1 00:00:28,399 --> 00:00:34,280 Speaker 1: Welcome to Great Detectives Old Time Radio from Boise, Idaho. 2 00:00:34,479 --> 00:00:37,960 This is your host, Adam Graham. In a moment, we're 3 00:00:37,960 --> 00:00:41,119 going to bring you this week's episode of Broadways My Beat. 4 00:00:41,240 --> 00:00:43,880 But first I want to encourage you. If you're enjoying 5 00:00:43,880 --> 00:00:48,560 the podcast, please follow us using your favorite podcast software. 6 00:00:49,240 --> 00:00:51,640 And today's program is brought to you in part by 7 00:00:51,679 --> 00:00:54,320 the financial support of our listeners. You can support the 8 00:00:54,359 --> 00:00:57,399 show on a one time basis support dot Great Detectives 9 00:00:57,399 --> 00:01:00,159 dot net. I want to thank Gene for support bring 10 00:01:00,240 --> 00:01:03,079 the podcast that way. You can also become one of 11 00:01:03,119 --> 00:01:06,400 our ongoing Patreon supporters for as little last two dollars 12 00:01:06,400 --> 00:01:11,200 per month. Just go to Patreon dot Great Detectives dot net. 13 00:01:11,319 --> 00:01:15,599 But now, from December twenty ninth, nineteen fifty one, here 14 00:01:15,719 --> 00:01:18,200 is the Ted Everly murder case. 15 00:01:34,000 --> 00:01:39,680 Speaker 2: Yes you, Ross Locke, that's right, you police. You got 16 00:01:39,680 --> 00:01:42,120 a reason to come around this time of night. My 17 00:01:42,159 --> 00:01:43,840 wife and I were just going to sleep. 18 00:01:44,120 --> 00:01:45,920 Speaker 3: You were in a place earlier at night. A bar 19 00:01:45,959 --> 00:01:49,319 on one hundred and thirty nine seven lots of bars 20 00:01:49,319 --> 00:01:51,319 on that sweet There's an alley behind this one where 21 00:01:51,319 --> 00:01:52,599 a man was beaten to death. 22 00:01:55,200 --> 00:01:57,200 Speaker 2: Nobody at all honey, you just go back to sleep, 23 00:01:58,439 --> 00:01:59,840 said a man was beating to death. 24 00:02:00,040 --> 00:02:02,040 Speaker 3: A man who invited you out into an alley, a 25 00:02:02,120 --> 00:02:03,760 shoe salesman named was Ted Ebery. 26 00:02:04,000 --> 00:02:12,639 Speaker 2: Oh yeah, honey, Janie, I got to go out for 27 00:02:12,680 --> 00:02:14,879 a while. Honey, don't you wait up for me here? 28 00:02:16,599 --> 00:02:20,520 All right, let's go huh quietly, we're waking everybody in 29 00:02:20,520 --> 00:02:23,560 the house. H M. 30 00:02:39,520 --> 00:02:45,479 Speaker 3: Sit over there, Ross, This is a protective muggle, hi, Ross. 31 00:02:46,000 --> 00:02:48,719 Speaker 2: Now we all know each other. That's right. We're going 32 00:02:48,800 --> 00:02:52,280 to get along too, aren't we. Ros Sure sure anything. 33 00:02:52,479 --> 00:02:56,560 Speaker 3: Tomm you're a fighter, Ross, welter good one. Muggovin here 34 00:02:56,639 --> 00:02:59,000 is quite a fight fan. I just mentioned your name 35 00:02:59,039 --> 00:03:00,560 to him in the all abouts sure. 36 00:03:00,599 --> 00:03:02,199 Speaker 4: Every time you hit the garden, that was me in 37 00:03:02,240 --> 00:03:07,319 the aisle seat, third row. They had class, real class, Danny. 38 00:03:07,680 --> 00:03:08,080 Speaker 2: Yeah. 39 00:03:08,159 --> 00:03:10,039 Speaker 5: How many times have I told you about this boy? 40 00:03:10,520 --> 00:03:11,439 Speaker 2: How many times a week? 41 00:03:11,479 --> 00:03:14,319 Speaker 4: I ask myself why a boy like Ross quits, resigns 42 00:03:14,319 --> 00:03:17,120 from the field, a chap with crowbars. 43 00:03:16,599 --> 00:03:19,400 Speaker 2: In the space, Why, I ask yourself? Why not ask me? 44 00:03:20,400 --> 00:03:25,680 All right? Ross, I'm asked fighting. That's not the way, 45 00:03:25,840 --> 00:03:29,080 not for me. The other boys I know all the 46 00:03:29,120 --> 00:03:30,240 reasons why they fight. 47 00:03:30,879 --> 00:03:35,680 Speaker 3: All the reasons for me, what's for you? 48 00:03:35,840 --> 00:03:38,319 Speaker 2: Russ? I make the model model. 49 00:03:39,039 --> 00:03:41,360 Speaker 4: Kids are playing ships and bottles, things like that. 50 00:03:41,759 --> 00:03:48,599 Speaker 2: From blueprints, conventions, buildings, machine All the scale gives them 51 00:03:48,599 --> 00:03:50,639 a chance to see and touch what they were dreaming 52 00:03:50,680 --> 00:03:53,800 about on the drafting board. Gives me a chance to 53 00:03:54,000 --> 00:03:57,199 use my hands, real fine work. 54 00:03:58,360 --> 00:04:01,879 Speaker 3: Scared, I like that sounds interesting. 55 00:04:02,199 --> 00:04:06,439 Speaker 2: I like it. Sure you do. You killed a man tonight, 56 00:04:06,560 --> 00:04:09,479 Ross I didn't kill him, or maybe you didn't mean 57 00:04:09,520 --> 00:04:10,120 to it first. 58 00:04:10,120 --> 00:04:13,240 Speaker 4: Maybe you forgot the boy with fish like yours, deadly 59 00:04:13,280 --> 00:04:16,519 weapons we called a fighter can kill him out easy, with. 60 00:04:16,519 --> 00:04:17,319 Speaker 2: Hands like yours. 61 00:04:17,399 --> 00:04:19,879 Speaker 3: I told you haven't rushed. You haven't told us this thing, 62 00:04:20,040 --> 00:04:21,079 except you were in the bar. 63 00:04:21,600 --> 00:04:24,399 Speaker 2: I was sitting there with my friend. Let's talk him. 64 00:04:24,959 --> 00:04:28,879 This guy came up the slummer drunk. I had to 65 00:04:28,879 --> 00:04:32,279 pick a fight, and they do that sometimes gives him kicks, 66 00:04:32,279 --> 00:04:35,279 because I remember I was a fighter once. Sure, sure 67 00:04:35,319 --> 00:04:35,800 they do that. 68 00:04:36,720 --> 00:04:38,920 Speaker 4: But this one you took out in the alley, beat 69 00:04:39,000 --> 00:04:40,160 him to death, murdered him. 70 00:04:41,199 --> 00:04:43,519 Speaker 2: Yeah. I took him out in the alley with my 71 00:04:43,680 --> 00:04:47,000 arm around him, tried to talk to him, reason with him. 72 00:04:47,319 --> 00:04:51,040 I'm crazy. I had to do that sometimes. I walked 73 00:04:51,120 --> 00:04:53,879 him up the alley from the bar. He broke away, 74 00:04:54,079 --> 00:04:57,759 pulled a jack knife, name after it passed out before 75 00:04:57,759 --> 00:05:04,879 he gets and he poor, miserable. And after that I 76 00:05:04,879 --> 00:05:08,959 didn't touch him, just walked away from him, under around, 77 00:05:09,079 --> 00:05:12,560 walked away down the other end of the alley. One home. 78 00:05:12,639 --> 00:05:15,439 Speaker 6: Hello, boy, guess what I got? 79 00:05:15,600 --> 00:05:17,959 Speaker 2: Boy? We give up Webster? What he got? 80 00:05:18,120 --> 00:05:22,040 Speaker 7: I rip that Everleven rip as corps. Don't talk to 81 00:05:22,079 --> 00:05:24,720 him anymore. Ross boy, you don't have to. I'm taking 82 00:05:24,720 --> 00:05:25,560 you away from all this. 83 00:05:26,160 --> 00:05:26,839 Speaker 2: I don't know. 84 00:05:27,000 --> 00:05:29,079 Speaker 7: I know, boy, I know, and I'm a friend of 85 00:05:29,120 --> 00:05:31,720 a friend of yours. Fellow, you haven't been very nice 86 00:05:31,759 --> 00:05:35,199 to Jack Cobol, your former manager, but he's your nice. 87 00:05:34,959 --> 00:05:35,680 Speaker 5: To you Coobyl. 88 00:05:35,680 --> 00:05:39,600 Speaker 7: He I had old Billy Webster counselor. And you're going 89 00:05:39,680 --> 00:05:42,040 to get up and walk out of here just because 90 00:05:42,079 --> 00:05:42,519 I say so. 91 00:05:43,240 --> 00:05:43,959 Speaker 5: He'sney boy. 92 00:05:44,399 --> 00:05:52,000 Speaker 3: Yeah, and you too, Webster leaf with him. The next morning, 93 00:05:52,000 --> 00:05:54,439 look up a man named Jack Cobol. Come up with 94 00:05:54,439 --> 00:05:57,040 an address of a place as He's gym on Amsterdam. 95 00:05:57,680 --> 00:06:03,000 Go there a gem like a sweaty hot training quarters 96 00:06:03,000 --> 00:06:06,959 for latter day gladiators classed variously according to Pounded records 97 00:06:07,040 --> 00:06:13,519 expectations boxers, punchers, bummers past the middleweight. It was being 98 00:06:13,519 --> 00:06:16,839 furious at a canvas bag. A lightweight being nimble with 99 00:06:16,879 --> 00:06:19,839 a jumping rope, brushed against a man in an overcoat 100 00:06:19,879 --> 00:06:22,120 who had taken a fighting stance and was sneering his 101 00:06:22,199 --> 00:06:25,839 broken face into full length mirror. Stop a boy with 102 00:06:25,879 --> 00:06:29,319 a bucket and ask for Jack Colbo and be told 103 00:06:29,360 --> 00:06:33,439 that's him over near the ring and the purple T shirt. 104 00:06:34,000 --> 00:06:35,839 Speaker 8: Well it, what's the matter with you? 105 00:06:35,920 --> 00:06:36,560 Speaker 7: Pull the left? 106 00:06:37,480 --> 00:06:40,360 Speaker 3: No, no, no, your name Cobo? 107 00:06:40,600 --> 00:06:42,439 Speaker 5: Yeah, so toss it already. 108 00:06:42,480 --> 00:06:43,480 Speaker 8: Don't stand there and wave it. 109 00:06:43,600 --> 00:06:48,199 Speaker 9: Go ahead, go ahead, okay, can't do something in the 110 00:06:48,199 --> 00:06:48,720 heavy bag? 111 00:06:48,800 --> 00:06:50,959 Speaker 5: Three rounds? Okay? 112 00:06:51,040 --> 00:06:53,519 Speaker 3: What I'm from the police. I want to know what 113 00:06:53,600 --> 00:06:55,560 made you hire a lawyer for Ross Locke. 114 00:06:56,160 --> 00:06:58,959 Speaker 9: I think because Christmas is over. I'm strange because I'm friendly. 115 00:06:59,040 --> 00:07:02,720 I just asked telling you I'm under a ross lot. 116 00:07:03,519 --> 00:07:04,360 Speaker 2: It's the matter with you? 117 00:07:04,399 --> 00:07:05,399 Speaker 5: Don't you have friends? 118 00:07:05,439 --> 00:07:07,279 Speaker 3: Look, mister Kobo, I'm trying to find out all I 119 00:07:07,319 --> 00:07:09,680 can about Ross low because I understand that you used 120 00:07:09,720 --> 00:07:11,639 to manage him. He was a comer. He left you, 121 00:07:12,319 --> 00:07:13,040 didn't it bother you? 122 00:07:13,639 --> 00:07:16,199 Speaker 5: Looked like I'm stone. Sure it bothered me. 123 00:07:16,800 --> 00:07:19,879 Speaker 9: Fighter like him giving up all that sure dope for 124 00:07:20,000 --> 00:07:22,240 me too should bothers me. 125 00:07:22,360 --> 00:07:23,279 Speaker 3: But you're still his friend. 126 00:07:23,480 --> 00:07:26,319 Speaker 5: So especially what I saw last night. 127 00:07:27,319 --> 00:07:29,160 Speaker 3: You were at that bar last night, you saw the fight. 128 00:07:30,079 --> 00:07:30,959 Where were you when. 129 00:07:30,879 --> 00:07:32,560 Speaker 5: I got there trying to find Ross? 130 00:07:33,319 --> 00:07:34,560 Speaker 3: Just tell me what happened. 131 00:07:34,839 --> 00:07:37,199 Speaker 9: Dame standing in the doorway with a bottle. I couldn't 132 00:07:37,199 --> 00:07:40,079 get near Ross, and that Slummer went outside and around 133 00:07:40,079 --> 00:07:43,240 the blocking up the alley. Slummer was banging on Ross 134 00:07:43,639 --> 00:07:46,519 the names he was calling him. I'm going to court 135 00:07:46,560 --> 00:07:48,600 and testify self defense for Ross. 136 00:07:48,639 --> 00:07:49,120 Speaker 5: Like it was. 137 00:07:49,279 --> 00:07:50,920 Speaker 3: Ross said he didn't put a hand on that man. 138 00:07:51,240 --> 00:07:53,800 Speaker 9: Maybe that's your story. Ross was planning tows, but that's 139 00:07:53,800 --> 00:07:58,040 not the way it happened. Me testifying my lawyer is 140 00:07:58,160 --> 00:07:58,839 self defense. 141 00:07:58,879 --> 00:08:02,160 Speaker 3: Please possibly that man was holding a jack knife. So 142 00:08:02,199 --> 00:08:02,920 it will be simple. 143 00:08:03,720 --> 00:08:12,720 Speaker 9: I'm gonna take care of everything. I'm gonna fide me. Yeah, yeah, he'sier. 144 00:08:13,439 --> 00:08:20,399 I'll take the message. Okay, Sure, I'll tell him it's 145 00:08:20,439 --> 00:08:23,319 for you. I just don't let people to use my 146 00:08:23,480 --> 00:08:24,920 phone germs. 147 00:08:24,519 --> 00:08:25,199 Speaker 5: And the mouth beats. 148 00:08:25,319 --> 00:08:26,120 Speaker 3: What was the message? 149 00:08:26,639 --> 00:08:28,519 Speaker 9: Message is about the Harlem River at the end of 150 00:08:28,560 --> 00:08:30,240 Lennox said, that's where you want it. 151 00:08:30,279 --> 00:08:31,040 Speaker 5: In a hurry. 152 00:08:31,639 --> 00:08:50,440 Speaker 2: You living goodbye. 153 00:08:46,519 --> 00:08:46,879 Speaker 1: Over here? 154 00:08:46,960 --> 00:08:47,480 Speaker 7: Danny? 155 00:08:49,480 --> 00:08:52,440 Speaker 2: Who ponder some kid looked in the river? 156 00:08:52,480 --> 00:08:53,480 Speaker 3: There she was yelled for. 157 00:08:53,559 --> 00:08:55,919 Speaker 2: The police got around just a little while ago. 158 00:08:55,960 --> 00:08:57,000 Speaker 3: Why did you call me mothering? 159 00:08:57,000 --> 00:08:57,639 Speaker 2: Couldn't you handle it? 160 00:08:57,960 --> 00:09:00,840 Speaker 3: I didn't think you'd want me to, didn't they tell 161 00:09:00,879 --> 00:09:01,519 you over the phone? 162 00:09:01,639 --> 00:09:02,320 Speaker 6: Come on, come on? 163 00:09:02,360 --> 00:09:09,200 Speaker 2: Who is she? I'll take a blanket off. See Darle Bennett. 164 00:09:09,360 --> 00:09:11,960 Speaker 4: Uh huh, the woman of scream murder in the alley 165 00:09:12,039 --> 00:09:15,039 last night. We'd better look close then. 166 00:09:17,639 --> 00:09:20,279 Speaker 3: Murder. That's right, Carol Bennett. 167 00:09:20,320 --> 00:09:22,080 Speaker 2: Danny strangled at death. 168 00:09:35,759 --> 00:09:38,960 Speaker 10: You are listening to Broadways My Beat, written by Morton 169 00:09:39,039 --> 00:09:42,720 Fine and David Freakin and starring Larry Thor as Detective 170 00:09:42,840 --> 00:09:43,480 Danny Clover. 171 00:09:44,720 --> 00:09:46,399 Speaker 8: For each hour of each. 172 00:09:46,279 --> 00:09:49,600 Speaker 10: Day of the year, someone dies, a man steps off 173 00:09:49,600 --> 00:09:53,519 a curb without looking in both directions, a woman jay walks, 174 00:09:53,679 --> 00:09:56,399 and a child turns a corner on his bicycle without 175 00:09:56,440 --> 00:10:00,879 looking first. Nearly nine thousand pedestrians were killed in these 176 00:10:00,919 --> 00:10:04,759 and other motor accidents during nineteen fifty one. The fault 177 00:10:04,879 --> 00:10:09,480 many times is yours. The pedestrian careless walking is as 178 00:10:09,600 --> 00:10:11,840 dangerous as careless driving. 179 00:10:21,840 --> 00:10:24,960 Speaker 3: Broadway makes happy holidays for the time of the year's dying, 180 00:10:25,159 --> 00:10:28,200 those twelve long months with not enough laughter. They're going 181 00:10:28,279 --> 00:10:31,240 now and it's a time for dancing. So hurry up 182 00:10:31,279 --> 00:10:33,960 and exchange the Christmas presents. Get out on the street, 183 00:10:34,080 --> 00:10:36,879 buy a noise maker and create a stir. It's the 184 00:10:36,960 --> 00:10:41,039 thing to do. Join the mob, kid. Everybody's making the 185 00:10:41,120 --> 00:10:44,240 nude dreams for the new year, maybe even today. Maybe 186 00:10:44,240 --> 00:10:46,759 the golden girl will smile. Dear from the crowd and 187 00:10:46,840 --> 00:10:54,559 beckon once happened to a friend of yours. But in 188 00:10:54,600 --> 00:10:58,399 my office at police headquarters, no crowd, just me. The 189 00:10:58,480 --> 00:10:59,879 sergeant with papers is handed. 190 00:11:00,720 --> 00:11:02,600 Speaker 2: Danny, Yeah, what is it? 191 00:11:02,679 --> 00:11:04,200 Speaker 5: You know, I'm worried. 192 00:11:04,639 --> 00:11:05,320 Speaker 3: What's the trouble? 193 00:11:05,759 --> 00:11:09,480 Speaker 2: Next year is leapyer and it worries young Go. 194 00:11:09,399 --> 00:11:13,519 Speaker 11: Ahead, laugh, make funny jokes, make mockery of daddy's cares 195 00:11:13,519 --> 00:11:14,000 and woes. 196 00:11:14,080 --> 00:11:15,960 Speaker 3: I'm not making mockery of anything to you know. What's 197 00:11:15,960 --> 00:11:16,440 the trouble. 198 00:11:17,519 --> 00:11:21,279 Speaker 11: My eldest youngster, Tina, she's seventeen. She told me last 199 00:11:21,360 --> 00:11:23,639 night the next year being leap Yer, she's going to 200 00:11:23,679 --> 00:11:26,120 pop the cock. The patrol man reared. She's going to 201 00:11:26,200 --> 00:11:27,919 offer her hand in marriage to me. 202 00:11:28,399 --> 00:11:31,000 Speaker 3: That's very nice. Tina's a lovely girl. Ridden is a 203 00:11:31,000 --> 00:11:31,919 fine officer. 204 00:11:32,200 --> 00:11:35,720 Speaker 11: Heckel, Go ahead, I stand there helpless before you're heckle. 205 00:11:36,000 --> 00:11:38,679 You're on their side, gino. After all the ticking thing 206 00:11:38,759 --> 00:11:41,320 we've been through, shoulder what I asked for first? Let 207 00:11:41,360 --> 00:11:42,799 me finish shoulder to shoulder. 208 00:11:42,919 --> 00:11:45,159 Speaker 2: Yeah, I did tell me about it now. 209 00:11:46,279 --> 00:11:49,240 Speaker 11: Carol Bennett is dead from strangle. Unknown casst him to 210 00:11:49,279 --> 00:11:51,960 the Holland River and found at eleven twenty three am by. 211 00:11:51,879 --> 00:11:53,639 Speaker 3: Tell me about Carol Bennett? What did you find? 212 00:11:54,279 --> 00:11:57,360 Speaker 11: Minor misdemeanors which caused the plague of thirty day sentences 213 00:11:57,480 --> 00:12:00,919 by our magistrates and many unheated lectures by saying the 214 00:12:01,039 --> 00:12:04,080 girl prone to petty thefts, etc. Where you lived, good 215 00:12:04,120 --> 00:12:08,120 drifter mostly outside of Harlem. Checked out the last address 216 00:12:08,159 --> 00:12:10,799 early this morning, threw twenty bucks at the landlady and said, 217 00:12:10,879 --> 00:12:14,519 bump out about the change. Who needs it? Now'll give 218 00:12:14,559 --> 00:12:17,440 you a piece of advice. I think she was strangled 219 00:12:17,440 --> 00:12:19,639 by that rows lock so that she could not testify 220 00:12:19,679 --> 00:12:20,200 against them. 221 00:12:20,279 --> 00:12:22,320 Speaker 5: You want an old points bulletin, Danny, I'll. 222 00:12:22,240 --> 00:12:24,879 Speaker 3: Let you know. I think I know where to find 223 00:12:24,919 --> 00:12:31,279 the back again to the tenement where the boy had 224 00:12:31,279 --> 00:12:34,480 first been picked up. And it's day now. No night 225 00:12:34,559 --> 00:12:37,799 time to veil the scarred doorways, no shadow to smother 226 00:12:37,919 --> 00:12:41,600 the sudden crying out that pierces the carters. No night 227 00:12:41,799 --> 00:12:44,720 sound of trumpet to wash away the stillness that follows 228 00:12:44,759 --> 00:12:49,759 on Harlem Tenement, huddled close in on itself against December, 229 00:12:50,399 --> 00:12:53,080 trying to soak up the last sunlight of a dying year, 230 00:12:54,000 --> 00:12:57,879 and never making anything. Walk through the silence that happened 231 00:12:57,879 --> 00:13:02,039 when your foot crossed its threshold, up the flight of stairs, 232 00:13:02,360 --> 00:13:04,799 down a hall whose walls are closer against him than 233 00:13:04,799 --> 00:13:07,720 there were the night before, knocking the door. 234 00:13:15,080 --> 00:13:19,120 Speaker 12: Oh, I thought you were someone else, Missus Locke. That's right. 235 00:13:19,679 --> 00:13:21,759 Speaker 3: What do you want? Ross up? 236 00:13:21,879 --> 00:13:22,320 Speaker 2: The police? 237 00:13:22,840 --> 00:13:25,759 Speaker 12: You're the man that was here last night. You took 238 00:13:25,879 --> 00:13:27,440 Ross away. He hasn't come home. 239 00:13:27,519 --> 00:13:29,840 Speaker 3: Why you won't try to stop me if I take 240 00:13:29,840 --> 00:13:47,200 a look around, Missus Locke, come on in. We want him. 241 00:13:47,200 --> 00:13:48,240 Missus Locke, where is it? 242 00:13:48,799 --> 00:13:51,320 Speaker 12: I don't know. You told me why you took him away. 243 00:13:51,399 --> 00:13:54,679 Speaker 3: He beat up a man last night, killed him. 244 00:13:54,720 --> 00:13:57,360 Speaker 12: You lie, you stand there and you lie to my face. 245 00:13:57,399 --> 00:13:59,279 Speaker 3: This morning a girl was found in the Harlem River. 246 00:13:59,399 --> 00:14:01,480 A girl had been strangle the girl and saw Ross 247 00:14:01,559 --> 00:14:02,080 kill the man. 248 00:14:02,360 --> 00:14:05,039 Speaker 12: And you're telling me me that I Ross did all that. 249 00:14:05,240 --> 00:14:07,919 Speaker 3: He left headquarters late last night. Did he come home? 250 00:14:10,320 --> 00:14:11,600 He's a fugitive analysis. 251 00:14:12,440 --> 00:14:16,399 Speaker 12: I've heard all about them fugitives. I've seen pictures on 252 00:14:16,480 --> 00:14:17,360 streets back home. 253 00:14:17,759 --> 00:14:19,879 Speaker 3: If you know where he is, it'll be better. 254 00:14:20,799 --> 00:14:24,559 Speaker 12: Come here, mister. I want to show you something. See 255 00:14:24,559 --> 00:14:28,279 that that's a model, a model of the new little 256 00:14:28,279 --> 00:14:32,000 machine Ross was working on. Look how tiny those parts are, 257 00:14:32,519 --> 00:14:36,600 how delicate. That's the way Ross uses his hands. You're 258 00:14:36,600 --> 00:14:38,639 going to stand there and tell me Ross uses his 259 00:14:38,720 --> 00:14:42,120 hands to kill. I don't want to talk to you any. 260 00:14:42,000 --> 00:14:42,480 Speaker 2: More, mister. 261 00:14:43,039 --> 00:14:51,559 Speaker 3: Get out and libr and leave the scars gouged up 262 00:14:51,600 --> 00:14:54,799 by words and fingernails and pen knives and the exchange 263 00:14:54,879 --> 00:14:58,080 value of a dollar. Get out into what Sunshine has 264 00:14:58,200 --> 00:15:07,320 left and call sergeant to Tagley. I tell him to 265 00:15:07,320 --> 00:15:09,960 get out on all points. Bulletin on Ross Locke and 266 00:15:10,080 --> 00:15:13,200 continue with your own checking. Then have detective mugam and 267 00:15:13,240 --> 00:15:14,840 drive you to the man, who, as far as you knew, 268 00:15:14,879 --> 00:15:17,320 was the last wonder I have seen Ross, the lawyer 269 00:15:17,360 --> 00:15:20,120 who had brought a writ go to the office of lawyer. 270 00:15:20,279 --> 00:15:23,200 Speaker 2: Webster led you came, Mannie lad you dropped in. 271 00:15:23,320 --> 00:15:25,559 Speaker 3: You're glad. I'm glad, Webster. I want you to be 272 00:15:25,559 --> 00:15:27,360 in a happy frame of mind. I got some questions 273 00:15:27,440 --> 00:15:30,120 when I asked you, that's going shoot? Where'd you go 274 00:15:30,159 --> 00:15:32,000 when you left headquarters with Ross Locke? 275 00:15:32,200 --> 00:15:35,960 Speaker 7: I took him home with me, gave McLean shirt, raiser, 276 00:15:36,240 --> 00:15:38,879 a son of blade, and some hot water. I wanted 277 00:15:38,960 --> 00:15:42,679 him to look real nice for what my client colbom. 278 00:15:42,840 --> 00:15:45,519 He likes people to look real nice when they come caught. 279 00:15:45,679 --> 00:15:48,200 Speaker 3: And that's where you took him. I didn't say that. 280 00:15:48,440 --> 00:15:50,559 Come on, Webster, you get cagy with me. You're a lawyer. 281 00:15:50,639 --> 00:15:51,559 Is gonna need a lawyer? 282 00:15:54,120 --> 00:15:57,519 Speaker 2: You're the one. Daddy, good old you. 283 00:15:57,519 --> 00:15:59,559 Speaker 3: You're ready to go downtown. We'll use my car. 284 00:16:00,000 --> 00:16:03,480 Speaker 7: I don't you just listened sometime instead of sneering. I 285 00:16:03,519 --> 00:16:05,039 never said I took Ross to Cobo. 286 00:16:05,120 --> 00:16:06,000 Speaker 3: That's up. Where'd he go? 287 00:16:06,440 --> 00:16:07,600 Speaker 6: How do I know where he went? 288 00:16:07,720 --> 00:16:08,440 Speaker 2: He walked out. 289 00:16:08,840 --> 00:16:10,120 Speaker 5: He wouldn't go see Cobo. 290 00:16:10,759 --> 00:16:11,840 Speaker 3: You know? Why? 291 00:16:12,360 --> 00:16:13,200 Speaker 2: What do you think I do? 292 00:16:13,360 --> 00:16:14,759 Speaker 6: Danny tapped people's brain. 293 00:16:15,559 --> 00:16:16,879 Speaker 5: I said, let's go see Cobo. 294 00:16:17,039 --> 00:16:17,240 Speaker 2: Kid. 295 00:16:17,440 --> 00:16:19,440 Speaker 8: He pushed me against the wall, you know, playfully. 296 00:16:20,120 --> 00:16:21,840 Speaker 5: So I couldn't get up for five minutes. 297 00:16:22,320 --> 00:16:25,039 Speaker 8: He pushed me and walked out. Personally, I don't like 298 00:16:25,080 --> 00:16:26,759 the question playful. 299 00:16:26,320 --> 00:16:29,000 Speaker 3: Boys like ross and that's all you can tell me. 300 00:16:29,440 --> 00:16:30,960 Speaker 8: I'm a bright and he after all? 301 00:16:31,039 --> 00:16:33,799 Speaker 3: Do I look like a boy who would? 302 00:16:34,320 --> 00:16:34,519 Speaker 2: Yeah? 303 00:16:34,600 --> 00:16:34,879 Speaker 1: What is it? 304 00:16:34,960 --> 00:16:38,840 Speaker 2: Muga vin the radio? What did I think We're. 305 00:16:38,720 --> 00:16:43,080 Speaker 13: Gonna get there? 306 00:16:52,720 --> 00:16:55,600 Speaker 4: Over there, Danny? They can lock between the tenements. 307 00:16:58,039 --> 00:16:59,960 Speaker 8: All right, you people, I get back. 308 00:17:00,559 --> 00:17:03,320 Speaker 2: Let us through, Please, let us through. 309 00:17:06,200 --> 00:17:07,480 Speaker 3: Okay, officer, we'll take it. 310 00:17:07,839 --> 00:17:15,720 Speaker 2: Give me a flash. Look at him, Danny. His hands, 311 00:17:17,119 --> 00:17:18,599 his hands are. 312 00:17:21,119 --> 00:17:23,839 Speaker 3: It was the first thing you saw in the quickening darkness, 313 00:17:23,920 --> 00:17:30,359 his hands, the hands that had shaped delicate things, minute things, crushed, broken, 314 00:17:30,480 --> 00:17:34,599 twisted into something without form, without name, and stained now 315 00:17:34,640 --> 00:17:38,640 with dull scarlet of a fury violence. And the boy's 316 00:17:38,640 --> 00:17:44,279 eyes as he looked at you considered your reaction, anguish 317 00:17:44,799 --> 00:17:47,920 and something else, something that made to turn a wave. 318 00:17:48,720 --> 00:17:53,000 Speaker 4: Ambuinus, Danny, take you, me and the patrolman to clear 319 00:17:53,039 --> 00:17:53,440 the crowd. 320 00:17:53,960 --> 00:17:54,720 Speaker 2: You hand them. 321 00:18:09,400 --> 00:18:10,759 Speaker 3: The left kid. 322 00:18:12,200 --> 00:18:14,119 Speaker 9: Lap laft. 323 00:18:14,839 --> 00:18:16,240 Speaker 8: Laugh from the shore of the bottle. 324 00:18:16,400 --> 00:18:19,319 Speaker 3: Laugh, how your boy, you can quit mock coble. I 325 00:18:19,400 --> 00:18:21,160 want to talk to you all. 326 00:18:21,119 --> 00:18:24,400 Speaker 9: Right, like a shower kid, see you in the morning. 327 00:18:26,039 --> 00:18:27,480 Thank you to the Jim Slate Clover. 328 00:18:27,759 --> 00:18:29,680 Speaker 3: I checked your house. They tell me you were down here. 329 00:18:30,319 --> 00:18:31,960 Now let me ask you the same question. 330 00:18:33,000 --> 00:18:36,440 Speaker 5: What keeps you here? Something you teasing myself? That kid 331 00:18:36,480 --> 00:18:39,920 you just saw as guts up everything by the left hand. 332 00:18:39,720 --> 00:18:40,839 Speaker 3: As good as Ross Locke. 333 00:18:40,880 --> 00:18:43,799 Speaker 5: I doubted last cot sock with both hands. 334 00:18:45,400 --> 00:18:45,839 Speaker 3: No more. 335 00:18:47,000 --> 00:18:47,440 Speaker 5: Yeah, I know. 336 00:18:48,559 --> 00:18:50,119 Speaker 9: Head it over the radio with the rest of the 337 00:18:50,200 --> 00:18:56,480 bad news. Holy slap one of these light bags clovery. 338 00:18:57,599 --> 00:18:58,599 Good for the nerves. 339 00:18:59,640 --> 00:19:01,240 Speaker 6: I get tense stuff. 340 00:19:01,279 --> 00:19:02,440 Speaker 3: Would I hear news like that? 341 00:19:03,680 --> 00:19:04,160 Speaker 2: Cut it out? 342 00:19:04,200 --> 00:19:07,839 Speaker 3: Coble kidding said, cut it out? 343 00:19:11,119 --> 00:19:11,839 Speaker 2: What's your mission? 344 00:19:11,880 --> 00:19:14,519 Speaker 3: I will two murders and assault? 345 00:19:15,559 --> 00:19:16,240 Speaker 2: How bad is he? 346 00:19:16,799 --> 00:19:20,279 Speaker 3: It'd be all right, won't be able to build any 347 00:19:20,279 --> 00:19:20,960 more models. 348 00:19:21,720 --> 00:19:22,720 Speaker 2: Yeah. 349 00:19:22,920 --> 00:19:25,000 Speaker 3: Somebody hit him over the head from behind, then went 350 00:19:25,079 --> 00:19:27,720 to work on his hands ruined. 351 00:19:28,400 --> 00:19:29,000 Speaker 2: Imagine. 352 00:19:30,559 --> 00:19:33,559 Speaker 5: I think there's somebody doing that to a guy's head. 353 00:19:33,680 --> 00:19:35,519 Speaker 3: Yeah, I can figure somebody doing that. 354 00:19:39,200 --> 00:19:43,680 Speaker 2: I'm sorry. I got you like it now. 355 00:19:43,759 --> 00:19:45,519 Speaker 3: Ross couldn't fight even if they wanted to. 356 00:19:45,759 --> 00:19:48,759 Speaker 9: For anybody he saw his hands you, I don't know 357 00:19:48,960 --> 00:19:51,559 a shame too, good boy like him. 358 00:19:51,640 --> 00:19:55,480 Speaker 3: You can't make models, can't fight. Probably as many jobs 359 00:19:55,519 --> 00:19:56,799 you'll be able to do with his hands. 360 00:19:58,960 --> 00:20:02,799 Speaker 5: Yeah, I'll send himself some time to time. 361 00:20:03,759 --> 00:20:06,759 Speaker 3: No, a girl named Carol Bennett should know her. 362 00:20:07,079 --> 00:20:09,720 Speaker 5: Dame of the bottle of Dame. We saw Ross Killette man, 363 00:20:09,920 --> 00:20:11,240 Dame you fished out of the river. 364 00:20:12,079 --> 00:20:13,240 Speaker 2: Who doesn't know her? 365 00:20:13,799 --> 00:20:16,759 Speaker 3: You know why she died? There was a reason. She 366 00:20:16,880 --> 00:20:20,440 was blackmailing, the killer of a Camden shoe salesman man 367 00:20:20,440 --> 00:20:23,079 who was found beating to death last night in an alley. 368 00:20:23,279 --> 00:20:26,559 Speaker 9: You're crazy? How got you blackmail Ross? He didn't have 369 00:20:26,599 --> 00:20:27,279 that kind of toe. 370 00:20:27,680 --> 00:20:30,960 Speaker 5: You do so but putting away for rainy days that 371 00:20:31,039 --> 00:20:32,079 gives you a long nose. 372 00:20:32,160 --> 00:20:33,960 Speaker 3: Girl was standing at the doorway of the alley. She 373 00:20:34,039 --> 00:20:36,680 saw what happened. Saw that Ross didn't touch that drunk. 374 00:20:37,240 --> 00:20:39,880 Saw Ross walk away the way Ross said he did. 375 00:20:39,880 --> 00:20:41,200 Speaker 5: You believe what the boy told you? 376 00:20:41,319 --> 00:20:41,480 Speaker 12: Yeah? 377 00:20:41,480 --> 00:20:41,680 Speaker 2: I do. 378 00:20:42,880 --> 00:20:45,000 Speaker 3: The way someone fixed his hands makes me believe it. 379 00:20:45,119 --> 00:20:47,160 Speaker 5: Boy gets himself a couple of broken hands. It makes 380 00:20:47,200 --> 00:20:48,279 him stop being a murderer. 381 00:20:48,480 --> 00:20:50,759 Speaker 2: Let me tell you a little bit more. What Carol saw. 382 00:20:51,920 --> 00:20:55,079 Speaker 3: She saw you. She saw you finish the job on 383 00:20:55,119 --> 00:20:58,319 the drunk that Ross didn't get to do blackmail. 384 00:20:59,640 --> 00:21:01,559 Speaker 5: Give a good deal of my time to that boy, 385 00:21:02,440 --> 00:21:03,680 even hide him a lawyer. 386 00:21:04,759 --> 00:21:06,119 Speaker 8: No, why would I go. 387 00:21:06,079 --> 00:21:07,079 Speaker 2: Do what you said? 388 00:21:07,559 --> 00:21:14,559 Speaker 5: Then I suddenly go crazy. Look your lock of clover. 389 00:21:14,839 --> 00:21:16,960 Speaker 3: You're going to appear as an eye with mister Ross's 390 00:21:17,000 --> 00:21:20,799 murder of that man. Told me so yourself that way. 391 00:21:20,839 --> 00:21:23,400 When Ross was acquitted, he'd owe your son to fight. 392 00:21:23,279 --> 00:21:23,839 Speaker 2: For you again. 393 00:21:25,359 --> 00:21:28,160 Speaker 5: Anybody ever call you a deep thinker, Danny. 394 00:21:28,440 --> 00:21:33,240 Speaker 3: And when he wouldn't come to you, you found him. 395 00:21:33,240 --> 00:21:33,640 Speaker 2: Reckon. 396 00:21:36,240 --> 00:21:41,519 Speaker 3: Let's go downtown, Cobo, be a put. 397 00:21:41,359 --> 00:21:42,559 Speaker 2: Down that jackknife. 398 00:21:43,720 --> 00:21:45,839 Speaker 3: It cuts glober. 399 00:21:46,400 --> 00:21:49,920 Speaker 8: Like this, your weight, your. 400 00:21:54,319 --> 00:21:56,880 Speaker 6: Closet, clever. 401 00:21:58,519 --> 00:22:13,960 Speaker 13: Over low, Okay, on your feet, let's go. 402 00:22:30,119 --> 00:22:32,960 Speaker 3: In a little while. Broadway will knock itself to pieces. 403 00:22:33,480 --> 00:22:35,960 Funny fellas, the funny hats, and lean out of the 404 00:22:35,960 --> 00:22:39,440 hotel windows and pour water on the celebrants of the 405 00:22:39,480 --> 00:22:44,599 tin horns. There'll be laughter and crowd and swirl and 406 00:22:44,680 --> 00:22:50,039 the fine thing the words happy New Year, and Broadway 407 00:22:50,119 --> 00:22:55,440 means it with all its heart. It's Broadway, the gaudiest, 408 00:22:56,640 --> 00:23:00,119 the most violent, the lonesomest. 409 00:22:59,480 --> 00:23:00,319 Speaker 2: Mile in the world. 410 00:23:01,759 --> 00:23:21,920 Speaker 6: Broadway, My beat, Broadway's my beat. 411 00:23:22,079 --> 00:23:26,240 Speaker 10: Stars Larry Thor as Detective Danny Clover, with Charles Calvert 412 00:23:26,319 --> 00:23:30,240 as to Taglia and Jack Krushian as Mugavin. The program 413 00:23:30,319 --> 00:23:33,559 was produced and directed by Elliott Lewis, with musical score 414 00:23:33,640 --> 00:23:38,079 composed and conducted by Alexander Courage. In tonight's story, Clayton 415 00:23:38,160 --> 00:23:41,799 Post was heard as Colbow and Roy Glenn as Ross Locke. 416 00:23:42,119 --> 00:23:46,559 Featured in the cast were Herb Butterfield, Charlotte Lawrence, Jenny Legone, 417 00:23:46,720 --> 00:23:47,759 and Jester. 418 00:23:47,599 --> 00:23:58,720 Speaker 8: Hairston Tomorrow Afternoon, don't. 419 00:23:58,480 --> 00:24:03,119 Speaker 10: Miss the third annual gathering of CBS Radio's top foreign correspondence, 420 00:24:03,319 --> 00:24:05,799 all making their year end reports on the state of 421 00:24:05,839 --> 00:24:09,519 the world. Ed Murrow is the host. Remember it's Tomorrow 422 00:24:09,599 --> 00:24:10,920 Afternoon on most. 423 00:24:10,720 --> 00:24:12,400 Speaker 6: Of these same radio stations. 424 00:24:12,799 --> 00:24:17,240 Speaker 10: It's hard hitting, it's factual, it's food for thought, it's 425 00:24:17,400 --> 00:24:30,400 years of crisis. Bill Andrews speaking. And remember those lovable rascals, 426 00:24:30,400 --> 00:24:33,759 Amos and Andy are here every Sunday on the CBS 427 00:24:33,880 --> 00:24:34,799 Radio Network. 428 00:25:26,799 --> 00:25:31,640 Speaker 1: Welcome back. I have to say that this whole plot 429 00:25:31,880 --> 00:25:38,960 of murdering the shoe salesman and hoping that Ross Locke 430 00:25:39,119 --> 00:25:42,720 gets framed for it so that you'll exonerate him and 431 00:25:42,759 --> 00:25:46,920 he'll feel like he owes you, and so he'll fight. 432 00:25:46,680 --> 00:25:47,559 Speaker 2: Again for you. 433 00:25:47,960 --> 00:25:53,559 Speaker 1: That seems a bit elaborate for a improvised first time, 434 00:25:53,880 --> 00:25:58,240 assumably a murder of a complete stranger on a night 435 00:25:58,279 --> 00:26:00,000 you'd just been planning to go out to the bar. 436 00:26:00,559 --> 00:26:04,240 I definitely feel bad for Ross Locke at the end. 437 00:26:04,519 --> 00:26:09,640 That's just really sad. And so broadways, my beat had 438 00:26:09,680 --> 00:26:12,799 no problem ending the year on a bit of a downer, 439 00:26:13,200 --> 00:26:16,880 although the New Year's message, which seemed like very similar 440 00:26:16,960 --> 00:26:22,000 to the one they did in nineteen fifty of what 441 00:26:22,119 --> 00:26:27,079 was a nice touch. Now Geno's concern about his daughter. 442 00:26:27,640 --> 00:26:32,599 There are probably a couple of things to understand. First 443 00:26:32,680 --> 00:26:37,960 of all, there was a tradition originally established in Ireland, 444 00:26:38,079 --> 00:26:42,240 but it spread throughout Europe, and that was on leap 445 00:26:42,319 --> 00:26:47,880 Day of Leap Year, so February twenty nine, women could 446 00:26:48,039 --> 00:26:53,240 legally propose marriage to their sweetheart. This practice was brought 447 00:26:53,440 --> 00:26:59,720 to Scotland by Irish monks and Queen Margaret passed a 448 00:26:59,759 --> 00:27:03,759 law allowing it, and then it kind of spread throughout Europe. 449 00:27:04,119 --> 00:27:10,160 So his daughter talking about taking advantage of that tradition 450 00:27:10,759 --> 00:27:14,839 to pop the question to this patrolman. Now in the 451 00:27:14,920 --> 00:27:20,400 twenty first century, in most areas of the United States, 452 00:27:20,680 --> 00:27:24,400 this would create a lot of concern, but not so 453 00:27:25,039 --> 00:27:30,319 in the nineteen fifties. In the nineteen fifties, the average 454 00:27:30,400 --> 00:27:34,680 age of a woman getting married for the first time 455 00:27:35,279 --> 00:27:40,480 was twenty point two years. Our average today is between 456 00:27:40,559 --> 00:27:44,240 twenty eight point four to twenty eight point six years, 457 00:27:44,359 --> 00:27:48,680 so on average, more women getting married closer to age 458 00:27:49,200 --> 00:27:52,279 thirty than to age twenty and so in a lot 459 00:27:52,359 --> 00:27:56,839 of that Danny's reaction makes sense. She's a wonderful girl, 460 00:27:57,440 --> 00:27:59,039 he's a great officer. 461 00:27:59,559 --> 00:28:00,599 Speaker 8: What's the problem? 462 00:28:01,039 --> 00:28:01,359 Speaker 2: Now? 463 00:28:01,400 --> 00:28:07,599 Speaker 1: Even if tartagly I didn't have any objections to the 464 00:28:07,680 --> 00:28:12,359 match in terms of merits of either of their character. 465 00:28:13,319 --> 00:28:17,160 As an aad, this would still be a very difficult 466 00:28:17,200 --> 00:28:20,440 proposition and something that I don't think you know would 467 00:28:20,480 --> 00:28:26,559 be ready for with so many feelings and anxiety surrounding it. Though, 468 00:28:26,640 --> 00:28:31,279 if you're looking for sympathy, going to the bachelor's probably 469 00:28:31,319 --> 00:28:33,559 not going to do a whole lot of good for you. 470 00:28:33,880 --> 00:28:38,799 And of course it's possible that his daughter might have 471 00:28:38,880 --> 00:28:42,599 been just saying something to get a rise out of 472 00:28:42,640 --> 00:28:46,599 her old dad. But what a teenage girl really say 473 00:28:46,720 --> 00:28:50,400 something just to shock her father. I'm not an expert, 474 00:28:50,480 --> 00:28:54,160 so I will demore. Now we turn to listener comments 475 00:28:54,160 --> 00:28:57,680 and feedback, and we start with an email from Nick 476 00:28:57,839 --> 00:29:01,119 at Berkeley, who writes in the Marriage Smith Murder Case. 477 00:29:01,160 --> 00:29:04,559 Sergeant Tartagley asked, Danny, why is this morning different than 478 00:29:04,599 --> 00:29:08,839 all the other mornings? Morton Fine and David Freakin, both 479 00:29:09,039 --> 00:29:11,359 being Jewish. I suspect this is a little nod to 480 00:29:11,400 --> 00:29:15,200 the Passover Seder, which begins with a child asking why 481 00:29:15,279 --> 00:29:18,000 is this not different than all other? 482 00:29:18,200 --> 00:29:18,640 Speaker 2: Nots? 483 00:29:19,000 --> 00:29:22,359 Speaker 1: Thanks Nicholas. I don't know if I would think of 484 00:29:22,400 --> 00:29:25,839 it as like an intentional nod. It seems like it'd 485 00:29:25,880 --> 00:29:29,480 be a little odd to make a Passover reference in 486 00:29:29,559 --> 00:29:32,799 a story that went out on December eight, But I 487 00:29:32,880 --> 00:29:36,279 think it may have been one of those things where 488 00:29:37,079 --> 00:29:41,759 the culture that a writer is raised in, the religion, 489 00:29:42,160 --> 00:29:47,240 the films, the music, it comes out in their work. 490 00:29:47,559 --> 00:29:51,640 Not all of the references are intentional or thought of, 491 00:29:52,079 --> 00:29:56,000 but if something has influence to writer, it does come 492 00:29:56,039 --> 00:29:59,000 out in their writing, which I think is a good 493 00:29:59,079 --> 00:30:03,319 explanation for the way that reference came in. And I 494 00:30:03,359 --> 00:30:06,000 appreciate your comment because that did strike me. I just 495 00:30:06,039 --> 00:30:11,599 didn't quite know what to make of it, But thanks 496 00:30:11,599 --> 00:30:14,480 so much for the email Nicholas. Well, now it's time 497 00:30:14,519 --> 00:30:17,400 to think our Patreon supporter of the day. I want 498 00:30:17,400 --> 00:30:22,680 to thank Alan, Patreon supporter since February twenty twenty four, 499 00:30:22,839 --> 00:30:27,000 currently supporting the podcast at the Detective Sergeant level of 500 00:30:27,039 --> 00:30:29,759 seven dollars and fourteen cents or more per month. Thanks 501 00:30:29,759 --> 00:30:32,079 so much for your support, Alan, And that will do 502 00:30:32,119 --> 00:30:35,079 it for today. If you're enjoying the podcast, please follow 503 00:30:35,160 --> 00:30:38,759 us using your favorite podcast software and be sure to 504 00:30:38,839 --> 00:30:41,680 rate and review the podcast wherever you download it from. 505 00:30:42,279 --> 00:30:47,039 We will be back next Wednesday with another episode of 506 00:30:47,079 --> 00:30:50,880 Broadways My Bait. But join us back here tomorrow for 507 00:30:51,279 --> 00:30:52,720 drag netwhere. 508 00:30:53,359 --> 00:30:55,559 Speaker 14: You know any other fellow's working for this five or Steve, 509 00:30:55,720 --> 00:30:58,359 any other kids in school? And no, just button me, 510 00:30:58,720 --> 00:31:01,160 That's all I know. It wouldn't be so bad if 511 00:31:01,160 --> 00:31:04,359 it was just the books. Lousy Charlie, you had to 512 00:31:04,359 --> 00:31:06,759 go and promote the party routine, get everybody mixed up 513 00:31:06,759 --> 00:31:06,960 in that. 514 00:31:07,599 --> 00:31:08,079 Speaker 2: How do you mean? 515 00:31:08,240 --> 00:31:09,880 Speaker 6: What's that all about, Charlie. 516 00:31:10,000 --> 00:31:12,799 Speaker 14: He stays at this place out on Sepalviita. It's a motel. 517 00:31:13,160 --> 00:31:16,160 That's where we always contacted him. Yeah, after a couple 518 00:31:16,200 --> 00:31:17,519 of weeks when we got to know him, He asked 519 00:31:17,559 --> 00:31:18,920 me and Bud out to this place, said he was 520 00:31:18,920 --> 00:31:20,960 going to throw a party, told us to bring our 521 00:31:21,000 --> 00:31:23,559 girl friends along. Turned out we were the only ones 522 00:31:23,599 --> 00:31:26,240 at the party, Me and Bud and the girls and 523 00:31:26,319 --> 00:31:30,160 Charlie Freiburg. Party lasted pretty late. I should have been 524 00:31:30,200 --> 00:31:31,400 smart enough to figure it out. 525 00:31:31,640 --> 00:31:32,200 Speaker 2: I wasn't. 526 00:31:32,599 --> 00:31:33,920 Speaker 3: What do you mean, Steve, figure out? 527 00:31:33,920 --> 00:31:34,000 Speaker 9: What? 528 00:31:34,319 --> 00:31:37,400 Speaker 14: Why Charlie be throwing parties just for us? The first 529 00:31:37,400 --> 00:31:40,039 two times, there wasn't anything wrong. We just talk, danced 530 00:31:40,039 --> 00:31:42,799 with the girls, drank some beer. Charlie told us to 531 00:31:42,799 --> 00:31:45,680 have a good time. He threw a party every Friday night. 532 00:31:46,240 --> 00:31:47,759 Never broke up till after three o'clock. 533 00:31:47,920 --> 00:31:49,160 Speaker 2: Old, your girl friend, your's and. 534 00:31:49,200 --> 00:31:52,359 Speaker 14: Buds seventeen and they're both seventeen. They've been around though. 535 00:31:52,440 --> 00:31:54,680 No use kidding you. They weren't very smart. I can 536 00:31:54,720 --> 00:31:56,000 tell you that none of us were. 537 00:31:56,039 --> 00:31:56,880 Speaker 2: I guess. 538 00:31:57,359 --> 00:32:00,480 Speaker 14: Next couple of parties, Charlie had whiskey. There some girls 539 00:32:00,559 --> 00:32:01,640 drink right along with them. 540 00:32:01,680 --> 00:32:03,640 Speaker 2: So did we tiebreak serve the whiskey? 541 00:32:03,640 --> 00:32:03,960 Speaker 3: Did he? 542 00:32:04,039 --> 00:32:06,400 Speaker 14: Yeah, that's right. We know that the drinks kept handing 543 00:32:06,400 --> 00:32:07,960 the girls. A lot of stuff about how I used 544 00:32:07,960 --> 00:32:10,000 to be a director in pictures, had a lot of 545 00:32:10,000 --> 00:32:13,279 connections in Hollywood. My last party I was at, he 546 00:32:13,319 --> 00:32:15,200 said he was going to get the girl's screen test. 547 00:32:15,480 --> 00:32:16,640 A lot of malarchy like that. 548 00:32:17,119 --> 00:32:19,519 Speaker 1: I hope you'll be with us then. In the meantime, 549 00:32:19,839 --> 00:32:24,559 send your comments to Box thirteen at Great Detectives dot net, 550 00:32:24,960 --> 00:32:28,079 follow us on Twitter at Radio Detectors, and check us 551 00:32:28,079 --> 00:32:34,720 out on Instagram, Instagram, dot com, slash Great Detectors From Boise, Idaho. 552 00:32:34,880 --> 00:32:37,759 This is your host, Adam Graham signing off.