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<v Speaker 1>You see something's going to happen.

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<v Speaker 2>What what's going to happen?

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<v Speaker 1>I'll think what a Welcome to the Occult Rejects. Tonight

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<v Speaker 1>we are talking tichi luck, superstition, cairos and how it

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<v Speaker 1>affects you and how integrated it is in your society

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<v Speaker 1>and you just don't even know it. Tonight we got

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<v Speaker 1>Nick that they called reflex and ethan indigo. Guys, why

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<v Speaker 1>don't you introduce yourselves and talk about what you're thinking about?

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<v Speaker 2>Oh, thank you Nick from the Occult Rejects. I was

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<v Speaker 2>very happy that you hit you with this topic because

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<v Speaker 2>I don't know anything about it, So again I appreciate you.

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<v Speaker 2>Let me jump on and learn something with you there, buddy.

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<v Speaker 3>Thank you.

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<v Speaker 1>Absolutely tell them where they can find you.

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<v Speaker 4>Yeah, fascinating topic. This is going to be fun. I'm

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<v Speaker 4>looking forward to what I have this has got to say.

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<v Speaker 4>And I'm a writer, and you know frequent the Cole

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<v Speaker 4>Rejects and had this podcasts as well. And I have

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<v Speaker 4>got some writing about sacred geometry and so forth. Several

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<v Speaker 4>articles on a col reject site.

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<v Speaker 2>Oh yeah, that's right. Let me let me plug that

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<v Speaker 2>real quick. A cult research Institute dot org. Yes, got

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<v Speaker 2>a bunch of stuff over there, Yeah, what's some thank you?

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<v Speaker 4>And several other people.

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<v Speaker 1>Well, I hope this is the boat that launches one

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<v Speaker 1>hundred more ships in this direction. Because Taiki is one

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<v Speaker 1>of the fundamental principles of Greek religion and Roman religion

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<v Speaker 1>that has really gotten the translation into English. Yet despite

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<v Speaker 1>the fact that we constantly use their symbols, we constantly

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<v Speaker 1>use their themes, we constantly have these things sitting in

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<v Speaker 1>the background without acknowledgment and understanding that is going to

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<v Speaker 1>make you understand this topic a lot more.

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<v Speaker 5>So.

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<v Speaker 1>There's this great Latin poem about fortune and how fickle

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<v Speaker 1>it is, and the Greeks understood Taiki or Tiki to

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<v Speaker 1>be this goddess that was fickle. She was said to

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<v Speaker 1>be blind, and she represents fortune and fate and she's

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<v Speaker 1>the reason why you have the cornucopia, right, So the

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<v Speaker 1>cornucopia is one of her symbols, and everybody uses it for,

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<v Speaker 1>you know, Thanksgiving, and they have no idea what they're posting.

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<v Speaker 1>This is a pagan goddess, that's her symbol, and it's

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<v Speaker 1>transferred perfectly over into Thanksgiving and everybody it's like, oh yeah,

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<v Speaker 1>it's a corner copy it's the horn of plenty, but

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<v Speaker 1>they don't realize that it comes from this source. So

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<v Speaker 1>to start off with, let's see if we can get

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<v Speaker 1>Karl Orlov's O Fortuna, and there should be an English

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<v Speaker 1>translation on the screen as well, because this was written

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<v Speaker 1>in Latin. You might not know the words, but you've

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<v Speaker 1>definitely heard the song before.

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<v Speaker 3>As to gus so chip and get some contes something

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<v Speaker 3>so infl uchi. So s's has been it's not to.

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<v Speaker 6>Follows sis fons fund of.

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<v Speaker 3>Songs STI so asists not to s people So sad

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<v Speaker 3>pass a uppy talking or something. Seven sepo cons.

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<v Speaker 5>That's that xtap that back happen, go back up, bout.

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<v Speaker 6>Eat one food and so does fall.

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<v Speaker 3>Oh it's it's a foods up. So hope group.

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<v Speaker 6>Up as a blacks pot foot.

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<v Speaker 3>Bob people us I tell me, oh it's sexus en excellent.

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<v Speaker 6>Deep.

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<v Speaker 1>What did you guys think of the lyrics?

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<v Speaker 2>It's pretty interesting. It seems very alchemical to me in

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<v Speaker 2>a sense.

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<v Speaker 1>It really has that feel, especially with Latin, and it

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<v Speaker 1>was just all about the ill turn of fortune. So

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<v Speaker 1>in addition to the cornucopia, another symbol of Tychi is

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<v Speaker 1>the wheel of fortune, She's often associated with Hecita because

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<v Speaker 1>Hecate's wheel is also associated with this wheel of fortune idea.

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<v Speaker 1>So Hecate's wheel is where we get the game show

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<v Speaker 1>Wheel of Fortune from, right, So, uh, Heckuita's wheel looks

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<v Speaker 1>a little bit different than what you normally think of.

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<v Speaker 1>It's got these I believe it's three stars on it,

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<v Speaker 1>and it is supposed to be put between these two strings,

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<v Speaker 1>and you're supposed to pull the strings, so the wheel

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<v Speaker 1>spins and spins and then lands on a fortune. Right,

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<v Speaker 1>it was kind of a fortune telling device back then.

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<v Speaker 1>And this Hecates wheel is, you know, often associated with

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<v Speaker 1>gambling and everything else. Well, Taiki the first dice in Greece,

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<v Speaker 1>we're actually devoted to Taiki so or tiki, you know,

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<v Speaker 1>it's the Greek pronunciation versus how you want to say

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<v Speaker 1>it in English. So all of these symbols that we

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<v Speaker 1>have with luck and fortune telling and all the rest

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<v Speaker 1>of this stuff come directly from the worship of this goddess.

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<v Speaker 1>And tik Taiki is all often seen with Nemesis, and

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<v Speaker 1>Nemesis is the goddess of you know, vengeance also justice.

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<v Speaker 1>So what they were hoping is that Nemesis would govern

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<v Speaker 1>Taichi and not give good things to bad people. So

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<v Speaker 1>you can understand why this would be kind of a

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<v Speaker 1>suppressed goddess, because if you're wishing nemesis on somebody, then

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<v Speaker 1>they're gonna get this bad taichi like in Oh Fortuna,

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<v Speaker 1>which is all about bad luck, and how bad luck

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<v Speaker 1>is this tyrant ruling from this iron throne that you

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<v Speaker 1>can't get out of, and you're just under this oppressive

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<v Speaker 1>force of never having good luck. And in a lot

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<v Speaker 1>of ways, this also goes into the aspect of TIChE

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<v Speaker 1>with her consort, which is Kaitos, and Kaitos is this

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<v Speaker 1>Greek concept of subjective time, right, so kitos would be

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<v Speaker 1>in a sort of opposition or maybe I guess balance

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<v Speaker 1>with the concept of chronos, and chronos would be the

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<v Speaker 1>mechanical times taking away on the clock. You know, you've

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<v Speaker 1>got so many hours left in the day, You've got

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<v Speaker 1>so many hours left in the uh, you know, at work,

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<v Speaker 1>all the rest of these mechanical concepts of time. Kitos

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<v Speaker 1>would be subjective time, right, So this would be the

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<v Speaker 1>quality version of quantitative time. So are you doing what

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<v Speaker 1>you want to do? Are you doing what makes you happy?

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<v Speaker 1>And Kitos is kind of an interesting character. Let me

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<v Speaker 1>see if I can say you link to well, let

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<v Speaker 1>me see. Can I send you a picture or can

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<v Speaker 1>you look up Kaidos on your Google machine? There, Nick,

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<v Speaker 1>I was gonna put it out there. K A I

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<v Speaker 1>R O S. This is a really interesting looking character

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<v Speaker 1>because he's got these really long locks of hair in

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<v Speaker 1>the front, and he's got this razor blade that he's

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<v Speaker 1>holding in his hand that's balancing this scales, right, and

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<v Speaker 1>he's got winged feet like Hermes, and also wings on

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<v Speaker 1>his back. And you can find this really great relief

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<v Speaker 1>of him where he's got wings and it looks like

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<v Speaker 1>he's in motion and he's holding on his fingertip this

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<v Speaker 1>razor blade that's balancing the scales. Now, the reason why

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<v Speaker 1>he's got these really long hairs in the front is

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<v Speaker 1>because this concept of subject of time can only be

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<v Speaker 1>grabbed from the front right. The back of his head

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<v Speaker 1>is bald, so as soon as those moments slip away

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<v Speaker 1>from you, there's no grabbing them. So it's very very

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<v Speaker 1>clear with the symbol means you have to be able

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<v Speaker 1>to plan for this quality time. You have to be

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<v Speaker 1>able to embrace the amount of time that you're spending

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<v Speaker 1>doing the things that you love and you have to

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<v Speaker 1>value it. There you go, Yeah, so that's Chiros right there.

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<v Speaker 1>He's only got the hair in the front. He's got

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<v Speaker 1>these wings and he's balancing the scales on this razor

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<v Speaker 1>thin edge. And this was used in a lot of coins,

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<v Speaker 1>and this was meant to represent the time that you

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<v Speaker 1>have with your family, the time that you have doing

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<v Speaker 1>the things you love. It's obvious why he would be

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<v Speaker 1>so closely associated with luck, because as you're doing the

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<v Speaker 1>things that you love, you then that you are lucky. Right.

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<v Speaker 1>You then feel that Tihi and Tiki and Kaidos are

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<v Speaker 1>so very closely associated in the Greek mind that they were.

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<v Speaker 1>She was the consort of him and he was the

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<v Speaker 1>consort of her, and they always came together. And so

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<v Speaker 1>when you understand this, you can really start to understand

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<v Speaker 1>the pagan perspective on gods and goddesses. Right, These aren't

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<v Speaker 1>things that have to be believed in, These aren't things

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<v Speaker 1>that have to be confessed to. These are things that

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<v Speaker 1>just are. This is the unity of both human consciousness,

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<v Speaker 1>the human soul. Psyche right, Psyche is you know it

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<v Speaker 1>sounds like Tiki because that Tiki would come along with

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<v Speaker 1>the ideas of this Kaidos as well.

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<v Speaker 5>So you have to be.

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<v Speaker 1>Looking towards this character of Kidos so that you can

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<v Speaker 1>catch him by the hair and know that that is

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<v Speaker 1>when you are having a good time. And so once

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<v Speaker 1>once you kind of get into this mode of thinking,

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<v Speaker 1>you can really start to understand why the cornucopia is

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<v Speaker 1>associated with Thanksgiving and these families coming together, because this

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<v Speaker 1>is the time, This is your quality time. This is

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<v Speaker 1>supposed to be where your memories are formed. This is

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<v Speaker 1>supposed to be your your strength and your basis for

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<v Speaker 1>for understanding. So it's not just about gambling. It's also

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<v Speaker 1>about feeling lucky because the luckier you you feel, the

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<v Speaker 1>less it matters whether you win or lose, and the

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<v Speaker 1>more like that fool card you can be. Now again,

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<v Speaker 1>you see a lot of that fool imagery in that Kaidos, right.

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<v Speaker 1>So he's he's dancing on the razor thin edge of

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<v Speaker 1>that cliff, right, and he's he's carrying the pack on

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<v Speaker 1>his back, which kind of looks a lot like that

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<v Speaker 1>that that uh that scale, right, and he's you know,

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<v Speaker 1>he's followed by this dog character, which is kind of

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<v Speaker 1>associated with Hecata right, the dog of Hekata, And you

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<v Speaker 1>can see all of these symbols coming together to show

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<v Speaker 1>you that unless you have that fool like mentality where

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<v Speaker 1>you're just going out there and you're having a good

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<v Speaker 1>time and you don't care about the rest of the

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<v Speaker 1>world's burdens, that's when you you can really embrace that kaidos.

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<v Speaker 1>And so from the most positive aspect of this tiki

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<v Speaker 1>instead of that negative aspect of uh, you know, tiki

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<v Speaker 1>nemorensis or Tiki nemesis, you've really got the understanding of

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<v Speaker 1>what it means to have this quality of life right,

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<v Speaker 1>And I think that's that's what goes into a lot

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<v Speaker 1>of this luck. I don't know about you guys, but

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<v Speaker 1>I've known some pretty stupid people who are pretty stupid

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<v Speaker 1>lucky right, like they just fall into I mean, I

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<v Speaker 1>hate to bring this up, but I knew this guy

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<v Speaker 1>who kept getting scammed by people who would you call

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<v Speaker 1>them up and promise him things, but he always made

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<v Speaker 1>out the winner, even though they were scams. So he

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<v Speaker 1>got a call from this scammer guy who wanted him

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<v Speaker 1>to take these MacBook pros. Right. This was back in

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<v Speaker 1>the day MacBook pros were thousands of dollars and everything else,

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<v Speaker 1>and he was supposed to then send them off to

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<v Speaker 1>this guy. So I'm sure it was like a credit

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<v Speaker 1>card scam where they were using somebody else's credit card

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<v Speaker 1>and then they wanted to funnel this stuff to them

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<v Speaker 1>so they could resell it. And so as soon as

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<v Speaker 1>he got this package full of the MacBooks, the cops

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<v Speaker 1>came to his door and they're like, you've been involved

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<v Speaker 1>in a scam. Do you realize that? And he's like, no,

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<v Speaker 1>I had no idea, and they're like, don't worry about it,

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<v Speaker 1>just keep the MacBooks. So he's involved in the scam,

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<v Speaker 1>and the police him keep all of the ill gotten

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<v Speaker 1>wares because you know, he didn't know what he was doing.

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<v Speaker 1>And so you've got this kind of angle there, like

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<v Speaker 1>he foolishly got involved in a scam. Normally the people

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<v Speaker 1>who do that, you know, have everything taken from him.

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<v Speaker 1>But he was so innocent and like kinda kind of

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<v Speaker 1>dumb that he actually made out the better for being scammed.

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<v Speaker 1>And there's right, right, So if you know like that,

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<v Speaker 1>you should bet on their horses. If they pick a horse,

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<v Speaker 1>bet on that horse, because they're not overthinking it. They're

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<v Speaker 1>more in tune with like the vibrations of the planet

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<v Speaker 1>because there's nothing else going on upstairs. They're just they're just.

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<v Speaker 4>I was when I was looking at the cornucopia relationship,

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<v Speaker 4>I was thinking about a Dallist tale and uh, that

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<v Speaker 4>really kind of of actually has a dynamic where it

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<v Speaker 4>splits between two thieves. It might be called two Thieves

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<v Speaker 4>or something. It's one of these really rich little metaphors

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<v Speaker 4>to learn morality and opportunity, and really it metaphor depicts luck.

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<v Speaker 4>So well, there's the rich man and the poor man

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<v Speaker 4>in this little village, and naturally, of course, the poor

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<v Speaker 4>man observes the rich man, and he sees that he

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<v Speaker 4>has all these people exchanging things with him, and he

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<v Speaker 4>does work, but he doesn't really do that much work,

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<v Speaker 4>and has all these resources and all this wealth, and

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<v Speaker 4>he goes to ask him how can he become rich?

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<v Speaker 4>And the rich man sees him and and he says,

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<v Speaker 4>and he answers him he has the question and he

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<v Speaker 4>and the rich man laughs and he says, I'll tell

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<v Speaker 4>you a secret. I steal everything. Ha ha ha, and

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<v Speaker 4>and the poor man kind of goes, are you are

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<v Speaker 4>you kidding me? Are you serious and and and leaves,

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<v Speaker 4>and he actually does steal the property of another and

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<v Speaker 4>gets in trouble and goes to prison, and as as

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<v Speaker 4>it happens, he happened, he gets out. However long it

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<v Speaker 4>is later and he's kind of angry at the rich man,

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<v Speaker 4>and because he followed his advice, he thinks, and he's like,

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<v Speaker 4>this guy, this guy's a total thief. He should be

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<v Speaker 4>in jail, like I had to go to jail. And

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<v Speaker 4>he goes to see the rich man again and he

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<v Speaker 4>tells him what happened to him. He said, I took

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<v Speaker 4>your advice, and I stole a necklace from at this

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<v Speaker 4>woman's place, and she got me in trouble, and I

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<v Speaker 4>just spent the last year in prison. And the rich

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<v Speaker 4>man says, what you fool, You actually stole from someone.

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<v Speaker 4>Here's what I do. None of this stuff you see

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<v Speaker 4>in here is mine. In the spring, I find turtles

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<v Speaker 4>and I get their shells, and I exchange the turtle

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<v Speaker 4>meat for soup to make soup. And in the summer

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<v Speaker 4>I harvest vegetables and I exchange this for that, and

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<v Speaker 4>I get pheasants and so forth, and then et cetera.

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<v Speaker 4>In the fall, I do my major harvest in the winter,

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<v Speaker 4>I go to get big game because I can track

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<v Speaker 4>them in the snow. So he goes through this seasonal

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<v Speaker 4>explanation of how he works with nature and harvest off

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<v Speaker 4>the land that is indeed none of it's his, and

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<v Speaker 4>he ends up exchanging the resources for things that might

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<v Speaker 4>become his.

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<v Speaker 1>And that's what he meant by.

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<v Speaker 4>The bye that he stole it, not that he actually

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<v Speaker 4>stole property. And so we see this kind of distinction

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<v Speaker 4>I think, in a lot of different mindsets and cultures

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<v Speaker 4>and given you know, what's what's a proper medium of abundance,

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<v Speaker 4>rather to the kind of materialistic approach you know that

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<v Speaker 4>is so commonplace now, where it's an over abundance and

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<v Speaker 4>it doesn't matter how you got it so much as

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<v Speaker 4>is important in that story, because you must pay consequences

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<v Speaker 4>if you got it through a morale immoral paths, whereas

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<v Speaker 4>if you're working with the land and so forth, all

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<v Speaker 4>of a sudden you do have this cornucopia, and it's

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<v Speaker 4>very much like you know, you stole one turtleshell and

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<v Speaker 4>then started trading things.

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<v Speaker 1>Right. Well, the idea there, I think, is that all

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<v Speaker 1>this stuff belongs to the gods and we're constantly stealing

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<v Speaker 1>from their realms to make something. And this was a

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<v Speaker 1>big part of the I guess you would call it

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<v Speaker 1>the pagan religion, is that you didn't have to believe

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<v Speaker 1>in these gods, but you did have to pay them

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<v Speaker 1>in return for what you're taking from their realms.

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<v Speaker 5>Right, So.

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<v Speaker 1>What you'll find in all of these orphic hymns is

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<v Speaker 1>that they'll always talk about being blameless. Right, let me

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00:23:36.319 --> 00:23:39.960
<v Speaker 1>live a blameless life. Because what they wanted to avoid

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<v Speaker 1>was getting jinxd.

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<v Speaker 2>Right.

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<v Speaker 1>We know that term, right, jinxd, but that jinx it

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00:23:48.880 --> 00:23:51.880
<v Speaker 1>was originally a Greek term. It was yanks and that

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<v Speaker 1>yinks was Hecate's wheel, and Hecate's wheel is sort of

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00:23:57.440 --> 00:24:01.759
<v Speaker 1>that symbol of this wheel of fortune that is associated

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00:24:01.839 --> 00:24:06.680
<v Speaker 1>with tiki. And so the you know, the constant turning

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00:24:06.799 --> 00:24:10.440
<v Speaker 1>of the seasons, the constant changing of these different things

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00:24:10.920 --> 00:24:16.279
<v Speaker 1>requires you to bring offerings and say thanks for all

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00:24:16.319 --> 00:24:20.000
<v Speaker 1>of the stuff that you've stolen throughout the year. And

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<v Speaker 1>so they really didn't care which gods or goddesses you

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00:24:24.599 --> 00:24:27.799
<v Speaker 1>were making sacrifices too, just as long as you were

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00:24:27.880 --> 00:24:31.359
<v Speaker 1>doing it, because they didn't want to get the blame

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00:24:31.480 --> 00:24:35.000
<v Speaker 1>or the responsibility or the collective punishment if you were

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00:24:35.400 --> 00:24:40.759
<v Speaker 1>taking from nature and not giving back, you know. And

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00:24:40.920 --> 00:24:44.880
<v Speaker 1>so that sort of recognition was a way of keeping

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<v Speaker 1>the idea of humoris in check, because it's really easy

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<v Speaker 1>for you to be this masterful hunter, take all the

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00:24:55.680 --> 00:25:00.400
<v Speaker 1>game and leave none for everybody else. But it takes

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00:25:00.440 --> 00:25:03.480
<v Speaker 1>a little bit more forethought and a little bit more

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00:25:05.400 --> 00:25:09.160
<v Speaker 1>humility to understand that you take enough for yourself and

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00:25:09.400 --> 00:25:14.279
<v Speaker 1>not too much. And basically, you don't get caught, right,

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00:25:14.799 --> 00:25:17.279
<v Speaker 1>You don't want to get caught, and getting caught would mean,

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00:25:17.839 --> 00:25:24.079
<v Speaker 1>you know, obviously overstepping your boundaries, knowing your place, knowing

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00:25:24.160 --> 00:25:27.599
<v Speaker 1>how you fit the world. So I threw up there

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00:25:27.839 --> 00:25:33.079
<v Speaker 1>in the comment section the picture of Hecate's wheel, if

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00:25:33.119 --> 00:25:35.839
<v Speaker 1>you could bring that up. And what I found out

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<v Speaker 1>a while ago is the guy who invented wheel of

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<v Speaker 1>Fortune the game show was this guy named MERV Griffin,

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<v Speaker 1>and MERV Griffin was a I believe he was initiated

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<v Speaker 1>into the mysteries because.

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00:25:51.759 --> 00:25:52.359
<v Speaker 3>All of his.

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<v Speaker 1>Game shows all seem to have this Greek origin. And

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00:25:57.799 --> 00:26:02.759
<v Speaker 1>so this hecatas wheel right here represented you know, this

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00:26:02.960 --> 00:26:07.200
<v Speaker 1>is the constant turning of the seasons, the constant you know,

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00:26:07.440 --> 00:26:10.880
<v Speaker 1>flicker of the light as it goes around our skies

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00:26:11.319 --> 00:26:14.920
<v Speaker 1>and as it's turning. This wheel of fortune is associated

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00:26:15.000 --> 00:26:19.559
<v Speaker 1>with luck and superstition and everything else. And so, you know,

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00:26:20.160 --> 00:26:23.079
<v Speaker 1>Hecata is one of those interesting characters that really did

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00:26:23.160 --> 00:26:30.559
<v Speaker 1>get carried over into the the later Catholic sort of religion,

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00:26:30.640 --> 00:26:33.519
<v Speaker 1>because you could see on the Catholic flag these two

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00:26:33.559 --> 00:26:37.200
<v Speaker 1>big old keys coming into the middle. And those two

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00:26:37.319 --> 00:26:42.480
<v Speaker 1>keys where Hecate's keys before they were the Pope's keys,

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00:26:43.160 --> 00:26:45.680
<v Speaker 1>but they represent the same thing. So Hecita has the

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00:26:45.759 --> 00:26:48.319
<v Speaker 1>keys to Hell, and the Pope is supposed to have

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00:26:48.400 --> 00:26:50.559
<v Speaker 1>the keys to Hell, and you can open it up

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00:26:50.640 --> 00:26:52.839
<v Speaker 1>and you know, see the underworld and all the rest

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00:26:52.839 --> 00:26:55.759
<v Speaker 1>of these things. And now those keys are being transferred

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00:26:55.799 --> 00:26:59.559
<v Speaker 1>over to the Catholic Church, and so the keys to

333
00:27:00.200 --> 00:27:03.480
<v Speaker 1>having her hell. She moves between the world. She's got

334
00:27:03.519 --> 00:27:08.839
<v Speaker 1>a lot of characteristics like Aramis or Hermes, and so

335
00:27:09.720 --> 00:27:12.519
<v Speaker 1>you've got these ideas that are all wrapped up in

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00:27:12.599 --> 00:27:17.480
<v Speaker 1>this sort of Hecates wheel and so wheel of fortune. Again,

337
00:27:17.839 --> 00:27:21.079
<v Speaker 1>the Greeks were really really into their language, and so

338
00:27:21.480 --> 00:27:25.240
<v Speaker 1>their language and their numbering system were also the same.

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00:27:25.319 --> 00:27:29.480
<v Speaker 1>They didn't have separate numerals for their numbers. They would

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00:27:29.559 --> 00:27:32.160
<v Speaker 1>just use their letters for those numbers as well, which

341
00:27:32.240 --> 00:27:36.119
<v Speaker 1>is where you get this concept of isopsaphy or isopsaphy

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00:27:36.720 --> 00:27:40.680
<v Speaker 1>in Greek, which was their form of numerology. So all

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00:27:40.759 --> 00:27:43.279
<v Speaker 1>of the letters and all of the numbers were all

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00:27:43.319 --> 00:27:45.279
<v Speaker 1>coming together in these things. And what do you see

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00:27:45.319 --> 00:27:48.079
<v Speaker 1>in a wheel of fortune. You've got the numbers representing

346
00:27:48.200 --> 00:27:51.319
<v Speaker 1>all this money that you can win, and you've got

347
00:27:51.359 --> 00:27:54.319
<v Speaker 1>all these letters scrambled up on the board that you've

348
00:27:54.319 --> 00:27:57.920
<v Speaker 1>got to figure out what the meaning is between all

349
00:27:58.039 --> 00:28:04.720
<v Speaker 1>these puzzles, right, And so merv. Griffin was part of

350
00:28:05.200 --> 00:28:10.160
<v Speaker 1>a you know, Greek society coming up through college, and

351
00:28:10.240 --> 00:28:12.680
<v Speaker 1>I believe he took a lot of what he learned

352
00:28:12.759 --> 00:28:16.359
<v Speaker 1>in those Greek societies with him to make these game shows.

353
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<v Speaker 1>And you know, I think the Greeks would love those

354
00:28:20.519 --> 00:28:22.960
<v Speaker 1>game shows. If you had the same kind of thing

355
00:28:23.079 --> 00:28:25.720
<v Speaker 1>for the ancient Greeks, I think they would absolutely dig

356
00:28:25.799 --> 00:28:28.720
<v Speaker 1>it because they were really deep into this concept of

357
00:28:28.839 --> 00:28:33.279
<v Speaker 1>tiki and into the concept of kaidos. And as you're

358
00:28:33.319 --> 00:28:36.000
<v Speaker 1>up there on the stage doing your thing, you know,

359
00:28:36.119 --> 00:28:39.720
<v Speaker 1>that's you know, kind of represents a lot of their

360
00:28:39.880 --> 00:28:43.680
<v Speaker 1>gaming prowess because you know, the first pair of dice

361
00:28:44.440 --> 00:28:48.839
<v Speaker 1>came through the concept of tiki. It was dedicated to

362
00:28:48.960 --> 00:28:51.400
<v Speaker 1>tiki before everything else. And you've got these Romans who

363
00:28:51.400 --> 00:28:54.319
<v Speaker 1>were constantly playing dice. They had what they called a

364
00:28:54.480 --> 00:28:57.799
<v Speaker 1>dice tower, and so you know in the Bible they

365
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<v Speaker 1>talk about the casting of lots. They had different ways

366
00:29:00.960 --> 00:29:03.519
<v Speaker 1>of gambling, but one of the ways was to throw

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00:29:03.599 --> 00:29:06.240
<v Speaker 1>these dice into a Roman dice tower so that you

368
00:29:06.279 --> 00:29:09.759
<v Speaker 1>couldn't cheat as the dice are falling down, and so

369
00:29:09.880 --> 00:29:12.240
<v Speaker 1>it would scramble up the numbers as it's coming through.

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00:29:12.359 --> 00:29:17.359
<v Speaker 1>So the casting of lots, the you know, idea of fortune,

371
00:29:17.440 --> 00:29:19.799
<v Speaker 1>it was everywhere in the ancient world. I mean, how

372
00:29:19.839 --> 00:29:22.000
<v Speaker 1>many times did you hear it? And you know the

373
00:29:22.079 --> 00:29:26.759
<v Speaker 1>Bible talking about, you know, being associated with Jesus' stuff

374
00:29:27.160 --> 00:29:29.880
<v Speaker 1>as he was dying, like the soldiers were casting lots

375
00:29:29.920 --> 00:29:32.960
<v Speaker 1>for his robes and stuff. They would cast lots all

376
00:29:33.119 --> 00:29:36.119
<v Speaker 1>the time. This was part of the ancient world and

377
00:29:36.200 --> 00:29:38.240
<v Speaker 1>how they divvy things up, because if you can't make

378
00:29:38.279 --> 00:29:40.839
<v Speaker 1>the decision right there, you've always got a guy with

379
00:29:40.920 --> 00:29:42.799
<v Speaker 1>a pair of dice ready to go, you know, And

380
00:29:43.119 --> 00:29:46.880
<v Speaker 1>gambling and everything else was a major part of how

381
00:29:46.920 --> 00:29:50.200
<v Speaker 1>they sought that now again, you know you've got gambling

382
00:29:50.279 --> 00:29:56.759
<v Speaker 1>sort of being made to be banal. You've got cards, right.

383
00:29:57.759 --> 00:30:01.839
<v Speaker 1>The tarot is a perfect example of this kind of

384
00:30:02.480 --> 00:30:10.839
<v Speaker 1>tiki associated with both gaming and fortune telling. And it's

385
00:30:10.920 --> 00:30:14.640
<v Speaker 1>hard to deny the link between regular old playing cards

386
00:30:15.359 --> 00:30:19.680
<v Speaker 1>and this idea of tiki. And this is the is

387
00:30:19.799 --> 00:30:23.119
<v Speaker 1>the crossover, this is the linkage between it all, and

388
00:30:23.200 --> 00:30:25.680
<v Speaker 1>they don't have to say it. It's right there in

389
00:30:26.640 --> 00:30:29.559
<v Speaker 1>the cards. You know, you've got the Wheel of Fortune

390
00:30:29.640 --> 00:30:31.680
<v Speaker 1>right there as a prominent feature.

391
00:30:32.359 --> 00:30:35.319
<v Speaker 2>So you know, I want to ask you, I hate

392
00:30:35.359 --> 00:30:37.079
<v Speaker 2>to kind of go backwards, but I mean you mentioned

393
00:30:37.079 --> 00:30:39.839
<v Speaker 2>wheel of Fortune now, and that's kind of like you know,

394
00:30:39.880 --> 00:30:43.880
<v Speaker 2>on the taro you mentioned the fool. You think it's

395
00:30:43.960 --> 00:30:46.039
<v Speaker 2>quite possible that the scales in his hand was even

396
00:30:46.079 --> 00:30:47.319
<v Speaker 2>Going back to the judgment.

397
00:30:47.079 --> 00:30:51.640
<v Speaker 1>Corde absolutely well. That goes to the idea of this

398
00:30:52.640 --> 00:30:57.319
<v Speaker 1>tiki nemesis, right. So what you have to do is

399
00:30:57.400 --> 00:31:01.200
<v Speaker 1>you have to create this good balance between work and play.

400
00:31:01.680 --> 00:31:05.240
<v Speaker 1>You have to create this good balance between you know,

401
00:31:05.720 --> 00:31:11.720
<v Speaker 1>your family and your obligations. And if you don't, if

402
00:31:11.799 --> 00:31:14.839
<v Speaker 1>you have this hubris, you're gonna throw the balance off

403
00:31:15.119 --> 00:31:18.039
<v Speaker 1>like it's on a razor. Thin edge, so you have

404
00:31:18.200 --> 00:31:21.079
<v Speaker 1>to be conscious of it. It goes back into knowing yourself,

405
00:31:21.480 --> 00:31:25.640
<v Speaker 1>and so the idea of judgment has that nemesis feel

406
00:31:25.839 --> 00:31:28.160
<v Speaker 1>to it, because what you'll find in a lot of

407
00:31:28.240 --> 00:31:34.119
<v Speaker 1>Greek mythology is that the implements of these gods will

408
00:31:34.200 --> 00:31:37.279
<v Speaker 1>carry over from one character to the other. So they'll

409
00:31:37.359 --> 00:31:42.160
<v Speaker 1>call Athena the shield bearer of Zeus, and she's got

410
00:31:42.759 --> 00:31:48.839
<v Speaker 1>on her shield, she's got Medusa, and Medusa was slain

411
00:31:48.920 --> 00:31:54.519
<v Speaker 1>by Perseus, and this idea between Perseus slaying Medusa and

412
00:31:54.759 --> 00:31:57.799
<v Speaker 1>giving it to Athena to put on this shield, the

413
00:31:57.880 --> 00:32:00.599
<v Speaker 1>shield that I used to you know, approach her without

414
00:32:00.640 --> 00:32:02.680
<v Speaker 1>looking directly at her because it had a mirror on

415
00:32:02.720 --> 00:32:07.400
<v Speaker 1>the inside. And then the mirror itself goes back to Zagrias,

416
00:32:07.799 --> 00:32:11.039
<v Speaker 1>and Zagrias had this inner dimensional mirror where he could

417
00:32:11.079 --> 00:32:16.200
<v Speaker 1>see between the worlds, you know. So between these ideas

418
00:32:16.400 --> 00:32:18.720
<v Speaker 1>you start to get a much fuller picture based off

419
00:32:18.759 --> 00:32:22.720
<v Speaker 1>of the holy implements that were then used in these

420
00:32:23.279 --> 00:32:26.160
<v Speaker 1>mystery rights. So part of the mystery rights is you

421
00:32:26.200 --> 00:32:29.440
<v Speaker 1>would go into these temple chambers where they would have

422
00:32:29.599 --> 00:32:32.920
<v Speaker 1>these holy implements that you would have to understand as

423
00:32:33.039 --> 00:32:37.119
<v Speaker 1>part of the initiation process. And I'm sure that was

424
00:32:37.160 --> 00:32:40.160
<v Speaker 1>the same thing with the initiations you would go through

425
00:32:40.240 --> 00:32:42.839
<v Speaker 1>in the Oto. They would have these holy implements that

426
00:32:43.000 --> 00:32:45.839
<v Speaker 1>you then had to understand so that you can get

427
00:32:45.880 --> 00:32:48.519
<v Speaker 1>the full meaning of the initiation.

428
00:32:48.759 --> 00:32:48.920
<v Speaker 3>Right.

429
00:32:51.359 --> 00:32:55.920
<v Speaker 4>That is fascinating. What was it of Zagrias that he

430
00:32:55.960 --> 00:32:57.240
<v Speaker 4>could peer into the world?

431
00:32:57.319 --> 00:33:02.960
<v Speaker 1>So the mirror of Zagreas now wasn't his right, This

432
00:33:03.160 --> 00:33:07.599
<v Speaker 1>was given to him by a different dimensional version of Hara.

433
00:33:08.640 --> 00:33:12.920
<v Speaker 1>So Harah found out in a different dimension that Zagoras

434
00:33:13.119 --> 00:33:18.519
<v Speaker 1>was actually the son of Persephone and Zeus. And so

435
00:33:18.799 --> 00:33:21.839
<v Speaker 1>this Hera in a different dimension, figured out a way

436
00:33:21.960 --> 00:33:25.880
<v Speaker 1>to deliver this mirror that would cause these Zagreuses to

437
00:33:26.000 --> 00:33:28.599
<v Speaker 1>be drawn into her dimensions so that she could kill

438
00:33:28.640 --> 00:33:31.599
<v Speaker 1>them for being the front of Zeus.

439
00:33:32.279 --> 00:33:32.799
<v Speaker 2>Right, And so.

440
00:33:35.480 --> 00:33:38.720
<v Speaker 4>Well, I was gonna say no, no, please continue.

441
00:33:38.359 --> 00:33:43.319
<v Speaker 1>Sirry Zagarias. After he was killed, his heart was then

442
00:33:43.400 --> 00:33:46.559
<v Speaker 1>taken by Athena and put inside of Zeus's leg so

443
00:33:46.720 --> 00:33:52.440
<v Speaker 1>that he could rise again as Dionysus. So Zagorias Dionysus

444
00:33:52.599 --> 00:33:55.839
<v Speaker 1>is a pretty common theme there. But here's the thing.

445
00:33:56.039 --> 00:34:01.480
<v Speaker 1>If it's interdimensional and it encompasses all these different timelines,

446
00:34:01.720 --> 00:34:03.440
<v Speaker 1>and what they were talking about with the mirror, is

447
00:34:03.640 --> 00:34:07.279
<v Speaker 1>what happens if somebody made a different decision, because that

448
00:34:07.359 --> 00:34:09.840
<v Speaker 1>would spurred off another timeline. They were talking about this

449
00:34:09.880 --> 00:34:12.480
<v Speaker 1>stuff in ancient Greece, right, they were talking about robots

450
00:34:12.519 --> 00:34:14.840
<v Speaker 1>and ancient Greece. You know, they had all this sort

451
00:34:14.840 --> 00:34:18.719
<v Speaker 1>of knowledge that's encoded into the stuff. So Zagorias would

452
00:34:18.760 --> 00:34:21.760
<v Speaker 1>be looking through this mirror into these other dimensions where

453
00:34:21.800 --> 00:34:25.639
<v Speaker 1>people made these other decisions, and this Hera character was

454
00:34:25.719 --> 00:34:28.440
<v Speaker 1>trying to kill off all of the Zagreases and these

455
00:34:28.480 --> 00:34:33.360
<v Speaker 1>other dimensions because she knew his origin story. Zagoras didn't

456
00:34:33.360 --> 00:34:35.400
<v Speaker 1>want to be in Hades anymore because he thought he

457
00:34:35.480 --> 00:34:38.480
<v Speaker 1>was Hades's kid. He didn't want to be in the underworld.

458
00:34:38.519 --> 00:34:40.320
<v Speaker 1>He didn't want to be in Tartarus anymore. He wanted

459
00:34:40.320 --> 00:34:43.519
<v Speaker 1>to be on Mount Olympus. He didn't know why, but

460
00:34:44.039 --> 00:34:46.519
<v Speaker 1>looking through this mirror, he got this impression that that's

461
00:34:46.559 --> 00:34:51.000
<v Speaker 1>where he was supposed to be. Well, this interdimensional Hera

462
00:34:51.199 --> 00:34:54.519
<v Speaker 1>decided to take advantage of that and start killing them off. Well,

463
00:34:55.800 --> 00:34:59.519
<v Speaker 1>if you look at Jesus, Jesus would be another interdimensional

464
00:34:59.679 --> 00:35:04.760
<v Speaker 1>version of Dionysus. If you look at Osiris, he's another

465
00:35:04.840 --> 00:35:10.199
<v Speaker 1>interdimensional version of Zagrias right, he's split apart, he's torn

466
00:35:10.239 --> 00:35:14.199
<v Speaker 1>apart into pieces. So what you end up seeing there

467
00:35:14.320 --> 00:35:16.440
<v Speaker 1>is that maybe they were discussing some kind of a

468
00:35:16.519 --> 00:35:21.880
<v Speaker 1>deep spiritual principle behind this multidimensional consciousness that's in all

469
00:35:21.960 --> 00:35:24.960
<v Speaker 1>of these different narratives today. So, you know, people think

470
00:35:25.039 --> 00:35:27.119
<v Speaker 1>that this multiverse idea is something.

471
00:35:26.920 --> 00:35:27.519
<v Speaker 3>New, but it's not.

472
00:35:28.440 --> 00:35:30.400
<v Speaker 1>It's not new at all. It goes back to really

473
00:35:30.519 --> 00:35:34.559
<v Speaker 1>ancient versions of these Dinysis stories. And if you look

474
00:35:34.599 --> 00:35:37.920
<v Speaker 1>at how Dionysus were born over and over and over

475
00:35:38.000 --> 00:35:41.800
<v Speaker 1>again in all these different different cultures, it's hard not

476
00:35:41.920 --> 00:35:45.679
<v Speaker 1>to understand that that goes back to the Dionysus origin story.

477
00:35:45.840 --> 00:35:49.639
<v Speaker 1>You know, he's a multidimensional guy on different planes of consciousness.

478
00:35:49.880 --> 00:35:53.800
<v Speaker 1>And if these are a bunch of different timelines that

479
00:35:53.880 --> 00:35:57.239
<v Speaker 1>are being smashed together, like they talk about with all

480
00:35:57.320 --> 00:36:01.159
<v Speaker 1>of this glitch in the matrix story, maybe that's not

481
00:36:01.320 --> 00:36:03.679
<v Speaker 1>something new. Maybe this has to do with some sort

482
00:36:03.679 --> 00:36:09.159
<v Speaker 1>of cosmic weather. You know, as we're traveling throughout this galaxy,

483
00:36:09.320 --> 00:36:12.199
<v Speaker 1>throughout the Solar System, maybe there are different forms of

484
00:36:12.239 --> 00:36:15.440
<v Speaker 1>cosmic weather that are influencing how these timelines are merging

485
00:36:15.519 --> 00:36:19.360
<v Speaker 1>into each other. Maybe there's a version out there of

486
00:36:19.480 --> 00:36:26.360
<v Speaker 1>this Cairos figure that is figuring out on a kind

487
00:36:26.400 --> 00:36:30.000
<v Speaker 1>of an ai basis how to maintain the balance while

488
00:36:30.079 --> 00:36:32.679
<v Speaker 1>also incorporating different timelines.

489
00:36:35.400 --> 00:36:37.599
<v Speaker 4>Well, that is all fascinating. I was going to say

490
00:36:37.679 --> 00:36:41.960
<v Speaker 4>that that whole story, I mean, beck in so many

491
00:36:42.079 --> 00:36:47.920
<v Speaker 4>like allegories and sci fi movies too. But it also

492
00:36:49.079 --> 00:36:50.800
<v Speaker 4>makes me think of and I'm sure I'm not the

493
00:36:50.880 --> 00:36:56.840
<v Speaker 4>only one, the tool that John d would use for

494
00:36:57.000 --> 00:37:03.039
<v Speaker 4>his scrying right, and he obtained it apparently from Aztecs

495
00:37:03.480 --> 00:37:07.920
<v Speaker 4>or somewhere in the Americas anyway, which and it had

496
00:37:08.000 --> 00:37:11.519
<v Speaker 4>the same kind of idea, but but more so as

497
00:37:11.760 --> 00:37:14.679
<v Speaker 4>what you were getting into what made me think You

498
00:37:14.800 --> 00:37:18.800
<v Speaker 4>made me think about how they were really asking in

499
00:37:19.280 --> 00:37:25.159
<v Speaker 4>the most profound, magical, if you wish manner, what if?

500
00:37:26.800 --> 00:37:30.000
<v Speaker 4>And it just made me think of that the power

501
00:37:30.159 --> 00:37:36.039
<v Speaker 4>of asking what if we did this differently leads to

502
00:37:36.320 --> 00:37:41.400
<v Speaker 4>such a developmental kind of orientation of like, we don't

503
00:37:41.480 --> 00:37:43.079
<v Speaker 4>have to do it one way, we could do it

504
00:37:43.199 --> 00:37:46.119
<v Speaker 4>the other way. We've we've thought about it a lot,

505
00:37:46.280 --> 00:37:48.519
<v Speaker 4>and I think it's better to do it this way.

506
00:37:49.679 --> 00:37:52.079
<v Speaker 4>So just kind of I feel like it has a

507
00:37:52.159 --> 00:37:56.400
<v Speaker 4>powerful effect on the psyche. If you will, and I

508
00:37:56.480 --> 00:38:02.639
<v Speaker 4>think overall, even fortune or misfortune or you know, is

509
00:38:02.719 --> 00:38:05.679
<v Speaker 4>it miss or miss I don't know, but the fickle

510
00:38:05.880 --> 00:38:11.159
<v Speaker 4>nature of her really if for me, I think many

511
00:38:11.199 --> 00:38:14.000
<v Speaker 4>people might respond to it differently. I guess over time,

512
00:38:14.079 --> 00:38:17.719
<v Speaker 4>but I think most people and myself, it makes me

513
00:38:17.880 --> 00:38:23.559
<v Speaker 4>think of of being motivated to take action in a

514
00:38:23.800 --> 00:38:31.480
<v Speaker 4>very scary, dangerous world where you could die real easy,

515
00:38:32.400 --> 00:38:36.679
<v Speaker 4>but you're inspired to take action and overcome that fear

516
00:38:36.800 --> 00:38:42.599
<v Speaker 4>because of the fickleness of Mischance, who has this weird

517
00:38:43.199 --> 00:38:46.840
<v Speaker 4>nature and really so to humans in a way, has

518
00:38:46.960 --> 00:38:51.639
<v Speaker 4>this weird nature to help those that help themselves right,

519
00:38:52.360 --> 00:38:55.119
<v Speaker 4>And it makes me think of kind of the union

520
00:38:55.400 --> 00:39:01.119
<v Speaker 4>of martial and meditative arts, and even in this idea

521
00:39:01.159 --> 00:39:06.800
<v Speaker 4>of luck and just a very human consciousness behavior idea

522
00:39:07.480 --> 00:39:10.960
<v Speaker 4>is that we won't help someone who doesn't help themselves.

523
00:39:11.920 --> 00:39:16.519
<v Speaker 4>If we see someone who's helping themselves were and they

524
00:39:16.599 --> 00:39:20.000
<v Speaker 4>need help, we really are motivated to help them. If

525
00:39:20.320 --> 00:39:24.159
<v Speaker 4>they are not helping themselves, we're not motivated.

526
00:39:26.719 --> 00:39:28.039
<v Speaker 2>Oh damn, we lost them again.

527
00:39:33.719 --> 00:39:38.239
<v Speaker 1>Oh well, well, yeah, I think it's your perception of

528
00:39:38.480 --> 00:39:41.639
<v Speaker 1>luck that has a lot to do with the outcome

529
00:39:42.280 --> 00:39:46.880
<v Speaker 1>of these things. And so this is goes back into superstition, like, well,

530
00:39:46.920 --> 00:39:49.440
<v Speaker 1>why do you have the rabbit's foot? Don't ask why,

531
00:39:49.960 --> 00:39:53.280
<v Speaker 1>just know that you have it. You know, why do

532
00:39:53.360 --> 00:39:57.920
<v Speaker 1>you have the horseshoe. Don't ask why, just know that

533
00:39:58.039 --> 00:40:00.880
<v Speaker 1>you have it. You've got the horseshoe, You've got the MacGuffin,

534
00:40:00.960 --> 00:40:04.360
<v Speaker 1>You've got the thing that does the thing. And as

535
00:40:04.440 --> 00:40:07.679
<v Speaker 1>long as you believe it, then you're going to have

536
00:40:07.840 --> 00:40:14.480
<v Speaker 1>that luck, right, because it's a way of subverting your

537
00:40:15.880 --> 00:40:22.559
<v Speaker 1>antipathy or your you know, fear, because fear is the

538
00:40:22.760 --> 00:40:30.000
<v Speaker 1>best way to get into that taichi Nemorensis or nemesis. Right,

539
00:40:30.119 --> 00:40:32.760
<v Speaker 1>the more afraid you are, the more manifesting of fear

540
00:40:33.599 --> 00:40:36.280
<v Speaker 1>you are in your life, and the more fear you

541
00:40:36.400 --> 00:40:38.599
<v Speaker 1>have in your life, the more likely it is that

542
00:40:38.639 --> 00:40:43.000
<v Speaker 1>you're going to attract those things. So the depiction of

543
00:40:43.480 --> 00:40:47.719
<v Speaker 1>Taiche throughout these different myths, sometimes they would refer to

544
00:40:47.880 --> 00:40:52.480
<v Speaker 1>her as being blind, right, She's not blind necessarily, but

545
00:40:52.840 --> 00:40:56.280
<v Speaker 1>she's seeing through your eyes. And then they would talk

546
00:40:56.360 --> 00:41:01.079
<v Speaker 1>about how sometimes Tayche can can become overly board with

547
00:41:01.199 --> 00:41:04.280
<v Speaker 1>whatever situation she's looking at. Want to change things up.

548
00:41:04.920 --> 00:41:06.760
<v Speaker 1>I want to throw those dice to see what else

549
00:41:06.840 --> 00:41:10.039
<v Speaker 1>she could throw in there. And that's that's a big

550
00:41:10.119 --> 00:41:13.800
<v Speaker 1>part of that, uh, that superstition as well. You know, uh,

551
00:41:14.079 --> 00:41:16.159
<v Speaker 1>you have to be constantly on your toes. You have

552
00:41:16.239 --> 00:41:22.199
<v Speaker 1>to be constantly vigilant to avoid upsetting her, you know what,

553
00:41:22.360 --> 00:41:26.119
<v Speaker 1>Fortune will be upset at you. And so I think

554
00:41:26.159 --> 00:41:28.079
<v Speaker 1>a lot of this, Uh, if you want to play

555
00:41:28.159 --> 00:41:32.800
<v Speaker 1>that next video by the let me see what's it

556
00:41:32.840 --> 00:41:36.199
<v Speaker 1>called the prayer to Fortune. Now, a lot of these

557
00:41:37.320 --> 00:41:39.840
<v Speaker 1>orphic hymns, they were in Latin by the time we

558
00:41:39.960 --> 00:41:45.119
<v Speaker 1>got them, and so you can see the prayer to Fortuna.

559
00:41:45.199 --> 00:41:49.960
<v Speaker 1>You can see she's got that blindfold on head.

560
00:41:50.000 --> 00:41:51.320
<v Speaker 4>Listen, can you remind us what what?

561
00:41:51.639 --> 00:41:52.440
<v Speaker 5>What was played?

562
00:41:53.119 --> 00:41:56.280
<v Speaker 4>Firstly? And is that orphic too?

563
00:41:57.079 --> 00:42:00.280
<v Speaker 1>No, that was much later on. That was a whole

564
00:42:00.360 --> 00:42:03.840
<v Speaker 1>poem because this guy was really feeling bad about himself

565
00:42:04.320 --> 00:42:06.800
<v Speaker 1>and so he wrote that is you know, Fortune, you

566
00:42:07.239 --> 00:42:11.320
<v Speaker 1>despicable tyrant. You're constantly beating us down. Is there anything

567
00:42:11.400 --> 00:42:13.920
<v Speaker 1>we can do to get out from under this horrible

568
00:42:14.519 --> 00:42:18.840
<v Speaker 1>judgment that you're constantly putting on us? And so, you know,

569
00:42:18.960 --> 00:42:21.679
<v Speaker 1>it's like the lament of mortals. The more you see

570
00:42:21.719 --> 00:42:25.800
<v Speaker 1>it from that, oh Fortuna perspective, the worst things get

571
00:42:25.880 --> 00:42:29.880
<v Speaker 1>for you. But that's why it's so like grandiose and

572
00:42:30.000 --> 00:42:34.519
<v Speaker 1>so you know, oppressive, and you know everything else is

573
00:42:34.559 --> 00:42:38.679
<v Speaker 1>because it's just it's difficult to deal with. And it's

574
00:42:38.679 --> 00:42:40.159
<v Speaker 1>all about that perception.

575
00:42:43.159 --> 00:42:46.760
<v Speaker 4>And talent. When you when you balance things like those scales,

576
00:42:46.840 --> 00:42:48.840
<v Speaker 4>you can really enhance your perception.

577
00:42:49.440 --> 00:42:52.800
<v Speaker 1>Right, right, those scales really have to do a lot

578
00:42:52.880 --> 00:42:55.320
<v Speaker 1>with how you see the world and how how you're

579
00:42:55.440 --> 00:42:58.239
<v Speaker 1>enjoying yourself, how you're enjoying your your time.

580
00:42:58.119 --> 00:43:20.559
<v Speaker 7>Here self, approach strong fortune with propitious mind and rich

581
00:43:20.719 --> 00:43:26.920
<v Speaker 7>abundance to my prayer. Inclined, placid and gentle. Hecity might

582
00:43:27.079 --> 00:43:36.840
<v Speaker 7>be named Imperial Artemis, born of Pluto. Famed mankind's unconquered,

583
00:43:37.360 --> 00:43:44.880
<v Speaker 7>endless praise is yours sepulchral, widely wandering power divine in you,

584
00:43:45.559 --> 00:43:51.079
<v Speaker 7>Our various mortal life is found, and some from eucopious

585
00:43:51.280 --> 00:43:59.039
<v Speaker 7>wealth abounds, while others mourn Your hand of verstablas in

586
00:43:59.280 --> 00:44:04.639
<v Speaker 7>all the bitter of deep distress. Be present, Goddess to

587
00:44:04.880 --> 00:44:09.599
<v Speaker 7>we who worship you, and give abundance with a benevolent mind,

588
00:44:12.920 --> 00:44:17.679
<v Speaker 7>Goddess of Fate, I call upon thee enter my circle

589
00:44:17.840 --> 00:44:21.840
<v Speaker 7>and come to me you know every secret, and I'm

590
00:44:21.920 --> 00:44:26.239
<v Speaker 7>eager to learn. Clear my paths and let your wheel turn.

591
00:44:29.639 --> 00:44:34.119
<v Speaker 7>Bless my life with good luck and fortune. Fill me

592
00:44:34.280 --> 00:44:39.000
<v Speaker 7>with spiritual and material wealth. Pluck the vibrating strings of

593
00:44:39.199 --> 00:44:47.280
<v Speaker 7>destiny and fate. Approach strong fortune with propitious mind and

594
00:44:47.639 --> 00:44:50.800
<v Speaker 7>rich abundance to my prayer inclined.

595
00:45:02.079 --> 00:45:05.400
<v Speaker 1>So yeah, you can see a lot of goddesses and

596
00:45:05.559 --> 00:45:11.679
<v Speaker 1>gods in there, like Artemis associated with fortune. Well, she's

597
00:45:11.719 --> 00:45:15.039
<v Speaker 1>the huntress, right, and if you don't have that fortune

598
00:45:15.079 --> 00:45:18.199
<v Speaker 1>out on the hunt, you're never gonna run across the

599
00:45:18.280 --> 00:45:20.800
<v Speaker 1>deer that you can kill. I mean, it's very much

600
00:45:21.000 --> 00:45:24.719
<v Speaker 1>entwined with all that stuff. And again plucking the strings

601
00:45:24.760 --> 00:45:27.079
<v Speaker 1>of fate, well, you know the moid I or the

602
00:45:27.559 --> 00:45:31.639
<v Speaker 1>you know the fates, they only had one eye between them.

603
00:45:31.880 --> 00:45:34.559
<v Speaker 1>And she's got the blindfold on, so you can really

604
00:45:34.599 --> 00:45:38.679
<v Speaker 1>see how these implements are then coming together. The judgment card,

605
00:45:39.320 --> 00:45:43.280
<v Speaker 1>she's got the blindfold on, right, blind judgment. Back to

606
00:45:43.400 --> 00:45:48.480
<v Speaker 1>that same symbol you look up decay or the daughter

607
00:45:48.760 --> 00:45:53.920
<v Speaker 1>of themis themis is the original one holding the scales

608
00:45:53.960 --> 00:46:00.559
<v Speaker 1>with the sword and what you find in the amenities

609
00:46:01.519 --> 00:46:05.760
<v Speaker 1>on nature. He talks about this woman with the scales

610
00:46:05.960 --> 00:46:08.280
<v Speaker 1>and the well, he says, the woman with the sword

611
00:46:08.360 --> 00:46:12.159
<v Speaker 1>guarding the temple of the Knight or the temple of Nicks.

612
00:46:13.159 --> 00:46:17.079
<v Speaker 1>And so he's talking about how fortune is also involved

613
00:46:17.119 --> 00:46:19.440
<v Speaker 1>in being able to see the world for is what

614
00:46:19.559 --> 00:46:23.400
<v Speaker 1>it really is. And everybody agrees that Parmenides was the

615
00:46:23.559 --> 00:46:30.000
<v Speaker 1>start of this formalized philosophy, and when he made on nature,

616
00:46:30.599 --> 00:46:37.920
<v Speaker 1>he formalized it in the phrase nature cannot contradict itself.

617
00:46:38.519 --> 00:46:42.800
<v Speaker 1>And so this basic non contradictory worldview was inspired by

618
00:46:43.119 --> 00:46:49.239
<v Speaker 1>this sort of vision journey that he took into this

619
00:46:49.800 --> 00:46:52.719
<v Speaker 1>palace of the night. Now, if you're not really up

620
00:46:52.960 --> 00:46:57.039
<v Speaker 1>to speed on all of these different Greek symbols, you

621
00:46:57.159 --> 00:46:59.480
<v Speaker 1>have no idea what he's talking about. But once you

622
00:46:59.559 --> 00:47:03.679
<v Speaker 1>see all the symbols come together into this cornucopia of knowledge,

623
00:47:04.119 --> 00:47:08.119
<v Speaker 1>right then you could start to understand exactly what he's

624
00:47:08.119 --> 00:47:11.239
<v Speaker 1>seeing and how it relates directly to these things. And again,

625
00:47:11.679 --> 00:47:14.400
<v Speaker 1>all of these symbols are just jam packed into that

626
00:47:14.599 --> 00:47:18.679
<v Speaker 1>taro because the people who studied these orphic hymns were

627
00:47:18.760 --> 00:47:21.599
<v Speaker 1>trying to put it together in a way that would

628
00:47:21.760 --> 00:47:25.480
<v Speaker 1>honor the gods, in a way that the gods were

629
00:47:25.599 --> 00:47:28.079
<v Speaker 1>used to and the gods were used to being very

630
00:47:28.119 --> 00:47:31.559
<v Speaker 1>heavily associated to these implements. So you've got the coins.

631
00:47:31.880 --> 00:47:36.480
<v Speaker 1>Fortuna was all over Roman coins, right, because this is

632
00:47:36.519 --> 00:47:38.480
<v Speaker 1>what you were trying to bring in, and you see

633
00:47:38.480 --> 00:47:42.960
<v Speaker 1>it in that hymn. There's constantly talking about please be propitious.

634
00:47:43.280 --> 00:47:47.159
<v Speaker 1>Propitious means we offer you something to get something back.

635
00:47:47.679 --> 00:47:52.239
<v Speaker 1>They're not talking about faith, they're talking about propitiousness. It's

636
00:47:52.320 --> 00:47:54.920
<v Speaker 1>not about how much they believe in you. It's about

637
00:47:55.239 --> 00:47:59.199
<v Speaker 1>how they can trade with you. Because you know, these

638
00:47:59.280 --> 00:48:02.880
<v Speaker 1>ancient Roman and Greek religions were not about faith. It

639
00:48:03.039 --> 00:48:07.119
<v Speaker 1>was just this is what it is. And you really

640
00:48:07.239 --> 00:48:11.679
<v Speaker 1>lose a lot of that when it gets kind of

641
00:48:11.760 --> 00:48:15.000
<v Speaker 1>cultified into Christianity, where you have to believe to be

642
00:48:15.079 --> 00:48:17.000
<v Speaker 1>a part, you have to believe. We don't believe that

643
00:48:17.039 --> 00:48:20.639
<v Speaker 1>you're believing enough, you know, So it became that sort

644
00:48:20.679 --> 00:48:25.000
<v Speaker 1>of mental thing instead of a physical thing. The physical

645
00:48:25.199 --> 00:48:31.119
<v Speaker 1>act of bringing sacrifices to the temple, offering of what

646
00:48:31.320 --> 00:48:35.480
<v Speaker 1>you've made, offering a part of what you've stolen from

647
00:48:35.519 --> 00:48:40.079
<v Speaker 1>the land was important and it didn't matter if you

648
00:48:40.159 --> 00:48:42.159
<v Speaker 1>believed in them or not. What you wanted to do

649
00:48:42.679 --> 00:48:46.320
<v Speaker 1>is you wanted to make the offerings so that they

650
00:48:46.400 --> 00:48:51.480
<v Speaker 1>knew you appreciated them forgiving you all these different links,

651
00:48:51.599 --> 00:48:55.079
<v Speaker 1>all these different ideas that came together in this form

652
00:48:55.159 --> 00:48:57.679
<v Speaker 1>of energy that allowed you to get the thing. So

653
00:48:57.840 --> 00:49:00.360
<v Speaker 1>if you've got a deer, you should offer part of

654
00:49:00.400 --> 00:49:03.519
<v Speaker 1>it to the gods who allowed you to get that deer.

655
00:49:04.239 --> 00:49:06.559
<v Speaker 1>It goes back to the moiitai or the fates. If

656
00:49:06.599 --> 00:49:09.639
<v Speaker 1>it was your fate to receive that deer. You need

657
00:49:09.719 --> 00:49:12.440
<v Speaker 1>to pay the fates back. You know, if you're having

658
00:49:12.480 --> 00:49:14.920
<v Speaker 1>a wonderful life, you need to be able to balance

659
00:49:15.000 --> 00:49:18.000
<v Speaker 1>on those scales exactly what you need to give back

660
00:49:18.039 --> 00:49:20.559
<v Speaker 1>to the gods so that they know you appreciate about it.

661
00:49:23.760 --> 00:49:27.360
<v Speaker 4>It reminds me the idea of luck and dealing with

662
00:49:27.639 --> 00:49:32.679
<v Speaker 4>the fates reminds me of kind of I don't want

663
00:49:32.719 --> 00:49:35.719
<v Speaker 4>to call it New Age bs necessarily, but it's kind

664
00:49:35.760 --> 00:49:40.920
<v Speaker 4>of as hearkens to that idea, which is kind of

665
00:49:41.119 --> 00:49:48.679
<v Speaker 4>a dilution even from that poorly practiced Christian stuff. The

666
00:49:49.400 --> 00:49:52.360
<v Speaker 4>notion when someone whenever someone says, oh the energy is

667
00:49:52.480 --> 00:49:55.119
<v Speaker 4>off today, it's a bad the energy is bad today,

668
00:49:55.280 --> 00:49:58.480
<v Speaker 4>or they're having a bad time that day, so they

669
00:49:58.599 --> 00:50:01.480
<v Speaker 4>say something akin to that. Uh, And I always want

670
00:50:01.519 --> 00:50:05.480
<v Speaker 4>to say, or I always think by way of my

671
00:50:05.639 --> 00:50:09.760
<v Speaker 4>own expression of that, not necessarily other people, but I

672
00:50:09.880 --> 00:50:12.639
<v Speaker 4>always want to say to them. And I don't, you know,

673
00:50:13.000 --> 00:50:17.480
<v Speaker 4>be it trying to try not to be confrontational, But no,

674
00:50:17.760 --> 00:50:22.119
<v Speaker 4>am I still there? Nick just just moved on. What

675
00:50:22.280 --> 00:50:26.199
<v Speaker 4>did you do yesterday to make the energy off today?

676
00:50:26.320 --> 00:50:30.079
<v Speaker 4>Because when you're stable, when you're dealing with things properly,

677
00:50:31.559 --> 00:50:34.719
<v Speaker 4>you you know, you don't you don't worry about the

678
00:50:34.920 --> 00:50:38.559
<v Speaker 4>energy that day. It's you know, what you did yesterday

679
00:50:39.079 --> 00:50:45.639
<v Speaker 4>really gets the fates going. And in in martial art

680
00:50:45.760 --> 00:50:55.239
<v Speaker 4>practices and probably Buddhist titles and recognition, there's certain levels

681
00:50:55.320 --> 00:51:02.840
<v Speaker 4>that one attains where essentially something can into sharp pointed

682
00:51:03.000 --> 00:51:07.559
<v Speaker 4>our objects will not harm you, and you know, blunt weapon,

683
00:51:07.840 --> 00:51:12.639
<v Speaker 4>we weapon, we will miss you, and the boulders will

684
00:51:12.679 --> 00:51:15.320
<v Speaker 4>not fall on your head, and all these things that

685
00:51:15.639 --> 00:51:19.280
<v Speaker 4>kind of you could read like luck, but also like

686
00:51:20.000 --> 00:51:23.920
<v Speaker 4>maybe they're just kind of smart enough or practiced enough

687
00:51:24.039 --> 00:51:28.079
<v Speaker 4>at that point that they don't walk underneath a cliff fall,

688
00:51:29.320 --> 00:51:31.679
<v Speaker 4>or don't go to the bar where there's going to

689
00:51:31.679 --> 00:51:36.920
<v Speaker 4>be a knife fight, you know, is another idea, And

690
00:51:37.400 --> 00:51:43.280
<v Speaker 4>to that martial art, I kind of correspondence in in uh.

691
00:51:43.880 --> 00:51:46.239
<v Speaker 4>I believe it's a Japanese word, but this is in

692
00:51:46.360 --> 00:51:51.119
<v Speaker 4>every martial art. Whenever you move or in every posture,

693
00:51:51.679 --> 00:51:56.000
<v Speaker 4>there is a ski which is an opening, and so

694
00:51:56.679 --> 00:52:00.199
<v Speaker 4>h one the idea is to kind of look the

695
00:52:00.280 --> 00:52:04.800
<v Speaker 4>opportunity that the opposition presents itself. And or when when

696
00:52:04.920 --> 00:52:10.239
<v Speaker 4>considering fortuna or tichi uh, you you you want to

697
00:52:10.320 --> 00:52:16.039
<v Speaker 4>really like roll with it and understand that that's your

698
00:52:16.119 --> 00:52:20.440
<v Speaker 4>best way, even when it seems kind of negative. I

699
00:52:21.880 --> 00:52:27.000
<v Speaker 4>was also I was thinking about Boethius, right, who wrote

700
00:52:27.039 --> 00:52:31.920
<v Speaker 4>The Consolation of Philosophy, and I think some people call

701
00:52:32.079 --> 00:52:36.719
<v Speaker 4>him like the last Roman philosopher, right, because he was

702
00:52:36.880 --> 00:52:40.679
<v Speaker 4>like kind of like after that Rome fell, you know,

703
00:52:41.760 --> 00:52:49.039
<v Speaker 4>and Bollethius was stuck in prison, and I believe he

704
00:52:49.280 --> 00:52:53.800
<v Speaker 4>was executed or maybe if is it fictional or nonfiction,

705
00:52:53.920 --> 00:52:57.880
<v Speaker 4>I forget if it was real. But Boethius is in

706
00:52:58.000 --> 00:53:04.239
<v Speaker 4>prison and he writes the Consolation of Philosophy, philosophy being

707
00:53:05.239 --> 00:53:11.960
<v Speaker 4>the embodiment of a woman in his mind, but really fortune, right,

708
00:53:12.159 --> 00:53:15.960
<v Speaker 4>Philosophy and fortune kind of being the same thing in

709
00:53:16.119 --> 00:53:20.239
<v Speaker 4>this Consolation of Philosophy, which has really got some great

710
00:53:20.440 --> 00:53:25.199
<v Speaker 4>humor in it as well as its lessons. But there's

711
00:53:25.199 --> 00:53:28.719
<v Speaker 4>a couple of little quick quote quotes on fortune which

712
00:53:28.800 --> 00:53:32.320
<v Speaker 4>really kind of underlines what you've been saying.

713
00:53:32.599 --> 00:53:32.639
<v Speaker 6>This.

714
00:53:34.039 --> 00:53:40.719
<v Speaker 4>All fortune is good fortune, for it either rewards, disciplines, amends,

715
00:53:41.280 --> 00:53:46.840
<v Speaker 4>or punishes, and so is either useful or just There's

716
00:53:46.920 --> 00:53:51.199
<v Speaker 4>that justice and two other little quick ones. The greatest

717
00:53:51.320 --> 00:53:56.679
<v Speaker 4>misery in adverse fortune is once to have been happy.

718
00:53:58.320 --> 00:54:04.800
<v Speaker 4>Excuse me, Lady Fortune shows her constancy by being inconstant.

719
00:54:05.519 --> 00:54:08.320
<v Speaker 4>Were she ever to stop the spinning of her wheel,

720
00:54:08.840 --> 00:54:14.119
<v Speaker 4>she would no longer be fortune. So like the the

721
00:54:14.280 --> 00:54:19.360
<v Speaker 4>Boethius consolation of philosophy, is a rich kind of aspect

722
00:54:19.440 --> 00:54:22.199
<v Speaker 4>of all this as as it turns out.

723
00:54:23.239 --> 00:54:24.960
<v Speaker 1>Right, and that really gets to the heart of it.

724
00:54:25.119 --> 00:54:27.119
<v Speaker 1>You know, what are we doing? What are we learning

725
00:54:27.239 --> 00:54:32.320
<v Speaker 1>from our fortunes? And that fortune of knowledge is something

726
00:54:32.400 --> 00:54:34.880
<v Speaker 1>that can't be replaced. Once you've got the experience of

727
00:54:34.960 --> 00:54:38.360
<v Speaker 1>the thing, you you then can use it or you

728
00:54:38.440 --> 00:54:41.760
<v Speaker 1>don't learn from it, you know, and you end up

729
00:54:41.800 --> 00:54:46.360
<v Speaker 1>repeating it. And so it really goes hard into that

730
00:54:46.880 --> 00:54:51.119
<v Speaker 1>realm as well. And I wanted to bring up spirits

731
00:54:51.320 --> 00:54:57.159
<v Speaker 1>daimonis as the Greeks called them, because Aristotle talks about

732
00:54:57.239 --> 00:55:02.320
<v Speaker 1>his daimonas which was a gas fly, and a gadfly

733
00:55:02.800 --> 00:55:08.199
<v Speaker 1>is something that basically it's a fighting insect, right, and

734
00:55:08.400 --> 00:55:15.280
<v Speaker 1>so Aristotle demones would always be there to whisper in

735
00:55:15.320 --> 00:55:19.719
<v Speaker 1>his ear what he must not do, right, So it

736
00:55:19.840 --> 00:55:21.840
<v Speaker 1>kind of goes into that as well. It's like his

737
00:55:22.320 --> 00:55:24.679
<v Speaker 1>fortune is to have this thing in his ear that

738
00:55:24.760 --> 00:55:29.519
<v Speaker 1>would tell him not to do something, and so it's

739
00:55:29.679 --> 00:55:32.000
<v Speaker 1>it's kind of that idea of riding that fate, that

740
00:55:32.280 --> 00:55:36.079
<v Speaker 1>that wave. Maybe having a little bit of that understanding

741
00:55:36.280 --> 00:55:40.519
<v Speaker 1>of the spirit world goes into your fate as well.

742
00:55:40.719 --> 00:55:44.360
<v Speaker 1>And so this goes back to knowing yourself and if

743
00:55:44.440 --> 00:55:47.440
<v Speaker 1>you know yourself and you have those connections with these daimones.

744
00:55:47.679 --> 00:55:51.679
<v Speaker 1>Daimonis is just the generic term in Greek for spirit,

745
00:55:51.760 --> 00:55:56.320
<v Speaker 1>but it got turned into demons. Obviously, we're not talking

746
00:55:56.440 --> 00:55:59.440
<v Speaker 1>too much about those those demons that other people have

747
00:55:59.639 --> 00:56:04.800
<v Speaker 1>carried with them. When it comes to you know, why

748
00:56:04.880 --> 00:56:05.639
<v Speaker 1>does God hate me?

749
00:56:05.960 --> 00:56:06.159
<v Speaker 4>You know?

750
00:56:06.320 --> 00:56:09.719
<v Speaker 1>Why is God punishing me? It's the same idea, it's

751
00:56:09.760 --> 00:56:13.320
<v Speaker 1>the fortunes. Why am I afflicted by these demons? Well?

752
00:56:14.800 --> 00:56:18.000
<v Speaker 1>Is it your are you learning from it? Or are

753
00:56:18.159 --> 00:56:19.480
<v Speaker 1>we stuck on the wheel?

754
00:56:20.119 --> 00:56:20.280
<v Speaker 6>You know?

755
00:56:20.639 --> 00:56:22.880
<v Speaker 1>Are we giving ourselves over to the wheel because we're

756
00:56:22.880 --> 00:56:26.599
<v Speaker 1>not learning from it? And in a lot of ways,

757
00:56:26.679 --> 00:56:31.119
<v Speaker 1>I think that knowing yourself gets you more in touch

758
00:56:31.159 --> 00:56:35.559
<v Speaker 1>with the daimonas is because the Greeks had this this

759
00:56:35.719 --> 00:56:39.000
<v Speaker 1>ability that we don't have today, which is where they

760
00:56:39.039 --> 00:56:41.360
<v Speaker 1>would know the difference between the voice in their head

761
00:56:41.840 --> 00:56:43.639
<v Speaker 1>and the voice of the gods. They would know the

762
00:56:43.679 --> 00:56:47.679
<v Speaker 1>difference between a prophetic dream and just a regular run

763
00:56:47.760 --> 00:56:52.800
<v Speaker 1>of the mill, crazy craziness dream. Now could that be

764
00:56:53.360 --> 00:56:56.800
<v Speaker 1>because of their cultural connection to the land and their

765
00:56:56.840 --> 00:57:02.039
<v Speaker 1>cultural connected connectedness to these ideas that allowed them to

766
00:57:02.159 --> 00:57:05.280
<v Speaker 1>have the fortune to build things like the Parthenon and

767
00:57:05.559 --> 00:57:08.760
<v Speaker 1>build these you know, beautiful things that have survived to

768
00:57:08.840 --> 00:57:11.519
<v Speaker 1>this day. And what are we what are we doing

769
00:57:11.559 --> 00:57:13.199
<v Speaker 1>if we don't have a little bit of an eye

770
00:57:13.239 --> 00:57:17.360
<v Speaker 1>to that, to that fortune as well, because to look

771
00:57:17.440 --> 00:57:21.239
<v Speaker 1>at what they accomplished and what we're going through today,

772
00:57:21.360 --> 00:57:25.159
<v Speaker 1>it's like, how could these things even mesh up? Maybe

773
00:57:26.000 --> 00:57:29.519
<v Speaker 1>that idea of the fortunes and being connected to these daimonas.

774
00:57:29.840 --> 00:57:33.599
<v Speaker 1>The daimonas were then converted in the Bible to the

775
00:57:33.679 --> 00:57:36.440
<v Speaker 1>princes and powers of the air. So you had the

776
00:57:36.559 --> 00:57:40.079
<v Speaker 1>Greek daimonas that was talked about in the Seven Nations, right,

777
00:57:40.840 --> 00:57:44.239
<v Speaker 1>and so this Greek daimonis was given, you know, a

778
00:57:44.400 --> 00:57:48.320
<v Speaker 1>name and talked about as this evil, oppressive principle of

779
00:57:48.440 --> 00:57:49.960
<v Speaker 1>this foreign people.

780
00:57:50.760 --> 00:57:50.880
<v Speaker 3>Right.

781
00:57:51.639 --> 00:57:55.280
<v Speaker 1>Well, I'm not saying it's wrong, because that that uh,

782
00:57:56.039 --> 00:57:59.920
<v Speaker 1>that term, that idea was originally coming from that Greek

783
00:58:00.159 --> 00:58:03.239
<v Speaker 1>concept of understanding that these different people with these different

784
00:58:03.239 --> 00:58:06.960
<v Speaker 1>cultures would end up having a different perspective based off

785
00:58:07.000 --> 00:58:08.840
<v Speaker 1>of the words they use and all the rest of

786
00:58:08.920 --> 00:58:11.760
<v Speaker 1>these things that would add up together to make that culture,

787
00:58:12.440 --> 00:58:14.880
<v Speaker 1>you know. So, yeah, there is a difference in these

788
00:58:15.119 --> 00:58:18.239
<v Speaker 1>these different peoples based off of these cultural factors and

789
00:58:18.440 --> 00:58:20.559
<v Speaker 1>based off of these familial bonds and all the rest

790
00:58:20.599 --> 00:58:24.840
<v Speaker 1>of these things, how they looked at their ancestors that

791
00:58:24.960 --> 00:58:28.719
<v Speaker 1>would add up to that fortune seeing things a different way.

792
00:58:29.639 --> 00:58:34.000
<v Speaker 1>But when everybody's evil except for me, it starts to

793
00:58:34.079 --> 00:58:36.679
<v Speaker 1>get a little bit into that realm of is this

794
00:58:36.840 --> 00:58:41.320
<v Speaker 1>cultural narcissism, you know, And we have to understand that

795
00:58:41.480 --> 00:58:44.920
<v Speaker 1>in the Old Testament, the word that they used for

796
00:58:45.320 --> 00:58:49.960
<v Speaker 1>nations was goyam, and goyam means cattle. So they were

797
00:58:50.039 --> 00:58:52.960
<v Speaker 1>looking at these other seven nations and they called them

798
00:58:53.000 --> 00:58:57.440
<v Speaker 1>all cattle, right, And that doesn't really translate well if

799
00:58:57.519 --> 00:59:02.199
<v Speaker 1>you're looking at the original text versus what they call

800
00:59:02.280 --> 00:59:04.800
<v Speaker 1>them now, because they weren't called nations, they were called

801
00:59:04.880 --> 00:59:08.719
<v Speaker 1>the goyam. So that's a little bit of an insight

802
00:59:08.840 --> 00:59:14.280
<v Speaker 1>there as to what cultural narcissism really comes across as so,

803
00:59:15.079 --> 00:59:17.920
<v Speaker 1>and they're talking about us, you know, they weren't talking

804
00:59:17.960 --> 00:59:20.239
<v Speaker 1>about other people. They were talking about us as cattle.

805
00:59:20.559 --> 00:59:23.760
<v Speaker 1>And we keep saying this stuff from the Old Testament

806
00:59:23.800 --> 00:59:26.000
<v Speaker 1>over and over again and having it influence our culture.

807
00:59:26.079 --> 00:59:30.639
<v Speaker 1>I think that dimonas of everybody sucks but me is

808
00:59:30.760 --> 00:59:33.920
<v Speaker 1>kind of getting stuck, and maybe we should be aware

809
00:59:33.960 --> 00:59:37.480
<v Speaker 1>of it, because I don't think that's good. I don't

810
00:59:37.480 --> 00:59:40.159
<v Speaker 1>think cultural narcissism is good either. I think what we

811
00:59:40.199 --> 00:59:44.559
<v Speaker 1>should do is be looking towards the balance. Maybe we

812
00:59:44.639 --> 00:59:48.199
<v Speaker 1>shouldn't be viewing ourselves in that perspective. We should have

813
00:59:48.280 --> 00:59:50.960
<v Speaker 1>a more balanced perspective. That's where you get a lot

814
00:59:51.039 --> 00:59:55.199
<v Speaker 1>of the ideas of nobility from right, because nobility seeks balance,

815
00:59:55.519 --> 00:59:59.320
<v Speaker 1>seeks order, seeks justice. Right, that's what the idea of

816
00:59:59.760 --> 01:00:02.599
<v Speaker 1>the most noble in your society, the elites, they would

817
01:00:02.599 --> 01:00:05.360
<v Speaker 1>be looking towards those principles so that they could have

818
01:00:06.320 --> 01:00:10.880
<v Speaker 1>more harmony, right, The ideas of justice and harmony really

819
01:00:10.960 --> 01:00:14.400
<v Speaker 1>go hand in hand. These are implements. On one hand,

820
01:00:14.480 --> 01:00:16.559
<v Speaker 1>You've got the harp, and you can't play the harp

821
01:00:16.639 --> 01:00:20.199
<v Speaker 1>if it's not balanced, you know, if it's not in tune.

822
01:00:21.559 --> 01:00:24.039
<v Speaker 1>So if you're not thinking about the ideas of justice

823
01:00:24.119 --> 01:00:29.000
<v Speaker 1>and harmony, you're really missing out. You're going to have

824
01:00:29.079 --> 01:00:36.440
<v Speaker 1>a disharmonious, disordered society. And that's a hard thing to balance.

825
01:00:36.719 --> 01:00:40.119
<v Speaker 1>You know. That goes back to the razor blade. You know,

826
01:00:40.280 --> 01:00:43.920
<v Speaker 1>that razor blade that Kaidos is holding is a very

827
01:00:44.119 --> 01:00:47.519
<v Speaker 1>very hard thing to balance a scale on, especially if

828
01:00:47.559 --> 01:00:49.760
<v Speaker 1>you're loading up that scale with all the things that

829
01:00:49.840 --> 01:00:53.840
<v Speaker 1>you've done over the years. But you know, I think

830
01:00:53.920 --> 01:00:56.920
<v Speaker 1>this is a this is a really interesting topic that

831
01:00:57.039 --> 01:01:02.440
<v Speaker 1>gets really off and overlooked because, yes, it's not out

832
01:01:02.519 --> 01:01:05.960
<v Speaker 1>there in anything other than the symbols we use. Think

833
01:01:06.000 --> 01:01:09.800
<v Speaker 1>about all the symbols that they use on a slot machine.

834
01:01:10.960 --> 01:01:14.679
<v Speaker 1>What do the cherries mean? Right? What does the bar mean?

835
01:01:14.760 --> 01:01:17.639
<v Speaker 1>What does bar mean? Why is it there? You've got

836
01:01:17.679 --> 01:01:19.679
<v Speaker 1>all the coins, We know what the coins mean. That's

837
01:01:19.719 --> 01:01:23.159
<v Speaker 1>a jackpot, right, But some of the other symbols in

838
01:01:23.199 --> 01:01:27.559
<v Speaker 1>there are incomprehensible, but they're so obvious, they're so in

839
01:01:27.719 --> 01:01:30.840
<v Speaker 1>your face, and they get used over and over again.

840
01:01:31.440 --> 01:01:34.159
<v Speaker 1>Is this is this like the jinks? Are we being

841
01:01:34.400 --> 01:01:35.079
<v Speaker 1>jinxed here?

842
01:01:35.639 --> 01:01:35.840
<v Speaker 5>You know?

843
01:01:36.760 --> 01:01:39.320
<v Speaker 1>Because jinks can be a good or a bad thing

844
01:01:39.440 --> 01:01:43.280
<v Speaker 1>according to you know, the myths of Hecate the wheel

845
01:01:43.360 --> 01:01:45.320
<v Speaker 1>could be you know, very good or it could be

846
01:01:45.440 --> 01:01:47.920
<v Speaker 1>very bad. So what are we sort of bringing into

847
01:01:47.960 --> 01:01:50.679
<v Speaker 1>our lives? And do we understand it? We go to

848
01:01:50.760 --> 01:01:52.840
<v Speaker 1>those one armed bit. I know a lot of people

849
01:01:52.880 --> 01:01:56.159
<v Speaker 1>who go to the casino all the time? Seven seven seven?

850
01:01:56.239 --> 01:01:57.760
<v Speaker 1>What's what's that mean?

851
01:01:58.519 --> 01:01:58.719
<v Speaker 3>You know?

852
01:02:01.119 --> 01:02:04.519
<v Speaker 1>They don't have threes on the bandit? Yeah, everybody's saying it.

853
01:02:06.840 --> 01:02:13.079
<v Speaker 4>I saw, I saw that they frequently referred to tyche

854
01:02:13.280 --> 01:02:18.800
<v Speaker 4>or for tuna, as isis tichy, and isis for tuna, right,

855
01:02:18.960 --> 01:02:25.039
<v Speaker 4>of course, beckoning to Egyptian traditions. And and one one

856
01:02:25.159 --> 01:02:28.159
<v Speaker 4>thing I think the Greeks were obsessed with, and that's

857
01:02:28.199 --> 01:02:33.039
<v Speaker 4>why time, the different aspects of time and of course

858
01:02:33.159 --> 01:02:36.599
<v Speaker 4>fortune they were so compelled by and obsessed with. Even

859
01:02:37.199 --> 01:02:42.239
<v Speaker 4>is right, that sense of order that not isis But

860
01:02:42.519 --> 01:02:47.920
<v Speaker 4>Mahat was more symbolic with as the teacher of.

861
01:02:49.719 --> 01:02:51.760
<v Speaker 1>And I believe she was.

862
01:02:52.039 --> 01:02:59.119
<v Speaker 4>She was spoke in terms of negation, and you made

863
01:02:59.159 --> 01:03:02.880
<v Speaker 4>sure that one did not do a thing. Uh as

864
01:03:02.960 --> 01:03:08.039
<v Speaker 4>you were describing, Uh, the god whispering into the ear

865
01:03:08.280 --> 01:03:09.880
<v Speaker 4>telling the person.

866
01:03:09.760 --> 01:03:11.440
<v Speaker 2>Not this is what not to do.

867
01:03:11.960 --> 01:03:16.599
<v Speaker 4>It's kind of like, uh, reminds me of a tale

868
01:03:16.679 --> 01:03:20.440
<v Speaker 4>of a guru, a teacher and a guru and excuse me,

869
01:03:20.480 --> 01:03:23.360
<v Speaker 4>a student and a guru and the student wants to

870
01:03:23.519 --> 01:03:29.920
<v Speaker 4>learn the mantra to become enlightened, and the guru can't

871
01:03:29.960 --> 01:03:32.320
<v Speaker 4>be bothered with this, you know, for a long time,

872
01:03:32.400 --> 01:03:38.159
<v Speaker 4>and finally he says, okay, okay, I'll tell you ghana podme,

873
01:03:40.199 --> 01:03:44.079
<v Speaker 4>but do not ever think of a monkey when you

874
01:03:44.199 --> 01:03:48.480
<v Speaker 4>say this. And so, you know, whatever the mantra was,

875
01:03:48.559 --> 01:03:51.519
<v Speaker 4>I forget, but the point being, uh, you know, he

876
01:03:51.679 --> 01:03:53.840
<v Speaker 4>tols him, tells him the mantra, and then not to

877
01:03:53.920 --> 01:03:57.599
<v Speaker 4>think of something. And of course you're just never gonna

878
01:03:57.639 --> 01:03:58.440
<v Speaker 4>get away from that.

879
01:03:59.239 --> 01:04:03.239
<v Speaker 1>Uh, don't think of the purple elephant. Yeah, eat them.

880
01:04:03.960 --> 01:04:05.960
<v Speaker 1>I just told you. Don't think of the purple elephant.

881
01:04:07.840 --> 01:04:10.360
<v Speaker 4>Purple elephants for days now.

882
01:04:13.760 --> 01:04:20.320
<v Speaker 1>Right, don't think of anything. But what Mario was saying

883
01:04:20.360 --> 01:04:23.079
<v Speaker 1>there symbolic studies is like all of these things started

884
01:04:23.119 --> 01:04:27.519
<v Speaker 1>out as divination. They still are. You're testing your fortune

885
01:04:27.559 --> 01:04:31.760
<v Speaker 1>by putting the money in the slot that determines your fate,

886
01:04:32.639 --> 01:04:33.360
<v Speaker 1>whether you're going to be.

887
01:04:35.440 --> 01:04:37.280
<v Speaker 4>I was going to say to you that I think

888
01:04:37.400 --> 01:04:41.880
<v Speaker 4>maybe one reason that there's the tendency for our culture,

889
01:04:42.039 --> 01:04:46.400
<v Speaker 4>maybe cultures at large, because they kind of we as

890
01:04:46.480 --> 01:04:51.920
<v Speaker 4>humans all have this potential and governments and churches seem

891
01:04:52.000 --> 01:04:56.000
<v Speaker 4>to enforce it, or ever so subtly when when there

892
01:04:56.159 --> 01:05:00.599
<v Speaker 4>is a connection, right like with this isis and Tuna,

893
01:05:01.360 --> 01:05:06.960
<v Speaker 4>it beckons to all these wonderful traditions being connected. And therefore,

894
01:05:07.280 --> 01:05:10.679
<v Speaker 4>like you know, the monotheist mindset wants to say, oh,

895
01:05:10.760 --> 01:05:13.840
<v Speaker 4>this is the first book and we don't have anything

896
01:05:13.880 --> 01:05:16.519
<v Speaker 4>to do with all that. Of course they don't say

897
01:05:16.519 --> 01:05:18.360
<v Speaker 4>that literally, but they like to infer that.

898
01:05:19.199 --> 01:05:24.199
<v Speaker 1>Right even though casting of Lots is all over that book,

899
01:05:26.559 --> 01:05:29.679
<v Speaker 1>that had to come from somewhere, and talking about it

900
01:05:29.800 --> 01:05:34.079
<v Speaker 1>now makes you realize it was a lot more divine

901
01:05:34.760 --> 01:05:39.320
<v Speaker 1>than just divvying up pieces of clothing. It was a

902
01:05:39.400 --> 01:05:44.800
<v Speaker 1>lot more connected to the polytheism of the time, reflected

903
01:05:44.880 --> 01:05:48.760
<v Speaker 1>even in the language than what we're being led to believe.

904
01:05:48.840 --> 01:05:53.599
<v Speaker 1>It wasn't just gambling this was religion, you know, and

905
01:05:54.599 --> 01:05:59.239
<v Speaker 1>understanding that changes the concept of gambling, it really does.

906
01:06:00.079 --> 01:06:03.519
<v Speaker 1>And the people who have kept that mindset they're the

907
01:06:03.559 --> 01:06:06.920
<v Speaker 1>ones rigging the machines. And this is why they put

908
01:06:06.960 --> 01:06:10.000
<v Speaker 1>their symbols all over the money, is because they want

909
01:06:10.039 --> 01:06:13.360
<v Speaker 1>you to know who controls that money and it ate you.

910
01:06:14.519 --> 01:06:19.000
<v Speaker 1>You're the one. You're a fortune's fool, right and so yeah,

911
01:06:19.079 --> 01:06:22.639
<v Speaker 1>that that that kind of angle, there is something that

912
01:06:23.039 --> 01:06:26.599
<v Speaker 1>should be respect. You've got to keep away from those

913
01:06:26.639 --> 01:06:28.800
<v Speaker 1>systems that are rigged if you're ever going to win

914
01:06:28.880 --> 01:06:31.960
<v Speaker 1>anything in life. And it goes back to the idea

915
01:06:32.000 --> 01:06:35.079
<v Speaker 1>of that Cairos. If you're not doing what you want

916
01:06:35.119 --> 01:06:40.599
<v Speaker 1>to do, you're somebody else's slave. Really does come down

917
01:06:40.639 --> 01:06:43.519
<v Speaker 1>to it just as simple as that, if you're not

918
01:06:43.760 --> 01:06:47.880
<v Speaker 1>doing what you want to do, you're essentially somebody else's puppet.

919
01:06:48.000 --> 01:06:49.960
<v Speaker 1>And you've got to find that balance to get to

920
01:06:50.039 --> 01:06:53.639
<v Speaker 1>the place where you can finally say, this is the

921
01:06:53.800 --> 01:06:56.480
<v Speaker 1>Kaidos I'm looking for. This is this is the God

922
01:06:56.599 --> 01:06:58.559
<v Speaker 1>that I'm grabbing a hold of. And you've got a

923
01:06:58.599 --> 01:07:01.519
<v Speaker 1>plan for it because he's coming and once he's gone,

924
01:07:01.639 --> 01:07:04.000
<v Speaker 1>you can't grab the back of his head. He's bald

925
01:07:04.119 --> 01:07:08.119
<v Speaker 1>back there, there's nothing to hold on to. He just said, no,

926
01:07:08.960 --> 01:07:12.719
<v Speaker 1>whisk right on, Bayya. That's why he's got those wings

927
01:07:12.760 --> 01:07:16.760
<v Speaker 1>on his feet. It's that symbol of swiftness. It comes

928
01:07:16.840 --> 01:07:26.920
<v Speaker 1>and goes as quickly as it comes. But I think, uh,

929
01:07:28.559 --> 01:07:30.400
<v Speaker 1>there's a lot more to talk about. But you know,

930
01:07:30.639 --> 01:07:33.679
<v Speaker 1>I'm just on my journey, starting out, trying to understand

931
01:07:33.719 --> 01:07:36.440
<v Speaker 1>this stuff a little bit better. And I think there's

932
01:07:36.519 --> 01:07:39.840
<v Speaker 1>a there's an essence there that I think everybody can

933
01:07:40.360 --> 01:07:43.639
<v Speaker 1>resonate with. You've got to find the Cairos before you

934
01:07:43.719 --> 01:07:49.039
<v Speaker 1>can understand tikey, and that is something I'm looking for.

935
01:07:49.400 --> 01:07:52.159
<v Speaker 1>I'm looking for that Cairos. Let's get on that path.

936
01:07:52.360 --> 01:07:55.519
<v Speaker 1>You know, he's beaten the trail around you. You've you've

937
01:07:55.599 --> 01:07:59.639
<v Speaker 1>met him before, You've seen him. Like you were talking about,

938
01:08:00.320 --> 01:08:01.960
<v Speaker 1>the only way that you can have a bad time

939
01:08:02.079 --> 01:08:04.719
<v Speaker 1>is if you've had a good time. The only way

940
01:08:04.760 --> 01:08:07.639
<v Speaker 1>you can condemn yourself to that that bad time is

941
01:08:07.679 --> 01:08:09.360
<v Speaker 1>by knowing what the good times feel like?

942
01:08:11.079 --> 01:08:11.199
<v Speaker 2>Right?

943
01:08:11.280 --> 01:08:15.320
<v Speaker 1>Good? Did you give you something to appreciate?

944
01:08:17.840 --> 01:08:18.800
<v Speaker 2>Ethan? Was there anything?

945
01:08:18.960 --> 01:08:19.079
<v Speaker 6>Uh?

946
01:08:19.479 --> 01:08:20.880
<v Speaker 2>Is there anything else that you wanted to say?

947
01:08:24.199 --> 01:08:26.720
<v Speaker 4>I don't think so. It's a fascinating topic. I did

948
01:08:27.199 --> 01:08:33.279
<v Speaker 4>uh kind of read or gather that when she dies,

949
01:08:34.239 --> 01:08:38.359
<v Speaker 4>she turns into two goddesses, two other goddesses, which has

950
01:08:38.439 --> 01:08:42.479
<v Speaker 4>that polarity that we've been suggesting, and that is in

951
01:08:42.720 --> 01:08:50.039
<v Speaker 4>the chronos and chiros, and you know this negative consequences

952
01:08:50.359 --> 01:08:52.239
<v Speaker 4>or positive consequences.

953
01:08:52.359 --> 01:08:58.239
<v Speaker 1>So I just maybe maybe it's a separation from the fullness,

954
01:08:58.640 --> 01:09:01.239
<v Speaker 1>right the pleroma, and you get that a lot in

955
01:09:01.319 --> 01:09:06.039
<v Speaker 1>the ideas of gnoscissism too. It's the separation that all

956
01:09:06.119 --> 01:09:09.439
<v Speaker 1>of this stuff really breaks down at. And so maybe

957
01:09:09.560 --> 01:09:12.000
<v Speaker 1>we should be looking at it from a more full perspective.

958
01:09:12.760 --> 01:09:16.880
<v Speaker 1>You know, you've got to merge the two and understand

959
01:09:16.920 --> 01:09:19.760
<v Speaker 1>their importance so that you can get that fullness of perspective.

960
01:09:21.399 --> 01:09:25.439
<v Speaker 1>But negative and positive, Yeah, are you good at this? Yeah,

961
01:09:26.439 --> 01:09:27.600
<v Speaker 1>that's awesome.

962
01:09:27.880 --> 01:09:31.359
<v Speaker 4>And b like Boetheists, you know, just know that our

963
01:09:31.840 --> 01:09:37.319
<v Speaker 4>fates is ultimately sealed. There's a zen cone too that

964
01:09:37.479 --> 01:09:43.359
<v Speaker 4>reminds me of life is about celebrating the departure of

965
01:09:43.520 --> 01:09:49.119
<v Speaker 4>a boat that is doomed to sink, and so Boetheists

966
01:09:49.159 --> 01:09:53.680
<v Speaker 4>being stuck in prison and just finding this this consolation

967
01:09:53.880 --> 01:09:58.680
<v Speaker 4>of philosophy right, ultimately that the lessons that we learned,

968
01:09:59.279 --> 01:10:02.439
<v Speaker 4>you know, are real the key you know what?

969
01:10:02.760 --> 01:10:06.079
<v Speaker 2>Well, Oh go ahead, It's something I wanted to add

970
01:10:06.119 --> 01:10:08.439
<v Speaker 2>real quick. And I'm wondering if like this is like

971
01:10:08.560 --> 01:10:10.800
<v Speaker 2>somehow kind of like telling a story or something that

972
01:10:10.920 --> 01:10:13.560
<v Speaker 2>maybe might make sense to you one of you guys.

973
01:10:14.159 --> 01:10:18.359
<v Speaker 2>In Twin Peaks season three, Cooper comes back kind of

974
01:10:18.399 --> 01:10:21.640
<v Speaker 2>like through a light switch, and some of some of

975
01:10:21.680 --> 01:10:24.079
<v Speaker 2>the guy ends up like kind of like just disappearing.

976
01:10:25.159 --> 01:10:27.079
<v Speaker 2>And then Cooper comes back through a light switch in

977
01:10:27.199 --> 01:10:30.199
<v Speaker 2>the room that this other dude disappears in, and it's

978
01:10:30.279 --> 01:10:31.960
<v Speaker 2>like kind of like the guy that was there was

979
01:10:32.000 --> 01:10:34.520
<v Speaker 2>like a different version of Cooper, and now Cooper's like,

980
01:10:34.560 --> 01:10:38.279
<v Speaker 2>you know, some other person, And long story short, you

981
01:10:38.399 --> 01:10:39.880
<v Speaker 2>end up finding out that I guess the girl was

982
01:10:39.920 --> 01:10:43.159
<v Speaker 2>a prostitute, So like now you kind of got like

983
01:10:43.239 --> 01:10:45.039
<v Speaker 2>somebody with a whore or whatever, if you want to

984
01:10:45.039 --> 01:10:48.560
<v Speaker 2>start looking at it like that. And she gives him

985
01:10:48.640 --> 01:10:51.119
<v Speaker 2>like a ride, and like now he's like totally like stupid,

986
01:10:51.159 --> 01:10:52.600
<v Speaker 2>Like he doesn't even know how to talk, he doesn't

987
01:10:52.640 --> 01:10:55.439
<v Speaker 2>have to speak, he's just like following her around. She

988
01:10:55.520 --> 01:10:59.399
<v Speaker 2>puts him in the car, they start driving. I did

989
01:10:59.560 --> 01:11:02.279
<v Speaker 2>notice in Totally Cross Sycamore street. He doesn't even say

990
01:11:02.319 --> 01:11:04.520
<v Speaker 2>a word. Then he starts speaking. I don't know if

991
01:11:04.560 --> 01:11:07.720
<v Speaker 2>that had anything to do with it, but basically she

992
01:11:07.880 --> 01:11:11.720
<v Speaker 2>ends up dropping him off at a casino and then

993
01:11:11.760 --> 01:11:14.039
<v Speaker 2>when he goes in there, every machine has this flame

994
01:11:14.119 --> 01:11:15.520
<v Speaker 2>above it, and if he goes over to it and

995
01:11:15.600 --> 01:11:19.479
<v Speaker 2>plays it, he wins. And he was like showing other people.

996
01:11:19.520 --> 01:11:21.199
<v Speaker 2>I think he showed a couple other people like to

997
01:11:21.279 --> 01:11:22.920
<v Speaker 2>play that one because I had like a little thing

998
01:11:23.000 --> 01:11:25.439
<v Speaker 2>on it early at a triangle, something above the machine

999
01:11:25.760 --> 01:11:27.560
<v Speaker 2>that only he could see. He knew what he was

1000
01:11:27.560 --> 01:11:27.920
<v Speaker 2>gonna win.

1001
01:11:30.479 --> 01:11:34.399
<v Speaker 1>It's the full card, it's zero. You know, he's coming

1002
01:11:34.439 --> 01:11:37.560
<v Speaker 1>into existence and then he can he can sort of

1003
01:11:37.600 --> 01:11:41.520
<v Speaker 1>command fate. So there's that innocence or naivity of coming

1004
01:11:41.560 --> 01:11:44.840
<v Speaker 1>into form and then being able to see all of

1005
01:11:44.960 --> 01:11:48.880
<v Speaker 1>the spiritual markers that would lead you to this fake idea.

1006
01:11:48.960 --> 01:11:51.000
<v Speaker 1>And she's the one who brought him there. Maybe she

1007
01:11:51.279 --> 01:11:55.960
<v Speaker 1>was the concept of this, this horror being associated with

1008
01:11:56.880 --> 01:11:59.199
<v Speaker 1>tiki would kind of make sense, you know.

1009
01:12:00.600 --> 01:12:02.640
<v Speaker 2>And you know what's good, you know, you know it's

1010
01:12:02.640 --> 01:12:05.159
<v Speaker 2>crazy that the chick and this this had to have

1011
01:12:05.239 --> 01:12:07.600
<v Speaker 2>been on purpose, because if you even if you start

1012
01:12:07.640 --> 01:12:11.119
<v Speaker 2>thinking of like kind of like coming back into existence

1013
01:12:11.800 --> 01:12:15.720
<v Speaker 2>and needing feminine energy to check herself was black. She

1014
01:12:15.880 --> 01:12:19.000
<v Speaker 2>was wearing purple, and she drove a yellow jeep. That's

1015
01:12:19.119 --> 01:12:23.039
<v Speaker 2>all Saturn colors right there, right. It was so weird.

1016
01:12:23.880 --> 01:12:27.800
<v Speaker 1>Yeah, moving moving from the outside to the inner. And

1017
01:12:27.920 --> 01:12:31.359
<v Speaker 1>there is that concept too of this sort of alchemical

1018
01:12:31.479 --> 01:12:37.560
<v Speaker 1>nature of the energies of the universe condensing down into

1019
01:12:38.199 --> 01:12:42.399
<v Speaker 1>physical form. So we think of life springing from the planet,

1020
01:12:42.479 --> 01:12:45.359
<v Speaker 1>but really it's all these energies that are condensing down

1021
01:12:45.560 --> 01:12:50.159
<v Speaker 1>into the planet that is forming the society. Yeah, beginner's luck.

1022
01:12:50.880 --> 01:12:53.359
<v Speaker 1>How many times have we heard that, you know? And

1023
01:12:53.520 --> 01:12:57.199
<v Speaker 1>so there is that idea of being close to this

1024
01:12:57.439 --> 01:13:02.000
<v Speaker 1>naivety or this nation state gives you this kind of luck,

1025
01:13:02.720 --> 01:13:05.119
<v Speaker 1>just kind of get you hooked, get you.

1026
01:13:05.279 --> 01:13:10.399
<v Speaker 4>And not thinking of that monkey, right, because when you're

1027
01:13:10.439 --> 01:13:14.760
<v Speaker 4>a beginner and you're innocent, you don't know the failure

1028
01:13:15.319 --> 01:13:17.279
<v Speaker 4>and it's not even in your and it's not even

1029
01:13:17.359 --> 01:13:22.880
<v Speaker 4>in your mind to manifest from your mind, so you

1030
01:13:23.319 --> 01:13:26.279
<v Speaker 4>only think about like, oh, I'm just gonna do this backflip.

1031
01:13:26.920 --> 01:13:30.399
<v Speaker 1>Yeah, teacher, any good teacher is going to want you

1032
01:13:30.520 --> 01:13:33.279
<v Speaker 1>in a nation state before they start teaching you. Because

1033
01:13:33.359 --> 01:13:35.800
<v Speaker 1>if you've got your head full of all these other

1034
01:13:35.960 --> 01:13:40.880
<v Speaker 1>ideas that you know, cloud your vision. They want a

1035
01:13:41.039 --> 01:13:45.279
<v Speaker 1>pure nation state before they teach you that you can't

1036
01:13:45.359 --> 01:13:46.760
<v Speaker 1>have any other pollution there.

1037
01:13:48.000 --> 01:13:50.239
<v Speaker 4>This meat might be a little bit esoteric, and I

1038
01:13:50.279 --> 01:13:53.000
<v Speaker 4>don't know if it's tangential or not, but there is

1039
01:13:53.239 --> 01:13:58.720
<v Speaker 4>the symbol of Father Time and the Virgin, and and

1040
01:13:58.960 --> 01:14:04.159
<v Speaker 4>it's very hair oriented. And this whole, the whole hair

1041
01:14:04.359 --> 01:14:08.760
<v Speaker 4>symbolism that has been a strand excuse the pun, through

1042
01:14:09.000 --> 01:14:12.920
<v Speaker 4>through this whole discussion. He father Time is playing with

1043
01:14:13.119 --> 01:14:17.600
<v Speaker 4>the Virgin's hair, and Father Time of course being associated

1044
01:14:17.640 --> 01:14:25.840
<v Speaker 4>with Saturn, so it's a it's also a very hidden,

1045
01:14:26.079 --> 01:14:34.159
<v Speaker 4>supposedly Freemasonry symbol, so was making making for.

1046
01:14:34.600 --> 01:14:36.760
<v Speaker 1>Where you're talking about that. So you've got this Virgo

1047
01:14:36.960 --> 01:14:40.359
<v Speaker 1>character and then Father Tom is right behind her, and

1048
01:14:40.479 --> 01:14:42.560
<v Speaker 1>he's got the sickle in his hand and he's touching

1049
01:14:42.640 --> 01:14:46.600
<v Speaker 1>her hair exactly exactly. I mean, that's the symbol for

1050
01:14:46.720 --> 01:14:49.159
<v Speaker 1>fates right there. So you've got the strands of fate

1051
01:14:49.399 --> 01:14:51.640
<v Speaker 1>in your hand. And it turns out that hair is

1052
01:14:51.720 --> 01:14:56.159
<v Speaker 1>actually piezo electric as well, so it carries sort of

1053
01:14:56.319 --> 01:14:59.680
<v Speaker 1>this the stress that you've got in your body. You know,

1054
01:15:00.239 --> 01:15:02.840
<v Speaker 1>can cause your hair to fall out, you know. So

1055
01:15:03.239 --> 01:15:07.279
<v Speaker 1>the idea there is that these fates are intimately linked

1056
01:15:07.800 --> 01:15:09.680
<v Speaker 1>with how you perceive the world.

1057
01:15:12.039 --> 01:15:14.920
<v Speaker 4>And she's reading a book too, and which has all

1058
01:15:15.039 --> 01:15:18.680
<v Speaker 4>kinds of you know, Ad Jason symbolism, the Book of Life.

1059
01:15:18.479 --> 01:15:24.680
<v Speaker 1>And so forth. So absolutely so much imagery that they're

1060
01:15:24.680 --> 01:15:28.640
<v Speaker 1>trying to condense down into that that one form, you know.

1061
01:15:28.760 --> 01:15:30.760
<v Speaker 1>And I think this goes back into dreams as well.

1062
01:15:31.039 --> 01:15:33.399
<v Speaker 1>If we really want to get a handle on our fates,

1063
01:15:33.399 --> 01:15:35.520
<v Speaker 1>we've got to understand our dreams a little bit better.

1064
01:15:35.560 --> 01:15:38.199
<v Speaker 1>And you can see all throughout the years, these the

1065
01:15:38.319 --> 01:15:41.800
<v Speaker 1>fates are always connected to these prophetic dreams that we have,

1066
01:15:42.479 --> 01:15:45.960
<v Speaker 1>and you know, you have to kind of understand the

1067
01:15:46.079 --> 01:15:48.800
<v Speaker 1>information being transmitted in dreams so that you can get

1068
01:15:48.840 --> 01:15:51.079
<v Speaker 1>a better grasp on your fate and where you belong

1069
01:15:51.159 --> 01:15:56.560
<v Speaker 1>in the world. I think bridging that gap is what

1070
01:15:56.720 --> 01:16:04.520
<v Speaker 1>we can do by knowing ourselves better. Right, And Virgo

1071
01:16:04.680 --> 01:16:07.760
<v Speaker 1>is often seen holding the cornucopia or holding a bunch

1072
01:16:07.840 --> 01:16:14.119
<v Speaker 1>of you know, staves of grain. I'm not sure if

1073
01:16:14.119 --> 01:16:16.600
<v Speaker 1>it would be called staves, but you know, the stalks

1074
01:16:16.600 --> 01:16:20.399
<v Speaker 1>of grain. So Virgo is very, very linked to this

1075
01:16:21.039 --> 01:16:27.039
<v Speaker 1>this wheel of fortune and this fad idea. But you know,

1076
01:16:27.119 --> 01:16:29.560
<v Speaker 1>all these all these symbols seem to condense and come

1077
01:16:29.600 --> 01:16:33.479
<v Speaker 1>back together again. It's almost like we're not looking at symbols,

1078
01:16:33.520 --> 01:16:35.800
<v Speaker 1>We're looking at sort of the water, and as it

1079
01:16:35.920 --> 01:16:40.039
<v Speaker 1>flows between these symbols, you can understand them better because

1080
01:16:40.159 --> 01:16:45.239
<v Speaker 1>the replacement is how they are interpreted. And this would

1081
01:16:45.279 --> 01:16:47.319
<v Speaker 1>go back to the idea of the ship, you know,

1082
01:16:47.560 --> 01:16:51.279
<v Speaker 1>the argo and all of those things sort of coming

1083
01:16:51.359 --> 01:16:55.000
<v Speaker 1>together and having this idea of to have balance is

1084
01:16:55.079 --> 01:16:57.520
<v Speaker 1>to have that rudder of the ship and to be

1085
01:16:57.600 --> 01:17:00.439
<v Speaker 1>able to control it. And the rudder is also a

1086
01:17:00.560 --> 01:17:08.279
<v Speaker 1>symbol of Tiki, right, the winds of fortune, the winds

1087
01:17:08.319 --> 01:17:13.760
<v Speaker 1>of fate steering that ship is also associated with that

1088
01:17:13.960 --> 01:17:17.199
<v Speaker 1>Tiki goddess. But it's so it's so intrinsic and it's

1089
01:17:17.239 --> 01:17:21.199
<v Speaker 1>so connected to all these things that you know, it's

1090
01:17:21.399 --> 01:17:24.039
<v Speaker 1>it's hard not to understand how it applies to everyday

1091
01:17:24.079 --> 01:17:26.800
<v Speaker 1>life here for us, but you have to kind of

1092
01:17:26.840 --> 01:17:33.399
<v Speaker 1>put the pieces together to really understand it. Yeah, that

1093
01:17:33.600 --> 01:17:36.960
<v Speaker 1>virgo hair, that's the hair of fate and what the

1094
01:17:37.079 --> 01:17:44.520
<v Speaker 1>hair weave is strong. Absolutely, you know, it's it's kind

1095
01:17:44.560 --> 01:17:46.680
<v Speaker 1>of funny. For some reason, it just popped into my head.

1096
01:17:46.720 --> 01:17:48.920
<v Speaker 1>Have you ever seen those videos of the guy who's

1097
01:17:48.960 --> 01:17:52.199
<v Speaker 1>got the leaf blower and he comes up behind these

1098
01:17:52.239 --> 01:17:54.880
<v Speaker 1>women who have an obvious weave on, and then he

1099
01:17:55.039 --> 01:17:59.119
<v Speaker 1>just points it out and he blows their hair off.

1100
01:18:00.079 --> 01:18:02.720
<v Speaker 1>They run down the street try to pick up their hair.

1101
01:18:03.920 --> 01:18:08.359
<v Speaker 1>It's that same kind of pool slash teaky sort of

1102
01:18:08.520 --> 01:18:12.079
<v Speaker 1>narrative going on there. You know, the hair is your fate.

1103
01:18:14.159 --> 01:18:15.880
<v Speaker 1>But I think this is a good episode. I mean

1104
01:18:15.960 --> 01:18:17.119
<v Speaker 1>it's a little bit short, but.

1105
01:18:17.680 --> 01:18:19.439
<v Speaker 2>Oh no, this is actually perfectly.

1106
01:18:20.680 --> 01:18:20.880
<v Speaker 6>Yeah.

1107
01:18:20.880 --> 01:18:23.199
<v Speaker 2>I prefer episodes actually the short, but it just never

1108
01:18:23.279 --> 01:18:23.960
<v Speaker 2>works out that way.

1109
01:18:25.880 --> 01:18:28.000
<v Speaker 1>Just keep going weave.

1110
01:18:29.199 --> 01:18:33.840
<v Speaker 4>It's such a real fascinating topic and the lessons are

1111
01:18:34.039 --> 01:18:37.640
<v Speaker 4>very inspiring, I find so that was that was awesome.

1112
01:18:39.119 --> 01:18:42.359
<v Speaker 1>Very tied to all of these symbols. We know, but

1113
01:18:42.479 --> 01:18:44.399
<v Speaker 1>do we know where they come from? And once you do,

1114
01:18:44.920 --> 01:18:46.720
<v Speaker 1>you could see how they're all linked together, and how

1115
01:18:46.720 --> 01:18:49.600
<v Speaker 1>they were worshiped and practiced and all the rest of

1116
01:18:49.680 --> 01:18:53.199
<v Speaker 1>this stuff. You know, these are these are the things

1117
01:18:53.279 --> 01:18:56.159
<v Speaker 1>that make up the Western perspective. And if we don't

1118
01:18:56.279 --> 01:19:00.600
<v Speaker 1>have the ability to take hold of these concepts, we're

1119
01:19:00.680 --> 01:19:04.720
<v Speaker 1>gonna be faithfuol. You know, there's some good, good stuff

1120
01:19:04.760 --> 01:19:07.079
<v Speaker 1>in nations. You know, maybe if we didn't know this

1121
01:19:07.159 --> 01:19:10.399
<v Speaker 1>stuff would be better off and be luckier. Who knows,

1122
01:19:11.439 --> 01:19:20.840
<v Speaker 1>have more beginner's luck. Yeah, well you wouldna finish this

1123
01:19:20.960 --> 01:19:21.479
<v Speaker 1>out there.

1124
01:19:21.439 --> 01:19:24.359
<v Speaker 2>Nick, Yeah, sure, sure real quick for the people that

1125
01:19:24.439 --> 01:19:27.359
<v Speaker 2>are catching it live now, maybe people that might rewatch

1126
01:19:27.439 --> 01:19:30.880
<v Speaker 2>the live because this won't be out before Friday, at

1127
01:19:30.960 --> 01:19:36.560
<v Speaker 2>least for me. For the people watching Thursday, you know whatever. Thursday. Yeah,

1128
01:19:37.239 --> 01:19:40.319
<v Speaker 2>we're gonna have Mario on the Occult Rejects and it's

1129
01:19:40.319 --> 01:19:42.960
<v Speaker 2>gonna be us again with a couple extra people. And

1130
01:19:44.239 --> 01:19:46.399
<v Speaker 2>last time I went real well, so keep an eye

1131
01:19:46.399 --> 01:19:51.199
<v Speaker 2>out for that. Headless will probably restream that on his end. Unfortunately,

1132
01:19:51.319 --> 01:19:54.439
<v Speaker 2>I have a strike and that's why I'm not streaming

1133
01:19:54.520 --> 01:19:57.359
<v Speaker 2>live right now, so keep an eye out for that.

1134
01:19:57.520 --> 01:20:00.399
<v Speaker 2>We will be streaming live with Mario Thursday night. It's

1135
01:20:00.439 --> 01:20:02.720
<v Speaker 2>gonna be a bunch of us and it should turn

1136
01:20:02.800 --> 01:20:05.680
<v Speaker 2>out really well because the last time we had the

1137
01:20:05.720 --> 01:20:09.199
<v Speaker 2>whole Occult Reji crew there, it actually went really smooth

1138
01:20:09.239 --> 01:20:12.319
<v Speaker 2>and there was a lot of information, and this one's

1139
01:20:12.359 --> 01:20:14.560
<v Speaker 2>gonna be Mercury, so you know, it's gonna get wild.

1140
01:20:14.800 --> 01:20:17.359
<v Speaker 2>There's gonna be a lot of stuff so keep an

1141
01:20:17.359 --> 01:20:20.560
<v Speaker 2>eye out for that. Uh and thank you headless. This

1142
01:20:20.760 --> 01:20:23.479
<v Speaker 2>was a great topic. It was really interesting. Again, I

1143
01:20:23.680 --> 01:20:26.279
<v Speaker 2>knew I didn't even know who this person was when

1144
01:20:26.319 --> 01:20:28.399
<v Speaker 2>you text me. I had a I googled the person.

1145
01:20:28.520 --> 01:20:31.319
<v Speaker 1>I was like, oh, yeah, but you met before.

1146
01:20:33.920 --> 01:20:36.560
<v Speaker 2>I know what you say for sure. But thank you

1147
01:20:36.720 --> 01:20:39.279
<v Speaker 2>very much man. It was again it was It was

1148
01:20:39.479 --> 01:20:41.720
<v Speaker 2>kind of by surprise and it worked out really well.

1149
01:20:42.119 --> 01:20:44.520
<v Speaker 2>Looked like the chat enjoyed it too, Ethan. Thank you

1150
01:20:44.600 --> 01:20:46.399
<v Speaker 2>so much, man. It was such spur of the moment.

1151
01:20:46.439 --> 01:20:49.560
<v Speaker 2>I asked you like literally hours beforehand, and he's like, sure, yeah,

1152
01:20:49.760 --> 01:20:50.920
<v Speaker 2>I think I can add something else.

1153
01:20:51.159 --> 01:20:51.399
<v Speaker 1>Thank you.

1154
01:20:51.479 --> 01:20:53.279
<v Speaker 4>I'm always honored to talk with you, guys.

1155
01:20:53.359 --> 01:20:56.039
<v Speaker 2>I love I love yeah, yeah, no, I love always

1156
01:20:56.039 --> 01:20:57.560
<v Speaker 2>getting you on with this man. It's always great to

1157
01:20:57.600 --> 01:20:59.479
<v Speaker 2>hear your point of view of stuff, of stuff. It's

1158
01:20:59.520 --> 01:21:01.880
<v Speaker 2>what's appreciate it, like everybody else that we have on.

1159
01:21:03.159 --> 01:21:05.720
<v Speaker 2>So yeah, US three and a couple other people will

1160
01:21:05.720 --> 01:21:08.960
<v Speaker 2>be on with Mario Thursday night and uh yeah, that's

1161
01:21:09.039 --> 01:21:12.199
<v Speaker 2>the end of another I guess cult rejects and until

1162
01:21:12.239 --> 01:21:14.439
<v Speaker 2>the next one, everybody be well later.
