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Speaker 1: All right, folks know by now that it's the Summer

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of Laps and the co Chairs are going to leave

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no stone unturned, no corpse unhandled, as we go to

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England for the very first time. It's Friday, August twenty

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eighth at the Dome in North London. Your co Chairs

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take the stage for the very first and perhaps final

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Lapsed Fan live for all our fans in the UK. Boss,

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I know, the juices are certainly flowing. The Worcestershire is flowing,

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the brown sauce is flowing.

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Speaker 2: Lots of juices are flowing, that's for sure, and that's

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the only way I like it, honestly, and.

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Speaker 1: It's in no small part thanks to our guest at

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this time, Kenny Macintosh of Inside the Ropes. I'm sure

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you know Kenny from his Inside the Ropes series where

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he takes some of the leading personalities in pro wrestling

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onto the stage for live conversations across the UK. He's

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really become a bit of I don't know, Kenny, if

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you'll take this analogy the right way, I don't know

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the James Lipton of pro wrestling.

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Speaker 2: Can you countenance that I'll take that?

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Speaker 3: I mean, hopefully I do look like Jamie. I mean,

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I have had some work done, but maybe in like

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twenty years, maybe then I'll start to resemble him a

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little bit more. But yeah, I'll take that one.

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Speaker 2: Do you use the questionnaire from Bernard pi Vau to

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end every interview?

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Speaker 3: If you think any wrestler would understand that reference, then

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you're giving them a lot more credit than I was.

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Speaker 2: You after a good start.

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Speaker 3: It's hard enough to get a wrestled to remember where

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they wrestled or like, you know you will wrestling? Really, yes,

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you were, I promise you.

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Speaker 1: Oh my god, isn't that so amazing? That's part of

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why we're excited to talk to you, not just to

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point folks towards what they can expect on August twenty

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eighth in North London, but also just your experience interviewing

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these wrestlers, because we've dipped our tone in a little

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bit though we're not an interview show per se. And

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my god, Kenny, sometimes you're literally like you're literally telling

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them what they did in the ring because you want

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the match that you remember as significant as to be

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significant to them. And my god, could they care less

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about that one match versus a thousand others.

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Speaker 3: Yeah, I mean I was talking to somebody about this

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recently where I said that, And I don't tend to

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blow smoke up my own arse as much as I

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probably should more. But I think maybe maybe about two

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years ago, I think I became a really good interviewer,

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and I think before that, I think I was kind

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of just lucky that, like, if somebody was good, then

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I got a good interview out of them. And I

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think one of the things that I've learned the last

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two years is that I'll give an example. So we

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did two tours back to back in March of twenty

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twenty five with Jim Duggan and then with Ted Dboss,

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and the stuff that I was really interested in to

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talk to them about was like them being in WCW,

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you know, Dbosc being in a nWo, or like dug

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In trying to like be relevant in nineteen ninety eight

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and WCW. What I realized is for guys like that

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who've been around forever, they don't remember any of it,

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like as in the WCW stuff, they remember the big

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stuff from WWF and that's kind of it. So a

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lot of times, you know, the bit that you would

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find really fascinating. It's just they just don't have anything

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to say about it. And I remember I booked Teddy

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Baussi and I was like, it's fine, he's got a podcast.

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I'll just listen to the podcast and see. And I mean,

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I don't know if you've listened to that podcast. Dominic Dangel

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does a really good job. I want to put that

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there first, but like, there'll be an episode on like

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Summer Slam ninety and I thought this could be good.

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You know, it's the show where he bought Sapphire. You know,

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maybe there was some stuff going on with holding on

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Earth Quaite Warrior. It was Champ and the Dominic's throwing

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them all this stuff, and it's like he just doesn't

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really have much to say about it. So you've got

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this kind of forty minute episode which is kind of

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on nothing, and I'm like, I've got three shows with

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this guy, and I'm going to have to because what

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I used to do was I would kind of try

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to do a version of the same show in every city.

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Now what I really like to do is try and

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do different shows because essentially you are going to like

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a live taping of Inside the Ropes interviews now or

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like Brutuce Beefcake. We diding it with Brutis Beefcake in

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October twenty twenty four and he'd written a book and

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I'd read the book cover to cover, and I sort

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of made sure that a lot of my questions were

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about stuff in the book, and I would throw to

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him for a story and I'm halfway through be like, oh,

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you don't fucking remember any of this either. Somebody wrote

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it for you. You must be given like two sentences and

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that's been turned into two pages.

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Speaker 2: It is.

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Speaker 1: It's so distressing to realize that, like now, the answer

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you can find to that question is the answer you're

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going to get, no matter how well researched your question.

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That's about all they've got on that topic, and that's

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all you're.

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Speaker 2: Going to get.

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Speaker 3: I am. I've never said this publicly before, but I

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don't mind saying it here. So I I am a

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hyperconjact right, and by personality, i'm hyperconjract. If somebody says

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the word cancer, I think I have it. It's just

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so about a year and a half ago, I was realizing, like,

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and I don't know what your guys memories are like,

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but I would love to be one of these people

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who had this big, photogenic memory and they can remember

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every detail of everything. I'm just not like that. I

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can remember some stuff really vividly. Some stuff people be like, oh,

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do you remember you did this on this tour, and

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I was like, nope, no, no idea. So I decided

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to go to therapy because I thought I was losing

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my mind, losing my memory. So I go to therapy

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and we unpat childhood and we do all the usual

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stuff that you do, and then about six sessions in,

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she turned around to me. She said, I think I

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know you well enough now to say this. She'said, the

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problem is you want to have this amazing memory, and

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the problem is you kind of just have a bang

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average memory. And that was one of the most hurtful

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things I've ever been told, because you know, there's all

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this stuff, like you know, I've talked to wrestlers before

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and they've given me, like, you know, probably snippets of

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stuff behind the scenes, and I've thought it was really

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interesting at the time, But do I remember at fifteen

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years later.

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Speaker 2: No, So.

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Speaker 3: I do kind of what's the word sympathize with wrestlers

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who don't necessarily remember all the big stuff. But you

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I would like to think that if my memory was jogged,

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yea would.

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Speaker 1: At least yes something well, I mean and further to

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the point, I mean, shouldn't there be a difference between

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an aside, a wrestler says to you in a one

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to one conversation or a one too many conversation on

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a stage somewhere with you know, you know, one hundred

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people in the audience versus like you were there were

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like ten thousand people in the arena and you were

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out there like showing out, Like, how does how does

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the adrenaline rush alone not lodge itself in your memory?

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Speaker 3: Well, I assume a lot of it has got to

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do with like I don't know how much you guys drink,

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like because I can put them back, right I can.

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Speaker 2: Yeah.

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Speaker 1: Just just you know, when Kenny helps us out on stage,

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you'll have to forgive him if if he's a little loose.

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I've given him full permission to bring that element to

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his performance. You're gonna you're gonna need it when talking

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to us, that's for sure. And our robes gallery.

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Speaker 3: I don't know what I'm getting into, so I'm you

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know who knows what's gonna happen. I'm going in Blaine.

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I'm going to bear back and this one for the

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the way.

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Speaker 2: We like it.

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Speaker 1: Yeah, we don't plan on handing out condoms at the door.

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I'm like prior shows.

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Speaker 3: No, no, that's what I usually do. You know, you

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come see Brits beef kite.

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Speaker 2: Masks.

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Speaker 4: Yeah, but I think I think because a lot of

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the wrestlers and theaties took so many drugs that you know,

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and I do get the older I've gotten, the more

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I kind of I'm sympathetic to them, but I do

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think it's like just make something up.

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Speaker 3: You're just like, yeah, play along in some way, and

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you know, that's the most disappointing interviews are the ones

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like so with Dugan as an example, he was a

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great guy, really nice, really fun, but he basically had

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twelve stories and that's all. That's all. That's what I mean,

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and that's what you're going to get. And it's like

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it's just not really that not that's not too is

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interesting enough for me. Whereas you know, we were we

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did a show ten days ago with Rhino in Glasgow.

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He was great and he was like telling us about

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like a backstage fight with the Sandman and New Jack,

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and he remembered the town they were in, and you know,

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he could still vividly tell you the story. But when

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Vince McMahon came out to stop his match with Tajeri

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in two thousy and two, he could vividly tell you

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about being at the building the night before wrestling at

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seventeen when they're going over the TLC match and he's

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so tired he starts falling asleep, like it rings like

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he's not really there, Like he's not really there for

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a reason at this point, He's just kind of like,

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you know, sitting around. So when those kind of stories

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come out, you get really kind of invigorated. So God

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fucking knows what I'm going to have to put up

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with on August the What.

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Speaker 2: There's that memory again?

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Speaker 3: Fell I'm kidding, I know, but I've said this to Jack.

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I've I am deliberately not looking at a thing. I

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want to go into this and be as surprised as

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everyone else, But no, they're not going to be. I'm

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going to be the only one in the room surprised.

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Everybody else is going to be like something. It's like

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a Stockholm syndrome or a temperature because everything's going to

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be like, actually, this is totally normal, and then I've

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got a set there and contemplate my life choices. But

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I'm looking forward to that.

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Speaker 2: That's most of our fans. I think we keep most

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of our fans hostage. That's kind of the way we

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do it. So it works.

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Speaker 3: Good consents optional as we know.

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Speaker 1: Absolutely yeah, it goes without saying hopefully so great stuff.

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Speaker 2: Yes, so we will.

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Speaker 1: We will refrain then because you've now sufficiently electrified me,

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Candy at the possibility of you having absolutely no idea

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what you're going to hear. We will spare you in

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in orientation to some of the characters, which I was

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wondering should we should we not? But uh, I think

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we'll defer on that one.

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Speaker 3: I think it's more fun not to because because if

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you the more the more comfortable, I'm going to be

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the easier the shows, and I feel this is one

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that shouldn't be easy for me.

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Speaker 1: Of course, you talk right, so your history and the

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making here listeners, you are witnessing a live audible being

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called we will leave Kenny in the dark. So, because

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it's already going really well in terms of the things.

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Speaker 2: I'm turning the guy. You gotta go away. Guys, you can't, no, no,

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get out of here. Vince is like, hey, well I

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heard he's a hypochondriac.

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Speaker 3: For the guy.

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Speaker 2: No no, no, Later, like.

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Speaker 3: I did, I think we can peel the curtain back

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a little bit. Talking to a couple of weeks ago,

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and we were talking without Vince Ristle. And but I

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don't know how many I don't know how many people.

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I mean, I was talking about the real vents Rustle.

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Speaker 2: No, this is great, please tell the story.

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Speaker 3: Yeah, but so my history with Vince Ristl probably the

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title of a you know, PTSD play. But the so

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a couple of years ago, we've get Inside the Ros magazine.

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It's a magazine. Unfortunately we can't get a distribution deal

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in the US. It's too difficult. You can buy it

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at our website, Inside the Rose Magazine dot com. Keep

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print media alive. It's really good. But I so, anyway,

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a couple of years ago, Finley Martin, who used to

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write Power Slam Magazine, which was basically the Observer of

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the UK for you know, from nineteen ninety four to

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twenty fourteen, he was was intrigued at the idea of

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interviewing Russo. So I set it up, and before that,

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somebody who is actually on WTV right now had messaged

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me maybe twenty fifteen. Sorry I'm jumping already. I interviewed

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Russo in twenty twelve myself when he just left TNA.

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I paid for the interview, so I don't regret it.

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I paid two hundred and fifty dollars. But actually it

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put us on the map because at that point there

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were no wrestler podcasts. Loads of places picked up the interviews,

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loads of people got to know what Inside the Ropes

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was because of it. So I have no regrets about that.

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And I had a good, quite a good experience with him.

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I thought he was a decent enough guy. I mean,

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I am friends with Jim Cornett, so my good feelings

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towards them only go so far. So then it comes

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to twenty fifteen, twenty sixteen, and by this point Russo

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has done more interviews. I mean he's I mean that

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first god awful book that he did where it was

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like basically a forgiven Yeah, well, I don't forgive him

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for that book because there's like a path of that

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of him talking about oh you know I used to

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fuck these broads and you know they were skanks, and

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then and then in italics, it would be like God

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taught me that women are beautiful, and every single thing

267
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was like, you can't, you can't. You can't just call

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someone a whore and then say sorry in the next

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sentence It's not that's not it works.

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Speaker 2: Oh he can't, Like oh he can't. Is that right?

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Speaker 3: It's like the modern day thing. And I know people

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who are listening to this know what I'm talking about, right,

273
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the people who are dicks to you, and then blame

274
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it on being neuro divergent. No, no, no, no no.

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We've all got neurodiversion people in our life. Someone's our

276
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new neurodiversion, whatever it is, but we don't use it

277
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as an excuse. So Russell was using all that stuff

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as the excuse in his first book. By twenty fifteen,

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twenty sixteen, somebody who's on WTV, he came to me

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and said, would you be interesting be doing a live

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show the trial of Vince Russo? And I said absolutely not. Why,

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I said, because he would argue with facts yea, And

283
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like then I'm going to start shouting at him. And

284
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I know I end up walking off the stage. And

285
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as we mentioned earlier, I don't expect it's not a

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prerecordit that you need to be honest with me in

287
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an interview. I know that wrestler's bullshit, that's totally fine.

288
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But you know, I'll use Eric Bischoff as an example.

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We've done shows with him and he is absolutely up

290
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for taking the piss out of himself. He's up for

291
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dissecting some stuff. Is he telling me the truth one

292
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hundred scent of the time. Probably not, but it's a performance,

293
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so you know, get over it. But with Russo, he

294
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just he's not willing to take any criticism of himself.

295
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So fast out to twenty twenty three, Finn Martin has

296
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got all these questions set up for him, and they

297
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start off by talking about the recent Bloodline storyline with

298
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sammy' zain and Roman Reigns, and Finn was asking Russell

299
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if he'd watched it. Russell said no, and RUSSELLO basically

300
00:14:02,960 --> 00:14:04,720
said it's not as good as it was in nineteen

301
00:14:04,759 --> 00:14:07,200
ninety nine or something to that effect, and then Finn

302
00:14:07,240 --> 00:14:08,559
was because saying, well, you know, the ratings can't be

303
00:14:08,600 --> 00:14:11,720
the same because how you consume entertainment is different. Long

304
00:14:11,720 --> 00:14:15,600
story short, Russo refused to move on until Finn agreed

305
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with him.

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Speaker 2: Right right, you have to question the premise, right right.

307
00:14:20,200 --> 00:14:23,120
Speaker 3: Yeah. So Finn then refused to do so, like in

308
00:14:23,200 --> 00:14:25,919
a polite way, and Russell hung up the zoom call

309
00:14:26,000 --> 00:14:30,960
after so we we've course published the interview because if

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you're going to be a petulant child, then we should

311
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we should publish it, agreed. So then so then, like

312
00:14:37,879 --> 00:14:40,120
he blocked me on Twitter last year because I think

313
00:14:40,120 --> 00:14:42,679
I said something which was totally fair, like you don't

314
00:14:42,679 --> 00:14:44,480
get a life or whatever it was I said, because

315
00:14:44,480 --> 00:14:47,320
he was like banging on about fucking May nineteen night

316
00:14:47,360 --> 00:14:49,000
and nine rows. And I know that all of us

317
00:14:49,559 --> 00:14:51,279
that we love our own reresson that's what we kind

318
00:14:51,279 --> 00:14:55,639
of live for. But like we're aware of realism and

319
00:14:55,679 --> 00:14:58,480
that you can't compare today to then for a variety

320
00:14:58,519 --> 00:15:01,879
of reasons. So he blocked me on Twitter. And then

321
00:15:02,480 --> 00:15:05,080
one of the people involved with JCW that he's now

322
00:15:05,120 --> 00:15:06,960
working with reached out to me and said, would you

323
00:15:07,000 --> 00:15:10,399
be up front of you and Vince Russo And I said, okay, sure,

324
00:15:10,440 --> 00:15:12,799
I mean he has me blocked on Twitter and I'm

325
00:15:12,840 --> 00:15:17,240
not gonna roll over for him. He said, no, No, Russell

326
00:15:17,320 --> 00:15:20,240
is fine, he accepts it, he's happy to he's happy

327
00:15:20,279 --> 00:15:22,320
to do it. I said, okay, fine, and we did

328
00:15:22,360 --> 00:15:25,480
the interview and I decided about ten minutes and I'm

329
00:15:25,480 --> 00:15:28,519
not gonna do a shouting match with him. So there

330
00:15:28,559 --> 00:15:31,799
was points where, like I said, to and I might

331
00:15:31,799 --> 00:15:33,039
be rambling too long, to cut me off.

332
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Speaker 2: Please start.

333
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Speaker 3: So one of the things I was asking about was,

334
00:15:38,000 --> 00:15:40,759
you know, looking back now twenty twenty six eyes, is

335
00:15:40,799 --> 00:15:43,039
there anything that you wrote in the actualdea that you

336
00:15:43,080 --> 00:15:45,799
would not write today? Right, Which is an interesting question,

337
00:15:46,320 --> 00:15:48,240
and you know he could answer. However, he once and

338
00:15:48,320 --> 00:15:51,600
he said I didn't write anything risky. I said, okay,

339
00:15:51,720 --> 00:15:53,919
and he said, give me an example. He said that,

340
00:15:54,840 --> 00:15:56,879
he said that, yeah, he said he didn't write anything risky,

341
00:15:56,919 --> 00:16:03,320
and I said, okay. Some examples are Hawk's drug issue,

342
00:16:03,639 --> 00:16:05,559
where you know there was the top of the Tron

343
00:16:05,679 --> 00:16:09,399
issue in November ninety eight. That's an issue, Mark Henry

344
00:16:10,559 --> 00:16:13,320
feeling up, Sammy who turned out to be a trans person,

345
00:16:14,240 --> 00:16:18,559
and Terry Runnald's miscarriage. That was my three examples. So

346
00:16:18,600 --> 00:16:21,440
he didn't accept that. He didn't even bring up the

347
00:16:21,480 --> 00:16:24,840
Hawk drug one, but he said the thing is bro.

348
00:16:25,120 --> 00:16:30,159
Because he said the thing is bro, Terry wasn't really pregnant.

349
00:16:30,200 --> 00:16:33,279
I was like, no, COLUMBI I get it. I don't.

350
00:16:33,720 --> 00:16:36,279
It's not that it's so nuanced that I don't understand it,

351
00:16:37,240 --> 00:16:41,679
like that He's going, she's not really prigging. I was like,

352
00:16:41,879 --> 00:16:43,840
I know, but don't you think that people watching a

353
00:16:43,879 --> 00:16:44,559
wrestling show.

354
00:16:46,799 --> 00:16:48,519
Speaker 2: I don't think. I don't think I need to.

355
00:16:49,679 --> 00:16:52,559
Speaker 3: You're you're you're fine because so so it got to

356
00:16:52,559 --> 00:16:55,320
the point where I'm going, yeah, but people have a miscarriage,

357
00:16:55,600 --> 00:16:57,840
was going she wasn't pregnant, bro.

358
00:16:57,840 --> 00:17:01,440
Speaker 1: And I was like, in se so, and now she

359
00:17:01,559 --> 00:17:03,399
was she had a miscarriage. I mean, that's kind of

360
00:17:03,399 --> 00:17:04,440
a crude way to put it.

361
00:17:05,720 --> 00:17:08,319
Speaker 3: So the whole thing went down the way they went down,

362
00:17:08,319 --> 00:17:11,079
and you know, the interview we published it. I think

363
00:17:11,119 --> 00:17:14,480
it was a decent enough interview. But I did the

364
00:17:14,640 --> 00:17:17,440
long road I've got around there was I just wouldn't

365
00:17:17,480 --> 00:17:22,640
do anything with Vince Russol, the man from Colorado, on stage,

366
00:17:22,680 --> 00:17:24,720
because he's not like when I was interviewing him, he

367
00:17:24,799 --> 00:17:26,680
was listening for every word that I said, and he

368
00:17:26,680 --> 00:17:29,880
would interrupt me and like correct me on something like

369
00:17:29,920 --> 00:17:32,359
So I would say, you're a conversation with Vince mcmaan

370
00:17:32,400 --> 00:17:36,880
October of ninety nine, and basically, you know it was

371
00:17:36,920 --> 00:17:38,519
done because he said to you to get an Annie

372
00:17:38,519 --> 00:17:40,480
and he was like, no, no, it wasn't done. I

373
00:17:40,559 --> 00:17:43,759
decided it was done. I was like, semantics is the

374
00:17:43,759 --> 00:17:49,400
same thing. So I would never do it. But this August,

375
00:17:50,000 --> 00:17:53,240
when Vince Russo approaches me on stage, it's like my

376
00:17:53,359 --> 00:17:55,480
one time in my life where I don't have to

377
00:17:56,480 --> 00:18:01,680
keep the professional halt. Ye, and I'm going to Frost

378
00:18:01,759 --> 00:18:03,559
next in that Motherfuckerly.

379
00:18:05,160 --> 00:18:06,599
Speaker 2: It is Frost Nickson. Let's go.

380
00:18:06,759 --> 00:18:08,519
Speaker 1: I can hear those hands rubbing together because it's not

381
00:18:08,599 --> 00:18:12,079
a game. Yes, So, I mean, what's tremendous is I think?

382
00:18:12,200 --> 00:18:14,440
Maybe run into this, Kenny. I have kind of a thesis.

383
00:18:14,480 --> 00:18:16,119
You might disagree, and you have a lot more experience

384
00:18:16,119 --> 00:18:17,400
to disagree with it. But when you talk about the

385
00:18:17,440 --> 00:18:20,200
difference between a dug and his recall or a DeBiase

386
00:18:20,319 --> 00:18:23,240
in his recall and someone of Russo's generation as well

387
00:18:23,279 --> 00:18:25,079
as his ILK, I mean, frankly, the guy was a writer,

388
00:18:25,240 --> 00:18:28,200
a broadcaster. You know, it's it's perhaps less surprising that

389
00:18:28,240 --> 00:18:31,200
people with that background would quibble on semantics than a

390
00:18:31,240 --> 00:18:34,400
performer per se. But I think in general, and mentioned

391
00:18:34,440 --> 00:18:37,200
Rhino too, if you grew up in the era of

392
00:18:37,240 --> 00:18:39,400
the shoot interview, if you came up in the business

393
00:18:39,440 --> 00:18:41,200
when the shoot interview was a thing, it was a

394
00:18:41,279 --> 00:18:43,440
vein that you realized you could tap at some point

395
00:18:43,440 --> 00:18:46,079
in your career, and so there was actually currency in

396
00:18:46,119 --> 00:18:49,119
remembering these stories and being able to tell these stories

397
00:18:50,200 --> 00:18:52,079
and knowing that at some point there's a platform to

398
00:18:52,279 --> 00:18:53,839
I don't know, for lack of a better term, sell

399
00:18:53,880 --> 00:18:56,400
these stories and know that part of your value as

400
00:18:56,440 --> 00:18:59,160
a wrestler is your ability to tell stories too in

401
00:18:59,160 --> 00:19:01,400
the shoot interview that.

402
00:19:01,599 --> 00:19:03,400
Speaker 3: Yeah, I think, I think I think there is something

403
00:19:03,440 --> 00:19:05,039
to that for sure. I mean I think there are

404
00:19:05,119 --> 00:19:06,519
just some people who just are not going to remember

405
00:19:06,519 --> 00:19:09,000
stuff regardless, but there's definitely something to it. And I

406
00:19:09,000 --> 00:19:11,720
think that with Russell. What's so frustrating is look at

407
00:19:11,759 --> 00:19:15,240
how much success Bishoff has had with eighty three Weeks, Right,

408
00:19:15,599 --> 00:19:18,759
They've done live shows, he's he's toured the world with that.

409
00:19:19,119 --> 00:19:22,480
The podcast is still going and has you know, I

410
00:19:22,480 --> 00:19:24,960
think it's called like hundreds of thousands of listeners like

411
00:19:25,000 --> 00:19:29,079
it's like a big podcast Russo. What's most annoying is

412
00:19:29,119 --> 00:19:32,119
I think, deep down he is a likable guy, but

413
00:19:32,200 --> 00:19:35,480
he's just such a butt heart idiot and the way

414
00:19:35,519 --> 00:19:38,920
he comes across there's so much money he's leaving on

415
00:19:38,960 --> 00:19:42,759
the table so much because you know the Russo brand.

416
00:19:42,839 --> 00:19:46,119
When when you're when the guy you go to to

417
00:19:46,880 --> 00:19:50,839
team up with is the coach, there's a problem.

418
00:19:49,680 --> 00:19:54,480
Speaker 1: I think part of what stresses a lot of people

419
00:19:54,559 --> 00:19:58,359
out on that side is that they have this like

420
00:19:58,440 --> 00:20:02,039
duality where they have to ten that they're not constantly

421
00:20:02,119 --> 00:20:05,039
monitoring every word that's said about them on social media

422
00:20:05,119 --> 00:20:08,480
because that's sort of sad, But at the same time

423
00:20:08,519 --> 00:20:11,480
they have to counteract and counter when they get a

424
00:20:11,519 --> 00:20:13,400
microphone in front of him everything that's said. I think

425
00:20:13,440 --> 00:20:15,880
I think Triple H struggles with this as well, Like

426
00:20:15,960 --> 00:20:19,119
he doesn't he doesn't want you to know that he basically,

427
00:20:20,400 --> 00:20:25,160
my opinion, is obsessively crawls social media for a reaction

428
00:20:25,240 --> 00:20:26,440
to anything he does, says.

429
00:20:26,319 --> 00:20:26,759
Speaker 2: Or books.

430
00:20:27,279 --> 00:20:28,440
Speaker 1: But when he gets in front of the mic, you

431
00:20:28,440 --> 00:20:30,119
can tell he's heard it all and he's trying to

432
00:20:30,119 --> 00:20:31,759
assuage the things he's read.

433
00:20:31,799 --> 00:20:31,920
Speaker 3: Well.

434
00:20:31,920 --> 00:20:33,839
Speaker 1: At the same time having to pretend to be above

435
00:20:33,839 --> 00:20:35,079
it all. That's got to be stressful.

436
00:20:35,960 --> 00:20:38,039
Speaker 3: It's like the idea of if you know, when you're

437
00:20:38,039 --> 00:20:40,640
in high school or college or whatever, and you really

438
00:20:40,799 --> 00:20:44,799
like are into someone, but like you would never dare

439
00:20:44,920 --> 00:20:47,039
let them know when you're in the company, good analogy,

440
00:20:47,079 --> 00:20:49,599
you'll be like, you know, you'd almost be ride to

441
00:20:49,599 --> 00:20:51,440
them because you would not never want them to know

442
00:20:51,960 --> 00:20:53,799
that you know you're jacking off to them that night

443
00:20:53,839 --> 00:20:58,640
or whatever. And that's that triple H looks down on

444
00:20:58,640 --> 00:21:01,319
the internet. Bejack's off over it and Russell is the same,

445
00:21:01,880 --> 00:21:05,519
and yeah, it's it's it's a shame. It's because you know,

446
00:21:05,559 --> 00:21:08,599
to me, I'm I'm honest to a fault in most

447
00:21:08,599 --> 00:21:11,079
things that I do. And I just think it's more

448
00:21:11,519 --> 00:21:14,880
I relate to people who are more honest, and you

449
00:21:14,880 --> 00:21:17,920
don't need to be totally honest, but be honest enough

450
00:21:18,000 --> 00:21:20,119
that people are getting what they want out of it

451
00:21:20,160 --> 00:21:24,000
and it's entertaining. But ye, Russo is just he because

452
00:21:24,119 --> 00:21:25,839
I think Finn actually asked him in the eight minutes

453
00:21:25,839 --> 00:21:28,720
that they had together, you know, why don't you if

454
00:21:28,759 --> 00:21:30,480
you don't like wrestling, why don't you go and do

455
00:21:30,519 --> 00:21:32,720
something else? And he was like, what am I going

456
00:21:32,799 --> 00:21:34,559
to do at sixty two? It's like, so we're fucking

457
00:21:34,559 --> 00:21:37,079
stuck with you because you can't figure something else.

458
00:21:37,240 --> 00:21:39,319
Speaker 1: Well, that's yeah, that's kind of what I mean. That's

459
00:21:39,359 --> 00:21:41,160
the that's the you have to pretend you're above it all.

460
00:21:41,160 --> 00:21:43,400
Apart when he says that about hating wrestling, yet here

461
00:21:43,400 --> 00:21:46,000
he is, you know, he doesn't like I guarantee.

462
00:21:45,559 --> 00:21:48,559
Speaker 3: You if Vince Russell went to like a college near

463
00:21:48,680 --> 00:21:50,200
and this is not a joke and this is not

464
00:21:50,200 --> 00:21:52,000
me doing a bit right, but he went to a

465
00:21:52,079 --> 00:21:54,160
college in the town he lives in, and he was like,

466
00:21:54,240 --> 00:21:56,799
you know what, I want to become a dog groomer.

467
00:21:57,920 --> 00:22:00,000
I want to you know, have have a business where

468
00:22:00,039 --> 00:22:01,720
people bring their dogs and I cut their hair. And

469
00:22:02,359 --> 00:22:04,319
he would have a very fruitful life. It would be

470
00:22:04,359 --> 00:22:07,599
just all puppies and nice dogs, and he'd be praised

471
00:22:07,680 --> 00:22:09,960
for what he does and he'd probably learn about the

472
00:22:09,960 --> 00:22:12,920
same amount money as he does for his Patreon. So like,

473
00:22:13,000 --> 00:22:16,119
you're you're you're choosing the hateful life.

474
00:22:16,759 --> 00:22:17,359
Speaker 2: That's a good point.

475
00:22:17,400 --> 00:22:20,960
Speaker 3: Like I would be exhausted, Like if you hate something

476
00:22:21,000 --> 00:22:23,559
that much, or you are you you're so but hurt

477
00:22:23,559 --> 00:22:26,759
about it like every day having to deal with that.

478
00:22:27,079 --> 00:22:29,920
Speaker 2: I just mean, I mean, I don't know. To me,

479
00:22:30,000 --> 00:22:32,000
that also kind of that that that that to me

480
00:22:32,119 --> 00:22:34,799
is a is also kind of like a symptom of

481
00:22:34,799 --> 00:22:37,279
the business as a whole, where you need this attention,

482
00:22:37,359 --> 00:22:39,359
you need this kind of reaction where it doesn't matter

483
00:22:39,359 --> 00:22:41,680
how bad it is for you, you're like no, no, no, I

484
00:22:41,680 --> 00:22:44,680
still need this, Like yeah, he gets that attention.

485
00:22:46,160 --> 00:22:48,440
Speaker 3: And it's like like, look, I think you know the

486
00:22:48,480 --> 00:22:50,079
three of us can truly agree as much as you

487
00:22:50,119 --> 00:22:51,599
know we would if if the three of us had

488
00:22:51,599 --> 00:22:53,720
to not do anything to do with wrestling anymore, we

489
00:22:53,759 --> 00:22:57,920
would miss it very much, right, we Right. But at

490
00:22:57,920 --> 00:23:00,359
the same time, I'm sure if it was like causing

491
00:23:00,480 --> 00:23:03,240
is that much fucking turmoil all the time? Like you

492
00:23:03,240 --> 00:23:06,559
know what, it's probably bear in the past, left in

493
00:23:06,559 --> 00:23:06,960
the past.

494
00:23:07,400 --> 00:23:08,559
Speaker 2: Yeah, I just thought of something.

495
00:23:08,599 --> 00:23:09,960
Speaker 1: We got to ask you on that front, because we

496
00:23:09,960 --> 00:23:13,559
always joke Kenny about how if we're asked at a

497
00:23:13,559 --> 00:23:17,400
at a cookout or in a social sense what we

498
00:23:17,480 --> 00:23:21,720
do for the podcast and what it's about. I mean,

499
00:23:21,960 --> 00:23:25,839
at that, we immediately retreat to the corner. Let me

500
00:23:25,920 --> 00:23:27,240
let me tell you, let me tell you this is.

501
00:23:27,279 --> 00:23:29,960
This is what usually happens. So usually i'm I'm in

502
00:23:29,960 --> 00:23:31,279
a thing and people say, oh, you know, what do

503
00:23:31,319 --> 00:23:32,279
you what do you do?

504
00:23:32,400 --> 00:23:32,559
Speaker 4: Oh?

505
00:23:32,680 --> 00:23:36,079
Speaker 2: I'm you know, I'm I'm I'm an actor. I'm a podcaster.

506
00:23:36,200 --> 00:23:40,119
And they're like, oh, you do a podcast? What is it? Uh? Well,

507
00:23:40,279 --> 00:23:43,240
well you know we we do we do a podcast

508
00:23:43,279 --> 00:23:47,640
about sports and entertainment. Oh oh that's what more entertainment

509
00:23:47,640 --> 00:23:49,680
than sports? But well, what do you what do you know,

510
00:23:49,680 --> 00:23:51,440
what do you what do you kind of what kind

511
00:23:51,440 --> 00:24:00,319
of sports entertainment? Well? We do we do professional wrestling, oh,

512
00:24:00,680 --> 00:24:04,119
partnership farture. And then I have to and then I yeah, seriously,

513
00:24:04,160 --> 00:24:06,200
and then I have to, like, I have to rationalize

514
00:24:06,200 --> 00:24:08,079
if by talking about how smart Jack is and stuff

515
00:24:08,640 --> 00:24:09,839
get in there doing the whole thing.

516
00:24:09,960 --> 00:24:15,240
Speaker 1: Yeah, there's someone who can no but you know, but

517
00:24:15,279 --> 00:24:15,519
you know.

518
00:24:15,480 --> 00:24:17,279
Speaker 2: This, but he's a you know, he's a reporter, and

519
00:24:17,559 --> 00:24:23,400
so so here's those research. I swear there's research.

520
00:24:23,759 --> 00:24:26,440
Speaker 1: So my question for you, Kenny, how do you answer

521
00:24:26,519 --> 00:24:28,440
that question in polite company?

522
00:24:29,160 --> 00:24:31,640
Speaker 3: It's it's even worse for me because I don't like

523
00:24:31,720 --> 00:24:34,400
so podcast. It is probably the least thing that I do, right,

524
00:24:34,400 --> 00:24:36,880
I would actually like to. I would like and I'm

525
00:24:36,880 --> 00:24:39,799
not trying to fish for a job here. There's one

526
00:24:39,799 --> 00:24:41,720
going up with my name in But I would like

527
00:24:41,759 --> 00:24:44,480
to do more podcasting, right I would. I really enjoy it,

528
00:24:44,839 --> 00:24:46,079
but I just you know, I do. I do a

529
00:24:46,079 --> 00:24:47,880
bet on modern wrestling. I think i'd probably like to

530
00:24:47,920 --> 00:24:50,599
do some stuff on all the wrestling, but I don't

531
00:24:50,640 --> 00:24:52,960
do enough or make enough money from podcasting. I feel

532
00:24:52,960 --> 00:24:55,039
it for me to really say that podcasting is my job,

533
00:24:55,440 --> 00:25:00,920
but then all the stuff I do do it's difficult.

534
00:25:00,960 --> 00:25:06,240
So my go to usually is, well, I'll go, do

535
00:25:06,279 --> 00:25:08,119
you ever this is this is the exact thing. I'll go,

536
00:25:08,160 --> 00:25:10,640
did you ever watch wrestling when you were younger? Oh? Yeah,

537
00:25:10,680 --> 00:25:13,319
I remember that. Well, I work. I work in that,

538
00:25:13,839 --> 00:25:16,200
and I've got my spiel down because the way I

539
00:25:16,240 --> 00:25:18,640
say it is impressive, so you can't really fuck with

540
00:25:18,640 --> 00:25:20,319
me when I say it. I go, oh, yeah, you know,

541
00:25:20,720 --> 00:25:23,480
we've got we've got a YouTube channel where I do interviews.

542
00:25:23,480 --> 00:25:25,240
It's got over four hundred thousand subscribers.

543
00:25:25,240 --> 00:25:27,000
Speaker 2: Oh yeah, I put the number in there. Let's say

544
00:25:27,079 --> 00:25:28,319
think exactly.

545
00:25:27,920 --> 00:25:29,640
Speaker 3: One hundred percent. You got to get the dick sides

546
00:25:29,640 --> 00:25:32,960
in there. And then and then I say, the big

547
00:25:33,079 --> 00:25:34,920
kind of Barnes and Nobles store in the UK is

548
00:25:34,920 --> 00:25:37,079
called w H. Smith, So I'll say, we've got a

549
00:25:37,119 --> 00:25:39,160
magazine in w H Smith. And then I do live

550
00:25:39,200 --> 00:25:43,039
events around the UK where I tour with the wrestlers

551
00:25:43,039 --> 00:25:45,000
and do Q and a's and meet and greets and like,

552
00:25:45,000 --> 00:25:47,039
even if you don't like wrestling, you can't. You kind

553
00:25:47,039 --> 00:25:49,480
of have to go fair. That's pretty that's pretty good.

554
00:25:49,599 --> 00:25:51,400
Speaker 1: So at least you leave the base and like some

555
00:25:51,440 --> 00:25:54,960
other podcasters.

556
00:25:53,359 --> 00:25:55,799
Speaker 3: Because I've tried, I used to try going like events

557
00:25:55,839 --> 00:25:57,559
promoter and they're like, oh, what kind of events? And

558
00:25:57,599 --> 00:26:00,880
then it's like we're so let down by the time

559
00:26:00,880 --> 00:26:06,519
again to wrestling. So I've honed it to try and

560
00:26:06,559 --> 00:26:10,400
have it be more. But I mean the one that

561
00:26:10,480 --> 00:26:12,559
has always made me laugh. The two things have always

562
00:26:12,559 --> 00:26:14,599
made me laugh about the people who talk to you

563
00:26:14,599 --> 00:26:17,079
about wrestling and they don't really like it, right, is

564
00:26:17,119 --> 00:26:21,200
the number one they'll go or or like they'll be like, oh,

565
00:26:21,240 --> 00:26:23,480
it's that's so gay, right. I mean, I am gay,

566
00:26:23,480 --> 00:26:27,799
but if I wrestling, if I was watching wrestling, because

567
00:26:27,799 --> 00:26:33,680
I'm pervan on the guys with my favorite like come on.

568
00:26:34,079 --> 00:26:36,160
But then the other one is they'll go, you know,

569
00:26:36,200 --> 00:26:38,839
it's fake, right, And I'm like, do you think do

570
00:26:38,920 --> 00:26:40,480
you think Game of Thrones is real?

571
00:26:41,279 --> 00:26:41,599
Speaker 2: Yes?

572
00:26:42,039 --> 00:26:48,400
Speaker 3: Like I don't like any team, well so, but I mean, yeah,

573
00:26:48,440 --> 00:26:51,440
it's it's But I don't know about if you guys,

574
00:26:51,440 --> 00:26:53,799
but you can you kind of have an antenna for

575
00:26:53,880 --> 00:26:56,079
when someone like that is either around or about to

576
00:26:56,079 --> 00:26:57,680
come around, and you can kind of get away from

577
00:26:57,720 --> 00:26:58,559
it most of the time.

578
00:26:59,039 --> 00:27:01,240
Speaker 2: We used to. We used to have a we used

579
00:27:01,240 --> 00:27:02,519
to have a joke when Jack and I were in

580
00:27:02,559 --> 00:27:05,240
college that if if if we were like, if anyone

581
00:27:05,279 --> 00:27:06,759
ever came up to us and said, you know, you know,

582
00:27:06,799 --> 00:27:09,440
wrestling's fake, right, we'd say, oh, no, no, no, it's real.

583
00:27:09,519 --> 00:27:10,720
They changed it. It's real now.

584
00:27:11,559 --> 00:27:13,720
Speaker 1: I don't know if you know this, but due to

585
00:27:13,759 --> 00:27:16,599
the rise of the UFC in two thousand and five exactly,

586
00:27:16,880 --> 00:27:21,039
WWF made a conscientious decision to not script the outcomes anymore.

587
00:27:21,079 --> 00:27:23,440
So what you see on television is yeah, And we

588
00:27:23,480 --> 00:27:25,160
would hold the We would hold the gag for as

589
00:27:25,200 --> 00:27:27,960
long as we could. Sometimes you'd walk away.

590
00:27:28,759 --> 00:27:30,000
Speaker 3: Did people tend to buy it?

591
00:27:30,319 --> 00:27:32,000
Speaker 2: I don't know. I mean we do almost always give

592
00:27:32,079 --> 00:27:34,200
up the ghost. I mean at a certain point just

593
00:27:34,279 --> 00:27:36,119
you know, you stare at them uncomfortably for a little

594
00:27:36,119 --> 00:27:38,640
while and then then you have to make them feeling comfortable. Yeah,

595
00:27:38,680 --> 00:27:40,160
would you want to have Kenny? Would you want to

596
00:27:40,200 --> 00:27:41,720
keep talking to someone who gave you that answer?

597
00:27:43,400 --> 00:27:45,559
Speaker 3: Probably? Probably not. It's you know, it's not going to

598
00:27:45,599 --> 00:27:48,200
be talking my list of But like, I don't know

599
00:27:48,200 --> 00:27:49,559
what to say in the US, right, But there's a

600
00:27:49,640 --> 00:27:52,119
job over here that I just think they're just such

601
00:27:52,480 --> 00:27:59,440
fucking wanks job parking attendance, sure, Mike, who I've never

602
00:27:59,519 --> 00:28:03,400
met one of party? Like where do they go to socialize?

603
00:28:03,599 --> 00:28:06,559
Where do those people go? Because they've got the they've

604
00:28:06,559 --> 00:28:10,759
got the most i mean taddletale job in the world.

605
00:28:10,960 --> 00:28:12,960
Like you're you're basically, oh no, you've parked in a

606
00:28:12,960 --> 00:28:15,200
space that you're not supposed to for six minutes. Here's

607
00:28:15,200 --> 00:28:18,599
a fifty pounds. Like where do those virgins go?

608
00:28:20,000 --> 00:28:20,400
Speaker 2: Nowhere?

609
00:28:20,400 --> 00:28:22,680
Speaker 1: They're well, you're at the party, they're out there waiting

610
00:28:22,680 --> 00:28:24,559
to ticket in your car. That's why you don't see

611
00:28:24,599 --> 00:28:28,640
them at parties. Yeah, yeah, we work the meter maids,

612
00:28:29,160 --> 00:28:31,759
although they're they're not always women and things like that.

613
00:28:31,799 --> 00:28:34,079
But yeah, that's that's Uh. There was a whole reality

614
00:28:34,119 --> 00:28:35,279
show about them.

615
00:28:35,400 --> 00:28:37,039
Speaker 3: You never see a park in a tenant who looks

616
00:28:37,079 --> 00:28:40,359
like Randy Orton. I mean, are you no like or

617
00:28:40,400 --> 00:28:42,480
who looks like fucking I don't know, Kelly Kelly.

618
00:28:42,839 --> 00:28:46,319
Speaker 2: Now they're usually they're usually about one twinkie away from

619
00:28:46,359 --> 00:28:47,480
bursting their pants.

620
00:28:49,519 --> 00:28:51,680
Speaker 1: I mean, if they look at Randy Orton frankly, they're

621
00:28:51,720 --> 00:28:53,759
wearing tight black T shirts and telling you you can't

622
00:28:53,759 --> 00:28:54,480
get into the club.

623
00:28:56,279 --> 00:28:57,680
Speaker 3: And then if you, if you, if you're in the

624
00:28:57,680 --> 00:28:59,559
rear moment where you see them right now a ticket,

625
00:28:59,720 --> 00:29:00,839
you can see their boner.

626
00:29:03,920 --> 00:29:05,279
Speaker 2: Oh god.

627
00:29:05,640 --> 00:29:07,559
Speaker 3: Sometimes I don't know if you guys every well, I

628
00:29:07,559 --> 00:29:11,359
think I don't know what you do for money and totality,

629
00:29:11,400 --> 00:29:14,720
But I often think about if the wrestling thing dries up,

630
00:29:14,759 --> 00:29:17,319
I don't know what I would do. I don't know where.

631
00:29:17,599 --> 00:29:22,039
I don't know where that is. I'm beached on. This'd

632
00:29:22,039 --> 00:29:22,680
be dog grimming.

633
00:29:22,759 --> 00:29:24,680
Speaker 1: How many, I mean, how many broadcasters have worked for

634
00:29:24,799 --> 00:29:26,519
w w F and don't list it on their resume.

635
00:29:27,039 --> 00:29:29,559
It's like, are you kidding me? Like I'm pretty sure.

636
00:29:29,839 --> 00:29:32,440
Sean Mooney told us that he didn't list his time

637
00:29:32,480 --> 00:29:34,039
at w w F when he left.

638
00:29:34,920 --> 00:29:38,400
Speaker 2: I agree, Yeah, he said that that's crazy. So like

639
00:29:38,440 --> 00:29:41,920
if you may a national TV like that, global television

640
00:29:41,960 --> 00:29:43,559
and not mention it, that says a lot.

641
00:29:44,640 --> 00:29:46,640
Speaker 3: Or did he or did he initially when he left

642
00:29:46,720 --> 00:29:48,440
mentioned and then he found he wasn't getting any work

643
00:29:48,480 --> 00:29:50,039
and then he took off something like.

644
00:29:50,000 --> 00:29:52,240
Speaker 1: That, Yeah, something like that. I know he's not the

645
00:29:52,240 --> 00:29:54,160
only one. He just jumps to mind as someone we've

646
00:29:54,160 --> 00:29:57,319
actually spoken to about it. But let me ask you,

647
00:29:57,319 --> 00:30:01,039
when you're up there with these wrestlers and you and

648
00:30:01,119 --> 00:30:04,599
you have this this game plan right about what you're

649
00:30:04,640 --> 00:30:06,839
going to cover and how you're going to approach it,

650
00:30:06,880 --> 00:30:08,839
that this might be some helpful intel for us as

651
00:30:08,839 --> 00:30:12,519
we prepare the Rogues Gallery for August twenty eighth. Maybe

652
00:30:12,720 --> 00:30:14,880
maybe a story or two, if they exist, I mean,

653
00:30:14,920 --> 00:30:17,960
don't make them up. But were you completely and where

654
00:30:17,960 --> 00:30:20,680
you completely ended up doing a different interview than you expected?

655
00:30:23,559 --> 00:30:25,480
Speaker 3: That's a good question. I don't think there's I don't

656
00:30:25,480 --> 00:30:27,680
think there's ever a show where I've done a completely

657
00:30:27,720 --> 00:30:30,240
different interview than expected. The ones that'spring to mind that

658
00:30:30,319 --> 00:30:32,240
were like I did a show with Carlo shows with

659
00:30:32,279 --> 00:30:36,480
Carlito in January, and he was so lovely, but he

660
00:30:37,559 --> 00:30:39,880
had no stories like he.

661
00:30:39,920 --> 00:30:42,720
Speaker 2: Just looked at you with that phasey man, it's great cold.

662
00:30:42,759 --> 00:30:46,880
Speaker 3: He has no stories, so I had so usually I'll

663
00:30:46,920 --> 00:30:49,440
have three Q cards, right, and on each Q card

664
00:30:49,480 --> 00:30:52,599
is about ten questions or ten topics and I can

665
00:30:52,720 --> 00:30:54,359
kind of like, okay, I might expand on one if

666
00:30:54,400 --> 00:30:58,160
the answer is really good or whatever. But so I

667
00:30:58,160 --> 00:31:00,599
had the same thing with Carlo I based on questions.

668
00:31:00,839 --> 00:31:02,680
We were done in fifty four minutes.

669
00:31:03,359 --> 00:31:03,799
Speaker 2: Wow.

670
00:31:04,119 --> 00:31:06,079
Speaker 3: And I had to then like add questions in that

671
00:31:06,119 --> 00:31:08,279
we're going to be for the second show because I'd

672
00:31:08,359 --> 00:31:11,799
ran out because he just had no Because usually wrestlers

673
00:31:12,359 --> 00:31:15,079
they feed off the crowd and they're they're better. I mean,

674
00:31:15,079 --> 00:31:20,160
brutis beefcake, right, this fucker he we were in we

675
00:31:20,160 --> 00:31:22,680
were in London, and like I thought, we treated him

676
00:31:22,720 --> 00:31:25,039
pretty well. He's one of the only wrestlers who has

677
00:31:25,079 --> 00:31:27,559
asked us to buy him like can I can I

678
00:31:27,559 --> 00:31:29,759
have a VOD Coke? Can have a Void Coke? Sure,

679
00:31:30,720 --> 00:31:33,599
it's not a problem, but like rarely the wrestlers for that.

680
00:31:34,000 --> 00:31:35,599
Speaker 2: Did you ever meet Did you ever meet Virgil?

681
00:31:38,400 --> 00:31:41,440
Speaker 3: Yes? I did. I met him at the subway station

682
00:31:41,559 --> 00:31:42,640
in New York comes back.

683
00:31:43,880 --> 00:31:45,960
Speaker 2: He was still we had him asked for a lot

684
00:31:46,000 --> 00:31:47,160
of stuff. Yeah, we we.

685
00:31:47,960 --> 00:31:49,039
Speaker 1: I don't know if you know this, Kenny, but I

686
00:31:49,039 --> 00:31:53,039
actually booked Virgil for JP's bachelor party. Dude, So Virgil

687
00:31:53,079 --> 00:31:56,119
shout up, No, no, we've made more about this. It

688
00:31:56,160 --> 00:31:59,960
absolutely happened. And what was the year now? With twelve twelve?

689
00:32:00,160 --> 00:32:02,000
So he shows up at the cigar bar where.

690
00:32:01,880 --> 00:32:03,799
Speaker 3: We had the thing, and oh, that's amazing.

691
00:32:03,960 --> 00:32:04,559
Speaker 2: It sits up there.

692
00:32:05,960 --> 00:32:08,440
Speaker 3: You know that photo there's the famous photo from like

693
00:32:08,480 --> 00:32:10,720
Wrestle May in twenty nine weekend of him just sitting

694
00:32:10,720 --> 00:32:12,880
at a table on his own. Yes, of course, yes,

695
00:32:13,000 --> 00:32:13,960
I'm in that photo.

696
00:32:14,200 --> 00:32:15,839
Speaker 2: How are you really the lonely vot?

697
00:32:17,720 --> 00:32:20,359
Speaker 3: Not like the original one, not like the main one.

698
00:32:20,359 --> 00:32:21,960
There was a convention. This isn't like a kind of

699
00:32:22,359 --> 00:32:24,759
hotel suite, you know, like we're like a star cast

700
00:32:24,759 --> 00:32:29,039
type thing would be so other shows, what I say,

701
00:32:29,079 --> 00:32:30,759
one that completely went off the rails. Did I tell

702
00:32:30,799 --> 00:32:31,799
you the Godfather story?

703
00:32:32,440 --> 00:32:34,440
Speaker 2: I don't think so. No, I don't think so.

704
00:32:34,440 --> 00:32:37,839
Speaker 3: So the Godfather we were bringing him over in twenty

705
00:32:37,839 --> 00:32:40,160
twenty three, late twenty twenty three we had three shows

706
00:32:40,160 --> 00:32:43,960
planned and because when I was researching him, had syd

707
00:32:44,000 --> 00:32:47,400
been the Steve Austin podcast and he had a couple

708
00:32:47,440 --> 00:32:49,599
of shots to Jack Daniels. So I was like, what

709
00:32:49,640 --> 00:32:51,079
I'll do is all to break the ice. In the

710
00:32:51,079 --> 00:32:54,079
first night, I'll get a bottle of Jack Daniels will

711
00:32:54,079 --> 00:32:56,759
take a shot start the show. So this is like

712
00:32:56,880 --> 00:33:00,799
mid December. I've got a cold, but like not a

713
00:33:01,599 --> 00:33:04,039
nothing debilitating, and I'm just got the sniffles a little bit.

714
00:33:04,519 --> 00:33:07,240
And when I when I'm on stage, you'll see this

715
00:33:07,319 --> 00:33:09,640
in August twenty twenty eight. Why can I not get

716
00:33:09,640 --> 00:33:10,359
twenty eight to my head?

717
00:33:10,640 --> 00:33:12,359
Speaker 2: It's what I'm working on it. I just think eight

718
00:33:12,400 --> 00:33:15,440
and eight eight eight twenty eight.

719
00:33:16,160 --> 00:33:19,079
Speaker 3: But when you'll see me with a double Vodkadyet coking

720
00:33:19,119 --> 00:33:22,400
a pint glass, that's the drink. So I had my

721
00:33:22,519 --> 00:33:24,440
usual vodka because I was like, that'll be fine. And

722
00:33:24,480 --> 00:33:26,920
then he's on stage and he did a pre show

723
00:33:26,960 --> 00:33:29,160
Papa Shangle meet and greet. He's got a post show

724
00:33:29,200 --> 00:33:33,240
Godfather meeting greets. He's on great form. He's really friendly

725
00:33:33,240 --> 00:33:36,519
and hospitable, and you know, a great guy gets on

726
00:33:36,640 --> 00:33:38,680
stage and then fee on her from our team, who

727
00:33:39,039 --> 00:33:41,039
kind of is the talent Li is on with the wrestler.

728
00:33:41,559 --> 00:33:43,680
She came up with the bottle of Jack Daniels. And

729
00:33:43,880 --> 00:33:46,599
also she's sober, which makes this so much worse. So

730
00:33:47,039 --> 00:33:50,440
she walks up, but the bar don't have shot glasses,

731
00:33:50,519 --> 00:33:54,240
so she just brings up to pint sized cups like

732
00:33:54,480 --> 00:33:59,160
lastic cup. So then Godfather opens the bottle of Jack

733
00:33:59,240 --> 00:34:01,799
Daniels and then he he does I mean we're on audio,

734
00:34:01,799 --> 00:34:03,640
so I can't really but he basically kind of like

735
00:34:03,640 --> 00:34:06,240
almost dangles the bottles how much should I put it in?

736
00:34:06,799 --> 00:34:09,440
And the crowd are kind of going, oh, and he

737
00:34:09,599 --> 00:34:15,280
poured a half pint of Jack Daniels, and then he

738
00:34:15,280 --> 00:34:18,159
pours a half pint of Jack Daniels him, And the

739
00:34:18,239 --> 00:34:21,960
thing is to me, it's like challenge accepted. If you're

740
00:34:21,960 --> 00:34:24,440
doing this, I have to do it, Like I'm just

741
00:34:24,519 --> 00:34:26,599
you know, that's that's the gig. I brought the Jack

742
00:34:26,679 --> 00:34:28,639
Daniels up, so I can't really pussy it of it.

743
00:34:29,079 --> 00:34:32,639
So then we down a half pint of Jack Daniels each,

744
00:34:32,639 --> 00:34:36,119
which is probably like six shots of Jack Daniels in

745
00:34:36,159 --> 00:34:41,360
one goal. Maybe yeah. So and because I had the cold,

746
00:34:41,480 --> 00:34:43,880
all of a sudden fel like I've taken a grammical caine,

747
00:34:44,039 --> 00:34:48,880
I was like, yes, ready, to go and in the

748
00:34:48,880 --> 00:34:52,199
first ten minutes were just great, and he's telling stories

749
00:34:52,239 --> 00:34:55,599
and he's having a laugh, and then the Jack Daniels

750
00:34:55,679 --> 00:34:59,360
hits the guy and I realized, oh, he can't handle

751
00:34:59,360 --> 00:35:03,079
his drink even though God started to put it. So

752
00:35:03,119 --> 00:35:06,760
then I mentioned, so I'm going chronologically in his career

753
00:35:07,159 --> 00:35:08,880
and I get to like ninety two and I was like,

754
00:35:08,880 --> 00:35:11,039
you know, you were you were one of the guys

755
00:35:11,039 --> 00:35:13,960
that when Sid left, and you were one of the

756
00:35:13,960 --> 00:35:16,199
heels that's put in the place. You're wrestling Warrior, you're

757
00:35:16,239 --> 00:35:21,440
wrestling Brett. And I mentioned Brett and he bursts into tears,

758
00:35:22,800 --> 00:35:23,920
weeping on stage.

759
00:35:23,960 --> 00:35:24,760
Speaker 2: Do you think said.

760
00:35:26,400 --> 00:35:29,159
Speaker 3: No because me mentioning Brett made him think of owing?

761
00:35:29,599 --> 00:35:30,039
Speaker 2: Got it?

762
00:35:30,760 --> 00:35:34,199
Speaker 3: He is? He is in tears, weeping on the stage,

763
00:35:35,039 --> 00:35:39,760
and I am hammered on Jack Daniels. So I just

764
00:35:39,880 --> 00:35:43,280
look at them and in my mind I was like,

765
00:35:43,599 --> 00:35:45,519
oh God, what because you can't go?

766
00:35:45,760 --> 00:35:46,760
Speaker 2: So, yeah, what do you do?

767
00:35:47,639 --> 00:35:49,960
Speaker 3: Yeah? Like, what's the follow up? So I sat there

768
00:35:49,960 --> 00:35:52,199
for about thirty seconds and then this woman who was

769
00:35:52,199 --> 00:35:53,480
in the front row of Vickiy who comes to a

770
00:35:53,480 --> 00:35:55,719
lot of our shows, she just got up and gave

771
00:35:55,800 --> 00:35:58,480
him a hug, wow, and that pug felt like it

772
00:35:58,480 --> 00:36:02,400
went on for a long time. But anyway, so then

773
00:36:02,559 --> 00:36:05,599
as I tried to keep going, tried to remain professional,

774
00:36:05,679 --> 00:36:08,639
and he was just like, could not keep a sentence together.

775
00:36:09,039 --> 00:36:11,159
He was just like all over the place. But the

776
00:36:11,199 --> 00:36:13,280
crowd were really enjoying it because it was such a

777
00:36:13,320 --> 00:36:16,840
shit show. So then he gets to be at the

778
00:36:16,960 --> 00:36:20,239
end and he starts calling me Kevin out of nowhere.

779
00:36:21,280 --> 00:36:24,639
So then our tech guy got Kevin put up on

780
00:36:24,679 --> 00:36:28,840
the big screens. People start chatting Kevin. Right. These people

781
00:36:28,840 --> 00:36:31,159
are just like, who what do we do here? So

782
00:36:31,199 --> 00:36:33,480
then at the end, and this is night one of

783
00:36:33,519 --> 00:36:34,559
three three nights.

784
00:36:34,760 --> 00:36:36,679
Speaker 2: And then at the end with him three nights with

785
00:36:36,800 --> 00:36:38,239
him three.

786
00:36:38,119 --> 00:36:41,840
Speaker 3: Nights with him consecutively, this is night one. So then

787
00:36:42,119 --> 00:36:44,920
at the end he goes, bring that Jack Daniel's back

788
00:36:44,960 --> 00:36:48,039
up here. So he brings up the other half of

789
00:36:48,079 --> 00:36:50,559
the bottle of Jack Danield's and puts another half pint

790
00:36:50,559 --> 00:36:52,360
in and we both have to drink the other half.

791
00:36:53,639 --> 00:36:56,639
And then he had to be carried down the stairs

792
00:36:56,639 --> 00:36:59,840
by James Storm. They could come along because he was

793
00:36:59,880 --> 00:37:00,559
in town that day.

794
00:37:00,639 --> 00:37:02,679
Speaker 2: It was Chris Harris apparently.

795
00:37:05,039 --> 00:37:08,159
Speaker 3: And and Godfather did the meet and greet downstairs, and

796
00:37:08,199 --> 00:37:10,920
he was so I mean, he wasn't on planet Earth.

797
00:37:11,360 --> 00:37:14,000
But luckily for me, I've found out recently because we

798
00:37:14,000 --> 00:37:16,199
did a show with Delo Brown that this is kind

799
00:37:16,199 --> 00:37:17,840
of the norm. He cannot handle his.

800
00:37:18,079 --> 00:37:19,840
Speaker 2: Anymore fascinating and he did.

801
00:37:20,360 --> 00:37:22,760
Speaker 3: But so we have this like one hour show with

802
00:37:22,880 --> 00:37:27,400
him in Glasgow that's like unusable, Like none of it

803
00:37:27,440 --> 00:37:30,360
can really be because also if you put it out,

804
00:37:30,639 --> 00:37:32,159
it's kind of like your I don't care if you

805
00:37:32,159 --> 00:37:34,000
take the piss out of meat, Well that's fine, but

806
00:37:34,039 --> 00:37:36,039
you can't really take the piss out of talent unforced.

807
00:37:36,119 --> 00:37:36,320
Speaker 2: Yeah.

808
00:37:36,360 --> 00:37:38,079
Speaker 1: Yeah, that just that won't sure pay off long time,

809
00:37:38,079 --> 00:37:39,760
even if people get a laugh out of it, like

810
00:37:39,800 --> 00:37:43,079
you can kiss future bookings goodbye. And it's not right.

811
00:37:43,119 --> 00:37:44,920
It's not the right thing to do for somebody.

812
00:37:44,679 --> 00:37:44,880
Speaker 2: You know.

813
00:37:45,199 --> 00:37:47,280
Speaker 3: Yeah. And then the only other example of maybe the

814
00:37:47,280 --> 00:37:49,440
show not going is planned would be like with dug In.

815
00:37:49,559 --> 00:37:51,360
For the first night with dug In, you know, I

816
00:37:51,400 --> 00:37:53,960
did aka show one that I had in my mind,

817
00:37:54,280 --> 00:37:56,280
and then when I started show too that had slightly

818
00:37:56,280 --> 00:37:59,880
different questions. He just would find a way to get

819
00:37:59,880 --> 00:38:02,920
it back to one of his twelve stories. Yeah, and

820
00:38:02,960 --> 00:38:06,440
then he would, and it was like he thought it

821
00:38:06,480 --> 00:38:10,000
was a comedy show, because he apparently does comedy shows

822
00:38:10,000 --> 00:38:12,039
in the US, which I can only imagine how dreadful

823
00:38:12,039 --> 00:38:12,280
they are.

824
00:38:12,360 --> 00:38:12,840
Speaker 2: Oh god.

825
00:38:12,880 --> 00:38:15,880
Speaker 3: But he so he thought that these were like stand

826
00:38:15,920 --> 00:38:18,440
up shows, and I was like, no, no, it's a career interview.

827
00:38:18,480 --> 00:38:21,719
There's highs and lows. But he just didn't get.

828
00:38:21,599 --> 00:38:22,400
Speaker 2: It, didn't get it.

829
00:38:22,480 --> 00:38:25,199
Speaker 3: And he would he would do a story about you know,

830
00:38:26,039 --> 00:38:28,000
the same story he's done every night, and at the

831
00:38:28,039 --> 00:38:30,559
end you just look at her going, oh, I was

832
00:38:30,639 --> 00:38:33,519
just in my mind be going I want to die.

833
00:38:34,559 --> 00:38:37,079
Speaker 1: Well, let me say right now, as we approach August

834
00:38:37,079 --> 00:38:39,360
twenty eighth at the Dome, you think you've wanted to

835
00:38:39,400 --> 00:38:43,440
die on stage before, Manny, this is.

836
00:38:43,440 --> 00:38:46,760
Speaker 3: No, but you remember this this time. Like usually when

837
00:38:46,760 --> 00:38:50,199
I bring someone over and if it's going badly, I'm

838
00:38:50,239 --> 00:38:54,079
sitting there thinking, you know, there's I was wanting, like

839
00:38:54,159 --> 00:38:56,760
thousands of dollars worth of content of you guys or whatever.

840
00:38:57,079 --> 00:38:59,920
But when it's with this, I'm just there. I'm just there.

841
00:39:00,119 --> 00:39:01,800
Speaker 2: Yeah, you're not at any point.

842
00:39:02,599 --> 00:39:04,639
Speaker 3: No, I mean I am in a deficit to come

843
00:39:04,679 --> 00:39:06,960
to do the show, but that you could.

844
00:39:06,840 --> 00:39:09,000
Speaker 2: Be doing something else like watching television.

845
00:39:09,800 --> 00:39:15,199
Speaker 3: Yeah, so you know I'm watching. Well, I mean, look,

846
00:39:15,400 --> 00:39:18,039
can you can you imagine if I just get so

847
00:39:18,039 --> 00:39:21,159
annoyed I just go to the toilet. I can.

848
00:39:21,760 --> 00:39:26,039
Speaker 2: Well, I'll tell you what. That's right. You're you're setting goals, now, Okay,

849
00:39:26,159 --> 00:39:28,159
that's what you're doing. You're setting goals for us.

850
00:39:29,320 --> 00:39:31,599
Speaker 3: You have no idea how many times when I'm doing

851
00:39:31,639 --> 00:39:33,360
live interviews that I need to take a pest and

852
00:39:33,360 --> 00:39:36,519
I don't do it. And I know that. I remember,

853
00:39:36,559 --> 00:39:38,280
I've done the dome before, so I know exactly where

854
00:39:38,280 --> 00:39:39,760
I'm going take a pat.

855
00:39:41,000 --> 00:39:41,480
Speaker 2: If he does.

856
00:39:41,559 --> 00:39:43,800
Speaker 1: If he does, JP, that's on a fair warning, Kenny,

857
00:39:43,800 --> 00:39:45,920
don't be surprised if flaps Jim Barnett follows you to

858
00:39:45,960 --> 00:39:46,199
the loo.

859
00:39:47,440 --> 00:39:49,400
Speaker 3: I wouldn't. I wouldn't do it in front of him,

860
00:39:49,880 --> 00:39:54,760
No way, I'm smarter than that. But yeah, so I'm

861
00:39:54,800 --> 00:39:57,039
looking forward to just not having to to really give

862
00:39:57,039 --> 00:39:57,360
a ship.

863
00:39:58,000 --> 00:40:01,079
Speaker 2: That's question, Kenny. It's Kenny back intash least.

864
00:40:01,400 --> 00:40:03,280
Speaker 3: That's night off love.

865
00:40:03,360 --> 00:40:05,920
Speaker 2: Yeah, exactly, it's a night off. The wrestlers always say

866
00:40:05,960 --> 00:40:06,760
that it's a night off.

867
00:40:06,800 --> 00:40:14,039
Speaker 3: Working with him, it's a night office, and it's easy office.

868
00:40:14,400 --> 00:40:15,239
What the fund.

869
00:40:16,559 --> 00:40:19,760
Speaker 1: Yes, yes, that will definitely be a night on August

870
00:40:19,760 --> 00:40:21,920
twenty eighth of the Dome. So wrapping up here with

871
00:40:22,039 --> 00:40:25,519
Kenny McIntosh, very excited to collaborate with him and inside

872
00:40:25,559 --> 00:40:27,480
the Ropes when we hit the UK for the first

873
00:40:27,480 --> 00:40:29,920
time the Dome. You've got some experience you hosted Kevin

874
00:40:29,960 --> 00:40:32,639
Nash there recently. Tell our listeners what they can expect

875
00:40:32,679 --> 00:40:33,519
in terms of the venue.

876
00:40:35,119 --> 00:40:37,480
Speaker 3: It's a great It's very laid back. It's kind of

877
00:40:37,519 --> 00:40:41,079
like a it's got the up the upstairs where we're

878
00:40:41,119 --> 00:40:42,880
going to be. It's kind of got like a community

879
00:40:42,920 --> 00:40:44,599
hall type vibe in a good way.

880
00:40:44,719 --> 00:40:44,920
Speaker 2: Cool.

881
00:40:46,480 --> 00:40:48,960
Speaker 3: The drinking prices are not that expensive, which in London

882
00:40:49,119 --> 00:40:51,800
is crazy. You're going to be in the city. We're

883
00:40:51,800 --> 00:40:54,039
going to be in the same room where Edge and

884
00:40:54,079 --> 00:40:57,039
I were on stage and we've done too chosen Doublin

885
00:40:57,119 --> 00:40:59,400
and Cork and they went amazing. And then London who

886
00:40:59,400 --> 00:41:02,360
are very quiet crowd, We're so quiet. At the end

887
00:41:02,360 --> 00:41:04,320
of the show, Edge went, did I do something wrong?

888
00:41:04,440 --> 00:41:07,079
Speaker 2: Wow? Wow? You warned us about that.

889
00:41:07,199 --> 00:41:08,599
Speaker 1: I don't think we have to worry about that as

890
00:41:08,599 --> 00:41:11,079
far as lapsed fans are concerned. But yeah, London can

891
00:41:11,119 --> 00:41:13,519
be a little quiet without meaning anything by it. It's

892
00:41:13,559 --> 00:41:14,760
just the nature of the crowd.

893
00:41:15,400 --> 00:41:17,360
Speaker 3: Yeah, the end, because they get a lot of stuff

894
00:41:17,400 --> 00:41:18,840
and then one guy in that show and the Edge

895
00:41:18,840 --> 00:41:20,760
show just kept going Devon Dougley.

896
00:41:21,320 --> 00:41:24,639
Speaker 2: That's fine. It's a good point, right, I mean it's

897
00:41:24,639 --> 00:41:25,119
a good point.

898
00:41:26,119 --> 00:41:28,320
Speaker 3: I mean he is the better dudle if you're gonna

899
00:41:28,360 --> 00:41:33,199
pick one extreen But yeah, I'm I'm looking for so,

900
00:41:33,239 --> 00:41:35,079
I mean, if you're if you're in the London area

901
00:41:35,119 --> 00:41:38,039
for all in, you know, this is just gonna be fun.

902
00:41:38,599 --> 00:41:41,760
Sometimes wrestling shows are so hard to get through, Like

903
00:41:42,280 --> 00:41:46,679
lots of wrestling matches like come to something more fun,

904
00:41:47,639 --> 00:41:51,440
like where we're just gonna take this and and you

905
00:41:51,480 --> 00:41:57,679
know say things you probably want to hear these fuckers say, yeah,

906
00:41:58,840 --> 00:42:00,280
this is the best way to spend your money on

907
00:42:00,360 --> 00:42:03,559
all NBK. Actually it's better than it's right.

908
00:42:03,440 --> 00:42:06,119
Speaker 2: Because I mean I can I can tell you that

909
00:42:06,119 --> 00:42:08,480
it will be and no point are you.

910
00:42:08,440 --> 00:42:10,079
Speaker 3: Going to set at no point you're going to set

911
00:42:10,159 --> 00:42:13,239
during the show and go, oh god, there's four hours

912
00:42:13,280 --> 00:42:15,360
to go, but you will all in.

913
00:42:16,280 --> 00:42:19,920
Speaker 2: That dude, don't like, don't come on.

914
00:42:20,039 --> 00:42:23,000
Speaker 1: I'm yeah, I'm dragging him to to Wembley just so

915
00:42:23,039 --> 00:42:24,880
you know, can he So you're you're making this a

916
00:42:24,880 --> 00:42:26,559
lot easier and everybody.

917
00:42:28,679 --> 00:42:30,400
Speaker 3: You need to go to see Shue in Wembley Stadium once.

918
00:42:30,800 --> 00:42:33,039
Speaker 2: Well, that's for sure, that's that's the exciting part. Although

919
00:42:33,039 --> 00:42:34,719
I'd rather go to Royal Albert Hall, but that's just

920
00:42:34,960 --> 00:42:35,679
my weirdness.

921
00:42:37,159 --> 00:42:39,320
Speaker 3: Oh yeah, let's let's get that working guy back here.

922
00:42:39,320 --> 00:42:42,880
Speaker 1: But on the thicker well, I couldn't imagine a better uh,

923
00:42:43,280 --> 00:42:45,880
a better collaborator and a better advertisement for what we're doing.

924
00:42:46,039 --> 00:42:47,960
I mean you heard it from his mouth, uncoached. It's

925
00:42:47,960 --> 00:42:49,880
going to be better than all in so not a

926
00:42:49,920 --> 00:42:52,639
problem for reasons that I think are credible and stand

927
00:42:52,679 --> 00:42:55,360
up to scrutiny. Kenny McIntosh from Inside the Ropes were

928
00:42:55,440 --> 00:42:57,960
very excited. August twenty eighth the Dome in London, the

929
00:42:58,000 --> 00:43:01,480
Coachairs take the stage, as does the Rogues Gallery of

930
00:43:01,559 --> 00:43:06,000
Lapsed Characters, a challenge unlike Kenny McIntosh has ever faced

931
00:43:06,000 --> 00:43:08,239
before and after this interview, we know that that is

932
00:43:08,320 --> 00:43:10,440
saying something. Thank you so much for your time.

933
00:43:10,360 --> 00:43:13,320
Speaker 3: Kenny, thank you very much. Now see you on August

934
00:43:13,320 --> 00:43:16,679
twenty ninth, twenty eighth, twenty

