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Speaker 1: Picture this. It's the year nine sixty six a d.

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We're in the Susa Valley, deep in the Italian Alps,

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and I mean this is the dark Agent, truly.

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Speaker 2: It's a time of stone of swords, mud.

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Speaker 1: And candle light exactly. So you have this Catholic bishop,

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a man completely steeped in the the rigid theology of

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the tenth century, right.

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Speaker 2: His whole world is defined by scripture.

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Speaker 1: And he's making this grueling ascent up a mountain called Pucheriano.

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Maybe he's looking for solitude, maybe a sign from God.

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He's climbing higher and higher, the valley floors to shrinking

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below him, and then he stops. He looks up.

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Speaker 2: And this is where the history books, if they mention

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it at all, tend to get a little vague. They

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smooth it over with religious metaphor.

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Speaker 1: But the specific records from this event they are startlingly clear. Yeah,

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and they're very, very strange, they really are. He isn't

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met by a choir of angels playing harps on a cloud.

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He doesn't see a burning bush on the ground. No,

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he is met by what he describes as strange lights.

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But it's more specific that he talks about planks and

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globes made of fire. And here's the kicker. They aren't

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just sitting there, They are performing maneuvers.

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Speaker 2: That description is just it's the key that unlocks this

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whole thing. Planks and globes, not angels, not chariots, right, I.

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Speaker 1: Mean he sees them first appearing on the mountain, almost

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like they're docked, you know, sitting right there on the ridge,

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and then right in front of his eyes they rise up.

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They start flying around the sky in these complex geometric patterns.

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Speaker 2: Could you just imagine this poor bishop standing there in

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his ruspund robes. Yeah, in the tenth century is watching

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what sounds for all the world like a fleet of

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spacecraft conducting a tactical drill.

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Speaker 1: It forces you to just completely shift your perspective. If

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you look at it through the religious lens of the time,

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sure it's a miracle, it's angels.

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Speaker 2: But if you look at it through a modern technological lens,

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you strip away the bias of the era. It's a sighting.

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It is a classic UFO encounter.

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Speaker 1: Welcome to thrilling Threads. I'm your host, and I have

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to say I am ready to have my perception of

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history completely dismantled today.

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Speaker 2: And I'm here to try and help make sense of

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the pieces, or at least help pick them up off

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the floor. It's good to be here.

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Speaker 1: So today we are pulling on a massive thread, a

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thread that suggests the world's most sacred mountains. We're talking

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from the jagged peaks of Italy to the Himalayas and Tibet,

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all the way to the legendary Mount Olympus in Greece.

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Aren't just geological formations.

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Speaker 2: No, we're not talking about nice views and hiking trails

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or even spiritual metaphors.

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Speaker 1: Not at all. We are looking at sources today that

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suggest these locations are actually ancient high tech infrastructure.

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Speaker 2: Command posts, storage facilities, power plants.

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Speaker 1: Left behind by extraterrestrial.

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Speaker 2: Visitors, or as the ancients call them, the gods.

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Speaker 1: I just love this concept, the idea that all this

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magic we read about is just technology we haven't figured

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out yet, or maybe technology we've forgotten.

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Speaker 2: That's the term for it, the technological signature, and that's

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what we're hunting for today. We've got a whole stack

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of sources. We're pulling from historians, archaeological accounts, from the

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History Channel archives and the very specific research of ancient

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astronaut theorists.

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Speaker 1: People like William Henry, David Childress, Philip Coppins exactly.

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Speaker 2: And for anyone who doesn't know these guys like Childress

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and Henry, they're not your typical armchair historians.

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Speaker 1: No, they're out there, they're in the field.

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Speaker 2: They're the ones climbing into the caves looking at the

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weird anomalies that you know, mainstream archaeology sometimes just swoops

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under the rug.

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Speaker 1: And their whole premise is that if you really look

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at the architecture, at the linguistics of the myths, the

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weird physical evidence at these sites, you stop seeing temples.

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Speaker 2: And you start seeing functional machinery.

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Speaker 1: Okay, so let's go back to our bishop. He's on

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Mount Prichuriano. It's nine hundred and sixty six a d.

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He sees the globes of fire, he sees the planks.

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What happens next, because usually in these stories people either

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run away screaming or they fall in their face and

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start speaking in tongues.

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Speaker 2: But he didn't run. That's what's so fascinating. The sighting

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seems to have had a consequence. It came with a directive.

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Speaker 1: Almost you're a directive. What do you mean?

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Speaker 2: The bishop claimed that this, this aerial display, it prompted him,

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or maybe compelled him, to say, this will be the

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site on which we will build the new.

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Speaker 1: Abbey, and that became the socriti San mckelly, Saint Michael's Abbey,

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the very sense. But it's still there today. It's that massive, imposing,

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fortress like building sitting right on the peak of the mountain.

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You can't miss it.

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Speaker 2: You really can't. And David Childress in his work makes

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a really interesting point here. He suggests this wasn't just

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a random light show. It wasn't aliens just you know,

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buzzing the tower for fun.

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Speaker 1: It had a purpose.

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Speaker 2: It was a beacon. It was whoever was piloting those

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globes giving a display specifically to attract attention, to make a.

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Speaker 1: Point, like firing off a flare in the dark, or

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planting a flag on.

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Speaker 2: A hill, exactly that, inspiring human beings to build a

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very specific structure at a very specific set of coordinates.

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Speaker 1: Aliens give you a light show, you build them a house.

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That's the rule, I guess curently so. But hold on

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a second, let's play Devil's advocate. It's nine hundred and

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sixty six AD. This is a guy who probably spent

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his entire life reading scripture by candlelight. Couldn't globes of

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fire just be I don't know, ball, lightning, a meteor shower.

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Speaker 2: It's a fair question, and it's the first one you

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should ask.

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Speaker 1: Right, So why do our sources jump straight to technological craft.

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Speaker 2: Well, if it were just lights zipping by in the distance,

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you absolutely could write it off as a meteor or

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some kind of atmospheric phenomenon. But it's the behavior of

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the lights that rules out nature.

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Speaker 1: Okay.

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Speaker 2: Meteors fall down, they streak across the sky and they're gone.

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Lightning strikes and vanishes in an instant. And these things

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they were stationary at first. The bishop describes them as

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appearing on the mountain docked, essentially parked, parked. Yeah, and

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then they rise up in a controlled descent. Nature doesn't

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do control descents. Nature doesn't fly in formation.

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Speaker 1: Okay, So something was sitting on the peak and then

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it took off. That's a different story.

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Speaker 2: And the word plan is so interesting.

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Speaker 1: Yeah, I was thinking that.

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Speaker 2: He didn't say chariot or bird, which are the usual

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metaphors that pre industrial people use to describe things they

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don't understand.

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Speaker 1: The sky no plank sounds structural, flat, metallic, like a

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fuselage or a classic flying saucer seen from the side. Huh.

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Speaker 2: And then there's the reaction. In most medieval miracle stories,

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the witness falls to their knees and praise glory to God.

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You know that sort of.

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Speaker 1: Thing, right, It's all about piety.

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Speaker 2: But here the reaction was so pragmatic. The sighting conveyed

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a specific construction build Here it wasn't but a spiritual revelation.

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It was. It was a zoning permit from the sky.

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Speaker 1: That puts a very very different spin on it. But

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it brings up the next question, why there Why that

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specific piece of rock in the Susa Valley? What's so

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special about that particular real estate.

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Speaker 2: This is where we have to zoom out and look

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at the geography. The abbey is on Mount Pucheriano, but

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directly across the valley, about twenty five miles west of Turin,

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there's another important mountain, Mount Muzine.

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Speaker 1: The twin peaks in a way.

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Speaker 2: Yeah, the sources, especially the historian Nomo Orzo, point this out.

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You've got the Sacra on one peak and Musina on

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the other, and they sit on what is known as

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the Saint Michael Line.

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Speaker 1: I've heard of this. That's a lay line, isn't it correct.

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Speaker 2: It's a supposed energy line, a straight line that runs

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right through Italy, connecting various sacred sites, all dedicated to

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Saint Michael, the archangel.

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Speaker 1: And the theory is what that ancient people knew about

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these lines and built on them.

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Speaker 2: That's the idea, and specifically that this entire valley between

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these two peaks was home to a highly advanced civilization

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thousands of years before the Romans, a civilization that knew

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how to tap into this this telluric energy.

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Speaker 1: Okay, let's unpack this advanced civilization idea, because we're not

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talking about Romans yet. We're going way, way further back there.

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And our sources bring up a name that sounded really

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familiar to me, but in a totally different context. Faith

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on the Greek myth, right, faithOn the kid who borrowed

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the sun cheryate from his dad, Helios couldn't handle the

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horsepower and just crashed it. Total catastrophe.

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Speaker 2: But here's the twist. The sources we're looking at connect

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him directly to Egypt.

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Speaker 1: This is where it gets into like mythological detective work.

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Speaker 2: It really is. The theory suggests that faith On, this

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figure who came down from the sky in a fiery chariot,

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is actually the same entity known in Egypt.

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Speaker 1: As ta Ha Pa.

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Speaker 2: Yes, and William Henry's research is what really highlights this connection.

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Speaker 1: All right, walk me through the logic here, because that

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feels like a massive leap We're connecting a Greek myth

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about a cosmic joy ride gone wrong to a major

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Egyptian creator God. How do the sources justify bridging that gap.

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Speaker 2: It starts with linguistics. It's what philologists might call a

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cognate situation. You have the Greek name faithOn faith and

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the Egyptian name ta Now say them fast faithOn Fathon.

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The root sounds are in incredibly.

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Speaker 1: Similar faith on Ta I can sort of hear it.

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Speaker 2: William Henry argues that the Greek story of faith On

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is essentially a retelling a different cultural memory of the

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arrival of taw.

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Speaker 1: Okay names can be coincidental. I'm going to need a

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little more than sound alikes to be convinced.

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Speaker 2: Then let's look at the geography. The myth of faith

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On specifically ends with him crashing in the river Po.

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Speaker 1: Which is right there in that valley near Turin exactly.

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Speaker 2: Now, what's the symbol of the city.

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Speaker 1: Of Turin bull? The bull?

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Speaker 2: Correct? Turin or Turino literally means the city of the bull. Okay, Now,

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let's go back to Egypt. Taw was the central deity

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of the city of Memphis, and the living avatar of Taw.

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The physical manifestation of the god on earth that people

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could see and worship was the APIs.

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Speaker 1: Bull whoa Okay, hang on, So you have a bull

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city in Italy supposedly founded by this sun Chariot guy,

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and in Egypt, the most sacred animal the imparnation of

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their god is a bull, and the god's name sounds

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like sun Chariot Guy.

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Speaker 2: The symbolism lines up perfectly. It's too neat to be

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a coincidence, and it begs the next question. If Taw

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and faith On are the same entity, what was his job?

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Speaker 1: Right?

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Speaker 2: Taw wasn't just a generic sky father like Zeus throwing

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lightning around. He had a specialty.

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Speaker 1: He was the blue collar god right in a way.

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Speaker 2: Yeah, I was the master craftsman, the lord of architects,

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the god of technology used the chief engineer of the gods.

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Speaker 1: So if we follow this threat all the way, we

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have a god of technology landing in a fiery chariot,

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which sounds an awful lot like a space ship. In

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the Susa Valley. He founds a city, the City of

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the Bowl, and now thousands of years later, in that

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exact same spot, people are seeing planks of fire and

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globes flying around the mountains.

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Speaker 2: It suggests continuity. It suggests there's something about that location.

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If Ta was a flesh and blooed extraterrestrial, as the

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theory proposes, and he established a base of operations here,

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what was that base for?

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Speaker 1: Well, if you're the god of smithcraft, what are you

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building to alchemy?

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Speaker 2: So William Henry poses the question. Was Mountain Musine the

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other peak a storage facility? Was it a vault for

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cosmic knowledge? Was this where they kept the secrets of metallurgy?

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Speaker 1: It makes you wonder. We always think of alchemy as

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this mystical wizards and a tower trying to turn.

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Speaker 2: Lead into gold, right, hocus pocus.

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Speaker 1: But if you look at it through the lens of taw,

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the engineer. Is alchemy just advanced chemistry we don't understand?

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Is it material science?

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Speaker 2: That is precisely the implication the phrase used is cosmic

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knowledge of metallurgy. That doesn't just mean making better swords.

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That implies creating alloys or materials that humans at the

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time couldn't possibly manufacture.

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Speaker 1: Stuff that might be superconductive or incredibly durable or something else.

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Speaker 2: Entirely and interestingly, the sources claimed the energy, that special

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quality of a valley is said to still be there.

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Speaker 1: But the civilization is gone. The city faithOn slash Taw built,

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it's gone. Who took it?

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Speaker 2: The Romans?

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Speaker 1: Of course, it's always the Romans.

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Speaker 2: In the first century, Rome conquered the area. They established

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their own city, Augusta tour Noorum, which eventually became modern Turin.

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But the mystery is that the original inhabitants and their

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city they just vanished.

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Speaker 1: Vanish like packed up and moved or vanish like wiped

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off the map.

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Speaker 2: It's unclear, but the sources leaned toward a total displacement,

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a complete takeover. And this is where the speculation from

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William Henry gets really interesting. He asks, did Rome conquer

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this specific valley just to expand the empire, or were

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they hunting for something?

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Speaker 1: They were hunting for the tech exactly.

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Speaker 2: We know what you have buried in that mountain. We're

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going to take your knowledge, We're going to take your secrets.

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Speaker 1: We're going to weaponize the tools of the gods.

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Speaker 2: It's a compelling motive, isn't it. If you were a

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Roman general and you had credible intelligence that there was

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a repository of alien metallurgy or advanced weaponry, you know,

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a valley in the Alps, wouldn't you march your legions

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there first?

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Speaker 1: Absolutely, it's the ancient world's version of the Space Race

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or the Manhattan Project. Seize the ultimate.

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Speaker 2: Weapon, for sure.

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Speaker 1: But here's the thing that always gets me with these stories.

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If the Romans took the tech, or if the tech

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is still buried there, Yeah, that's a lot of potential

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energy just sitting around, right, and that kind of energy,

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if you don't know how to handle it, it isn't

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always safe. No, it can bite back hard.

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Speaker 2: It absolutely can. And that brings us to the darker

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side of this whole discussion, because while the SUSA Valley

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might have been a storage facility or a laboratory, other

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sites on this ancient grid look less like warehouses and

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more like well, more like crash sites or crime scenes.

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Speaker 1: Which takes us from the mountains of Italy halfway across

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the world, to the Indus Valley in modern day.

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Speaker 2: Pakistan to the ruins of Mahinjo Darl.

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Speaker 1: This place, I have to say, this place will always

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creep me out a little bit. It was discovered in

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nineteen twenty two.

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Speaker 2: Right correct, by the Indian Archaeological Survey, and what they

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found was staggering a mass of metropolis dating back about

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four th six hundred.

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Speaker 1: Years, and it was incredibly advanced for its time. We're

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talking sophisticated plumbing, grid based streets, multi story brick buildings.

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This was a thriving urban center.

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Speaker 2: It was one of the jewels of the ancient world.

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Speaker 1: But it's not the plumbing that gets people whispering.

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Speaker 2: It's the bodies, the skeletons, that's the anomaly. They were

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found scattered in the streets in their homes. They weren't

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buried in graves or tombs. They were just lying there

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as if they'd been struck down where they stood.

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Speaker 1: That's the image that's so haunting. The sources talk about

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a group found holding hands, a family, maybe just walking

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down the street holding hands, and then instant death. Whatever happened,

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it happened in a blink.

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Speaker 2: It wasn't a slow decline from famine or plague. It

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was instantaneous. And the condition of the remains, the condition

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of the site itself tells a really puzzling story. The

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sources repeatedly mentioned reports of radioactive ash being found in

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the area.

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Speaker 1: Radioactive ash in a city that's over four thousand years old.

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That shouldn't be possible.

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Speaker 2: It shouldn't, And they talk about radioactive people. The skeletons

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themselves purportedly showed levels of radiation that you would only

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expect to find in a person from say Hiroshima or Nagasaki.

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Speaker 1: So the conventional historical explanation is maybe a plague or

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a sudden invasion, right, But plagues don't leave radiation, and

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an army with swords and spears doesn't leave radioactive ash

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covering the city.

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Speaker 2: Precisely, and it's not just the bodies the stones of

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the city itself. There are reports of widespread vitrification.

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Speaker 1: The terrification reminding what that is.

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Speaker 2: It's when sand or rock is heated to such an

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extreme temperature that literally melts and turns into glass. We

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saw this at the Trinity Test site in New Mexico

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after the first atomic bomb test.

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Speaker 1: They called it trinotite.

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Speaker 2: That green glass, that's the stuff. And to get that

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you need temperatures in the thousands of degrees. A normal

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city fire can't do it. A volcano could, but there's

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no volcano anywhere near Mahinjo Daro.

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Speaker 1: So to achieve that kind of heat and that level

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of radiation, you need high energy physics, you need a

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nuclear reaction.

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Speaker 2: That's the theory that the ancient astronaut off is put

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forward that Malhendro Daro wasn't just a city, it was

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what ground zero for something careful.

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Speaker 1: The sources suggest it might have been the residue of

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an ancient power plant, an extraterrestrial power facility that suffered

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a catastrophic.

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Speaker 2: Meltdown Utu'renobyle in twenty five hundred BC or and.

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Speaker 1: This is another possibility they raised. Maybe it was a

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target if there was a war, and we'll definitely get

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to that later with the Greek myths, perhaps the city

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and its power source were deliberately bombed the strategic strike,

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but that Meltdow theory is so interesting because it links

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directly back to this idea of infrastructure. If these extraterrestrial

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gods were here, they needed power, right.

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Speaker 2: You don't fly globes of fire on triple A batteries.

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You need a massive, stable energy output. If you're running

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a global operation with mining, building, interstellar travel, you need

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a power grid.

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Speaker 1: And if you have a nuclear style power plant, well

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things can go wrong, spectacularly wrong.

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Speaker 2: It's terrifying to think about. We have the image of

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ancient people living in fear of you know, saber tooth

356
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tigers or starvation. We don't imagine them living in fear

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of radiation poisoning from the local power station.

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Speaker 1: It completely changes the story of humanity. It makes you

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realize that maybe maybe we weren't the first ones on

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this planet to split the atom.

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Speaker 2: We're just the first ones to do it again.

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Speaker 1: Yeah, but okay, this brings up the logical issue for me.

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If the reactor, the substation, whatever it was, blew up

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in Pakistan, where was the main generator? Good question, Where

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was the heart of the grid. If you're running a

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global operation, you don't just have one power plant, you

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have a central hub. You need the main source.

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Speaker 2: And for that our sources tell us we have to

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look to the place they called the center of the universe,

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Kaylash in western Tibet.

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Speaker 1: This mountain I've seen pictures and it just doesn't look real.

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It's incredibly high, twenty two thousand peeces, but it's the

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shape that gets you. It stands out completely from the

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surrounding Himalayan Range. It's so perfect.

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Speaker 2: Philip coppins Is research really highlights this. He points out

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that from one angle it's a perfect cone shape, and

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from another it's a perfect four sided pyramid.

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Speaker 1: A pyramid in the middle of the Himalayas, a shape.

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Speaker 2: That we see associated with power and the gods everywhere

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else in the ancient world Egypt, Sumeria, Mesoamerica. The pyramid

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isn't just a tomb. The theory is that it's a machine,

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a structure designed a channel and focus energy.

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Speaker 1: And Kylosh isn't just a mountain to climbers. I mean

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it's sacred to four different religions, Hinduism, Buddhism, Jainism, Taoism.

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They all agree on this one thing. This spot is

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the center. This is the axis Mundi, the pillar of

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the world.

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Speaker 2: The spiritual center of the entire universe. Cogrims travel from

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all over the world just to walk the thirty two

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mile circuit around its base. It's this incredible ritual of

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connecting with the divine and it's strictly forbidden to even

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try to climb.

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Speaker 1: It, which our sources are asking, Why why this mountain,

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out of all the thousands of peaks in the Himalayas,

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Why is everyone from all these different traditions completely obsessed

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with this one.

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Speaker 2: Is it possible that gods physically took up residence there,

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not in his spiritual sense, but physically.

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Speaker 1: Well. There's a clue, and it comes from a cave,

400
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believe it or not, about six hundred miles away from Kylash.

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Speaker 2: The Magau Caves, also known as the Cave of the

402
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One Thousand.

403
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Speaker 1: Buddhists, yeah discovered in nineteen oh seven by an explorer

404
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named oral Stein. It had been sealed shut for centuries.

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He opens it up and it's a library, a lost library,

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fifty thousand ancient manuscripts.

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Speaker 2: Including the Diamond Sutra, which is the oldest printed manuscript

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in the history of the world. This is a time

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capsule of knowledge sealed the way to protect it from

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war and destruction.

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Speaker 1: But tucked away in this incredible library was a diagram,

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a Buddhist diagram from the second century AD, depicting something

413
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called Mount.

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Speaker 2: Meru, which is the mythological name for this cosmic mountain,

415
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the one that connects heaven and Earth. It's the archetype

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of Mount Kailash.

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Speaker 1: So before we get to the Northrop, Grumm and scientist,

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which is the wild part part of this story, paint

419
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a picture for me. If I'm unrolling this ancient Buddhist scroll,

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what am I actually looking at?

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Speaker 2: Okay, So you're seeing a top down view schimanic. In

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the center, there's a central axis which is the mountain itself,

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and surrounding it you have these perfect concentric rings and squares.

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In Buddhist philosophy, these rings represent different oceans and continents,

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different planes of existence. It's all very geometric, very symmetrical,

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almost like a mandala.

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Speaker 1: So it looks like a sacred geometry chart, you know,

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standard spiritual artwork from that period exactly.

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Speaker 2: To an art historian or a theologian, it's a map

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of the cosmos. It's a spiritual blueprint. But then you

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hand that same ancient drawing to a guy whose job

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it is to design particle being weapons for a living.

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Speaker 1: Is the scientist from Northrop Grumman that the History Channel

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archives mentioned.

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Speaker 2: That's the one. He's a specialist in high energy physics.

436
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And he looks at this second century diagram and he

437
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doesn't see oceans and continents.

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Speaker 1: What does he see?

439
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Speaker 2: He looks at those concentric rings, the central funnel ccific

440
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geometric layout, and he recognizes a very specific piece of

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mechanical architecture. He overlays it with the blueprints of a cyclotron.

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Speaker 1: A cyclotron. Okay, for those of us who didn't major

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in high energy physics, break that down. What does a

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cyclotron actually do?

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Speaker 2: Think of it as a particle racetrack. You use a

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powerful magnetic field to spin charged particles protons, usually in

447
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a spiral. They go round and round inside a vacuum chamber,

448
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getting faster and faster with each rotation, getting massive amounts

449
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of energy, until bam, you smash them into a target

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to split atoms.

451
00:21:33,720 --> 00:21:36,839
Speaker 1: The machine that was crucial to the Manhattan Project, an

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atom smasher.

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Speaker 2: The very same and the physical shape required to make

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one work. It needs a very specific structure. You need

455
00:21:44,559 --> 00:21:47,880
these two D shaped allo electrodes called d's and a

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central gap for the particles to accelerate across.

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Speaker 1: And when you look at the Mount Meru diagram.

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Speaker 2: The placement of the continents in the oceans in the

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Buddhist drawing aligns perfectly with the vacuum chambers, the magnets,

460
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and the D shaped electrodes of a nineteen forty style

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atom smasher.

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Speaker 1: Is that is uncomfortably specific. That can't be a coincidence.

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Speaker 2: It's hard to see how it could be. And the

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scientist argument is simple. How does a Buddhist monk in

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the second century AD accurately draw the internal schematics of

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a machine that human science wouldn't invent for another seventeen

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hundred years.

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Speaker 1: Unless he wasn't drawing a metaphor for the cosmos.

469
00:22:22,240 --> 00:22:25,559
Speaker 2: He was drawing what he saw, or more likely, he

470
00:22:25,680 --> 00:22:28,480
was copying a much older schematic that he himself didn't

471
00:22:28,519 --> 00:22:29,839
understand but knew was.

472
00:22:29,799 --> 00:22:33,039
Speaker 1: Sacred, which implies that the myth of Mount Meru and

473
00:22:33,079 --> 00:22:36,920
by extension, the real Mount Kailash, wasn't about spiritual energy

474
00:22:36,960 --> 00:22:37,279
at all.

475
00:22:37,400 --> 00:22:39,680
Speaker 2: It was about raw technological energy.

476
00:22:39,759 --> 00:22:43,680
Speaker 1: I'm remembering a line from the sources the Mongolian myths.

477
00:22:44,079 --> 00:22:48,200
They say that celestial beings dwelled around Maru to feed

478
00:22:48,279 --> 00:22:49,640
on its emitted energy.

479
00:22:49,880 --> 00:22:52,519
Speaker 2: Right, and we've always interpreted that phrase feed on energy

480
00:22:52,559 --> 00:22:55,920
as you know, basking in the divine glory of the mountain.

481
00:22:56,160 --> 00:22:59,960
Speaker 1: Yeah, feeling the good vibes, meditating, absorbing the holy new.

482
00:23:00,240 --> 00:23:02,559
Speaker 2: But if Kaylash is a cyclotron, if it's to a

483
00:23:02,559 --> 00:23:05,519
particle accelerator, they weren't getting good bye. They were literally

484
00:23:05,559 --> 00:23:08,960
recharging their batteries. It's a gas station, it's a power plant,

485
00:23:09,359 --> 00:23:14,359
the main generator, a transmitter of cosmic power, built to

486
00:23:14,359 --> 00:23:17,799
sustain these extraterrestrial beings, maybe even keep them alive.

487
00:23:17,960 --> 00:23:24,079
Speaker 1: Wow, So Mount Kylash is the generator. Mohenja Dardo was

488
00:23:24,240 --> 00:23:27,440
maybe a substation down the line that blew up, and

489
00:23:27,480 --> 00:23:30,079
the Susa Valley in Italy was the parts department, the

490
00:23:30,119 --> 00:23:33,200
tech lab. You're starting to see the grid a global infrastructure.

491
00:23:33,640 --> 00:23:35,920
But that raises another question. If you have a grid

492
00:23:35,920 --> 00:23:37,960
and you have that much power, and you have all

493
00:23:37,960 --> 00:23:42,599
this valuable technology, you need defense. You absolutely do you

494
00:23:42,599 --> 00:23:45,519
need a command center, You need a headquarters, because if

495
00:23:45,559 --> 00:23:47,359
you have that kind of power, you can be sure

496
00:23:47,400 --> 00:23:48,960
someone else is going to want to take it from you.

497
00:23:49,119 --> 00:23:51,160
Speaker 2: And for the headquarters of the gods, we go to

498
00:23:51,200 --> 00:23:54,720
the most famous mountain in all of mythology, Mount Olympus

499
00:23:54,759 --> 00:23:57,240
in Greece, home of the Olympians.

500
00:23:56,880 --> 00:24:01,920
Speaker 1: Zeus, Apollo, Hermes, Athena, the whole crew, rising almost ten

501
00:24:02,000 --> 00:24:04,799
thousand feet above the agency. You know, we grew up

502
00:24:04,839 --> 00:24:07,759
think of Olympus as this like mythical cloud City. It's

503
00:24:07,799 --> 00:24:11,079
a fantasy realm from Disney movies and cartoons, a metaphor,

504
00:24:11,160 --> 00:24:13,599
a metaphor exactly. But the city at the base of

505
00:24:13,599 --> 00:24:17,240
the mountain, Dion, that was a real place. It's an

506
00:24:17,319 --> 00:24:18,559
archaeological site now.

507
00:24:18,640 --> 00:24:21,799
Speaker 2: Very real and a very important one. Alexander the Great

508
00:24:21,880 --> 00:24:26,480
himself visited Dion to make sacrifices before he launched his

509
00:24:26,480 --> 00:24:27,160
conquest of.

510
00:24:27,119 --> 00:24:29,359
Speaker 1: Asia, so he saw it as a power spot. He

511
00:24:29,440 --> 00:24:31,480
wanted to get close to the source to get the

512
00:24:31,519 --> 00:24:32,279
god's blessing.

513
00:24:32,359 --> 00:24:35,480
Speaker 2: He wanted that juice, as you said, and historically, we

514
00:24:35,559 --> 00:24:38,839
have to remember something important here. For a very long time,

515
00:24:39,039 --> 00:24:41,480
modern scholars thought the city of Troy was.

516
00:24:41,480 --> 00:24:43,799
Speaker 1: A myth, right, just a setting for the story in

517
00:24:43,839 --> 00:24:45,279
the Iliad, a fable.

518
00:24:45,519 --> 00:24:49,200
Speaker 2: Then this guy, Heinrich Schlimann, goes out in eighteen seventy

519
00:24:49,400 --> 00:24:51,480
with a copy of Homer in one hand and a

520
00:24:51,519 --> 00:24:54,559
shovel in the other, and he digs, he finds it.

521
00:24:54,680 --> 00:24:56,759
Speaker 1: He proved it was a real physical place.

522
00:24:57,000 --> 00:25:00,480
Speaker 2: An archaeologist later found the actual seat of the oracle

523
00:25:00,519 --> 00:25:04,000
at Delphi. These weren't fairy tales. They were real locations

524
00:25:04,039 --> 00:25:06,079
that played a huge role in the ancient world.

525
00:25:06,200 --> 00:25:09,079
Speaker 1: So the expert argument from our sources is, if the

526
00:25:09,119 --> 00:25:11,079
locations are real, if the cities at the base of

527
00:25:11,119 --> 00:25:14,279
the mountains are real, why do we automatically assume the

528
00:25:14,319 --> 00:25:15,640
inhabitants at the top were fake.

529
00:25:15,839 --> 00:25:18,680
Speaker 2: If the house is real, maybe the homeowner was real too.

530
00:25:19,599 --> 00:25:23,559
The ancient Greeks absolutely believe the Olympians were real. They

531
00:25:23,720 --> 00:25:28,160
described them as huge sky beings who descended to Earth.

532
00:25:28,640 --> 00:25:32,200
They didn't think they were metaphors for thunderstorms or agriculture.

533
00:25:32,440 --> 00:25:36,079
They thought they were powerful physical entities living up.

534
00:25:36,079 --> 00:25:39,000
Speaker 1: On that mountain, and they had a headquarters. Olympus wasn't

535
00:25:39,039 --> 00:25:41,799
just their home. It was a base of operations.

536
00:25:41,119 --> 00:25:45,759
Speaker 2: And a fortress, a heavily defended one because they weren't alone,

537
00:25:46,160 --> 00:25:47,200
and they weren't always.

538
00:25:46,960 --> 00:25:48,279
Speaker 1: At peace the Titans.

539
00:25:48,519 --> 00:25:51,240
Speaker 2: The War of the Titans, the Titanomiki. You had the

540
00:25:51,279 --> 00:25:54,599
Titans based on one mountain, Mount Authrus, fighting the Olympians

541
00:25:54,599 --> 00:25:55,440
on their mountain.

542
00:25:55,240 --> 00:25:56,559
Speaker 1: Mount Authorus versus.

543
00:25:56,279 --> 00:25:57,960
Speaker 2: Mount Olympus, a ten year war.

544
00:25:58,319 --> 00:26:01,240
Speaker 1: This is my favorite part of Greek mytho. But when

545
00:26:01,279 --> 00:26:03,920
you actually read the descriptions of the battles and the

546
00:26:03,920 --> 00:26:07,480
old texts, it doesn't sound like God's throwing magic spells

547
00:26:07,480 --> 00:26:07,960
at each other.

548
00:26:08,119 --> 00:26:08,680
Speaker 2: No, it doesn't.

549
00:26:08,759 --> 00:26:09,720
Speaker 1: It sounds like artillery.

550
00:26:09,960 --> 00:26:13,000
Speaker 2: Well, think about it. What is a lightning bolt to

551
00:26:13,119 --> 00:26:16,640
a primitive observer. If I'm standing on a mountain peak,

552
00:26:16,720 --> 00:26:20,559
and I fire a directed energy weapon, a laser, a

553
00:26:20,599 --> 00:26:24,119
particle beam, and it streaks across the sky and vaporizes

554
00:26:24,160 --> 00:26:26,200
a rock on the mountain across the valley, and what

555
00:26:26,200 --> 00:26:26,799
do you call that?

556
00:26:27,160 --> 00:26:29,000
Speaker 1: You call it a bolt of lightning from the hand

557
00:26:29,039 --> 00:26:30,599
of the god Zeus exactly.

558
00:26:31,200 --> 00:26:34,119
Speaker 2: The texts say that gods hurled mountains at each other.

559
00:26:34,559 --> 00:26:37,039
They describe the earth shaking, the sky is screaming. It

560
00:26:37,079 --> 00:26:41,480
sounds like high tech warfare. The sources specifically say the

561
00:26:41,519 --> 00:26:44,279
main battles took place on the plains between the two mountains,

562
00:26:44,559 --> 00:26:46,440
while the command was issued from the peaks.

563
00:26:46,640 --> 00:26:49,279
Speaker 1: So you've got General Zeus on Mount Olympus and General

564
00:26:49,319 --> 00:26:53,079
Cronus on Mount Authree's, and they're launching these devastating attacks

565
00:26:53,119 --> 00:26:55,000
across the valley at each other's armies.

566
00:26:55,240 --> 00:26:57,839
Speaker 2: And look at the description of Olympus itself. This is

567
00:26:57,880 --> 00:27:01,640
a point that Giorgio Suclos really highlights in the source material.

568
00:27:02,079 --> 00:27:05,480
The ancient texts describe it as a magnificent palace.

569
00:27:05,240 --> 00:27:07,359
Speaker 1: With walls gleaming of gold and silver.

570
00:27:07,599 --> 00:27:11,200
Speaker 2: And this is the detail. It had blinking lights, jewels

571
00:27:11,519 --> 00:27:13,559
that flashed and pulsed with their own light.

572
00:27:13,599 --> 00:27:16,519
Speaker 1: Blinking lights in ancient Greece. That's the detail that just

573
00:27:16,559 --> 00:27:18,039
stops me in my tracks, right.

574
00:27:18,119 --> 00:27:20,240
Speaker 2: I mean, if you're a shepherd in five hundred BC

575
00:27:20,880 --> 00:27:23,799
and you somehow get a glimpse inside this forbidden fortress

576
00:27:23,839 --> 00:27:26,920
on the mountain and you see a command console with

577
00:27:27,119 --> 00:27:31,240
LED indicators and fiber optic cables, what worse do you

578
00:27:31,319 --> 00:27:32,160
even have for that?

579
00:27:32,359 --> 00:27:35,880
Speaker 1: You don't have the vocabulary. You'd call them blinking jewels,

580
00:27:36,039 --> 00:27:37,039
living gems.

581
00:27:37,119 --> 00:27:40,039
Speaker 2: You don't have the word for interface or monitor or

582
00:27:40,119 --> 00:27:42,920
circuit board. No, you describe it the best you can,

583
00:27:43,759 --> 00:27:48,960
gleaming metal walls, blinking lights. It sounds exactly like a

584
00:27:49,000 --> 00:27:52,240
modern military command post. A high tech bunker.

585
00:27:52,559 --> 00:27:56,599
Speaker 1: It completely reframes that whole rebellion. The Titanomichy wasn't some

586
00:27:56,839 --> 00:27:59,480
mythic family squabble over who gets to sit at the

587
00:27:59,480 --> 00:28:02,640
head of the day table. This is a technological civil

588
00:28:02,680 --> 00:28:07,200
war between two advanced factions of extraterrestrials.

589
00:28:06,319 --> 00:28:09,200
Speaker 2: A war for control of the planet maybe, or for

590
00:28:09,319 --> 00:28:12,160
control of the very energy infrastructure. We've been talking about,

591
00:28:12,160 --> 00:28:13,079
control of the grid.

592
00:28:13,319 --> 00:28:15,960
Speaker 1: I'm just stuck on that quote from the sources. Zeus

593
00:28:16,000 --> 00:28:18,640
wasn't throwing lightning bolts. He was firing a particle beam

594
00:28:18,680 --> 00:28:19,279
from the mountain.

595
00:28:19,400 --> 00:28:22,279
Speaker 2: It changes everything. It turns Greek mythology into a sci

596
00:28:22,279 --> 00:28:23,400
fi war documentary.

597
00:28:23,559 --> 00:28:26,599
Speaker 1: It really does. And if Olympus was the main command center,

598
00:28:26,759 --> 00:28:29,440
the Pentagon of its day, it makes perfect sense why

599
00:28:29,480 --> 00:28:31,880
it was so defended, why it was so high up,

600
00:28:31,920 --> 00:28:33,200
so inaccessible, why it.

601
00:28:33,200 --> 00:28:34,680
Speaker 2: Was always said to be shrouded in.

602
00:28:34,599 --> 00:28:36,680
Speaker 1: Clouds, artificial cloud.

603
00:28:36,400 --> 00:28:38,680
Speaker 2: Cover, camouflage. It's possible.

604
00:28:38,960 --> 00:28:40,960
Speaker 1: Okay, let's zoom out for a second. Let's look at

605
00:28:40,960 --> 00:28:43,440
the map we've drawn today. Based on these threads. We

606
00:28:43,519 --> 00:28:47,359
have Italy, the Siusa Valley, a manufacturing and storage hub

607
00:28:47,359 --> 00:28:51,720
for smithcraft for alien alloys, founded by the engineer Godta

608
00:28:52,160 --> 00:28:54,519
and later guarded by these globes of fire.

609
00:28:54,880 --> 00:28:59,440
Speaker 2: Then we have Pakistan Mohenjo Daro, a site of what

610
00:28:59,480 --> 00:29:03,680
looks like nuclear devastation, possibly a reactor meltdown, which proves

611
00:29:03,680 --> 00:29:06,200
this technology had immense power and immense danger.

612
00:29:06,319 --> 00:29:10,680
Speaker 1: Then we go to Tibet Mount Kailash, a massive pyramid

613
00:29:10,759 --> 00:29:14,799
shaped particle accelerator disguised as a mountain, generating the raw

614
00:29:14,880 --> 00:29:17,000
power to run this entire global system.

615
00:29:17,240 --> 00:29:21,279
Speaker 2: And finally we have Greece, Mount Olympus, the military command center,

616
00:29:21,319 --> 00:29:24,559
the headquarters, monitoring the grid and fighting off rival factions

617
00:29:24,559 --> 00:29:25,359
for control of it.

618
00:29:25,359 --> 00:29:27,920
Speaker 1: It's a global network. These aren't just isolated myths from

619
00:29:27,920 --> 00:29:31,240
different cultures that happen to sound a little similar. They're connected.

620
00:29:31,400 --> 00:29:33,839
Speaker 2: That's the thrilling thread, isn't it. When you pull on it,

621
00:29:33,880 --> 00:29:36,920
you realize these cultures, separated by thousands of miles and

622
00:29:36,960 --> 00:29:40,359
thousands of years, might all be describing different components of

623
00:29:40,400 --> 00:29:42,599
the exact same planetary scale machine.

624
00:29:42,720 --> 00:29:46,359
Speaker 1: It makes you look at every mountain on Earth differently.

625
00:29:46,400 --> 00:29:48,759
You don't just see rock and snow anymore. You start

626
00:29:48,799 --> 00:29:52,160
to wonder what's inside, and.

627
00:29:52,079 --> 00:29:55,319
Speaker 2: That leads to the most provocative thought of all, remember

628
00:29:55,359 --> 00:29:58,200
how the sources mentioned that in the SUSA Valley the

629
00:29:58,240 --> 00:30:00,079
special energy is said to still be.

630
00:30:00,440 --> 00:30:01,960
Speaker 1: Right, said it remains.

631
00:30:01,680 --> 00:30:05,519
Speaker 2: So if these mountains were power plants and military bases,

632
00:30:06,119 --> 00:30:10,480
and the physical mountains are obviously still there, is the

633
00:30:10,519 --> 00:30:11,920
machinery just dormant?

634
00:30:12,000 --> 00:30:13,359
Speaker 1: Is it just in standby mode?

635
00:30:13,680 --> 00:30:15,880
Speaker 2: What happens if we accidentally find the on switch?

636
00:30:16,079 --> 00:30:18,079
Speaker 1: What happens if someone figures out how to fire up

637
00:30:18,119 --> 00:30:19,200
Mount Kaylash again?

638
00:30:19,599 --> 00:30:22,519
Speaker 2: It wouldn't be a spiritual awakening. It might be a

639
00:30:22,559 --> 00:30:25,759
global restart of a technological system we don't even begin

640
00:30:25,839 --> 00:30:26,559
to understand.

641
00:30:26,640 --> 00:30:30,000
Speaker 1: And with the way our own technology is advancing, with AI,

642
00:30:30,319 --> 00:30:34,480
with quantum computing, maybe we're getting closer to understanding those

643
00:30:34,480 --> 00:30:35,839
ancient blueprints better than.

644
00:30:35,720 --> 00:30:38,200
Speaker 2: We think, which is both an exciting and a genuinely

645
00:30:38,279 --> 00:30:39,000
terrifying thought.

646
00:30:39,039 --> 00:30:41,960
Speaker 1: That's the sweet spot. That's why we do this. Indeed,

647
00:30:42,400 --> 00:30:45,480
so I have to ask you, the listener. We've laid

648
00:30:45,480 --> 00:30:49,920
out four incredible locations today, four potential pieces of this

649
00:30:50,039 --> 00:30:53,240
ancient alien puzzle. If you were in Indiana, Jones type

650
00:30:53,480 --> 00:30:56,359
or maybe a sci fi engineer, and you could get

651
00:30:56,400 --> 00:30:58,960
a grant to visit just one of these sites to

652
00:30:59,039 --> 00:31:01,039
hunt for the tech. Where would you go?

653
00:31:01,960 --> 00:31:04,480
Speaker 2: Ooh, that is a tough choice, right.

654
00:31:04,799 --> 00:31:07,759
Speaker 1: Would you go to Mount Muzinet in Italy to look

655
00:31:07,759 --> 00:31:10,960
for Pete Ta's alchemy vault? Would you go to Mohenjo

656
00:31:11,039 --> 00:31:14,160
Daro with a Geiger counter? Would you make the trek

657
00:31:14,279 --> 00:31:17,599
to Kilash to find the blueprints for the particle accelerator?

658
00:31:18,200 --> 00:31:20,599
Or would you try and climb Olympus to find Zeus's

659
00:31:20,599 --> 00:31:21,319
captain's chair.

660
00:31:21,519 --> 00:31:24,240
Speaker 2: You know my first instinct. I think I'd go for Kilash,

661
00:31:24,640 --> 00:31:26,440
the source of the power. If you can understand the

662
00:31:26,480 --> 00:31:28,119
power plant, you can understand the whole grid.

663
00:31:28,400 --> 00:31:30,440
Speaker 1: See. I think I'm Team Olympus. I want to see

664
00:31:30,440 --> 00:31:32,640
the blinking lights. I want to find the console. I

665
00:31:32,680 --> 00:31:34,319
want to see the view from the command center.

666
00:31:34,440 --> 00:31:36,400
Speaker 2: Fair enough a different approach, but we want.

667
00:31:36,279 --> 00:31:38,039
Speaker 1: To hear from you. Leave a comment below, let us

668
00:31:38,079 --> 00:31:41,200
know which mountain you would explore and why, and tell

669
00:31:41,279 --> 00:31:43,839
us what you think. Do you believe mythology is just

670
00:31:43,880 --> 00:31:46,920
creative writing or is it misinterpreted history.

671
00:31:47,279 --> 00:31:49,680
Speaker 2: It's a question worth asking yourself next time you look

672
00:31:49,680 --> 00:31:50,559
at a mountain range.

673
00:31:50,799 --> 00:31:54,079
Speaker 1: Thanks for joining us on thrilling threads. Keep looking up

674
00:31:54,160 --> 00:31:55,640
and keep pulling the streams.

