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Speaker 1: Around Dodge City and in the territory on West. There

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is just one way to handle the killers and the spoilers.

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Speaker 2: And that's where the.

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Speaker 1: US Marshal and The Smell of Guns Smoke, Gun Will Smoke,

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starring William Conrad. The story of the violence that moved

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west with young America and the story of a man

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who moved with it.

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Speaker 3: I'm that man, Matt Dillon, United States Marshall, the first

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man they look for and the less they want to meet.

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It's a chancy job and it makes a man watchful

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and a little lonely.

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Speaker 4: Here's the water, Doc, it's hot, Thank you, sir. Put

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it down on that chair. Doc.

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Speaker 5: Eh, Doc, you can heal him, can't you.

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Speaker 6: You can make him live.

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Speaker 4: He's bad, hurts, awful, bad hurt.

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Speaker 6: But he's so young.

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Speaker 7: Don't that help?

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Speaker 4: Being young, bullets and our respectus of age. I could

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have seen him sooner.

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Speaker 5: Maybe they sent him home like that, Doc, My boy

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tied to the back of his horse like it butchered home.

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Speaker 4: Hand me that cloth, sir, here it did. He was brutal.

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Speaker 2: Whoever they was, you don't know.

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Speaker 5: He never said who he was seeing. But I know

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why they shot him. Oh why because he was through

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with him.

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Speaker 4: He told him he wasn't gonna.

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Speaker 5: Ride with him no more.

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Speaker 4: Mm who let me lemme? M ah, there's the bullet.

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He's coming too dark. Uh let me hell him. Who

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did this to you?

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Speaker 6: Uh?

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Speaker 4: Uh tell me? Let me, don't be afraid. Tell me

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who hurts you? Uh? Oh, oh, I can't see. Try

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Let me try to speak. Who shot you? Uh huh.

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Speaker 2: Uh he's gone, Sarah.

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Speaker 4: I'm sorry, Oh, Doc, Maybe if you hadn't been at him, so, Sarah,

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if you know, I wouldn't hurt your boy. I've known

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him since it was a child. We should know who

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did this terrible thing. They should be made to pay.

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Speaker 6: There's no paying for Lemmy.

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Speaker 4: I know, sir, I know, but someone's got to answer

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for it. I think now, are you sure you don't

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know who did it?

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Speaker 2: No, Doc, I swear I don't.

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Speaker 5: This is one thing Lemmy didn't talk about, and I

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know he wasn't proud of it.

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Speaker 8: I know that.

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Speaker 4: And you want to them this morning to call it quits.

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Speaker 2: That's what he said.

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Speaker 4: He told me.

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Speaker 5: He told me I wouldn't have to worry about his

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writing off no more.

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Speaker 4: Oh yes, sir, You've just got to believe that he's

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all right now. But I'll arrange things in town, Sir,

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I'll be back in a little while. Will it be

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all right until? Men, it's dark, I'll be all right.

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Speaker 2: Dark. Will he get set on?

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Speaker 3: It isn't gonna help you any to tramp back and

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forth across the floor all day long.

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Speaker 4: I guess you're right, but I'll tell him matter.

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Speaker 2: This is terrible sound, very pretty.

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Speaker 4: Shot in the back, sent home tied to his horse,

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young boy like that?

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Speaker 3: You think his mother was telling the truth about not

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knowing anything about it?

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Speaker 4: Yes, man, I do. Boy was evidently trying to get

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out of some kind of trouble. You think he'd been

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mixed up in something, Yes, that's where look to me,

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he wasn't really a bad boy, And I figure when

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he found out what he was in for he wanted no.

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Speaker 1: Part of it.

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Speaker 3: Whoever it was, he killed it to keep him quiet,

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and I think that was it. Seems funny though, that, uh,

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I'd send him home.

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Speaker 4: And whoever it was thought he was dead. It was

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barely a sign of life in him when I got

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to him. He might have been sent home as a

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warning to his mother in case she did know anything.

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Speaker 2: He could be right. You have a lot to know

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who did that?

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Speaker 3: Well right on out there this afternoon, Doc, whoever it

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was will be hard to trace.

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Speaker 4: So with a boy not saying a word, and I suppose,

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oh I was wished to say, Matt, Yeah, Uh, how

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would it be? He suppose if the killer thought the

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boy did talk?

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Speaker 2: Uh, what do you mean?

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Speaker 4: I mean? I suppose the word got around the boy

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had talked to.

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Speaker 3: Me that I that I know who the killer is,

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you'd be a bigger target than a buffalo. No, I

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think that you're thinking crazy.

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Speaker 2: Doc.

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Speaker 3: If the killer got the idea that you know anything,

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your life wouldn't be worth a nickel which flushed them out.

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Wouldn't have mat Well maybe it would. But if they

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thought that you knew about it, they'd kill you.

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Speaker 2: Maybe you listen to me, Doc, this is.

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Speaker 3: My business, you stick of trying to keep folks alive.

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Speaker 4: You let me take care of the other eliad you'd

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like to take care of this.

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Speaker 2: I just forgot it. Doc, You've already done all you

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could for Lemmy and his mother.

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Speaker 4: All right out there, hold Chester, mister Dillany has been

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a killing out to the woods place.

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Speaker 2: Yeah, Chester, I know, Doc was there when the boy died.

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Speaker 6: Oh well, that's a shame, Doc, and nice boy like that.

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Speaker 2: It's a terrible ship. How'd you find out about it? Chester?

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Speaker 6: Well, I was passing by mister Jones's store and I

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heard body.

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Speaker 4: I ordered the cough in there. Man, Oh, I see,

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I don't think you'll find much to go on out

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of the woods. I looked around, but there weren't any

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unusual tracks.

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Speaker 6: You were doing some cracking.

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Speaker 2: Well.

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Speaker 4: Let mean, I'll be a bloodhung like you were a Chester,

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but I can read so. Sorry, Doc, I get my

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horse with your Chester. Yes, sir, uh Dark you.

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Speaker 2: Uh you wanna come with me?

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Speaker 4: No, mad, thank you. I've been there twice today. You

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tell us I'll drop bay to see her tomorrow.

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Speaker 2: Don't do that, Ah Dark, Yes, ma't.

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Speaker 3: Now, don't you get any fancy ideas about making up

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a story. We'll we'll get this man. He'll make a mistake,

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they all do.

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Speaker 4: I just trope I'm around when he does. Yessay. I've

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seen a lot of killings since I came to this

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misbig up in town, but I do believe this is

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the worst. Sounds awful that shooting.

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Speaker 6: The boy in the back.

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Speaker 4: Poor kid, didn't even have no chance to see who

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done it? Oh he saw who did it?

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Speaker 2: All right?

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Speaker 6: Oh?

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Speaker 4: Yes, yes, he knew who killed him.

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Speaker 3: I thought you said he was already out when you

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got to him.

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Speaker 4: What he was here?

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Speaker 9: He was?

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Speaker 4: Uh, but he roused himself just before he died enough

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to say a few words.

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Speaker 7: And you heard him that.

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Speaker 4: I heard him? All right?

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Speaker 2: Who done it? Then?

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Speaker 4: Not so fast, not su fassed. I'll do my talking

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at the proper time and not before. Seemed to me

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you're doing an awful lot of talking right now. Oh hellok,

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he's telling us he knows who killed the woods boy.

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Well that's all. Why did you come up to my

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table dot and talk to me so?

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Speaker 2: Well?

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Speaker 4: Yeah, yes, all right, all right, kill you say, I'm

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another round of beer over over here, I'll see it. Yeah, sure, yeah,

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all right, kidding now, God Adams, what are you up to? Well,

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just just have a beer, kiddy. You you've seen me

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drink beer before.

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Speaker 6: I never seen you buy it for the whole crowd before.

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Speaker 4: We're uh here we are, and I sit down doctor,

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Thank you, kiddy.

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Speaker 5: And you're a gossiping like an old woman been in

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the year of anybody in.

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Speaker 4: The place that listen. Well, there's always a lot of

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talk about a killing. A killer isn't usually your favorite

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kind of talk?

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Speaker 9: Is it true?

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Speaker 4: You know killed the boy?

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Speaker 9: Whoa?

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Speaker 4: Or? Yes, kiddy, I was there when let me die?

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Does Matt know this?

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Speaker 2: Oh?

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Speaker 4: Not exactly?

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Speaker 6: Does Mat know that you're spreading the word around that.

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Speaker 9: You know who the killer is?

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Speaker 4: No, kidding, he doesn't.

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Speaker 6: I bet he doesn't.

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Speaker 4: Are you trying to get yourself killed? Horror? Stop worry

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about it. This is a man's work. You mean you're

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doing this on purpose? Kidding you?

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Speaker 2: Listen to me.

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Speaker 4: I'm not anxious to get myself hurt. But whoever did

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this must be brought in.

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Speaker 6: So you've been telling this story all over town.

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Speaker 4: What's the best way? I know? Flushing him out?

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Speaker 2: He'll kill your doc?

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Speaker 4: Here's your sitting here? Who then we'd know who did it,

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wouldn't we? Doc?

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Speaker 6: You're a stubbing old fool. I just hope to get

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a chance to go old.

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Speaker 1: Alright, I'm coming.

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Speaker 2: That's you're Doc Adams, ain't you?

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Speaker 4: That's where I am? Son? Well, I'm supposed to fetch

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you out to the Widow Woods place. Oh, something wrong

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with Siah Reckon? So you're supposed to come. Siah sent

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you that you you're supposed to come because she's sick.

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Let me see you. But I can just wait for

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a minute, and I get my bag and ride out

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there with me in the bugget No thanks, Doc, I

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I'm better go home by the creek. I don't want

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to ride with you, all right, son, He's all right.

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Perhaps i'd better go along.

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Speaker 8: Okay, it's so long, Doc, I'm bringing into the woman's

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work sweeping and.

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Speaker 6: Dusting and keeping things.

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Speaker 2: You know, it ain't that so much?

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Speaker 6: You don't what was that, chester I say, ain't reading

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up a woman's job.

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Speaker 2: Oh, you have to find the woman worse.

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Speaker 4: I wan't cut.

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Speaker 9: Out for it.

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Speaker 6: I can tell you that he a man artistic to

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what he is cut out for him.

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Speaker 2: You you take old Doc now, he drew me better off.

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Speaker 6: He'd stick to his life. You ain't been down the

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street this morning.

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Speaker 2: Having it done. O ches, sir.

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Speaker 3: I've been trying to get through this pilot stuff that

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came in the mail, and I'm still trying to tell caution.

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Speaker 8: The old busybody had been covering the town, telling his

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story about the way the woods boy got killed.

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Speaker 2: That's all you put that pole down. Now, what were

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you saying?

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Speaker 4: Well, I was telling you about how Doc should I

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stick to his own business. John said, bragging around about

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how much he knows about the shooting.

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Speaker 6: I tell you he ain't missed nobody in the slum

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that delivery.

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Speaker 2: Sailing on mad. He's saying he knows he kill me.

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Speaker 6: That's what he's been saying ever since it happened. I

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thought you told him to keep his mouth shut.

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Speaker 2: Chester, and I guess I better go tell him again, Well,

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he ain't up to his office. You don't worry when

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ye'es sure I do.

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Speaker 6: I've seen the whole thing. Ragedell boy come in a

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little bit of gold and petched.

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Speaker 9: Him out the way the woods.

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Speaker 2: How do you know that?

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Speaker 8: Well, because the kid come find down the stairs from

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Doc's office looking like somebody was having him.

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Speaker 6: When I grabbed him, I thought he might have stolen something.

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Speaker 2: But go on, Chester, what the boys say, Well, he

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just said they.

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Speaker 6: Sent him to get dug out the way the woods is.

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That's all I've seen Doc drive off and his buggy.

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Speaker 2: Come on, let's get a horse.

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Speaker 9: Huh.

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Speaker 2: It's like Doc talked himself into a trap.

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Speaker 9: Come ons, that coffee hot yet?

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Speaker 2: Bringing over here.

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Speaker 6: I'm fixing too, splash some milky.

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Speaker 2: In the morning.

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Speaker 7: You just keep looking out that window roof. Doc Adams

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Love had just been getting here.

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Speaker 3: It'll do you no good when he does come alive.

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Speaker 2: Maybe it was plenty good dead. I'll make him forget

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what he knows about us, mighty quickly.

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Speaker 5: He don't know anything, I tell you, not anything at tall.

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Speaker 7: Well let any what he says, bragging all over dodgy

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he knows about us.

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Speaker 5: I was here, wasn't I I was here the whole time,

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every minute after you sent my lem home, and he

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didn't say anything.

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Speaker 6: I tell you he tried, lemy did. He tried, but he.

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Speaker 4: Couldn't be He couldn't speak, and butchered him up too bad?

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Speaker 2: Shut her up more. It makes me feel crawly. So

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soon as dark at him walks in here. Hey, here

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he comes, Mark, there's his buggy. Stay alone now until

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he gets in here. Shout. Hey, he heard her, shout

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he's heading for the bottom.

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Speaker 4: All we gotta get him short.

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Speaker 2: Hey, that woman, she won't.

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Speaker 9: Cause no trouble.

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Speaker 2: Mord I hit her or good.

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Speaker 7: Now, here's a buggy. H come on, let's go in

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after him. Alright inside out. He's mighty quiet, but we

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get him. I'll go down the stalls this side. You

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stay here, keep your eyes open. Maybe you ain't got

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a gun. I don't think he's that crazy. You cover

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me out, Okay, Uh ain't this stall? Nope, there's neither.

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Speaker 2: Ark keep hoop ark. He's in the log I see

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something moving up there. You get him wrong. He ain't

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shooting back.

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Speaker 7: Oh, he sure ain't. Maybe he hasn't got a gun

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up there, or maybe you hit him. He could be

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trying to fool us. He ain't got that kind of time.

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I'm gonna go up after him. You shoot anything that moves, alright,

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drop your gun.

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Speaker 2: Husband, it's a Marshall kid.

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Speaker 4: They're both down that you're done, had big and Palofader

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go over.

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Speaker 2: He got his gun, Susser. That's when the start. Yes, sir,

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he did too him.

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Speaker 9: As you're done?

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Speaker 2: Yeah, doctor shock you alright? What's help y'all?

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Speaker 4: Alright?

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Speaker 2: What come on down?

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Speaker 9: Then?

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Speaker 4: Go after you?

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Speaker 2: That dog?

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Speaker 4: What come from up there?

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Speaker 2: Se hm? I where's your gun?

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Speaker 9: Ah? Well?

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Speaker 4: Uh tell the truth, man, Uh, I guess I must

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have left it in the buggy.

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Speaker 6: Uh left. I don't just beat uh.

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Speaker 8: You make your bride around. Time to get yourself on

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the fakes. We have to come all this way out

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here to see you, and then you don't even carry

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a don.

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Speaker 2: Of course, it probably don't make no difference.

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Speaker 6: You couldn't hit the brodside of a barn anyhow.

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Speaker 4: Well, well, I gotta see sign. Actually she tried to

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warn me that it may have hurt her.

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Speaker 6: Alright, Uh, well, it's better at about time you start doing.

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Speaker 8: What they're supposed to do, taking care of folks, instead

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of titing off on a wild goose chase. Yes, well

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maybe a right Chester, but it uh it wasn't exactly

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a wild goose.

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Speaker 2: Chase, now, was it? No dog, I I guess it wasn't.

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And uh explain that the Chester there.

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Speaker 4: I got work to do.

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Speaker 8: And uh one thing, mister Dillon, doc maybe wasn't too smart,

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but the way he handled things, but he sure has

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gone hardy.

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Speaker 2: He sure does. Chester That's got a lot of hard

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gun smoke.

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Speaker 1: Produced and directed by Norman McDonald, stars William Conrad as

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Matt Dylan Us Marshall. The story especially written for gun

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Smote by Marion Clark with editorial supervision by John Mester.

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Speaker 2: Featured in the cast were Helen flee by.

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Speaker 1: Reen Anders and Sam Edwards, Harley Bear is Chester, Howard

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mcneer is doc. And Georgia Ellis is Kidding