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<v Speaker 1>And now doctor Watson, back to Professor Moriarty and the

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<v Speaker 1>Adventure of the Serpent God.

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<v Speaker 2>Yes, mister Harris.

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<v Speaker 3>It was lateish one May evening in the early nineteen hundreds.

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<v Speaker 3>I had been out on an emergency case and was

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<v Speaker 3>returning in the soft spring twilight. As I reached two

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<v Speaker 3>twenty one b Baker Street, I looked up to see

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<v Speaker 3>a light in the windows of our sitting room. Holmes's long,

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<v Speaker 3>lank silhouette was pacing back and forth in the lamplight.

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<v Speaker 3>From the nervous vitality of his movements, I gathered he

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<v Speaker 3>was working on a new case.

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<v Speaker 2>I let myself in the front door and bounded up

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<v Speaker 2>the steps.

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<v Speaker 3>U you what, doctor, who would I hurry upstairs?

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<v Speaker 2>Evening hall was what's up a case?

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<v Speaker 4>Watson?

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<v Speaker 1>I'm expecting word from on eachst client. Now, don't trouble

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<v Speaker 1>with your hat and gloves. From his note, I gather

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<v Speaker 1>he want us to go to him at once.

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<v Speaker 2>Oh, then it's urgent.

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<v Speaker 4>I suspect it's more than urgent, Oneatson.

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<v Speaker 1>The stability of the empire may well depend on our

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<v Speaker 1>efforts to night or now, really, ho, I'm not exaggerating, Watson.

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<v Speaker 1>I leave that to you However, I don't think anyone

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<v Speaker 1>will underrate the unrest that's seething in India these days.

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<v Speaker 4>The slightest spark may set off an.

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<v Speaker 2>Explosion, granted, but how does that affect us?

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<v Speaker 1>As a matter of fact, my friend Hockey, you remember

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<v Speaker 1>young Well's heart rid of the Foreign Office.

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<v Speaker 3>Naturally, he's the one always looked as if he had

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<v Speaker 3>just followed his molecule.

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<v Speaker 1>Don't let that air of fatuous imbecility fool you, Watson,

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<v Speaker 1>hiding behind that simple facade is one of the most

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<v Speaker 1>alert brains in England, not counting my own, of course,

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<v Speaker 1>or conceit, that's why he's been assigned to the Maharaja.

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<v Speaker 3>He'll have his hands full. Those East Indian potentates are

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<v Speaker 3>a slippery lot. I wouldn't just run around a corner

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<v Speaker 3>with my second best stethoscope.

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<v Speaker 4>Prejudice, Watson, pure prejudice.

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<v Speaker 1>I met this one several years ago at the Royal

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<v Speaker 1>Garden party, rather decent sort.

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<v Speaker 4>We've corresponded ever since.

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<v Speaker 3>Home, Oh wonderful, you know everything in everybody tell me

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<v Speaker 3>about your Rajo?

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<v Speaker 2>Which one is he?

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<v Speaker 1>He's the Maharaja of Vanjoram, a small warlike Muntain kingdom.

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<v Speaker 4>Of the north of India.

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<v Speaker 2>Sounds very familiar.

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<v Speaker 1>You've undoubtedly heard of the Banjoram stables. The Maharaja is

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<v Speaker 1>interested in race, horses and higher education. He leads a

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<v Speaker 1>rather quiet life in his villa outside of Paris, where

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<v Speaker 1>the famous professors from the Sorbonne come to give him

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<v Speaker 1>advanced lectures in private.

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<v Speaker 2>Sounds placid in.

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<v Speaker 1>Her quite His life, I may say, was completely serene

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<v Speaker 1>and uninteresting until his heir came to visit him.

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<v Speaker 2>Nothing abnormal about that.

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<v Speaker 3>Sons frequently upset the even tenor of their father's ways.

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<v Speaker 1>Rough, but Prince Jinner is not the Maharaja's son. He's

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<v Speaker 1>his half brother, different mothers and all that.

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<v Speaker 2>You know.

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<v Speaker 1>It wasn't until it became apparent that the Maharaja would

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<v Speaker 1>never have a son of his own that anyone took

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<v Speaker 1>any interest in this boy at all. I don't believe

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<v Speaker 1>the Maharaja and even met him until he sent for

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<v Speaker 1>him last autumn. He suddenly decided it was high time

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<v Speaker 1>the land became exposed to a British education.

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<v Speaker 3>A poor devil imagine being suddenly chucked into the midst

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<v Speaker 3>of an English public school after being hampered darling of.

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<v Speaker 1>A high cast Indian household. Maharaja of Banjoram has some sense, Watson.

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<v Speaker 1>He did not chuck him into a school, as you

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<v Speaker 1>so inelogately express it. He decided to break the boy

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<v Speaker 1>in with a good tutor. Upon explaining his position to

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<v Speaker 1>the Foreign Office, they decided the situation was sufficiently important

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<v Speaker 1>to assign young Wells heart Rider to the post.

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<v Speaker 2>As the Trigg is bent exactly.

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<v Speaker 1>The Maharaja of Banjoram has always been quite well disposed

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<v Speaker 1>toward our government. Unfortunately, that's more than can be sent

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<v Speaker 1>for some of the gentlemen who have managed to ease

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<v Speaker 1>their way into high positions in his country.

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<v Speaker 3>Rid the Maharaja and his young half brother get along

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<v Speaker 3>very well.

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<v Speaker 1>Indeed, that is until three weeks ago when hart Rider

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<v Speaker 1>and the young Prince had their first encounter with the

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<v Speaker 1>dark faced man with burning eyes. Shortly after tea time,

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<v Speaker 1>Haki and the Prince were just emerging from the strand

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<v Speaker 1>entrance of the Savoy Hotel, where they have a suite

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<v Speaker 1>of rooms. Suddenly, the strange, ragged looking man seized the Prince.

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<v Speaker 4>He pressed his forehead to the back of the boy's hand.

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<v Speaker 5>Salutations, O true son of the father of all lizards.

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<v Speaker 5>You followers await you. For you, the God will speak.

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<v Speaker 5>Do not fail him, Do not fail.

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<v Speaker 2>Who is that man?

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<v Speaker 5>You know?

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<v Speaker 2>I do not know, mister Hartwrider, But you saw his

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<v Speaker 2>eyes and his head. It moved from side to side

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<v Speaker 2>like a great snake. It's a better boy. You're trembling.

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<v Speaker 2>Your hands are as cold as eyes.

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<v Speaker 4>Your hand? What does that mark on the back of

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<v Speaker 4>your hand?

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<v Speaker 6>I it is the sign.

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<v Speaker 1>And I since then, Watson, the boy's been a nervous

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<v Speaker 1>wreck Herkrider says, he looks positively haunted. Then, the night

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<v Speaker 1>after the boy's encounter with a strange derelict, heart Rider

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<v Speaker 1>woke in the knight and found him missing.

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<v Speaker 4>From his bed.

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<v Speaker 1>Why not ask for police protection? Maharaja forbids it. Heart

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<v Speaker 1>Rider drew him the design he'd seen on the back

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<v Speaker 1>of the boy's hand. The Maharaja apparently recognized its significance,

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<v Speaker 1>but will tell Heartrider nothing. He says, calling in the

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<v Speaker 1>British authorities might very well cause another black hole of Calcutta.

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<v Speaker 2>Good Lord Holmes, then it is serious.

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<v Speaker 1>That might, Dear Watson, is the impression I've been trying

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<v Speaker 1>to convey for the last half hour.

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<v Speaker 3>Did the heart Rider's message. Explain what the symbol on

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<v Speaker 3>the boy's hand look like?

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<v Speaker 1>Yes, it's drawn here at the bottom of his letter,

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<v Speaker 1>simple bit of cacogra.

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<v Speaker 3>Faith looks rather like the eye part of the large

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<v Speaker 3>hook and eye.

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<v Speaker 1>It's not as innocent as that, Watson. It's the same

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<v Speaker 1>mark that appears on the hood of the king Cobra

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<v Speaker 1>in India. That's the symbol of the serpent God. Why jove,

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<v Speaker 1>I see what you mean, Holmes.

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<v Speaker 3>Then you think the boy baby mixed up in some

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<v Speaker 3>diabolical East India.

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<v Speaker 1>I fancy the mysteries even uglier than that. You remember

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<v Speaker 1>the description of the beggar who left the symbol on

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<v Speaker 1>the boy's hand, the burning eyes, the head that oscillated

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<v Speaker 1>slowly from side to side.

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<v Speaker 3>Good heavens, that could be a description of Professor Moriarty.

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<v Speaker 2>Oh, but you said his skin was dark.

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<v Speaker 4>There are many stains, Watson, that can be used to

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<v Speaker 4>color a man's skin.

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<v Speaker 2>But why they.

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<v Speaker 3>Waited to now to call you in on the case?

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<v Speaker 3>What makes you think heart Rider would be around tonight?

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<v Speaker 4>This little figurine, beautiful carve, isn't it?

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<v Speaker 2>Oh?

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<v Speaker 3>Fascinating bit of ugliness body of a man and the

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<v Speaker 3>head of a cobra the.

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<v Speaker 4>Cobra guard again.

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<v Speaker 1>It seems this carving was found on Prince Gina's bed

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<v Speaker 1>when he returned from his afternoon's walk. Heartwrider said the

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<v Speaker 1>boy fainted dead away when he saw it.

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<v Speaker 2>Sound sinister, Holmes.

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<v Speaker 1>Heartwrider told the Maharaja about the occurrence. Of course, the

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<v Speaker 1>Maharaja seems to think this figure some sort of summons.

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<v Speaker 1>He believes the boy will try to disappear again to night. Consequently,

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<v Speaker 1>Heart sending a cab for us as soon as the

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<v Speaker 1>boy retires, we're to pick him up at the embankment

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<v Speaker 1>exit of the Savoy. Yes, I I hear a carriage

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<v Speaker 1>driving up to our curb. Don't forget your a, Brther Watson,

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<v Speaker 1>Ha ha ha. The game's afoot. The chase begins, Homes.

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<v Speaker 3>We've been sitting out here in this blasted camp for

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<v Speaker 3>over an hour. What's happened to Hawk Rider? What if

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<v Speaker 3>the boys slipped out of the other entrance.

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<v Speaker 4>Calm yourself, Watson.

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<v Speaker 1>Hark riders station behind some pottec palms with the lobby inside,

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<v Speaker 1>where he can watch both doors.

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<v Speaker 3>What if the boy decides to stay quietly in his

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<v Speaker 3>little bed, I say, Homes, that's the third time that

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<v Speaker 3>policeman has flashed his Lanternetta's first thing.

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<v Speaker 2>You know he'll be asking some embarrassing questions.

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<v Speaker 4>Well, don't answer them. Just pretend we're gentlemen in from

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<v Speaker 4>the country who've had a bit of a say libration

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<v Speaker 4>and are sitting in the cab because we like horses.

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<v Speaker 2>Home.

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<v Speaker 3>If you're the most dagger, Hello, there's a stake you

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<v Speaker 3>get coming through the doorway.

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<v Speaker 2>Now, yes, it must be the young prince.

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<v Speaker 4>He's hitting a cab.

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<v Speaker 6>Get ready, driver, it goes his cab homes.

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<v Speaker 2>But what are we waiting for for hockey?

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<v Speaker 1>Confound him here? It comes on the run. Open the door, Watson.

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<v Speaker 1>We'll pick him up as we go. Follow that cab driver.

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<v Speaker 1>There's a fiber in it for you if you don't

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<v Speaker 1>let him out of your sight.

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<v Speaker 2>Oh, confound this far.

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<v Speaker 4>It's getting so thick we can't see the cab up ahead.

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<v Speaker 4>Calm yourself. Can't rider.

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<v Speaker 1>They can't go any faster than we can as long

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<v Speaker 1>as we can hear their horses. Hoo, they can't get

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<v Speaker 1>away from us.

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<v Speaker 2>You must be near the river homes those podhorns.

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<v Speaker 1>As we've just passed London Docks to be exact, my

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<v Speaker 1>dear Watson, how.

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<v Speaker 2>Do you know?

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<v Speaker 3>Don't tell me you can see any further through this

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<v Speaker 3>piece souper than I can.

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<v Speaker 4>Possibly not, Watson. But I can smell.

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<v Speaker 1>The warehouses here contain the most varied and fascinating cargoes,

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<v Speaker 1>and the whole port wines, hides, rubber drugs, iodine, coffee, spices, cocoa, quicksilver.

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<v Speaker 1>I mentioned just a handful. On our left, we should

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<v Speaker 1>be approaching wapping Old Stairs. You listen carefully, you can

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<v Speaker 1>hear the.

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<v Speaker 2>Lapping of the water, not a d thing blatting away,

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<v Speaker 2>you can't. I say, what do you suppose that boy

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<v Speaker 2>is headed for in this district?

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<v Speaker 4>Has never occurred to you, heart rider?

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<v Speaker 1>How many Lascars and Hindus are employed in the docks

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<v Speaker 1>in this part of London?

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<v Speaker 4>Oh funny, I'd forgotten that. It's a matter of fact,

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<v Speaker 4>I've almost forgotten London had a port. Most Londoners do.

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<v Speaker 1>Asked the average Englishman what's the largest port in the

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<v Speaker 1>United Kingdom, and chances are he'll answered Liverpool or Plumouth

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<v Speaker 1>or Southampton.

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<v Speaker 2>Well, aren't they, My dear Watson.

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<v Speaker 1>The exports and imports of the Port of London more

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<v Speaker 1>than equal in value any two of them combined.

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<v Speaker 2>What's up with we're going on?

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<v Speaker 4>We've turned into tunnel pier road.

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<v Speaker 2>Well, how can you tell that?

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<v Speaker 4>That the rumbling of the trains going through the tunnel.

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<v Speaker 1>I can't hear a blasted thing, can I? But I

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<v Speaker 1>can feel them? So could you if your senses were

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<v Speaker 1>properly developed. Yes, near hair used to be the site

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<v Speaker 1>of execution dock, where Captain Kidd and other pirates were

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<v Speaker 1>hanged in chains at low water and left for three

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<v Speaker 1>times homes.

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<v Speaker 3>If you must give us a cook store of the district,

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<v Speaker 3>couldn't you pick some cheerful items to lecture about carriage?

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<v Speaker 4>Your head stopped? Wait here, driver?

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<v Speaker 2>How'd you go?

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<v Speaker 4>Watson?

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<v Speaker 2>Hmm?

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<v Speaker 4>You too hot?

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<v Speaker 2>Ride up right?

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<v Speaker 6>Yes, there's the boy up ahead. He's feeling his way

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<v Speaker 6>along the wall.

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<v Speaker 4>He stopped.

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<v Speaker 2>He is tapping out some kind of signal the wall.

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<v Speaker 4>By jove, I see the wall is opening. I saw

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<v Speaker 4>no sign of a doorway.

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<v Speaker 2>Now it's closing after him. But it works mechanically.

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<v Speaker 1>What's don't get a hut. It's our one chance to

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<v Speaker 1>follow the boy. Stick your foot in the crack y.

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<v Speaker 2>Oh, Now, why did you told me the blasted doors.

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<v Speaker 1>Killing me, hark Rider, take the cab and go back

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<v Speaker 1>to the Savoy and get the Maharaja of Banjordain.

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<v Speaker 4>Bring him here.

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<v Speaker 2>Shall I fetch a patoon of police as well, just

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<v Speaker 2>in case.

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<v Speaker 1>I don't imagine he'll let you here. Make a mark

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<v Speaker 1>on the wall so you can find the door again. Done, Ben, Watson,

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<v Speaker 1>Slip inside the door right quick before the card finds

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<v Speaker 1>it's not closed.

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<v Speaker 4>Hurry back, hart.

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<v Speaker 2>Rider, Shut up homes, be back in a jibby.

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<v Speaker 7>Mmmm.

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<v Speaker 3>Seems to be some sort of courtyard with carved walls.

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<v Speaker 3>Weird go tess carvings homes. They look horrible in the

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<v Speaker 3>light of that flickering lantern head. Those carvings represent East

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<v Speaker 3>Indian deer. It is as you say, Watson, they are

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<v Speaker 3>not nice look holes. The tall man in a fierce

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<v Speaker 3>beard and wearing a turban has stepped into the light

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<v Speaker 3>of the lantern. Yes, he'll be a Sikh, very war

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<v Speaker 3>I try, Watson. I imagine he's on sentry duty. There

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<v Speaker 3>must be an entrance through that archway.

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<v Speaker 7>What of it?

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<v Speaker 2>We'll never get by him.

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<v Speaker 1>The only hope he doesn't discover us, right, I don't

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<v Speaker 1>think he'd hesitate to use that large knife he has

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<v Speaker 1>sticking in his belt.

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<v Speaker 2>I say, what's that?

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<v Speaker 1>Another customer has arrived at the door on the wall.

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<v Speaker 1>I imagine, Yes, there comes a sentry to let him in.

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<v Speaker 6>What can we do?

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<v Speaker 2>He'll find us?

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<v Speaker 6>No, there's an empty.

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<v Speaker 4>Niche above our heads. Step on my hands, Watson.

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<v Speaker 2>Right, let you go, h now, give me your hand.

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<v Speaker 4>He who eh?

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<v Speaker 2>But o't you see is up here?

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<v Speaker 4>I don't think so. It's a well established fact that

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<v Speaker 4>a man seldom looks above his head.

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<v Speaker 6>Yes, here it comes. Pretend to be a statue, a grotesque.

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<v Speaker 4>It shouldn't be too difficult.

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<v Speaker 8>You.

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<v Speaker 2>He's gone on by.

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<v Speaker 1>I didn't dare breathe. He has our chance to find

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<v Speaker 1>out what's be on the archway quick. We'd have to

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<v Speaker 1>run for it when he's still busy at the outer door.

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<v Speaker 1>And so, while our two friends are trying to sneak

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<v Speaker 1>past the guard, let's discuss your spring wardrobe.

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<v Speaker 4>Will it be comfortable? Will it where? Is it good looking?

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<v Speaker 3>Well?

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<v Speaker 1>Naturally, these questions are on your mind when you buy

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<v Speaker 1>a new suitor top code, the same questions Clippercraft asked

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<v Speaker 1>themselves long ago and answered by bringing you the finest

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<v Speaker 1>values you've ever seen at an outstanding local independence store.

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<v Speaker 1>Clippercraft invented the unique clipper Craft plan that concentrates the

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<v Speaker 1>buying power of ten hundred and thirty six stores across

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<v Speaker 1>the nation. Now the plans the reason for those amazing

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00:14:08.840 --> 00:14:11.960
<v Speaker 1>values which are yours even in this era of high prices.

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00:14:12.480 --> 00:14:15.840
<v Speaker 1>Clipper Craft suits that look much more costly for only

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00:14:15.919 --> 00:14:19.200
<v Speaker 1>forty and forty five dollars, top coats and fine cobrats

298
00:14:19.200 --> 00:14:22.360
<v Speaker 1>and worsted gabardine at only forty and forty five dollars,

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00:14:22.399 --> 00:14:26.279
<v Speaker 1>and sport jackets at only twenty six fifty. Yes, selling

300
00:14:26.320 --> 00:14:30.960
<v Speaker 1>expensive clothes at inexpensive low prices at the nation's finest

301
00:14:31.000 --> 00:14:35.440
<v Speaker 1>independent stores is the great, big idea behind the Clippercraft Plan.

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00:14:36.080 --> 00:14:39.320
<v Speaker 1>That's why men who know insist on clipper Craft clothes.

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00:14:39.679 --> 00:14:41.840
<v Speaker 1>So be sure to visit the clipper Craft store in

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<v Speaker 1>your city.

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00:14:43.279 --> 00:14:46.480
<v Speaker 7>These leading stores in the metropolitan area are proud to

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00:14:46.519 --> 00:14:48.080
<v Speaker 7>add their names to clipper Craft.

307
00:14:48.320 --> 00:14:50.159
<v Speaker 4>In your suit, topcoat, and overcoat.

308
00:14:50.720 --> 00:14:54.080
<v Speaker 7>In Manhattan, John wanna make a men's stores Broadway at

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00:14:54.159 --> 00:14:58.159
<v Speaker 7>eighth and sixty seven Liberty Street, sacks thirty fourth Broadway

310
00:14:58.159 --> 00:15:01.759
<v Speaker 7>at thirty four. In Brooklyn, Abraham and Strauss in Newark,

311
00:15:01.799 --> 00:15:05.200
<v Speaker 7>New Jersey, Bullivard Men's Shop Presley in Newark, and in Jamaica,

312
00:15:05.519 --> 00:15:08.360
<v Speaker 7>the B and B Clothes Shop, one sixty four oh eight,

313
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<v Speaker 7>Jamaica Avenue.

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00:15:17.000 --> 00:15:19.759
<v Speaker 1>An hour Back to Sherlock Holmes and doctor Watson, who

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00:15:19.799 --> 00:15:28.559
<v Speaker 1>have managed to sneak inside the unguarded doorway.

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00:15:30.759 --> 00:15:34.159
<v Speaker 3>Good Lord Holmes, it's a great heathen temple in the

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00:15:34.200 --> 00:15:35.000
<v Speaker 3>heart of London.

318
00:15:36.080 --> 00:15:38.559
<v Speaker 2>The incense is almost as beak as the fog outside.

319
00:15:39.559 --> 00:15:42.000
<v Speaker 3>There must be hundreds of people in here, all gowing

320
00:15:42.000 --> 00:15:43.240
<v Speaker 3>before that horrible idol.

321
00:15:43.440 --> 00:15:47.159
<v Speaker 4>More than horrible Watson. It's the servant god, servant of Siva,

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00:15:47.279 --> 00:15:53.000
<v Speaker 4>the Destroyer. Now what I don't know? Yeah, hide behind

323
00:15:53.000 --> 00:15:53.720
<v Speaker 4>this walker.

324
00:15:59.559 --> 00:16:00.000
<v Speaker 2>Homes.

325
00:16:00.759 --> 00:16:04.279
<v Speaker 3>Here comes the priest all Mandition or whatever they call him.

326
00:16:04.399 --> 00:16:05.519
<v Speaker 2>He's even uglier than the.

327
00:16:05.480 --> 00:16:08.320
<v Speaker 1>Statue of the god that is the Ghuru Watson and

328
00:16:08.440 --> 00:16:11.919
<v Speaker 1>the mask he's wearing. Ah, Notice how his head moves

329
00:16:11.919 --> 00:16:15.120
<v Speaker 1>from side to side. We shall soon know, Watson, we

330
00:16:15.159 --> 00:16:15.919
<v Speaker 1>shall soon know.

331
00:16:22.279 --> 00:16:24.000
<v Speaker 2>Look, here's the boy.

332
00:16:24.799 --> 00:16:28.600
<v Speaker 6>He's approaching the priest whoms what's wrong with him? He

333
00:16:29.360 --> 00:16:30.919
<v Speaker 6>walks as if he'd been hypnotized.

334
00:16:33.080 --> 00:16:35.279
<v Speaker 4>Why Watson, the Guru is going to speak.

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00:16:39.279 --> 00:16:44.240
<v Speaker 9>Son of sons, you've done well to come. I speak

336
00:16:44.320 --> 00:16:48.480
<v Speaker 9>for the Great One, our lord of the Cobras. I

337
00:16:48.759 --> 00:16:52.960
<v Speaker 9>say to you that you are doom.

338
00:16:53.120 --> 00:16:54.759
<v Speaker 4>That's Smartyat's voice, right enough.

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00:16:55.000 --> 00:16:59.279
<v Speaker 9>Your youth will fade, your limbs whither, your mind shrivel

340
00:16:59.320 --> 00:17:02.840
<v Speaker 9>and decay, and your soul be damned to eternal torments

341
00:17:02.919 --> 00:17:08.000
<v Speaker 9>unless you heed my words. He don't obey.

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00:17:08.240 --> 00:17:09.880
<v Speaker 6>You are to kill now.

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00:17:10.160 --> 00:17:13.599
<v Speaker 9>Now, it is so decreed. Tonight you shall hear what

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00:17:13.640 --> 00:17:16.599
<v Speaker 9>you must do from the Great One himself.

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00:17:17.200 --> 00:17:18.599
<v Speaker 2>You are honored above all men.

346
00:17:18.759 --> 00:17:22.240
<v Speaker 9>The Lord of Serpents will speak to you. Bow town

347
00:17:22.359 --> 00:17:26.240
<v Speaker 9>and listen, homes.

348
00:17:27.160 --> 00:17:37.119
<v Speaker 2>He's going to make the idle talk na.

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00:17:37.960 --> 00:17:42.240
<v Speaker 8>He is chosen. But first the throne must be purified.

350
00:17:43.319 --> 00:17:47.240
<v Speaker 8>He will kill the Maharaja, his brother, and rule in

351
00:17:47.319 --> 00:17:53.480
<v Speaker 8>his place. The temples of the God have been profaned.

352
00:17:54.359 --> 00:17:59.279
<v Speaker 8>They can be cleansed only with blood. Rivers of blood,

353
00:18:00.160 --> 00:18:03.480
<v Speaker 8>blood of all white people who live in Banjona.

354
00:18:04.519 --> 00:18:04.960
<v Speaker 2>Homes.

355
00:18:05.039 --> 00:18:06.359
<v Speaker 4>This is outrageous.

356
00:18:06.400 --> 00:18:08.519
<v Speaker 2>How do they make the idol say such horrible things?

357
00:18:08.559 --> 00:18:10.480
<v Speaker 4>It's Mariarty. When he bounced to the ground, he puts

358
00:18:10.519 --> 00:18:11.960
<v Speaker 4>his mouth to a sort of grill work. This's I'm

359
00:18:12.039 --> 00:18:14.519
<v Speaker 4>very much mistaken. It heights a speaking cube. What's he expecting?

360
00:18:14.559 --> 00:18:14.680
<v Speaker 5>Name?

361
00:18:14.720 --> 00:18:16.920
<v Speaker 4>By all this hocus pocus, White Watson getting ready to

362
00:18:16.920 --> 00:18:18.079
<v Speaker 4>speak again in his own voice.

363
00:18:19.000 --> 00:18:21.640
<v Speaker 9>When you are on the throne, o, son of the Serpent,

364
00:18:22.240 --> 00:18:25.759
<v Speaker 9>you will need advice and wise counsel. The god of

365
00:18:25.799 --> 00:18:28.599
<v Speaker 9>the cobras has spoken to me in the night. He

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00:18:28.680 --> 00:18:30.640
<v Speaker 9>has appointed me to be odd advisor.

367
00:18:30.839 --> 00:18:31.000
<v Speaker 6>Ah.

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00:18:31.119 --> 00:18:32.640
<v Speaker 4>Now we come to the point of the argument, Homes.

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00:18:32.640 --> 00:18:33.559
<v Speaker 2>We must go on the maha.

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00:18:33.920 --> 00:18:34.960
<v Speaker 4>We can't leave now, Watson.

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00:18:35.000 --> 00:18:38.319
<v Speaker 1>We shall have to wait until everyone else is gone.

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00:18:45.599 --> 00:18:46.440
<v Speaker 2>What's that for?

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<v Speaker 1>Now?

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00:18:47.400 --> 00:18:51.000
<v Speaker 9>Let the music call the great ones the cobras. Let

375
00:18:51.039 --> 00:18:54.440
<v Speaker 9>them come from their hiding places. They shall dance.

376
00:18:54.200 --> 00:18:55.039
<v Speaker 6>For their new king.

377
00:18:56.440 --> 00:18:59.400
<v Speaker 2>Homes. They have Cobra's life.

378
00:18:59.559 --> 00:19:00.839
<v Speaker 4>Cobra in this place.

379
00:19:02.079 --> 00:19:05.160
<v Speaker 3>Look they're coming out of those little windows along the

380
00:19:05.200 --> 00:19:06.279
<v Speaker 3>wall near the floor.

381
00:19:07.279 --> 00:19:08.599
<v Speaker 4>How perfectly wild.

382
00:19:09.799 --> 00:19:12.279
<v Speaker 2>Look at them writhing and swaying to the music.

383
00:19:12.400 --> 00:19:14.759
<v Speaker 4>Steady Watson, Steady, Homes.

384
00:19:15.920 --> 00:19:18.599
<v Speaker 3>We are standing in front of one of those little windows.

385
00:19:20.480 --> 00:19:23.480
<v Speaker 3>There is something crawling over my foot.

386
00:19:23.759 --> 00:19:24.920
<v Speaker 4>Spider loop.

387
00:19:26.079 --> 00:19:29.160
<v Speaker 6>It's turned, it's raising its head.

388
00:19:29.759 --> 00:19:33.079
<v Speaker 4>Don't know, Watson, got it? Sorry?

389
00:19:33.119 --> 00:19:33.960
<v Speaker 2>Spits their head off?

390
00:19:33.960 --> 00:19:34.440
<v Speaker 6>Who's there?

391
00:19:34.799 --> 00:19:35.519
<v Speaker 4>That are spies?

392
00:19:35.759 --> 00:19:40.400
<v Speaker 6>I've had cut and capture them.

393
00:19:38.799 --> 00:19:40.720
<v Speaker 1>Went in for it this time, Watson, give me your

394
00:19:41.279 --> 00:19:42.720
<v Speaker 1>I'll stand them off as song as possible.

395
00:20:00.279 --> 00:20:03.319
<v Speaker 2>Arms. Where are you we here?

396
00:20:03.359 --> 00:20:05.759
<v Speaker 4>Watson, hide hand and for the.

397
00:20:05.559 --> 00:20:09.039
<v Speaker 3>Blackest pitch in here the only hard rider will get back.

398
00:20:09.119 --> 00:20:11.880
<v Speaker 3>He might be able to help us. Seems as if

399
00:20:11.880 --> 00:20:15.359
<v Speaker 3>he's been gone for ours homes. You don't suppose he's

400
00:20:15.400 --> 00:20:16.359
<v Speaker 3>lost his way in.

401
00:20:16.319 --> 00:20:20.000
<v Speaker 1>The fog, That, my dear Watson, is an unfortunate possibility.

402
00:20:21.160 --> 00:20:24.079
<v Speaker 4>Ah, seems you're about to have a visitor. Watson.

403
00:20:24.480 --> 00:20:27.200
<v Speaker 10>We meet for the last time, Shellack Holms.

404
00:20:27.599 --> 00:20:28.160
<v Speaker 4>Once more.

405
00:20:28.200 --> 00:20:30.480
<v Speaker 10>You have been foolish enough to meddle in my plans.

406
00:20:30.920 --> 00:20:33.519
<v Speaker 10>This time, I think will be the last.

407
00:20:35.039 --> 00:20:37.519
<v Speaker 1>Such a pity, Mariarty, you're going to miss our little

408
00:20:37.519 --> 00:20:38.480
<v Speaker 1>passages at arm.

409
00:20:38.480 --> 00:20:41.039
<v Speaker 10>Possibly, but you have made too great a nuisance of

410
00:20:41.039 --> 00:20:45.200
<v Speaker 10>yourself lately, my dear adversary. In a very little while,

411
00:20:45.240 --> 00:20:47.640
<v Speaker 10>I shall leave you and take my place again before

412
00:20:47.680 --> 00:20:50.480
<v Speaker 10>the image of the Serpent God, which is just above

413
00:20:50.519 --> 00:20:54.440
<v Speaker 10>this little room. Then four sleeves will come. They will

414
00:20:54.480 --> 00:20:57.839
<v Speaker 10>carry you before the altar for the final rights. It

415
00:20:57.960 --> 00:21:02.279
<v Speaker 10>will soon be over. Doctor Watson shall be sacrificed to

416
00:21:02.319 --> 00:21:06.000
<v Speaker 10>the image. You shall watch him die homes, and there.

417
00:21:05.839 --> 00:21:07.400
<v Speaker 2>You devil, you're human fiend.

418
00:21:07.480 --> 00:21:12.319
<v Speaker 10>You here you do not approve my plans. So sorry, listen,

419
00:21:12.839 --> 00:21:15.279
<v Speaker 10>Here come the men to carry you to the temple.

420
00:21:33.759 --> 00:21:36.839
<v Speaker 10>First the fat one, place him on the ground.

421
00:21:37.599 --> 00:21:44.960
<v Speaker 6>Now, now bring the box of cobras, all my fault homes, Watson.

422
00:21:54.359 --> 00:21:56.839
<v Speaker 2>Something's happening to the door. They're breaking it down.

423
00:21:56.880 --> 00:21:58.640
<v Speaker 6>Where are the guards who dares to went to here?

424
00:21:58.759 --> 00:21:59.640
<v Speaker 6>Give white holes?

425
00:22:00.079 --> 00:22:03.119
<v Speaker 2>Wait for his wiles from Maraja, whom's his hawk rider

426
00:22:03.160 --> 00:22:04.160
<v Speaker 2>and the old boy himself.

427
00:22:04.200 --> 00:22:06.880
<v Speaker 9>Even the Maharaja does not dare interfere with the servants

428
00:22:06.880 --> 00:22:07.720
<v Speaker 9>of the servant god.

429
00:22:07.880 --> 00:22:12.160
<v Speaker 11>You are wrong, oh father of unclean lizards. If you

430
00:22:12.279 --> 00:22:15.480
<v Speaker 11>were a real serpent of your cobra gods, you'd know

431
00:22:15.559 --> 00:22:18.400
<v Speaker 11>that I am the earthly arm, the voice and the

432
00:22:18.440 --> 00:22:22.200
<v Speaker 11>will of the god who rules your gods, a most

433
00:22:22.359 --> 00:22:25.640
<v Speaker 11>terrible of all. See here his ring on my hand.

434
00:22:26.279 --> 00:22:32.440
<v Speaker 11>I am the earthly representative of Shiva, the destroyer. Yet

435
00:22:32.519 --> 00:22:35.839
<v Speaker 11>up from your faces, your fools, release those two men

436
00:22:36.480 --> 00:22:39.200
<v Speaker 11>and seize this other, who is no holy man of India.

437
00:22:39.319 --> 00:22:41.960
<v Speaker 11>See her his skin, but I tear away his garment.

438
00:22:42.720 --> 00:22:44.759
<v Speaker 11>Here's a white man and a criminal.

439
00:22:44.839 --> 00:22:47.480
<v Speaker 4>You think I have no way of escape. Then why.

440
00:22:51.720 --> 00:22:55.119
<v Speaker 2>Nati he's gone? He had a secret door in the

441
00:22:55.119 --> 00:22:56.880
<v Speaker 2>base of the idol. Ask to him, all of you,

442
00:23:00.559 --> 00:23:02.599
<v Speaker 2>I say, do you think they'll catch him? Oh?

443
00:23:02.640 --> 00:23:05.400
<v Speaker 11>Possibly not, But I must Sam tremendously grateful if you've

444
00:23:05.400 --> 00:23:08.720
<v Speaker 11>shown the faker up and demonstrated to Jinna here how

445
00:23:08.759 --> 00:23:12.000
<v Speaker 11>easily one can be led ustray by superstition and ignorance.

446
00:23:12.319 --> 00:23:13.640
<v Speaker 6>But enough of that, park.

447
00:23:13.519 --> 00:23:15.759
<v Speaker 11>Rider, get out your pocket knife and help me to

448
00:23:15.799 --> 00:23:16.519
<v Speaker 11>free our friends.

449
00:23:16.559 --> 00:23:16.839
<v Speaker 8>I know.

450
00:23:19.240 --> 00:23:21.160
<v Speaker 11>You'll have to forgive me once an old boy, but

451
00:23:21.640 --> 00:23:24.200
<v Speaker 11>trusted up like that. You remind me of that night

452
00:23:24.240 --> 00:23:26.599
<v Speaker 11>of our first year at school when the boys in

453
00:23:26.599 --> 00:23:28.920
<v Speaker 11>the upper form decided to have a bit of a rag.

454
00:23:29.039 --> 00:23:34.559
<v Speaker 3>Good Lord, you're not, but of course you are, Benjo,

455
00:23:34.839 --> 00:23:39.880
<v Speaker 3>dear old Benjo, or not to my friends Johnny, tell

456
00:23:39.920 --> 00:23:42.640
<v Speaker 3>me er don joram Are you really the arm of

457
00:23:42.720 --> 00:23:44.200
<v Speaker 3>Shiver and all that sort of thing?

458
00:23:44.319 --> 00:23:46.039
<v Speaker 2>Or was that just plain swank?

459
00:23:46.079 --> 00:23:48.160
<v Speaker 1>I've told my dear Watson in his highness is Kingdom

460
00:23:48.160 --> 00:23:51.119
<v Speaker 1>in India. His people are convinced he's partially supernatural. Oh

461
00:23:51.160 --> 00:23:54.279
<v Speaker 1>it's rather tedious, you know, and quite frequently lonely. That's

462
00:23:54.279 --> 00:23:56.359
<v Speaker 1>why I send for this young scalliwagg to come and

463
00:23:56.440 --> 00:23:56.839
<v Speaker 1>visit me.

464
00:23:57.119 --> 00:23:58.039
<v Speaker 2>Come along now, Jinna.

465
00:23:58.279 --> 00:23:59.920
<v Speaker 4>There's no need to be frightened now you know.

466
00:24:00.480 --> 00:24:02.720
<v Speaker 6>Oh, I was not going to kill you, sir, no

467
00:24:02.839 --> 00:24:04.000
<v Speaker 6>matter what they did to me.

468
00:24:04.200 --> 00:24:05.799
<v Speaker 4>Really I was, of course you were.

469
00:24:06.200 --> 00:24:06.960
<v Speaker 2>Come along home.

470
00:24:07.079 --> 00:24:08.400
<v Speaker 4>It's way past your bedtime.

471
00:24:08.480 --> 00:24:12.240
<v Speaker 1>That's right, Pleasant dreams, Prince. You know, I fancy it'll

472
00:24:12.279 --> 00:24:14.440
<v Speaker 1>be the first good night's sleep you've had for some time.

473
00:24:14.799 --> 00:24:15.160
<v Speaker 4>It will.

474
00:24:15.200 --> 00:24:17.839
<v Speaker 1>Indeed, sir, I've been under a bit of a strain,

475
00:24:17.960 --> 00:24:20.559
<v Speaker 1>but it was worth it to meet the famous mister

476
00:24:20.599 --> 00:24:21.480
<v Speaker 1>Sherlock Holmes.

477
00:24:33.359 --> 00:24:35.759
<v Speaker 4>Wow, that was a narrow squeak, Doctor Watson. My hair

478
00:24:35.839 --> 00:24:36.799
<v Speaker 4>fairly stood on end.

479
00:24:36.880 --> 00:24:39.599
<v Speaker 2>Good for you, mister Harrison. Glad I held your.

480
00:24:39.480 --> 00:24:40.359
<v Speaker 4>Internesce you did that.

481
00:24:41.000 --> 00:24:43.440
<v Speaker 1>And now, how about just ahead about next week's story,

482
00:24:43.599 --> 00:24:44.160
<v Speaker 1>Dr Watson.

483
00:24:44.440 --> 00:24:46.519
<v Speaker 3>Next week, I think I'll tell how I learned a

484
00:24:46.599 --> 00:24:50.039
<v Speaker 3>great deal about the ancient sport of archery. In it

485
00:24:50.160 --> 00:24:52.160
<v Speaker 3>home solved a murder in which the weapon was a

486
00:24:52.279 --> 00:24:55.880
<v Speaker 3>rather unusual golden arrow. He solved it, I may say,

487
00:24:55.920 --> 00:24:58.680
<v Speaker 3>by catching the murderer literally red handed.
