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<v Speaker 1>What is it about sacred megalithts, stone buildings, standing towers, floors, walls,

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<v Speaker 1>strange sculptures. And I mean when I'm talking about megalists,

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<v Speaker 1>I'm talking about a wide variety of early people's creations,

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<v Speaker 1>because we don't really see a great deal of megalists

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<v Speaker 1>in areas of recorded history. There's a few I would

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<v Speaker 1>say Libanon, bell Beck and Limanon maybe, but it's looking

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<v Speaker 1>more like pre Roman was the original craftsmanship of those

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<v Speaker 1>megalithic buildings. Hey, this is clip your host of Earth Ancients.

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<v Speaker 1>This is a special edition. We are featuring a brand

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<v Speaker 1>new documentary by Freddy Silva called Megalists, and it is

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<v Speaker 1>a fabulous look at European megalists that are easily in

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<v Speaker 1>the tens of thousands, if not more. The documentary is

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<v Speaker 1>well done. It's Freddy's has done a fabulous job of

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<v Speaker 1>not only capturing these French, Portuguese and English or I

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<v Speaker 1>should say Scottish megalists, but there's also a number of

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<v Speaker 1>areas in between the UK that are that are featured

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<v Speaker 1>in this documentary. I gotta say it's impressive that not

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<v Speaker 1>only did he photograph and videotape this, he also edited

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<v Speaker 1>the works, and we do know now that this again

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<v Speaker 1>is one of the This is the newest one he's

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<v Speaker 1>produced of fifteen, and I didn't even know he's done

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<v Speaker 1>fifteen of these now, if you haven't seen a megal lift,

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<v Speaker 1>we don't see very many many of them here in

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<v Speaker 1>the United States, but they are. They're scattered throughout Europe.

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<v Speaker 1>They're scattered through places like the Ukraine, in Siberia, Russia,

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<v Speaker 1>they are in Chi. If you haven't seen the Japanese megalists,

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<v Speaker 1>they are impressive, and we have had a number of

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<v Speaker 1>people on the program talking about Japanese megalists. They don't

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<v Speaker 1>recognize them because the culture that built them has been

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<v Speaker 1>long gone, perhaps thousands of years ago. The other point

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<v Speaker 1>to take when we are considering megalists is the fact

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<v Speaker 1>that current archaeology and anthropology doesn't recognize megalists. They don't

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<v Speaker 1>write about them. They are not focused on who would

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<v Speaker 1>put them where they are. I don't think I've ever

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<v Speaker 1>found an academic or university text on megaliths. They just

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<v Speaker 1>bypass them. There might be a casual reference to one

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<v Speaker 1>or two, but it's it's an interesting point that it

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<v Speaker 1>isn't considered much of a study now if you haven't

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<v Speaker 1>seen a men her, these are standing stones and these

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<v Speaker 1>are the ones that Freddie presents are just huge. The

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<v Speaker 1>cover of this megalith documentary, the main photograph has a

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<v Speaker 1>men who at Karnak, France, and we've had a number

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<v Speaker 1>of people on the show here talking about Karnak and

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<v Speaker 1>it's just phenomenal megalithic clusters of stones. But this one

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<v Speaker 1>may ment Her is I think around five hundred tons

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<v Speaker 1>and it's a partial destroyed. It was partially destroyed in

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<v Speaker 1>a lightning hit. But Freddy's standing right next to it.

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<v Speaker 1>He looks like an ant. You know. How they put

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<v Speaker 1>these things up? What was the purpose of them? Is

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<v Speaker 1>the feature in the documentary. And I've been fascinated in

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<v Speaker 1>megalists for a while. I have only seen a few

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<v Speaker 1>in England. I'd say I've seen about twenty twenty five Stonehenge,

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<v Speaker 1>Ava Berry, the classic places, but I haven't been to

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<v Speaker 1>the countryside, which is what is featured in this documentary

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<v Speaker 1>A megalist. Now, one of the other things that is

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<v Speaker 1>peculiar is, and we've heard from other people on this,

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<v Speaker 1>is that they are markers for lay lights for energetic

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<v Speaker 1>sinners and it wasn't until the last year that I

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<v Speaker 1>also recognized Dolman. These are small, they look like buildings.

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<v Speaker 1>There's three slabs for and then there's a roof made

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<v Speaker 1>from a megalithic size rock flat rock. And if these

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<v Speaker 1>were markers, it's funny because most of the time there's

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<v Speaker 1>very small opening just for one person. Maybe they were

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<v Speaker 1>used for meditation, for healing, refreshment of some kind. I mean,

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<v Speaker 1>I've had people even say they were portals, they were

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<v Speaker 1>stargates where you would go from one place to another

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<v Speaker 1>in those in those dolmen. But we're all about megalists.

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<v Speaker 1>And again when we look at Portugal and we look

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<v Speaker 1>at Spain, these megalists run all over the place, and

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<v Speaker 1>the different types of megalists are also featured. They're not

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<v Speaker 1>all multi you know, they're not all one hundred tons.

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<v Speaker 1>Some of them are smaller, like forty tons, which is

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<v Speaker 1>a lot of weight. And you know they're they're thought

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<v Speaker 1>to be Neolithic, but the more they're studied, they go

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<v Speaker 1>way beyond four or five thousand years ago. I'm really

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<v Speaker 1>beginning to think our history is kind of asked backwards.

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<v Speaker 1>Because if as we believe here and we hypothesized that

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<v Speaker 1>there was an earlier people prior to the Great Deluge

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<v Speaker 1>of twelve thousand, five hundred BC. Then the devastation was

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<v Speaker 1>so thorough at that time the asteroid hit that what

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<v Speaker 1>was left were very very simple people who had to

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<v Speaker 1>basically rebuild. And so these timeframes of four or five thousand,

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<v Speaker 1>perhaps six thousand years ago for these dolmen, for these

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<v Speaker 1>mayher men hers would relate to a reboot period where

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<v Speaker 1>all the understanding of how the work with the energies

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<v Speaker 1>and everything like that went back to the basics where

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<v Speaker 1>there was no machinery, no testing equipment. You had to

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<v Speaker 1>use the body electric in sensing and detecting, so you

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<v Speaker 1>use your intuition and were probably a handful of people

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<v Speaker 1>in a clan that were able to be sensitive. Who

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<v Speaker 1>are the ones who were you? Could you consider them

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<v Speaker 1>shaman who would place these dolmen in certain places? Who

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<v Speaker 1>would place these standing stones. Now, if you haven't seen

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<v Speaker 1>any of the photographs of Karnak, you can go to

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<v Speaker 1>Earth Agents dot com type in Karnak Karnak, France and

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<v Speaker 1>take a look at them. This is a phenomenon that

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<v Speaker 1>is just mind blowing. When you look at this part

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<v Speaker 1>of France over by the water These are rows and

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<v Speaker 1>rows of megalists, averaging forty tons each that run for miles.

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<v Speaker 1>What are they doing? Is it a collector, Is it

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<v Speaker 1>a some kind of an antennae, a harp antenna? Is

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<v Speaker 1>it a tool for observing and reaching out? Is it

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<v Speaker 1>a communication device? We don't know. But what we do

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<v Speaker 1>know is it's very raw. It's not sophisticated at all.

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<v Speaker 1>It's not like you're looking at a well formed pyramid,

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<v Speaker 1>a crafted obelisks that we see in an Egypt, or

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<v Speaker 1>any kind of carved stone. It's raw and it looks

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<v Speaker 1>like they were selected for their transmission or their courts

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<v Speaker 1>composition that was used for containing to lyric energy fields.

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<v Speaker 1>So this is really a fun program. We're gonna have

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<v Speaker 1>a sample video presentation that you can see on any

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<v Speaker 1>of the Earth Ancients page pages. I will make in

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<v Speaker 1>another announcement at the end of this interview, but you

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<v Speaker 1>can see see it. It's a five minute trailer and

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<v Speaker 1>we'll give you more details at the end of the program.

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<v Speaker 1>So today's program is Megalith and my guest is writer,

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<v Speaker 1>producer editor Freddie Silva. Freddie Silva's in the house and

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<v Speaker 1>Freddie has been with us. We kind of have Freddy

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<v Speaker 1>U with us. Every year he has a new documentary,

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<v Speaker 1>and would you believe this is number fifteen. I couldn't

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<v Speaker 1>believe it, I asked him. And he is training these

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<v Speaker 1>things out fairly frequently. The title of this documentary is Megalist,

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<v Speaker 1>one of my favorite favorite subjects. And we have Freddie

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<v Speaker 1>with us to explain a little bit. We are in

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<v Speaker 1>a way presenting this because it just came out. So hey, Freddie,

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<v Speaker 1>welcome to earth ansient's great to see it.

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<v Speaker 2>Hello, Clifford, how the devil are you?

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<v Speaker 1>I'm doing it, great man, great to see you. All right,

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<v Speaker 1>let's go through this Megalist? Why Megalists? I know that

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<v Speaker 1>you do a lot of tours around Europe, You're in

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<v Speaker 1>and constantly discussing megalists. But why a documentary? Oh?

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<v Speaker 2>I thought it was about time that something definitive was done.

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<v Speaker 2>I mean I've been doing I've been going around sacred

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<v Speaker 2>sites and big stones for thirty years. I'm collecting information

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<v Speaker 2>and data, and people who know my work know that

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<v Speaker 2>I take my time. I don't jump on bandwagons, I

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<v Speaker 2>don't bring out stuff before it's actually got a coat

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<v Speaker 2>of paint on it. And I just stood back for

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<v Speaker 2>a while, collected information, collected scientific data on megalithic structures,

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<v Speaker 2>and finally I was able to sit down, look at

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<v Speaker 2>all the information and go, okay, now we have a

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<v Speaker 2>story here. There's a coherent pattern that's developing in certain

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<v Speaker 2>parts around the world, and specifically central Portugal, northern France,

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<v Speaker 2>and also in Scotland, the three biggest concentrations of megalifs

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<v Speaker 2>that exist on the planet. What links to the three together?

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<v Speaker 2>And I was just amazed that the whole story just

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<v Speaker 2>wrote itself again. Patients has its virtue, and I wanted

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<v Speaker 2>to present it in a way that not just presents

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<v Speaker 2>the science behind why our predecessors went there's so much

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<v Speaker 2>trouble to erect these ridiculously large stones. I mean there's

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<v Speaker 2>a picture of a film frame of me posing next

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<v Speaker 2>to it. I mean, posing next to the largest upright

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<v Speaker 2>rock on the planet in northern France. The many of

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<v Speaker 2>keloas I look like a calf or a rabbit next

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<v Speaker 2>to it. It's ridiculous.

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<v Speaker 1>It's a great and that was.

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<v Speaker 2>After the lightning actually lobbed off six feet off the

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<v Speaker 2>top as well. But the thing is that the story

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<v Speaker 2>came together very well, not just in terms of science,

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<v Speaker 2>but etymology, the location, the choice of stone. There was

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<v Speaker 2>a real science behind it. And now was just amaze

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<v Speaker 2>that our predecessors went to so much trouble to source

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<v Speaker 2>the stuff and they left it for us, which I

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<v Speaker 2>believe is the reason why they worked with big stones.

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<v Speaker 2>They I think they could foresee the future to a

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<v Speaker 2>certain degree, and they figured, you know what, we're going

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<v Speaker 2>to leave these things here because they're not going to

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<v Speaker 2>go away. You can't move these things unless you dynamite them,

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<v Speaker 2>or you take five hundred people and you throw them over.

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<v Speaker 2>So there was a reason why they kept marking these

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<v Speaker 2>hot spots. So finally we get a chance to tell

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<v Speaker 2>the story and its entirety.

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<v Speaker 1>Yeah, I want to mention to our listeners that you

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<v Speaker 1>photographed most of this documentary and it's available in black

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<v Speaker 1>and white, which I had to say is unique to

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<v Speaker 1>see these things. For some reason, the black and white

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<v Speaker 1>highlights them in a way, doesn't.

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<v Speaker 2>It Because it was deliberate. I mean, as a photographer

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<v Speaker 2>by trade, I really wanted to show the shape of things,

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<v Speaker 2>because once you start taking the color of way, you're

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<v Speaker 2>not distracted from the actual stones. And the idea was

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<v Speaker 2>that there are shapes that keep repeating again and again

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<v Speaker 2>and again. This is my next project. Why do certain

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<v Speaker 2>shapes keep repeating again and again? Like the one in

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<v Speaker 2>Calnice for example, the central stone of cal Niche nineteen

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<v Speaker 2>and a half feet all has a step on the side,

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<v Speaker 2>and I keep seeing that step all the time. What

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<v Speaker 2>is important about that step? And then there's one which

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<v Speaker 2>has a sort of a forty five degree angle, which

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<v Speaker 2>you see at Asbury, and it repeats again and again

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<v Speaker 2>and again. There's something about the placement of the stones,

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<v Speaker 2>related to the shape, related to the function, and possibly

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<v Speaker 2>the sky that we now just begin to figure out.

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<v Speaker 2>But once you strip the color away, the art of

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<v Speaker 2>the stone comes around. So we're not just talking about

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<v Speaker 2>masons and architects putting these things up. We're talking about

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<v Speaker 2>artists who selected the right stone for the right purpose,

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<v Speaker 2>for the right environment, and you get to see it

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<v Speaker 2>beautifully in black and white. You're not distracted by anything else.

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<v Speaker 2>So and for me it was a labor of love

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<v Speaker 2>in that respect. I wasn't wanting to do a kind

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<v Speaker 2>of a film noir on sacred sites, and now I

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<v Speaker 2>finally got my dream. It's amazing, But there is a

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<v Speaker 2>color version because the footage came out so beautiful. And

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<v Speaker 2>I remember being in Portugal filming and half the country's

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<v Speaker 2>on fire. I mean you couldn't even get from the

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<v Speaker 2>two major cities because the fire had jumped the only

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<v Speaker 2>motorway in the country. But the problem the good thing

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<v Speaker 2>for a photographer was that it gave the strong sunlight,

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<v Speaker 2>this lovely soft beatina with a lovely orange halo, which

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<v Speaker 2>Ridley Scott would have killed anyone that kind of effect

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<v Speaker 2>for free. And I figured, you know what, the footage

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<v Speaker 2>is coming out so good. I'm gonna do two versions

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<v Speaker 2>and people can watch both. You know, if they're into

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<v Speaker 2>the art, great, but if they'll want the more romantic view,

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<v Speaker 2>they can have that as well.

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<v Speaker 1>Yeah, it's an amazing video. What do we know about

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<v Speaker 1>the energetics of these sites? We have coverage in Portugal,

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<v Speaker 1>we have Scotland, and we have France. Is there a

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<v Speaker 1>lay line that runs that we know about. I've had

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<v Speaker 1>other authors on the program that say that the old

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<v Speaker 1>ones that are documented not only had a sense of

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<v Speaker 1>the fit feeling of these places, but talked about ancient

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<v Speaker 1>lay lines.

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<v Speaker 2>Yeah, I mean lay lines that are actually geometric alignments

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<v Speaker 2>between three or more locations. People tend to conflate that

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<v Speaker 2>with tillric currents, which are the energy currents, so they're

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<v Speaker 2>not connected by lays, at least not across countries that

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<v Speaker 2>we know. Because the whole system, it's only about a

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<v Speaker 2>fraction of it left. A lot of it got destroyed

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<v Speaker 2>because of wars, earthquakes, and of course the Catholic Church

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<v Speaker 2>also had their say, so we have an incomplete map.

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<v Speaker 2>We can't geometric be link things together the way we like,

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<v Speaker 2>but in terms of energy, yes, every single monument without exception,

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<v Speaker 2>and I'm actually quoting two archaeologists from the nineteen twenty

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<v Speaker 2>is in France Merzin Deal and they actually said back then,

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<v Speaker 2>every monument entip monuent with that acception is located on

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<v Speaker 2>the crossing points of these tyllric currents. And this is

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<v Speaker 2>why people are at crackted to these places, because we

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<v Speaker 2>as electromagnetic beings, we sense at certain times of the

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<v Speaker 2>day that the sites are alived. And there's many anectical

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<v Speaker 2>information about dowsers going there with their ben coat hangers,

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00:16:25.399 --> 00:16:28.279
<v Speaker 2>which I do as well, although there's sensitive equipment which

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00:16:28.279 --> 00:16:30.639
<v Speaker 2>is very expensive as well, so you can measure things.

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<v Speaker 2>But there's people who go to the stone at the

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00:16:33.279 --> 00:16:35.879
<v Speaker 2>wrong time, at the wrong place, and they get a

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<v Speaker 2>massive electrical shock where you can't feel your forearm for

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00:16:39.240 --> 00:16:42.399
<v Speaker 2>fifteen minutes. I mean literally your numb because you've grounded

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00:16:42.440 --> 00:16:44.759
<v Speaker 2>the energy. And that was the first Aurha. It's like,

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<v Speaker 2>what is it about these stones that attract and store energy?

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<v Speaker 2>And there was a Frenchman that it asked the same

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<v Speaker 2>question as well, Pierre her Rot. By the way, Pierre

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<v Speaker 2>means stone. That would have been a giveaway as to

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00:16:57.840 --> 00:16:59.879
<v Speaker 2>what he was going to do. And he was a skeptic.

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00:17:00.159 --> 00:17:02.960
<v Speaker 2>He is an electrical engineer, and he decided to go

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<v Speaker 2>prodding the stones around Karnak in France, and he found

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<v Speaker 2>he wrote this beautiful little pamphlet which I found stuffed

258
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<v Speaker 2>away in the back of a bucket and spades store

259
00:17:12.839 --> 00:17:15.839
<v Speaker 2>in Karnac where people buy buckets and spades and you

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00:17:15.920 --> 00:17:17.160
<v Speaker 2>had to mix sand castles.

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<v Speaker 1>Wow.

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<v Speaker 2>I walked past the store and I had that smell

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00:17:20.559 --> 00:17:23.079
<v Speaker 2>of paper, old paper, and I thought, hello, And I

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00:17:23.119 --> 00:17:25.200
<v Speaker 2>walked to the back of the store and lo and behold,

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<v Speaker 2>between two beach blankets, there'd this lovely pamphlet about Le

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00:17:29.039 --> 00:17:31.960
<v Speaker 2>Pierre Saint Vivent, which means the stones are alive. I

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00:17:32.000 --> 00:17:34.400
<v Speaker 2>went oh la la, and it was one of the

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00:17:34.440 --> 00:17:39.480
<v Speaker 2>best scientific journals on documenting what the stones actually do.

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<v Speaker 2>And to cut it a long story short, he came

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<v Speaker 2>to the point where he measured the stones and he said,

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<v Speaker 2>you know what the man is alone. This store energy

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<v Speaker 2>like a big coil. If you look at in terms

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00:17:51.319 --> 00:17:54.519
<v Speaker 2>of a car, they behead like a big coil. And

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00:17:54.559 --> 00:17:57.359
<v Speaker 2>they stored the energy from the telluric current. It's stored

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<v Speaker 2>in the iron, the magnetite, and the quartz in the stone,

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00:18:00.359 --> 00:18:02.200
<v Speaker 2>which is the reason why these things were dragged for

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00:18:02.200 --> 00:18:06.720
<v Speaker 2>forty miles away sometimes and every eighty minutes it discharges.

278
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<v Speaker 2>So if you're there at the wrong time, at the

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00:18:08.759 --> 00:18:11.960
<v Speaker 2>wrong place, you get an electric shot because you ground

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<v Speaker 2>the current. And this is also why lightning gets attracted

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<v Speaker 2>to the stones as well. But he also noted that

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00:18:17.799 --> 00:18:20.960
<v Speaker 2>the dolmens, by their shape and the passage mounds also

283
00:18:21.079 --> 00:18:25.319
<v Speaker 2>behave differently, so they behave like accumulators, and the stone

284
00:18:25.319 --> 00:18:28.640
<v Speaker 2>circles behave like batteries. They literally attract the local current

285
00:18:28.759 --> 00:18:32.759
<v Speaker 2>to the stone circles. It circulates around the site. And

286
00:18:33.160 --> 00:18:35.839
<v Speaker 2>this is about adorned by the way and he gradually

287
00:18:35.839 --> 00:18:38.799
<v Speaker 2>dissipates throughout the day. So it was an incredible piece

288
00:18:38.839 --> 00:18:41.319
<v Speaker 2>of work and I don't know why it wasn't referred

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00:18:41.359 --> 00:18:43.880
<v Speaker 2>to much more than it should because it's a famous

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00:18:43.880 --> 00:18:47.000
<v Speaker 2>document and Harby anyone knows about it. So he was right.

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00:18:47.200 --> 00:18:50.519
<v Speaker 2>The stones literally are living beings. There's all of these

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00:18:50.559 --> 00:18:52.960
<v Speaker 2>mythologies that the stones get up in the middle of

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00:18:53.000 --> 00:18:55.599
<v Speaker 2>the night, they go down to the river water, and

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00:18:55.640 --> 00:18:59.880
<v Speaker 2>they come back again. And that was the local mythology saying, yeah,

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00:19:00.079 --> 00:19:02.880
<v Speaker 2>don't take these things for granted as being solid objects.

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<v Speaker 2>They do move, they do enhance the landscape, and they

297
00:19:06.160 --> 00:19:09.799
<v Speaker 2>are energetically alive, and people still remember that in the

298
00:19:09.880 --> 00:19:12.680
<v Speaker 2>local areas. So that's what connects all these places together.

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00:19:13.079 --> 00:19:16.599
<v Speaker 2>They're literally marking the X on the landscape where the

300
00:19:16.640 --> 00:19:19.960
<v Speaker 2>Tulluric currents happen to be. So if you lose your

301
00:19:19.960 --> 00:19:22.960
<v Speaker 2>sensitivity to the land there's so many people have today

302
00:19:23.400 --> 00:19:25.319
<v Speaker 2>you know where to go to connect with this energy.

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00:19:25.359 --> 00:19:27.200
<v Speaker 2>And I believe that's one of the reasons why they

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00:19:27.319 --> 00:19:29.839
<v Speaker 2>establish this network of megal lifts around the world.

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00:19:30.240 --> 00:19:32.960
<v Speaker 1>But Freddie, if they placed, as you say, one hundreds

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00:19:33.000 --> 00:19:35.720
<v Speaker 1>of thousands of the one hundred thousands, what your estimation

307
00:19:35.920 --> 00:19:42.200
<v Speaker 1>is of these standing stones. Are they doing that so

308
00:19:42.240 --> 00:19:45.880
<v Speaker 1>that this energy is coming up and changing the atmosphere?

309
00:19:46.400 --> 00:19:49.160
<v Speaker 1>Are they changing the environment that they're living in. I mean,

310
00:19:49.720 --> 00:19:55.079
<v Speaker 1>one hundred thousand megalists is incredible amount of effort manpower

311
00:19:55.160 --> 00:19:55.960
<v Speaker 1>to move them around.

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00:19:56.240 --> 00:19:59.920
<v Speaker 2>And that's just Brittany, the area around Brittany, specifically around Karmac.

313
00:20:00.039 --> 00:20:02.839
<v Speaker 2>It's an estimate where they've got about eighty thousand stone

314
00:20:03.119 --> 00:20:06.079
<v Speaker 2>sites left, and that's a tiny fraction of what have

315
00:20:06.160 --> 00:20:08.599
<v Speaker 2>been destroyed and lost, and most of it's still in

316
00:20:08.640 --> 00:20:11.400
<v Speaker 2>forests and covered, and some of them actually in the ocean.

317
00:20:12.079 --> 00:20:14.039
<v Speaker 2>I was almost to go around looking at these things

318
00:20:14.039 --> 00:20:17.880
<v Speaker 2>that I tie my appointment with the rocks to be

319
00:20:17.920 --> 00:20:20.839
<v Speaker 2>at low tide and what these enormous things coming out

320
00:20:20.880 --> 00:20:23.319
<v Speaker 2>of the ocean. It's incredible. So they've been there for

321
00:20:23.359 --> 00:20:26.279
<v Speaker 2>at least seven thousand years if you do the math right.

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00:20:26.680 --> 00:20:28.720
<v Speaker 2>But no, it is true when you get a lot

323
00:20:28.720 --> 00:20:31.720
<v Speaker 2>of these stones together, the air around them is ionized.

324
00:20:31.720 --> 00:20:34.839
<v Speaker 2>You can actually measure the energy of the air around

325
00:20:34.880 --> 00:20:38.000
<v Speaker 2>the stones at certain times of the year, specifically around

326
00:20:38.000 --> 00:20:42.200
<v Speaker 2>the equinox and the winter solstice, and under certain conditions

327
00:20:42.799 --> 00:20:46.359
<v Speaker 2>the local weather also changes around Karnac especially, there is

328
00:20:46.599 --> 00:20:51.039
<v Speaker 2>unusual areas of blanket fog which are only surrounding the stones,

329
00:20:51.759 --> 00:20:53.640
<v Speaker 2>so this is just a fraction of what it used

330
00:20:53.640 --> 00:20:56.880
<v Speaker 2>to do, and in Portugal to the same degree. But

331
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<v Speaker 2>here's the thing. In all three cases, in Scotland, in

332
00:21:01.079 --> 00:21:04.559
<v Speaker 2>France and in Portugal, they are also marking the most

333
00:21:04.599 --> 00:21:08.519
<v Speaker 2>active seismic parts of the territory. They literally stand on

334
00:21:08.680 --> 00:21:11.319
<v Speaker 2>fracture zones, which means if you've got all of that

335
00:21:11.480 --> 00:21:14.960
<v Speaker 2>quartz in the stone, the stones are being moved ever

336
00:21:15.039 --> 00:21:17.480
<v Speaker 2>so slightly all day alarm they're being vibrated because the

337
00:21:17.519 --> 00:21:20.680
<v Speaker 2>earth literally is vibrating where they are. You can't notice

338
00:21:20.680 --> 00:21:23.079
<v Speaker 2>it most of the time because the earthquakes in the

339
00:21:23.119 --> 00:21:26.960
<v Speaker 2>fraction is very very low, but the specific area and

340
00:21:27.000 --> 00:21:31.000
<v Speaker 2>the choice of bedrock that they chose is very seismically

341
00:21:31.079 --> 00:21:36.359
<v Speaker 2>susceptible to accumulating electromagnetic current because of that activity. And

342
00:21:36.440 --> 00:21:39.519
<v Speaker 2>on top of that, they also just happen to match

343
00:21:39.960 --> 00:21:43.759
<v Speaker 2>all of these gravitational anomalies. I mean, the stones in

344
00:21:43.759 --> 00:21:47.839
<v Speaker 2>Scotland around Calanish literally are formed in a diamond shape,

345
00:21:48.039 --> 00:21:51.160
<v Speaker 2>which is a very well known gravity anomaly. It's the

346
00:21:51.200 --> 00:21:53.920
<v Speaker 2>same in France and it's the same in Portugal as well.

347
00:21:54.160 --> 00:21:58.039
<v Speaker 2>So it's incredible that these people not only were sensitive

348
00:21:58.039 --> 00:22:01.480
<v Speaker 2>to the land, they also understood how gravity has an

349
00:22:01.480 --> 00:22:04.799
<v Speaker 2>effect on human consciousness, which we now know it does

350
00:22:05.119 --> 00:22:08.839
<v Speaker 2>because if you slightly move the gravitational feel towards a

351
00:22:08.839 --> 00:22:12.039
<v Speaker 2>positive or a negative environment. And I don't mean where

352
00:22:12.440 --> 00:22:14.400
<v Speaker 2>you suddenly take a jump and you fly to the moon.

353
00:22:14.480 --> 00:22:18.160
<v Speaker 2>I'm talking about a slight deviation in the effect of gravity.

354
00:22:18.519 --> 00:22:21.559
<v Speaker 2>It influences your state of consciousness, which is then it

355
00:22:21.680 --> 00:22:24.400
<v Speaker 2>follows from that that the myths and the local folklore

356
00:22:24.839 --> 00:22:28.079
<v Speaker 2>about people visiting these places to have alter states of

357
00:22:28.119 --> 00:22:33.000
<v Speaker 2>consciousness or to give birth. There's women were still visiting

358
00:22:33.039 --> 00:22:36.200
<v Speaker 2>the stones in France up about thirty years ago. They

359
00:22:36.240 --> 00:22:41.799
<v Speaker 2>would rub their bellies on the stone to make them pregnant. Oh,

360
00:22:41.920 --> 00:22:45.160
<v Speaker 2>because there's something about the ectromagnetism in the stone that

361
00:22:45.279 --> 00:22:51.160
<v Speaker 2>activates the human body and its polarities. So there's again

362
00:22:51.240 --> 00:22:53.480
<v Speaker 2>an effort to all of this madness. It wasn't just

363
00:22:53.480 --> 00:22:57.960
<v Speaker 2>about affecting the weather and also influencing the tillery currence

364
00:22:57.960 --> 00:23:00.480
<v Speaker 2>of the planet. It was also a benefit of people

365
00:23:00.480 --> 00:23:02.880
<v Speaker 2>that went there. That's why the church found it so

366
00:23:03.039 --> 00:23:06.680
<v Speaker 2>difficult to move people away from these science because something

367
00:23:06.880 --> 00:23:08.319
<v Speaker 2>worked for thousands of years.

368
00:23:08.960 --> 00:23:13.000
<v Speaker 1>Yeah, talk a little bit about the effects on human physiology.

369
00:23:13.160 --> 00:23:19.759
<v Speaker 1>You brushed on briefly. Do we know other studies that

370
00:23:19.839 --> 00:23:24.400
<v Speaker 1>have been done about the changes either positive or negative,

371
00:23:25.000 --> 00:23:31.920
<v Speaker 1>of people living by them, visiting them and the physiological effects.

372
00:23:32.720 --> 00:23:32.920
<v Speaker 3>Oh.

373
00:23:32.960 --> 00:23:37.200
<v Speaker 2>Absolutely, there's tons of information. And again I'm surprised that more,

374
00:23:37.240 --> 00:23:41.079
<v Speaker 2>if more, scientific research hasn't been done on it, because

375
00:23:41.119 --> 00:23:44.480
<v Speaker 2>there have been cases where archaeologists have also encountered this

376
00:23:44.559 --> 00:23:48.000
<v Speaker 2>phenomenon where they feel very different when they go to

377
00:23:48.000 --> 00:23:50.160
<v Speaker 2>some of these places. And I quote some of the

378
00:23:50.359 --> 00:23:53.240
<v Speaker 2>cases in Scotland, on the island of Aran, there's a

379
00:23:53.279 --> 00:23:56.079
<v Speaker 2>group of archaeologists that were digging around for their usual

380
00:23:56.240 --> 00:23:59.200
<v Speaker 2>arrow heads and pottery shards and they suddenly found that

381
00:23:59.200 --> 00:24:01.640
<v Speaker 2>they've been surrounded, you know, all these balls of light.

382
00:24:01.920 --> 00:24:03.960
<v Speaker 2>And they wrote about it. You know, they're going to

383
00:24:04.000 --> 00:24:07.519
<v Speaker 2>be laughed at, but they said, no, there is aerial phenomena.

384
00:24:07.680 --> 00:24:10.119
<v Speaker 2>But we're also found ourselves getting into a heightened state

385
00:24:10.160 --> 00:24:12.440
<v Speaker 2>of consciousness. And we're not into woo wu, we're not

386
00:24:12.480 --> 00:24:16.599
<v Speaker 2>into spirituality, but we found ourselves almost accessing and stepping

387
00:24:16.640 --> 00:24:19.240
<v Speaker 2>into another level of reality. And that was exactly what

388
00:24:19.319 --> 00:24:22.599
<v Speaker 2>was happening. Back in the nineties, a guy called John

389
00:24:22.640 --> 00:24:26.960
<v Speaker 2>Burke actually did some experiments around Averbrian Stonehenge where he

390
00:24:27.039 --> 00:24:30.839
<v Speaker 2>planted hundreds of electrodes around these two henge monuments, and

391
00:24:30.880 --> 00:24:33.480
<v Speaker 2>he found that the energy actually discipates at Nia and

392
00:24:33.519 --> 00:24:36.920
<v Speaker 2>then in the morning it gets attracted to Abriyan Stonehenge.

393
00:24:37.000 --> 00:24:44.200
<v Speaker 2>It circulates around the actual the henge, the ditch, and

394
00:24:44.240 --> 00:24:47.279
<v Speaker 2>then as the sun is creeping over the horizon or

395
00:24:47.319 --> 00:24:50.279
<v Speaker 2>the energy is doubled in frequency and its floods the

396
00:24:50.279 --> 00:24:54.200
<v Speaker 2>actual temple. And again people would go there at the

397
00:24:54.240 --> 00:24:56.440
<v Speaker 2>crack of dawn because they said there's something about the

398
00:24:56.480 --> 00:25:00.559
<v Speaker 2>time of day where the energy is felt physically the body,

399
00:25:00.880 --> 00:25:04.000
<v Speaker 2>so your body feels different, and it also allows for

400
00:25:04.079 --> 00:25:06.319
<v Speaker 2>alter states of consciousness. And I can't tell you how

401
00:25:06.319 --> 00:25:08.759
<v Speaker 2>many stories I came across in all of these free

402
00:25:08.799 --> 00:25:11.759
<v Speaker 2>areas of people who still to this very day and

403
00:25:11.880 --> 00:25:15.720
<v Speaker 2>for thousands of years since, they've been going to visiting

404
00:25:15.799 --> 00:25:20.279
<v Speaker 2>these places to access these places, to access a shamanic stage.

405
00:25:20.559 --> 00:25:23.640
<v Speaker 2>And then they'll come back. They disappeared. They were literally

406
00:25:23.680 --> 00:25:26.359
<v Speaker 2>away with the fairies. And there's a whole story about that,

407
00:25:26.359 --> 00:25:28.319
<v Speaker 2>by the way, and believe me, the fairies are real,

408
00:25:28.359 --> 00:25:31.480
<v Speaker 2>and they're not quite what you think they are. They're

409
00:25:31.599 --> 00:25:34.160
<v Speaker 2>very interesting, and they actually refer to a real people

410
00:25:34.200 --> 00:25:38.039
<v Speaker 2>by the way, physical people. And they said, you know,

411
00:25:38.079 --> 00:25:40.119
<v Speaker 2>you're way with the fairies, and you come back with

412
00:25:40.160 --> 00:25:43.000
<v Speaker 2>all this information, whether you chose it for yourself to

413
00:25:43.119 --> 00:25:46.119
<v Speaker 2>empower yourself or to tell the tribe that you know,

414
00:25:46.160 --> 00:25:48.400
<v Speaker 2>we need to plant certain things later in the year

415
00:25:48.400 --> 00:25:50.799
<v Speaker 2>because we're going to have a major drought. And sure enough,

416
00:25:51.200 --> 00:25:54.359
<v Speaker 2>you can actually predict this very carefully. So there is

417
00:25:54.400 --> 00:25:58.240
<v Speaker 2>an interaction between what happens inside these places and what

418
00:25:58.319 --> 00:26:01.920
<v Speaker 2>happens in your own mind. Actually, the passage mounds because

419
00:26:01.920 --> 00:26:04.400
<v Speaker 2>people think, well, it's a row of stones with a

420
00:26:04.440 --> 00:26:08.799
<v Speaker 2>central chamber and you got this dirt piled up on it. Well, no,

421
00:26:08.920 --> 00:26:12.640
<v Speaker 2>it's not just dirt. You have layers of organic and

422
00:26:12.799 --> 00:26:17.519
<v Speaker 2>inorganic material built up over the shape to make these beautiful,

423
00:26:17.599 --> 00:26:21.839
<v Speaker 2>fluffy mounds. They behave like an orgone accumulator, and that's

424
00:26:21.920 --> 00:26:24.880
<v Speaker 2>what happens. So when you measure the frequency outside of

425
00:26:24.920 --> 00:26:28.279
<v Speaker 2>these mounds, you get, for example, twelve hertz as a

426
00:26:28.319 --> 00:26:31.759
<v Speaker 2>background frequency, but when you enter the mound, it's four

427
00:26:31.799 --> 00:26:35.200
<v Speaker 2>point eighties and that frequency is the same frequency when

428
00:26:35.240 --> 00:26:38.720
<v Speaker 2>your brain waves and in the meditative state and you're

429
00:26:38.759 --> 00:26:41.839
<v Speaker 2>accessing another level of reality. I think that's the alpha state.

430
00:26:41.839 --> 00:26:44.119
<v Speaker 2>I can't remember which state it was, but it puts

431
00:26:44.119 --> 00:26:46.720
<v Speaker 2>you into a state of reverence. It's the same thing

432
00:26:46.759 --> 00:26:49.160
<v Speaker 2>inside a great pyramid. By the way, any thing's chamber.

433
00:26:49.799 --> 00:26:52.400
<v Speaker 2>The place is designed to stop you thinking and get

434
00:26:52.440 --> 00:26:55.839
<v Speaker 2>you to start in tuiting your information because you can't think.

435
00:26:55.880 --> 00:26:58.000
<v Speaker 2>You a way for this stuff. And I found this

436
00:26:58.119 --> 00:27:01.559
<v Speaker 2>also in many of the the negolis in Malta. They

437
00:27:01.640 --> 00:27:05.799
<v Speaker 2>designed to achieve exactly the same physiological effects. And on

438
00:27:05.839 --> 00:27:08.440
<v Speaker 2>top of that, you've also got the healings, where some

439
00:27:08.519 --> 00:27:11.319
<v Speaker 2>sites are associated with healing, and people have been going

440
00:27:11.359 --> 00:27:13.680
<v Speaker 2>there to cure themselves of all kinds of things, and

441
00:27:13.680 --> 00:27:16.359
<v Speaker 2>they're still going there to this very there. And that's

442
00:27:16.400 --> 00:27:19.119
<v Speaker 2>one of the reasons why the church stopped this nonsense,

443
00:27:19.160 --> 00:27:21.200
<v Speaker 2>because they said, well, you can't do that, because if

444
00:27:21.200 --> 00:27:23.480
<v Speaker 2>we want you to be healed in church, you know,

445
00:27:23.759 --> 00:27:25.720
<v Speaker 2>and of course you go to the church and nothing happens.

446
00:27:25.720 --> 00:27:28.000
<v Speaker 2>So they go back to the sacred site and then

447
00:27:28.039 --> 00:27:30.480
<v Speaker 2>they get burnt alive or nail to a cross or something.

448
00:27:30.880 --> 00:27:34.559
<v Speaker 2>But it keeps going. Despite the effects. People still keep

449
00:27:34.640 --> 00:27:37.759
<v Speaker 2>going there all the time because, like I said, something

450
00:27:37.880 --> 00:27:41.119
<v Speaker 2>clearly is there of benefit. It's not just anecdotal anymore.

451
00:27:41.119 --> 00:27:44.559
<v Speaker 2>It's actually being written down by people who go there

452
00:27:44.599 --> 00:27:48.440
<v Speaker 2>and prod these sites with very sensitive electrical devices.

453
00:27:50.599 --> 00:27:52.640
<v Speaker 1>We're going to take a short commercial break to allow

454
00:27:52.720 --> 00:27:56.880
<v Speaker 1>our sponsors to identify themselves, and we will return shortly

455
00:27:56.960 --> 00:28:03.319
<v Speaker 1>with my guest today, Freddy Silver presenting his new documentary Megalith,

456
00:28:04.839 --> 00:28:44.319
<v Speaker 1>will be right back. My guess today is Freddie Silva,

457
00:28:44.359 --> 00:28:48.359
<v Speaker 1>who has produced a new documentary called Megaliths, just as

458
00:28:48.400 --> 00:28:54.400
<v Speaker 1>a look at these huge monolithic size stones, buildings and

459
00:28:54.880 --> 00:29:05.359
<v Speaker 1>pathways throughout Europe, Portugal and scott Then. I've seen photographs

460
00:29:05.440 --> 00:29:08.119
<v Speaker 1>of Karnak in France, and of course I've been to

461
00:29:09.359 --> 00:29:15.440
<v Speaker 1>different parts of UK and wherever I go, where there's megalists,

462
00:29:15.480 --> 00:29:18.440
<v Speaker 1>there doesn't seem to be like a sitting area. It's

463
00:29:18.440 --> 00:29:21.440
<v Speaker 1>like you're supposed to be moving around them. Is that correct?

464
00:29:21.519 --> 00:29:24.000
<v Speaker 1>Or would you say or have you actually found sitting

465
00:29:24.079 --> 00:29:27.160
<v Speaker 1>areas where you're supposed to sit. It's funny because I'm

466
00:29:27.160 --> 00:29:30.240
<v Speaker 1>thinking maybe if you sit you will get burned alive.

467
00:29:30.279 --> 00:29:31.400
<v Speaker 1>It's hard to say, oh.

468
00:29:31.359 --> 00:29:34.720
<v Speaker 2>There wasn't a pub so I didn't sit. No, it

469
00:29:34.839 --> 00:29:37.000
<v Speaker 2>ends on the shape. It really depends on the shape.

470
00:29:37.240 --> 00:29:39.880
<v Speaker 2>So the stone rose, which is what Karnak is famous for.

471
00:29:40.400 --> 00:29:44.119
<v Speaker 2>And believe me, there are at least thirteen other rows

472
00:29:44.400 --> 00:29:47.359
<v Speaker 2>of megalists, and they're not very well known. And I

473
00:29:47.400 --> 00:29:50.440
<v Speaker 2>prefer those because nobody goes there, and you'll find sometimes

474
00:29:50.480 --> 00:29:52.559
<v Speaker 2>now in the middle of a wood because the trees

475
00:29:52.559 --> 00:29:55.720
<v Speaker 2>have grown around them, and then more protected. But those

476
00:29:55.799 --> 00:29:59.680
<v Speaker 2>I believe were used as ceremonial things. They're going from

477
00:29:59.720 --> 00:30:03.200
<v Speaker 2>some lays to somewhere else. And again it's still a

478
00:30:03.200 --> 00:30:05.799
<v Speaker 2>work in progress, but that much I figured out. You're

479
00:30:05.839 --> 00:30:10.079
<v Speaker 2>following a movement of energy and the parallel situation exists

480
00:30:10.079 --> 00:30:12.240
<v Speaker 2>at Averbury. So people you should go to the stone

481
00:30:12.240 --> 00:30:14.559
<v Speaker 2>circle at Averbury, but they forget that there were two

482
00:30:14.640 --> 00:30:18.680
<v Speaker 2>avenues of stones leading to the site. Now half of

483
00:30:18.759 --> 00:30:21.400
<v Speaker 2>one of them is still there. And I always tell

484
00:30:21.400 --> 00:30:24.440
<v Speaker 2>people park in the little I think it's now more

485
00:30:24.480 --> 00:30:28.279
<v Speaker 2>of a mud patch than lay by, so be careful

486
00:30:28.319 --> 00:30:30.039
<v Speaker 2>where you park a car. It's going to be deep

487
00:30:30.039 --> 00:30:32.400
<v Speaker 2>with mud and black water. But if you park at

488
00:30:32.400 --> 00:30:34.559
<v Speaker 2>the end of the avenue and there's not much space

489
00:30:34.599 --> 00:30:38.359
<v Speaker 2>for cars there, go over into the public area. And

490
00:30:38.680 --> 00:30:42.559
<v Speaker 2>walk towards the stone circle, and you really do feel

491
00:30:42.839 --> 00:30:45.519
<v Speaker 2>like you're in a river, a conveyor belt of ba's

492
00:30:45.599 --> 00:30:48.720
<v Speaker 2>pushing you into the stone circle. And that was actually measured.

493
00:30:49.279 --> 00:30:52.119
<v Speaker 2>They actually found that there's a current that actually gets drawn,

494
00:30:52.759 --> 00:30:56.400
<v Speaker 2>a tallura current that gets drawn along the avenue of stones,

495
00:30:56.720 --> 00:30:59.680
<v Speaker 2>and that's why it's curved. It's not straight because energy

496
00:30:59.720 --> 00:31:02.519
<v Speaker 2>doesn't moving straight lines. It moves in curves. That's why

497
00:31:02.559 --> 00:31:05.720
<v Speaker 2>it's called the serpent energy. So you follow that curve

498
00:31:05.920 --> 00:31:08.599
<v Speaker 2>and you literally fall in the telluric current, and you're

499
00:31:08.960 --> 00:31:11.240
<v Speaker 2>going into the stone circle, and then you go to

500
00:31:11.279 --> 00:31:15.119
<v Speaker 2>these two enormous stones, which are the entrance stones, which

501
00:31:15.160 --> 00:31:18.400
<v Speaker 2>gives a whole new meanings to the word entrance or entrance.

502
00:31:18.839 --> 00:31:22.279
<v Speaker 2>You are being entranced by that energy. Now, if you

503
00:31:22.319 --> 00:31:24.720
<v Speaker 2>do it the other way around, if you leave and

504
00:31:24.720 --> 00:31:27.559
<v Speaker 2>go the other way back to your car, you'll find

505
00:31:27.599 --> 00:31:29.400
<v Speaker 2>that it takes twice as long. And it's like you're

506
00:31:29.400 --> 00:31:32.200
<v Speaker 2>pushing against the tiger. You feel like a salmon going

507
00:31:32.279 --> 00:31:36.799
<v Speaker 2>uphill to spawn because you're pushing against this current of energy.

508
00:31:37.640 --> 00:31:41.039
<v Speaker 2>It just don't think it, just feel it. Everybody that

509
00:31:41.079 --> 00:31:43.839
<v Speaker 2>I've taken there does the same thing, and they can

510
00:31:43.920 --> 00:31:46.759
<v Speaker 2>and they can sense that, so you keep moving. These

511
00:31:46.759 --> 00:31:49.519
<v Speaker 2>are processional roots. But the place where you do want

512
00:31:49.559 --> 00:31:54.160
<v Speaker 2>to stand is around the inside the actual chambers, the domons,

513
00:31:54.480 --> 00:31:57.799
<v Speaker 2>the passage mounds. Those were meant for congregation, and it

514
00:31:57.880 --> 00:32:01.240
<v Speaker 2>depends on the alignments of the company or the sun

515
00:32:01.400 --> 00:32:04.440
<v Speaker 2>or the moon position or orion, because that comes up

516
00:32:04.480 --> 00:32:07.839
<v Speaker 2>all the time in these sites. The association with the

517
00:32:07.960 --> 00:32:11.720
<v Speaker 2>rhine is everywhere, but these places are gathering and depending

518
00:32:11.720 --> 00:32:15.480
<v Speaker 2>on the alignment of the site. The alignment defines the

519
00:32:15.519 --> 00:32:17.920
<v Speaker 2>purpose for which it was done. So some were done

520
00:32:17.960 --> 00:32:21.519
<v Speaker 2>for initiation, for out of body journeying, some were done

521
00:32:21.559 --> 00:32:25.359
<v Speaker 2>for healings, some were done for creativity and fertility, not

522
00:32:25.400 --> 00:32:28.519
<v Speaker 2>just of body, but also of mind. If you're facing

523
00:32:28.559 --> 00:32:31.079
<v Speaker 2>the west, that's usually a place where you get buried.

524
00:32:31.079 --> 00:32:33.960
<v Speaker 2>That's how you know. That's a very all Celtic tradition

525
00:32:34.119 --> 00:32:37.079
<v Speaker 2>about putting the alignment to the temple relative to a

526
00:32:37.160 --> 00:32:40.359
<v Speaker 2>point of the compass. That basically a light to something

527
00:32:40.359 --> 00:32:43.160
<v Speaker 2>in the landscape, and the west and the northwest is

528
00:32:43.279 --> 00:32:46.279
<v Speaker 2>or the setting sun. You're going into the other world.

529
00:32:46.279 --> 00:32:49.960
<v Speaker 2>That's where the soul goes once you're dead. So those

530
00:32:49.960 --> 00:32:53.240
<v Speaker 2>are actual burial sites. And you should respect that. The

531
00:32:53.279 --> 00:32:56.400
<v Speaker 2>other stuff behaves very very differently. And of course the

532
00:32:56.480 --> 00:33:00.279
<v Speaker 2>standing stones, those are good. To stand next to them,

533
00:33:00.440 --> 00:33:02.400
<v Speaker 2>try not to touch them if you can, because, like

534
00:33:02.440 --> 00:33:04.000
<v Speaker 2>I said, if you're there at the wrong time, you're

535
00:33:04.000 --> 00:33:06.519
<v Speaker 2>going to get one hell of a shock. And I

536
00:33:06.519 --> 00:33:11.119
<v Speaker 2>remember this enormous stone not far from Monsign Michelle. And

537
00:33:11.759 --> 00:33:13.720
<v Speaker 2>to give you an idea how big this thing is.

538
00:33:14.000 --> 00:33:17.119
<v Speaker 2>It took sixteen people holding hands to cover the gurf

539
00:33:17.160 --> 00:33:20.000
<v Speaker 2>of the stone. And that wasn't even the big one.

540
00:33:20.039 --> 00:33:23.799
<v Speaker 2>That was just four play. Okay, people thought this is

541
00:33:23.799 --> 00:33:25.960
<v Speaker 2>going to look grey on Facebook. Yeah, this is just

542
00:33:26.039 --> 00:33:29.200
<v Speaker 2>four play. The big one is down the road. And

543
00:33:29.319 --> 00:33:32.599
<v Speaker 2>I remember doing this experiment where we, you know, we

544
00:33:32.680 --> 00:33:35.039
<v Speaker 2>just said, look, I want you to censor the energy

545
00:33:35.079 --> 00:33:37.759
<v Speaker 2>of the stone. Don't touch it, just sensor it and

546
00:33:37.880 --> 00:33:41.200
<v Speaker 2>see if you can try and figure out if the

547
00:33:41.400 --> 00:33:45.240
<v Speaker 2>feel appears as a sound, what would the sound be.

548
00:33:45.839 --> 00:33:48.119
<v Speaker 2>And everybody picked up their own sound, but there was

549
00:33:48.160 --> 00:33:52.240
<v Speaker 2>a harmonious sound. Now in the meantime, one of the

550
00:33:52.240 --> 00:33:55.279
<v Speaker 2>people in the group didn't feel comfortable. He'd been brought

551
00:33:55.359 --> 00:33:57.200
<v Speaker 2>up as a Catholic. You know, nothing wrong with that,

552
00:33:57.200 --> 00:33:59.880
<v Speaker 2>that's his choice. But he said I don't feel comfortable

553
00:34:00.039 --> 00:34:02.160
<v Speaker 2>for me, it's like devil worship. I said, well, why

554
00:34:02.200 --> 00:34:05.400
<v Speaker 2>you are mitre then, but never mind, you can sit

555
00:34:05.480 --> 00:34:08.719
<v Speaker 2>here in this picnic bench about fifteen feet away from

556
00:34:08.719 --> 00:34:11.400
<v Speaker 2>the stone. The French are very good about, you know,

557
00:34:11.599 --> 00:34:14.760
<v Speaker 2>eating pat and having wine next to megalifts. They put

558
00:34:14.760 --> 00:34:17.960
<v Speaker 2>a little park bench nearby, and he sat there, and

559
00:34:18.000 --> 00:34:20.159
<v Speaker 2>I felt the need to put this one of my

560
00:34:20.239 --> 00:34:23.440
<v Speaker 2>dowsing rods exactly where he was. I don't know why

561
00:34:23.960 --> 00:34:26.840
<v Speaker 2>someone was telling me. And I measured the energy field

562
00:34:26.840 --> 00:34:29.440
<v Speaker 2>around the stone and it was about eight feet just

563
00:34:29.480 --> 00:34:33.639
<v Speaker 2>by itself. So we stood around the stone. We toned

564
00:34:33.679 --> 00:34:36.280
<v Speaker 2>to the stone and you can feel this pulsating ridden

565
00:34:36.360 --> 00:34:38.840
<v Speaker 2>coming back out of the stone, and people are getting

566
00:34:38.920 --> 00:34:41.679
<v Speaker 2>high just standing there. And we stopped after about ten

567
00:34:41.719 --> 00:34:44.679
<v Speaker 2>minutes and I heard this thud behind me. I thought,

568
00:34:45.039 --> 00:34:48.079
<v Speaker 2>so that hurts, And I thought, let's see what's happened.

569
00:34:48.199 --> 00:34:51.519
<v Speaker 2>Have we influenced the energy field of the standing stone.

570
00:34:51.760 --> 00:34:54.079
<v Speaker 2>So I took my other dowsing rod and I measured

571
00:34:54.119 --> 00:34:57.239
<v Speaker 2>where the original band of energy was around the megalith.

572
00:34:57.599 --> 00:35:02.679
<v Speaker 2>It had moved fifteen feet either to exactly the location

573
00:35:02.800 --> 00:35:07.719
<v Speaker 2>where I put my original dowsing rod. On the ground,

574
00:35:07.880 --> 00:35:10.400
<v Speaker 2>and next to the rod was the guy that had

575
00:35:10.400 --> 00:35:13.119
<v Speaker 2>been sitting on the bench, lying flat on the ground.

576
00:35:13.239 --> 00:35:14.960
<v Speaker 2>He'd been knocked over, and I said, what the hell

577
00:35:14.960 --> 00:35:17.239
<v Speaker 2>happened to you? And he said, there's a moment where

578
00:35:17.280 --> 00:35:20.800
<v Speaker 2>you hit this harmonic frequency and this wave hit me

579
00:35:20.840 --> 00:35:23.519
<v Speaker 2>and it not be right over the actual bench. So

580
00:35:23.559 --> 00:35:25.559
<v Speaker 2>it's a real story by a guy who did not

581
00:35:25.760 --> 00:35:30.000
<v Speaker 2>believe this, and guess what happens after that? Can you

582
00:35:30.079 --> 00:35:31.400
<v Speaker 2>keep him away from the makelift?

583
00:35:31.440 --> 00:35:31.519
<v Speaker 3>No?

584
00:35:31.679 --> 00:35:33.960
<v Speaker 2>It was like, when do we get to the next site.

585
00:35:33.960 --> 00:35:35.519
<v Speaker 2>When we get to the next site, I thought you

586
00:35:35.519 --> 00:35:37.760
<v Speaker 2>didn't believe this because you're a Catholic. Oh now I

587
00:35:37.880 --> 00:35:41.840
<v Speaker 2>believe can't make this stuff up. So yeah, it's an

588
00:35:41.960 --> 00:35:44.400
<v Speaker 2>energy feel and you can interact with it. So you

589
00:35:44.440 --> 00:35:48.159
<v Speaker 2>can stand and sit next to the big stones, but

590
00:35:49.119 --> 00:35:53.119
<v Speaker 2>just sense, use your gut feeling. Sometimes you don't want

591
00:35:53.119 --> 00:35:57.000
<v Speaker 2>to touch them, because, yeah, getting electric truck is not

592
00:35:57.039 --> 00:35:59.000
<v Speaker 2>a good idea, as I know very well.

593
00:36:00.239 --> 00:36:03.880
<v Speaker 1>That these stones are Neolithic four or five thousand years,

594
00:36:03.880 --> 00:36:07.360
<v Speaker 1>but it seems much older to me. What is your

595
00:36:07.440 --> 00:36:09.800
<v Speaker 1>sense of an age? If you can even go there.

596
00:36:11.119 --> 00:36:15.639
<v Speaker 2>It's very hard to rationalize in terms of archaeology because

597
00:36:15.800 --> 00:36:18.360
<v Speaker 2>for example, the Passage mounds, they tend to give you

598
00:36:18.719 --> 00:36:22.119
<v Speaker 2>a Neolithic year around four thousand BC. And it's all

599
00:36:22.159 --> 00:36:25.039
<v Speaker 2>based on pure science, which is we dug down to

600
00:36:25.159 --> 00:36:28.039
<v Speaker 2>a layer of soil because remember all of these megalists

601
00:36:28.079 --> 00:36:30.719
<v Speaker 2>they found the bedrock, and the rocks are standing on

602
00:36:30.760 --> 00:36:34.400
<v Speaker 2>the bedrock. They're standing on their center of gravity, which

603
00:36:34.440 --> 00:36:37.760
<v Speaker 2>is incredible because usually the point is at the bottom,

604
00:36:37.880 --> 00:36:40.440
<v Speaker 2>not at the top. I mean it literally balanced like

605
00:36:40.679 --> 00:36:41.920
<v Speaker 2>enormous needles.

606
00:36:41.800 --> 00:36:45.000
<v Speaker 1>Really, so they're pointed top and out flat at the bottom.

607
00:36:45.559 --> 00:36:48.920
<v Speaker 2>Sometimes they're being choked with little rocks. But many cases

608
00:36:48.920 --> 00:36:51.559
<v Speaker 2>in France specially, they've they've dug at the bottom. They

609
00:36:51.599 --> 00:36:55.639
<v Speaker 2>found ah put the soil back because the point is

610
00:36:55.679 --> 00:36:58.679
<v Speaker 2>actually at the bottom, resting on the center of gravity,

611
00:36:58.679 --> 00:37:01.559
<v Speaker 2>which is on the lower section of It's pure genius.

612
00:37:03.559 --> 00:37:04.920
<v Speaker 2>And where was I going with this?

613
00:37:05.639 --> 00:37:07.920
<v Speaker 1>The Neolithic? How old are the Healithic?

614
00:37:08.239 --> 00:37:10.760
<v Speaker 2>So when you go to passage mounds which have accumulated

615
00:37:10.840 --> 00:37:13.199
<v Speaker 2>layers of dirt, the archaeolgists will dig down for the

616
00:37:13.239 --> 00:37:17.000
<v Speaker 2>lowest layer and they'll find a pocktery shard, or they'll

617
00:37:17.000 --> 00:37:19.360
<v Speaker 2>find a bead or something, and they can date the

618
00:37:19.360 --> 00:37:23.000
<v Speaker 2>soil around that now here's my question, and that is,

619
00:37:23.360 --> 00:37:25.719
<v Speaker 2>if you go to that length of trouble to build

620
00:37:25.760 --> 00:37:29.400
<v Speaker 2>these incredible sites, you're not going to let the dirt accumulate.

621
00:37:29.800 --> 00:37:32.679
<v Speaker 2>The dirt only shows the time when they stop working,

622
00:37:32.679 --> 00:37:35.840
<v Speaker 2>when people stopped going there. So four thousand BC is

623
00:37:35.880 --> 00:37:39.480
<v Speaker 2>when they stop working, because especially in France, it's very true.

624
00:37:39.599 --> 00:37:42.400
<v Speaker 2>If you go down to the coast, there's dozens of

625
00:37:42.480 --> 00:37:45.559
<v Speaker 2>sites which are now only available at low tide. And

626
00:37:45.599 --> 00:37:47.639
<v Speaker 2>I got the film of one of the passage mounds,

627
00:37:47.960 --> 00:37:50.159
<v Speaker 2>and I'm going to have time it correctly to be

628
00:37:50.239 --> 00:37:52.400
<v Speaker 2>there when the tide was going out and it's now

629
00:37:52.440 --> 00:37:56.039
<v Speaker 2>completely covered with water. So you asked the oceanographers when

630
00:37:56.079 --> 00:37:59.400
<v Speaker 2>would be the last time water was anywhere near this

631
00:38:00.079 --> 00:38:03.000
<v Speaker 2>that it was fully available for people to go in,

632
00:38:03.199 --> 00:38:06.760
<v Speaker 2>and the answer is about six thousand BC. So now

633
00:38:06.760 --> 00:38:09.559
<v Speaker 2>we've got a specific date now that lines up with

634
00:38:09.639 --> 00:38:13.239
<v Speaker 2>the oldest sites in Portugal, the very very old ones

635
00:38:13.280 --> 00:38:15.519
<v Speaker 2>in Portugal, and then there's a kind of a gap

636
00:38:16.119 --> 00:38:18.800
<v Speaker 2>that takes place. The next time. You'll get about five

637
00:38:18.800 --> 00:38:21.639
<v Speaker 2>thousand BC when they added more, and then they added

638
00:38:21.679 --> 00:38:24.119
<v Speaker 2>some more in four and a half thousand BC, and

639
00:38:24.159 --> 00:38:26.960
<v Speaker 2>then they added more in three thousand BC, and each

640
00:38:27.079 --> 00:38:30.039
<v Speaker 2>time you get those dates, you have a correlation with

641
00:38:30.119 --> 00:38:34.440
<v Speaker 2>either meteorite strikes, climate change, or sellar flares. So where

642
00:38:34.400 --> 00:38:37.480
<v Speaker 2>anytime the climate changes, it's like we put tools down

643
00:38:37.679 --> 00:38:40.599
<v Speaker 2>and we go on another sort of temple building bende

644
00:38:40.639 --> 00:38:44.000
<v Speaker 2>around the world. It's there's a correlation between the two,

645
00:38:44.519 --> 00:38:49.159
<v Speaker 2>either because of maintaining the structure of their environment, maintaining

646
00:38:49.280 --> 00:38:51.920
<v Speaker 2>the culture so it survives in case things get destroyed,

647
00:38:52.400 --> 00:38:55.159
<v Speaker 2>or using the energy of the land in order to

648
00:38:55.159 --> 00:38:57.639
<v Speaker 2>prevent the kales from being worse than it is. And

649
00:38:57.719 --> 00:39:00.480
<v Speaker 2>I think all of those ideas absolutely plausible, given that

650
00:39:00.480 --> 00:39:03.360
<v Speaker 2>they all occupy these fractures zones along the face of

651
00:39:03.400 --> 00:39:06.639
<v Speaker 2>the earth. These fractures aren't just helping the energy go

652
00:39:06.719 --> 00:39:10.239
<v Speaker 2>to the stone. The stones may be mollifying the effects

653
00:39:10.280 --> 00:39:13.199
<v Speaker 2>of earthquakes as well. That has been put forward as

654
00:39:13.199 --> 00:39:17.760
<v Speaker 2>well many times. So there are at least three difference

655
00:39:18.199 --> 00:39:21.320
<v Speaker 2>before three thousand BFT. There are at least three major

656
00:39:21.320 --> 00:39:24.159
<v Speaker 2>temple building periods. But the older stuff I've found is

657
00:39:24.199 --> 00:39:28.519
<v Speaker 2>around six thousand BC, and that correlates to the alignment

658
00:39:28.719 --> 00:39:31.480
<v Speaker 2>of the site as well to the stars. So going

659
00:39:31.519 --> 00:39:34.800
<v Speaker 2>back around saying with the Ryan that comes again and

660
00:39:34.840 --> 00:39:37.800
<v Speaker 2>again and again the culture that brought this from and

661
00:39:38.079 --> 00:39:41.239
<v Speaker 2>believe it or not, it originally started in Armenia and

662
00:39:41.320 --> 00:39:46.039
<v Speaker 2>Siberia and Ukraine, and eventually in six thousand BC we

663
00:39:46.079 --> 00:39:49.320
<v Speaker 2>have a migration which again moves because of climate change

664
00:39:49.320 --> 00:39:51.719
<v Speaker 2>at the end of the Ice Age. It moves across

665
00:39:51.800 --> 00:39:55.480
<v Speaker 2>Europe and you contract it through DNA and also through

666
00:39:55.639 --> 00:39:59.280
<v Speaker 2>language and through customs, and they end up in central

667
00:39:59.360 --> 00:40:03.719
<v Speaker 2>Portugal around Cormac in what is Armorica. Brittany is actually

668
00:40:03.719 --> 00:40:06.800
<v Speaker 2>called Armonica, and that is an Armenian term that means

669
00:40:07.119 --> 00:40:10.199
<v Speaker 2>the place where the sun descends into the ocean in Armenian.

670
00:40:10.719 --> 00:40:13.880
<v Speaker 2>And the other place is of course in Scotland and Calaniche.

671
00:40:13.920 --> 00:40:16.880
<v Speaker 2>All those sites in Orbandy, they're all firmly founded on

672
00:40:16.920 --> 00:40:21.000
<v Speaker 2>an Armenian language tradition. So these things are all connected. Okay,

673
00:40:21.280 --> 00:40:24.719
<v Speaker 2>So you have this movement of people from six thousand

674
00:40:24.760 --> 00:40:28.199
<v Speaker 2>BC onwards and they bring their culture with them. Having

675
00:40:28.280 --> 00:40:31.599
<v Speaker 2>said that, there is two places that I found in

676
00:40:31.639 --> 00:40:34.000
<v Speaker 2>France which are very interesting, and it goes back again

677
00:40:34.079 --> 00:40:38.440
<v Speaker 2>to archaeology finding these things but then letting it go

678
00:40:38.559 --> 00:40:40.760
<v Speaker 2>because it doesn't fit the paradigm. And one of them

679
00:40:40.840 --> 00:40:45.159
<v Speaker 2>was very important around Cormac just behind the little sort

680
00:40:45.159 --> 00:40:47.480
<v Speaker 2>of B and B where I was staying, which by

681
00:40:47.480 --> 00:40:50.199
<v Speaker 2>the way, was built from the stones that were taken

682
00:40:50.239 --> 00:40:53.320
<v Speaker 2>down by the Catholic Church to build the town. And

683
00:40:53.400 --> 00:40:55.639
<v Speaker 2>the land lady was saying, yeah, my grandmother said that

684
00:40:55.679 --> 00:40:59.000
<v Speaker 2>this house was built with all the monuments in the garden.

685
00:41:01.079 --> 00:41:04.039
<v Speaker 2>They said, you couldn't walk fifteen feet without bumping into

686
00:41:04.079 --> 00:41:07.960
<v Speaker 2>a large megalith, and I thought, my god, what an image.

687
00:41:08.400 --> 00:41:10.800
<v Speaker 2>And there was a big sort of tumulus behind it.

688
00:41:10.800 --> 00:41:14.039
<v Speaker 2>It's an artificial hill. And they found all these graves

689
00:41:14.079 --> 00:41:16.519
<v Speaker 2>in there, so we know people are definitely buried in there,

690
00:41:16.559 --> 00:41:19.840
<v Speaker 2>and the intention for it was as a grave site.

691
00:41:20.079 --> 00:41:23.119
<v Speaker 2>But there was one major chamber where they found a

692
00:41:23.159 --> 00:41:26.480
<v Speaker 2>wooden box filled in with bones and the bones were

693
00:41:26.480 --> 00:41:32.119
<v Speaker 2>inside earth, which is carbondated to eight thousand BC. And

694
00:41:32.159 --> 00:41:34.599
<v Speaker 2>it's actually it's on the geological record. It's on the

695
00:41:34.719 --> 00:41:37.639
<v Speaker 2>archaeological record. Nobody wants to talk about the fact that

696
00:41:37.920 --> 00:41:41.320
<v Speaker 2>people were there beginning this culture in eight thousand BC.

697
00:41:42.159 --> 00:41:45.039
<v Speaker 2>And there's lots of stories of sunken cities off the

698
00:41:45.079 --> 00:41:47.599
<v Speaker 2>coast of Karnak and you can see them. You can

699
00:41:47.599 --> 00:41:50.199
<v Speaker 2>see the megaliths going into the ocean. You can now

700
00:41:50.199 --> 00:41:53.760
<v Speaker 2>see them on sonar. There are sona images of the

701
00:41:53.800 --> 00:41:56.519
<v Speaker 2>stone rows going straight into the ocean, and then they

702
00:41:56.559 --> 00:41:59.159
<v Speaker 2>reappear on an island three kilometers off.

703
00:41:59.039 --> 00:42:02.400
<v Speaker 1>The carsh So they're actually and.

704
00:42:02.920 --> 00:42:06.559
<v Speaker 2>Same story in Portugal, and the story there talks about

705
00:42:06.599 --> 00:42:09.440
<v Speaker 2>in fact, ironically exactly in the location where I was born,

706
00:42:09.480 --> 00:42:12.760
<v Speaker 2>by the way, which is very frightening. They talk about

707
00:42:12.760 --> 00:42:15.280
<v Speaker 2>a race of very tall people. They're about eight and

708
00:42:15.320 --> 00:42:18.079
<v Speaker 2>a half feet tall, which is commensurate with all the

709
00:42:18.079 --> 00:42:21.599
<v Speaker 2>bones that we find in giants grazes around Europe. And

710
00:42:21.639 --> 00:42:24.639
<v Speaker 2>they were described as being very light skinned. They were

711
00:42:24.719 --> 00:42:28.599
<v Speaker 2>blonde with green eyes or redhead with blue eyes. And

712
00:42:28.679 --> 00:42:30.679
<v Speaker 2>in Portugal they said that they came from a sunken

713
00:42:30.760 --> 00:42:33.519
<v Speaker 2>land in the middle of the Atlantic called Atole. And

714
00:42:33.559 --> 00:42:36.239
<v Speaker 2>these people call the people of the Serpents, which is

715
00:42:36.280 --> 00:42:39.639
<v Speaker 2>the same story that you'll hear in Yucatan by the Maya.

716
00:42:40.199 --> 00:42:42.199
<v Speaker 2>And they said, yeah, at the end of the Ice Age,

717
00:42:42.239 --> 00:42:44.079
<v Speaker 2>the land sank in the middle of the Atlantic, and

718
00:42:44.119 --> 00:42:47.360
<v Speaker 2>they went that way. One group went to Maya Lands

719
00:42:47.400 --> 00:42:49.599
<v Speaker 2>and the other one went to Europe, and one of

720
00:42:49.599 --> 00:42:52.440
<v Speaker 2>them obviously landed in Portugal. And I suspected the other

721
00:42:52.519 --> 00:42:56.000
<v Speaker 2>one is actually around Karnak as well, because that ties

722
00:42:56.119 --> 00:42:59.800
<v Speaker 2>in within a thousand years of the actual event. This

723
00:43:00.039 --> 00:43:03.320
<v Speaker 2>another piece of information that I'm now looking into to

724
00:43:03.360 --> 00:43:06.039
<v Speaker 2>find out just how far back can we actually date

725
00:43:06.079 --> 00:43:09.360
<v Speaker 2>this stuff, So it may be Mesolithic. I think the

726
00:43:09.440 --> 00:43:12.599
<v Speaker 2>foundation is Mesolithic, and then we get into the Neolithic

727
00:43:12.960 --> 00:43:15.360
<v Speaker 2>about five and a half thousand to six thousand BC.

728
00:43:15.760 --> 00:43:21.760
<v Speaker 1>That's amazing, What a great story. Why build appreciate yeah, exactly,

729
00:43:22.159 --> 00:43:26.440
<v Speaker 1>Why build on a megaalithic scale? I mean, these men

730
00:43:26.480 --> 00:43:30.480
<v Speaker 1>hers are so big the cover of your documentary, we

731
00:43:30.480 --> 00:43:32.519
<v Speaker 1>were talking about this at the beginning of the program.

732
00:43:32.639 --> 00:43:34.480
<v Speaker 1>You're standing next to it. You look like an ant

733
00:43:34.679 --> 00:43:37.679
<v Speaker 1>next to the thing. It weighs. Where'd you say one

734
00:43:37.760 --> 00:43:40.000
<v Speaker 1>hundred tons or something outrageous?

735
00:43:40.920 --> 00:43:44.119
<v Speaker 2>This one is calculated. It's made of granite, and this

736
00:43:44.159 --> 00:43:47.519
<v Speaker 2>one's calculated. That's about three hundred and eighty tons. I believe.

737
00:43:47.599 --> 00:43:49.079
<v Speaker 1>Oh, it's it's insane.

738
00:43:49.440 --> 00:43:52.000
<v Speaker 2>And it's six feet that goes into the ground. There's

739
00:43:52.119 --> 00:43:54.920
<v Speaker 2>thirty nine feet above the ground, and then before it

740
00:43:54.960 --> 00:43:57.119
<v Speaker 2>was hit by lightning, there's another six feet on top

741
00:43:57.159 --> 00:44:01.800
<v Speaker 2>of that. And that's the largest standing stone, the biggest

742
00:44:01.840 --> 00:44:04.320
<v Speaker 2>one which had now fallen over and it's split into

743
00:44:04.360 --> 00:44:08.800
<v Speaker 2>five pieces. Is in Loch Marrigie and it's now a

744
00:44:08.880 --> 00:44:11.880
<v Speaker 2>very touristy site but you can walk around it. It

745
00:44:11.960 --> 00:44:15.199
<v Speaker 2>took me, I think forty seconds to go with my

746
00:44:15.320 --> 00:44:18.159
<v Speaker 2>camera to film the tip to the end and there's

747
00:44:18.199 --> 00:44:20.719
<v Speaker 2>bits missing which have now been used for the local

748
00:44:20.800 --> 00:44:24.760
<v Speaker 2>dolmonds and the local passage mound. You see the engravings

749
00:44:24.840 --> 00:44:27.119
<v Speaker 2>on the roof of the stone of the mound because

750
00:44:27.480 --> 00:44:31.239
<v Speaker 2>the thing it suspected that the massive earthquake made it

751
00:44:31.440 --> 00:44:35.239
<v Speaker 2>collapse and it's split in its areas where it was weakest,

752
00:44:36.159 --> 00:44:39.519
<v Speaker 2>so they reuse the stones to build new monuments. It's incredible,

753
00:44:39.559 --> 00:44:42.599
<v Speaker 2>but that is the biggest known standing stone on the planet.

754
00:44:42.960 --> 00:44:45.840
<v Speaker 2>People will start arguing and say, oh, no, bailback, that's

755
00:44:45.840 --> 00:44:48.880
<v Speaker 2>not a standing stone, that's a foundation stone. We don't

756
00:44:48.960 --> 00:44:52.320
<v Speaker 2>count those. That's a different program altogether. But the one

757
00:44:52.360 --> 00:44:56.719
<v Speaker 2>at Lochmrique is astonishing, beyond comprehension, and there was nineteen

758
00:44:56.800 --> 00:44:58.679
<v Speaker 2>of them at one point by the way, and you

759
00:44:58.719 --> 00:45:00.840
<v Speaker 2>can see the whole where they used to be at

760
00:45:00.840 --> 00:45:01.639
<v Speaker 2>one point.

761
00:45:01.840 --> 00:45:05.760
<v Speaker 1>Why build on this large scale? Is it because they

762
00:45:05.840 --> 00:45:10.800
<v Speaker 1>need to have the internal crystalline body of the granite

763
00:45:11.039 --> 00:45:13.760
<v Speaker 1>for as a battery, and this is why they're so

764
00:45:13.960 --> 00:45:18.360
<v Speaker 1>huge and considered megalists. I mean, it's just insane, the

765
00:45:20.400 --> 00:45:25.719
<v Speaker 1>sheer size of some of these dolmen and these Mayhir's

766
00:45:26.039 --> 00:45:29.320
<v Speaker 1>men hers are just why why build on such a level?

767
00:45:30.039 --> 00:45:32.239
<v Speaker 2>I know, I've been asking the same thing for years,

768
00:45:32.360 --> 00:45:36.039
<v Speaker 2>and obviously there's an energetic thing going on here. You

769
00:45:36.119 --> 00:45:39.440
<v Speaker 2>don't drag stones up to forty miles away when that

770
00:45:39.519 --> 00:45:42.280
<v Speaker 2>stone will work. You know, I've been saying this for years.

771
00:45:42.320 --> 00:45:45.280
<v Speaker 2>It's laughable, even in the Great Pyramid, where the core

772
00:45:45.360 --> 00:45:48.079
<v Speaker 2>of the pyramid came from four hundred miles away. And

773
00:45:48.119 --> 00:45:50.320
<v Speaker 2>I began to ask the same question. And I'm an

774
00:45:50.320 --> 00:45:52.440
<v Speaker 2>a an amateur geologist. I'm not as good as say

775
00:45:52.719 --> 00:45:56.039
<v Speaker 2>Robert schock is, but I know that my basics and

776
00:45:56.519 --> 00:46:01.199
<v Speaker 2>funny enough, Princeton Engineering Anomalies Research Department asked the same

777
00:46:01.280 --> 00:46:04.599
<v Speaker 2>question back in the eighties. Why those stones? Why did

778
00:46:04.599 --> 00:46:07.360
<v Speaker 2>they drag them from so far away? And why the scale?

779
00:46:07.679 --> 00:46:10.760
<v Speaker 2>And there's several things that start popping up. There's a

780
00:46:10.800 --> 00:46:13.239
<v Speaker 2>certain type of quartz that they'll share in common, and

781
00:46:13.280 --> 00:46:15.440
<v Speaker 2>it's the same type of quartz that was used for

782
00:46:15.519 --> 00:46:19.960
<v Speaker 2>early radio receivers. So someone in the electrical world. Wait

783
00:46:20.000 --> 00:46:22.559
<v Speaker 2>a minute, there's quartz, and then there's quartz. We'll use

784
00:46:22.639 --> 00:46:26.119
<v Speaker 2>this quartz to build the first radio. So some of

785
00:46:26.159 --> 00:46:28.880
<v Speaker 2>it's much more phr electric than others. Then you've got

786
00:46:28.880 --> 00:46:33.800
<v Speaker 2>the iron in the stone. You have feldspa, magnesium and magnetite,

787
00:46:33.840 --> 00:46:36.599
<v Speaker 2>and all these things are great conductors and also insulators.

788
00:46:37.039 --> 00:46:39.079
<v Speaker 2>So you've got to stop looking at the stones as

789
00:46:39.119 --> 00:46:42.800
<v Speaker 2>stones and as electrical devices. When you put them together,

790
00:46:43.159 --> 00:46:45.920
<v Speaker 2>they begin to create an electrical charge around them, which

791
00:46:45.920 --> 00:46:49.039
<v Speaker 2>is what Pierre Mero proved in the end. So obviously

792
00:46:49.079 --> 00:46:51.519
<v Speaker 2>they're working with energy. And the one thing that you're

793
00:46:51.519 --> 00:46:54.639
<v Speaker 2>hear in mythology all around the world, even in Easter Island,

794
00:46:54.679 --> 00:46:57.880
<v Speaker 2>even in New Zealand and South America, the gods that

795
00:46:58.039 --> 00:47:00.719
<v Speaker 2>brought this information, and I'm not talking about invisible people.

796
00:47:00.760 --> 00:47:03.119
<v Speaker 2>I'm talking about skin and bone people that were described

797
00:47:03.119 --> 00:47:06.960
<v Speaker 2>as gods. They had complete control of the laws of nature,

798
00:47:07.000 --> 00:47:09.320
<v Speaker 2>and they could bend those rules, and they could use

799
00:47:09.360 --> 00:47:15.159
<v Speaker 2>that those laws for the benefit of civilization. And I

800
00:47:15.199 --> 00:47:19.280
<v Speaker 2>suspect that it had something to do with manipulating energy

801
00:47:19.440 --> 00:47:22.360
<v Speaker 2>to do what well. You can change the weather, you

802
00:47:22.360 --> 00:47:27.280
<v Speaker 2>can modify earthquakes, you can produce electrical current and possibly electricity.

803
00:47:27.639 --> 00:47:30.119
<v Speaker 2>Can we prove that noe? But we've got the evidence

804
00:47:30.159 --> 00:47:32.880
<v Speaker 2>to show that it does. We can heal people, you

805
00:47:32.920 --> 00:47:35.920
<v Speaker 2>can do all the states of consciousness. What else? Oh, yes,

806
00:47:37.199 --> 00:47:41.480
<v Speaker 2>the mythology or the folklore of whenever farmers grew any

807
00:47:41.519 --> 00:47:45.239
<v Speaker 2>crops around these standing stones, whether it was in Portsgal

808
00:47:45.400 --> 00:47:48.840
<v Speaker 2>or in France. And they're and the farmers that are

809
00:47:48.880 --> 00:47:52.079
<v Speaker 2>still very much aware of the landscape today, they'll say,

810
00:47:52.760 --> 00:47:55.320
<v Speaker 2>if you plant near the stones, the crops grow much faster,

811
00:47:55.639 --> 00:47:58.719
<v Speaker 2>more healthy, and much taller than the crops thirty feet away.

812
00:47:59.039 --> 00:48:01.599
<v Speaker 2>It's like they go like this, you know, the stone

813
00:48:01.679 --> 00:48:05.599
<v Speaker 2>is literally creating a fertilizing quality on the land. And

814
00:48:05.639 --> 00:48:10.320
<v Speaker 2>I remember going to a charcuterie in France when I

815
00:48:10.320 --> 00:48:12.400
<v Speaker 2>was looking at the harsh of Fee, which is the

816
00:48:13.039 --> 00:48:16.679
<v Speaker 2>fairy stone with the biggest passage mound in Europe. It's incredible.

817
00:48:16.920 --> 00:48:18.800
<v Speaker 2>I look like a fly in there by the way.

818
00:48:19.079 --> 00:48:21.440
<v Speaker 2>It's one of my favorite places. So it's lost its

819
00:48:21.519 --> 00:48:24.280
<v Speaker 2>earth cover and just the stones are incredible. But just

820
00:48:24.320 --> 00:48:29.760
<v Speaker 2>above the the chakuterie is a wonderful mosaic which shows

821
00:48:30.000 --> 00:48:33.320
<v Speaker 2>a couple of old peasants with a little scar and

822
00:48:33.400 --> 00:48:36.800
<v Speaker 2>they've got these bundles of wheat and bread and there's

823
00:48:36.800 --> 00:48:40.000
<v Speaker 2>a domon behind it. And I asked the old lady there,

824
00:48:40.039 --> 00:48:43.199
<v Speaker 2>said was it just for decoration? He said no. Many

825
00:48:43.239 --> 00:48:47.400
<v Speaker 2>people here still understand the relationship between the fertilizing quality

826
00:48:47.679 --> 00:48:52.440
<v Speaker 2>of the megaliths and the abundance of agriculture, and I

827
00:48:52.519 --> 00:48:57.000
<v Speaker 2>think that story in Portugal as well. So obviously there's

828
00:48:57.239 --> 00:49:00.880
<v Speaker 2>four benefits now that we can definitely claim correct, and

829
00:49:00.920 --> 00:49:02.320
<v Speaker 2>I'm sure there's a lot more as well.

830
00:49:04.159 --> 00:49:06.960
<v Speaker 1>In this program, we're announcing a new documentary produced and

831
00:49:07.039 --> 00:49:11.239
<v Speaker 1>directed by Freddy Silva called Megalist. This is a look

832
00:49:11.280 --> 00:49:16.760
<v Speaker 1>at European massive stones known as megalists, dolmen or men

833
00:49:16.840 --> 00:49:22.239
<v Speaker 1>hers and their cosmological alignment and other anomalies that make

834
00:49:22.280 --> 00:50:04.599
<v Speaker 1>them unique. We're featuring a new documentary by Arthur Freddie

835
00:50:04.639 --> 00:50:08.800
<v Speaker 1>Silva which looks at the megalists throughout Europe. There are

836
00:50:08.920 --> 00:50:15.360
<v Speaker 1>special alignment and other phenomenon associated with their positioning and use.

837
00:50:18.280 --> 00:50:21.800
<v Speaker 1>Is anybody, I mean, I have John Burke's book, but

838
00:50:21.920 --> 00:50:26.400
<v Speaker 1>is anybody utilizing toleric energy in the same manner that

839
00:50:26.440 --> 00:50:31.280
<v Speaker 1>our ancestors have done? Do we know anything about that?

840
00:50:32.000 --> 00:50:34.960
<v Speaker 2>Well? The last people that I know consciously did it

841
00:50:35.000 --> 00:50:37.400
<v Speaker 2>and left a good record of it were the Templars

842
00:50:37.400 --> 00:50:41.559
<v Speaker 2>and the Cistercians, who essentially the same people. They worked together.

843
00:50:42.039 --> 00:50:45.360
<v Speaker 2>Many Cistercians were actually founding members of the Knights Templar.

844
00:50:45.559 --> 00:50:49.679
<v Speaker 2>And when they introduced the Gothic building method or the

845
00:50:49.679 --> 00:50:53.440
<v Speaker 2>Gothic cathedral to Europe, which is essentially a Muslim or

846
00:50:53.480 --> 00:50:57.760
<v Speaker 2>a Persian design. So whenever you're walking into a Gothic cathedral,

847
00:50:57.800 --> 00:51:00.559
<v Speaker 2>and they got that beautiful archway that you walk through,

848
00:51:01.199 --> 00:51:04.960
<v Speaker 2>that's actually an Arabic design. So a lot of Catholic

849
00:51:05.000 --> 00:51:08.360
<v Speaker 2>people don't want to hear that because you know, you

850
00:51:08.400 --> 00:51:10.599
<v Speaker 2>don't even bring it up unless you want to get

851
00:51:10.639 --> 00:51:13.360
<v Speaker 2>a good rise out of them. But it's absolutely true.

852
00:51:13.480 --> 00:51:15.960
<v Speaker 2>And they when the Templars were open the Near East,

853
00:51:16.000 --> 00:51:18.679
<v Speaker 2>they borrowed a lot of information from the Muslims and

854
00:51:18.760 --> 00:51:21.679
<v Speaker 2>they shared information and it was all to do again

855
00:51:22.039 --> 00:51:25.360
<v Speaker 2>with heightened states of consciousness and healing. And I remember

856
00:51:25.400 --> 00:51:29.280
<v Speaker 2>a paper that was about to be published by Russian

857
00:51:29.320 --> 00:51:32.800
<v Speaker 2>scientists in the nineteen nineties, and they talked about how

858
00:51:32.840 --> 00:51:36.320
<v Speaker 2>they were measuring the frequency of Gothic cathedrals just because

859
00:51:36.360 --> 00:51:38.559
<v Speaker 2>they were hard up for money in the Soviet Union

860
00:51:38.599 --> 00:51:41.440
<v Speaker 2>back then, and they heard the stories about healing in

861
00:51:41.480 --> 00:51:45.400
<v Speaker 2>these Gothic cathedrals and people having these shamanic moments, and

862
00:51:45.440 --> 00:51:48.280
<v Speaker 2>they figured there's some benefit here for people. If you

863
00:51:48.320 --> 00:51:51.519
<v Speaker 2>put them in these buildings, something happens to them, whether

864
00:51:51.559 --> 00:51:54.920
<v Speaker 2>it's shamanically or physically, something happens to them. So how

865
00:51:54.960 --> 00:51:57.639
<v Speaker 2>do we measure this? So they went around measuring the

866
00:51:58.079 --> 00:52:01.559
<v Speaker 2>building with all of their equipment. I remember them conducting

867
00:52:01.559 --> 00:52:05.880
<v Speaker 2>experiments in France, although not of dumb cathedrals. And I

868
00:52:05.880 --> 00:52:08.280
<v Speaker 2>don't know if it's ever published. I've lost track of that.

869
00:52:08.679 --> 00:52:12.239
<v Speaker 2>It seems to have gone into this dark, shadowy cloud.

870
00:52:12.320 --> 00:52:15.000
<v Speaker 2>But it was the paper. I remember reading the actual

871
00:52:15.039 --> 00:52:17.760
<v Speaker 2>original paper, so that's why I can talk about it.

872
00:52:18.079 --> 00:52:21.280
<v Speaker 2>And they said, well, we strapped people with these silly

873
00:52:21.599 --> 00:52:24.880
<v Speaker 2>devices on their head which measures your brain wave patterns.

874
00:52:25.440 --> 00:52:27.719
<v Speaker 2>And if you stand them in the middle of the

875
00:52:27.760 --> 00:52:31.480
<v Speaker 2>aisle where you measure the telluric current coming through the

876
00:52:31.840 --> 00:52:35.880
<v Speaker 2>crucifix shape and where the apps the trans step crosses,

877
00:52:36.199 --> 00:52:39.440
<v Speaker 2>you've got the meeting of four currents. And you stand

878
00:52:39.480 --> 00:52:42.400
<v Speaker 2>there like a big needle. Your brain waves go up

879
00:52:42.519 --> 00:52:47.000
<v Speaker 2>four thousand percent above normal waking stage. That was mind blowing.

880
00:52:47.840 --> 00:52:50.880
<v Speaker 2>So we finally being able to measure that these buildings

881
00:52:50.920 --> 00:52:54.480
<v Speaker 2>were deliberately used to anchor these telluric currents for a

882
00:52:54.519 --> 00:52:57.119
<v Speaker 2>desired effects. And each building is different by the way,

883
00:52:57.159 --> 00:52:59.920
<v Speaker 2>each Gothic cathedral, you know, you get it right, why

884
00:53:00.239 --> 00:53:03.320
<v Speaker 2>and you want to duplicate it, but they didn't. They're

885
00:53:03.360 --> 00:53:07.519
<v Speaker 2>either wider, narrower, longer, shorter. Why because the currents have

886
00:53:07.639 --> 00:53:10.840
<v Speaker 2>to match the exact proportions of the building. So the

887
00:53:10.880 --> 00:53:14.519
<v Speaker 2>fact that it's built like a crucifix, which is their

888
00:53:14.599 --> 00:53:17.880
<v Speaker 2>way of getting around asking the Pope for permission to

889
00:53:17.880 --> 00:53:20.639
<v Speaker 2>do this around you, it's one of the biggest jokes

890
00:53:20.760 --> 00:53:23.320
<v Speaker 2>in history, and the temple as are full of these jokes.

891
00:53:23.639 --> 00:53:25.599
<v Speaker 2>They said, yeah, we want to build some buildings to

892
00:53:25.639 --> 00:53:27.920
<v Speaker 2>the glory of God because they didn't tell them much

893
00:53:27.960 --> 00:53:30.440
<v Speaker 2>God it was, and we're going to shape it like

894
00:53:30.679 --> 00:53:34.199
<v Speaker 2>a crucifix because it's how Christ was died. And they went,

895
00:53:34.320 --> 00:53:36.760
<v Speaker 2>thank you, And the Pope actually gave them money on

896
00:53:36.800 --> 00:53:39.119
<v Speaker 2>top of this, which is even better as a joke.

897
00:53:40.320 --> 00:53:42.840
<v Speaker 2>But what they were doing is that the building it

898
00:53:42.960 --> 00:53:45.599
<v Speaker 2>literally X marks the spots and if I've done a

899
00:53:45.679 --> 00:53:48.800
<v Speaker 2>natural survey or chartera cathedral and found that the actual

900
00:53:48.800 --> 00:53:53.519
<v Speaker 2>cruciform shape, a masculine current follows the actual main building,

901
00:53:53.679 --> 00:53:57.039
<v Speaker 2>and the transept followed the female current. And under there

902
00:53:57.199 --> 00:53:59.639
<v Speaker 2>you've got this big bubble of energy which coincides with

903
00:53:59.679 --> 00:54:03.119
<v Speaker 2>the the ground water, which creates another electrical current that

904
00:54:03.159 --> 00:54:06.360
<v Speaker 2>goes around like a big spiral. So they knew what

905
00:54:06.400 --> 00:54:10.199
<v Speaker 2>they were doing based on what the Muslims already learned

906
00:54:10.199 --> 00:54:13.400
<v Speaker 2>from the Persians and the Egyptians of course masters of

907
00:54:13.440 --> 00:54:14.159
<v Speaker 2>this information.

908
00:54:14.800 --> 00:54:18.159
<v Speaker 1>That's a great story. It's funny that more people don't

909
00:54:18.199 --> 00:54:19.760
<v Speaker 1>come up and go, hey, you need to go to

910
00:54:20.360 --> 00:54:25.280
<v Speaker 1>Notre Dame to get a brain enhancement, especially if you

911
00:54:26.119 --> 00:54:28.440
<v Speaker 1>are feeling like you have a little dementia or something.

912
00:54:28.480 --> 00:54:30.920
<v Speaker 2>You know, Oh, I can tell you I got special permission.

913
00:54:31.559 --> 00:54:34.719
<v Speaker 2>This is before the people who run Sharter Cathedral, and

914
00:54:34.719 --> 00:54:37.199
<v Speaker 2>they're not nice people, by the way, they're really unpleasant people.

915
00:54:37.440 --> 00:54:39.400
<v Speaker 2>Before they find out who I am and what I

916
00:54:39.480 --> 00:54:43.039
<v Speaker 2>do for a living. I'm an alternative scientist, you know,

917
00:54:43.880 --> 00:54:47.199
<v Speaker 2>so I'm not a true devotee. They hate the the

918
00:54:47.320 --> 00:54:49.960
<v Speaker 2>labyrinth and Sharp Cathedral. They hate it, they really do.

919
00:54:50.440 --> 00:54:53.559
<v Speaker 2>They are forced to open it up every Friday. And

920
00:54:53.559 --> 00:54:55.679
<v Speaker 2>I said, well, I don't want to share the experience

921
00:54:55.719 --> 00:54:58.760
<v Speaker 2>with forty thousand people queuing up. So we had special

922
00:54:58.800 --> 00:55:00.639
<v Speaker 2>permission to go in the middle of the with a

923
00:55:00.679 --> 00:55:03.480
<v Speaker 2>tiny group and sense the whole thing, because I thought,

924
00:55:03.519 --> 00:55:06.000
<v Speaker 2>I want to do this quietly, And I tell you,

925
00:55:06.079 --> 00:55:09.440
<v Speaker 2>just walking that thing, you get into an alter stated

926
00:55:09.440 --> 00:55:11.320
<v Speaker 2>of consciousness by the time you get to the center,

927
00:55:11.920 --> 00:55:14.280
<v Speaker 2>and you don't know where you are. If Tuesday is

928
00:55:14.320 --> 00:55:16.280
<v Speaker 2>coming to so or your name is Mary or Bob,

929
00:55:16.920 --> 00:55:18.960
<v Speaker 2>and it takes a lot of effort to come back

930
00:55:19.000 --> 00:55:22.239
<v Speaker 2>out of there, you've definitely gone somewhere else. And I thought,

931
00:55:22.639 --> 00:55:25.639
<v Speaker 2>but there's something about the location and the positioning of

932
00:55:25.679 --> 00:55:28.440
<v Speaker 2>the labyrinth which is also important, not just the shape,

933
00:55:28.719 --> 00:55:31.360
<v Speaker 2>because the shape itself gets you to go from left

934
00:55:31.400 --> 00:55:34.840
<v Speaker 2>to right, and it's connecting your left and right hemispheres

935
00:55:34.880 --> 00:55:38.079
<v Speaker 2>of your brain. It's making into you into a unified

936
00:55:38.079 --> 00:55:39.960
<v Speaker 2>field by the time you get to the center. That's

937
00:55:40.000 --> 00:55:42.440
<v Speaker 2>the purpose of the design. But if you actually sit

938
00:55:42.480 --> 00:55:44.199
<v Speaker 2>back and look at the design of the cathedral from

939
00:55:44.199 --> 00:55:46.719
<v Speaker 2>an architectural point of view, and you look at it

940
00:55:47.039 --> 00:55:50.920
<v Speaker 2>for what it is dedication to Notre dame the female energy,

941
00:55:51.199 --> 00:55:53.280
<v Speaker 2>which of course is defined by the pentagram, and you

942
00:55:53.320 --> 00:55:56.880
<v Speaker 2>think ah pentagram and you can see how the geometry,

943
00:55:56.960 --> 00:55:59.800
<v Speaker 2>invisible geometry holds together the perimeter of the building in

944
00:55:59.800 --> 00:56:03.800
<v Speaker 2>a massive pentagram. But if you put a pentagram inside

945
00:56:04.119 --> 00:56:07.360
<v Speaker 2>the major pentagram, the point it's exactly the dot of

946
00:56:07.360 --> 00:56:10.000
<v Speaker 2>the eye the labyrinth, and if that thing had been

947
00:56:10.039 --> 00:56:12.679
<v Speaker 2>built one foot that way or that way, it wouldn't work.

948
00:56:12.719 --> 00:56:15.760
<v Speaker 2>So it's also giving you the place to stand where

949
00:56:15.800 --> 00:56:18.559
<v Speaker 2>all the geometry also ties into the building as well.

950
00:56:18.840 --> 00:56:22.119
<v Speaker 2>It's pure genius. So if you get if you don't

951
00:56:22.119 --> 00:56:23.840
<v Speaker 2>get a chance to experience that, you can go to

952
00:56:23.880 --> 00:56:27.840
<v Speaker 2>gwing Gamp which is another Gothic cathedral in Normandy, and

953
00:56:27.880 --> 00:56:31.000
<v Speaker 2>they've got a labyrinth there and they more than happy

954
00:56:31.039 --> 00:56:31.920
<v Speaker 2>to show it to you.

955
00:56:31.960 --> 00:56:37.639
<v Speaker 1>Do you think the labyrinth is has a high charge

956
00:56:37.639 --> 00:56:39.079
<v Speaker 1>at certain times of the day and then if a

957
00:56:39.119 --> 00:56:41.840
<v Speaker 1>lot of people are walking the path of the labyrinth,

958
00:56:41.960 --> 00:56:45.679
<v Speaker 1>is it being draw drained of its energy?

959
00:56:46.360 --> 00:56:48.559
<v Speaker 2>Yeah, it rains during the day. I think the sites

960
00:56:48.679 --> 00:56:53.559
<v Speaker 2>are self protecting. There are low They react to human

961
00:56:53.599 --> 00:56:56.920
<v Speaker 2>intention because again you're dealing at the very foundation with

962
00:56:57.360 --> 00:57:01.960
<v Speaker 2>the electromagnetic current. We are electro magnetic being, so your intention,

963
00:57:02.280 --> 00:57:06.800
<v Speaker 2>your prayers and your affirmations are recorded by the electrical fields,

964
00:57:06.880 --> 00:57:09.239
<v Speaker 2>but also by the stone itself, which is full of quartz.

965
00:57:10.079 --> 00:57:12.440
<v Speaker 2>And we now know from the experiments at Princeton that

966
00:57:12.920 --> 00:57:17.800
<v Speaker 2>your intention has a packet of electrical current that can

967
00:57:17.800 --> 00:57:21.199
<v Speaker 2>be sent to a device. And there's a famous experiment

968
00:57:21.239 --> 00:57:24.079
<v Speaker 2>where twenty people in a room were able to change

969
00:57:24.079 --> 00:57:27.039
<v Speaker 2>the drumbeat of a computer using the power of intention

970
00:57:27.199 --> 00:57:29.960
<v Speaker 2>focusing on the machine. So we know that that happens.

971
00:57:30.000 --> 00:57:33.239
<v Speaker 2>And the connection is silicon, which is quartz. And also

972
00:57:33.320 --> 00:57:36.800
<v Speaker 2>but the fact that underneath Shartra you've got five other temples,

973
00:57:36.840 --> 00:57:40.639
<v Speaker 2>and the original temple is a massive passage mound which

974
00:57:40.679 --> 00:57:44.440
<v Speaker 2>sits the main portion sits under the altar, which is

975
00:57:44.480 --> 00:57:46.960
<v Speaker 2>why it's called the altar. You are being altered. So

976
00:57:47.079 --> 00:57:50.840
<v Speaker 2>the hot spot of of Charter is actually under the

977
00:57:50.960 --> 00:57:55.559
<v Speaker 2>very altar, and there's actually proof that exists. Despite what

978
00:57:55.599 --> 00:57:58.440
<v Speaker 2>they'll tell you. It's Sharta. There was a group of

979
00:57:58.519 --> 00:58:02.159
<v Speaker 2>archaeologists and insurance people that went there in nineteen fifty

980
00:58:02.199 --> 00:58:04.960
<v Speaker 2>six to check the foundations of the building because of

981
00:58:05.000 --> 00:58:08.360
<v Speaker 2>a big earthquake. So there's a door in the basement

982
00:58:08.400 --> 00:58:10.639
<v Speaker 2>where you can open the door, go around and you'll

983
00:58:10.679 --> 00:58:13.719
<v Speaker 2>still see the original stones of the original passage amount

984
00:58:13.880 --> 00:58:16.239
<v Speaker 2>which are over five thousand years old at the very

985
00:58:16.320 --> 00:58:18.880
<v Speaker 2>very least, and it points to the same direction as

986
00:58:18.920 --> 00:58:22.239
<v Speaker 2>stonehengeers as the Midsummer solstice, by the way, So all

987
00:58:22.280 --> 00:58:25.920
<v Speaker 2>of that, the building that we see today is built

988
00:58:25.960 --> 00:58:29.000
<v Speaker 2>on top of what is already an energetic hot spot

989
00:58:29.039 --> 00:58:32.039
<v Speaker 2>with all of its intention, all of its prayer. So

990
00:58:32.079 --> 00:58:34.079
<v Speaker 2>the people that go there to do the right thing

991
00:58:34.119 --> 00:58:36.719
<v Speaker 2>on the Friday when you're allowed to go and play quietly,

992
00:58:37.719 --> 00:58:40.000
<v Speaker 2>they are adding to that energy all the time. And

993
00:58:40.079 --> 00:58:43.519
<v Speaker 2>there was also another experiment at Sharter Cathedral which showed

994
00:58:43.840 --> 00:58:46.559
<v Speaker 2>that about fifteen feet in front of the altar where

995
00:58:46.599 --> 00:58:49.960
<v Speaker 2>there are two pillars which stick out like a soft pump,

996
00:58:50.400 --> 00:58:52.760
<v Speaker 2>and if you're an architecture, go now, why would you

997
00:58:52.840 --> 00:58:55.280
<v Speaker 2>do that unless you're trying to draw attention to this

998
00:58:55.360 --> 00:58:59.320
<v Speaker 2>specific location. They found that there are seven barriers of

999
00:58:59.360 --> 00:59:02.880
<v Speaker 2>electromech the current that stop you going forward. It's almost

1000
00:59:02.960 --> 00:59:05.840
<v Speaker 2>like it's saying, you've got to stop here and take

1001
00:59:05.920 --> 00:59:08.760
<v Speaker 2>charge of your intentions. Okay, if you get a cross

1002
00:59:08.800 --> 00:59:12.239
<v Speaker 2>into the sacred space with bad intention that has an energy,

1003
00:59:12.280 --> 00:59:15.159
<v Speaker 2>you're going to pollute the sacred space. Where did I

1004
00:59:15.199 --> 00:59:18.800
<v Speaker 2>hear that? Before I heard it? In Sacara in Egypt,

1005
00:59:18.840 --> 00:59:21.960
<v Speaker 2>and it has exactly the same terminology, and it's written

1006
00:59:21.960 --> 00:59:24.360
<v Speaker 2>in the pyramid next door in Tety's wall. So if

1007
00:59:24.360 --> 00:59:26.920
<v Speaker 2>you know how to read the story on the wall correctly,

1008
00:59:26.960 --> 00:59:31.320
<v Speaker 2>it says that there are seven gates that provide a

1009
00:59:31.400 --> 00:59:34.559
<v Speaker 2>barrier between you and the sacred space, which is Sakara.

1010
00:59:35.039 --> 00:59:37.960
<v Speaker 2>So if you happen to walk Sirkara and that beautiful passageway,

1011
00:59:37.960 --> 00:59:40.119
<v Speaker 2>which I know you've done quite a few times with

1012
00:59:40.239 --> 00:59:43.400
<v Speaker 2>the word columns, and if you number the columns and

1013
00:59:43.599 --> 00:59:47.199
<v Speaker 2>number making note of all the reads that make up

1014
00:59:47.239 --> 00:59:49.840
<v Speaker 2>the columns, the code is right there. There's a numerical

1015
00:59:49.840 --> 00:59:53.719
<v Speaker 2>code there, but each alcove has a different positive and

1016
00:59:53.840 --> 00:59:58.159
<v Speaker 2>negative charge as you're walking along the passageway, which means

1017
00:59:58.159 --> 01:00:01.559
<v Speaker 2>there are seven positively large notes before you get into

1018
01:00:01.599 --> 01:00:03.920
<v Speaker 2>the temple, which is of course at courtyards with the

1019
01:00:03.960 --> 01:00:07.840
<v Speaker 2>big pyramid. That's where our information comes from. For the

1020
01:00:07.880 --> 01:00:11.159
<v Speaker 2>sharp of cathedral, and the champlars were not that far away,

1021
01:00:11.199 --> 01:00:14.480
<v Speaker 2>by the way, there were hanging around Cairo, and it's

1022
01:00:14.519 --> 01:00:17.840
<v Speaker 2>a short horse ride down to Soakara. You read what's

1023
01:00:17.880 --> 01:00:20.360
<v Speaker 2>on the walls and boom oh, we can reproduce this

1024
01:00:20.559 --> 01:00:23.360
<v Speaker 2>in France. They'll never figure that one out, and it

1025
01:00:23.400 --> 01:00:25.760
<v Speaker 2>took until the sixties for someone to actually go there

1026
01:00:26.079 --> 01:00:31.280
<v Speaker 2>with electrical devices and go oh sucker blur exactly when

1027
01:00:31.320 --> 01:00:32.199
<v Speaker 2>you get to the altar.

1028
01:00:32.920 --> 01:00:35.880
<v Speaker 1>Yeah, we're speaking with Freddie Silver. He has a new

1029
01:00:35.880 --> 01:00:40.880
<v Speaker 1>documentary called Megalists just came out. Let's tell let's let

1030
01:00:40.880 --> 01:00:43.559
<v Speaker 1>people know how we can get them to see it.

1031
01:00:43.639 --> 01:00:48.480
<v Speaker 1>You can go to Vimeo it's Megalists, or I will

1032
01:00:48.480 --> 01:00:52.760
<v Speaker 1>make it available on the Facebook page. Go to Earth

1033
01:00:52.800 --> 01:00:56.320
<v Speaker 1>Agents and you can go to the public page or

1034
01:00:56.599 --> 01:01:00.840
<v Speaker 1>the private page and you'll see it there. We will

1035
01:01:00.920 --> 01:01:06.840
<v Speaker 1>have a preview of the actual presentation. It's about was

1036
01:01:06.840 --> 01:01:07.960
<v Speaker 1>it five minutes, Freddy?

1037
01:01:08.480 --> 01:01:11.000
<v Speaker 2>It's about four and a half minutes. Yeah, I'll actually

1038
01:01:11.039 --> 01:01:11.880
<v Speaker 2>be generous.

1039
01:01:12.519 --> 01:01:13.039
<v Speaker 1>It's approved.

1040
01:01:13.239 --> 01:01:15.440
<v Speaker 2>It's the only place, I mean, my Vimeo channel. It

1041
01:01:15.440 --> 01:01:17.800
<v Speaker 2>will be the only place where you can actually see

1042
01:01:17.800 --> 01:01:20.840
<v Speaker 2>it in black and white. I just speak with Gaya

1043
01:01:22.639 --> 01:01:24.880
<v Speaker 2>a few literally a few hours ago. We're trying to

1044
01:01:24.880 --> 01:01:28.880
<v Speaker 2>get both versions. As we were saying earlier, the footage

1045
01:01:29.079 --> 01:01:32.639
<v Speaker 2>that came out in color was so beautiful that I

1046
01:01:32.679 --> 01:01:34.679
<v Speaker 2>thought I'm going to do a color version as well,

1047
01:01:35.159 --> 01:01:37.480
<v Speaker 2>in case people think there's something wrong with their television set,

1048
01:01:37.519 --> 01:01:41.039
<v Speaker 2>but because of their algorithm, they can't have both, so

1049
01:01:41.079 --> 01:01:43.119
<v Speaker 2>they've gone for the color version. So I'm sorry. If

1050
01:01:43.119 --> 01:01:45.800
<v Speaker 2>you're a Guya subscriber, the only place where you watched

1051
01:01:45.840 --> 01:01:47.719
<v Speaker 2>the black and white version would be on my channel.

1052
01:01:47.760 --> 01:01:50.079
<v Speaker 2>So but the link will be up on your Facebook

1053
01:01:50.119 --> 01:01:51.000
<v Speaker 2>page is Guya?

1054
01:01:52.159 --> 01:01:54.119
<v Speaker 1>Does Guya have it on their server? Is that why

1055
01:01:54.159 --> 01:01:54.679
<v Speaker 1>you mentioned?

1056
01:01:54.760 --> 01:01:58.400
<v Speaker 2>Is not yet? It takes a few months before we

1057
01:01:58.440 --> 01:02:02.480
<v Speaker 2>signed the contract and it goes up to suspected by September,

1058
01:02:03.000 --> 01:02:06.679
<v Speaker 2>the color version will be up there. Okay, And what's

1059
01:02:06.719 --> 01:02:08.960
<v Speaker 2>the black and white one? Which is I'm very proud

1060
01:02:09.039 --> 01:02:10.320
<v Speaker 2>of and people love it.

1061
01:02:10.360 --> 01:02:12.199
<v Speaker 1>By the way, I actually like the black and lie

1062
01:02:12.800 --> 01:02:13.360
<v Speaker 1>and there's a.

1063
01:02:13.280 --> 01:02:15.360
<v Speaker 2>Reason why it's black and white, and you get it,

1064
01:02:15.519 --> 01:02:18.280
<v Speaker 2>so I'm unfortunately that's just on Vimeo. But at least

1065
01:02:18.320 --> 01:02:19.039
<v Speaker 2>I get paid.

1066
01:02:20.119 --> 01:02:22.519
<v Speaker 1>Yeah, and it's expensive. What is the full charge? It's

1067
01:02:22.519 --> 01:02:24.440
<v Speaker 1>for five bucks right to watch the whole thing.

1068
01:02:24.880 --> 01:02:27.679
<v Speaker 2>Rant it's about five dollars, which is pretty reasonable. And

1069
01:02:27.719 --> 01:02:30.719
<v Speaker 2>then you can also create your own library and you

1070
01:02:30.920 --> 01:02:33.320
<v Speaker 2>own the whole thing for like fourteen dollars or something.

1071
01:02:33.599 --> 01:02:36.639
<v Speaker 1>Yeah, I got to mention it's very well done. The

1072
01:02:36.679 --> 01:02:43.199
<v Speaker 1>script that you produced is well done. Also, you were

1073
01:02:43.239 --> 01:02:47.000
<v Speaker 1>the videographer for most of it, which I find amazing

1074
01:02:47.079 --> 01:02:50.559
<v Speaker 1>because you're not only narrating a thing, you're also taking

1075
01:02:50.599 --> 01:02:52.119
<v Speaker 1>the photographs. So that's a lot of work.

1076
01:02:52.280 --> 01:02:56.159
<v Speaker 2>Yeah, and I mean it takes in all the I

1077
01:02:56.199 --> 01:02:58.920
<v Speaker 2>don't know talent that I was given when I was

1078
01:02:58.920 --> 01:03:01.800
<v Speaker 2>at art school for me to do documentaries. It's my

1079
01:03:02.000 --> 01:03:05.400
<v Speaker 2>favorite passion. It's easier than writing a book. But that

1080
01:03:05.639 --> 01:03:08.400
<v Speaker 2>doesn't mean that I've cut corners. It's still the real thing,

1081
01:03:08.719 --> 01:03:10.639
<v Speaker 2>But it doesn't mean I can use all the things

1082
01:03:10.639 --> 01:03:13.480
<v Speaker 2>that I've always loft to do. And even there are

1083
01:03:13.519 --> 01:03:15.320
<v Speaker 2>some cases where I had to use a cell phone

1084
01:03:15.639 --> 01:03:18.519
<v Speaker 2>to film some of the footage and I thought, well,

1085
01:03:18.519 --> 01:03:21.280
<v Speaker 2>because there's an electrical fence behind me and I can't

1086
01:03:21.320 --> 01:03:25.119
<v Speaker 2>go back any further to get this enormous stone, and

1087
01:03:25.159 --> 01:03:27.840
<v Speaker 2>even with a wide angle lens, it still wasn't coming in.

1088
01:03:27.920 --> 01:03:31.119
<v Speaker 2>I thought I got to go and use a oh

1089
01:03:31.280 --> 01:03:33.719
<v Speaker 2>it's four K video or my cell phone and it

1090
01:03:33.760 --> 01:03:35.440
<v Speaker 2>comes out absolutely beautiful.

1091
01:03:35.440 --> 01:03:37.559
<v Speaker 1>I was going to ask you, did you have a

1092
01:03:37.599 --> 01:03:40.679
<v Speaker 1>special camera, but or you use your iPhone? Huh?

1093
01:03:40.920 --> 01:03:43.360
<v Speaker 2>I like, I have a likea with a wide angle

1094
01:03:43.400 --> 01:03:46.679
<v Speaker 2>and a telephoto, but it's so big, and because you're

1095
01:03:46.719 --> 01:03:48.880
<v Speaker 2>on private land, there's only so far you can go,

1096
01:03:48.960 --> 01:03:51.559
<v Speaker 2>Like there's a river, or there's a ravine behind me,

1097
01:03:51.960 --> 01:03:54.119
<v Speaker 2>or there's an electrical fence to keep the cows out,

1098
01:03:54.199 --> 01:03:56.639
<v Speaker 2>so I can't go back any further. So you know,

1099
01:03:56.800 --> 01:03:59.760
<v Speaker 2>my like, I'm getting two thirds of the stone. I'm thinking, well,

1100
01:03:59.800 --> 01:04:03.800
<v Speaker 2>that's not going to work. So incredibly, the phone that

1101
01:04:03.840 --> 01:04:07.079
<v Speaker 2>I have can go into ultra wide angle and I thought, well,

1102
01:04:07.159 --> 01:04:10.639
<v Speaker 2>I can just get the whole thing in, So thank

1103
01:04:10.679 --> 01:04:13.000
<v Speaker 2>God for this technology. But it looks just as good

1104
01:04:13.000 --> 01:04:14.360
<v Speaker 2>as my six thousand dollars.

1105
01:04:14.920 --> 01:04:19.480
<v Speaker 1>It's amazing how crisp the images are and you cover

1106
01:04:19.880 --> 01:04:23.840
<v Speaker 1>and capture what you need for the actual work.

1107
01:04:23.880 --> 01:04:27.719
<v Speaker 2>It's beautiful exactly. And I also was very lucky to

1108
01:04:27.840 --> 01:04:30.079
<v Speaker 2>get two people that I've ad might over the years

1109
01:04:30.119 --> 01:04:33.559
<v Speaker 2>to supply the main soundtrack. There's at least three people

1110
01:04:33.559 --> 01:04:37.079
<v Speaker 2>in there, but two of them, especially Steve Roach, who

1111
01:04:37.519 --> 01:04:40.840
<v Speaker 2>covers at least twenty minutes of the whole thing. He's

1112
01:04:40.880 --> 01:04:43.880
<v Speaker 2>been designing soundscape since the nineties. I mean, his stuff

1113
01:04:43.920 --> 01:04:47.440
<v Speaker 2>is otherworldly. And I humbly wrote to him and I said,

1114
01:04:47.480 --> 01:04:49.760
<v Speaker 2>can I please borrow you? I can't afford to pay

1115
01:04:49.760 --> 01:04:52.800
<v Speaker 2>you what you should be getting paid. So but you'll

1116
01:04:52.800 --> 01:04:55.440
<v Speaker 2>get royalties when people watch it. You get royalties. You

1117
01:04:55.480 --> 01:04:57.800
<v Speaker 2>get far more than I can afford it. He went, oh,

1118
01:04:57.840 --> 01:05:00.599
<v Speaker 2>I love the project please and I thought, thank you.

1119
01:05:01.199 --> 01:05:03.599
<v Speaker 2>And the other one was a progressive rock band from

1120
01:05:03.639 --> 01:05:06.400
<v Speaker 2>England called IQ, who I've adorsed since the day they

1121
01:05:06.440 --> 01:05:09.039
<v Speaker 2>came out, and I said, there's one track that you

1122
01:05:09.199 --> 01:05:12.559
<v Speaker 2>wrote five years ago that it's perfect for the introduction

1123
01:05:12.639 --> 01:05:15.480
<v Speaker 2>as a theme for the whole thing. It just encapsulates

1124
01:05:15.480 --> 01:05:18.079
<v Speaker 2>the whole thing. Oh please, can I have it? And

1125
01:05:18.079 --> 01:05:23.079
<v Speaker 2>it went absolutely, thank you. So yeah, it came together

1126
01:05:23.239 --> 01:05:25.079
<v Speaker 2>very beautifully with everybody involved.

1127
01:05:25.440 --> 01:05:31.960
<v Speaker 1>Fantastic. Hey, as we close, is there a cosmological significance

1128
01:05:32.719 --> 01:05:37.480
<v Speaker 1>to these rows and rows of megalithic stone? Are they

1129
01:05:37.519 --> 01:05:44.559
<v Speaker 1>aligned to a known star system of some kind?

1130
01:05:44.679 --> 01:05:47.920
<v Speaker 2>The Rose Well, the main rowan Karnak. We've been speaking

1131
01:05:48.280 --> 01:05:51.760
<v Speaker 2>this for years, but because the road changes three times,

1132
01:05:52.000 --> 01:05:55.920
<v Speaker 2>it's almost like it was aligned to the equinox sunrise.

1133
01:05:56.119 --> 01:05:59.480
<v Speaker 2>And then because things move over thousands of years, you

1134
01:05:59.480 --> 01:06:01.239
<v Speaker 2>have to keep the lightning. That's why it's got three

1135
01:06:01.280 --> 01:06:05.400
<v Speaker 2>different alignments. That's come up with is either Beltaine, which

1136
01:06:05.440 --> 01:06:08.840
<v Speaker 2>has made the first or the equinox. The other ones

1137
01:06:08.880 --> 01:06:11.480
<v Speaker 2>have different alignments and again depending on the purpose for

1138
01:06:11.519 --> 01:06:15.800
<v Speaker 2>which they're built, but usually it's the spring equinox or

1139
01:06:16.239 --> 01:06:19.480
<v Speaker 2>the winter solsers and that happens all around the world.

1140
01:06:19.840 --> 01:06:22.840
<v Speaker 2>But the biggest connection was a Ryan, a Ryan's belt

1141
01:06:22.880 --> 01:06:25.519
<v Speaker 2>the first time it popped its head above the horizon

1142
01:06:25.960 --> 01:06:30.039
<v Speaker 2>in Portugal, in France and in Scotland, there is an

1143
01:06:30.119 --> 01:06:34.199
<v Speaker 2>overwhelming connection to Orion's belt. And that goes back to

1144
01:06:34.199 --> 01:06:37.039
<v Speaker 2>a project that I wrote years ago about that where

1145
01:06:37.119 --> 01:06:39.599
<v Speaker 2>the original gods that we were talking about that brought

1146
01:06:39.599 --> 01:06:43.320
<v Speaker 2>so much of civilization to humanity. They are in many

1147
01:06:43.360 --> 01:06:47.360
<v Speaker 2>parts of the world, regardless originally having come from Orion.

1148
01:06:47.800 --> 01:06:50.480
<v Speaker 2>And I've heard that story even in Japan. And so

1149
01:06:50.559 --> 01:06:53.000
<v Speaker 2>when you walk through the big red arts the Tory date,

1150
01:06:53.559 --> 01:06:56.480
<v Speaker 2>you are walking through an imitation of the belt stars

1151
01:06:56.679 --> 01:06:59.159
<v Speaker 2>and the section of the Lowes section of the Ryan constellation,

1152
01:06:59.559 --> 01:07:02.079
<v Speaker 2>which is they call the heart of the Sky, which

1153
01:07:02.119 --> 01:07:05.639
<v Speaker 2>it turns out corresponds to M forty two Nebula, which

1154
01:07:05.679 --> 01:07:09.519
<v Speaker 2>is the biggest star forming region of the galaxy. There's

1155
01:07:09.559 --> 01:07:11.599
<v Speaker 2>a clue right there. And in some cases I heard

1156
01:07:11.599 --> 01:07:16.639
<v Speaker 2>the humanity also originally emerged from Ryan as well. We're

1157
01:07:16.639 --> 01:07:19.360
<v Speaker 2>looking probably millions of years ago, I don't know, but

1158
01:07:19.440 --> 01:07:22.599
<v Speaker 2>I heard these stories again. But I was amazed that

1159
01:07:22.679 --> 01:07:25.000
<v Speaker 2>it kept coming up, even in the standing stone. So

1160
01:07:25.400 --> 01:07:27.760
<v Speaker 2>some people might think, well, that's not possible because you

1161
01:07:27.840 --> 01:07:31.280
<v Speaker 2>need two things to align, except if the stone is

1162
01:07:31.400 --> 01:07:34.360
<v Speaker 2>this has been shaped and there have been artificially shaped,

1163
01:07:34.440 --> 01:07:36.199
<v Speaker 2>you know, with mares they'll sit there, you know, with

1164
01:07:36.280 --> 01:07:39.079
<v Speaker 2>the maors banging away, they have been shaped in this

1165
01:07:39.119 --> 01:07:41.199
<v Speaker 2>sort of almond shape. So you've got an access to

1166
01:07:41.199 --> 01:07:44.119
<v Speaker 2>the stone. And I was at the biggest stone in

1167
01:07:44.440 --> 01:07:47.679
<v Speaker 2>keloas in the finished there and I got the bead

1168
01:07:47.760 --> 01:07:50.840
<v Speaker 2>on it, and it's literally it goes to the first

1169
01:07:50.960 --> 01:07:56.199
<v Speaker 2>rising of Orion's belt in seven thousand BC. Wow, that

1170
01:07:56.519 --> 01:07:59.840
<v Speaker 2>is all the linemen. So again it's paying homage to

1171
01:08:00.400 --> 01:08:03.320
<v Speaker 2>the people the gods that brought this information. But also

1172
01:08:04.199 --> 01:08:06.440
<v Speaker 2>wherever you go around the world and you have a

1173
01:08:06.519 --> 01:08:11.000
<v Speaker 2>correct communication between the ground and the Ryan, the rising

1174
01:08:11.079 --> 01:08:15.119
<v Speaker 2>of the Ryans around the equinox usually depending on your latitude.

1175
01:08:15.599 --> 01:08:19.239
<v Speaker 2>It coincides also with the planting of agricultural and the

1176
01:08:19.279 --> 01:08:22.359
<v Speaker 2>seeds in order to start the growth cycle. So there's

1177
01:08:22.399 --> 01:08:27.960
<v Speaker 2>a relationship between civilization the fertilizing quality of the monuments,

1178
01:08:28.000 --> 01:08:31.039
<v Speaker 2>and also the gods that introduce agriculture to human beings

1179
01:08:31.359 --> 01:08:33.640
<v Speaker 2>around it in half thousand BC. So all of these

1180
01:08:33.640 --> 01:08:36.640
<v Speaker 2>things are coming together beautifully fantastic.

1181
01:08:37.600 --> 01:08:40.600
<v Speaker 1>It's called Megalis. We've been with Freddy Silvera Freddy much

1182
01:08:40.640 --> 01:08:43.439
<v Speaker 1>success on this. I think he did a great job.

1183
01:08:43.640 --> 01:08:48.600
<v Speaker 3>And like a new room by the way, pardon me,

1184
01:08:49.079 --> 01:08:55.680
<v Speaker 3>I like your room, my study with my Chatausa.

1185
01:08:56.199 --> 01:08:58.319
<v Speaker 1>That's Mount Shasta back there by the way.

1186
01:08:58.640 --> 01:08:59.960
<v Speaker 2>Oh, you lucky bucker.

1187
01:09:02.039 --> 01:09:05.359
<v Speaker 1>Hey, Freddy too much. Great to have you on the program.

1188
01:09:06.399 --> 01:09:07.640
<v Speaker 2>What it was good to speak with you, Cliff.

1189
01:09:11.319 --> 01:09:14.319
<v Speaker 1>You can see Megalith in its entirety if you go

1190
01:09:14.439 --> 01:09:19.760
<v Speaker 1>to Freddisilva dot com or you go to Facebook and

1191
01:09:19.760 --> 01:09:21.920
<v Speaker 1>find Earth Ancients either the private group. If you're a

1192
01:09:21.960 --> 01:09:24.680
<v Speaker 1>member of the private group, welcome. If you're not, you

1193
01:09:24.680 --> 01:09:28.039
<v Speaker 1>can go to the public group and you'll see a

1194
01:09:28.199 --> 01:09:31.840
<v Speaker 1>link to the preview and if you enjoy the preview,

1195
01:09:32.000 --> 01:09:35.720
<v Speaker 1>I think it's six or seven dollars to watch the

1196
01:09:35.880 --> 01:09:42.039
<v Speaker 1>entire Vimeo presentation in the comfort of your home, and

1197
01:09:42.239 --> 01:09:44.439
<v Speaker 1>I thought it was very well done. It's funny because

1198
01:09:44.479 --> 01:09:48.640
<v Speaker 1>he did the majority in black and white, but he

1199
01:09:48.720 --> 01:09:52.600
<v Speaker 1>offers a color version as well. For some reason, and

1200
01:09:52.640 --> 01:09:55.520
<v Speaker 1>it's maybe just the granted that we're looking at the

1201
01:09:55.600 --> 01:10:01.439
<v Speaker 1>black and white's very it's eerie some way, but it's

1202
01:10:01.439 --> 01:10:04.279
<v Speaker 1>also it's beautiful in a way too, because these stones

1203
01:10:04.279 --> 01:10:08.840
<v Speaker 1>are mugged, they're magnificent. How they dragged them miles away

1204
01:10:08.960 --> 01:10:12.359
<v Speaker 1>is that, I mean a sixty to eighty ton block

1205
01:10:12.399 --> 01:10:16.960
<v Speaker 1>of granted. How they drag them from the quarry or

1206
01:10:17.000 --> 01:10:22.079
<v Speaker 1>from where they were sitting is a real mystery. Perhaps

1207
01:10:22.159 --> 01:10:25.680
<v Speaker 1>we'll never know. That's one for That's one for the

1208
01:10:26.399 --> 01:10:31.119
<v Speaker 1>mystics of the world. So thank you, Freddie. That was fun.

1209
01:10:33.479 --> 01:10:36.560
<v Speaker 1>And now that we're in the summertime, people are thinking

1210
01:10:36.560 --> 01:10:41.399
<v Speaker 1>about getting away on vacation. We have an outstanding fall

1211
01:10:42.239 --> 01:10:47.880
<v Speaker 1>tour to Guatemala. It's our Sacred Temples of Guatemala, December

1212
01:10:47.920 --> 01:10:51.199
<v Speaker 1>first of the twelfth. It is outstanding because we have

1213
01:10:51.279 --> 01:10:57.039
<v Speaker 1>permission and access to calls wonderful Pyramids, El Miodor and

1214
01:10:57.119 --> 01:11:01.479
<v Speaker 1>a number of other local sites that will ceremony. We'll

1215
01:11:01.560 --> 01:11:05.600
<v Speaker 1>learn how to sit and understand and connect with the pyramids,

1216
01:11:05.640 --> 01:11:08.880
<v Speaker 1>connect with the temples, as well as locate a number

1217
01:11:09.039 --> 01:11:13.039
<v Speaker 1>look of buildings and sites that are attributed by the

1218
01:11:13.119 --> 01:11:18.039
<v Speaker 1>locals to Atland the famous Atlantis Connection. For the full

1219
01:11:18.079 --> 01:11:21.159
<v Speaker 1>eight itenerary and all the details, go to earth Ancients

1220
01:11:21.199 --> 01:11:25.359
<v Speaker 1>dot com, Forward slash Tours. If you have any questions,

1221
01:11:25.760 --> 01:11:28.000
<v Speaker 1>I'd love to hear from you. Send me an email

1222
01:11:28.039 --> 01:11:30.319
<v Speaker 1>at earth Ancients the number four of the letter you

1223
01:11:30.399 --> 01:11:33.399
<v Speaker 1>at gmail dot com. I promise to get right back

1224
01:11:33.439 --> 01:11:35.760
<v Speaker 1>to you. Were about half full, love to have you

1225
01:11:35.800 --> 01:11:38.560
<v Speaker 1>come with us. We only take twenty people, so this

1226
01:11:38.600 --> 01:11:41.359
<v Speaker 1>is really in many ways exclusive. We have the best food,

1227
01:11:41.399 --> 01:11:44.159
<v Speaker 1>the best travel, of the best team, and this is

1228
01:11:44.199 --> 01:11:48.000
<v Speaker 1>going to be fantastic. The Sacred Pyramid Tour of Guatemala.

1229
01:11:48.520 --> 01:11:51.560
<v Speaker 1>For more information go to Earth Ancients dot com, Forward

1230
01:11:51.880 --> 01:11:57.359
<v Speaker 1>slash Tours. Come on and join us. All right, that's

1231
01:11:57.399 --> 01:11:59.319
<v Speaker 1>it for this program. I want to take my guest today,

1232
01:12:00.159 --> 01:12:05.840
<v Speaker 1>Freddy Silva and his new documentary Megalists. That was fun

1233
01:12:06.279 --> 01:12:11.159
<v Speaker 1>as always the team of Gil tor, Mark Foster and

1234
01:12:11.319 --> 01:12:17.000
<v Speaker 1>Faya are video specialist. You guys rock all right, Take

1235
01:12:17.039 --> 01:12:19.279
<v Speaker 1>care every well and we will talk to you next time.
