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<v Speaker 1>This is a clip from Raised by Giants. You can

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<v Speaker 1>access the entire episode now on our website and all

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<v Speaker 1>podcast platforms. I've been doing a lot of research into

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<v Speaker 1>the true nature of this reality. What is this place?

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<v Speaker 1>You know, what force or entity created it? To what

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<v Speaker 1>ends what we might call God? What is the true

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<v Speaker 1>nature of this entity or force called God? What is

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<v Speaker 1>this place in which we find ourselves? Isn't it absurd

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<v Speaker 1>that at some point in early childhood we become vaguely

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<v Speaker 1>conscious of the fact that we exist and there's a

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<v Speaker 1>world that we live in, but beyond that, there are

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<v Speaker 1>no clear answers as to what we're doing here. I mean,

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<v Speaker 1>lots of people claim to have the answers. You'll get

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<v Speaker 1>one religious minister that will say, my holy book has

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<v Speaker 1>all the answers, my messianic figure is the one to

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<v Speaker 1>revere and worship. And then immediately you'll have another religious

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<v Speaker 1>minister who will pop up and say, no, no, no,

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<v Speaker 1>you're a heathen. That's blasphemy. Relig just figure is the one,

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<v Speaker 1>and my religious text is the one to go with.

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<v Speaker 1>And then a third guy will pop up and say,

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<v Speaker 1>you're both wrong, you're both wrong. It's my faith. Mine

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<v Speaker 1>is the one, and you're supposed to make sense of

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<v Speaker 1>all of this somehow. There's no manual, there's no guidebook.

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<v Speaker 1>You're just stumbling around in the dark and left to

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<v Speaker 1>make the best of it. So I've been asking these

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<v Speaker 1>big questions, which I think any human being owes it

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<v Speaker 1>to themselves to ask. Well, they've got the opportunity within

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<v Speaker 1>these lives. I'm not claiming that you're going to get

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<v Speaker 1>the answers, but you can at least ask the questions.

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<v Speaker 1>So there's one movie that I've been revisiting which somebody

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<v Speaker 1>directed me to just recently, which is The Truman Show,

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<v Speaker 1>which I think is a really great allegory for the

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<v Speaker 1>human condition these lives. So, if you think about it,

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<v Speaker 1>Jim Carey's character is representative of all of us, of

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<v Speaker 1>people humans because he finds himself in this reality where

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<v Speaker 1>he realizes he's being monitored and surveiled, and that could

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<v Speaker 1>be a metaphor for perhaps the way we're watched by

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<v Speaker 1>entities I don't know, you know, in unseen realms, and

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<v Speaker 1>he gradually comes to realize that the people around him

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<v Speaker 1>are all actors playing roles. So this fits the idea

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<v Speaker 1>of NPCs that we hear about you know, non player characters,

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<v Speaker 1>these normy figures who seem to just float through life,

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<v Speaker 1>and they don't seem to ask these big questions that

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<v Speaker 1>many of us do, and many of them don't seem

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<v Speaker 1>to have the full range of emotions within their you know, capabilities.

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<v Speaker 1>And gradually the Jim Carey character comes to realize that

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<v Speaker 1>this world in which he lives is nothing like he

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<v Speaker 1>thought it was, and it's actually illusory and it's not

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<v Speaker 1>the real it's not real life, it's not the real world,

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<v Speaker 1>and so he attempts to escape from it all. I mean,

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<v Speaker 1>there are Gnostic overtones to this, so many people have

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<v Speaker 1>been interpreted it as a Gnostic allegory, so it kind

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<v Speaker 1>of sits in line with many Gnostic teachings as to

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<v Speaker 1>what the nature of this realm is. And you've got

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<v Speaker 1>the christoph character who's the Handler, the controller played by

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<v Speaker 1>Ed Harris in that film, and within this metaphor, he's

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<v Speaker 1>representative of what, in Gnostic terms, was described as the Demiurge,

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<v Speaker 1>this entity known as yelderbey Off, which was like a

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<v Speaker 1>lesser God, a pretender God, a usurper who has somehow

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<v Speaker 1>hijacked this reality and made it its own or created

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<v Speaker 1>it in the first place, and the Ed Harris. Harris's

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<v Speaker 1>character in the film seeks to maintain that sort of

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<v Speaker 1>control over Truman because he's like his creation, his pet project,

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<v Speaker 1>and he doesn't like the fact that Truman is starting

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<v Speaker 1>to question where he is and what the true nature

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<v Speaker 1>of his life is. So that's one movie that springs

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<v Speaker 1>to mind in terms of asking big questions or possibly

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<v Speaker 1>answer in them as to what the nature of this

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<v Speaker 1>reality is. Because I think when you've been in conspiracy

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<v Speaker 1>research for long enough a number of years, like as

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<v Speaker 1>many years as I have, all roads eventually converge at

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<v Speaker 1>one singular point. So you can look into secret society networks,

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<v Speaker 1>and you can look into the New World Order master

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<v Speaker 1>Plan and the methods and tactics that are used to

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<v Speaker 1>control and surveil us and enslave us. You can look

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<v Speaker 1>into the banking and financial scams, and you know, the

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<v Speaker 1>builder Berg Group and the Trilactoral Commission, all of these.

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<v Speaker 1>But there comes a point where all of that just

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<v Speaker 1>becomes information and data and names and places and dates,

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<v Speaker 1>And what's really important is going beyond that several levels

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<v Speaker 1>to ask what is the nature of a reality in

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<v Speaker 1>which any of that sort of stuff can take place

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<v Speaker 1>in the first place, you know, that facilitates these kind

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<v Speaker 1>of activities playing out into apparently physical manifestation. So that's

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<v Speaker 1>where I am asking those kind of questions at this

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<v Speaker 1>point in my life, having done the conspiracy thing for

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<v Speaker 1>many years, and that movie speaks a lot to me

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<v Speaker 1>in that regarding in terms of considering these very big

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<v Speaker 1>questions in life.

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<v Speaker 2>Have you seen the controversy that's surrounding Jim Carrey at

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<v Speaker 2>the moment when he showed up to the Paris Awards

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<v Speaker 2>show last week and he looks completely different. He looks

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<v Speaker 2>like his face has had a bunch of work done

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<v Speaker 2>and a bunch of plastic surgery, which doesn't make a

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<v Speaker 2>lot of sense based off of the things that he

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<v Speaker 2>had said up into this point that it doesn't seem

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<v Speaker 2>like he would be the person that would want all

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<v Speaker 2>of that cosmetic surgery, which has alled people to believe

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<v Speaker 2>that that's not really Jim Carrey, that he's somebody else,

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<v Speaker 2>that someone's impersonating him, or that he's been cloned and

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<v Speaker 2>all of that. But what is really strange about that

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<v Speaker 2>entire scenario is that he does look like a different person.

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<v Speaker 2>He's obviously had work done if it really is him.

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<v Speaker 2>But what's the most odd about it was at the

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<v Speaker 2>end of his speech at the awards ceremony, he says

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<v Speaker 2>the ending line that he says at the end of

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<v Speaker 2>the Truman Shop in case he doesn't.

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<v Speaker 3>See you, good evening and good night, in case I

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<v Speaker 3>don't see you, good afternoon, good evening, and good night.

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<v Speaker 2>In case I don't see you, good afternoon, good evening,

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<v Speaker 2>and good night. And I'm like, wow, if that's not

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<v Speaker 2>really Jim Carrey, what a play that you just did

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<v Speaker 2>in front of everyone. It's like a metaphor within a

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<v Speaker 2>metaphor within a metaphor.

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<v Speaker 1>Right, I mean anything as possible. Could Jim Carey have

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<v Speaker 1>been replaced? Sure, they've done it before. Did it with Pullartney.

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<v Speaker 1>They did it for a period with Madonna in round

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<v Speaker 1>about twenty twenty one, or starting in twenty twenty one,

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<v Speaker 1>where they wheeled out to my thinking, at least three

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<v Speaker 1>different Madonnas. So there was a young one. I can't

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<v Speaker 1>remember if we talked about this on the show last time,

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<v Speaker 1>but there was a young one who looked no more

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<v Speaker 1>than about thirty with pink hair, and that quite obviously

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<v Speaker 1>was not the real Madonna. Who by that point was

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<v Speaker 1>supposed to be about sixty five years of age sixty three,

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<v Speaker 1>I think. Then there was another one who was short

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<v Speaker 1>and fat and dumpy as she appeared on stage in

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<v Speaker 1>a dance routine in Columbia, and she could barely pull

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<v Speaker 1>any dance steps and looked completely out of shape, so

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<v Speaker 1>that clearly was not the original Madonna. And then there

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<v Speaker 1>was a sort of older, grizzled, haggard sort of one,

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<v Speaker 1>and it was much more plausible that that could be

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<v Speaker 1>the real Madonna, but it still wasn't. And then the

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<v Speaker 1>real one appears to have come back. She's got this

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<v Speaker 1>very distinctive gap in her teeth, so when she smiles,

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<v Speaker 1>you know it. So we appear to have the original

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<v Speaker 1>Madonna back. But they played complete mind fuck games on

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<v Speaker 1>us by putting out these three replacements for a period,

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<v Speaker 1>And who knows why they did that. Maybe it was

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<v Speaker 1>to see how many people would notice, whether they could

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<v Speaker 1>get away with it, whether the fans would call it out,

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<v Speaker 1>how many truth researchers would draw attention to it. Maybe

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<v Speaker 1>it was a little social experiment in that way. Who knows.

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<v Speaker 1>And I hear all these claims that famous people have

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<v Speaker 1>been replaced by clones or doubles or whatever. I've heard

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<v Speaker 1>it about Jim Carey, And sure those pictures that surfaced

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<v Speaker 1>recently do not look like the original Jim Carey. But

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<v Speaker 1>for every person you'll get who claims that he's been replaced,

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<v Speaker 1>somebody else will pop up and say, oh, come on,

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<v Speaker 1>Jim Carey is in Hollywood, And in Hollywood there's plastic surgery,

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<v Speaker 1>there's all kinds of work you can have done, there's

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<v Speaker 1>makeup that gets applied in in film type scenarios, and

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<v Speaker 1>that's just Jim Carey trying to stave off aging. So

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<v Speaker 1>it just goes to show that they are never any

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<v Speaker 1>clear answers to anything. Nothing is ever clear cut because

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<v Speaker 1>somebody is always going to pop up and be contrary

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<v Speaker 1>and oppose any kind of claim that you might choose

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<v Speaker 1>to make. So it just makes this work very, very difficult.

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<v Speaker 1>You've got to have a lot of time on your hands.

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<v Speaker 1>You've got to be pretty good at forensic analysis and

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<v Speaker 1>comparing facial structures and distances between eyes and ears and

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<v Speaker 1>ear shapes and things like this to be able to

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<v Speaker 1>make sense of it. I mean, with some it's easier

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<v Speaker 1>than with others. As far as I'm concerned with Paul McCartney.

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<v Speaker 1>It's a clear cutcase there have been at least two

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<v Speaker 1>individuals playing the public role of Paul McCartney. You can

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<v Speaker 1>see they're very different in photographs and film footage. You

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<v Speaker 1>don't need to be a forensic expert to see that.

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<v Speaker 1>But with some of these others, I think it requires

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<v Speaker 1>a much deeper level of expertise if you're going to

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<v Speaker 1>come out and make bold kind of claims like that,

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<v Speaker 1>because when you make a bold claim, people require bold

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<v Speaker 1>evidence to back it up, And like I said, you've

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<v Speaker 1>got to have a lot of time and a lot

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<v Speaker 1>of resources on your hands to be able to back

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<v Speaker 1>up these kind of claims when they get made.

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<v Speaker 2>I think that they did the same thing with the

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<v Speaker 2>Britney spears that that you just explained that they did

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<v Speaker 2>with Madonna. I'm convinced that the Britney spears we see

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<v Speaker 2>right now that just got arrested apparently. I don't know

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<v Speaker 2>if you saw this, but you just got arrested for

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<v Speaker 2>a dui I believe is what it was. I don't

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<v Speaker 2>believe that that's the same Britney spirits, and I don't

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<v Speaker 2>believe that that has been the same Britney spears since

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<v Speaker 2>around two thousand and eleven't.

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<v Speaker 1>Yeah, well that's quite possible. Like I say, I can't

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<v Speaker 1>rule it out. Another thing is that during the COVID

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<v Speaker 1>era they started using a double for Prince Charles or

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<v Speaker 1>King Charles as he is now. It quite clearly was

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<v Speaker 1>not him. He appeared on a Sky News broadcast in

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<v Speaker 1>the middle of COVID and it was so obvious it

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<v Speaker 1>was an actor, but most people within the British public

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<v Speaker 1>didn't notice or didn't care. Like George Carlin once said,

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<v Speaker 1>nobody seems to care. Nobody seems to notice. They got

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<v Speaker 1>away with it. It's just incredible to me. I mean,

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<v Speaker 1>somebody like Madonna. You could argue that not many people

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<v Speaker 1>pay attention to Madonna, or you know, she only appeals

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<v Speaker 1>to certain demographics or whatever. But this is the frigging King.

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<v Speaker 1>Not that I'm suggesting people should pay attention to the King,

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<v Speaker 1>but you know, he's a pretty public figure, a pretty

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<v Speaker 1>important figure within the United Kingdom, and they got away

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<v Speaker 1>with using a double for him, no explanation as to

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<v Speaker 1>why it was done. And then the original Prince Charles

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<v Speaker 1>popped back up again. To my thinking, that's him. We've

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<v Speaker 1>got him back. So this double was put in for

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<v Speaker 1>a period, and I don't know where they getting their

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<v Speaker 1>mind control topped up in a lab somewhere and they

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<v Speaker 1>need to put somebody out there. Do they have a

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<v Speaker 1>bad reaction to certain chemical compounds that they may have

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<v Speaker 1>been ingesting, or is it a simple social experiment? Like

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<v Speaker 1>I said, Are the social engineers doing this to see

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<v Speaker 1>how many people notice and what they can get away with,

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<v Speaker 1>or is it to make those who do observe the

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<v Speaker 1>change and draw attention to it look crazy. So if

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<v Speaker 1>they try and tell friends and family that's not the

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<v Speaker 1>original Prince Charles, they've replaced him. That's a double, that's

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<v Speaker 1>an actor. And then the original pops back up and

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<v Speaker 1>you can see that's the original. Your family and friends

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<v Speaker 1>are going to say, you're crazy. Of course that's him.

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<v Speaker 1>Look there he is right there.

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<v Speaker 2>What have you been drinking?

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<v Speaker 1>What have you been spoken?

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<v Speaker 2>Man? Yeah, it's a double double. And then when it

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<v Speaker 2>comes to like cryptic and symbolic movies, but things that

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<v Speaker 2>are also in your face is the movie Death Becomes Her,

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<v Speaker 2>which is all about immortality and colts, and we know

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<v Speaker 2>that the elites are into immortal you know, alchemy, elixir,

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<v Speaker 2>of life, the philosopher Stone blood rituals for youth or

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<v Speaker 2>even transfer of blood. This goes back hundreds of years,

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<v Speaker 2>but this one's a little different. In this movie, they

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<v Speaker 2>have this little vial that has a substance in it

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<v Speaker 2>that reminds me actually of the movie Substance, which is

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<v Speaker 2>basically a way darker version of that movie that revolves

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<v Speaker 2>around the same type of thing. It's a modern horror

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<v Speaker 2>take on it, but it's like an injection instead of

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<v Speaker 2>a liquid that you drink.

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<v Speaker 1>Wow, wow, Mark.

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<v Speaker 2>Imagine that, and an injection to keep you young. What

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<v Speaker 2>a coincidence that is. And with those zimpeg and all

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<v Speaker 2>these weight loss drug injections that are so popular right now,

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<v Speaker 2>I'm gonna have to save that one in my memory

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<v Speaker 2>bank for later. But anyway, the movie Death Becomes Her,

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<v Speaker 2>they have this drink and what a bunch of people

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<v Speaker 2>describe as adrenochrome. And what adrenochrome is. It gives them

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<v Speaker 2>immortality from this super old witch that looks like she's

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<v Speaker 2>like thirty years old, but it's probably more like over

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<v Speaker 2>one hundred years old. And this witch runs this hidden

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<v Speaker 2>network of elite power players that she has supplied the

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<v Speaker 2>substance to over the years, and at the end of

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<v Speaker 2>the movie, you got all of these people that have

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<v Speaker 2>taken this substance that has been reportedly dead for a

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<v Speaker 2>really long time but is alive and is at this

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<v Speaker 2>party which includes Elvis Presley, Marilyn Monroe, James Dean, Andy Warhol,