WEBVTT

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<v Speaker 1>Now in cooperation with police and federal law enforcement departments throughout.

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<v Speaker 2>The United States.

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<v Speaker 1>The only national program that brings you authentic police case history.

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<v Speaker 2>Gang Muster.

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<v Speaker 1>To Night, the case of the Dakota Badman who shedd

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<v Speaker 1>handcuffs as a snake shedd skin, but will learn that

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<v Speaker 1>two sudden shots at a federal agent would be.

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<v Speaker 3>Repaid in kind.

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<v Speaker 1>And now the Gangbusters in facts that show the operation

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<v Speaker 1>of our law enforcement officials in their war against the underworld.

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<v Speaker 1>Gangbusters has asked the Honorable Victor S. Anderson, the United

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<v Speaker 1>States Attorney in Minnesota, to narrate by proxy tonight's case,

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<v Speaker 1>the inside facts in the case of the Dakota band

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<v Speaker 1>Mister Anderson, I know the criminal you're going to tell

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<v Speaker 1>about to Night was for a long time at the

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<v Speaker 1>top of the list of fugitives wanted by the Federal

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<v Speaker 1>Bureau of Investigation. That's right, Don Gardener. This man, John

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<v Speaker 1>Frederick Benson, didn't know when he'd had enough, but he

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<v Speaker 1>was to learn that agents of the FBI are also

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<v Speaker 1>noted for their perseverance. Well, where would you like to begin,

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<v Speaker 1>mister Anderson, I think the best place down would be

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<v Speaker 1>on the outskirts of Houston. Texas, at three o'clock on

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<v Speaker 1>a mild February morning, exactly two years ago this week,

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<v Speaker 1>the all night clerk at the Palace Grove Modern tourist

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<v Speaker 1>camp was fast asleep in his chair as a lone

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<v Speaker 1>figure crept by him. The intruder walked cautiously across a

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<v Speaker 1>dimly lit court, past cabins number one, number two, and

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<v Speaker 1>number three. He stopped at number four. He looked around

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<v Speaker 1>and quietly tried the door.

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<v Speaker 3>Jack, Yeah, it's me. What happened?

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<v Speaker 4>How did you get out?

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<v Speaker 5>They would take 'em into the Federal building for questions

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<v Speaker 5>This afternoon I broke away.

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<v Speaker 3>He couldn't shoot any kind of the people.

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<v Speaker 4>You should have tried it. They might've killed you.

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<v Speaker 5>Or better than rotten the rest of my life in

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<v Speaker 5>jail this afternoon, Yeah, I was lucky. I made for

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<v Speaker 5>the freight yards. You have been laying out in a

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<v Speaker 5>freight car for twelve hours. You sure they don't know

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<v Speaker 5>your hair?

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<v Speaker 3>I'm pretty sure you just said that they would have

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<v Speaker 3>been around.

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<v Speaker 4>You must be starved, Jack.

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<v Speaker 5>They turned on any lights. Oh okay, I got a

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<v Speaker 5>job for you. What things old, Jack? I don't see

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<v Speaker 5>yet how I made it out with these handcuffs on.

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<v Speaker 5>It was lucky they let me wear a top coat

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<v Speaker 5>over my shoulders. I used it to cover 'em.

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<v Speaker 4>But how do you get them off?

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<v Speaker 5>There's no problem with the hacks or the first thing

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<v Speaker 5>in the morning, walk to a hardware store.

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<v Speaker 3>I'm going to hack so.

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<v Speaker 5>I wish I didn't have to wait that long and

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<v Speaker 5>rister practically cut the ribbons.

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<v Speaker 4>Maybe I could use a hairpin or something. Maybe I

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<v Speaker 4>can get them wrong.

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<v Speaker 3>I'm too tired right now to try and need some sleep.

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<v Speaker 5>Get that hack so in the morning and we'll go

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<v Speaker 5>to work on the cuffs.

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<v Speaker 6>Attention Texas Southwestern Authorities. Escape federal prisoner John Frederick Benson

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<v Speaker 6>described in first bulletin. This man, who may still be

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<v Speaker 6>wearing handcuffs, escape custody of the United States Marshall at Houston, Texas.

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<v Speaker 6>Caution caution, Benson may now be armed and is known

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<v Speaker 6>to be extremely dangerous.

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<v Speaker 5>A right, kiddy, baby, come on a little more, all right,

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<v Speaker 5>I'm trying a little more.

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<v Speaker 2>Some more soup.

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<v Speaker 3>That's it, thanks kidding. Didn't think i'd make it.

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<v Speaker 4>I don't see yet how you did.

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<v Speaker 3>Just luck, that's all.

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<v Speaker 4>I guess you're the luckiest guy in the world.

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<v Speaker 5>Mmm, take some figure into Oh were wrists? H I

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<v Speaker 5>gotta do a lot more figuring. Baby, We're still too

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<v Speaker 5>close for comfort. Tourist cabins are okay, but when they're looking,

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<v Speaker 5>that's the first place on the list.

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<v Speaker 3>You gotta get out of here.

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<v Speaker 4>I suppose we do it.

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<v Speaker 5>Yeah, gotta get out and fast, I mean now worse

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<v Speaker 5>than ever?

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<v Speaker 4>Jack, Yeah, what happens? Now? Where do we go?

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<v Speaker 5>You gotta get a heater, gotta find some place to

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<v Speaker 5>lay out for a while.

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<v Speaker 3>It takes Doe, dough. Everything takes Doe. You got any left, kiddy?

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<v Speaker 4>Oh? Little? How much? Three or four hundred?

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<v Speaker 3>Good? Good? It'll help some Well, you got it.

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<v Speaker 4>In my suitcase?

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<v Speaker 3>Good girl?

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<v Speaker 2>Jack?

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<v Speaker 4>Take the money? Leave me here?

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<v Speaker 3>You kidding, baby?

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<v Speaker 2>No?

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<v Speaker 4>Take it?

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<v Speaker 3>What's some money? You wanna stay here?

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<v Speaker 4>I can't go through that all over again, Jack, I

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<v Speaker 4>can't see them get you again.

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<v Speaker 3>I can't do you have to go through.

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<v Speaker 5>I'm the one there after you talk like I don't

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<v Speaker 5>mean anything to you.

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<v Speaker 4>If you couldn't mean anything to me, would you be

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<v Speaker 4>here now? Would you have those cuffs off? Yeah?

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<v Speaker 3>Sorry, kid, I guess I wouldn't.

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<v Speaker 4>Am I crazy?

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<v Speaker 3>Jack?

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<v Speaker 4>Why do I see only good in you. Everybody else

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<v Speaker 4>sees bad. If they were right, I'm crazy.

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<v Speaker 5>Just you only see what you want to see. Let

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<v Speaker 5>them think I'm bad?

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<v Speaker 3>Will you care?

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<v Speaker 4>Do you want me with you?

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<v Speaker 7>Jack?

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<v Speaker 5>I gotta have you a long baby. You're my insurance.

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<v Speaker 5>They take one look at the two of us together,

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<v Speaker 5>and nobody's suspicious. We can go any place and do anything.

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<v Speaker 5>We're just an ordinary couple of people.

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<v Speaker 4>That's not much of a reason for me.

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<v Speaker 5>Look, kid, you know you come first all the time.

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<v Speaker 5>But I think for the next couple of weeks, I

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<v Speaker 5>can't do much traveling.

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<v Speaker 3>I got a light someplace and stay there.

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<v Speaker 2>Where.

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<v Speaker 3>Well, how about Kansas? Your sister's place?

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<v Speaker 4>No, Jack, I don't wanna get her mixed up.

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<v Speaker 5>Who does wanna mixed up in it? It's a big

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<v Speaker 5>farm and far away from everything.

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<v Speaker 3>You said. She needs help since her husband died.

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<v Speaker 4>You won't like a farm. You'll get restless.

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<v Speaker 3>Do you think I was raised? You wrote? Nora? You

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<v Speaker 3>were married?

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<v Speaker 7>Writer?

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<v Speaker 3>You're bringing your husband for a visit.

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<v Speaker 4>Alright, that's what you want.

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<v Speaker 3>M We can stay there and get my bearings.

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<v Speaker 5>Yeah, maybe'd be a good idea to cool off on

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<v Speaker 5>a farm.

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<v Speaker 3>Yeah, yeah, rotten stuff.

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<v Speaker 4>Hey, yah, yeah, I brought you back some cigarettes from town.

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<v Speaker 5>Thanks cost. You might have let me know you were going.

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<v Speaker 5>I've been having a wonderful time here pitching hay.

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<v Speaker 4>Well, you were still sleeping and I didn't wanna wake you.

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<v Speaker 4>You got in so.

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<v Speaker 3>Late, all right, kitty, So I got in light.

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<v Speaker 4>Besides, with knowing the kids, there would have been room

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<v Speaker 4>in the car.

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<v Speaker 5>Nor the kids are making me sick. I had one

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<v Speaker 5>of this farm, and I can take.

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<v Speaker 4>Three weeks isn't so long? And they're still looking for you.

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<v Speaker 4>They're looking for your heart.

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<v Speaker 5>M Let him look, I need jail. It'll be better

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<v Speaker 5>than breaking your back and this kind of work.

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<v Speaker 4>Where'd you go last night?

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<v Speaker 3>What do you care?

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<v Speaker 4>Well? You didn't get intil so late?

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<v Speaker 3>Okay, I didn't get intil late. I went to mail

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<v Speaker 3>a letter.

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<v Speaker 5>H I see it's the Harry Porter and Omaha want

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<v Speaker 5>him to line up somebody for me? Good gunman.

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<v Speaker 4>Then we're leaving here and you had enough? I guess

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<v Speaker 4>you have. There's big news in town, Jack, Yeah, the

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<v Speaker 4>state bank at CACLI was broken into last night.

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<v Speaker 3>Oh what do you want me to do? Body?

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<v Speaker 4>You promise, Jack, you promised you laylo and stay out

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<v Speaker 4>of things.

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<v Speaker 3>I don't win for safe crackings. I'm a gunman.

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<v Speaker 4>How did you know the safe was cracked? I didn't

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<v Speaker 4>say it.

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<v Speaker 3>Oh don't all banks have safes? Hey? What are you

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<v Speaker 3>trying to make me walk into?

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<v Speaker 4>You were and there's no place to go.

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<v Speaker 3>I never broke in any place before. That's not my line.

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<v Speaker 4>The talk is it was an amateur job.

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<v Speaker 3>Get it had nothing to do with a thing. Now,

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<v Speaker 3>let me get finished up here.

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<v Speaker 4>Yeah, Jack, that'll be a good idea. Oh, Norah wants

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<v Speaker 4>to fix up early. She's taking the kids over to

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<v Speaker 4>them blocks later.

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<v Speaker 5>Yeah, the kids, they give me a pain in her neck. Well,

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<v Speaker 5>let me get some hay pitched.

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<v Speaker 2>Hello, Sheriff, Oh Haynes, anything.

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<v Speaker 1>New, Jiff. This is a special Agent Dire also of

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<v Speaker 1>the FBI. He was sent down from the Kansas City

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<v Speaker 1>Field Office to help out the investigation. Sheriff Leaning, How.

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<v Speaker 2>Are you, Sheriff, glad to have your dire. We need

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<v Speaker 2>all the help we can get.

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<v Speaker 1>Have you been able to turn up anything, Sheriff?

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<v Speaker 2>Oh, Well, like you suggested, it could have been somebody

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<v Speaker 2>look home. I had my deputies checking up with the

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<v Speaker 2>people around here. Anybody suspicious, you know how it is.

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<v Speaker 2>We know most everybody in the county on him for years.

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<v Speaker 2>There's a few people we might check into. The huh

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<v Speaker 2>Princess out at Lamb's garage to peak a road. Lamb

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<v Speaker 2>took on a new mechanic stranger a week or ten

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<v Speaker 2>days ago. I talked to him. We could. And then

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<v Speaker 2>there's that new couple out at the Widow Emmetts, Jack

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<v Speaker 2>Rogers and his wife. She's Nora Amitt's sister. Been there

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<v Speaker 2>about three weeks. I haven't seen much of him, but

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<v Speaker 2>she's been around with Nora and the kids.

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<v Speaker 1>Is there anything suspicious about this Jack Rogers?

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<v Speaker 2>Well, no, can't say there is. I got a car

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<v Speaker 2>and seems to have money. The Emmits are good people.

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<v Speaker 2>We'll have a look at them too. And there's three

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<v Speaker 2>or four others I've got them listening to here.

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<v Speaker 1>All right, serff, we'll check on everybody beginning tomorrow, just

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<v Speaker 1>to play safe.

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<v Speaker 4>Kitty kitty in here, Jack in the kitchen, where are

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<v Speaker 4>you when I watch you? I'm just fixing lunch for

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<v Speaker 4>the kids.

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<v Speaker 3>What are your nurse maid or something?

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<v Speaker 4>To let nor take care of our own kids?

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<v Speaker 3>W again?

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<v Speaker 5>She have to go to town every day. She's been living

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<v Speaker 5>a life of riley since we came. I pitched the Hey,

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<v Speaker 5>you take care of the kids.

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<v Speaker 7>What is this after all?

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<v Speaker 4>Jack, she's been awfully nice to us.

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<v Speaker 5>Well, let her get a couple of hired hands. We're

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<v Speaker 5>pulling him out anyway, as soon as I hear from

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<v Speaker 5>Harry Porter.

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<v Speaker 4>Jack, you promised you'd stay until the heats off.

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<v Speaker 5>You promised me, well, I had enough farm a night

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<v Speaker 5>car Norah.

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<v Speaker 4>No, she said you wouldn't be back to six.

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<v Speaker 3>Take a look out the window. Who is it.

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<v Speaker 4>It's not Laura, it's a man. I'll talk to him, Jack.

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<v Speaker 4>I'll send him away.

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<v Speaker 5>Where are the kids upstairs? Were up and keep them there?

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<v Speaker 5>All handass?

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<v Speaker 3>Be careful, Please be careful, up and take care of

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<v Speaker 3>the kids.

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<v Speaker 4>Let me talk to Jack's not going to use that

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<v Speaker 4>guff I got her.

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<v Speaker 5>Yeah, I'll get up there. Wanna meet him on the porch.

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<v Speaker 5>You get up with the kids. Yeah, miss there, I

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<v Speaker 5>gonna do for you.

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<v Speaker 1>Don't talk to Jack Rogers.

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<v Speaker 3>I'm Jack Rogers. Oh, my name's dire.

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<v Speaker 1>I'm a special Agent of the Federal Bureau of Investigation.

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<v Speaker 3>That's uh.

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<v Speaker 2>I understand you.

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<v Speaker 3>You understand too much roget Jack shot shut him. Son't

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<v Speaker 3>going back?

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<v Speaker 4>What are you gonna do? They knew he came here.

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<v Speaker 4>There must be more than around I'm gonna do.

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<v Speaker 3>I'm getting not the back way, Jack, I'll get ready,

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<v Speaker 3>Oh kid, this time I have to travel light. I'll

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<v Speaker 3>get a touch for you.

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<v Speaker 2>But I want to go.

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<v Speaker 3>There's no time. They got nothing on you, Kitty. Don't

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<v Speaker 3>tell him a thing. You don't know a thing.

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<v Speaker 4>I won't tell him anything.

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<v Speaker 3>Bias sod on.

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<v Speaker 1>That was the situation. The criminal John Frederick Benson, shot

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<v Speaker 1>and critically wounded an agent of the Federal Bureau of

253
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<v Speaker 1>Investigation who attempted to question him. Benson fled the scene

254
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<v Speaker 1>and left the girl Kitty alone to face the other

255
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<v Speaker 1>law enforcement officers. When Sheriff Laney and Special Agent Haynes arrived,

256
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<v Speaker 1>they placed Kitty in custody and rushed Special Agent Dier

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<v Speaker 1>to a hospital. At the Sheriff's office, the girl was

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<v Speaker 1>being questioned by the officers in their attempt to get

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<v Speaker 1>a lead on the whereabouts of Benson.

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<v Speaker 4>I'm telling you, I don't know where he is.

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00:12:10.799 --> 00:12:13.600
<v Speaker 1>I don't I known't You traveled all over the country

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<v Speaker 1>with Benson. You were at the farm together three weeks.

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00:12:16.440 --> 00:12:18.399
<v Speaker 1>He must have mentioned where he counted on going when

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<v Speaker 1>he left.

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00:12:19.159 --> 00:12:20.879
<v Speaker 4>We were going to stay for a while. There wasn't

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<v Speaker 4>any thought of leaving.

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00:12:22.120 --> 00:12:24.960
<v Speaker 2>The FBI agenty shot might die.

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<v Speaker 4>I know, I'm sorry.

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<v Speaker 1>I'm being sorry. Doesn't help much.

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<v Speaker 2>If you want to help, tell us where he went.

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<v Speaker 4>I I don't know.

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00:12:34.399 --> 00:12:35.759
<v Speaker 1>He must have given some indications.

273
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<v Speaker 4>I don't know where he went. Please believe me. I don't.

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<v Speaker 3>All right, miss, that's all.

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<v Speaker 4>You mean? I can go?

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<v Speaker 3>Yes, Yes, you can go.

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<v Speaker 4>No.

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00:12:48.559 --> 00:12:51.039
<v Speaker 2>Yes, As much as we'd like to hold you, there's

279
00:12:51.039 --> 00:12:52.679
<v Speaker 2>no charge we can place against you.

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<v Speaker 4>I see.

281
00:12:54.600 --> 00:12:56.039
<v Speaker 1>Have you got any place to go?

282
00:12:57.240 --> 00:12:57.440
<v Speaker 7>Back?

283
00:12:57.480 --> 00:13:01.559
<v Speaker 4>To farm? My kiss for a while? And I don't know?

284
00:13:02.159 --> 00:13:04.360
<v Speaker 2>Alright? If we need you, we will be in touch.

285
00:13:06.840 --> 00:13:08.559
<v Speaker 4>I'm sorry I couldn't help you.

286
00:13:08.600 --> 00:13:14.360
<v Speaker 3>More so are we, hell Sheriff.

287
00:13:14.360 --> 00:13:15.440
<v Speaker 1>She's on her way.

288
00:13:15.720 --> 00:13:18.000
<v Speaker 2>I hope you get something out of it. Haims me.

289
00:13:18.240 --> 00:13:20.600
<v Speaker 2>When I get somebody that belongs in jail, I like

290
00:13:20.639 --> 00:13:21.360
<v Speaker 2>to keep 'em there.

291
00:13:21.759 --> 00:13:24.440
<v Speaker 1>Sure, if Benson's a lot more important than she is,

292
00:13:25.080 --> 00:13:27.399
<v Speaker 1>and if he knows she's out, maybe he'll arranged to

293
00:13:27.399 --> 00:13:27.720
<v Speaker 1>see her.

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<v Speaker 3>Hi, Well, jack Anne, what do you care? But he

295
00:13:48.080 --> 00:13:48.559
<v Speaker 3>drinking up?

296
00:13:48.559 --> 00:13:54.559
<v Speaker 5>By your nuh n mind the names makes Harry Porter.

297
00:13:54.399 --> 00:13:55.399
<v Speaker 1>Said, I might find you.

298
00:13:56.720 --> 00:14:02.600
<v Speaker 3>Yeah, how is Harry? Okay, say here is still giving

299
00:14:02.679 --> 00:14:03.200
<v Speaker 3>'em trouble.

300
00:14:04.279 --> 00:14:08.720
<v Speaker 5>It's not as here. It's a stomach. That's right, there's

301
00:14:08.759 --> 00:14:09.320
<v Speaker 5>a stomach.

302
00:14:10.720 --> 00:14:11.120
<v Speaker 3>He said.

303
00:14:11.120 --> 00:14:13.320
<v Speaker 5>You was looking for somebody to go in business with.

304
00:14:15.240 --> 00:14:18.600
<v Speaker 5>Maybe I am, but not here at all. My I'm

305
00:14:18.679 --> 00:14:25.039
<v Speaker 5>free of travel, makes sir. That's a gun.

306
00:14:24.799 --> 00:14:29.440
<v Speaker 3>Boy, nothing else. Okay, I'll think about it.

307
00:14:29.519 --> 00:14:31.399
<v Speaker 5>I gotta think about it, too, Jack, you're a pretty

308
00:14:31.440 --> 00:14:34.919
<v Speaker 5>hard customer. There's not many who shoot up Gemen and

309
00:14:34.960 --> 00:14:36.919
<v Speaker 5>are walking on the street to dunk up. I'll never

310
00:14:37.080 --> 00:14:40.360
<v Speaker 5>talk about it, especially in the bars. It's a nice

311
00:14:40.399 --> 00:14:43.879
<v Speaker 5>quiet boys. Let's go for a ride. There's not so

312
00:14:43.879 --> 00:14:46.159
<v Speaker 5>many years and automobiles come out.

313
00:15:00.080 --> 00:15:00.919
<v Speaker 1>Special Agent Haynes.

314
00:15:01.039 --> 00:15:02.000
<v Speaker 2>Haynes's Marshall.

315
00:15:02.279 --> 00:15:04.360
<v Speaker 3>We just gotta tell a joy message from Minneapolis.

316
00:15:04.480 --> 00:15:06.639
<v Speaker 7>The girl kitty got there on the train this morning.

317
00:15:06.679 --> 00:15:09.120
<v Speaker 2>I bought a bus ticket to Saint Is, North Dakota.

318
00:15:09.399 --> 00:15:11.639
<v Speaker 1>Santa Huh. Benson's got relatives there.

319
00:15:11.679 --> 00:15:13.039
<v Speaker 3>Yeah, I know, we're already watching him.

320
00:15:13.320 --> 00:15:16.080
<v Speaker 1>Okay, let's move in a little closer. Get playing reservations

321
00:15:16.120 --> 00:15:17.799
<v Speaker 1>from Minneapolis. We'll work out of there.

322
00:15:23.559 --> 00:15:24.799
<v Speaker 3>Okay, Mags, you'll do.

323
00:15:25.480 --> 00:15:27.600
<v Speaker 7>Thanks, coach. I never thought i'd make it. Look.

324
00:15:27.639 --> 00:15:29.879
<v Speaker 5>If there's one thing I don't like, it's wise guys.

325
00:15:29.960 --> 00:15:31.639
<v Speaker 5>Take it easy on the cracks and take it easy

326
00:15:31.639 --> 00:15:32.120
<v Speaker 5>on the talk.

327
00:15:32.159 --> 00:15:32.799
<v Speaker 2>And what's see it?

328
00:15:32.840 --> 00:15:35.039
<v Speaker 7>Can you jack? If a guy's got no sense of humor,

329
00:15:35.080 --> 00:15:35.679
<v Speaker 7>he's got nothing.

330
00:15:35.679 --> 00:15:37.879
<v Speaker 3>I got nothing to laugh about it strictly business makes

331
00:15:37.879 --> 00:15:38.440
<v Speaker 3>and remember that.

332
00:15:38.559 --> 00:15:46.159
<v Speaker 5>Okay, Well, when we get started. Ever worked in Dakota's Dakotas.

333
00:15:46.159 --> 00:15:46.720
<v Speaker 7>What's up there?

334
00:15:47.360 --> 00:15:49.159
<v Speaker 3>Honey? You know where to find it?

335
00:15:49.240 --> 00:15:50.360
<v Speaker 7>Who I take such a trip.

336
00:15:51.120 --> 00:15:53.960
<v Speaker 5>I've got a way of operating makes It includes having

337
00:15:53.960 --> 00:15:56.360
<v Speaker 5>a girl along make things look good.

338
00:15:57.440 --> 00:15:59.240
<v Speaker 3>The girl I went along is up there.

339
00:16:00.039 --> 00:16:02.559
<v Speaker 7>Ah, it's not a bad idea.

340
00:16:03.480 --> 00:16:04.120
<v Speaker 3>I got a girl.

341
00:16:04.159 --> 00:16:04.320
<v Speaker 4>Two.

342
00:16:04.440 --> 00:16:05.159
<v Speaker 3>One's enough.

343
00:16:06.679 --> 00:16:09.919
<v Speaker 7>Yeah, yeah, one's enough, as long as she's yours.

344
00:16:10.039 --> 00:16:11.879
<v Speaker 3>If you don't want it my way, Meg's you can

345
00:16:11.879 --> 00:16:12.679
<v Speaker 3>get out right here.

346
00:16:12.799 --> 00:16:17.000
<v Speaker 7>Okay, you're right. You gotta traveler, companion. Don't get excited.

347
00:16:27.000 --> 00:16:29.679
<v Speaker 8>That's the house hands kidding. Moved here in the day

348
00:16:29.720 --> 00:16:33.039
<v Speaker 8>before yesterday. We got a mail check on the place.

349
00:16:33.159 --> 00:16:36.440
<v Speaker 8>No letters from Benson or what about the phone. Well,

350
00:16:36.480 --> 00:16:37.720
<v Speaker 8>that's gonna give us some trouble.

351
00:16:38.279 --> 00:16:42.360
<v Speaker 1>Or what kind of trouble Benson. Oh, stop light a cigarette.

352
00:16:42.559 --> 00:16:44.120
<v Speaker 1>I want a better look at the place. All right,

353
00:16:46.720 --> 00:16:49.200
<v Speaker 1>it so happens at Benson's. Aunt is the night operator.

354
00:16:49.879 --> 00:16:52.679
<v Speaker 1>I didn't wanna plant anyone in the exchange. If she's sponsor,

355
00:16:52.759 --> 00:16:56.039
<v Speaker 1>it might wear the works, okay, but keep agents posted

356
00:16:56.080 --> 00:16:58.559
<v Speaker 1>around the exchange every minute. The Amazon duty will.

357
00:16:58.480 --> 00:17:01.639
<v Speaker 3>Do the manager the exchange. There's no connection with Benson.

358
00:17:01.720 --> 00:17:04.279
<v Speaker 1>Good. I don't think Benson will have nerve enough to

359
00:17:04.319 --> 00:17:06.599
<v Speaker 1>come right to the house. You might figure it's covered,

360
00:17:07.240 --> 00:17:09.319
<v Speaker 1>but I'm almost certain he'll try to get in touch

361
00:17:09.359 --> 00:17:12.200
<v Speaker 1>with Kitty, and if he does, we wanna know about it.

362
00:17:12.559 --> 00:17:26.599
<v Speaker 5>Come on, hello, Kitty, Jack, I wanna make the short

363
00:17:26.640 --> 00:17:27.720
<v Speaker 5>and sweet Baby, I'm close.

364
00:17:27.839 --> 00:17:30.160
<v Speaker 3>I'm gonna come by for you, Jack, Baby walking to

365
00:17:30.319 --> 00:17:31.759
<v Speaker 3>it will work? Is my at home?

366
00:17:32.079 --> 00:17:33.960
<v Speaker 4>No, she would see a friend full work.

367
00:17:34.079 --> 00:17:35.759
<v Speaker 3>Okay, y'all get in touch with her. When I get in,

368
00:17:35.920 --> 00:17:36.839
<v Speaker 3>she'll tell you where to make me.

369
00:17:37.160 --> 00:17:38.759
<v Speaker 4>Be careful, Jack, be careful.

370
00:17:38.480 --> 00:17:39.720
<v Speaker 3>Don't worry about me. I'll be all right.

371
00:17:40.079 --> 00:17:49.960
<v Speaker 5>I wanna get off this line so long, goodbye, Okay, began,

372
00:17:50.039 --> 00:17:51.680
<v Speaker 5>Let's get out of here. Sit down, Yeah, Jack, let

373
00:17:51.680 --> 00:17:54.440
<v Speaker 5>me finish my drink. I have to make it snappy.

374
00:17:55.480 --> 00:17:58.680
<v Speaker 5>Who you calling that dame here? She got a friend?

375
00:17:59.039 --> 00:17:59.960
<v Speaker 3>She all live in this time?

376
00:18:01.599 --> 00:18:04.440
<v Speaker 5>Who cares if she's got a friend? And when do

377
00:18:04.480 --> 00:18:05.079
<v Speaker 5>we get this baby?

378
00:18:05.079 --> 00:18:06.759
<v Speaker 3>He is? And where I'm getting curious? They don't have

379
00:18:06.839 --> 00:18:07.279
<v Speaker 3>long to wait?

380
00:18:07.400 --> 00:18:11.079
<v Speaker 5>Now's if very a little place called Sainish should I have?

381
00:18:11.440 --> 00:18:12.680
<v Speaker 3>We're driving there right now?

382
00:18:12.759 --> 00:18:13.039
<v Speaker 7>Good?

383
00:18:13.200 --> 00:18:13.559
<v Speaker 3>Good.

384
00:18:14.039 --> 00:18:15.960
<v Speaker 5>That's where we take on our extra pass year I

385
00:18:15.960 --> 00:18:17.720
<v Speaker 5>get finished up. We got fifteen miles to drive.

386
00:18:17.839 --> 00:18:27.240
<v Speaker 8>Okay, okay, Haines, Yes, manager of the local telephone exchange

387
00:18:27.279 --> 00:18:27.920
<v Speaker 8>just got in touch with me.

388
00:18:28.240 --> 00:18:30.599
<v Speaker 3>There was a call to Kitty. It came through from

389
00:18:30.599 --> 00:18:32.400
<v Speaker 3>Bismock from Benson. He doesn't know.

390
00:18:32.400 --> 00:18:34.079
<v Speaker 8>He just saw the ticket. He happened to go buy

391
00:18:34.119 --> 00:18:35.599
<v Speaker 8>the office and the ticket had just been filed.

392
00:18:35.759 --> 00:18:37.359
<v Speaker 1>There's Benson's out on Judy at the board.

393
00:18:37.400 --> 00:18:39.200
<v Speaker 8>Oh she's not scheduled to come on for another hour.

394
00:18:39.400 --> 00:18:41.680
<v Speaker 1>Okay. We'll get in touch with the police at Bismarck

395
00:18:41.720 --> 00:18:43.720
<v Speaker 1>to be on the lookout for Benson there, and we'll

396
00:18:43.759 --> 00:18:46.279
<v Speaker 1>keep a double watch here in town all night. Crossman

397
00:18:46.319 --> 00:18:47.640
<v Speaker 1>and Gould on the house. You and I had the

398
00:18:47.640 --> 00:18:51.000
<v Speaker 1>telephone exchange where we can cover any more calls.

399
00:18:54.960 --> 00:18:56.200
<v Speaker 7>So this is sanus share.

400
00:18:56.799 --> 00:18:57.960
<v Speaker 3>Yeah, this is Saanish.

401
00:18:58.440 --> 00:19:00.000
<v Speaker 5>I can see where you left it at such an

402
00:19:00.039 --> 00:19:02.519
<v Speaker 5>early age. Jack, What do people do around here for excitement?

403
00:19:02.680 --> 00:19:05.279
<v Speaker 3>They sleep much where you're driving there?

404
00:19:05.359 --> 00:19:07.880
<v Speaker 7>Stop so I see it?

405
00:19:09.240 --> 00:19:09.920
<v Speaker 3>Okay, what.

406
00:19:12.839 --> 00:19:15.400
<v Speaker 7>Stop signing? They need there? Why to see the cows coming?

407
00:19:16.640 --> 00:19:18.640
<v Speaker 3>That's the telephone exchange in the middle of the block.

408
00:19:19.160 --> 00:19:20.440
<v Speaker 7>And then your ants gotta stay on and do it

409
00:19:20.440 --> 00:19:22.720
<v Speaker 7>the all night. The next cars around here.

410
00:19:22.640 --> 00:19:23.680
<v Speaker 3>At night pull in over there?

411
00:19:23.880 --> 00:19:26.359
<v Speaker 7>Okay, why don't we go to the dame's house.

412
00:19:26.440 --> 00:19:29.599
<v Speaker 3>I'm doing this alright, turn off the lights.

413
00:19:29.720 --> 00:19:33.279
<v Speaker 5>Okay, what do you need a gun for here?

414
00:19:34.200 --> 00:19:36.240
<v Speaker 3>I didn't need it back in Kansas either, but I

415
00:19:36.359 --> 00:19:36.640
<v Speaker 3>use it.

416
00:19:37.559 --> 00:19:43.279
<v Speaker 5>I'm on, I'll wait here. Come on, I said, oh okay.

417
00:19:44.119 --> 00:19:46.319
<v Speaker 3>Alright, we'll go around the back. It's no matter what

418
00:19:46.359 --> 00:19:46.680
<v Speaker 3>the front.

419
00:19:46.720 --> 00:19:48.880
<v Speaker 5>Nobody's there but your rent and go around the back

420
00:19:48.960 --> 00:19:51.319
<v Speaker 5>and we'll just trouble to see it day he mind it.

421
00:19:51.400 --> 00:20:04.359
<v Speaker 3>Shut up, that's far off, but copsa camp sho Jack, Okay, okay,

422
00:20:04.599 --> 00:20:05.160
<v Speaker 3>take it easy.

423
00:20:05.440 --> 00:20:07.000
<v Speaker 1>Where do the where do the bullets catch Benson?

424
00:20:07.319 --> 00:20:08.599
<v Speaker 2>Alright? I guess he's dead.

425
00:20:09.039 --> 00:20:11.799
<v Speaker 1>Okay, wait here, the carner comes, I'll take care of

426
00:20:11.799 --> 00:20:13.920
<v Speaker 1>this one. Go on, you start walking.

427
00:20:13.920 --> 00:20:15.480
<v Speaker 3>Okay, I'm walking. I'm walking.

428
00:20:23.400 --> 00:20:30.480
<v Speaker 4>Just a minute, I'm coming. Oh, hello, Kitty, he's not here.

429
00:20:30.519 --> 00:20:31.920
<v Speaker 4>I swear he isn't I know?

430
00:20:32.000 --> 00:20:33.160
<v Speaker 3>He isn't.

431
00:20:33.200 --> 00:20:35.640
<v Speaker 1>Two in the morning, in your old dressed You weren't

432
00:20:35.640 --> 00:20:36.440
<v Speaker 1>expecting to go out.

433
00:20:37.240 --> 00:20:38.039
<v Speaker 4>I was upbreading.

434
00:20:38.359 --> 00:20:40.960
<v Speaker 1>Oh I thought you might be going out to meet Benson.

435
00:20:41.039 --> 00:20:41.519
<v Speaker 4>That's not so.

436
00:20:42.160 --> 00:20:44.240
<v Speaker 1>It is so, kitty, And you know it.

437
00:20:44.799 --> 00:20:47.079
<v Speaker 4>What do you want? You can't come in here?

438
00:20:47.200 --> 00:20:53.759
<v Speaker 1>And I I came to tell you, Kitty, Benson's dead.

439
00:20:55.079 --> 00:20:57.319
<v Speaker 1>Oh no, he tried.

440
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<v Speaker 3>To fight us.

441
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<v Speaker 1>All right, you better come along with me.

442
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<v Speaker 4>He wasn't bad, not really. He was good to me,

443
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<v Speaker 4>honest he was. He was good to me.

444
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<v Speaker 1>I don't doubt it, Kitty. But being good to you

445
00:21:11.640 --> 00:21:14.559
<v Speaker 1>wasn't enough, not nearly enough. He wasn't very good to

446
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<v Speaker 1>his victims, nor to the FBI agency. Shot. Come on,

447
00:21:18.400 --> 00:21:23.599
<v Speaker 1>let's go. That don was the end of one of

448
00:21:23.640 --> 00:21:28.359
<v Speaker 1>the most intensive manhunts in recent years. John Frederick Benson

449
00:21:28.440 --> 00:21:31.519
<v Speaker 1>died by the gun the way he expected to thrive,

450
00:21:32.440 --> 00:21:35.359
<v Speaker 1>and the same finish faces any man who thinks he's

451
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<v Speaker 1>bigger than the law which governs all of us. Thank

452
00:21:38.400 --> 00:21:41.200
<v Speaker 1>you very much, United States Attorney Anderson for this pointed

453
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<v Speaker 1>case history and Gangbuster's congratulations to all the law enforcement

454
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<v Speaker 1>officers who participated in the investigation leading to the conclusion

455
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<v Speaker 1>of this case. Delight's case was dramatized by Statliness and

456
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<v Speaker 1>directed by William Sweets, with Ken Lynch and Charlotte Lawrence

457
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<v Speaker 1>in leading roles. Don Gardner speaking. Gangbusters is a Phillips

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<v Speaker 1>h Lord production.