Speaker 1: Around Dodge City and in the territory on West. There
is just one way to handle the killers and the spoilers.
Speaker 2: And that's where the.
Speaker 1: US Marshal and The Smell of Guns Smoke, Gun Will Smoke,
starring William Conrad. The story of the violence that moved
west with young America and the story of a man
who moved with it.
Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first
man they look for and the less they want to meet.
It's a chancy job and it makes a man watchful
and a little lonely.
Speaker 4: Here's the water, Doc, it's hot, Thank you, sir. Put
it down on that chair. Doc.
Speaker 5: Eh, Doc, you can heal him, can't you.
Speaker 6: You can make him live.
Speaker 4: He's bad, hurts, awful, bad hurt.
Speaker 6: But he's so young.
Speaker 7: Don't that help?
Speaker 4: Being young, bullets and our respectus of age. I could
have seen him sooner.
Speaker 5: Maybe they sent him home like that, Doc, My boy
tied to the back of his horse like it butchered home.
Speaker 4: Hand me that cloth, sir, here it did. He was brutal.
Speaker 2: Whoever they was, you don't know.
Speaker 5: He never said who he was seeing. But I know
why they shot him. Oh why because he was through
with him.
Speaker 4: He told him he wasn't gonna.
Speaker 5: Ride with him no more.
Speaker 4: Mm who let me lemme? M ah, there's the bullet.
He's coming too dark. Uh let me hell him. Who
did this to you?
Speaker 6: Uh?
Speaker 4: Uh tell me? Let me, don't be afraid. Tell me
who hurts you? Uh? Oh, oh, I can't see. Try
Let me try to speak. Who shot you? Uh huh.
Speaker 2: Uh he's gone, Sarah.
Speaker 4: I'm sorry, Oh, Doc, Maybe if you hadn't been at him, so, Sarah,
if you know, I wouldn't hurt your boy. I've known
him since it was a child. We should know who
did this terrible thing. They should be made to pay.
Speaker 6: There's no paying for Lemmy.
Speaker 4: I know, sir, I know, but someone's got to answer
for it. I think now, are you sure you don't
know who did it?
Speaker 2: No, Doc, I swear I don't.
Speaker 5: This is one thing Lemmy didn't talk about, and I
know he wasn't proud of it.
Speaker 8: I know that.
Speaker 4: And you want to them this morning to call it quits.
Speaker 2: That's what he said.
Speaker 4: He told me.
Speaker 5: He told me I wouldn't have to worry about his
writing off no more.
Speaker 4: Oh yes, sir, You've just got to believe that he's
all right now. But I'll arrange things in town, Sir,
I'll be back in a little while. Will it be
all right until? Men, it's dark, I'll be all right.
Speaker 2: Dark. Will he get set on?
Speaker 3: It isn't gonna help you any to tramp back and
forth across the floor all day long.
Speaker 4: I guess you're right, but I'll tell him matter.
Speaker 2: This is terrible sound, very pretty.
Speaker 4: Shot in the back, sent home tied to his horse,
young boy like that?
Speaker 3: You think his mother was telling the truth about not
knowing anything about it?
Speaker 4: Yes, man, I do. Boy was evidently trying to get
out of some kind of trouble. You think he'd been
mixed up in something, Yes, that's where look to me,
he wasn't really a bad boy, And I figure when
he found out what he was in for he wanted no.
Speaker 1: Part of it.
Speaker 3: Whoever it was, he killed it to keep him quiet,
and I think that was it. Seems funny though, that, uh,
I'd send him home.
Speaker 4: And whoever it was thought he was dead. It was
barely a sign of life in him when I got
to him. He might have been sent home as a
warning to his mother in case she did know anything.
Speaker 2: He could be right. You have a lot to know
who did that?
Speaker 3: Well right on out there this afternoon, Doc, whoever it
was will be hard to trace.
Speaker 4: So with a boy not saying a word, and I suppose,
oh I was wished to say, Matt, Yeah, Uh, how
would it be? He suppose if the killer thought the
boy did talk?
Speaker 2: Uh, what do you mean?
Speaker 4: I mean? I suppose the word got around the boy
had talked to.
Speaker 3: Me that I that I know who the killer is,
you'd be a bigger target than a buffalo. No, I
think that you're thinking crazy.
Speaker 2: Doc.
Speaker 3: If the killer got the idea that you know anything,
your life wouldn't be worth a nickel which flushed them out.
Wouldn't have mat Well maybe it would. But if they
thought that you knew about it, they'd kill you.
Speaker 2: Maybe you listen to me, Doc, this is.
Speaker 3: My business, you stick of trying to keep folks alive.
Speaker 4: You let me take care of the other eliad you'd
like to take care of this.
Speaker 2: I just forgot it. Doc, You've already done all you
could for Lemmy and his mother.
Speaker 4: All right out there, hold Chester, mister Dillany has been
a killing out to the woods place.
Speaker 2: Yeah, Chester, I know, Doc was there when the boy died.
Speaker 6: Oh well, that's a shame, Doc, and nice boy like that.
Speaker 2: It's a terrible ship. How'd you find out about it? Chester?
Speaker 6: Well, I was passing by mister Jones's store and I
heard body.
Speaker 4: I ordered the cough in there. Man, Oh, I see,
I don't think you'll find much to go on out
of the woods. I looked around, but there weren't any
unusual tracks.
Speaker 6: You were doing some cracking.
Speaker 2: Well.
Speaker 4: Let mean, I'll be a bloodhung like you were a Chester,
but I can read so. Sorry, Doc, I get my
horse with your Chester. Yes, sir, uh Dark you.
Speaker 2: Uh you wanna come with me?
Speaker 4: No, mad, thank you. I've been there twice today. You
tell us I'll drop bay to see her tomorrow.
Speaker 2: Don't do that, Ah Dark, Yes, ma't.
Speaker 3: Now, don't you get any fancy ideas about making up
a story. We'll we'll get this man. He'll make a mistake,
they all do.
Speaker 4: I just trope I'm around when he does. Yessay. I've
seen a lot of killings since I came to this
misbig up in town, but I do believe this is
the worst. Sounds awful that shooting.
Speaker 6: The boy in the back.
Speaker 4: Poor kid, didn't even have no chance to see who
done it? Oh he saw who did it?
Speaker 2: All right?
Speaker 6: Oh?
Speaker 4: Yes, yes, he knew who killed him.
Speaker 3: I thought you said he was already out when you
got to him.
Speaker 4: What he was here?
Speaker 9: He was?
Speaker 4: Uh, but he roused himself just before he died enough
to say a few words.
Speaker 7: And you heard him that.
Speaker 4: I heard him? All right?
Speaker 2: Who done it? Then?
Speaker 4: Not so fast, not su fassed. I'll do my talking
at the proper time and not before. Seemed to me
you're doing an awful lot of talking right now. Oh hellok,
he's telling us he knows who killed the woods boy.
Well that's all. Why did you come up to my
table dot and talk to me so?
Speaker 2: Well?
Speaker 4: Yeah, yes, all right, all right, kill you say, I'm
another round of beer over over here, I'll see it. Yeah, sure, yeah,
all right, kidding now, God Adams, what are you up to? Well,
just just have a beer, kiddy. You you've seen me
drink beer before.
Speaker 6: I never seen you buy it for the whole crowd before.
Speaker 4: We're uh here we are, and I sit down doctor,
Thank you, kiddy.
Speaker 5: And you're a gossiping like an old woman been in
the year of anybody in.
Speaker 4: The place that listen. Well, there's always a lot of
talk about a killing. A killer isn't usually your favorite
kind of talk?
Speaker 9: Is it true?
Speaker 4: You know killed the boy?
Speaker 9: Whoa?
Speaker 4: Or? Yes, kiddy, I was there when let me die?
Does Matt know this?
Speaker 2: Oh?
Speaker 4: Not exactly?
Speaker 6: Does Mat know that you're spreading the word around that.
Speaker 9: You know who the killer is?
Speaker 4: No, kidding, he doesn't.
Speaker 6: I bet he doesn't.
Speaker 4: Are you trying to get yourself killed? Horror? Stop worry
about it. This is a man's work. You mean you're
doing this on purpose? Kidding you?
Speaker 2: Listen to me.
Speaker 4: I'm not anxious to get myself hurt. But whoever did
this must be brought in.
Speaker 6: So you've been telling this story all over town.
Speaker 4: What's the best way? I know? Flushing him out?
Speaker 2: He'll kill your doc?
Speaker 4: Here's your sitting here? Who then we'd know who did it,
wouldn't we? Doc?
Speaker 6: You're a stubbing old fool. I just hope to get
a chance to go old.
Speaker 1: Alright, I'm coming.
Speaker 2: That's you're Doc Adams, ain't you?
Speaker 4: That's where I am? Son? Well, I'm supposed to fetch
you out to the Widow Woods place. Oh, something wrong
with Siah Reckon? So you're supposed to come. Siah sent
you that you you're supposed to come because she's sick.
Let me see you. But I can just wait for
a minute, and I get my bag and ride out
there with me in the bugget No thanks, Doc, I
I'm better go home by the creek. I don't want
to ride with you, all right, son, He's all right.
Perhaps i'd better go along.
Speaker 8: Okay, it's so long, Doc, I'm bringing into the woman's
work sweeping and.
Speaker 6: Dusting and keeping things.
Speaker 2: You know, it ain't that so much?
Speaker 6: You don't what was that, chester I say, ain't reading
up a woman's job.
Speaker 2: Oh, you have to find the woman worse.
Speaker 4: I wan't cut.
Speaker 9: Out for it.
Speaker 6: I can tell you that he a man artistic to
what he is cut out for him.
Speaker 2: You you take old Doc now, he drew me better off.
Speaker 6: He'd stick to his life. You ain't been down the
street this morning.
Speaker 2: Having it done. O ches, sir.
Speaker 3: I've been trying to get through this pilot stuff that
came in the mail, and I'm still trying to tell caution.
Speaker 8: The old busybody had been covering the town, telling his
story about the way the woods boy got killed.
Speaker 2: That's all you put that pole down. Now, what were
you saying?
Speaker 4: Well, I was telling you about how Doc should I
stick to his own business. John said, bragging around about
how much he knows about the shooting.
Speaker 6: I tell you he ain't missed nobody in the slum
that delivery.
Speaker 2: Sailing on mad. He's saying he knows he kill me.
Speaker 6: That's what he's been saying ever since it happened. I
thought you told him to keep his mouth shut.
Speaker 2: Chester, and I guess I better go tell him again, Well,
he ain't up to his office. You don't worry when
ye'es sure I do.
Speaker 6: I've seen the whole thing. Ragedell boy come in a
little bit of gold and petched.
Speaker 9: Him out the way the woods.
Speaker 2: How do you know that?
Speaker 8: Well, because the kid come find down the stairs from
Doc's office looking like somebody was having him.
Speaker 6: When I grabbed him, I thought he might have stolen something.
Speaker 2: But go on, Chester, what the boys say, Well, he
just said they.
Speaker 6: Sent him to get dug out the way the woods is.
That's all I've seen Doc drive off and his buggy.
Speaker 2: Come on, let's get a horse.
Speaker 9: Huh.
Speaker 2: It's like Doc talked himself into a trap.
Speaker 9: Come ons, that coffee hot yet?
Speaker 2: Bringing over here.
Speaker 6: I'm fixing too, splash some milky.
Speaker 2: In the morning.
Speaker 7: You just keep looking out that window roof. Doc Adams
Love had just been getting here.
Speaker 3: It'll do you no good when he does come alive.
Speaker 2: Maybe it was plenty good dead. I'll make him forget
what he knows about us, mighty quickly.
Speaker 5: He don't know anything, I tell you, not anything at tall.
Speaker 7: Well let any what he says, bragging all over dodgy
he knows about us.
Speaker 5: I was here, wasn't I I was here the whole time,
every minute after you sent my lem home, and he
didn't say anything.
Speaker 6: I tell you he tried, lemy did. He tried, but he.
Speaker 4: Couldn't be He couldn't speak, and butchered him up too bad?
Speaker 2: Shut her up more. It makes me feel crawly. So
soon as dark at him walks in here. Hey, here
he comes, Mark, there's his buggy. Stay alone now until
he gets in here. Shout. Hey, he heard her, shout
he's heading for the bottom.
Speaker 4: All we gotta get him short.
Speaker 2: Hey, that woman, she won't.
Speaker 9: Cause no trouble.
Speaker 2: Mord I hit her or good.
Speaker 7: Now, here's a buggy. H come on, let's go in
after him. Alright inside out. He's mighty quiet, but we
get him. I'll go down the stalls this side. You
stay here, keep your eyes open. Maybe you ain't got
a gun. I don't think he's that crazy. You cover
me out, Okay, Uh ain't this stall? Nope, there's neither.
Speaker 2: Ark keep hoop ark. He's in the log I see
something moving up there. You get him wrong. He ain't
shooting back.
Speaker 7: Oh, he sure ain't. Maybe he hasn't got a gun
up there, or maybe you hit him. He could be
trying to fool us. He ain't got that kind of time.
I'm gonna go up after him. You shoot anything that moves, alright,
drop your gun.
Speaker 2: Husband, it's a Marshall kid.
Speaker 4: They're both down that you're done, had big and Palofader
go over.
Speaker 2: He got his gun, Susser. That's when the start. Yes, sir,
he did too him.
Speaker 9: As you're done?
Speaker 2: Yeah, doctor shock you alright? What's help y'all?
Speaker 4: Alright?
Speaker 2: What come on down?
Speaker 9: Then?
Speaker 4: Go after you?
Speaker 2: That dog?
Speaker 4: What come from up there?
Speaker 2: Se hm? I where's your gun?
Speaker 9: Ah? Well?
Speaker 4: Uh tell the truth, man, Uh, I guess I must
have left it in the buggy.
Speaker 6: Uh left. I don't just beat uh.
Speaker 8: You make your bride around. Time to get yourself on
the fakes. We have to come all this way out
here to see you, and then you don't even carry
a don.
Speaker 2: Of course, it probably don't make no difference.
Speaker 6: You couldn't hit the brodside of a barn anyhow.
Speaker 4: Well, well, I gotta see sign. Actually she tried to
warn me that it may have hurt her.
Speaker 6: Alright, Uh, well, it's better at about time you start doing.
Speaker 8: What they're supposed to do, taking care of folks, instead
of titing off on a wild goose chase. Yes, well
maybe a right Chester, but it uh it wasn't exactly
a wild goose.
Speaker 2: Chase, now, was it? No dog, I I guess it wasn't.
And uh explain that the Chester there.
Speaker 4: I got work to do.
Speaker 8: And uh one thing, mister Dillon, doc maybe wasn't too smart,
but the way he handled things, but he sure has
gone hardy.
Speaker 2: He sure does. Chester That's got a lot of hard
gun smoke.
Speaker 1: Produced and directed by Norman McDonald, stars William Conrad as
Matt Dylan Us Marshall. The story especially written for gun
Smote by Marion Clark with editorial supervision by John Mester.
Speaker 2: Featured in the cast were Helen flee by.
Speaker 1: Reen Anders and Sam Edwards, Harley Bear is Chester, Howard
mcneer is doc. And Georgia Ellis is Kidding