:37:46.599 --> 00:37:49.679
<v Speaker 3>of scenario, and they do it every single year. And

627
00:37:50.679 --> 00:37:54.719
<v Speaker 3>that's what makes the most sense to me, and some

628
00:37:54.760 --> 00:37:57.840
<v Speaker 3>of the experiments work out, some of them don't. Some

629
00:37:57.880 --> 00:38:02.559
<v Speaker 3>of them go a rhyme. For sure, the Grady one

630
00:38:03.519 --> 00:38:06.159
<v Speaker 3>went awrye. But I think that that kind of like

631
00:38:06.199 --> 00:38:09.639
<v Speaker 3>became the goal. It became the goal to see if

632
00:38:09.679 --> 00:38:14.800
<v Speaker 3>they can actually get the person that they're experimenting on

633
00:38:16.159 --> 00:38:19.440
<v Speaker 3>to kill people, to murder people.

634
00:38:21.519 --> 00:38:24.800
<v Speaker 1>Especially if you would murder your own family, Who wouldn't.

635
00:38:24.480 --> 00:38:25.519
<v Speaker 2>You murder.

636
00:38:27.039 --> 00:38:32.199
<v Speaker 3>Exactly, and then shown the original ending of the shining

637
00:38:34.039 --> 00:38:36.280
<v Speaker 3>It really makes all the sense in the world because

638
00:38:36.320 --> 00:38:39.559
<v Speaker 3>Almond comes into the hospital when Wendy is there, Danny

639
00:38:39.719 --> 00:38:42.400
<v Speaker 3>is there as well. Almond comes in, talks to Wendy

640
00:38:42.440 --> 00:38:45.840
<v Speaker 3>and is like, everything that you said to the police

641
00:38:45.880 --> 00:38:48.480
<v Speaker 3>and the staff here at the hospital, we can't find

642
00:38:48.519 --> 00:38:52.800
<v Speaker 3>any evidence of there's no evidence of anything that you said.

643
00:38:52.840 --> 00:38:54.840
<v Speaker 3>So that means that they essentially went in and cleaned

644
00:38:54.920 --> 00:38:59.079
<v Speaker 3>up the entire operation, like get rid of Jack's body,

645
00:38:59.119 --> 00:39:01.760
<v Speaker 3>get rid of how and get rid of the weapons.

646
00:39:02.840 --> 00:39:05.280
<v Speaker 3>But it can double as somebody that's looking at it

647
00:39:05.320 --> 00:39:07.960
<v Speaker 3>on like the surface level, on the you know, the

648
00:39:08.000 --> 00:39:10.519
<v Speaker 3>main level, as that it was just ghosts.

649
00:39:11.719 --> 00:39:17.199
<v Speaker 1>Yeah, because you've pointed out before that essentially Kubrick made

650
00:39:17.239 --> 00:39:19.119
<v Speaker 1>this a psychological thriller.

651
00:39:19.159 --> 00:39:21.159
<v Speaker 2>He didn't really have paranormal stuff in there.

652
00:39:21.159 --> 00:39:23.639
<v Speaker 1>But yeah, if you just look at the bar scene, like, oh,

653
00:39:23.639 --> 00:39:26.639
<v Speaker 1>those are ghosts or the hallucinations in your room two

654
00:39:26.639 --> 00:39:31.719
<v Speaker 1>three seven is like ghosts or possession. But it's not

655
00:39:32.159 --> 00:39:35.000
<v Speaker 1>your typical paranormal movie and it's not like the book

656
00:39:35.000 --> 00:39:35.880
<v Speaker 1>in that way at all.

657
00:39:38.199 --> 00:39:42.760
<v Speaker 3>It's not and that I believe that that is why

658
00:39:42.840 --> 00:39:45.239
<v Speaker 3>Qubriic made it that way, because he's he's trying to

659
00:39:45.239 --> 00:39:47.159
<v Speaker 3>tell you an underlying story. He's trying to tell you

660
00:39:47.199 --> 00:39:50.920
<v Speaker 3>a history of these types of operations and these types

661
00:39:50.960 --> 00:39:56.400
<v Speaker 3>of programs, and that it involves MK ultra and mind control. Right,

662
00:39:56.559 --> 00:40:00.599
<v Speaker 3>because the anything that is that it seems to be

663
00:40:00.840 --> 00:40:06.400
<v Speaker 3>on the surface level being paranormal, can also be real,

664
00:40:07.320 --> 00:40:14.199
<v Speaker 3>like real physical people. There's nothing other than when the

665
00:40:15.440 --> 00:40:20.599
<v Speaker 3>woman turns from a very hot, attractive woman into an

666
00:40:20.639 --> 00:40:25.840
<v Speaker 3>elderly lady, which that can be explained by Jack being drugged.

667
00:40:26.119 --> 00:40:33.480
<v Speaker 3>Everything else can be real physical people. So he's kind

668
00:40:33.519 --> 00:40:37.639
<v Speaker 3>of codd it in there, as it can go either way.

669
00:40:37.679 --> 00:40:39.280
<v Speaker 3>So if you're just looking at him on the surface

670
00:40:39.360 --> 00:40:42.000
<v Speaker 3>level of it, then okay, it's all just you know,

671
00:40:42.559 --> 00:40:45.639
<v Speaker 3>it's just paranormal. Lloyd the bartender is a ghost but

672
00:40:45.800 --> 00:40:48.840
<v Speaker 3>somehow has alcohol and is like a physical thing and

673
00:40:48.960 --> 00:40:51.400
<v Speaker 3>is able to move things around. All the people that

674
00:40:51.440 --> 00:40:54.360
<v Speaker 3>were in the party in the gold Room are somehow

675
00:40:55.360 --> 00:40:58.920
<v Speaker 3>ghosts too, but that doesn't make any sense because they

676
00:40:58.920 --> 00:41:02.239
<v Speaker 3>all look super real. Grady bumps into Jack with the

677
00:41:02.280 --> 00:41:05.079
<v Speaker 3>tray and hits him and then has a full blown

678
00:41:05.719 --> 00:41:16.199
<v Speaker 3>on conversation, and Grady doesn't ever admit that he that

679
00:41:16.480 --> 00:41:20.119
<v Speaker 3>he's a ghost, right, He says, oh well, I don't recall, sir,

680
00:41:21.199 --> 00:41:23.960
<v Speaker 3>So whenever Jack is like, weren't you weren't you the

681
00:41:24.000 --> 00:41:28.599
<v Speaker 3>caretaker here? Which is another really strange thing within the shining.

682
00:41:29.159 --> 00:41:32.039
<v Speaker 3>He goes by two different names, Delbert Grady and Charles Grady,

683
00:41:33.559 --> 00:41:38.840
<v Speaker 3>so Alman calls him Charles Grady and then he refers

684
00:41:39.360 --> 00:41:43.559
<v Speaker 3>to himself while talking to Jack, is Delbert Grady. So

685
00:41:44.280 --> 00:41:48.800
<v Speaker 3>two different names in there. But he never once implies

686
00:41:48.880 --> 00:41:51.880
<v Speaker 3>to Jack that he's a ghost or that he's paranormal.

687
00:41:51.920 --> 00:41:56.360
<v Speaker 3>He's like, oh well, I don't recall, sir, yea. So

688
00:41:56.760 --> 00:41:59.760
<v Speaker 3>all the things that seem to be paranormal make more

689
00:42:01.599 --> 00:42:04.639
<v Speaker 3>if they're real people, if they're LARPing the entire thing.

690
00:42:05.119 --> 00:42:08.800
<v Speaker 3>That's how Jack gets let out of the storage room. Right,

691
00:42:08.960 --> 00:42:13.000
<v Speaker 3>a ghost. It's Grady outside of the storage room that

692
00:42:13.119 --> 00:42:17.960
<v Speaker 3>unlocks it. Alman was the one that rolled the ball

693
00:42:18.039 --> 00:42:23.960
<v Speaker 3>toward Danny. Okay, because at the end of the movie

694
00:42:24.800 --> 00:42:28.239
<v Speaker 3>in their original ending, the Stanley Kubrick got in there

695
00:42:28.280 --> 00:42:34.199
<v Speaker 3>that he cut out after the test screenings. Almond whenever

696
00:42:34.239 --> 00:42:35.639
<v Speaker 3>he goes in to talk to Windy and says that

697
00:42:36.000 --> 00:42:38.320
<v Speaker 3>nothing that she has said had ever happened there. He

698
00:42:38.480 --> 00:42:43.639
<v Speaker 3>also throws the tennis ball that Jack was bouncing off

699
00:42:43.800 --> 00:42:45.760
<v Speaker 3>the wall before he goes and looks at the model

700
00:42:45.760 --> 00:42:48.159
<v Speaker 3>of the maze, and also is the tennis ball that

701
00:42:48.440 --> 00:42:52.280
<v Speaker 3>inconspicuously rolled toward Danny to make him go into room

702
00:42:52.320 --> 00:42:55.960
<v Speaker 3>two thirty seven. Right, So how did he know about

703
00:42:55.960 --> 00:42:56.639
<v Speaker 3>the tennis ball?

704
00:42:58.480 --> 00:43:00.400
<v Speaker 2>That's a good point.

705
00:43:00.760 --> 00:43:02.800
<v Speaker 1>Did you talk about that in the movie about him

706
00:43:02.880 --> 00:43:03.679
<v Speaker 1>rolling them the ball?

707
00:43:04.880 --> 00:43:09.800
<v Speaker 3>Yes, we did, and whenever we were showing the footage

708
00:43:09.800 --> 00:43:15.559
<v Speaker 3>from the pictures in the script from the original ending, Okay,

709
00:43:15.639 --> 00:43:19.519
<v Speaker 3>that's right. Yeah, I mentioned that all men hands the

710
00:43:19.840 --> 00:43:25.079
<v Speaker 3>tennis ball to Danny watches the exact same tennis ball

711
00:43:25.320 --> 00:43:28.320
<v Speaker 3>that Jack was bouncing off of the wall. And it's

712
00:43:28.400 --> 00:43:33.760
<v Speaker 3>also the same tennis ball the rolls toward Danny.

713
00:43:33.920 --> 00:43:36.880
<v Speaker 1>All right, Well, I want to talk about Jack Nicholson

714
00:43:36.920 --> 00:43:42.679
<v Speaker 1>a little bit because my girlfriend does a podcast and

715
00:43:42.760 --> 00:43:45.679
<v Speaker 1>she's into like Dave McGowan a lot, and not just

716
00:43:46.280 --> 00:43:49.760
<v Speaker 1>the Laurel Canyon stuff, but the program to Kill Shit With.

717
00:43:50.519 --> 00:43:53.079
<v Speaker 1>You can get into Ted Bundy. But we kind of

718
00:43:53.119 --> 00:43:56.519
<v Speaker 1>stumbled upon something and I kind of started thinking in

719
00:43:56.639 --> 00:44:00.760
<v Speaker 1>a weird outside the box way because Jack Nicholson and

720
00:44:00.800 --> 00:44:04.079
<v Speaker 1>Ted Bundy they almost have the same exact story as

721
00:44:04.119 --> 00:44:08.320
<v Speaker 1>far as do you know about Jack Nicholson. He's basically undocumented,

722
00:44:08.360 --> 00:44:12.639
<v Speaker 1>there's no birth certificate, and his mother who he thought

723
00:44:12.719 --> 00:44:16.360
<v Speaker 1>was his mother or is his grandma and his mom

724
00:44:16.480 --> 00:44:17.039
<v Speaker 1>is his sister.

725
00:44:17.199 --> 00:44:18.480
<v Speaker 2>Same thing with Ted Bundy.

726
00:44:18.519 --> 00:44:21.559
<v Speaker 1>But there's some stuff in the shining with the yellow

727
00:44:21.559 --> 00:44:24.880
<v Speaker 1>beetle and he replaced the red beetle as you pointed out,

728
00:44:25.440 --> 00:44:28.400
<v Speaker 1>But it was almost like a Ted Bundy thing where

729
00:44:29.760 --> 00:44:32.159
<v Speaker 1>I just think there's so many parallels between him. And

730
00:44:32.199 --> 00:44:36.000
<v Speaker 1>then we watched this interview footage of Ted Bundy and

731
00:44:36.039 --> 00:44:39.360
<v Speaker 1>I think it was when he was in All Places, Colorado,

732
00:44:40.000 --> 00:44:42.320
<v Speaker 1>and I swear to God that was Jack Nicholson.

733
00:44:42.880 --> 00:44:43.840
<v Speaker 2>It looked like him.

734
00:44:43.840 --> 00:44:46.519
<v Speaker 1>It sounded like him, and Ted Bundy was like a

735
00:44:46.559 --> 00:44:50.599
<v Speaker 1>chameleon because he never looked the same. There's witness testimony

736
00:44:50.599 --> 00:44:52.480
<v Speaker 1>of Yeah, he looked like a different person every time

737
00:44:52.519 --> 00:44:55.920
<v Speaker 1>I saw him. And it's almost like Ted Bundy was

738
00:44:55.960 --> 00:44:58.400
<v Speaker 1>an operation, and I got to think that Jack Nicholson

739
00:44:58.480 --> 00:45:00.400
<v Speaker 1>was a part of it somehow after a a that.

740
00:45:00.599 --> 00:45:04.440
<v Speaker 1>I'll have to send you the video because it just

741
00:45:04.519 --> 00:45:07.400
<v Speaker 1>seems like Jack Nicholson wearing a little bit of makeup

742
00:45:07.480 --> 00:45:11.599
<v Speaker 1>or a prosthetic face or something, And I don't know,

743
00:45:12.119 --> 00:45:14.159
<v Speaker 1>it's just something I wanted to throw at you since

744
00:45:14.159 --> 00:45:16.480
<v Speaker 1>we're talking about Jack and the shining.

745
00:45:16.760 --> 00:45:19.280
<v Speaker 3>That's really interesting. Definitely send me the video. I would

746
00:45:19.280 --> 00:45:20.000
<v Speaker 3>like to check that out.

747
00:45:20.079 --> 00:45:24.000
<v Speaker 1>Yeah, I will, because the voice and the eyebrows and

748
00:45:24.039 --> 00:45:27.320
<v Speaker 1>the smile, the mannerisms, it just I don't know, maybe

749
00:45:27.360 --> 00:45:31.280
<v Speaker 1>Ted Bundy was never really one person and it's just

750
00:45:31.639 --> 00:45:34.480
<v Speaker 1>like another type of operations. So do you think that

751
00:45:34.760 --> 00:45:38.960
<v Speaker 1>Kubrick was privy to this kind of shit going on

752
00:45:39.519 --> 00:45:41.239
<v Speaker 1>and he was trying to disclose it to us? So

753
00:45:41.280 --> 00:45:42.840
<v Speaker 1>do you think it was just like a theory he

754
00:45:42.920 --> 00:45:43.480
<v Speaker 1>might have had.

755
00:45:45.400 --> 00:45:49.400
<v Speaker 3>He definitely had to be privy to it, because just

756
00:45:49.480 --> 00:45:51.840
<v Speaker 3>based on the fact that he made a clockwork orange

757
00:45:53.519 --> 00:45:56.840
<v Speaker 3>in nineteen seventy, right, that's I mean, he had to

758
00:45:58.519 --> 00:46:01.960
<v Speaker 3>know that was going on in some kind of way,

759
00:46:03.239 --> 00:46:08.239
<v Speaker 3>or I don't think that he could just bring a

760
00:46:08.239 --> 00:46:14.760
<v Speaker 3>clockwork orange out of his imagination because it's very similar

761
00:46:14.920 --> 00:46:18.000
<v Speaker 3>to what they were really doing.

762
00:46:18.800 --> 00:46:22.480
<v Speaker 1>Yeah, and it's also based on a book, and he

763
00:46:22.559 --> 00:46:24.920
<v Speaker 1>took a lot of fucking liberties like he like he

764
00:46:24.960 --> 00:46:27.039
<v Speaker 1>did with The Shining And I mean I tried to

765
00:46:27.079 --> 00:46:28.679
<v Speaker 1>read the book. I think I might have got about

766
00:46:28.719 --> 00:46:30.880
<v Speaker 1>halfway through. It is just so hard to read. Have

767
00:46:30.920 --> 00:46:31.480
<v Speaker 1>you read it.

768
00:46:32.360 --> 00:46:33.239
<v Speaker 3>I have not read the book.

769
00:46:33.440 --> 00:46:34.280
<v Speaker 2>It's hard, man.

770
00:46:34.320 --> 00:46:36.280
<v Speaker 1>If you can get through it, let me know, because

771
00:46:36.360 --> 00:46:39.559
<v Speaker 1>it's just it's almost like another language, Like you know,

772
00:46:39.559 --> 00:46:41.000
<v Speaker 1>the language they speak in the movie.

773
00:46:41.039 --> 00:46:44.559
<v Speaker 2>The book's written like that, so you kind of almost

774
00:46:44.599 --> 00:46:44.960
<v Speaker 2>got to.

775
00:46:44.920 --> 00:46:49.639
<v Speaker 1>Like learned code the way it's written. So do you

776
00:46:50.719 --> 00:46:54.800
<v Speaker 1>what about Eyes White Shut? What's your take on that

777
00:46:54.880 --> 00:46:55.400
<v Speaker 1>whole thing?

778
00:46:57.519 --> 00:47:01.480
<v Speaker 3>Well, it's a really interesting one, and there's a lot

779
00:47:01.480 --> 00:47:04.719
<v Speaker 3>of theories and speculation on that one as well. The

780
00:47:04.760 --> 00:47:07.360
<v Speaker 3>people have theorized that there was twenty minutes of the

781
00:47:07.400 --> 00:47:11.400
<v Speaker 3>movie that were cut out of the end when he

782
00:47:11.480 --> 00:47:15.079
<v Speaker 3>showed it to Warner Brothers and Warner Brothers asked him

783
00:47:15.119 --> 00:47:20.000
<v Speaker 3>to cut some scenes out of the movie. He didn't

784
00:47:20.000 --> 00:47:23.199
<v Speaker 3>want to do it, and then you know, it turns

785
00:47:23.280 --> 00:47:28.039
<v Speaker 3>up dead of a heart attack. But we don't really

786
00:47:28.039 --> 00:47:30.719
<v Speaker 3>have any I think the only people that would know

787
00:47:30.840 --> 00:47:36.039
<v Speaker 3>would be the executives at Warner Brothers and the main

788
00:47:36.119 --> 00:47:41.000
<v Speaker 3>actors that were in the movie, because I'm pretty sure

789
00:47:41.159 --> 00:47:50.360
<v Speaker 3>that he invited the main actors to view the movie,

790
00:47:50.880 --> 00:47:55.559
<v Speaker 3>and so of course Nicole Kidman and Tom Cruise, they

791
00:47:55.599 --> 00:47:57.119
<v Speaker 3>would have had to have seen it, so they would

792
00:47:57.159 --> 00:48:00.000
<v Speaker 3>be the only ones that would be able to verify

793
00:48:00.000 --> 00:48:06.079
<v Speaker 3>if I if there was something different from Kubrick's original

794
00:48:06.159 --> 00:48:08.079
<v Speaker 3>cut and what everybody else saw.

795
00:48:09.880 --> 00:48:12.000
<v Speaker 2>Yeah, I was listening to Uh.

796
00:48:12.360 --> 00:48:14.880
<v Speaker 1>It was a Joe Rogan episode probably a few months back,

797
00:48:14.920 --> 00:48:18.920
<v Speaker 1>where Quentin Tarantino and Roger Avery that helped him write

798
00:48:18.960 --> 00:48:23.679
<v Speaker 1>the stories for Pulp Fiction. Roger Avery said that he's

799
00:48:23.719 --> 00:48:25.599
<v Speaker 1>one hundred percent sure, and I mean he knows a

800
00:48:25.599 --> 00:48:28.360
<v Speaker 1>lot of these people in Hollywood that we didn't get

801
00:48:28.360 --> 00:48:31.719
<v Speaker 1>the cut Kubrick wanted to put out. And usually when

802
00:48:31.719 --> 00:48:33.960
<v Speaker 1>I hear people say that, it's like they're guessing. But

803
00:48:34.039 --> 00:48:36.599
<v Speaker 1>he sounded really sure about it, and I mean I

804
00:48:36.599 --> 00:48:38.920
<v Speaker 1>got to lean that way myself. A gun to head

805
00:48:39.000 --> 00:48:42.000
<v Speaker 1>had to take a guess. But do you know who

806
00:48:42.400 --> 00:48:44.199
<v Speaker 1>Sean McCann from Wake the Dead is.

807
00:48:45.360 --> 00:48:45.840
<v Speaker 3>No, I don't.

808
00:48:46.159 --> 00:48:48.679
<v Speaker 1>So he's got this theory you should look into it

809
00:48:48.800 --> 00:48:52.239
<v Speaker 1>where he plays the movie against itself.

810
00:48:52.360 --> 00:48:55.000
<v Speaker 2>So he starts he.

811
00:48:55.000 --> 00:48:56.760
<v Speaker 1>Just starts the movie like normal, and then he has

812
00:48:56.800 --> 00:48:59.920
<v Speaker 1>a time code where he starts it again and then

813
00:49:00.119 --> 00:49:03.920
<v Speaker 1>movie almost talks to itself and answers questions, and he's

814
00:49:03.960 --> 00:49:07.960
<v Speaker 1>convinced that he's stumbled upon a code that Kuber intentionally

815
00:49:07.960 --> 00:49:12.199
<v Speaker 1>put out there. And I mean, it's compelling. I would

816
00:49:12.239 --> 00:49:14.199
<v Speaker 1>definitely check it out if it is you. And I

817
00:49:14.280 --> 00:49:16.159
<v Speaker 1>know he went on William Ramsey and talked.

818
00:49:15.960 --> 00:49:18.960
<v Speaker 2>About it if that might be a good place to

819
00:49:19.000 --> 00:49:19.480
<v Speaker 2>look at it.

820
00:49:19.519 --> 00:49:22.000
<v Speaker 1>But now he's doing all sorts of things where he

821
00:49:22.079 --> 00:49:26.199
<v Speaker 1>plays eyes wide shut, starts the Shining, and there's just

822
00:49:26.239 --> 00:49:28.000
<v Speaker 1>this whole I mean, this guy's got a lot of

823
00:49:28.039 --> 00:49:29.760
<v Speaker 1>time on his hands. And it's kind of like when

824
00:49:29.760 --> 00:49:33.159
<v Speaker 1>you used to like start Dark Side of the Moon

825
00:49:33.239 --> 00:49:35.559
<v Speaker 1>with a Wizard of Oz kind of thing.

826
00:49:36.400 --> 00:49:38.320
<v Speaker 3>But you know, you can also do that with The Shining.

827
00:49:38.360 --> 00:49:41.480
<v Speaker 3>You can play it forwards and backwards at the same time.

828
00:49:41.840 --> 00:49:43.679
<v Speaker 2>Really, have you done that.

829
00:49:44.320 --> 00:49:46.400
<v Speaker 3>I've never personally done it, but I've seen it done

830
00:49:46.920 --> 00:49:51.079
<v Speaker 3>and it's online and pretty much everything like lines up

831
00:49:52.239 --> 00:49:57.760
<v Speaker 3>interesting And that's what they say about like per perfection, right,

832
00:49:59.320 --> 00:50:06.559
<v Speaker 3>something as per You can do it both ways right

833
00:50:07.519 --> 00:50:10.920
<v Speaker 3>and watch your forwards, you can watch your backwards and

834
00:50:11.199 --> 00:50:13.719
<v Speaker 3>it's still creates the same story.

835
00:50:14.280 --> 00:50:15.599
<v Speaker 2>Are you a David Lynch fan?

836
00:50:16.639 --> 00:50:17.559
<v Speaker 3>I do like David Lynch.

837
00:50:17.840 --> 00:50:19.519
<v Speaker 1>Yeah. It kind of reminds me of the way he

838
00:50:19.639 --> 00:50:24.800
<v Speaker 1>hired that little dude to do the Lions backwards and then.

839
00:50:24.639 --> 00:50:25.760
<v Speaker 2>He would play him.

840
00:50:26.280 --> 00:50:29.440
<v Speaker 1>He the guy talks backwards so that when you play

841
00:50:29.440 --> 00:50:31.960
<v Speaker 1>it backwards, he's talking normally and.

842
00:50:31.960 --> 00:50:34.480
<v Speaker 2>It's just like he said, it wasn't even that hard

843
00:50:34.519 --> 00:50:34.760
<v Speaker 2>to do.

844
00:50:35.199 --> 00:50:38.079
<v Speaker 1>He's like, when, yeah, when you're starting something back and

845
00:50:38.320 --> 00:50:39.599
<v Speaker 1>it should make as much sense.

846
00:50:40.119 --> 00:50:43.000
<v Speaker 2>I don't know, but yeah, I mean that's.

847
00:50:42.800 --> 00:50:47.280
<v Speaker 3>Some martial arts like like the masters will tell you

848
00:50:47.360 --> 00:50:54.440
<v Speaker 3>that whenever you're performing like a you know, taekwondo in

849
00:50:54.519 --> 00:51:00.519
<v Speaker 3>Korea they call forms, and in karate they call it katas.

850
00:51:01.280 --> 00:51:08.079
<v Speaker 3>You become a master when you can perform those forms

851
00:51:08.159 --> 00:51:15.360
<v Speaker 3>or those kadas in reverse, so you learn the former

852
00:51:15.440 --> 00:51:19.840
<v Speaker 3>kada front words and then but you really learn it

853
00:51:21.079 --> 00:51:24.360
<v Speaker 3>when you can do it backwards.

854
00:51:25.760 --> 00:51:26.400
<v Speaker 2>Interesting.

855
00:51:27.719 --> 00:51:32.400
<v Speaker 1>So Laurel Canyon, that's probably my favorite topic.

856
00:51:32.639 --> 00:51:34.360
<v Speaker 2>And you got a.

857
00:51:34.400 --> 00:51:37.440
<v Speaker 1>Guy in there as man his I wanted to remember

858
00:51:37.440 --> 00:51:40.159
<v Speaker 1>his name, It's Mark Devlin. Yes, that he's like a

859
00:51:40.199 --> 00:51:44.159
<v Speaker 1>British dude, right, and man, what a find that was.

860
00:51:44.239 --> 00:51:46.960
<v Speaker 1>And to get his input on all that stuff, because

861
00:51:47.880 --> 00:51:51.119
<v Speaker 1>you know, all we really have is McGowan and people

862
00:51:51.159 --> 00:51:55.280
<v Speaker 1>who have uh kind of taken his researcher and I

863
00:51:55.320 --> 00:51:59.119
<v Speaker 1>ran with it. But it seems to me that the

864
00:51:59.159 --> 00:52:02.920
<v Speaker 1>fact that you could put Laurel Canyon and the Beatles

865
00:52:03.039 --> 00:52:05.760
<v Speaker 1>and all of this and it all ties to the Shining,

866
00:52:06.360 --> 00:52:09.400
<v Speaker 1>I just intrigues me because the more research we do

867
00:52:10.519 --> 00:52:13.039
<v Speaker 1>and you see that it's pretty much all connected. I

868
00:52:13.039 --> 00:52:15.400
<v Speaker 1>mean I was stoked when you said you're gonna put

869
00:52:15.440 --> 00:52:18.239
<v Speaker 1>Laurel Canyon stuff in this movie, and as like trying

870
00:52:18.239 --> 00:52:19.920
<v Speaker 1>to figure out how it would work out, but it

871
00:52:20.079 --> 00:52:22.719
<v Speaker 1>just it really flows into it, just as well as

872
00:52:22.840 --> 00:52:24.599
<v Speaker 1>you know, all the Kubrick stuff.

873
00:52:26.400 --> 00:52:31.159
<v Speaker 3>Yeah, the Laurel Canyon section was very important because Kubrick

874
00:52:31.440 --> 00:52:33.440
<v Speaker 3>lived in la for a couple of years too, so

875
00:52:35.440 --> 00:52:37.880
<v Speaker 3>and I'm pretty sure that everybody during that time was

876
00:52:37.920 --> 00:52:42.360
<v Speaker 3>at least aware that the military had a freaking movie

877
00:52:42.400 --> 00:52:46.400
<v Speaker 3>studio on top of Laurel Canyon. I mean several actors

878
00:52:46.480 --> 00:52:50.599
<v Speaker 3>had top ranking security clearance for it. Ronald Reagan had it,

879
00:52:50.679 --> 00:52:55.639
<v Speaker 3>Marilyn Monroe, Carrie Grant, James Stewart, and the list goes

880
00:52:55.679 --> 00:53:02.800
<v Speaker 3>on and on and me yep, Walt Disney had the

881
00:53:03.719 --> 00:53:06.559
<v Speaker 3>had the clearance there as well. So it's like, exactly

882
00:53:06.599 --> 00:53:08.239
<v Speaker 3>what what were they doing up there? But we do

883
00:53:08.360 --> 00:53:13.519
<v Speaker 3>know that that's where the the nuclear testing footage was done,

884
00:53:13.920 --> 00:53:17.920
<v Speaker 3>and all the nuclear testing footage was done on miniature sets.

885
00:53:18.239 --> 00:53:21.840
<v Speaker 1>Yeah, because the official story is that they developed the

886
00:53:21.920 --> 00:53:22.880
<v Speaker 1>test footage there.

887
00:53:22.920 --> 00:53:26.920
<v Speaker 3>It's like, no, you shot it there, Yeah, you can't

888
00:53:27.000 --> 00:53:32.360
<v Speaker 3>explode it a supposed nuclear bomb and the camera still survived. Bro,

889
00:53:33.000 --> 00:53:35.880
<v Speaker 3>give me a break, dude, not going to happen. You're

890
00:53:35.880 --> 00:53:39.880
<v Speaker 3>telling me that a big, giant, bulky camera, because that's

891
00:53:39.920 --> 00:53:43.400
<v Speaker 3>what they were back then, right, They're the big freaking

892
00:53:43.679 --> 00:53:47.199
<v Speaker 3>shoulder cameras that you had to look through a freaking

893
00:53:47.480 --> 00:53:54.079
<v Speaker 3>viewfinder to know exactly what you're shooting, which makes zero

894
00:53:54.239 --> 00:53:58.320
<v Speaker 3>sense for the moon landing footage. You're telling me that

895
00:53:58.360 --> 00:54:04.039
<v Speaker 3>they that they brought a giant freaking video camera up

896
00:54:04.039 --> 00:54:07.400
<v Speaker 3>on a space shuttle and went to the Moon and

897
00:54:07.559 --> 00:54:10.039
<v Speaker 3>was able to look through the viewfinder to get a

898
00:54:11.400 --> 00:54:15.159
<v Speaker 3>good shot through a space suit, through a space helmet.

899
00:54:15.760 --> 00:54:19.880
<v Speaker 3>They were able to know exactly what they were filming. Yeah,

900
00:54:19.880 --> 00:54:22.159
<v Speaker 3>and I don't know if you've ever messed around with

901
00:54:22.199 --> 00:54:23.599
<v Speaker 3>one of those old cameras before.

902
00:54:24.039 --> 00:54:26.760
<v Speaker 2>I've held one. I wouldn't. I've never used one.

903
00:54:27.639 --> 00:54:31.639
<v Speaker 3>They are old, they are bulky, and they're inconvenient.

904
00:54:33.000 --> 00:54:36.719
<v Speaker 1>Yeah, most of them were hand cranked too, like especially

905
00:54:37.599 --> 00:54:38.480
<v Speaker 1>in the forties.

906
00:54:40.800 --> 00:54:45.599
<v Speaker 3>Probably the smallest sized one, I don't even have anything

907
00:54:45.719 --> 00:54:47.960
<v Speaker 3>for reference.

908
00:54:48.000 --> 00:54:55.199
<v Speaker 4>I guess this this, this Egyptian photograph here would probably

909
00:54:55.360 --> 00:54:59.519
<v Speaker 4>be the smallest type of camera that they could possibly have.

910
00:54:59.559 --> 00:55:03.679
<v Speaker 3>So it'd have a a lens here, and you would

911
00:55:03.719 --> 00:55:08.519
<v Speaker 3>be holding it like this in order to film, like

912
00:55:08.639 --> 00:55:14.440
<v Speaker 3>up on your shoulder because it's heavy, and the viewfinder

913
00:55:14.639 --> 00:55:18.039
<v Speaker 3>would like be here, so you would have it would

914
00:55:18.239 --> 00:55:21.320
<v Speaker 3>have to be out like this. You wouldn't be able

915
00:55:21.360 --> 00:55:25.360
<v Speaker 3>to be looking through a viewfinder with a giant freaking

916
00:55:25.440 --> 00:55:29.400
<v Speaker 3>space suit on. You'd have no idea what you're shooting.

917
00:55:29.480 --> 00:55:34.519
<v Speaker 3>It would be all like this. You'd be like, you

918
00:55:34.519 --> 00:55:36.920
<v Speaker 3>wouldn't have any idea you couldn't keep it still because

919
00:55:36.920 --> 00:55:37.679
<v Speaker 3>it's so heavy.

920
00:55:39.960 --> 00:55:44.519
<v Speaker 1>What about I'll just ask, do you think that nuclear

921
00:55:44.960 --> 00:55:46.239
<v Speaker 1>bombs even exist?

922
00:55:47.480 --> 00:55:49.360
<v Speaker 3>Oh? Man, you have to bring that question out?

923
00:55:49.519 --> 00:55:51.519
<v Speaker 1>Well, I don't, so if you don't, if you want

924
00:55:51.559 --> 00:55:53.800
<v Speaker 1>to not feel embarrassed, if you feel that way too.

925
00:55:53.840 --> 00:55:56.320
<v Speaker 1>But I'm not afraid to say it anymore. I just

926
00:55:56.360 --> 00:55:59.239
<v Speaker 1>think there's enough evidence that they faked. I mean, they

927
00:55:59.239 --> 00:56:02.199
<v Speaker 1>did fire bomb the fuck out of Japan, sure, but

928
00:56:02.280 --> 00:56:03.639
<v Speaker 1>they also did that in Vietnam.

929
00:56:04.320 --> 00:56:05.480
<v Speaker 2>It wasn't nukes there.

930
00:56:08.760 --> 00:56:12.639
<v Speaker 3>I honestly don't know. I haven't done enough research into it.

931
00:56:12.639 --> 00:56:17.280
<v Speaker 3>It's not really something that that interests me to the

932
00:56:17.280 --> 00:56:20.360
<v Speaker 3>point that I would like need to look into it

933
00:56:20.440 --> 00:56:26.000
<v Speaker 3>that heavily. But I do know about the uh, the

934
00:56:26.000 --> 00:56:29.760
<v Speaker 3>one what was the one guy that he did like

935
00:56:29.760 --> 00:56:33.199
<v Speaker 3>an experiment with nuclear radiation or something where you went

936
00:56:33.320 --> 00:56:36.239
<v Speaker 3>and like touched it or like ate it or something.

937
00:56:36.239 --> 00:56:39.480
<v Speaker 3>I don't know what he did, but it turned out

938
00:56:39.519 --> 00:56:41.719
<v Speaker 3>to be Okay, I don't I don't know. I don't

939
00:56:41.760 --> 00:56:43.679
<v Speaker 3>really have an opinion on it, And really I don't

940
00:56:43.719 --> 00:56:49.159
<v Speaker 3>think that it it really even matters that much if

941
00:56:49.599 --> 00:56:53.519
<v Speaker 3>like they're not or if they are. I don't think

942
00:56:53.519 --> 00:56:56.920
<v Speaker 3>that it changes our reality at all. Like, I'm still

943
00:56:56.920 --> 00:57:00.920
<v Speaker 3>gonna have to wake up and do mine normal shit

944
00:57:01.000 --> 00:57:03.440
<v Speaker 3>every day and go to the grocery store and do

945
00:57:03.480 --> 00:57:06.280
<v Speaker 3>everything that I gotta do. You know, doesn't really make

946
00:57:06.280 --> 00:57:10.199
<v Speaker 3>a difference to me if they're real or if they're

947
00:57:10.239 --> 00:57:14.480
<v Speaker 3>not real. I mean, and well, we might find out, dude,

948
00:57:14.639 --> 00:57:16.280
<v Speaker 3>I don't know that might find out.

949
00:57:16.519 --> 00:57:18.599
<v Speaker 1>That's part of the reason I think that they're not

950
00:57:19.039 --> 00:57:24.400
<v Speaker 1>is because if they've only been used twice in a

951
00:57:24.440 --> 00:57:28.360
<v Speaker 1>three day period, all these world leaders that supposedly have them,

952
00:57:28.440 --> 00:57:32.360
<v Speaker 1>I just can't imagine that they wouldn't have been used,

953
00:57:32.400 --> 00:57:35.239
<v Speaker 1>since I do think they might fake it a project

954
00:57:35.400 --> 00:57:38.440
<v Speaker 1>nuke being kind of thing, because there's an awful lot

955
00:57:38.480 --> 00:57:38.920
<v Speaker 1>of talk.

956
00:57:38.800 --> 00:57:42.559
<v Speaker 2>Of nukes as a result of like certain.

957
00:57:44.119 --> 00:57:46.039
<v Speaker 1>World political things going on right now.

958
00:57:46.079 --> 00:57:49.079
<v Speaker 3>But yeah, I just was curious, and well, I mean,

959
00:57:49.119 --> 00:57:53.880
<v Speaker 3>if you think about it, like they could be, I

960
00:57:53.880 --> 00:57:57.159
<v Speaker 3>don't know. I mean, the reason that they wouldn't do

961
00:57:57.199 --> 00:57:59.599
<v Speaker 3>it again is because if they are real, they CAUs

962
00:57:59.639 --> 00:58:04.159
<v Speaker 3>way too much destruction. They wrecked too much stuff, right,

963
00:58:04.199 --> 00:58:06.960
<v Speaker 3>And you don't want to go in and completely destroy

964
00:58:07.039 --> 00:58:12.639
<v Speaker 3>an entire freaking country, right. That's not conducive to anybody

965
00:58:12.679 --> 00:58:14.639
<v Speaker 3>that doesn't help anybody. You want to go in and

966
00:58:14.639 --> 00:58:17.519
<v Speaker 3>you want to take it over while everything is still standing,

967
00:58:18.400 --> 00:58:21.880
<v Speaker 3>because you want to you want to use everything that's

968
00:58:21.920 --> 00:58:24.960
<v Speaker 3>already there. So it makes sense that they would have

969
00:58:24.960 --> 00:58:27.800
<v Speaker 3>done it during World War two. If they are real,

970
00:58:28.400 --> 00:58:31.239
<v Speaker 3>drop them so then people would be like, oh shit,

971
00:58:33.039 --> 00:58:37.400
<v Speaker 3>you know, we gotta you just wrecked everything. You know,

972
00:58:37.440 --> 00:58:39.559
<v Speaker 3>we got to take a step back and not mess

973
00:58:39.599 --> 00:58:44.800
<v Speaker 3>with this anymore. And that's probably a big reason why that. Again,

974
00:58:44.960 --> 00:58:48.199
<v Speaker 3>if they are real, that they're never used again because

975
00:58:48.199 --> 00:58:50.320
<v Speaker 3>it causes too much destruction. And then if you throw

976
00:58:50.360 --> 00:58:54.000
<v Speaker 3>in the alien narrative, right, the extraterrestrial narrative. So whenever

977
00:58:54.039 --> 00:58:56.880
<v Speaker 3>we drop the nukes, the ETS came down and was like,

978
00:58:56.960 --> 00:58:59.559
<v Speaker 3>oh well, we got to disarm all these nukes. We

979
00:58:59.559 --> 00:59:03.960
<v Speaker 3>can't have all the people of the world having the

980
00:59:04.119 --> 00:59:06.760
<v Speaker 3>access to all these nukes. They'll blow each other up.

981
00:59:06.800 --> 00:59:09.719
<v Speaker 3>And you guys down there on Earth are a whole

982
00:59:09.880 --> 00:59:13.079
<v Speaker 3>giant experiment down there. We use your your souls to

983
00:59:13.199 --> 00:59:16.280
<v Speaker 3>power our ships, and we chop off your nutsacks and

984
00:59:16.679 --> 00:59:20.280
<v Speaker 3>use it for fuel for our UFOs. You can't all

985
00:59:20.320 --> 00:59:22.280
<v Speaker 3>be killing each other with these nukes. I mean, that's

986
00:59:22.320 --> 00:59:25.000
<v Speaker 3>been a common theory for a really long time. That's

987
00:59:25.000 --> 00:59:27.320
<v Speaker 3>what they all love to talk about, like all the

988
00:59:27.360 --> 00:59:30.719
<v Speaker 3>whistleblowers that don't say jack shit about anything. I go

989
00:59:30.800 --> 00:59:31.079
<v Speaker 3>up there.

990
00:59:31.320 --> 00:59:34.519
<v Speaker 4>They're in our nuclear test SARTs, they're shutting.

991
00:59:34.199 --> 00:59:36.880
<v Speaker 3>Down on nukes. They have the ability to turn on

992
00:59:37.000 --> 00:59:39.199
<v Speaker 3>and off our nukes, and they got the ability to

993
00:59:39.320 --> 00:59:40.159
<v Speaker 3>do that, they can.

994
00:59:40.320 --> 00:59:41.239
<v Speaker 2>Probably launch it.

995
00:59:41.280 --> 00:59:43.800
<v Speaker 3>This is national security at risk.

996
00:59:45.719 --> 00:59:47.760
<v Speaker 1>Yeah, And I also got to think that if I

997
00:59:47.880 --> 00:59:51.639
<v Speaker 1>was gonna think they're real, just the chain reaction it

998
00:59:51.679 --> 00:59:54.840
<v Speaker 1>would set off of the mutually assured destruction kind of

999
00:59:54.840 --> 00:59:59.519
<v Speaker 1>thing where if Won drops, yeah, we're just gonna it's

1000
00:59:59.559 --> 01:00:02.039
<v Speaker 1>just gonna be everybody shooting everybody with him if it

1001
01:00:02.159 --> 01:00:05.360
<v Speaker 1>just ever happened. I mean the Cold War where it

1002
01:00:05.440 --> 01:00:08.480
<v Speaker 1>was like we were this close many times and for

1003
01:00:08.519 --> 01:00:11.760
<v Speaker 1>whatever reason they decided not to do it. But anyway,

1004
01:00:11.800 --> 01:00:13.639
<v Speaker 1>we're kind of getting off there on a tangent. But

1005
01:00:14.440 --> 01:00:17.039
<v Speaker 1>uh yeah, just the Laurel Canyon thing with the lookout

1006
01:00:17.119 --> 01:00:20.519
<v Speaker 1>Mountain Air Force Base, how you kind of shone like

1007
01:00:21.320 --> 01:00:24.800
<v Speaker 1>maybe Kubrick was kind of wanting us to look over there,

1008
01:00:24.800 --> 01:00:27.719
<v Speaker 1>because he made the overlook look quite a bit like it.

1009
01:00:29.400 --> 01:00:35.239
<v Speaker 3>Yeah, he really did. And a very similar name as well,

1010
01:00:36.119 --> 01:00:43.400
<v Speaker 3>the uh No Overlook lookout, you know, they very similar,

1011
01:00:43.480 --> 01:00:45.840
<v Speaker 3>and then looked out, I'm on. Air Force Base also

1012
01:00:45.880 --> 01:00:49.880
<v Speaker 3>had a hotel that set on the exact excuse me

1013
01:00:50.199 --> 01:00:54.320
<v Speaker 3>location of where the Air Force base came in and

1014
01:00:54.480 --> 01:00:58.599
<v Speaker 3>was built, and that hotel burned to the ground. Now,

1015
01:00:58.599 --> 01:01:02.199
<v Speaker 3>at the end of Stephen Kings book, the shining the

1016
01:01:02.199 --> 01:01:07.159
<v Speaker 3>hotel burns of the ground didn't happen in Stanley Kubrick's

1017
01:01:08.519 --> 01:01:13.119
<v Speaker 3>rendition of the movie, but in the sequel Doctor Sleep,

1018
01:01:14.800 --> 01:01:18.840
<v Speaker 3>the hotel burns of the ground, so they finally pay

1019
01:01:18.920 --> 01:01:21.280
<v Speaker 3>that off. I don't know if that's it might just

1020
01:01:21.320 --> 01:01:26.440
<v Speaker 3>be a coincidence, but a very strange coincidence at that.

1021
01:01:25.519 --> 01:01:27.159
<v Speaker 2>That Actually never read the book.

1022
01:01:27.400 --> 01:01:30.760
<v Speaker 1>I did see the movie, and it would be weird

1023
01:01:30.800 --> 01:01:32.320
<v Speaker 1>if it's in the book, because then it would have

1024
01:01:32.360 --> 01:01:33.199
<v Speaker 1>burned down twice.

1025
01:01:33.360 --> 01:01:35.159
<v Speaker 2>But I kind of want to know now.

1026
01:01:36.079 --> 01:01:38.760
<v Speaker 1>But yeah, do you have anything else you want to

1027
01:01:38.800 --> 01:01:41.400
<v Speaker 1>say about about your movie or the just anything in

1028
01:01:41.440 --> 01:01:42.559
<v Speaker 1>general we've talked about.

1029
01:01:44.079 --> 01:01:48.039
<v Speaker 3>Uh, just please support the movie. If you haven't seen it, Yeah,

1030
01:01:48.159 --> 01:01:51.800
<v Speaker 3>please go out there give it a watch. If you

1031
01:01:51.800 --> 01:01:55.039
<v Speaker 3>don't want to, I recommend buying it because you're gonna

1032
01:01:55.360 --> 01:01:57.440
<v Speaker 3>you're gonna want. There's so much information in there. It's

1033
01:01:57.480 --> 01:02:00.599
<v Speaker 3>like packed all tightly in there. Some people that that's

1034
01:02:00.840 --> 01:02:02.760
<v Speaker 3>watched it, they're like, man, I don't even have any

1035
01:02:03.119 --> 01:02:05.800
<v Speaker 3>room to breathe on this freaking thing. It's just like

1036
01:02:05.920 --> 01:02:10.360
<v Speaker 3>constantly hitting you. But that's it's a long movie. It's

1037
01:02:10.360 --> 01:02:13.920
<v Speaker 3>almost two hours long. So and that was that's a

1038
01:02:13.960 --> 01:02:17.760
<v Speaker 3>shortened version of what we could have made. It could

1039
01:02:17.800 --> 01:02:20.320
<v Speaker 3>have been way longer than that. It could have roughly

1040
01:02:20.320 --> 01:02:22.159
<v Speaker 3>have been like three hours long, but that would have

1041
01:02:22.280 --> 01:02:26.159
<v Speaker 3>just been a total freaking nightmare for me to edit

1042
01:02:26.239 --> 01:02:28.840
<v Speaker 3>and put together an entire three hour long movie. The

1043
01:02:29.079 --> 01:02:32.039
<v Speaker 3>almost two hour long one was enough for me. So

1044
01:02:32.400 --> 01:02:35.760
<v Speaker 3>please go out there support it. And if you're not

1045
01:02:36.760 --> 01:02:38.440
<v Speaker 3>you're listening and you want to watch it, and you're

1046
01:02:38.480 --> 01:02:41.239
<v Speaker 3>not in the United States or in the UK, you

1047
01:02:41.280 --> 01:02:44.079
<v Speaker 3>can watch it on Vimeo as well. You can rent

1048
01:02:44.079 --> 01:02:48.480
<v Speaker 3>it or buy it on Vimeo. So if you're in Canada, Australia,

1049
01:02:49.920 --> 01:02:54.880
<v Speaker 3>any other country that you may live, in, Mexico wherever,

1050
01:02:56.519 --> 01:02:59.480
<v Speaker 3>you can watch it on Vimeo. And thanks for having

1051
01:02:59.480 --> 01:03:02.760
<v Speaker 3>me on. Really appreciate it. Was a fun, fun shot

1052
01:03:02.800 --> 01:03:05.320
<v Speaker 3>and I'm really happy that you watched it, and I'm

1053
01:03:05.320 --> 01:03:09.079
<v Speaker 3>really happy you enjoyed it, and you know it's important

1054
01:03:09.119 --> 01:03:16.079
<v Speaker 3>to support independent filmmakers. This was independent film and a

1055
01:03:16.079 --> 01:03:18.360
<v Speaker 3>lot of blood, sweat and tears went into making this.

1056
01:03:18.519 --> 01:03:22.000
<v Speaker 3>So please tell your friends. Share it in the Facebook group,

1057
01:03:22.800 --> 01:03:27.800
<v Speaker 3>share this video, support this man, support this channel, hit

1058
01:03:27.840 --> 01:03:31.880
<v Speaker 3>the thumbs up or leave a comment that helps out

1059
01:03:33.039 --> 01:03:39.039
<v Speaker 3>repost it, share it in Facebook groups, Instagram. This is

1060
01:03:39.039 --> 01:03:44.880
<v Speaker 3>how we defeat this gigantic industry that has been created

1061
01:03:45.000 --> 01:03:48.280
<v Speaker 3>just for the special people and.

1062
01:03:48.480 --> 01:03:50.079
<v Speaker 2>Your show as well. What is it? Is it raised

1063
01:03:50.079 --> 01:03:50.800
<v Speaker 2>by giants?

1064
01:03:51.199 --> 01:03:54.639
<v Speaker 3>Yes, raised by giants on YouTube and Indy and all

1065
01:03:54.679 --> 01:03:56.000
<v Speaker 3>podcast platforms.

1066
01:03:56.400 --> 01:03:59.360
<v Speaker 1>All right, man, Well it's been a pleasure as always.

1067
01:03:59.440 --> 01:04:01.800
<v Speaker 1>I hope you you're gonna take a little break, but

1068
01:04:01.880 --> 01:04:04.440
<v Speaker 1>I do look forward to whatever you take on next.

1069
01:04:04.840 --> 01:04:05.639
<v Speaker 2>You're a young guy.

1070
01:04:05.679 --> 01:04:08.199
<v Speaker 1>You've already got some masterpieces under your belt, and I'm

1071
01:04:08.239 --> 01:04:11.639
<v Speaker 1>sure they're just gonna get better. I will email you

1072
01:04:12.000 --> 01:04:15.320
<v Speaker 1>or send you a thing on X that little snippet

1073
01:04:15.440 --> 01:04:17.599
<v Speaker 1>of Ted Bundy, and you can let me know what

1074
01:04:17.639 --> 01:04:21.320
<v Speaker 1>you think. But all right, brother, I have a glorious

1075
01:04:21.440 --> 01:04:24.559
<v Speaker 1>rest of this Tuesday, March the fourth.

1076
01:04:25.119 --> 01:04:26.480
<v Speaker 2>I didn't even know it was March fourth.

1077
01:04:26.840 --> 01:04:30.639
<v Speaker 1>All right, buddy, Until next time, be well.

1078
01:04:30.679 --> 01:04:31.159
<v Speaker 2>Everybody
