Speaker 1: What is it about sacred megalithts, stone buildings, standing towers, floors, walls,
Speaker 1: strange sculptures. And I mean when I'm talking about megalists,
Speaker 1: I'm talking about a wide variety of early people's creations,
Speaker 1: because we don't really see a great deal of megalists
Speaker 1: in areas of recorded history. There's a few I would
Speaker 1: say Libanon, bell Beck and Limanon maybe, but it's looking
Speaker 1: more like pre Roman was the original craftsmanship of those
Speaker 1: megalithic buildings. Hey, this is clip your host of Earth Ancients.
Speaker 1: This is a special edition. We are featuring a brand
Speaker 1: new documentary by Freddy Silva called Megalists, and it is
Speaker 1: a fabulous look at European megalists that are easily in
Speaker 1: the tens of thousands, if not more. The documentary is
Speaker 1: well done. It's Freddy's has done a fabulous job of
Speaker 1: not only capturing these French, Portuguese and English or I
Speaker 1: should say Scottish megalists, but there's also a number of
Speaker 1: areas in between the UK that are that are featured
Speaker 1: in this documentary. I gotta say it's impressive that not
Speaker 1: only did he photograph and videotape this, he also edited
Speaker 1: the works, and we do know now that this again
Speaker 1: is one of the This is the newest one he's
Speaker 1: produced of fifteen, and I didn't even know he's done
Speaker 1: fifteen of these now, if you haven't seen a megal lift,
Speaker 1: we don't see very many many of them here in
Speaker 1: the United States, but they are. They're scattered throughout Europe.
Speaker 1: They're scattered through places like the Ukraine, in Siberia, Russia,
Speaker 1: they are in Chi. If you haven't seen the Japanese megalists,
Speaker 1: they are impressive, and we have had a number of
Speaker 1: people on the program talking about Japanese megalists. They don't
Speaker 1: recognize them because the culture that built them has been
Speaker 1: long gone, perhaps thousands of years ago. The other point
Speaker 1: to take when we are considering megalists is the fact
Speaker 1: that current archaeology and anthropology doesn't recognize megalists. They don't
Speaker 1: write about them. They are not focused on who would
Speaker 1: put them where they are. I don't think I've ever
Speaker 1: found an academic or university text on megaliths. They just
Speaker 1: bypass them. There might be a casual reference to one
Speaker 1: or two, but it's it's an interesting point that it
Speaker 1: isn't considered much of a study now if you haven't
Speaker 1: seen a men her, these are standing stones and these
Speaker 1: are the ones that Freddie presents are just huge. The
Speaker 1: cover of this megalith documentary, the main photograph has a
Speaker 1: men who at Karnak, France, and we've had a number
Speaker 1: of people on the show here talking about Karnak and
Speaker 1: it's just phenomenal megalithic clusters of stones. But this one
Speaker 1: may ment Her is I think around five hundred tons
Speaker 1: and it's a partial destroyed. It was partially destroyed in
Speaker 1: a lightning hit. But Freddy's standing right next to it.
Speaker 1: He looks like an ant. You know. How they put
Speaker 1: these things up? What was the purpose of them? Is
Speaker 1: the feature in the documentary. And I've been fascinated in
Speaker 1: megalists for a while. I have only seen a few
Speaker 1: in England. I'd say I've seen about twenty twenty five Stonehenge,
Speaker 1: Ava Berry, the classic places, but I haven't been to
Speaker 1: the countryside, which is what is featured in this documentary
Speaker 1: A megalist. Now, one of the other things that is
Speaker 1: peculiar is, and we've heard from other people on this,
Speaker 1: is that they are markers for lay lights for energetic
Speaker 1: sinners and it wasn't until the last year that I
Speaker 1: also recognized Dolman. These are small, they look like buildings.
Speaker 1: There's three slabs for and then there's a roof made
Speaker 1: from a megalithic size rock flat rock. And if these
Speaker 1: were markers, it's funny because most of the time there's
Speaker 1: very small opening just for one person. Maybe they were
Speaker 1: used for meditation, for healing, refreshment of some kind. I mean,
Speaker 1: I've had people even say they were portals, they were
Speaker 1: stargates where you would go from one place to another
Speaker 1: in those in those dolmen. But we're all about megalists.
Speaker 1: And again when we look at Portugal and we look
Speaker 1: at Spain, these megalists run all over the place, and
Speaker 1: the different types of megalists are also featured. They're not
Speaker 1: all multi you know, they're not all one hundred tons.
Speaker 1: Some of them are smaller, like forty tons, which is
Speaker 1: a lot of weight. And you know they're they're thought
Speaker 1: to be Neolithic, but the more they're studied, they go
Speaker 1: way beyond four or five thousand years ago. I'm really
Speaker 1: beginning to think our history is kind of asked backwards.
Speaker 1: Because if as we believe here and we hypothesized that
Speaker 1: there was an earlier people prior to the Great Deluge
Speaker 1: of twelve thousand, five hundred BC. Then the devastation was
Speaker 1: so thorough at that time the asteroid hit that what
Speaker 1: was left were very very simple people who had to
Speaker 1: basically rebuild. And so these timeframes of four or five thousand,
Speaker 1: perhaps six thousand years ago for these dolmen, for these
Speaker 1: mayher men hers would relate to a reboot period where
Speaker 1: all the understanding of how the work with the energies
Speaker 1: and everything like that went back to the basics where
Speaker 1: there was no machinery, no testing equipment. You had to
Speaker 1: use the body electric in sensing and detecting, so you
Speaker 1: use your intuition and were probably a handful of people
Speaker 1: in a clan that were able to be sensitive. Who
Speaker 1: are the ones who were you? Could you consider them
Speaker 1: shaman who would place these dolmen in certain places? Who
Speaker 1: would place these standing stones. Now, if you haven't seen
Speaker 1: any of the photographs of Karnak, you can go to
Speaker 1: Earth Agents dot com type in Karnak Karnak, France and
Speaker 1: take a look at them. This is a phenomenon that
Speaker 1: is just mind blowing. When you look at this part
Speaker 1: of France over by the water These are rows and
Speaker 1: rows of megalists, averaging forty tons each that run for miles.
Speaker 1: What are they doing? Is it a collector, Is it
Speaker 1: a some kind of an antennae, a harp antenna? Is
Speaker 1: it a tool for observing and reaching out? Is it
Speaker 1: a communication device? We don't know. But what we do
Speaker 1: know is it's very raw. It's not sophisticated at all.
Speaker 1: It's not like you're looking at a well formed pyramid,
Speaker 1: a crafted obelisks that we see in an Egypt, or
Speaker 1: any kind of carved stone. It's raw and it looks
Speaker 1: like they were selected for their transmission or their courts
Speaker 1: composition that was used for containing to lyric energy fields.
Speaker 1: So this is really a fun program. We're gonna have
Speaker 1: a sample video presentation that you can see on any
Speaker 1: of the Earth Ancients page pages. I will make in
Speaker 1: another announcement at the end of this interview, but you
Speaker 1: can see see it. It's a five minute trailer and
Speaker 1: we'll give you more details at the end of the program.
Speaker 1: So today's program is Megalith and my guest is writer,
Speaker 1: producer editor Freddie Silva. Freddie Silva's in the house and
Speaker 1: Freddie has been with us. We kind of have Freddy
Speaker 1: U with us. Every year he has a new documentary,
Speaker 1: and would you believe this is number fifteen. I couldn't
Speaker 1: believe it, I asked him. And he is training these
Speaker 1: things out fairly frequently. The title of this documentary is Megalist,
Speaker 1: one of my favorite favorite subjects. And we have Freddie
Speaker 1: with us to explain a little bit. We are in
Speaker 1: a way presenting this because it just came out. So hey, Freddie,
Speaker 1: welcome to earth ansient's great to see it.
Speaker 2: Hello, Clifford, how the devil are you?
Speaker 1: I'm doing it, great man, great to see you. All right,
Speaker 1: let's go through this Megalist? Why Megalists? I know that
Speaker 1: you do a lot of tours around Europe, You're in
Speaker 1: and constantly discussing megalists. But why a documentary? Oh?
Speaker 2: I thought it was about time that something definitive was done.
Speaker 2: I mean I've been doing I've been going around sacred
Speaker 2: sites and big stones for thirty years. I'm collecting information
Speaker 2: and data, and people who know my work know that
Speaker 2: I take my time. I don't jump on bandwagons, I
Speaker 2: don't bring out stuff before it's actually got a coat
Speaker 2: of paint on it. And I just stood back for
Speaker 2: a while, collected information, collected scientific data on megalithic structures,
Speaker 2: and finally I was able to sit down, look at
Speaker 2: all the information and go, okay, now we have a
Speaker 2: story here. There's a coherent pattern that's developing in certain
Speaker 2: parts around the world, and specifically central Portugal, northern France,
Speaker 2: and also in Scotland, the three biggest concentrations of megalifs
Speaker 2: that exist on the planet. What links to the three together?
Speaker 2: And I was just amazed that the whole story just
Speaker 2: wrote itself again. Patients has its virtue, and I wanted
Speaker 2: to present it in a way that not just presents
Speaker 2: the science behind why our predecessors went there's so much
Speaker 2: trouble to erect these ridiculously large stones. I mean there's
Speaker 2: a picture of a film frame of me posing next
Speaker 2: to it. I mean, posing next to the largest upright
Speaker 2: rock on the planet in northern France. The many of
Speaker 2: keloas I look like a calf or a rabbit next
Speaker 2: to it. It's ridiculous.
Speaker 1: It's a great and that was.
Speaker 2: After the lightning actually lobbed off six feet off the
Speaker 2: top as well. But the thing is that the story
Speaker 2: came together very well, not just in terms of science,
Speaker 2: but etymology, the location, the choice of stone. There was
Speaker 2: a real science behind it. And now was just amaze
Speaker 2: that our predecessors went to so much trouble to source
Speaker 2: the stuff and they left it for us, which I
Speaker 2: believe is the reason why they worked with big stones.
Speaker 2: They I think they could foresee the future to a
Speaker 2: certain degree, and they figured, you know what, we're going
Speaker 2: to leave these things here because they're not going to
Speaker 2: go away. You can't move these things unless you dynamite them,
Speaker 2: or you take five hundred people and you throw them over.
Speaker 2: So there was a reason why they kept marking these
Speaker 2: hot spots. So finally we get a chance to tell
Speaker 2: the story and its entirety.
Speaker 1: Yeah, I want to mention to our listeners that you
Speaker 1: photographed most of this documentary and it's available in black
Speaker 1: and white, which I had to say is unique to
Speaker 1: see these things. For some reason, the black and white
Speaker 1: highlights them in a way, doesn't.
Speaker 2: It Because it was deliberate. I mean, as a photographer
Speaker 2: by trade, I really wanted to show the shape of things,
Speaker 2: because once you start taking the color of way, you're
Speaker 2: not distracted from the actual stones. And the idea was
Speaker 2: that there are shapes that keep repeating again and again
Speaker 2: and again. This is my next project. Why do certain
Speaker 2: shapes keep repeating again and again? Like the one in
Speaker 2: Calnice for example, the central stone of cal Niche nineteen
Speaker 2: and a half feet all has a step on the side,
Speaker 2: and I keep seeing that step all the time. What
Speaker 2: is important about that step? And then there's one which
Speaker 2: has a sort of a forty five degree angle, which
Speaker 2: you see at Asbury, and it repeats again and again
Speaker 2: and again. There's something about the placement of the stones,
Speaker 2: related to the shape, related to the function, and possibly
Speaker 2: the sky that we now just begin to figure out.
Speaker 2: But once you strip the color away, the art of
Speaker 2: the stone comes around. So we're not just talking about
Speaker 2: masons and architects putting these things up. We're talking about
Speaker 2: artists who selected the right stone for the right purpose,
Speaker 2: for the right environment, and you get to see it
Speaker 2: beautifully in black and white. You're not distracted by anything else.
Speaker 2: So and for me it was a labor of love
Speaker 2: in that respect. I wasn't wanting to do a kind
Speaker 2: of a film noir on sacred sites, and now I
Speaker 2: finally got my dream. It's amazing, But there is a
Speaker 2: color version because the footage came out so beautiful. And
Speaker 2: I remember being in Portugal filming and half the country's
Speaker 2: on fire. I mean you couldn't even get from the
Speaker 2: two major cities because the fire had jumped the only
Speaker 2: motorway in the country. But the problem the good thing
Speaker 2: for a photographer was that it gave the strong sunlight,
Speaker 2: this lovely soft beatina with a lovely orange halo, which
Speaker 2: Ridley Scott would have killed anyone that kind of effect
Speaker 2: for free. And I figured, you know what, the footage
Speaker 2: is coming out so good. I'm gonna do two versions
Speaker 2: and people can watch both. You know, if they're into
Speaker 2: the art, great, but if they'll want the more romantic view,
Speaker 2: they can have that as well.
Speaker 1: Yeah, it's an amazing video. What do we know about
Speaker 1: the energetics of these sites? We have coverage in Portugal,
Speaker 1: we have Scotland, and we have France. Is there a
Speaker 1: lay line that runs that we know about. I've had
Speaker 1: other authors on the program that say that the old
Speaker 1: ones that are documented not only had a sense of
Speaker 1: the fit feeling of these places, but talked about ancient
Speaker 1: lay lines.
Speaker 2: Yeah, I mean lay lines that are actually geometric alignments
Speaker 2: between three or more locations. People tend to conflate that
Speaker 2: with tillric currents, which are the energy currents, so they're
Speaker 2: not connected by lays, at least not across countries that
Speaker 2: we know. Because the whole system, it's only about a
Speaker 2: fraction of it left. A lot of it got destroyed
Speaker 2: because of wars, earthquakes, and of course the Catholic Church
Speaker 2: also had their say, so we have an incomplete map.
Speaker 2: We can't geometric be link things together the way we like,
Speaker 2: but in terms of energy, yes, every single monument without exception,
Speaker 2: and I'm actually quoting two archaeologists from the nineteen twenty
Speaker 2: is in France Merzin Deal and they actually said back then,
Speaker 2: every monument entip monuent with that acception is located on
Speaker 2: the crossing points of these tyllric currents. And this is
Speaker 2: why people are at crackted to these places, because we
Speaker 2: as electromagnetic beings, we sense at certain times of the
Speaker 2: day that the sites are alived. And there's many anectical
Speaker 2: information about dowsers going there with their ben coat hangers,
Speaker 2: which I do as well, although there's sensitive equipment which
Speaker 2: is very expensive as well, so you can measure things.
Speaker 2: But there's people who go to the stone at the
Speaker 2: wrong time, at the wrong place, and they get a
Speaker 2: massive electrical shock where you can't feel your forearm for
Speaker 2: fifteen minutes. I mean literally your numb because you've grounded
Speaker 2: the energy. And that was the first Aurha. It's like,
Speaker 2: what is it about these stones that attract and store energy?
Speaker 2: And there was a Frenchman that it asked the same
Speaker 2: question as well, Pierre her Rot. By the way, Pierre
Speaker 2: means stone. That would have been a giveaway as to
Speaker 2: what he was going to do. And he was a skeptic.
Speaker 2: He is an electrical engineer, and he decided to go
Speaker 2: prodding the stones around Karnak in France, and he found
Speaker 2: he wrote this beautiful little pamphlet which I found stuffed
Speaker 2: away in the back of a bucket and spades store
Speaker 2: in Karnac where people buy buckets and spades and you
Speaker 2: had to mix sand castles.
Speaker 1: Wow.
Speaker 2: I walked past the store and I had that smell
Speaker 2: of paper, old paper, and I thought, hello, And I
Speaker 2: walked to the back of the store and lo and behold,
Speaker 2: between two beach blankets, there'd this lovely pamphlet about Le
Speaker 2: Pierre Saint Vivent, which means the stones are alive. I
Speaker 2: went oh la la, and it was one of the
Speaker 2: best scientific journals on documenting what the stones actually do.
Speaker 2: And to cut it a long story short, he came
Speaker 2: to the point where he measured the stones and he said,
Speaker 2: you know what the man is alone. This store energy
Speaker 2: like a big coil. If you look at in terms
Speaker 2: of a car, they behead like a big coil. And
Speaker 2: they stored the energy from the telluric current. It's stored
Speaker 2: in the iron, the magnetite, and the quartz in the stone,
Speaker 2: which is the reason why these things were dragged for
Speaker 2: forty miles away sometimes and every eighty minutes it discharges.
Speaker 2: So if you're there at the wrong time, at the
Speaker 2: wrong place, you get an electric shot because you ground
Speaker 2: the current. And this is also why lightning gets attracted
Speaker 2: to the stones as well. But he also noted that
Speaker 2: the dolmens, by their shape and the passage mounds also
Speaker 2: behave differently, so they behave like accumulators, and the stone
Speaker 2: circles behave like batteries. They literally attract the local current
Speaker 2: to the stone circles. It circulates around the site. And
Speaker 2: this is about adorned by the way and he gradually
Speaker 2: dissipates throughout the day. So it was an incredible piece
Speaker 2: of work and I don't know why it wasn't referred
Speaker 2: to much more than it should because it's a famous
Speaker 2: document and Harby anyone knows about it. So he was right.
Speaker 2: The stones literally are living beings. There's all of these
Speaker 2: mythologies that the stones get up in the middle of
Speaker 2: the night, they go down to the river water, and
Speaker 2: they come back again. And that was the local mythology saying, yeah,
Speaker 2: don't take these things for granted as being solid objects.
Speaker 2: They do move, they do enhance the landscape, and they
Speaker 2: are energetically alive, and people still remember that in the
Speaker 2: local areas. So that's what connects all these places together.
Speaker 2: They're literally marking the X on the landscape where the
Speaker 2: Tulluric currents happen to be. So if you lose your
Speaker 2: sensitivity to the land there's so many people have today
Speaker 2: you know where to go to connect with this energy.
Speaker 2: And I believe that's one of the reasons why they
Speaker 2: establish this network of megal lifts around the world.
Speaker 1: But Freddie, if they placed, as you say, one hundreds
Speaker 1: of thousands of the one hundred thousands, what your estimation
Speaker 1: is of these standing stones. Are they doing that so
Speaker 1: that this energy is coming up and changing the atmosphere?
Speaker 1: Are they changing the environment that they're living in. I mean,
Speaker 1: one hundred thousand megalists is incredible amount of effort manpower
Speaker 1: to move them around.
Speaker 2: And that's just Brittany, the area around Brittany, specifically around Karmac.
Speaker 2: It's an estimate where they've got about eighty thousand stone
Speaker 2: sites left, and that's a tiny fraction of what have
Speaker 2: been destroyed and lost, and most of it's still in
Speaker 2: forests and covered, and some of them actually in the ocean.
Speaker 2: I was almost to go around looking at these things
Speaker 2: that I tie my appointment with the rocks to be
Speaker 2: at low tide and what these enormous things coming out
Speaker 2: of the ocean. It's incredible. So they've been there for
Speaker 2: at least seven thousand years if you do the math right.
Speaker 2: But no, it is true when you get a lot
Speaker 2: of these stones together, the air around them is ionized.
Speaker 2: You can actually measure the energy of the air around
Speaker 2: the stones at certain times of the year, specifically around
Speaker 2: the equinox and the winter solstice, and under certain conditions
Speaker 2: the local weather also changes around Karnac especially, there is
Speaker 2: unusual areas of blanket fog which are only surrounding the stones,
Speaker 2: so this is just a fraction of what it used
Speaker 2: to do, and in Portugal to the same degree. But
Speaker 2: here's the thing. In all three cases, in Scotland, in
Speaker 2: France and in Portugal, they are also marking the most
Speaker 2: active seismic parts of the territory. They literally stand on
Speaker 2: fracture zones, which means if you've got all of that
Speaker 2: quartz in the stone, the stones are being moved ever
Speaker 2: so slightly all day alarm they're being vibrated because the
Speaker 2: earth literally is vibrating where they are. You can't notice
Speaker 2: it most of the time because the earthquakes in the
Speaker 2: fraction is very very low, but the specific area and
Speaker 2: the choice of bedrock that they chose is very seismically
Speaker 2: susceptible to accumulating electromagnetic current because of that activity. And
Speaker 2: on top of that, they also just happen to match
Speaker 2: all of these gravitational anomalies. I mean, the stones in
Speaker 2: Scotland around Calanish literally are formed in a diamond shape,
Speaker 2: which is a very well known gravity anomaly. It's the
Speaker 2: same in France and it's the same in Portugal as well.
Speaker 2: So it's incredible that these people not only were sensitive
Speaker 2: to the land, they also understood how gravity has an
Speaker 2: effect on human consciousness, which we now know it does
Speaker 2: because if you slightly move the gravitational feel towards a
Speaker 2: positive or a negative environment. And I don't mean where
Speaker 2: you suddenly take a jump and you fly to the moon.
Speaker 2: I'm talking about a slight deviation in the effect of gravity.
Speaker 2: It influences your state of consciousness, which is then it
Speaker 2: follows from that that the myths and the local folklore
Speaker 2: about people visiting these places to have alter states of
Speaker 2: consciousness or to give birth. There's women were still visiting
Speaker 2: the stones in France up about thirty years ago. They
Speaker 2: would rub their bellies on the stone to make them pregnant. Oh,
Speaker 2: because there's something about the ectromagnetism in the stone that
Speaker 2: activates the human body and its polarities. So there's again
Speaker 2: an effort to all of this madness. It wasn't just
Speaker 2: about affecting the weather and also influencing the tillery currence
Speaker 2: of the planet. It was also a benefit of people
Speaker 2: that went there. That's why the church found it so
Speaker 2: difficult to move people away from these science because something
Speaker 2: worked for thousands of years.
Speaker 1: Yeah, talk a little bit about the effects on human physiology.
Speaker 1: You brushed on briefly. Do we know other studies that
Speaker 1: have been done about the changes either positive or negative,
Speaker 1: of people living by them, visiting them and the physiological effects.
Speaker 3: Oh.
Speaker 2: Absolutely, there's tons of information. And again I'm surprised that more,
Speaker 2: if more, scientific research hasn't been done on it, because
Speaker 2: there have been cases where archaeologists have also encountered this
Speaker 2: phenomenon where they feel very different when they go to
Speaker 2: some of these places. And I quote some of the
Speaker 2: cases in Scotland, on the island of Aran, there's a
Speaker 2: group of archaeologists that were digging around for their usual
Speaker 2: arrow heads and pottery shards and they suddenly found that
Speaker 2: they've been surrounded, you know, all these balls of light.
Speaker 2: And they wrote about it. You know, they're going to
Speaker 2: be laughed at, but they said, no, there is aerial phenomena.
Speaker 2: But we're also found ourselves getting into a heightened state
Speaker 2: of consciousness. And we're not into woo wu, we're not
Speaker 2: into spirituality, but we found ourselves almost accessing and stepping
Speaker 2: into another level of reality. And that was exactly what
Speaker 2: was happening. Back in the nineties, a guy called John
Speaker 2: Burke actually did some experiments around Averbrian Stonehenge where he
Speaker 2: planted hundreds of electrodes around these two henge monuments, and
Speaker 2: he found that the energy actually discipates at Nia and
Speaker 2: then in the morning it gets attracted to Abriyan Stonehenge.
Speaker 2: It circulates around the actual the henge, the ditch, and
Speaker 2: then as the sun is creeping over the horizon or
Speaker 2: the energy is doubled in frequency and its floods the
Speaker 2: actual temple. And again people would go there at the
Speaker 2: crack of dawn because they said there's something about the
Speaker 2: time of day where the energy is felt physically the body,
Speaker 2: so your body feels different, and it also allows for
Speaker 2: alter states of consciousness. And I can't tell you how
Speaker 2: many stories I came across in all of these free
Speaker 2: areas of people who still to this very day and
Speaker 2: for thousands of years since, they've been going to visiting
Speaker 2: these places to access these places, to access a shamanic stage.
Speaker 2: And then they'll come back. They disappeared. They were literally
Speaker 2: away with the fairies. And there's a whole story about that,
Speaker 2: by the way, and believe me, the fairies are real,
Speaker 2: and they're not quite what you think they are. They're
Speaker 2: very interesting, and they actually refer to a real people
Speaker 2: by the way, physical people. And they said, you know,
Speaker 2: you're way with the fairies, and you come back with
Speaker 2: all this information, whether you chose it for yourself to
Speaker 2: empower yourself or to tell the tribe that you know,
Speaker 2: we need to plant certain things later in the year
Speaker 2: because we're going to have a major drought. And sure enough,
Speaker 2: you can actually predict this very carefully. So there is
Speaker 2: an interaction between what happens inside these places and what
Speaker 2: happens in your own mind. Actually, the passage mounds because
Speaker 2: people think, well, it's a row of stones with a
Speaker 2: central chamber and you got this dirt piled up on it. Well, no,
Speaker 2: it's not just dirt. You have layers of organic and
Speaker 2: inorganic material built up over the shape to make these beautiful,
Speaker 2: fluffy mounds. They behave like an orgone accumulator, and that's
Speaker 2: what happens. So when you measure the frequency outside of
Speaker 2: these mounds, you get, for example, twelve hertz as a
Speaker 2: background frequency, but when you enter the mound, it's four
Speaker 2: point eighties and that frequency is the same frequency when
Speaker 2: your brain waves and in the meditative state and you're
Speaker 2: accessing another level of reality. I think that's the alpha state.
Speaker 2: I can't remember which state it was, but it puts
Speaker 2: you into a state of reverence. It's the same thing
Speaker 2: inside a great pyramid. By the way, any thing's chamber.
Speaker 2: The place is designed to stop you thinking and get
Speaker 2: you to start in tuiting your information because you can't think.
Speaker 2: You a way for this stuff. And I found this
Speaker 2: also in many of the the negolis in Malta. They
Speaker 2: designed to achieve exactly the same physiological effects. And on
Speaker 2: top of that, you've also got the healings, where some
Speaker 2: sites are associated with healing, and people have been going
Speaker 2: there to cure themselves of all kinds of things, and
Speaker 2: they're still going there to this very there. And that's
Speaker 2: one of the reasons why the church stopped this nonsense,
Speaker 2: because they said, well, you can't do that, because if
Speaker 2: we want you to be healed in church, you know,
Speaker 2: and of course you go to the church and nothing happens.
Speaker 2: So they go back to the sacred site and then
Speaker 2: they get burnt alive or nail to a cross or something.
Speaker 2: But it keeps going. Despite the effects. People still keep
Speaker 2: going there all the time because, like I said, something
Speaker 2: clearly is there of benefit. It's not just anecdotal anymore.
Speaker 2: It's actually being written down by people who go there
Speaker 2: and prod these sites with very sensitive electrical devices.
Speaker 1: We're going to take a short commercial break to allow
Speaker 1: our sponsors to identify themselves, and we will return shortly
Speaker 1: with my guest today, Freddy Silver presenting his new documentary Megalith,
Speaker 1: will be right back. My guess today is Freddie Silva,
Speaker 1: who has produced a new documentary called Megaliths, just as
Speaker 1: a look at these huge monolithic size stones, buildings and
Speaker 1: pathways throughout Europe, Portugal and scott Then. I've seen photographs
Speaker 1: of Karnak in France, and of course I've been to
Speaker 1: different parts of UK and wherever I go, where there's megalists,
Speaker 1: there doesn't seem to be like a sitting area. It's
Speaker 1: like you're supposed to be moving around them. Is that correct?
Speaker 1: Or would you say or have you actually found sitting
Speaker 1: areas where you're supposed to sit. It's funny because I'm
Speaker 1: thinking maybe if you sit you will get burned alive.
Speaker 1: It's hard to say, oh.
Speaker 2: There wasn't a pub so I didn't sit. No, it
Speaker 2: ends on the shape. It really depends on the shape.
Speaker 2: So the stone rose, which is what Karnak is famous for.
Speaker 2: And believe me, there are at least thirteen other rows
Speaker 2: of megalists, and they're not very well known. And I
Speaker 2: prefer those because nobody goes there, and you'll find sometimes
Speaker 2: now in the middle of a wood because the trees
Speaker 2: have grown around them, and then more protected. But those
Speaker 2: I believe were used as ceremonial things. They're going from
Speaker 2: some lays to somewhere else. And again it's still a
Speaker 2: work in progress, but that much I figured out. You're
Speaker 2: following a movement of energy and the parallel situation exists
Speaker 2: at Averbury. So people you should go to the stone
Speaker 2: circle at Averbury, but they forget that there were two
Speaker 2: avenues of stones leading to the site. Now half of
Speaker 2: one of them is still there. And I always tell
Speaker 2: people park in the little I think it's now more
Speaker 2: of a mud patch than lay by, so be careful
Speaker 2: where you park a car. It's going to be deep
Speaker 2: with mud and black water. But if you park at
Speaker 2: the end of the avenue and there's not much space
Speaker 2: for cars there, go over into the public area. And
Speaker 2: walk towards the stone circle, and you really do feel
Speaker 2: like you're in a river, a conveyor belt of ba's
Speaker 2: pushing you into the stone circle. And that was actually measured.
Speaker 2: They actually found that there's a current that actually gets drawn,
Speaker 2: a tallura current that gets drawn along the avenue of stones,
Speaker 2: and that's why it's curved. It's not straight because energy
Speaker 2: doesn't moving straight lines. It moves in curves. That's why
Speaker 2: it's called the serpent energy. So you follow that curve
Speaker 2: and you literally fall in the telluric current, and you're
Speaker 2: going into the stone circle, and then you go to
Speaker 2: these two enormous stones, which are the entrance stones, which
Speaker 2: gives a whole new meanings to the word entrance or entrance.
Speaker 2: You are being entranced by that energy. Now, if you
Speaker 2: do it the other way around, if you leave and
Speaker 2: go the other way back to your car, you'll find
Speaker 2: that it takes twice as long. And it's like you're
Speaker 2: pushing against the tiger. You feel like a salmon going
Speaker 2: uphill to spawn because you're pushing against this current of energy.
Speaker 2: It just don't think it, just feel it. Everybody that
Speaker 2: I've taken there does the same thing, and they can
Speaker 2: and they can sense that, so you keep moving. These
Speaker 2: are processional roots. But the place where you do want
Speaker 2: to stand is around the inside the actual chambers, the domons,
Speaker 2: the passage mounds. Those were meant for congregation, and it
Speaker 2: depends on the alignments of the company or the sun
Speaker 2: or the moon position or orion, because that comes up
Speaker 2: all the time in these sites. The association with the
Speaker 2: rhine is everywhere, but these places are gathering and depending
Speaker 2: on the alignment of the site. The alignment defines the
Speaker 2: purpose for which it was done. So some were done
Speaker 2: for initiation, for out of body journeying, some were done
Speaker 2: for healings, some were done for creativity and fertility, not
Speaker 2: just of body, but also of mind. If you're facing
Speaker 2: the west, that's usually a place where you get buried.
Speaker 2: That's how you know. That's a very all Celtic tradition
Speaker 2: about putting the alignment to the temple relative to a
Speaker 2: point of the compass. That basically a light to something
Speaker 2: in the landscape, and the west and the northwest is
Speaker 2: or the setting sun. You're going into the other world.
Speaker 2: That's where the soul goes once you're dead. So those
Speaker 2: are actual burial sites. And you should respect that. The
Speaker 2: other stuff behaves very very differently. And of course the
Speaker 2: standing stones, those are good. To stand next to them,
Speaker 2: try not to touch them if you can, because, like
Speaker 2: I said, if you're there at the wrong time, you're
Speaker 2: going to get one hell of a shock. And I
Speaker 2: remember this enormous stone not far from Monsign Michelle. And
Speaker 2: to give you an idea how big this thing is.
Speaker 2: It took sixteen people holding hands to cover the gurf
Speaker 2: of the stone. And that wasn't even the big one.
Speaker 2: That was just four play. Okay, people thought this is
Speaker 2: going to look grey on Facebook. Yeah, this is just
Speaker 2: four play. The big one is down the road. And
Speaker 2: I remember doing this experiment where we, you know, we
Speaker 2: just said, look, I want you to censor the energy
Speaker 2: of the stone. Don't touch it, just sensor it and
Speaker 2: see if you can try and figure out if the
Speaker 2: feel appears as a sound, what would the sound be.
Speaker 2: And everybody picked up their own sound, but there was
Speaker 2: a harmonious sound. Now in the meantime, one of the
Speaker 2: people in the group didn't feel comfortable. He'd been brought
Speaker 2: up as a Catholic. You know, nothing wrong with that,
Speaker 2: that's his choice. But he said I don't feel comfortable
Speaker 2: for me, it's like devil worship. I said, well, why
Speaker 2: you are mitre then, but never mind, you can sit
Speaker 2: here in this picnic bench about fifteen feet away from
Speaker 2: the stone. The French are very good about, you know,
Speaker 2: eating pat and having wine next to megalifts. They put
Speaker 2: a little park bench nearby, and he sat there, and
Speaker 2: I felt the need to put this one of my
Speaker 2: dowsing rods exactly where he was. I don't know why
Speaker 2: someone was telling me. And I measured the energy field
Speaker 2: around the stone and it was about eight feet just
Speaker 2: by itself. So we stood around the stone. We toned
Speaker 2: to the stone and you can feel this pulsating ridden
Speaker 2: coming back out of the stone, and people are getting
Speaker 2: high just standing there. And we stopped after about ten
Speaker 2: minutes and I heard this thud behind me. I thought,
Speaker 2: so that hurts, And I thought, let's see what's happened.
Speaker 2: Have we influenced the energy field of the standing stone.
Speaker 2: So I took my other dowsing rod and I measured
Speaker 2: where the original band of energy was around the megalith.
Speaker 2: It had moved fifteen feet either to exactly the location
Speaker 2: where I put my original dowsing rod. On the ground,
Speaker 2: and next to the rod was the guy that had
Speaker 2: been sitting on the bench, lying flat on the ground.
Speaker 2: He'd been knocked over, and I said, what the hell
Speaker 2: happened to you? And he said, there's a moment where
Speaker 2: you hit this harmonic frequency and this wave hit me
Speaker 2: and it not be right over the actual bench. So
Speaker 2: it's a real story by a guy who did not
Speaker 2: believe this, and guess what happens after that? Can you
Speaker 2: keep him away from the makelift?
Speaker 3: No?
Speaker 2: It was like, when do we get to the next site.
Speaker 2: When we get to the next site, I thought you
Speaker 2: didn't believe this because you're a Catholic. Oh now I
Speaker 2: believe can't make this stuff up. So yeah, it's an
Speaker 2: energy feel and you can interact with it. So you
Speaker 2: can stand and sit next to the big stones, but
Speaker 2: just sense, use your gut feeling. Sometimes you don't want
Speaker 2: to touch them, because, yeah, getting electric truck is not
Speaker 2: a good idea, as I know very well.
Speaker 1: That these stones are Neolithic four or five thousand years,
Speaker 1: but it seems much older to me. What is your
Speaker 1: sense of an age? If you can even go there.
Speaker 2: It's very hard to rationalize in terms of archaeology because
Speaker 2: for example, the Passage mounds, they tend to give you
Speaker 2: a Neolithic year around four thousand BC. And it's all
Speaker 2: based on pure science, which is we dug down to
Speaker 2: a layer of soil because remember all of these megalists
Speaker 2: they found the bedrock, and the rocks are standing on
Speaker 2: the bedrock. They're standing on their center of gravity, which
Speaker 2: is incredible because usually the point is at the bottom,
Speaker 2: not at the top. I mean it literally balanced like
Speaker 2: enormous needles.
Speaker 1: Really, so they're pointed top and out flat at the bottom.
Speaker 2: Sometimes they're being choked with little rocks. But many cases
Speaker 2: in France specially, they've they've dug at the bottom. They
Speaker 2: found ah put the soil back because the point is
Speaker 2: actually at the bottom, resting on the center of gravity,
Speaker 2: which is on the lower section of It's pure genius.
Speaker 2: And where was I going with this?
Speaker 1: The Neolithic? How old are the Healithic?
Speaker 2: So when you go to passage mounds which have accumulated
Speaker 2: layers of dirt, the archaeolgists will dig down for the
Speaker 2: lowest layer and they'll find a pocktery shard, or they'll
Speaker 2: find a bead or something, and they can date the
Speaker 2: soil around that now here's my question, and that is,
Speaker 2: if you go to that length of trouble to build
Speaker 2: these incredible sites, you're not going to let the dirt accumulate.
Speaker 2: The dirt only shows the time when they stop working,
Speaker 2: when people stopped going there. So four thousand BC is
Speaker 2: when they stop working, because especially in France, it's very true.
Speaker 2: If you go down to the coast, there's dozens of
Speaker 2: sites which are now only available at low tide. And
Speaker 2: I got the film of one of the passage mounds,
Speaker 2: and I'm going to have time it correctly to be
Speaker 2: there when the tide was going out and it's now
Speaker 2: completely covered with water. So you asked the oceanographers when
Speaker 2: would be the last time water was anywhere near this
Speaker 2: that it was fully available for people to go in,
Speaker 2: and the answer is about six thousand BC. So now
Speaker 2: we've got a specific date now that lines up with
Speaker 2: the oldest sites in Portugal, the very very old ones
Speaker 2: in Portugal, and then there's a kind of a gap
Speaker 2: that takes place. The next time. You'll get about five
Speaker 2: thousand BC when they added more, and then they added
Speaker 2: some more in four and a half thousand BC, and
Speaker 2: then they added more in three thousand BC, and each
Speaker 2: time you get those dates, you have a correlation with
Speaker 2: either meteorite strikes, climate change, or sellar flares. So where
Speaker 2: anytime the climate changes, it's like we put tools down
Speaker 2: and we go on another sort of temple building bende
Speaker 2: around the world. It's there's a correlation between the two,
Speaker 2: either because of maintaining the structure of their environment, maintaining
Speaker 2: the culture so it survives in case things get destroyed,
Speaker 2: or using the energy of the land in order to
Speaker 2: prevent the kales from being worse than it is. And
Speaker 2: I think all of those ideas absolutely plausible, given that
Speaker 2: they all occupy these fractures zones along the face of
Speaker 2: the earth. These fractures aren't just helping the energy go
Speaker 2: to the stone. The stones may be mollifying the effects
Speaker 2: of earthquakes as well. That has been put forward as
Speaker 2: well many times. So there are at least three difference
Speaker 2: before three thousand BFT. There are at least three major
Speaker 2: temple building periods. But the older stuff I've found is
Speaker 2: around six thousand BC, and that correlates to the alignment
Speaker 2: of the site as well to the stars. So going
Speaker 2: back around saying with the Ryan that comes again and
Speaker 2: again and again the culture that brought this from and
Speaker 2: believe it or not, it originally started in Armenia and
Speaker 2: Siberia and Ukraine, and eventually in six thousand BC we
Speaker 2: have a migration which again moves because of climate change
Speaker 2: at the end of the Ice Age. It moves across
Speaker 2: Europe and you contract it through DNA and also through
Speaker 2: language and through customs, and they end up in central
Speaker 2: Portugal around Cormac in what is Armorica. Brittany is actually
Speaker 2: called Armonica, and that is an Armenian term that means
Speaker 2: the place where the sun descends into the ocean in Armenian.
Speaker 2: And the other place is of course in Scotland and Calaniche.
Speaker 2: All those sites in Orbandy, they're all firmly founded on
Speaker 2: an Armenian language tradition. So these things are all connected. Okay,
Speaker 2: So you have this movement of people from six thousand
Speaker 2: BC onwards and they bring their culture with them. Having
Speaker 2: said that, there is two places that I found in
Speaker 2: France which are very interesting, and it goes back again
Speaker 2: to archaeology finding these things but then letting it go
Speaker 2: because it doesn't fit the paradigm. And one of them
Speaker 2: was very important around Cormac just behind the little sort
Speaker 2: of B and B where I was staying, which by
Speaker 2: the way, was built from the stones that were taken
Speaker 2: down by the Catholic Church to build the town. And
Speaker 2: the land lady was saying, yeah, my grandmother said that
Speaker 2: this house was built with all the monuments in the garden.
Speaker 2: They said, you couldn't walk fifteen feet without bumping into
Speaker 2: a large megalith, and I thought, my god, what an image.
Speaker 2: And there was a big sort of tumulus behind it.
Speaker 2: It's an artificial hill. And they found all these graves
Speaker 2: in there, so we know people are definitely buried in there,
Speaker 2: and the intention for it was as a grave site.
Speaker 2: But there was one major chamber where they found a
Speaker 2: wooden box filled in with bones and the bones were
Speaker 2: inside earth, which is carbondated to eight thousand BC. And
Speaker 2: it's actually it's on the geological record. It's on the
Speaker 2: archaeological record. Nobody wants to talk about the fact that
Speaker 2: people were there beginning this culture in eight thousand BC.
Speaker 2: And there's lots of stories of sunken cities off the
Speaker 2: coast of Karnak and you can see them. You can
Speaker 2: see the megaliths going into the ocean. You can now
Speaker 2: see them on sonar. There are sona images of the
Speaker 2: stone rows going straight into the ocean, and then they
Speaker 2: reappear on an island three kilometers off.
Speaker 1: The carsh So they're actually and.
Speaker 2: Same story in Portugal, and the story there talks about
Speaker 2: in fact, ironically exactly in the location where I was born,
Speaker 2: by the way, which is very frightening. They talk about
Speaker 2: a race of very tall people. They're about eight and
Speaker 2: a half feet tall, which is commensurate with all the
Speaker 2: bones that we find in giants grazes around Europe. And
Speaker 2: they were described as being very light skinned. They were
Speaker 2: blonde with green eyes or redhead with blue eyes. And
Speaker 2: in Portugal they said that they came from a sunken
Speaker 2: land in the middle of the Atlantic called Atole. And
Speaker 2: these people call the people of the Serpents, which is
Speaker 2: the same story that you'll hear in Yucatan by the Maya.
Speaker 2: And they said, yeah, at the end of the Ice Age,
Speaker 2: the land sank in the middle of the Atlantic, and
Speaker 2: they went that way. One group went to Maya Lands
Speaker 2: and the other one went to Europe, and one of
Speaker 2: them obviously landed in Portugal. And I suspected the other
Speaker 2: one is actually around Karnak as well, because that ties
Speaker 2: in within a thousand years of the actual event. This
Speaker 2: another piece of information that I'm now looking into to
Speaker 2: find out just how far back can we actually date
Speaker 2: this stuff, So it may be Mesolithic. I think the
Speaker 2: foundation is Mesolithic, and then we get into the Neolithic
Speaker 2: about five and a half thousand to six thousand BC.
Speaker 1: That's amazing, What a great story. Why build appreciate yeah, exactly,
Speaker 1: Why build on a megaalithic scale? I mean, these men
Speaker 1: hers are so big the cover of your documentary, we
Speaker 1: were talking about this at the beginning of the program.
Speaker 1: You're standing next to it. You look like an ant
Speaker 1: next to the thing. It weighs. Where'd you say one
Speaker 1: hundred tons or something outrageous?
Speaker 2: This one is calculated. It's made of granite, and this
Speaker 2: one's calculated. That's about three hundred and eighty tons. I believe.
Speaker 1: Oh, it's it's insane.
Speaker 2: And it's six feet that goes into the ground. There's
Speaker 2: thirty nine feet above the ground, and then before it
Speaker 2: was hit by lightning, there's another six feet on top
Speaker 2: of that. And that's the largest standing stone, the biggest
Speaker 2: one which had now fallen over and it's split into
Speaker 2: five pieces. Is in Loch Marrigie and it's now a
Speaker 2: very touristy site but you can walk around it. It
Speaker 2: took me, I think forty seconds to go with my
Speaker 2: camera to film the tip to the end and there's
Speaker 2: bits missing which have now been used for the local
Speaker 2: dolmonds and the local passage mound. You see the engravings
Speaker 2: on the roof of the stone of the mound because
Speaker 2: the thing it suspected that the massive earthquake made it
Speaker 2: collapse and it's split in its areas where it was weakest,
Speaker 2: so they reuse the stones to build new monuments. It's incredible,
Speaker 2: but that is the biggest known standing stone on the planet.
Speaker 2: People will start arguing and say, oh, no, bailback, that's
Speaker 2: not a standing stone, that's a foundation stone. We don't
Speaker 2: count those. That's a different program altogether. But the one
Speaker 2: at Lochmrique is astonishing, beyond comprehension, and there was nineteen
Speaker 2: of them at one point by the way, and you
Speaker 2: can see the whole where they used to be at
Speaker 2: one point.
Speaker 1: Why build on this large scale? Is it because they
Speaker 1: need to have the internal crystalline body of the granite
Speaker 1: for as a battery, and this is why they're so
Speaker 1: huge and considered megalists. I mean, it's just insane, the
Speaker 1: sheer size of some of these dolmen and these Mayhir's
Speaker 1: men hers are just why why build on such a level?
Speaker 2: I know, I've been asking the same thing for years,
Speaker 2: and obviously there's an energetic thing going on here. You
Speaker 2: don't drag stones up to forty miles away when that
Speaker 2: stone will work. You know, I've been saying this for years.
Speaker 2: It's laughable, even in the Great Pyramid, where the core
Speaker 2: of the pyramid came from four hundred miles away. And
Speaker 2: I began to ask the same question. And I'm an
Speaker 2: a an amateur geologist. I'm not as good as say
Speaker 2: Robert schock is, but I know that my basics and
Speaker 2: funny enough, Princeton Engineering Anomalies Research Department asked the same
Speaker 2: question back in the eighties. Why those stones? Why did
Speaker 2: they drag them from so far away? And why the scale?
Speaker 2: And there's several things that start popping up. There's a
Speaker 2: certain type of quartz that they'll share in common, and
Speaker 2: it's the same type of quartz that was used for
Speaker 2: early radio receivers. So someone in the electrical world. Wait
Speaker 2: a minute, there's quartz, and then there's quartz. We'll use
Speaker 2: this quartz to build the first radio. So some of
Speaker 2: it's much more phr electric than others. Then you've got
Speaker 2: the iron in the stone. You have feldspa, magnesium and magnetite,
Speaker 2: and all these things are great conductors and also insulators.
Speaker 2: So you've got to stop looking at the stones as
Speaker 2: stones and as electrical devices. When you put them together,
Speaker 2: they begin to create an electrical charge around them, which
Speaker 2: is what Pierre Mero proved in the end. So obviously
Speaker 2: they're working with energy. And the one thing that you're
Speaker 2: hear in mythology all around the world, even in Easter Island,
Speaker 2: even in New Zealand and South America, the gods that
Speaker 2: brought this information, and I'm not talking about invisible people.
Speaker 2: I'm talking about skin and bone people that were described
Speaker 2: as gods. They had complete control of the laws of nature,
Speaker 2: and they could bend those rules, and they could use
Speaker 2: that those laws for the benefit of civilization. And I
Speaker 2: suspect that it had something to do with manipulating energy
Speaker 2: to do what well. You can change the weather, you
Speaker 2: can modify earthquakes, you can produce electrical current and possibly electricity.
Speaker 2: Can we prove that noe? But we've got the evidence
Speaker 2: to show that it does. We can heal people, you
Speaker 2: can do all the states of consciousness. What else? Oh, yes,
Speaker 2: the mythology or the folklore of whenever farmers grew any
Speaker 2: crops around these standing stones, whether it was in Portsgal
Speaker 2: or in France. And they're and the farmers that are
Speaker 2: still very much aware of the landscape today, they'll say,
Speaker 2: if you plant near the stones, the crops grow much faster,
Speaker 2: more healthy, and much taller than the crops thirty feet away.
Speaker 2: It's like they go like this, you know, the stone
Speaker 2: is literally creating a fertilizing quality on the land. And
Speaker 2: I remember going to a charcuterie in France when I
Speaker 2: was looking at the harsh of Fee, which is the
Speaker 2: fairy stone with the biggest passage mound in Europe. It's incredible.
Speaker 2: I look like a fly in there by the way.
Speaker 2: It's one of my favorite places. So it's lost its
Speaker 2: earth cover and just the stones are incredible. But just
Speaker 2: above the the chakuterie is a wonderful mosaic which shows
Speaker 2: a couple of old peasants with a little scar and
Speaker 2: they've got these bundles of wheat and bread and there's
Speaker 2: a domon behind it. And I asked the old lady there,
Speaker 2: said was it just for decoration? He said no. Many
Speaker 2: people here still understand the relationship between the fertilizing quality
Speaker 2: of the megaliths and the abundance of agriculture, and I
Speaker 2: think that story in Portugal as well. So obviously there's
Speaker 2: four benefits now that we can definitely claim correct, and
Speaker 2: I'm sure there's a lot more as well.
Speaker 1: In this program, we're announcing a new documentary produced and
Speaker 1: directed by Freddy Silva called Megalist. This is a look
Speaker 1: at European massive stones known as megalists, dolmen or men
Speaker 1: hers and their cosmological alignment and other anomalies that make
Speaker 1: them unique. We're featuring a new documentary by Arthur Freddie
Speaker 1: Silva which looks at the megalists throughout Europe. There are
Speaker 1: special alignment and other phenomenon associated with their positioning and use.
Speaker 1: Is anybody, I mean, I have John Burke's book, but
Speaker 1: is anybody utilizing toleric energy in the same manner that
Speaker 1: our ancestors have done? Do we know anything about that?
Speaker 2: Well? The last people that I know consciously did it
Speaker 2: and left a good record of it were the Templars
Speaker 2: and the Cistercians, who essentially the same people. They worked together.
Speaker 2: Many Cistercians were actually founding members of the Knights Templar.
Speaker 2: And when they introduced the Gothic building method or the
Speaker 2: Gothic cathedral to Europe, which is essentially a Muslim or
Speaker 2: a Persian design. So whenever you're walking into a Gothic cathedral,
Speaker 2: and they got that beautiful archway that you walk through,
Speaker 2: that's actually an Arabic design. So a lot of Catholic
Speaker 2: people don't want to hear that because you know, you
Speaker 2: don't even bring it up unless you want to get
Speaker 2: a good rise out of them. But it's absolutely true.
Speaker 2: And they when the Templars were open the Near East,
Speaker 2: they borrowed a lot of information from the Muslims and
Speaker 2: they shared information and it was all to do again
Speaker 2: with heightened states of consciousness and healing. And I remember
Speaker 2: a paper that was about to be published by Russian
Speaker 2: scientists in the nineteen nineties, and they talked about how
Speaker 2: they were measuring the frequency of Gothic cathedrals just because
Speaker 2: they were hard up for money in the Soviet Union
Speaker 2: back then, and they heard the stories about healing in
Speaker 2: these Gothic cathedrals and people having these shamanic moments, and
Speaker 2: they figured there's some benefit here for people. If you
Speaker 2: put them in these buildings, something happens to them, whether
Speaker 2: it's shamanically or physically, something happens to them. So how
Speaker 2: do we measure this? So they went around measuring the
Speaker 2: building with all of their equipment. I remember them conducting
Speaker 2: experiments in France, although not of dumb cathedrals. And I
Speaker 2: don't know if it's ever published. I've lost track of that.
Speaker 2: It seems to have gone into this dark, shadowy cloud.
Speaker 2: But it was the paper. I remember reading the actual
Speaker 2: original paper, so that's why I can talk about it.
Speaker 2: And they said, well, we strapped people with these silly
Speaker 2: devices on their head which measures your brain wave patterns.
Speaker 2: And if you stand them in the middle of the
Speaker 2: aisle where you measure the telluric current coming through the
Speaker 2: crucifix shape and where the apps the trans step crosses,
Speaker 2: you've got the meeting of four currents. And you stand
Speaker 2: there like a big needle. Your brain waves go up
Speaker 2: four thousand percent above normal waking stage. That was mind blowing.
Speaker 2: So we finally being able to measure that these buildings
Speaker 2: were deliberately used to anchor these telluric currents for a
Speaker 2: desired effects. And each building is different by the way,
Speaker 2: each Gothic cathedral, you know, you get it right, why
Speaker 2: and you want to duplicate it, but they didn't. They're
Speaker 2: either wider, narrower, longer, shorter. Why because the currents have
Speaker 2: to match the exact proportions of the building. So the
Speaker 2: fact that it's built like a crucifix, which is their
Speaker 2: way of getting around asking the Pope for permission to
Speaker 2: do this around you, it's one of the biggest jokes
Speaker 2: in history, and the temple as are full of these jokes.
Speaker 2: They said, yeah, we want to build some buildings to
Speaker 2: the glory of God because they didn't tell them much
Speaker 2: God it was, and we're going to shape it like
Speaker 2: a crucifix because it's how Christ was died. And they went,
Speaker 2: thank you, And the Pope actually gave them money on
Speaker 2: top of this, which is even better as a joke.
Speaker 2: But what they were doing is that the building it
Speaker 2: literally X marks the spots and if I've done a
Speaker 2: natural survey or chartera cathedral and found that the actual
Speaker 2: cruciform shape, a masculine current follows the actual main building,
Speaker 2: and the transept followed the female current. And under there
Speaker 2: you've got this big bubble of energy which coincides with
Speaker 2: the the ground water, which creates another electrical current that
Speaker 2: goes around like a big spiral. So they knew what
Speaker 2: they were doing based on what the Muslims already learned
Speaker 2: from the Persians and the Egyptians of course masters of
Speaker 2: this information.
Speaker 1: That's a great story. It's funny that more people don't
Speaker 1: come up and go, hey, you need to go to
Speaker 1: Notre Dame to get a brain enhancement, especially if you
Speaker 1: are feeling like you have a little dementia or something.
Speaker 2: You know, Oh, I can tell you I got special permission.
Speaker 2: This is before the people who run Sharter Cathedral, and
Speaker 2: they're not nice people, by the way, they're really unpleasant people.
Speaker 2: Before they find out who I am and what I
Speaker 2: do for a living. I'm an alternative scientist, you know,
Speaker 2: so I'm not a true devotee. They hate the the
Speaker 2: labyrinth and Sharp Cathedral. They hate it, they really do.
Speaker 2: They are forced to open it up every Friday. And
Speaker 2: I said, well, I don't want to share the experience
Speaker 2: with forty thousand people queuing up. So we had special
Speaker 2: permission to go in the middle of the with a
Speaker 2: tiny group and sense the whole thing, because I thought,
Speaker 2: I want to do this quietly, And I tell you,
Speaker 2: just walking that thing, you get into an alter stated
Speaker 2: of consciousness by the time you get to the center,
Speaker 2: and you don't know where you are. If Tuesday is
Speaker 2: coming to so or your name is Mary or Bob,
Speaker 2: and it takes a lot of effort to come back
Speaker 2: out of there, you've definitely gone somewhere else. And I thought,
Speaker 2: but there's something about the location and the positioning of
Speaker 2: the labyrinth which is also important, not just the shape,
Speaker 2: because the shape itself gets you to go from left
Speaker 2: to right, and it's connecting your left and right hemispheres
Speaker 2: of your brain. It's making into you into a unified
Speaker 2: field by the time you get to the center. That's
Speaker 2: the purpose of the design. But if you actually sit
Speaker 2: back and look at the design of the cathedral from
Speaker 2: an architectural point of view, and you look at it
Speaker 2: for what it is dedication to Notre dame the female energy,
Speaker 2: which of course is defined by the pentagram, and you
Speaker 2: think ah pentagram and you can see how the geometry,
Speaker 2: invisible geometry holds together the perimeter of the building in
Speaker 2: a massive pentagram. But if you put a pentagram inside
Speaker 2: the major pentagram, the point it's exactly the dot of
Speaker 2: the eye the labyrinth, and if that thing had been
Speaker 2: built one foot that way or that way, it wouldn't work.
Speaker 2: So it's also giving you the place to stand where
Speaker 2: all the geometry also ties into the building as well.
Speaker 2: It's pure genius. So if you get if you don't
Speaker 2: get a chance to experience that, you can go to
Speaker 2: gwing Gamp which is another Gothic cathedral in Normandy, and
Speaker 2: they've got a labyrinth there and they more than happy
Speaker 2: to show it to you.
Speaker 1: Do you think the labyrinth is has a high charge
Speaker 1: at certain times of the day and then if a
Speaker 1: lot of people are walking the path of the labyrinth,
Speaker 1: is it being draw drained of its energy?
Speaker 2: Yeah, it rains during the day. I think the sites
Speaker 2: are self protecting. There are low They react to human
Speaker 2: intention because again you're dealing at the very foundation with
Speaker 2: the electromagnetic current. We are electro magnetic being, so your intention,
Speaker 2: your prayers and your affirmations are recorded by the electrical fields,
Speaker 2: but also by the stone itself, which is full of quartz.
Speaker 2: And we now know from the experiments at Princeton that
Speaker 2: your intention has a packet of electrical current that can
Speaker 2: be sent to a device. And there's a famous experiment
Speaker 2: where twenty people in a room were able to change
Speaker 2: the drumbeat of a computer using the power of intention
Speaker 2: focusing on the machine. So we know that that happens.
Speaker 2: And the connection is silicon, which is quartz. And also
Speaker 2: but the fact that underneath Shartra you've got five other temples,
Speaker 2: and the original temple is a massive passage mound which
Speaker 2: sits the main portion sits under the altar, which is
Speaker 2: why it's called the altar. You are being altered. So
Speaker 2: the hot spot of of Charter is actually under the
Speaker 2: very altar, and there's actually proof that exists. Despite what
Speaker 2: they'll tell you. It's Sharta. There was a group of
Speaker 2: archaeologists and insurance people that went there in nineteen fifty
Speaker 2: six to check the foundations of the building because of
Speaker 2: a big earthquake. So there's a door in the basement
Speaker 2: where you can open the door, go around and you'll
Speaker 2: still see the original stones of the original passage amount
Speaker 2: which are over five thousand years old at the very
Speaker 2: very least, and it points to the same direction as
Speaker 2: stonehengeers as the Midsummer solstice, by the way, So all
Speaker 2: of that, the building that we see today is built
Speaker 2: on top of what is already an energetic hot spot
Speaker 2: with all of its intention, all of its prayer. So
Speaker 2: the people that go there to do the right thing
Speaker 2: on the Friday when you're allowed to go and play quietly,
Speaker 2: they are adding to that energy all the time. And
Speaker 2: there was also another experiment at Sharter Cathedral which showed
Speaker 2: that about fifteen feet in front of the altar where
Speaker 2: there are two pillars which stick out like a soft pump,
Speaker 2: and if you're an architecture, go now, why would you
Speaker 2: do that unless you're trying to draw attention to this
Speaker 2: specific location. They found that there are seven barriers of
Speaker 2: electromech the current that stop you going forward. It's almost
Speaker 2: like it's saying, you've got to stop here and take
Speaker 2: charge of your intentions. Okay, if you get a cross
Speaker 2: into the sacred space with bad intention that has an energy,
Speaker 2: you're going to pollute the sacred space. Where did I
Speaker 2: hear that? Before I heard it? In Sacara in Egypt,
Speaker 2: and it has exactly the same terminology, and it's written
Speaker 2: in the pyramid next door in Tety's wall. So if
Speaker 2: you know how to read the story on the wall correctly,
Speaker 2: it says that there are seven gates that provide a
Speaker 2: barrier between you and the sacred space, which is Sakara.
Speaker 2: So if you happen to walk Sirkara and that beautiful passageway,
Speaker 2: which I know you've done quite a few times with
Speaker 2: the word columns, and if you number the columns and
Speaker 2: number making note of all the reads that make up
Speaker 2: the columns, the code is right there. There's a numerical
Speaker 2: code there, but each alcove has a different positive and
Speaker 2: negative charge as you're walking along the passageway, which means
Speaker 2: there are seven positively large notes before you get into
Speaker 2: the temple, which is of course at courtyards with the
Speaker 2: big pyramid. That's where our information comes from. For the
Speaker 2: sharp of cathedral, and the champlars were not that far away,
Speaker 2: by the way, there were hanging around Cairo, and it's
Speaker 2: a short horse ride down to Soakara. You read what's
Speaker 2: on the walls and boom oh, we can reproduce this
Speaker 2: in France. They'll never figure that one out, and it
Speaker 2: took until the sixties for someone to actually go there
Speaker 2: with electrical devices and go oh sucker blur exactly when
Speaker 2: you get to the altar.
Speaker 1: Yeah, we're speaking with Freddie Silver. He has a new
Speaker 1: documentary called Megalists just came out. Let's tell let's let
Speaker 1: people know how we can get them to see it.
Speaker 1: You can go to Vimeo it's Megalists, or I will
Speaker 1: make it available on the Facebook page. Go to Earth
Speaker 1: Agents and you can go to the public page or
Speaker 1: the private page and you'll see it there. We will
Speaker 1: have a preview of the actual presentation. It's about was
Speaker 1: it five minutes, Freddy?
Speaker 2: It's about four and a half minutes. Yeah, I'll actually
Speaker 2: be generous.
Speaker 1: It's approved.
Speaker 2: It's the only place, I mean, my Vimeo channel. It
Speaker 2: will be the only place where you can actually see
Speaker 2: it in black and white. I just speak with Gaya
Speaker 2: a few literally a few hours ago. We're trying to
Speaker 2: get both versions. As we were saying earlier, the footage
Speaker 2: that came out in color was so beautiful that I
Speaker 2: thought I'm going to do a color version as well,
Speaker 2: in case people think there's something wrong with their television set,
Speaker 2: but because of their algorithm, they can't have both, so
Speaker 2: they've gone for the color version. So I'm sorry. If
Speaker 2: you're a Guya subscriber, the only place where you watched
Speaker 2: the black and white version would be on my channel.
Speaker 2: So but the link will be up on your Facebook
Speaker 2: page is Guya?
Speaker 1: Does Guya have it on their server? Is that why
Speaker 1: you mentioned?
Speaker 2: Is not yet? It takes a few months before we
Speaker 2: signed the contract and it goes up to suspected by September,
Speaker 2: the color version will be up there. Okay, And what's
Speaker 2: the black and white one? Which is I'm very proud
Speaker 2: of and people love it.
Speaker 1: By the way, I actually like the black and lie
Speaker 1: and there's a.
Speaker 2: Reason why it's black and white, and you get it,
Speaker 2: so I'm unfortunately that's just on Vimeo. But at least
Speaker 2: I get paid.
Speaker 1: Yeah, and it's expensive. What is the full charge? It's
Speaker 1: for five bucks right to watch the whole thing.
Speaker 2: Rant it's about five dollars, which is pretty reasonable. And
Speaker 2: then you can also create your own library and you
Speaker 2: own the whole thing for like fourteen dollars or something.
Speaker 1: Yeah, I got to mention it's very well done. The
Speaker 1: script that you produced is well done. Also, you were
Speaker 1: the videographer for most of it, which I find amazing
Speaker 1: because you're not only narrating a thing, you're also taking
Speaker 1: the photographs. So that's a lot of work.
Speaker 2: Yeah, and I mean it takes in all the I
Speaker 2: don't know talent that I was given when I was
Speaker 2: at art school for me to do documentaries. It's my
Speaker 2: favorite passion. It's easier than writing a book. But that
Speaker 2: doesn't mean that I've cut corners. It's still the real thing,
Speaker 2: But it doesn't mean I can use all the things
Speaker 2: that I've always loft to do. And even there are
Speaker 2: some cases where I had to use a cell phone
Speaker 2: to film some of the footage and I thought, well,
Speaker 2: because there's an electrical fence behind me and I can't
Speaker 2: go back any further to get this enormous stone, and
Speaker 2: even with a wide angle lens, it still wasn't coming in.
Speaker 2: I thought I got to go and use a oh
Speaker 2: it's four K video or my cell phone and it
Speaker 2: comes out absolutely beautiful.
Speaker 1: I was going to ask you, did you have a
Speaker 1: special camera, but or you use your iPhone? Huh?
Speaker 2: I like, I have a likea with a wide angle
Speaker 2: and a telephoto, but it's so big, and because you're
Speaker 2: on private land, there's only so far you can go,
Speaker 2: Like there's a river, or there's a ravine behind me,
Speaker 2: or there's an electrical fence to keep the cows out,
Speaker 2: so I can't go back any further. So you know,
Speaker 2: my like, I'm getting two thirds of the stone. I'm thinking, well,
Speaker 2: that's not going to work. So incredibly, the phone that
Speaker 2: I have can go into ultra wide angle and I thought, well,
Speaker 2: I can just get the whole thing in, So thank
Speaker 2: God for this technology. But it looks just as good
Speaker 2: as my six thousand dollars.
Speaker 1: It's amazing how crisp the images are and you cover
Speaker 1: and capture what you need for the actual work.
Speaker 2: It's beautiful exactly. And I also was very lucky to
Speaker 2: get two people that I've ad might over the years
Speaker 2: to supply the main soundtrack. There's at least three people
Speaker 2: in there, but two of them, especially Steve Roach, who
Speaker 2: covers at least twenty minutes of the whole thing. He's
Speaker 2: been designing soundscape since the nineties. I mean, his stuff
Speaker 2: is otherworldly. And I humbly wrote to him and I said,
Speaker 2: can I please borrow you? I can't afford to pay
Speaker 2: you what you should be getting paid. So but you'll
Speaker 2: get royalties when people watch it. You get royalties. You
Speaker 2: get far more than I can afford it. He went, oh,
Speaker 2: I love the project please and I thought, thank you.
Speaker 2: And the other one was a progressive rock band from
Speaker 2: England called IQ, who I've adorsed since the day they
Speaker 2: came out, and I said, there's one track that you
Speaker 2: wrote five years ago that it's perfect for the introduction
Speaker 2: as a theme for the whole thing. It just encapsulates
Speaker 2: the whole thing. Oh please, can I have it? And
Speaker 2: it went absolutely, thank you. So yeah, it came together
Speaker 2: very beautifully with everybody involved.
Speaker 1: Fantastic. Hey, as we close, is there a cosmological significance
Speaker 1: to these rows and rows of megalithic stone? Are they
Speaker 1: aligned to a known star system of some kind?
Speaker 2: The Rose Well, the main rowan Karnak. We've been speaking
Speaker 2: this for years, but because the road changes three times,
Speaker 2: it's almost like it was aligned to the equinox sunrise.
Speaker 2: And then because things move over thousands of years, you
Speaker 2: have to keep the lightning. That's why it's got three
Speaker 2: different alignments. That's come up with is either Beltaine, which
Speaker 2: has made the first or the equinox. The other ones
Speaker 2: have different alignments and again depending on the purpose for
Speaker 2: which they're built, but usually it's the spring equinox or
Speaker 2: the winter solsers and that happens all around the world.
Speaker 2: But the biggest connection was a Ryan, a Ryan's belt
Speaker 2: the first time it popped its head above the horizon
Speaker 2: in Portugal, in France and in Scotland, there is an
Speaker 2: overwhelming connection to Orion's belt. And that goes back to
Speaker 2: a project that I wrote years ago about that where
Speaker 2: the original gods that we were talking about that brought
Speaker 2: so much of civilization to humanity. They are in many
Speaker 2: parts of the world, regardless originally having come from Orion.
Speaker 2: And I've heard that story even in Japan. And so
Speaker 2: when you walk through the big red arts the Tory date,
Speaker 2: you are walking through an imitation of the belt stars
Speaker 2: and the section of the Lowes section of the Ryan constellation,
Speaker 2: which is they call the heart of the Sky, which
Speaker 2: it turns out corresponds to M forty two Nebula, which
Speaker 2: is the biggest star forming region of the galaxy. There's
Speaker 2: a clue right there. And in some cases I heard
Speaker 2: the humanity also originally emerged from Ryan as well. We're
Speaker 2: looking probably millions of years ago, I don't know, but
Speaker 2: I heard these stories again. But I was amazed that
Speaker 2: it kept coming up, even in the standing stone. So
Speaker 2: some people might think, well, that's not possible because you
Speaker 2: need two things to align, except if the stone is
Speaker 2: this has been shaped and there have been artificially shaped,
Speaker 2: you know, with mares they'll sit there, you know, with
Speaker 2: the maors banging away, they have been shaped in this
Speaker 2: sort of almond shape. So you've got an access to
Speaker 2: the stone. And I was at the biggest stone in
Speaker 2: keloas in the finished there and I got the bead
Speaker 2: on it, and it's literally it goes to the first
Speaker 2: rising of Orion's belt in seven thousand BC. Wow, that
Speaker 2: is all the linemen. So again it's paying homage to
Speaker 2: the people the gods that brought this information. But also
Speaker 2: wherever you go around the world and you have a
Speaker 2: correct communication between the ground and the Ryan, the rising
Speaker 2: of the Ryans around the equinox usually depending on your latitude.
Speaker 2: It coincides also with the planting of agricultural and the
Speaker 2: seeds in order to start the growth cycle. So there's
Speaker 2: a relationship between civilization the fertilizing quality of the monuments,
Speaker 2: and also the gods that introduce agriculture to human beings
Speaker 2: around it in half thousand BC. So all of these
Speaker 2: things are coming together beautifully fantastic.
Speaker 1: It's called Megalis. We've been with Freddy Silvera Freddy much
Speaker 1: success on this. I think he did a great job.
Speaker 3: And like a new room by the way, pardon me,
Speaker 3: I like your room, my study with my Chatausa.
Speaker 1: That's Mount Shasta back there by the way.
Speaker 2: Oh, you lucky bucker.
Speaker 1: Hey, Freddy too much. Great to have you on the program.
Speaker 2: What it was good to speak with you, Cliff.
Speaker 1: You can see Megalith in its entirety if you go
Speaker 1: to Freddisilva dot com or you go to Facebook and
Speaker 1: find Earth Ancients either the private group. If you're a
Speaker 1: member of the private group, welcome. If you're not, you
Speaker 1: can go to the public group and you'll see a
Speaker 1: link to the preview and if you enjoy the preview,
Speaker 1: I think it's six or seven dollars to watch the
Speaker 1: entire Vimeo presentation in the comfort of your home, and
Speaker 1: I thought it was very well done. It's funny because
Speaker 1: he did the majority in black and white, but he
Speaker 1: offers a color version as well. For some reason, and
Speaker 1: it's maybe just the granted that we're looking at the
Speaker 1: black and white's very it's eerie some way, but it's
Speaker 1: also it's beautiful in a way too, because these stones
Speaker 1: are mugged, they're magnificent. How they dragged them miles away
Speaker 1: is that, I mean a sixty to eighty ton block
Speaker 1: of granted. How they drag them from the quarry or
Speaker 1: from where they were sitting is a real mystery. Perhaps
Speaker 1: we'll never know. That's one for That's one for the
Speaker 1: mystics of the world. So thank you, Freddie. That was fun.
Speaker 1: And now that we're in the summertime, people are thinking
Speaker 1: about getting away on vacation. We have an outstanding fall
Speaker 1: tour to Guatemala. It's our Sacred Temples of Guatemala, December
Speaker 1: first of the twelfth. It is outstanding because we have
Speaker 1: permission and access to calls wonderful Pyramids, El Miodor and
Speaker 1: a number of other local sites that will ceremony. We'll
Speaker 1: learn how to sit and understand and connect with the pyramids,
Speaker 1: connect with the temples, as well as locate a number
Speaker 1: look of buildings and sites that are attributed by the
Speaker 1: locals to Atland the famous Atlantis Connection. For the full
Speaker 1: eight itenerary and all the details, go to earth Ancients
Speaker 1: dot com, Forward slash Tours. If you have any questions,
Speaker 1: I'd love to hear from you. Send me an email
Speaker 1: at earth Ancients the number four of the letter you
Speaker 1: at gmail dot com. I promise to get right back
Speaker 1: to you. Were about half full, love to have you
Speaker 1: come with us. We only take twenty people, so this
Speaker 1: is really in many ways exclusive. We have the best food,
Speaker 1: the best travel, of the best team, and this is
Speaker 1: going to be fantastic. The Sacred Pyramid Tour of Guatemala.
Speaker 1: For more information go to Earth Ancients dot com, Forward
Speaker 1: slash Tours. Come on and join us. All right, that's
Speaker 1: it for this program. I want to take my guest today,
Speaker 1: Freddy Silva and his new documentary Megalists. That was fun
Speaker 1: as always the team of Gil tor, Mark Foster and
Speaker 1: Faya are video specialist. You guys rock all right, Take
Speaker 1: care every well and we will talk to you next time.