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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of Broadways My Beat.

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But first I want to encourage you, if you're enjoying

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the podcast, to please follow us using your favorite podcast software.

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And today's program is brought you a part by the

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financial support of our listeners. You can send us a

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donation via the zel I have to box thirteen at

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Great Detectives dot net and become one of more ongoing

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Patreon supporters for his little last two dollars per month.

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Just go to Patreon dot Great Detectives dot net. But now,

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from January twenty sixth, nineteen fifty two, here is the

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Russ Warner murder case.

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Speaker 2: Broadway's Mybeat from Times Square to Columbus Circle. The gaudiest,

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the most violent, the lonesomest mile in the world.

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Speaker 3: Broadways My Beat with Larry Thor as Detective Danny Clover.

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Speaker 2: The winds of January begin. They're unraveling and Broadway shivers

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in Doorways submits to the lingering cold touch. They're passing

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without regret, puddling against it. Turning it back to it.

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But the wilderness of steel and stone, draped with glitter,

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whispers on the darkness, and Broadway tries again, ventures out,

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digs down, finds the currency of nighttime once more lays

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its bets against the dealers at night. Neon is the

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red and black is the shadows, the numbers of rooms,

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three flights up into the hall, or a smile waits,

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or a tear. It's spinning, kid, make your play. This

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could be it, and the dealers pay off in another way.

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The man who wipes his hands in a bar apron

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offers you one.

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Speaker 4: You'd never been here before, You wouldn't say this was

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the same place, mister, this time and night. Other nights,

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my little place of business is alive, teeming with frolic

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Well changed it tonight The frolic as was driven away. Yeah,

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I can see that man. Wait what I got for

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you in the back room. Just wait thing to see

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my back room, my cribbage room and a shambles.

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Speaker 2: Mister, who is this man?

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Speaker 4: We're shambles of all anty. Russ Warren, a citizen of Chicago.

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Two years ago, when he dropped by for a visit,

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he looked in better help he dead, mister shoulder room.

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Speaker 2: The bullet almost threw it apart, a lot of blood.

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Why did you call an ambulance?

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Speaker 4: I did, I did. I was laying myself odds who

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would get here first? You won't?

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Speaker 2: All right? Tell me what happened?

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Speaker 4: Yeah, Russ walks into my place of business. Don't even

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pass out how to do? Just ask for the cribbage room.

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I give it to him because no one else was

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in here. Maybe an hour later, another man walks and

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asks for the cribbage room. I give it to him.

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All of a sudden, bing bang boo, my guy, I

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got a bleeding man and four bullet holes in my

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plast look pluck, you see economy as one and another.

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This one had a water pike. He was the other

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man an utterly complete stranger. Tell me, mister it with

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personal damages like this, should I go on living?

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Speaker 2: And a few minutes after that, the men salaried by

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the city to measure violence. Photograph had calibrated the men

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from technical Also, the white coated boys with stretcher and

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the remarks tailored to fippy occasion. Havoc and Russ Warner

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were being handled professionally. So leave there go home and

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the next morning back to headquarters, down the hall and

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into the office. Two men are waiting for you. Morning,

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Danny maargan.

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Speaker 5: This is what tennant clover, Russ.

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Speaker 6: I am apologize to shaken with a left hand sling

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on the right courtesy you medical department.

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Speaker 2: Are you feeling, Russ? Fit?

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Speaker 4: Fit? Shoulder aches a little at show.

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Speaker 2: Russ says he hardly knows what happened last night, Danny.

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Speaker 6: Oh, emotions like I told Detective Mugguman here since I

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was a lad, a bundle of nerves. You know when

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a doc once told me I did I reject? Every

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time something large happens to me, I reject. My mind

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refuses to remember.

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Speaker 5: Isn't that interesting, Danny?

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Speaker 4: However did I get here in this condition? That's what

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I'd like to know.

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Speaker 2: I want you to think about it, Russ. I want

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you to think hard, try to remember I rank Russ.

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Speaker 4: Just think who could have done it? What happened?

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Speaker 5: Maybe I can help you, Russ.

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Speaker 4: Gee I needed and we can book out about eight counts.

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Speaker 6: The way I figure because I was shot. Oh, how

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do you like this memory of mine?

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Speaker 4: It suddenly like a what happened last night? Russ as

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clear as anything. I continue to the detail. I walked

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into this back room, saw a gun on the table.

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Speaker 6: I picked it up, and, being cleanly by nature, I

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started to clean it.

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Speaker 2: It went off, fired four shots into the wall before

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it got to you.

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Speaker 4: I couldn't control it was alive in my hand.

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Speaker 2: There wasn't any gun in that room. Russ, the word

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it is?

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Speaker 4: I wonder what, Nanny?

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Speaker 2: What do you want? Sergeant?

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Speaker 7: On searching my records, I have come up some news

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about this ross Wana. Good morning, mister Wanna. I have

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some news about you. Last week you were in a

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fight with one Joe Hayden, a street braw.

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Speaker 4: What about it, Russ Jose a friend of mine. We

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were just seeing who was stronger.

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Speaker 2: You got this Joe Hayden's address, you know, from Dad?

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I do, yeah, thanks? Lock this man up.

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Speaker 7: G I'm along, mister Wanna, unless you're gonna afford not

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to do so. What do you mean, Sergeant, Tale has

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been set for you pending hearing. Nice round figure two

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five thousand dollars material with us to whatever transpired last evening.

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Speaker 6: Reach into my pocket, will you please, sergeant, and you

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can find the door in my wallet. I carry such

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sums for emergency, and I'm really sorry I caused all

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of you so much trouble. Honestly, come on, only certain

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kinds of people not like that.

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Speaker 8: You ain't fat enough to be a bill collector. This

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makes you what police single?

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Speaker 4: I know it.

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Speaker 5: I got an ear for tew.

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Speaker 2: Let's kick it around inside.

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Speaker 5: I'm astading and the message has taken her. Aftern all

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beauty sleep.

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Speaker 8: Usually she comes out of it like a cat, all

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claws and teeth.

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Speaker 5: Want to take a chance.

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Speaker 2: We'll try it.

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Speaker 5: Brave man, brave, brave man.

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Speaker 8: Right in the day when I meet man like you money, Uh,

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look at she makes her sofa a dream book waker.

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Would never miss this for the world. Honey, honey, baby,

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come on, well we wake up. Come on, hit the deck, honey.

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We gotta police the magic word like a kiss.

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Speaker 9: Yeah please, I'll find him a piece of fruit and

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send him away.

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Speaker 8: You can't do that, Huh. I got a feeling police

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wants something else?

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Speaker 4: What man?

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Speaker 5: Laurie asked it for me, Baby Laurie, what do you want?

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Speaker 2: You know? Russ Warner chat from named Warner. Let me

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freshing it up for you. You were in a fight

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with him last week.

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Speaker 5: Oh that Russ.

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Speaker 8: When didn't you say what was the fight about?

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Speaker 9: Yeah? Sure, honey, Well it's his way man from the police.

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Two Ochicago friends like Joe and Russ. Two old friends

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like that meet after two years being apart from each other.

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Speaker 10: What do they do?

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Speaker 9: Feed each other up? It's common courtesy?

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Speaker 2: And rust with a bullet hole on his shoulder? What's

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that called?

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Speaker 11: This?

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Speaker 5: Good thing? Happened to Russ? Nobody tells him not.

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Speaker 2: Happened last night Henry's Bar, Third Avenue, twelfth, Oh what

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do you know?

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Speaker 5: Where was I last night?

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Speaker 4: I need to miss a thing like that.

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Speaker 9: Don't you remember Joe with me? Your lunge all day,

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never left my side?

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Speaker 4: Sure, sure, m.

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Speaker 5: Hmmm, How could I forget a thing like that?

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Speaker 4: Oh?

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Speaker 2: Lord, day, Lauria's your alibio.

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Speaker 5: Was never a pretty one.

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Speaker 2: You signed a real happy Russell's hurt. Don't see it? Ida?

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Are you hate him?

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Speaker 9: I'm full of wake now, So I'll tell you. Rush

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and my Joe were hoods together once in Chicago, closest

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two years ago. Joe met me, gave it up because

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I was better. Yeah, wait too, and.

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Speaker 4: We could go.

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Speaker 9: Rush was stand against the lamp post, waved Joe over

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to him, invited them back into the old days. They

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messed with it a while. Joe wanted no part of it.

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Joe was the one who walked away strong Joe, because

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he had you, because you had me. You know what

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I did to keep it that way?

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Speaker 2: No tell me?

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Speaker 9: I long distance the call to chums in Chicago. So

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if they care to know Russ Warner was loose here,

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looks like they brought along a boot found Russ.

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Speaker 4: Gotta be Lory. Go back to sleep, baby. The police

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is leaving you mind letting me have one of those

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cigarettes with her?

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Speaker 2: Lot at all here?

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Speaker 4: Like? Thanks?

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Speaker 2: Why do you think that stuff will be coming over

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the tone type in Chicago?

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Speaker 5: Oh?

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Speaker 4: That I stand by. Now there it comes h Russ's

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Warner arrested for assault nineteen thirty five I saw with

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deadly weapon nineteen thirty seven, assault with deadly weapon nineteen forty,

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released all three counts for lack of evidence known associated

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with Martin.

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Speaker 2: What's the trouble.

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Speaker 4: I don't know what the trouble is with tellt me

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just stopped sending.

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Speaker 2: You almost play games with each other like that's probably

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officer Westfall in Chicago.

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Speaker 4: He gets in front of a teletype machine tries to

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make a drama. But what oh, here goes a known

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associated with Martin Cato, suspected policy rackets. Well that isn't

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a whole lot. No, no, wait a minute, No arrests

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listed for Joe Hayden of Chicago. You know Martin Cato

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left Chicago four days ago from New York City by

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nineteen fifty two. Red convertible, Illinois license number y one,

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six or seven. Just you check whereabouts in your city?

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That's West Paula, he suggests. Sweet check someday when you

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have title. Tell, I'll show you some of the things.

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Speaker 2: He said over the telling, Thanks, officer, I don't have

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the time. So another name had intruded itself. Martin Cato,

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the name of the familiar sounds, a name bandied about

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at crime investigations, on reform platforms and smilingly on the

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lips of citizens who like to bet a buck against destiny.

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Martin Cater was in New York. Find him, find out why,

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find out why he was suddenly no longer in Chicago.

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But in the rough vicinity of a shooting the night before,

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he was easy to find. A red convertible, a big

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grinning man whose face had been in the newspapers often

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enough to be recognized anywhere. The policeman spots him going

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into the Heath Hotel in Madison. Go there, be told

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mister Cato was taking a suite on the ninth floor.

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So right, nine flights up for a visit.

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Speaker 12: H robing boy, Come on and put the drink.

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Speaker 2: Oh you, My name is Danny Clover from the police.

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Why what are you doing in New York? Kiddle? You

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come to shoot up a man named Russ Warner?

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Speaker 6: Tell me here because I like New York. Mister, don't

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you try to arrange to do things you like? Mister,

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you're just tearing a visitor.

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Speaker 4: Yeah, that's right.

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Speaker 6: In three years, I have an ice skater and Rockefella senter.

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I'm going shopping for blades today. Where's a nice place

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to shop?

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Speaker 4: Rots? Rots, don't be crazy?

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Speaker 2: Yeah, Russ Rus? Can you hear me? What he got

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under his coat? It looked like he was not for

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a hurt. Russ Warner is dead, murdered.

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Speaker 3: You are listening to Broadways My Beach, written by Martin

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Fine and David Freakin and starring Larry Thorr as Detective

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Danny Clover. Like old Man River the comedy jes keeps

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rolling along every Sunday night. When CBS Radio presents Amos

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Sinandi Tomorrow night over most of these same stations, the

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Kingfish is sure to be up to his usual monkey business,

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and it's sure to make a monkey out of gullible

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Andy Brown, listen for yourself. Don't let one minute of

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the fun get away. Tomorrow and every Sunday night it's

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CBS Radios two and only Amos Sinandi. When it's winter

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and the chill wind puffs down from the river, Broadway

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is a place of regret. The new dreams made for

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the New Years show their first praying. The golden girls

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are wrapped in fur coats somebody else could afford. It's

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the time of the galosh, the noisy radiator, and the

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cold andoleum on the bare feet. The mornings are filled

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with the numbing hours and dead cigarettes in the bottom

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of paper cups.

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Speaker 2: It's January. It's now time, wool muffler time, the time

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to be on speaking terms with relatives. In Miami Beach,

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there was a winter's room where I was chilled by

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the touch of a man, newly dead, man named Russ

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Warner standing over him. Another a resident of Chicago newly arrived,

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the big man in the handsome clothes, the hoodlum called Cato,

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called Martin Cato.

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Speaker 6: One thing you had to be sure of, mister twisted

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anyway you like, I didn't chill let all.

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Speaker 4: You were right here when he walked in. You know

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as much about it.

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Speaker 2: As I do. Ah. No, I don't what he been

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doing all day, Kato? What he been doing? Alldy Kato

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sleep all day? Huh.

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Speaker 4: I'm noted for it.

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Speaker 2: I'm going to tell you something unless you show me

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how I'm wrong. I'm booking you for suspicion of murder.

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Speaker 4: And you think he did naked stick. I didn't say that.

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Speaker 2: I said, I'm going to book here for suspicion, and

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I'm going to tell you what. I suspect that you

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shot Russ a little while ago and left him for dead.

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Only he didn't die. He came up here to get you.

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Speaker 4: Cato wearing a gun.

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Speaker 2: I'll see. Yeah, yeah he is.

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Speaker 4: That makes it pretty tough for me.

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Speaker 2: I don't know how tough it makes it, Kato. Look,

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I don't want to repeat myself. It's a thing about suspicion,

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that murder all over again.

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Speaker 4: Yeah, you want to hear a story.

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Speaker 2: That's up to you.

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Speaker 4: Russ worked for me in Chicago, ran errands for me.

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Speaker 2: That's a pretty thrilling story. That's a minute. Let me

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tell you about it. Hurry up.

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Speaker 6: I send Russ and an errand for me to buy

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something worth a hundred thousand dollars by what yet?

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Speaker 4: Maybe I don't remember. He had one hundred grand of

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mine and he.

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Speaker 2: Ran and you chased him, caught up with him.

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Speaker 6: I caught him in the back groom with that bombis

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and teased him, all right. I put a slug in

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his shoulder, just to tell him the reason I came

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to New York to let him know I want my dog.

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I didn't kill him. I'm glad you told me all that. Cato,

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you can't book me on suspicion of murders.

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Speaker 2: Assault with a deadly weapon. Let's try that one. Huh.

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You won't argue that one, will you, Thanks, Cato.

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Speaker 12: Shrimp Boats is to come and make come and tonight.

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Speaker 2: Swimp boats is a coming.

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Speaker 12: Oh, come and tonight. I want to hurry hurry hurry home,

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old happy.

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Speaker 4: You know, good question.

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Speaker 12: Hurry hurry hurry home, Hurry hurry home. Heasable yible.

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Speaker 2: What makes you so happy?

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Speaker 12: Questions questions, questions, Danny, I'm.

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Speaker 2: Surprised at you, all right, but I still don't know

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what makes you so happy?

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Speaker 12: Well, doesn't the stick out all over me?

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Speaker 4: Then?

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Speaker 12: Doesn't it stick out?

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Speaker 7: I'm happy because one of the nation's major hoodooms, Martin

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Cato by name, is.

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Speaker 12: In now beating his head against the walls of our

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local pokey true or false?

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Speaker 2: True?

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Speaker 12: Correct?

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Speaker 4: And is it not?

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Speaker 7: Also through communications has been flipping its lid with the song.

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Speaker 12: Of the teletype from our Chicago way.

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Speaker 7: There is such a to do to wit that. From

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the years nineteen forty five through forty eight, the newly

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deceased russ Wana was married to one Lauri Croft, also

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of Shy Laurie, the same Laurie who in the summer

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of forty eight divorced said russ Wana and in the

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winter promised to love on obey and alibi for one

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Joe Hayden, The same Joe Hayden who last week beat

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up russ Wana.

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Speaker 2: Tell Margavan Gino telling me be downstairs with a squad.

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Speaker 7: Car cause without saying Danny, the effects of russ Wana

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were gathered sort of microscope Danny, No. One hundred grand

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was found, Margavin, doesn't that you get a squad car?

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Speaker 12: Meet Lieutenant Clover downstairs?

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Speaker 13: That is all?

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Speaker 2: Wait here, Magavon.

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Speaker 4: Okay, you sure you don't worry about it?

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Speaker 2: If I need you, I'll be the first to let

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you know.

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Speaker 9: Oh don't I remember you from out of some deep sleep?

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Speaker 2: Sure you do. I want Joe missus d doesn't everybody

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see in there?

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Speaker 9: If he was, I'd go to a headshrinker. Have my

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head bumps examined for recurrent dreams about a man who

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is in fave.

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Speaker 2: I'll take a look.

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Speaker 9: I'll let you do that, even if you don't tick

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on my nose with a warrant. I'll make myself thin

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so you can pass through the door without us test.

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Thanks you did, am I surprise? Two rooms? Make it

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two and a half. Help yourself.

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Speaker 2: Where is he?

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Speaker 9: What he told me while running his hands through my hair,

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pulling it back to my face, be was he was

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all of a sudden cold out of town. I think

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I should believe in man. When he tells me like that,

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tell you where he was going? He had me enchanted.

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Then when he says pack me a bag, I pack

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it for him.

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Speaker 14: Oh yeah, I take out the cardboard suitcase, tossed in

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his shirts, a few outer garments. Few on there, Doctor

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West medium, so his teeple shine bright and pretty at

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whoever he went to smile at wherever they are.

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Speaker 2: Like that, he packed his bag, kissed him goodbye, and

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never asked where a husband was going because I love him.

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So maybe there was another reason.

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Speaker 9: The girl has to have another reason.

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Speaker 2: One hundred thousand dollars could be another one.

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Speaker 9: A hundred thucks has a sweet son. Tellme I never

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heard it before.

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Speaker 2: One hundred thousand. Joe killed Russ Warner for Russ, that

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tired boy.

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Speaker 9: Russ had money like that.

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Speaker 2: Look it away from Martin Cato, carried it around New York,

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lost it to Joe Hayden, saddened his life.

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Speaker 9: You think, no, you think what Joe made me pack

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some bungles wrapped in old newspapers under the shoes. When

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I asked him what they worry kissed my mouth shut.

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So don't worry about a baby. You think my lover

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boy Joe did that to me.

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Speaker 2: You know where he is, Laurie. Tell me it'll be

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easier for you.

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Speaker 9: The boy rented a car from the U Drive down

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the street. That's all I know. All he told me

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sick police. Chain them to a wall. I'll walk back

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and forth in front of them. Just tea sicken police.

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Speaker 2: So get down to the corner and question the man

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who runs the you drive at garage. Sure, you're told

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the man you're looking for rented a car a few

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hours ago. Here's the make, car and license number. So

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thank him and leave the all points bulletin. Find Joe

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Hayden and wait and get lucky. Picked him up in

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the airport.

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Speaker 15: Danny got off due the officer was waiting to meet

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a friend on an incoming place.

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Speaker 4: Spotted at me being.

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Speaker 2: Hell there, get a squad car and right across the

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face of a city. The sound you make is like

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broken glass slashing against his heart. You see the terror,

401
00:22:48,480 --> 00:22:51,079
silent and quick in the blur of crowd making way

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00:22:51,160 --> 00:22:56,720
for you. Finally you'll get there the airport. There they are,

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00:22:56,799 --> 00:22:57,839
Danny over there.

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Speaker 8: Offer candles with him, Yeah to them, okay, off, she.

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Speaker 15: Will take it from here.

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Speaker 2: He almost made it, Joe, Yeah almost.

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Speaker 5: It's a story in my life.

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Speaker 15: But I'm on right, come on, come on, don't be bashful, hey,

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and just slip these on your wrist. What happened to

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your carre, Joe? He almost threw us off at that kid?

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Speaker 5: You see almost again?

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Speaker 2: Okay, Mark and open his bag?

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Speaker 5: Sure, no, what Danny, Just make.

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Speaker 2: Sure the money's in it. Then we can get out

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of here by the.

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00:23:31,200 --> 00:23:32,160
Speaker 4: Messing up the shirts.

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Speaker 5: The door is the ret noose?

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Speaker 2: Pay Yeah, you find it, Danny?

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Speaker 4: What nothing in here but shirts, socks, an underwear? Crazy?

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Speaker 2: The doll one hundred thousand's gotta be there in a

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00:23:41,319 --> 00:23:47,359
two k's upside down? Have an empty it, shirts, socks

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00:23:47,559 --> 00:23:49,559
and underwear heat doll. I don't know what goes on here,

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but you don't know what goes on here, Joe, Now

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you do. Come on, let's go.

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00:24:00,079 --> 00:24:10,440
Speaker 16: Mh I'm sweet home. Make a big surprise. The case

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00:24:10,480 --> 00:24:11,440
in my coat pocket.

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00:24:11,480 --> 00:24:12,000
Speaker 4: I'll get it.

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Speaker 5: Call your wife, Joe, Laurry Laurie, honey bun Laurie.

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Speaker 4: Sweet Hi Laurie.

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Speaker 9: Mm hmm.

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00:24:33,839 --> 00:24:37,759
Speaker 8: Creaky detectives too, you know, Lieutenant Clover is funny as

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00:24:37,799 --> 00:24:38,440
to take a month?

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00:24:38,720 --> 00:24:40,359
Speaker 2: Were you disturbing you? Missus Haydn?

434
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Speaker 9: I was getting used to being without Joe. What'd you

435
00:24:42,640 --> 00:24:44,559
laugh at that room?

436
00:24:44,599 --> 00:24:46,240
Speaker 2: Missus Hayden came out into the bedroom.

437
00:24:46,559 --> 00:24:50,960
Speaker 4: Take a look, right, they put cuffs on me, Laurie.

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00:24:51,440 --> 00:24:52,519
Speaker 9: That's real tough.

439
00:24:53,880 --> 00:24:54,200
Speaker 4: I said.

440
00:24:54,200 --> 00:24:57,079
Speaker 5: All you've got to say, Oh.

441
00:24:56,960 --> 00:25:00,680
Speaker 9: My, poor Joe, how sorry I am for you? Look

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00:25:00,839 --> 00:25:02,519
what's become of you?

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00:25:02,640 --> 00:25:02,799
Speaker 4: Who?

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00:25:03,319 --> 00:25:03,599
Speaker 12: Joe?

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Speaker 9: Is that what you want me to say?

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00:25:06,880 --> 00:25:07,960
Speaker 5: You're forgetting something?

447
00:25:08,000 --> 00:25:11,359
Speaker 2: How's it coming? Mangamin? Give me a check, Daddy detective

448
00:25:11,400 --> 00:25:16,039
mugaments looking for one hundred thousand dollars Missus Hayden. Did

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00:25:16,039 --> 00:25:16,559
you hear me?

450
00:25:16,640 --> 00:25:18,880
Speaker 8: Missus Hayden, Look on if you get out of here,

451
00:25:18,920 --> 00:25:21,680
you can't do that, La, That's right, we can't.

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00:25:21,680 --> 00:25:22,599
Speaker 2: It's got murder in it.

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00:25:22,759 --> 00:25:24,640
Speaker 9: You got your boy? What more do you want?

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00:25:28,440 --> 00:25:28,720
Speaker 4: Better?

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00:25:30,119 --> 00:25:31,599
Speaker 5: Man said, it's got murdering it.

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00:25:32,039 --> 00:25:32,599
Speaker 9: What do I care?

457
00:25:32,640 --> 00:25:33,279
Speaker 3: What the man?

458
00:25:33,440 --> 00:25:34,759
Speaker 2: Yeah?

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00:25:34,839 --> 00:25:36,960
Speaker 6: Here it is Sam one hundred dollars bill.

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Speaker 4: The rest of it's in their suitcase.

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00:25:40,559 --> 00:25:45,119
Speaker 8: Oh you lord, dear white glory, loving white glory.

462
00:25:45,400 --> 00:25:48,240
Speaker 2: First time I was here, this place was drenched with love.

463
00:25:48,359 --> 00:25:51,079
What's happened to it? What happened to it? Is what

464
00:25:51,200 --> 00:25:51,680
you said?

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Speaker 4: Murder?

466
00:25:53,559 --> 00:25:55,319
Speaker 5: No another read?

467
00:25:55,480 --> 00:25:59,920
Speaker 4: Yeah? Yeah, that's my lord, my love?

468
00:26:00,440 --> 00:26:02,680
Speaker 2: Oh my, want to tell us how you got this money,

469
00:26:02,720 --> 00:26:03,319
missus Hayden.

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00:26:04,119 --> 00:26:06,960
Speaker 9: Yeah, I'll show an old friend came.

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00:26:06,839 --> 00:26:09,519
Speaker 2: Back to me. Russ Warner, huh man, you were once.

472
00:26:09,400 --> 00:26:12,839
Speaker 9: Married to Yeah, it seems he never forgot the happiness.

473
00:26:13,319 --> 00:26:15,720
He remembered how he missed a few allowances when we

474
00:26:15,720 --> 00:26:17,599
were man and wife, and he thought he'd make it

475
00:26:17,680 --> 00:26:20,240
up the consideration of the man.

476
00:26:20,359 --> 00:26:22,920
Speaker 2: So you knew all about one hundred thousand dollars the

477
00:26:23,000 --> 00:26:26,119
last time I was here. You were surprised I mentioned all.

478
00:26:26,000 --> 00:26:29,279
Speaker 9: That money makes me Coy was strange.

479
00:26:30,160 --> 00:26:31,920
Speaker 2: You know what happened, figured, what happened all the way

480
00:26:31,920 --> 00:26:32,680
here to be telling me.

481
00:26:34,160 --> 00:26:34,480
Speaker 4: Life.

482
00:26:34,680 --> 00:26:35,960
Speaker 5: It's not going to do you any good.

483
00:26:37,400 --> 00:26:38,119
Speaker 9: What'd you tell him?

484
00:26:38,200 --> 00:26:38,440
Speaker 12: Joe?

485
00:26:40,880 --> 00:26:41,640
Speaker 9: What'd you tell him?

486
00:26:41,720 --> 00:26:44,000
Speaker 2: Joe didn't tell us anything. He didn't have to tell

487
00:26:44,079 --> 00:26:44,519
us anything.

488
00:26:44,839 --> 00:26:45,119
Speaker 4: They know.

489
00:26:45,799 --> 00:26:49,400
Speaker 2: They know how Rush showed you the money stolen from Cato,

490
00:26:49,920 --> 00:26:52,079
how he wanted you to run away with him, how you.

491
00:26:53,720 --> 00:26:57,119
Speaker 15: Rory, how you shot Rush, missus Hayden, that's what your

492
00:26:57,200 --> 00:26:58,039
husband's trying to say.

493
00:26:58,079 --> 00:27:00,160
Speaker 2: And you showed the money to your husband, Missus, and

494
00:27:00,279 --> 00:27:02,000
told him to take the money and go away. You'd

495
00:27:02,039 --> 00:27:04,200
meet him later. You packed your suitcase for him, but

496
00:27:04,839 --> 00:27:07,000
somehow it slipped your mind to put the money in it.

497
00:27:07,759 --> 00:27:10,119
Russ knew where the money was. That's why he went

498
00:27:10,119 --> 00:27:15,640
to Cato to tell him, Lay, you just wanted me

499
00:27:15,680 --> 00:27:19,480
to koy, didn't you? Then you would go someplace where

500
00:27:19,599 --> 00:27:20,359
the money without me?

501
00:27:22,039 --> 00:27:22,400
Speaker 5: Lolorry?

502
00:27:22,519 --> 00:27:26,119
Speaker 4: Why Lorry?

503
00:27:26,160 --> 00:27:27,880
Speaker 2: If you have trusted me with the money, I hadn't

504
00:27:27,880 --> 00:27:30,279
done anything for you, I would have said I killed.

505
00:27:30,680 --> 00:27:32,960
Speaker 9: Anything you wanted, I gave it me you. I tried

506
00:27:32,960 --> 00:27:33,960
it like Rush.

507
00:27:34,160 --> 00:27:35,440
Speaker 4: What happened to was Lory?

508
00:27:35,559 --> 00:27:36,200
Speaker 1: What did I do?

509
00:27:36,839 --> 00:27:38,039
Speaker 12: Tell me why I was wrong?

510
00:27:40,200 --> 00:27:40,400
Speaker 4: Man?

511
00:27:42,559 --> 00:27:43,000
Speaker 6: Like Rush?

512
00:27:43,079 --> 00:27:46,720
Speaker 9: He cried too by shot make cars?

513
00:27:49,400 --> 00:27:51,240
Speaker 4: I cry? Baby?

514
00:27:51,559 --> 00:27:53,480
Speaker 9: Did you ever have a woman had two husbands?

515
00:27:53,480 --> 00:27:53,880
Speaker 4: Behind that?

516
00:28:13,920 --> 00:28:18,039
Speaker 2: It's a street of sounds, this Broadway. The hissing of

517
00:28:18,079 --> 00:28:21,240
the neon through the winter wind, the far away echo

518
00:28:21,400 --> 00:28:25,119
of the girl's laughter, the rasping of light deep inside

519
00:28:25,160 --> 00:28:29,319
the earth, and the other sounds, the sides, the whispered

520
00:28:29,440 --> 00:28:35,759
please that no one hears. It's Broadway, the goddess, the

521
00:28:35,759 --> 00:28:43,799
most violent, the lonesomest mile in the world. Broadway might beat.

522
00:28:59,519 --> 00:29:03,680
Speaker 3: Broadway is My Beat stars Larry Thor as Detective Danny Klover,

523
00:29:04,039 --> 00:29:08,359
with Charles Calvert Astrotaglia and Jack Kruscian as Muggavin. The

524
00:29:08,400 --> 00:29:11,920
program was produced and directed by Elliott Lewis, with musical

525
00:29:11,960 --> 00:29:16,279
score composed and conducted by Alexander Curriage. In tonight's story,

526
00:29:16,599 --> 00:29:19,680
Mary Jane Croft was heard as Lori Hayden and Anthony

527
00:29:19,720 --> 00:29:23,400
Barrett as Joe Hayden. Featured in the cast were Jack Moyles,

528
00:29:23,599 --> 00:29:36,279
Halmarsh and Herb Butterfield. Every Sunday night of most of

529
00:29:36,319 --> 00:29:40,960
these same stations, O's Broadway Playhouse brings you exciting, dramatic entertainment.

530
00:29:41,400 --> 00:29:44,119
This is the program on which an established star with

531
00:29:44,279 --> 00:29:47,279
national fame lends a hand to a newcomer on his

532
00:29:47,519 --> 00:29:50,640
or her way up the ladder towards stardom. Don't miss

533
00:29:50,680 --> 00:29:54,440
Broadway Playhouse Sunday Nights on CBS Radio for a great

534
00:29:54,480 --> 00:30:00,680
story and for a personal success story as well. Speaking,

535
00:30:01,039 --> 00:30:03,599
I remember the comedy Fat that Can't be Beat is

536
00:30:03,759 --> 00:30:11,839
Jack Any times Sunday nights on the CBS Radio Network.

537
00:31:02,759 --> 00:31:07,440
Speaker 1: Welcome back. Well, the most interesting thing in this episode

538
00:31:07,839 --> 00:31:11,880
was the teletype operator. And this is one of those

539
00:31:11,920 --> 00:31:14,960
things that I would have expected to come up and

540
00:31:15,079 --> 00:31:19,240
drag net and I don't think it ever did. Teletypes

541
00:31:19,640 --> 00:31:26,200
were not produced by machines, produced by operators on both ends,

542
00:31:26,680 --> 00:31:34,079
and here the officer helping with Danny recognizes the sort

543
00:31:34,160 --> 00:31:40,400
of patterns and styles done by this specific sergeant in

544
00:31:41,079 --> 00:31:44,039
Chicago in terms of the way he communicates. You know,

545
00:31:44,119 --> 00:31:49,920
it's still very professional, but obviously he's seen a lot

546
00:31:50,039 --> 00:31:53,920
of messages from Chicago and started to recognize, Yeah, these

547
00:31:53,920 --> 00:31:57,160
are things, this is the way he talks now. Of course,

548
00:31:57,359 --> 00:32:02,079
Danny handles it with the general disinterest he has for

549
00:32:02,200 --> 00:32:06,000
anything not related to doing his job. But I found

550
00:32:06,000 --> 00:32:09,920
it interesting anyway. And then we have a comment from

551
00:32:10,240 --> 00:32:14,400
Dawn regarding the Larrymore murder case, but more specifically one

552
00:32:14,440 --> 00:32:18,759
of the commercials referring to a radio show as a

553
00:32:18,920 --> 00:32:22,400
life spreader seems a bit threatening. It's one of those

554
00:32:22,519 --> 00:32:28,279
interesting situations with the way that language changes and involves,

555
00:32:28,400 --> 00:32:30,519
because I think if you said to somebody in the

556
00:32:30,640 --> 00:32:35,079
nineteen fifties and you film them and were about to

557
00:32:35,160 --> 00:32:38,480
upload the video and said you're gonna go viral, they

558
00:32:38,519 --> 00:32:42,000
would probably do that as a threat as well. Obviously

559
00:32:42,759 --> 00:32:46,960
at the time they meant to imply that this would

560
00:32:47,200 --> 00:32:49,440
spread goodwill and humor.

561
00:32:49,960 --> 00:32:50,640
Speaker 9: There are some.

562
00:32:50,799 --> 00:32:54,359
Speaker 1: Sitcobs that be a threat to say you were going

563
00:32:54,480 --> 00:32:58,200
to play them, but I won't get into that. Lest

564
00:32:58,359 --> 00:33:02,720
I accidentally and saw someone's favorite show. All right, Well,

565
00:33:02,759 --> 00:33:05,920
now it's time to thank our Patreon supporter of the day,

566
00:33:06,279 --> 00:33:08,759
and I want to go ahead and thank Pat. Pat

567
00:33:08,759 --> 00:33:13,359
has been one of our Patreon supporters since September twenty twenty,

568
00:33:13,440 --> 00:33:17,759
currently supporting the podcast at the rookie level of two

569
00:33:17,799 --> 00:33:21,039
dollars or more per month. Thanks so much for your support, Pat,

570
00:33:21,119 --> 00:33:24,400
And that'll do it for today. If you're enjoying the podcast,

571
00:33:25,000 --> 00:33:29,000
please follow us using your favorite podcast software and be

572
00:33:29,079 --> 00:33:31,799
sure to rate and review the podcast wherever you download

573
00:33:31,839 --> 00:33:37,480
it from. We'll be back next Wednesday with another episode

574
00:33:37,519 --> 00:33:41,039
of Broadways My Baby, but join us back here tomorrow

575
00:33:41,200 --> 00:33:43,279
for drag Netwere.

576
00:33:43,119 --> 00:33:45,079
Speaker 11: I suppose you know about Andy Paul? Miss Thompson. What

577
00:33:45,200 --> 00:33:47,680
happened this morning? What's that about Andy Paul? You heard

578
00:33:47,720 --> 00:33:48,440
what happened this morning?

579
00:33:48,559 --> 00:33:50,200
Speaker 10: Just what I read in the morning paper. They said

580
00:33:50,200 --> 00:33:52,920
he broke out of San Quentin, another man with him.

581
00:33:53,200 --> 00:33:54,960
It's true Anny did break up.

582
00:33:55,000 --> 00:33:55,480
Speaker 2: Yes, ma'am.

583
00:33:55,519 --> 00:33:57,680
Speaker 11: That's the information we have. Is an all points bulleting

584
00:33:57,720 --> 00:33:58,200
out on him.

585
00:33:58,359 --> 00:33:59,680
Speaker 10: Well, I don't want to get involved in it.

586
00:34:00,119 --> 00:34:00,519
Speaker 9: My business.

587
00:34:00,559 --> 00:34:01,799
Speaker 10: Andy doesn't mean anything to me.

588
00:34:02,279 --> 00:34:03,759
Speaker 11: Well, at the time he was set up, you were

589
00:34:03,759 --> 00:34:04,519
engaged to Powell.

590
00:34:04,559 --> 00:34:05,039
Speaker 2: Is that right?

591
00:34:05,319 --> 00:34:07,440
Speaker 10: Yes, But that was before he got into trouble, before

592
00:34:07,440 --> 00:34:09,480
he went to sam Quentin. I saw him after the trial.

593
00:34:09,480 --> 00:34:11,000
I told him how I felt about it. I told

594
00:34:11,039 --> 00:34:11,840
him wasn't any.

595
00:34:11,719 --> 00:34:14,039
Speaker 11: Use and he called it off, that it wasn't.

596
00:34:13,840 --> 00:34:16,320
Speaker 10: Much else to do. It was robbery. Five years to lie.

597
00:34:16,360 --> 00:34:19,119
It wasn't the first time either. Andy knew it'd be

598
00:34:19,159 --> 00:34:21,079
a long time, so Die, really, I had to tell

599
00:34:21,119 --> 00:34:22,159
him I had to call it off.

600
00:34:22,280 --> 00:34:24,800
Speaker 4: We understand you were on Powell's correspondence list while he

601
00:34:24,800 --> 00:34:25,480
was up at Quenton.

602
00:34:25,559 --> 00:34:26,639
Speaker 11: He wrote to Hi vidit.

603
00:34:26,679 --> 00:34:28,920
Speaker 10: Yes, the first couple of months. We haven't written lately though.

604
00:34:28,960 --> 00:34:30,639
It wasn't any point to it, no point at all.

605
00:34:31,320 --> 00:34:32,800
Speaker 4: Well, when was the last time you heard from poulll

606
00:34:32,800 --> 00:34:34,559
Miss Thompson, last time you wrote to him?

607
00:34:34,639 --> 00:34:37,800
Speaker 10: Oh? Eight or ten months least? That. As I say,

608
00:34:37,840 --> 00:34:39,800
there wasn't much sense in going on, and he knew

609
00:34:39,800 --> 00:34:41,760
he was in there for a long time. He couldn't

610
00:34:41,760 --> 00:34:44,280
expect me to wait all that time. Matter of fact,

611
00:34:44,320 --> 00:34:45,400
he said he didn't expect it.

612
00:34:45,440 --> 00:34:46,679
Speaker 2: He told me that you've been up.

613
00:34:46,599 --> 00:34:48,119
Speaker 11: To visit poul recently, Miss Thompson.

614
00:34:48,199 --> 00:34:49,559
Speaker 10: No, No, I haven't well and.

615
00:34:49,639 --> 00:34:51,280
Speaker 11: You haven't seen him since he went up to Quenton.

616
00:34:51,280 --> 00:34:52,039
You'll swear to that.

617
00:34:52,280 --> 00:34:53,880
Speaker 10: Why do I have to swear to it? I already

618
00:34:53,920 --> 00:34:56,599
told you Andy doesn't mean anything to me, didn't make sense,

619
00:34:56,639 --> 00:34:58,760
it's all over. I'm not even a relative. Why do

620
00:34:58,800 --> 00:34:59,880
I have to swear to anything.

621
00:35:00,000 --> 00:35:01,639
Speaker 11: You haven't seen Poe since you went up to Quintain.

622
00:35:01,679 --> 00:35:04,840
That right, Miss Thompson? Is that right?

623
00:35:05,239 --> 00:35:06,920
Speaker 10: What if I saw him? If I didn't see what

624
00:35:06,960 --> 00:35:08,639
difference does it make? It's none of my business?

625
00:35:08,760 --> 00:35:11,079
Speaker 11: Or did you say, miss Thompson, what difference does it make?

626
00:35:11,239 --> 00:35:13,400
Speaker 1: I hope you'll be with us then in the meantime,

627
00:35:14,400 --> 00:35:19,159
send your comments to Box thirteen at Greatdetectives dot net,

628
00:35:19,559 --> 00:35:23,079
follow us on Twitter at Radio Detectives, and check us

629
00:35:23,079 --> 00:35:28,719
out on Instagram, Instagram, dot com, slash Great Detectives from

630
00:35:29,039 --> 00:35:33,320
boiseata Ho. This is your host, Adam Graham signing off.

