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<v Speaker 1>You see somethings are going to happen?

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<v Speaker 2>What?

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<v Speaker 1>What's going to happen?

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<v Speaker 2>I'll take you one?

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<v Speaker 3>What help? Welcome to the Occult Rejects.

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<v Speaker 4>This episode, we got myself, and we got the Headless Giant,

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<v Speaker 4>and we got jewels, we got Branch, and we got

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<v Speaker 4>Chris from Channel.

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<v Speaker 3>Ok okay with us today.

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<v Speaker 4>Just in case you don't happen to know who we are,

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<v Speaker 4>and if you happen to be a new listener.

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<v Speaker 3>I'm gonna let everybody introduce themselves. Headless my man.

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<v Speaker 4>Please let everybody know what your deal is and where

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<v Speaker 4>they can find your amazing work.

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<v Speaker 5>Thank you. I'm the Headless Giant. You can find me

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<v Speaker 5>on YouTube and x under the Headless Giant. And if

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<v Speaker 5>you have any kind of occult weird stories, you can

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<v Speaker 5>send them to my email and we will read them.

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<v Speaker 5>My email is Headless Giant podcast at gmail dot com.

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<v Speaker 5>So and that show is on Thursday nights.

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<v Speaker 3>Check it out awesome.

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<v Speaker 4>Yes, send those emails in definitely and check out. If

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<v Speaker 4>you haven't check out that live yet to check out

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<v Speaker 4>that show yet, check it out. And then we got

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<v Speaker 4>jewels from Gray Pilled Podcasts joined us today as well.

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<v Speaker 4>Always love having you on my man, What's up and

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<v Speaker 4>let everybody know what your deal is.

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<v Speaker 6>Please always love joining you guys. Man. It's always a

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<v Speaker 6>good conversation and we always end up kind of learning

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<v Speaker 6>something or getting something out of it as well. Guys.

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<v Speaker 6>I'm Jewels, host of the Gray Pilled Podcast. I have

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<v Speaker 6>a few shows I do. I run production for Austin

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<v Speaker 6>Pacard and Jose Gallison show Already Dead every Tuesday eight

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<v Speaker 6>thirty Central live on rumble x and YouTube. I am

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<v Speaker 6>co host of Sound Science with the Paranoid American. We

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<v Speaker 6>do a couple of those every month or so. Also

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<v Speaker 6>the co host of eloheem Etymology with Adrian West. And

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<v Speaker 6>then I have a Sunday show I do called Sunday Chaos.

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<v Speaker 6>Great Pilled is just my my voice is cracked, my brand,

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<v Speaker 6>I guess you could say, uh so yeah. I'm on

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<v Speaker 6>Twitter at Great Pill Pod, Instagram, Great Piled, Underscore Podcast.

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<v Speaker 6>You can find me on YouTube, Rumble, Spotify, Apple Podcasts,

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<v Speaker 6>and Patreon. Doing a lot of big stuff on Patreon.

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<v Speaker 6>Just got some new stickers printed. It's one of four

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<v Speaker 6>designs the Yellow heam Etymology. Got some more stuff coming

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<v Speaker 6>for all my Patreon people, so that you find me

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<v Speaker 6>over there.

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<v Speaker 4>That's what's up man. Awesome, Yes, and I will include

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<v Speaker 4>all your links in the bottom. Now I'm pretty well

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<v Speaker 4>eventually I have some of them in there now on Mitchell.

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<v Speaker 7>All the shows are on my one page. Okay, so awesome,

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<v Speaker 7>very easy to find. Yes, and uh, finally to a

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<v Speaker 7>branch show. Sorry about that to branching Chris from Channel

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<v Speaker 7>k okay.

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<v Speaker 3>Uh. I guess maybe we'll start with you first, Chris.

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<v Speaker 4>Why don't you introduce yourself so let us know what

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<v Speaker 4>is up with you guys.

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<v Speaker 2>Yes, I'm Chris or As my moniker for my channel

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<v Speaker 2>is King. Today you guys can come and King Weird

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<v Speaker 2>since we'll be talking about with spiders and all the

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<v Speaker 2>weirdness of weaving. But yeah, I do a channel called

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<v Speaker 2>Channel Koka. We're alternative force against all the three letter

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<v Speaker 2>network agencies. So you know, we're going up against scene

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<v Speaker 2>in and ABC, NBC, A, MC, TN, T, HBO, you know,

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<v Speaker 2>doing all those mombetic magics of pop culture and film

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<v Speaker 2>and all the occult side of things and all the

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<v Speaker 2>esoteric and exoteric. And then my co hosts for my

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<v Speaker 2>channel of course is is There brands and we have

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<v Speaker 2>a awesome kind of back and forth and we try

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<v Speaker 2>to balance each other out, as the King of Cup does.

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<v Speaker 2>It's all about balance. So check us out. And we

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<v Speaker 2>have all kinds of step on chain of all kinds

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<v Speaker 2>of different topics.

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<v Speaker 4>Yeah, we'll have to say, you guys have covered some topics.

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<v Speaker 4>I was like, that's actually interesting to think of to

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<v Speaker 4>even cover the topic. It's definitely gonna be different stuff.

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<v Speaker 4>Thank you very much for coming on. And finally branch,

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<v Speaker 4>just to let people know, I did have this man

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<v Speaker 4>on the show probably about two years ago, so it's

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<v Speaker 4>actually it's very nice to have this man back on.

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<v Speaker 4>I had a great time with him the first time

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<v Speaker 4>he was on, so it was a pleasure. Thank you

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<v Speaker 4>very much, sir, and let everybody know what you deal

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<v Speaker 4>with and stuff.

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<v Speaker 1>Hey guys, it's nice to meet you all, and it's

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<v Speaker 1>nice to be back Nick. Thank you for hosting. So

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<v Speaker 1>I just do a lot of this stuff for fun.

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<v Speaker 1>I collaborate a lot. So I did create a link

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<v Speaker 1>tree that I can share with him and you can

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<v Speaker 1>put in the description or something. But yeah, it's a lot.

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<v Speaker 1>It's a lot to even mentioned. So if you want

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<v Speaker 1>to collaborate or whatever, you can reach out to me.

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<v Speaker 1>On Twitter, Instagram, I'm Apocalyptic Aesthetic on Instagram, and William

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<v Speaker 1>Burke and there on Twitter. Thank you very much for

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<v Speaker 1>having me. It's a pleasure to be here.

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<v Speaker 4>Awesome, awesome, And today we're going to get into spider symbolism,

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<v Speaker 4>which I think is a great topic to bring up.

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<v Speaker 4>I myself, in certain logos I've used the spider. I

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<v Speaker 4>don't think it probably may not necessarily be for the

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<v Speaker 4>same reasons why we're going to talk about it today.

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<v Speaker 4>But I mean, I have used the spider for symbolism

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<v Speaker 4>myself and logos, but I'm normally taking it back to

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<v Speaker 4>the optic nerve or the racketid layer of your brain.

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<v Speaker 4>I'm more of using it for physiology. But I do

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<v Speaker 4>think the spider is huge symbolism used for many different reasons.

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<v Speaker 4>So we got Chris, and we got Branch, and I

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<v Speaker 4>got Jules and Headliss to talk about this for like

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<v Speaker 4>the next hour and a half.

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<v Speaker 3>It's well, I'll have how long it takes.

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<v Speaker 4>So I guess Chris, if you want Maybe or Branch,

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<v Speaker 4>whichever one of you just want to start this off first,

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<v Speaker 4>what got you into even doing it?

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<v Speaker 3>Maybe?

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<v Speaker 5>Yeah?

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<v Speaker 2>Yeah, Well I used to be in the at the

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<v Speaker 2>dawn of twenty twenty, when you know everything that happened

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<v Speaker 2>with the scamdemic and everything happened. I I was introduced

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<v Speaker 2>to a community that referred to each other as as

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<v Speaker 2>spiders and everything, and I just went head first into

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<v Speaker 2>mametic magic and spider symbolism and weaving symbolism and everything,

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<v Speaker 2>and I just I found my own synchronicities with the spiders,

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<v Speaker 2>with spider symbolism. I just before we started the show, Nick,

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<v Speaker 2>I told you I need a review on my channel

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<v Speaker 2>of this Spider Verse movie. And as I was reviewing

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<v Speaker 2>the movie, uh, spider hopped onto my computer screen for

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<v Speaker 2>the hung out with me for the entire interviews, and

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<v Speaker 2>then left as soon as I got done going live.

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<v Speaker 2>Right before I joined you guys today, a spider crawled

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<v Speaker 2>on my on my world right before I hopped on

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<v Speaker 2>the stream with you guys. So it's it's all, it's all,

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<v Speaker 2>it's all interconnected and everything. So and that's actually how

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<v Speaker 2>I met the brand. So we met through the Spiders community.

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<v Speaker 2>That's how we got introduced to each other, and and

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<v Speaker 2>we do shows together all the time. And so I

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<v Speaker 2>just I got really fascinated into this work and the

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<v Speaker 2>work of the art of weaving, and it really it

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<v Speaker 2>gets into you know, I know you guys talked about

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<v Speaker 2>occult topics. Really chaos magic and mimetics is ancient weaving,

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<v Speaker 2>and so I think that that would be an interesting

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<v Speaker 2>place to start. Some A good example would be, of course,

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<v Speaker 2>to the norns in as the Norse mythology goes, or

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<v Speaker 2>in Greek you have the Mora, which is similar to

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<v Speaker 2>the norms. It's a trinity of essentially goddesses and they

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<v Speaker 2>represent past, present and future or fate, destiny and will.

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<v Speaker 2>And really when you're when you're manifesting. And I don't

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<v Speaker 2>practice chaos magic, I'm not a Chaostan magician. Yeah, I'm

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<v Speaker 2>not promoting that. I'm just describing to you guide what

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<v Speaker 2>what I understand. It's about when when you when you're

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<v Speaker 2>when you're manifesting things, it you're essentially you're you're weaving.

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<v Speaker 2>There's an interesting book called Weaving Fate Hypersiduals. It's it's

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<v Speaker 2>called Weaven Think Hypersiduals, Changing Fate and telling true lies

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<v Speaker 2>and essentially what it is, Yeah, what the true like

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<v Speaker 2>the true lies thing is really interesting. Basically anything that

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<v Speaker 2>doesn't exist in our reality is a lie. So when

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<v Speaker 2>you're manifesting, you're turning something that's a lie into truth.

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<v Speaker 2>You're bringing truth into our reality by creating something. And

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<v Speaker 2>so that's a balancing of the fates you are you're

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<v Speaker 2>going into with this. You know, your your headspace, your

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<v Speaker 2>imaginal realm is what I like to refer to it as.

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<v Speaker 2>And what a lot of new eager to get stuck

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<v Speaker 2>at is that imaginal realm. It's all they just want

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<v Speaker 2>to set in this imaginal realm and you know, meditate

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<v Speaker 2>and have everything get created around them. What we're that's

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<v Speaker 2>not that's only half of the process. They're not doing

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<v Speaker 2>the second half. The second half is the physical work,

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<v Speaker 2>because we are bridges of the the spirit world in

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<v Speaker 2>the physical world. So when if you're really wanting to

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<v Speaker 2>manifest with with chaos, magic or New Aids, manifesting whatever

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<v Speaker 2>you're going to call it, or weaving, I would refer

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<v Speaker 2>to it as as weaving. To weave your fate, you

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<v Speaker 2>have to balance the whole visualization aspect of it and

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<v Speaker 2>with the physical work. You have to bring your visualization

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<v Speaker 2>into the physical by doing some kind of physical activity

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<v Speaker 2>or laboring. Right, So, and that gets into mimetics as well,

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<v Speaker 2>and that's what hyperstiduals are. So if you create art,

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<v Speaker 2>you're hyperstitualists, you're creating mo medics. There's an interesting documentary

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<v Speaker 2>called You Can't Kill Meme, and it's all about how

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<v Speaker 2>chaos magicians help Donald Trump win his seventeen presidency. Maga,

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<v Speaker 2>I see that.

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<v Speaker 6>Yeah, man, I've said before that Trump is probably, uh

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<v Speaker 6>the most powerful chaos magi out there right now.

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<v Speaker 2>Yeah. Even yeah, for his latest presidency, he even talked

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<v Speaker 2>about weaving at one of his speeches and it turned

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<v Speaker 2>into I don't know if you guys saw it, but

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<v Speaker 2>everyone was making fun of him because he was like,

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<v Speaker 2>it's the art of weaving, and he was like, you know,

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<v Speaker 2>he was being a trumble about it and everything. But

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<v Speaker 2>for me, it's just think Initially I was like, yes,

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<v Speaker 2>he's talking about weaving. He's talking about bending his own

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<v Speaker 2>reality to his will, and that's really what it is

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<v Speaker 2>is you have to balance your fates. To weave with

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<v Speaker 2>weaver hands, you have to balance the fates. You can't

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<v Speaker 2>be living in the past, you can't be always looking

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<v Speaker 2>to the future and to be if you're just stagnant

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<v Speaker 2>in the present all the time, then you're not planning

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<v Speaker 2>anything ahead and you're not learning from your past, so

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<v Speaker 2>it's like balancing the fates. And to me, that's when

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<v Speaker 2>you're talking about nostalgia, that it's an imbalance of the

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<v Speaker 2>fates because you're always focusing on the past. And I

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<v Speaker 2>think that's what nine eleven was all about because prior

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<v Speaker 2>to ninety eleven, where everything was about the future and

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<v Speaker 2>futuristic and after what after ninety eleven? Now it all

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<v Speaker 2>this retro future mimmoibarites, you know, creating reboots and all this.

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<v Speaker 2>So I think whatever energetic thing happened with ninety eleven

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<v Speaker 2>was there had to do with some kind of chaos,

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<v Speaker 2>kind of magic or the fates got disbalance, so that

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<v Speaker 2>it's an interesting place to talk to start out, I

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<v Speaker 2>feel like, is this idea of what weaving really is

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<v Speaker 2>from a spiritual, magical perspective.

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<v Speaker 5>To back you up on that, King, think about fashion

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<v Speaker 5>since nine to eleven, right, fashion has been stuck in

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<v Speaker 5>the same perpetual place ever since then, for you know,

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<v Speaker 5>twenty five years now, there hasn't been a real big

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<v Speaker 5>fashion trend that has taken off in all these decades

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<v Speaker 5>from nine to eleven forward, seem like they're all collapsed.

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<v Speaker 5>That doesn't seem like there's a big difference in fashion

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<v Speaker 5>styles back to weaving since that time period. I think

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<v Speaker 5>when people do these magical workings, there has to be

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<v Speaker 5>an offset, there has to be a displacement of energy,

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<v Speaker 5>and we see that when it comes to creativity since

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<v Speaker 5>nine to eleven having to do with people's fashion. Before

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<v Speaker 5>then you would have new innovations, new technologies, and new

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<v Speaker 5>materials used in all of this fashion type endeavors. But

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<v Speaker 5>now we're kind of stuck. It's the only innovations that

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<v Speaker 5>we have is what new apps you can put on

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<v Speaker 5>these phones. You know, nothing's really changed.

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<v Speaker 6>Yeah, And I did want to tell something to King that,

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<v Speaker 6>you know. I know that Nick has had William Ramsey

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<v Speaker 6>on the show before, and I've been reading his book

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<v Speaker 6>on Crowley and how this nine to eleven basically was

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<v Speaker 6>I think the final work for a ritual to bring

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<v Speaker 6>about the aon of Horus, right, and you see it

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<v Speaker 6>in the twin Towers representing eleven, right, and you know

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<v Speaker 6>you have the famous picture of Crowley doing his you know,

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<v Speaker 6>his I don't know what sign that is that that, yeah,

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<v Speaker 6>which I think does represent the Towers in a way,

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<v Speaker 6>as as well as eleven being a thelemic number two, right,

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<v Speaker 6>So I definitely think it's tied into chaos magic more

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<v Speaker 6>and more than a lot of people know.

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<v Speaker 2>Yeah, And I never have thought about his pots being

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<v Speaker 2>connected to eleven and the Twin Towers, So think you

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<v Speaker 2>bring that up. Yeah, man, that's fascinating. That also makes

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<v Speaker 2>me think of that deleted scene from the Kobygliss Spider

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<v Speaker 2>Man movie that they promoted it with with Spider Man

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<v Speaker 2>catching bad guys in the helicopter in his web that

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<v Speaker 2>was between the twin towers and they had to remove

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<v Speaker 2>it because ninety eleven happened. Uh so, yeah, there's there's

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<v Speaker 2>definitely weaving and spiders going on here for sure.

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<v Speaker 6>I didn't know that about the deleted scene.

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<v Speaker 2>Yeah, it's still in the trailer. If you look up

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<v Speaker 2>the original trailer for that first Spinal movie, they still

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<v Speaker 2>you can still watch it. Yeah, it was a helicopter

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<v Speaker 2>caught in his web between the Twin towers and it

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<v Speaker 2>was it's it's such a poignant kind of symbol to

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<v Speaker 2>use the movie, and it's it's so interesting, but yeah,

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<v Speaker 2>they removed it.

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<v Speaker 5>This is an interesting symbol that comes from Norse mythology.

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<v Speaker 5>They don't really have a good name for it because

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<v Speaker 5>it didn't really become accompanied with any sort of explanation.

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<v Speaker 5>But this is the vault nut, and the vultnut is

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<v Speaker 5>these three triangles that make this not right. And so

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<v Speaker 5>the vult nut represents not only the nine worlds and

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<v Speaker 5>each one of those different triangles, but it's also under

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<v Speaker 5>the legs of sleep near Odin's horse, right, So you've

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<v Speaker 5>got this idea of movement of mind, you know, associated

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<v Speaker 5>with Odin, and also the idea of sacrifices also included

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<v Speaker 5>in sacrifice depictions. So you've got this idea of the

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<v Speaker 5>three fates sort of coming together producing these these different worlds,

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<v Speaker 5>the nine worlds of the Norse mythology. So the idea

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<v Speaker 5>of weaving is so central to these sort of pre

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<v Speaker 5>Christian faiths, as you were talking about with the Greek

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<v Speaker 5>mythology too, you've got the three fates, the one who measures,

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<v Speaker 5>the one who cuts, the one who weaves. So these

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<v Speaker 5>symbols are so central to the core of their understanding

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<v Speaker 5>of fate and how to interact with the world around

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<v Speaker 5>them that I think it's shouldn't be something that's passed up.

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<v Speaker 5>We don't really have an equivalent in today's society, but

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<v Speaker 5>I think a lot of people are taking advantage of

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<v Speaker 5>that fact because if you can't see it, you can't

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<v Speaker 5>recognize what's going on. You can't see the weaving as

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<v Speaker 5>it's happening. And we can see this with numbers too, especially.

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<v Speaker 3>Uh.

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<v Speaker 5>The idea of understanding a weave is called topology. And

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<v Speaker 5>so by intersecting a lot of these different numerical values

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<v Speaker 5>and these different ideas into a weave, what you're doing

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<v Speaker 5>is you're changing the course of fate using will. So

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<v Speaker 5>I thought that was kind of relevant there.

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<v Speaker 2>Yeah, yeah, I think you for bringing that up. Yeah,

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<v Speaker 2>that's and that stayed, you know, post Christianity. That's why

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<v Speaker 2>the Celtic crosses still have nots in them. And they

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<v Speaker 2>did that just got moved on to a different trinity, right.

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<v Speaker 2>But es, since we're talking about as fireman, to bring

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<v Speaker 2>up you know what is how it's still in our

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<v Speaker 2>pop culture that guy today. Uh uh. I'm going to

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<v Speaker 2>write on a kind of be a comic book nerd

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<v Speaker 2>for a second year, but it's it's you know, we

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<v Speaker 2>we in communities like ours. We talked about how the

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<v Speaker 2>new uh pantheon of God's is superheroes, and it's not

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<v Speaker 2>there's not any better example than that than the Spider

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<v Speaker 2>Man character. I think so the spie the Spider Man

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<v Speaker 2>mythos takes and harnesses everything that we're talking about with

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<v Speaker 2>the Spider Man symbol. So in uh, this Spider Verse mythology,

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<v Speaker 2>we have this idea of a a spider verse, any

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<v Speaker 2>interconnected webs, right of mostly verses, and well, I think

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<v Speaker 2>it's it's interesting is if you watch the Latest Across

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<v Speaker 2>the Spider Verse film, Uh, there's a character refer to

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<v Speaker 2>Mogrel Miguel O'Hara or Spider Man twenty ninety nine. He's

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<v Speaker 2>like a play runner futuristic Spider Man. He brings all

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<v Speaker 2>the Spider society to his hollow deck kind of ar room,

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<v Speaker 2>and he goes over this idea of a multiverse, and

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<v Speaker 2>there's this it's all black, and then a single drop

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<v Speaker 2>like dot falls from the what the ceiling would be

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<v Speaker 2>and is in the center of the room, and Spider

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<v Speaker 2>Man twenty ninety nine goes, this is everything, and that

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<v Speaker 2>gets into this whole idea of a primordial you the

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<v Speaker 2>stoics and Stoic physics, they would refer to it as

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<v Speaker 2>the logo spermatica, and he goes, this is everything, and

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<v Speaker 2>this seed, this original seed source continues to fall and

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<v Speaker 2>then gets planted, and so that's the wendy and metaphysics,

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<v Speaker 2>that's your one D dimension the dot or in Taoism

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<v Speaker 2>that that's the non duality of everything, right, And then

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<v Speaker 2>when it gets planted, it turns into a tree, which

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<v Speaker 2>of course, like time wines and trees and everything, that's uh,

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<v Speaker 2>you just sell. That's the tree in the Garden of Eden,

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<v Speaker 2>of course, but that's like lineal time. That's the two D.

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<v Speaker 2>And then from that two D perspective, that tree goes

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<v Speaker 2>out in any direction and becomes a spider web and

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<v Speaker 2>gets interconnected with itself, and that's where they get nexus points.

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<v Speaker 2>And in this in the Spider Man mythos, they referred

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<v Speaker 2>to as canon events, and those are events that have

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<v Speaker 2>to happen. These are these pillars of moments that have

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<v Speaker 2>to happen so time could exist, so can exist, and

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<v Speaker 2>that it's like Uncle Ben dying of course is a

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<v Speaker 2>big one, right. He has to give a Spider Man

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<v Speaker 2>the whole. With great power comes great responsibility, moment like

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<v Speaker 2>he has to have that moment. So that's the next

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<v Speaker 2>event because that has to happen. And uh, Miguel o'harah

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<v Speaker 2>tells Miles, the Miles Morales Spider Man, that he has

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<v Speaker 2>to let certain people die. He can't stop his certain events.

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<v Speaker 2>And it's all going back to this whole do we

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<v Speaker 2>have free will? So the whole conflict in the latest

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<v Speaker 2>Spider Verse movie is Miguel O'Hara says the Spider the

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<v Speaker 2>Spider people are supposed to maintain the web. What they

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<v Speaker 2>refer to the Spider version of the comic is the

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<v Speaker 2>webs of fade and destiny. They have to maintain the

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<v Speaker 2>faith the webs of fade and destiny by making sure

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<v Speaker 2>these cannon events, these next points happen and nothing prevents

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<v Speaker 2>them from happening. And they don't have any free wheel

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<v Speaker 2>to go on beyond that. And Miles Morales's character, who

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<v Speaker 2>I mean, his last name is Larry Moral. So he's

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<v Speaker 2>talking about the morality that he can't morally let stand

352
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<v Speaker 2>by and let someone die, right, So he's all about, oh, no,

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<v Speaker 2>we do have free wheel. And so that's how this

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<v Speaker 2>this fighter team gets split up because half of this

355
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<v Speaker 2>fire people say that they have free wheel and the

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<v Speaker 2>other half say they're only the doers of fate and

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<v Speaker 2>the brainch and I talk about we have these Lightning

358
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<v Speaker 2>and the Bardle moments where the idea is going to

359
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<v Speaker 2>get done. No matter who it is is, you're the

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<v Speaker 2>contuent for whatever God has planned. We refer to it

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<v Speaker 2>in our God to Play Right series as scripture, like

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<v Speaker 2>you have to you know, God gives you a script

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<v Speaker 2>and then you have to go by it. And yeah,

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<v Speaker 2>you can improve, which is free will, but you have

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<v Speaker 2>a script. You have a fate or destiny that you're

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<v Speaker 2>you're entangled with. And I think stan Lee when he

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<v Speaker 2>was creating the Spider Man character, he was tapping into

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<v Speaker 2>this ancient symbol of the Spider and he wasn't fully

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<v Speaker 2>consciously aware of it, and it's just grown through over

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<v Speaker 2>time as they keep on evolving the character. And even

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<v Speaker 2>Madam Webb, who is the of female Grandmother's elderly wise

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<v Speaker 2>woman who's at the center of the webs of feed

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<v Speaker 2>and destiny in the comics. She's a blind seer, the

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<v Speaker 2>blind Oracle. She has roots in Hopey mythology with the

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<v Speaker 2>Grandmother Spider and even in the in they tried to

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<v Speaker 2>do a matter of web movie, but they completely inverted

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<v Speaker 2>the fate in that movie and sexualizes it and everything.

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<v Speaker 2>And we actually have a video on our channel where

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<v Speaker 2>we go over that. It's called Webs of Desire. So

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<v Speaker 2>if anyone wanted to hear us talk about that fiasco

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<v Speaker 2>of a movie, we we do talk about it. But

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<v Speaker 2>in that movie, one of the it was very meanable

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<v Speaker 2>of a movie because how bad it was. In that movie,

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<v Speaker 2>they bring in this idea of uh South American tribe

385
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<v Speaker 2>of people who were spiders, and that also has roots

386
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<v Speaker 2>in our reality with I am probably pronounturing this wrong.

387
00:26:04.200 --> 00:26:09.720
<v Speaker 2>There's a South American tribe called the Praya. Again I'm

388
00:26:09.759 --> 00:26:14.039
<v Speaker 2>probably butchering that pronunciation, but it's a native tribe in

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00:26:14.119 --> 00:26:19.559
<v Speaker 2>South America who their shamans used transha of venom to

390
00:26:19.640 --> 00:26:23.200
<v Speaker 2>go on their shamanistic journeys and there. So there's a

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00:26:23.319 --> 00:26:28.759
<v Speaker 2>documentary about them and that's really fascinating and they commune

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00:26:28.960 --> 00:26:31.480
<v Speaker 2>with this like this this spider entity. So whether it's

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00:26:31.480 --> 00:26:36.400
<v Speaker 2>North America or South America, there's this idea of a

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<v Speaker 2>grandmother spider and that's what mountam Web is for the

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00:26:40.640 --> 00:26:46.839
<v Speaker 2>Spider society. So there Stanley is was tapping into something.

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<v Speaker 2>And to finish up here about this Spider Man connection.

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<v Speaker 4>You know, one thing I did want to add just

398
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<v Speaker 4>real quick, that you had mentioned there's something that was

399
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<v Speaker 4>going to bring up you're talking about like the venom

400
00:26:58.599 --> 00:27:02.440
<v Speaker 4>and stuff that is like that has been I think

401
00:27:02.480 --> 00:27:06.119
<v Speaker 4>like an idea about some spider symbolism that sometimes it

402
00:27:06.160 --> 00:27:12.039
<v Speaker 4>could be being used for knowledge because you know, most venoms,

403
00:27:12.039 --> 00:27:14.200
<v Speaker 4>if you do actually use it at a certain dose,

404
00:27:14.359 --> 00:27:18.279
<v Speaker 4>can actually heal. So and that's like the unknown knowledge

405
00:27:18.319 --> 00:27:22.400
<v Speaker 4>about the venom, you know what I'm saying, unknown understandings.

406
00:27:22.680 --> 00:27:24.799
<v Speaker 4>So I have you know, you mentioned it before, I

407
00:27:24.839 --> 00:27:28.200
<v Speaker 4>have heard of that idea of that understanding that venoms

408
00:27:28.200 --> 00:27:32.160
<v Speaker 4>can actually heal is a reason to use Spider's a symbolism.

409
00:27:32.599 --> 00:27:36.200
<v Speaker 6>Yeah, and that's why, like the idea of you taking

410
00:27:36.240 --> 00:27:39.680
<v Speaker 6>a certain like poison or venom over and over in

411
00:27:39.759 --> 00:27:43.759
<v Speaker 6>small doses can build up your resistance to that being

412
00:27:43.880 --> 00:27:47.559
<v Speaker 6>used against you as as well. Yeah. I think there's

413
00:27:47.599 --> 00:27:51.920
<v Speaker 6>a a tribe of spider people I just looked it

414
00:27:52.000 --> 00:27:57.880
<v Speaker 6>up in Peru that apparently gained a racknid abilities from

415
00:27:57.960 --> 00:28:00.880
<v Speaker 6>the venom of a species of spots that are native

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<v Speaker 6>to that region. You have the Lakota people as well

417
00:28:04.559 --> 00:28:10.599
<v Speaker 6>who actually talk about this spider deity being a trickster god.

418
00:28:10.920 --> 00:28:16.119
<v Speaker 6>His name is Iktomi. I think represents both good and bad.

419
00:28:16.240 --> 00:28:19.960
<v Speaker 6>You mentioned duality earlier. You see that a lot in

420
00:28:20.039 --> 00:28:24.880
<v Speaker 6>this in animal symbolism. A lot of the symbolism has

421
00:28:24.920 --> 00:28:28.079
<v Speaker 6>to do with our animal natures of ourselves, right, Like

422
00:28:28.160 --> 00:28:31.599
<v Speaker 6>our lower natures are carnal. I guess you could say

423
00:28:31.799 --> 00:28:39.039
<v Speaker 6>animalistic desires and stuff. So yeah, I've seen that a

424
00:28:39.039 --> 00:28:42.519
<v Speaker 6>bunch with spiders just being known as like a kind

425
00:28:42.519 --> 00:28:43.480
<v Speaker 6>of trickster deity.

426
00:28:44.440 --> 00:28:52.319
<v Speaker 2>Yeah, yeah, they're very much tricksters. And the two things

427
00:28:52.359 --> 00:28:58.519
<v Speaker 2>that I've gathered from spider mythology is one, like you said,

428
00:28:58.519 --> 00:29:04.319
<v Speaker 2>they're tricksters, and to the the always and this connects

429
00:29:04.359 --> 00:29:09.119
<v Speaker 2>to the whole fate idea always in guard of some

430
00:29:09.240 --> 00:29:12.400
<v Speaker 2>kind of faith or script. A lot of these. I

431
00:29:12.440 --> 00:29:19.519
<v Speaker 2>believe it's the African an uh mythology missing up with

432
00:29:19.720 --> 00:29:27.720
<v Speaker 2>another one. I believe it's ann that's African. Yeah, you're right, yeah, yeah,

433
00:29:26.119 --> 00:29:33.640
<v Speaker 2>that was the one. And this is a common where there.

434
00:29:32.960 --> 00:29:37.200
<v Speaker 8>They're painted like a great book or a great script

435
00:29:37.640 --> 00:29:41.759
<v Speaker 8>of or comb of how the story of the world, and.

436
00:29:41.720 --> 00:29:45.480
<v Speaker 2>They're there and there they have this knowledge, this this

437
00:29:45.640 --> 00:29:52.559
<v Speaker 2>no how supposed to go and there're the guardians of that.

438
00:29:55.160 --> 00:29:58.079
<v Speaker 8>And then usually the trip where the trick shut part

439
00:29:58.160 --> 00:30:06.039
<v Speaker 8>comes in is we that notice kind of go off the.

440
00:30:06.039 --> 00:30:09.720
<v Speaker 2>Relative power, right, they don't they don't have the Uncle

441
00:30:09.720 --> 00:30:14.559
<v Speaker 2>Ben to tell them where the great power comes. Grace responsibility. Yeah,

442
00:30:14.599 --> 00:30:19.599
<v Speaker 2>they really be super really yeah. Yeah, and they will

443
00:30:19.720 --> 00:30:23.359
<v Speaker 2>usually fall from grace in a trick shorty way by

444
00:30:23.519 --> 00:30:27.720
<v Speaker 2>thinking that they can control faith because they have this

445
00:30:27.960 --> 00:30:31.960
<v Speaker 2>access to the knowledge, to this, they can weave their

446
00:30:32.000 --> 00:30:34.920
<v Speaker 2>own webs, that they can weave their own they can

447
00:30:34.960 --> 00:30:37.799
<v Speaker 2>weave their own webs, and they usually get cursed by

448
00:30:37.799 --> 00:30:42.359
<v Speaker 2>becoming some kind of mythological spider creature.

449
00:30:42.039 --> 00:30:47.240
<v Speaker 6>Monster like Neith in Egypt. Yeah, or neath, I don't

450
00:30:47.240 --> 00:30:50.160
<v Speaker 6>know how you pronounce it. That's very interesting.

451
00:30:50.200 --> 00:30:50.400
<v Speaker 2>Man.

452
00:30:51.119 --> 00:30:57.240
<v Speaker 5>In this book Ovid's Metamorphosis, which was like seventy seventeen AD, right,

453
00:30:57.279 --> 00:31:00.119
<v Speaker 5>it was really early on, he goes into the it

454
00:31:00.440 --> 00:31:06.119
<v Speaker 5>of Minerva or Athena and a Rockney and a Rockney.

455
00:31:06.240 --> 00:31:09.559
<v Speaker 5>This is in book six of Metamorphosis. He talks about

456
00:31:09.559 --> 00:31:13.279
<v Speaker 5>how this this woman who was bragging about how much

457
00:31:13.839 --> 00:31:16.680
<v Speaker 5>she was the best weaver in the world, and so

458
00:31:16.920 --> 00:31:23.359
<v Speaker 5>she challenged Minerva or Athena to a weaving competition and lost.

459
00:31:23.519 --> 00:31:28.720
<v Speaker 5>And then Athena, as a a rockney is about to

460
00:31:28.799 --> 00:31:33.480
<v Speaker 5>hang herself, Athena transforms her into a spider. And what

461
00:31:33.519 --> 00:31:35.799
<v Speaker 5>was really interesting is I was painting the other day

462
00:31:36.319 --> 00:31:38.119
<v Speaker 5>and if you can kind of see that on the cover,

463
00:31:38.640 --> 00:31:41.960
<v Speaker 5>my stencil got on there, and it looks like there

464
00:31:42.000 --> 00:31:45.319
<v Speaker 5>are webs tying this person who's staring into the into

465
00:31:45.319 --> 00:31:48.599
<v Speaker 5>the void to some sort of fate. So it kind

466
00:31:48.599 --> 00:31:50.319
<v Speaker 5>of matched up pretty well.

467
00:31:51.880 --> 00:31:56.960
<v Speaker 2>Yeah, that's cool. Yeah, Branch, there's there's a biblical aspect

468
00:31:57.000 --> 00:31:59.039
<v Speaker 2>to the spider. Two do you want to hop in

469
00:31:59.119 --> 00:32:01.599
<v Speaker 2>here and we to the biblical aspect of it?

470
00:32:02.119 --> 00:32:02.319
<v Speaker 3>Yeah?

471
00:32:02.400 --> 00:32:09.599
<v Speaker 1>Bright, Yeah, sure. The most popular reference would probably probably

472
00:32:09.680 --> 00:32:13.759
<v Speaker 1>be in Proverbs, chapter thirty, verse twenty eight. And so

473
00:32:14.960 --> 00:32:20.799
<v Speaker 1>I think I have that here. Yeah, so I wasn't

474
00:32:22.480 --> 00:32:24.880
<v Speaker 1>instantly prepared. My apologies, but I do have it.

475
00:32:25.039 --> 00:32:28.240
<v Speaker 9>Actually, I'll have to look for it.

476
00:32:28.279 --> 00:32:32.359
<v Speaker 1>But anyway, what it basically says is the spider makes

477
00:32:32.400 --> 00:32:36.160
<v Speaker 1>its web in king's palaces. So it's to imply that

478
00:32:36.880 --> 00:32:41.519
<v Speaker 1>no matter how many servants the king has toiling away

479
00:32:41.519 --> 00:32:44.799
<v Speaker 1>in his castle keeping it spotless, there's going to be

480
00:32:44.880 --> 00:32:49.839
<v Speaker 1>that you know, somewhere that can't be easily reached, and

481
00:32:50.559 --> 00:32:56.559
<v Speaker 1>the spider's there and it's able to basically enjoy hearing

482
00:32:56.720 --> 00:32:59.640
<v Speaker 1>what's going on in the court right, which is a

483
00:32:59.720 --> 00:33:04.279
<v Speaker 1>very privileged space. And so it's almost got this concept

484
00:33:04.279 --> 00:33:08.400
<v Speaker 1>of eaves dropping because the term east dropping comes from

485
00:33:09.480 --> 00:33:14.599
<v Speaker 1>hanging from the eaves right like a spider does. And

486
00:33:14.599 --> 00:33:16.599
<v Speaker 1>in fact, that's kind of tied to the lure of

487
00:33:16.599 --> 00:33:21.880
<v Speaker 1>shooting stars too, because in Solomon's Testament, when he's talking

488
00:33:21.880 --> 00:33:24.440
<v Speaker 1>to the demons in the dialogues, they some of them

489
00:33:24.480 --> 00:33:27.319
<v Speaker 1>will explain the nature of falling stars and that they're

490
00:33:27.359 --> 00:33:31.960
<v Speaker 1>actually eaves dropping, but fall from heaven because they have

491
00:33:32.039 --> 00:33:34.039
<v Speaker 1>no they don't have the strength to remain up there

492
00:33:34.079 --> 00:33:36.119
<v Speaker 1>and listen in on what's going on in the court

493
00:33:36.119 --> 00:33:38.279
<v Speaker 1>of heaven. So when I read that verse and proverbs,

494
00:33:38.759 --> 00:33:41.960
<v Speaker 1>I kind of imagine it as being like analogous to

495
00:33:43.640 --> 00:33:45.799
<v Speaker 1>you know, lower order spirits that maybe are trying to

496
00:33:45.799 --> 00:33:49.480
<v Speaker 1>eavesdrop on heaven or the king's court as it were.

497
00:33:49.960 --> 00:33:52.440
<v Speaker 1>That that was one of the verses that really jumped

498
00:33:52.480 --> 00:33:52.839
<v Speaker 1>out of me.

499
00:33:53.759 --> 00:33:55.759
<v Speaker 2>Yeah, I have I pulled it up here so I

500
00:33:55.920 --> 00:33:59.920
<v Speaker 2>can read it for you. It says the spiders take

501
00:34:00.079 --> 00:34:03.680
<v Speaker 2>get hold with her hands, and on the thread she spins,

502
00:34:04.119 --> 00:34:08.440
<v Speaker 2>or on the flies and bees she catches in her web.

503
00:34:08.800 --> 00:34:13.320
<v Speaker 2>This is a small creature, very yet very wise. What

504
00:34:13.480 --> 00:34:17.280
<v Speaker 2>a curious thread does she spin? What a fine web

505
00:34:17.360 --> 00:34:18.079
<v Speaker 2>does she weave?

506
00:34:18.639 --> 00:34:18.800
<v Speaker 3>With?

507
00:34:18.880 --> 00:34:27.280
<v Speaker 2>What extensions and proportions? Is it framed as if she's

508
00:34:27.360 --> 00:34:37.480
<v Speaker 2>understood the role of mathematics and architecture. Yeah, it's all

509
00:34:37.480 --> 00:34:40.679
<v Speaker 2>about this fire tickets hold of her hand in the

510
00:34:40.760 --> 00:34:44.960
<v Speaker 2>King's palace. Yeah, so's it's talked about in God's court.

511
00:34:45.039 --> 00:34:46.719
<v Speaker 2>There's this eaves dropping spider.

512
00:34:49.079 --> 00:34:49.639
<v Speaker 3>Awesome.

513
00:34:50.400 --> 00:34:52.360
<v Speaker 1>Yeah, I would have never really made the connection between

514
00:34:52.400 --> 00:34:55.559
<v Speaker 1>shooting stars, how I saw that in the Testaments Solomon,

515
00:34:55.639 --> 00:34:58.159
<v Speaker 1>that they both have that eavesdropping quality, which in the

516
00:34:58.239 --> 00:35:02.599
<v Speaker 1>masonry they were to those as cowens. So the tyler

517
00:35:03.199 --> 00:35:07.559
<v Speaker 1>at the door, you know, he probably would be cleaning

518
00:35:07.559 --> 00:35:10.920
<v Speaker 1>cobwebs and stuff too, I'd imagine. But there's some figures

519
00:35:10.960 --> 00:35:14.159
<v Speaker 1>sometimes whose job is to keep those est droppers away.

520
00:35:14.320 --> 00:35:19.159
<v Speaker 1>So whether it be Heimdahl on the Byfrost bridge or

521
00:35:19.239 --> 00:35:22.039
<v Speaker 1>the tyler at the Masonic door or whatever. You know,

522
00:35:22.079 --> 00:35:25.000
<v Speaker 1>you got a bodyguard at the velvet rope for the

523
00:35:25.119 --> 00:35:27.639
<v Speaker 1>nightclub anyway.

524
00:35:28.519 --> 00:35:34.719
<v Speaker 2>Yeah, and that also gets us to of course Bohemian

525
00:35:34.840 --> 00:35:37.679
<v Speaker 2>grove and breathing spiders come out here.

526
00:35:38.639 --> 00:35:43.320
<v Speaker 6>They That was perfect, Yeah right, Yeah, I was going

527
00:35:43.400 --> 00:35:47.079
<v Speaker 6>to say something to what Headless said about Minerva also

528
00:35:47.119 --> 00:35:55.639
<v Speaker 6>being represented as the al in Bohemian Grove directed right

529
00:35:55.679 --> 00:35:58.679
<v Speaker 6>to the spiders as well. So I kind of find

530
00:35:58.679 --> 00:36:01.480
<v Speaker 6>that a little interesting. How you know, you got both

531
00:36:02.199 --> 00:36:04.199
<v Speaker 6>those symbolisms at one place.

532
00:36:05.880 --> 00:36:09.840
<v Speaker 5>Yeah, right, But the idea there is that you've got

533
00:36:09.840 --> 00:36:12.599
<v Speaker 5>this wisdom on one hand and then you've got the

534
00:36:12.719 --> 00:36:17.039
<v Speaker 5>hubris on the other. Right between the two, that's when you,

535
00:36:17.039 --> 00:36:19.960
<v Speaker 5>you know, you find this trickster entity is are you

536
00:36:20.079 --> 00:36:22.840
<v Speaker 5>exercising wisdom or are you exercising hubris?

537
00:36:23.800 --> 00:36:27.880
<v Speaker 1>Dude, well, you brought up the bohemian growth things. So

538
00:36:27.920 --> 00:36:30.360
<v Speaker 1>if you think about it, Alex Jones was very much

539
00:36:30.480 --> 00:36:34.960
<v Speaker 1>like a spider. They don't want those folks around, and

540
00:36:35.000 --> 00:36:37.679
<v Speaker 1>so if you're hanging out spying on them, I mean

541
00:36:37.719 --> 00:36:41.360
<v Speaker 1>you kind of embodying what they don't want around, you know.

542
00:36:41.480 --> 00:36:44.960
<v Speaker 1>So yeah, I feel like Proverbs really captures that because

543
00:36:44.960 --> 00:36:47.159
<v Speaker 1>in a way, when they're all there gathered, that's like

544
00:36:47.199 --> 00:36:50.719
<v Speaker 1>the king's court, right, and the owl is speaking to

545
00:36:50.760 --> 00:36:53.559
<v Speaker 1>them and all, So it kind of contrasts symbolism of

546
00:36:53.599 --> 00:36:56.559
<v Speaker 1>the owl to the spider there too, because spiders aren't

547
00:36:56.599 --> 00:36:59.760
<v Speaker 1>necessarily diurnal or nocturnal.

548
00:37:01.039 --> 00:37:06.280
<v Speaker 6>They just choose to stay in dark corners. Going back

549
00:37:06.320 --> 00:37:09.760
<v Speaker 6>to what Nick said earlier, Yeah, I have this Manly

550
00:37:09.800 --> 00:37:15.199
<v Speaker 6>Palmer Hall little book that I've reviewed before on occult

551
00:37:15.280 --> 00:37:19.320
<v Speaker 6>symbolism of animals and has an insect chapter and it says, uh, yeah,

552
00:37:19.360 --> 00:37:21.920
<v Speaker 6>it shape makes it an appropriate emblem of the nerve

553
00:37:22.239 --> 00:37:27.559
<v Speaker 6>of the nerve nerve flexus and the ganglia and the

554
00:37:27.639 --> 00:37:32.400
<v Speaker 6>human body. Yeah, Nick, so you had something there.

555
00:37:34.480 --> 00:37:37.440
<v Speaker 4>It definitely starts to look like certain things that you

556
00:37:37.440 --> 00:37:39.000
<v Speaker 4>can look at under a microscope.

557
00:37:40.000 --> 00:37:42.239
<v Speaker 6>Yeah, yeah, absolutely.

558
00:37:42.320 --> 00:37:45.239
<v Speaker 2>Yeah that also makes me think of, you know, we're

559
00:37:45.280 --> 00:37:49.039
<v Speaker 2>talking about Bohemian grove, so you know, we can get

560
00:37:49.079 --> 00:37:53.119
<v Speaker 2>you through this idea of you know, celebrity worship and everything.

561
00:37:53.719 --> 00:37:56.639
<v Speaker 2>And when I was when I would working on my

562
00:37:56.840 --> 00:38:02.760
<v Speaker 2>spider symbolism a video on a channel Kokay around around

563
00:38:02.840 --> 00:38:10.760
<v Speaker 2>that time there you had American horror story had a

564
00:38:10.840 --> 00:38:17.280
<v Speaker 2>season called a Delegate and it had the Kardashians on it,

565
00:38:17.400 --> 00:38:21.360
<v Speaker 2>and it was there like third adaption of Rosemary's Baby,

566
00:38:21.800 --> 00:38:25.320
<v Speaker 2>Like they adapted this story like three times in that

567
00:38:25.519 --> 00:38:30.960
<v Speaker 2>series for some reason, but they used spiders to promote

568
00:38:31.760 --> 00:38:36.440
<v Speaker 2>that season, and her pregnant belly was a spider, and

569
00:38:36.519 --> 00:38:40.440
<v Speaker 2>then the doctor's goggles with the spider's eyes and everything,

570
00:38:41.920 --> 00:38:46.360
<v Speaker 2>and they so they interconnected this whole idea of, you know,

571
00:38:47.119 --> 00:38:54.480
<v Speaker 2>a child's sacrifice with controlling your fate. So I think

572
00:38:54.559 --> 00:38:55.360
<v Speaker 2>that's interesting.

573
00:38:56.000 --> 00:38:56.440
<v Speaker 6>And then.

574
00:38:58.639 --> 00:39:01.679
<v Speaker 2>Around that same time, you had ujah Cat who went

575
00:39:01.840 --> 00:39:05.920
<v Speaker 2>fully demonic, and while she was going fully demonic, her

576
00:39:06.119 --> 00:39:10.960
<v Speaker 2>Instagram profile was of a spider. And then she went

577
00:39:11.079 --> 00:39:14.840
<v Speaker 2>to some awards show in the really scantly dress of

578
00:39:15.639 --> 00:39:20.679
<v Speaker 2>cobweb dress and everything. And then you had Dune and

579
00:39:20.960 --> 00:39:27.639
<v Speaker 2>they had that weird bdsm bdsm spider creature on the

580
00:39:27.760 --> 00:39:34.360
<v Speaker 2>Harkenin's planet that the Baron had. It was really weird.

581
00:39:34.880 --> 00:39:37.280
<v Speaker 2>And around the same time, so he had all this

582
00:39:38.480 --> 00:39:40.920
<v Speaker 2>dark spider symbolism and pup culture.

583
00:39:41.719 --> 00:39:43.679
<v Speaker 6>Was this at the same time that that movie came

584
00:39:43.760 --> 00:39:46.880
<v Speaker 6>out with Adam Sandler and He's in space.

585
00:39:47.960 --> 00:39:50.440
<v Speaker 2>Yeah that was shortly before that happened. Yeah, he had

586
00:39:50.760 --> 00:39:54.039
<v Speaker 2>he had all this stuff happening in pup culture where

587
00:39:54.079 --> 00:39:57.400
<v Speaker 2>they was they was kind of tipping their hat to

588
00:39:57.519 --> 00:40:00.480
<v Speaker 2>weaving fate in a way in the dark kind of

589
00:40:01.440 --> 00:40:04.360
<v Speaker 2>with this sense. It was the dark side of the trickster,

590
00:40:04.480 --> 00:40:07.599
<v Speaker 2>you could say for sure, Well you could.

591
00:40:07.400 --> 00:40:10.920
<v Speaker 5>Almost say that in the story of Peter Parker when

592
00:40:10.960 --> 00:40:15.039
<v Speaker 5>he gets bit by the Spider, he's being bitten by fate, right,

593
00:40:15.239 --> 00:40:17.639
<v Speaker 5>and that's weaving a new fate for him. So it's

594
00:40:17.639 --> 00:40:20.519
<v Speaker 5>almost like the call to adventure is coming through the

595
00:40:20.639 --> 00:40:21.679
<v Speaker 5>Spider symbolism.

596
00:40:22.719 --> 00:40:29.199
<v Speaker 2>Yes, yes, definitely, and part of that as well after

597
00:40:29.400 --> 00:40:31.800
<v Speaker 2>he gets bit by the Spider, and the Spider Verse

598
00:40:31.920 --> 00:40:35.320
<v Speaker 2>movie does this shows this so well, And that's why

599
00:40:35.360 --> 00:40:37.639
<v Speaker 2>I love the anime Spider Verse movie because they have

600
00:40:37.840 --> 00:40:41.440
<v Speaker 2>it's such a good example of it. Once once they

601
00:40:41.519 --> 00:40:44.760
<v Speaker 2>get bit by the Spider, they get no sic where

602
00:40:44.880 --> 00:40:49.760
<v Speaker 2>they can they can hear the narration. They're the internal dialogue,

603
00:40:50.239 --> 00:40:52.599
<v Speaker 2>and he's like freaking out because he's just like, what

604
00:40:52.880 --> 00:40:55.760
<v Speaker 2>is that voice and everything and that that is that

605
00:40:56.000 --> 00:40:58.760
<v Speaker 2>plays into the Spider the Spider sense, you know, the

606
00:40:58.800 --> 00:41:01.679
<v Speaker 2>spiy senses is he refers to it, and so he's like,

607
00:41:02.159 --> 00:41:04.760
<v Speaker 2>where's that voice coming from, and it's like he's hearing

608
00:41:04.840 --> 00:41:09.400
<v Speaker 2>then their narrator of his story of his fate that's

609
00:41:09.480 --> 00:41:10.679
<v Speaker 2>being being woven.

610
00:41:11.320 --> 00:41:14.159
<v Speaker 6>Couldn't be interpreted as our lower or higher selves as

611
00:41:14.239 --> 00:41:17.400
<v Speaker 6>well talking to us and kind of being our conscious.

612
00:41:18.280 --> 00:41:21.000
<v Speaker 3>Uh, somebody just had a magical experience.

613
00:41:22.119 --> 00:41:22.360
<v Speaker 1>Yeah.

614
00:41:22.920 --> 00:41:25.440
<v Speaker 4>Uh, you know I've always always interested with Peter Parker too.

615
00:41:25.559 --> 00:41:26.559
<v Speaker 4>Is his girlfriend Mary Jane.

616
00:41:26.599 --> 00:41:28.440
<v Speaker 3>I've always looked at her as the scarlet horror.

617
00:41:29.960 --> 00:41:31.760
<v Speaker 6>Oh she does have red hair.

618
00:41:31.920 --> 00:41:32.119
<v Speaker 3>Yeah.

619
00:41:32.639 --> 00:41:34.159
<v Speaker 4>And you know if you listen to if you listen

620
00:41:34.199 --> 00:41:36.320
<v Speaker 4>to Mega Death's song Mary Jane, and you think of

621
00:41:36.360 --> 00:41:38.239
<v Speaker 4>the horror Babylon, it's the same fucking thing.

622
00:41:39.599 --> 00:41:42.760
<v Speaker 2>Oh, definitely. So that because it's He's something that the

623
00:41:42.840 --> 00:41:45.199
<v Speaker 2>brain tren I talked about quite a bit, and that's

624
00:41:45.559 --> 00:41:48.119
<v Speaker 2>we talk you know, we talk about archetypes and tropes

625
00:41:48.199 --> 00:41:50.800
<v Speaker 2>and film and stories and everything on our chinel and

626
00:41:50.920 --> 00:41:56.400
<v Speaker 2>then we bring uh bridge between writing and young this

627
00:41:56.599 --> 00:42:00.559
<v Speaker 2>whole youngie youngie and idea to more of a uh

628
00:42:00.920 --> 00:42:06.840
<v Speaker 2>metaphysical kind of a cult kind of uh synthesis. And

629
00:42:07.480 --> 00:42:11.039
<v Speaker 2>we talked about uh this modern trope of the man

630
00:42:11.280 --> 00:42:16.159
<v Speaker 2>pixie dream girl, which uh, I got to admit when

631
00:42:16.199 --> 00:42:19.760
<v Speaker 2>I was a teenage teenager and a preteen, I devoured

632
00:42:19.880 --> 00:42:23.400
<v Speaker 2>a lot of coming of as films and they always

633
00:42:23.440 --> 00:42:26.599
<v Speaker 2>have that manic pixie dream girl trope in those films

634
00:42:27.199 --> 00:42:30.800
<v Speaker 2>and kind of looking back at it, I realized that

635
00:42:30.960 --> 00:42:36.239
<v Speaker 2>manic picture dream girl aspect, that's uh the brainch referred

636
00:42:36.239 --> 00:42:38.639
<v Speaker 2>to as a horror Babylon. I refer to it as

637
00:42:38.719 --> 00:42:41.440
<v Speaker 2>like a little like kind of character.

638
00:42:41.599 --> 00:42:42.559
<v Speaker 6>Same archetype.

639
00:42:42.599 --> 00:42:47.480
<v Speaker 2>I think, yeah, it's like this this dark, dark feminine kind.

640
00:42:47.440 --> 00:42:51.519
<v Speaker 6>Or other yep K talked about yep, yep.

641
00:42:52.760 --> 00:42:55.800
<v Speaker 2>So there's definitely an aspect to that.

642
00:42:57.599 --> 00:42:59.280
<v Speaker 3>And what that does.

643
00:43:00.159 --> 00:43:04.760
<v Speaker 2>That's all connecting to UH initiations and the reason why

644
00:43:04.880 --> 00:43:07.360
<v Speaker 2>manic picture ging girls are risen in present day from

645
00:43:07.400 --> 00:43:12.400
<v Speaker 2>my understanding is UH in the sixties and seventies when

646
00:43:12.440 --> 00:43:15.800
<v Speaker 2>the hippie kind of age kind of started because all

647
00:43:15.840 --> 00:43:19.800
<v Speaker 2>the male initiators was either at war or fighting at

648
00:43:19.880 --> 00:43:24.119
<v Speaker 2>war fighting or in the office spaces, and they wasn't

649
00:43:24.239 --> 00:43:28.760
<v Speaker 2>present for their kids. So kids would after school just

650
00:43:28.880 --> 00:43:31.519
<v Speaker 2>be you know, wandering the streets and everything. And then

651
00:43:32.079 --> 00:43:37.639
<v Speaker 2>we seek initiation into adulthood, whether it's consciously or subconsciously.

652
00:43:37.920 --> 00:43:41.320
<v Speaker 2>So they're looking for initiator. There's no male initiators around,

653
00:43:41.679 --> 00:43:44.239
<v Speaker 2>but there were these these hippie women. There was these

654
00:43:44.320 --> 00:43:49.119
<v Speaker 2>manic picture ging girl hippie wilder woman archetype, right, and

655
00:43:49.639 --> 00:43:55.360
<v Speaker 2>there they give pseudo initiations of boys to make not

656
00:43:55.639 --> 00:43:58.920
<v Speaker 2>full men, not healthy men, but like pseudo initiations into

657
00:43:59.159 --> 00:44:04.320
<v Speaker 2>a pseudo kind of half asked manhood kind of thing.

658
00:44:06.239 --> 00:44:08.719
<v Speaker 2>And that's what maybe Jane kind of does for Peter.

659
00:44:09.039 --> 00:44:12.000
<v Speaker 2>That's the that's the duality of the relationship is that

660
00:44:12.320 --> 00:44:14.960
<v Speaker 2>he's kind of that nerd and everything, and she's like,

661
00:44:15.239 --> 00:44:17.960
<v Speaker 2>you know, her first line in the in the comics

662
00:44:18.159 --> 00:44:21.360
<v Speaker 2>was you just hit the jack pop tiger like, and

663
00:44:21.480 --> 00:44:25.840
<v Speaker 2>she's always testing him. She's that fiery aspect, so she

664
00:44:26.199 --> 00:44:28.920
<v Speaker 2>she definitely is that that archetype for sure.

665
00:44:30.159 --> 00:44:33.480
<v Speaker 5>Well, it's important to note the colors too, So he's, uh,

666
00:44:34.400 --> 00:44:37.559
<v Speaker 5>spider Man is red, white, and blue, and that seems

667
00:44:37.599 --> 00:44:39.719
<v Speaker 5>to be one of the themes in all of these things.

668
00:44:39.800 --> 00:44:43.719
<v Speaker 5>Do you have any information on how relevant these colors

669
00:44:43.760 --> 00:44:45.719
<v Speaker 5>are to the spider symbolism?

670
00:44:46.199 --> 00:44:46.760
<v Speaker 1>I could take that.

671
00:44:47.960 --> 00:44:48.960
<v Speaker 2>Oh yeah, go Branch.

672
00:44:49.119 --> 00:44:49.320
<v Speaker 5>Yeah.

673
00:44:50.519 --> 00:44:53.760
<v Speaker 1>I think it's alchemical because if you look at the

674
00:44:54.039 --> 00:44:57.760
<v Speaker 1>key of the tarot, dude, the teeth of the key

675
00:44:58.039 --> 00:45:02.159
<v Speaker 1>are red, white and blue blues. The law red is

676
00:45:02.400 --> 00:45:06.719
<v Speaker 1>blood and white is the purity or the stone, which

677
00:45:06.800 --> 00:45:10.920
<v Speaker 1>another name for that is Peter Petra is what it

678
00:45:11.000 --> 00:45:13.679
<v Speaker 1>means stone, and so of course if you want to

679
00:45:13.719 --> 00:45:16.800
<v Speaker 1>look at it fallicly, Peter is a Peter as well,

680
00:45:17.800 --> 00:45:20.920
<v Speaker 1>and of course you get your stones. So tubalcane maybe

681
00:45:21.320 --> 00:45:24.480
<v Speaker 1>relates to that a little bit, but anyway, that's how

682
00:45:24.519 --> 00:45:28.320
<v Speaker 1>I would relate it. So maybe he's analogous to the

683
00:45:28.440 --> 00:45:33.920
<v Speaker 1>full pre transformation. And then at some point he becomes

684
00:45:34.280 --> 00:45:37.719
<v Speaker 1>you know, obviously he can't live a normal life, so

685
00:45:37.840 --> 00:45:39.280
<v Speaker 1>in a way he's a hermit as well.

686
00:45:39.400 --> 00:45:44.360
<v Speaker 2>Right. Also something to add in to that, red and

687
00:45:44.440 --> 00:45:49.039
<v Speaker 2>blue together creates purple, and the purple that's the vela

688
00:45:49.079 --> 00:45:53.320
<v Speaker 2>of illusion. That's the fabric of our reality. So that

689
00:45:53.760 --> 00:45:57.039
<v Speaker 2>is that's your faith, that's the web. The purporle is

690
00:45:57.079 --> 00:45:59.280
<v Speaker 2>the webs. And when you bring the red and blue

691
00:45:59.320 --> 00:46:05.679
<v Speaker 2>to say two alchemical process you know, when the divine masculine,

692
00:46:05.760 --> 00:46:10.639
<v Speaker 2>divine does the does the outcomeical marriage, you get the purporal,

693
00:46:10.760 --> 00:46:15.920
<v Speaker 2>you get the web. So I I see the fabric

694
00:46:16.039 --> 00:46:19.039
<v Speaker 2>of reality as like a purple kind of web. And

695
00:46:19.199 --> 00:46:23.159
<v Speaker 2>that in science you have string theory, and string theories

696
00:46:23.440 --> 00:46:27.400
<v Speaker 2>is all broken down into webs. And so when we're

697
00:46:27.519 --> 00:46:30.679
<v Speaker 2>even in science they even agnow it's this kind of

698
00:46:31.199 --> 00:46:35.199
<v Speaker 2>primordial web substance. Dude.

699
00:46:35.400 --> 00:46:37.440
<v Speaker 6>The fact that y'all just brought all that up. I

700
00:46:37.599 --> 00:46:40.039
<v Speaker 6>did all on my Patreon this morning, me and my

701
00:46:40.119 --> 00:46:43.719
<v Speaker 6>buddy's subliminal messager. He's in the chat. I think we

702
00:46:44.400 --> 00:46:49.119
<v Speaker 6>reviewed chapter three of Initiates of the Flame, and it's

703
00:46:49.280 --> 00:46:53.639
<v Speaker 6>the mystery of the Alchemists. Literally everything y'all just covered

704
00:46:53.679 --> 00:46:56.719
<v Speaker 6>I touched on this morning. I just find these synchronicities

705
00:46:56.760 --> 00:46:57.440
<v Speaker 6>on Candy Man.

706
00:46:57.719 --> 00:47:02.480
<v Speaker 2>It's wild spider symbolism. I'm gonna yeah, it's definitely. Yeah,

707
00:47:02.519 --> 00:47:04.960
<v Speaker 2>that's that's that's when you know that weaving working as

708
00:47:05.039 --> 00:47:08.519
<v Speaker 2>synchle mysticism. Yeah, exactly, I'm gonna have to I'm gonna

709
00:47:08.519 --> 00:47:11.960
<v Speaker 2>have to check that that you're you're work into that out.

710
00:47:12.440 --> 00:47:15.119
<v Speaker 2>That makes me think of one of my favorite books

711
00:47:15.480 --> 00:47:19.280
<v Speaker 2>is uh Iron John, a book about man by Robert

712
00:47:19.360 --> 00:47:24.960
<v Speaker 2>Bly and it's all it's all about the wild masculine

713
00:47:25.440 --> 00:47:26.840
<v Speaker 2>and mel initiation.

714
00:47:27.599 --> 00:47:27.960
<v Speaker 3>And he.

715
00:47:29.440 --> 00:47:32.679
<v Speaker 2>He weaves this idea of the grind fairy tale of

716
00:47:34.719 --> 00:47:40.239
<v Speaker 2>Iron Hans or Iron John as a symbol of initiation

717
00:47:41.239 --> 00:47:46.000
<v Speaker 2>and and but it's not an initiation of the divine

718
00:47:46.119 --> 00:47:50.679
<v Speaker 2>sank me hero. It's not ascension initiation. It's a decent

719
00:47:50.760 --> 00:47:54.760
<v Speaker 2>in initiation and then the ascension. It's like it's the Phoenix,

720
00:47:54.920 --> 00:47:59.840
<v Speaker 2>it's as sentient through uh the ash the fire read

721
00:48:00.880 --> 00:48:04.519
<v Speaker 2>the Rebirth e'zactly. That's exactly. And I love that book.

722
00:48:04.559 --> 00:48:08.400
<v Speaker 2>I love that work. I love talking about that topic.

723
00:48:08.440 --> 00:48:10.000
<v Speaker 2>So I'm definitely gonna have to check out what you

724
00:48:10.159 --> 00:48:10.960
<v Speaker 2>have to say about it.

725
00:48:11.239 --> 00:48:12.719
<v Speaker 6>For su Yeah, dude, and I'm gonna have to have

726
00:48:12.840 --> 00:48:14.079
<v Speaker 6>you on sometime to talk about it.

727
00:48:14.159 --> 00:48:14.239
<v Speaker 2>Bro.

728
00:48:15.199 --> 00:48:16.840
<v Speaker 6>I love that. I still have to get headless on

729
00:48:16.920 --> 00:48:19.480
<v Speaker 6>sometime too, but yeah, you'll make it happen.

730
00:48:19.599 --> 00:48:21.000
<v Speaker 2>Yeah, yeah, definitely.

731
00:48:21.400 --> 00:48:24.960
<v Speaker 5>Well, nick Uh, I'm sure there's a lot of Kabbalistic

732
00:48:26.239 --> 00:48:29.760
<v Speaker 5>references in the red, white, and blue, especially like the

733
00:48:29.920 --> 00:48:34.280
<v Speaker 5>masculine feminine and then the white eyes having to do

734
00:48:34.360 --> 00:48:34.719
<v Speaker 5>with Keather.

735
00:48:35.400 --> 00:48:37.000
<v Speaker 4>Yeah, I had you even thought that too, even with

736
00:48:37.559 --> 00:48:39.360
<v Speaker 4>you know, with Spider Bay, you get like the power

737
00:48:39.400 --> 00:48:41.719
<v Speaker 4>of the glory and then like the white In my opinion,

738
00:48:41.800 --> 00:48:44.280
<v Speaker 4>I can see that kind of being. I wouldn't say

739
00:48:44.320 --> 00:48:46.360
<v Speaker 4>necessarily the middle pillar, but I mean you get the

740
00:48:46.400 --> 00:48:48.119
<v Speaker 4>power in the glory, and then once you cross over

741
00:48:48.199 --> 00:48:51.079
<v Speaker 4>you do get After that, you into the abyss. I

742
00:48:51.079 --> 00:48:53.199
<v Speaker 4>would say you'd be going to Keather, which could be white.

743
00:48:54.400 --> 00:48:57.199
<v Speaker 4>I do think there is a definitely cabalistic symbolism in

744
00:48:57.239 --> 00:48:58.360
<v Speaker 4>there with a spider.

745
00:48:58.639 --> 00:49:02.239
<v Speaker 6>They're always usually is and a lot of these ancient mysteries.

746
00:49:02.280 --> 00:49:05.239
<v Speaker 6>It all stems back to that. You brought up the

747
00:49:05.280 --> 00:49:08.440
<v Speaker 6>wild woman archetype dude, and my my wife has actually

748
00:49:08.599 --> 00:49:13.440
<v Speaker 6>read this book on it. She went through this spiritual

749
00:49:14.039 --> 00:49:20.960
<v Speaker 6>cleanse uh and apparently had a spider entity attached to

750
00:49:21.039 --> 00:49:23.000
<v Speaker 6>her and removed.

751
00:49:24.639 --> 00:49:25.800
<v Speaker 1>So there's that.

752
00:49:27.039 --> 00:49:31.239
<v Speaker 2>Yeah, yeah, those those definitely I've heard stories, you know

753
00:49:31.400 --> 00:49:37.760
<v Speaker 2>in studio Ghibli make another film reference to aid us

754
00:49:37.840 --> 00:49:43.920
<v Speaker 2>here think of the sprites from my neighbor Todo. I

755
00:49:44.320 --> 00:49:48.280
<v Speaker 2>often have heard that there there are some kind of

756
00:49:48.440 --> 00:49:55.159
<v Speaker 2>like in between entities that are kind of like not

757
00:49:56.320 --> 00:49:58.760
<v Speaker 2>not they can be bad, they can be good. They're

758
00:49:58.800 --> 00:50:01.559
<v Speaker 2>just kind of like in between unities like the spike

759
00:50:01.679 --> 00:50:04.039
<v Speaker 2>side or kind of spider like that just hang around.

760
00:50:06.199 --> 00:50:10.159
<v Speaker 1>Okay when the diacal terms that would be mutable perhaps right,

761
00:50:11.440 --> 00:50:14.920
<v Speaker 1>like they could be one way or the other perhaps.

762
00:50:15.320 --> 00:50:19.199
<v Speaker 6>Yeah, yeah, and you go back, you go back to

763
00:50:19.280 --> 00:50:21.360
<v Speaker 6>the dualistic nature of a lot of it, a lot

764
00:50:21.400 --> 00:50:25.599
<v Speaker 6>of the symbolism as as well. I have a funny

765
00:50:25.639 --> 00:50:29.159
<v Speaker 6>story that I'll tell real fast. Chris Matthew from Forbidden

766
00:50:29.199 --> 00:50:32.679
<v Speaker 6>Knowledge News Shout out Chris. First time he came on

767
00:50:32.800 --> 00:50:35.880
<v Speaker 6>my show, he told this story of this one time

768
00:50:35.960 --> 00:50:43.119
<v Speaker 6>where he had dosed with psilocybin and basically met this

769
00:50:43.400 --> 00:50:46.760
<v Speaker 6>entity trying it was a female entity, trying to tell

770
00:50:46.840 --> 00:50:49.679
<v Speaker 6>him that she was God, and like you know, they

771
00:50:49.760 --> 00:50:51.960
<v Speaker 6>always call God a man, this and that, and he

772
00:50:52.119 --> 00:50:54.440
<v Speaker 6>was talking to her in his mind's eye, but you know,

773
00:50:55.159 --> 00:50:58.480
<v Speaker 6>having this experience, and then he said, all of a sudden,

774
00:50:58.559 --> 00:51:01.719
<v Speaker 6>he sees her head of this old lady on the

775
00:51:01.840 --> 00:51:07.559
<v Speaker 6>body of this spider trying to like tangle him up

776
00:51:07.639 --> 00:51:13.079
<v Speaker 6>in this web, and he immediately calls out, uh, you know,

777
00:51:13.880 --> 00:51:18.800
<v Speaker 6>calls out for Christ and it it's gone, you know,

778
00:51:19.760 --> 00:51:21.639
<v Speaker 6>untangles and fucking shoots off.

779
00:51:22.360 --> 00:51:28.559
<v Speaker 2>Yeah, yeah, yeah, yeah. I've heard stories of like like

780
00:51:28.639 --> 00:51:31.519
<v Speaker 2>I guess you could say dream kind of creatures or

781
00:51:32.599 --> 00:51:34.920
<v Speaker 2>dream weaverers. I guess you can refer to them as

782
00:51:35.599 --> 00:51:40.559
<v Speaker 2>or uh, sleet prowess kind of creatures, being kind of

783
00:51:40.719 --> 00:51:43.719
<v Speaker 2>like a or inky biss and the succubist kind of

784
00:51:43.800 --> 00:51:47.159
<v Speaker 2>tacking like a spider like form. There's a but called

785
00:51:47.320 --> 00:51:53.599
<v Speaker 2>Saga and there's a huntress in that comic and she's, uh,

786
00:51:54.159 --> 00:51:56.519
<v Speaker 2>she has a spider body and then she's a kind

787
00:51:56.559 --> 00:52:00.960
<v Speaker 2>of female torso and so, and she like she's up,

788
00:52:01.280 --> 00:52:04.559
<v Speaker 2>so she's kind of like that fulterriss. But then she

789
00:52:04.719 --> 00:52:06.559
<v Speaker 2>also will, like you know, will hunt you down and

790
00:52:06.639 --> 00:52:09.719
<v Speaker 2>kill you. Kind of thing going on there for sure.

791
00:52:09.760 --> 00:52:11.599
<v Speaker 2>And then you got in what are the rings you got?

792
00:52:12.519 --> 00:52:13.960
<v Speaker 2>Is it slab or slab?

793
00:52:14.519 --> 00:52:18.199
<v Speaker 6>I don't know how you have it in Harry Potter too. Yeah,

794
00:52:18.280 --> 00:52:24.599
<v Speaker 6>we have the spiders that are in there. Yeah man, Yeah,

795
00:52:26.440 --> 00:52:30.119
<v Speaker 6>see somebody said something, don't kill spiders. Yeah, apparently back

796
00:52:30.199 --> 00:52:33.840
<v Speaker 6>in the medieval days that was considered bad luck to

797
00:52:34.119 --> 00:52:34.880
<v Speaker 6>kill spiders.

798
00:52:35.599 --> 00:52:39.440
<v Speaker 2>Yeah, yeah, I don't. I don't kill spider if it's

799
00:52:39.519 --> 00:52:42.800
<v Speaker 2>not if it's not invasive, I'm just like you.

800
00:52:42.840 --> 00:52:46.679
<v Speaker 6>Can hang out, brown recluse, he's gone, he's cooked.

801
00:52:46.800 --> 00:52:47.000
<v Speaker 2>Yeah.

802
00:52:47.039 --> 00:52:50.239
<v Speaker 1>I had a stot to share because when Nick was

803
00:52:50.280 --> 00:52:55.280
<v Speaker 1>talking about the kedder and that symbolism, I couldn't help

804
00:52:55.320 --> 00:52:57.639
<v Speaker 1>but seek a lot. I know not all the time,

805
00:52:57.719 --> 00:52:59.920
<v Speaker 1>of course, but how often do you see spider webs

806
00:53:00.039 --> 00:53:03.440
<v Speaker 1>around bright lights? And so in a way, a web

807
00:53:03.559 --> 00:53:08.079
<v Speaker 1>of a spider almost does kind of represent that someway, yeah,

808
00:53:08.400 --> 00:53:12.079
<v Speaker 1>or a trap you know, the ketterers beyond it. But

809
00:53:12.199 --> 00:53:14.679
<v Speaker 1>you got to get through the trap to get there, right,

810
00:53:14.719 --> 00:53:17.960
<v Speaker 1>And so it makes me think also the way we

811
00:53:18.079 --> 00:53:21.800
<v Speaker 1>refer to the Internet as the web, and we're all

812
00:53:21.880 --> 00:53:23.960
<v Speaker 1>in the web right now, whether you're in the chat

813
00:53:24.159 --> 00:53:27.360
<v Speaker 1>or here in the room with us now all in

814
00:53:27.440 --> 00:53:32.199
<v Speaker 1>the web, and so just a tangential thing. It makes

815
00:53:32.239 --> 00:53:35.760
<v Speaker 1>me think of Stephen King's it because he takes on

816
00:53:35.880 --> 00:53:37.880
<v Speaker 1>the form of a spider at one point, and I

817
00:53:37.960 --> 00:53:43.639
<v Speaker 1>see information technology it as being that spider and that

818
00:53:43.840 --> 00:53:46.760
<v Speaker 1>trap and all that, because it's like they need it

819
00:53:47.199 --> 00:53:49.440
<v Speaker 1>for their new world order. But in the process of

820
00:53:49.599 --> 00:53:52.559
<v Speaker 1>building it, they are it's like they're creating the very

821
00:53:52.679 --> 00:53:57.199
<v Speaker 1>tower that's going to fall, so we get enlightened alongside

822
00:53:57.280 --> 00:54:02.159
<v Speaker 1>their progression to a new world order. So maybe that's

823
00:54:02.280 --> 00:54:05.480
<v Speaker 1>part of how it falls. And in the Spider Tower

824
00:54:05.760 --> 00:54:08.119
<v Speaker 1>King kind of stuff maybe comes back together because in

825
00:54:08.199 --> 00:54:09.960
<v Speaker 1>that Tower card, it is the king and the Pope

826
00:54:10.039 --> 00:54:12.519
<v Speaker 1>falling from the tower, right of course.

827
00:54:12.840 --> 00:54:13.039
<v Speaker 2>Yeah.

828
00:54:13.599 --> 00:54:13.800
<v Speaker 6>Yeah.

829
00:54:14.000 --> 00:54:17.639
<v Speaker 2>Rudolph Steiner actually talked about he Rudolf Steiner had a

830
00:54:17.760 --> 00:54:21.239
<v Speaker 2>prophecy that a great spider would come out of America

831
00:54:21.760 --> 00:54:25.039
<v Speaker 2>and devour the world in a in a huge web.

832
00:54:25.519 --> 00:54:28.840
<v Speaker 2>He basically predicted you know, the Internet, what you're describing

833
00:54:29.880 --> 00:54:32.320
<v Speaker 2>and so we and that's another aspect of it is

834
00:54:32.880 --> 00:54:37.880
<v Speaker 2>these techno spiders, So there's this whole other kind of weave.

835
00:54:38.000 --> 00:54:41.679
<v Speaker 2>We can go on about techno spiders and the techno

836
00:54:41.840 --> 00:54:46.360
<v Speaker 2>rachnets and getting into like the web brainch is talking about,

837
00:54:46.440 --> 00:54:49.960
<v Speaker 2>like the Tower of Babbel or the paint Opticon and

838
00:54:50.119 --> 00:54:54.960
<v Speaker 2>technocracy and all this and that. But also to bring

839
00:54:55.079 --> 00:54:59.760
<v Speaker 2>it back to another reference to something in pop culture,

840
00:55:00.280 --> 00:55:04.760
<v Speaker 2>there's a show called Final Space created by Owen Rogers,

841
00:55:05.360 --> 00:55:09.159
<v Speaker 2>and the whole idea is they're trying to get to

842
00:55:09.960 --> 00:55:13.119
<v Speaker 2>inner space, and innerspace is what is the final front tilt.

843
00:55:13.159 --> 00:55:15.360
<v Speaker 2>So that's why it's called Final Space, and that's where

844
00:55:15.440 --> 00:55:19.840
<v Speaker 2>the Titans are frozen, and the Titans are wanting to

845
00:55:19.920 --> 00:55:23.440
<v Speaker 2>get out and just destroy the universe, and so they're

846
00:55:23.559 --> 00:55:26.760
<v Speaker 2>they're they're trying to find final Space, this inner space

847
00:55:26.880 --> 00:55:31.639
<v Speaker 2>kind of nexus point, and once they find the gateway

848
00:55:31.719 --> 00:55:35.159
<v Speaker 2>to inner space. In that series, there's what they refer

849
00:55:35.239 --> 00:55:39.440
<v Speaker 2>to as there are racknet texts and they're the Guardians

850
00:55:39.480 --> 00:55:42.519
<v Speaker 2>of the Threshold. So there's definitely is is like Guardian

851
00:55:42.639 --> 00:55:47.599
<v Speaker 2>of the Threshold kind of aspect to it as well. Also,

852
00:55:47.840 --> 00:55:51.960
<v Speaker 2>you have the red strings of fate in Chinese culture,

853
00:55:53.280 --> 00:55:57.320
<v Speaker 2>and one of my favorite saying is I'm really into

854
00:55:57.440 --> 00:56:01.280
<v Speaker 2>stoicism and a lot and one of my favorite Stoic

855
00:56:02.039 --> 00:56:07.880
<v Speaker 2>Latin phrases is more fotty, which means love fate, And

856
00:56:08.119 --> 00:56:13.159
<v Speaker 2>is you get supposed to be this idea of loving

857
00:56:13.239 --> 00:56:15.400
<v Speaker 2>your fate no matter what it is, whether it's good

858
00:56:15.519 --> 00:56:19.719
<v Speaker 2>or bad, just giving appreciation that you're still drawing breath.

859
00:56:22.559 --> 00:56:25.320
<v Speaker 5>Right. And there's also the idea that you need the

860
00:56:25.360 --> 00:56:28.519
<v Speaker 5>wisdom to make it out of the trap, and so

861
00:56:29.000 --> 00:56:33.239
<v Speaker 5>wisdom on one hand, spider on the other, and going

862
00:56:33.320 --> 00:56:36.760
<v Speaker 5>towards that white light, there's a big possibility you could

863
00:56:36.760 --> 00:56:39.039
<v Speaker 5>get caught up in it before ever reaching that light.

864
00:56:40.519 --> 00:56:44.159
<v Speaker 5>The moss don't have the wisdom to avoid the trap well.

865
00:56:44.199 --> 00:56:47.480
<v Speaker 1>And it reminds me too of how we're told to

866
00:56:48.079 --> 00:56:50.280
<v Speaker 1>not straight to the left or the right, but for

867
00:56:50.360 --> 00:56:52.800
<v Speaker 1>the middle. If you go through the middle of the web,

868
00:56:53.079 --> 00:56:55.719
<v Speaker 1>you're not going to get caught right. So it's like

869
00:56:55.840 --> 00:56:57.800
<v Speaker 1>the way out is through. You don't want to stay

870
00:56:57.840 --> 00:57:00.400
<v Speaker 1>in that, you want to go through that right.

871
00:57:01.239 --> 00:57:01.440
<v Speaker 3>Yeah.

872
00:57:01.440 --> 00:57:04.360
<v Speaker 2>I think someone in the in the chat a little

873
00:57:04.360 --> 00:57:06.960
<v Speaker 2>while ago asked if there was a connection to threading

874
00:57:07.000 --> 00:57:10.639
<v Speaker 2>the needle in the eye. And that's exactly the answer

875
00:57:10.960 --> 00:57:11.800
<v Speaker 2>answer that question.

876
00:57:12.360 --> 00:57:15.119
<v Speaker 1>That's cool. Yeah, and we're told, you know, by Christ

877
00:57:15.239 --> 00:57:16.559
<v Speaker 1>that the way is narrow, right.

878
00:57:17.119 --> 00:57:22.119
<v Speaker 5>Yeah, Bingo. I think there's a lot of North Pole

879
00:57:22.199 --> 00:57:27.719
<v Speaker 5>symbolism too in regards to the way out, and the

880
00:57:27.840 --> 00:57:31.639
<v Speaker 5>agents always associated the North Pole with sort of like

881
00:57:31.719 --> 00:57:34.400
<v Speaker 5>the way out of this place, and you know, being

882
00:57:34.599 --> 00:57:38.320
<v Speaker 5>like the top wrong, above the above the mountain merw

883
00:57:39.079 --> 00:57:41.440
<v Speaker 5>but getting there you had to sort of make it

884
00:57:41.519 --> 00:57:45.280
<v Speaker 5>through the soul trap idea, and so there's a lot

885
00:57:45.400 --> 00:57:48.599
<v Speaker 5>of things that sort of compound and add to that.

886
00:57:48.760 --> 00:57:51.039
<v Speaker 5>But also you've got the Van Allen radiation belt. The

887
00:57:51.119 --> 00:57:53.960
<v Speaker 5>only way out of the Van Allen radiation belt is

888
00:57:54.039 --> 00:57:56.599
<v Speaker 5>through the north or South Pole. How could they have

889
00:57:56.719 --> 00:57:58.119
<v Speaker 5>known that? Yeah?

890
00:57:58.280 --> 00:58:01.239
<v Speaker 2>I think I think it's off. There's a synchnicity here.

891
00:58:01.639 --> 00:58:04.840
<v Speaker 2>As soon as you said that symbolic studies, Mario guards

892
00:58:04.880 --> 00:58:08.920
<v Speaker 2>are popping to the chat and that's that's his whole work.

893
00:58:09.039 --> 00:58:15.880
<v Speaker 2>Does this whole stick right, it's northern symbolism, polar symbolism, right,

894
00:58:15.960 --> 00:58:19.880
<v Speaker 2>I love it. But yeah, you're right to borrow a

895
00:58:19.960 --> 00:58:24.840
<v Speaker 2>little bit from from Mario. Actually, there's this whole idea

896
00:58:25.480 --> 00:58:30.119
<v Speaker 2>of the North Pole being referred to as a will

897
00:58:31.719 --> 00:58:36.480
<v Speaker 2>that turned right, and you can also say that will

898
00:58:36.719 --> 00:58:39.119
<v Speaker 2>is a will to a loom. So it's like the

899
00:58:39.239 --> 00:58:44.800
<v Speaker 2>loom of fate. And so you're you're you're definitely onto

900
00:58:44.920 --> 00:58:49.760
<v Speaker 2>something hellless about that. And what what I find so

901
00:58:50.039 --> 00:58:59.639
<v Speaker 2>interesting about that is this loom of fate idea. It's

902
00:58:59.679 --> 00:59:03.159
<v Speaker 2>ash He's seen in Hall Again. I like drawing connection

903
00:59:03.280 --> 00:59:06.360
<v Speaker 2>to Hollywood because it's a middle ground for people. In

904
00:59:06.480 --> 00:59:10.440
<v Speaker 2>the movie Wanted, there's movie with the caving bullets and everything,

905
00:59:11.079 --> 00:59:15.599
<v Speaker 2>but if you actually watch that movie, the whole premise

906
00:59:15.719 --> 00:59:20.320
<v Speaker 2>is these assassins are uh go after people that this

907
00:59:20.639 --> 00:59:24.719
<v Speaker 2>loom that they called the loom of fate is weaving

908
00:59:25.000 --> 00:59:28.119
<v Speaker 2>the names up. So if your name is woven into

909
00:59:28.199 --> 00:59:30.840
<v Speaker 2>the fabric, then these assassins are going to go after you.

910
00:59:31.280 --> 00:59:34.760
<v Speaker 2>And so these assassins are doing the bidding of this loom,

911
00:59:35.119 --> 00:59:40.119
<v Speaker 2>but it's been taken over, it's been tampered with. There

912
00:59:40.119 --> 00:59:47.760
<v Speaker 2>it's only given names that's been approved by Oh what's

913
00:59:47.920 --> 00:59:51.039
<v Speaker 2>that Morgan Freeman's character. He tampered with the machine, he

914
00:59:51.159 --> 00:59:54.800
<v Speaker 2>tampered with the Great Loomb. So yeah, there's this whole

915
00:59:55.000 --> 01:00:01.960
<v Speaker 2>idea of Polish symbolism and really quickly another connect to

916
01:00:02.480 --> 01:00:06.480
<v Speaker 2>a pulp culture that it's one of my favorite well

917
01:00:06.519 --> 01:00:10.360
<v Speaker 2>I researched as one of the great modern mythologies, and

918
01:00:10.440 --> 01:00:15.639
<v Speaker 2>that's I've heard the Last Airbender and it's story this

919
01:00:16.039 --> 01:00:22.119
<v Speaker 2>the Avatar Aura. She lifts the veil by opening the

920
01:00:22.320 --> 01:00:26.960
<v Speaker 2>portals and that's when everyone can see the stationary in

921
01:00:27.000 --> 01:00:33.400
<v Speaker 2>the game. She opened uh portals. There's this whole idea

922
01:00:33.519 --> 01:00:37.199
<v Speaker 2>here of what you're talking about hellas that I find

923
01:00:37.239 --> 01:00:38.519
<v Speaker 2>it so interesting.

924
01:00:39.079 --> 01:00:42.760
<v Speaker 5>Right, and it's it's the bipolarity, and then you know,

925
01:00:43.000 --> 01:00:46.480
<v Speaker 5>it becomes the the weave of this spiritual dimension. And

926
01:00:46.840 --> 01:00:50.039
<v Speaker 5>in that show specifically, it was all about these two

927
01:00:50.159 --> 01:00:55.280
<v Speaker 5>different good and evil entities wrestling for eternity, and it

928
01:00:55.440 --> 01:00:59.000
<v Speaker 5>was once she was able to, you know, overcome the opposites,

929
01:00:59.360 --> 01:01:02.239
<v Speaker 5>that she was able to re release this this sort

930
01:01:02.280 --> 01:01:07.519
<v Speaker 5>of spiritual nature onto the world that was before. You've

931
01:01:07.519 --> 01:01:09.840
<v Speaker 5>also got the idea of the Golden Age in there too,

932
01:01:10.159 --> 01:01:11.920
<v Speaker 5>and I'm sure a lot of this stuff has to

933
01:01:12.000 --> 01:01:15.519
<v Speaker 5>do with, you know, what's what's preventing the Golden Age,

934
01:01:15.599 --> 01:01:18.320
<v Speaker 5>What's what's getting in the way of it? And again

935
01:01:18.480 --> 01:01:21.239
<v Speaker 5>back to that web, there's some sort of web preventing

936
01:01:21.360 --> 01:01:22.239
<v Speaker 5>that from Happening.

937
01:01:22.920 --> 01:01:27.920
<v Speaker 2>Yeah again, Rudolph Seiner, so many other modern people say

938
01:01:28.000 --> 01:01:32.400
<v Speaker 2>that the the entity for this modern age could most

939
01:01:32.559 --> 01:01:33.719
<v Speaker 2>likely be a spider.

940
01:01:34.639 --> 01:01:40.360
<v Speaker 5>So yeah, was it there, branch? Wasn't there a free

941
01:01:40.440 --> 01:01:44.840
<v Speaker 5>Masonic deity that had spider legs and like three heads?

942
01:01:45.679 --> 01:01:46.480
<v Speaker 5>Was that debulant?

943
01:01:46.639 --> 01:01:52.119
<v Speaker 1>Yeah, the frog, I'll say, But you're not taught that

944
01:01:52.320 --> 01:01:54.719
<v Speaker 1>in lodge. I mean that you just have to believe

945
01:01:54.800 --> 01:01:58.199
<v Speaker 1>in God, but it's not you're not told what to believe.

946
01:01:59.360 --> 01:02:03.039
<v Speaker 1>But if you don't don't believe, you're not omitted into

947
01:02:03.159 --> 01:02:07.039
<v Speaker 1>the lodge. But yeah, some people say at the top,

948
01:02:07.360 --> 01:02:10.920
<v Speaker 1>like you know, the illuminated degrees and all the jobby On,

949
01:02:11.119 --> 01:02:14.239
<v Speaker 1>which is a three syllable name. So it's if that

950
01:02:14.400 --> 01:02:16.880
<v Speaker 1>is indeed the case, then it would probably be like

951
01:02:17.840 --> 01:02:22.719
<v Speaker 1>the token or pass in three syllables or something like that.

952
01:02:23.119 --> 01:02:25.679
<v Speaker 1>But that particular entity that you're referring to, to me

953
01:02:26.599 --> 01:02:30.079
<v Speaker 1>looks like the depictions I think from the ad diction. Now,

954
01:02:30.440 --> 01:02:35.400
<v Speaker 1>if we're all of ball, which looks a lot like Putin.

955
01:02:36.239 --> 01:02:40.159
<v Speaker 1>If you ask me which I like Putin bat Mouth,

956
01:02:40.199 --> 01:02:42.400
<v Speaker 1>and I'm just saying it does look a lot like Putin.

957
01:02:43.719 --> 01:02:46.039
<v Speaker 6>I know exactly what picture you're talking about that does

958
01:02:46.119 --> 01:02:46.800
<v Speaker 6>look like Putin.

959
01:02:47.119 --> 01:02:49.360
<v Speaker 1>Yeah, it's a spider with a cat head a toad

960
01:02:49.400 --> 01:02:50.719
<v Speaker 1>head and putin.

961
01:02:50.559 --> 01:02:55.800
<v Speaker 6>Then yeah yeah, yeah, yeah yeah. Not to get confused

962
01:02:55.840 --> 01:02:58.360
<v Speaker 6>with balls and bull, who is represented by the fly,

963
01:02:58.920 --> 01:03:03.719
<v Speaker 6>right yeah yeah, uh well yeah, you know, they don't

964
01:03:03.719 --> 01:03:05.599
<v Speaker 6>know that ball just means lord and that these are

965
01:03:05.679 --> 01:03:07.360
<v Speaker 6>lords of certain you know.

966
01:03:08.079 --> 01:03:12.639
<v Speaker 1>I would suggest it's probably related, however, because Bales above

967
01:03:12.880 --> 01:03:16.000
<v Speaker 1>could be related to the constellation Musca, which is the fly,

968
01:03:16.559 --> 01:03:19.320
<v Speaker 1>and we find that in Aries, which is where Bail

969
01:03:19.679 --> 01:03:23.079
<v Speaker 1>resides in the Shimham forsh he's in the spring. He's

970
01:03:23.159 --> 01:03:25.880
<v Speaker 1>like the first entity. So I would argue that they're

971
01:03:25.880 --> 01:03:28.039
<v Speaker 1>probably even the same one and the same, or that

972
01:03:28.239 --> 01:03:33.199
<v Speaker 1>one's slightly above the other because they're hierarchies. So one

973
01:03:33.519 --> 01:03:39.639
<v Speaker 1>because bals above is king in terms of hierarchy, okay,

974
01:03:39.960 --> 01:03:43.079
<v Speaker 1>whereas Lord, I don't know, you could maybe lord is

975
01:03:43.159 --> 01:03:45.719
<v Speaker 1>something in his steady.

976
01:03:45.920 --> 01:03:50.199
<v Speaker 6>It comes from balls zibyl uh and then translated to

977
01:03:50.480 --> 01:03:52.559
<v Speaker 6>be bl zibub.

978
01:03:53.800 --> 01:03:53.960
<v Speaker 3>Oh.

979
01:03:54.639 --> 01:03:59.199
<v Speaker 6>Over time. You know you have baal hamon balls ziphon uh.

980
01:03:59.519 --> 01:04:00.639
<v Speaker 6>You know you got a few balls.

981
01:04:01.119 --> 01:04:04.760
<v Speaker 1>But again, that's going back to the alchemy of taking

982
01:04:04.840 --> 01:04:07.679
<v Speaker 1>niagretto and turning it into something else. So there is

983
01:04:07.800 --> 01:04:10.079
<v Speaker 1>that pattern again and again and again. I got you.

984
01:04:11.880 --> 01:04:14.480
<v Speaker 5>I found out something interesting about spiders. So there's a

985
01:04:14.559 --> 01:04:18.360
<v Speaker 5>certain species of spider that will actually make pets out

986
01:04:18.400 --> 01:04:22.559
<v Speaker 5>of frogs. They have seen this, and that to me

987
01:04:23.000 --> 01:04:25.880
<v Speaker 5>is like it just screams a cult symbolism all over it.

988
01:04:26.000 --> 01:04:29.840
<v Speaker 5>So you've got this figure of transformation being taken under

989
01:04:29.920 --> 01:04:33.159
<v Speaker 5>the wing of this spider character like all these different

990
01:04:33.199 --> 01:04:36.519
<v Speaker 5>symbols that we've associated with it, and somehow this symbol

991
01:04:36.559 --> 01:04:41.159
<v Speaker 5>of transformation is very closely linked to this spider of fate.

992
01:04:41.840 --> 01:04:45.320
<v Speaker 5>So transformation and fate being sort of linked together in

993
01:04:45.440 --> 01:04:48.280
<v Speaker 5>some sort of a pet master relationship.

994
01:04:48.960 --> 01:04:51.920
<v Speaker 1>Well that's a lot like a familiar then, because when

995
01:04:52.480 --> 01:04:55.639
<v Speaker 1>you see symbiosis occur in nature, you might it might

996
01:04:55.679 --> 01:04:57.800
<v Speaker 1>be the birds on the back of an alligator or

997
01:04:58.920 --> 01:05:02.519
<v Speaker 1>you know whatever, or the lamp praise on a shark.

998
01:05:02.920 --> 01:05:07.000
<v Speaker 1>You often see like a dependent or some type of

999
01:05:07.079 --> 01:05:10.320
<v Speaker 1>relationship like that. So there probably are spiritual implications to that.

1000
01:05:10.360 --> 01:05:14.840
<v Speaker 5>I would imagine the spider will feed insects to this

1001
01:05:15.039 --> 01:05:18.840
<v Speaker 5>frog and they're like, you know, pets. It kind of

1002
01:05:18.920 --> 01:05:21.639
<v Speaker 5>gave me a weird feeling about like what if spiders

1003
01:05:21.800 --> 01:05:26.519
<v Speaker 5>were massive and they had humans as pets, Like that

1004
01:05:26.639 --> 01:05:29.320
<v Speaker 5>would be kind of an interesting book there, because it's

1005
01:05:29.360 --> 01:05:32.840
<v Speaker 5>like they formed this dependency network that keeps you informed,

1006
01:05:33.079 --> 01:05:35.719
<v Speaker 5>Like if we're talking about the spiritual spider and then

1007
01:05:35.760 --> 01:05:38.159
<v Speaker 5>we keep going back to it to get our nourishment

1008
01:05:38.679 --> 01:05:41.719
<v Speaker 5>instead of, you know, looking to ourselves and being independent.

1009
01:05:42.480 --> 01:05:45.079
<v Speaker 1>Well, and I mean I kind of think that that's

1010
01:05:45.800 --> 01:05:48.559
<v Speaker 1>probably how the spirits that influence things and on earth

1011
01:05:48.679 --> 01:05:51.280
<v Speaker 1>or you view us as pets, right, they can only

1012
01:05:52.039 --> 01:05:53.880
<v Speaker 1>influence so many of us at a time, I guess.

1013
01:05:53.960 --> 01:05:58.239
<v Speaker 1>But that's the thought that kind of came into my mind.

1014
01:05:58.280 --> 01:06:00.760
<v Speaker 1>But that's what's actually going on there, is it's the

1015
01:06:00.880 --> 01:06:04.960
<v Speaker 1>spiders allowing the frog to basically eat the insects that

1016
01:06:05.000 --> 01:06:08.840
<v Speaker 1>would otherwise attack the spiders young and eggs and things

1017
01:06:08.880 --> 01:06:12.239
<v Speaker 1>like that. So it's interesting to me that the spider

1018
01:06:12.360 --> 01:06:16.360
<v Speaker 1>is able to subdue its instinct and acknowledgment of the

1019
01:06:16.480 --> 01:06:19.800
<v Speaker 1>symbiotic relationship. So it implies some type of intelligence is

1020
01:06:19.920 --> 01:06:24.960
<v Speaker 1>actually happening here. And they're doing this nonverbally, I suppose, right,

1021
01:06:25.079 --> 01:06:28.079
<v Speaker 1>So is it chemical? Like how do they know? Right?

1022
01:06:28.280 --> 01:06:33.119
<v Speaker 5>So I think it's very weird because you don't think

1023
01:06:33.159 --> 01:06:36.400
<v Speaker 5>of these creatures as being capable of this high form

1024
01:06:36.440 --> 01:06:39.960
<v Speaker 5>of communication. But then you look around and realize, hey, no,

1025
01:06:40.119 --> 01:06:41.079
<v Speaker 5>everything's talking.

1026
01:06:41.559 --> 01:06:41.719
<v Speaker 2>You know.

1027
01:06:42.000 --> 01:06:45.000
<v Speaker 5>The squirrels are talking to the birds, the birds are

1028
01:06:45.039 --> 01:06:48.239
<v Speaker 5>talking to the you know, insects. It's all talking, and

1029
01:06:48.519 --> 01:06:50.960
<v Speaker 5>we're just not aware of it because we're so inundated

1030
01:06:51.000 --> 01:06:54.039
<v Speaker 5>with our own lives and our own selves that we

1031
01:06:54.119 --> 01:06:56.519
<v Speaker 5>can't even see the symbolism playing out around us.

1032
01:06:56.840 --> 01:06:58.719
<v Speaker 1>Or in the case of web.

1033
01:07:00.360 --> 01:07:00.599
<v Speaker 3>Yeah.

1034
01:07:01.000 --> 01:07:07.440
<v Speaker 2>Also you can get back with Dark Mother if you

1035
01:07:07.519 --> 01:07:11.920
<v Speaker 2>watch the stop motion film core Line. The Other Mother

1036
01:07:12.119 --> 01:07:15.960
<v Speaker 2>in it, its true form is a is a is

1037
01:07:16.000 --> 01:07:27.599
<v Speaker 2>a spider, and she is that kind of you.

1038
01:07:27.719 --> 01:07:29.079
<v Speaker 6>Mike was cutting out for a second.

1039
01:07:29.519 --> 01:07:31.719
<v Speaker 3>Yeah, we lost shakes of the motorcycle. Sorry about that one.

1040
01:07:32.639 --> 01:07:35.519
<v Speaker 3>Oh sorry whatever, that was America.

1041
01:07:39.679 --> 01:07:44.039
<v Speaker 2>But yeah, it's that corner line that the Other Mother

1042
01:07:44.199 --> 01:07:48.119
<v Speaker 2>is that dark Cansrian's mother mother Dark Mother kind of motif.

1043
01:07:48.639 --> 01:07:53.199
<v Speaker 2>So there again, there there is there is wisdom, but

1044
01:07:53.400 --> 01:07:59.920
<v Speaker 2>then there there is also this idea of desire, like, oh,

1045
01:08:00.079 --> 01:08:05.719
<v Speaker 2>you're desiring inflammation and like are you going to get

1046
01:08:05.840 --> 01:08:08.400
<v Speaker 2>bit by the hand that feeds you? Kind of motif.

1047
01:08:10.639 --> 01:08:16.560
<v Speaker 2>So there's definitely this kind of tricky balance between all

1048
01:08:16.600 --> 01:08:20.319
<v Speaker 2>of it. And the last culture reference I wanted to

1049
01:08:20.399 --> 01:08:26.920
<v Speaker 2>bring up was in Stranger Things, the mind Flair is

1050
01:08:27.039 --> 01:08:32.920
<v Speaker 2>a spider, you know, the big bad Vecna. He was

1051
01:08:33.000 --> 01:08:36.079
<v Speaker 2>obsessed with spiders, and so that's when he created the

1052
01:08:38.159 --> 01:08:43.079
<v Speaker 2>the bond with the mind Flare do stuff. He made

1053
01:08:43.119 --> 01:08:45.760
<v Speaker 2>it take a form of a giant spider, and so

1054
01:08:46.079 --> 01:08:49.119
<v Speaker 2>you know it's why the mind Flare, the final boss

1055
01:08:49.199 --> 01:08:50.039
<v Speaker 2>is a giant spider.

1056
01:08:52.000 --> 01:08:57.239
<v Speaker 5>Well, the optad is always associated with intelligence, right, and

1057
01:08:57.399 --> 01:09:01.119
<v Speaker 5>so you've got spiders which are way more intelligent than

1058
01:09:01.159 --> 01:09:05.039
<v Speaker 5>they appear. You've got octopuses way more intelligent.

1059
01:09:04.560 --> 01:09:08.479
<v Speaker 6>Than they super out of this intelligence.

1060
01:09:09.119 --> 01:09:14.039
<v Speaker 2>Yeah, I actually connect. I'm glad you say that because

1061
01:09:14.039 --> 01:09:19.479
<v Speaker 2>I actually connect octopuses octopy with spiders. I think that

1062
01:09:19.880 --> 01:09:23.399
<v Speaker 2>they're the oceanic spider. I think there there's so much

1063
01:09:24.279 --> 01:09:27.880
<v Speaker 2>relative relating to one another for sure.

1064
01:09:28.560 --> 01:09:31.800
<v Speaker 5>Right, and you know, eight legged things can't have a spine,

1065
01:09:32.319 --> 01:09:35.840
<v Speaker 5>so there's sort of this difference in mentality that goes

1066
01:09:35.880 --> 01:09:39.640
<v Speaker 5>all the way back to the cephalopods versus the vertebrates,

1067
01:09:39.680 --> 01:09:42.680
<v Speaker 5>you know. And one thing that comes up for me

1068
01:09:42.960 --> 01:09:47.760
<v Speaker 5>is Charlotte's Web, Right, She's writing in that web. There's

1069
01:09:47.760 --> 01:09:51.239
<v Speaker 5>an intelligence there that really can't be comprehended by people,

1070
01:09:51.319 --> 01:09:53.560
<v Speaker 5>and it's and it's fascinating to people. It's a pig

1071
01:09:54.119 --> 01:09:57.439
<v Speaker 5>and a spider writing to people.

1072
01:09:58.199 --> 01:10:01.199
<v Speaker 6>She's like telling this pigs stuff, and he's telling all

1073
01:10:01.279 --> 01:10:04.880
<v Speaker 6>the other barn animals like, hey, this is what Charlotte says,

1074
01:10:05.199 --> 01:10:09.640
<v Speaker 6>and they basically all follow her instructions on everything.

1075
01:10:10.279 --> 01:10:10.479
<v Speaker 2>You know.

1076
01:10:11.279 --> 01:10:14.840
<v Speaker 1>So if that were animal farm, does that make her

1077
01:10:14.920 --> 01:10:18.039
<v Speaker 1>a propagandist or something like? I don't understand.

1078
01:10:20.359 --> 01:10:21.159
<v Speaker 6>I don't know, man.

1079
01:10:22.760 --> 01:10:24.960
<v Speaker 2>I'm glad you said that brand because I would actually

1080
01:10:25.000 --> 01:10:27.600
<v Speaker 2>thinking the same thing, and then you said my thought out.

1081
01:10:29.800 --> 01:10:32.000
<v Speaker 1>Like this is this is some pig. Well, it's like

1082
01:10:32.079 --> 01:10:34.279
<v Speaker 1>when the news tells me to vote for a politician,

1083
01:10:34.359 --> 01:10:38.039
<v Speaker 1>it's like, this guy's really great. You've seen that on

1084
01:10:38.119 --> 01:10:38.760
<v Speaker 1>the web. Right.

1085
01:10:39.159 --> 01:10:42.000
<v Speaker 3>One interesting thing I do I did fine with that movie.

1086
01:10:42.399 --> 01:10:44.279
<v Speaker 4>Maybe I think a little bit more of it it

1087
01:10:44.319 --> 01:10:46.479
<v Speaker 4>should be, But it does introduce the idea of death

1088
01:10:46.720 --> 01:10:47.880
<v Speaker 4>to a rather young job.

1089
01:10:49.439 --> 01:10:53.119
<v Speaker 3>The idea of love. I think that's a huge thing.

1090
01:10:53.159 --> 01:10:53.760
<v Speaker 3>I actually believe.

1091
01:10:55.520 --> 01:10:57.960
<v Speaker 1>I think that's what having a pet is really good for.

1092
01:10:58.159 --> 01:11:01.520
<v Speaker 1>Two is it initiates you into that understanding because it's

1093
01:11:01.680 --> 01:11:04.760
<v Speaker 1>very abstract prior to that experience, and of course if

1094
01:11:04.800 --> 01:11:07.680
<v Speaker 1>it happens and you're removed from it, then it's not

1095
01:11:07.880 --> 01:11:10.600
<v Speaker 1>very impactful, right. So I think that's probably why it's

1096
01:11:10.640 --> 01:11:13.880
<v Speaker 1>good for people to own pets, so that you learn

1097
01:11:13.960 --> 01:11:17.560
<v Speaker 1>responsibility and that you're you can have consequences from your

1098
01:11:17.600 --> 01:11:18.560
<v Speaker 1>actions or inaction.

1099
01:11:20.960 --> 01:11:22.239
<v Speaker 4>One thing I did want to bring up, even with

1100
01:11:22.359 --> 01:11:24.960
<v Speaker 4>the Spider again was even with the venom, have you

1101
01:11:25.000 --> 01:11:27.239
<v Speaker 4>ever thought about like the idea of maybe like the

1102
01:11:27.640 --> 01:11:29.840
<v Speaker 4>death and half the birth, I mean the half the life,

1103
01:11:31.159 --> 01:11:32.479
<v Speaker 4>you know as being a civilism.

1104
01:11:33.520 --> 01:11:36.760
<v Speaker 2>Yes, of course, so you know we're talking about the

1105
01:11:36.840 --> 01:11:43.520
<v Speaker 2>restings of fate and everything. I I from my understanding

1106
01:11:43.600 --> 01:11:47.239
<v Speaker 2>from a lot of people who who have had obe

1107
01:11:47.439 --> 01:11:53.960
<v Speaker 2>out of our experiences, they will see like a golden

1108
01:11:55.199 --> 01:11:59.439
<v Speaker 2>red between their spirit body and their physical body. So

1109
01:11:59.600 --> 01:12:04.039
<v Speaker 2>it's like a spiritual umbilical cord. So I think that

1110
01:12:04.399 --> 01:12:08.520
<v Speaker 2>is connected to these stings of fate that interconnect all

1111
01:12:08.560 --> 01:12:13.560
<v Speaker 2>of us. So I definitely think that there is a

1112
01:12:14.960 --> 01:12:19.239
<v Speaker 2>like a death and rebirth aspect of the Spider.

1113
01:12:19.920 --> 01:12:23.079
<v Speaker 1>I could add to that too, because technically a scorpion

1114
01:12:23.239 --> 01:12:26.680
<v Speaker 1>is also interacted, and that is a very common symbol

1115
01:12:27.560 --> 01:12:31.600
<v Speaker 1>for death and resurrection. But more to the point though,

1116
01:12:31.840 --> 01:12:34.680
<v Speaker 1>whether it be the fang. I've never seen like a

1117
01:12:34.840 --> 01:12:38.439
<v Speaker 1>figure really of the priestess holding a spider, But when

1118
01:12:38.479 --> 01:12:40.720
<v Speaker 1>we see her holding a snake in her left hand,

1119
01:12:40.840 --> 01:12:43.279
<v Speaker 1>or the sword or something like that, that's the sting

1120
01:12:43.359 --> 01:12:46.199
<v Speaker 1>of death. So I suppose if your culture was you

1121
01:12:46.279 --> 01:12:49.439
<v Speaker 1>had a very venomous spider, you know, the sting of

1122
01:12:49.520 --> 01:12:53.000
<v Speaker 1>death could be administered with a spider perhaps, But that

1123
01:12:53.239 --> 01:12:58.000
<v Speaker 1>venom is associated with judgment Day, which occurs in the fall,

1124
01:12:58.279 --> 01:13:03.399
<v Speaker 1>according to the Jewish traditions Yam kapur. So you got

1125
01:13:03.520 --> 01:13:06.760
<v Speaker 1>mercy on the right hand and spring right, and then

1126
01:13:07.319 --> 01:13:09.960
<v Speaker 1>fall you got the judgment day that comes, that's the left.

1127
01:13:10.399 --> 01:13:12.760
<v Speaker 1>And so if you didn't, if you weren't fruitful enough

1128
01:13:13.760 --> 01:13:17.520
<v Speaker 1>to balance the scales, so to speak, of Libra that

1129
01:13:17.640 --> 01:13:20.800
<v Speaker 1>she holds, then you get the sting of deaths right.

1130
01:13:20.920 --> 01:13:23.600
<v Speaker 1>So in Egyptian it was your heart was lighter than

1131
01:13:23.600 --> 01:13:28.079
<v Speaker 1>a feather, right, But in you know, Judaic or Christian terms,

1132
01:13:28.199 --> 01:13:29.800
<v Speaker 1>it's how fruitful were you?

1133
01:13:30.000 --> 01:13:30.119
<v Speaker 2>Right?

1134
01:13:32.680 --> 01:13:36.560
<v Speaker 5>Well, that brings up Parmenides and his little spirit voyage

1135
01:13:36.680 --> 01:13:40.960
<v Speaker 5>to the Queen of the Knight. Parmanides was a philosopher

1136
01:13:41.239 --> 01:13:43.720
<v Speaker 5>way way way back before, I think it was like

1137
01:13:44.079 --> 01:13:49.600
<v Speaker 5>six hundred BC. And his poem on Nature brought up

1138
01:13:49.640 --> 01:13:52.880
<v Speaker 5>the idea of traveling to this palace of the Queen

1139
01:13:52.920 --> 01:13:55.319
<v Speaker 5>of the Knight or Nicks, and in front of the

1140
01:13:55.399 --> 01:13:58.960
<v Speaker 5>queen's palace there was this figure who was holding this

1141
01:13:59.199 --> 01:14:03.079
<v Speaker 5>sword and the scales. Now, Parmanides on Nature is what

1142
01:14:03.319 --> 01:14:07.560
<v Speaker 5>brought us into the idea of philosophy. From him you

1143
01:14:07.720 --> 01:14:14.239
<v Speaker 5>get the idea of in no contradictions like contradictions are

1144
01:14:14.319 --> 01:14:17.399
<v Speaker 5>not allowed, and so from that you have science springing

1145
01:14:17.479 --> 01:14:21.039
<v Speaker 5>off of philosophy in the idea that you cannot resolve

1146
01:14:21.119 --> 01:14:25.119
<v Speaker 5>these contradictions, therefore you should disregard them. But in that

1147
01:14:25.319 --> 01:14:28.920
<v Speaker 5>poem he talks about Alethia, which is the idea of

1148
01:14:29.119 --> 01:14:34.520
<v Speaker 5>this revealed truth. And from Alethia you get this goddess

1149
01:14:34.680 --> 01:14:38.000
<v Speaker 5>in Greek mythology that they made because of his poem.

1150
01:14:38.479 --> 01:14:42.920
<v Speaker 5>And this Alethia is the reverse of what the Greeks

1151
01:14:43.039 --> 01:14:49.039
<v Speaker 5>considered the fate of the afterlife. So in this picture

1152
01:14:49.119 --> 01:14:52.680
<v Speaker 5>right here, she's holding the cup of Letha to the

1153
01:14:52.960 --> 01:14:57.640
<v Speaker 5>person who is returning to this river of souls right here,

1154
01:14:58.359 --> 01:15:01.880
<v Speaker 5>and by handing you this a cup of letha, it

1155
01:15:01.880 --> 01:15:04.640
<v Speaker 5>would cause you to forget your other lives and then

1156
01:15:04.720 --> 01:15:08.079
<v Speaker 5>return back into this world of the living. And you

1157
01:15:08.199 --> 01:15:12.920
<v Speaker 5>see the red flowing through the background here, that would

1158
01:15:12.960 --> 01:15:17.079
<v Speaker 5>be the indication of this blood knowledge. Right you see

1159
01:15:17.119 --> 01:15:21.039
<v Speaker 5>these little golden specks in that river right there, which

1160
01:15:21.039 --> 01:15:24.319
<v Speaker 5>would be this ancestral knowledge that you would gain as

1161
01:15:24.399 --> 01:15:26.760
<v Speaker 5>you would return back into the world of the living.

1162
01:15:27.720 --> 01:15:31.760
<v Speaker 5>That was a painting by a guy named Gustav Klimpt,

1163
01:15:31.960 --> 01:15:34.720
<v Speaker 5>and that full painting was burned by the Nazis as

1164
01:15:35.560 --> 01:15:38.199
<v Speaker 5>they were treating from this palace where they had amassed

1165
01:15:38.239 --> 01:15:40.560
<v Speaker 5>all of these great works of art, So this thing

1166
01:15:40.640 --> 01:15:43.840
<v Speaker 5>doesn't really exist anymore. So it's almost the perfect symbol

1167
01:15:44.239 --> 01:15:49.920
<v Speaker 5>of this afterworld reincarnation idea. So check that out. It's

1168
01:15:49.920 --> 01:15:53.560
<v Speaker 5>called medicine by Gustav Klimt, and the idea is you

1169
01:15:53.760 --> 01:15:58.840
<v Speaker 5>have to have the revealed truth which overcomes that forgetfulness

1170
01:15:59.000 --> 01:15:59.960
<v Speaker 5>of the afterlife.

1171
01:16:01.520 --> 01:16:03.640
<v Speaker 1>Me I comment real quick, because as you were talking,

1172
01:16:04.000 --> 01:16:06.279
<v Speaker 1>it reminded me of the Crucifixion of Christ when they

1173
01:16:06.359 --> 01:16:09.199
<v Speaker 1>offer him the bitter vinegar cup and he denies it

1174
01:16:09.359 --> 01:16:13.840
<v Speaker 1>right then he goes and returns and then goes again

1175
01:16:13.920 --> 01:16:17.079
<v Speaker 1>to heaven. So there might have been some something there

1176
01:16:17.199 --> 01:16:19.399
<v Speaker 1>going on, and he's like, no, I'm not coming back.

1177
01:16:19.720 --> 01:16:22.800
<v Speaker 1>I'm not forgetting that or something. You know, maybe there's

1178
01:16:22.800 --> 01:16:24.119
<v Speaker 1>something there that that I'll have to look at.

1179
01:16:24.199 --> 01:16:28.640
<v Speaker 2>Yeah, that made me think of the faith Bolk of course,

1180
01:16:28.720 --> 01:16:31.319
<v Speaker 2>because you don't drink their drink, you don't eat eat

1181
01:16:31.359 --> 01:16:34.800
<v Speaker 2>their food, or communion for that matter, yea.

1182
01:16:35.319 --> 01:16:37.640
<v Speaker 1>Born again those sorts.

1183
01:16:37.399 --> 01:16:43.640
<v Speaker 5>Of symbolisms Hades and Persephone. Persephone eats the six pomegranate

1184
01:16:43.760 --> 01:16:46.199
<v Speaker 5>seeds and for six months out of the year she's

1185
01:16:46.840 --> 01:16:49.039
<v Speaker 5>to go to the underworld hip right.

1186
01:16:49.239 --> 01:16:55.079
<v Speaker 2>Yeah, Yeah, that is actually interesting that you're bringing up

1187
01:16:57.399 --> 01:17:06.279
<v Speaker 2>Persephony because there I just did uh of episode where

1188
01:17:06.359 --> 01:17:11.119
<v Speaker 2>I reviewed UH Severance with Brightly and Raised by Giants

1189
01:17:12.000 --> 01:17:18.000
<v Speaker 2>and UH Severance and the o A or both modern

1190
01:17:18.039 --> 01:17:24.520
<v Speaker 2>TV shows that are inspired by Orpheus, and Uh, there's

1191
01:17:24.600 --> 01:17:35.199
<v Speaker 2>this whole idea of this journey to the the underworld

1192
01:17:35.520 --> 01:17:40.800
<v Speaker 2>and then back again for for knowledge. A lot of

1193
01:17:41.039 --> 01:17:54.199
<v Speaker 2>your like Hellenistic and pseudo Luciferian mystery schools, even that

1194
01:17:54.920 --> 01:17:58.479
<v Speaker 2>a lot of like your Bohemian grove freemasonry is all

1195
01:17:58.560 --> 01:18:03.199
<v Speaker 2>kind of centered around all kind of can be traced

1196
01:18:03.279 --> 01:18:08.319
<v Speaker 2>back to orphic traditions because after Orpheus came back, he

1197
01:18:08.439 --> 01:18:11.760
<v Speaker 2>started a bunch of mystery schools and cults where he

1198
01:18:12.520 --> 01:18:16.159
<v Speaker 2>swore off the gods, and he swore off women, and

1199
01:18:16.279 --> 01:18:18.520
<v Speaker 2>he became homosexual.

1200
01:18:18.840 --> 01:18:19.359
<v Speaker 3>And he was.

1201
01:18:20.920 --> 01:18:25.279
<v Speaker 2>Initiating all these men into all these different kind of

1202
01:18:25.680 --> 01:18:32.359
<v Speaker 2>you know, inverse practices you could say it as and

1203
01:18:35.960 --> 01:18:42.279
<v Speaker 2>the like kind of gets to the the Theotical Society.

1204
01:18:43.119 --> 01:18:47.239
<v Speaker 2>And there was actually a book written by a guy

1205
01:18:47.359 --> 01:18:51.760
<v Speaker 2>named Edward L. Gardner. He was part of the Theoptical Society.

1206
01:18:51.840 --> 01:18:54.640
<v Speaker 2>He wrote a book called The Play of Consciousness within

1207
01:18:54.800 --> 01:19:01.600
<v Speaker 2>the Web, and it was all about consciousness being this

1208
01:19:02.000 --> 01:19:09.159
<v Speaker 2>interconnected web interface basically like a like a human supercomputer, right,

1209
01:19:10.720 --> 01:19:19.640
<v Speaker 2>and having to weave your your fate with yournosis and everything.

1210
01:19:20.720 --> 01:19:25.479
<v Speaker 2>The synthesis of what the theatro Society was talking about.

1211
01:19:26.159 --> 01:19:28.800
<v Speaker 1>Even that word state contains eight.

1212
01:19:29.479 --> 01:19:33.000
<v Speaker 2>I just noticed, yep, eighty eight. That's why in Back

1213
01:19:33.039 --> 01:19:34.520
<v Speaker 2>to the Future they had to go through eighty eight

1214
01:19:34.600 --> 01:19:37.159
<v Speaker 2>miles per hours so they could time travel.

1215
01:19:38.199 --> 01:19:41.560
<v Speaker 5>Eighty eight keys on the keyboard. And it was well

1216
01:19:41.680 --> 01:19:45.079
<v Speaker 5>known back in the day that Moses, of all people

1217
01:19:45.640 --> 01:19:49.560
<v Speaker 5>was considered to be the tutor of Orpheus, and so

1218
01:19:50.279 --> 01:19:56.239
<v Speaker 5>Orpheus learned music through Moses, and so there was that

1219
01:19:56.399 --> 01:19:59.600
<v Speaker 5>big cross over there between the two of them, because

1220
01:19:59.640 --> 01:20:02.760
<v Speaker 5>you know, the teacher of the law is the one

1221
01:20:02.880 --> 01:20:08.159
<v Speaker 5>teaching music, and that is how this resonance sort of happens.

1222
01:20:08.199 --> 01:20:11.800
<v Speaker 5>It's through the laws of nature, and so Orpheus was

1223
01:20:11.840 --> 01:20:15.920
<v Speaker 5>said to be, uh, the you know, student of Moses

1224
01:20:16.159 --> 01:20:16.720
<v Speaker 5>of all people.

1225
01:20:18.199 --> 01:20:21.880
<v Speaker 1>Another biblical figure known for his harp harp stability was

1226
01:20:22.000 --> 01:20:22.479
<v Speaker 1>King David.

1227
01:20:23.520 --> 01:20:28.439
<v Speaker 2>Yeah, and his his his mother was the amuse, was

1228
01:20:28.520 --> 01:20:30.720
<v Speaker 2>one of the muses of music. That's right. He was

1229
01:20:30.800 --> 01:20:34.000
<v Speaker 2>so good at it as well. And I think there's

1230
01:20:34.600 --> 01:20:39.199
<v Speaker 2>definitely a connection between the muses in the faith. For sure,

1231
01:20:39.840 --> 01:20:43.199
<v Speaker 2>there's this because when you think about it, if you're weaving,

1232
01:20:43.760 --> 01:20:47.720
<v Speaker 2>you're creating art, you're creating a life of foundation for life.

1233
01:20:48.159 --> 01:20:50.359
<v Speaker 2>You need amuse, and that's that's going back to the

1234
01:20:50.439 --> 01:20:55.239
<v Speaker 2>whole masculine and feminine. You know, the man needs amuse

1235
01:20:55.439 --> 01:20:58.479
<v Speaker 2>a reason why he's creating the life he's creating. And

1236
01:20:58.560 --> 01:21:01.119
<v Speaker 2>a lot of times that that is as women as

1237
01:21:01.479 --> 01:21:12.239
<v Speaker 2>the duality and beautiful the beauty of masculine and the feminine.

1238
01:21:12.960 --> 01:21:16.720
<v Speaker 1>And you got eighty eight constellations, I think, right, So

1239
01:21:17.880 --> 01:21:18.720
<v Speaker 1>that is that correct?

1240
01:21:19.039 --> 01:21:19.520
<v Speaker 3>Pretty sure?

1241
01:21:20.000 --> 01:21:22.920
<v Speaker 1>Well, that's at least according to the officials such and such.

1242
01:21:22.960 --> 01:21:25.439
<v Speaker 1>I'm sure it's changed in number of the years.

1243
01:21:26.479 --> 01:21:30.600
<v Speaker 5>Right, the eighty eight official ones. But before that you

1244
01:21:30.760 --> 01:21:34.439
<v Speaker 5>had different constellations for the Greeks, different constellations for the Romans.

1245
01:21:34.840 --> 01:21:36.640
<v Speaker 5>They all had their own spin on it, but they

1246
01:21:36.680 --> 01:21:41.479
<v Speaker 5>would try to keep those twelve normalized so that you

1247
01:21:41.600 --> 01:21:44.760
<v Speaker 5>could have communication between these different cultures based off of

1248
01:21:44.840 --> 01:21:49.920
<v Speaker 5>the astro theological symbolism of those twelve zodiac signs which

1249
01:21:50.000 --> 01:21:53.159
<v Speaker 5>the sun would travel through during the year, and the

1250
01:21:53.279 --> 01:21:57.720
<v Speaker 5>sun makes a giant eight in the sky the yeah,

1251
01:21:57.760 --> 01:21:58.760
<v Speaker 5>an a lima.

1252
01:22:00.640 --> 01:22:00.960
<v Speaker 6>Interest.

1253
01:22:01.079 --> 01:22:06.399
<v Speaker 2>Yeah. Also something that I didn't bring up earlier then,

1254
01:22:06.640 --> 01:22:10.039
<v Speaker 2>one of the Nasca lines is a spider of course.

1255
01:22:11.039 --> 01:22:11.199
<v Speaker 3>Yeah.

1256
01:22:11.199 --> 01:22:13.640
<v Speaker 6>I saw somebody put that in the chatter that you

1257
01:22:13.680 --> 01:22:16.720
<v Speaker 6>can only see it from up high, right, Yeah.

1258
01:22:18.520 --> 01:22:22.720
<v Speaker 5>Interesting. So I think what's what's coming together here is

1259
01:22:22.760 --> 01:22:25.279
<v Speaker 5>that if you don't mess with fate, if you don't

1260
01:22:25.319 --> 01:22:27.840
<v Speaker 5>mess with the spider, the spiders won't mess with you,

1261
01:22:28.159 --> 01:22:33.479
<v Speaker 5>and pretty normalized in uh, this idea of going on

1262
01:22:33.600 --> 01:22:37.319
<v Speaker 5>the hero's journey is that you can reject the kind

1263
01:22:37.399 --> 01:22:41.439
<v Speaker 5>of call to action, right, but you do so it's

1264
01:22:41.479 --> 01:22:44.640
<v Speaker 5>your own peril and in a lot of cases. This

1265
01:22:44.840 --> 01:22:47.199
<v Speaker 5>is this is what we see happening over and over again,

1266
01:22:47.359 --> 01:22:49.600
<v Speaker 5>is you have to accept that call to action so

1267
01:22:49.720 --> 01:22:53.439
<v Speaker 5>that you can be useful. And that's that's really what's

1268
01:22:53.479 --> 01:22:56.039
<v Speaker 5>at the heart of the spider symbolism because even though

1269
01:22:56.600 --> 01:22:59.399
<v Speaker 5>you know you may feel trapped by it, unless you're

1270
01:22:59.399 --> 01:23:01.960
<v Speaker 5>willing to play out your role, you're not going to

1271
01:23:02.079 --> 01:23:05.159
<v Speaker 5>have a role. And that's going to change your entire

1272
01:23:05.279 --> 01:23:06.560
<v Speaker 5>life from that point onward.

1273
01:23:07.640 --> 01:23:10.960
<v Speaker 2>Yeah, yeah, that I love that we're talking about this.

1274
01:23:11.399 --> 01:23:16.239
<v Speaker 2>One of the Brandon mindis uh ongoing series on our

1275
01:23:16.319 --> 01:23:18.640
<v Speaker 2>channel that we were to as God as a playwright,

1276
01:23:18.720 --> 01:23:22.439
<v Speaker 2>and it's it's all about this whole world stage scripture.

1277
01:23:23.399 --> 01:23:26.920
<v Speaker 2>Uh to play your part, to go on your your

1278
01:23:27.000 --> 01:23:35.119
<v Speaker 2>hero's journey and uh, of course how you will, but

1279
01:23:35.239 --> 01:23:38.039
<v Speaker 2>you have to do you have to dance with the faiths. Right,

1280
01:23:39.000 --> 01:23:43.279
<v Speaker 2>there's there's a very delicate dance. Don't camp them. That's

1281
01:23:43.319 --> 01:23:47.920
<v Speaker 2>why you don't you know, you don't, Uh, you don't

1282
01:23:48.279 --> 01:23:53.880
<v Speaker 2>they are utter the words. Uh you know, it can't

1283
01:23:53.920 --> 01:23:56.560
<v Speaker 2>get any worse than this or something like that, Right,

1284
01:23:56.640 --> 01:23:59.399
<v Speaker 2>you don't, you don't cant Oh you want to bet

1285
01:23:59.800 --> 01:24:00.359
<v Speaker 2>I can.

1286
01:24:00.399 --> 01:24:04.359
<v Speaker 3>Get a lot worse it's happened to me.

1287
01:24:04.680 --> 01:24:10.800
<v Speaker 2>Yeah, yeah, yeah, So yeah, you don't want to them

1288
01:24:10.800 --> 01:24:14.640
<v Speaker 2>because you know you're you're putting if the whole back

1289
01:24:14.680 --> 01:24:16.760
<v Speaker 2>and forth, whatever you put out in the universe, you'll

1290
01:24:16.800 --> 01:24:20.720
<v Speaker 2>get back at you. So if you if you utter

1291
01:24:20.880 --> 01:24:23.479
<v Speaker 2>those words, if you timpt them, then I'm gonna be like, well,

1292
01:24:23.920 --> 01:24:29.800
<v Speaker 2>that's what you're asking for. And that's that's why the

1293
01:24:29.840 --> 01:24:33.479
<v Speaker 2>Stoics was like, you know this, appreciate what you have.

1294
01:24:34.039 --> 01:24:36.600
<v Speaker 2>You only can control your inner world, you can't control

1295
01:24:36.720 --> 01:24:39.680
<v Speaker 2>the outer world. I mean, I think that's why I

1296
01:24:39.720 --> 01:24:45.640
<v Speaker 2>think that this the Stokes had had the right mindset,

1297
01:24:45.840 --> 01:24:51.920
<v Speaker 2>because if you practice Sicism, you're practicing dancing with the fates,

1298
01:24:52.000 --> 01:24:55.800
<v Speaker 2>and you're you're practicing weaving in a sense. And it's

1299
01:24:55.800 --> 01:24:58.800
<v Speaker 2>the same thing with Middle Path and Jesus, You're you're

1300
01:24:58.880 --> 01:25:02.359
<v Speaker 2>doing that. Finally, ants aligned dance if you will.

1301
01:25:04.279 --> 01:25:06.880
<v Speaker 1>Yeah, David was said to have danced for God actually

1302
01:25:07.159 --> 01:25:07.920
<v Speaker 1>and it pleased him.

1303
01:25:10.640 --> 01:25:16.119
<v Speaker 5>I found out that Stoichia is Greek for the elements,

1304
01:25:16.920 --> 01:25:23.560
<v Speaker 5>and Stoichia and the Stoicism is like elementalism, and so

1305
01:25:23.680 --> 01:25:26.359
<v Speaker 5>there's a big crossover between these two ideas.

1306
01:25:26.960 --> 01:25:31.560
<v Speaker 1>There's stocheometry and chemistry as well. I wanted to mention

1307
01:25:31.680 --> 01:25:36.960
<v Speaker 1>something about the weave of tempting fate. A lot of

1308
01:25:37.039 --> 01:25:41.479
<v Speaker 1>times master artisans or whatever, they would leave imperfections in

1309
01:25:41.560 --> 01:25:45.199
<v Speaker 1>their arts not to tempt quote unquote the gods or

1310
01:25:45.279 --> 01:25:48.399
<v Speaker 1>whatever they are. So there was just something else on

1311
01:25:48.479 --> 01:25:48.680
<v Speaker 1>an ad.

1312
01:25:49.479 --> 01:25:52.720
<v Speaker 5>The Native Americans when they're doing these masterful bead works

1313
01:25:53.119 --> 01:25:57.880
<v Speaker 5>would always include an off color bead, so it hap

1314
01:25:58.079 --> 01:26:00.720
<v Speaker 5>to tempt the gods again, same idea.

1315
01:26:02.600 --> 01:26:05.840
<v Speaker 2>Yeah, I think there's also something to do with you

1316
01:26:06.000 --> 01:26:10.079
<v Speaker 2>going back to the whole incubus thatchibist, sultry aspect of

1317
01:26:10.159 --> 01:26:17.359
<v Speaker 2>the spider and like the uh, you know, this whole

1318
01:26:17.439 --> 01:26:22.199
<v Speaker 2>kind of uh desire aspect of the spider. You you know,

1319
01:26:22.279 --> 01:26:25.600
<v Speaker 2>you don't can't fate. And also one of man's greatest

1320
01:26:26.039 --> 01:26:30.000
<v Speaker 2>obstacles in life his that someone when one of his

1321
01:26:30.159 --> 01:26:36.000
<v Speaker 2>main trials in his her journey oftentimes is temptation. So

1322
01:26:36.720 --> 01:26:41.399
<v Speaker 2>there's definite connection between your temperament and soakism and you know,

1323
01:26:41.520 --> 01:26:49.880
<v Speaker 2>mastering your temperament and temptation and tempting fate. There's there's

1324
01:26:49.920 --> 01:26:52.960
<v Speaker 2>this whole thread all the way through all those ideas.

1325
01:26:54.960 --> 01:27:00.199
<v Speaker 3>Might let's see that you see, like going along with

1326
01:27:00.279 --> 01:27:00.840
<v Speaker 3>the lost card.

1327
01:27:03.600 --> 01:27:07.199
<v Speaker 2>Yeah, extent, Yeah, I think I think it's brands that

1328
01:27:07.680 --> 01:27:11.000
<v Speaker 2>that tell me it be weary of women with you know,

1329
01:27:11.199 --> 01:27:12.199
<v Speaker 2>spider tattoos.

1330
01:27:13.000 --> 01:27:18.239
<v Speaker 1>I mean, I'm if she's got a dagger or a

1331
01:27:18.359 --> 01:27:20.880
<v Speaker 1>spider just or a scorpion, just leave it alone.

1332
01:27:24.199 --> 01:27:28.399
<v Speaker 2>Makes me think of we're talking the relation between scorpions

1333
01:27:28.840 --> 01:27:31.399
<v Speaker 2>also being a rackmans and you brought up that story

1334
01:27:31.399 --> 01:27:37.000
<v Speaker 2>about frogs taking or spiders taking frogs as their pets.

1335
01:27:38.079 --> 01:27:40.840
<v Speaker 2>That makes me think of the of the fable the

1336
01:27:40.920 --> 01:27:46.159
<v Speaker 2>frog and the scorpion, you know, and the whole lesson

1337
01:27:46.239 --> 01:27:49.319
<v Speaker 2>of you know, be careful your trust, like if the

1338
01:27:49.720 --> 01:27:51.600
<v Speaker 2>you know, you have to judge the book by its cover,

1339
01:27:51.800 --> 01:27:53.800
<v Speaker 2>because if a scorpion is coming out to you and

1340
01:27:54.199 --> 01:27:58.199
<v Speaker 2>oh I'm not gonna seeing you, it's still a scorpion.

1341
01:27:58.479 --> 01:27:59.800
<v Speaker 2>A spade is still a spade.

1342
01:28:00.079 --> 01:28:00.279
<v Speaker 6>Yeah.

1343
01:28:00.960 --> 01:28:03.039
<v Speaker 4>It's like Trump going on about his snake speech, telling

1344
01:28:03.039 --> 01:28:05.479
<v Speaker 4>everybody what I was just about.

1345
01:28:05.199 --> 01:28:08.319
<v Speaker 1>To say that thank you, you're right. He told us

1346
01:28:08.399 --> 01:28:09.720
<v Speaker 1>that story a lot, hadn't he.

1347
01:28:10.359 --> 01:28:12.159
<v Speaker 5>What's the snake speech? I want to hear it.

1348
01:28:12.479 --> 01:28:12.640
<v Speaker 2>Oh.

1349
01:28:13.279 --> 01:28:15.239
<v Speaker 4>He goes on about like I think some like basically

1350
01:28:15.279 --> 01:28:17.119
<v Speaker 4>some old lady helps a snake and then eventually it

1351
01:28:17.199 --> 01:28:18.760
<v Speaker 4>just bites her ass and she's like, why'd you do that?

1352
01:28:18.880 --> 01:28:22.680
<v Speaker 3>He's like, Mitch, you knew I was a snake, and what.

1353
01:28:22.760 --> 01:28:24.920
<v Speaker 5>I as got to tell his audience, you know, go

1354
01:28:25.119 --> 01:28:26.000
<v Speaker 5>forward to get award.

1355
01:28:26.560 --> 01:28:30.600
<v Speaker 1>Well, that's part of the karmic implications magic, right, is

1356
01:28:30.680 --> 01:28:33.479
<v Speaker 1>that you got to tell them or whatever. And if

1357
01:28:33.560 --> 01:28:36.840
<v Speaker 1>they just go along with it, well you're comically released

1358
01:28:36.880 --> 01:28:37.199
<v Speaker 1>from that.

1359
01:28:37.399 --> 01:28:38.199
<v Speaker 3>They love what he says.

1360
01:28:38.760 --> 01:28:43.880
<v Speaker 5>Right, you knew I was a snake, you know.

1361
01:28:44.199 --> 01:28:48.720
<v Speaker 3>Uh, even with the with the this this again with

1362
01:28:48.840 --> 01:28:51.239
<v Speaker 3>the the spider that you mentioned, and then you mentioned

1363
01:28:51.239 --> 01:28:51.800
<v Speaker 3>the scorpion.

1364
01:28:52.760 --> 01:28:54.560
<v Speaker 4>Just one weird thing that I did think of real

1365
01:28:54.680 --> 01:28:56.359
<v Speaker 4>quick is that, you know, the spider has eight eyes,

1366
01:28:56.439 --> 01:28:58.399
<v Speaker 4>and it was something I didn't know about the scorpion

1367
01:28:58.439 --> 01:29:01.880
<v Speaker 4>util Headless mentioned it. The shellosically one right now, So

1368
01:29:01.960 --> 01:29:03.920
<v Speaker 4>I mean there is something even different with those two

1369
01:29:04.119 --> 01:29:04.800
<v Speaker 4>and isolated.

1370
01:29:06.039 --> 01:29:11.159
<v Speaker 5>Well, you've also got the crab, the horseshoe crab, right,

1371
01:29:11.359 --> 01:29:15.920
<v Speaker 5>the entire membrane is like this eyeball, and you know

1372
01:29:16.239 --> 01:29:19.159
<v Speaker 5>the the quote unquote eye stalks that they have one

1373
01:29:19.159 --> 01:29:22.960
<v Speaker 5>of the most primitive forms of seeing, are underneath that shell.

1374
01:29:23.119 --> 01:29:26.199
<v Speaker 5>So the whole thing is sort of looking up, and

1375
01:29:26.319 --> 01:29:29.399
<v Speaker 5>it's one of the oldest animals there is. It's looking

1376
01:29:29.560 --> 01:29:31.520
<v Speaker 5>up with its entire shell.

1377
01:29:34.199 --> 01:29:34.359
<v Speaker 3>Yes.

1378
01:29:35.600 --> 01:29:38.960
<v Speaker 2>One one thing that I have mentioned, but I think

1379
01:29:39.000 --> 01:29:44.239
<v Speaker 2>you guys will will like this. There is a movie

1380
01:29:44.319 --> 01:29:47.720
<v Speaker 2>called The Adjustment Bureau. This is based off of a

1381
01:29:47.840 --> 01:29:52.079
<v Speaker 2>Philip Dick short storage called The Adjustment Team, and it's

1382
01:29:52.600 --> 01:30:00.920
<v Speaker 2>all about the fate. Essentially. It's this this bureaucracy of

1383
01:30:01.439 --> 01:30:05.600
<v Speaker 2>essentially angels. You could you could refer to them as

1384
01:30:05.920 --> 01:30:12.479
<v Speaker 2>agent of fate who make sure everything goes as planned.

1385
01:30:13.239 --> 01:30:19.479
<v Speaker 2>And is this whole corporate, uh angelic, spiritual bureaucracy and

1386
01:30:19.920 --> 01:30:26.039
<v Speaker 2>a man whole journey of trying to go against that

1387
01:30:26.239 --> 01:30:28.720
<v Speaker 2>and get what he wants, which in this case is

1388
01:30:28.760 --> 01:30:34.800
<v Speaker 2>like this man picture dream girl moment where she was

1389
01:30:34.920 --> 01:30:38.000
<v Speaker 2>just supposedting firing him once and he was never supposed

1390
01:30:38.000 --> 01:30:41.239
<v Speaker 2>to see it again. But he's like, I gotta marry

1391
01:30:41.279 --> 01:30:44.119
<v Speaker 2>this girl. I gotta marry this girl. And the whole,

1392
01:30:44.199 --> 01:30:49.920
<v Speaker 2>the whole story behind it is that God has rewritten

1393
01:30:50.359 --> 01:30:54.920
<v Speaker 2>the script so many times that in previous iterations they

1394
01:30:55.279 --> 01:30:59.560
<v Speaker 2>was married, but he rewrote it to where they don't

1395
01:30:59.560 --> 01:31:01.960
<v Speaker 2>get married because he didn't see the need for them

1396
01:31:02.000 --> 01:31:05.199
<v Speaker 2>to get married. Anymore is what they allude to. There's

1397
01:31:05.239 --> 01:31:07.439
<v Speaker 2>not really a reason. It's just like, well, God just

1398
01:31:07.560 --> 01:31:11.159
<v Speaker 2>rewrote it. Guy's not supposed to get married anymore. She's

1399
01:31:11.199 --> 01:31:14.239
<v Speaker 2>just not your fire and then disappeared from your life.

1400
01:31:14.439 --> 01:31:17.479
<v Speaker 2>And he's like, no, I am, I will marry this

1401
01:31:17.960 --> 01:31:22.479
<v Speaker 2>this this woman. And so he goes and goes up

1402
01:31:22.520 --> 01:31:26.600
<v Speaker 2>against these agents of fate. And the reason why he's

1403
01:31:26.640 --> 01:31:30.199
<v Speaker 2>able to is because they refer to it as there's

1404
01:31:30.279 --> 01:31:34.319
<v Speaker 2>also chance, and they have no domain over chance, which

1405
01:31:34.439 --> 01:31:40.720
<v Speaker 2>is just pre will essentially, and so he's it's it's

1406
01:31:40.800 --> 01:31:46.640
<v Speaker 2>this whole like Romeo and Juliet kind of duality of

1407
01:31:48.159 --> 01:31:51.000
<v Speaker 2>two people from you know, different worlds kind of colliding.

1408
01:31:52.119 --> 01:31:56.479
<v Speaker 2>And I think there was something very alchemical about Romeo

1409
01:31:56.720 --> 01:32:00.000
<v Speaker 2>and Juliet, and going back to the whole out chemical marriag.

1410
01:32:01.520 --> 01:32:04.359
<v Speaker 2>So I think that's another connection between the two. Is

1411
01:32:04.600 --> 01:32:07.239
<v Speaker 2>this story that because Philip K. Dick was a very

1412
01:32:08.000 --> 01:32:11.159
<v Speaker 2>mystical person. He was he had all kinds of crazy

1413
01:32:11.319 --> 01:32:15.359
<v Speaker 2>experiences and dreams and you know, all kinds of different things.

1414
01:32:15.680 --> 01:32:19.399
<v Speaker 1>So well, my buddy told me he ingested high amounts

1415
01:32:19.439 --> 01:32:22.880
<v Speaker 1>of vitamin C on purpose to try and induce schizophrenia.

1416
01:32:23.000 --> 01:32:28.720
<v Speaker 1>So that he could tap into the spirit realm more easily. Yeah. Well,

1417
01:32:28.920 --> 01:32:31.039
<v Speaker 1>in the movie you were describing reminds me of Dark

1418
01:32:31.119 --> 01:32:36.600
<v Speaker 1>City as well, because there's like these entities in there

1419
01:32:36.800 --> 01:32:39.479
<v Speaker 1>doing what they call queueing, where they changed the environment

1420
01:32:39.520 --> 01:32:41.199
<v Speaker 1>and they would come in when people were asleep and

1421
01:32:41.600 --> 01:32:43.920
<v Speaker 1>put everything back the way it was or whatever, and

1422
01:32:44.119 --> 01:32:46.800
<v Speaker 1>they'd plant memories in people's heads. So, like you're talking

1423
01:32:46.800 --> 01:32:49.319
<v Speaker 1>about the manic Pixie dream girl thing, Well, this guy

1424
01:32:49.359 --> 01:32:51.439
<v Speaker 1>in the movie had like this image of a beach

1425
01:32:52.000 --> 01:32:54.880
<v Speaker 1>vacation that he had never had, but they had put there,

1426
01:32:55.039 --> 01:32:57.399
<v Speaker 1>and so that was like his fire that kept him going, you.

1427
01:32:57.439 --> 01:33:02.399
<v Speaker 5>Know, Aldy's fire to get the shell beach.

1428
01:33:02.880 --> 01:33:04.920
<v Speaker 1>Yeah, yeah, I see that. Man.

1429
01:33:05.079 --> 01:33:05.279
<v Speaker 5>Cool.

1430
01:33:05.600 --> 01:33:10.439
<v Speaker 2>Yeah, that reminds me really quick. I've talked about this

1431
01:33:10.560 --> 01:33:14.560
<v Speaker 2>with the Brains before. There was a movie called Paris,

1432
01:33:14.640 --> 01:33:18.199
<v Speaker 2>Texas Is by a director named Wim Winters. And this

1433
01:33:18.479 --> 01:33:21.880
<v Speaker 2>is probably what references this movie all the time. It's

1434
01:33:22.640 --> 01:33:25.359
<v Speaker 2>it's a movie that everyone has never seen but has

1435
01:33:25.479 --> 01:33:29.359
<v Speaker 2>always seen because your favorite movies and directors and actors

1436
01:33:29.640 --> 01:33:34.960
<v Speaker 2>invoke this film all the time. It's just it's an Americana, shamanistic,

1437
01:33:35.079 --> 01:33:38.399
<v Speaker 2>American kind of film about this guy named Travis going

1438
01:33:38.439 --> 01:33:42.760
<v Speaker 2>on this shamanistic journey to have his American dream and

1439
01:33:42.880 --> 01:33:46.520
<v Speaker 2>reunite his family union. He goes to the desert and

1440
01:33:46.640 --> 01:33:49.880
<v Speaker 2>everything goes on this whole psychedelic trip and everything he

1441
01:33:50.000 --> 01:33:53.319
<v Speaker 2>wears a red hat. Beyonce invoked it in her in

1442
01:33:53.479 --> 01:33:58.000
<v Speaker 2>her Country out her quote country album Lonad Delray Hasn't

1443
01:33:58.000 --> 01:34:01.279
<v Speaker 2>invoked it multiple times in music and her song Paris Texas.

1444
01:34:03.439 --> 01:34:08.399
<v Speaker 2>It was also Curtical Bain's favorite film. Curtical ban went

1445
01:34:08.479 --> 01:34:11.119
<v Speaker 2>on and on and on about this film. It spoke

1446
01:34:11.239 --> 01:34:14.000
<v Speaker 2>him a lot. It's very it's a very it's the

1447
01:34:14.039 --> 01:34:16.680
<v Speaker 2>American mynthod it's really and what the American dream is?

1448
01:34:17.079 --> 01:34:19.600
<v Speaker 2>It all have to do with this this red hat

1449
01:34:20.000 --> 01:34:29.039
<v Speaker 2>Travis Shawman going on this sharmanistic journey, and yeah, Malga

1450
01:34:29.880 --> 01:34:33.920
<v Speaker 2>hat has a deep connection throughout history. But another thing

1451
01:34:34.000 --> 01:34:38.199
<v Speaker 2>that they're kind of weaving into their symbolism is this

1452
01:34:38.520 --> 01:34:42.439
<v Speaker 2>film using the red hat Shamans and this whole idea

1453
01:34:42.479 --> 01:34:45.039
<v Speaker 2>of American dream, because what is you know, what does

1454
01:34:45.159 --> 01:34:47.880
<v Speaker 2>Maga's hand for make American great again? This idea of

1455
01:34:48.079 --> 01:34:53.279
<v Speaker 2>the bringing back the American dream. So there's something to

1456
01:34:53.600 --> 01:34:55.720
<v Speaker 2>weave on that really quick, and I turned it through

1457
01:34:55.720 --> 01:34:58.239
<v Speaker 2>ad because I find that fascinating.

1458
01:34:58.880 --> 01:35:01.600
<v Speaker 5>Well, you've also got the hat of the French Revolution,

1459
01:35:01.800 --> 01:35:06.199
<v Speaker 5>which was this connection, way way, way, way way way.

1460
01:35:06.079 --> 01:35:11.159
<v Speaker 1>Back to the what are they called frigging cap.

1461
01:35:11.319 --> 01:35:14.199
<v Speaker 5>Frygian cap. There you go, and it just weaves all

1462
01:35:14.319 --> 01:35:18.479
<v Speaker 5>throughout time and space, this Frygian cap, and it's it's

1463
01:35:18.800 --> 01:35:21.720
<v Speaker 5>back with the maga, you know, the magas the magician,

1464
01:35:22.359 --> 01:35:24.840
<v Speaker 5>and we're all putting on the magician's cap. You know,

1465
01:35:25.000 --> 01:35:26.000
<v Speaker 5>there's something to that.

1466
01:35:27.279 --> 01:35:30.319
<v Speaker 1>And two presidential terms is how many years?

1467
01:35:31.279 --> 01:35:31.960
<v Speaker 5>Eight years?

1468
01:35:33.720 --> 01:35:34.000
<v Speaker 6>Wow?

1469
01:35:35.079 --> 01:35:35.279
<v Speaker 5>Yep?

1470
01:35:36.199 --> 01:35:41.000
<v Speaker 2>And when tempting fate, I'll say one more kind of

1471
01:35:41.319 --> 01:35:46.159
<v Speaker 2>short story here about tempting fate in America. There was

1472
01:35:46.600 --> 01:35:50.640
<v Speaker 2>a story I heard about George Washington and that I

1473
01:35:50.760 --> 01:35:55.399
<v Speaker 2>find super interesting, and that that he had essentially plot armor,

1474
01:35:55.479 --> 01:35:59.520
<v Speaker 2>he had spiritual armor. And there's this story of I

1475
01:35:59.560 --> 01:36:01.439
<v Speaker 2>guess it used to be in our history of books,

1476
01:36:01.479 --> 01:36:04.319
<v Speaker 2>but they took it out because it's not invoked to

1477
01:36:04.359 --> 01:36:07.720
<v Speaker 2>talk about this story anymore. And that is that George

1478
01:36:07.880 --> 01:36:16.600
<v Speaker 2>Washington he had you know, he fought multiple wars battles

1479
01:36:16.680 --> 01:36:21.840
<v Speaker 2>before he became president, and later in his life he

1480
01:36:22.039 --> 01:36:27.720
<v Speaker 2>had this Native American I believe, which was the chief

1481
01:36:28.119 --> 01:36:31.039
<v Speaker 2>who came promised he really wanted to meet him. He goes,

1482
01:36:32.439 --> 01:36:36.119
<v Speaker 2>Sir Geers Washington, I'm on my deathbed and I really

1483
01:36:36.199 --> 01:36:41.920
<v Speaker 2>wanted to meet you because I fought you a multiple battle.

1484
01:36:42.039 --> 01:36:44.720
<v Speaker 2>Then I'm an expert marksman, and.

1485
01:36:46.479 --> 01:36:49.760
<v Speaker 10>I hate you multiple times, and my men hit you

1486
01:36:49.920 --> 01:36:55.279
<v Speaker 10>multiple times and you never took damage, and to the

1487
01:36:55.359 --> 01:36:58.359
<v Speaker 10>point where I told my man to stop wasting their

1488
01:36:59.119 --> 01:37:01.560
<v Speaker 10>ammunition on you, because.

1489
01:37:02.880 --> 01:37:07.520
<v Speaker 2>I believe that you are protected by the great force

1490
01:37:07.560 --> 01:37:11.079
<v Speaker 2>above for something greater in life. So it's this idea

1491
01:37:11.239 --> 01:37:15.520
<v Speaker 2>that you know when someone is destined for something that

1492
01:37:15.760 --> 01:37:18.359
<v Speaker 2>they're they're they're they're going they're going to have I

1493
01:37:18.399 --> 01:37:20.439
<v Speaker 2>guess you can say good luck, right, because you have

1494
01:37:20.560 --> 01:37:24.079
<v Speaker 2>like luck as another opponent of fates and everything. So

1495
01:37:24.239 --> 01:37:29.039
<v Speaker 2>if you if you have something faded for you, if

1496
01:37:29.079 --> 01:37:34.239
<v Speaker 2>you're destined for something greater, I should say you're going

1497
01:37:34.279 --> 01:37:36.039
<v Speaker 2>to have good luck. You're going to have some kind

1498
01:37:36.079 --> 01:37:38.760
<v Speaker 2>of what seems like spiritual plot arm or.

1499
01:37:40.520 --> 01:37:43.840
<v Speaker 5>Well. That's interesting too because in the basement of the

1500
01:37:43.960 --> 01:37:47.680
<v Speaker 5>Capitol Building they have a huge mural on the ceiling

1501
01:37:47.800 --> 01:37:51.800
<v Speaker 5>which is called the Apotheosis of George Washington. So they

1502
01:37:51.840 --> 01:37:56.720
<v Speaker 5>were including some kind of godlike symbolism around this character,

1503
01:37:56.960 --> 01:37:58.720
<v Speaker 5>and it's yeah.

1504
01:37:58.520 --> 01:38:01.039
<v Speaker 6>I think it's him being like in dust it into heaven.

1505
01:38:00.880 --> 01:38:04.039
<v Speaker 5>Right right now, all of the Greek gods around him.

1506
01:38:04.600 --> 01:38:07.520
<v Speaker 5>So there was a very very potent symbol of what

1507
01:38:07.680 --> 01:38:11.439
<v Speaker 5>they were trying to create with this idea of George Washington.

1508
01:38:11.520 --> 01:38:15.279
<v Speaker 5>And you've got all these stories surrounding his fate, surrounding

1509
01:38:15.359 --> 01:38:18.399
<v Speaker 5>his destiny, and you know, we've lost a lot of

1510
01:38:18.479 --> 01:38:21.640
<v Speaker 5>that and they don't teach it anymore because we're all

1511
01:38:21.680 --> 01:38:25.520
<v Speaker 5>supposed to believe that we're bad. We're bad people. We're

1512
01:38:25.560 --> 01:38:28.319
<v Speaker 5>all white, we're bad, we've got white privilege and all

1513
01:38:28.359 --> 01:38:30.439
<v Speaker 5>the rest of this crime. But I think it goes

1514
01:38:30.520 --> 01:38:34.319
<v Speaker 5>back to the idea that they're taking down the destiny

1515
01:38:34.960 --> 01:38:39.039
<v Speaker 5>angle of America, and we're not supposed to have that destiny.

1516
01:38:39.079 --> 01:38:41.520
<v Speaker 5>We're not supposed to think of ourselves like this. We're

1517
01:38:41.520 --> 01:38:44.279
<v Speaker 5>supposed to be brought down to the to the level

1518
01:38:44.359 --> 01:38:47.520
<v Speaker 5>of mortals and spit upon all the rest of this stuff.

1519
01:38:47.840 --> 01:38:52.119
<v Speaker 5>So I don't know, maybe these script writers are looking

1520
01:38:52.239 --> 01:38:54.960
<v Speaker 5>for a third act, you know, maybe that's what they're

1521
01:38:55.000 --> 01:38:55.359
<v Speaker 5>going for.

1522
01:38:56.359 --> 01:39:02.720
<v Speaker 2>Yeah, they're they're not only can you rewrite history, and

1523
01:39:03.479 --> 01:39:09.239
<v Speaker 2>you know, you can impact generations to come. I mean

1524
01:39:09.520 --> 01:39:12.439
<v Speaker 2>the way, uh, A good way of putting it is,

1525
01:39:13.359 --> 01:39:20.319
<v Speaker 2>if you a way to weave alternative, if you're not

1526
01:39:20.560 --> 01:39:26.800
<v Speaker 2>gonna be working with fate and flowing with fate and

1527
01:39:27.199 --> 01:39:30.680
<v Speaker 2>you entering that flow state, if you're not working up

1528
01:39:30.800 --> 01:39:33.319
<v Speaker 2>the current, and you're working down the current away from

1529
01:39:33.359 --> 01:39:36.560
<v Speaker 2>the current, and then you're gonna have to find an

1530
01:39:36.600 --> 01:39:42.039
<v Speaker 2>alternative source. And usually from what I think, that alternative

1531
01:39:42.159 --> 01:39:45.640
<v Speaker 2>source is of course, rewriting history, because if you rewrite

1532
01:39:45.760 --> 01:39:51.560
<v Speaker 2>history and then teachs your version, your narrative to future generations,

1533
01:39:52.119 --> 01:39:58.000
<v Speaker 2>and then there whatever they do for their future is

1534
01:39:58.079 --> 01:40:00.880
<v Speaker 2>going to be in line to what the read written

1535
01:40:01.520 --> 01:40:06.399
<v Speaker 2>past that they rewrote. So to stop that, to break

1536
01:40:06.479 --> 01:40:10.119
<v Speaker 2>from that cycle, you know, you have to go back

1537
01:40:10.159 --> 01:40:13.279
<v Speaker 2>and learn true history, your true roots, good you know,

1538
01:40:13.800 --> 01:40:17.760
<v Speaker 2>and all that. And I think that that's how they're

1539
01:40:18.479 --> 01:40:22.680
<v Speaker 2>why these bohemian growth people are scared of the spider,

1540
01:40:23.279 --> 01:40:29.000
<v Speaker 2>because they know that they're working against fate in everything

1541
01:40:29.039 --> 01:40:31.920
<v Speaker 2>that they do. So when they say weave inspiders come

1542
01:40:32.000 --> 01:40:35.359
<v Speaker 2>not here, they're saying, fait, stay away from us, because

1543
01:40:35.359 --> 01:40:38.920
<v Speaker 2>we're working against you, because it's our will, you know,

1544
01:40:39.000 --> 01:40:43.119
<v Speaker 2>alis Curley's whole thing is right, is will. They're saying

1545
01:40:43.479 --> 01:40:47.159
<v Speaker 2>stay away. You know, we have minervers owl with us.

1546
01:40:47.520 --> 01:40:51.279
<v Speaker 2>Stay away from us, so we can rewrite our history

1547
01:40:51.439 --> 01:40:53.640
<v Speaker 2>and write our own future.

1548
01:40:53.960 --> 01:40:56.800
<v Speaker 1>Kind of like the villains of Spider Man. Right, it's

1549
01:40:56.920 --> 01:41:00.600
<v Speaker 1>just like Spider Man. Now, it's just like never.

1550
01:41:02.079 --> 01:41:02.359
<v Speaker 5>Something.

1551
01:41:02.439 --> 01:41:04.319
<v Speaker 2>Yeah, thank you for bringing that up. Something that I

1552
01:41:04.399 --> 01:41:09.239
<v Speaker 2>didn't bring up about Spider Man is the movie Spider

1553
01:41:09.359 --> 01:41:12.000
<v Speaker 2>Verse is different from the comics. The movie is cool,

1554
01:41:12.600 --> 01:41:15.279
<v Speaker 2>but they bring out way too much sci fi kind

1555
01:41:15.319 --> 01:41:17.720
<v Speaker 2>of stuff and techy, kind of transhuman this kind of

1556
01:41:18.279 --> 01:41:22.279
<v Speaker 2>side of things. The comics, it's all magical. In the

1557
01:41:22.520 --> 01:41:30.720
<v Speaker 2>comics of Spider Verse, the villain isn't Spot or Spider

1558
01:41:30.720 --> 01:41:34.319
<v Speaker 2>Man twenty nine to nine. In the comics, it's interdimensional

1559
01:41:34.520 --> 01:41:39.479
<v Speaker 2>vampires called the Inheritors that feed on not blood but

1560
01:41:40.560 --> 01:41:46.159
<v Speaker 2>energetic agegoric toll bug like figures that they call totems,

1561
01:41:46.520 --> 01:41:50.800
<v Speaker 2>and they are feeding on the Spider cotem because the

1562
01:41:50.880 --> 01:41:53.520
<v Speaker 2>Spider symbol in the Marvel universe is like one of

1563
01:41:53.600 --> 01:41:57.520
<v Speaker 2>the largest symbols, right, And so they come up with

1564
01:41:57.680 --> 01:42:01.000
<v Speaker 2>this occult ritual to take the bride, which is Silk,

1565
01:42:01.079 --> 01:42:03.760
<v Speaker 2>the first Spider Woman, and do this a cult ritual

1566
01:42:04.079 --> 01:42:07.319
<v Speaker 2>to feed on the oldest Spider people at once across

1567
01:42:07.560 --> 01:42:12.840
<v Speaker 2>the webs of Fate and devour the energy from their

1568
01:42:13.279 --> 01:42:18.239
<v Speaker 2>from the great hyperstitual of the Spider. So you know

1569
01:42:18.319 --> 01:42:20.840
<v Speaker 2>there is something to that, especially when you going back

1570
01:42:20.880 --> 01:42:23.399
<v Speaker 2>to the whole Bohemian Grove and then working against Fate

1571
01:42:23.600 --> 01:42:27.960
<v Speaker 2>sort of aspect. There is this kind of warning factions

1572
01:42:28.039 --> 01:42:28.720
<v Speaker 2>that seems like.

1573
01:42:29.920 --> 01:42:32.319
<v Speaker 5>Right, they have to kind of destroy the past so

1574
01:42:32.439 --> 01:42:34.960
<v Speaker 5>that they can shape their future, and the whole Bohemian

1575
01:42:35.039 --> 01:42:38.319
<v Speaker 5>Grove people are like, well, if we destroy the past,

1576
01:42:38.399 --> 01:42:40.199
<v Speaker 5>we can keep fade away from us. But I don't

1577
01:42:40.199 --> 01:42:42.960
<v Speaker 5>think it's working anymore, and it's all sort of going

1578
01:42:43.039 --> 01:42:46.119
<v Speaker 5>down the tubes. So all of these different stories are

1579
01:42:46.199 --> 01:42:50.079
<v Speaker 5>basically having to die along with their systems. So there's

1580
01:42:50.279 --> 01:42:54.119
<v Speaker 5>there's this huge, sort of concerted effort to take everything

1581
01:42:54.199 --> 01:42:58.600
<v Speaker 5>down with them, and unfortunately that includes us. So these

1582
01:42:59.039 --> 01:43:02.960
<v Speaker 5>these stories that they're they're taking down are now you know,

1583
01:43:03.159 --> 01:43:04.920
<v Speaker 5>basically including them as well.

1584
01:43:05.119 --> 01:43:10.159
<v Speaker 6>So yeah, well you.

1585
01:43:10.159 --> 01:43:12.119
<v Speaker 1>Even see that in pop culture, like, look how many

1586
01:43:12.199 --> 01:43:15.680
<v Speaker 1>times are what the most recent disaster was Snow White.

1587
01:43:15.880 --> 01:43:18.760
<v Speaker 1>I Mean, I know that's not like a huge cultural thing,

1588
01:43:18.840 --> 01:43:21.199
<v Speaker 1>but it's the first animated movie, right, just like they

1589
01:43:21.239 --> 01:43:23.680
<v Speaker 1>want to attack all these stories and drag them down

1590
01:43:24.000 --> 01:43:24.319
<v Speaker 1>with them.

1591
01:43:24.359 --> 01:43:27.479
<v Speaker 2>I guess right, yeah, well, so, yeah, thank you for

1592
01:43:27.560 --> 01:43:31.560
<v Speaker 2>bringing that up branch snow White. Well, I think it's

1593
01:43:31.600 --> 01:43:35.359
<v Speaker 2>interesting with that was snow White was released, that this

1594
01:43:35.680 --> 01:43:40.119
<v Speaker 2>new iteration of snow White was released on the alleged

1595
01:43:40.319 --> 01:43:45.079
<v Speaker 2>last day of the Cali Yuga. And so I joke

1596
01:43:45.199 --> 01:43:49.399
<v Speaker 2>that snow White was gonna We're gonna end the Cali

1597
01:43:49.479 --> 01:43:54.640
<v Speaker 2>Yuga and bringing a new age. And of course, uh,

1598
01:43:55.680 --> 01:44:00.960
<v Speaker 2>Cali is often depicted on a white horse, right, and

1599
01:44:01.920 --> 01:44:04.640
<v Speaker 2>uh what the snow white ride?

1600
01:44:06.359 --> 01:44:07.800
<v Speaker 3>And what is.

1601
01:44:09.600 --> 01:44:13.039
<v Speaker 2>A white horse exactly? And which is crazy because you know,

1602
01:44:13.960 --> 01:44:17.800
<v Speaker 2>everyone's talking about the vibe shift in the zeit guy

1603
01:44:17.960 --> 01:44:21.039
<v Speaker 2>since Trump won, and it's like the you know where

1604
01:44:21.159 --> 01:44:23.359
<v Speaker 2>it's kind of the pendulum is swinging in the in

1605
01:44:23.439 --> 01:44:28.680
<v Speaker 2>the other way a little bit energetically, and it's what

1606
01:44:28.920 --> 01:44:31.640
<v Speaker 2>is it? Is it swinging away from it? It seems

1607
01:44:31.720 --> 01:44:35.239
<v Speaker 2>like all the this woke crap is going kind of

1608
01:44:35.680 --> 01:44:40.399
<v Speaker 2>coming out of vogue a little bit. And what what

1609
01:44:40.680 --> 01:44:44.840
<v Speaker 2>is a good example of that that woke garbage failing?

1610
01:44:45.479 --> 01:44:48.319
<v Speaker 2>Snow White is a good example of that of all

1611
01:44:48.399 --> 01:44:51.640
<v Speaker 2>the woke ism failing, and so I think it's it's

1612
01:44:51.760 --> 01:44:58.840
<v Speaker 2>interesting that Snow Snow White being released on the last

1613
01:44:58.920 --> 01:45:04.000
<v Speaker 2>day of the Caliyuga, ending this whole woke era, right,

1614
01:45:04.159 --> 01:45:07.079
<v Speaker 2>And so I think what the vibe shift is is

1615
01:45:07.600 --> 01:45:12.520
<v Speaker 2>we're entering this this other age, this age of I

1616
01:45:12.600 --> 01:45:15.520
<v Speaker 2>think what Branch would talk about as like dark maga

1617
01:45:15.720 --> 01:45:20.840
<v Speaker 2>of course, right, which is its only thing. But we're

1618
01:45:21.119 --> 01:45:24.119
<v Speaker 2>it's so we're going towards this dark mega thing, but

1619
01:45:24.279 --> 01:45:27.359
<v Speaker 2>we're going away from this woke thing. And so I

1620
01:45:27.439 --> 01:45:31.760
<v Speaker 2>think Snow White was like this, this last kind of

1621
01:45:33.880 --> 01:45:36.560
<v Speaker 2>you have this death throw of of the woke age.

1622
01:45:37.239 --> 01:45:39.399
<v Speaker 6>Yeah, you have Trump, who is known as like the

1623
01:45:39.479 --> 01:45:42.800
<v Speaker 6>Great White Hope or whatever, being the you know, the

1624
01:45:42.960 --> 01:45:45.880
<v Speaker 6>light side. Then you have the dark maga, very cabbalistic

1625
01:45:46.079 --> 01:45:48.840
<v Speaker 6>as well, especially when you look into who Trump is

1626
01:45:48.920 --> 01:45:51.960
<v Speaker 6>taking a lot of these orders from, right. Uh, he

1627
01:45:52.119 --> 01:45:54.359
<v Speaker 6>has to go and kiss the wall and do do

1628
01:45:54.479 --> 01:45:56.760
<v Speaker 6>all that all that fun stuff.

1629
01:45:58.039 --> 01:45:59.680
<v Speaker 1>Do you think he'll build Do you think he'll build

1630
01:45:59.720 --> 01:46:00.399
<v Speaker 1>a third Temple?

1631
01:46:00.520 --> 01:46:06.840
<v Speaker 6>Sorry to cut you off, Oh, absolute, absolutely, dude. I

1632
01:46:07.000 --> 01:46:08.960
<v Speaker 6>think I mean they're all they're already calling him the

1633
01:46:09.039 --> 01:46:13.680
<v Speaker 6>King Cyrus, right, right, So I mean they they've made

1634
01:46:13.720 --> 01:46:16.720
<v Speaker 6>a coin for him, and they're they're creating this image

1635
01:46:16.800 --> 01:46:19.800
<v Speaker 6>for him, and uh and yeah, I think he is

1636
01:46:19.920 --> 01:46:23.640
<v Speaker 6>definitely involved. I think Elon Musk is a moon child

1637
01:46:23.920 --> 01:46:26.640
<v Speaker 6>as as well. So there's there's a lot tied in there.

1638
01:46:28.800 --> 01:46:31.760
<v Speaker 6>Like you said earlier, you know, the Maga, the magus,

1639
01:46:32.439 --> 01:46:35.159
<v Speaker 6>all this great work that's happening right in front of

1640
01:46:35.199 --> 01:46:37.840
<v Speaker 6>our faces on this world stage, and then you really

1641
01:46:37.920 --> 01:46:39.760
<v Speaker 6>have to dig into some of this stuff to kind

1642
01:46:39.800 --> 01:46:41.920
<v Speaker 6>of get a grasp of what's really going on.

1643
01:46:42.279 --> 01:46:45.479
<v Speaker 1>You know, well, imagine being a fly on the wall

1644
01:46:45.960 --> 01:46:48.800
<v Speaker 1>or dare I say, a spider in the corner of

1645
01:46:48.920 --> 01:46:50.239
<v Speaker 1>one of these rooms.

1646
01:46:51.960 --> 01:46:52.159
<v Speaker 3>Yeah.

1647
01:46:53.079 --> 01:46:53.680
<v Speaker 1>Absolutely.

1648
01:46:54.479 --> 01:46:58.960
<v Speaker 5>The Wokism sort of represented the controlled demolition of the

1649
01:46:59.239 --> 01:47:03.600
<v Speaker 5>American culture, right. It was just everything American has to die.

1650
01:47:03.760 --> 01:47:07.000
<v Speaker 5>Everything is racist, everything is bad. And then you know

1651
01:47:07.159 --> 01:47:11.199
<v Speaker 5>you see kind of the eleven the Towers that they've

1652
01:47:11.199 --> 01:47:14.119
<v Speaker 5>been trying to destroy since two thousand and one. It's

1653
01:47:14.199 --> 01:47:17.159
<v Speaker 5>not taken. People aren't taking to it. It's you know, again,

1654
01:47:17.439 --> 01:47:21.159
<v Speaker 5>like in that fashion, Dearth, you don't have this progression,

1655
01:47:21.560 --> 01:47:28.399
<v Speaker 5>but since you've got a little bit of a energetic insurgence, right,

1656
01:47:28.520 --> 01:47:32.000
<v Speaker 5>that's that's kind of what the Trump represents in modern

1657
01:47:32.079 --> 01:47:35.039
<v Speaker 5>society is this energetic insurgence. It's like, we're not going

1658
01:47:35.119 --> 01:47:37.960
<v Speaker 5>to go to bed quiet. We're not going to be

1659
01:47:38.720 --> 01:47:42.079
<v Speaker 5>the easily destroyed kind of culture that you want us

1660
01:47:42.119 --> 01:47:44.119
<v Speaker 5>to be. We're not going to shift the way that

1661
01:47:44.239 --> 01:47:46.720
<v Speaker 5>you want us to. So in a lot of ways,

1662
01:47:47.000 --> 01:47:51.840
<v Speaker 5>you could say that the controlled demolition people have now

1663
01:47:51.920 --> 01:47:54.439
<v Speaker 5>sort of taken a backfoot. Well, at the same time,

1664
01:47:54.840 --> 01:47:58.439
<v Speaker 5>there's an undercurrent that you see happening with the Trump

1665
01:47:58.520 --> 01:48:01.239
<v Speaker 5>thing that's sort of leading us back into that destruction.

1666
01:48:01.520 --> 01:48:03.600
<v Speaker 5>You know, he wants to bring about that end of

1667
01:48:03.680 --> 01:48:08.239
<v Speaker 5>the world that eschatology, and people aren't having it. You

1668
01:48:08.319 --> 01:48:10.760
<v Speaker 5>can see it all around him. People are not having it.

1669
01:48:10.920 --> 01:48:13.039
<v Speaker 5>So that's a good thing. I think in a lot

1670
01:48:13.079 --> 01:48:17.760
<v Speaker 5>of ways, spiritually, it's a rejection of this controlled demolition.

1671
01:48:18.920 --> 01:48:21.680
<v Speaker 2>Yeah, I'm glad you buy that. Yat.

1672
01:48:21.760 --> 01:48:25.199
<v Speaker 11>I just says, he said, what about sexually blackmail and

1673
01:48:25.680 --> 01:48:33.239
<v Speaker 11>wealthy your mom sorry that's his name, your mom? Yeah, Yeah,

1674
01:48:35.199 --> 01:48:39.439
<v Speaker 11>And that's a black window program, right you you impay

1675
01:48:39.560 --> 01:48:41.279
<v Speaker 11>ultra these these women to be.

1676
01:48:42.960 --> 01:48:48.279
<v Speaker 2>Assassins into honey pot, you know, of course, that's all.

1677
01:48:48.560 --> 01:48:52.439
<v Speaker 2>You know, that's a lot of of movies and like

1678
01:48:52.920 --> 01:48:56.720
<v Speaker 2>Marvel movies and everything as well, but in modern times,

1679
01:48:56.880 --> 01:49:00.920
<v Speaker 2>it's just the Internet, right. Everyone knows you have your

1680
01:49:01.000 --> 01:49:04.000
<v Speaker 2>browser history, and then like they want to blockmail you

1681
01:49:04.119 --> 01:49:07.800
<v Speaker 2>with that, and you know, and who owned all the

1682
01:49:07.920 --> 01:49:12.279
<v Speaker 2>VPNs right that's supposed to you know, protect us and

1683
01:49:12.399 --> 01:49:15.680
<v Speaker 2>everything and and all that. Who you, hugh really owns

1684
01:49:15.800 --> 01:49:17.359
<v Speaker 2>this free domain of the Internet.

1685
01:49:18.079 --> 01:49:20.119
<v Speaker 6>Yea, well me, me and my buddy Jose just did

1686
01:49:20.159 --> 01:49:22.319
<v Speaker 6>a deep dive on Michael Lokino in the Temple of

1687
01:49:22.439 --> 01:49:24.560
<v Speaker 6>Set and how they worship the Psyche. And when you

1688
01:49:24.680 --> 01:49:28.840
<v Speaker 6>look into the word psyche, it comes from uh Psyche,

1689
01:49:29.159 --> 01:49:32.399
<v Speaker 6>which is a I think a Greek goddess represented by

1690
01:49:32.439 --> 01:49:38.640
<v Speaker 6>a butterfly right headless. Now you see butterflies in monarch programming,

1691
01:49:39.479 --> 01:49:42.199
<v Speaker 6>MK ultra all that stuff, and it's like, well, what

1692
01:49:42.319 --> 01:49:43.560
<v Speaker 6>the fuck is going on here?

1693
01:49:44.720 --> 01:49:44.920
<v Speaker 1>Yeah?

1694
01:49:45.000 --> 01:49:47.159
<v Speaker 6>This the symbolism is used a lot more than I

1695
01:49:47.199 --> 01:49:48.039
<v Speaker 6>think we know guys.

1696
01:49:48.319 --> 01:49:48.439
<v Speaker 2>Uh.

1697
01:49:48.840 --> 01:49:51.920
<v Speaker 6>So it's good to have these kind of certain discussions

1698
01:49:51.960 --> 01:49:53.640
<v Speaker 6>on it, man, I think we can learn a lot

1699
01:49:53.720 --> 01:49:54.239
<v Speaker 6>from each other.

1700
01:49:54.920 --> 01:49:56.720
<v Speaker 2>Yeah, sorry, sorry.

1701
01:49:57.039 --> 01:49:57.199
<v Speaker 1>Game.

1702
01:49:57.319 --> 01:50:02.359
<v Speaker 5>Mythology around Psyche is her love affair with arrows. Arrows

1703
01:50:02.600 --> 01:50:06.039
<v Speaker 5>love and Psyche and so these things are really late,

1704
01:50:06.239 --> 01:50:09.760
<v Speaker 5>especially when you're talking about sexual blackmail. Yeah, to have

1705
01:50:09.960 --> 01:50:13.960
<v Speaker 5>this love between the psyche and back to that, you know,

1706
01:50:14.119 --> 01:50:14.560
<v Speaker 5>the pace.

1707
01:50:14.760 --> 01:50:17.800
<v Speaker 1>But here's another layer to it. She wasn't allowed to

1708
01:50:17.840 --> 01:50:20.840
<v Speaker 1>look at him. And so with these blackmail operations there's

1709
01:50:20.880 --> 01:50:24.159
<v Speaker 1>always a camera they don't know as they're watching them

1710
01:50:24.199 --> 01:50:25.399
<v Speaker 1>and recording, and that's.

1711
01:50:25.279 --> 01:50:30.479
<v Speaker 2>So wid Yeah, it's an orphic. Yeah, it's an orphic tradition.

1712
01:50:30.680 --> 01:50:34.279
<v Speaker 2>Blackmail could be seen as an orphic tradition. I'm glad

1713
01:50:34.520 --> 01:50:39.000
<v Speaker 2>you brought this full like artemist angle of it up

1714
01:50:39.359 --> 01:50:42.039
<v Speaker 2>because Artemis is the wild woman, so that gets back

1715
01:50:42.039 --> 01:50:45.199
<v Speaker 2>to the whole like wild aspect of it. And I

1716
01:50:45.279 --> 01:50:49.279
<v Speaker 2>also I think it's interesting that you brought up butterflies

1717
01:50:49.880 --> 01:50:55.119
<v Speaker 2>because the branch we talked about cryptids a lot, and

1718
01:50:55.560 --> 01:51:00.119
<v Speaker 2>he he likes talking. He he likes bringing up mothmane and.

1719
01:51:00.720 --> 01:51:07.119
<v Speaker 9>And from the area where yeah, man, it's crazy, bro,

1720
01:51:08.479 --> 01:51:11.680
<v Speaker 9>I Canmelia some moth Man memorabilia I got, I gotta

1721
01:51:11.680 --> 01:51:12.840
<v Speaker 9>get you guys on man.

1722
01:51:13.479 --> 01:51:19.880
<v Speaker 2>And and my and I come from more mid Midwest

1723
01:51:19.960 --> 01:51:24.039
<v Speaker 2>area area. And what I referred to as the polar

1724
01:51:24.199 --> 01:51:28.039
<v Speaker 2>opposite speaking of post symbolism other than Offman and that

1725
01:51:28.239 --> 01:51:31.439
<v Speaker 2>is the drop on butterfly people. And what I think

1726
01:51:31.520 --> 01:51:35.119
<v Speaker 2>the drop on butterfly people are are just angels, because

1727
01:51:35.119 --> 01:51:39.520
<v Speaker 2>you know, there's the hierarchy of angels. There are angels

1728
01:51:39.600 --> 01:51:42.560
<v Speaker 2>with eyes in their wings. So if you're not familiar

1729
01:51:42.720 --> 01:51:47.560
<v Speaker 2>with the man, if you're not if you're not familiar

1730
01:51:47.640 --> 01:51:50.399
<v Speaker 2>with what happened in Droplin a few years ago, there

1731
01:51:50.479 --> 01:51:53.479
<v Speaker 2>was one of the largest recorded tornadoes in history. It

1732
01:51:53.560 --> 01:51:57.800
<v Speaker 2>wiped out the entire town, and there all these people

1733
01:51:59.079 --> 01:52:02.520
<v Speaker 2>all had a similar story of being saved by butterfly people.

1734
01:52:03.319 --> 01:52:11.479
<v Speaker 2>And you say, well, maybe they're yes, and and they're

1735
01:52:12.439 --> 01:52:17.800
<v Speaker 2>You could say, well, maybe they're they're talking about of angels,

1736
01:52:17.840 --> 01:52:20.560
<v Speaker 2>well yeah, and which I think they are in a way,

1737
01:52:21.119 --> 01:52:24.119
<v Speaker 2>But why aren't they referring to them as angels? Because

1738
01:52:24.159 --> 01:52:26.560
<v Speaker 2>this is the Bible Belt, and so a lot of

1739
01:52:26.600 --> 01:52:29.359
<v Speaker 2>people are still Christians, still have a Christian viewpoint of

1740
01:52:29.439 --> 01:52:32.960
<v Speaker 2>what the angel looks like, but it's not typically accurate,

1741
01:52:33.039 --> 01:52:36.880
<v Speaker 2>of course, So when you look at butterfly wings, you

1742
01:52:37.039 --> 01:52:39.920
<v Speaker 2>have all those patterns sim more to a peacock feather

1743
01:52:40.399 --> 01:52:45.520
<v Speaker 2>and which often look like eyeballs. So if they're seeing

1744
01:52:45.800 --> 01:52:49.319
<v Speaker 2>these angels with eyes on their wings and they're and

1745
01:52:49.479 --> 01:52:52.119
<v Speaker 2>the only but they can't comprehend it because it's not

1746
01:52:52.439 --> 01:52:57.319
<v Speaker 2>in their uh modern day Christianity kind of outlook on

1747
01:52:57.399 --> 01:53:02.159
<v Speaker 2>what they look like their dogma. They're the only way

1748
01:53:02.199 --> 01:53:05.479
<v Speaker 2>that they can translate it is saying that it's butterfly people.

1749
01:53:06.239 --> 01:53:09.720
<v Speaker 2>And so now that now that the towns rebuilt those

1750
01:53:09.960 --> 01:53:15.520
<v Speaker 2>moral morals and uh, statues of butterflies and these butterfly

1751
01:53:15.640 --> 01:53:18.359
<v Speaker 2>people all over this town and it's like part of

1752
01:53:18.399 --> 01:53:22.520
<v Speaker 2>the war now. And so I think it's interesting, Uh

1753
01:53:23.560 --> 01:53:27.399
<v Speaker 2>math Man, you know, is a harboraging of dirm He

1754
01:53:27.479 --> 01:53:33.479
<v Speaker 2>comes before the contrast contrastrophe, these butterfly people came after

1755
01:53:33.640 --> 01:53:36.840
<v Speaker 2>the catastrophe. So it's like the light side of these

1756
01:53:37.479 --> 01:53:38.960
<v Speaker 2>of this highest.

1757
01:53:38.640 --> 01:53:43.359
<v Speaker 6>Strangeness of the mall that also, sorry headless, keep interrupting,

1758
01:53:43.399 --> 01:53:46.960
<v Speaker 6>you say, the math that also represents death, right, like

1759
01:53:47.199 --> 01:53:51.279
<v Speaker 6>in the symbolism that we're talking about, So Silence of

1760
01:53:51.279 --> 01:53:52.840
<v Speaker 6>the Lambs, that's was.

1761
01:53:52.960 --> 01:53:56.800
<v Speaker 1>Also in West Virginia, same as the math.

1762
01:53:56.640 --> 01:54:00.119
<v Speaker 5>Man, right, So the math Man is is linked to

1763
01:54:00.199 --> 01:54:04.600
<v Speaker 5>the idea of its destruction, right, So the web of destruction,

1764
01:54:04.760 --> 01:54:07.520
<v Speaker 5>it's led right to that web of destruction. And then

1765
01:54:07.600 --> 01:54:12.439
<v Speaker 5>the butterfly is like transformation, merging out of you know,

1766
01:54:12.800 --> 01:54:16.720
<v Speaker 5>a bad situation that Chrystal is into a greater form,

1767
01:54:17.279 --> 01:54:19.840
<v Speaker 5>but you've still got the same sort of wing eye

1768
01:54:20.079 --> 01:54:22.439
<v Speaker 5>symbolism on either one. So they're kind of like two

1769
01:54:22.520 --> 01:54:23.479
<v Speaker 5>sides of the same coin.

1770
01:54:24.199 --> 01:54:26.159
<v Speaker 6>Yeah, I think when I said to often them, I

1771
01:54:26.199 --> 01:54:28.600
<v Speaker 6>think those are the angels with with the wheels with

1772
01:54:28.720 --> 01:54:33.800
<v Speaker 6>the eyes sera or the fiery serpents with the eyes

1773
01:54:33.840 --> 01:54:37.680
<v Speaker 6>on their wings, right, yes? Or is that the chair

1774
01:54:37.680 --> 01:54:38.800
<v Speaker 6>of them? No, that's not the chair of them, that

1775
01:54:40.239 --> 01:54:42.319
<v Speaker 6>the eyes on the wings. Yeah, yeah, yeah seraph.

1776
01:54:43.159 --> 01:54:43.359
<v Speaker 5>Yeah.

1777
01:54:43.560 --> 01:54:47.720
<v Speaker 2>Well, since you're talking about butterflies and consciousness. Uh, something

1778
01:54:47.800 --> 01:54:56.159
<v Speaker 2>that I find interesting is, uh the word reality has

1779
01:54:56.239 --> 01:55:01.880
<v Speaker 2>the same linguistic root as the word war tea. And

1780
01:55:02.079 --> 01:55:07.119
<v Speaker 2>so when you're thinking about your kingdom, it's it's it's

1781
01:55:07.640 --> 01:55:11.760
<v Speaker 2>your what your reality is, Well, it's your kingdom isn't

1782
01:55:11.880 --> 01:55:15.640
<v Speaker 2>just your domain, your house, but it's everything that's in

1783
01:55:15.800 --> 01:55:22.000
<v Speaker 2>your perspective. And so it's uh so when we have

1784
01:55:23.279 --> 01:55:25.640
<v Speaker 2>so when you you know, when you align your chalkas

1785
01:55:25.680 --> 01:55:28.800
<v Speaker 2>and you get your crown chakra and all that and

1786
01:55:28.880 --> 01:55:33.000
<v Speaker 2>you stevente your your your your masculine or or your

1787
01:55:33.079 --> 01:55:38.359
<v Speaker 2>feminine and you you you're fully realized human. You can

1788
01:55:38.439 --> 01:55:41.600
<v Speaker 2>weave your faith, so to speak, you're the king of

1789
01:55:41.800 --> 01:55:49.439
<v Speaker 2>your reality and uh to reference Lion King, which is,

1790
01:55:49.479 --> 01:55:52.239
<v Speaker 2>of course, it's just adapted from Hamlet with Hamlet is

1791
01:55:52.279 --> 01:55:58.159
<v Speaker 2>adapted from the Viking tell of Hamlet, so it which

1792
01:55:58.199 --> 01:56:01.479
<v Speaker 2>is interesting that this story has gone on throughout time

1793
01:56:01.720 --> 01:56:05.840
<v Speaker 2>from the Vikings to Shakespeare to now your Disney. But

1794
01:56:05.960 --> 01:56:11.840
<v Speaker 2>there's a moment in Disney's version of this telle in

1795
01:56:11.960 --> 01:56:14.800
<v Speaker 2>The Lion King where Simba is on pipe rock with

1796
01:56:15.000 --> 01:56:20.199
<v Speaker 2>Mufassa and they're overlooking their kingdom and Mufoster says, everything

1797
01:56:20.239 --> 01:56:22.319
<v Speaker 2>that's in the light is ours, and everything that's in

1798
01:56:22.399 --> 01:56:27.319
<v Speaker 2>the darkness is not, and that speaks to the Mascal

1799
01:56:28.159 --> 01:56:33.720
<v Speaker 2>word of no right saying the uh no, this is

1800
01:56:33.840 --> 01:56:36.840
<v Speaker 2>I'm not welcoming this into my kingdom. I'm not welcomed

1801
01:56:37.319 --> 01:56:41.960
<v Speaker 2>welcoming this into my own reality. And if you can

1802
01:56:42.079 --> 01:56:45.479
<v Speaker 2>do that, then you are You're You're the head, You're

1803
01:56:45.560 --> 01:56:51.239
<v Speaker 2>the king. And that's where you get this idea of

1804
01:56:52.119 --> 01:56:55.399
<v Speaker 2>controlling your fate, controlling your raality, controlling your perspective, and

1805
01:56:55.439 --> 01:56:58.520
<v Speaker 2>the reason why they wanted to force these narratives onto us.

1806
01:56:59.279 --> 01:57:01.840
<v Speaker 2>Whether this is woke crap or whatever you want to

1807
01:57:02.520 --> 01:57:05.560
<v Speaker 2>terminology you want to refer to, it as is because

1808
01:57:06.000 --> 01:57:10.399
<v Speaker 2>we're we're like antainers, right, we're like satellites, So we're

1809
01:57:10.920 --> 01:57:14.359
<v Speaker 2>manifesting our own reality in a way all around us.

1810
01:57:15.159 --> 01:57:18.600
<v Speaker 2>And if they get enough people to go around go

1811
01:57:18.800 --> 01:57:23.199
<v Speaker 2>on with their narratives, then they're then we're helping them

1812
01:57:23.279 --> 01:57:29.279
<v Speaker 2>weave their reality. So because we're all tapping into their signal, Well,

1813
01:57:29.520 --> 01:57:33.039
<v Speaker 2>if you're your own king, then you're like you're and

1814
01:57:33.119 --> 01:57:37.479
<v Speaker 2>you're weaving your own fate. You're projecting your own reality,

1815
01:57:37.520 --> 01:57:40.680
<v Speaker 2>and you're saying, no, I am not working welcoming these

1816
01:57:40.840 --> 01:57:45.199
<v Speaker 2>narratives into my own reality. So that's the other part

1817
01:57:45.239 --> 01:57:46.239
<v Speaker 2>of it as well.

1818
01:57:46.880 --> 01:57:48.840
<v Speaker 5>They could tell us what to believe, but it's up

1819
01:57:48.880 --> 01:57:51.319
<v Speaker 5>to us to believe them. That's the choice that we

1820
01:57:51.439 --> 01:57:51.920
<v Speaker 5>have to make.

1821
01:57:52.319 --> 01:57:53.800
<v Speaker 3>Absolutely the free will.

1822
01:57:54.800 --> 01:57:58.319
<v Speaker 6>And like what you said about this controlled demolition of

1823
01:57:58.399 --> 01:58:01.800
<v Speaker 6>our society, I mean Albert Pike said, and morals and dogma.

1824
01:58:02.479 --> 01:58:04.520
<v Speaker 6>When they need a hero, we will give.

1825
01:58:04.439 --> 01:58:09.199
<v Speaker 5>Them, right, But we don't have to accept it.

1826
01:58:09.439 --> 01:58:11.439
<v Speaker 6>You know, we don't know, we don't headless.

1827
01:58:11.520 --> 01:58:11.880
<v Speaker 3>I love it.

1828
01:58:14.000 --> 01:58:15.520
<v Speaker 2>It feels good to not accept it.

1829
01:58:16.920 --> 01:58:17.680
<v Speaker 5>It's empowering.

1830
01:58:18.399 --> 01:58:21.079
<v Speaker 3>Yeah, was there anything else that of you just wanted

1831
01:58:21.079 --> 01:58:21.640
<v Speaker 3>to talk about?

1832
01:58:21.800 --> 01:58:21.920
<v Speaker 4>Uh?

1833
01:58:22.279 --> 01:58:25.359
<v Speaker 3>Before we wrap it up. It's almost a banger, dude. Yeah, yeah,

1834
01:58:26.079 --> 01:58:27.199
<v Speaker 3>this was fond.

1835
01:58:28.279 --> 01:58:29.760
<v Speaker 2>I can't tell you. I mean the past.

1836
01:58:29.960 --> 01:58:31.600
<v Speaker 6>You know, a few times me and you have been

1837
01:58:31.640 --> 01:58:35.479
<v Speaker 6>on uh and it's it's always been a very uh

1838
01:58:36.199 --> 01:58:39.720
<v Speaker 6>interesting conversation, something that I look forward to again. So

1839
01:58:40.039 --> 01:58:40.880
<v Speaker 6>thank you for inviting me.

1840
01:58:40.920 --> 01:58:42.840
<v Speaker 3>Always love getting you on, bro for real.

1841
01:58:43.960 --> 01:58:47.720
<v Speaker 5>When we started, the clouds were just oppressive. It was

1842
01:58:47.880 --> 01:58:51.239
<v Speaker 5>all rainy, and now it is a clear blue, sunny.

1843
01:58:50.960 --> 01:58:58.239
<v Speaker 6>Sketty ship, headless hens headless the same here, nice man. Yeah,

1844
01:58:58.279 --> 01:59:00.039
<v Speaker 6>it's funny outside.

1845
01:58:59.640 --> 01:59:03.039
<v Speaker 3>Now the morning, Like I don't want a podcast anymore.

1846
01:59:04.640 --> 01:59:07.239
<v Speaker 6>Yeah, listen, incredible.

1847
01:59:07.600 --> 01:59:07.760
<v Speaker 3>Yeah.

1848
01:59:07.880 --> 01:59:09.960
<v Speaker 4>Was there anything that that you guys wanted to at

1849
01:59:10.039 --> 01:59:11.840
<v Speaker 4>least mention before we wrap it up that you thought

1850
01:59:11.960 --> 01:59:13.319
<v Speaker 4>was important or are you guys good?

1851
01:59:14.199 --> 01:59:17.479
<v Speaker 2>Oh no, I think I'm good. I made through all

1852
01:59:17.560 --> 01:59:22.600
<v Speaker 2>my nose. I'm surprised I was actual enemy rattle on

1853
01:59:22.880 --> 01:59:25.680
<v Speaker 2>so long. I know I'm long winded.

1854
01:59:26.199 --> 01:59:28.560
<v Speaker 3>You're also totally fine, totally fine.

1855
01:59:28.800 --> 01:59:29.399
<v Speaker 2>I didn't have you on.

1856
01:59:29.479 --> 01:59:31.560
<v Speaker 6>I did want to read one thing, Nick, go for it.

1857
01:59:31.880 --> 01:59:35.000
<v Speaker 6>For the magicians of the Middle Ages surrounded themselves with

1858
01:59:35.119 --> 01:59:39.640
<v Speaker 6>such creatures as bats, spiders, cats, snakes, and monkeys. Because

1859
01:59:39.640 --> 01:59:43.279
<v Speaker 6>they were able to appropriate the life forces of these

1860
01:59:43.319 --> 01:59:46.640
<v Speaker 6>species and use them to the attainment of their own ends.

1861
01:59:47.279 --> 01:59:50.600
<v Speaker 6>Some ancient schools of wisdom taught that all poisonous insects

1862
01:59:50.640 --> 01:59:53.760
<v Speaker 6>and reptiles are germinated out of the evil nature of man,

1863
01:59:54.359 --> 01:59:57.399
<v Speaker 6>and that when intelligent human beings no longer breed hate

1864
01:59:57.479 --> 01:59:59.720
<v Speaker 6>in their own souls, there will be no more for

1865
02:00:00.319 --> 02:00:06.039
<v Speaker 6>animals loasome diseases, or poisonous plants and insects. So I

1866
02:00:06.159 --> 02:00:08.439
<v Speaker 6>thought that was a little something that ended.

1867
02:00:08.239 --> 02:00:11.279
<v Speaker 1>Off with add to that a little bit, unless you

1868
02:00:11.439 --> 02:00:13.319
<v Speaker 1>were going to say something happened. No, no, no, no.

1869
02:00:15.000 --> 02:00:18.640
<v Speaker 5>This book called the Golden Ass It's often overlooked. It's

1870
02:00:18.640 --> 02:00:23.039
<v Speaker 5>from second century a d. It is a babble by Apulius,

1871
02:00:23.199 --> 02:00:26.279
<v Speaker 5>and in there he's got like thirty six pages of

1872
02:00:26.520 --> 02:00:32.239
<v Speaker 5>the myth of Psyche and Arrows. So if you really

1873
02:00:32.279 --> 02:00:34.279
<v Speaker 5>want to get to know their perspective on this whole

1874
02:00:34.359 --> 02:00:36.319
<v Speaker 5>thing and see the symbolism, it's in this book that.

1875
02:00:36.439 --> 02:00:38.159
<v Speaker 6>I'm about to buy it headless. I know I said

1876
02:00:38.199 --> 02:00:38.960
<v Speaker 6>it last time, but.

1877
02:00:40.840 --> 02:00:43.159
<v Speaker 3>At this time, sorry he did mentioned the last of

1878
02:00:43.239 --> 02:00:45.600
<v Speaker 3>you are right, Yeah, yeah, that's like that.

1879
02:00:45.760 --> 02:00:45.920
<v Speaker 6>Yeah.

1880
02:00:45.920 --> 02:00:47.960
<v Speaker 3>I was like, I think he's that's funny.

1881
02:00:48.479 --> 02:00:49.279
<v Speaker 6>Thanks, sorry, branch.

1882
02:00:49.840 --> 02:00:52.479
<v Speaker 1>What what were you going to say, brother, Well, I

1883
02:00:52.520 --> 02:00:55.079
<v Speaker 1>actually don't remember, but what I was going to say

1884
02:00:55.119 --> 02:00:59.520
<v Speaker 1>it I didn't. But one thing I can say though,

1885
02:00:59.760 --> 02:01:03.680
<v Speaker 1>is spiders can be good to add to your gardens

1886
02:01:03.760 --> 02:01:08.319
<v Speaker 1>and such, because I try to practice integrated pest management,

1887
02:01:08.840 --> 02:01:13.800
<v Speaker 1>so using wasps, frementous spiders. They do have a niche

1888
02:01:15.159 --> 02:01:18.199
<v Speaker 1>same with snakes. So you know, I totally understand not

1889
02:01:18.319 --> 02:01:21.319
<v Speaker 1>letting poisonous snakes or spiders or whatever be around, but like,

1890
02:01:21.760 --> 02:01:24.399
<v Speaker 1>they do have a niche purpose. So if you're seeing

1891
02:01:24.439 --> 02:01:26.479
<v Speaker 1>spiders around your house, it's all some people in the

1892
02:01:26.560 --> 02:01:29.119
<v Speaker 1>chat asking like, well what does this mean? Well, if

1893
02:01:29.159 --> 02:01:31.720
<v Speaker 1>you have spiders, you have bugs, because I'm not going

1894
02:01:31.800 --> 02:01:36.399
<v Speaker 1>to stick around if there's no bugs, right right, right,

1895
02:01:36.680 --> 02:01:41.479
<v Speaker 1>So and you know, maybe meditate the next time you meditate,

1896
02:01:41.560 --> 02:01:45.000
<v Speaker 1>think about the spider because it does have some redynion

1897
02:01:45.079 --> 02:01:48.600
<v Speaker 1>qualities like, for instance, they're very patient, right and resilient.

1898
02:01:48.960 --> 02:01:52.720
<v Speaker 1>That all animals live outside, you know, and dure the

1899
02:01:52.800 --> 02:01:56.520
<v Speaker 1>elements the way they do, so you know, every animal's

1900
02:01:56.520 --> 02:01:58.760
<v Speaker 1>got something we can learn from it. And I find

1901
02:01:58.840 --> 02:02:02.439
<v Speaker 1>that the twilight language, you know, like the Bible and

1902
02:02:02.520 --> 02:02:04.720
<v Speaker 1>a lot of other books use there's a lot of

1903
02:02:04.760 --> 02:02:06.760
<v Speaker 1>animals and trees and things like that and them. So

1904
02:02:06.800 --> 02:02:10.039
<v Speaker 1>if we take time to outside the text to study

1905
02:02:10.159 --> 02:02:14.439
<v Speaker 1>up on the ecology of the creature, the horticulture of

1906
02:02:14.479 --> 02:02:16.479
<v Speaker 1>the plant, you know, we can oftentimes get a lot

1907
02:02:16.520 --> 02:02:18.840
<v Speaker 1>of insights. So I'd just like to encourage folks to

1908
02:02:19.800 --> 02:02:22.960
<v Speaker 1>remember the spider isn't all bad, because if it weren't

1909
02:02:22.960 --> 02:02:25.840
<v Speaker 1>for spiders, we'd be overrun with bugs for sure. And

1910
02:02:26.359 --> 02:02:28.640
<v Speaker 1>I'm sure we can all agree that we hate bugs

1911
02:02:28.680 --> 02:02:30.479
<v Speaker 1>more than spiders. You're right.

1912
02:02:30.600 --> 02:02:33.199
<v Speaker 6>I think that has to do with the duality of

1913
02:02:33.279 --> 02:02:37.039
<v Speaker 6>all these creatures, right right, as well as the intention

1914
02:02:37.800 --> 02:02:40.720
<v Speaker 6>of you know, your relationship with these spiders, like are

1915
02:02:40.760 --> 02:02:44.319
<v Speaker 6>they guarding your house from other bugs that could get

1916
02:02:44.399 --> 02:02:47.399
<v Speaker 6>in there and you know, tear shit up or you

1917
02:02:47.520 --> 02:02:52.039
<v Speaker 6>know more dangerous spiders. I don't know, but definitely no,

1918
02:02:52.600 --> 02:02:55.279
<v Speaker 6>there's you know, people look at a lot of this,

1919
02:02:55.880 --> 02:02:58.079
<v Speaker 6>A lot of this knowledge is just being bad because

1920
02:02:58.079 --> 02:02:59.920
<v Speaker 6>it is hidden, right. They fear what they don't know,

1921
02:03:00.760 --> 02:03:03.920
<v Speaker 6>but definitely many ways to look at them.

1922
02:03:04.279 --> 02:03:07.479
<v Speaker 5>If we are masters of our own fate, webs, then

1923
02:03:07.720 --> 02:03:10.960
<v Speaker 5>it's up to us what bugs we're letting live in

1924
02:03:11.199 --> 02:03:14.319
<v Speaker 5>our webs. So you've got to be conscious of that

1925
02:03:14.439 --> 02:03:17.640
<v Speaker 5>and get rid of the garbage that's blocking up your web,

1926
02:03:17.760 --> 02:03:20.359
<v Speaker 5>because that's why you read that faith that you're supposed

1927
02:03:20.359 --> 02:03:20.760
<v Speaker 5>to be at.

1928
02:03:21.359 --> 02:03:23.760
<v Speaker 1>There, I say, you're going to knock out the cobwebs.

1929
02:03:23.760 --> 02:03:26.640
<v Speaker 1>I actually remember what I was gonna say. It was

1930
02:03:26.840 --> 02:03:28.800
<v Speaker 1>on the tail end of what you said, jewels, I think,

1931
02:03:30.239 --> 02:03:35.079
<v Speaker 1>or maybe it was headless, but the spiritual authority, Oh

1932
02:03:35.159 --> 02:03:37.600
<v Speaker 1>it was jewels. The spiritual authority we're given with Christ

1933
02:03:37.800 --> 02:03:41.760
<v Speaker 1>just to tread upon scorpion, snakes, the creeping thing, right,

1934
02:03:41.840 --> 02:03:47.119
<v Speaker 1>So each of these, Yeah, they occupy the lower kingdoms

1935
02:03:47.359 --> 02:03:49.800
<v Speaker 1>of the earth, of which man is at the top,

1936
02:03:50.039 --> 02:03:52.880
<v Speaker 1>you know, and lion, of course is below man. But

1937
02:03:53.520 --> 02:03:56.159
<v Speaker 1>the creeping thing is something that we're given authority to

1938
02:03:56.279 --> 02:03:59.640
<v Speaker 1>tread over. It says, so like you were saying there,

1939
02:04:00.000 --> 02:04:01.960
<v Speaker 1>little bit Ago, I think there could be something to that,

1940
02:04:02.359 --> 02:04:09.359
<v Speaker 1>absolutely spiritual analogous analogous spirits associated with them. And this

1941
02:04:09.479 --> 02:04:12.479
<v Speaker 1>goes back to like the concept of cleanliness with animals

1942
02:04:12.520 --> 02:04:14.800
<v Speaker 1>and that sort of thing too. I think parasites and

1943
02:04:14.840 --> 02:04:15.079
<v Speaker 1>all that.

1944
02:04:17.199 --> 02:04:22.439
<v Speaker 2>Yeah, uh, Joel, as he was talking you, you made

1945
02:04:22.479 --> 02:04:28.800
<v Speaker 2>me have a realization. Yeah, we're you know earlier you mentioned,

1946
02:04:30.880 --> 02:04:33.760
<v Speaker 2>uh the spire taking a frog in as a pet.

1947
02:04:36.079 --> 02:04:43.000
<v Speaker 2>I realized so in uh that his family, the family

1948
02:04:43.119 --> 02:04:47.000
<v Speaker 2>with comments was created to be a commentary on the

1949
02:04:47.039 --> 02:04:49.720
<v Speaker 2>American dream and the white pickup French kind of family

1950
02:04:50.840 --> 02:04:59.800
<v Speaker 2>archetype and their pet is thing which is a hang

1951
02:05:00.159 --> 02:05:06.399
<v Speaker 2>but it walks like a spider and it does it

1952
02:05:06.560 --> 02:05:11.319
<v Speaker 2>does their bidding. So I made I made that little

1953
02:05:11.399 --> 02:05:12.079
<v Speaker 2>small connection.

1954
02:05:12.600 --> 02:05:15.039
<v Speaker 1>I thought that was, well, you here something to add

1955
02:05:15.079 --> 02:05:18.840
<v Speaker 1>to that, because just last week this girl shows up

1956
02:05:18.960 --> 02:05:22.760
<v Speaker 1>online with the robotic arm and she can detach the

1957
02:05:22.880 --> 02:05:26.560
<v Speaker 1>hand and and she's like, oh, it even has bluetooth.

1958
02:05:26.560 --> 02:05:29.239
<v Speaker 1>Since she was taking her hand crawl across the table

1959
02:05:29.319 --> 02:05:34.800
<v Speaker 1>with wild she's got her own technological thing.

1960
02:05:34.960 --> 02:05:44.159
<v Speaker 2>Now yeah. Yeah. But some books on spiders, like I

1961
02:05:44.279 --> 02:05:48.000
<v Speaker 2>mentioned earlier, there was a book on the Theophical Society,

1962
02:05:49.159 --> 02:05:52.319
<v Speaker 2>which again I'm not promoting these necessarily. I'm just saying

1963
02:05:52.359 --> 02:05:55.039
<v Speaker 2>these are books that I've looked at that that have

1964
02:05:55.399 --> 02:05:59.880
<v Speaker 2>some knowledge into spiders. And that's to play on consciousness

1965
02:06:00.119 --> 02:06:06.159
<v Speaker 2>in the Web by Edward L. Garner, Weaving Fate, hypersiduals,

1966
02:06:06.279 --> 02:06:10.159
<v Speaker 2>changing fate and telling true lies by getting a watch

1967
02:06:10.319 --> 02:06:14.079
<v Speaker 2>that's all about chaos magic, because if you want the

1968
02:06:14.159 --> 02:06:17.560
<v Speaker 2>more scientific like string theory aspect of it, there is

1969
02:06:17.560 --> 02:06:20.960
<v Speaker 2>a book called The Fabric of Reality by David Ducet.

1970
02:06:22.520 --> 02:06:26.680
<v Speaker 2>It's all about the scientific aspect of of what we're

1971
02:06:26.720 --> 02:06:30.239
<v Speaker 2>talking about. And then if you want to talk get

1972
02:06:30.319 --> 02:06:36.840
<v Speaker 2>into the Celtic knots and everything. Symbolism of the of

1973
02:06:36.960 --> 02:06:41.600
<v Speaker 2>the Cross by rene Ganon gets into cross symbolism and

1974
02:06:41.680 --> 02:06:44.600
<v Speaker 2>the crossroads and culture, knots and all this and that

1975
02:06:45.039 --> 02:06:48.479
<v Speaker 2>in the physics sense, in fact the brand. And I

1976
02:06:48.920 --> 02:06:52.760
<v Speaker 2>just went over to that book by Reneganon with Mario

1977
02:06:52.840 --> 02:06:59.399
<v Speaker 2>Guards of Symbolic Studies on my yeah, yeah, so yeah,

1978
02:06:59.439 --> 02:07:02.000
<v Speaker 2>if you want more that that also get into Celtic

1979
02:07:02.119 --> 02:07:05.199
<v Speaker 2>not it's in this idea of of webs and weaving.

1980
02:07:06.720 --> 02:07:11.800
<v Speaker 3>That's awesome. Nice. Uh all right, uh branch, did you

1981
02:07:11.840 --> 02:07:14.000
<v Speaker 3>have anything you want today? You want to plug anything before?

1982
02:07:15.319 --> 02:07:19.359
<v Speaker 1>Oh no, just remind everybody that it's Saturday, so sebat

1983
02:07:19.399 --> 02:07:23.319
<v Speaker 1>shalom and just uh, you know, pay respect to your

1984
02:07:23.359 --> 02:07:27.359
<v Speaker 1>deity today and read your scriptures whatever culture you're from.

1985
02:07:28.359 --> 02:07:30.239
<v Speaker 3>All right, thank you, thank you.

1986
02:07:31.880 --> 02:07:35.199
<v Speaker 4>All right, so headless, we'll just go around and let

1987
02:07:35.239 --> 02:07:37.319
<v Speaker 4>you plug yourself, plug the show. You'll plug your show.

1988
02:07:37.359 --> 02:07:40.119
<v Speaker 4>Let everybody know where they can find you. Oh you

1989
02:07:40.279 --> 02:07:41.840
<v Speaker 4>muted it, sir, you muted.

1990
02:07:43.960 --> 02:07:44.199
<v Speaker 3>Again.

1991
02:07:44.279 --> 02:07:46.840
<v Speaker 5>I'm the Headless Giant and you can find me on

1992
02:07:46.920 --> 02:07:51.279
<v Speaker 5>YouTube X and you can find me Friday nights doing

1993
02:07:51.359 --> 02:07:54.720
<v Speaker 5>the Future is Ancient Spaces with my co host art Autonomy.

1994
02:07:55.319 --> 02:07:57.399
<v Speaker 5>She's got a space coming up tonight, so if you

1995
02:07:57.439 --> 02:07:58.920
<v Speaker 5>want to check me out on next you can see

1996
02:07:59.119 --> 02:07:59.960
<v Speaker 5>that space as well.

1997
02:08:00.359 --> 02:08:01.239
<v Speaker 6>I'll swing through.

1998
02:08:02.960 --> 02:08:05.960
<v Speaker 3>And Jules, please let everybody know what is up with you, sir.

1999
02:08:06.359 --> 02:08:11.680
<v Speaker 6>They condust on X twenty more followers to him out

2000
02:08:11.680 --> 02:08:13.760
<v Speaker 6>of thousand. So let's let's help get me there.

2001
02:08:14.600 --> 02:08:17.880
<v Speaker 3>Jump over, go over there, give them, give them great.

2002
02:08:17.720 --> 02:08:20.760
<v Speaker 6>Piled underscore podcast on Instagram whenever I post over there,

2003
02:08:21.239 --> 02:08:27.119
<v Speaker 6>Rumble YouTube, Spotify, Apple Podcast. Uh, Patreon, I'm trying to

2004
02:08:27.159 --> 02:08:30.000
<v Speaker 6>push the Patreon. Got a few tears on there also,

2005
02:08:30.399 --> 02:08:32.880
<v Speaker 6>uh one out of four designs. And my stickers just

2006
02:08:33.000 --> 02:08:36.000
<v Speaker 6>came in, so y'all will be getting a sticker pack

2007
02:08:36.079 --> 02:08:39.600
<v Speaker 6>here soon on on my Patreon people or locals, depending

2008
02:08:39.640 --> 02:08:44.359
<v Speaker 6>on where you want to sign up. Yeah, yeah, guys,

2009
02:08:44.399 --> 02:08:46.560
<v Speaker 6>We're doing a show tomorrow night with John Lee Chowbeck.

2010
02:08:46.640 --> 02:08:49.079
<v Speaker 6>I think later tomorrow night, so I haven't confirmed it.

2011
02:08:49.159 --> 02:08:54.560
<v Speaker 6>Yet we're reviewing Crowley's liber Odds, doing a read through

2012
02:08:54.680 --> 02:08:59.960
<v Speaker 6>of it and kind of our interpretation of it. So yeah, yeah, y'all, y'all,

2013
02:09:00.000 --> 02:09:03.439
<v Speaker 6>I'll look out for that. Got a bunch of shows

2014
02:09:03.479 --> 02:09:06.039
<v Speaker 6>coming up, a bunch of good stuff over on Gray

2015
02:09:06.079 --> 02:09:10.119
<v Speaker 6>Pill to everybody. So yeah, thank you again Nick for

2016
02:09:10.680 --> 02:09:11.079
<v Speaker 6>having me on.

2017
02:09:11.199 --> 02:09:14.119
<v Speaker 3>Brother Hell yeah, of course, of course, thank you and

2018
02:09:15.119 --> 02:09:17.760
<v Speaker 3>Branch and I guess of Chris.

2019
02:09:17.880 --> 02:09:19.399
<v Speaker 4>I mean, I don't know if you guys have separate

2020
02:09:19.399 --> 02:09:21.640
<v Speaker 4>things to plug separately besides the channel.

2021
02:09:21.680 --> 02:09:23.760
<v Speaker 3>Okay, okay, but I guess we'll go with you.

2022
02:09:23.800 --> 02:09:27.039
<v Speaker 1>Branch fir Us, Well, I do have a link tree,

2023
02:09:27.199 --> 02:09:28.560
<v Speaker 1>so I'll provide that to you.

2024
02:09:28.720 --> 02:09:30.600
<v Speaker 3>Oh yeah, please, yeah, I'll lay that after the show

2025
02:09:30.640 --> 02:09:31.119
<v Speaker 3>if you like it.

2026
02:09:31.600 --> 02:09:34.640
<v Speaker 1>Yeah, and I can include that, So that's I'm trying to.

2027
02:09:34.800 --> 02:09:36.399
<v Speaker 1>I guess what I'll end up having to do is

2028
02:09:36.439 --> 02:09:38.920
<v Speaker 1>probably create a channel and just mirror all the content

2029
02:09:39.000 --> 02:09:40.920
<v Speaker 1>on it. But for now, that's what I got and

2030
02:09:41.000 --> 02:09:43.760
<v Speaker 1>it'll have to do. But there's like thirty different collaborations

2031
02:09:44.039 --> 02:09:47.479
<v Speaker 1>on there. I tried to include a link to every

2032
02:09:47.640 --> 02:09:49.720
<v Speaker 1>person I've collaborated with on there so that you can

2033
02:09:49.760 --> 02:09:52.439
<v Speaker 1>find their stuff, and then there might be multiple other

2034
02:09:52.560 --> 02:09:54.239
<v Speaker 1>videos have done with them, but I'm just trying to

2035
02:09:54.319 --> 02:09:58.520
<v Speaker 1>keep it organized because I never really wanted I just

2036
02:09:58.800 --> 02:10:01.079
<v Speaker 1>kind of do this stuff for fun. But I guess

2037
02:10:01.199 --> 02:10:05.000
<v Speaker 1>after a few years starting to get flutterard, so I

2038
02:10:05.079 --> 02:10:08.640
<v Speaker 1>gotta start organizing it. Lust die for you lose track

2039
02:10:08.720 --> 02:10:10.279
<v Speaker 1>of it. But yeah, if you want to find me

2040
02:10:10.399 --> 02:10:13.039
<v Speaker 1>on Twitter, I'm on there as William Burke. And if

2041
02:10:13.039 --> 02:10:17.159
<v Speaker 1>you want to find me on Instagram, I'm Apocalyptic Aesthetic

2042
02:10:17.279 --> 02:10:20.680
<v Speaker 1>with two p's as in the phone app. So you

2043
02:10:20.760 --> 02:10:23.000
<v Speaker 1>can hit me up on there and chat or invite

2044
02:10:23.039 --> 02:10:24.119
<v Speaker 1>me to collab or whatever.

2045
02:10:25.479 --> 02:10:26.119
<v Speaker 3>Sure, for sure.

2046
02:10:26.560 --> 02:10:29.760
<v Speaker 4>Yeah, it's a pretty interesting like a Robbie Marks. He's

2047
02:10:29.880 --> 02:10:31.880
<v Speaker 4>he's on the on the Cole Reject. He doesn't have

2048
02:10:32.000 --> 02:10:34.239
<v Speaker 4>his own podcast, but he has a show that's overall

2049
02:10:34.319 --> 02:10:38.079
<v Speaker 4>one hundred episodes of him being on other shows. So

2050
02:10:38.399 --> 02:10:41.439
<v Speaker 4>I get what you're saying, and yeah, that's interesting. Good

2051
02:10:41.439 --> 02:10:45.399
<v Speaker 4>for you, thank you, and Chris go ahead, sorry please.

2052
02:10:46.439 --> 02:10:52.079
<v Speaker 2>Yeah, you can follow me on Instagram at you know,

2053
02:10:52.479 --> 02:10:58.399
<v Speaker 2>King of Cups cover for the k TV and then

2054
02:10:58.840 --> 02:11:04.640
<v Speaker 2>on x it's channel Kokay TV. Then my YouTube channel

2055
02:11:05.239 --> 02:11:10.960
<v Speaker 2>is channel Okay Okay, and the Brands is kind of

2056
02:11:11.039 --> 02:11:14.800
<v Speaker 2>my pseudo co host. He's on the majority of my

2057
02:11:15.319 --> 02:11:22.479
<v Speaker 2>my episodes. Coming up, we have ah a new series

2058
02:11:22.640 --> 02:11:27.560
<v Speaker 2>we are I'm going to be watching called Archetypes. Every

2059
02:11:27.560 --> 02:11:30.680
<v Speaker 2>episode we're going to be going over a different archetype.

2060
02:11:30.760 --> 02:11:33.199
<v Speaker 2>The first one up is the Messiah archetype with the

2061
02:11:33.279 --> 02:11:36.479
<v Speaker 2>hero of course, and of course we'll get to talking

2062
02:11:36.479 --> 02:11:39.520
<v Speaker 2>about other ones like manic pictures and girls and dark

2063
02:11:39.640 --> 02:11:41.840
<v Speaker 2>mothers and stuff like that, but we're going to start

2064
02:11:41.920 --> 02:11:45.800
<v Speaker 2>at the beginning, one archetype at a time. So we

2065
02:11:45.920 --> 02:11:52.079
<v Speaker 2>got that coming up. We have our pop culture political show,

2066
02:11:53.039 --> 02:11:57.039
<v Speaker 2>the King of Branch Show where the Branch to Dark

2067
02:11:57.119 --> 02:12:02.520
<v Speaker 2>Maga updates. And then I have a film review series

2068
02:12:02.640 --> 02:12:07.319
<v Speaker 2>called Kingdom Reviews that I do as well, So we

2069
02:12:07.479 --> 02:12:12.079
<v Speaker 2>have we have a bunch of stuff aren't on on

2070
02:12:12.199 --> 02:12:15.039
<v Speaker 2>the books. And then last night, like I said, I

2071
02:12:15.239 --> 02:12:20.880
<v Speaker 2>just released my severance video with Raised by Giants and

2072
02:12:21.000 --> 02:12:25.199
<v Speaker 2>that that was a really fun discussion. You know, Seventh

2073
02:12:25.359 --> 02:12:29.399
<v Speaker 2>is such an interesting show to talk about and it

2074
02:12:29.680 --> 02:12:33.640
<v Speaker 2>was fun having writer on and talking about it. So

2075
02:12:33.720 --> 02:12:36.920
<v Speaker 2>you can go check that out. Chaining. Okay, okay, thanks

2076
02:12:36.960 --> 02:12:41.800
<v Speaker 2>for having us on, Nick and I'm glad to meet

2077
02:12:41.800 --> 02:12:42.239
<v Speaker 2>you guys.

2078
02:12:42.720 --> 02:12:43.920
<v Speaker 3>Oh yeah, no, it was my pleasure.

2079
02:12:43.960 --> 02:12:44.079
<v Speaker 2>Man.

2080
02:12:44.119 --> 02:12:46.479
<v Speaker 4>That was a great person, great talk, great talk. Glad

2081
02:12:46.520 --> 02:12:49.720
<v Speaker 4>to have you back on again. Uh yeah, and thank

2082
02:12:49.760 --> 02:12:51.479
<v Speaker 4>you everybody in the chat. There's a lot of people

2083
02:12:51.479 --> 02:12:53.279
<v Speaker 4>in the chat, even in the other chats over on

2084
02:12:53.560 --> 02:12:55.800
<v Speaker 4>Juesus side, and I don't know he less with you

2085
02:12:55.840 --> 02:12:57.520
<v Speaker 4>streaming out too, that was pretty sure. There's proble of

2086
02:12:57.560 --> 02:12:59.960
<v Speaker 4>people on your runs as well commenting. Thank you everybody

2087
02:13:00.039 --> 02:13:02.039
<v Speaker 4>who jumped in and had, you know, had something to say.

2088
02:13:02.479 --> 02:13:04.800
<v Speaker 4>I appreciate it, and that's why that's why we went live.

2089
02:13:05.359 --> 02:13:07.319
<v Speaker 4>And that is the end of another recalled Rejects and

2090
02:13:07.439 --> 02:13:09.800
<v Speaker 4>until the next one, everybody be well later.
